1 00:00:09,920 --> 00:00:26,800 Speaker 1: Welcome, sleep Tight Stories. The Frame Up by Wendy McLeod McKnight, 2 00:00:28,840 --> 00:00:41,880 Speaker 1: a New Brunswick based Canadian author. Chapter one, Mona Dunn 3 00:00:42,479 --> 00:00:47,839 Speaker 1: was late. She leaped from one painting to the next, 4 00:00:48,800 --> 00:00:53,720 Speaker 1: her damp hair flying like streamers on a bicycle, her 5 00:00:53,800 --> 00:01:00,760 Speaker 1: dress darkened here and there by still soggy undergarments. She'd 6 00:01:00,840 --> 00:01:05,560 Speaker 1: known there wasn't enough time, even without the calamity, which 7 00:01:05,600 --> 00:01:09,880 Speaker 1: had involved a stranger farther down the beach whose presence 8 00:01:09,880 --> 00:01:12,800 Speaker 1: had trapped her in the water. Thanks to an ill 9 00:01:12,880 --> 00:01:18,200 Speaker 1: thought out decision to jump in wearing only her undergarments. 10 00:01:19,200 --> 00:01:23,920 Speaker 1: Her mistake cost her twenty minutes. She would be the 11 00:01:24,040 --> 00:01:29,440 Speaker 1: last to arrive at Lord Beaverbrook's monthly meeting, just like 12 00:01:29,640 --> 00:01:36,120 Speaker 1: last month and the month before. Lord Beaverbrook would not 13 00:01:36,760 --> 00:01:45,880 Speaker 1: be pleased. Breathless, she arrived at the meeting location, Salvador 14 00:01:46,000 --> 00:01:51,200 Speaker 1: Dolly's Santiago el Grande, one of the largest and most 15 00:01:51,320 --> 00:01:56,600 Speaker 1: dramatic paintings in the art gallery, with its massive horse 16 00:01:56,640 --> 00:02:03,880 Speaker 1: and rider soaring toward the heavens. Located in the Orientation 17 00:02:04,120 --> 00:02:10,560 Speaker 1: Gallery near the entrance, it was a crowd pleaser. Lord 18 00:02:10,600 --> 00:02:16,160 Speaker 1: Beaverbrook was already speaking after slipping through the picture frame 19 00:02:16,240 --> 00:02:21,240 Speaker 1: into the meeting. Mona dipped behind Andre Reedmore, hoping his 20 00:02:21,480 --> 00:02:27,600 Speaker 1: vulminous cloak would hide her. I should like to remind 21 00:02:27,680 --> 00:02:30,960 Speaker 1: you of the many important events that will occur at 22 00:02:31,000 --> 00:02:37,239 Speaker 1: the Beaverbrook Art Gallery this summer, Max Aitken aka Lord Beaverbrook, 23 00:02:37,360 --> 00:02:41,640 Speaker 1: read from his notes, though his head was down. He added, 24 00:02:42,240 --> 00:02:47,239 Speaker 1: good of you to join us, mouse. Max's pet name 25 00:02:47,280 --> 00:02:52,160 Speaker 1: for Mona was Maux, because, according to him, she was 26 00:02:52,280 --> 00:02:59,520 Speaker 1: everywhere and nowhere and never seemed to get cocked. Every 27 00:02:59,720 --> 00:03:05,360 Speaker 1: head swiveled in her direction. Her friends, Madame Juliet and 28 00:03:05,560 --> 00:03:13,360 Speaker 1: Edmond flashed sympathetic smiles. Clement Carterell stuck out his tongue. 29 00:03:13,680 --> 00:03:17,760 Speaker 1: The horse and rider peered down and gave her hard stares. 30 00:03:19,720 --> 00:03:25,440 Speaker 1: Mona curtsied and then fixed her attention upon Max, pretending 31 00:03:25,560 --> 00:03:30,400 Speaker 1: the attention did not bother her in the least. Papa 32 00:03:30,440 --> 00:03:34,440 Speaker 1: called it her imperious look, and it often served her 33 00:03:34,520 --> 00:03:40,880 Speaker 1: well to continue, Max said, flicking a bit of dried 34 00:03:41,000 --> 00:03:45,440 Speaker 1: paint off the lapel of his jacket. The art restorer 35 00:03:45,800 --> 00:03:51,880 Speaker 1: arrives today. A murmur rolled across the crowd like a wave. 36 00:03:53,240 --> 00:03:58,200 Speaker 1: Mona saw Juliet gave Edmund a fearful look. No one 37 00:03:58,400 --> 00:04:04,120 Speaker 1: liked being restored. It was a messy, tedious business, and 38 00:04:04,200 --> 00:04:08,400 Speaker 1: it meant spending several days or weeks trapped in a 39 00:04:08,480 --> 00:04:14,040 Speaker 1: work room in the basement. Now now, Max growled, waving 40 00:04:14,120 --> 00:04:17,160 Speaker 1: the buzz away as if there were bees bothering him 41 00:04:17,200 --> 00:04:22,320 Speaker 1: at the breakfast table. You all knew this was coming. 42 00:04:22,920 --> 00:04:25,760 Speaker 1: Everyone has to do their share if we are to 43 00:04:25,839 --> 00:04:29,919 Speaker 1: remain a top tier art gallery. But I was only 44 00:04:30,000 --> 00:04:35,440 Speaker 1: just restored. Lady Carterell called out, swaying as if she 45 00:04:35,560 --> 00:04:41,200 Speaker 1: might faint. Painted by a Dutch artist in the seventeenth century, 46 00:04:41,720 --> 00:04:45,839 Speaker 1: she had a delicate temperament thanks to being trapped in 47 00:04:45,880 --> 00:04:51,599 Speaker 1: a painting for nearly four hundred years, with crying baby Francis, 48 00:04:52,600 --> 00:04:59,000 Speaker 1: three rambunctious children, and a husband who complained constantly about 49 00:04:59,040 --> 00:05:03,920 Speaker 1: being stuck at the Beaverbrook Art Gallery in New Brunswick, Canada, 50 00:05:04,680 --> 00:05:08,680 Speaker 1: when his dream was to live at the Louver in Paris. 51 00:05:09,880 --> 00:05:14,839 Speaker 1: Lord Beaverbrook didn't glance up, madam. Your painting was last 52 00:05:14,880 --> 00:05:19,600 Speaker 1: restored in nineteen seventy three. It was that long ago, 53 00:05:20,560 --> 00:05:26,440 Speaker 1: Lady Carterell whispered to herself, as I said, Max continued, 54 00:05:26,800 --> 00:05:30,479 Speaker 1: I do not yet have the exact schedule. But here 55 00:05:30,560 --> 00:05:33,599 Speaker 1: is the restoration list as I know it to day. 56 00:05:34,600 --> 00:05:42,520 Speaker 1: The Carterell family, Madame Juliette Don, Lajardains Hotel bedroom, Marymaking, 57 00:05:43,360 --> 00:05:49,720 Speaker 1: and Mona Don. There was such an uproar after Marrymaking 58 00:05:50,240 --> 00:05:55,640 Speaker 1: that Mona barely heard her name. Where will we spend 59 00:05:55,640 --> 00:05:59,640 Speaker 1: the evening when we're being restored? A swarthy man Mona 60 00:05:59,680 --> 00:06:04,560 Speaker 1: didn't recognized shouted. Despite having lived in the gallery for 61 00:06:04,640 --> 00:06:09,679 Speaker 1: nearly sixty years, she still ran across residents who rarely 62 00:06:09,800 --> 00:06:14,839 Speaker 1: left their paintings, especially a painting like Marrymaking, with its 63 00:06:15,000 --> 00:06:18,880 Speaker 1: dozens of people both inside and outside the White Horse Inn. 64 00:06:21,760 --> 00:06:26,279 Speaker 1: Max shrugged, but as faces began to purple, he added, 65 00:06:26,680 --> 00:06:32,359 Speaker 1: calm down, Sir Thomas Samwell has agreed to host folks 66 00:06:32,880 --> 00:06:41,159 Speaker 1: over at Bacchanalian Place while Marrymaking is restored. Satisfied, he 67 00:06:41,240 --> 00:06:45,279 Speaker 1: waited for the grumbling to trickle away. Be prepared to 68 00:06:45,360 --> 00:06:51,240 Speaker 1: go downstairs at a moment's notice. Keep your paintings organized now, 69 00:06:51,480 --> 00:06:54,720 Speaker 1: if you will allow me to continue, I do have 70 00:06:55,000 --> 00:07:02,279 Speaker 1: other news. Someone started to speak, but was hushed. No 71 00:07:02,360 --> 00:07:06,320 Speaker 1: one really wanted to cross the Boss, the resident's nickname 72 00:07:06,400 --> 00:07:11,680 Speaker 1: for Max. The gallery will host a fundraising party on 73 00:07:11,800 --> 00:07:16,720 Speaker 1: Friday Night. Attendances down this year as our donations. As 74 00:07:16,760 --> 00:07:21,360 Speaker 1: you well know, operating a world class enterprise like this 75 00:07:21,520 --> 00:07:24,880 Speaker 1: requires lots of money, and I expect you to look 76 00:07:24,960 --> 00:07:29,960 Speaker 1: sharp during the party. No pained faces, please, and thank you. 77 00:07:30,640 --> 00:07:35,680 Speaker 1: Regardless of the ridiculous things the guests say. A few 78 00:07:35,760 --> 00:07:40,160 Speaker 1: snickers volleyed their way around the meeting. Everyone had a 79 00:07:40,240 --> 00:07:46,600 Speaker 1: handful of gallery patron horror stories. Max acknowledged the laughter 80 00:07:46,720 --> 00:07:51,480 Speaker 1: with a quick grin. Also, the museum will host several 81 00:07:51,560 --> 00:07:56,280 Speaker 1: week long summer camps, but with a twist, the final 82 00:07:56,400 --> 00:08:00,280 Speaker 1: night of each week will include a sleepover. What is 83 00:08:00,280 --> 00:08:06,000 Speaker 1: the sleepover thing? Andre Reidmore asked. His painting was almost 84 00:08:06,040 --> 00:08:09,760 Speaker 1: six hundred years old and he'd been on loan to 85 00:08:09,840 --> 00:08:14,720 Speaker 1: another gallery when the last sleepover was held in nineteen 86 00:08:14,840 --> 00:08:20,520 Speaker 1: ninety eight. The children taking part in the art camps 87 00:08:20,560 --> 00:08:22,800 Speaker 1: get to spend the night in the gallery at the 88 00:08:22,960 --> 00:08:27,200 Speaker 1: end of the week. Mona whispered, even though, if truth 89 00:08:27,240 --> 00:08:31,000 Speaker 1: be told, she was a little afraid of the stern faced, 90 00:08:31,240 --> 00:08:34,640 Speaker 1: giant bear of a man who strode about in his 91 00:08:34,840 --> 00:08:39,480 Speaker 1: fur trimmed green velvet cape. Why would they do that, 92 00:08:40,200 --> 00:08:46,400 Speaker 1: he demanded, It sounds bothersome. Yeah, Mona remembered the last 93 00:08:46,440 --> 00:08:51,480 Speaker 1: sleepover fondly, an opinion not shared by Sir Charles, who 94 00:08:51,600 --> 00:08:59,360 Speaker 1: rallied against allowing rambunctious Ragamuffins to spend the night. Max's 95 00:08:59,400 --> 00:09:06,360 Speaker 1: booming silenced all opposition. Enough. Director Singer is of the 96 00:09:06,480 --> 00:09:13,360 Speaker 1: opinion that such activities encourage family participation in art. Family 97 00:09:13,440 --> 00:09:18,520 Speaker 1: participation means more income. Surely we can put aside our 98 00:09:18,600 --> 00:09:23,640 Speaker 1: personal feelings for the good of the gallery. He means 99 00:09:23,679 --> 00:09:29,920 Speaker 1: the good of Lord Beaverbrook. Someone muttered, Mona twisted around. 100 00:09:31,280 --> 00:09:36,880 Speaker 1: The speaker was British author w Somerset Mom, who was 101 00:09:36,920 --> 00:09:41,280 Speaker 1: being held in the arms of a man. Mona didn't recognize. 102 00:09:41,600 --> 00:09:46,319 Speaker 1: Mom winked at Mona, and she grinned in return. She 103 00:09:46,480 --> 00:09:49,680 Speaker 1: liked him. It was too bad he had the misfortune 104 00:09:49,720 --> 00:09:54,480 Speaker 1: of being a sketch of a head. While Mona's painting 105 00:09:54,600 --> 00:09:58,520 Speaker 1: only showed her from the waist up, her artist had 106 00:09:58,559 --> 00:10:02,200 Speaker 1: thought of the whole of her, which meant when she 107 00:10:02,360 --> 00:10:09,600 Speaker 1: left her portrait she was a complete person. Mom's artists 108 00:10:09,640 --> 00:10:14,880 Speaker 1: had focused solely on the head. Mom could only leave 109 00:10:14,920 --> 00:10:18,320 Speaker 1: his painting if someone remembered to go down to the 110 00:10:18,360 --> 00:10:23,640 Speaker 1: workroom in the basement and get him at least he 111 00:10:23,679 --> 00:10:28,880 Speaker 1: could talk. No one liked the sketches of bodiless hands 112 00:10:29,360 --> 00:10:32,440 Speaker 1: that tended to creep up at the most inopportune and 113 00:10:32,520 --> 00:10:38,560 Speaker 1: frightening times. Max pulled out his pocket watch. It is 114 00:10:38,679 --> 00:10:42,720 Speaker 1: almost six thirty a m. He said. The security shift 115 00:10:42,800 --> 00:10:46,960 Speaker 1: change will be occurring. Su I suggest we all return 116 00:10:47,040 --> 00:10:52,240 Speaker 1: to our paintings, have a good day. A few people 117 00:10:52,280 --> 00:10:55,640 Speaker 1: near the front clapped, hoping Max would notice and think 118 00:10:55,720 --> 00:11:00,680 Speaker 1: kindly of them in the future. Then, like theaters after 119 00:11:00,720 --> 00:11:05,719 Speaker 1: a performance, everyone shuffled off toward the frame where they 120 00:11:05,800 --> 00:11:09,400 Speaker 1: lined up, chatting and laughing as they waited for a 121 00:11:09,440 --> 00:11:13,640 Speaker 1: turn to step into the narrow passages behind the walls 122 00:11:14,120 --> 00:11:18,480 Speaker 1: that magically led to the gallery's various rooms and their 123 00:11:18,559 --> 00:11:26,080 Speaker 1: individual paintings. Before Lord Beaverbrook himself could leave, a man 124 00:11:26,280 --> 00:11:30,720 Speaker 1: emerged from the shadows behind him and whispered something in 125 00:11:30,840 --> 00:11:38,760 Speaker 1: his ear. Mister Dusk was Beaverbrook's right hand man. He 126 00:11:38,920 --> 00:11:44,920 Speaker 1: lived in hotel bedroom located in the Hosmer Pillow Vaughn Gallery. 127 00:11:46,440 --> 00:11:52,160 Speaker 1: His artist, Lucian Freud, was world famous and the painting 128 00:11:52,240 --> 00:11:58,640 Speaker 1: had brought countless visitors to the gallery. But Freud had 129 00:11:58,679 --> 00:12:03,640 Speaker 1: painted Dusk as a ray shadowy figure, and because of that, 130 00:12:04,480 --> 00:12:08,200 Speaker 1: most of the residents of the gallery gave him a 131 00:12:08,360 --> 00:12:14,400 Speaker 1: wide berth. Max nodded as Dusk spoke, and then held 132 00:12:14,480 --> 00:12:18,840 Speaker 1: up a hand. Wait up, he called, mister Dusk here 133 00:12:18,880 --> 00:12:24,200 Speaker 1: has reminded me. I've forgotten something. Those already out of 134 00:12:24,240 --> 00:12:28,319 Speaker 1: the painting poked their heads backed in, while everyone else 135 00:12:28,400 --> 00:12:33,760 Speaker 1: turned their attention back to the boss. The gallery director's 136 00:12:33,800 --> 00:12:38,320 Speaker 1: son is arriving today, Max said, smiling. I didn't know 137 00:12:38,360 --> 00:12:43,640 Speaker 1: he had a son, someone said. Mona nodded she hadn't 138 00:12:43,679 --> 00:12:49,520 Speaker 1: known either. He does, indeed, Max said, a twelve year 139 00:12:49,559 --> 00:12:55,719 Speaker 1: old lad named Sergeant. Apparently he's quite an artist. I 140 00:12:55,760 --> 00:12:59,959 Speaker 1: assume he will participate in the art camps. Director Singer 141 00:13:00,280 --> 00:13:04,480 Speaker 1: is very excited, and that is definitely that off you go. 142 00:13:06,520 --> 00:13:10,200 Speaker 1: Mona was shoved along toward the frame and had nearly 143 00:13:10,440 --> 00:13:15,280 Speaker 1: escaped when Max's booming voice caught up with her. I 144 00:13:15,400 --> 00:13:21,680 Speaker 1: would see you, Mona don Mona sighed. She'd been right. 145 00:13:22,640 --> 00:13:46,320 Speaker 1: She wasn't getting off scot free this time. Chapter two, 146 00:13:49,800 --> 00:13:55,439 Speaker 1: Sergeant Singer's stepfather, Bill hummed as he eased the Mercedes 147 00:13:55,480 --> 00:14:00,400 Speaker 1: into the drop off zone for Terminal B at LaGuardia Airport. 148 00:14:02,160 --> 00:14:05,120 Speaker 1: It was six thirty in the morning on the last 149 00:14:05,200 --> 00:14:11,560 Speaker 1: day of June, and Sergeant was exhausted, not from getting 150 00:14:11,640 --> 00:14:17,120 Speaker 1: up early, but because he hadn't slept at all. Are 151 00:14:17,160 --> 00:14:19,680 Speaker 1: you sure this is the right terminal for Air Canada, 152 00:14:20,440 --> 00:14:24,840 Speaker 1: his mother asked, her, knuckles white from clutching Sergeant's ticket 153 00:14:24,960 --> 00:14:31,200 Speaker 1: and boarding pass. Yes, Sarah Bill said. He leaned forward 154 00:14:31,280 --> 00:14:35,680 Speaker 1: to pop the trunk and then climbed out of the car. 155 00:14:37,080 --> 00:14:40,160 Speaker 1: Sergeant was wriggling across the back seat to the door 156 00:14:40,240 --> 00:14:43,720 Speaker 1: closest to the curb when his mother placed a hand 157 00:14:43,800 --> 00:14:51,960 Speaker 1: on his arm. He froze, anticipating more motherly advice. In 158 00:14:52,000 --> 00:14:56,560 Speaker 1: the past week, she'd subjected him to three serious sit 159 00:14:56,640 --> 00:15:01,520 Speaker 1: down discussions. Obviously, that wasn't enough to convince her he'd 160 00:15:01,560 --> 00:15:06,320 Speaker 1: be fine. She also tucked six pages filled with emergency 161 00:15:06,360 --> 00:15:12,760 Speaker 1: phone numbers, email addresses, a detailed travel itinerary, a map 162 00:15:12,800 --> 00:15:16,480 Speaker 1: of emergency exits on the airplane, and a summer reading 163 00:15:16,520 --> 00:15:21,960 Speaker 1: list into the front pocket of his knapsack. She hadn't 164 00:15:22,000 --> 00:15:25,280 Speaker 1: been this worried when he'd gone to Paris last summer 165 00:15:25,320 --> 00:15:29,600 Speaker 1: to study at the So Long, but this trip was different. 166 00:15:30,400 --> 00:15:34,360 Speaker 1: He was going to visit his father, and anything to 167 00:15:34,440 --> 00:15:41,200 Speaker 1: do with Isaac Singer made his mother a wreck. Sergeant 168 00:15:41,240 --> 00:15:45,640 Speaker 1: shook off her hand, Mom, I gotta go. He was 169 00:15:45,760 --> 00:15:50,040 Speaker 1: free of her grip, but not from her intense blue eyes. 170 00:15:50,920 --> 00:15:55,720 Speaker 1: I know. Look, if it doesn't work out, mom, I'll 171 00:15:55,720 --> 00:16:00,320 Speaker 1: be fine. Sure. He hadn't spent much time I'm with 172 00:16:00,360 --> 00:16:03,320 Speaker 1: his father over the years, But the guy ran an 173 00:16:03,440 --> 00:16:07,240 Speaker 1: art gallery and Sergeant was a painter. They'd have that 174 00:16:07,360 --> 00:16:11,720 Speaker 1: in common, wouldn't they. I know? But if he starts 175 00:16:11,800 --> 00:16:17,160 Speaker 1: acting strange, Sergeant couldn't tell what part of the queasy 176 00:16:17,240 --> 00:16:20,880 Speaker 1: feeling in his stomach was due to his mother's worries 177 00:16:21,520 --> 00:16:27,560 Speaker 1: or his own. Mom Stop, he asked me to spend 178 00:16:27,560 --> 00:16:32,880 Speaker 1: the summer. His mother sniffed. Spending the summer is very 179 00:16:32,880 --> 00:16:37,960 Speaker 1: different from spending a weekend like he didn't already know that. 180 00:16:39,160 --> 00:16:42,640 Speaker 1: No way were they rehashing his history with Isaac again. 181 00:16:43,200 --> 00:16:47,600 Speaker 1: Not here, not now. He wouldn't have the guts to 182 00:16:47,640 --> 00:16:51,960 Speaker 1: get on the plane. Bill's waiting, I gotta go. He 183 00:16:52,080 --> 00:16:56,000 Speaker 1: watched her turn, roll down her window and hold up 184 00:16:56,000 --> 00:17:01,520 Speaker 1: a finger to her husband. One minute darling, Bill tapped 185 00:17:01,520 --> 00:17:05,960 Speaker 1: his watch. Let him go, Sarah, security can take a while. 186 00:17:06,400 --> 00:17:11,320 Speaker 1: We don't want him to miss his flight. Afraid that 187 00:17:11,480 --> 00:17:15,240 Speaker 1: missing his flight was exactly what his mother had in mind, 188 00:17:16,000 --> 00:17:19,600 Speaker 1: Sergeant scrambled out of the car and joined Bill, who 189 00:17:19,680 --> 00:17:24,080 Speaker 1: drew him into a warm hug. Have a great summer, pal, 190 00:17:24,720 --> 00:17:28,280 Speaker 1: Bill said, thumping Sergeant on the back. Don't worry about 191 00:17:28,280 --> 00:17:30,959 Speaker 1: your mom. By the time we're back in the city, 192 00:17:31,240 --> 00:17:36,240 Speaker 1: she'll have forgotten she even has a son. Bill meant 193 00:17:36,280 --> 00:17:40,480 Speaker 1: it as a joke, but it's stung a little. Sergeant 194 00:17:40,520 --> 00:17:43,680 Speaker 1: was the child of his mother's first marriage and had 195 00:17:43,720 --> 00:17:47,800 Speaker 1: been an only child for almost seven years before she 196 00:17:47,920 --> 00:17:54,399 Speaker 1: had remarried. Then his mom had two more kids, twins, 197 00:17:54,440 --> 00:17:59,280 Speaker 1: Ainslie and Ashley, and Sergeant was forced to share her 198 00:17:59,359 --> 00:18:03,000 Speaker 1: not only with Bill, but with a couple of Disney 199 00:18:03,040 --> 00:18:08,040 Speaker 1: princesses come to life. While Sergeant was happy to hole 200 00:18:08,200 --> 00:18:11,280 Speaker 1: up in his bedroom with his paints or a good book, 201 00:18:11,720 --> 00:18:15,440 Speaker 1: the twins were like his mom and Bill, non stop 202 00:18:15,640 --> 00:18:20,560 Speaker 1: talkers who loved being the center of attention. It was 203 00:18:20,640 --> 00:18:25,640 Speaker 1: like they were this perfect family of four, plus awkward him. 204 00:18:28,720 --> 00:18:31,760 Speaker 1: Sergeant was going to miss them all, but the thought 205 00:18:31,800 --> 00:18:34,440 Speaker 1: of a little peace and quiet with no one bugging 206 00:18:34,520 --> 00:18:39,040 Speaker 1: him to paint their nails or play sleeping beauty was appealing. 207 00:18:40,200 --> 00:18:44,480 Speaker 1: I heard that his mother joined them on the sidewalk. 208 00:18:45,480 --> 00:18:51,960 Speaker 1: Despite her obvious distress, she still looked impeccable, and Sergeant 209 00:18:52,000 --> 00:18:55,200 Speaker 1: was sure she had reapplied her lipstick before getting out 210 00:18:55,240 --> 00:19:00,439 Speaker 1: of the car. Ignore Bill, Sergeant, he's just being silly. Listen, 211 00:19:01,400 --> 00:19:04,639 Speaker 1: text me when you are past security, when you bored, 212 00:19:05,119 --> 00:19:11,400 Speaker 1: and when you land in Toronto and Fredericton. Okay, Sergeant nodded, 213 00:19:11,880 --> 00:19:15,119 Speaker 1: knowing there'd be text waiting for him at every stop 214 00:19:15,200 --> 00:19:19,240 Speaker 1: along the way. If he didn't respond, she might call 215 00:19:19,320 --> 00:19:23,520 Speaker 1: out the FBI or something. Sarah, give him a hug. 216 00:19:23,840 --> 00:19:28,119 Speaker 1: We can't stay in this spot much longer. Bill thumped 217 00:19:28,160 --> 00:19:31,840 Speaker 1: sergeant on the back, then circled around and climbed behind 218 00:19:31,920 --> 00:19:38,160 Speaker 1: the wheel. Maybe I should go in the terminal with you. Mom, 219 00:19:38,520 --> 00:19:41,560 Speaker 1: Come on, I don't need you to come in with me. 220 00:19:42,119 --> 00:19:45,399 Speaker 1: The Air Canada lady is waiting for me at the desk. 221 00:19:46,080 --> 00:19:49,520 Speaker 1: If you come in, it'll just drag things out. Please. 222 00:19:52,080 --> 00:19:56,000 Speaker 1: Eyes glistening, Sergeant's mother held him in a vice like 223 00:19:56,080 --> 00:20:01,439 Speaker 1: grip that seemed improbable for anyone so tiny. Fine. I 224 00:20:01,480 --> 00:20:05,000 Speaker 1: love you, sweetheart, be good. I hope everything goes well 225 00:20:05,040 --> 00:20:10,000 Speaker 1: with your father. Remember I'm just a phone call away. 226 00:20:11,160 --> 00:20:15,280 Speaker 1: Sergeant could feel a lump forming in his throat. While 227 00:20:15,320 --> 00:20:18,040 Speaker 1: he wanted to spend the summer with his dad and 228 00:20:18,160 --> 00:20:21,480 Speaker 1: get to know him better, part of him wanted to 229 00:20:21,520 --> 00:20:28,560 Speaker 1: stay home too. Home was familiar, safe. Afraid he might 230 00:20:28,640 --> 00:20:32,800 Speaker 1: cry or worse, chicken out of going, he nodded and 231 00:20:32,960 --> 00:21:05,240 Speaker 1: fled through the revolving door and into the airport to 232 00:21:05,240 --> 00:21:05,280 Speaker 1: the