1 00:00:00,240 --> 00:00:03,880 Speaker 1: I like your hat. I wore mine a couple of. 2 00:00:03,840 --> 00:00:06,440 Speaker 2: Times, your Holy Grailed Donuts hat. 3 00:00:06,600 --> 00:00:10,000 Speaker 1: My Holy Grailled Donuts test. By this time, our donut 4 00:00:10,119 --> 00:00:11,719 Speaker 1: might not be on the menu anymore. 5 00:00:11,880 --> 00:00:14,000 Speaker 2: No, it's not as till the end of November. But 6 00:00:14,080 --> 00:00:17,959 Speaker 2: I took a lady friend of mine and because I thought, like, 7 00:00:18,000 --> 00:00:23,560 Speaker 2: what's a more power power move than bringing a gal 8 00:00:23,680 --> 00:00:27,680 Speaker 2: that you are intrigued by to eat your donut at 9 00:00:27,760 --> 00:00:29,280 Speaker 2: Holy Grail Donuts? 10 00:00:29,600 --> 00:00:31,080 Speaker 1: Did she get all up in that donut? 11 00:00:31,760 --> 00:00:34,080 Speaker 2: Well, we got there and I just walked in. I 12 00:00:34,080 --> 00:00:37,159 Speaker 2: didn't try and be like I'm the guy from the donut. 13 00:00:37,320 --> 00:00:40,519 Speaker 2: I just walked in like a normal customer. And the 14 00:00:41,479 --> 00:00:43,640 Speaker 2: young lady at the cashier rang me up. And then 15 00:00:43,680 --> 00:00:46,560 Speaker 2: some of her colleagues were like, why are you charging him? 16 00:00:46,960 --> 00:00:52,159 Speaker 2: That's Zach from ZB and donald Forever the donut And 17 00:00:52,200 --> 00:00:54,240 Speaker 2: I said, no, no, no, I want to pay. I want 18 00:00:54,240 --> 00:00:56,960 Speaker 2: to give money to the charity. So don't you comp 19 00:00:57,080 --> 00:01:02,280 Speaker 2: me these donuts proceeds they are going to the midnight mission. 20 00:01:02,360 --> 00:01:05,399 Speaker 1: So how's the donut doing? That's the question I really 21 00:01:05,400 --> 00:01:06,000 Speaker 1: want to ask. 22 00:01:06,280 --> 00:01:09,280 Speaker 2: I hope that people are loving the donut and it 23 00:01:09,360 --> 00:01:10,920 Speaker 2: tasted delicious. 24 00:01:10,360 --> 00:01:10,800 Speaker 3: By the way. 25 00:01:11,640 --> 00:01:13,360 Speaker 1: It's it's very tasty. 26 00:01:13,880 --> 00:01:16,520 Speaker 2: My lady friend said, I think that's the best doughnut 27 00:01:16,560 --> 00:01:17,399 Speaker 2: I've ever had. 28 00:01:17,680 --> 00:01:19,000 Speaker 1: I like your lady friend a lot. 29 00:01:21,240 --> 00:01:24,920 Speaker 2: I'm surprised you haven't come met her. We'll see, you know, 30 00:01:24,959 --> 00:01:26,920 Speaker 2: it's early days. We'll see if you get to meet her. 31 00:01:26,959 --> 00:01:29,320 Speaker 2: If she makes the donald cut. 32 00:01:29,840 --> 00:01:30,760 Speaker 1: It's a tough cut. 33 00:01:31,920 --> 00:01:34,200 Speaker 2: But it's a cool hat, right is. It's corduroy, it's 34 00:01:34,280 --> 00:01:40,240 Speaker 2: yellow rock. This this is very danal in Brooklyn vibes absolutely. 35 00:01:40,319 --> 00:01:41,320 Speaker 3: I was looking at it. I was like, that is 36 00:01:41,319 --> 00:01:43,240 Speaker 3: a very cool hat. I was just that. Holy girl, donu, 37 00:01:43,240 --> 00:01:43,959 Speaker 3: it's a couple weeks ago. 38 00:01:44,280 --> 00:01:48,360 Speaker 2: Did you get zb and Donalds forever? I? Oh, you're 39 00:01:48,400 --> 00:01:48,840 Speaker 2: in New York. 40 00:01:48,920 --> 00:01:49,520 Speaker 3: You can't go. 41 00:01:49,960 --> 00:01:53,160 Speaker 2: No, you haven't branched out to New York yet, but 42 00:01:53,200 --> 00:01:53,600 Speaker 2: one day. 43 00:01:54,240 --> 00:01:56,160 Speaker 3: Yeah, I think. I think I just stopped it and 44 00:01:56,160 --> 00:01:57,720 Speaker 3: didn't actually get something good. 45 00:01:57,800 --> 00:02:04,720 Speaker 2: I know I'm biased, but it is so good, so delicious. 46 00:02:02,800 --> 00:02:05,120 Speaker 1: Scrumped dittly umptious is what I am. 47 00:02:05,280 --> 00:02:07,000 Speaker 2: I didn't sleep very well last night. I had a 48 00:02:07,080 --> 00:02:09,240 Speaker 2: bout of insomnia. So I thought if I I just 49 00:02:09,280 --> 00:02:11,119 Speaker 2: did a cold plunge, and I thought if I wore 50 00:02:11,160 --> 00:02:14,280 Speaker 2: bright colors. I would be really awake for this podcast. 51 00:02:14,600 --> 00:02:16,600 Speaker 1: Wait a minute, what do you mean you didn't sleep 52 00:02:16,800 --> 00:02:18,600 Speaker 1: very well? So you cold plunged. 53 00:02:19,520 --> 00:02:22,000 Speaker 2: I had some nights I have bouts of insomnia where 54 00:02:22,000 --> 00:02:24,760 Speaker 2: I toss and turn no matter what I do, and 55 00:02:24,919 --> 00:02:29,640 Speaker 2: I wanted to be, you know, awake and lively for 56 00:02:29,720 --> 00:02:32,320 Speaker 2: the podcast, so I got in my cold plunge. 57 00:02:32,919 --> 00:02:35,920 Speaker 1: Got it. I thought you were saying you were having 58 00:02:35,919 --> 00:02:40,040 Speaker 1: a hard time sleeping, so to battle that last night, 59 00:02:40,440 --> 00:02:42,000 Speaker 1: you decided to cold plunge. 60 00:02:42,240 --> 00:02:43,720 Speaker 2: No, that would not have worked done. 61 00:02:44,080 --> 00:02:46,120 Speaker 1: I don't think I was gonna say, dude, I think 62 00:02:46,160 --> 00:02:49,160 Speaker 1: your math's a little often that uh, and that nights. 63 00:02:49,000 --> 00:02:50,959 Speaker 2: My brain is just like, we're not doing it, bro. 64 00:02:51,160 --> 00:02:52,880 Speaker 2: I know you tried all the things I did, all 65 00:02:52,880 --> 00:02:55,160 Speaker 2: the things I took, I did all my whole regimen 66 00:02:55,240 --> 00:02:56,920 Speaker 2: to fucking go to bed, and my brain was like, no, 67 00:02:57,320 --> 00:02:59,480 Speaker 2: we're gonna fucking think till two thirty in the morning. 68 00:03:00,560 --> 00:03:02,239 Speaker 1: Did you have something to do the next day? 69 00:03:02,720 --> 00:03:04,400 Speaker 2: No, I just had a couple of things on my mind. 70 00:03:04,440 --> 00:03:07,080 Speaker 2: And I also do think I need to chill with caffeine. 71 00:03:07,120 --> 00:03:09,680 Speaker 2: To be honest, I think I gotta do an earlier 72 00:03:09,760 --> 00:03:14,200 Speaker 2: caffeine cut off. That's do you have a caffeine cut off? 73 00:03:14,960 --> 00:03:18,120 Speaker 3: You know, Daniel, you do, Yeah, definitely. 74 00:03:19,360 --> 00:03:23,240 Speaker 1: I I'm learning as a fifty year old man that 75 00:03:23,360 --> 00:03:28,120 Speaker 1: the caffeine, it does, it does it. I don't even 76 00:03:28,160 --> 00:03:30,760 Speaker 1: think it wakes me up anymore, you know what I mean. 77 00:03:31,160 --> 00:03:31,800 Speaker 1: It doesn't do. 78 00:03:32,280 --> 00:03:34,000 Speaker 3: It's just an addiction. It feels nice. 79 00:03:34,200 --> 00:03:36,480 Speaker 1: Yeah, it's yeah, that's what it is. You just like 80 00:03:36,520 --> 00:03:39,680 Speaker 1: that little jitter that you get and the bow movement 81 00:03:39,720 --> 00:03:40,520 Speaker 1: that it causes. 82 00:03:40,840 --> 00:03:43,040 Speaker 2: I know, when we're on set, you and I both 83 00:03:43,120 --> 00:03:45,960 Speaker 2: have many years of being like, oh shit, we're tired, 84 00:03:46,000 --> 00:03:48,000 Speaker 2: and we got to go be silly and wacky and 85 00:03:48,040 --> 00:03:51,720 Speaker 2: fucking go crazy, and we both blast our bodies with caffeine. 86 00:03:52,720 --> 00:03:57,080 Speaker 2: And that's fine on set, but when I'm home and 87 00:03:57,080 --> 00:03:59,960 Speaker 2: it's just like you know, it'll be like two thirds 88 00:04:00,560 --> 00:04:02,600 Speaker 2: and I'm like, oh man, I'm gonna make myself a 89 00:04:02,600 --> 00:04:06,000 Speaker 2: big ass espresso and I just don't need to be 90 00:04:06,080 --> 00:04:07,360 Speaker 2: having it that late in the day. 91 00:04:07,400 --> 00:04:09,000 Speaker 3: For me. I got to stop at like noon. 92 00:04:09,080 --> 00:04:12,320 Speaker 1: I think, ain't I mean, ain't nothing wrong with an 93 00:04:12,400 --> 00:04:15,400 Speaker 1: espresso at noon. But that's just me. That's with you. 94 00:04:15,440 --> 00:04:17,480 Speaker 2: But you don't suffer from something. But also you smoke. 95 00:04:17,560 --> 00:04:17,919 Speaker 3: Yeah, I do. 96 00:04:17,960 --> 00:04:19,839 Speaker 2: Gonja does the ganjit put you to bed? 97 00:04:20,040 --> 00:04:22,520 Speaker 1: It keeps you up? Actually, what happens is the ganju 98 00:04:22,600 --> 00:04:23,480 Speaker 1: can knock you down. 99 00:04:23,640 --> 00:04:25,440 Speaker 2: Oh yeah, well maybe if you don't, you're not switching 100 00:04:25,440 --> 00:04:27,160 Speaker 2: to the right, you're not switching to what he calls. 101 00:04:27,279 --> 00:04:30,040 Speaker 1: So yeah, I smoke. I smoke ta teva not into 102 00:04:30,120 --> 00:04:33,120 Speaker 1: gup right. I like the I like the feeling of being. 103 00:04:33,320 --> 00:04:36,000 Speaker 1: I like the caffeine feeling of it. Right, And what 104 00:04:36,160 --> 00:04:40,039 Speaker 1: happens is, I'll go to bed early, but I'll but 105 00:04:40,120 --> 00:04:42,560 Speaker 1: I'll also wake up early. So if I go to bed, 106 00:04:42,560 --> 00:04:45,039 Speaker 1: it like, I'll try to go down sometimes right when 107 00:04:45,040 --> 00:04:46,760 Speaker 1: the kids go down. So sometimes the kids go down 108 00:04:46,800 --> 00:04:48,960 Speaker 1: to day thirty. I'll try and be in bed at nine. 109 00:04:49,320 --> 00:04:51,760 Speaker 1: And when I do shit like that, I'll wake up 110 00:04:51,760 --> 00:04:54,400 Speaker 1: at like three thirty, four thirty in the morning. 111 00:04:54,480 --> 00:04:55,680 Speaker 3: Whoa that's ready to go. 112 00:04:56,120 --> 00:04:59,800 Speaker 1: Yeah, ready to go to smoke some more weed. 113 00:05:00,839 --> 00:05:03,240 Speaker 3: And so yeah, I hear you. 114 00:05:03,320 --> 00:05:07,320 Speaker 2: Well, I try I try everything. I try natural remedies, 115 00:05:07,360 --> 00:05:10,640 Speaker 2: I try prescription remedies, and then the prescription ones. Sometimes 116 00:05:10,640 --> 00:05:12,920 Speaker 2: you feel the next day and so you're tired, and 117 00:05:14,279 --> 00:05:17,080 Speaker 2: I don't know, it's just something a battle. But you know, 118 00:05:17,480 --> 00:05:18,600 Speaker 2: it's not that big a deal. 119 00:05:18,800 --> 00:05:19,160 Speaker 3: It's not. 120 00:05:19,279 --> 00:05:21,880 Speaker 2: It's people have much bigger problems than on insomnia. 121 00:05:22,760 --> 00:05:25,360 Speaker 1: Well, I mean it can lead to a lot of things, 122 00:05:25,400 --> 00:05:30,279 Speaker 1: and so you know I I I don't sleep well, bro, 123 00:05:30,600 --> 00:05:32,360 Speaker 1: I just don't. That's just what it is. 124 00:05:33,320 --> 00:05:35,400 Speaker 2: Yeah, do you see this mustache I'm trying to grow. 125 00:05:36,920 --> 00:05:39,279 Speaker 3: Oh, look at that. What do you think of coming 126 00:05:39,320 --> 00:05:41,479 Speaker 3: in I'm trying to grow a mustache. 127 00:05:41,800 --> 00:05:44,279 Speaker 1: Looks like you got some like like you drink some 128 00:05:44,680 --> 00:05:47,279 Speaker 1: and you have some shit on your lip. 129 00:05:48,000 --> 00:05:50,240 Speaker 2: Must Oh you're saying, my mustache looks like ship on 130 00:05:50,279 --> 00:05:50,640 Speaker 2: my lip. 131 00:05:50,760 --> 00:05:54,000 Speaker 1: It looks like you went like this actually sound effects machine. 132 00:05:54,520 --> 00:05:56,560 Speaker 3: It's good. Listen. 133 00:05:56,640 --> 00:05:59,479 Speaker 2: I want to see what I can do with this mustache. 134 00:05:59,520 --> 00:06:01,800 Speaker 2: Donald you you both. I'm talking to two men with 135 00:06:01,920 --> 00:06:03,280 Speaker 2: glorious mustaches. 136 00:06:04,240 --> 00:06:05,680 Speaker 1: I do have a great mustache. 137 00:06:05,760 --> 00:06:07,720 Speaker 2: Channel's beard, man, that's very full. 138 00:06:07,839 --> 00:06:09,279 Speaker 1: That's very impressive. 139 00:06:09,480 --> 00:06:12,480 Speaker 2: Speaking of full beards, I went to into its inoit 140 00:06:12,640 --> 00:06:14,120 Speaker 2: Dome and watched. 141 00:06:13,760 --> 00:06:20,520 Speaker 1: The Clippers play how does full Oh? Because I've met 142 00:06:21,080 --> 00:06:23,960 Speaker 1: great job, James Harden job. 143 00:06:24,120 --> 00:06:26,480 Speaker 2: I've never seen a more glorious beard than James. 144 00:06:26,680 --> 00:06:30,680 Speaker 1: Nice segue, my guy. 145 00:06:31,920 --> 00:06:34,240 Speaker 2: It's very beautiful. First of all, it's all state of 146 00:06:34,320 --> 00:06:36,320 Speaker 2: the art. The whole I think they call it the 147 00:06:36,360 --> 00:06:41,200 Speaker 2: halo of screens is really cool. It seems smaller than 148 00:06:41,320 --> 00:06:44,760 Speaker 2: other arenas. I think, I don't know how many its seats, 149 00:06:44,760 --> 00:06:46,360 Speaker 2: but it does. It's certainly not nearly as. 150 00:06:46,240 --> 00:06:47,320 Speaker 3: Big as Staples. 151 00:06:49,080 --> 00:06:51,680 Speaker 2: But like they said, they have the wall, like the 152 00:06:51,839 --> 00:06:55,720 Speaker 2: seats are very steep, so everyone has a pretty sick view. 153 00:06:57,560 --> 00:06:59,720 Speaker 1: And that's always good. 154 00:07:00,320 --> 00:07:02,920 Speaker 2: And you know, I don't know if the Jazz and 155 00:07:02,960 --> 00:07:07,839 Speaker 2: the and the Clippers, if that was a particularly good matchup, Donald, 156 00:07:07,839 --> 00:07:08,640 Speaker 2: did you watch the game? 157 00:07:09,480 --> 00:07:12,040 Speaker 1: You know what? I just saw the blowout that was 158 00:07:12,160 --> 00:07:16,560 Speaker 1: the Jazz and the Clippers. Clippers destroyed them, and then 159 00:07:16,600 --> 00:07:19,880 Speaker 1: the next night went out and beat Golden State by three. 160 00:07:20,720 --> 00:07:24,040 Speaker 1: James Harden is now second on the all time three 161 00:07:24,080 --> 00:07:27,000 Speaker 1: point scoring list. There's only one other person on that 162 00:07:27,080 --> 00:07:30,280 Speaker 1: list that's above him, and that person is Steph Curry 163 00:07:30,560 --> 00:07:32,600 Speaker 1: and they're both in the league right now. 164 00:07:32,680 --> 00:07:34,440 Speaker 2: So James Harden is really good. 165 00:07:35,080 --> 00:07:38,600 Speaker 1: James Harden at one point, I mean he's top seventy five. 166 00:07:39,800 --> 00:07:46,400 Speaker 1: James Harden at one point was the best offensive weapon 167 00:07:47,000 --> 00:07:50,760 Speaker 1: in the NBA at one point, for like three seasons straight. 168 00:07:51,640 --> 00:07:56,320 Speaker 1: He developed uh, he you know, he paid attention to 169 00:07:56,360 --> 00:08:00,960 Speaker 1: the rules of the game and developed let me see 170 00:08:00,960 --> 00:08:04,440 Speaker 1: what what I call it, I found a loophole and 171 00:08:04,560 --> 00:08:07,520 Speaker 1: has now developed this thing called I mean, the step 172 00:08:07,520 --> 00:08:10,640 Speaker 1: back was always there, but now because of this, what's 173 00:08:10,720 --> 00:08:14,560 Speaker 1: called a gather in the NBA. After you you gather, 174 00:08:14,720 --> 00:08:17,600 Speaker 1: you're allowed two steps. And he found a way to 175 00:08:18,480 --> 00:08:22,160 Speaker 1: turn his gather from his bounce behind a three point 176 00:08:22,200 --> 00:08:27,320 Speaker 1: line into a step side to side, which is now 177 00:08:27,760 --> 00:08:31,080 Speaker 1: legal in the NBA, which was never legal, and it's 178 00:08:31,240 --> 00:08:34,240 Speaker 1: and he was able to score so many fucking points 179 00:08:34,360 --> 00:08:39,960 Speaker 1: doing that and freaking throwing his body into defenders and 180 00:08:40,000 --> 00:08:45,080 Speaker 1: getting fouled. Oh my god. At one point nobody could 181 00:08:45,120 --> 00:08:48,319 Speaker 1: score in clips like him, And still to this day 182 00:08:48,360 --> 00:08:49,000 Speaker 1: he's pretty good. 183 00:08:49,200 --> 00:08:52,200 Speaker 2: Can I tell you something I noticed from sitting on 184 00:08:52,240 --> 00:08:56,280 Speaker 2: the floor that I never noticed before. It seems like 185 00:08:56,360 --> 00:08:59,640 Speaker 2: everybody's traveling. Now, maybe I don't understand the traveling rules. 186 00:08:59,840 --> 00:09:02,240 Speaker 1: You're right, so it seems to me when you're. 187 00:09:02,160 --> 00:09:05,560 Speaker 2: Sitting on the court, you're like the little I remember 188 00:09:05,640 --> 00:09:09,240 Speaker 2: of of of basketball rules, like, isn't that traveling? But 189 00:09:09,240 --> 00:09:11,200 Speaker 2: then people are like, no, you're allowed to do all 190 00:09:11,240 --> 00:09:12,359 Speaker 2: the ship You're saying. 191 00:09:12,400 --> 00:09:15,640 Speaker 1: Yeah, dude, the rules change. That a lot of a 192 00:09:15,679 --> 00:09:17,439 Speaker 1: lot of things changed since we were kids. 193 00:09:17,640 --> 00:09:20,120 Speaker 2: People are just running. It's like it's like it's literally 194 00:09:20,120 --> 00:09:20,560 Speaker 2: it's like it's. 195 00:09:20,480 --> 00:09:23,480 Speaker 1: Like dog ball and no and no and no touching either, 196 00:09:23,760 --> 00:09:27,760 Speaker 1: and no touching you like you're not allowed to. Really. 197 00:09:28,440 --> 00:09:30,720 Speaker 1: Back when we were kids, you could take your hand 198 00:09:31,440 --> 00:09:33,800 Speaker 1: and put it in the back of a player. 199 00:09:33,640 --> 00:09:35,960 Speaker 2: Or no, these guys. 200 00:09:36,000 --> 00:09:37,920 Speaker 1: Let me finish, and you would be able to if 201 00:09:37,920 --> 00:09:41,240 Speaker 1: you were strong enough, you could control any player. Now, 202 00:09:41,360 --> 00:09:43,000 Speaker 1: if you put your hands on somebody, it's a file 203 00:09:43,080 --> 00:09:46,960 Speaker 1: automatically right and so right. So you have to move 204 00:09:47,000 --> 00:09:50,040 Speaker 1: your feet, you have to use your body, and and 205 00:09:50,040 --> 00:09:53,040 Speaker 1: and and they're still following each other. But refs don't 206 00:09:53,080 --> 00:09:56,000 Speaker 1: call it like I mean, they never called it back 207 00:09:56,000 --> 00:09:58,079 Speaker 1: in the day. But it's a little bit softer than 208 00:09:58,120 --> 00:09:59,960 Speaker 1: it was. I'm not saying it's soft. 209 00:10:00,240 --> 00:10:03,080 Speaker 2: So you're saying, after you have the ball you can 210 00:10:03,160 --> 00:10:04,960 Speaker 2: take two full steps. 211 00:10:05,280 --> 00:10:08,360 Speaker 1: No, you can you after you have the ball, you're 212 00:10:08,360 --> 00:10:12,200 Speaker 1: supposed to only be able to take a step after 213 00:10:12,760 --> 00:10:14,440 Speaker 1: you've put the ball down to drift. 214 00:10:14,480 --> 00:10:15,280 Speaker 3: That's not happening. 215 00:10:15,320 --> 00:10:20,200 Speaker 1: I'm telling you your report, that's not what's happening. Absolutely not, 216 00:10:20,840 --> 00:10:21,719 Speaker 1: absolutely not. 217 00:10:21,880 --> 00:10:24,480 Speaker 2: And there actually was one traveling call, and I was like, 218 00:10:24,679 --> 00:10:27,240 Speaker 2: you called that one, but not the forty others have seen. 219 00:10:27,520 --> 00:10:32,439 Speaker 1: Yeah, that's various, stute Zach. Actually that's various because basketball. 220 00:10:32,720 --> 00:10:36,040 Speaker 1: That's the one complaint I do have with basketball. Giannis 221 00:10:36,120 --> 00:10:39,760 Speaker 1: Entertakoumpo gets to run up and down the court like 222 00:10:39,840 --> 00:10:43,560 Speaker 1: a deer and never put the ball down on the floor. 223 00:10:44,440 --> 00:10:47,080 Speaker 4: Yeah, speaking of a stute Zach, you were right. Crypto 224 00:10:47,080 --> 00:10:49,880 Speaker 4: dot Com Arena Staples if you will, has a twenty 225 00:10:49,960 --> 00:10:54,280 Speaker 4: thousand person cap into a dome has eighteen so okay justice. Yeah, 226 00:10:54,320 --> 00:10:55,960 Speaker 4: and then I heard and then I heard when they 227 00:10:55,960 --> 00:10:59,280 Speaker 4: do concerts there, which you know they just opened, they 228 00:10:59,360 --> 00:11:03,559 Speaker 4: remove a like a big chunk because of where they 229 00:11:03,600 --> 00:11:06,360 Speaker 4: put the stage stage. 230 00:11:06,000 --> 00:11:06,160 Speaker 1: So. 231 00:11:07,640 --> 00:11:10,680 Speaker 2: It's even less. But it seems like an amazing place 232 00:11:10,720 --> 00:11:13,480 Speaker 2: to see a show because of just all the different 233 00:11:13,520 --> 00:11:14,240 Speaker 2: vantage points. 234 00:11:14,520 --> 00:11:18,120 Speaker 1: Think about all the venues California has. Now, Like if 235 00:11:18,160 --> 00:11:23,080 Speaker 1: you're doing a tour you have like seven stops in California. 236 00:11:23,440 --> 00:11:28,199 Speaker 1: You gotta do state. I mean, you gotta do shoots. 237 00:11:27,840 --> 00:11:29,880 Speaker 2: By how big you are, how much you can handle. 238 00:11:29,920 --> 00:11:32,160 Speaker 2: I think Olivia Rigo was there recently. 239 00:11:32,920 --> 00:11:34,559 Speaker 1: I would try to do all of them. I'd be like, look, 240 00:11:34,600 --> 00:11:35,920 Speaker 1: this is what we're doing when we get to. 241 00:11:37,559 --> 00:11:40,679 Speaker 2: Shoot your la wand I shoot it at one place 242 00:11:40,720 --> 00:11:41,719 Speaker 2: because people aren't going to. 243 00:11:41,760 --> 00:11:44,120 Speaker 1: Harry Styles was here for a month. 244 00:11:44,360 --> 00:11:47,720 Speaker 2: Bro Car members here. Yeah, but they do the same 245 00:11:47,800 --> 00:11:51,760 Speaker 2: venue over and over again. Anyway, it was really cool. 246 00:11:51,800 --> 00:11:53,720 Speaker 2: And they have this private you know how like that 247 00:11:53,800 --> 00:11:57,880 Speaker 2: we talked about the Disney h Secret Club. They have 248 00:11:57,880 --> 00:12:00,520 Speaker 2: a secret club. Yeah, they have like a secret club 249 00:12:00,640 --> 00:12:04,480 Speaker 2: underneath the and that I got invited to. 250 00:12:04,840 --> 00:12:05,600 Speaker 3: And it's not. 251 00:12:05,720 --> 00:12:08,640 Speaker 2: Open every game or every show, but like I don't know, 252 00:12:08,720 --> 00:12:13,040 Speaker 2: like once a month or something, or maybe after concerts 253 00:12:13,040 --> 00:12:15,560 Speaker 2: they'll do it too. There's like a secret underground club. 254 00:12:16,600 --> 00:12:17,040 Speaker 1: Did you go? 255 00:12:17,480 --> 00:12:18,640 Speaker 3: I went? It was cool. 256 00:12:19,360 --> 00:12:19,640 Speaker 1: DJ. 257 00:12:21,160 --> 00:12:22,760 Speaker 2: It was just like it's like a it's like a 258 00:12:22,800 --> 00:12:26,720 Speaker 2: small hidden nightclub that you can only by invite only. 259 00:12:27,240 --> 00:12:29,160 Speaker 2: And then they told me this bit of trivia that 260 00:12:29,200 --> 00:12:31,320 Speaker 2: I don't know if it's true, but it's they said 261 00:12:31,360 --> 00:12:34,439 Speaker 2: it that it's the only place in California that will 262 00:12:34,480 --> 00:12:37,480 Speaker 2: serve liquor till four in the morning legally, like they 263 00:12:37,559 --> 00:12:42,320 Speaker 2: got some waiver from the governor that this little secret 264 00:12:42,400 --> 00:12:45,360 Speaker 2: nightclub at the bottom of the dome is the only 265 00:12:45,400 --> 00:12:48,040 Speaker 2: place that you can drink till four in the morning. 266 00:12:48,520 --> 00:12:52,040 Speaker 1: Bomber's smart man. He's trying to keep his players close. 267 00:12:52,960 --> 00:12:54,240 Speaker 1: He's trying to make sure. 268 00:12:54,040 --> 00:12:55,839 Speaker 2: Well, the players didn't come in there. I mean I 269 00:12:55,880 --> 00:12:57,040 Speaker 2: didn't see any players. 270 00:12:56,880 --> 00:12:58,600 Speaker 1: At four o'clock in the morning. 271 00:12:58,679 --> 00:13:02,000 Speaker 2: It was like a VIP you know, clerb. 272 00:13:02,720 --> 00:13:05,080 Speaker 1: These were there celebrities up in there. 273 00:13:05,600 --> 00:13:07,600 Speaker 2: Yeah, there was some celebrity. 274 00:13:07,120 --> 00:13:12,160 Speaker 1: Was grown ups. Clippers bring in a grown crowd. 275 00:13:13,200 --> 00:13:16,040 Speaker 2: What's the different, Like, who's the crowd for the Clippers? 276 00:13:16,480 --> 00:13:19,360 Speaker 1: I would say the ones that don't go to Laker games. 277 00:13:19,840 --> 00:13:22,480 Speaker 2: Oh really, it's like the they're like the they're like 278 00:13:22,520 --> 00:13:23,240 Speaker 2: the step child. 279 00:13:24,480 --> 00:13:26,000 Speaker 1: Absolutely, yes, now. 280 00:13:25,920 --> 00:13:28,000 Speaker 2: But Lakers Clippers games will be great. 281 00:13:27,800 --> 00:13:32,800 Speaker 1: Right, Oh, it depends me. Look, so here's the thing. 282 00:13:34,520 --> 00:13:37,640 Speaker 1: The Clippers haven't won in a really really really I 283 00:13:37,640 --> 00:13:40,520 Speaker 1: think Bill Walton was the last time the Clippers won, 284 00:13:40,679 --> 00:13:43,240 Speaker 1: and they were in San Diego when they won a championship. 285 00:13:44,000 --> 00:13:46,679 Speaker 1: Even when you go see the Clippers play the Lakers 286 00:13:47,240 --> 00:13:51,000 Speaker 1: in this arena, it'll be filled with more Laker fans 287 00:13:51,360 --> 00:13:52,280 Speaker 1: than Clipper fans. 288 00:13:52,600 --> 00:13:53,720 Speaker 3: It's just far, by the way. 289 00:13:53,760 --> 00:13:55,440 Speaker 2: The only thing I have a problem with it is 290 00:13:55,520 --> 00:13:59,360 Speaker 2: far Inglewood well from my house it was an hour 291 00:13:59,520 --> 00:14:01,199 Speaker 2: I don't know, really far from your house. 292 00:14:02,960 --> 00:14:05,559 Speaker 1: Well, we make that. We make tracks like that for basketball, 293 00:14:05,640 --> 00:14:09,680 Speaker 1: for the kid, right, for rock and so it. You know, 294 00:14:10,240 --> 00:14:13,240 Speaker 1: forty five minutes in the car now nowadays. 295 00:14:12,760 --> 00:14:14,840 Speaker 2: Well, if you want to bring your kids, uh to 296 00:14:15,000 --> 00:14:17,880 Speaker 2: the to Clippers. I got the I got the hook up. 297 00:14:18,480 --> 00:14:19,120 Speaker 1: We would love that. 298 00:14:19,160 --> 00:14:19,680 Speaker 3: Actually, I know. 299 00:14:19,800 --> 00:14:21,400 Speaker 1: The night's game was amazing. 300 00:14:21,480 --> 00:14:24,240 Speaker 2: When I showed you my seats, you said you you 301 00:14:24,280 --> 00:14:25,520 Speaker 2: acted like they weren't good. 302 00:14:26,160 --> 00:14:29,120 Speaker 1: And then I said, then you get you were like 303 00:14:29,240 --> 00:14:31,920 Speaker 1: just kidding. Yeah, exactly, don't fucking make me. 304 00:14:32,200 --> 00:14:39,760 Speaker 2: Who was there was Floyd may Merriweather Mayweather Mayweatherwe Yeah. 305 00:14:38,680 --> 00:14:40,240 Speaker 1: He's one of the greatest boxers ever. 306 00:14:40,480 --> 00:14:41,920 Speaker 2: Yeah, I want him to fight Jake Paul. 307 00:14:42,800 --> 00:14:44,560 Speaker 1: No, no, he's too old too, he thought. 308 00:14:44,560 --> 00:14:48,280 Speaker 3: Loganol, right, Yeah, did you win? 309 00:14:48,800 --> 00:14:52,280 Speaker 1: Did well? Yeah? He did. Knocked that nigga, he knocked 310 00:14:52,640 --> 00:14:54,800 Speaker 1: He knocked that nigg out, Yeah he did. He knocked 311 00:14:54,880 --> 00:14:56,840 Speaker 1: him out and then held him up. He punched them 312 00:14:56,880 --> 00:15:00,240 Speaker 1: motherfucker hard and then held him and then low Logan 313 00:15:00,320 --> 00:15:02,760 Speaker 1: woke up and then they continued to fight. Kind of 314 00:15:02,840 --> 00:15:05,000 Speaker 1: all right, So I got it. Let's let's talk about 315 00:15:05,000 --> 00:15:07,800 Speaker 1: this before we bring our guests in. 316 00:15:07,920 --> 00:15:09,560 Speaker 2: Yeah, we don't have a ton of time, so let's 317 00:15:09,560 --> 00:15:09,920 Speaker 2: get in there. 318 00:15:09,960 --> 00:15:11,160 Speaker 1: We got to get into it, all right. 319 00:15:11,760 --> 00:15:13,400 Speaker 2: Keep in mind this is going to air long after 320 00:15:13,400 --> 00:15:14,920 Speaker 2: the fight was on, so don't bore people. 321 00:15:15,040 --> 00:15:17,640 Speaker 1: But no doubt ahead. What did you think of the fight? 322 00:15:18,040 --> 00:15:20,600 Speaker 2: I thought I was surprised by by Mike. I thought 323 00:15:20,600 --> 00:15:23,200 Speaker 2: he was going to be better the hype videos that 324 00:15:23,240 --> 00:15:25,080 Speaker 2: they showed. I know, they're just clips and they can 325 00:15:25,080 --> 00:15:27,720 Speaker 2: cut anything together, but he looked he looked stronger and 326 00:15:28,160 --> 00:15:31,560 Speaker 2: more confident in the hype videos, and I was surprised 327 00:15:31,600 --> 00:15:35,160 Speaker 2: by how old and fragile he looked in the ring, 328 00:15:35,200 --> 00:15:37,840 Speaker 2: and I and and Jake Paul. I saw him even 329 00:15:38,040 --> 00:15:40,640 Speaker 2: say at the end like I let up because I 330 00:15:40,640 --> 00:15:41,680 Speaker 2: didn't want to hurt. 331 00:15:41,600 --> 00:15:45,600 Speaker 1: Him, and I applaud him for that also because at 332 00:15:45,640 --> 00:15:47,680 Speaker 1: one point he was just fighting an old man. Dude. 333 00:15:47,760 --> 00:15:49,840 Speaker 2: Yeah, it's that's one point. 334 00:15:50,880 --> 00:15:53,120 Speaker 1: No, I don't know. In the beginning, Mike seemed like 335 00:15:53,160 --> 00:15:56,400 Speaker 1: he was ready to go, and then they clinched, and 336 00:15:56,440 --> 00:15:59,720 Speaker 1: then after the clinch, Mike kind of softened up in 337 00:15:59,760 --> 00:16:02,680 Speaker 1: every thing like that, But in the beginning before Jake 338 00:16:02,720 --> 00:16:05,680 Speaker 1: put the weight on him. In the beginning, oh, my god. 339 00:16:05,760 --> 00:16:09,120 Speaker 1: There was like a good thirty seconds where I was like, 340 00:16:09,240 --> 00:16:14,400 Speaker 1: this is gonna be a fight, and then everything kind of. 341 00:16:14,440 --> 00:16:17,120 Speaker 2: I've seen I punched a few times. Mike didn't look good. 342 00:16:17,000 --> 00:16:19,960 Speaker 1: At all, but he didn't get knocked out, which is great, 343 00:16:20,160 --> 00:16:22,600 Speaker 1: you know what I mean. Yeah, and I applaud Jake 344 00:16:22,640 --> 00:16:25,720 Speaker 1: Paul for backing off towards the end and not trying 345 00:16:25,760 --> 00:16:29,360 Speaker 1: to you know. And then what was disturbing was listening 346 00:16:29,400 --> 00:16:33,600 Speaker 1: to Jake Paul's trainer's being and I get it, it's boxing, 347 00:16:33,960 --> 00:16:37,120 Speaker 1: this is what it is. But Jake's bought Jake Paul's 348 00:16:37,160 --> 00:16:41,880 Speaker 1: trainers saying, come on, man, knock Mike out. Go at 349 00:16:41,880 --> 00:16:44,600 Speaker 1: that motherfucker. Beat Mike's ass. It was just like, wait 350 00:16:44,600 --> 00:16:45,280 Speaker 1: a second, dude. 351 00:16:45,320 --> 00:16:47,640 Speaker 2: That was Rosie Perez, the commentator. 352 00:16:48,600 --> 00:16:50,880 Speaker 1: You know, she's from Brooklyn. She she knows about them 353 00:16:50,920 --> 00:16:51,680 Speaker 1: hand pieces. 354 00:16:52,000 --> 00:16:54,320 Speaker 2: I just didn't understand the connection. I mean, I love 355 00:16:54,400 --> 00:16:54,960 Speaker 2: Rosie Perez. 356 00:16:55,000 --> 00:16:57,200 Speaker 1: I didn't understand then, you know about a two piece 357 00:16:57,240 --> 00:16:57,880 Speaker 1: and a biscuit? 358 00:16:59,720 --> 00:17:02,200 Speaker 2: Did you? Could you get in there and and fight? 359 00:17:02,440 --> 00:17:06,240 Speaker 1: No? Okay, I fight for my family and I fight 360 00:17:06,280 --> 00:17:09,119 Speaker 1: for my life. I don't fight for I mean, unless 361 00:17:09,119 --> 00:17:12,080 Speaker 1: I was getting twenty million dollars and if anyway, hold up, 362 00:17:12,080 --> 00:17:13,679 Speaker 1: and if Jake Paul was gonna take it easy on 363 00:17:13,720 --> 00:17:15,480 Speaker 1: me like that, yes, for. 364 00:17:15,480 --> 00:17:18,560 Speaker 2: Twenty million dollars, would you fight Jake Paul too? 365 00:17:18,920 --> 00:17:20,760 Speaker 1: And he was going to fight like that and not 366 00:17:20,880 --> 00:17:22,679 Speaker 1: try and knock me out and humiliate me? 367 00:17:23,240 --> 00:17:24,720 Speaker 2: Well, no, I think he's going to try and knock 368 00:17:24,760 --> 00:17:25,480 Speaker 2: you out because you're. 369 00:17:25,320 --> 00:17:29,720 Speaker 1: Not bro are twenty million? Well, let me think about 370 00:17:29,720 --> 00:17:33,520 Speaker 1: a twenty million. Yeah, you got to think about the concussion. Yeah, 371 00:17:33,520 --> 00:17:36,840 Speaker 1: I'm he trains every day. 372 00:17:37,119 --> 00:17:40,480 Speaker 2: Yeah, he's really committed. I don't know the guy. I 373 00:17:40,520 --> 00:17:42,320 Speaker 2: don't know the guy from Adam, but he looks like 374 00:17:42,359 --> 00:17:43,240 Speaker 2: a good boxer to me. 375 00:17:43,760 --> 00:17:45,360 Speaker 1: He's heavier than I am. 376 00:17:45,920 --> 00:17:47,920 Speaker 2: I really like the movie and Nora. I really want 377 00:17:47,920 --> 00:17:49,520 Speaker 2: to highly recommend that to my. 378 00:17:49,440 --> 00:17:53,000 Speaker 1: Friend since we are recommending movies. Okay, tell me about Anura. 379 00:17:53,040 --> 00:17:59,080 Speaker 2: On Nora is an incredible movie. I'm speechless. It's just 380 00:17:59,359 --> 00:18:02,720 Speaker 2: this girl. Her name is is it Mikey Madison Daniel? 381 00:18:03,359 --> 00:18:05,879 Speaker 2: Let me check, let me get her name right. But 382 00:18:06,040 --> 00:18:08,560 Speaker 2: she is just a phenomenal actress. She was on Better 383 00:18:08,600 --> 00:18:12,879 Speaker 2: Things as a as a young teenage girl and now 384 00:18:12,920 --> 00:18:15,960 Speaker 2: she's a young woman. And the movie is sort of 385 00:18:16,000 --> 00:18:20,000 Speaker 2: a Cinderella story about the son of a Russian oligarch 386 00:18:20,040 --> 00:18:22,680 Speaker 2: and he falls in love with this woman who's a 387 00:18:22,720 --> 00:18:28,439 Speaker 2: stripper and a sex worker, and then they get married. 388 00:18:28,480 --> 00:18:30,280 Speaker 2: I won't ruin anything that's not on the trailer. They 389 00:18:30,280 --> 00:18:33,400 Speaker 2: go get married, and then the Russian oligarch father and 390 00:18:33,440 --> 00:18:37,359 Speaker 2: his henchman fly into town to make sure that that 391 00:18:37,440 --> 00:18:40,760 Speaker 2: gets broken up. But it is really, really well acted 392 00:18:41,000 --> 00:18:45,280 Speaker 2: and I was blown away by it. Mikey Madison, Mikey 393 00:18:45,440 --> 00:18:48,840 Speaker 2: Madison is her name. She is so talented. I think 394 00:18:48,880 --> 00:18:51,520 Speaker 2: this young lady could win the Oscar. She is okay, 395 00:18:51,960 --> 00:18:55,920 Speaker 2: puhhenomenal a Nora, I was lucky enough to have the screener, 396 00:18:56,040 --> 00:18:58,359 Speaker 2: so I watched it at home. But it's it's still 397 00:18:58,400 --> 00:19:00,680 Speaker 2: playing in theaters or maybe by the time airs, it'll 398 00:19:00,720 --> 00:19:04,040 Speaker 2: be uh, it'll be streaming, right, Danell, because we're this 399 00:19:04,160 --> 00:19:05,119 Speaker 2: airs in January. 400 00:19:05,200 --> 00:19:06,080 Speaker 3: There's in January. 401 00:19:06,240 --> 00:19:08,159 Speaker 2: I bet it will be on your streaming platform. So 402 00:19:08,240 --> 00:19:11,520 Speaker 2: check just Nora A n O R. What do you 403 00:19:11,560 --> 00:19:12,280 Speaker 2: want to recommend? 404 00:19:12,320 --> 00:19:12,720 Speaker 3: Donald? 405 00:19:12,920 --> 00:19:15,119 Speaker 1: I watched two movies, believe it or not. Really what 406 00:19:15,960 --> 00:19:18,040 Speaker 1: I watched Saturday night? 407 00:19:19,080 --> 00:19:21,080 Speaker 2: Oh that's that's I didn't know that was available for 408 00:19:21,119 --> 00:19:21,680 Speaker 2: the streaming. 409 00:19:23,359 --> 00:19:25,200 Speaker 1: I'm gonna say, I'm gonna be honest with you. These 410 00:19:25,240 --> 00:19:31,240 Speaker 1: young these young actors and actresses in this movie are 411 00:19:31,440 --> 00:19:36,080 Speaker 1: pretty good man at doing these Look. Man, it's very 412 00:19:36,119 --> 00:19:39,120 Speaker 1: interesting to watch a movie and see somebody who can 413 00:19:39,200 --> 00:19:41,359 Speaker 1: make you feel like, wow, that is dan Aykroyd or 414 00:19:41,400 --> 00:19:44,320 Speaker 1: wow that is Chevy Chase. Not necessarily I don't know 415 00:19:44,400 --> 00:19:48,879 Speaker 1: them personally, but my imagination of them or my interpretation 416 00:19:49,119 --> 00:19:53,520 Speaker 1: of them from watching them, these young men and women 417 00:19:53,840 --> 00:19:57,399 Speaker 1: did their thing, man like I was very It was 418 00:19:57,600 --> 00:20:00,920 Speaker 1: very impressive. And if this is a true story, Lauren 419 00:20:01,000 --> 00:20:03,360 Speaker 1: Michael's yout to real og man, you the. 420 00:20:03,400 --> 00:20:06,160 Speaker 2: True og I think it is a true story. 421 00:20:06,320 --> 00:20:08,639 Speaker 1: If it's a true story, I mean, I don't know much. 422 00:20:08,880 --> 00:20:12,359 Speaker 1: I don't know Lauren very well. I've met him once. 423 00:20:12,800 --> 00:20:16,159 Speaker 1: But dude, you are a g man. And way to 424 00:20:16,160 --> 00:20:18,159 Speaker 1: believe in your cast and way to believe in your 425 00:20:18,240 --> 00:20:21,320 Speaker 1: idea and wow, dude, wow. 426 00:20:21,080 --> 00:20:22,720 Speaker 2: I'm gonna check that out. I can't believe you made 427 00:20:22,720 --> 00:20:24,840 Speaker 2: it through a non superhero movie. What's the other thing 428 00:20:24,880 --> 00:20:25,359 Speaker 2: you watched? 429 00:20:25,680 --> 00:20:30,159 Speaker 1: Alien Romulus, Let's go, let's go. 430 00:20:32,480 --> 00:20:33,400 Speaker 3: Do you really like that? 431 00:20:33,960 --> 00:20:34,640 Speaker 1: It's pretty good? 432 00:20:34,960 --> 00:20:39,119 Speaker 2: All right? Reid Scott is here. What a career this 433 00:20:39,200 --> 00:20:43,680 Speaker 2: guy's had. Dude, he works, he works, oh lot, got 434 00:20:43,720 --> 00:20:47,480 Speaker 2: a lot of good stories. He's on Deep and Mazel 435 00:20:47,760 --> 00:20:51,200 Speaker 2: and he's often known for playing the jerk. But I've 436 00:20:51,240 --> 00:20:54,800 Speaker 2: met him and he's a lovely man. Donald Countison for 437 00:20:54,920 --> 00:20:59,639 Speaker 2: Reid Scott. 438 00:21:00,240 --> 00:21:06,639 Speaker 5: We made about a bunch of dogs and I. 439 00:21:06,520 --> 00:21:15,800 Speaker 6: Said, he's the stormy neph So yetta here, yeada, here. 440 00:21:21,960 --> 00:21:26,960 Speaker 2: There is Look at you, Look at you. You're so handsome. 441 00:21:27,720 --> 00:21:28,520 Speaker 1: Are you home? 442 00:21:28,720 --> 00:21:29,680 Speaker 7: Are you working? 443 00:21:29,840 --> 00:21:30,640 Speaker 1: Where are you? 444 00:21:30,960 --> 00:21:34,480 Speaker 2: He's read Scott, He's always working. A guy's probably anybody. 445 00:21:35,640 --> 00:21:37,720 Speaker 2: I never have a time off. 446 00:21:39,200 --> 00:21:41,360 Speaker 1: I am. I'm in New York, Archer, I'm in New York. 447 00:21:42,000 --> 00:21:44,280 Speaker 2: Read Thanks for coming on, man. Donald and I both 448 00:21:44,320 --> 00:21:45,880 Speaker 2: find you very entertaining. 449 00:21:46,520 --> 00:21:46,840 Speaker 7: Thank you. 450 00:21:47,840 --> 00:21:50,080 Speaker 1: You you work a lot, a. 451 00:21:49,960 --> 00:21:51,520 Speaker 3: Lot of How can you help? 452 00:21:51,560 --> 00:21:53,320 Speaker 2: Donald? And I get to understand. 453 00:21:53,520 --> 00:21:58,359 Speaker 1: I understand how this is possible? Bro? And is this 454 00:21:58,560 --> 00:22:01,560 Speaker 1: all an illusion? Like you work a lot in spurts 455 00:22:01,920 --> 00:22:04,800 Speaker 1: and all of a sudden you're Do you ever have 456 00:22:04,880 --> 00:22:06,159 Speaker 1: time off? That's the question? 457 00:22:06,760 --> 00:22:10,119 Speaker 7: Yeah, you know, I mean I feel like any actor 458 00:22:10,160 --> 00:22:12,199 Speaker 7: you sort of you have the time off exactly when 459 00:22:12,240 --> 00:22:12,959 Speaker 7: you don't want it. 460 00:22:14,160 --> 00:22:16,160 Speaker 3: Yeah, you know, So I don't want it now. 461 00:22:16,520 --> 00:22:20,240 Speaker 7: Yeah, you know, it comes and goes. I'm extremely grateful 462 00:22:20,400 --> 00:22:23,240 Speaker 7: that at the moment, I am busy. But you know, 463 00:22:23,320 --> 00:22:26,920 Speaker 7: look like anybody you know, during COVID code was rough 464 00:22:26,960 --> 00:22:32,960 Speaker 7: and the strike was rough, and I have a family. 465 00:22:33,320 --> 00:22:35,640 Speaker 7: I have a wife and two kids, so time off 466 00:22:35,760 --> 00:22:39,320 Speaker 7: is certainly important to me. But I think you know 467 00:22:39,680 --> 00:22:43,160 Speaker 7: right now, I like being busy. I wish I could 468 00:22:43,200 --> 00:22:45,960 Speaker 7: be busier at home. I'll be honest with that. It's 469 00:22:46,040 --> 00:22:47,720 Speaker 7: kind of a drag to always be on the road. 470 00:22:47,760 --> 00:22:49,919 Speaker 2: But yeah, now where do you based. 471 00:22:50,680 --> 00:22:52,840 Speaker 7: I'm based in La Okay. 472 00:22:52,920 --> 00:22:56,520 Speaker 2: Yeah, Reid, we had Tony Hale on the show because 473 00:22:56,560 --> 00:22:59,800 Speaker 2: Donald and I both love VIEP so much and we 474 00:23:00,280 --> 00:23:03,200 Speaker 2: just we're so interested in the process. And I'm sure 475 00:23:03,200 --> 00:23:06,040 Speaker 2: you talked about this a thousand times, but please indulge us. Sure, 476 00:23:06,240 --> 00:23:08,600 Speaker 2: what was it like, because you know, when Donald and 477 00:23:08,640 --> 00:23:12,280 Speaker 2: I made scrubs, we would rehearse on the day and 478 00:23:12,320 --> 00:23:14,439 Speaker 2: we would we would find extra jokes and we were 479 00:23:14,440 --> 00:23:17,720 Speaker 2: allowed to improve and stuff. But the VEEP process sounds 480 00:23:17,720 --> 00:23:19,560 Speaker 2: like it was a little unique in that you guys 481 00:23:19,680 --> 00:23:23,040 Speaker 2: made you would rehearse beforehand, and then some of those 482 00:23:23,040 --> 00:23:24,879 Speaker 2: improvs would go into the script. 483 00:23:24,920 --> 00:23:25,280 Speaker 3: How did that? 484 00:23:25,440 --> 00:23:26,160 Speaker 2: How did that work? 485 00:23:26,840 --> 00:23:31,240 Speaker 7: The best way to describe it? And I love pulling 486 00:23:31,280 --> 00:23:33,840 Speaker 7: back the curtain on Veep and so many people it's 487 00:23:33,880 --> 00:23:37,679 Speaker 7: really interesting that so many people are interested in the 488 00:23:37,760 --> 00:23:42,520 Speaker 7: process of how we made Vieep, which I gotta be honest, 489 00:23:42,600 --> 00:23:45,200 Speaker 7: of all the other things I've done, no one's ever 490 00:23:45,240 --> 00:23:48,320 Speaker 7: really given a shit about the process. 491 00:23:48,800 --> 00:23:52,119 Speaker 2: Oh we are because we love comedy, dude. 492 00:23:52,400 --> 00:23:54,399 Speaker 1: Yeah, you know what I mean. And that was top 493 00:23:54,480 --> 00:23:59,199 Speaker 1: notch comedy. Yeah, everybody on that show was really incredible 494 00:23:59,320 --> 00:24:01,520 Speaker 1: and stuff like that. Uh, and the way it was 495 00:24:01,560 --> 00:24:04,040 Speaker 1: shot too, And so are we just wondering? Yeah, you know, 496 00:24:04,720 --> 00:24:06,800 Speaker 1: to get to to this, this is why this is. 497 00:24:06,960 --> 00:24:08,080 Speaker 1: I mean, that's why we're asking. 498 00:24:08,119 --> 00:24:11,280 Speaker 7: Sorry, Oh no, I love talking about it because it 499 00:24:11,320 --> 00:24:14,280 Speaker 7: was it was so unique. Honestly, I I think it's 500 00:24:14,280 --> 00:24:17,360 Speaker 7: something that you know, you guys obviously know comedy well, 501 00:24:17,480 --> 00:24:20,560 Speaker 7: so I think people that have an eye for comedy 502 00:24:20,560 --> 00:24:22,919 Speaker 7: can see that something was very different about how he 503 00:24:22,960 --> 00:24:24,760 Speaker 7: did Veep. And I think that's what sort of you know, 504 00:24:26,600 --> 00:24:28,960 Speaker 7: naturally leads to that question, what was the process? Like, 505 00:24:29,080 --> 00:24:33,000 Speaker 7: The best and easiest way that I have found to 506 00:24:33,000 --> 00:24:37,800 Speaker 7: describe it is it was a distillation process and or 507 00:24:37,800 --> 00:24:43,960 Speaker 7: Amanda y Nucci. Absolute genius, just comedy genius. He ran 508 00:24:44,240 --> 00:24:48,480 Speaker 7: our show like a laboratory and he was doctor Frankenstein 509 00:24:49,160 --> 00:24:51,720 Speaker 7: and we were all part of his experiment, and it 510 00:24:51,760 --> 00:24:53,399 Speaker 7: was really cool. He didn't really you know that there 511 00:24:53,440 --> 00:24:56,159 Speaker 7: was there was a lot of respect, and he led 512 00:24:56,240 --> 00:24:58,600 Speaker 7: us into the process in a way that actors don't 513 00:24:58,680 --> 00:25:01,440 Speaker 7: usually get let into the writing process of a show 514 00:25:01,800 --> 00:25:04,919 Speaker 7: like he let us in. But yeah, he would have 515 00:25:05,040 --> 00:25:11,240 Speaker 7: us come to London for weeks before we would start shooting, 516 00:25:11,760 --> 00:25:14,880 Speaker 7: some months before we were set to start shooting, and 517 00:25:15,720 --> 00:25:18,760 Speaker 7: there would be scripts and some sort of sketches and 518 00:25:18,800 --> 00:25:23,480 Speaker 7: some outlines of future episodes and we would just rehearse. 519 00:25:23,640 --> 00:25:26,960 Speaker 7: We would get it on his feet as quickly as possible, 520 00:25:28,080 --> 00:25:31,719 Speaker 7: talking through it. We would rehearse it as written, and 521 00:25:31,760 --> 00:25:34,600 Speaker 7: there'd be this sort of like phalanx of British writers 522 00:25:34,960 --> 00:25:37,399 Speaker 7: on the outside of this like large conference room that 523 00:25:37,440 --> 00:25:39,440 Speaker 7: we were in, and they're all like furiously like scribbling 524 00:25:39,480 --> 00:25:41,760 Speaker 7: notes and typing away while we're doing it, and you're 525 00:25:41,760 --> 00:25:47,120 Speaker 7: feeling very judged, Lisa in the early days, and we'd 526 00:25:47,119 --> 00:25:51,080 Speaker 7: be encouraged to improvise a bit and then we'd go away. 527 00:25:51,200 --> 00:25:53,119 Speaker 7: We'd go to you know, go out to dinner, you know, 528 00:25:53,240 --> 00:25:55,480 Speaker 7: go to sleep, come back the next day and the 529 00:25:55,520 --> 00:26:02,959 Speaker 7: writers during the night had rewritten the script to incorporate 530 00:26:03,000 --> 00:26:04,919 Speaker 7: the improv or like you know, they cherry picked the 531 00:26:04,960 --> 00:26:07,040 Speaker 7: fun stuff that we came up with on that previous 532 00:26:07,119 --> 00:26:09,359 Speaker 7: day and they would bake that into the next script, 533 00:26:09,400 --> 00:26:11,159 Speaker 7: and then we would we would do it all again 534 00:26:11,760 --> 00:26:14,280 Speaker 7: and again and again and again. And we would do 535 00:26:14,320 --> 00:26:18,479 Speaker 7: this for sometimes four or five, six seven scripts at 536 00:26:18,520 --> 00:26:18,880 Speaker 7: a time. 537 00:26:19,880 --> 00:26:21,280 Speaker 3: So it's so cool. 538 00:26:21,359 --> 00:26:26,040 Speaker 7: I'm never heard that, And I think to be host 539 00:26:26,560 --> 00:26:26,920 Speaker 7: it was. 540 00:26:26,880 --> 00:26:28,840 Speaker 2: Hard, know what I mean, look at the results, look 541 00:26:28,880 --> 00:26:29,560 Speaker 2: at the results. 542 00:26:30,720 --> 00:26:33,800 Speaker 1: And also I think shows kind of do to do it, 543 00:26:34,280 --> 00:26:38,119 Speaker 1: but it's a way more rush project. So like five 544 00:26:38,200 --> 00:26:41,919 Speaker 1: camera or sit or four camera, that's we're gonna write. 545 00:26:42,320 --> 00:26:45,280 Speaker 1: We'll do the run through if you you know, on 546 00:26:45,359 --> 00:26:49,280 Speaker 1: some shows you're encouraged to improv. If it works the 547 00:26:49,320 --> 00:26:51,760 Speaker 1: next day, your improv's in the script all the way 548 00:26:51,840 --> 00:26:54,840 Speaker 1: up until you know you shoot. But that's five days. 549 00:26:55,080 --> 00:26:58,760 Speaker 1: You guys would take that's really impressive and then take 550 00:26:58,840 --> 00:27:01,880 Speaker 1: time off after. Would it ever be the same when 551 00:27:01,920 --> 00:27:03,920 Speaker 1: you got there, We're like, when you got to shoot, 552 00:27:03,960 --> 00:27:05,640 Speaker 1: it would the blocking still be the same. 553 00:27:05,800 --> 00:27:08,960 Speaker 7: Oh no, it was no, No, it was really more 554 00:27:09,080 --> 00:27:12,879 Speaker 7: like we used the rehearsal process like we would call 555 00:27:12,920 --> 00:27:15,000 Speaker 7: it like the basement tapes, because it really was this 556 00:27:15,040 --> 00:27:17,359 Speaker 7: stuff that was just sort of we had like drama turks. 557 00:27:17,440 --> 00:27:19,080 Speaker 7: It was really weird like what we had. We had 558 00:27:19,080 --> 00:27:22,320 Speaker 7: these these group of assistants that effectively were drama turks 559 00:27:22,359 --> 00:27:24,760 Speaker 7: and they were just taking notes on continuity and oh 560 00:27:24,840 --> 00:27:26,280 Speaker 7: you know this goes back to that, and they would 561 00:27:26,320 --> 00:27:28,960 Speaker 7: just we had volumes of notes that we could refer 562 00:27:29,040 --> 00:27:31,560 Speaker 7: back to and it was a very unselfish process and 563 00:27:31,560 --> 00:27:34,400 Speaker 7: that someone would come up with a joke for themselves 564 00:27:34,520 --> 00:27:36,840 Speaker 7: or for someone else, or or a writer would come 565 00:27:36,920 --> 00:27:39,000 Speaker 7: up with a joke and we'd love it on the 566 00:27:39,080 --> 00:27:40,880 Speaker 7: day and we were like, wait, where did that come from? 567 00:27:40,880 --> 00:27:43,520 Speaker 7: But that isn't that calling back and no one knew 568 00:27:43,560 --> 00:27:45,160 Speaker 7: who came up with it, and no one cared. 569 00:27:45,200 --> 00:27:47,240 Speaker 3: That wasn't really the point. 570 00:27:47,119 --> 00:27:48,719 Speaker 2: We would do it on Scrubs, but it was like 571 00:27:48,920 --> 00:27:51,359 Speaker 2: the classic way in the moment. So it's like, okay, 572 00:27:51,400 --> 00:27:54,040 Speaker 2: we get to blocking rehearsal where we'd do it as 573 00:27:54,080 --> 00:27:58,560 Speaker 2: written and then between the actors, some who we improve 574 00:27:58,680 --> 00:28:02,119 Speaker 2: more than others, and then and the other writers. You know, 575 00:28:02,280 --> 00:28:04,560 Speaker 2: we would tweak it, add that joke. Oh that's funny, 576 00:28:04,560 --> 00:28:08,320 Speaker 2: I'll improve this. Then we would do it. And then 577 00:28:08,520 --> 00:28:10,760 Speaker 2: after we did it, and we would like then we 578 00:28:10,800 --> 00:28:13,680 Speaker 2: would start just riffing stuff. And you know Bill's big 579 00:28:14,000 --> 00:28:15,520 Speaker 2: rule was just get it as written and then you 580 00:28:15,560 --> 00:28:18,840 Speaker 2: can fuck around. And then we would do things where 581 00:28:18,880 --> 00:28:21,159 Speaker 2: like if you just had a punchline, you would just 582 00:28:21,200 --> 00:28:23,280 Speaker 2: do like six things in a row, just so in 583 00:28:23,320 --> 00:28:25,920 Speaker 2: the edit room, you know, he'd have all these options 584 00:28:25,960 --> 00:28:29,000 Speaker 2: for which one, uh might work. But the idea of 585 00:28:29,040 --> 00:28:32,719 Speaker 2: like taking that process and going to another country and 586 00:28:32,800 --> 00:28:36,200 Speaker 2: just sort of work shopping it. I mean, that's brilliant. 587 00:28:36,240 --> 00:28:39,320 Speaker 2: And that and and and takes commitment from the cast 588 00:28:39,520 --> 00:28:43,960 Speaker 2: and from the writers, and money and a lot of dedication. 589 00:28:45,000 --> 00:28:47,720 Speaker 2: That's just not something that that I've that I've seen 590 00:28:47,760 --> 00:28:50,000 Speaker 2: in another show do and and it and the proof 591 00:28:50,040 --> 00:28:52,360 Speaker 2: is in the pudding because the show is just to 592 00:28:52,480 --> 00:28:55,880 Speaker 2: me on the next level of funny. 593 00:28:56,200 --> 00:28:58,400 Speaker 1: I just know way you could come away from that 594 00:28:58,600 --> 00:29:00,000 Speaker 1: not knowing who your character was. 595 00:29:00,440 --> 00:29:02,880 Speaker 7: Oh god, no, No, you're absolutely right. You're absolutely right. 596 00:29:03,160 --> 00:29:09,040 Speaker 7: You felt a real custodianship over your character. Very early on, 597 00:29:09,640 --> 00:29:12,760 Speaker 7: and to the writer's credit and to Armando's credit, and 598 00:29:12,800 --> 00:29:16,680 Speaker 7: then even you know the new When Armando left the 599 00:29:16,680 --> 00:29:20,640 Speaker 7: show after season four and David Mandel, you know, from 600 00:29:20,760 --> 00:29:24,200 Speaker 7: Seinfeld and from Kurb came in and sort of took over. 601 00:29:25,760 --> 00:29:28,760 Speaker 7: They honored that process and they sort of honored that relationship. 602 00:29:28,800 --> 00:29:31,840 Speaker 7: And I remember specifically when David came aboard, he called 603 00:29:31,880 --> 00:29:34,800 Speaker 7: us all individually and was like, you know your character 604 00:29:35,400 --> 00:29:36,959 Speaker 7: And he said this to everybody, You guys know your 605 00:29:37,000 --> 00:29:40,480 Speaker 7: character better than any of these writers, because you've lived it. 606 00:29:40,600 --> 00:29:43,560 Speaker 7: You've done this crazy process. So we want to hear 607 00:29:43,600 --> 00:29:47,000 Speaker 7: from you, like you guide us. You tell us what's inside, 608 00:29:47,280 --> 00:29:48,800 Speaker 7: like what's out of bounds, tell us when we go 609 00:29:48,800 --> 00:29:50,320 Speaker 7: too far, tell us when to pull it back in. 610 00:29:50,720 --> 00:29:54,120 Speaker 7: And it was amazing to have that kind of input. 611 00:29:54,560 --> 00:29:58,480 Speaker 7: I appreciate it more now in retrospect. At the time, 612 00:29:58,920 --> 00:30:02,560 Speaker 7: I found it in readibly difficult. I really did. 613 00:30:03,200 --> 00:30:03,560 Speaker 1: I didn't. 614 00:30:03,960 --> 00:30:07,440 Speaker 2: I didn't know what why Because you didn't feel comfortable 615 00:30:07,520 --> 00:30:09,200 Speaker 2: with the improvisational stuff. 616 00:30:10,080 --> 00:30:11,840 Speaker 7: There was a little bit of that, just because we 617 00:30:11,840 --> 00:30:15,520 Speaker 7: were called upon so much to do so much improvising, 618 00:30:15,600 --> 00:30:19,080 Speaker 7: and I, you know, I haven't a background in improv 619 00:30:19,160 --> 00:30:23,120 Speaker 7: but I mean when you're running alongside you know, Matt Walsh, Julia, 620 00:30:23,160 --> 00:30:25,800 Speaker 7: Louis dreyif is, Tony Hale. It's like, at least in 621 00:30:25,840 --> 00:30:28,520 Speaker 7: the early days, there was a lot I felt there 622 00:30:28,560 --> 00:30:31,320 Speaker 7: was a lot of pressure to keep up and to 623 00:30:31,440 --> 00:30:34,080 Speaker 7: always be like, you know, how do I be funny? 624 00:30:34,080 --> 00:30:36,520 Speaker 7: How do I pop these like these little one liners 625 00:30:36,560 --> 00:30:41,640 Speaker 7: off right, and just that process of even when we 626 00:30:41,640 --> 00:30:45,960 Speaker 7: were in Baltimore, in the dark days of shooting in Baltimore. 627 00:30:46,040 --> 00:30:48,160 Speaker 2: That's when you started, you started shooting it there. 628 00:30:48,200 --> 00:30:50,120 Speaker 7: We did the first four seasons in Baltimore. 629 00:30:50,760 --> 00:30:52,280 Speaker 2: Oh, I didn't know that. That was just to have 630 00:30:52,360 --> 00:30:52,960 Speaker 2: the access to. 631 00:30:52,960 --> 00:30:55,120 Speaker 3: The exteriors exactly exactly right. 632 00:30:55,240 --> 00:30:57,560 Speaker 2: Yeah, and then when in later seasons you would just 633 00:30:57,600 --> 00:30:59,000 Speaker 2: go there for like a week or something. 634 00:30:59,360 --> 00:31:01,880 Speaker 7: Yeah, we go to DC, we come back to Baltimore. 635 00:31:01,960 --> 00:31:04,640 Speaker 7: Even we came to New York a couple of times, 636 00:31:04,400 --> 00:31:06,120 Speaker 7: uh to get exteriors. 637 00:31:06,200 --> 00:31:08,600 Speaker 2: But where were the sets they were in la Uh? 638 00:31:08,800 --> 00:31:12,000 Speaker 7: No, we when during the Baltimore days we were, they 639 00:31:12,040 --> 00:31:15,320 Speaker 7: had a set built. It was like an old mattress 640 00:31:15,320 --> 00:31:19,480 Speaker 7: factory in Columbia, Maryland. That was I didn't know that, 641 00:31:19,640 --> 00:31:22,040 Speaker 7: not soundproof, not heated. 642 00:31:22,240 --> 00:31:25,640 Speaker 1: No, they never are when you when you're not in lape. 643 00:31:27,000 --> 00:31:29,520 Speaker 2: Think we'll just find a warehouse, but then it doesn't 644 00:31:29,520 --> 00:31:30,040 Speaker 2: really work. 645 00:31:30,160 --> 00:31:34,600 Speaker 7: Like where's the bathroom? Oh, that's what we forgot. But 646 00:31:34,640 --> 00:31:36,440 Speaker 7: also because we were there together, you know, we were 647 00:31:36,480 --> 00:31:39,320 Speaker 7: sequestered essentially in Baltimore, so there was nothing else to 648 00:31:39,360 --> 00:31:41,960 Speaker 7: do on the weekend, so we werehearsed. So Saturdays and 649 00:31:42,000 --> 00:31:43,880 Speaker 7: Sundays we'd all go into the studio and just like 650 00:31:43,920 --> 00:31:45,640 Speaker 7: funk around and like try to come up. 651 00:31:45,600 --> 00:31:50,480 Speaker 2: With really shows. It really shows what special how special 652 00:31:50,640 --> 00:31:55,760 Speaker 2: was You're such a good asshole? Do you find no, 653 00:31:55,920 --> 00:31:58,640 Speaker 2: you play a prick so well? I wonder when people 654 00:31:59,040 --> 00:32:02,360 Speaker 2: who are fans and even masl which we'll get into, 655 00:32:02,480 --> 00:32:05,920 Speaker 2: you were such a fucking asshole. Do you do you 656 00:32:06,040 --> 00:32:08,240 Speaker 2: feel are people surprised when they meet you in the 657 00:32:08,400 --> 00:32:09,960 Speaker 2: Are they expecting you to be a jerk? 658 00:32:10,800 --> 00:32:12,760 Speaker 7: I think maybe a little bit. I know I did 659 00:32:12,800 --> 00:32:17,960 Speaker 7: a movie with David Wayne, who again comedy genius, so 660 00:32:18,080 --> 00:32:21,280 Speaker 7: I really you know, I came up, you know, high school, 661 00:32:21,280 --> 00:32:26,080 Speaker 7: in college watching The State was the State and upright 662 00:32:26,120 --> 00:32:29,400 Speaker 7: Citizen's Brigade where everything to me, I had never seen 663 00:32:29,520 --> 00:32:31,760 Speaker 7: comedy like that before and that really inspired me. To 664 00:32:32,560 --> 00:32:34,440 Speaker 7: try to be a part of it. So I worked 665 00:32:34,480 --> 00:32:37,920 Speaker 7: with David Wayne on a movie that Matt Walsh produced, 666 00:32:37,920 --> 00:32:41,440 Speaker 7: and we were shooting in France, and we showed up 667 00:32:41,960 --> 00:32:44,680 Speaker 7: and the first two days it was I wasn't shooting 668 00:32:44,720 --> 00:32:46,040 Speaker 7: for a couple of days, but we're just sort of 669 00:32:46,040 --> 00:32:47,480 Speaker 7: hanging out. And I got to know David and he 670 00:32:48,000 --> 00:32:49,600 Speaker 7: turned to me one day of breakfast and he's like, 671 00:32:50,120 --> 00:32:54,120 Speaker 7: it's like a prosthetic. I was like, well, sorry, what 672 00:32:54,800 --> 00:32:57,160 Speaker 7: he's like the character your character in Veep. He's like, 673 00:32:57,200 --> 00:33:01,840 Speaker 7: the way you put it on in contrast to you, 674 00:33:02,600 --> 00:33:04,280 Speaker 7: it's like it's like a prosthetic. And I was like, 675 00:33:04,360 --> 00:33:07,160 Speaker 7: thank you very much. I really appreciated that because it's 676 00:33:07,200 --> 00:33:07,520 Speaker 7: not me. 677 00:33:07,680 --> 00:33:11,800 Speaker 1: That's you know, right, But that's an awesome compliment. It's 678 00:33:11,840 --> 00:33:15,520 Speaker 1: like you tad this nose and you were like, you 679 00:33:15,560 --> 00:33:16,120 Speaker 1: know what, let. 680 00:33:16,040 --> 00:33:18,560 Speaker 7: Me just I loved it, and I loved it. 681 00:33:19,040 --> 00:33:19,760 Speaker 1: Let's take a break. 682 00:33:19,840 --> 00:33:29,800 Speaker 2: We'll be right back after these fine words. Bill Lawrence 683 00:33:29,920 --> 00:33:32,400 Speaker 2: is a big fan of yours. Did you guys ever 684 00:33:32,440 --> 00:33:34,040 Speaker 2: work together? Did you read for scrubs? 685 00:33:34,160 --> 00:33:34,520 Speaker 7: I did? 686 00:33:35,120 --> 00:33:36,080 Speaker 1: I did for JD. 687 00:33:36,320 --> 00:33:38,920 Speaker 7: Yeah, it was it was did you what. 688 00:33:38,800 --> 00:33:39,600 Speaker 2: Was your process? 689 00:33:39,680 --> 00:33:41,000 Speaker 3: Like? What happened oh I got the part. 690 00:33:41,080 --> 00:33:41,560 Speaker 7: It was great. 691 00:33:44,440 --> 00:33:45,600 Speaker 3: I mean, I know that Bill. 692 00:33:45,400 --> 00:33:47,280 Speaker 2: Loves you because I ran into you with Bill and 693 00:33:47,320 --> 00:33:49,320 Speaker 2: Bill was like, oh, I love reading such a good actor, 694 00:33:49,560 --> 00:33:51,600 Speaker 2: and I knew I thought I heard that you were 695 00:33:51,680 --> 00:33:53,720 Speaker 2: up for JD. But I didn't tell me the story 696 00:33:53,760 --> 00:33:55,920 Speaker 2: because I we should do that, by the way, we 697 00:33:55,920 --> 00:33:57,720 Speaker 2: should have some I don't know if some of some 698 00:33:57,760 --> 00:33:59,200 Speaker 2: of the people that got that I read with, I 699 00:33:59,240 --> 00:34:01,360 Speaker 2: don't know if they'd want to come on, but well, actually, 700 00:34:01,360 --> 00:34:01,800 Speaker 2: you know, my. 701 00:34:01,720 --> 00:34:02,440 Speaker 1: God, I would love it. 702 00:34:02,840 --> 00:34:07,040 Speaker 7: I love it was dude. Scrubs was a fucking awesome 703 00:34:07,080 --> 00:34:10,560 Speaker 7: show I saw. I've seen every episode, every single episode. 704 00:34:12,080 --> 00:34:14,640 Speaker 7: You guys were doing something just so we can officially, 705 00:34:14,719 --> 00:34:17,000 Speaker 7: you know, get all the mutual you know, adoration and 706 00:34:17,000 --> 00:34:19,200 Speaker 7: shit out of the way. You guys were doing stuff 707 00:34:19,200 --> 00:34:21,520 Speaker 7: that no one else was doing. It was a different 708 00:34:21,600 --> 00:34:26,960 Speaker 7: brand of comedy at the time. And yeah, I as 709 00:34:27,000 --> 00:34:30,279 Speaker 7: appreciated as it was. I still think it's going to 710 00:34:30,320 --> 00:34:32,720 Speaker 7: be something that like future generation is going to find 711 00:34:32,800 --> 00:34:34,520 Speaker 7: later and be like, oh shit, this was like, this 712 00:34:34,680 --> 00:34:37,040 Speaker 7: was way different than what people were doing at that time. 713 00:34:37,400 --> 00:34:39,600 Speaker 2: Wait, so tell us what your please tell me what 714 00:34:39,640 --> 00:34:42,959 Speaker 2: your audition experience was like. And you obviously did great 715 00:34:43,000 --> 00:34:45,560 Speaker 2: because Bill loves you. So what was it like? 716 00:34:46,040 --> 00:34:48,879 Speaker 7: It was my first audition. It was my very ever 717 00:34:49,120 --> 00:34:52,120 Speaker 7: ever ever. I mean I maybe had, like, you know, 718 00:34:52,200 --> 00:34:54,200 Speaker 7: like for a commercial or something like that before, but 719 00:34:54,239 --> 00:34:59,160 Speaker 7: I remember reading the script and just falling in love 720 00:34:59,200 --> 00:35:02,160 Speaker 7: with it, falling in love with it and loving the 721 00:35:02,239 --> 00:35:06,239 Speaker 7: character and loving the tone, and I just got it. 722 00:35:06,239 --> 00:35:08,719 Speaker 7: It was one of those things where immediately it was 723 00:35:08,760 --> 00:35:10,719 Speaker 7: like whether I've become a part of the show or not, 724 00:35:10,800 --> 00:35:13,960 Speaker 7: like this is a good show. And I went in 725 00:35:14,000 --> 00:35:18,560 Speaker 7: for it and was incredibly nervous, and I remember there 726 00:35:18,600 --> 00:35:23,760 Speaker 7: was a casting director, Oh my god, his name escapes 727 00:35:23,800 --> 00:35:25,520 Speaker 7: me right now out. 728 00:35:25,400 --> 00:35:25,799 Speaker 1: Of New York. 729 00:35:26,040 --> 00:35:26,200 Speaker 5: You know. 730 00:35:26,280 --> 00:35:27,839 Speaker 1: It was. 731 00:35:29,320 --> 00:35:30,080 Speaker 3: No what's his name? 732 00:35:30,719 --> 00:35:34,000 Speaker 2: Brian, Brian Brett. Yeah, Brett? 733 00:35:34,960 --> 00:35:35,319 Speaker 1: Is that it? 734 00:35:35,360 --> 00:35:36,319 Speaker 7: I'll take your word for it. 735 00:35:36,320 --> 00:35:37,239 Speaker 1: God, it's been out. 736 00:35:40,680 --> 00:35:44,799 Speaker 7: But I remember I loved it, and I thought I 737 00:35:44,840 --> 00:35:45,720 Speaker 7: thought I did great. 738 00:35:46,360 --> 00:35:49,080 Speaker 2: I really Tbbie Breton, Tbbie. 739 00:35:49,120 --> 00:35:50,919 Speaker 1: Is that right way to go with that? Yeah? 740 00:35:51,640 --> 00:35:54,560 Speaker 7: And I walked out of there thinking like, oh man, 741 00:35:54,600 --> 00:35:57,520 Speaker 7: I fucking nailed it. I can't wait. This is great. 742 00:35:58,320 --> 00:36:00,880 Speaker 7: And I I think I had made it back to 743 00:36:00,960 --> 00:36:04,319 Speaker 7: Brooklyn when my agent called me and was like, Hey, 744 00:36:05,120 --> 00:36:07,880 Speaker 7: I got to talk to you about your audition. It's like, 745 00:36:07,920 --> 00:36:11,080 Speaker 7: oh god, what he's like? The casting director called me 746 00:36:11,960 --> 00:36:16,640 Speaker 7: and said basically like like like what was he doing 747 00:36:16,680 --> 00:36:17,040 Speaker 7: in there? 748 00:36:17,920 --> 00:36:18,520 Speaker 1: I was like what? 749 00:36:19,080 --> 00:36:21,239 Speaker 7: And he's like, oh, man, he made these choices that 750 00:36:21,280 --> 00:36:24,880 Speaker 7: were just so not on the page and just really 751 00:36:25,120 --> 00:36:28,279 Speaker 7: weird stuff. And he said, like, my Cadence, I didn't 752 00:36:28,280 --> 00:36:31,040 Speaker 7: even know. I didn't even know it in a bad way, 753 00:36:31,160 --> 00:36:34,200 Speaker 7: in a bad way, in a way that my agent 754 00:36:34,320 --> 00:36:36,200 Speaker 7: was sort of like, do we need to rethink our 755 00:36:36,239 --> 00:36:38,040 Speaker 7: working relationship here? And I was like, oh my god. 756 00:36:38,080 --> 00:36:40,239 Speaker 7: And I was racking my brain trying to think of 757 00:36:40,880 --> 00:36:43,360 Speaker 7: how did I where did I go wrong? 758 00:36:43,960 --> 00:36:44,359 Speaker 3: And so. 759 00:36:45,800 --> 00:36:47,520 Speaker 7: I kind of chalked it up in the moment, just 760 00:36:47,560 --> 00:36:50,759 Speaker 7: like survival mode kicked in and I was like, Okay, 761 00:36:50,800 --> 00:36:55,359 Speaker 7: I'm not the guy, obviously, that's fine. I feel good 762 00:36:55,400 --> 00:36:58,760 Speaker 7: about the exercise, So moving on. And then I found 763 00:36:58,800 --> 00:37:01,960 Speaker 7: out like it was maybe two or three weeks later 764 00:37:02,719 --> 00:37:08,000 Speaker 7: that the tape had like Bill had seen the tape, 765 00:37:08,520 --> 00:37:11,279 Speaker 7: like the tape and it went on to the execs 766 00:37:11,719 --> 00:37:17,719 Speaker 7: in LA and they had considered testing me for it, 767 00:37:17,760 --> 00:37:19,480 Speaker 7: but I had already but by then I had already 768 00:37:19,480 --> 00:37:22,960 Speaker 7: committed to go test for something else. Oh and it 769 00:37:23,080 --> 00:37:26,160 Speaker 7: was like it was this wonderful validation. I gotta be honest, 770 00:37:26,200 --> 00:37:28,080 Speaker 7: it was like it was like, oh, thank god, I 771 00:37:28,160 --> 00:37:30,640 Speaker 7: knew that I was doing something kind of right, all right, great? 772 00:37:31,200 --> 00:37:33,200 Speaker 1: Yeah, and you know I read not a lot of 773 00:37:33,200 --> 00:37:35,399 Speaker 1: people got the show when we came out. Man, you 774 00:37:35,440 --> 00:37:40,359 Speaker 1: say you talk about how you know, well you how 775 00:37:40,440 --> 00:37:44,080 Speaker 1: much you liked it. It wasn't necessarily well received. We 776 00:37:44,080 --> 00:37:46,480 Speaker 1: were always on the bubble, always trying to figure out 777 00:37:46,520 --> 00:37:49,920 Speaker 1: a way to get you know, back on the network 778 00:37:49,960 --> 00:37:52,120 Speaker 1: and stuff like that. Well, not we but Bill was 779 00:37:52,280 --> 00:37:55,360 Speaker 1: with our show man, So you know, that's surprise that 780 00:37:55,440 --> 00:37:57,680 Speaker 1: you got it. Well, the fact that you got it 781 00:37:57,760 --> 00:37:58,359 Speaker 1: is great, though. 782 00:37:58,440 --> 00:38:01,759 Speaker 2: That's my showIn hop until till after. I mean, the 783 00:38:01,800 --> 00:38:04,840 Speaker 2: Office wasn't you know. There's all these so many crazy 784 00:38:04,840 --> 00:38:08,000 Speaker 2: stories about these shows that are so beloved, including Seinfeld, 785 00:38:08,400 --> 00:38:11,040 Speaker 2: that weren't that weren't just genuine hits from the beginning. 786 00:38:11,040 --> 00:38:13,040 Speaker 2: It really people really had to work them to. 787 00:38:13,080 --> 00:38:15,040 Speaker 3: Keep it on. The Office was one of those too. 788 00:38:15,960 --> 00:38:18,040 Speaker 7: It was a great time for comedy in general. Though. 789 00:38:18,080 --> 00:38:21,799 Speaker 1: That was really like the Yeah, our group was dope, 790 00:38:21,840 --> 00:38:26,719 Speaker 1: you know, our group, your you know us you the 791 00:38:26,840 --> 00:38:32,000 Speaker 1: office uh UH arrested development all of it. That time, 792 00:38:32,120 --> 00:38:35,319 Speaker 1: the group that that group that that was a really 793 00:38:35,360 --> 00:38:35,960 Speaker 1: good time for. 794 00:38:36,080 --> 00:38:38,000 Speaker 7: That was a really good time and it was different too. 795 00:38:38,120 --> 00:38:40,680 Speaker 7: It's just a different kind of comedy that was coming. 796 00:38:40,480 --> 00:38:41,480 Speaker 3: Out, which is really cool. 797 00:38:41,520 --> 00:38:44,120 Speaker 2: I'm sorry to ask you the question that's so obvious 798 00:38:44,200 --> 00:38:46,840 Speaker 2: that we get asked all the time. But since ours 799 00:38:46,920 --> 00:38:49,680 Speaker 2: is ours is looking like it's actually gonna happen a 800 00:38:49,680 --> 00:38:53,000 Speaker 2: little bit, is there any chance of any sort of 801 00:38:53,040 --> 00:38:56,120 Speaker 2: revival of VIPA? I mean, is there any world where 802 00:38:56,160 --> 00:38:58,279 Speaker 2: you all get back together for some It could even 803 00:38:58,280 --> 00:38:59,920 Speaker 2: be for like a movie or something. 804 00:39:00,080 --> 00:39:04,080 Speaker 7: We've talked about it we have. I think I feel 805 00:39:04,120 --> 00:39:06,359 Speaker 7: pretty confident I could speak for everyone and say that 806 00:39:06,600 --> 00:39:09,840 Speaker 7: we would all if the opportunity to rose in the 807 00:39:09,920 --> 00:39:12,839 Speaker 7: right way, everybody would be in because we love each other. 808 00:39:12,880 --> 00:39:14,280 Speaker 7: We're still all very close. 809 00:39:14,880 --> 00:39:15,040 Speaker 1: You know. 810 00:39:15,080 --> 00:39:17,160 Speaker 7: We do a lot of charity stuff together. In fact, 811 00:39:17,200 --> 00:39:21,359 Speaker 7: we were doing we were raising some money for UH 812 00:39:22,400 --> 00:39:25,600 Speaker 7: around the election. We're doing an event for Wisconsin. 813 00:39:25,680 --> 00:39:28,920 Speaker 2: And are hod that work out for you? 814 00:39:28,920 --> 00:39:29,080 Speaker 3: Guys? 815 00:39:29,120 --> 00:39:29,960 Speaker 1: How'd that work out for you? 816 00:39:31,200 --> 00:39:31,879 Speaker 7: We blew it. 817 00:39:33,440 --> 00:39:35,680 Speaker 3: I blame it on you, guys, Honestly, so do. 818 00:39:35,719 --> 00:39:36,719 Speaker 1: I so do. I. 819 00:39:36,920 --> 00:39:38,759 Speaker 2: By the way, I was at a restaurant last night 820 00:39:39,000 --> 00:39:42,879 Speaker 2: and I was at Craig's in La and all these 821 00:39:42,880 --> 00:39:44,319 Speaker 2: Secret Service agents walked in. 822 00:39:44,560 --> 00:39:45,960 Speaker 3: I was like, what was going on? 823 00:39:46,040 --> 00:39:48,640 Speaker 2: Who's here? Because I always get, really, I really get 824 00:39:48,719 --> 00:39:50,280 Speaker 2: kind of geeked out about Secret Service. 825 00:39:50,320 --> 00:39:51,320 Speaker 3: I think they're so cool. 826 00:39:51,360 --> 00:39:53,640 Speaker 2: And there was all things like the movies, and they're 827 00:39:53,680 --> 00:39:55,400 Speaker 2: talking in and their thing, and I just I just 828 00:39:55,440 --> 00:39:57,920 Speaker 2: think it's so cool. And I asked the waiter, I'm like, 829 00:39:57,960 --> 00:39:59,960 Speaker 2: who's here? And he's like, I don't know if it's 830 00:40:00,000 --> 00:40:02,239 Speaker 2: sposed to say, but I'm not even sure who it is. 831 00:40:02,320 --> 00:40:03,040 Speaker 3: Let me go ask. 832 00:40:03,840 --> 00:40:06,480 Speaker 2: And I leaned in and it was the second Gentleman, 833 00:40:06,800 --> 00:40:09,560 Speaker 2: Doug m. Hoff, Kamala's husband, and I was very geeked 834 00:40:09,560 --> 00:40:18,520 Speaker 2: about it. He definitely definitely seemed he definitely seemed like 835 00:40:18,640 --> 00:40:20,399 Speaker 2: he and his pals were having a few. 836 00:40:21,040 --> 00:40:23,919 Speaker 3: They were they deserve it, they deserve it. 837 00:40:24,320 --> 00:40:27,680 Speaker 2: I think he wasn't. He wasn't. He looked like he 838 00:40:27,719 --> 00:40:29,440 Speaker 2: was having a good time, but he also looked like, 839 00:40:29,560 --> 00:40:31,719 Speaker 2: you know what, this week, we're gonna. 840 00:40:31,480 --> 00:40:35,400 Speaker 1: Drink, We're gonna have. 841 00:40:37,200 --> 00:40:38,520 Speaker 2: And then I was trying to be funny with the 842 00:40:38,560 --> 00:40:40,640 Speaker 2: Secret Service. On the way out, I'm like, you guys 843 00:40:40,680 --> 00:40:44,239 Speaker 2: here for me or him? And which I thought was 844 00:40:44,280 --> 00:40:45,799 Speaker 2: a good joke at the time, but none of them 845 00:40:45,840 --> 00:40:46,680 Speaker 2: thought it was that fun. 846 00:40:46,600 --> 00:40:49,359 Speaker 7: Oh, a secret Service. They're they're known for their their 847 00:40:49,400 --> 00:40:50,680 Speaker 7: scintillating sense of humor. 848 00:40:54,719 --> 00:40:57,080 Speaker 2: I just think they're cool. I don't know I'm a 849 00:40:57,120 --> 00:41:00,480 Speaker 2: Secret Service stand and they didn't really think I was 850 00:41:00,480 --> 00:41:00,960 Speaker 2: that funny. 851 00:41:01,360 --> 00:41:05,640 Speaker 1: Now, a last deep questioning. During that time, you guys 852 00:41:05,719 --> 00:41:10,480 Speaker 1: must have rubbed shoulders with a lot of politicians, especially yeah, yeah, like, 853 00:41:11,000 --> 00:41:13,520 Speaker 1: especially when you guys became a hit, especially when a 854 00:41:13,560 --> 00:41:15,600 Speaker 1: lot of people were watching. You said you were in 855 00:41:15,640 --> 00:41:18,600 Speaker 1: Baltimore for four years, that's like right next door to DC. 856 00:41:18,960 --> 00:41:20,520 Speaker 1: How much? How much? 857 00:41:20,840 --> 00:41:21,359 Speaker 7: Quite a bit? 858 00:41:21,680 --> 00:41:26,040 Speaker 1: How much? And are you ever thinking about politics now? 859 00:41:26,040 --> 00:41:29,799 Speaker 7: Because you know I'd be lying if I said that 860 00:41:29,840 --> 00:41:33,000 Speaker 7: it doesn't cross my mind, because you know, look, I 861 00:41:33,239 --> 00:41:36,120 Speaker 7: don't pretend to be an expert on politics based on 862 00:41:36,360 --> 00:41:39,000 Speaker 7: a show that it worked on. But I did get 863 00:41:39,239 --> 00:41:42,759 Speaker 7: you know, I really got a front row seat, or 864 00:41:43,160 --> 00:41:45,719 Speaker 7: a backstage seat rather, and that was because you know, 865 00:41:45,920 --> 00:41:50,719 Speaker 7: HBO had so much influence in that sphere, especially at 866 00:41:50,719 --> 00:41:56,959 Speaker 7: that time via Richard Plepler, who ran Hbo at the time. 867 00:41:57,040 --> 00:41:59,280 Speaker 7: He was a big DC mover and shaker. And Frank 868 00:41:59,360 --> 00:42:01,960 Speaker 7: rich who was one of our executive provisors. You know, 869 00:42:01,960 --> 00:42:06,280 Speaker 7: I wrote for the Washington Post and was huge influence 870 00:42:06,320 --> 00:42:10,680 Speaker 7: in DC. They got us so much access in the 871 00:42:10,719 --> 00:42:15,080 Speaker 7: early days that we were I remember the Senator Joe Lieberman, 872 00:42:15,680 --> 00:42:18,200 Speaker 7: who was a friend I think of Richard Plepler. He 873 00:42:18,320 --> 00:42:20,200 Speaker 7: just opened up his office to us and we just 874 00:42:20,280 --> 00:42:22,880 Speaker 7: came and we were just like the entire cast. We 875 00:42:22,920 --> 00:42:27,279 Speaker 7: were just all over his office grilling everybody. Tony and 876 00:42:27,320 --> 00:42:30,600 Speaker 7: Tim and Matt and I would meet staffers all over 877 00:42:30,640 --> 00:42:31,879 Speaker 7: Capitol Hill and take them out. 878 00:42:31,960 --> 00:42:33,160 Speaker 3: Did you get to go to the White House? 879 00:42:34,160 --> 00:42:36,960 Speaker 7: We got to go to the Eisenhower next door. I 880 00:42:37,000 --> 00:42:38,520 Speaker 7: actually no, I'm sorry we did. No. We went to 881 00:42:38,560 --> 00:42:39,440 Speaker 7: the White House, that's right. 882 00:42:39,600 --> 00:42:39,759 Speaker 1: Yeah. 883 00:42:39,840 --> 00:42:42,000 Speaker 7: They snuck us in and gave us like a quick, 884 00:42:42,040 --> 00:42:44,839 Speaker 7: sort of like mad dash tour through the whole thing. 885 00:42:45,000 --> 00:42:45,239 Speaker 3: Cool. 886 00:42:47,200 --> 00:42:51,120 Speaker 7: It was weird. I gotta be honest, is like people 887 00:42:51,200 --> 00:42:54,920 Speaker 7: divulged things to us that I'm positive they should not 888 00:42:55,880 --> 00:42:56,400 Speaker 7: have told. 889 00:42:56,640 --> 00:42:59,040 Speaker 2: I think they're just so geeked that you're telling their 890 00:42:59,080 --> 00:43:02,560 Speaker 2: story that they want you to know the real I want. 891 00:43:02,440 --> 00:43:04,759 Speaker 1: To meet the motherfucker that just keeps slipping like, Yo, 892 00:43:04,880 --> 00:43:07,960 Speaker 1: aliens exist, Bro, I'm telling you right now, I want 893 00:43:08,000 --> 00:43:10,680 Speaker 1: to I want to meet the guy that's like, Yo, 894 00:43:11,000 --> 00:43:14,600 Speaker 1: if you lobby hard enough, marijuana could not only be 895 00:43:14,760 --> 00:43:16,960 Speaker 1: legal state, it could be federal. 896 00:43:17,400 --> 00:43:17,480 Speaker 7: Like. 897 00:43:18,040 --> 00:43:19,520 Speaker 1: I want to meet that guy. I want to meet 898 00:43:19,520 --> 00:43:22,439 Speaker 1: the guy that's like, Yo, look, if you really want 899 00:43:22,480 --> 00:43:25,439 Speaker 1: to get better health care, this is what we need 900 00:43:25,480 --> 00:43:27,680 Speaker 1: to do, and it'd be viable. And me be like, 901 00:43:27,880 --> 00:43:30,440 Speaker 1: you know, I want to meet these people. I want 902 00:43:30,480 --> 00:43:34,160 Speaker 1: to meet the guy that's like, infrastructure, I get it, California, 903 00:43:34,480 --> 00:43:37,600 Speaker 1: we need it. I want to meet these people. Hey, man, I. 904 00:43:37,840 --> 00:43:40,680 Speaker 7: Hope they still exist. I gotta be honest. It feels like, 905 00:43:40,960 --> 00:43:43,759 Speaker 7: you know, I make no pretense about it. You know, 906 00:43:43,800 --> 00:43:46,880 Speaker 7: I come down on the left side of things, for sure, 907 00:43:47,600 --> 00:43:52,880 Speaker 7: but I think both sides have. Everything is so fractured 908 00:43:52,920 --> 00:43:57,920 Speaker 7: and so muddy and so overly complicated. It's a I 909 00:43:57,920 --> 00:43:59,680 Speaker 7: think we've got a lot of work to do to 910 00:44:00,080 --> 00:44:04,840 Speaker 7: clear some shit out so that people like you mentioned Donald, 911 00:44:04,880 --> 00:44:07,680 Speaker 7: because they're they're out there there. They are absolutely out 912 00:44:07,719 --> 00:44:09,239 Speaker 7: there and they're willing to do the work. But I 913 00:44:09,280 --> 00:44:11,160 Speaker 7: think a lot of them there's this sort of general 914 00:44:11,200 --> 00:44:13,000 Speaker 7: sense of apathy of sort of like, oh, it's such 915 00:44:13,040 --> 00:44:16,920 Speaker 7: a you know, assists of pheeing task that no one 916 00:44:16,960 --> 00:44:17,799 Speaker 7: wants to take it on. 917 00:44:18,520 --> 00:44:21,960 Speaker 3: And I think everyone's a bit demoralized. U well, not everyone. 918 00:44:22,080 --> 00:44:24,160 Speaker 2: I think a lot of people are demoralized. Now everyone's 919 00:44:24,200 --> 00:44:26,719 Speaker 2: just licking their wounds a bit and and then they'll 920 00:44:26,719 --> 00:44:27,399 Speaker 2: regroup soon. 921 00:44:27,840 --> 00:44:30,439 Speaker 7: And I honestly, I hope it comes sooner than later, 922 00:44:30,520 --> 00:44:31,360 Speaker 7: because I really do. 923 00:44:31,440 --> 00:44:31,600 Speaker 1: Look. 924 00:44:31,600 --> 00:44:33,840 Speaker 7: Look, I fell into my little creator of depression and 925 00:44:33,880 --> 00:44:36,440 Speaker 7: it's fine. But you know, and maybe I see this 926 00:44:36,440 --> 00:44:38,600 Speaker 7: because I have kids. You know, it's like you can 927 00:44:38,680 --> 00:44:41,919 Speaker 7: sit and you can wallow, and that ends up being, 928 00:44:42,280 --> 00:44:45,200 Speaker 7: in my personal opinion, kind of childish, because like what 929 00:44:45,239 --> 00:44:46,319 Speaker 7: you can do is sort of like, all right, take 930 00:44:46,360 --> 00:44:49,680 Speaker 7: your time, lick the wounds and realize we got to 931 00:44:49,719 --> 00:44:51,960 Speaker 7: get to work. There's a lot of work. 932 00:44:51,800 --> 00:44:53,800 Speaker 3: To have been a couple of weeks. We can wallow 933 00:44:53,840 --> 00:44:54,480 Speaker 3: for a couple of moments. 934 00:44:54,480 --> 00:44:56,800 Speaker 7: Okay, I'll give you a little let's. 935 00:44:56,560 --> 00:44:58,560 Speaker 2: Talk about Missus mays Ol Donald. I don't I mean, 936 00:44:58,560 --> 00:45:00,560 Speaker 2: I'm just going to be clear. I can't imagine you've 937 00:45:00,560 --> 00:45:02,840 Speaker 2: ever seen an episode of Missus Mazell, because. 938 00:45:02,640 --> 00:45:04,720 Speaker 1: I've watched the first season of Really. 939 00:45:05,120 --> 00:45:08,200 Speaker 2: Yeah, I never would have guessed that you would like 940 00:45:08,280 --> 00:45:08,760 Speaker 2: that show. 941 00:45:09,800 --> 00:45:10,560 Speaker 1: Are you serious? 942 00:45:11,080 --> 00:45:13,759 Speaker 2: Well, just because you know, I know what you like. 943 00:45:14,239 --> 00:45:17,960 Speaker 2: And there's never a moment where anyone fires a laser 944 00:45:18,080 --> 00:45:19,800 Speaker 2: at someone or flies. 945 00:45:20,680 --> 00:45:22,680 Speaker 1: It's a lot of good stand up comedy. I was 946 00:45:22,719 --> 00:45:24,600 Speaker 1: really impressed with the fact that this young lady could 947 00:45:24,600 --> 00:45:28,279 Speaker 1: do stand up comedy like that. Let's just get very 948 00:45:28,320 --> 00:45:29,040 Speaker 1: impressed with that. 949 00:45:29,280 --> 00:45:32,319 Speaker 2: Yeah, I really love the show. I was late to 950 00:45:32,400 --> 00:45:35,560 Speaker 2: it because I just when I first started to be honest, 951 00:45:35,600 --> 00:45:39,040 Speaker 2: it reminded me so much of just so many people 952 00:45:39,080 --> 00:45:42,120 Speaker 2: I grew up with, and you know, I grew up 953 00:45:42,480 --> 00:45:47,000 Speaker 2: East Coast Jewish family, and there was a lot of 954 00:45:47,040 --> 00:45:49,400 Speaker 2: it was just like, Okay, I don't know, this is funny, 955 00:45:49,400 --> 00:45:52,759 Speaker 2: but it's just too close to home. And then I 956 00:45:52,840 --> 00:45:56,239 Speaker 2: went back and just really really loved it. The performance 957 00:45:56,280 --> 00:45:58,760 Speaker 2: is the way it shot. There was I love shows, 958 00:45:58,800 --> 00:46:00,920 Speaker 2: and Scrubs did this too. I have to say, you 959 00:46:00,920 --> 00:46:04,040 Speaker 2: know where it wasn't just like, oh, let's shoot it 960 00:46:04,120 --> 00:46:06,720 Speaker 2: like the cinematography is a character. I mean, you guys 961 00:46:06,719 --> 00:46:11,080 Speaker 2: did such cool shots and such amazing production design, and 962 00:46:11,239 --> 00:46:15,719 Speaker 2: every single actor was better than the last, and so 963 00:46:15,760 --> 00:46:17,880 Speaker 2: you got to play sort of a for those of 964 00:46:17,880 --> 00:46:21,040 Speaker 2: you who don't know this show, a sort of you know, 965 00:46:21,080 --> 00:46:27,000 Speaker 2: she's an aspiring comedian and inspired by Joan Rivers, right, I. 966 00:46:26,920 --> 00:46:30,080 Speaker 1: Think loose they actual story, Yeah, yeah, that's part of it. 967 00:46:30,200 --> 00:46:30,839 Speaker 7: That's part of it. 968 00:46:31,000 --> 00:46:33,160 Speaker 2: Yeah, there's a bit of A and so and Joan 969 00:46:33,239 --> 00:46:37,359 Speaker 2: Rivers always wanted to guest and then hopefully one day 970 00:46:37,440 --> 00:46:40,080 Speaker 2: take over the Tonight Show. And you kind of played 971 00:46:40,080 --> 00:46:44,600 Speaker 2: the Johnny Carson character. Tell us about getting that, Like, 972 00:46:44,600 --> 00:46:46,440 Speaker 2: how did you did you read for that part? How 973 00:46:46,480 --> 00:46:47,280 Speaker 2: did that come about? 974 00:46:48,520 --> 00:46:54,400 Speaker 7: The showrunners they called me or we set up a 975 00:46:54,440 --> 00:46:59,920 Speaker 7: call and Amy Sherman Palladino and Dan Palladino, who again, 976 00:47:00,000 --> 00:47:03,000 Speaker 7: and I mean, I'm very lucky I've gotten to work 977 00:47:03,000 --> 00:47:06,080 Speaker 7: with some just incredibly genius writers. 978 00:47:06,120 --> 00:47:07,640 Speaker 1: They are the. 979 00:47:07,520 --> 00:47:09,320 Speaker 7: Best of the best, and they're just my kind of weird. 980 00:47:09,440 --> 00:47:13,359 Speaker 7: I love them. They called me and we set up 981 00:47:13,360 --> 00:47:16,680 Speaker 7: this zoom and they basically gave me their pitch on 982 00:47:16,719 --> 00:47:19,279 Speaker 7: the character and sort of describing just as you said 983 00:47:19,320 --> 00:47:22,920 Speaker 7: that he's sort of, you know, like very heavily influenced 984 00:47:22,920 --> 00:47:26,840 Speaker 7: by Johnny Carson and like the early talk show hosts 985 00:47:26,840 --> 00:47:30,800 Speaker 7: of the nineteen sixties, And I sort of sat there. 986 00:47:31,360 --> 00:47:34,600 Speaker 7: I was like, yeah, all right, cool, cool, all right, yeah, 987 00:47:35,239 --> 00:47:37,719 Speaker 7: let me think about it. And I got off the 988 00:47:37,800 --> 00:47:40,200 Speaker 7: zoom and I went and told my wife. It's like, 989 00:47:40,239 --> 00:47:41,640 Speaker 7: oh yeah, She's like, how'd it go. I'm like, yeah, 990 00:47:41,880 --> 00:47:42,359 Speaker 7: it went well. 991 00:47:42,520 --> 00:47:42,680 Speaker 1: You know. 992 00:47:42,680 --> 00:47:44,239 Speaker 7: I told him I was kind to think about it 993 00:47:44,239 --> 00:47:46,759 Speaker 7: because honestly, like I was not. I was familiar with 994 00:47:46,800 --> 00:47:48,640 Speaker 7: the show, but I kind of, like you Donald, I 995 00:47:48,680 --> 00:47:50,799 Speaker 7: think i'd seen a few episodes of season one, but 996 00:47:50,840 --> 00:47:53,520 Speaker 7: I just didn't. I didn't really know the show. And 997 00:47:53,600 --> 00:47:56,800 Speaker 7: my wife said, she's like, you told them you're thinking 998 00:47:56,840 --> 00:47:57,359 Speaker 7: about it. 999 00:47:58,320 --> 00:48:00,080 Speaker 3: Yeah, She's like, you're. 1000 00:48:00,160 --> 00:48:03,400 Speaker 7: Fucking doing it. I was like okay, because she was 1001 00:48:03,440 --> 00:48:06,040 Speaker 7: a huge fan of the show, so she she sort 1002 00:48:06,080 --> 00:48:08,600 Speaker 7: of crash coursed me through the first three seasons, and 1003 00:48:08,640 --> 00:48:10,479 Speaker 7: I was blown away. I was like, oh my god, 1004 00:48:10,520 --> 00:48:12,319 Speaker 7: this writing is phenomenal. 1005 00:48:12,440 --> 00:48:15,319 Speaker 2: Writing was amazing. It was I loved about it. 1006 00:48:15,320 --> 00:48:16,360 Speaker 3: It was beautiful. 1007 00:48:16,520 --> 00:48:18,080 Speaker 2: And then all of a sudden, not only would the 1008 00:48:18,080 --> 00:48:20,040 Speaker 2: writing be amazing, but then they do like this most 1009 00:48:20,120 --> 00:48:22,560 Speaker 2: epic wonner of a shot, and you'd be like, oh 1010 00:48:22,600 --> 00:48:24,960 Speaker 2: my god, they must have spent three days planning that 1011 00:48:25,080 --> 00:48:27,720 Speaker 2: and shooting that, and they just I love the care 1012 00:48:27,840 --> 00:48:30,800 Speaker 2: they took in shooting it, because you could have just 1013 00:48:30,840 --> 00:48:33,280 Speaker 2: said to hear the pretty costumes, hear the pretty sets, 1014 00:48:33,840 --> 00:48:37,080 Speaker 2: and and here's great writing. But it was so beyond that. 1015 00:48:37,080 --> 00:48:39,400 Speaker 2: There was There was such There was a dance and 1016 00:48:39,560 --> 00:48:43,120 Speaker 2: a choreography to the way the actors moved throughout the 1017 00:48:43,160 --> 00:48:46,319 Speaker 2: sets and the way the camera interacted with them. And 1018 00:48:46,360 --> 00:48:48,200 Speaker 2: there were times when I literally I can't think of 1019 00:48:48,280 --> 00:48:50,560 Speaker 2: so many many shows where I would like replay a 1020 00:48:50,600 --> 00:48:52,680 Speaker 2: wonner and be like, how the hell did they do that? 1021 00:48:53,520 --> 00:48:56,280 Speaker 7: And that's Amy. Honestly, that comes from Amy Sherman Paladino. 1022 00:48:56,400 --> 00:49:02,799 Speaker 7: She you know, she and Daniel they did uh, you 1023 00:49:02,840 --> 00:49:05,000 Speaker 7: know Gilmore Girls. I think everyone sort of knew them 1024 00:49:05,000 --> 00:49:08,160 Speaker 7: for Gilmore Girls before that. But before that, Amy was 1025 00:49:08,239 --> 00:49:14,960 Speaker 7: a choreographer for like decades, so dance and movement and 1026 00:49:15,120 --> 00:49:20,640 Speaker 7: music are so huge for her. That's why the Honestly, 1027 00:49:20,680 --> 00:49:24,600 Speaker 7: I had a little trouble the first couple weeks on 1028 00:49:24,680 --> 00:49:27,680 Speaker 7: set because you know, coming from v but I basically, 1029 00:49:27,760 --> 00:49:32,400 Speaker 7: you know, we were improvising so much. You know, we 1030 00:49:32,480 --> 00:49:34,200 Speaker 7: never hit a mark, we never did it the same 1031 00:49:34,239 --> 00:49:37,400 Speaker 7: way twice. And then showing up to set for for Mazel, 1032 00:49:37,400 --> 00:49:39,920 Speaker 7: where it's like, oh no, you don't change a word. 1033 00:49:39,960 --> 00:49:43,799 Speaker 7: You don't change And yeah, it was very sort of 1034 00:49:43,960 --> 00:49:46,480 Speaker 7: you know Aaron sorkinish in that way, in that like 1035 00:49:47,040 --> 00:49:51,240 Speaker 7: it's it's written this way because it's all been meticulously crafted, 1036 00:49:51,280 --> 00:49:53,120 Speaker 7: and then you realize once you start to say it, 1037 00:49:53,120 --> 00:49:55,279 Speaker 7: it's like, oh, it can't be said any other way. 1038 00:49:55,440 --> 00:49:58,160 Speaker 7: It's perfect the way it is. But she would have 1039 00:49:58,719 --> 00:50:03,840 Speaker 7: built in, especially when she directed, every cinematic move of 1040 00:50:03,880 --> 00:50:06,919 Speaker 7: the camera was tied in perfectly to the timing of 1041 00:50:07,320 --> 00:50:13,239 Speaker 7: certain words, like she saw the whole show in an 1042 00:50:13,239 --> 00:50:17,200 Speaker 7: extra dimension that like people just don't really you know, 1043 00:50:17,719 --> 00:50:19,960 Speaker 7: most of most people don't have that ability. It's really incredible. 1044 00:50:20,000 --> 00:50:22,800 Speaker 2: It's cool hearing that. It's cool hearing that story because 1045 00:50:22,880 --> 00:50:25,000 Speaker 2: for me, it really showed there was so many there 1046 00:50:25,040 --> 00:50:28,160 Speaker 2: was so much elegance to it. The scenes just felt 1047 00:50:28,160 --> 00:50:29,200 Speaker 2: like like dances. 1048 00:50:29,360 --> 00:50:29,839 Speaker 7: I loved it. 1049 00:50:29,920 --> 00:50:32,919 Speaker 1: I like that. I liked that she was a choreographer before. Yeah, 1050 00:50:33,080 --> 00:50:36,759 Speaker 1: because then it really makes you feel so they she 1051 00:50:36,880 --> 00:50:38,879 Speaker 1: did direct the scene, she did, you know what I mean, 1052 00:50:38,960 --> 00:50:41,040 Speaker 1: she did. She was a part of it. You know, 1053 00:50:41,239 --> 00:50:44,640 Speaker 1: usually you know, you know how it is, the background 1054 00:50:44,800 --> 00:50:48,200 Speaker 1: is usually ran by the second ad or third a 1055 00:50:48,320 --> 00:50:51,560 Speaker 1: d okay, now you and you know what I mean. 1056 00:50:51,760 --> 00:50:53,960 Speaker 1: And to think that that much care went into it, 1057 00:50:54,120 --> 00:50:58,000 Speaker 1: and also with cinematography too, to capture the busyness. That's 1058 00:50:58,040 --> 00:50:59,640 Speaker 1: what I'm That was the one thing I would say 1059 00:50:59,640 --> 00:51:03,120 Speaker 1: about that show that I really like. Definitely felt busy. 1060 00:51:03,200 --> 00:51:05,040 Speaker 1: When you were in a nightclub, it felt like you 1061 00:51:05,040 --> 00:51:07,000 Speaker 1: were in a nightclub. When you were at the parties, 1062 00:51:07,239 --> 00:51:08,759 Speaker 1: like when she was doing all of the stand up 1063 00:51:08,800 --> 00:51:10,600 Speaker 1: at the parties with her buddy and they're going back 1064 00:51:10,600 --> 00:51:12,920 Speaker 1: and forth, you felt like you were at a party. 1065 00:51:12,960 --> 00:51:15,880 Speaker 1: The Crosses felt like that. The music that was playing 1066 00:51:15,880 --> 00:51:19,000 Speaker 1: in the background, it's just really well done. And when 1067 00:51:19,000 --> 00:51:21,440 Speaker 1: it won all of those awards, I was like, fuck, 1068 00:51:21,480 --> 00:51:24,200 Speaker 1: of course and shit won all of the awards. But 1069 00:51:24,239 --> 00:51:26,040 Speaker 1: then we know how it was. But you know how 1070 00:51:26,040 --> 00:51:29,160 Speaker 1: it goes. After a while, You're like, monk, Tony, I 1071 00:51:29,200 --> 00:51:31,160 Speaker 1: can't watch you anymore. Bro. You win everything. 1072 00:51:31,320 --> 00:51:33,360 Speaker 7: You're gonna win it anyway, Tony. 1073 00:51:33,440 --> 00:51:36,640 Speaker 2: The second Tony, the second they hit record on Tony, 1074 00:51:36,680 --> 00:51:37,400 Speaker 2: he wins an award. 1075 00:51:37,560 --> 00:51:41,200 Speaker 7: He's rising, He's amazing, amazing guy. 1076 00:51:41,640 --> 00:51:43,800 Speaker 1: Yeah yeah, man, let's take a break. 1077 00:51:43,840 --> 00:51:53,080 Speaker 2: We'll be right back after these fine words. Did you 1078 00:51:53,120 --> 00:51:56,640 Speaker 2: meet any talk show hosts or who did you get 1079 00:51:56,640 --> 00:51:57,800 Speaker 2: to meet to like research. 1080 00:51:58,440 --> 00:52:01,120 Speaker 7: I've gotten to be friendly with Steven Bear over the 1081 00:52:01,200 --> 00:52:05,880 Speaker 7: years because he's he was a massive Yeah, he was 1082 00:52:05,920 --> 00:52:07,839 Speaker 7: a huge Veep fan. He he would come to our 1083 00:52:08,239 --> 00:52:11,200 Speaker 7: like Veep like rap parties. He would just show up 1084 00:52:11,960 --> 00:52:15,120 Speaker 7: and like, who's going to say no to Steven? You know, 1085 00:52:15,160 --> 00:52:17,600 Speaker 7: It's like he was just always around. He just wanted 1086 00:52:17,600 --> 00:52:20,479 Speaker 7: to be around. He was great and uh and he 1087 00:52:20,480 --> 00:52:22,680 Speaker 7: he and Matt Walsh, you know, they they went way 1088 00:52:22,719 --> 00:52:25,319 Speaker 7: back through you know early you know, New York Comedy days, 1089 00:52:25,400 --> 00:52:29,400 Speaker 7: UCB and then Daily Show and all that. So he 1090 00:52:29,520 --> 00:52:31,760 Speaker 7: was a real welcome guest. So I actually I reached 1091 00:52:31,800 --> 00:52:36,279 Speaker 7: out to him, uh when I accepted the role and said, hey, 1092 00:52:36,320 --> 00:52:37,920 Speaker 7: I would just I would love to pick your brain. 1093 00:52:38,880 --> 00:52:41,040 Speaker 7: And we had a zoom and he basically said like 1094 00:52:41,040 --> 00:52:44,840 Speaker 7: like hey man, I I'm happy to talk, but I 1095 00:52:44,840 --> 00:52:48,919 Speaker 7: don't I don't really know what what to tell you, 1096 00:52:48,960 --> 00:52:51,760 Speaker 7: Like like, what what do you want from me? Basically 1097 00:52:51,760 --> 00:52:57,000 Speaker 7: and said like, look, I'm not after how do I 1098 00:52:57,040 --> 00:52:59,319 Speaker 7: be a talk show host behind the desk. It's like 1099 00:52:59,600 --> 00:53:02,400 Speaker 7: I'll figure that out. What I'm more interested in is 1100 00:53:02,440 --> 00:53:06,480 Speaker 7: how you change from you know, all the masks you 1101 00:53:06,560 --> 00:53:09,920 Speaker 7: wear during your job, right, like you have your home life. 1102 00:53:10,520 --> 00:53:14,960 Speaker 7: Then you have the showrunner because essentially like the talk 1103 00:53:15,000 --> 00:53:17,920 Speaker 7: show host is the showrunner. You have your your showrunner persona. 1104 00:53:18,280 --> 00:53:21,239 Speaker 7: Then you have your writer persona. You've got your businessman 1105 00:53:21,360 --> 00:53:24,400 Speaker 7: persona because at that time they were all so you know, 1106 00:53:24,520 --> 00:53:26,920 Speaker 7: and they still are such a part of the fabric 1107 00:53:26,920 --> 00:53:30,120 Speaker 7: of the network. They're they're they're they're worried about advertising, 1108 00:53:30,120 --> 00:53:32,840 Speaker 7: they're worried about time, all this stuff. Then you have 1109 00:53:33,680 --> 00:53:36,880 Speaker 7: your your persona that you have behind the desk, and 1110 00:53:36,920 --> 00:53:38,400 Speaker 7: then you have you know, you're the rest of your 1111 00:53:38,440 --> 00:53:40,400 Speaker 7: personal life and sort of like and you have to 1112 00:53:40,400 --> 00:53:43,480 Speaker 7: shift through all of those masks every single day. 1113 00:53:43,560 --> 00:53:44,160 Speaker 1: What's that like? 1114 00:53:44,719 --> 00:53:46,960 Speaker 7: And I saw Steven his eyes kind of lit up, 1115 00:53:46,960 --> 00:53:49,120 Speaker 7: and I realized no one had ever asked him that 1116 00:53:49,239 --> 00:53:52,040 Speaker 7: question before. And he said, oh, well, here we go. 1117 00:53:52,160 --> 00:53:54,719 Speaker 7: And we we talked for like four hours, and at 1118 00:53:54,719 --> 00:53:55,880 Speaker 7: the end of which he's like, he's like, you know 1119 00:53:55,880 --> 00:53:58,120 Speaker 7: who you really need to talk to. You need to 1120 00:53:58,120 --> 00:54:00,480 Speaker 7: talk to Dick Cabot. I was like, oh, yeah, sure, 1121 00:54:00,520 --> 00:54:02,040 Speaker 7: I'll just I'll call up Dick Cavit. He's like, no, 1122 00:54:02,080 --> 00:54:06,399 Speaker 7: hold on a second, he calls Dick Cavot, gets Dick 1123 00:54:06,480 --> 00:54:09,319 Speaker 7: Caviot to join the zoom. So I'm on a three 1124 00:54:09,360 --> 00:54:13,520 Speaker 7: way zoom with Stephen Colbert and Dick Cavit and I 1125 00:54:13,600 --> 00:54:16,760 Speaker 7: was like, this was like like my parents are finally 1126 00:54:16,800 --> 00:54:20,000 Speaker 7: proud of me, Like I really made it? 1127 00:54:20,080 --> 00:54:22,000 Speaker 3: And what I did? What did Kavit say? 1128 00:54:22,040 --> 00:54:22,680 Speaker 2: Did he did? 1129 00:54:22,719 --> 00:54:22,919 Speaker 3: He? 1130 00:54:23,000 --> 00:54:23,160 Speaker 1: Did? 1131 00:54:23,200 --> 00:54:23,279 Speaker 7: He? 1132 00:54:25,200 --> 00:54:25,359 Speaker 5: Oh? 1133 00:54:25,440 --> 00:54:29,960 Speaker 7: Yeah, I mean he did. You know, dick'son, He's a legend, 1134 00:54:30,080 --> 00:54:32,200 Speaker 7: and he's he's getting he's getting on in ears. So 1135 00:54:32,320 --> 00:54:34,480 Speaker 7: we spent a lot of time just sort of hearing stories, 1136 00:54:34,760 --> 00:54:37,400 Speaker 7: which was great because you know, I would sort of 1137 00:54:37,920 --> 00:54:39,640 Speaker 7: keep an ear out for like, oh, that's a fun 1138 00:54:39,640 --> 00:54:41,879 Speaker 7: little thing, and you know, knowing that I don't really 1139 00:54:41,920 --> 00:54:45,640 Speaker 7: have the juice at Mazel the way I might have 1140 00:54:45,719 --> 00:54:47,360 Speaker 7: been veep to sort of put any of this stuff 1141 00:54:47,360 --> 00:54:49,040 Speaker 7: in there, but I sort of I was just taking 1142 00:54:49,040 --> 00:54:51,480 Speaker 7: copious notes and then I would get there and be like, 1143 00:54:51,520 --> 00:54:53,239 Speaker 7: you know what Dick told me these funny little stories. 1144 00:54:53,280 --> 00:54:54,560 Speaker 7: I wonder if there's a way to sort of wedget 1145 00:54:54,560 --> 00:54:56,479 Speaker 7: in there. And we found a couple here and there. 1146 00:54:57,000 --> 00:55:02,200 Speaker 7: But really what he impressed upon me was just the 1147 00:55:02,239 --> 00:55:05,840 Speaker 7: size of the role of the Late Night talk show 1148 00:55:06,040 --> 00:55:10,640 Speaker 7: host from that era. It was unlike anything else in television. 1149 00:55:10,680 --> 00:55:12,200 Speaker 7: And I mean you can really you can count on 1150 00:55:12,239 --> 00:55:15,640 Speaker 7: two hands the number of late night talk show hosts 1151 00:55:16,239 --> 00:55:19,040 Speaker 7: that really have mattered, that have really made a difference. 1152 00:55:19,719 --> 00:55:22,680 Speaker 1: Well, he's definitely one of them. He's way up there 1153 00:55:22,719 --> 00:55:28,279 Speaker 1: for sure. Like it's him, Johnny Carson. Yeah, real, those 1154 00:55:28,320 --> 00:55:32,680 Speaker 1: are from my era seventy four, that's the two. Yeah. 1155 00:55:33,080 --> 00:55:37,800 Speaker 2: Well, but then there was who was before h Johnny 1156 00:55:38,040 --> 00:55:42,840 Speaker 2: wasn't there was well, obviously there was, uh, you know 1157 00:55:42,920 --> 00:55:44,040 Speaker 2: the guy the Beatles went on. 1158 00:55:44,840 --> 00:55:48,799 Speaker 1: Oh yeah, but I wasn't around for that. 1159 00:55:48,880 --> 00:55:52,719 Speaker 2: I wasn't I'm saying throughout history like the big MERV. 1160 00:55:52,760 --> 00:55:55,799 Speaker 7: Griffin, right, and they were, and they were all doing 1161 00:55:55,840 --> 00:55:58,520 Speaker 7: something similar, but like but really, I mean, Johnny was 1162 00:55:58,520 --> 00:56:03,520 Speaker 7: the guy. Johnny was the guy. You know, Dick is 1163 00:56:03,520 --> 00:56:05,319 Speaker 7: certainly in that conversation because he. 1164 00:56:05,320 --> 00:56:07,200 Speaker 1: Was about to say he had some I mean, his 1165 00:56:07,320 --> 00:56:09,560 Speaker 1: guests and the crowd up was interacting with guests back 1166 00:56:09,600 --> 00:56:10,560 Speaker 1: then were really cool. 1167 00:56:10,400 --> 00:56:13,200 Speaker 7: And he was the thinking man, really good you know host, 1168 00:56:13,280 --> 00:56:13,640 Speaker 7: and he. 1169 00:56:13,600 --> 00:56:15,160 Speaker 2: Was really he was kind of of course, and of 1170 00:56:15,200 --> 00:56:15,800 Speaker 2: course Letterman. 1171 00:56:15,840 --> 00:56:17,720 Speaker 7: We can't early Letterman. 1172 00:56:17,800 --> 00:56:21,160 Speaker 1: I mean that that's that's that was revolutionary though man 1173 00:56:21,200 --> 00:56:25,000 Speaker 1: like he turned it. He I mean, there was those guys. 1174 00:56:25,080 --> 00:56:28,759 Speaker 1: Then Letterman came and I remember I remember late night, 1175 00:56:29,280 --> 00:56:33,120 Speaker 1: late late night. I remember that. I remember staying up 1176 00:56:33,200 --> 00:56:35,000 Speaker 1: late to watch him, you know what I mean. And 1177 00:56:35,000 --> 00:56:37,920 Speaker 1: then who came on after him back in the day, Conan. 1178 00:56:37,960 --> 00:56:38,400 Speaker 1: Remember that. 1179 00:56:39,520 --> 00:56:41,520 Speaker 7: It's amazing because used to be if he looked at 1180 00:56:41,600 --> 00:56:44,319 Speaker 7: like Jack Parr, I think is also another legend who 1181 00:56:44,320 --> 00:56:46,960 Speaker 7: deserves to be mentioned. He was doing stuff with comedy 1182 00:56:47,239 --> 00:56:51,719 Speaker 7: that no one was doing until early. Letterman came back 1183 00:56:51,760 --> 00:56:54,359 Speaker 7: and was sort of like reinventing, you know, people get 1184 00:56:54,400 --> 00:56:58,080 Speaker 7: you know, Letterman deserves all that credit, but he was 1185 00:56:58,120 --> 00:57:01,520 Speaker 7: almost sort of picking up where Jack Parr left off. 1186 00:57:02,000 --> 00:57:03,840 Speaker 7: And then I think Conan was sort of in that 1187 00:57:03,880 --> 00:57:06,120 Speaker 7: same conversation, and you sort of like, to me, that 1188 00:57:06,239 --> 00:57:09,480 Speaker 7: lineage is so clear, like Jack Parr to David Letterman 1189 00:57:09,800 --> 00:57:12,480 Speaker 7: to Conan O'Brien, and that's why they all deserve to 1190 00:57:12,480 --> 00:57:16,560 Speaker 7: be in that same conversation. But the pressure that was 1191 00:57:16,600 --> 00:57:19,440 Speaker 7: put on these guys to deliver like they were the network. 1192 00:57:19,640 --> 00:57:22,120 Speaker 7: It was them in the news, you know, they were 1193 00:57:22,200 --> 00:57:24,600 Speaker 7: the real faces of the network. All the other shows 1194 00:57:24,800 --> 00:57:27,720 Speaker 7: were entertaining and people love the characters and love the actors, 1195 00:57:28,120 --> 00:57:32,480 Speaker 7: but when you turned on NBC, you were watching Johnny Carson. 1196 00:57:32,640 --> 00:57:34,160 Speaker 7: This was Johnny Carson's network. 1197 00:57:34,360 --> 00:57:37,040 Speaker 1: It was his it was his network. Yeah, so I 1198 00:57:37,120 --> 00:57:38,880 Speaker 1: just watched it before we move, and I'm sorry, I 1199 00:57:38,960 --> 00:57:41,080 Speaker 1: just watched this movie Saturday Night and they dip and 1200 00:57:41,120 --> 00:57:43,880 Speaker 1: they talk about that a little bit in the movie. 1201 00:57:44,200 --> 00:57:48,680 Speaker 1: How the reason why Saturday Night Live was on was 1202 00:57:48,720 --> 00:57:52,320 Speaker 1: because Johnny Carson and the network were in a feud 1203 00:57:52,400 --> 00:57:58,600 Speaker 1: about money and they needed a show for Saturday Night 1204 00:57:59,160 --> 00:58:03,640 Speaker 1: to replace him him and he wasn't playing he wasn't 1205 00:58:03,640 --> 00:58:06,120 Speaker 1: playing ball. They weren't playing ball, and they put a 1206 00:58:06,160 --> 00:58:10,720 Speaker 1: show on with a bunch of nobodies that had literally 1207 00:58:11,520 --> 00:58:14,720 Speaker 1: no there was no there was no legitimate story. So 1208 00:58:14,760 --> 00:58:18,080 Speaker 1: there was no a to b there was no you know, 1209 00:58:18,360 --> 00:58:21,120 Speaker 1: there was no star, there was no nothing, And they 1210 00:58:21,160 --> 00:58:25,240 Speaker 1: put this show on to combat, you know, for it 1211 00:58:25,240 --> 00:58:28,280 Speaker 1: to lose, really knowing that they'd signed Johnny again and 1212 00:58:28,320 --> 00:58:32,720 Speaker 1: it was a hit. Johnny Clarson was running him and 1213 00:58:32,760 --> 00:58:35,080 Speaker 1: Milton Burrell were running that show absolutely. 1214 00:58:35,960 --> 00:58:39,160 Speaker 7: John At one point people forget, you know, the Tonight Show. 1215 00:58:39,480 --> 00:58:42,760 Speaker 7: At one point, Johnny was so powerful. The Tonight Show 1216 00:58:42,840 --> 00:58:46,960 Speaker 7: was only on three four days a week, because he 1217 00:58:47,000 --> 00:58:48,760 Speaker 7: was like, fuck it, I want to go play tennis. 1218 00:58:50,280 --> 00:58:52,560 Speaker 7: I mean, can you imagine, like there's no late night 1219 00:58:52,600 --> 00:58:54,760 Speaker 7: talk show that could ever get away with that. But 1220 00:58:54,800 --> 00:58:56,360 Speaker 7: he was like, you know, they called it the Tonight Show. 1221 00:58:56,440 --> 00:58:59,080 Speaker 7: Really was sort of like you know, the win I 1222 00:58:59,080 --> 00:59:00,000 Speaker 7: feel like a show. 1223 00:59:04,880 --> 00:59:09,720 Speaker 2: That little clip here, Dan, all right, now we have 1224 00:59:09,840 --> 00:59:11,960 Speaker 2: to talk about your latest gig, Law and Order. And 1225 00:59:12,000 --> 00:59:14,160 Speaker 2: I saw something funny you said because it was the 1226 00:59:14,240 --> 00:59:16,560 Speaker 2: truth for me too. When I was coming up in 1227 00:59:16,600 --> 00:59:22,360 Speaker 2: New York. Uh you know, I graduated Northwestern in ninety seven, 1228 00:59:22,600 --> 00:59:25,440 Speaker 2: and and like the main show in New York was 1229 00:59:25,480 --> 00:59:28,800 Speaker 2: The og Lawn Order. And even before that, when I 1230 00:59:28,800 --> 00:59:31,640 Speaker 2: was auditioning before college, there were like young parts and 1231 00:59:31,800 --> 00:59:34,720 Speaker 2: everyone I knew was getting their little stint on Law 1232 00:59:34,760 --> 00:59:36,760 Speaker 2: and Order. Everyone was getting there little even if it 1233 00:59:36,800 --> 00:59:38,479 Speaker 2: was like one scene like I told you, I didn't 1234 00:59:38,520 --> 00:59:44,480 Speaker 2: do it man, like everyone had their those are my drugs? 1235 00:59:44,760 --> 00:59:47,000 Speaker 2: Those not my drugs. I got it from Cheryl. 1236 00:59:47,200 --> 00:59:50,560 Speaker 1: I want to dun dum, dun dum. 1237 00:59:52,400 --> 00:59:53,840 Speaker 3: You know who you should be talking to. 1238 00:59:54,200 --> 00:59:58,160 Speaker 2: Cheryl. She works down at the candy shop. Even if 1239 00:59:58,200 --> 01:00:00,120 Speaker 2: it was that, even though it was just that and 1240 01:00:00,200 --> 01:00:02,840 Speaker 2: I couldn't get any of these ships, and I'm figuring 1241 01:00:03,200 --> 01:00:05,560 Speaker 2: they neither read for them all. And I know Donald 1242 01:00:05,600 --> 01:00:08,080 Speaker 2: you did too, And I was like, what is. 1243 01:00:08,160 --> 01:00:10,800 Speaker 1: The best I guy was New York Undercover. Bro, My 1244 01:00:10,880 --> 01:00:12,720 Speaker 1: ship was hot, dude, come on. 1245 01:00:13,120 --> 01:00:15,640 Speaker 2: It became a joke like, oh, you're a New York actor. 1246 01:00:15,680 --> 01:00:18,080 Speaker 2: Have you had your line on Law and Order yet? 1247 01:00:18,120 --> 01:00:20,280 Speaker 2: And I was like, fucking no. And then I saw 1248 01:00:20,320 --> 01:00:22,520 Speaker 2: that I saw the notes that you did too, and 1249 01:00:22,560 --> 01:00:25,040 Speaker 2: now here the fucking lead so so fun. That's a 1250 01:00:25,040 --> 01:00:26,680 Speaker 2: good fucking karma coming around. 1251 01:00:26,720 --> 01:00:28,640 Speaker 7: I tried. Man, I know it was the same it was, 1252 01:00:28,680 --> 01:00:31,760 Speaker 7: you know when I was when I was first kicking 1253 01:00:31,760 --> 01:00:34,960 Speaker 7: it around here auditioning again, late nineties, ninety eight, ninety nine. 1254 01:00:36,040 --> 01:00:38,160 Speaker 1: Uh, that's all. 1255 01:00:41,360 --> 01:00:43,320 Speaker 7: I want to turn nothing. 1256 01:00:43,480 --> 01:00:45,960 Speaker 1: I wanted to be on that ship so badly. My 1257 01:00:46,080 --> 01:00:49,320 Speaker 1: best friend, my best friend, who is not an actor. 1258 01:00:49,560 --> 01:00:52,120 Speaker 1: When we were kids, he wasn't even an actor, he 1259 01:00:52,160 --> 01:00:55,280 Speaker 1: didn't do shit. And this motherfucker wound up one law Nor. 1260 01:00:55,440 --> 01:00:57,840 Speaker 1: I was like, how the fuck did he get on there? 1261 01:00:58,000 --> 01:00:58,200 Speaker 3: Yeah? 1262 01:00:58,200 --> 01:01:00,040 Speaker 2: Remember you'd go audition down to Chelsea. 1263 01:00:59,800 --> 01:01:04,360 Speaker 7: P Yeah, yeah, is that where you still shoot? SVU 1264 01:01:04,480 --> 01:01:07,440 Speaker 7: is over there? But we're in uh, we're in Brooklyn. 1265 01:01:08,160 --> 01:01:10,240 Speaker 3: It Steiner, not at Steiner. 1266 01:01:10,280 --> 01:01:14,400 Speaker 2: God, I wish that's the nice one you got about. 1267 01:01:14,840 --> 01:01:19,320 Speaker 1: Look, dude, straight up, s vu man, how long has 1268 01:01:19,440 --> 01:01:23,080 Speaker 1: Marishka and Iced Tea had job? 1269 01:01:23,240 --> 01:01:23,960 Speaker 7: It's amazing? 1270 01:01:24,040 --> 01:01:26,400 Speaker 1: And you want to talk about never happened to retire? Mean, 1271 01:01:26,440 --> 01:01:27,760 Speaker 1: oh my god, never happened. 1272 01:01:27,920 --> 01:01:30,720 Speaker 2: Long order back when we were watching it, So I 1273 01:01:30,800 --> 01:01:36,400 Speaker 2: remember the Jerry or Back Jimmy Smith's yes, Chris Noath days. 1274 01:01:36,760 --> 01:01:37,520 Speaker 3: I believe. 1275 01:01:39,000 --> 01:01:41,200 Speaker 2: Because there's so many incarnations. But I think when I 1276 01:01:41,320 --> 01:01:44,760 Speaker 2: was watching it trying to get my little Doom Doom moment, 1277 01:01:44,880 --> 01:01:49,160 Speaker 2: it was Chris North and Jerry or Back. But so 1278 01:01:49,160 --> 01:01:52,120 Speaker 2: that's a pretty great lineage. What's it like? Is it 1279 01:01:52,160 --> 01:01:52,840 Speaker 2: fun to shoot? 1280 01:01:53,200 --> 01:01:53,520 Speaker 3: Do you have? 1281 01:01:53,840 --> 01:01:56,480 Speaker 2: Is Dick Wolf still involved? Does he come by or. 1282 01:01:56,640 --> 01:02:01,440 Speaker 7: He out Dick? I I assume Dick is always just 1283 01:02:01,480 --> 01:02:05,320 Speaker 7: sort of circling the earth in his hyperbaric chamber, you know, 1284 01:02:05,440 --> 01:02:06,400 Speaker 7: seven seven? 1285 01:02:07,040 --> 01:02:08,400 Speaker 2: Is he going to be okay for money? 1286 01:02:08,480 --> 01:02:08,720 Speaker 3: Read? 1287 01:02:08,840 --> 01:02:10,720 Speaker 2: Do you think that he'll be able to get by? 1288 01:02:11,160 --> 01:02:13,600 Speaker 7: He'll be okay, He'll be okay. 1289 01:02:14,320 --> 01:02:17,800 Speaker 1: Is it crazy that he has a monopoly on all television? Right? 1290 01:02:17,840 --> 01:02:21,280 Speaker 7: It's amazing, It's like, honestly, getting talk about how the 1291 01:02:21,320 --> 01:02:23,080 Speaker 7: sausage is made. It's sort of like getting a peek 1292 01:02:23,120 --> 01:02:27,360 Speaker 7: behind the curtain to how Dick Wolf Productions works. Is 1293 01:02:27,440 --> 01:02:30,480 Speaker 7: really there's nothing quite like it. I really had no 1294 01:02:30,560 --> 01:02:34,560 Speaker 7: idea a. I love it. I have such a blast 1295 01:02:34,680 --> 01:02:35,240 Speaker 7: doing this gig. 1296 01:02:35,480 --> 01:02:37,480 Speaker 3: Yeah, you would love to do it? 1297 01:02:39,760 --> 01:02:41,800 Speaker 2: We want to do Yeah. 1298 01:02:41,720 --> 01:02:43,240 Speaker 7: Oh my god, that'd be hilarious. 1299 01:02:43,440 --> 01:02:43,840 Speaker 1: I love that. 1300 01:02:43,880 --> 01:02:45,360 Speaker 2: I don't know if they're going to want us together, 1301 01:02:45,440 --> 01:02:47,080 Speaker 2: because then it'll be like all the Scrubs guys. But 1302 01:02:47,120 --> 01:02:49,520 Speaker 2: will you tell your your your showrunner? 1303 01:02:49,680 --> 01:02:50,120 Speaker 7: For sure? 1304 01:02:50,200 --> 01:02:53,440 Speaker 2: Donald and I never got our one line doing doing moment, 1305 01:02:53,520 --> 01:02:55,800 Speaker 2: and we would like to make our dreams come true. 1306 01:02:56,200 --> 01:02:58,720 Speaker 7: Honestly, I'm not kidding. I'm going to say this first 1307 01:02:58,720 --> 01:02:59,280 Speaker 7: thing tomorrow. 1308 01:02:59,640 --> 01:02:59,840 Speaker 1: You know. 1309 01:03:00,720 --> 01:03:01,920 Speaker 2: You know it'll be funny if I was like if 1310 01:03:01,960 --> 01:03:03,360 Speaker 2: I just have one line, and like, it wasn't me. 1311 01:03:03,600 --> 01:03:06,360 Speaker 2: It was my friend Timmy. He works down at the cemetery. 1312 01:03:06,360 --> 01:03:07,240 Speaker 2: He's a grave digger. 1313 01:03:09,640 --> 01:03:12,640 Speaker 1: I didn't do it. It was fucking James. James fucking 1314 01:03:12,680 --> 01:03:14,200 Speaker 1: called me up the other day and he was like, 1315 01:03:14,240 --> 01:03:17,520 Speaker 1: you know what I did? I fucking did it. 1316 01:03:21,400 --> 01:03:23,560 Speaker 2: You tell him I'm not coming down to Chelsea Piers 1317 01:03:23,600 --> 01:03:25,440 Speaker 2: the audition, but I will take the offer. 1318 01:03:25,800 --> 01:03:27,320 Speaker 7: Oh well, I know it looks. 1319 01:03:27,120 --> 01:03:28,600 Speaker 2: Like it must be fun to shoot, right. 1320 01:03:28,640 --> 01:03:29,880 Speaker 7: It's great, man, it's great. 1321 01:03:29,920 --> 01:03:32,240 Speaker 3: It's who's your partner? Who? Who do you do with? 1322 01:03:32,640 --> 01:03:35,320 Speaker 7: Mccod Brooks plays my partner and he's the best. 1323 01:03:35,800 --> 01:03:38,240 Speaker 1: He's just you work on with macd I love mccott. 1324 01:03:38,440 --> 01:03:41,320 Speaker 7: He's so fun that we grats to both of you, 1325 01:03:41,320 --> 01:03:43,280 Speaker 7: you know, he and I we work so well together. 1326 01:03:43,400 --> 01:03:48,800 Speaker 7: I think because we right, we get what the job is, 1327 01:03:49,240 --> 01:03:51,840 Speaker 7: you know, and we respect it. We we both kind 1328 01:03:51,880 --> 01:03:53,600 Speaker 7: of like you guys, we came up on this job, 1329 01:03:54,240 --> 01:03:57,480 Speaker 7: so we sort of feel again that sort of custodianship 1330 01:03:57,520 --> 01:03:59,200 Speaker 7: over it. Yeah, but we also. 1331 01:03:59,000 --> 01:04:00,240 Speaker 2: Wanted to be a part of that show. 1332 01:04:00,480 --> 01:04:01,479 Speaker 3: We just love it. 1333 01:04:01,720 --> 01:04:05,000 Speaker 2: It's fucking unfailing and infallible, infallible. 1334 01:04:05,160 --> 01:04:07,440 Speaker 7: We're two grown men in our late forties running around 1335 01:04:07,440 --> 01:04:09,680 Speaker 7: New York with a gun and a badge and a snarky, 1336 01:04:09,720 --> 01:04:12,120 Speaker 7: bad attitude, and you know, we get to do all 1337 01:04:12,120 --> 01:04:14,880 Speaker 7: this fun or baki and ship. It's like it's the best. 1338 01:04:15,040 --> 01:04:16,959 Speaker 2: Yeah, it's really cool. I would love to I would 1339 01:04:16,960 --> 01:04:18,360 Speaker 2: love to do that. I would love to just be. 1340 01:04:18,720 --> 01:04:21,360 Speaker 1: So you guys are the lost side. Who's the order side. 1341 01:04:21,920 --> 01:04:26,080 Speaker 7: Who's the the order side? Is my buddy, Hugh Dancy 1342 01:04:27,600 --> 01:04:31,000 Speaker 7: and Odelia Hallavi and now Tony Goldwin. 1343 01:04:32,360 --> 01:04:36,160 Speaker 2: Oh wow, people speaking of people who never had a 1344 01:04:36,240 --> 01:04:38,040 Speaker 2: day off in the last forty years. 1345 01:04:38,280 --> 01:04:40,160 Speaker 1: Jesus, he's not directing, he's acting. 1346 01:04:40,560 --> 01:04:41,800 Speaker 3: I know, Tony. 1347 01:04:42,080 --> 01:04:45,040 Speaker 2: I love Tony so much, but I'm like, dude, you know, 1348 01:04:45,080 --> 01:04:47,600 Speaker 2: it's okay to take a day off Tony. It's okay 1349 01:04:48,160 --> 01:04:50,920 Speaker 2: to not work today. When he's not working, he's doing 1350 01:04:51,000 --> 01:04:53,760 Speaker 2: political action. He's an amazing. 1351 01:04:53,280 --> 01:04:54,000 Speaker 1: He's the real deal. 1352 01:04:54,120 --> 01:04:55,400 Speaker 7: Tony gold We love Tony. 1353 01:04:55,520 --> 01:04:57,480 Speaker 2: I love him very much. He's the nicest guy. It 1354 01:04:57,640 --> 01:05:00,080 Speaker 2: has abs. A lot of women have a crush on 1355 01:05:00,240 --> 01:05:03,280 Speaker 2: and you'll be happy to know that he has abs. Still, Yes, 1356 01:05:03,320 --> 01:05:05,040 Speaker 2: because he rows, he does the rower. 1357 01:05:05,600 --> 01:05:06,480 Speaker 1: Oh he's a rower. 1358 01:05:06,640 --> 01:05:08,400 Speaker 2: Yeah, he's one of those guys with the rower and 1359 01:05:08,720 --> 01:05:12,000 Speaker 2: are you a rower? And has got you into rowing? 1360 01:05:12,640 --> 01:05:18,440 Speaker 1: Not yet? No, no, I was gonna say. That's always cool, man. 1361 01:05:18,480 --> 01:05:20,760 Speaker 1: It's like you get to go into work, you get 1362 01:05:20,760 --> 01:05:23,560 Speaker 1: to act, and then at the end of the day 1363 01:05:23,720 --> 01:05:25,600 Speaker 1: you get to run around with guns too, so you 1364 01:05:25,640 --> 01:05:27,320 Speaker 1: get to do all of the things that you wanted 1365 01:05:27,320 --> 01:05:30,120 Speaker 1: to do, and like, I'm like, I was just thinking 1366 01:05:30,160 --> 01:05:32,000 Speaker 1: about that. I was like, yeah, I was like, you know, 1367 01:05:32,040 --> 01:05:34,240 Speaker 1: what would be a lot of fun actually doing a 1368 01:05:34,280 --> 01:05:36,800 Speaker 1: procedural that would actually be a lot of fun if 1369 01:05:36,840 --> 01:05:39,360 Speaker 1: it's a if I'm a cop, because I'll come in, 1370 01:05:39,640 --> 01:05:41,640 Speaker 1: I'll do the work. I got, you know, we'll do 1371 01:05:41,760 --> 01:05:43,720 Speaker 1: the work. Let's do the work. Now, Let's go fucking 1372 01:05:43,760 --> 01:05:46,000 Speaker 1: run around with cars. Let's do stunt ships. Great, let's 1373 01:05:46,080 --> 01:05:47,520 Speaker 1: drive around and shoot guns and stuff. 1374 01:05:47,880 --> 01:05:49,760 Speaker 2: Very funny. If you and I did a Law and 1375 01:05:49,880 --> 01:05:51,000 Speaker 2: Order spoof. 1376 01:05:51,200 --> 01:05:54,360 Speaker 7: That's what we want to do too, mccott and I absolutely, 1377 01:05:54,440 --> 01:05:56,920 Speaker 7: it's it's so ripe ripe for it. 1378 01:05:57,040 --> 01:05:58,840 Speaker 2: I think, you know, John, I feel like we'd have 1379 01:05:58,880 --> 01:06:01,840 Speaker 2: more fun to have eat our cake, have our cake, 1380 01:06:01,880 --> 01:06:03,480 Speaker 2: you eat it too, where we could still do with 1381 01:06:03,560 --> 01:06:06,120 Speaker 2: the ship. But then but it was a spoof. It 1382 01:06:06,160 --> 01:06:07,800 Speaker 2: was like a naked gun spoof. 1383 01:06:07,480 --> 01:06:09,640 Speaker 1: Of we need to get Dick Wolf on board for 1384 01:06:09,760 --> 01:06:10,280 Speaker 1: Dick Wolf. 1385 01:06:10,320 --> 01:06:11,680 Speaker 2: Are you ready to spoof your work? 1386 01:06:11,760 --> 01:06:13,640 Speaker 7: I heard Dick Wolf is a huge fan. 1387 01:06:14,280 --> 01:06:16,280 Speaker 1: Listens to the fakes real friends. 1388 01:06:16,400 --> 01:06:18,640 Speaker 2: I mean, I know you have your I think this is. 1389 01:06:18,760 --> 01:06:20,520 Speaker 7: Perfect for like a sort of like Law and Order 1390 01:06:20,600 --> 01:06:22,800 Speaker 7: multiverse too. You know, it's sort of like like Zach 1391 01:06:22,840 --> 01:06:25,800 Speaker 7: if you're playing my character, and Donald if you're playing 1392 01:06:25,840 --> 01:06:27,720 Speaker 7: with Cod's character. It's like, somehow we just have to 1393 01:06:27,760 --> 01:06:30,080 Speaker 7: go down the wrong alley in New York and we 1394 01:06:30,160 --> 01:06:32,200 Speaker 7: come out the other side into another dimension and it's 1395 01:06:32,240 --> 01:06:32,640 Speaker 7: you guys. 1396 01:06:33,040 --> 01:06:35,800 Speaker 2: But it's it's when we do ours every time you 1397 01:06:35,880 --> 01:06:37,880 Speaker 2: when we do our spoof, every time you hear the 1398 01:06:37,960 --> 01:06:40,480 Speaker 2: dong dong, it's gonna reveal that I'm playing it on 1399 01:06:40,520 --> 01:06:42,360 Speaker 2: a synthesize. 1400 01:06:42,960 --> 01:06:45,320 Speaker 1: You got a little many synthesizes that you walk around. 1401 01:06:46,080 --> 01:06:49,160 Speaker 2: Yeah, remember that little Cassio one that where you like, yeah, 1402 01:06:49,200 --> 01:06:51,200 Speaker 2: I have that and you're like and you're like, why 1403 01:06:51,240 --> 01:06:53,200 Speaker 2: do you always do that? I'm like, well, it's just 1404 01:06:53,360 --> 01:06:54,480 Speaker 2: how I like to end scenes. 1405 01:06:54,520 --> 01:06:55,080 Speaker 7: Punctuation. 1406 01:06:55,440 --> 01:06:59,120 Speaker 1: What what is? What is the scene? We're fucking standing 1407 01:06:59,160 --> 01:07:00,840 Speaker 1: here in front of an investigation? 1408 01:07:04,800 --> 01:07:05,160 Speaker 3: All right? 1409 01:07:05,200 --> 01:07:05,400 Speaker 1: Man? 1410 01:07:05,480 --> 01:07:07,960 Speaker 2: Well, thank you for coming on. You're you're so talented 1411 01:07:08,160 --> 01:07:10,920 Speaker 2: and I'm so grateful for your time. And everybody check 1412 01:07:10,960 --> 01:07:11,840 Speaker 2: out Law and Order. 1413 01:07:13,520 --> 01:07:14,720 Speaker 1: When do you guys? Come on? When do you wear? 1414 01:07:14,800 --> 01:07:15,400 Speaker 1: When is it on? 1415 01:07:15,840 --> 01:07:20,720 Speaker 7: We're Thursdays, eight pm and we'll be on, hopefully for 1416 01:07:20,720 --> 01:07:22,680 Speaker 7: the next thousand years. 1417 01:07:23,000 --> 01:07:24,960 Speaker 2: Yeah, you will be. Wait, so you shoot in New York, 1418 01:07:25,000 --> 01:07:29,240 Speaker 2: put your families in LA. It's tough because your kids 1419 01:07:29,240 --> 01:07:31,040 Speaker 2: are in school. Do you can you come back for 1420 01:07:31,080 --> 01:07:31,840 Speaker 2: weekends and stuff? 1421 01:07:31,840 --> 01:07:32,320 Speaker 3: How do you do it? 1422 01:07:32,400 --> 01:07:35,400 Speaker 7: Yeah, they're they're actually they're very They're wonderful about it. 1423 01:07:35,400 --> 01:07:37,720 Speaker 7: It's all been very humane, Like they carve out nice 1424 01:07:37,720 --> 01:07:40,120 Speaker 7: big you know, four or five six day weekends for 1425 01:07:40,240 --> 01:07:40,760 Speaker 7: me when they can. 1426 01:07:40,800 --> 01:07:41,760 Speaker 3: I get to talk back a lot. 1427 01:07:41,800 --> 01:07:44,800 Speaker 7: My family comes here. You know, I'm from upstate. I've 1428 01:07:44,800 --> 01:07:46,440 Speaker 7: lived in New York since I was a teenager, so 1429 01:07:46,520 --> 01:07:48,560 Speaker 7: this is a bit of a homecoming. And you know, 1430 01:07:48,640 --> 01:07:52,400 Speaker 7: get into this show. I've gotten to know New York 1431 01:07:52,440 --> 01:07:55,280 Speaker 7: City on a level that I never thought was possible 1432 01:07:55,320 --> 01:07:57,080 Speaker 7: because of the places that we get to shoot on 1433 01:07:57,120 --> 01:08:01,160 Speaker 7: this show. It's like we are everywhere, and so it 1434 01:08:01,240 --> 01:08:02,920 Speaker 7: really has gotten me to fall in love with New 1435 01:08:03,000 --> 01:08:05,520 Speaker 7: York again. But the travel is a bit of a grind. 1436 01:08:05,560 --> 01:08:09,840 Speaker 1: But I'm about to say getting through that city, No. 1437 01:08:09,840 --> 01:08:12,440 Speaker 2: I think he's talking about the LA New York commute right. 1438 01:08:12,320 --> 01:08:12,680 Speaker 7: All of it. 1439 01:08:12,720 --> 01:08:15,800 Speaker 1: No, I'm talking about it. You have a film in 1440 01:08:15,840 --> 01:08:17,320 Speaker 1: New York? Have you filmed in New York in the 1441 01:08:17,400 --> 01:08:18,160 Speaker 1: last five years? 1442 01:08:18,400 --> 01:08:20,680 Speaker 2: Yeah, six years films in New York, right, you know. 1443 01:08:21,120 --> 01:08:26,880 Speaker 2: So you know, although for a good person, we couldn't shoot. 1444 01:08:26,960 --> 01:08:29,320 Speaker 2: We had to shoot Jersey City for New York because 1445 01:08:29,320 --> 01:08:31,720 Speaker 2: of the tax rebate, we weren't allowed to shoot in 1446 01:08:31,720 --> 01:08:32,080 Speaker 2: New York. 1447 01:08:32,200 --> 01:08:35,120 Speaker 1: Yeah, it's the hardest place to get around. Manhattan stuff. 1448 01:08:35,400 --> 01:08:36,759 Speaker 1: It's so hard to get around. 1449 01:08:37,400 --> 01:08:39,559 Speaker 2: Yeah, it's tricky. And then and then when when people 1450 01:08:39,560 --> 01:08:41,720 Speaker 2: see the film shoot, they're so stoked. So then it 1451 01:08:41,760 --> 01:08:44,200 Speaker 2: becomes really kind of tricky to shoot because people gather 1452 01:08:44,280 --> 01:08:48,479 Speaker 2: and everyone. All the locals are so over film crews, 1453 01:08:48,520 --> 01:08:50,360 Speaker 2: so they're like, get the fuck off my street. 1454 01:08:50,439 --> 01:08:55,040 Speaker 1: An's ale? Why do they all sound like Edith Bunker? 1455 01:08:57,160 --> 01:09:00,559 Speaker 2: If I see Sarah Jessica Parker's strutting up I Street 1456 01:09:00,600 --> 01:09:02,920 Speaker 2: one more time, I'm gonna get a blow dot gun. 1457 01:09:06,760 --> 01:09:08,800 Speaker 2: All right, Read, you're the best man. Thank you for 1458 01:09:08,840 --> 01:09:16,360 Speaker 2: your Scott everybody. 1459 01:09:17,000 --> 01:09:20,080 Speaker 3: Now I want to be on Law and Order. 1460 01:09:20,240 --> 01:09:20,959 Speaker 2: I'm jealous. 1461 01:09:22,120 --> 01:09:25,839 Speaker 1: Well, you know what I was thinking about that earlier today? 1462 01:09:26,439 --> 01:09:27,840 Speaker 1: When I say that, my wife is like, were you 1463 01:09:27,840 --> 01:09:29,679 Speaker 1: thinking about it or were you thinking about it earlier? 1464 01:09:29,720 --> 01:09:32,639 Speaker 1: Just now? I was thinking about it earlier today, And 1465 01:09:33,479 --> 01:09:36,120 Speaker 1: that would be kind of an ideal job right now, Like, 1466 01:09:36,200 --> 01:09:39,599 Speaker 1: if Scrubs doesn't do this reboot, it would be nice 1467 01:09:39,640 --> 01:09:43,120 Speaker 1: to be on something like Law and Order or Law 1468 01:09:43,160 --> 01:09:46,760 Speaker 1: and Order SVU or something, you know, something of that 1469 01:09:46,880 --> 01:09:49,000 Speaker 1: nature where you get to run around and play fire 1470 01:09:49,080 --> 01:09:52,479 Speaker 1: man or you get to run around and play you know, FBI. 1471 01:09:52,840 --> 01:09:53,960 Speaker 1: That's fun for me. 1472 01:09:54,120 --> 01:09:59,800 Speaker 2: I just feel like in my gut, I I would 1473 01:09:59,840 --> 01:10:03,800 Speaker 2: get exhausted if there wasn't humor, Like I just feel like, 1474 01:10:03,800 --> 01:10:06,200 Speaker 2: And don't get me wrong, I would totally do a 1475 01:10:06,280 --> 01:10:10,120 Speaker 2: drama of all of all types, except for if I'm 1476 01:10:10,120 --> 01:10:12,679 Speaker 2: going to do twenty two episodes of a show. 1477 01:10:12,560 --> 01:10:13,960 Speaker 1: I want to be funny too, no doubt. 1478 01:10:14,040 --> 01:10:15,280 Speaker 2: I just don't know if I'm gonna make it through 1479 01:10:15,280 --> 01:10:16,360 Speaker 2: the day if we're not laughing. 1480 01:10:16,439 --> 01:10:19,120 Speaker 1: Like, to me, what I think there's room for that 1481 01:10:19,240 --> 01:10:20,040 Speaker 1: in those things. 1482 01:10:20,120 --> 01:10:22,160 Speaker 2: There's no comedy in lor Honor. They just have like 1483 01:10:22,160 --> 01:10:25,360 Speaker 2: one snarky remark like I guess you didn't finish his 1484 01:10:25,479 --> 01:10:47,160 Speaker 2: bagel dune dune. So but yeah, what a great guy. 1485 01:10:47,240 --> 01:10:49,080 Speaker 2: And he's so talented and he keeps working and we 1486 01:10:49,080 --> 01:10:51,439 Speaker 2: always admire these people that just keep on working and 1487 01:10:51,479 --> 01:10:52,240 Speaker 2: working and working. 1488 01:10:52,439 --> 01:10:55,360 Speaker 1: He's a handsome dude. Man's that's what that's. 1489 01:10:55,280 --> 01:10:57,360 Speaker 2: Also what you're saying, it's just because he's handsome. 1490 01:10:57,680 --> 01:11:01,400 Speaker 1: No, he's a very talented actor man, and he's very very, 1491 01:11:01,520 --> 01:11:05,759 Speaker 1: very very funny, but he also has something called handsome 1492 01:11:05,800 --> 01:11:09,320 Speaker 1: on his side, and in this town, from what I understand, 1493 01:11:09,800 --> 01:11:10,960 Speaker 1: handsome is a big deal. 1494 01:11:11,120 --> 01:11:13,960 Speaker 2: Handsome helps He plays such a good dick. Though, oh 1495 01:11:14,000 --> 01:11:17,280 Speaker 2: my god, was he such a like the worst jerk 1496 01:11:17,560 --> 01:11:18,519 Speaker 2: on on Veep. 1497 01:11:19,120 --> 01:11:22,080 Speaker 1: Worse than Bradley Cooper and wedding crashers. 1498 01:11:23,840 --> 01:11:25,920 Speaker 3: I don't really remember. Probably not. 1499 01:11:26,479 --> 01:11:29,320 Speaker 1: Bradley Cooper is the worst dick that I've ever seen 1500 01:11:29,479 --> 01:11:36,040 Speaker 1: in my life in wedding crashes. Dude. But you know what, Reid, 1501 01:11:36,280 --> 01:11:37,320 Speaker 1: you're a pretty good dick. 1502 01:11:37,360 --> 01:11:39,599 Speaker 2: To Reid, You're a great dick. 1503 01:11:39,960 --> 01:11:41,040 Speaker 1: You're such a good dick. 1504 01:11:41,320 --> 01:11:48,479 Speaker 2: He's such a nice dick. By the way, I got 1505 01:11:48,479 --> 01:11:50,840 Speaker 2: I was feeling sort of lonesome and depressed the other day, 1506 01:11:50,840 --> 01:11:55,080 Speaker 2: I have to admit, and but no, I was, I 1507 01:11:55,160 --> 01:11:57,120 Speaker 2: was feeling down the dumps I was having. I was, 1508 01:11:57,200 --> 01:12:00,320 Speaker 2: I was really feeling my feelings. And I remember remember 1509 01:12:00,400 --> 01:12:04,720 Speaker 2: Joel saying that when she wants to find something to do, 1510 01:12:04,800 --> 01:12:08,439 Speaker 2: she plays the SIMS four. So I downloaded SIMS four. 1511 01:12:08,880 --> 01:12:12,120 Speaker 2: I'll start playing SIMS four. It's been so many years. 1512 01:12:12,120 --> 01:12:13,840 Speaker 2: And I said, I go, I have a ranch and 1513 01:12:13,840 --> 01:12:17,320 Speaker 2: I'm setting it up, and I'm texting Joel questions. I'm like, 1514 01:12:17,320 --> 01:12:19,320 Speaker 2: how do I get a horse? I'm on this ranch alone, 1515 01:12:19,400 --> 01:12:22,719 Speaker 2: I like need a horse. And then I get the horse. 1516 01:12:22,800 --> 01:12:24,439 Speaker 2: Joel helps me out, and I'm like, I want to 1517 01:12:24,439 --> 01:12:26,920 Speaker 2: get some baby goats. Joel wear the baby goats and 1518 01:12:26,960 --> 01:12:30,240 Speaker 2: she's talking me through this, and then I'm just sitting 1519 01:12:30,280 --> 01:12:35,439 Speaker 2: there on this fucking giant empty range. And I got 1520 01:12:35,520 --> 01:12:38,080 Speaker 2: baby goats and I got a horse. And then I 1521 01:12:38,120 --> 01:12:40,520 Speaker 2: see my sim and he starts to get like depressed 1522 01:12:40,520 --> 01:12:43,600 Speaker 2: and lonesome, and I'm like, now my fucking sim is 1523 01:12:43,600 --> 01:12:47,360 Speaker 2: depressed and lonesome. I'm sitting here trying to tritch here 1524 01:12:47,479 --> 01:12:50,320 Speaker 2: this sim up and we're both sitting here within our feelings. 1525 01:12:51,800 --> 01:12:53,719 Speaker 1: Yeah, why didn't you get a hot tub? 1526 01:12:54,760 --> 01:12:57,240 Speaker 2: Very good question. I couldn't find the hot tub. I'm 1527 01:12:57,240 --> 01:12:59,640 Speaker 2: not sure if the ranch had hot tub options or 1528 01:12:59,680 --> 01:13:02,880 Speaker 2: if I could and afford it. And also I didn't 1529 01:13:02,920 --> 01:13:04,840 Speaker 2: there weren't any women around. I think I shouldn't be 1530 01:13:04,880 --> 01:13:08,120 Speaker 2: on a ranch because my guy really wanted to flirt 1531 01:13:08,360 --> 01:13:11,280 Speaker 2: and only these old like prospector dudes were coming by, 1532 01:13:11,439 --> 01:13:13,680 Speaker 2: like welcome to the neighborhood, and I wasn't gonna buy 1533 01:13:13,760 --> 01:13:17,519 Speaker 2: them to my hot tub. And then I had to, oh, oh, 1534 01:13:17,640 --> 01:13:18,880 Speaker 2: we'll find out how to get a hot tub. I 1535 01:13:18,880 --> 01:13:20,360 Speaker 2: got to text you, well, she knows how to use 1536 01:13:20,400 --> 01:13:23,080 Speaker 2: SIMS for. But then my baby goats, I didn't know 1537 01:13:23,080 --> 01:13:25,519 Speaker 2: they needed milking. I have to milk them, and I 1538 01:13:26,040 --> 01:13:28,639 Speaker 2: was so busy, like moving shit around on the ranch. 1539 01:13:29,080 --> 01:13:31,320 Speaker 2: I didn't have time to milk my baby goats. 1540 01:13:31,760 --> 01:13:32,639 Speaker 1: Can I answer your question? 1541 01:13:32,760 --> 01:13:33,200 Speaker 3: Go ahead? 1542 01:13:34,040 --> 01:13:35,599 Speaker 1: Is your ranch still alive? 1543 01:13:36,439 --> 01:13:38,320 Speaker 2: But I'm thinking I shouldn't be on the ranch. I'm 1544 01:13:38,320 --> 01:13:40,000 Speaker 2: going to talk to Joel about it. I think that 1545 01:13:40,200 --> 01:13:44,519 Speaker 2: my character needs some more social interactions and I should 1546 01:13:44,560 --> 01:13:46,840 Speaker 2: be like in a city or a town where I can. 1547 01:13:46,760 --> 01:13:47,559 Speaker 3: Like talk to people. 1548 01:13:47,800 --> 01:13:49,000 Speaker 1: What are you going to do sell the ranch? 1549 01:13:50,880 --> 01:13:52,439 Speaker 2: I don't know if I think you just started a 1550 01:13:52,439 --> 01:13:53,759 Speaker 2: new game because I just started. 1551 01:13:54,439 --> 01:13:56,160 Speaker 1: Well, you know, you don't have to be lonely. There 1552 01:13:56,240 --> 01:13:57,160 Speaker 1: is Farmers Only. 1553 01:13:58,040 --> 01:13:59,960 Speaker 2: You think I can go on SIMS Farmers Home. 1554 01:14:00,439 --> 01:14:01,920 Speaker 1: I think that's a possibility. 1555 01:14:02,520 --> 01:14:04,880 Speaker 2: There's a bar in town that my character hasn't gone to. 1556 01:14:04,960 --> 01:14:06,240 Speaker 2: Maybe I should go in there and try. 1557 01:14:06,080 --> 01:14:08,120 Speaker 1: To go at a fucking bar. You'll find a girl 1558 01:14:08,160 --> 01:14:08,799 Speaker 1: at the bar. 1559 01:14:08,960 --> 01:14:09,320 Speaker 3: All right. 1560 01:14:09,360 --> 01:14:11,040 Speaker 2: But I have so much to do on the farm 1561 01:14:11,080 --> 01:14:13,160 Speaker 2: and I and I'm supposed to milk these goats and 1562 01:14:14,000 --> 01:14:17,000 Speaker 2: I and I wanted to adopt a horse. But while 1563 01:14:17,040 --> 01:14:18,920 Speaker 2: I was trying to take care of this adopted horse, 1564 01:14:19,479 --> 01:14:21,920 Speaker 2: my character started looking sad. And I'm like, oh shit, 1565 01:14:21,960 --> 01:14:23,599 Speaker 2: why is he so sad? And I clicked on it. 1566 01:14:23,600 --> 01:14:26,719 Speaker 2: It's because the baby goats were fucking ramming his shins 1567 01:14:28,000 --> 01:14:29,479 Speaker 2: because I hadn't trained them. 1568 01:14:29,880 --> 01:14:31,080 Speaker 1: You're supposed to train the goat. 1569 01:14:31,120 --> 01:14:32,880 Speaker 2: You're supposed to you know what do you call it? 1570 01:14:32,960 --> 01:14:34,880 Speaker 2: Pet them and domesticates them or whatever? 1571 01:14:34,880 --> 01:14:35,760 Speaker 1: You got it? Got it. 1572 01:14:36,240 --> 01:14:37,840 Speaker 2: So there's a lot to do and and and the 1573 01:14:37,840 --> 01:14:40,160 Speaker 2: whole time, I'm thinking, this isn't cheering me up. This 1574 01:14:40,240 --> 01:14:41,720 Speaker 2: is like making me more depressed. 1575 01:14:43,040 --> 01:14:50,360 Speaker 1: I'm sorry, Zach, Right, play fucking red Dead Redemption too, 1576 01:14:50,800 --> 01:14:54,400 Speaker 1: that'll cheer you up real quick. Well, go go bouncy, go, 1577 01:14:54,400 --> 01:14:55,559 Speaker 1: go get some bounties. 1578 01:14:55,720 --> 01:14:57,160 Speaker 3: Isn't that about a guy alone? 1579 01:14:58,040 --> 01:15:00,559 Speaker 1: Well, yes, yeah, he is alone. But guess what he 1580 01:15:00,600 --> 01:15:02,080 Speaker 1: finds on his lonesome trips? 1581 01:15:02,320 --> 01:15:05,679 Speaker 2: What jewels does he allow to pick up women and 1582 01:15:05,720 --> 01:15:07,040 Speaker 2: like bring them on adventures. 1583 01:15:07,240 --> 01:15:10,000 Speaker 1: You could beat the crap out of anybody in the game. 1584 01:15:10,240 --> 01:15:12,280 Speaker 2: You don't like meet you don't meet cowgirls. 1585 01:15:12,800 --> 01:15:15,519 Speaker 1: You know you'd meet people, but you don't meet them 1586 01:15:15,560 --> 01:15:15,880 Speaker 1: and have. 1587 01:15:15,920 --> 01:15:20,040 Speaker 4: Related Larry, and then you know that's what you should play. 1588 01:15:20,439 --> 01:15:23,720 Speaker 1: It exists. Still, No, it doesn't. I bet you. I 1589 01:15:23,760 --> 01:15:25,519 Speaker 1: bet you could find if you go to your Apple, 1590 01:15:26,320 --> 01:15:27,120 Speaker 1: your app store. 1591 01:15:27,160 --> 01:15:28,920 Speaker 2: It's not like a new incarnation of. 1592 01:15:29,800 --> 01:15:33,559 Speaker 1: Watch what Happens dude, store app. 1593 01:15:33,360 --> 01:15:35,719 Speaker 2: Store, store, app store. 1594 01:15:36,040 --> 01:15:37,599 Speaker 1: Because I want you to do it right now. Leisure 1595 01:15:37,640 --> 01:15:39,400 Speaker 1: suit Larry, No, I don't want to. I'm going to 1596 01:15:39,479 --> 01:15:41,840 Speaker 1: do it just because you did this. I want you 1597 01:15:41,880 --> 01:15:42,800 Speaker 1: to know this is your fault. 1598 01:15:42,800 --> 01:15:44,759 Speaker 2: But I don't want to go play a game about 1599 01:15:44,760 --> 01:15:48,080 Speaker 2: a guy in a leisure suit. I just want to 1600 01:15:48,080 --> 01:15:49,760 Speaker 2: get I want to play the sims. I'm liking it, 1601 01:15:49,800 --> 01:15:51,439 Speaker 2: but I think I should be in a town where 1602 01:15:51,439 --> 01:15:55,680 Speaker 2: I can socialize. Ran just it's just me and this 1603 01:15:55,960 --> 01:15:58,599 Speaker 2: at this. I got a I got an adopted pony 1604 01:15:58,680 --> 01:16:01,840 Speaker 2: that's skittish. I got two baby goats that need to 1605 01:16:01,840 --> 01:16:02,360 Speaker 2: be milked. 1606 01:16:03,400 --> 01:16:12,720 Speaker 1: Dude, there's leiser suit, Larry. Wet dreams don't dry. 1607 01:16:10,280 --> 01:16:13,719 Speaker 2: Come baby that's the title. Wet dreams don't die. 1608 01:16:14,200 --> 01:16:15,960 Speaker 1: No, wet dreams don't dry. 1609 01:16:16,400 --> 01:16:18,679 Speaker 2: What dreams don't dry? What you're come out? 1610 01:16:18,920 --> 01:16:19,880 Speaker 1: Dreams don't dry. 1611 01:16:20,040 --> 01:16:21,000 Speaker 2: Wet dreams don't try. 1612 01:16:21,040 --> 01:16:21,960 Speaker 3: What year to come out? 1613 01:16:22,200 --> 01:16:24,080 Speaker 1: I don't know. It's let me hold up. 1614 01:16:24,160 --> 01:16:26,280 Speaker 4: I want to see how old it is, Daniel's saying 1615 01:16:26,400 --> 01:16:28,400 Speaker 4: is not. That's the reason. I'm sure it's already released, 1616 01:16:28,400 --> 01:16:29,360 Speaker 4: that they released for it. 1617 01:16:29,400 --> 01:16:31,360 Speaker 2: I don't think in your twenty twenty four you can 1618 01:16:31,360 --> 01:16:32,760 Speaker 2: make a leisure Shuitt Larry game. 1619 01:16:33,560 --> 01:16:35,439 Speaker 1: Shit shit, oh you can? 1620 01:16:35,880 --> 01:16:36,519 Speaker 3: Are there games? 1621 01:16:37,320 --> 01:16:39,600 Speaker 2: Are there games out there, Daniel that are sexual? 1622 01:16:39,960 --> 01:16:41,759 Speaker 1: Oh yeah, twenty nineteen. 1623 01:16:42,600 --> 01:16:45,519 Speaker 2: Oh yes, Oh it's twenty nineteen. All right, so it's 1624 01:16:45,560 --> 01:16:46,240 Speaker 2: five years old. 1625 01:16:46,360 --> 01:16:48,400 Speaker 3: There's a whole there's like what. 1626 01:16:48,479 --> 01:16:50,679 Speaker 2: Daniel, like, what's a game where you're like where you're 1627 01:16:50,720 --> 01:16:53,360 Speaker 2: like where there's a lot of intercourse. 1628 01:16:54,560 --> 01:16:58,240 Speaker 4: I mean, there are these like simulation type games where 1629 01:16:58,320 --> 01:17:00,679 Speaker 4: you're like literally like stuff. 1630 01:17:00,920 --> 01:17:03,120 Speaker 2: Oh they're out there. Oh yeah, they're out there. They're 1631 01:17:03,200 --> 01:17:06,400 Speaker 2: just like stuff you can like literally you know, fucking 1632 01:17:06,479 --> 01:17:07,599 Speaker 2: melon like a canalope? 1633 01:17:07,800 --> 01:17:10,560 Speaker 1: Does There is there like a weird kind of controller 1634 01:17:10,720 --> 01:17:12,320 Speaker 1: like shaped like a woman's body that. 1635 01:17:12,800 --> 01:17:15,719 Speaker 2: It's just so you can choose different things to fuck. 1636 01:17:17,360 --> 01:17:21,040 Speaker 4: Yes, okay, look I don't have a lot of personally, 1637 01:17:21,120 --> 01:17:22,280 Speaker 4: I just know that they're there. 1638 01:17:22,400 --> 01:17:26,920 Speaker 1: You can be weird to ask you to look up said. 1639 01:17:27,800 --> 01:17:29,040 Speaker 2: Can you put those in the chat? 1640 01:17:29,080 --> 01:17:30,519 Speaker 3: I'm going to do it on my other computer. I'll 1641 01:17:30,520 --> 01:17:32,040 Speaker 3: say that, just put those on the chat. 1642 01:17:32,360 --> 01:17:34,120 Speaker 2: Did I tell a story about how I was playing 1643 01:17:34,120 --> 01:17:38,160 Speaker 2: a game on my like my like like year like 1644 01:17:38,320 --> 01:17:42,080 Speaker 2: nineteen ninety five computer in my college dorm. My roommate 1645 01:17:42,080 --> 01:17:45,920 Speaker 2: walked in while I was having sex with the with the. 1646 01:17:44,880 --> 01:17:46,839 Speaker 1: With the game with Leadership. 1647 01:17:49,160 --> 01:17:50,880 Speaker 2: No, it was this game where the idea is sorry 1648 01:17:50,920 --> 01:17:52,280 Speaker 2: audience if I told this story. 1649 01:17:52,080 --> 01:17:53,960 Speaker 1: But yeah, I've never heard of this. 1650 01:17:54,360 --> 01:17:57,280 Speaker 2: The idea was like you moved your mouse and you 1651 01:17:57,720 --> 01:18:00,360 Speaker 2: were trying to have the woman have an orgasm, and 1652 01:18:00,400 --> 01:18:02,519 Speaker 2: you know the like you know, the the what do 1653 01:18:02,600 --> 01:18:04,800 Speaker 2: you call the gauge would go into yellow and then 1654 01:18:05,080 --> 01:18:07,680 Speaker 2: when she was close, she was gonna And I'm just 1655 01:18:07,680 --> 01:18:10,080 Speaker 2: sitting there with your mouse and I'm just doing my best. 1656 01:18:10,160 --> 01:18:12,599 Speaker 2: And I had a borning and Christian roommate and uh 1657 01:18:13,320 --> 01:18:15,639 Speaker 2: and he just swung open the door with his borning 1658 01:18:15,640 --> 01:18:17,640 Speaker 2: and Christian girlfriend. He was coming to like show her like, 1659 01:18:17,640 --> 01:18:19,559 Speaker 2: and this is my dorm room and I was out 1660 01:18:19,600 --> 01:18:21,320 Speaker 2: of a movie, like I couldn't turn it off. I could, 1661 01:18:21,439 --> 01:18:23,479 Speaker 2: I couldn't find the bar, I couldn't escape, and the 1662 01:18:23,520 --> 01:18:27,800 Speaker 2: girls on the computer like I've got the mouse, I've 1663 01:18:27,800 --> 01:18:30,000 Speaker 2: got the mouse, coming as fast as I can, and 1664 01:18:30,040 --> 01:18:32,240 Speaker 2: I'm just really trying to get this fucking thing off. 1665 01:18:32,320 --> 01:18:35,320 Speaker 2: And he took one look and he was so embarrassed. 1666 01:18:35,360 --> 01:18:37,479 Speaker 2: He's like, oh, well, come back later, and he's like 1667 01:18:37,560 --> 01:18:40,160 Speaker 2: slammed the door, and I was so embarrassing. 1668 01:18:40,320 --> 01:18:42,559 Speaker 1: Did you apologize or you guys never spoke of it. 1669 01:18:43,920 --> 01:18:48,600 Speaker 2: I think it was so embarrassing that I never was like, hey, sorry, 1670 01:18:48,960 --> 01:18:52,080 Speaker 2: I was playing that sex game when you brought your galby. 1671 01:18:54,880 --> 01:18:57,720 Speaker 3: So it goes, so it goes. But it was fun the. 1672 01:18:57,680 --> 01:18:59,800 Speaker 1: Game was you know, is there anything you want to 1673 01:18:59,840 --> 01:19:02,240 Speaker 1: shy about twitching? What? 1674 01:19:02,600 --> 01:19:03,719 Speaker 2: He doesn't twitch anymore? 1675 01:19:03,760 --> 01:19:04,200 Speaker 1: Do you mean? 1676 01:19:05,360 --> 01:19:07,960 Speaker 3: What was I doing anything weird sexually on twitch? Ever? 1677 01:19:08,040 --> 01:19:10,559 Speaker 3: I was not weirdest thing I ever did was muck bang. 1678 01:19:10,640 --> 01:19:11,320 Speaker 3: And that was weird. 1679 01:19:12,240 --> 01:19:16,000 Speaker 1: That sounds just muck bang alone. My kids are my 1680 01:19:16,120 --> 01:19:17,960 Speaker 1: kids know all of it. I mean, you know when 1681 01:19:17,960 --> 01:19:21,280 Speaker 1: you muck bang, no, but when you're into when you're 1682 01:19:21,680 --> 01:19:26,000 Speaker 1: when you're the kids these days know more about what 1683 01:19:26,240 --> 01:19:29,960 Speaker 1: is considered pleasurable for the ears. And you know what 1684 01:19:30,000 --> 01:19:33,519 Speaker 1: I mean. Muck banging is an ear thing. It's an 1685 01:19:33,600 --> 01:19:35,240 Speaker 1: ASMR thing. I didn't know if that. 1686 01:19:35,280 --> 01:19:37,720 Speaker 2: Ships for people who are into it. Some people find 1687 01:19:37,760 --> 01:19:38,920 Speaker 2: it gross. 1688 01:19:38,720 --> 01:19:41,840 Speaker 1: Right, And so I was wondering, like why I kept 1689 01:19:41,920 --> 01:19:46,679 Speaker 1: watching all of these uh in recipe videos and stuff 1690 01:19:46,720 --> 01:19:49,320 Speaker 1: like that. And my kid looked at me and said, Dad, 1691 01:19:49,360 --> 01:19:54,559 Speaker 1: it's ASMR. You're freaking intrigued by those. And there's my 1692 01:19:54,760 --> 01:19:57,679 Speaker 1: eleven year old kid telling me this, And I was like, oh, 1693 01:19:57,880 --> 01:19:58,280 Speaker 1: got it. 1694 01:19:58,920 --> 01:20:00,280 Speaker 2: What are you going to do the rest of your day? 1695 01:20:00,360 --> 01:20:02,960 Speaker 2: Are you going to go back to building? Uh? 1696 01:20:03,240 --> 01:20:03,840 Speaker 3: Tattooing. 1697 01:20:04,200 --> 01:20:08,040 Speaker 1: It's not tattooing. It's a planet that is very much 1698 01:20:08,240 --> 01:20:08,960 Speaker 1: like tattooing. 1699 01:20:09,080 --> 01:20:11,559 Speaker 2: Are you going to back to building the planet that's 1700 01:20:11,680 --> 01:20:14,080 Speaker 2: very much like tattooing. Uh? 1701 01:20:14,200 --> 01:20:16,479 Speaker 1: Yeah. For I got about an hour and then I'm 1702 01:20:16,479 --> 01:20:18,240 Speaker 1: gonna go pick up the kids. I'm gonna take my 1703 01:20:18,320 --> 01:20:23,360 Speaker 1: kid to his workout and then bring him home, feed him. 1704 01:20:24,520 --> 01:20:28,320 Speaker 1: We just finished Stranger Things. Listen, parents, if you are 1705 01:20:28,360 --> 01:20:31,920 Speaker 1: a father of an eleven year old boy and a 1706 01:20:32,040 --> 01:20:35,599 Speaker 1: nine year old girl, I do not recommend stranger things 1707 01:20:35,640 --> 01:20:35,800 Speaker 1: for this. 1708 01:20:35,960 --> 01:20:36,719 Speaker 3: We're all scared. 1709 01:20:37,160 --> 01:20:39,400 Speaker 1: My daughter was not. But my son slept. My eleven 1710 01:20:39,479 --> 01:20:41,120 Speaker 1: year old. He's going to be so embarrassed by this. 1711 01:20:41,160 --> 01:20:43,559 Speaker 1: But he slept in the same bed as us last. 1712 01:20:43,400 --> 01:20:44,639 Speaker 2: Night because of monsters. 1713 01:20:44,960 --> 01:20:45,400 Speaker 3: That's sweet. 1714 01:20:45,400 --> 01:20:48,760 Speaker 1: Because he was so afraid. That's what that was. That 1715 01:20:49,040 --> 01:20:51,840 Speaker 1: was his explanation. I was like, boy, go back in 1716 01:20:51,880 --> 01:20:55,960 Speaker 1: your bed, get back in your bed. I'm so scared. 1717 01:20:56,360 --> 01:20:56,719 Speaker 7: Dad. 1718 01:20:57,400 --> 01:21:00,400 Speaker 3: Well, good, good parenting, good y'all. 1719 01:21:00,280 --> 01:21:02,720 Speaker 2: But never all right, everybody, we love you. Thanks for 1720 01:21:02,760 --> 01:21:04,120 Speaker 2: tuning in and listening to. 1721 01:21:04,240 --> 01:21:06,400 Speaker 3: So we'll We'll talk to you next time. 1722 01:21:06,479 --> 01:21:13,800 Speaker 5: Donald stories that show we made about a bunch of 1723 01:21:14,000 --> 01:21:16,400 Speaker 5: talks and nurses and janitor who. 1724 01:21:17,080 --> 01:21:23,080 Speaker 6: I said, here's the stories next s No so gada 1725 01:21:23,320 --> 01:21:27,320 Speaker 6: rabu here gada rab you here o speech. 1726 01:21:27,400 --> 01:21:30,000 Speaker 7: We watch shows and no