WEBVTT - Knitting as Espionage, Part Two: Legendary Spies -- and One Traitor

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<v Speaker 1>Ridiculous Histories, a production of iHeartRadio. Welcome back to the show,

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<v Speaker 1>fellow Ridiculous Historians. Thank you, as always so much for

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<v Speaker 1>tuning in. Previously on Ridiculous History, we examined the phenomenal

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<v Speaker 1>story of people conducting trade craft of people conducting espionage

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<v Speaker 1>and acts of spying through something as humble as knitting crafts.

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<v Speaker 2>Crafts.

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<v Speaker 1>Yeah, there, we draft perfect, and we want to give

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<v Speaker 1>a shout out to our big homie, our super producer,

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<v Speaker 1>Max Crochet.

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<v Speaker 2>Croquet Croquette. Wait a minute, different things, Williams. That is

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<v Speaker 2>Bizar Falcons.

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<v Speaker 1>We also have lightly pitched the idea of a Falcon

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<v Speaker 1>tsar to ourselves off air. We took, we took a

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<v Speaker 1>quick break, but through the magic of editing, we are

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<v Speaker 1>rejoining you today. Let's hear it for none other than

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<v Speaker 1>the one and only mister Noel Brown.

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<v Speaker 2>Does I tis you?

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<v Speaker 1>My friends, they called me Ben Bullen in this neck

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<v Speaker 1>of the global woods for tax purposes. You can obviously

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<v Speaker 1>communicate my comings and goings through a v or a

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<v Speaker 1>pearl in a scarf.

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<v Speaker 2>I'll bring a scarf right now because it's kind of

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<v Speaker 2>got chilli today. It's unpredictable. I walked out, and I

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<v Speaker 2>yelled at the sky, what that is such an old

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<v Speaker 2>man thing to do with you been, and I'm here

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<v Speaker 2>for it. I mean, you shake your fist.

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<v Speaker 1>This is the thing, though, nol So we all reside

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<v Speaker 1>in the Atlanta metro area, and everybody in Atlanta, if

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<v Speaker 1>you've never had the privilege to visit, please please let

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<v Speaker 1>us know and we'll hang out. But everybody in Atlanta

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<v Speaker 1>will tend to speak to you as though they know

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<v Speaker 1>you and you're vaguely related. So this is a true story.

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<v Speaker 1>This morning when I walked out and as he said, Noel,

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<v Speaker 1>the weather totally did a one to eighty on us.

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<v Speaker 1>I yelled what because I was aggravated. It was very

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<v Speaker 1>early in the morning, and there was a guy walking

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<v Speaker 1>through the parking lot who turned around and said, I.

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<v Speaker 2>Know, I said, seriously, I think I maybe did shake

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<v Speaker 2>my fist a little bit. But then, as promised in

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<v Speaker 2>our previous exploration of the nuts and bolts, the pearls

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<v Speaker 2>and stitches, warp and weft, there you go of knitted coding,

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<v Speaker 2>we are going to present you with a hand full

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<v Speaker 2>of real life examples of folks doing this very thing

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<v Speaker 2>in the service of various war efforts. So what do

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<v Speaker 2>you say, we jump right into it. We got the spies,

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<v Speaker 2>you knit it the Big Three, the Big Three.

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<v Speaker 1>Yes, And this comes to us again courtesy of our

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<v Speaker 1>research associate Maria. So let's start with Molly Rinker. Molly

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<v Speaker 1>old Mom Rinker. That's a street name.

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<v Speaker 2>Okay.

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<v Speaker 1>So this takes place way before World War One and

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<v Speaker 1>World War Two. This is what the US calls the

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<v Speaker 1>Revolutionary War. Rinker is an innkeeper in Philadelphia and she's

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<v Speaker 1>one of those we're all big fans of RPGs and

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<v Speaker 1>gaming and stuff, so she's to the powers of the beach.

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<v Speaker 1>She's one of those n PCs at the local tavern.

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<v Speaker 2>But they usually have some good intel for you, those

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<v Speaker 2>bar maids and tavern keepers. Right, Yeah, you got to

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<v Speaker 2>run out all the dialogue options. Quick pro tip from handkeepers.

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<v Speaker 2>You get what I'm talking. Yeah, we got to run

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<v Speaker 2>out all of the dialogue tree options to get to

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<v Speaker 2>get the goods.

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<v Speaker 1>So, because people were often ignoring women at this time,

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<v Speaker 1>Molly Rinker was able to be around people that didn't

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<v Speaker 1>really treat her as a person, and she used that

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<v Speaker 1>to her advantage. She would gather intel eavesdropping on her

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<v Speaker 1>tavern guest, specifically her British tavern guest, and.

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<v Speaker 2>Her methods weren't the most sophisticated in terms of the

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<v Speaker 2>types of crafty trade craft that we're talking about here,

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<v Speaker 2>but it did still involve knitting supplies. She didn't encode messages, however,

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<v Speaker 2>inside of her knitting, what she did do was deliver

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<v Speaker 2>messages to George Washington, the General and the cotton An

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<v Speaker 2>Army concealed inside balls of yarn. Yeah. So she would

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<v Speaker 2>sit outside Reakerwood and she's knitting, and then when she

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<v Speaker 2>saw Patriot couriers or Patriot troops pass by American forces,

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<v Speaker 2>she would toss out small balls of yarn, just casually, like, well,

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<v Speaker 2>here you go. You guys need yarn, right, you need a.

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<v Speaker 1>Lot of stuff in general, which was true, but she

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<v Speaker 1>had stuffed these small balls of yarn with wartime secrets

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<v Speaker 1>on small scraps of paper. So it's kind of like

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<v Speaker 1>how you have a message in a fortune cookie, or

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<v Speaker 1>it's kind of like how you have soup in a dumpling.

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<v Speaker 2>Right yeah, or you know the new git inside of

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<v Speaker 2>the delicious sweet retreat, right. And her efforts were and

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<v Speaker 2>are considered to have been absolutely as you like to say,

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<v Speaker 2>Ben mission critical during these seventeen seventy seven to seventeen

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<v Speaker 2>seventy eight Philadelphia campaign.

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<v Speaker 1>Beautiful, thank you, Rinker. There are a lot of American

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<v Speaker 1>heroes who don't get the credit they are due. So

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<v Speaker 1>you want to shout you out.

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<v Speaker 2>And then we also want to travel again in time.

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<v Speaker 2>Let's go to what he say? May nineteen forty four. Oh,

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<v Speaker 2>why the heck not? We're talking about Phyllis Pippolatour Doyle,

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<v Speaker 2>a twenty three year old South African born British secret

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<v Speaker 2>agent who parachuted into Nazi occupied Normandy in May of

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<v Speaker 2>nineteen forty four. So hard, unbelievable, it's so.

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<v Speaker 1>Cool, and she was not alone, right and all. She's

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<v Speaker 1>one of thirty nine female secret agents who served in

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<v Speaker 1>one of the coolest secret armies of the entirety of

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<v Speaker 1>World War Two. Forget oss, folks, if you haven't heard

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<v Speaker 1>about it before, we are so thrilled to introduce you

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<v Speaker 1>to Winston Churchill's secret army, something called the Special Operations Executive.

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<v Speaker 2>The more innocuous the name, the more sinister the plot.

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<v Speaker 2>In France right during World War Two, she posed as

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<v Speaker 2>a young woman with the cover name of Genevieve and

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<v Speaker 2>she was actually assigned to the SOE Scientist Circuit where

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<v Speaker 2>she was able to gather intelligence to help the RAF

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<v Speaker 2>bombing missions, that's the Royal Air Force. She transmitted one

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<v Speaker 2>hundred and thirty five coded messages Morse coded messages to

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<v Speaker 2>be precise to Allied forces with her handy dandy wireless

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<v Speaker 2>radio and of course her hairtyme. How's that work? Ben?

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<v Speaker 3>Right?

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<v Speaker 2>Yeah?

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<v Speaker 1>Do you morse code in the hairtie? She embeds these

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<v Speaker 1>messages in the lace of her hair tie and get this, folks.

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<v Speaker 1>She lives. Latour lives until two thousand and twenty three,

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<v Speaker 1>and she will talk about her war efforts. She was

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<v Speaker 1>speaking to New Zealand Army News about how she concealed

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<v Speaker 1>her codes. She said, quote, I always carried knitting because

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<v Speaker 1>my codes were on a piece of silk. I wrapped

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<v Speaker 1>the piece of silk around a knitting needle and put

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<v Speaker 1>it in a flat shoelace that I used to tie

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<v Speaker 1>up my hair.

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<v Speaker 2>Tricky, tricky. Sending coded messages took her around thirty minutes

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<v Speaker 2>from her wireless radio, and it took the Germans ninety

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<v Speaker 2>minutes to get a bead on where she actually was

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<v Speaker 2>to trace the location of the signal that it was

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<v Speaker 2>sent from. So the odds are certainly in her favor

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<v Speaker 2>to make a clean getaway by the time the Germans

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<v Speaker 2>knew what was up, yeah.

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<v Speaker 1>At least for the first few iterations restaurant, because you

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<v Speaker 1>have a window of time in which you need to

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<v Speaker 1>move quickly. But the German intelligence community was, you know,

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<v Speaker 1>they're not knuckle heads. They're not good people, but they're

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<v Speaker 1>not knuckleheads, and they they start to clock the unusual

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<v Speaker 1>activities of this person, so they interrogator, they detain her,

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<v Speaker 1>and at least one time they strip searcher, but she

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<v Speaker 1>always was able to slip the noose. She continually avoided

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<v Speaker 1>detection because they would have to have looked in depth

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<v Speaker 1>at the lace of her hairtie to figure out any

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<v Speaker 1>coded information, and they just didn't because again, not to

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<v Speaker 1>sound too soapboxy, they did not take women seriously.

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<v Speaker 2>Well, yeah, and it was just it was literally a

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<v Speaker 2>needle in a haystack, at least a needle and a

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<v Speaker 2>hairtie kind of situation. And until they had gotten wind

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<v Speaker 2>of this type of covert activity, they wouldn't have even

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<v Speaker 2>thought to have looked in something like that. But you're

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<v Speaker 2>absolutely right, Ben. There was a lot of dismissal involved

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<v Speaker 2>as well. She never talked about her work much, if

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<v Speaker 2>at all, and her own family never knew until very

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<v Speaker 2>late in her life. She passed away in twenty twenty

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<v Speaker 2>three at the age of one hundred and two years old,

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<v Speaker 2>and it kept a lag a low until it became

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<v Speaker 2>like a deathbed confession your real one, Tovo.

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<v Speaker 1>We've got another person we want to introduce. We tease

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<v Speaker 1>this a little bit in the first part of this series,

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<v Speaker 1>Elizabeth Bentley.

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<v Speaker 2>Elizabeth Bentley cooked up a plot to steal a lector

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<v Speaker 2>cryptographic device from the Soviets and then sell it back

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<v Speaker 2>to them. That's actually the plot of From Russia with Love. Sorry,

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<v Speaker 2>I had to, I had to drop that one in there.

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<v Speaker 2>A good one, Maria, but her actual story makes that

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<v Speaker 2>kind of mix up a whole lot of sense, mixing

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<v Speaker 2>up her plot with the plot of a Russian spy thriller.

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<v Speaker 2>Elizabeth Bentley was born in Connecticut. She went to Vassar

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<v Speaker 2>and Columbia. No slouch academically speaking, and she was in

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<v Speaker 2>fact an American communist m M yeah. Since in a twist,

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<v Speaker 2>coming Ben card carrying yeah, she was known as the

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<v Speaker 2>Red Spy Queen, and we're getting a lot of this

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<v Speaker 2>from the official CIA website CIA dot gov. Check out

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<v Speaker 2>Red Spy Queen, a biography of Elizabeth Bentley by Catherine

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<v Speaker 2>s Olmsted. Coming to us out of University of North Carolina.

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<v Speaker 2>So she considered herself more of and this is a

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<v Speaker 2>quote a communist June Cleaver. So for seven years she

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<v Speaker 2>worked as what we call a contact woman, which meant

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<v Speaker 2>she gothered covert information, primarily Washington, DC, and then she

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<v Speaker 2>would pass it along to her Soviet handler. That's correct, folks,

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<v Speaker 2>this is an American, as you said, highly born in

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<v Speaker 2>our socio economic pyramid. She was an American who spied

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<v Speaker 2>for the other side, kind of like the Cambridge five,

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<v Speaker 2>Say it ain't so, Lizzie, say it ain't so. Yeah.

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<v Speaker 2>This is a thing that I think a lot of

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<v Speaker 2>people miss when we're talking about the basics of tradecraft.

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<v Speaker 2>It's not necessarily the shadowy guy in a nice suit

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<v Speaker 2>that you have to be worried about. Right in a

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<v Speaker 2>foreign hotel, It's going to be the people who are

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<v Speaker 2>admin the people who are in housekeeping, the bartender, the

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<v Speaker 2>bartender of people, the concierge. They're hearing all the d

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<v Speaker 2>I met a few of them, Yeah, the people who

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<v Speaker 2>surprisingly seemed to know four languages, You know what I mean.

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<v Speaker 1>I've met a few. They're cool people. Just stay on

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<v Speaker 1>their good side and be honest with yourself about why

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<v Speaker 1>they're talking to you. All right, Okay, so here's another twist,

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<v Speaker 1>like you were kind of teasing.

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<v Speaker 2>There and all. A second twist, A second twist, almost

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<v Speaker 2>as though we're making a not in fabric. The communist

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<v Speaker 2>June Cleaver, as she styled herself, her activities, her early

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<v Speaker 2>activities end in nineteen forty five, she goes to Uncle

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<v Speaker 2>Sam and she outs herself to the FBI as fact. Yeah,

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<v Speaker 2>and they they.

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<v Speaker 1>Do what any smart intel agency will do. They say, Okay,

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<v Speaker 1>we'll just work for us. We're not the double cross. Yeah,

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<v Speaker 1>the double cross. Heck, yeah, she turned double agent. And

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<v Speaker 1>she said that she did this because she had become

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<v Speaker 1>disillusioned by the party. As we know we often talk about,

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<v Speaker 1>especially on our sister show stuff.

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<v Speaker 2>They don't want you to know. Communism seems great on paper,

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<v Speaker 2>but the inherent corruptibility of human beings tends to not

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<v Speaker 2>make it work out so great in practice. Yeah.

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<v Speaker 1>The issue with communism as a theory is like you said,

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<v Speaker 1>communism in practice is something that maybe the human brain

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<v Speaker 1>in society hasn't evolved for yet, you know. But there's

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<v Speaker 1>there's another factor here. Our character Bentley feels the walls

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<v Speaker 1>closing in like she's Han Solo and Star Wars. She

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<v Speaker 1>thinks the FBI is hot on her heels. She's just

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<v Speaker 1>being paranoid. History will prove later she is not actually

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<v Speaker 1>on the FBI's radar. She was incorrect in that assumption.

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<v Speaker 1>But it's a very scary time and it's also very

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<v Speaker 1>frightening and anxiety inducing to have to function as a spy.

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<v Speaker 1>And then a third factor, Look, folks, not the soapbox here,

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<v Speaker 1>but tradecraft is pretty brutal, and you are only you

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<v Speaker 1>as an individual, are only worth the actions you can

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<v Speaker 1>do in any kind of arrangement. As soon as you're

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<v Speaker 1>done with those actions, as soon as your value is

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<v Speaker 1>no longer relevant.

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<v Speaker 2>They might kill you.

0:15:33.960 --> 0:15:36.640
<v Speaker 1>She was worried that the Soviets would kill her because

0:15:36.920 --> 0:15:41.480
<v Speaker 1>she had exhausted whatever her value was, and it turned

0:15:41.520 --> 0:15:45.000
<v Speaker 1>out that bit of paranoia was true, so her going

0:15:45.040 --> 0:15:49.440
<v Speaker 1>to the FBI may have been less of an altruistic

0:15:51.960 --> 0:15:55.720
<v Speaker 1>crossroads moment for her it may have been something much

0:15:55.760 --> 0:15:57.280
<v Speaker 1>more like self preservation.

0:15:59.360 --> 0:16:02.280
<v Speaker 2>It's a good point, I mean, is it's a good

0:16:02.320 --> 0:16:05.640
<v Speaker 2>story to you know, frame it in terms of she

0:16:05.760 --> 0:16:08.320
<v Speaker 2>saw the lights or what have you. That, as we

0:16:08.400 --> 0:16:11.000
<v Speaker 2>all know, in these types of situations, when you start

0:16:11.000 --> 0:16:14.400
<v Speaker 2>thinking that maybe the walls are closing in, sometimes making

0:16:14.440 --> 0:16:16.280
<v Speaker 2>a deal is the best move that you have.

0:16:16.960 --> 0:16:20.240
<v Speaker 1>And so it comes to pass in the United States

0:16:20.360 --> 0:16:26.440
<v Speaker 1>that Bentley the communist June Cleaver testifies in numerous very

0:16:26.520 --> 0:16:34.800
<v Speaker 1>high profile investigations that Uncle Sam is conducting. This is

0:16:34.920 --> 0:16:39.840
<v Speaker 1>also you know, shadows of the Red Scare, right, She's

0:16:39.920 --> 0:16:45.840
<v Speaker 1>testified in communist influence investigations. She is a huge part

0:16:45.880 --> 0:16:49.080
<v Speaker 1>in kicking off the second Red Scare. This is when,

0:16:49.240 --> 0:16:52.920
<v Speaker 1>as we all recall, you could have your life and

0:16:52.960 --> 0:16:56.440
<v Speaker 1>your career ruined because you went to the wrong meeting one.

0:16:56.320 --> 0:17:00.600
<v Speaker 2>Time or Carthyism right, or you knew the wrong person. Yeah,

0:17:00.640 --> 0:17:02.560
<v Speaker 2>you get pulled up in front of the House an

0:17:02.640 --> 0:17:06.720
<v Speaker 2>Americans Committee and didn't get blacklisted from Hollywood. A lot

0:17:06.760 --> 0:17:10.119
<v Speaker 2>of writers got thrown under the bus for previous membership

0:17:10.240 --> 0:17:14.119
<v Speaker 2>in the US version of the Communist Party. It was

0:17:14.280 --> 0:17:17.120
<v Speaker 2>it was not good. It was very much a witch hunt.

0:17:17.400 --> 0:17:22.560
<v Speaker 1>Oh, very much so. And the House on American Volcanic Ready, yeah,

0:17:22.720 --> 0:17:25.680
<v Speaker 1>the House on American Activities Committee. I love that you're

0:17:25.720 --> 0:17:28.520
<v Speaker 1>mentioning that. A lot of people don't know that they

0:17:28.680 --> 0:17:32.560
<v Speaker 1>started in nineteen thirty eight, but they continued all the

0:17:32.600 --> 0:17:35.200
<v Speaker 1>way up until nineteen seventy five.

0:17:35.560 --> 0:17:39.560
<v Speaker 2>Wow. I know they kind of went a little more underground, right,

0:17:39.720 --> 0:17:42.040
<v Speaker 2>But they were weren't they keeping tabs on like John

0:17:42.119 --> 0:17:43.000
<v Speaker 2>Lennon and stuff as well?

0:17:43.080 --> 0:17:47.200
<v Speaker 1>Sure, everybody, Arthur Miller, anybody they could touch, so in these.

0:17:47.280 --> 0:17:51.760
<v Speaker 2>But they weren't calling people publicly in front of their committee.

0:17:51.800 --> 0:17:53.639
<v Speaker 2>They were just sort of operating a little more in

0:17:53.640 --> 0:17:56.800
<v Speaker 2>the shadows. After that period, Yeah, they wouldn't.

0:17:57.280 --> 0:18:01.760
<v Speaker 1>They wouldn't really pull people out into the public eye

0:18:01.960 --> 0:18:04.600
<v Speaker 1>unless they felt they had some kind of evidence. In

0:18:04.720 --> 0:18:10.800
<v Speaker 1>Bentley's testimony, often would consist of them saying, Hey, do

0:18:10.880 --> 0:18:13.640
<v Speaker 1>you know this person in your work as a spy?

0:18:13.840 --> 0:18:16.760
<v Speaker 1>Did you ever contact this person? Did you ever hear

0:18:17.720 --> 0:18:19.920
<v Speaker 1>this code name or whatever? And I'm sure it got

0:18:20.000 --> 0:18:23.000
<v Speaker 1>ridiculous at some point and they said, you know, have

0:18:23.200 --> 0:18:28.800
<v Speaker 1>you ever interacted with the insert famous Hollywood screenwriter here

0:18:29.040 --> 0:18:30.200
<v Speaker 1>or something like that.

0:18:30.240 --> 0:18:32.880
<v Speaker 2>And know what was it? Dalton Trumbo was a big

0:18:32.920 --> 0:18:37.160
<v Speaker 2>one that got railroaded. And lest we cast her in

0:18:37.240 --> 0:18:39.320
<v Speaker 2>some kind of like, you know, again, we've already sort

0:18:39.359 --> 0:18:41.879
<v Speaker 2>of couched it. This may well not have been some

0:18:41.920 --> 0:18:45.800
<v Speaker 2>sort of moral about face, but less we cast her

0:18:45.800 --> 0:18:48.040
<v Speaker 2>as some sort of you know, hero coming back and

0:18:48.080 --> 0:18:52.320
<v Speaker 2>working for Uncle Sam. A lot of her testimony resulted

0:18:52.359 --> 0:18:57.520
<v Speaker 2>in some people being very unfairly targeted and railroaded themselves

0:18:58.080 --> 0:19:01.160
<v Speaker 2>as a direct result of her testimony. Oh yeah, man,

0:19:01.200 --> 0:19:07.280
<v Speaker 2>one hundred percent. Her counter espionage was responsible for the

0:19:07.400 --> 0:19:14.199
<v Speaker 2>conviction of party leaders eleven real life proven Communist Party leaders.

0:19:14.640 --> 0:19:18.520
<v Speaker 2>But to your point, her testimonies also lit a match

0:19:18.760 --> 0:19:23.280
<v Speaker 2>under that growing America paranoia of the Cold War. You know,

0:19:23.440 --> 0:19:28.480
<v Speaker 2>who isn't a communist? Yeah, name names, report on your neighbors.

0:19:28.520 --> 0:19:31.119
<v Speaker 2>It's very much like a similar situation with what was

0:19:31.160 --> 0:19:33.639
<v Speaker 2>going on during the Cold War in Berlin. You know

0:19:33.840 --> 0:19:36.280
<v Speaker 2>that was depicted in the film The Lives of Others,

0:19:36.480 --> 0:19:39.200
<v Speaker 2>where you know, kids were even like reporting on their

0:19:39.240 --> 0:19:42.680
<v Speaker 2>parents and all kinds of stuff like that, really really dirty,

0:19:43.160 --> 0:19:48.360
<v Speaker 2>unclean stuff. As you would say, Ben, we're talking classified

0:19:48.440 --> 0:19:51.760
<v Speaker 2>documents that she got her hands on, pieces of microfilm.

0:19:52.720 --> 0:19:56.440
<v Speaker 2>She delivered information to the Soviets about Allied force plans

0:19:56.480 --> 0:19:59.560
<v Speaker 2>regarding the invasion of Normandy. And she kept a lot

0:19:59.600 --> 0:20:02.560
<v Speaker 2>of this stuff hidden in her knitting bag, which no

0:20:02.600 --> 0:20:06.320
<v Speaker 2>one ever thought to dig through for information about what

0:20:06.480 --> 0:20:08.920
<v Speaker 2>the B twenty nine bomber was going to be doing,

0:20:09.640 --> 0:20:13.320
<v Speaker 2>but they really should have because that was definitely in there. Yeah,

0:20:13.440 --> 0:20:14.800
<v Speaker 2>she kind of got that far.

0:20:15.040 --> 0:20:19.160
<v Speaker 1>Yes, specifically, she got the antela the B twenty nine.

0:20:19.640 --> 0:20:27.200
<v Speaker 2>And when she testifies, she becomes a celebrity. For a time,

0:20:27.359 --> 0:20:31.840
<v Speaker 2>She's all over the headlines. She is a.

0:20:31.960 --> 0:20:36.640
<v Speaker 1>Legit, actual facts, public figure, as our friend Lauren would say.

0:20:37.480 --> 0:20:42.080
<v Speaker 1>But as the years wend on and the news cycle

0:20:42.160 --> 0:20:48.840
<v Speaker 1>and public attention shifts, her story falls into obscurity. Knitting

0:20:49.040 --> 0:20:55.160
<v Speaker 1>espionage was so effective that multiple countries, including the United

0:20:55.200 --> 0:21:02.040
<v Speaker 1>States Office of Censorship, restricted the international of knitting patterns.

0:21:02.119 --> 0:21:05.680
<v Speaker 1>They did this in nineteen forty two. Because let's say

0:21:05.760 --> 0:21:10.120
<v Speaker 1>you have correspondence right with a friend in Vienna who

0:21:10.160 --> 0:21:12.320
<v Speaker 1>doesn't have a friend in Vienna, a.

0:21:12.000 --> 0:21:14.520
<v Speaker 2>Friend in Vienna as a as a friend of mine.

0:21:14.800 --> 0:21:17.040
<v Speaker 1>Doesn't it that it sounds like a weird album name.

0:21:17.119 --> 0:21:20.280
<v Speaker 1>What band would have an album called a Friend in Vienna?

0:21:20.359 --> 0:21:22.639
<v Speaker 1>Would it be Mountain goats, Billy Joe Joel.

0:21:22.680 --> 0:21:25.480
<v Speaker 2>He has a song called Vienna Early Billy Joel slaps

0:21:25.480 --> 0:21:27.600
<v Speaker 2>by the way, Oh yeah yeah. He was much more

0:21:27.640 --> 0:21:30.919
<v Speaker 2>of a Leonard Cohen type figure early days, like really

0:21:31.040 --> 0:21:35.120
<v Speaker 2>literate poetic song story type stuff, and Vienna is one

0:21:35.119 --> 0:21:44.000
<v Speaker 2>of my favorites. Then I think we're about to reach

0:21:44.400 --> 0:21:49.679
<v Speaker 2>the tangents and trivia part of our story, wherein we

0:21:49.720 --> 0:21:52.080
<v Speaker 2>can set the record straight first and first and foremost,

0:21:52.280 --> 0:21:54.720
<v Speaker 2>I think we owe this to the ridiculous historians out

0:21:54.760 --> 0:21:59.040
<v Speaker 2>there to describe the difference between crocheting and knitting. They

0:21:59.080 --> 0:22:01.240
<v Speaker 2>are not the same. They are not the same, and

0:22:01.280 --> 0:22:03.840
<v Speaker 2>I know people were yelling at their podcast devices, but

0:22:04.320 --> 0:22:07.440
<v Speaker 2>they are in fact distinctly different crafts. Knitting uses two

0:22:07.480 --> 0:22:11.479
<v Speaker 2>needles to create much more stretchy and draping fabrics that

0:22:11.640 --> 0:22:15.479
<v Speaker 2>might be better used for garments, while crocheting uses a

0:22:15.480 --> 0:22:19.119
<v Speaker 2>hook and in order to produce a thicker and sturdier,

0:22:20.040 --> 0:22:23.040
<v Speaker 2>a little rougher hewn fabric that might be better for

0:22:23.160 --> 0:22:27.600
<v Speaker 2>blankets and the aforementioned little characters, little toys that your

0:22:27.920 --> 0:22:33.200
<v Speaker 2>girlfriend and my kiddo like to craft. Knitting focuses much

0:22:33.240 --> 0:22:38.120
<v Speaker 2>more on what's called live stitches, whereas crochet completes each

0:22:38.200 --> 0:22:44.000
<v Speaker 2>stitch individually. Yeah. Yeah, and let's go over to Max

0:22:44.080 --> 0:22:46.720
<v Speaker 2>as well, because Max, you wanted to clear the record

0:22:46.840 --> 0:22:52.240
<v Speaker 2>on not just crochet, but also croquet croquette. Yeah.

0:22:52.240 --> 0:22:54.439
<v Speaker 3>I've always had an issue with this one where I'm like,

0:22:54.520 --> 0:22:58.840
<v Speaker 3>what's the difference between croquet, crochet, croquette? What is all

0:22:58.880 --> 0:23:02.320
<v Speaker 3>these things? So obviously crochet is what we're talking about today,

0:23:02.320 --> 0:23:05.040
<v Speaker 3>which is knitting, which is not to be confused with

0:23:05.160 --> 0:23:08.560
<v Speaker 3>the sport croquet, which is an out of our game

0:23:08.600 --> 0:23:11.680
<v Speaker 3>played on grass where players use malice to hit balls

0:23:11.680 --> 0:23:14.399
<v Speaker 3>through a series of hoops, but also not to be

0:23:14.400 --> 0:23:18.359
<v Speaker 3>confused with a croquette, which is a small breaded, fried

0:23:19.320 --> 0:23:20.520
<v Speaker 3>and delicious.

0:23:20.160 --> 0:23:23.240
<v Speaker 2>Which is what is it? Isn't it Cuban in origin?

0:23:24.280 --> 0:23:25.760
<v Speaker 2>It is South American.

0:23:26.160 --> 0:23:27.320
<v Speaker 3>Let's see, it's.

0:23:27.240 --> 0:23:29.600
<v Speaker 2>A little pastry. It's a little savory pastry. I think

0:23:29.600 --> 0:23:32.080
<v Speaker 2>it's everywhere it is. I guess, I guess where I

0:23:32.119 --> 0:23:33.560
<v Speaker 2>typically see it is in.

0:23:35.080 --> 0:23:35.679
<v Speaker 3>It's French.

0:23:38.520 --> 0:23:44.119
<v Speaker 2>French, but the process of frying food is pretty common,

0:23:44.240 --> 0:23:46.960
<v Speaker 2>especially with some bread crumbs. Yeah. No, it's a really

0:23:47.000 --> 0:23:51.320
<v Speaker 2>good point. It also is another product of colonialism, where

0:23:51.520 --> 0:23:55.280
<v Speaker 2>you will see potato croquettes and other types of croquettes

0:23:55.359 --> 0:23:59.760
<v Speaker 2>very popular in some South American cuisine. I want to say,

0:24:00.080 --> 0:24:05.440
<v Speaker 2>what is poppies. That's a Cuban, isn't it poppies the restaurant? Yeah, yes, yes,

0:24:05.800 --> 0:24:08.280
<v Speaker 2>that's a place here at Balanta. Yeah.

0:24:08.320 --> 0:24:11.400
<v Speaker 3>And I find all this so interesting and so insightful,

0:24:11.400 --> 0:24:12.960
<v Speaker 3>and I will forget it within an hour.

0:24:13.520 --> 0:24:16.720
<v Speaker 1>That's okay, man, We'll have this episode out as long

0:24:16.920 --> 0:24:21.560
<v Speaker 1>as society doesn't collapse, and maybe even a little bit after.

0:24:21.840 --> 0:24:25.879
<v Speaker 2>And forgive me. The Caribbean and South American version of

0:24:25.880 --> 0:24:29.080
<v Speaker 2>that food would typically be pronounced croquetas, but it very

0:24:29.160 --> 0:24:32.479
<v Speaker 2>much comes from the same background and from that French

0:24:32.880 --> 0:24:36.400
<v Speaker 2>culinary tradition, where you're going to see in Brazil, for example,

0:24:36.600 --> 0:24:41.959
<v Speaker 2>yucca and mandioca croquettes, various fillings depending on the region

0:24:42.000 --> 0:24:44.879
<v Speaker 2>that you're getting them from, and also differences in preparation.

0:24:45.080 --> 0:24:49.720
<v Speaker 2>But just like we see the incredibly fantastic bond me

0:24:49.920 --> 0:24:55.680
<v Speaker 2>sandwich in Vietnamese cuisine, you're going to see that French

0:24:55.760 --> 0:25:01.800
<v Speaker 2>bread influence from the old colonial days of French influence

0:25:01.840 --> 0:25:02.560
<v Speaker 2>over that region.

0:25:03.359 --> 0:25:07.119
<v Speaker 1>And we have a proposition for you, folks. I have

0:25:08.560 --> 0:25:13.400
<v Speaker 1>something we have to mention Just because knitting is no

0:25:13.440 --> 0:25:17.280
<v Speaker 1>longer considered a very successful form of trade craft, like

0:25:18.080 --> 0:25:21.200
<v Speaker 1>enemy forces know what to look for, it doesn't mean

0:25:21.240 --> 0:25:25.200
<v Speaker 1>that other innocuous things are not being used to communicate

0:25:25.400 --> 0:25:30.080
<v Speaker 1>secret messages. One of the most interesting recent examples comes

0:25:30.119 --> 0:25:33.520
<v Speaker 1>from our sister show stuff They Don't Want You To Know?

0:25:34.320 --> 0:25:39.959
<v Speaker 1>Where was truly Nolan, Our pal Matt Frederick learned that

0:25:40.200 --> 0:25:45.480
<v Speaker 1>the CIA was communicating secret messages through You'll Love this

0:25:45.640 --> 0:25:51.000
<v Speaker 1>facs through purposefully dumb looking Star Wars fan sites.

0:25:51.640 --> 0:25:55.080
<v Speaker 2>Oh god, I love it. It's such. It's another perfect

0:25:55.080 --> 0:25:58.439
<v Speaker 2>example of this kind of stuff, things that are dismissed

0:25:58.800 --> 0:26:02.480
<v Speaker 2>and hidden in planes like whoever you know? No one

0:26:02.520 --> 0:26:07.720
<v Speaker 2>ever expects the the GeoCities Star Wars fan sites of old.

0:26:08.080 --> 0:26:11.560
<v Speaker 2>But that is exactly what the covert agencies of the

0:26:11.600 --> 0:26:14.240
<v Speaker 2>United States government were depending on when they used them

0:26:14.280 --> 0:26:17.440
<v Speaker 2>as ways to communicate with their assets in the field. Yeah,

0:26:17.480 --> 0:26:19.880
<v Speaker 2>did you ever hear about that with Max? No?

0:26:19.960 --> 0:26:21.920
<v Speaker 3>But I don't spend much time on Star Wars fans

0:26:21.920 --> 0:26:24.040
<v Speaker 3>dice because I spent all my time on.

0:26:25.840 --> 0:26:28.399
<v Speaker 2>I'm kidding, that's not true. I'm gonna get canceled like

0:26:28.440 --> 0:26:33.280
<v Speaker 2>Timothy Shallamy being dismissed of opera. Oh that was weird. No, no, no,

0:26:33.680 --> 0:26:36.000
<v Speaker 2>much love to the Star Wars fan community out there.

0:26:36.040 --> 0:26:37.920
<v Speaker 2>I guess the point, though, Ben, is that there were

0:26:38.040 --> 0:26:40.720
<v Speaker 2>just a lot of them because it is so popular,

0:26:40.920 --> 0:26:43.879
<v Speaker 2>and the lights we're talking about were like the bad ones,

0:26:44.240 --> 0:26:46.000
<v Speaker 2>the low quality ones. You know.

0:26:46.119 --> 0:26:48.679
<v Speaker 1>That's yeah, that's how they split it in so that

0:26:48.680 --> 0:26:52.879
<v Speaker 1>that is the thing. History repeats itself quite often. So

0:26:53.680 --> 0:26:57.919
<v Speaker 1>if just because knitting is no longer you know, a

0:26:58.040 --> 0:27:04.120
<v Speaker 1>gold standard way of secretly communicating intelligence, that doesn't mean

0:27:04.200 --> 0:27:08.960
<v Speaker 1>that other things like that don't exist. Crappy, purposely crappy

0:27:09.000 --> 0:27:14.440
<v Speaker 1>websites are I would propose a version of this same tactic.

0:27:14.880 --> 0:27:17.600
<v Speaker 1>And you know what got me here, maybe we can

0:27:18.840 --> 0:27:20.240
<v Speaker 1>start to end on this.

0:27:20.440 --> 0:27:20.800
<v Speaker 2>Guys.

0:27:20.840 --> 0:27:23.160
<v Speaker 1>What got me here is we're talking a little bit

0:27:23.200 --> 0:27:28.480
<v Speaker 1>off air and when our research associate Maria first pitched

0:27:28.560 --> 0:27:33.560
<v Speaker 1>this idea, it reminded me of another way of encoding

0:27:33.840 --> 0:27:38.920
<v Speaker 1>messages through fabric. This is a true story, folks.

0:27:38.600 --> 0:27:44.080
<v Speaker 2>The Incan Empire the key poo. Yeah, the Incan Empire.

0:27:45.040 --> 0:27:49.000
<v Speaker 1>Had a coding system that we still don't understand that

0:27:49.200 --> 0:27:52.200
<v Speaker 1>was entirely based upon notts.

0:27:52.400 --> 0:27:54.439
<v Speaker 2>And shout out to our colleagues over it stuff to

0:27:54.440 --> 0:27:58.120
<v Speaker 2>blow your mind. Robert and Joe who have done an

0:27:58.160 --> 0:28:02.240
<v Speaker 2>extensive deep dive into the Keipoo on their podcast, Stuff

0:28:02.240 --> 0:28:04.760
<v Speaker 2>to Blow your Mind, So do check them out as well.

0:28:05.040 --> 0:28:11.400
<v Speaker 2>That's right, Ben, pictograms that they encoded using knotted string devices.

0:28:12.200 --> 0:28:15.879
<v Speaker 1>Yeah, so they were able to communicate similar to what

0:28:15.920 --> 0:28:18.959
<v Speaker 1>you were saying in part one of this series. They

0:28:18.960 --> 0:28:24.159
<v Speaker 1>were able to communicate pretty complex mathematical information that we

0:28:24.200 --> 0:28:28.119
<v Speaker 1>can prove, uh through through these knots. They just used

0:28:28.280 --> 0:28:33.200
<v Speaker 1>fleece and cotton and a lot of what modern society

0:28:33.240 --> 0:28:35.919
<v Speaker 1>has figured out about the kipoo is that it was

0:28:36.359 --> 0:28:42.200
<v Speaker 1>administrative stuff, census figures, tax allocation. You twist the strings,

0:28:42.240 --> 0:28:44.800
<v Speaker 1>you make the knot, you show the information.

0:28:45.840 --> 0:28:46.440
<v Speaker 2>Spreadsheets.

0:28:46.640 --> 0:28:49.960
<v Speaker 1>Yeah you're making yeah, exactly, you're making a fabric spreadsheet

0:28:50.000 --> 0:28:55.480
<v Speaker 1>just so, and uh, this is this is bizarre because

0:28:56.440 --> 0:28:59.400
<v Speaker 1>I don't know about you guys, but Fellas to me,

0:29:00.360 --> 0:29:04.800
<v Speaker 1>it makes sense that you could do that with knots,

0:29:04.880 --> 0:29:08.520
<v Speaker 1>that you could do numerical information with knots, because it's

0:29:08.560 --> 0:29:10.920
<v Speaker 1>no different from a spreadsheet or an abacus.

0:29:11.240 --> 0:29:14.640
<v Speaker 2>Well, and maybe our boy Alan Turing, if he'd tried

0:29:14.680 --> 0:29:18.360
<v Speaker 2>his hand at cracking the key poos, maybe would have

0:29:18.400 --> 0:29:21.360
<v Speaker 2>had some success because, as we know, he famously cracked

0:29:21.400 --> 0:29:25.560
<v Speaker 2>one of the most impenetrable codes in history, the Enigma,

0:29:26.080 --> 0:29:29.120
<v Speaker 2>and also you know, won the war effort more or

0:29:29.160 --> 0:29:32.760
<v Speaker 2>less for the Allies. But to this day we know

0:29:33.200 --> 0:29:36.280
<v Speaker 2>some of what was encoded into these keipoos, but we

0:29:36.320 --> 0:29:39.760
<v Speaker 2>have not been able to fully crack that code, and

0:29:40.560 --> 0:29:44.959
<v Speaker 2>there are samples remaining today. A third of these devices,

0:29:45.040 --> 0:29:48.680
<v Speaker 2>the so called narrative keypoos, appear to contain encoded non

0:29:48.800 --> 0:29:55.280
<v Speaker 2>numerical narrative information, including names, stories, and even ancient philosophies.

0:29:55.320 --> 0:29:59.240
<v Speaker 2>So if you're into puzzles and word games and things

0:29:59.320 --> 0:30:04.360
<v Speaker 2>like that, if kipoos are something that you might dig, absolutely, yeah.

0:30:04.400 --> 0:30:09.040
<v Speaker 1>We wanted to mention this because, uh, it's it's still

0:30:09.040 --> 0:30:12.040
<v Speaker 1>a real rumpic abyza, you know, like it's it's still

0:30:12.040 --> 0:30:16.240
<v Speaker 1>a real head scratcher for people who, as you said,

0:30:17.200 --> 0:30:21.560
<v Speaker 1>love puzzles. How do you use a series of knots

0:30:22.120 --> 0:30:31.520
<v Speaker 1>to convey philosophy, to convey cultural myths or legend legendary traditions.

0:30:31.680 --> 0:30:34.880
<v Speaker 1>We know you could spell a name right knitting figured

0:30:34.920 --> 0:30:39.680
<v Speaker 1>that out for us later, But this happened before what

0:30:39.720 --> 0:30:43.640
<v Speaker 1>we call Morse code. This happened before what we understand

0:30:43.720 --> 0:30:50.120
<v Speaker 1>as binary reasoning. So if you can check this out,

0:30:50.200 --> 0:30:52.760
<v Speaker 1>if you can help us solve the mystery of the

0:30:52.920 --> 0:30:57.920
<v Speaker 1>over one thousand kipoos that remain unexplained in the modern day,

0:30:58.360 --> 0:31:01.680
<v Speaker 1>that just like we say with the rational numbers, we

0:31:01.800 --> 0:31:04.760
<v Speaker 1>will take you on an all expense paid trip to

0:31:04.800 --> 0:31:08.720
<v Speaker 1>the David Busters of your choice asterisk, please keep it

0:31:08.760 --> 0:31:10.560
<v Speaker 1>in the Atlanta metro area.

0:31:10.880 --> 0:31:13.920
<v Speaker 2>Yeah, there are maybe three to choose from, and they

0:31:13.920 --> 0:31:16.600
<v Speaker 2>are not all Dave and Busters are created equally, I

0:31:16.680 --> 0:31:19.239
<v Speaker 2>might argue. And you know, we've been talking a lot

0:31:19.280 --> 0:31:22.640
<v Speaker 2>about the kind of interchangeability of this type of coding

0:31:23.000 --> 0:31:27.600
<v Speaker 2>with the foundations of modern computing. Unless you think it's

0:31:27.640 --> 0:31:31.280
<v Speaker 2>just kind of parallel thinking, not entirely the case ben

0:31:31.440 --> 0:31:33.280
<v Speaker 2>it would appear. And if you want to read a

0:31:33.320 --> 0:31:35.080
<v Speaker 2>little further about this, we're going to hit you to

0:31:35.120 --> 0:31:39.320
<v Speaker 2>an article that the Jacquard loom, which is a form

0:31:39.360 --> 0:31:43.800
<v Speaker 2>of industrialized machine knitting, is actually considered a predecessor to

0:31:44.040 --> 0:31:49.560
<v Speaker 2>modern computing, the punch card system, that big old room

0:31:49.640 --> 0:31:53.560
<v Speaker 2>filling machines of the early days of computers. And you

0:31:53.560 --> 0:31:57.360
<v Speaker 2>can check out programming patterns the story of the Karde

0:31:57.440 --> 0:32:02.600
<v Speaker 2>loom Over at Science Industry Music Org dot UK. And

0:32:02.680 --> 0:32:06.800
<v Speaker 2>it makes sense right because it is a form of automation.

0:32:07.040 --> 0:32:11.479
<v Speaker 2>It's a surprising story and perhaps a story for another day.

0:32:11.640 --> 0:32:12.320
<v Speaker 2>I think it is.

0:32:12.520 --> 0:32:15.920
<v Speaker 1>Yeah, folks, thank you so much for tuning in, fellow

0:32:16.000 --> 0:32:20.200
<v Speaker 1>ridiculous historians. We hope this exploration finds you well and

0:32:20.480 --> 0:32:23.920
<v Speaker 1>a mid grand adventure. We also want to thank our

0:32:24.240 --> 0:32:30.400
<v Speaker 1>super producer, Max Croquet, Croquette, Crochet Williams.

0:32:30.520 --> 0:32:33.520
<v Speaker 2>All different things. I do love a good game of croquet. Also,

0:32:33.600 --> 0:32:37.040
<v Speaker 2>Patnk he ever played paatenk but not play. It's very

0:32:37.040 --> 0:32:40.760
<v Speaker 2>similar to Bachi ball. I think French equivalent of boci ball,

0:32:40.960 --> 0:32:41.520
<v Speaker 2>very similar.

0:32:41.640 --> 0:32:43.000
<v Speaker 3>I thought of a lot of patnks.

0:32:43.680 --> 0:32:44.440
<v Speaker 2>I don't understand.

0:32:44.960 --> 0:32:46.840
<v Speaker 3>Oh, come on, you're the CLBs guy as well.

0:32:47.000 --> 0:32:49.160
<v Speaker 2>I thought that that's right. There was a clarps I was.

0:32:49.200 --> 0:32:51.840
<v Speaker 2>I was getting a Clarbscure reference in there. I need

0:32:51.880 --> 0:32:53.640
<v Speaker 2>to jump back into that game. What a what a

0:32:53.720 --> 0:32:55.800
<v Speaker 2>delet canvas? Oh boy?

0:32:57.640 --> 0:33:01.840
<v Speaker 1>Thanks as well to Alex william M, Max's biological brother

0:33:01.880 --> 0:33:05.920
<v Speaker 1>who composed this slap and bop Big Thanks to Rachel

0:33:05.960 --> 0:33:09.520
<v Speaker 1>Doctor Big Spinach Lance as well as aj Bahamas Jacob's

0:33:09.560 --> 0:33:10.760
<v Speaker 1>the Puzzler.

0:33:10.520 --> 0:33:12.400
<v Speaker 2>And the rude dudes over at Ridiculous Crime. If you

0:33:12.440 --> 0:33:16.000
<v Speaker 2>dig our show, you're gonna dig theirs for sure. And

0:33:16.080 --> 0:33:20.640
<v Speaker 2>thanks again to our research associate, brand new research associate, Maria,

0:33:20.680 --> 0:33:22.800
<v Speaker 2>who absolutely knocked out of the park with this one.

0:33:23.120 --> 0:33:32.800
<v Speaker 2>We'll see you next time, folks. For more podcasts from iHeartRadio,

0:33:32.880 --> 0:33:36.120
<v Speaker 2>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

0:33:36.200 --> 0:33:37.240
<v Speaker 2>to your favorite shows.