1
00:00:00,280 --> 00:00:05,760
Speaker 1: With me renowned expert Susan Constantine, Body language star Susan

2
00:00:06,160 --> 00:00:13,080
Speaker 1: break down. What you observe in Susanne Morphy's Husband's statement. Yeah.

3
00:00:13,200 --> 00:00:17,599
Speaker 1: To begin with, he says, oh, Susanne. Usually when somebody

4
00:00:17,640 --> 00:00:21,320
Speaker 1: says oh, there's usually a strong emotion, there's spear, maybe

5
00:00:21,360 --> 00:00:24,040
Speaker 1: there's some sympathy behind it. It's kind of an odd

6
00:00:24,079 --> 00:00:27,159
Speaker 1: way to open up with, oh, Susanne. And then he

7
00:00:27,280 --> 00:00:30,160
Speaker 1: uses the word if so, if it's that question is

8
00:00:30,200 --> 00:00:32,320
Speaker 1: like a question mark, if you can find her, if

9
00:00:32,360 --> 00:00:35,320
Speaker 1: she is out there? So that is a kind of

10
00:00:35,560 --> 00:00:38,520
Speaker 1: struck me as kind of odd. One of the things

11
00:00:38,520 --> 00:00:42,639
Speaker 1: that I was really interested in was the pausing. There

12
00:00:42,760 --> 00:00:46,360
Speaker 1: was a short pause when he says, if there's anyone

13
00:00:47,400 --> 00:00:51,360
Speaker 1: has has you, and there's this pause, and when there's

14
00:00:51,440 --> 00:00:54,160
Speaker 1: a pause, he's gathering his thoughts. That's what we call

15
00:00:54,200 --> 00:00:56,959
Speaker 1: cognitive blow do you got to tell a story differently

16
00:00:57,000 --> 00:01:00,520
Speaker 1: from what you know? So therefore there's a light kind

17
00:01:00,560 --> 00:01:04,360
Speaker 1: of a brain mishap, so to speak. So then that's

18
00:01:04,400 --> 00:01:07,520
Speaker 1: where you hear the pause in his own language, and

19
00:01:07,600 --> 00:01:12,120
Speaker 1: itself seemed to appear that he's kind of holding back information.

20
00:01:12,560 --> 00:01:16,480
Speaker 1: He's not really speaking to I love you so much,

21
00:01:16,560 --> 00:01:21,000
Speaker 1: with emphasis I miss you so much. The voice inflection

22
00:01:21,160 --> 00:01:25,080
Speaker 1: is very flat and monotone, and it doesn't bring me

23
00:01:25,240 --> 00:01:30,000
Speaker 1: to feel that emotion that he is really missing his wife.

24
00:01:30,280 --> 00:01:33,240
Speaker 1: He pauses again. There's a second pause when he says

25
00:01:33,400 --> 00:01:36,200
Speaker 1: we love you and we miss you, and he paused

26
00:01:36,240 --> 00:01:40,200
Speaker 1: and he says, no questions asked. I thought that was

27
00:01:40,240 --> 00:01:43,880
Speaker 1: a really odd statement right in the middle of it,

28
00:01:44,040 --> 00:01:47,360
Speaker 1: Like you know, I am so a concern that I

29
00:01:47,400 --> 00:01:50,520
Speaker 1: don't want to know what hells happened. I just no

30
00:01:50,840 --> 00:01:53,480
Speaker 1: questions asked. I think that that was embedded in there

31
00:01:53,600 --> 00:01:56,520
Speaker 1: for a particular reason, and when something is out of place,

32
00:01:56,640 --> 00:02:00,160
Speaker 1: I pay particular attention to it with me. Sue in

33
00:02:00,240 --> 00:02:05,440
Speaker 1: Constantine breaking down Suzanne Morpheu's husband's statement