WEBVTT - From the Vault: John C. Lilly

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<v Speaker 1>Hey, you welcome to Stuff to Blow Your Mind. My

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<v Speaker 1>name is Robert Lamb and I'm Joe McCormick, and it's Saturday,

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<v Speaker 1>so we're going on into the vault. And what do

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<v Speaker 1>I see in the vault this time but a bunch

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<v Speaker 1>of dolphins. That's right, we're going back to February. This

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<v Speaker 1>was an episode that I did with Christian on John C. Lily.

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<v Speaker 1>John C. Lily the Psychonaute. Yes, yes, the man has

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<v Speaker 1>a very fascinating history, from counter espionage researcher for the government,

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<v Speaker 1>to uh, you know, Maverick and even renegade dolphin researcher

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<v Speaker 1>to to counterculture icon. Just a fascinating figure to look at,

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<v Speaker 1>and that's what this episode does. Well, put on your

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<v Speaker 1>Davy Crockett hat and get ready to listen to John C. Lily.

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot Com. Hey, you're welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I am

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<v Speaker 1>Christian Sager, and we're going to be talking about a

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<v Speaker 1>great combination of things today isolation, tanks, dolphins, and psychedelics. Yeah,

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<v Speaker 1>the creature from the Black Lagoon will actually show up

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<v Speaker 1>Cold War era anti espionage, weird science. It's it's quite

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<v Speaker 1>a package. You couldn't make this up. Like if you

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<v Speaker 1>wrote a fictional account of a guy like John C. Lily,

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<v Speaker 1>it would seem absurd, but this is a life he led.

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<v Speaker 1>Yeah indeed. I mean even the fictionalized accounts of the man,

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<v Speaker 1>I feel that they don't quite capture the weirdness and

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<v Speaker 1>strangeness and just mind expanding awesomeness of his actual story.

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<v Speaker 1>They don't know. So, but before we roll right in,

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<v Speaker 1>because I think we should really just dive into the

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<v Speaker 1>deep end. No pun attended with John C. Lily. Uh

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<v Speaker 1>do we just want to remind our audience that, uh,

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<v Speaker 1>you know, we don't just do the podcast Stuff to

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<v Speaker 1>Blow Your Mind mind as a multi media conglomerate, and uh,

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<v Speaker 1>you can visit us at stuff to Blow your Mind

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<v Speaker 1>The podcast is obviously there, of course, but for every

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<v Speaker 1>curious about learning more, Uh, there's places that you can go.

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<v Speaker 1>And then we also do videos as well. That's right.

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<v Speaker 1>And hey, wherever you listen to it's be it iTunes

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<v Speaker 1>or uh Spotify or any of the various wonderful platforms

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<v Speaker 1>allows that kind of interaction. Yeah, and the last thing

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<v Speaker 1>I'll say is before we get into Lily is don't

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<v Speaker 1>forget to follow us on social media. If you're on Facebook,

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<v Speaker 1>you're on Twitter, you're on Tumblr. We're on all those

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<v Speaker 1>platforms as Blow the Mind. And we don't only post

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<v Speaker 1>our own stuff, but we curate lots of weird science

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<v Speaker 1>e bizarre addity type stuff that we find throughout the

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<v Speaker 1>day as we're doing our research. That's right. So let's

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<v Speaker 1>talk about Lily first. Why are we covering him because Lily,

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<v Speaker 1>for people who don't know, comes up frequently. I'd say

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<v Speaker 1>in the last year of doing the show, he's come

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<v Speaker 1>up at least four or five times. Yeah, and in

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<v Speaker 1>past episodes, I'm I know that we haven't had at

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<v Speaker 1>least three episodes that have dealt with him, at least

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<v Speaker 1>in small portions. Right. Yeah, you guys did a dolphin episode.

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<v Speaker 1>You and Julie did a dolphin episode, and then there

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<v Speaker 1>was the what was it, the like kind of crazy

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<v Speaker 1>rock star life of Scientists. Yeah, yeah, we did one

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<v Speaker 1>that was just kind of a sampler platter of different

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<v Speaker 1>real life scientists that had sort of a weird side

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<v Speaker 1>to them. But Lily is one of those individuals first

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<v Speaker 1>of all, that, as we've been saying, deserves a deeper dive.

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<v Speaker 1>He deserves a closer look because he was just he

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<v Speaker 1>was into too many things. He really lived too many

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<v Speaker 1>lives to just try and condense it to a quick

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<v Speaker 1>little segment about his psychedelic dolphin research, which is what

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<v Speaker 1>most people may think of when we mentioned John C. Lewis.

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<v Speaker 1>This is one of those moments too where I feel

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<v Speaker 1>like the podcast format is really at an advantage here

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<v Speaker 1>because in our ca you know, like lots of the

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<v Speaker 1>stuff that I've read about Lily, like you said, either

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<v Speaker 1>focuses on one aspect of his work or another. Right,

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<v Speaker 1>It's like it's either like the isolation tanks or it's

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<v Speaker 1>just the dolphins. But I feel like we have the

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<v Speaker 1>opportunity here to like gather a lot of different resources,

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<v Speaker 1>come together and kind of try to piece it all

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<v Speaker 1>together and figure out this like epic figure somehow, and

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<v Speaker 1>especially the like like you said to like um for

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<v Speaker 1>those of you who don't know, there's been two feature

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<v Speaker 1>films at least two that we're made based on Lily

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<v Speaker 1>as a character. The first was Day of the Dolphin

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<v Speaker 1>with George C. Scott, and then the second one is

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<v Speaker 1>Altered States, of Course, which is you know, we're huge

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<v Speaker 1>fans of here, and it stars William her you know,

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<v Speaker 1>of course, as this Lily kind of figure who takes

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<v Speaker 1>acid in isolation tanks and then finds himself devolving basically

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<v Speaker 1>right into various forms of proto humanity. Yeah, so he's

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<v Speaker 1>he's he's a figure that hit the castle, a large

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<v Speaker 1>shadow across are popular culture, and I think that can

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<v Speaker 1>also be a stumbling block because you think of you

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<v Speaker 1>might think of that older uh John C. Lily kind

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<v Speaker 1>of a post hippie nut job with with a coonskin

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<v Speaker 1>cap talking about expanded consciousness and perhaps being something of

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<v Speaker 1>a pariah. Uh. Two individuals who were working in legitimate

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<v Speaker 1>scientific areas that he was once a part of. Yeah,

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<v Speaker 1>there were certainly people who did not embrace the direction

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<v Speaker 1>that he went in towards the latter part of his career.

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<v Speaker 1>But so this is what's interesting to me about him,

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<v Speaker 1>especially like once we got into I knew the surface

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<v Speaker 1>level stuff, but going back and looking at his early

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<v Speaker 1>life and how he started off and how kind of

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<v Speaker 1>standardized his scientific career was to begin with. It's really

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<v Speaker 1>fascinating to see where he goes and the kind of

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<v Speaker 1>journey that he takes everybody on. Yeah, indeed, I mean,

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<v Speaker 1>this is a guy that was trained in medicine, psycho analysis, biophysics,

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<v Speaker 1>um and he went from being published as a researcher

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<v Speaker 1>in scientific journals to writing his own books about spirit

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<v Speaker 1>ruality in the self. And one of the things that's

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<v Speaker 1>really important about Lily I think to just like our

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<v Speaker 1>general culture today, it's it's hard to think of this

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<v Speaker 1>because it's from from my entire life. It's been this way.

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<v Speaker 1>But people didn't used to think of dolphins as being

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<v Speaker 1>intelligent mammals, that we're cute and cuddly and that we

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<v Speaker 1>should try to keep from being killed in the ocean. Right, Yeah,

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<v Speaker 1>that's right. I mean you go back far enough. There

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<v Speaker 1>are various myths that involve humans turning into dolphins or

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<v Speaker 1>vice versa, but generally speaking, before the nineteen fifties, dolphins

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<v Speaker 1>were a pest of fishermen. They were some they were

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<v Speaker 1>a fatty creature you might render down for various products,

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<v Speaker 1>but nobody was giving a lot of thought to what

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<v Speaker 1>they were thinking or indeed what their consciousness might consist of. Yeah,

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<v Speaker 1>and so almost every account that I read about Lily

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<v Speaker 1>traces his research with dolphins to how we treat dolphins

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<v Speaker 1>today even too, you know, good or bad however you

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<v Speaker 1>think of it, of like theme parks of like Sea

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<v Speaker 1>World and things like that, but like, uh, the interaction

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<v Speaker 1>that human beings have with dolphins or other male uh

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<v Speaker 1>mammals in the water like whales, uh, you know, in

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<v Speaker 1>in that kind of a setting, you know. Um, he

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<v Speaker 1>really changed the way that we considered them as I

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<v Speaker 1>guess partners on Earth is how he would probably put

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<v Speaker 1>it right. Yeah, it's hard to imagine where we'd be

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<v Speaker 1>right now, uh, considering dolphin intelligence without Lily, I mean

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<v Speaker 1>I think, I mean, I think we would definitely get

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<v Speaker 1>to this point where we we recognize the intelligence of

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<v Speaker 1>the dolphin, uh and and even engaging discussions about its

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<v Speaker 1>potential personhood. But would we have gotten there as quickly?

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<v Speaker 1>Would we have? Would we have gotten there with as

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<v Speaker 1>much media attention? And it all really came down to

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<v Speaker 1>him wanting to map human consciousness, you know, the dolphin work,

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<v Speaker 1>the isolation tanks taking NSTI. All of it really boiled

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<v Speaker 1>back to his medical background and just trying to figure

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<v Speaker 1>out like the physicality of human consciousness where it was. Yeah,

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<v Speaker 1>he in in his um and later on, certainly by

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<v Speaker 1>by the nineteen seventies, he would often talk about the

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<v Speaker 1>province of the mind, which we reference in the title

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<v Speaker 1>to this episode. Yeah, so here's the Lily quote that

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<v Speaker 1>comes from you know what we what We've based the

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<v Speaker 1>title in the episode from he says, in the province

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<v Speaker 1>of the mind, what one believes to be true is

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<v Speaker 1>true or becomes true with certain limits to be found

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<v Speaker 1>experientially and experimentally. These limbs are further beliefs to be

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<v Speaker 1>transcended in the mind. There are no limits. That was

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<v Speaker 1>in nineteen seventy two, So this was this was a

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<v Speaker 1>post Dolphin work going into LSD work. I'm assuming, yeah,

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<v Speaker 1>and I think it This is a It's a great

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<v Speaker 1>quote because it mentions this idea of the province of

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<v Speaker 1>the mind, something that he all of his work throughout

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<v Speaker 1>his life, as you mentioned, seems to be questing for.

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<v Speaker 1>And then it also touches on this idea of subjective truth,

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<v Speaker 1>which becomes an increasingly important part of his work and

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<v Speaker 1>at times a definite flaw in his scientific work. Right. Yeah,

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<v Speaker 1>and it's especially important to consider too, I mean, like

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<v Speaker 1>we say, his whole life here. I read an account

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<v Speaker 1>that when he was sixteen years old he was first

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<v Speaker 1>starting to think about this in journals and things like

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<v Speaker 1>that that he was working on, like as a kid.

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<v Speaker 1>This was something that concerned Lily up until his death.

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<v Speaker 1>So let's, uh, let's let's back up a bit then

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<v Speaker 1>and just deal with the Lily timeline. Let's talk about

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<v Speaker 1>where he came from and uh and take listeners and

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<v Speaker 1>ourselves on a journey through his life whereas much of

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<v Speaker 1>it as we can actually digest in about an hour's time. Yeah,

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<v Speaker 1>and I'll say this too before we get into it.

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<v Speaker 1>I found that there were a lot of differing accounts too.

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<v Speaker 1>I mean, he was alive at just the right moment

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<v Speaker 1>in time where it was. It wasn't like we couldn't

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<v Speaker 1>log his life as we do now with social media,

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<v Speaker 1>you know what I mean. And there's like some different accounts. So,

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<v Speaker 1>like I said, when he's sixteen years old, he supposedly

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<v Speaker 1>wrote this essay. He was born in nineteen fifteen in

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<v Speaker 1>Saint Paul Minnesota. Uh And and this is the specific

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<v Speaker 1>a question that was quoted as being the title of

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<v Speaker 1>his essay, how can the mind render itself sufficiently objective

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<v Speaker 1>to study itself? That's pretty heavy for a sixteen year old.

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<v Speaker 1>I don't think I had thoughts like that until much later. Yeah,

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<v Speaker 1>that's that's a that that's he was thinking big for

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<v Speaker 1>for that age. Really. Yeah, unless that's some like revisionist

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<v Speaker 1>history on his part. But Uh. The other thing that

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<v Speaker 1>I thought was really interesting is my impression from the

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<v Speaker 1>readings is that Lily came from a very wealthy family

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<v Speaker 1>I think, UH and his father, it sounds like, wanted

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<v Speaker 1>him to become a banker, but Lily wanted to be

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<v Speaker 1>a scientist, and so eventually his father kind of came

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<v Speaker 1>around and supported him going to school to study science,

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<v Speaker 1>but also backed him financially and some of his research

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<v Speaker 1>after school as well. Yeah, that's the that's the sense

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<v Speaker 1>that I get from some of the resources who were

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<v Speaker 1>looking at uh. And I do have to to mention

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<v Speaker 1>that as far as we know, there's not a good,

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<v Speaker 1>like solid concise biography out there, not yet, hopefully somebody's

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<v Speaker 1>working on it. There are some very fine resources that

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<v Speaker 1>we used for this episode and will cite those as

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<v Speaker 1>we go. Yeah, this is a book slash movie dying

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<v Speaker 1>to be made. Yeah yeah, I I think that, like

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<v Speaker 1>in the same way that characters like Reich that we've

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<v Speaker 1>talked about on the show before Shulgun just make for

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<v Speaker 1>great like potential fictionalizations. Uh, and I think you know,

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<v Speaker 1>I just learned this after we recorded the Reich episode.

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<v Speaker 1>There's a feature film coming out about Reich. Oh yeah, yeah.

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<v Speaker 1>When I was searching for artwork for it, photos from

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<v Speaker 1>the premier came out. Alright, So Lily goes on. He

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<v Speaker 1>gets his physics degree from cal Tech in night, receives

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<v Speaker 1>a doctorate in medicine from the University of Pennsylvania two

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<v Speaker 1>and as a faculty member he studies biophysics and psycho

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<v Speaker 1>analysis at the University of Pennsylvania. Is primarily interested in

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<v Speaker 1>the physical structures of the brain where that the conscious

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<v Speaker 1>self might be found. So that's pretty interesting in that,

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<v Speaker 1>like he got his he got his doctorate in medicine, right,

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<v Speaker 1>and then he continues to do research or take classes

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<v Speaker 1>as well as he's a faculty member. Like my understanding

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<v Speaker 1>was the psychoanalysis stuff wasn't quite yet in the field

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<v Speaker 1>when he was in school, but he's still dabbling and

0:12:11.600 --> 0:12:14.160
<v Speaker 1>learning more and adding everything to his resume. Yeah. From

0:12:14.160 --> 0:12:17.240
<v Speaker 1>an early point, we're seeing a guy who has this

0:12:17.320 --> 0:12:19.680
<v Speaker 1>goal in mind, this mystery that he wants to crack,

0:12:20.000 --> 0:12:22.760
<v Speaker 1>and he's gonna throw everything he has at it. And

0:12:22.800 --> 0:12:26.880
<v Speaker 1>he's gonna throw it. He's gonna utilize what whatever tools

0:12:27.000 --> 0:12:32.080
<v Speaker 1>he can draw on, be they UH, disciplines, pharmaceuticals, technologies.

0:12:32.160 --> 0:12:34.360
<v Speaker 1>We see this throughout his life. Yeah. And in some

0:12:34.440 --> 0:12:36.160
<v Speaker 1>cases it's also like where he's going to get the

0:12:36.160 --> 0:12:38.400
<v Speaker 1>support from. Right. I think all of us who have

0:12:38.600 --> 0:12:41.319
<v Speaker 1>like large scale creative endeavors that we're trying to push

0:12:41.640 --> 0:12:44.720
<v Speaker 1>and can't find necessarily the financial backing end up making

0:12:44.760 --> 0:12:48.320
<v Speaker 1>compromises and uh, come World War two, Lily ends up

0:12:48.320 --> 0:12:52.120
<v Speaker 1>doing research UH. Mainly it sounds like on the physiology

0:12:52.160 --> 0:12:56.200
<v Speaker 1>of high altitude of flying, uh, specifically for the Air Force,

0:12:56.600 --> 0:13:00.800
<v Speaker 1>and he was inventing different devices to measure GA gas

0:13:00.920 --> 0:13:04.440
<v Speaker 1>pressure for those purposes. UM. And this is one of

0:13:04.440 --> 0:13:06.679
<v Speaker 1>the first times apparently that he used himself as a

0:13:06.720 --> 0:13:09.840
<v Speaker 1>guinea pig, uh Lily at which he would go on

0:13:09.960 --> 0:13:11.880
<v Speaker 1>to do quite a bit later in his career. In fact,

0:13:11.920 --> 0:13:14.400
<v Speaker 1>I think he had sort of a like an ethos

0:13:14.440 --> 0:13:17.320
<v Speaker 1>surrounding that, right that I can't remember who it was,

0:13:17.360 --> 0:13:20.560
<v Speaker 1>but I read that he um he he took this

0:13:20.640 --> 0:13:24.640
<v Speaker 1>from another like kind of big thinker scientist who basically said, like,

0:13:24.679 --> 0:13:27.400
<v Speaker 1>if you're not willing to experiment on yourself, then you

0:13:27.440 --> 0:13:31.040
<v Speaker 1>shouldn't be willing to experiment on other human beings. Uh So,

0:13:31.280 --> 0:13:33.120
<v Speaker 1>and this seems to be the case here where he

0:13:33.160 --> 0:13:36.280
<v Speaker 1>participated in an experiment where he was studying the effects

0:13:36.280 --> 0:13:40.800
<v Speaker 1>of explosive decompression on pilots at high altitudes. Uh And

0:13:40.840 --> 0:13:43.760
<v Speaker 1>by all accounts that I read, this was something that

0:13:43.800 --> 0:13:46.600
<v Speaker 1>could have killed him, but he went about and did

0:13:46.600 --> 0:13:49.360
<v Speaker 1>it anyways. And this is in the thirties going into

0:13:49.360 --> 0:13:52.320
<v Speaker 1>the forties, alright, So after the war, we're getting into

0:13:52.600 --> 0:13:54.480
<v Speaker 1>the post War War two area. We're getting into the

0:13:54.559 --> 0:13:58.520
<v Speaker 1>nineteen fifties at a time uh increasingly defined by Cold

0:13:58.520 --> 0:14:02.160
<v Speaker 1>War paranoia. It is during this area that Lily turns

0:14:02.200 --> 0:14:05.079
<v Speaker 1>to neuroscience, which is a logical next step in this

0:14:05.240 --> 0:14:07.960
<v Speaker 1>quest for consciousness. Right, And he's motivated in a large

0:14:08.000 --> 0:14:12.280
<v Speaker 1>part by pioneering brain surgeon Wilder Penfield at this point.

0:14:12.760 --> 0:14:14.920
<v Speaker 1>Uh And in short, what he ends up doing is

0:14:14.920 --> 0:14:19.160
<v Speaker 1>he applies electronic engineering to the monitoring and mapping of

0:14:19.200 --> 0:14:23.119
<v Speaker 1>the central nervous system, again drawing on the best technology

0:14:23.160 --> 0:14:25.800
<v Speaker 1>available at the time to try and crack this nut

0:14:25.800 --> 0:14:27.880
<v Speaker 1>of consciousness. And what I had read this is one

0:14:27.880 --> 0:14:31.520
<v Speaker 1>of the first sences of his father, sorry, instances of

0:14:31.600 --> 0:14:34.800
<v Speaker 1>his father funding him. His father helped him pay for

0:14:34.840 --> 0:14:37.840
<v Speaker 1>the design of something he called the Baba Tron, which

0:14:37.880 --> 0:14:41.520
<v Speaker 1>was a device for recording the impulses from within a

0:14:41.640 --> 0:14:45.320
<v Speaker 1>rabbit's brain and they would project these impulses up onto

0:14:45.400 --> 0:14:48.760
<v Speaker 1>like a television screen as waves. Um. So, the baba

0:14:48.840 --> 0:14:52.000
<v Speaker 1>Tron included an array of sensors that were this is

0:14:52.000 --> 0:14:53.720
<v Speaker 1>something we're gonna come back to over and over again

0:14:53.720 --> 0:14:56.360
<v Speaker 1>with Lily, basically putting electrodes on the surface of the

0:14:56.360 --> 0:14:59.360
<v Speaker 1>brain of different animals and human beings. Uh. And in

0:14:59.480 --> 0:15:02.440
<v Speaker 1>nineteen fIF he want he published a paper that showed

0:15:02.480 --> 0:15:06.000
<v Speaker 1>how to display these patterns in such a way projecting

0:15:06.040 --> 0:15:10.160
<v Speaker 1>brain electrical activity on a television like screen. Uh. And

0:15:10.240 --> 0:15:13.160
<v Speaker 1>I recently spent some time in the hospital. I had

0:15:13.160 --> 0:15:16.440
<v Speaker 1>a family member in I see you, and I thought, wow, like,

0:15:16.560 --> 0:15:20.040
<v Speaker 1>think of the just the standard hospital machinery we have

0:15:20.160 --> 0:15:23.760
<v Speaker 1>that are like measuring and showing us things like oxygen

0:15:23.840 --> 0:15:28.600
<v Speaker 1>levels and and uh, breathing and and and brain activity.

0:15:28.600 --> 0:15:30.840
<v Speaker 1>You know, Lily was one of the pioneers and that

0:15:30.880 --> 0:15:33.640
<v Speaker 1>you can thank him for that. This is a guy

0:15:33.720 --> 0:15:38.720
<v Speaker 1>who who really did like impact our understanding of medicine

0:15:38.920 --> 0:15:42.400
<v Speaker 1>and of thought. And you know, despite where he went

0:15:42.480 --> 0:15:45.480
<v Speaker 1>down further in his career, he really did have like

0:15:45.560 --> 0:15:49.480
<v Speaker 1>some contributions. Yeah, down or or out or out, Yeah,

0:15:49.520 --> 0:15:51.520
<v Speaker 1>however you want to look at it. Absolutely From here

0:15:51.680 --> 0:15:54.840
<v Speaker 1>he moves on to the National Institutes of Mental Health

0:15:54.920 --> 0:15:57.880
<v Speaker 1>or NIM UH, and this is an area where he

0:15:58.160 --> 0:16:00.400
<v Speaker 1>begins to get into a lot of interest and and

0:16:00.440 --> 0:16:02.960
<v Speaker 1>at times kind of creepy work. Yeah. And I read

0:16:03.040 --> 0:16:05.240
<v Speaker 1>an interesting thing that said that one of the reasons

0:16:05.240 --> 0:16:08.440
<v Speaker 1>why he specifically went for this research position with NIM

0:16:08.520 --> 0:16:10.920
<v Speaker 1>was that it gave him access to both the National

0:16:10.960 --> 0:16:15.120
<v Speaker 1>Institute of Neurological Diseases, because that would give him access

0:16:15.160 --> 0:16:18.200
<v Speaker 1>to resources about the physical brain, but it also gave

0:16:18.280 --> 0:16:21.360
<v Speaker 1>him access to the National Institute of Mental Health, which

0:16:21.400 --> 0:16:23.600
<v Speaker 1>focused on the mind, and he really wanted to combine

0:16:23.600 --> 0:16:27.960
<v Speaker 1>the two uh, and he experimented on living brains with

0:16:28.000 --> 0:16:30.720
<v Speaker 1>all these different techniques he developed, so you know, we've

0:16:30.720 --> 0:16:32.440
<v Speaker 1>got the rabbits. We talked about that, but then he

0:16:32.480 --> 0:16:35.400
<v Speaker 1>moved on to monkeys. His goal was to stimulate monkey

0:16:35.440 --> 0:16:39.280
<v Speaker 1>brains without causing trauma or damage to their brain tissue.

0:16:39.680 --> 0:16:42.920
<v Speaker 1>So he was one of the first scientists to locate Uh,

0:16:42.960 --> 0:16:45.440
<v Speaker 1>this is a monkey brain, not a human brain, obviously,

0:16:45.480 --> 0:16:48.640
<v Speaker 1>but he located their pain and pleasure centers, and his

0:16:48.760 --> 0:16:52.160
<v Speaker 1>work there allowed him to map their neural networks and

0:16:52.200 --> 0:16:56.480
<v Speaker 1>to link sensory events, muscle movement, and other behaviors related

0:16:56.520 --> 0:16:58.520
<v Speaker 1>to the activity in their brain. This is going to

0:16:58.560 --> 0:17:01.160
<v Speaker 1>be important later on when we get the dolphins. Yeah,

0:17:01.240 --> 0:17:05.240
<v Speaker 1>and this is my understanding. Some it's pretty invasive surgery

0:17:05.359 --> 0:17:08.639
<v Speaker 1>at this point in experimentation, and he spends essentially a

0:17:08.680 --> 0:17:13.919
<v Speaker 1>decade working on it. Here uh again connecting invasive of

0:17:14.040 --> 0:17:18.560
<v Speaker 1>vivisections of the cranium. And this is where things get

0:17:18.560 --> 0:17:23.320
<v Speaker 1>into some creepier territory. Um. Again, he's laser focused on

0:17:23.359 --> 0:17:25.760
<v Speaker 1>his goal, but he is an employ of NIM. He's

0:17:25.760 --> 0:17:29.040
<v Speaker 1>working in the in the time of nineteen fifties Cold

0:17:29.040 --> 0:17:32.840
<v Speaker 1>War paranoia. Uh, it's US versus the Soviets. There's they're

0:17:32.880 --> 0:17:37.560
<v Speaker 1>all these fears of of of mind control, brainwashing, uh,

0:17:37.720 --> 0:17:43.200
<v Speaker 1>all sorts of strange counter espionage techniques, and according to D.

0:17:43.440 --> 0:17:47.280
<v Speaker 1>Graham Burnett's excellent paper A Mind in Water, which is

0:17:47.280 --> 0:17:49.960
<v Speaker 1>published in Ryan Magazine and is available online, one could

0:17:49.960 --> 0:17:51.800
<v Speaker 1>have linked to it on the landing page. He says.

0:17:52.200 --> 0:17:54.880
<v Speaker 1>Lily later claimed not to care for this sort of thing,

0:17:55.119 --> 0:17:58.320
<v Speaker 1>but in his prime as a government employee, he had

0:17:58.480 --> 0:18:02.160
<v Speaker 1>high level security clearance. J Edgar Hoover knew him by

0:18:02.280 --> 0:18:06.560
<v Speaker 1>name and was actively involved in research into brainwashing or

0:18:06.680 --> 0:18:11.000
<v Speaker 1>reprogramming as it was then called, among the cognizanty sleep

0:18:11.040 --> 0:18:17.280
<v Speaker 1>deprivation and operant controlled of animals with wires implanted in

0:18:17.320 --> 0:18:20.240
<v Speaker 1>the pain centers of their gray matter. Unquote. Wow, so

0:18:20.359 --> 0:18:22.080
<v Speaker 1>this gets back to when we were talking about we

0:18:22.280 --> 0:18:26.719
<v Speaker 1>three on the animal weaponry thing. So, yeah, I can

0:18:26.760 --> 0:18:28.880
<v Speaker 1>imagine with all the things we learned from that episode

0:18:28.880 --> 0:18:31.760
<v Speaker 1>of like people stuffing bats into bombs and trying to

0:18:31.760 --> 0:18:34.119
<v Speaker 1>figure out ways to use bees to attack people, that

0:18:34.840 --> 0:18:37.120
<v Speaker 1>of course they would be looking at ways to try

0:18:37.160 --> 0:18:40.560
<v Speaker 1>to stimulate their brains as well. And in the goal here, Yeah,

0:18:40.600 --> 0:18:42.639
<v Speaker 1>the goal here was not just animals but humans. In

0:18:42.840 --> 0:18:47.080
<v Speaker 1>an unpublished paper of Lily's titled Special Considerations of Modified

0:18:47.200 --> 0:18:50.880
<v Speaker 1>Human Agents, as reconnaissance and intelligence devices. I really don't

0:18:50.920 --> 0:18:53.399
<v Speaker 1>have to go much further than that just title, but

0:18:53.760 --> 0:18:56.959
<v Speaker 1>he talked about such things as the quote covert and

0:18:57.080 --> 0:19:02.159
<v Speaker 1>relatively safe implantation of electrodes into human brain for the

0:19:02.200 --> 0:19:07.240
<v Speaker 1>push button control of the totality of motivation and of consciousness.

0:19:07.680 --> 0:19:11.560
<v Speaker 1>I wonder how much Lily's sort of like beginning work

0:19:11.760 --> 0:19:15.439
<v Speaker 1>set the stage for brain computer interface work you know

0:19:15.480 --> 0:19:18.600
<v Speaker 1>that's being studied today, because that's obviously like a big

0:19:18.720 --> 0:19:22.399
<v Speaker 1>field of um of inquiry right now. Yeah, I mean

0:19:22.400 --> 0:19:25.960
<v Speaker 1>to to whatever extent his his ideas here were actually

0:19:26.520 --> 0:19:29.600
<v Speaker 1>applicable given that the technology of the time, and he's

0:19:29.600 --> 0:19:33.440
<v Speaker 1>certainly foreshadowing where the technology would go. He's certainly dreaming

0:19:33.480 --> 0:19:36.760
<v Speaker 1>in the in the direction that we're that we're still headed.

0:19:37.160 --> 0:19:38.399
<v Speaker 1>So one of the things that I was trying to

0:19:38.400 --> 0:19:40.159
<v Speaker 1>figure out what we're doing the research was whether or

0:19:40.200 --> 0:19:43.399
<v Speaker 1>not these were pain free methods. And I believe later

0:19:43.640 --> 0:19:46.560
<v Speaker 1>in his career he definitely wanted to get to a

0:19:46.600 --> 0:19:48.720
<v Speaker 1>point right Like I mentioned earlier that you know, his

0:19:48.760 --> 0:19:50.679
<v Speaker 1>goal was not to cause trauma in the monkeys and

0:19:50.720 --> 0:19:53.479
<v Speaker 1>not to damage their brain tissue. But I imagine it

0:19:53.520 --> 0:19:57.560
<v Speaker 1>wasn't comfortable having these electrodes stuck in their brains, right, Yeah,

0:19:57.600 --> 0:19:59.480
<v Speaker 1>I had my understanding. It also depended on what he

0:19:59.520 --> 0:20:03.520
<v Speaker 1>was working on. So, um, you could use anesthetics on

0:20:03.680 --> 0:20:07.440
<v Speaker 1>certain animals, but as we'll discuss, there are other animals

0:20:07.560 --> 0:20:10.640
<v Speaker 1>that that simply stop breathing if you put them under

0:20:10.720 --> 0:20:14.080
<v Speaker 1>an anesthetic, right. Yeah, And there's always there's a very

0:20:14.119 --> 0:20:18.359
<v Speaker 1>interesting like, despite his profound respect for dolphins later on,

0:20:18.440 --> 0:20:20.640
<v Speaker 1>there's some weird stuff that goes on with the dolphin

0:20:20.720 --> 0:20:22.879
<v Speaker 1>research as well too, in terms of like kind of

0:20:22.920 --> 0:20:26.000
<v Speaker 1>treating them humanely. Yeah, and uh and and certainly at

0:20:26.040 --> 0:20:29.240
<v Speaker 1>this point in his career he has he's he's a

0:20:29.359 --> 0:20:34.560
<v Speaker 1>very unsentimental guy. He's laser focused on this consciousness enigma. Uh.

0:20:34.760 --> 0:20:37.720
<v Speaker 1>But he's not necessarily he's not he's certainly not the

0:20:37.880 --> 0:20:41.719
<v Speaker 1>sort of hippie mythic figure counterculture figure we see later on.

0:20:41.920 --> 0:20:44.920
<v Speaker 1>Quite the opposite. This is a guy who's on first

0:20:44.960 --> 0:20:48.040
<v Speaker 1>name basis with Jaguar Hoover. He's very much a part

0:20:48.080 --> 0:20:50.320
<v Speaker 1>of the establishment and kind of a scary part of

0:20:50.320 --> 0:20:52.919
<v Speaker 1>the establishment. Yeah, and he is going to do what

0:20:53.000 --> 0:20:56.400
<v Speaker 1>needs to be done to get the results. Right. So

0:20:56.760 --> 0:21:00.879
<v Speaker 1>it's during this creepy period that little. He first learns

0:21:00.920 --> 0:21:04.879
<v Speaker 1>from an oceanographer colleague that the largest brains are found

0:21:04.960 --> 0:21:07.879
<v Speaker 1>in small toothed whales. Intrigued, he sets out to implant

0:21:07.920 --> 0:21:12.080
<v Speaker 1>electrodes in the brains of captive dolphins at Florida's Marine Studios.

0:21:12.359 --> 0:21:15.439
<v Speaker 1>Now this place still exists today under the name Marine

0:21:15.520 --> 0:21:17.959
<v Speaker 1>Land of Florida. Some of our listeners have been there

0:21:17.960 --> 0:21:20.280
<v Speaker 1>and can speak to it. But at the time they

0:21:20.280 --> 0:21:24.600
<v Speaker 1>specialized in B movies. Really of particular note, they shot

0:21:24.640 --> 0:21:28.639
<v Speaker 1>the Creature from the Black Lagoon here and Revenge of

0:21:28.640 --> 0:21:33.000
<v Speaker 1>the Creature from ninety five. Wow. So John C. Lily

0:21:33.119 --> 0:21:39.439
<v Speaker 1>was like peripherally involved with like universal horror, specifically the

0:21:39.520 --> 0:21:42.119
<v Speaker 1>Creature from the Black Lagoon. I would I think you

0:21:42.200 --> 0:21:44.120
<v Speaker 1>might have mentioned this before the podcast. How cool would

0:21:44.160 --> 0:21:46.000
<v Speaker 1>it be for there to be like a Creature of

0:21:46.000 --> 0:21:49.959
<v Speaker 1>the Black Lagoon remake that like mixes in some of

0:21:49.960 --> 0:21:53.479
<v Speaker 1>the John C. Lily ideas of you know, both dolphin

0:21:53.560 --> 0:21:58.480
<v Speaker 1>human communication but also isolation tanks and hallucinogenics. Yeah, I mean,

0:21:58.520 --> 0:22:00.359
<v Speaker 1>And in fact, we'll get back to the creu from

0:22:00.359 --> 0:22:02.919
<v Speaker 1>the Black Lagoon in a minute, because the connection between

0:22:03.000 --> 0:22:06.000
<v Speaker 1>Lily and the creature he is even closer than you

0:22:06.080 --> 0:22:10.080
<v Speaker 1>might be thinking, right now, okay, cool, cool, Okay, So

0:22:10.240 --> 0:22:13.080
<v Speaker 1>he he engages in this work, right, he's uh, he's

0:22:13.320 --> 0:22:15.960
<v Speaker 1>he's putting the electrodes on the dolphins brains. One of

0:22:15.960 --> 0:22:18.960
<v Speaker 1>the problems here, as I mentioned, is that dolphins stop

0:22:19.040 --> 0:22:21.639
<v Speaker 1>breathing when they're under anesthetic. And this has to do

0:22:21.640 --> 0:22:24.760
<v Speaker 1>with the conscious nature of dolphin respirations that it's it's

0:22:24.800 --> 0:22:28.080
<v Speaker 1>not as as much of a you know, a subconscious

0:22:28.119 --> 0:22:31.879
<v Speaker 1>activity is as as it is for us surface dwellers. Um.

0:22:32.000 --> 0:22:36.600
<v Speaker 1>So it's it's pretty rough work. Dolphins are dying during

0:22:36.640 --> 0:22:40.280
<v Speaker 1>the experiments, but one of them, before it passes, makes

0:22:40.280 --> 0:22:44.159
<v Speaker 1>a series of sounds, and Lily has this really this

0:22:44.200 --> 0:22:47.480
<v Speaker 1>epiphany that he he feels he's listening to the sound

0:22:47.520 --> 0:22:50.040
<v Speaker 1>that this dolphin is making. It sounds as if they're

0:22:50.200 --> 0:22:53.119
<v Speaker 1>attempting to mimic his voice. They're attempting to mimic the

0:22:53.240 --> 0:22:57.000
<v Speaker 1>voice of the other researchers in the room. And and

0:22:57.119 --> 0:23:00.200
<v Speaker 1>it's just this, this Eureka moment for him. He's been

0:23:00.240 --> 0:23:04.480
<v Speaker 1>searching for consciousness, searching for for some sort of you know,

0:23:04.520 --> 0:23:08.000
<v Speaker 1>ultimately connection to another mind, and he feels as if

0:23:08.040 --> 0:23:11.359
<v Speaker 1>he has glimpsed it. So this is sort of a

0:23:11.400 --> 0:23:14.760
<v Speaker 1>good segue, I guess then from his dolphin or actually,

0:23:14.960 --> 0:23:17.520
<v Speaker 1>this isn't even the really scratching the surface of his

0:23:17.600 --> 0:23:20.760
<v Speaker 1>dolphin research, right, is where he first sort of dabbles

0:23:20.760 --> 0:23:22.679
<v Speaker 1>in it. Yeah, this is where, yeah, he dabbles in it,

0:23:22.760 --> 0:23:25.520
<v Speaker 1>and and the light bulb goes off and he realizes,

0:23:26.000 --> 0:23:28.160
<v Speaker 1>I have to work with these dolphins. Everything else I'm

0:23:28.160 --> 0:23:31.040
<v Speaker 1>gonna I'm just gonna walk away from because this, this

0:23:31.119 --> 0:23:32.720
<v Speaker 1>is where I need to be. And then, in order

0:23:32.760 --> 0:23:37.919
<v Speaker 1>to facilitate this type of study he develops he invents

0:23:38.320 --> 0:23:41.560
<v Speaker 1>the isolation tank, which most of us know nowadays, right,

0:23:41.600 --> 0:23:44.920
<v Speaker 1>because it's a fairly popularized thing. I was first familiar

0:23:44.960 --> 0:23:47.120
<v Speaker 1>with it from Altered States. That was the first time

0:23:47.119 --> 0:23:49.000
<v Speaker 1>I'd ever heard of it. I think I probably saw

0:23:49.040 --> 0:23:50.960
<v Speaker 1>Altered States when I was like nineteen or twenty or

0:23:51.040 --> 0:23:54.400
<v Speaker 1>something like that. But just last year, maybe two years ago,

0:23:54.520 --> 0:23:57.560
<v Speaker 1>my wife for my birthday got me um a gift

0:23:57.600 --> 0:24:00.520
<v Speaker 1>card to go visit an isolation tank center here in Atlanta.

0:24:00.560 --> 0:24:03.760
<v Speaker 1>Oh yeah, I think we've likely been to the same place. Yeah, yeah, yeah,

0:24:03.760 --> 0:24:06.200
<v Speaker 1>you've done it as well, right. Yeah. For those of

0:24:06.240 --> 0:24:07.960
<v Speaker 1>you who are not familiar with it, uh, yeah, you

0:24:07.960 --> 0:24:12.000
<v Speaker 1>can probably find a float a place in your your

0:24:12.080 --> 0:24:14.600
<v Speaker 1>area and you try it out for yourself. But essentially

0:24:14.640 --> 0:24:17.880
<v Speaker 1>it is a chamber, a dark chamber filled with very

0:24:17.960 --> 0:24:20.879
<v Speaker 1>buoyant salt water. You go in there, you you know,

0:24:21.119 --> 0:24:23.920
<v Speaker 1>maybe you put on some goggles, maybe you're wearing a

0:24:24.119 --> 0:24:26.840
<v Speaker 1>bathing suit, maybe not, and you're just floating there in

0:24:26.920 --> 0:24:30.280
<v Speaker 1>the silence. Uh. You all your hearing is just the

0:24:30.320 --> 0:24:33.800
<v Speaker 1>sound of the water, the sound of your your own heartbeat. Uh.

0:24:33.880 --> 0:24:38.240
<v Speaker 1>And because you're floating, you don't really sense any touch, right.

0:24:38.240 --> 0:24:40.680
<v Speaker 1>It's which is unusual for us. We're always like kind

0:24:40.680 --> 0:24:43.639
<v Speaker 1>of bound to something by gravity. But this allows you

0:24:43.680 --> 0:24:47.240
<v Speaker 1>to kind of just float there. Um. The darkness takes

0:24:47.240 --> 0:24:49.320
<v Speaker 1>away your eyesight for the most part. The one I

0:24:49.400 --> 0:24:50.840
<v Speaker 1>was in kind of I don't know about you, but

0:24:50.920 --> 0:24:53.480
<v Speaker 1>it had like a little bit of a transparency to it,

0:24:53.520 --> 0:24:56.440
<v Speaker 1>so natural daylight kind of came in. Um. And then

0:24:56.480 --> 0:24:58.480
<v Speaker 1>there was what was the other Oh, they gave me

0:24:58.600 --> 0:25:00.840
<v Speaker 1>ear plugs? Did you get ear plugs? I may have

0:25:00.840 --> 0:25:03.240
<v Speaker 1>gotten near plus I can't remember now. I do remember

0:25:03.400 --> 0:25:06.120
<v Speaker 1>seeing lights eventually, because I think I was in darkness.

0:25:06.560 --> 0:25:09.000
<v Speaker 1>And I also have to say that the warmness of

0:25:09.040 --> 0:25:11.760
<v Speaker 1>the water is it tends to be calibrated so that

0:25:11.800 --> 0:25:14.520
<v Speaker 1>it's about human body temperature. Yeah, so that it's in

0:25:14.520 --> 0:25:17.119
<v Speaker 1>a way the barriers of your body are no longer

0:25:17.240 --> 0:25:21.320
<v Speaker 1>as obvious. So it's about isolating the mind. And and

0:25:21.520 --> 0:25:24.760
<v Speaker 1>apparently like the idea for this came out of Lily's

0:25:24.800 --> 0:25:27.560
<v Speaker 1>work at NIM Again, think back to the counter espionage work.

0:25:28.480 --> 0:25:32.240
<v Speaker 1>How do you break down a potential spy? How do

0:25:32.320 --> 0:25:36.880
<v Speaker 1>you get break into their mind and interact with their consciousness? Well,

0:25:37.000 --> 0:25:39.520
<v Speaker 1>what if you were to put a scary latex mask

0:25:39.600 --> 0:25:42.359
<v Speaker 1>over their face so they can't see anything, submerge them

0:25:42.560 --> 0:25:45.840
<v Speaker 1>in this buoyant tank of salt water, and just rob

0:25:45.960 --> 0:25:49.760
<v Speaker 1>them of their senses without actually harming them. So really

0:25:49.760 --> 0:25:53.480
<v Speaker 1>it was a form of psychological torture that was being devised,

0:25:54.200 --> 0:25:56.320
<v Speaker 1>and it was apparently pretty traumatic for some of the

0:25:56.359 --> 0:25:58.720
<v Speaker 1>individuds who tested it out. But of course Lily tested

0:25:58.760 --> 0:26:02.760
<v Speaker 1>it out as well. He solved the positive potential for

0:26:02.840 --> 0:26:06.480
<v Speaker 1>the kind of inward focus that it allowed. Yeah, I mean,

0:26:06.480 --> 0:26:08.920
<v Speaker 1>the basic idea here was he wanted to test whether

0:26:08.960 --> 0:26:11.320
<v Speaker 1>the brain would actually shut down if there was no

0:26:11.400 --> 0:26:15.399
<v Speaker 1>stimuli received. Right, But yeah, it's really interesting. Again, So

0:26:15.480 --> 0:26:18.400
<v Speaker 1>like the figure that he becomes this kind of hippie

0:26:18.400 --> 0:26:22.000
<v Speaker 1>psychedelic grew figure. You trace back his history and it's

0:26:22.000 --> 0:26:26.720
<v Speaker 1>like ultimately connected to this kind of movement of torture

0:26:26.720 --> 0:26:29.679
<v Speaker 1>and interrogation, right. I mean, like people, I don't know

0:26:29.720 --> 0:26:33.439
<v Speaker 1>that they're necessarily using isolation tanks, but sensory deprivation is

0:26:33.640 --> 0:26:36.000
<v Speaker 1>very much a thing that we do nowadays, we the

0:26:36.080 --> 0:26:39.680
<v Speaker 1>United States military and government when we're trying to get

0:26:39.720 --> 0:26:42.879
<v Speaker 1>information out of, you know, somebody that that might have

0:26:42.960 --> 0:26:45.280
<v Speaker 1>something that's going to you know, potentially affect a citizen

0:26:45.400 --> 0:26:49.000
<v Speaker 1>or or an operation overseas, oh yeah, or even just

0:26:49.040 --> 0:26:54.320
<v Speaker 1>dishing out essentially punishment on individuals that are in solitary confinement. Yeah.

0:26:54.640 --> 0:26:58.040
<v Speaker 1>And it's this is fascinating to me too, because this

0:26:58.119 --> 0:27:00.760
<v Speaker 1>is right around it's a little bit earlier, but around

0:27:00.800 --> 0:27:03.639
<v Speaker 1>the same time that Michelle Fucot is really starting to

0:27:03.680 --> 0:27:07.280
<v Speaker 1>look into sort of the philosophy of discipline and punishment.

0:27:07.520 --> 0:27:10.560
<v Speaker 1>And I'm really curious if these two guys knew about

0:27:10.600 --> 0:27:13.880
<v Speaker 1>each other, uh, and if they even or if they

0:27:13.880 --> 0:27:18.520
<v Speaker 1>interacted to you know. Yeah, indeed, so Lily Yeah really

0:27:18.560 --> 0:27:21.239
<v Speaker 1>gets into the idea of the isolation tank, and this

0:27:21.320 --> 0:27:24.080
<v Speaker 1>is this is kind of happening in the background to

0:27:24.119 --> 0:27:26.800
<v Speaker 1>the dolphin stuff. We we just mentioned the beginnings of

0:27:26.840 --> 0:27:30.959
<v Speaker 1>the dolphin stuff. Um. I'm gonna actually just read uh

0:27:30.960 --> 0:27:32.960
<v Speaker 1>one quote from him and have you read another one,

0:27:33.240 --> 0:27:36.359
<v Speaker 1>because I think Lily really captures what he saw in

0:27:36.440 --> 0:27:39.440
<v Speaker 1>the tank. Uh, what he saw in the tank's potential

0:27:39.520 --> 0:27:42.560
<v Speaker 1>for the human mind. He said, all the average person

0:27:42.600 --> 0:27:44.520
<v Speaker 1>has to do is get into the tank in the

0:27:44.600 --> 0:27:49.120
<v Speaker 1>darkness and silence and float around until he realizes he

0:27:49.240 --> 0:27:52.520
<v Speaker 1>is programming everything that is happening inside his head. You

0:27:52.560 --> 0:27:55.040
<v Speaker 1>are free of the physical world at that point, and

0:27:55.080 --> 0:27:58.280
<v Speaker 1>anything can happen inside your head because everything is governed

0:27:58.320 --> 0:28:00.760
<v Speaker 1>by the laws of thought rather in the laws of

0:28:00.800 --> 0:28:04.160
<v Speaker 1>the external world. So you can go to the limits

0:28:04.359 --> 0:28:06.960
<v Speaker 1>of your conceptions. And so this is a good moment,

0:28:07.000 --> 0:28:08.520
<v Speaker 1>I think for us to sort of back up for

0:28:08.560 --> 0:28:11.040
<v Speaker 1>the listener for you out there listening. If you've never

0:28:11.400 --> 0:28:13.520
<v Speaker 1>done this and you've never seen it depicted or read

0:28:13.560 --> 0:28:18.920
<v Speaker 1>about it. Um. People oftentimes report that during their experience

0:28:18.960 --> 0:28:22.240
<v Speaker 1>in these tanks, they see colorful images, they have memories

0:28:22.240 --> 0:28:25.920
<v Speaker 1>flashed by, they kind of have like waking dreams. Uh.

0:28:25.920 --> 0:28:29.280
<v Speaker 1>And there's even there's an Some people report an experience

0:28:29.320 --> 0:28:32.359
<v Speaker 1>of levels of consciousness where they feel they're in contact

0:28:32.400 --> 0:28:36.560
<v Speaker 1>with other intelligent being sort of outside of them, right. Yeah,

0:28:36.600 --> 0:28:39.960
<v Speaker 1>I mean it's essentially a really meditative space. So I

0:28:40.000 --> 0:28:43.560
<v Speaker 1>only floated once. I did not get that kind of experience.

0:28:43.600 --> 0:28:46.120
<v Speaker 1>I understand that one needs to do it many times

0:28:46.160 --> 0:28:48.680
<v Speaker 1>to get used to it. But but I have had

0:28:48.720 --> 0:28:51.920
<v Speaker 1>experiences in meditation where I have I have seen things

0:28:51.920 --> 0:28:54.520
<v Speaker 1>and felt things that that line up to a certain

0:28:54.560 --> 0:28:58.480
<v Speaker 1>extent with this kind of you know, subjective experience. Yeah,

0:28:58.560 --> 0:29:01.440
<v Speaker 1>I mean it's possible too. So this is another instance

0:29:01.560 --> 0:29:04.680
<v Speaker 1>that I um where the like the reporting seems to

0:29:04.680 --> 0:29:08.040
<v Speaker 1>be a little bit varied for me. I read that

0:29:08.120 --> 0:29:11.320
<v Speaker 1>it's possible that he actually started dabbling in this before

0:29:11.400 --> 0:29:13.840
<v Speaker 1>any of the dolphin research. Maybe it was more official

0:29:13.920 --> 0:29:16.680
<v Speaker 1>later on. No, I believe you're right on that, Okay,

0:29:16.720 --> 0:29:23.200
<v Speaker 1>because he apparently considered dolphins and other water mammals because

0:29:23.440 --> 0:29:26.840
<v Speaker 1>of the idea of consciousness that existed in the state

0:29:26.880 --> 0:29:30.760
<v Speaker 1>of flotation. Uh, And it's somehow brought that up. But

0:29:31.280 --> 0:29:33.040
<v Speaker 1>so here's another thing. We were talking about. How you

0:29:33.080 --> 0:29:35.080
<v Speaker 1>bring the temperature to about the same as the body

0:29:35.560 --> 0:29:39.280
<v Speaker 1>the body's temperature. Apparently, at one point while Lily was

0:29:39.360 --> 0:29:42.640
<v Speaker 1>experimenting on himself. He's trying to bring the temperature to

0:29:42.640 --> 0:29:44.800
<v Speaker 1>the right thing, and he fell into a coma. That

0:29:44.880 --> 0:29:47.120
<v Speaker 1>was another thing that I read. And I mean, it

0:29:47.200 --> 0:29:50.640
<v Speaker 1>must not have been that long or serious, but and

0:29:51.120 --> 0:29:54.080
<v Speaker 1>I don't quite know how that would happen, even especially

0:29:54.080 --> 0:29:56.360
<v Speaker 1>given my experience in an isolation tank. But this was

0:29:56.400 --> 0:29:59.840
<v Speaker 1>in one of the papers I read. He also speculated,

0:30:00.280 --> 0:30:02.120
<v Speaker 1>Now this is the beginning of the John C. Lily

0:30:02.160 --> 0:30:05.520
<v Speaker 1>everybody came to know and love that in a tank

0:30:05.960 --> 0:30:12.120
<v Speaker 1>a person meaning a man could orgasm without ejaculating. So

0:30:12.200 --> 0:30:14.200
<v Speaker 1>another thing that comes out of this, outside of his

0:30:14.280 --> 0:30:19.080
<v Speaker 1>like speculations on orgasms and ejaculation, is uh that he

0:30:19.280 --> 0:30:22.720
<v Speaker 1>also figured out that even in the tank that the

0:30:22.760 --> 0:30:25.960
<v Speaker 1>pure mental state that he was looking to achieve wasn't

0:30:26.040 --> 0:30:32.760
<v Speaker 1>necessarily possible because it even eliminating all sensory stimulation, just

0:30:32.880 --> 0:30:37.080
<v Speaker 1>that kind of isolation in the tank wasn't achieving that. Um,

0:30:37.280 --> 0:30:38.960
<v Speaker 1>this is probably a good opportunity for me to read

0:30:38.960 --> 0:30:42.120
<v Speaker 1>that second quote you mentioned. So this is from Lily

0:30:42.160 --> 0:30:45.680
<v Speaker 1>wrote lots of books on his own outside of his

0:30:45.720 --> 0:30:48.080
<v Speaker 1>work with the government, and that weren't published really by

0:30:48.400 --> 0:30:50.960
<v Speaker 1>I wouldn't call them peer reviewed in any sense, right,

0:30:51.240 --> 0:30:52.880
<v Speaker 1>and this is one of them. I believe it's called

0:30:52.960 --> 0:30:57.400
<v Speaker 1>I love this title Tanks for the memories flotation Tank talks. Yeah,

0:30:57.400 --> 0:31:01.160
<v Speaker 1>and this is from this is definitely later, this after Yeah,

0:31:01.240 --> 0:31:04.840
<v Speaker 1>so okay. He says, at the highest level of satory

0:31:05.040 --> 0:31:08.600
<v Speaker 1>from which people return, the point of consciousness becomes a

0:31:08.680 --> 0:31:12.720
<v Speaker 1>surface or solid which extends throughout the whole known universe.

0:31:13.320 --> 0:31:16.240
<v Speaker 1>This used to be called fusion with the universal mind

0:31:16.440 --> 0:31:19.240
<v Speaker 1>or God. In more modern terms, you have done a

0:31:19.280 --> 0:31:23.360
<v Speaker 1>mathematical transformation in which your center of consciousness has ceased

0:31:23.480 --> 0:31:26.600
<v Speaker 1>to be a traveling point and has become a surface

0:31:26.920 --> 0:31:30.719
<v Speaker 1>or solid of consciousness. It was in this state that

0:31:30.840 --> 0:31:36.160
<v Speaker 1>I experienced myself as melded and intertwined with hundreds of

0:31:36.280 --> 0:31:40.440
<v Speaker 1>billions of other beings in a thin sheet of consciousness

0:31:40.480 --> 0:31:45.120
<v Speaker 1>that was distributed around the galaxy, a membrane. Now, this

0:31:45.240 --> 0:31:47.920
<v Speaker 1>definitely touches on some of his wackier theories that we're

0:31:47.920 --> 0:31:50.040
<v Speaker 1>going to get into later. Yeah. It it touches on

0:31:50.120 --> 0:31:53.560
<v Speaker 1>some more the mystical ideas that he explores in his work.

0:31:53.680 --> 0:31:56.840
<v Speaker 1>I do have to say, though, with ultimately what he's

0:31:56.880 --> 0:32:00.160
<v Speaker 1>talking about here, and ultimately with with the experience of

0:32:00.640 --> 0:32:03.800
<v Speaker 1>of meditation, but also with the flow tank, a lot

0:32:03.840 --> 0:32:06.120
<v Speaker 1>of what's happening is the shutdown of what's called the

0:32:06.120 --> 0:32:09.840
<v Speaker 1>default mode network. Actually we understand it more now is

0:32:09.960 --> 0:32:15.480
<v Speaker 1>a series of of of interconnected resting state networks involved

0:32:15.480 --> 0:32:18.520
<v Speaker 1>in vision, hearing, movement, attention, and memory. But you can

0:32:18.560 --> 0:32:20.600
<v Speaker 1>think of it as just that that me voice, what

0:32:20.840 --> 0:32:24.640
<v Speaker 1>Cartole calls the egoic mind, this sort of me centered

0:32:24.760 --> 0:32:27.040
<v Speaker 1>narrative that's always running in the background of our head,

0:32:27.600 --> 0:32:30.040
<v Speaker 1>whether we are conscious of it or not, you know,

0:32:30.080 --> 0:32:32.840
<v Speaker 1>worrying about the past, worrying about the future. And if

0:32:32.880 --> 0:32:36.720
<v Speaker 1>you can shut that off, then you're in this point

0:32:36.760 --> 0:32:41.520
<v Speaker 1>of clarity and now illness, and you can actually explore

0:32:42.160 --> 0:32:44.640
<v Speaker 1>thoughts about yourself in the world around you in ways

0:32:44.680 --> 0:32:47.840
<v Speaker 1>that you're often crippled from. Yeah, I mean this is

0:32:48.280 --> 0:32:51.400
<v Speaker 1>certainly like what I try to get out of, you know,

0:32:51.480 --> 0:32:54.760
<v Speaker 1>with yoga and meditation in some situations. But but also

0:32:54.800 --> 0:32:57.040
<v Speaker 1>I gotta say, after doing the isolation tank thing, I

0:32:57.040 --> 0:32:59.520
<v Speaker 1>want one of those in my home. And maybe maybe

0:32:59.560 --> 0:33:01.640
<v Speaker 1>if you did it too much, it would it would

0:33:01.640 --> 0:33:05.680
<v Speaker 1>sort of defeat the purpose for achieving that sort of

0:33:06.280 --> 0:33:10.280
<v Speaker 1>lack of self right of thinking about everything else around you.

0:33:10.440 --> 0:33:11.960
<v Speaker 1>I don't know. I've never heard anyone say they do

0:33:11.960 --> 0:33:14.640
<v Speaker 1>it too much. There always people are really into it.

0:33:14.760 --> 0:33:17.200
<v Speaker 1>Or if I could just like after every day coming home,

0:33:17.280 --> 0:33:19.480
<v Speaker 1>just hop into one of those for thirty minutes, that

0:33:19.520 --> 0:33:23.320
<v Speaker 1>would be great. I read an account about there was

0:33:23.360 --> 0:33:26.040
<v Speaker 1>a woman in the nineteen eighties who was apparently like

0:33:26.080 --> 0:33:27.640
<v Speaker 1>a I don't know that I would call her a

0:33:27.840 --> 0:33:30.360
<v Speaker 1>student of Lilies, but she was somebody who followed his

0:33:30.400 --> 0:33:33.360
<v Speaker 1>work closely. She was one of the first people to

0:33:33.400 --> 0:33:37.400
<v Speaker 1>open like a business around isolation tanks, and she had

0:33:37.400 --> 0:33:39.440
<v Speaker 1>one in her home on the twenty floor of a

0:33:39.520 --> 0:33:43.000
<v Speaker 1>Manhattan skyscraper, and she I think at the time she

0:33:43.080 --> 0:33:45.680
<v Speaker 1>charged people like twenty five dollars per hour. And one

0:33:45.720 --> 0:33:48.800
<v Speaker 1>of her main clients was a television executive who would

0:33:48.840 --> 0:33:51.000
<v Speaker 1>he said something along the lines of, how like after

0:33:51.120 --> 0:33:54.440
<v Speaker 1>every flight home back to Manhattan, after like you know,

0:33:54.560 --> 0:33:57.560
<v Speaker 1>doing a bunch of television sales type stuff, he would,

0:33:57.720 --> 0:34:00.120
<v Speaker 1>before even going home, go to her place and up

0:34:00.160 --> 0:34:03.240
<v Speaker 1>into one of these isolation tanks. It's kind of fascinating

0:34:03.280 --> 0:34:06.240
<v Speaker 1>that like a guy like that saw the value and

0:34:06.320 --> 0:34:08.640
<v Speaker 1>just kind of slowing everything down. Yeah, I mean it

0:34:08.719 --> 0:34:10.959
<v Speaker 1>leaves a bit leads a busy life, so it would

0:34:10.960 --> 0:34:21.000
<v Speaker 1>make sense at this point we're gonna return back to dolphins.

0:34:21.040 --> 0:34:23.040
<v Speaker 1>I feel like we we've we've set everything up to

0:34:23.160 --> 0:34:28.319
<v Speaker 1>continue Lily's journey. We're going to around nineteen Uh. This

0:34:28.400 --> 0:34:31.680
<v Speaker 1>is when Lily presents a paper before the American Psychiatric

0:34:31.719 --> 0:34:35.520
<v Speaker 1>Association and he makes some rather dramatic claims about the

0:34:35.560 --> 0:34:40.520
<v Speaker 1>intelligence and the linguistic abilities of the bottlenose dolphins, specifically.

0:34:41.080 --> 0:34:44.360
<v Speaker 1>Now that the evidence City cites as apparent is arguably

0:34:44.520 --> 0:34:49.160
<v Speaker 1>scant and and anecdotal, but it resonated pretty strongly, and

0:34:49.200 --> 0:34:51.799
<v Speaker 1>it resonated with the right people. So soon you had

0:34:52.280 --> 0:34:56.200
<v Speaker 1>prestigious federal research awards rolling in, and he uses these

0:34:56.239 --> 0:34:59.960
<v Speaker 1>funds to build a dedicated dolphin laboratory on St. Tom

0:35:00.000 --> 0:35:04.399
<v Speaker 1>Miss in the US Virgin Islands, the Communication Research Institute

0:35:04.800 --> 0:35:08.160
<v Speaker 1>or c r I. Yeah, And the most fascinating thing

0:35:08.200 --> 0:35:11.200
<v Speaker 1>that you added to these notes is that at its height,

0:35:11.480 --> 0:35:16.880
<v Speaker 1>this institute, under Lily's guidance, was receiving half a million

0:35:17.000 --> 0:35:21.760
<v Speaker 1>dollars a year in grant money. It exploded crazy, especially

0:35:21.800 --> 0:35:24.399
<v Speaker 1>when you consider what half a million dollars was worth

0:35:24.440 --> 0:35:28.520
<v Speaker 1>back then. That's nuts, uh, that that he was getting

0:35:28.560 --> 0:35:32.319
<v Speaker 1>that much support Uh. And it sounds like during this

0:35:32.400 --> 0:35:35.320
<v Speaker 1>time he I guess he had a home in Miami.

0:35:35.640 --> 0:35:38.960
<v Speaker 1>Sounded like he'd become fairly acclimated to Florida and liked

0:35:39.000 --> 0:35:42.600
<v Speaker 1>it a lot there. But he had the lab in St. Thomas. Uh.

0:35:42.600 --> 0:35:46.879
<v Speaker 1>And there was this really interesting nineteen sixty Time magazine

0:35:46.880 --> 0:35:49.239
<v Speaker 1>piece that I was able to pull and it's this

0:35:49.320 --> 0:35:53.840
<v Speaker 1>kind of fascinating like feature peace on on him and

0:35:53.840 --> 0:35:58.720
<v Speaker 1>they described him as a deep chested, sun tanned neurophysiologist.

0:35:59.239 --> 0:36:01.759
<v Speaker 1>I like that. Uh. That that must be where the

0:36:01.800 --> 0:36:04.520
<v Speaker 1>idea for the George C. Scott character and the dolphin

0:36:04.640 --> 0:36:07.800
<v Speaker 1>came from. But at the time that they came to

0:36:07.880 --> 0:36:10.880
<v Speaker 1>visit him Time Magazine, that is Uh, he was working

0:36:10.880 --> 0:36:13.800
<v Speaker 1>on an elaborate system of jetties and pools at the center.

0:36:14.440 --> 0:36:17.080
<v Speaker 1>The idea was that he was trying to learn about

0:36:17.160 --> 0:36:20.680
<v Speaker 1>dolphins sonar for the Navy. They were paying for the

0:36:20.680 --> 0:36:23.960
<v Speaker 1>expenses of this construction. Uh. And the idea was that

0:36:24.000 --> 0:36:27.040
<v Speaker 1>they they felt that dolphins sonar was better than their

0:36:27.080 --> 0:36:29.200
<v Speaker 1>own capabilities at the time, so they wanted to figure

0:36:29.239 --> 0:36:32.120
<v Speaker 1>out a way to reverse engineer and mimic it. Yes,

0:36:32.360 --> 0:36:34.759
<v Speaker 1>the Navy was definitely one of the interested parties that

0:36:34.880 --> 0:36:38.880
<v Speaker 1>was won over by his his arguments for dolphin intelligence

0:36:38.880 --> 0:36:41.600
<v Speaker 1>and dolphin abilities. Well, I mean he had some some

0:36:41.640 --> 0:36:45.200
<v Speaker 1>convincing evidence. Like you said, it wasn't all like uh perfect,

0:36:45.480 --> 0:36:47.879
<v Speaker 1>But when he he must have been a very charismatic guy,

0:36:47.920 --> 0:36:51.839
<v Speaker 1>I'm imagining, because when he gives these presentations, people just

0:36:51.840 --> 0:36:53.640
<v Speaker 1>fall head over heels for it. I mean, you hear

0:36:53.640 --> 0:36:55.440
<v Speaker 1>it in his voice, and you will actually hear his

0:36:55.520 --> 0:36:57.960
<v Speaker 1>voice at the end of this podcast. Like one of

0:36:57.960 --> 0:36:59.719
<v Speaker 1>the things that I think he convinced the Navy with

0:36:59.800 --> 0:37:03.440
<v Speaker 1>was by dissecting dolphin brains. Uh. You know, we we

0:37:03.480 --> 0:37:06.040
<v Speaker 1>talked about this earlier. They're bigger than human brains obviously,

0:37:06.040 --> 0:37:09.400
<v Speaker 1>but they also have as complicated a cerebral cortex. Uh.

0:37:09.480 --> 0:37:12.719
<v Speaker 1>And so this is when he starts planting electrodes in

0:37:12.840 --> 0:37:15.400
<v Speaker 1>the dolphin brains, kind of along the same lines of

0:37:15.400 --> 0:37:17.879
<v Speaker 1>what we were talking about with the monkeys earlier, trying

0:37:17.880 --> 0:37:21.520
<v Speaker 1>to stimulate their pleasure centers, specifically with electricity. And this

0:37:21.640 --> 0:37:25.600
<v Speaker 1>is the weirdest, Like this grossed me out. This quote

0:37:26.120 --> 0:37:29.840
<v Speaker 1>from the Time magazine article. He said when he first

0:37:29.840 --> 0:37:34.200
<v Speaker 1>stimulated their pleasure centers with electrodes, the muscles around their

0:37:34.239 --> 0:37:38.680
<v Speaker 1>blow hole smiled. That is the weirdest, like I don't

0:37:38.719 --> 0:37:40.920
<v Speaker 1>know why, it just squeaks me out, like the idea

0:37:41.000 --> 0:37:44.320
<v Speaker 1>of a little smile for around and the but the

0:37:44.320 --> 0:37:46.880
<v Speaker 1>like dolphins got like its head peel, you know, it's

0:37:46.880 --> 0:37:49.680
<v Speaker 1>scalp peeled back with all these electrodes wired into it.

0:37:50.320 --> 0:37:52.920
<v Speaker 1>Whatever the case, the dolphins loved it. In fact, there

0:37:53.000 --> 0:37:55.600
<v Speaker 1>is an apparatus that he used to sort of train

0:37:55.640 --> 0:37:58.520
<v Speaker 1>them with it. They could give themselves the electrical jolt,

0:37:58.840 --> 0:38:01.680
<v Speaker 1>and they did it so much that they became addicted

0:38:01.719 --> 0:38:05.359
<v Speaker 1>to it. Uh. And this is this is so this

0:38:05.400 --> 0:38:08.440
<v Speaker 1>is a different story from what I um you mentioned earlier.

0:38:08.719 --> 0:38:11.440
<v Speaker 1>I In this nineteen sixty piece, they say this is

0:38:11.480 --> 0:38:14.680
<v Speaker 1>where he first encountered the dolphins mimicking humans speech. He

0:38:14.719 --> 0:38:17.800
<v Speaker 1>says that apparently, and maybe he's just you know, b

0:38:18.000 --> 0:38:20.839
<v Speaker 1>ssing them during an interview or something like that. But

0:38:20.920 --> 0:38:24.360
<v Speaker 1>he says, an apparatus broke down one day at the St.

0:38:24.360 --> 0:38:28.240
<v Speaker 1>Thomas laboratory and he had left a tape recorder running

0:38:28.440 --> 0:38:31.200
<v Speaker 1>and he heard a Donald Duck like voice on the

0:38:31.280 --> 0:38:34.360
<v Speaker 1>tape recorder later on that was imitating him saying the

0:38:34.400 --> 0:38:37.680
<v Speaker 1>words three hundred and twenty three over and over again.

0:38:38.200 --> 0:38:40.440
<v Speaker 1>And then he also said that the dolphins imitated the

0:38:40.440 --> 0:38:43.240
<v Speaker 1>buzz of a transformer and the rattle of a movie

0:38:43.239 --> 0:38:47.160
<v Speaker 1>camera that we're in, I'm assuming in the same laboratory space. Yeah.

0:38:47.160 --> 0:38:51.000
<v Speaker 1>So there's this feeling that he's getting here that not

0:38:51.040 --> 0:38:54.359
<v Speaker 1>only is he reaching out to them to make communication,

0:38:54.680 --> 0:38:58.439
<v Speaker 1>but they are reaching out to us, and he has

0:38:58.480 --> 0:39:00.000
<v Speaker 1>to meet them in the middle. He has to find

0:39:00.120 --> 0:39:04.680
<v Speaker 1>a way to make this connection. Uh. And towards that end,

0:39:04.760 --> 0:39:07.920
<v Speaker 1>he starts like documenting what he thinks is dolphin language.

0:39:07.920 --> 0:39:09.719
<v Speaker 1>And now you know, I think that it's it's fairly

0:39:09.760 --> 0:39:11.799
<v Speaker 1>well documented at this point that we know that there

0:39:11.880 --> 0:39:14.799
<v Speaker 1>is such a thing. Uh. He learned one phrase in

0:39:14.880 --> 0:39:17.440
<v Speaker 1>dolphin language that he reported back to time in nineteen

0:39:17.560 --> 0:39:19.839
<v Speaker 1>sixty and it was what he called their may day

0:39:19.920 --> 0:39:22.759
<v Speaker 1>distress call, and he describes it as sounding like a

0:39:22.800 --> 0:39:26.160
<v Speaker 1>wolf whistling, which I don't I don't know that that's

0:39:26.200 --> 0:39:29.160
<v Speaker 1>necessarily a description that immediately calls a sound to my mind.

0:39:29.200 --> 0:39:31.520
<v Speaker 1>But maybe Lily was encountering more wolves than I do

0:39:31.600 --> 0:39:35.440
<v Speaker 1>on a daily basis. Uh. But he specifically noted that

0:39:35.520 --> 0:39:39.680
<v Speaker 1>this happened when he put a paralyzed dolphin in a pool.

0:39:40.080 --> 0:39:41.960
<v Speaker 1>So one thing I want to stop and ask is,

0:39:42.200 --> 0:39:45.240
<v Speaker 1>why would you do that? He puts this paralyzed dolphin

0:39:45.280 --> 0:39:48.640
<v Speaker 1>in the pool, right, the dolphin sinks to the bottom

0:39:48.719 --> 0:39:52.640
<v Speaker 1>and immediately starts crying out with this may day distress call. Well,

0:39:52.719 --> 0:39:55.680
<v Speaker 1>Lily says, the other dolphins all came to its rescue

0:39:55.760 --> 0:39:58.080
<v Speaker 1>and pushed it back to the surface so that it

0:39:58.080 --> 0:40:01.400
<v Speaker 1>could continue breathing. So maybe he speculated that was going

0:40:01.440 --> 0:40:03.040
<v Speaker 1>to happen, and this was just kind of a test

0:40:03.080 --> 0:40:07.080
<v Speaker 1>of their I guess, like bond together. But it just

0:40:07.480 --> 0:40:11.839
<v Speaker 1>again I was like wow, Like, uh, despite his fascination

0:40:11.880 --> 0:40:15.160
<v Speaker 1>and love for these animals, he's willing to like let

0:40:15.200 --> 0:40:17.880
<v Speaker 1>one potentially drown. Yeah, And I mean part of this,

0:40:18.120 --> 0:40:20.840
<v Speaker 1>I think is that he's he's certainly working, you know,

0:40:20.920 --> 0:40:23.800
<v Speaker 1>within the scientific atmosphere of the day and the attitude

0:40:23.840 --> 0:40:28.040
<v Speaker 1>towards uh test animals of the day. And you can

0:40:28.040 --> 0:40:30.720
<v Speaker 1>probably chalk a bit of it up to his uh,

0:40:31.000 --> 0:40:34.360
<v Speaker 1>you know, his his laser focused vision, which we certainly

0:40:34.400 --> 0:40:37.880
<v Speaker 1>saw during his NYMN days and continues to a certain

0:40:37.880 --> 0:40:41.400
<v Speaker 1>extent with the dolphins. It sounds from from the research

0:40:41.440 --> 0:40:44.160
<v Speaker 1>I was reading that his his work with the dolphins

0:40:44.239 --> 0:40:48.880
<v Speaker 1>definitely got less invasive he got further and further away

0:40:48.920 --> 0:40:51.960
<v Speaker 1>from the sort of the the harder stuff of the

0:40:52.040 --> 0:40:54.879
<v Speaker 1>NYM days. But uh, but he was still at times

0:40:54.880 --> 0:40:58.320
<v Speaker 1>sort of accused of of having on an occasional cavalier

0:40:58.320 --> 0:41:01.680
<v Speaker 1>attitude towards that the test dolphins. Yeah. I think though

0:41:01.719 --> 0:41:05.120
<v Speaker 1>that that sort of phases out over time, you know. Um.

0:41:05.160 --> 0:41:07.319
<v Speaker 1>But not a year later after this time thing, that's

0:41:07.360 --> 0:41:09.919
<v Speaker 1>when he published his like big dolphin book, right, yes,

0:41:10.400 --> 0:41:14.960
<v Speaker 1>nineteen one Man and Dolphin Adventures of a New Scientific Frontier.

0:41:15.200 --> 0:41:18.719
<v Speaker 1>And this book just really becomes a big deal. Not

0:41:18.800 --> 0:41:22.200
<v Speaker 1>only researchers, not only scientists and academics, but just the

0:41:22.200 --> 0:41:25.040
<v Speaker 1>general public are eating this book up. And I'm just

0:41:25.040 --> 0:41:26.360
<v Speaker 1>gonna read you a quick sample from it so you

0:41:26.400 --> 0:41:28.399
<v Speaker 1>can get just an idea of some of the things

0:41:28.440 --> 0:41:31.200
<v Speaker 1>he's talking about. In this book. He's documenting his work

0:41:31.239 --> 0:41:33.640
<v Speaker 1>with dolphins thus far, but he's also talking about where

0:41:33.680 --> 0:41:36.200
<v Speaker 1>he thinks this work can take us. He said, quote,

0:41:36.400 --> 0:41:39.320
<v Speaker 1>eventually it may be possible for humans to speak with

0:41:39.360 --> 0:41:42.040
<v Speaker 1>another species. I have come to this conclusion after careful

0:41:42.080 --> 0:41:45.360
<v Speaker 1>consideration of evidence game through my research experiments with dolphins.

0:41:45.760 --> 0:41:49.120
<v Speaker 1>If new scientific developments are to be made in this direction, however,

0:41:49.440 --> 0:41:54.040
<v Speaker 1>certain changes in our basic orientation, orientation and philosophy will

0:41:54.080 --> 0:41:58.120
<v Speaker 1>be necessary. So he's talking about just a game changing

0:41:58.400 --> 0:42:01.799
<v Speaker 1>development here. He's talking about he discusses us reaching the

0:42:01.840 --> 0:42:05.640
<v Speaker 1>point where we we teach dolphins to speak English, to

0:42:05.840 --> 0:42:10.160
<v Speaker 1>speak English, and to even have to create a chair

0:42:10.200 --> 0:42:13.920
<v Speaker 1>for them on the United Nations. So you know that

0:42:14.320 --> 0:42:17.920
<v Speaker 1>this he's talking about finding an alien intelligence here on

0:42:17.960 --> 0:42:22.000
<v Speaker 1>our planet and uh and and communing with them, um,

0:42:22.360 --> 0:42:27.560
<v Speaker 1>communicating with them and actually inviting them into our rule

0:42:27.640 --> 0:42:30.200
<v Speaker 1>of the world. And he's clearly going into his own

0:42:30.239 --> 0:42:33.239
<v Speaker 1>soul searching too. If we sort of like compare this

0:42:33.400 --> 0:42:35.319
<v Speaker 1>with the history of his life, you know, I mean,

0:42:35.360 --> 0:42:38.520
<v Speaker 1>I think he had like a very personal reason for

0:42:38.560 --> 0:42:41.239
<v Speaker 1>feeling so strongly about this, given the way that he

0:42:41.280 --> 0:42:44.600
<v Speaker 1>had experimented on these animals previously. He goes from that

0:42:44.719 --> 0:42:47.120
<v Speaker 1>to thinking that they should be part of the United Nations.

0:42:47.760 --> 0:42:50.399
<v Speaker 1>Uh and and by the sixties, he's this is when

0:42:50.400 --> 0:42:54.400
<v Speaker 1>he's publishing academic papers glore showing that dolphins can mimic

0:42:54.520 --> 0:42:59.480
<v Speaker 1>all kinds of human speech patterns by clicking, squeaking, and rasping.

0:43:00.160 --> 0:43:03.120
<v Speaker 1>Uh And he even talked there's this British I got

0:43:03.120 --> 0:43:06.720
<v Speaker 1>the impression from the article I read that this British

0:43:06.760 --> 0:43:08.879
<v Speaker 1>anthropologist was a big deal at the time. His name

0:43:08.920 --> 0:43:13.279
<v Speaker 1>is Gregory Bateson and the US Navy and and him

0:43:13.320 --> 0:43:16.360
<v Speaker 1>and Lily were all kind of influenced by the research

0:43:16.400 --> 0:43:19.600
<v Speaker 1>that was going on at the center. And Lily pitched

0:43:20.000 --> 0:43:24.719
<v Speaker 1>human dolphin communication to NASA at the time, saying that

0:43:24.800 --> 0:43:27.480
<v Speaker 1>if they were going to encounter aliens, this is the

0:43:27.560 --> 0:43:29.799
<v Speaker 1>perfect way for them to sort of come up with

0:43:29.840 --> 0:43:33.839
<v Speaker 1>a model of communications standards with an alien intelligence. Yeah

0:43:33.880 --> 0:43:36.560
<v Speaker 1>to And it makes sense, right if you're attempting to

0:43:36.920 --> 0:43:41.600
<v Speaker 1>communicate with a as a different yet equal form of consciousness,

0:43:42.160 --> 0:43:45.520
<v Speaker 1>and this could conceivably be an experiment in that. And

0:43:45.560 --> 0:43:47.680
<v Speaker 1>you can see now where Day of the Dolphin came from.

0:43:47.719 --> 0:43:49.239
<v Speaker 1>I don't know what year that came out. I want

0:43:49.239 --> 0:43:52.640
<v Speaker 1>to say it was early seventies maybe, but uh, if

0:43:52.680 --> 0:43:55.600
<v Speaker 1>you've never seen the movie before, it involves the George C.

0:43:55.800 --> 0:43:58.520
<v Speaker 1>Scott as John C. Lily. They both had season the

0:43:58.520 --> 0:44:02.560
<v Speaker 1>middle character eaching dolphins to speak English. They can speak English,

0:44:02.600 --> 0:44:05.320
<v Speaker 1>and I believe it's on behalf of the U. S. Government. Uh,

0:44:05.360 --> 0:44:08.960
<v Speaker 1>And you know they say things like fall loves paw Right,

0:44:09.000 --> 0:44:12.719
<v Speaker 1>like he's paw, and I think he names them all

0:44:12.880 --> 0:44:16.080
<v Speaker 1>things that rhyme with paw because it's easier for them

0:44:16.120 --> 0:44:18.239
<v Speaker 1>to pronounce or whatever. It's kind of a silly movie,

0:44:18.280 --> 0:44:20.319
<v Speaker 1>but it's also a little bit touching in a way. So, yeah,

0:44:20.320 --> 0:44:22.720
<v Speaker 1>the book is a huge success. It inspires these movies.

0:44:22.719 --> 0:44:26.080
<v Speaker 1>That's the idea just spells like spreads like wildfire. And

0:44:26.120 --> 0:44:28.680
<v Speaker 1>this was a period again, the fifties and sixties, during

0:44:28.680 --> 0:44:32.040
<v Speaker 1>which fascination with the underwater world is really taking off.

0:44:32.040 --> 0:44:34.480
<v Speaker 1>This is the time of you know, scuba is really

0:44:34.840 --> 0:44:39.160
<v Speaker 1>really exploding, Jacques Cousteaux is is making a big name

0:44:39.200 --> 0:44:42.600
<v Speaker 1>for himself. It's the time of Sea Hunt. And in

0:44:42.719 --> 0:44:46.600
<v Speaker 1>nineteen sixty three, of course, you see the television show Flipper. Yeah,

0:44:46.680 --> 0:44:51.000
<v Speaker 1>a mainstream television show about an intelligent dolphin that communicates

0:44:51.000 --> 0:44:54.200
<v Speaker 1>with humans. Yeah, and this is where we come back

0:44:54.200 --> 0:44:57.360
<v Speaker 1>to our connections to the creature from the Black Lagoon.

0:44:57.520 --> 0:44:59.920
<v Speaker 1>Oh yeah, hit me with it. Yeah, So I kind

0:45:00.000 --> 0:45:03.239
<v Speaker 1>I had forgotten this, but that TV series Flipper was

0:45:03.320 --> 0:45:06.839
<v Speaker 1>based on a nineteen sixty three film of the same name,

0:45:07.600 --> 0:45:13.080
<v Speaker 1>a film co created by ricou Browning. Okay, riccou Browning

0:45:13.680 --> 0:45:17.120
<v Speaker 1>worked at Marine Studios, which we mentioned earlier the place

0:45:17.160 --> 0:45:21.759
<v Speaker 1>where where Lily initially went down to study dolphins, and uh,

0:45:22.080 --> 0:45:25.440
<v Speaker 1>Browning actually portrayed the creature from the Black Lagoon in

0:45:25.480 --> 0:45:28.319
<v Speaker 1>the first two films. So Lily is actually the guy

0:45:28.320 --> 0:45:29.759
<v Speaker 1>wearing the rubber suit. Yeah, he was a guy in

0:45:29.760 --> 0:45:32.319
<v Speaker 1>the rubber suit in the first two Creature films. And

0:45:32.440 --> 0:45:35.719
<v Speaker 1>uh and again he co created Flipper, and Lily is

0:45:35.760 --> 0:45:40.200
<v Speaker 1>actually thanked in the credits to the film Flipper. So

0:45:40.480 --> 0:45:45.040
<v Speaker 1>that's nuts. Wow, Okay, well yeah, and it it also

0:45:45.120 --> 0:45:47.680
<v Speaker 1>makes me think of God the film version of twenty

0:45:48.040 --> 0:45:49.759
<v Speaker 1>Leagues into the Sea was made around that time too,

0:45:49.840 --> 0:45:53.400
<v Speaker 1>probably right, Um, I don't know the specific date on that,

0:45:53.400 --> 0:45:57.359
<v Speaker 1>but yeah, there is that fascination with sort of undersea adventure. Yeah,

0:45:57.360 --> 0:45:59.160
<v Speaker 1>it's opening up to us in ways that it just

0:45:59.760 --> 0:46:02.600
<v Speaker 1>had not been previously available. And so we're we're fascinated

0:46:02.640 --> 0:46:04.920
<v Speaker 1>with this new world down there. And then to to

0:46:04.920 --> 0:46:07.800
<v Speaker 1>to also have this potential revelation laid on our plate

0:46:08.160 --> 0:46:11.200
<v Speaker 1>that there is an intelligence down there, uh more or

0:46:11.239 --> 0:46:14.239
<v Speaker 1>less on par with our own. I wonder what John C.

0:46:14.440 --> 0:46:17.480
<v Speaker 1>Lily thought of the ABYSS. I don't know that would

0:46:17.480 --> 0:46:20.080
<v Speaker 1>have been interesting. Huh. Yeah, that's probably in a way.

0:46:20.080 --> 0:46:23.440
<v Speaker 1>That's a very Lily movie, isn't it. So studies at

0:46:23.480 --> 0:46:28.040
<v Speaker 1>the center continue again. Lily's approach gradually moves away from

0:46:28.120 --> 0:46:30.120
<v Speaker 1>the sort of the creepy world of nim his nim

0:46:30.200 --> 0:46:33.640
<v Speaker 1>work and into less invasive techniques. He abandons the use

0:46:33.640 --> 0:46:38.080
<v Speaker 1>of electrodes and instead attempts to essentially meld minds with

0:46:38.120 --> 0:46:41.680
<v Speaker 1>the dolphins to understand the shape of their consciousness. Um

0:46:41.760 --> 0:46:45.080
<v Speaker 1>He turns increasingly to the flotation tank and attempt to

0:46:45.400 --> 0:46:49.560
<v Speaker 1>achieve this. He pipes in hydrophone recordings of their sounds,

0:46:50.040 --> 0:46:54.040
<v Speaker 1>and eventually too, he starts using LSD. And this is

0:46:54.040 --> 0:46:56.920
<v Speaker 1>where it's all coming together, right if they seem like

0:46:57.160 --> 0:47:01.120
<v Speaker 1>very disparate things when you say dolphins, isolation, hanks, and LSD.

0:47:01.440 --> 0:47:04.279
<v Speaker 1>But he's combining all of these things together. Yeah, And

0:47:04.280 --> 0:47:06.560
<v Speaker 1>at the time it's legal, he's able to get it

0:47:06.600 --> 0:47:10.040
<v Speaker 1>through his his connections, his clearance. He's getting it totally

0:47:10.320 --> 0:47:13.680
<v Speaker 1>on the board and uh. In beginning of nineteen sixty four,

0:47:13.880 --> 0:47:16.640
<v Speaker 1>he also is injecting it into the dolphins to see

0:47:16.680 --> 0:47:18.719
<v Speaker 1>what kind of effect it will. It will he oh,

0:47:18.760 --> 0:47:21.560
<v Speaker 1>I didn't know that really, And this was pretty standard

0:47:21.560 --> 0:47:23.040
<v Speaker 1>for the time. This was a time when there were

0:47:23.080 --> 0:47:25.239
<v Speaker 1>a lot of LSD experiments going on, and we were

0:47:25.239 --> 0:47:28.600
<v Speaker 1>putting LSD into the bodies of various animals and testo

0:47:28.719 --> 0:47:31.839
<v Speaker 1>just to see how they responded. Uh. And apparently they

0:47:31.880 --> 0:47:34.600
<v Speaker 1>did not really respond to LSD, which he was kind

0:47:34.600 --> 0:47:37.640
<v Speaker 1>of disappointed with, but he kept taking it. He kept

0:47:37.840 --> 0:47:41.840
<v Speaker 1>going into Yeah, see if he could he could understand

0:47:41.880 --> 0:47:44.200
<v Speaker 1>their mind. Yea. So one of the things that I

0:47:44.239 --> 0:47:46.920
<v Speaker 1>read when researching him, and I hadn't really realized this.

0:47:46.960 --> 0:47:49.040
<v Speaker 1>Do you do you remember a video game called Echoes

0:47:49.080 --> 0:47:52.480
<v Speaker 1>the Dolphin. Yeah, I do. I vaguely remember it. I

0:47:52.520 --> 0:47:54.560
<v Speaker 1>didn't play it. I talked to Joe about it, our

0:47:54.600 --> 0:47:58.000
<v Speaker 1>co host, and he did play it. Uh, and apparently

0:47:58.040 --> 0:48:02.040
<v Speaker 1>the whole game was sent it around Lily his research

0:48:02.080 --> 0:48:04.640
<v Speaker 1>and his sort of philosophy. Yeah, I had no idea.

0:48:04.760 --> 0:48:08.399
<v Speaker 1>It apparently gets really psychedelic as it continues. I only ever,

0:48:08.440 --> 0:48:10.200
<v Speaker 1>like played like the first level, so I have a

0:48:10.320 --> 0:48:13.080
<v Speaker 1>very service level understanding of ECO. I think it's like

0:48:13.120 --> 0:48:15.680
<v Speaker 1>something Joe said. It was something to the effect that

0:48:15.760 --> 0:48:19.000
<v Speaker 1>like there's even like an alien sort of overmind that

0:48:19.360 --> 0:48:22.800
<v Speaker 1>causes the events on Earth that make Echo the Dolphin

0:48:22.840 --> 0:48:26.360
<v Speaker 1>have to try to, you know, go through this gamut

0:48:26.400 --> 0:48:31.040
<v Speaker 1>of psychedelic levels and nervious save the world. That's cool. Yeah,

0:48:31.360 --> 0:48:33.600
<v Speaker 1>So it's c R I. We continue to see him

0:48:33.640 --> 0:48:36.439
<v Speaker 1>doing what he's always done. He's using the best technology,

0:48:36.960 --> 0:48:41.640
<v Speaker 1>various methodologies, and an attempt to achieve his his goal here. So,

0:48:41.719 --> 0:48:43.880
<v Speaker 1>for instance, he uses state of the art code breaking

0:48:43.880 --> 0:48:46.960
<v Speaker 1>computers and an attempt to crack the code of dolphin

0:48:47.080 --> 0:48:52.319
<v Speaker 1>vocalization patterns and uh as. As Bruce Clark points out

0:48:52.360 --> 0:48:56.040
<v Speaker 1>in his Communication plus one paper from two thousand and fourteen,

0:48:56.280 --> 0:48:59.239
<v Speaker 1>John Lily The Mind of the Dolphin and Communication out

0:48:59.239 --> 0:49:03.960
<v Speaker 1>of Bounds, He says lially mobilize the best available tools,

0:49:04.000 --> 0:49:07.759
<v Speaker 1>a cutting edge array of cybernetic concepts in pursuit of

0:49:07.840 --> 0:49:12.480
<v Speaker 1>his his breakthrough communication with dolphins. He employed quote information theory,

0:49:12.560 --> 0:49:16.600
<v Speaker 1>bound up with first order cybernetics, and operated with the

0:49:16.760 --> 0:49:21.560
<v Speaker 1>heuristic computational metaphors alongside the actual computers of his era.

0:49:21.760 --> 0:49:25.000
<v Speaker 1>So that actually speaks to my my question from earlier

0:49:25.000 --> 0:49:28.120
<v Speaker 1>about bring computer interfaces. It sounds like he did have

0:49:28.239 --> 0:49:30.520
<v Speaker 1>quite a bit of influence on the BC I. Yeah,

0:49:30.560 --> 0:49:32.799
<v Speaker 1>it's it sounds like he did. Yeah, he was, you know,

0:49:33.200 --> 0:49:37.279
<v Speaker 1>basically any area he applied himself to, he managed to

0:49:37.440 --> 0:49:42.040
<v Speaker 1>influence that discipline. Uh, sometimes in a positive direction, sometimes

0:49:42.200 --> 0:49:44.799
<v Speaker 1>in a negative direction as well as well discussed. But

0:49:44.800 --> 0:49:46.640
<v Speaker 1>but in all of this too, we're getting into this

0:49:46.680 --> 0:49:50.600
<v Speaker 1>problem of projection, right. Oh yeah, you mean like actual

0:49:50.680 --> 0:49:54.479
<v Speaker 1>vocal projection. No, no, no, actually like projecting, uh well,

0:49:54.560 --> 0:49:57.839
<v Speaker 1>and maybe to a certain extent, but also want you know,

0:49:58.120 --> 0:50:02.600
<v Speaker 1>projecting your consciousness on to another creature, okay, okay um.

0:50:03.120 --> 0:50:06.160
<v Speaker 1>As Clark points out in his paper, projection short circuits

0:50:06.200 --> 0:50:08.960
<v Speaker 1>a proper understanding of what others are thinking or meaning

0:50:09.000 --> 0:50:12.640
<v Speaker 1>to convey when they make a communic communicative offer, so

0:50:12.680 --> 0:50:15.160
<v Speaker 1>that in projection goes. It's a problem when we just

0:50:15.200 --> 0:50:17.800
<v Speaker 1>try and communicate with each other, Like I'm not just community,

0:50:17.800 --> 0:50:21.560
<v Speaker 1>I'm not communicating solely with you. I'm communicating with a

0:50:21.680 --> 0:50:24.319
<v Speaker 1>version of you I have in my mind, my expectations

0:50:24.360 --> 0:50:27.240
<v Speaker 1>of you. And then the kind of feedback you provide

0:50:27.239 --> 0:50:31.279
<v Speaker 1>as well. It's the inherent problem of human communication, and

0:50:31.840 --> 0:50:35.160
<v Speaker 1>through a series of feedback and feed forward we try

0:50:35.200 --> 0:50:38.719
<v Speaker 1>to clear up like various psychological noise that gets in

0:50:38.719 --> 0:50:41.040
<v Speaker 1>the middle there of our understanding of what one another

0:50:41.120 --> 0:50:44.040
<v Speaker 1>is saying. But yeah, it's it's kind of like the

0:50:44.160 --> 0:50:47.480
<v Speaker 1>human dilemma, right, is that like we're we're never going

0:50:47.560 --> 0:50:50.000
<v Speaker 1>to fully be able to at least, you know, with

0:50:50.120 --> 0:50:54.600
<v Speaker 1>just our voices, uh, communicate what's going on inside our

0:50:54.680 --> 0:50:59.200
<v Speaker 1>head to one another. Really really wanted to get past that. Yeah,

0:50:59.320 --> 0:51:01.439
<v Speaker 1>And but one of the problems, of course, is that he's,

0:51:01.960 --> 0:51:05.040
<v Speaker 1>despite his scientific background and all of the vigoris throwing

0:51:05.080 --> 0:51:08.200
<v Speaker 1>into this, he seems to always be working with the

0:51:08.280 --> 0:51:12.239
<v Speaker 1>certainty that communication can truly be established, and that not

0:51:12.280 --> 0:51:14.600
<v Speaker 1>only is he reaching out, but they're reaching out to us.

0:51:15.040 --> 0:51:18.640
<v Speaker 1>He said to quote, we must keep the working hypothesis

0:51:18.640 --> 0:51:22.319
<v Speaker 1>in mind that they are highly intelligent and are just

0:51:22.440 --> 0:51:26.800
<v Speaker 1>as interested in communicating with us as we are with them.

0:51:26.920 --> 0:51:29.439
<v Speaker 1>So you know, that's a potential stumbling block to your

0:51:29.560 --> 0:51:33.280
<v Speaker 1>your efforts here, because you already have it firmly established

0:51:33.320 --> 0:51:35.279
<v Speaker 1>in your mind that this can be done, that this

0:51:35.320 --> 0:51:38.000
<v Speaker 1>connection is there to be made. I mean, and again,

0:51:38.000 --> 0:51:40.360
<v Speaker 1>the intelligence of dolphins isn't in doubt. But to work

0:51:40.360 --> 0:51:42.879
<v Speaker 1>with that kind of certainty, uh, with with the kind

0:51:42.880 --> 0:51:46.560
<v Speaker 1>of certainty that they reflect our desire to communicate as well,

0:51:46.600 --> 0:51:49.960
<v Speaker 1>that's problematic. Yeah, and certainly I can imagine where that

0:51:50.120 --> 0:51:55.560
<v Speaker 1>is where he starts to have stumbling blocks with funders like, uh,

0:51:55.840 --> 0:51:58.279
<v Speaker 1>the Navy for instance, in the Air Force, or just

0:51:58.360 --> 0:52:02.680
<v Speaker 1>any like even NYM Like when you start postulating that

0:52:03.120 --> 0:52:07.680
<v Speaker 1>your test subjects are on an equal playing field with

0:52:07.800 --> 0:52:10.759
<v Speaker 1>humanity and should be treated as such, that's going to

0:52:10.840 --> 0:52:13.560
<v Speaker 1>be immediately problematic for them, right because it's outside of

0:52:13.560 --> 0:52:17.240
<v Speaker 1>their world understanding, but it also doesn't fit their agenda. Yeah,

0:52:17.280 --> 0:52:20.160
<v Speaker 1>and and word of these experiments and some of his

0:52:20.280 --> 0:52:22.880
<v Speaker 1>methods and ideas, they're leaking out. He has some researchers

0:52:22.880 --> 0:52:26.480
<v Speaker 1>that are leaving him and working exclusively for the Navy, uh,

0:52:26.719 --> 0:52:31.880
<v Speaker 1>perhaps whispering about his his excessive use of the isolation tank.

0:52:32.520 --> 0:52:34.320
<v Speaker 1>Perhaps they even know something about the l s D.

0:52:34.560 --> 0:52:40.080
<v Speaker 1>And they're definitely talking about the flooded dolphin cohabitation apartment

0:52:40.520 --> 0:52:44.680
<v Speaker 1>that becomes a major project towards the end of c

0:52:44.960 --> 0:52:48.400
<v Speaker 1>R I. So this is actually I don't know about

0:52:48.400 --> 0:52:50.960
<v Speaker 1>this particularly, but I know that he pitched an idea

0:52:51.000 --> 0:52:53.360
<v Speaker 1>that basically there needed to be some kind of living

0:52:53.440 --> 0:52:57.320
<v Speaker 1>space that humans and dolphins could coexist within to communicate.

0:52:57.440 --> 0:52:59.839
<v Speaker 1>Is this his attempt at that, Yeah, it's I mean

0:53:00.120 --> 0:53:03.000
<v Speaker 1>a lot of credit has to go to scientists. Margaret

0:53:03.400 --> 0:53:06.280
<v Speaker 1>how Love it who was actually the woman who lived

0:53:06.320 --> 0:53:08.719
<v Speaker 1>with the dolphins, and she she later wrote a book

0:53:08.760 --> 0:53:11.840
<v Speaker 1>where a number of articles that came out about her experience.

0:53:11.840 --> 0:53:14.600
<v Speaker 1>There's a great Guardian article actually titled to Dolphin who

0:53:14.640 --> 0:53:19.799
<v Speaker 1>Loved Me? And she comes up to the Lily with

0:53:19.840 --> 0:53:23.960
<v Speaker 1>the idea like she's already researching dolphins, so she's drawn

0:53:24.040 --> 0:53:26.800
<v Speaker 1>to his activities here. And according to her in the

0:53:26.800 --> 0:53:29.160
<v Speaker 1>Guardian piece, she says, maybe it was because I was

0:53:29.280 --> 0:53:31.640
<v Speaker 1>living so close to the lab. It just seems so simple.

0:53:31.880 --> 0:53:33.719
<v Speaker 1>Why let the water get in the way. So I

0:53:33.719 --> 0:53:36.920
<v Speaker 1>said to John Lily, I want to plaster everything and

0:53:37.000 --> 0:53:40.560
<v Speaker 1>fill this place with water. I want to live here. Huh.

0:53:40.800 --> 0:53:42.960
<v Speaker 1>So see what she have a scuba suit on? Or

0:53:43.040 --> 0:53:46.480
<v Speaker 1>was it just it just was a shallow enough that

0:53:46.520 --> 0:53:50.080
<v Speaker 1>she could wait around And basically they waterproofed this whole

0:53:50.160 --> 0:53:53.719
<v Speaker 1>living area. They made like a floodable apartment so that

0:53:53.800 --> 0:53:57.920
<v Speaker 1>she could live there with the dolphin four months of

0:53:58.040 --> 0:53:59.840
<v Speaker 1>eventual eventually, I think they talked about it being a

0:53:59.840 --> 0:54:01.839
<v Speaker 1>three month period, but it ended up being a six

0:54:01.880 --> 0:54:05.000
<v Speaker 1>month period where she was living with this dolphin, handpicked

0:54:05.000 --> 0:54:09.400
<v Speaker 1>dolphin named Peter, in an attempt to teach him English.

0:54:09.400 --> 0:54:12.279
<v Speaker 1>She was going to teach him to speak English. And

0:54:12.280 --> 0:54:15.480
<v Speaker 1>the idea here and really you know, bought into two

0:54:15.920 --> 0:54:19.359
<v Speaker 1>was that she would be there just constantly as this

0:54:19.440 --> 0:54:22.120
<v Speaker 1>kind of mother figure, that they would have this chance

0:54:22.160 --> 0:54:25.360
<v Speaker 1>to to bond in a in a way that human

0:54:25.400 --> 0:54:28.440
<v Speaker 1>and dolphin had not previously. And I'm assuming that like

0:54:28.600 --> 0:54:32.560
<v Speaker 1>she must have approached this like linguistic effort, I guess,

0:54:32.600 --> 0:54:35.399
<v Speaker 1>like using the same basis for which we teach young

0:54:35.560 --> 0:54:38.759
<v Speaker 1>humans language. Right, Yeah, that's my understanding very much. It

0:54:38.800 --> 0:54:42.080
<v Speaker 1>was like an adult human attempting to teach a child

0:54:42.160 --> 0:54:47.600
<v Speaker 1>human how to speak with the some added complications, um

0:54:47.640 --> 0:54:50.520
<v Speaker 1>that end up being important later on in that they

0:54:50.520 --> 0:54:54.560
<v Speaker 1>helped us to scandalize the work here. But dolphins are

0:54:54.600 --> 0:54:59.160
<v Speaker 1>pretty can be pretty sexual creatures. So yeah, I've heard story. Yeah,

0:54:59.160 --> 0:55:00.960
<v Speaker 1>this is probably where a lot of people are familiar

0:55:00.960 --> 0:55:05.880
<v Speaker 1>with the story because she would occasionally have to help relieve,

0:55:06.040 --> 0:55:10.160
<v Speaker 1>help dispense Peter of his sexual urges, let's say, in

0:55:10.239 --> 0:55:12.640
<v Speaker 1>order to keep the work going. And that's she says,

0:55:12.680 --> 0:55:14.840
<v Speaker 1>that's the way she approached approaching and not from a

0:55:14.880 --> 0:55:18.120
<v Speaker 1>sexual uh you know vantage point. But it was this

0:55:18.200 --> 0:55:20.360
<v Speaker 1>is a part of how Peter behaves as a dolphin,

0:55:20.760 --> 0:55:21.960
<v Speaker 1>and we need to just sort of get that out

0:55:22.000 --> 0:55:25.799
<v Speaker 1>of the way so we can continue working on language. Okay, well, yeah,

0:55:25.800 --> 0:55:28.080
<v Speaker 1>I could see what that would be quite scandalous. It's

0:55:28.080 --> 0:55:31.000
<v Speaker 1>one thing to pose it that a dolphin is on

0:55:31.120 --> 0:55:37.480
<v Speaker 1>a sort of equal identity status, individual individualistic status with

0:55:37.520 --> 0:55:40.520
<v Speaker 1>a human being. It's another thing to start engaging with

0:55:40.680 --> 0:55:44.719
<v Speaker 1>them what people would consider bestiality. Yeah, he'd get into

0:55:45.120 --> 0:55:47.280
<v Speaker 1>a weird area here. We have to sort of explain

0:55:47.320 --> 0:55:50.120
<v Speaker 1>yourself out of that, or attempt to explain yourself out

0:55:50.120 --> 0:55:54.160
<v Speaker 1>of that to your your backers or by nineteen seventy five,

0:55:54.239 --> 0:55:57.400
<v Speaker 1>actually Hustler magazine comes out with them with an article

0:55:57.440 --> 0:56:01.160
<v Speaker 1>about it and didn't help. Oh yeah, they completely scandalized

0:56:01.400 --> 0:56:03.480
<v Speaker 1>love It and It and the experiment. They had some

0:56:03.520 --> 0:56:06.560
<v Speaker 1>sort of a provocative illustration and just made it sound

0:56:06.640 --> 0:56:09.640
<v Speaker 1>like like love It and Lily were just engaged in

0:56:09.680 --> 0:56:12.480
<v Speaker 1>a you know, a pan species free for all there

0:56:12.600 --> 0:56:16.520
<v Speaker 1>something which criticisms of this experiment aside. You know, clearly

0:56:16.600 --> 0:56:19.640
<v Speaker 1>wasn't the point they were. They were trying to teach

0:56:20.000 --> 0:56:21.960
<v Speaker 1>this creature to speak English. They were trying to to

0:56:22.040 --> 0:56:24.840
<v Speaker 1>bridge this gap between the species and it. But it

0:56:24.880 --> 0:56:27.080
<v Speaker 1>did get into some pretty weird areas. This sounds like

0:56:27.120 --> 0:56:29.840
<v Speaker 1>another like we should add this to our our little

0:56:29.880 --> 0:56:32.480
<v Speaker 1>document of ideas. This sounds like a great thing that

0:56:32.520 --> 0:56:34.640
<v Speaker 1>we should cover for a future episode. Is like how

0:56:34.719 --> 0:56:41.600
<v Speaker 1>much animal sexuality gets in the way of human animal experimentation. Uh,

0:56:41.640 --> 0:56:44.040
<v Speaker 1>and and like this can't be the first time or

0:56:44.120 --> 0:56:54.440
<v Speaker 1>only time that's happened, yeah, or the last. So by

0:56:54.480 --> 0:56:58.920
<v Speaker 1>autumn of nine, Lily is increasingly more interested in LSD

0:56:59.280 --> 0:57:03.279
<v Speaker 1>research then the ongoing dolphin research. Uh. You know, you

0:57:03.320 --> 0:57:05.359
<v Speaker 1>could say that he's probably spent more time in the

0:57:05.360 --> 0:57:07.319
<v Speaker 1>tank with the l s D. The l s D

0:57:07.320 --> 0:57:10.240
<v Speaker 1>becomes the thing that is holding his interest and seems

0:57:10.280 --> 0:57:13.120
<v Speaker 1>to be the next logical place for his interest and

0:57:13.160 --> 0:57:16.080
<v Speaker 1>consciousness to really focus and to keep it in perspective.

0:57:16.080 --> 0:57:18.000
<v Speaker 1>He's he's kind of getting up to sort of sort

0:57:18.000 --> 0:57:20.680
<v Speaker 1>of retirement age at this point, I would imagine, right, Yeah,

0:57:20.720 --> 0:57:23.480
<v Speaker 1>I mean I should say so and uh and so

0:57:23.480 --> 0:57:26.280
<v Speaker 1>it's at this point, just as six months of cohabitation

0:57:26.320 --> 0:57:29.000
<v Speaker 1>with Peter coming to an end, funding drives up at

0:57:29.040 --> 0:57:31.800
<v Speaker 1>cr AT c r I and its closure is announced.

0:57:32.200 --> 0:57:34.120
<v Speaker 1>Um and they didn't even have a peer reviewed paper

0:57:34.200 --> 0:57:37.280
<v Speaker 1>out yet. Again, this comes up on the back of

0:57:37.400 --> 0:57:40.240
<v Speaker 1>rumors that are spreading about the experiments c r I.

0:57:40.520 --> 0:57:43.680
<v Speaker 1>Apparently a visiting board of grant examiners also came and

0:57:43.760 --> 0:57:46.320
<v Speaker 1>ended up giving just a scathing review of the operation,

0:57:47.000 --> 0:57:50.520
<v Speaker 1>and and Lily charges that the Navy researchers effectively sabotaged

0:57:50.600 --> 0:57:53.360
<v Speaker 1>him and all of this, and you know, maybe they did. Yeah,

0:57:53.440 --> 0:57:55.200
<v Speaker 1>And there's that sort of like this is a question

0:57:55.240 --> 0:57:58.440
<v Speaker 1>that I had along. Like basically the whole journey for

0:57:58.520 --> 0:58:00.840
<v Speaker 1>Lily is like where's the money coming from? Right? Like,

0:58:01.120 --> 0:58:03.600
<v Speaker 1>he obviously has that point where he's working very closely

0:58:03.600 --> 0:58:06.520
<v Speaker 1>with the government in the military, and then he gets

0:58:06.520 --> 0:58:09.440
<v Speaker 1>into this phase where they're co funding stuff, but he's

0:58:09.440 --> 0:58:14.480
<v Speaker 1>also got private resources, possibly even from his family. But yeah,

0:58:14.760 --> 0:58:18.200
<v Speaker 1>I can imagine that if they're like coming by to

0:58:18.280 --> 0:58:20.800
<v Speaker 1>take a tour or something like that, they're probably a

0:58:20.840 --> 0:58:22.680
<v Speaker 1>little bit horrified. Well, it seems to be one of

0:58:22.680 --> 0:58:26.640
<v Speaker 1>those cases where the establishment, if you will, we're certainly

0:58:26.720 --> 0:58:31.280
<v Speaker 1>find funding Lily as long as his obsessions matched up

0:58:31.360 --> 0:58:34.320
<v Speaker 1>with with with their goals and with their interests. But

0:58:34.480 --> 0:58:39.080
<v Speaker 1>is his obsession uh drifted out of sync with theirs

0:58:39.440 --> 0:58:43.040
<v Speaker 1>they stepped away from him. Well, it's fascinating, but it

0:58:43.040 --> 0:58:44.880
<v Speaker 1>gets back to what we talked about in the Animals

0:58:44.880 --> 0:58:47.560
<v Speaker 1>as Weapons episode, right, like nine times out of ten.

0:58:47.600 --> 0:58:49.760
<v Speaker 1>That's where the money comes for this kind of stuff. Yeah,

0:58:49.880 --> 0:58:53.480
<v Speaker 1>so c R I is just completely taken apart. The

0:58:53.920 --> 0:58:57.200
<v Speaker 1>dolphins are most of the dolphins are apparently released, though

0:58:57.800 --> 0:59:02.800
<v Speaker 1>Peter apparently unfortunately dies in captivity. Later on, Lily told

0:59:02.880 --> 0:59:07.760
<v Speaker 1>love It that Peter died via suicide. That since dolphins

0:59:07.760 --> 0:59:11.400
<v Speaker 1>have to consciously breathe, that if a dolphin is is

0:59:11.720 --> 0:59:15.600
<v Speaker 1>significantly upset, it may just simply shut down and stop breathing.

0:59:15.680 --> 0:59:18.320
<v Speaker 1>And that is allegedally what happened, and that it was

0:59:18.440 --> 0:59:21.680
<v Speaker 1>upset by the suffering of its bond. Would love it

0:59:22.480 --> 0:59:25.640
<v Speaker 1>perhaps that's why. That's what love It, That's what love

0:59:25.680 --> 0:59:28.880
<v Speaker 1>It says in in in her book and in interviews. Yeah. See,

0:59:28.880 --> 0:59:30.880
<v Speaker 1>so this is a little bit different from what I

0:59:30.960 --> 0:59:34.440
<v Speaker 1>had read. And this is by Lily's own account. Later on,

0:59:34.880 --> 0:59:37.800
<v Speaker 1>he sort of defiantly goes on later on to say,

0:59:37.840 --> 0:59:41.080
<v Speaker 1>like he, in the face of the Navy and everybody else,

0:59:41.120 --> 0:59:44.240
<v Speaker 1>he purposely let all the dolphins go. Uh And he

0:59:44.520 --> 0:59:46.439
<v Speaker 1>even said to the point he said, well they were

0:59:46.520 --> 0:59:52.080
<v Speaker 1>finished reprogramming me. So he you know, obviously like went

0:59:52.120 --> 0:59:56.040
<v Speaker 1>to the uh far into the metaphor with the dolphins

0:59:56.040 --> 0:59:59.439
<v Speaker 1>were performing the experiments on him, he wasn't experimenting on them,

1:00:00.040 --> 1:00:03.280
<v Speaker 1>and that they chose to let him go. Yes, indeed,

1:00:04.160 --> 1:00:07.080
<v Speaker 1>and uh, you know, at this point we really reached

1:00:07.160 --> 1:00:11.200
<v Speaker 1>the point where Lily begins to fall out of favor

1:00:11.520 --> 1:00:13.680
<v Speaker 1>with a lot of folks. Certainly by the time that

1:00:13.880 --> 1:00:18.240
<v Speaker 1>Hustler magazine article comes out in seventy five. Uh, as

1:00:18.280 --> 1:00:21.200
<v Speaker 1>I pointed out in that Orian magazine piece of Mind

1:00:21.240 --> 1:00:24.720
<v Speaker 1>in the Water that I mentioned earlier, Lily went on

1:00:24.800 --> 1:00:28.960
<v Speaker 1>to just be widely reviled by professional dolphin researchers and

1:00:29.320 --> 1:00:33.320
<v Speaker 1>working scientists have for some time tended to dismiss him

1:00:33.360 --> 1:00:37.160
<v Speaker 1>as just a lunatic, you know, as this hippie nut job.

1:00:37.600 --> 1:00:39.479
<v Speaker 1>And you can understand that, right, I mean, you're trying

1:00:39.520 --> 1:00:44.440
<v Speaker 1>to do this serious professional work and his figure is

1:00:44.480 --> 1:00:47.280
<v Speaker 1>sort of looming in the in your peripheral fision. The

1:00:47.320 --> 1:00:50.720
<v Speaker 1>whole time people were perhaps bringing him up. His he's

1:00:50.840 --> 1:00:54.160
<v Speaker 1>he's tarnished your your your work, and your passions to

1:00:54.200 --> 1:00:57.760
<v Speaker 1>a certain extent by his approach to tackling them. Well,

1:00:57.840 --> 1:01:02.920
<v Speaker 1>especially knowing how competitive and sort of vicious. Unfortunately that

1:01:03.040 --> 1:01:08.080
<v Speaker 1>like academic and research competition can kind of go. Yeah,

1:01:08.160 --> 1:01:10.080
<v Speaker 1>I'm not surprised at all that sort of like the

1:01:10.120 --> 1:01:14.960
<v Speaker 1>next generation of dolphin researchers turned on him, although you know,

1:01:15.000 --> 1:01:18.720
<v Speaker 1>it also does sound like he wasn't exactly producing uh

1:01:18.760 --> 1:01:22.440
<v Speaker 1>I guess like documented results, right, the kind of things

1:01:22.480 --> 1:01:25.880
<v Speaker 1>that were that were being looked for, both for the

1:01:25.920 --> 1:01:29.280
<v Speaker 1>funding but also to justify you know, what he was

1:01:29.320 --> 1:01:32.800
<v Speaker 1>doing exactly. Well. I I also heard that, uh, and

1:01:32.960 --> 1:01:35.880
<v Speaker 1>I'm curious if this is still true. This is from

1:01:35.920 --> 1:01:41.720
<v Speaker 1>around the time, right before he died. Apparently the research

1:01:41.800 --> 1:01:45.120
<v Speaker 1>station was going to be converted into a luxury condo

1:01:45.280 --> 1:01:49.360
<v Speaker 1>living center that was called Dolphin Cove. Yeah, so I

1:01:49.720 --> 1:01:55.520
<v Speaker 1>wonder if Dolphin Cove is still there with St. Thomas, right, yeah, yeah, curious, Yeah,

1:01:55.640 --> 1:01:57.760
<v Speaker 1>I'd love to hear from you visit it. I wonder

1:01:57.800 --> 1:02:00.640
<v Speaker 1>if the underwater apartment is still there. You pay three

1:02:00.680 --> 1:02:03.440
<v Speaker 1>hundred dollars a night to stay and uh, there's no dolphin,

1:02:03.560 --> 1:02:08.480
<v Speaker 1>you just you know, underwater. Yeah. So okay, this is

1:02:08.520 --> 1:02:12.920
<v Speaker 1>really like the final I guess stage of Lily's research

1:02:13.040 --> 1:02:15.000
<v Speaker 1>career as it were, and he kind of goes whole

1:02:15.000 --> 1:02:17.480
<v Speaker 1>hog into the LSD field, right, right, And this is

1:02:17.520 --> 1:02:20.760
<v Speaker 1>pretty much the the path he continues for the rest

1:02:20.800 --> 1:02:23.040
<v Speaker 1>of his life. Really, this is where this is where

1:02:23.080 --> 1:02:27.840
<v Speaker 1>Lily truly becomes the the the coon skin cap wearing uh,

1:02:28.560 --> 1:02:32.840
<v Speaker 1>psychonaut counterculture mythic figure. This is when he gets his

1:02:32.880 --> 1:02:36.320
<v Speaker 1>membership card into the Psychedelic Avengers that we've been talking

1:02:36.360 --> 1:02:40.080
<v Speaker 1>about on on our episodes for quite is officially a

1:02:40.120 --> 1:02:42.560
<v Speaker 1>part of the team now. And I've seen photos of

1:02:42.640 --> 1:02:46.120
<v Speaker 1>him hanging out with Timothy Learry and Alan Ginsburg. Yeah,

1:02:46.200 --> 1:02:49.760
<v Speaker 1>during this stage, and he apparently continues a certain degree

1:02:50.160 --> 1:02:53.840
<v Speaker 1>of of Dolphin research. Uh. Some of it is um

1:02:53.960 --> 1:02:55.920
<v Speaker 1>more is on the scientific side, like the use of

1:02:56.000 --> 1:02:59.680
<v Speaker 1>musical tones. Some of it is more far more mystical,

1:02:59.760 --> 1:03:04.040
<v Speaker 1>so is the looking into telepathy. But and it's and

1:03:04.080 --> 1:03:08.040
<v Speaker 1>the dolphin continues to be kind of a mascot for

1:03:08.120 --> 1:03:11.560
<v Speaker 1>him and for his work. So even though the c

1:03:11.760 --> 1:03:16.200
<v Speaker 1>r I Center is gone, the Dolphin still remains an

1:03:16.240 --> 1:03:19.240
<v Speaker 1>important part of Lily's life. But of course so does

1:03:19.360 --> 1:03:24.120
<v Speaker 1>LSD and the use of LSD and other psychoactive agents

1:03:24.480 --> 1:03:29.000
<v Speaker 1>too still crack that nut of consciousness in human existence.

1:03:29.320 --> 1:03:32.520
<v Speaker 1>And uh, and and reached that providence of the mind.

1:03:32.600 --> 1:03:35.240
<v Speaker 1>And one of my understandings is that like once l

1:03:35.400 --> 1:03:39.480
<v Speaker 1>s D became illegal, he sort of moved into other psychotropics.

1:03:39.480 --> 1:03:43.280
<v Speaker 1>Specifically ketamine was one that he used a lot um

1:03:43.320 --> 1:03:45.880
<v Speaker 1>and and wrote about a lot as well. Yes, indeed,

1:03:45.920 --> 1:03:48.960
<v Speaker 1>and and if his writings are in any indication, and

1:03:49.000 --> 1:03:52.480
<v Speaker 1>he wrote a lot about his experiences using LSD. Like

1:03:52.520 --> 1:03:55.200
<v Speaker 1>the times he used it, he really used it, like

1:03:55.280 --> 1:03:58.440
<v Speaker 1>he went in Whole Hawk. He had access, legitimate access

1:03:58.480 --> 1:04:05.640
<v Speaker 1>to pharmaceutical grade LSD and really attempted to just break

1:04:05.640 --> 1:04:07.440
<v Speaker 1>through to the other side with it. And this was

1:04:07.480 --> 1:04:10.720
<v Speaker 1>one of the actual like primary resources you were able

1:04:10.720 --> 1:04:12.560
<v Speaker 1>to get a hold of for this episode, right with

1:04:12.640 --> 1:04:16.840
<v Speaker 1>one of his books specifically about these experiences, what's it called.

1:04:17.000 --> 1:04:20.840
<v Speaker 1>It's called Programming and Metaprogramming in the Human bio Computer.

1:04:21.360 --> 1:04:23.400
<v Speaker 1>And this is just kind of his like lab notes

1:04:23.480 --> 1:04:25.880
<v Speaker 1>of taking LSD essentially, it's hiss. Yeah, his big book

1:04:25.920 --> 1:04:30.680
<v Speaker 1>of LSD observations published in nineteen seventy two, and it's

1:04:30.840 --> 1:04:34.400
<v Speaker 1>um God, it's a it's a very interesting book to read.

1:04:34.840 --> 1:04:37.840
<v Speaker 1>It's a difficult book to to read as well. Uh,

1:04:37.920 --> 1:04:40.280
<v Speaker 1>A lot of Lui's writing on this sort of thing.

1:04:40.560 --> 1:04:44.760
<v Speaker 1>Um it seems to be a fascinating synthesis of converging discipline,

1:04:44.880 --> 1:04:48.120
<v Speaker 1>so he's he's dealing with mysticism and new age thought.

1:04:48.480 --> 1:04:52.880
<v Speaker 1>He's also using a lot of computer programming terminology and

1:04:52.880 --> 1:04:56.560
<v Speaker 1>computer programming metaphors and as his evidence in the title. Yeah,

1:04:56.600 --> 1:04:58.520
<v Speaker 1>and that goes back to when he was talking about

1:04:58.520 --> 1:05:00.000
<v Speaker 1>the dolphins at the end of it too, he said

1:05:00.160 --> 1:05:04.160
<v Speaker 1>they reprogrammed him. And then there's a lot of psychoanalysis

1:05:04.200 --> 1:05:06.240
<v Speaker 1>in there as well. Like any discipline he's picked up,

1:05:06.240 --> 1:05:10.160
<v Speaker 1>any technology has picked up, it goes into this writing.

1:05:10.400 --> 1:05:13.440
<v Speaker 1>And at times there's almost a stream of consciousness quality

1:05:13.440 --> 1:05:16.320
<v Speaker 1>to the writings, as if all all three of these

1:05:16.360 --> 1:05:19.440
<v Speaker 1>interpretive systems are working at the same time in different ways,

1:05:19.480 --> 1:05:21.840
<v Speaker 1>and literally is just sharing his thoughts in real time.

1:05:22.560 --> 1:05:25.600
<v Speaker 1>And this can be at times alluring, it can be

1:05:25.880 --> 1:05:30.200
<v Speaker 1>rather alienating. Their portions of programming the human computer that

1:05:30.200 --> 1:05:36.439
<v Speaker 1>that read like the stuffiest trip guides you could possibly imagine. Yeah, yeah,

1:05:36.440 --> 1:05:38.720
<v Speaker 1>I can sort of imagine, especially because right, like he

1:05:38.800 --> 1:05:40.960
<v Speaker 1>was beholden to no one. He's just kind of writing

1:05:41.280 --> 1:05:43.560
<v Speaker 1>if his present day he'd be publishing kindle e books

1:05:43.600 --> 1:05:46.440
<v Speaker 1>or something like that, Right, but like, isn't there still

1:05:46.480 --> 1:05:48.920
<v Speaker 1>like a trust or something like that? That manages his

1:05:49.720 --> 1:05:53.120
<v Speaker 1>manages manages his publishing endeavors. Yeah, I believe so. I

1:05:53.120 --> 1:05:55.640
<v Speaker 1>mean all his books are still out there in one

1:05:55.680 --> 1:05:58.160
<v Speaker 1>form or another. Um. But you know, even though at

1:05:58.160 --> 1:06:00.160
<v Speaker 1>times there's stuffy, there other times where it does just

1:06:00.200 --> 1:06:06.680
<v Speaker 1>read like pure um psychonautic poetry. He's uh, he's he's

1:06:06.760 --> 1:06:09.040
<v Speaker 1>taking all of this these tools and he's trying to,

1:06:09.760 --> 1:06:12.840
<v Speaker 1>you know, figure out what the self is, what consciousness is,

1:06:12.840 --> 1:06:15.680
<v Speaker 1>what are the limits of consciousness? Uh? And yeah, at

1:06:15.720 --> 1:06:18.560
<v Speaker 1>times it's beautiful and at times it's it's very difficult

1:06:18.560 --> 1:06:21.320
<v Speaker 1>and alienating. And so this gets us into the lily

1:06:21.400 --> 1:06:24.360
<v Speaker 1>phase that I have the hardest time identifying with. Up

1:06:24.440 --> 1:06:27.560
<v Speaker 1>until this point, I'm on board, you know, I'm interested

1:06:27.600 --> 1:06:30.320
<v Speaker 1>in what he's doing, interested in his findings, even when

1:06:30.360 --> 1:06:34.680
<v Speaker 1>it comes to like, you know, uh, masturbating a dolphin

1:06:34.920 --> 1:06:38.200
<v Speaker 1>and taking LSD to try to telepathically communicate with them.

1:06:38.240 --> 1:06:41.840
<v Speaker 1>Like I'm I'm interested. But then we get into uh,

1:06:42.120 --> 1:06:45.200
<v Speaker 1>I guess it's the echo phase. This is where, by

1:06:45.200 --> 1:06:47.560
<v Speaker 1>the way, like connected to the Echo the Dolphin video game,

1:06:47.600 --> 1:06:50.520
<v Speaker 1>it's not echo e C h O, it's e c

1:06:50.520 --> 1:06:56.040
<v Speaker 1>CEO because it's an acronym. Oh. Yes, Earth Coincidence Control Office. Yeah.

1:06:56.120 --> 1:06:59.080
<v Speaker 1>So yeah, this ends up coming at about in the

1:06:59.160 --> 1:07:02.680
<v Speaker 1>in the seventies really, but you see the roots of

1:07:02.680 --> 1:07:07.040
<v Speaker 1>it back as far as nineteen two. Okay, um, because

1:07:07.160 --> 1:07:11.560
<v Speaker 1>with his counterculture celebrity status he attracted a lot of peers, followers,

1:07:11.600 --> 1:07:14.920
<v Speaker 1>hangers on from all corners, including some of the day's

1:07:14.920 --> 1:07:17.960
<v Speaker 1>most brilliant freethinking minds, such as a young Carl Sagan

1:07:18.040 --> 1:07:21.560
<v Speaker 1>for interesting, and by sixty two he'd organized the Order

1:07:21.680 --> 1:07:26.640
<v Speaker 1>of the Dolphin and served as Grand Dolphin. And it's

1:07:26.680 --> 1:07:30.240
<v Speaker 1>important to note that this was I kind of think

1:07:30.280 --> 1:07:32.200
<v Speaker 1>of this as kind of like, um, it's kind of

1:07:32.200 --> 1:07:34.720
<v Speaker 1>like a tool album. It's it's serious, but it's also

1:07:34.800 --> 1:07:37.880
<v Speaker 1>not that serious. There's this performance are too. Yeah, there's

1:07:37.880 --> 1:07:39.880
<v Speaker 1>a certain amount of performance are, there's a certain amount

1:07:39.880 --> 1:07:42.240
<v Speaker 1>of goofery. But then there are also some serious undertones

1:07:42.280 --> 1:07:47.720
<v Speaker 1>as well. So this involves astrophysicist, radio astronomers, atmosphere at chemists,

1:07:47.720 --> 1:07:52.720
<v Speaker 1>computer engineers, um. And they even apparently have special special

1:07:52.960 --> 1:07:55.680
<v Speaker 1>pins that they would wear. Man, can you imaginef we

1:07:55.680 --> 1:07:57.840
<v Speaker 1>could get ahold of some of those pins for a

1:07:57.840 --> 1:08:00.280
<v Speaker 1>pretty penny on eBay. Yes, sir, someone will want to

1:08:00.320 --> 1:08:03.560
<v Speaker 1>make sure one of his acts, one of his coonskin hats. Yeah,

1:08:03.960 --> 1:08:07.600
<v Speaker 1>it was apparently a little Engrave dolphin. And eventually a

1:08:07.640 --> 1:08:11.800
<v Speaker 1>lot of his more sci fi oriented ideas come out

1:08:11.800 --> 1:08:15.440
<v Speaker 1>of this period as well. And again like I'm I'm

1:08:15.480 --> 1:08:19.040
<v Speaker 1>I'm not a percent sure that Lily actually believed this stuff, right,

1:08:19.080 --> 1:08:21.120
<v Speaker 1>I think it's we need to cover it in order

1:08:21.160 --> 1:08:23.800
<v Speaker 1>to sort of get the full Lily picture here, Right.

1:08:23.880 --> 1:08:27.880
<v Speaker 1>I get the feeling that this is sort of him, like, yeah,

1:08:28.200 --> 1:08:31.640
<v Speaker 1>performance art, maybe creating like living metaphors in order to

1:08:31.680 --> 1:08:35.320
<v Speaker 1>somehow communicate his ideas out to people, right, Like, the

1:08:35.400 --> 1:08:39.679
<v Speaker 1>more absurd and spectacular the idea, the more attention it's

1:08:39.680 --> 1:08:42.800
<v Speaker 1>possibly going to get. Yeah, I mean a literal interpretation

1:08:42.800 --> 1:08:44.519
<v Speaker 1>of some of these things we're talking about here, of

1:08:44.560 --> 1:08:47.200
<v Speaker 1>his later ideas and writing it, it seems a bit

1:08:47.200 --> 1:08:51.200
<v Speaker 1>too simple for such a complex individual, especially when we

1:08:51.240 --> 1:08:53.879
<v Speaker 1>looked at what Lily himself wrote about his early writings.

1:08:53.880 --> 1:08:58.439
<v Speaker 1>In particular in uh the nineteen seventy two forward to

1:08:59.280 --> 1:09:02.200
<v Speaker 1>a reprint of Programming and metaprom and the Better Programming

1:09:02.200 --> 1:09:04.640
<v Speaker 1>in the Human Biocomputer, he said, I had written the

1:09:04.680 --> 1:09:07.760
<v Speaker 1>report in such a way that it's basic messages were

1:09:07.840 --> 1:09:10.680
<v Speaker 1>hidden behind a heavy, long introduction designed to stop the

1:09:10.720 --> 1:09:14.640
<v Speaker 1>casual reader. Apparently, once word got out, this device no

1:09:14.720 --> 1:09:18.519
<v Speaker 1>longer stalled the interested readers. Somehow, the basic messages were

1:09:18.520 --> 1:09:22.600
<v Speaker 1>important enough to enough readers so that the work acquired

1:09:22.640 --> 1:09:26.960
<v Speaker 1>an unexpected viability. So he's all, he's already talking at

1:09:26.960 --> 1:09:30.040
<v Speaker 1>that stage about a kind of coded nature to his work,

1:09:30.479 --> 1:09:33.720
<v Speaker 1>that that he's hiding ideas that he's and that he's

1:09:33.840 --> 1:09:37.680
<v Speaker 1>layering these ideas. So it seems, yeah, in light of that,

1:09:37.800 --> 1:09:41.759
<v Speaker 1>it seems a bit counterintuitive to say that, for instance,

1:09:41.760 --> 1:09:45.599
<v Speaker 1>when he's talking about the threat of a um solid

1:09:45.640 --> 1:09:50.479
<v Speaker 1>state intelligence, that he's leap speaking literally. Yeah, I mean

1:09:50.520 --> 1:09:52.800
<v Speaker 1>we have to remember back up, like, this is a

1:09:52.800 --> 1:09:58.120
<v Speaker 1>guy whose whole purpose in life was human consciousness and uh,

1:09:58.280 --> 1:10:03.920
<v Speaker 1>connecting human consciousness to other consciousnesses, right, and language, he's

1:10:04.000 --> 1:10:06.000
<v Speaker 1>fully aware that language is the best way that we're

1:10:06.040 --> 1:10:08.240
<v Speaker 1>doing that now and the ways to manipulate it in

1:10:08.360 --> 1:10:11.599
<v Speaker 1>order to sort of best I guess you could almost

1:10:11.640 --> 1:10:14.040
<v Speaker 1>look at it as a like tool of rhetoric, right,

1:10:14.400 --> 1:10:16.720
<v Speaker 1>in order for him to get his ideas across. But yeah,

1:10:16.800 --> 1:10:19.200
<v Speaker 1>let's back up with like the solid state and the

1:10:19.240 --> 1:10:22.000
<v Speaker 1>echoes stuff. So this is this is pretty out there,

1:10:22.120 --> 1:10:26.360
<v Speaker 1>like he posits that there's like an alien intelligence that's

1:10:26.400 --> 1:10:29.080
<v Speaker 1>kind of in control of everything, right, Yeah, this is

1:10:29.120 --> 1:10:32.560
<v Speaker 1>where we get into that, uh, into this idea that

1:10:32.560 --> 1:10:37.080
<v Speaker 1>there's a hierarchy of coincidence control offices at the Earth level,

1:10:37.120 --> 1:10:39.720
<v Speaker 1>solar level, galactic and cosmics. So again that's where we

1:10:39.720 --> 1:10:43.800
<v Speaker 1>get down to echo right Earth coincidence control offices, and

1:10:43.800 --> 1:10:47.040
<v Speaker 1>these are essentially serving the same purpose of God as

1:10:47.040 --> 1:10:50.240
<v Speaker 1>a controlling intelligence in the universe. So this is really

1:10:50.240 --> 1:10:54.400
<v Speaker 1>this is really turning to two notions of spirituality, really

1:10:54.439 --> 1:10:57.840
<v Speaker 1>thinking about God and putting his own spin on what

1:10:58.160 --> 1:11:01.519
<v Speaker 1>God would be in his world of you. Yeah. Yeah,

1:11:01.560 --> 1:11:03.840
<v Speaker 1>and it's not that far off from like other I'm

1:11:03.880 --> 1:11:08.160
<v Speaker 1>thinking like Philip K. Dick for definitely, like he's writing

1:11:08.160 --> 1:11:10.680
<v Speaker 1>around the same period of time, so it's not that

1:11:10.760 --> 1:11:13.760
<v Speaker 1>far off. I can imagine that Lily would maybe pick

1:11:13.840 --> 1:11:16.519
<v Speaker 1>up something like Vallis and be like, Okay, maybe this

1:11:16.560 --> 1:11:18.320
<v Speaker 1>is a cool idea for me to get my ideas

1:11:18.320 --> 1:11:21.720
<v Speaker 1>of consciousness across now that the Navy has pulled my funding. Yeah.

1:11:21.760 --> 1:11:24.920
<v Speaker 1>He also, as I alluded to earlier, he prophesied a

1:11:25.000 --> 1:11:30.320
<v Speaker 1>future conflict between organic intelligence and machine intelligence, and which

1:11:30.320 --> 1:11:33.160
<v Speaker 1>he referred to as the solid state intelligence or s

1:11:33.160 --> 1:11:36.000
<v Speaker 1>s I, so specifically, he said this would be a

1:11:36.040 --> 1:11:41.240
<v Speaker 1>conflict over ideal environmental conditions for either humans or the

1:11:41.320 --> 1:11:45.160
<v Speaker 1>sort of s s I created bioforms that crave cold

1:11:45.280 --> 1:11:49.240
<v Speaker 1>and vacuums. So yeah, yeah, well, I mean and then

1:11:49.479 --> 1:11:51.759
<v Speaker 1>along this period of time too, is when he envisions

1:11:51.760 --> 1:11:53.679
<v Speaker 1>what I was telling you about earlier, which I thought

1:11:53.800 --> 1:11:56.080
<v Speaker 1>was where the apartment thing was going, but he called

1:11:56.080 --> 1:11:59.280
<v Speaker 1>it the future communications laboratory, and he called it a

1:11:59.360 --> 1:12:02.559
<v Speaker 1>floating living room. Uh. And the idea is that this

1:12:02.640 --> 1:12:05.120
<v Speaker 1>is where humans and dolphins would come to connect. So

1:12:05.120 --> 1:12:08.040
<v Speaker 1>I'm imagining something like along the lines of like a

1:12:08.080 --> 1:12:12.240
<v Speaker 1>c world type thing that's less uh imprisoning to the dolphins,

1:12:12.320 --> 1:12:14.240
<v Speaker 1>right where the dolphins can kind of come up and

1:12:14.320 --> 1:12:17.960
<v Speaker 1>interact with human beings. Uh. And and so that that

1:12:18.080 --> 1:12:20.600
<v Speaker 1>idea is like along those same lines, I guess. But

1:12:20.680 --> 1:12:23.200
<v Speaker 1>we have to remember to like nineteen seventy two, the

1:12:23.240 --> 1:12:25.799
<v Speaker 1>same time he's he's he's getting into this real weird stuff.

1:12:25.960 --> 1:12:31.120
<v Speaker 1>Lily's pivotal to establishing the Marine Mammal Protection Act within

1:12:31.160 --> 1:12:34.800
<v Speaker 1>the United States government. You know, I mean, he's grounded.

1:12:34.960 --> 1:12:39.760
<v Speaker 1>He's actually affecting change and in how human beings are

1:12:39.800 --> 1:12:44.559
<v Speaker 1>connecting with dolphins. But he's also you know, experimenting with

1:12:44.600 --> 1:12:46.800
<v Speaker 1>some of this other stuff. Yeah, I have to say,

1:12:46.840 --> 1:12:48.960
<v Speaker 1>just like backing up and looking at the big picture here.

1:12:49.000 --> 1:12:51.920
<v Speaker 1>I think he was having a laugh, you know, or

1:12:52.080 --> 1:12:55.960
<v Speaker 1>or or maybe just trying to use um, some really

1:12:56.000 --> 1:12:58.880
<v Speaker 1>out there ideas in order to draw attention to his

1:12:59.000 --> 1:13:04.520
<v Speaker 1>more grounded philosophy. Yeah, he's more of a mystical philosopher, dreamer,

1:13:04.600 --> 1:13:06.519
<v Speaker 1>and to a certain extent, trickster. You can't wear a

1:13:06.560 --> 1:13:12.400
<v Speaker 1>coonskin calf like that and expect to be taking taking seriously,

1:13:12.439 --> 1:13:14.400
<v Speaker 1>You're kind of winking at the audience at that point.

1:13:14.800 --> 1:13:17.800
<v Speaker 1>But but to your point, Yeah, he he was a

1:13:18.040 --> 1:13:22.600
<v Speaker 1>was a major proponent of of not only the intelligence

1:13:22.640 --> 1:13:24.920
<v Speaker 1>and value of dolphins but they're in Wales, but their

1:13:25.040 --> 1:13:27.920
<v Speaker 1>their rights as well. Yeah. Absolutely. I mean he believed

1:13:28.000 --> 1:13:31.439
<v Speaker 1>that killing whales and dolphins was as immoral as killing

1:13:31.439 --> 1:13:34.320
<v Speaker 1>other human beings, and they should be protected by law

1:13:34.600 --> 1:13:37.640
<v Speaker 1>and humans should understand them as sentient beings. This is

1:13:37.640 --> 1:13:39.479
<v Speaker 1>one of the big quotes that I saw pop up

1:13:39.479 --> 1:13:42.120
<v Speaker 1>from him over and over and over again about dolphins.

1:13:42.120 --> 1:13:45.400
<v Speaker 1>He said, they are not someone to kill, but someone

1:13:45.479 --> 1:13:48.280
<v Speaker 1>to learn from, and I think you see that, and

1:13:48.960 --> 1:13:52.040
<v Speaker 1>at least we're not quite there yet obviously, but I mean, like,

1:13:52.120 --> 1:13:55.280
<v Speaker 1>think of all of the protests over the last couple

1:13:55.280 --> 1:13:58.679
<v Speaker 1>of decades about like dolphins getting killed in tuna traps,

1:13:58.840 --> 1:14:03.760
<v Speaker 1>right like that kind of uh thought about dolphins would

1:14:03.840 --> 1:14:07.519
<v Speaker 1>not have been possible without Lily. Indeed, So there you

1:14:07.600 --> 1:14:11.200
<v Speaker 1>have it, John C. Lily hopefully a a much more

1:14:11.280 --> 1:14:15.240
<v Speaker 1>complete picture of the man and his work, his seriousness,

1:14:15.280 --> 1:14:20.799
<v Speaker 1>his madness, his his his imagination and his just you know, intense,

1:14:21.600 --> 1:14:25.040
<v Speaker 1>hyper focused intellect um, certainly more so than we've been

1:14:25.080 --> 1:14:28.720
<v Speaker 1>able to to do in previous episodes. Yeah. So, uh,

1:14:28.920 --> 1:14:31.080
<v Speaker 1>you know, I would love to hear from people out

1:14:31.080 --> 1:14:33.840
<v Speaker 1>there who have maybe got some because it seems like

1:14:33.880 --> 1:14:37.120
<v Speaker 1>there's just such a wide array of resources about Lily.

1:14:37.360 --> 1:14:39.599
<v Speaker 1>Is there something that we missed here or is there

1:14:39.640 --> 1:14:42.479
<v Speaker 1>more to the story. Maybe you know something about Echo

1:14:42.520 --> 1:14:44.320
<v Speaker 1>that we don't know. Maybe you've been in touch with

1:14:44.320 --> 1:14:47.280
<v Speaker 1>the Solid State intelligence. Uh, you know, you can talk

1:14:47.320 --> 1:14:49.880
<v Speaker 1>to us on Facebook, Twitter, and Tumbler. Were in all

1:14:49.880 --> 1:14:52.640
<v Speaker 1>those platforms, and of course the best way to get

1:14:52.680 --> 1:14:55.919
<v Speaker 1>in touch with us is directly at our email address,

1:14:56.040 --> 1:14:59.800
<v Speaker 1>which is blow the mind at how Stuff Works dot com. Now,

1:15:00.000 --> 1:15:02.400
<v Speaker 1>most of you are used to the show ending right there.

1:15:02.479 --> 1:15:05.559
<v Speaker 1>We usually end it right after dot Com, but we're

1:15:05.560 --> 1:15:07.600
<v Speaker 1>going to end a little differently today. Right Robert, you

1:15:07.680 --> 1:15:09.680
<v Speaker 1>found a particular gem that we're going to add to

1:15:09.720 --> 1:15:11.639
<v Speaker 1>the episode. That's try. We're going to close it out

1:15:11.680 --> 1:15:14.760
<v Speaker 1>with the Art Department track The Agent, off of the

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<v Speaker 1>two thousand fourteen album Natural Selection from Number nineteen Music.

1:15:19.200 --> 1:15:23.599
<v Speaker 1>There uh in O one nine music on Facebook, Twitter,

1:15:23.640 --> 1:15:26.080
<v Speaker 1>and Instagram. This is a really cool track and it

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<v Speaker 1>includes samples from John C. Lily's lecture through the Center

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<v Speaker 1>of the Mandala. One problem in human existence it's the

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<v Speaker 1>tendency to repeat repeating wants control m. For more on

1:16:17.920 --> 1:16:20.639
<v Speaker 1>this and thousands of other topics, visit how stuff Works

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<v Speaker 1>dot com.