WEBVTT - Episode 472 w/ Saigon & Buckwild

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<v Speaker 1>He is drinks chests, motherfucking podcasts. He's a legends every

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<v Speaker 1>Queens rapper. He ain't sagreed as your boy in O

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<v Speaker 1>R E. He's a Miami hip hop pioneer put up

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<v Speaker 1>as d J e f N. Together they drink it

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<v Speaker 1>up with some of the biggest players, you know what

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<v Speaker 1>I mean. And the most professional unprofessional podcast and your

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<v Speaker 1>number one source for drunk drinks Chancy Days New Year's CST.

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<v Speaker 1>It's time for drink champions. Drink up? Mother? Would it good?

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<v Speaker 1>Be hoping for? It? Should be? It's your boy n

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<v Speaker 1>A O N A. What up is d J e

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<v Speaker 1>f N. That's the tap the crazy world rink chaps. Now,

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<v Speaker 1>now we got two legends. I did not see this

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<v Speaker 1>collaboration come in. I heard the album, and the album

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<v Speaker 1>sounds exactly how I I thought it was supposed to

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<v Speaker 1>sound like hip hop, and I think you got even

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<v Speaker 1>a record that called two thousand. Now that's what the funk.

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<v Speaker 1>This shit sounds like. It sounds like nineties now like

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<v Speaker 1>the nineties is. Now we got one of the best

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<v Speaker 1>producers of all times of the one of the producers

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<v Speaker 1>that's on my first album. He got to know the

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<v Speaker 1>very first, I wasn't even normy. I believe I was

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<v Speaker 1>component Noriega. Like I believe they called us Compona Noriega,

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<v Speaker 1>like if we didn't have a Noriega by myself and

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<v Speaker 1>he didn't have a compone by myself. And then we

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<v Speaker 1>got motherfucking one of the best lyricists in the world.

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<v Speaker 1>He's been getting money taking labels checks for a long time, sir,

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<v Speaker 1>And we're gonna get into it because he had a

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<v Speaker 1>fight with Shack on the shoulder recently, and we're gonna

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<v Speaker 1>get into it. I want to know how did this happen?

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<v Speaker 1>What a job? Record a record and just said keep

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<v Speaker 1>it going. Nah, Actually it was. It was just shout

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<v Speaker 1>out to Shaw. It was his cat from from overseas.

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<v Speaker 1>He's just like, Yo, you're my favorite Rappo. Buck's my

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<v Speaker 1>favorite producer. My dream is that y'all do a project.

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<v Speaker 1>And we started to do it with him. I'm like, Buck,

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<v Speaker 1>you with it. He said he had some money when

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<v Speaker 1>it was come time, it was coming, it was going through.

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<v Speaker 1>This guy started. This is like two thousand and seventeen.

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<v Speaker 1>He was funding it.

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<v Speaker 2>Yeah, we funded it.

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<v Speaker 1>This was like twenty seventeen. What's his name.

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<v Speaker 2>They start Okay, it.

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<v Speaker 1>Was like twenty seventeen, so I mean, Buck went in.

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<v Speaker 1>We did.

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<v Speaker 2>We did a couple of records.

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<v Speaker 1>I'm like, yo, Buck, these Ships is coming out five,

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<v Speaker 1>so don't really got if we can't really fund this

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<v Speaker 1>project the right way, we're gonna do it ourselves. Let

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<v Speaker 1>me let me any of those records on the album

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<v Speaker 1>all they all okay, okay, years ago, cool, cool.

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<v Speaker 2>The hell out of here, get out of here.

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<v Speaker 1>We had it like two records at the end. But yeah,

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<v Speaker 1>that's the beauty of it sounds right now, it sounds

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<v Speaker 1>like we got done. Buck. I'm like, we could still

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<v Speaker 1>listen to this ship after the million the times we

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<v Speaker 1>heard it, and it's still so good. Right, we got

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<v Speaker 1>some I'm saying, that's what I know. And obviously this

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<v Speaker 1>is independent, yeah yeah, sure came out through Tech nine

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<v Speaker 1>and Travis so Gwynn oh yeah, Virget distribution, RGI, the

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<v Speaker 1>group and we flew out there and meet with Tech

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<v Speaker 1>and them niggas like eight twenty seventeen, like and this

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<v Speaker 1>is just coming down there, man, you gotta start putting

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<v Speaker 1>music out. Did the deal with straight finished the project,

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<v Speaker 1>like no a good good music last, and it's like

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<v Speaker 1>it's toimless. It's like you could put it on it

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<v Speaker 1>and it's like, yo, you know what eight years from

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<v Speaker 1>now and it's like and Norman, this would be like, yo, mom,

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<v Speaker 1>if you drop Normy's songs, like you know, all the

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<v Speaker 1>Pharrell's songs, like every Snory song from the nineties, like

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<v Speaker 1>it's Thomass ye yeah, yea. Because I'm what the call

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<v Speaker 1>came on the other day on the radio when your

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<v Speaker 1>girl was looking, Oh yeah, I like this right, no

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<v Speaker 1>age he tell me ask you buck. You know our

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<v Speaker 1>brother Fad. Joe has a great show that's happening right now,

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<v Speaker 1>Joe and Jada. The biggest thing about Joe is everyone

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<v Speaker 1>says he's capping. He was just talking about that. You

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<v Speaker 1>know him for years, you know how longer than not

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<v Speaker 1>talking about that. What do you a? No cap? No

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<v Speaker 1>cat's exaggeration. It's not that. It's not it's a little

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<v Speaker 1>wight exaggeration, yeah, like ten percent, but it's no cat.

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<v Speaker 1>It's no cat. Yeah. People eat it up. People be like, yo,

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<v Speaker 1>you know what, yo, what that nigga is capping? Like

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<v Speaker 1>he's leaning into that point. It's somebody on the internet

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<v Speaker 1>right now that says that they're his uncle. And I don't.

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<v Speaker 1>I don't know if it is or not, Like uncle,

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<v Speaker 1>you got to stop. And it's like it's so interesting.

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<v Speaker 1>I click on another car and I don't want to

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<v Speaker 1>ask to him. I don't want to ask the guy.

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<v Speaker 1>But so you say, Joe's no cap, no cat man. Okay, okay,

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<v Speaker 1>let's let's let's give one story though, all old stories.

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<v Speaker 1>I believe ninety nine percent of them, just the high

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<v Speaker 1>school one.

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<v Speaker 2>Oh yeah, I wanted to the bar.

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<v Speaker 1>I want years old. He said niggas was helping him

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<v Speaker 1>carry the ship out, like niggas helped me around. But

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<v Speaker 1>I believe that, you know, right right, wanted he wasn't

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<v Speaker 1>one of the niggas. We want to do two different schools.

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<v Speaker 1>But it's like, yo, I believe, like you know a

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<v Speaker 1>lot of that because you know, some exaggeration like ten

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<v Speaker 1>percent sprinkler sauce to make people be like, oh you

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<v Speaker 1>know he's tapping. Everybody knows Fat Joe serious dude, had

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<v Speaker 1>always been a serious guy. Back then it was game.

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<v Speaker 1>It was a fat gangster. He's a skinny got what Yeah,

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<v Speaker 1>niggas stuck up as because you gotta be a foul

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<v Speaker 1>dude to distick up your cousin come bro that's the

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<v Speaker 1>Brox like living in the Bronx like Yo, this this happens,

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<v Speaker 1>but like you know when the original Bronx. But when

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<v Speaker 1>we met like in Queens like Yo, that was like Yo,

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<v Speaker 1>you know, was spooky and I'm like spooky like Yo.

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<v Speaker 1>Those dudes is dangerous, like Yo foul because they've been

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<v Speaker 1>in jail, been in jail like you. But it's like

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<v Speaker 1>you're your your bond together, you know. So with meeting

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<v Speaker 1>spooky like Yo, this is I was like Yo, this

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<v Speaker 1>place is like Yo.

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<v Speaker 2>That Frank is just like Yo block exactly.

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<v Speaker 1>But let me ask you being a part of that

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<v Speaker 1>legendary crew d I T C, Like how did that

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<v Speaker 1>even come about? Huhm? It started with show Bus and Akay, Showman,

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<v Speaker 1>Diamond show A Diamond show before was yeah before and

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<v Speaker 1>then Finesse they did Finess album and we're doing Finess

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<v Speaker 1>album and that's what signa. You know, it's a wild

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<v Speaker 1>pitch and search right yeah no no, no, not search

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<v Speaker 1>like it's too fun. Oh yeah. The album they did

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<v Speaker 1>the album for like five hundred dollars is like technician

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<v Speaker 1>peanuts and it's like yo ag was introduced to show

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<v Speaker 1>you know what I'm saying. And then you got Showman

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<v Speaker 1>a G and it's like he met from battling thing,

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<v Speaker 1>battling finesse.

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<v Speaker 2>Who battle for.

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<v Speaker 1>That's yeah a G Okay okay, it's like Payton versus Okay.

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<v Speaker 1>You know, so you know, you see what you've got.

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<v Speaker 1>You know, he spit and you know, a G spit

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<v Speaker 1>and you know, back and forth, and you know it's

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<v Speaker 1>like yo, he nice and matter of fact, everybody came

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<v Speaker 1>like after like me big al oh, fat Joey, Fat

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<v Speaker 1>Joe was.

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<v Speaker 2>So who was the first people it was?

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<v Speaker 3>It was he said Diamond, Diamond, and.

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<v Speaker 1>You know Diamond bought fat Joeman and before a G, No,

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<v Speaker 1>we skipped a G. When a g ag is like

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<v Speaker 1>the same time, okay, okay, okay, and like me O

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<v Speaker 1>c big alcause you know, all the rest of them

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<v Speaker 1>is like yo, that's that's history. And then Premiere came

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<v Speaker 1>down the line mans like yo, Man is like the original. Okay.

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<v Speaker 1>So when they did Funky Technician from always thought this,

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<v Speaker 1>yeah yeah, yeah that was only DJs knew that ship Man,

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<v Speaker 1>you slip in the bronx, get the fun out of here.

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<v Speaker 4>Now.

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<v Speaker 1>This is this is the hip I breaking news he

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<v Speaker 1>went to the Bronx had but it's like Brooklyn and

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<v Speaker 1>then it's like he lived in maybe Ogden Avenue in

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<v Speaker 1>the Bronx and that that was it. Oh I never

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<v Speaker 1>knew that. I know, he's part of digging in the

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<v Speaker 1>crazy crazy And then who came up with the name,

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<v Speaker 1>who said, let's call this collective d I T C.

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<v Speaker 1>I think that came from from Showman Diamond digging, you know,

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<v Speaker 1>like finding out you know, oh we're digging. Oh yeah,

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<v Speaker 1>we're digging in the crates and you know it's stuck.

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<v Speaker 1>M legends were born. But you know, cool for real,

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<v Speaker 1>Like that's always like a staple where it's like, you know,

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<v Speaker 1>we did correct. It's it's like no cap no, you

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<v Speaker 1>know how you say nor ship. It's like they want

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<v Speaker 1>to have the but we want to have the best

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<v Speaker 1>beats and the best songs.

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<v Speaker 2>And it's like that's what it is he.

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<v Speaker 1>Did for Crates dig four Crates Crates Ship. But I

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<v Speaker 1>don't know, I don't know different, but I say legendary.

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<v Speaker 1>So boom, let's take it to you. So, so how

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<v Speaker 1>did you how did you get started in this game?

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<v Speaker 2>I just man, I got started.

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<v Speaker 1>Pain. We know that you was and it was it

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<v Speaker 1>was right now. I was Yeah, I was in the

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<v Speaker 1>jail house group called seven up. He was like, who tang?

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<v Speaker 1>Who called seven? It was all God body, That's why

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<v Speaker 1>seven might work. Still to this day, I'm telling the

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<v Speaker 1>gods got was missing in the game. That really is

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<v Speaker 1>what's missing. I was just crazy that whole area everybody

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<v Speaker 1>came through that made the impact with God. Body, make

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<v Speaker 1>sure we get back to the beginning, because I just

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<v Speaker 1>wanted to say something listening to this album the one

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<v Speaker 1>man the Crazy Ship that I learned listen to this

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<v Speaker 1>album and learned listening to your music, is that Tupac

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<v Speaker 1>would have been your friend? Oh yeah, I would. I

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<v Speaker 1>like listening to all your ship knowing that we had

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<v Speaker 1>your book, and I was like, Yo, Sa gone in

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<v Speaker 1>a crazy world gone, True life Tupac and I forget

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<v Speaker 1>the two others that I named. It's like it's the

0:11:49.720 --> 0:11:54.400
<v Speaker 1>Gasters street guys, but they have none and they're telling

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<v Speaker 1>you don't like, don't your brother man. It's like it's

0:12:00.920 --> 0:12:02.640
<v Speaker 1>like it's funny with true life. People don't know his

0:12:02.720 --> 0:12:04.960
<v Speaker 1>name stand for the Righteous, uniting those living in the

0:12:05.000 --> 0:12:13.000
<v Speaker 1>fantasy environment about that's the street bar. Actually like I

0:12:13.040 --> 0:12:16.760
<v Speaker 1>loved music, like he got records with Jay Niles together,

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<v Speaker 1>Snoop and all this, and I'll be just looking at

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<v Speaker 1>him sometimes like how the funk? You don't put this out? Still,

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<v Speaker 1>like you don't put it out like but if you

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<v Speaker 1>listen to like he be dropping knowledge, you think it

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<v Speaker 1>like it was so but Puerto Rican godbout it? What

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<v Speaker 1>do you think? What do you think life would have

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<v Speaker 1>been like had Tupac been alive during during your era?

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<v Speaker 1>I wish because he had that lane open for that

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<v Speaker 1>kind of ship. Like you was listening to more music.

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<v Speaker 1>It wasn't just about no real you know, drill tough ship,

0:12:44.120 --> 0:12:45.640
<v Speaker 1>trap ship. It was more so you had to have

0:12:45.679 --> 0:12:48.440
<v Speaker 1>some kind of message ship. And that's what hip hop was. Man.

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<v Speaker 2>When we grew up on hip hop, we were.

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<v Speaker 1>Listening to ex claim and ship like that. They came

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<v Speaker 1>about reading I went to school talking about he was like,

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<v Speaker 1>I know, I was saying, we used to brag about

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<v Speaker 1>having no gold with downions, no gold, no pig, Somebney

0:13:13.480 --> 0:13:16.960
<v Speaker 1>buddy him with some black ship and then brand Nubian brand.

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<v Speaker 1>You look at poor righteous teacher hell those guys. So

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<v Speaker 1>that's when I was looking up to their motherfuckers like yo,

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<v Speaker 1>even though I was in the street D four woundand

0:13:24.000 --> 0:13:26.080
<v Speaker 1>doing dumb ship when I got when I picked up

0:13:26.120 --> 0:13:27.960
<v Speaker 1>a pen, I was like, you know, try to be

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<v Speaker 1>like one of these motherfuckerdrop. I thought I was one

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<v Speaker 1>of the Jungle Brothers and some ship and they just

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<v Speaker 1>never left. Like so when I as I evolved, I

0:13:34.480 --> 0:13:36.520
<v Speaker 1>just kept I kept happening and I had to have

0:13:36.559 --> 0:13:39.120
<v Speaker 1>social commentary in my ship. And another thing that happened

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<v Speaker 1>in jail one time one day because I did have

0:13:41.120 --> 0:13:43.280
<v Speaker 1>the gangster ship when they am in the yard and

0:13:43.320 --> 0:13:46.120
<v Speaker 1>I'm your father, Yeah, I was in there killing you'll only.

0:13:45.960 --> 0:13:46.800
<v Speaker 2>Go bust my gun.

0:13:46.840 --> 0:13:48.640
<v Speaker 1>It was ship and they walked up and he's like, yo,

0:13:48.679 --> 0:13:52.240
<v Speaker 1>you like to hear something because everything you rabbing got

0:13:52.240 --> 0:13:54.400
<v Speaker 1>your monkey ass in here? He said, you like, yo,

0:13:54.440 --> 0:13:57.520
<v Speaker 1>what I like it in here? Like I said, you

0:13:57.559 --> 0:13:59.959
<v Speaker 1>like your hair. I never heard the nigga say like

0:14:00.120 --> 0:14:03.920
<v Speaker 1>your hair, you know. And I was like, hey, fuck

0:14:04.000 --> 0:14:06.160
<v Speaker 1>like and ship for the birds. He was like, well,

0:14:06.200 --> 0:14:08.400
<v Speaker 1>you spend everything that got you up in here. Everything

0:14:08.440 --> 0:14:10.800
<v Speaker 1>you talk about is the reason you hear right. I'm like, damn,

0:14:10.800 --> 0:14:12.920
<v Speaker 1>I never looked at it like that, And that made

0:14:12.960 --> 0:14:14.559
<v Speaker 1>me kind of be conscious to that when I was

0:14:14.600 --> 0:14:17.079
<v Speaker 1>writing ROMs, like, you know what, because it's kids that

0:14:17.160 --> 0:14:19.680
<v Speaker 1>look up to us, kids emulate us, and they want

0:14:19.720 --> 0:14:21.120
<v Speaker 1>to be like us. So I'm like, I'm gonna be

0:14:21.160 --> 0:14:23.280
<v Speaker 1>a little bit conscious of it. So there was a balance,

0:14:23.400 --> 0:14:26.400
<v Speaker 1>like and honestly, when I went full positive, that's when

0:14:26.400 --> 0:14:29.120
<v Speaker 1>my career went tank. That's when niggas, you can't go

0:14:29.160 --> 0:14:31.840
<v Speaker 1>full positive. Now you can't like the preacher. I gotta

0:14:31.880 --> 0:14:33.400
<v Speaker 1>believe the preacher. I got to see the smoke a

0:14:33.480 --> 0:14:36.440
<v Speaker 1>joint like like you know what I'm saying, Like I

0:14:36.440 --> 0:14:39.720
<v Speaker 1>got like, you can't do you can't be perfect, Like

0:14:39.800 --> 0:14:43.680
<v Speaker 1>you know what I'm saying, Like Twin Twin saying Friday

0:14:43.840 --> 0:14:45.720
<v Speaker 1>like I only trusted when he asks for some bod

0:14:45.800 --> 0:14:47.400
<v Speaker 1>I was like, all, I trust a preacher, you know

0:14:47.440 --> 0:14:49.600
<v Speaker 1>what I'm saying, Like, yeah, you got to have a

0:14:49.600 --> 0:14:52.720
<v Speaker 1>little bit. That's why five was thirteen X was very successful.

0:14:52.920 --> 0:14:55.080
<v Speaker 1>There was thirty X did not go to the people

0:14:55.120 --> 0:14:57.440
<v Speaker 1>who were perfect, right to the people who was mistaken,

0:14:57.840 --> 0:15:00.800
<v Speaker 1>who were mistaken, and so easy to fix a person

0:15:00.840 --> 0:15:03.520
<v Speaker 1>who already has a mistake that you identified that mistake,

0:15:03.760 --> 0:15:05.080
<v Speaker 1>so you know what I mean. So that's the reason

0:15:05.080 --> 0:15:07.280
<v Speaker 1>why teach niggas math for dice. So niggas thought they

0:15:07.320 --> 0:15:11.280
<v Speaker 1>was gambling, but he's teaching the mathematics. Wow, sitting there

0:15:11.280 --> 0:15:14.000
<v Speaker 1>thinking they're gambling, but he's teaching the mathematics, that's saying.

0:15:14.000 --> 0:15:16.120
<v Speaker 1>So he was using Yeah, he was using the that

0:15:16.160 --> 0:15:20.880
<v Speaker 1>they to really give the mathematics. What's interesting? What's the

0:15:20.880 --> 0:15:27.960
<v Speaker 1>bronx really? Uh? The city of the Gods at one point? Yeah, yeah, yeah, okay,

0:15:28.320 --> 0:15:44.000
<v Speaker 1>so Joe, Joe ain't capped with that crack, but they

0:15:44.040 --> 0:15:48.320
<v Speaker 1>probably was calling him that because it's like he's from Godsville. Yeah,

0:15:48.440 --> 0:15:50.960
<v Speaker 1>and it's like, you know, Forrest is like that's the name,

0:15:51.560 --> 0:15:53.600
<v Speaker 1>and it's like, yo, he had a rep. And it's

0:15:53.640 --> 0:15:56.720
<v Speaker 1>like the rep grew bigger, and it's like, you know,

0:15:57.680 --> 0:16:01.080
<v Speaker 1>like he grew bigger, and it's like, Yo, that's exploded.

0:16:01.360 --> 0:16:03.640
<v Speaker 1>You know what I'm saying. Right right, let's make some

0:16:03.720 --> 0:16:08.480
<v Speaker 1>noise for the god crack came along. Man. That's a

0:16:08.520 --> 0:16:11.800
<v Speaker 1>good context. It is well because when you put it

0:16:11.840 --> 0:16:14.080
<v Speaker 1>in that perspective, I can see it, like you can

0:16:14.120 --> 0:16:19.640
<v Speaker 1>see that, like you said, god, body everybody know Joe,

0:16:20.080 --> 0:16:24.160
<v Speaker 1>like Joe hung with like pistols from my block. Yeah,

0:16:24.640 --> 0:16:27.560
<v Speaker 1>piece from my block and which one here? Black on

0:16:27.680 --> 0:16:32.360
<v Speaker 1>the black okay, Latin one. Yeah, but the reckless Pistol Pete,

0:16:32.440 --> 0:16:35.640
<v Speaker 1>like Pete went to jails like fucking you know, in

0:16:35.720 --> 0:16:38.080
<v Speaker 1>and out of jail. It's like all of them, all them

0:16:38.160 --> 0:16:41.680
<v Speaker 1>dudes with like yo, you know from this like you

0:16:41.720 --> 0:16:45.760
<v Speaker 1>know they are you know, they are like Joe and

0:16:45.800 --> 0:16:48.760
<v Speaker 1>it's like Joe saved like Pistol, you know what I'm saying,

0:16:48.800 --> 0:16:50.280
<v Speaker 1>Like yo, he was like yo, you know what when

0:16:50.320 --> 0:16:53.560
<v Speaker 1>Pistol came home, Like I went to the studio to

0:16:53.560 --> 0:16:56.160
<v Speaker 1>see game and I was like, yo, what's good, like

0:16:56.240 --> 0:17:00.280
<v Speaker 1>you know, YadA, YadA, YadA, So like yo, you know what.

0:17:00.480 --> 0:17:04.520
<v Speaker 1>It was dope because it's like stay out. Yeah, that

0:17:04.720 --> 0:17:08.760
<v Speaker 1>was his like even though like you know, he would

0:17:08.800 --> 0:17:11.760
<v Speaker 1>do things like Yo, this is this is this is

0:17:11.760 --> 0:17:13.800
<v Speaker 1>where you want to be, you know what I'm saying.

0:17:13.800 --> 0:17:16.719
<v Speaker 1>And that's it all right and now you're killing all

0:17:16.760 --> 0:17:19.760
<v Speaker 1>the rats kills. Didn't you work on Sean album? Yeah?

0:17:20.160 --> 0:17:20.720
<v Speaker 1>How is that like?

0:17:20.760 --> 0:17:21.399
<v Speaker 2>Working with Sean?

0:17:23.000 --> 0:17:26.119
<v Speaker 1>Sean is? Sean is real cool? Like he'd be by

0:17:26.240 --> 0:17:31.000
<v Speaker 1>himself Sean. Yeah, okay, he shot to Jamal Jamal's kids

0:17:31.040 --> 0:17:33.200
<v Speaker 1>from Jamal Barrows.

0:17:33.240 --> 0:17:34.680
<v Speaker 2>He was a wild kay though he was always a

0:17:34.680 --> 0:17:35.400
<v Speaker 2>little recles.

0:17:36.480 --> 0:17:41.800
<v Speaker 1>But all of all the known rappers like Famous from Bronx, no,

0:17:41.880 --> 0:17:46.600
<v Speaker 1>not from Bronx New York, like you like all of

0:17:46.640 --> 0:17:51.479
<v Speaker 1>them famous, like yo, they put him work right, and

0:17:51.480 --> 0:17:55.439
<v Speaker 1>it's like that's the thing where it's like now rappers

0:17:55.480 --> 0:17:57.760
<v Speaker 1>would be like yo, you know what I'm rapping. Now,

0:17:57.800 --> 0:17:59.560
<v Speaker 1>It's like yo, let me go put and work. But

0:17:59.640 --> 0:18:03.919
<v Speaker 1>it's like, yeah, I didn't supposed to work before that. Yeah,

0:18:03.680 --> 0:18:07.160
<v Speaker 1>you waschool like hustling backwards way back.

0:18:07.760 --> 0:18:09.560
<v Speaker 2>He doesn't exist anymore. I understood that.

0:18:09.600 --> 0:18:12.280
<v Speaker 1>I was on the phone with Max B yesterday two

0:18:12.359 --> 0:18:14.560
<v Speaker 1>days ago, and Max we was on phone for.

0:18:14.560 --> 0:18:15.440
<v Speaker 2>About hour and a half.

0:18:15.560 --> 0:18:17.760
<v Speaker 1>Bro like just and he like, yo, Bro, I gave

0:18:17.920 --> 0:18:19.560
<v Speaker 1>seventy seventy five years.

0:18:19.600 --> 0:18:21.399
<v Speaker 2>Man, he had year I had say.

0:18:21.400 --> 0:18:24.440
<v Speaker 1>Like right, he did twelve twelve now like I got

0:18:24.480 --> 0:18:27.359
<v Speaker 1>eight weeks left by years.

0:18:27.720 --> 0:18:30.120
<v Speaker 2>He just you know, he laughed like he.

0:18:30.040 --> 0:18:32.320
<v Speaker 1>Wullieve that, sis, I said, yo, And he did it

0:18:32.320 --> 0:18:35.080
<v Speaker 1>eight piece before he became Max B. So he did

0:18:35.119 --> 0:18:38.520
<v Speaker 1>eight years, came home, got home and then got caught

0:18:38.600 --> 0:18:40.680
<v Speaker 1>up in that ship. So God just God gave him

0:18:40.680 --> 0:18:43.520
<v Speaker 1>another shot, like we had him on drink champs, and

0:18:43.560 --> 0:18:46.080
<v Speaker 1>I asked him. I was like, you think you can compete?

0:18:46.960 --> 0:18:51.800
<v Speaker 1>And I don't think he liked that question. But it's

0:18:51.840 --> 0:18:55.440
<v Speaker 1>an honest answer, right, because when you were in jail,

0:18:55.720 --> 0:18:57.680
<v Speaker 1>like like one thing about Sean, he was just speaking

0:18:57.720 --> 0:19:00.960
<v Speaker 1>about Shine like it the the first records, Like you

0:19:00.960 --> 0:19:02.679
<v Speaker 1>could tell College kind of rushed the record.

0:19:04.840 --> 0:19:06.840
<v Speaker 2>You could tell that Sean had a step behind.

0:19:07.240 --> 0:19:10.239
<v Speaker 1>You could tell like if he gets if you if

0:19:10.240 --> 0:19:16.560
<v Speaker 1>you waited two more weeks, you know what I mean?

0:19:16.640 --> 0:19:20.879
<v Speaker 1>And like a similar So that's the thing. What do

0:19:20.880 --> 0:19:23.919
<v Speaker 1>you think about maxb You know what I heard? I

0:19:23.960 --> 0:19:26.000
<v Speaker 1>heard some music he's been doing in there because he

0:19:26.040 --> 0:19:29.440
<v Speaker 1>got a studio and shipping. Then he got got a

0:19:29.480 --> 0:19:31.960
<v Speaker 1>whole studio in itself. Bro the nigga.

0:19:32.240 --> 0:19:34.520
<v Speaker 2>He got some fire ship Bro, and he's like, I.

0:19:34.440 --> 0:19:38.240
<v Speaker 1>Got four hundred quality songs like bullshit, not a bunch

0:19:38.280 --> 0:19:40.760
<v Speaker 1>of He's like, I got quality records. He's gonna do

0:19:40.800 --> 0:19:43.960
<v Speaker 1>good because people as anticipating them. But the song I

0:19:44.000 --> 0:19:46.439
<v Speaker 1>heard sound great, like he sounds he didn't miss a step,

0:19:46.760 --> 0:19:53.400
<v Speaker 1>you know, sound like you know vibs Cartel had studios

0:19:53.520 --> 0:20:11.720
<v Speaker 1>that Bob had pro to videos. Girl, you know I

0:20:11.720 --> 0:20:15.000
<v Speaker 1>didn't realize how big he was until he can't until

0:20:15.080 --> 0:20:17.239
<v Speaker 1>he got out. Jet I knew he was popping when

0:20:17.240 --> 0:20:20.480
<v Speaker 1>he got out and he sold out the motherfucking Barclays

0:20:20.560 --> 0:20:22.560
<v Speaker 1>in the garden. I'm like, let me, let me let

0:20:22.600 --> 0:20:25.359
<v Speaker 1>you know how I know how pause how big he is.

0:20:26.000 --> 0:20:32.320
<v Speaker 1>Everywhere I go, people coming to me and go, what

0:20:33.040 --> 0:20:38.919
<v Speaker 1>World Boss, Like good job with the World Boss. I'm like, like,

0:20:38.960 --> 0:20:41.480
<v Speaker 1>I don't know what the to say. Like they get

0:20:41.520 --> 0:20:45.639
<v Speaker 1>straight to the point, like I don't really know you

0:20:44.920 --> 0:20:47.760
<v Speaker 1>you know what, But you interviewed the world Boss. And

0:20:47.800 --> 0:20:49.639
<v Speaker 1>I'd be like, okay, I'll be like I'll take the

0:20:49.640 --> 0:20:53.240
<v Speaker 1>compliment world Boss, like you're the boss of the whole world.

0:20:55.840 --> 0:21:00.359
<v Speaker 1>God damn he's that. I'm the world Boss. So that's ship.

0:21:00.920 --> 0:21:03.080
<v Speaker 1>One time. I know we spoke about this, but one time,

0:21:03.480 --> 0:21:05.879
<v Speaker 1>and I love the fact that y'all speak now. But

0:21:06.680 --> 0:21:10.080
<v Speaker 1>where was the actual problem of you a mob deep

0:21:10.080 --> 0:21:14.119
<v Speaker 1>in the S O B ship you I went to

0:21:14.160 --> 0:21:22.520
<v Speaker 1>C T O N Y I was. I didn't want

0:21:22.560 --> 0:21:22.720
<v Speaker 1>to go.

0:21:22.880 --> 0:21:24.359
<v Speaker 2>I knew I have smoke with them niggas.

0:21:24.359 --> 0:21:28.200
<v Speaker 1>I'm like, yo, I never seen Compona norig alive niggas

0:21:28.280 --> 0:21:31.040
<v Speaker 1>Like nah, Mob Deeper is opening up I don't give

0:21:31.080 --> 0:21:34.480
<v Speaker 1>a fun play the cut, and once once y'all get

0:21:34.480 --> 0:21:36.440
<v Speaker 1>on stage, I'm out of it. I'm like, why time

0:21:36.480 --> 0:21:39.040
<v Speaker 1>they going be going? So i just want to see

0:21:39.040 --> 0:21:41.919
<v Speaker 1>them and ship. And then some fucking Peter Rosenberg was like, nah,

0:21:41.960 --> 0:21:43.600
<v Speaker 1>you got to do your single. You gotta single, you

0:21:43.640 --> 0:21:46.960
<v Speaker 1>got to represent and I'm like, right, I'm like to

0:21:47.040 --> 0:21:49.840
<v Speaker 1>take the place. Take the place for that, trust me

0:21:52.080 --> 0:21:57.240
<v Speaker 1>the whole, Please the place for that. You know, it's crazy.

0:21:57.280 --> 0:22:00.480
<v Speaker 1>We were separated and it was and this was like

0:22:00.520 --> 0:22:04.560
<v Speaker 1>the first time in New York City's headline and overwhelmed.

0:22:07.320 --> 0:22:12.840
<v Speaker 1>I wanted to see t O n Wild.

0:22:12.960 --> 0:22:14.959
<v Speaker 2>So that's one of my favorite hip hop songs.

0:22:15.119 --> 0:22:16.840
<v Speaker 1>So but let me ask you, right, so everyone knows

0:22:16.840 --> 0:22:19.760
<v Speaker 1>how that ended, right, but how did y'all initially get

0:22:19.760 --> 0:22:22.880
<v Speaker 1>together and squash it? Because he was gonna before he died,

0:22:22.920 --> 0:22:24.080
<v Speaker 1>we was getting on the phone.

0:22:24.240 --> 0:22:25.080
<v Speaker 2>Okay, you know what I'm saying.

0:22:25.080 --> 0:22:26.800
<v Speaker 1>It was like listening up because we was friends before that.

0:22:26.840 --> 0:22:29.040
<v Speaker 1>A lot of people don't realize me and prod we

0:22:29.040 --> 0:22:29.959
<v Speaker 1>was in friends, but we was.

0:22:30.040 --> 0:22:31.320
<v Speaker 2>We was cordial.

0:22:31.600 --> 0:22:34.120
<v Speaker 1>It was cordial, and then ship happened with true That's

0:22:34.119 --> 0:22:34.600
<v Speaker 1>what got me.

0:22:34.680 --> 0:22:38.360
<v Speaker 2>That's where it started, what did you do? True Rob?

0:22:38.840 --> 0:22:41.120
<v Speaker 1>Yeah, he paid them for a verse and Prodigy used

0:22:41.119 --> 0:22:43.840
<v Speaker 1>a verse on another song. So he was like, either

0:22:43.880 --> 0:22:46.000
<v Speaker 1>give me, give me the money back, or give me

0:22:46.000 --> 0:22:46.879
<v Speaker 1>a new verse.

0:22:47.080 --> 0:22:48.440
<v Speaker 2>Which is fair? Which is fair?

0:22:48.440 --> 0:22:51.960
<v Speaker 1>And he started like like not picking up the phone,

0:22:52.119 --> 0:22:54.399
<v Speaker 1>is it Like I'm gonna tell you. I'm gonna tell you.

0:22:54.880 --> 0:22:56.560
<v Speaker 2>He started doubling them something like they think.

0:22:57.520 --> 0:22:58.840
<v Speaker 1>Once he started saying that was like.

0:22:59.040 --> 0:23:00.159
<v Speaker 2>I'm gonna tell you us.

0:23:00.160 --> 0:23:01.879
<v Speaker 1>We should do that. Back in the days, we used

0:23:01.920 --> 0:23:04.840
<v Speaker 1>to be like, well, being a studio session, somebody would

0:23:04.880 --> 0:23:07.280
<v Speaker 1>have a back for us. We didn't want to write

0:23:07.280 --> 0:23:11.560
<v Speaker 1>the round real quick. So we just infamous for that.

0:23:12.960 --> 0:23:14.600
<v Speaker 1>I know this because I'm a mix tape so I've

0:23:14.600 --> 0:23:16.040
<v Speaker 1>seen it all the time. Let me tell you something.

0:23:22.040 --> 0:23:24.600
<v Speaker 1>The other day was Na's birthday, right, so they start

0:23:24.640 --> 0:23:27.240
<v Speaker 1>tagging him on all like like his freestyles that he

0:23:27.320 --> 0:23:29.639
<v Speaker 1>had and I had like three or four freestyles.

0:23:29.640 --> 0:23:31.719
<v Speaker 2>I was like, all of these shis is on my album.

0:23:33.600 --> 0:23:40.000
<v Speaker 1>I was right on this. I don't know some nigga

0:23:40.040 --> 0:23:41.960
<v Speaker 1>be wasting some fire. I'd be like, yo, I would

0:23:41.960 --> 0:23:43.840
<v Speaker 1>have kept that ship for a song. You don't see

0:23:43.840 --> 0:23:45.560
<v Speaker 1>a nigga rapping on the radio and the should be

0:23:45.560 --> 0:23:48.120
<v Speaker 1>better than songs and ship like you should have kept

0:23:49.400 --> 0:23:51.639
<v Speaker 1>you giving away the good ship. Your ship said, like

0:23:51.680 --> 0:23:55.399
<v Speaker 1>ship they purposed the first song that Prodigy verse it

0:23:55.520 --> 0:23:56.200
<v Speaker 1>was it was dope.

0:23:56.280 --> 0:23:56.480
<v Speaker 5>It was.

0:23:59.200 --> 0:24:02.200
<v Speaker 2>MG rat true what What's true?

0:24:02.240 --> 0:24:06.760
<v Speaker 1>Life said, Oh, it was dope record. So he never

0:24:06.960 --> 0:24:09.399
<v Speaker 1>replaced the verse and he didn't even get mad at

0:24:09.400 --> 0:24:12.480
<v Speaker 1>that point. He got mad when Son stopped replyings. He

0:24:12.600 --> 0:24:14.760
<v Speaker 1>just kind of pretty much was like because he was like,

0:24:14.840 --> 0:24:16.520
<v Speaker 1>if you won't give me a new verse, because someone's like,

0:24:16.560 --> 0:24:17.720
<v Speaker 1>oh my bad smoke a lot.

0:24:17.800 --> 0:24:19.159
<v Speaker 2>That's Peter probably like.

0:24:19.200 --> 0:24:21.920
<v Speaker 1>Y'all be getting He probably was right, yeah, y'all smoke

0:24:21.960 --> 0:24:23.560
<v Speaker 1>a love for God that I even use that ship.

0:24:23.600 --> 0:24:25.000
<v Speaker 1>He was like, I got you and give you a new,

0:24:25.240 --> 0:24:28.359
<v Speaker 1>brand new ship. Someone's happy. He was like, say less

0:24:28.400 --> 0:24:30.320
<v Speaker 1>and then a couple of weeks past and you know,

0:24:30.480 --> 0:24:32.040
<v Speaker 1>some whatever, a couple of months and then he just

0:24:32.040 --> 0:24:34.080
<v Speaker 1>stopped replying, so he said, I'm catch up with him?

0:24:34.520 --> 0:24:39.720
<v Speaker 1>You know, did he catch up with learning the industry? Like,

0:24:39.760 --> 0:24:41.800
<v Speaker 1>because you think these guys are your friends. At first,

0:24:41.800 --> 0:24:44.040
<v Speaker 1>you think like, like you know what you showed the

0:24:44.119 --> 0:24:47.720
<v Speaker 1>love that you showed them to show When you actually

0:24:47.800 --> 0:24:50.119
<v Speaker 1>realized that and you realize that these guys are pieces

0:24:50.160 --> 0:24:53.320
<v Speaker 1>of ship sometimes all the time. Sometimes that person would

0:24:53.359 --> 0:24:55.439
<v Speaker 1>just forgot you know what I'm saying, But like like

0:24:56.800 --> 0:24:58.800
<v Speaker 1>I can understand. So then what happened when True like

0:24:58.920 --> 0:25:02.040
<v Speaker 1>finally saw them caught up but he ain't catch peing

0:25:02.119 --> 0:25:04.639
<v Speaker 1>and how he caught like the whole infamous mob niggas

0:25:04.680 --> 0:25:06.040
<v Speaker 1>they caught him on Green Street studio.

0:25:06.200 --> 0:25:08.000
<v Speaker 2>Yeah, and they robbed him and they.

0:25:08.000 --> 0:25:10.879
<v Speaker 1>Stripped niggas naked and pistolhip Alchemis did a lot of

0:25:10.920 --> 0:25:13.399
<v Speaker 1>foul ship, like you know what I'm saying. It was

0:25:13.400 --> 0:25:15.600
<v Speaker 1>a little extreme for that, but you know I saw

0:25:15.680 --> 0:25:17.960
<v Speaker 1>niggas was on you know what I'm saying. And then

0:25:18.119 --> 0:25:20.200
<v Speaker 1>so I was get because I was with True every day.

0:25:20.200 --> 0:25:22.640
<v Speaker 1>I'm like guilty by association, like, oh that's his man

0:25:22.680 --> 0:25:25.520
<v Speaker 1>type shit. So we were bumping to them niggas and

0:25:25.520 --> 0:25:27.240
<v Speaker 1>they're like, yeah, what's up? What's up? Man?

0:25:27.320 --> 0:25:28.400
<v Speaker 2>Like you know, you know what's sod.

0:25:28.440 --> 0:25:30.160
<v Speaker 1>I'm on you know what I'm saying, because I'm cool shot,

0:25:30.200 --> 0:25:32.600
<v Speaker 1>But that's my brother being True. I know Truth is

0:25:32.640 --> 0:25:34.119
<v Speaker 1>our teenager, you know what I'm saying. So I'm like,

0:25:34.800 --> 0:25:36.840
<v Speaker 1>that's my brother. So you know what I'm saying. So

0:25:37.040 --> 0:25:39.159
<v Speaker 1>one thing led to do another to the point and

0:25:39.200 --> 0:25:41.240
<v Speaker 1>then they try to say we was burning mall deep

0:25:41.320 --> 0:25:45.280
<v Speaker 1>CDs on We had a stack of CDs. They should

0:25:45.440 --> 0:25:47.440
<v Speaker 1>just happened to be one of them. So we burned

0:25:47.480 --> 0:25:50.080
<v Speaker 1>everybody ship like all this shit is garbage. That's when

0:25:50.080 --> 0:25:52.720
<v Speaker 1>we was being reckless, Like we kind of invented a

0:25:52.760 --> 0:25:54.520
<v Speaker 1>lot of shit that's on the internet now, like the

0:25:54.520 --> 0:25:57.199
<v Speaker 1>ship niggas doing they trolling, We was doing it on DVD.

0:25:57.680 --> 0:26:00.840
<v Speaker 1>You know what I'm saying. You know true staff Champagne Rose,

0:26:02.000 --> 0:26:10.560
<v Speaker 1>he selected I want to take pictures with the niggas dollar.

0:26:10.760 --> 0:26:12.639
<v Speaker 1>It's a dollar to take a picture with his niggas.

0:26:12.680 --> 0:26:17.119
<v Speaker 1>Jewelry was fucked up. So then I was guilty by association.

0:26:17.240 --> 0:26:18.880
<v Speaker 1>So they was like, yeah, we're gonna We're gonna get

0:26:18.880 --> 0:26:23.560
<v Speaker 1>you when it happened. But because nothing actually initially happened

0:26:23.560 --> 0:26:25.800
<v Speaker 1>with y'all. But what was it for s obs that

0:26:26.080 --> 0:26:28.439
<v Speaker 1>all them niggas got on stage while I was on stage?

0:26:28.680 --> 0:26:30.800
<v Speaker 1>I wan't put nothing happened with y'all prior to that.

0:26:31.480 --> 0:26:32.280
<v Speaker 2>Okay, Well, one.

0:26:32.119 --> 0:26:35.240
<v Speaker 1>Time, one one time time, were about to get it on, okay,

0:26:35.240 --> 0:26:37.640
<v Speaker 1>and one of the niggas had a hammer and they

0:26:37.720 --> 0:26:40.120
<v Speaker 1>was like, yeah, we could kill you right now. I'm like, nigga,

0:26:40.640 --> 0:26:42.640
<v Speaker 1>a good day to die, Nigga, I ain't. I ain't

0:26:42.680 --> 0:26:44.959
<v Speaker 1>no cow, like what's up? And I was ready to go.

0:26:45.040 --> 0:26:46.760
<v Speaker 1>You act sickam all your act them. I was ready

0:26:46.800 --> 0:26:49.240
<v Speaker 1>to go. And then but it ain't. Nothing happened. So

0:26:49.320 --> 0:26:51.720
<v Speaker 1>but I knew now that that's when I knew we

0:26:51.800 --> 0:26:54.040
<v Speaker 1>had a problem because I'm like, I want to talk

0:26:54.119 --> 0:26:56.120
<v Speaker 1>to Prodigy and his man just trying to like put

0:26:56.400 --> 0:26:59.040
<v Speaker 1>his arm in front of him like so I'm like, so,

0:26:59.200 --> 0:27:01.080
<v Speaker 1>what's up with the hand say nothing, always putting to

0:27:01.119 --> 0:27:03.760
<v Speaker 1>be like, yo, that's my man. And he didn't say nothing.

0:27:03.840 --> 0:27:06.560
<v Speaker 1>So I'm like, oh, maybe you don't fuck me no more.

0:27:06.880 --> 0:27:09.360
<v Speaker 1>So from that point on, things just didn't go right

0:27:09.400 --> 0:27:11.720
<v Speaker 1>because he affiliated you Tube with the True Life Ship.

0:27:11.840 --> 0:27:14.359
<v Speaker 1>So then when when when the niggas got on stage,

0:27:14.440 --> 0:27:16.040
<v Speaker 1>I was like, fuck it. I thought they was gonna

0:27:16.080 --> 0:27:19.120
<v Speaker 1>speak touse living no angle lie. I'm like, I'm gonna

0:27:19.119 --> 0:27:19.880
<v Speaker 1>get minds off.

0:27:19.960 --> 0:27:22.600
<v Speaker 6>And I told y'all was together. Yeah, everybody did that

0:27:22.640 --> 0:27:27.040
<v Speaker 6>because that's how close y'all were. Nigga like it was

0:27:27.119 --> 0:27:30.640
<v Speaker 6>cruel out. I was like, oh, like that.

0:27:30.800 --> 0:27:33.399
<v Speaker 1>Because niggas don't see thee Before they got on stage,

0:27:33.760 --> 0:27:35.840
<v Speaker 1>they started with everybody on stage. I was up there

0:27:35.880 --> 0:27:38.400
<v Speaker 1>by myself when by the time they showed the video,

0:27:38.440 --> 0:27:41.199
<v Speaker 1>it's fourteen motherfuckers on stage, and I'm looking around like

0:27:41.200 --> 0:27:44.960
<v Speaker 1>who are these niggas? But I keep rapping, you know,

0:27:45.040 --> 0:27:48.320
<v Speaker 1>and then like I'm thinking, these niggas like this, they

0:27:48.440 --> 0:27:52.320
<v Speaker 1>like this. I'm like, oh, this is and I've seen

0:27:52.680 --> 0:27:55.280
<v Speaker 1>my man Prince who I grew up with, who's Havoc's cousin,

0:27:55.600 --> 0:27:57.679
<v Speaker 1>and I'm like something, what is this? Like what's going on?

0:27:57.760 --> 0:28:01.359
<v Speaker 1>He's like you good son, you good? You problems? So

0:28:01.560 --> 0:28:03.400
<v Speaker 1>I was like, oh, fuck it, maybe it is love

0:28:03.960 --> 0:28:06.600
<v Speaker 1>until it was time to get off the stage yoked

0:28:06.640 --> 0:28:09.359
<v Speaker 1>me up, so all right, so it's popular. So then

0:28:09.400 --> 0:28:11.359
<v Speaker 1>we got it. We started fighting, and that was the

0:28:11.400 --> 0:28:13.679
<v Speaker 1>dumbest ship. That was dumb, like when you could be

0:28:13.720 --> 0:28:16.960
<v Speaker 1>too brave sometimes because had I not, had God not

0:28:17.040 --> 0:28:19.200
<v Speaker 1>been with me that day, they would have stomped a

0:28:19.320 --> 0:28:21.880
<v Speaker 1>fucking mud hole in my eyes. Think about it, when

0:28:21.920 --> 0:28:24.200
<v Speaker 1>y'all was running around right seeing in with y'all man

0:28:24.280 --> 0:28:27.280
<v Speaker 1>deep murdering unit and all that. But nigga would too

0:28:27.320 --> 0:28:29.560
<v Speaker 1>deep and would have snuffed you. What would have happened

0:28:29.600 --> 0:28:32.760
<v Speaker 1>to him? Nigga probably died like and I thought I

0:28:32.800 --> 0:28:34.320
<v Speaker 1>was gonna I was either I was like they were

0:28:34.400 --> 0:28:36.080
<v Speaker 1>gonna kill me or they gonna hurt me real bad.

0:28:36.520 --> 0:28:38.400
<v Speaker 1>But one thing they're gonna say is this niggas this

0:28:38.480 --> 0:28:41.400
<v Speaker 1>nigga went out And that's that dumb mentality. It's a

0:28:41.440 --> 0:28:44.880
<v Speaker 1>civil mentality. In hindsight, I wouldn't do it today. I

0:28:44.880 --> 0:28:47.920
<v Speaker 1>wouldn't do that. I'm saying that, but if I was

0:28:48.000 --> 0:28:49.320
<v Speaker 1>in my right state of mind, I'd be like, no,

0:28:49.400 --> 0:28:52.200
<v Speaker 1>I ain't doing that. Ship shot your shots that anything

0:28:52.200 --> 0:28:54.680
<v Speaker 1>could happen. Did y'all everythink and I'm gonna ask you don't

0:28:54.720 --> 0:28:58.960
<v Speaker 1>thank God? Nohing yeah show on both sides. Did you

0:28:59.000 --> 0:29:01.200
<v Speaker 1>ever think that will have a day where we were

0:29:01.200 --> 0:29:07.480
<v Speaker 1>talking about Cameron and Mate, excuse me name Dame after

0:29:07.640 --> 0:29:11.360
<v Speaker 1>Cameron and Jim Jones was beefing after Jim Jones and

0:29:11.440 --> 0:29:14.960
<v Speaker 1>Dame was beefing. Now that Cam and Dames beefing, do

0:29:15.040 --> 0:29:18.960
<v Speaker 1>you ever think that, like you like com home to

0:29:19.280 --> 0:29:22.800
<v Speaker 1>unite hall them. Everybody said, everybody get a clean slate,

0:29:24.000 --> 0:29:26.720
<v Speaker 1>everybody get a clean slate. When I come on needed

0:29:27.120 --> 0:29:30.120
<v Speaker 1>he does know how to deliver a great interview. Oh yeah,

0:29:30.840 --> 0:29:34.960
<v Speaker 1>deliver great entertaining. I couldn't tell they was going to

0:29:35.000 --> 0:29:40.040
<v Speaker 1>scrap at one point, you got to do that, told

0:29:40.080 --> 0:29:44.440
<v Speaker 1>me me as knowing Dame and me as knowing Charlotmage.

0:29:45.040 --> 0:29:47.400
<v Speaker 1>I wasn't worried at all. He wasn't. Yeah, I wasn't

0:29:47.680 --> 0:29:50.280
<v Speaker 1>at all. I'm like, that's a little spicy. They getting

0:29:50.240 --> 0:29:52.800
<v Speaker 1>a little spicy talk like I'll punch you in the

0:29:52.840 --> 0:30:00.840
<v Speaker 1>face the side, like turn the cameras on. But they

0:30:00.880 --> 0:30:05.080
<v Speaker 1>took pictures together afterwards and everything, so like you know, Dame,

0:30:05.160 --> 0:30:07.840
<v Speaker 1>Dame definitely know he's polarizing. That's one thing I give

0:30:07.880 --> 0:30:11.280
<v Speaker 1>him credit for. He gave a lot of dudes opportunity. Man,

0:30:11.440 --> 0:30:14.720
<v Speaker 1>And he wasn't you started the rocket for at one point? No,

0:30:14.840 --> 0:30:16.760
<v Speaker 1>I was, I was going. I was going. I didn't

0:30:16.760 --> 0:30:19.520
<v Speaker 1>know I didn't know I had the opportunity until Randy

0:30:19.560 --> 0:30:25.200
<v Speaker 1>actor to the fact that let you. I said, what

0:30:25.240 --> 0:30:27.120
<v Speaker 1>then say? He said, I should have let you do

0:30:27.160 --> 0:30:32.240
<v Speaker 1>the jigadale? He said, he said it was a jigger deal.

0:30:32.800 --> 0:30:33.280
<v Speaker 1>You didn't know.

0:30:33.400 --> 0:30:35.080
<v Speaker 2>He said, you had ready to the Atlantic deal.

0:30:35.120 --> 0:30:41.800
<v Speaker 1>I said, man, I could of got out of GM.

0:30:42.240 --> 0:30:43.760
<v Speaker 2>Jay could have made that ship go away.

0:30:43.600 --> 0:30:48.560
<v Speaker 1>Like that with Retrospect. At that time, Atlantic was like

0:30:48.840 --> 0:30:51.760
<v Speaker 1>direct in competition with Depth, and they were they were

0:30:51.800 --> 0:30:54.560
<v Speaker 1>trying to like, well, so who's that because they had

0:30:54.560 --> 0:31:06.000
<v Speaker 1>the whole cra Okay, you let jay Z do his

0:31:06.040 --> 0:31:08.400
<v Speaker 1>thing over there, and I'm like, yo, son, I just

0:31:08.440 --> 0:31:10.440
<v Speaker 1>played we can go over here with with Jay. I'm like,

0:31:10.480 --> 0:31:13.000
<v Speaker 1>this should makes sense. We got the record, but I

0:31:13.000 --> 0:31:14.840
<v Speaker 1>didn't know that there was an opportunity for a day

0:31:14.880 --> 0:31:16.840
<v Speaker 1>because I used to be in Baseline every day, so

0:31:16.880 --> 0:31:18.920
<v Speaker 1>it kind of seemed like I was on Rockefeller. I'd

0:31:18.920 --> 0:31:21.600
<v Speaker 1>be in there with Bleak and Murder and Bonn and

0:31:21.640 --> 0:31:24.760
<v Speaker 1>all the niggas every single day. So I felt like

0:31:24.800 --> 0:31:26.200
<v Speaker 1>I was even though I was on a different label,

0:31:26.200 --> 0:31:28.160
<v Speaker 1>it felt like I was still Rockefeller out We do

0:31:28.320 --> 0:31:31.320
<v Speaker 1>our records together and so it was all good. It

0:31:31.360 --> 0:31:34.000
<v Speaker 1>was like a family. So you know, then when ship

0:31:34.000 --> 0:31:35.960
<v Speaker 1>went south with when they left, when they when they

0:31:36.040 --> 0:31:38.080
<v Speaker 1>left Atlantic, that's when I was like, I don't want

0:31:38.120 --> 0:31:40.760
<v Speaker 1>to be here because g and Hop left within like

0:31:40.800 --> 0:31:43.200
<v Speaker 1>a year, right, so I'm like I want to be

0:31:43.320 --> 0:31:44.280
<v Speaker 1>I don't talk, I don't know.

0:31:45.160 --> 0:31:47.120
<v Speaker 2>Yeah, Atlantic, he wasn't there.

0:31:47.400 --> 0:31:48.840
<v Speaker 1>He had was in.

0:31:49.440 --> 0:31:51.320
<v Speaker 2>Craig was running this ship because.

0:31:51.680 --> 0:31:58.040
<v Speaker 1>They grew an industry, like when' what's the move? What's

0:31:58.080 --> 0:32:06.880
<v Speaker 1>the movie? Paper soldiers? The other one stay property, state

0:32:06.920 --> 0:32:09.680
<v Speaker 1>property too. Like they got an eighty Like when Beanie

0:32:09.680 --> 0:32:12.440
<v Speaker 1>went to jail, like I gave him an eighty thousand

0:32:12.480 --> 0:32:16.480
<v Speaker 1>dollars clearance from what the thug about? And they was

0:32:16.760 --> 0:32:18.440
<v Speaker 1>like they was beef and it's like, yo, you know

0:32:18.520 --> 0:32:20.560
<v Speaker 1>what He's like, Yo, how you gonna tell me? You know,

0:32:20.960 --> 0:32:24.440
<v Speaker 1>my producer, like you know, blah blah blah, and it's

0:32:24.480 --> 0:32:26.160
<v Speaker 1>like yo, he was like, yo, give it to him.

0:32:26.400 --> 0:32:28.920
<v Speaker 1>Like you know, he was like, yo, you know, beans

0:32:28.960 --> 0:32:32.800
<v Speaker 1>need a favor because they got beans beans in court

0:32:32.840 --> 0:32:34.800
<v Speaker 1>and they got to get up all the money, you know,

0:32:35.560 --> 0:32:38.720
<v Speaker 1>so to pay his legal fees. And that was that

0:32:38.840 --> 0:32:43.160
<v Speaker 1>was deeva. It's like, yo, eighty thousand all right, said

0:32:43.160 --> 0:32:45.680
<v Speaker 1>you had to give up? No, no, Like the Clarence

0:32:45.800 --> 0:32:49.160
<v Speaker 1>was eighty thousands, okay, okay, you know like a Clarence

0:32:49.560 --> 0:32:53.040
<v Speaker 1>used ten fifteen. Ye. They was like, oh, you know

0:32:53.360 --> 0:32:55.840
<v Speaker 1>it's an eighty thousand dollars Clarence maybe more.

0:32:56.360 --> 0:33:01.920
<v Speaker 2>Well it's a clear to sample sugar about about damn.

0:33:02.680 --> 0:33:06.520
<v Speaker 1>That's crazy, Come on baby with one hundred grand and

0:33:06.600 --> 0:33:09.479
<v Speaker 1>they took one hundred percent of the publishing. Jay Giles

0:33:09.520 --> 0:33:11.760
<v Speaker 1>mand I was like, but back then you don't be

0:33:11.840 --> 0:33:14.880
<v Speaker 1>knowing you just like it ain't my fucking money at

0:33:14.880 --> 0:33:19.080
<v Speaker 1>throwing up out. You don't realize until recouping you like, yo,

0:33:20.280 --> 0:33:22.680
<v Speaker 1>when you care about recouping, you care about you do

0:33:22.800 --> 0:33:25.400
<v Speaker 1>records like that, Like you know, after twenty five years,

0:33:25.440 --> 0:33:27.760
<v Speaker 1>I'll believe thirty years the records convert back to you.

0:33:28.120 --> 0:33:30.840
<v Speaker 1>You do records like that, those never convert back to you, Yeah,

0:33:30.840 --> 0:33:37.960
<v Speaker 1>because they get your wrap. Yeah, sure, like the J

0:33:38.160 --> 0:33:41.120
<v Speaker 1>Jeals Man, it's like that will that will push your album,

0:33:41.440 --> 0:33:44.440
<v Speaker 1>you know what I'm saying. And you can have you know,

0:33:45.000 --> 0:33:49.000
<v Speaker 1>like Booty records on the album and it's like through

0:33:49.040 --> 0:33:51.920
<v Speaker 1>one hot record that'll that'll make it move, you know

0:33:51.960 --> 0:33:54.760
<v Speaker 1>what I'm saying. And that's that's what it's for. Like

0:33:54.840 --> 0:33:57.560
<v Speaker 1>sometimes it's like, Yo, you know what I didn't play

0:33:57.640 --> 0:34:00.560
<v Speaker 1>this sample or I played this sample? Is they took

0:34:00.640 --> 0:34:05.240
<v Speaker 1>everything and it's like, yo, that's it. Like Isaac Hayes

0:34:05.320 --> 0:34:10.279
<v Speaker 1>did that with Faith record you produce, Yeah, they got

0:34:10.280 --> 0:34:17.439
<v Speaker 1>eighty poppers in the publishing. Dam what else? I don't

0:34:17.480 --> 0:34:20.120
<v Speaker 1>need him. Jesse Jackson took all the.

0:34:20.080 --> 0:34:23.480
<v Speaker 2>Publishing Jesse Jackson, Yeah, Jesse Jackson.

0:34:23.840 --> 0:34:25.840
<v Speaker 1>Jesse Jason ran for president.

0:34:26.239 --> 0:34:30.160
<v Speaker 7>Yeah yeah, Jesse Jackson, you said Jackson DJ CO.

0:34:31.440 --> 0:34:34.719
<v Speaker 1>But like I had a lot of clearances, like even

0:34:34.760 --> 0:34:38.319
<v Speaker 1>though people don't know, like yo, what you've done. Like

0:34:38.480 --> 0:34:41.080
<v Speaker 1>I had a lot of clearances and like movies and stuff,

0:34:41.320 --> 0:34:46.879
<v Speaker 1>it's like, yo, it's insane. So it's I was like, yo, Sean,

0:34:47.000 --> 0:34:50.719
<v Speaker 1>you know what it is? Like, Oh you know, yo,

0:34:50.760 --> 0:34:52.920
<v Speaker 1>he won one hundred percent? All right, cool, you know

0:34:53.080 --> 0:34:57.719
<v Speaker 1>at least I got. I got the other part, you

0:34:57.719 --> 0:35:00.319
<v Speaker 1>know what I'm saying, Not the publishing part, but you know,

0:35:00.400 --> 0:35:02.839
<v Speaker 1>the sales part. So when they take on a hundred percent,

0:35:02.960 --> 0:35:08.600
<v Speaker 1>you still get paid though, right oh no, no, don't

0:35:08.719 --> 0:35:11.799
<v Speaker 1>produce it, don't get paid. It's two parts like either

0:35:12.960 --> 0:35:17.880
<v Speaker 1>if the publishing and the master the mechanical, like mechanical,

0:35:18.160 --> 0:35:20.759
<v Speaker 1>Like I got the mechanical because it's like it was

0:35:21.080 --> 0:35:25.280
<v Speaker 1>public domain. So like I ate, you know what I'm saying,

0:35:25.320 --> 0:35:27.640
<v Speaker 1>but I didn't eat. But it's like, you know, the publishing.

0:35:27.880 --> 0:35:30.080
<v Speaker 1>I think what he's asking is for just making the bee.

0:35:30.239 --> 0:35:34.160
<v Speaker 1>You still get paid, like you're making work for high No, no,

0:35:34.800 --> 0:35:38.960
<v Speaker 1>not not publishing like it originally.

0:35:39.040 --> 0:35:41.320
<v Speaker 3>Yeah, like the label has to pay for the clears

0:35:41.320 --> 0:35:43.239
<v Speaker 3>of the sample, but for you to actually make the beef,

0:35:43.480 --> 0:35:45.520
<v Speaker 3>you got to clear it something.

0:35:46.840 --> 0:35:55.120
<v Speaker 1>Yeah, there's a lot of money, but like real, you know,

0:35:56.800 --> 0:35:59.040
<v Speaker 1>but real, like yo, I got a lot of money

0:35:59.239 --> 0:36:03.160
<v Speaker 1>just doing beats like then, because it's like I was

0:36:03.280 --> 0:36:05.960
<v Speaker 1>turning out beats and turning out beats and all of

0:36:06.000 --> 0:36:06.680
<v Speaker 1>them still.

0:36:06.440 --> 0:36:13.120
<v Speaker 2>Play today, right, you know, to look, I got a

0:36:13.160 --> 0:36:16.120
<v Speaker 2>lot of ship. So let me just tell you something.

0:36:16.520 --> 0:36:20.040
<v Speaker 1>It was. It was one era like there's always like

0:36:20.200 --> 0:36:23.319
<v Speaker 1>two producers, right, so it's like Primo and Pete Rock, right,

0:36:24.800 --> 0:36:28.080
<v Speaker 1>Swiss and Timberland, and then I remember this one era

0:36:28.200 --> 0:36:28.680
<v Speaker 1>it was just.

0:36:28.680 --> 0:36:32.239
<v Speaker 2>Buck Wild and easy LP. Yeah.

0:36:33.200 --> 0:36:40.680
<v Speaker 1>I found out easy LP record, which one is that

0:36:40.760 --> 0:36:48.600
<v Speaker 1>it's a record called Come Again. Like I would do

0:36:48.640 --> 0:36:50.400
<v Speaker 1>a record and then you'd be like, yo, you know what,

0:36:50.480 --> 0:36:52.840
<v Speaker 1>I heard your record. I'm going to make beats and

0:36:52.840 --> 0:36:56.880
<v Speaker 1>it's like and then he do a record like I

0:36:56.960 --> 0:36:57.919
<v Speaker 1>remember when when.

0:36:57.880 --> 0:37:00.359
<v Speaker 2>Sean ship, Like yo, I heard that ship.

0:37:00.400 --> 0:37:07.000
<v Speaker 1>I was like, damn man, and that's that's going like

0:37:07.120 --> 0:37:09.640
<v Speaker 1>you know the next week, you know, I want to

0:37:09.880 --> 0:37:12.839
<v Speaker 1>rob and it's like, Yo, that was that and it's

0:37:12.920 --> 0:37:17.359
<v Speaker 1>like it was like yo one l P one one

0:37:17.400 --> 0:37:20.080
<v Speaker 1>buck Wild one LP one buck Wild and it's like, yo,

0:37:20.160 --> 0:37:21.000
<v Speaker 1>that was on fire.

0:37:21.120 --> 0:37:22.319
<v Speaker 2>That was that was a dope error.

0:37:22.400 --> 0:37:22.520
<v Speaker 1>Man.

0:37:22.560 --> 0:37:25.560
<v Speaker 2>Imagine you ever did a compilation together like A side

0:37:25.640 --> 0:37:26.360
<v Speaker 2>and B side.

0:37:26.880 --> 0:37:30.719
<v Speaker 1>We didn't. We didn't know, like yeah, like rappers competition

0:37:31.480 --> 0:37:34.480
<v Speaker 1>like and today no niggas will be like, oh, you know,

0:37:34.560 --> 0:37:39.080
<v Speaker 1>ain't no competition like we we like we'll be like, yo,

0:37:39.160 --> 0:37:42.080
<v Speaker 1>you know what I'm yo, I'm gonna smash that ship.

0:37:42.719 --> 0:37:45.399
<v Speaker 1>And that's what it is. It's like, you know, ain't

0:37:45.400 --> 0:37:48.359
<v Speaker 1>no competition like yo, you know, yo, you gotta wreck.

0:37:48.480 --> 0:37:49.839
<v Speaker 2>Don't care about the art no more.

0:37:49.920 --> 0:37:52.799
<v Speaker 1>That the creativity that's the whack part about it, Like

0:37:52.960 --> 0:37:55.160
<v Speaker 1>you don't hear music no more to make you be like, yo,

0:37:55.320 --> 0:37:56.880
<v Speaker 1>this is inspiring. Man, I want to go.

0:37:57.560 --> 0:37:59.120
<v Speaker 2>I need man, you don't hear that ship?

0:37:59.200 --> 0:38:01.560
<v Speaker 3>Like music is being ages to be in the media

0:38:01.600 --> 0:38:04.640
<v Speaker 3>sirt exactly like it where where you want the.

0:38:04.640 --> 0:38:07.560
<v Speaker 1>Media to promote the music. Now it's like use music

0:38:07.600 --> 0:38:11.240
<v Speaker 1>to just do exact media exactly. That's the beaute about

0:38:11.320 --> 0:38:16.560
<v Speaker 1>your album is again it sounds like the culture, but

0:38:16.600 --> 0:38:21.000
<v Speaker 1>then it sounds like now right now, I'm well aware

0:38:22.280 --> 0:38:28.839
<v Speaker 1>of my age, well over in my age seven. So

0:38:29.840 --> 0:38:32.400
<v Speaker 1>like that's that's the scary part for me. Is the

0:38:32.400 --> 0:38:34.600
<v Speaker 1>reason why I kind of don't want to make music

0:38:35.239 --> 0:38:38.680
<v Speaker 1>is not not completely, but this is one of the reasons, right,

0:38:39.480 --> 0:38:41.520
<v Speaker 1>It is because I don't know if I lost my ear.

0:38:43.520 --> 0:38:44.640
<v Speaker 1>This is what I mean, let me, let me, let me,

0:38:44.680 --> 0:38:46.759
<v Speaker 1>let me finish, or do I just want to hear

0:38:46.880 --> 0:38:51.319
<v Speaker 1>my type of music? Because like because I started to

0:38:51.360 --> 0:38:55.440
<v Speaker 1>sound like that old dude like my day, Like I

0:38:55.480 --> 0:38:57.480
<v Speaker 1>was like wait a minute, like hold on, hold up,

0:38:57.520 --> 0:39:00.200
<v Speaker 1>like you know what I mean. So so like what

0:39:00.200 --> 0:39:04.719
<v Speaker 1>I'm saying, like that's kind of inevitable, Like I want

0:39:04.760 --> 0:39:10.759
<v Speaker 1>by luxury to get my son's room. I'm not knocking it,

0:39:10.800 --> 0:39:14.640
<v Speaker 1>but I'm just like, am I become my parents because

0:39:14.640 --> 0:39:18.360
<v Speaker 1>I'm like, listen, one of the biggest rappers out I

0:39:18.400 --> 0:39:21.160
<v Speaker 1>don't understand none of that ship like Playboy CARDI.

0:39:21.239 --> 0:39:22.439
<v Speaker 2>You ever listen to that ship?

0:39:22.480 --> 0:39:26.200
<v Speaker 1>It ain't even like rat but it makes noises like

0:39:28.080 --> 0:39:32.799
<v Speaker 1>you're not even Hendrick. I don't know about my kids

0:39:32.880 --> 0:39:35.960
<v Speaker 1>listening to Kendrick. I'm saying, do you listen to Kendrick? Oh?

0:39:36.000 --> 0:39:37.239
<v Speaker 2>I listen to and Drake.

0:39:37.760 --> 0:39:40.520
<v Speaker 1>So when when you listen to Kendrick and Drake, you're like, yo,

0:39:40.560 --> 0:39:43.239
<v Speaker 1>you know you tuned in, so you got your hand

0:39:43.280 --> 0:39:46.200
<v Speaker 1>on a poster, like you know, hip hop, there's other ships,

0:39:46.360 --> 0:39:49.640
<v Speaker 1>you know, kids we listen to be like, I don't know,

0:39:49.719 --> 0:39:51.400
<v Speaker 1>I don't know what. I don't know what that ship is.

0:39:51.440 --> 0:39:53.680
<v Speaker 1>I don't know what it's from. Like my son be

0:39:53.760 --> 0:39:56.359
<v Speaker 1>like yo, putting putting songs in the car.

0:39:56.800 --> 0:39:58.759
<v Speaker 2>I'd be like, Yo, what the fuck is that ship?

0:39:58.840 --> 0:39:59.600
<v Speaker 2>Reason why I would?

0:39:59.640 --> 0:40:02.160
<v Speaker 1>I would me personally would appreciate some new music from

0:40:02.200 --> 0:40:05.440
<v Speaker 1>you because you always had your own style.

0:40:05.600 --> 0:40:08.200
<v Speaker 2>You always ship your way like I used to be

0:40:08.239 --> 0:40:08.920
<v Speaker 2>like Yo, Norri.

0:40:09.480 --> 0:40:11.520
<v Speaker 1>You know, like nobody.

0:40:11.280 --> 0:40:11.799
<v Speaker 2>Creation it is.

0:40:11.800 --> 0:40:14.480
<v Speaker 1>I always try to be in my lane, but I

0:40:14.480 --> 0:40:17.680
<v Speaker 1>don't know what lane going this time. It's like you

0:40:17.800 --> 0:40:20.920
<v Speaker 1>but it's your lane, like you know, you let your

0:40:20.920 --> 0:40:26.040
<v Speaker 1>mind get it million percent. Because it's something that I've

0:40:26.040 --> 0:40:27.920
<v Speaker 1>seen young Thug. They said to Young Doug and it

0:40:28.040 --> 0:40:30.120
<v Speaker 1>was like, Yo, why you ain't dropping music? And he

0:40:30.200 --> 0:40:32.719
<v Speaker 1>was like, I just don't have the energy around me.

0:40:32.800 --> 0:40:33.279
<v Speaker 1>And it's like.

0:40:34.880 --> 0:40:35.480
<v Speaker 2>I thought of that.

0:40:35.480 --> 0:40:38.360
<v Speaker 1>It's like sometimes like oh, maybe I'm scared of this generation.

0:40:38.680 --> 0:40:40.720
<v Speaker 1>Maybe I'm scared of just catered to my generation.

0:40:40.800 --> 0:40:41.200
<v Speaker 2>I don't know.

0:40:41.400 --> 0:40:43.440
<v Speaker 1>Like four four four was one of my favorite jay

0:40:43.480 --> 0:40:46.840
<v Speaker 1>Z jay Z's album and it wasn't because it was

0:40:46.960 --> 0:40:49.120
<v Speaker 1>the best jay Z album, but it was. It was

0:40:49.360 --> 0:40:52.359
<v Speaker 1>because it related to this time. He spoke to this

0:40:52.440 --> 0:40:54.319
<v Speaker 1>day in time. He didn't try to be a twenty

0:40:54.400 --> 0:40:58.360
<v Speaker 1>year old rapper. He's trying to be a grown uh married,

0:40:59.520 --> 0:41:02.799
<v Speaker 1>successful businessman and make dope raps. So that's the reason why,

0:41:02.800 --> 0:41:04.440
<v Speaker 1>that's why he stated he did.

0:41:04.360 --> 0:41:06.560
<v Speaker 3>Himself like he did what I'm assuming he did the

0:41:06.600 --> 0:41:08.520
<v Speaker 3>music that he wanted to do that he appreciated.

0:41:08.680 --> 0:41:10.719
<v Speaker 1>I know, sometimes it's not enough. That's that's what you

0:41:10.719 --> 0:41:14.440
<v Speaker 1>can't put yourself. So like ship, you know, like you

0:41:14.480 --> 0:41:16.799
<v Speaker 1>know what, I made the Ward report for us, but

0:41:16.880 --> 0:41:19.359
<v Speaker 1>I had in mind that the world was going to

0:41:19.400 --> 0:41:21.040
<v Speaker 1>do it. But if I would have made it just

0:41:21.080 --> 0:41:23.200
<v Speaker 1>for us, the world wouldn't have heard it. You know

0:41:23.200 --> 0:41:26.800
<v Speaker 1>what I'm saying about the world. But let me just

0:41:26.800 --> 0:41:28.520
<v Speaker 1>tell you something. When I listened to the ward report,

0:41:28.840 --> 0:41:31.360
<v Speaker 1>I'd be like, why the people even like this ship?

0:41:31.480 --> 0:41:41.319
<v Speaker 1>We were talking and the queen slang like you. I

0:41:41.320 --> 0:41:43.879
<v Speaker 1>didn't realize that what I listen to all that ship

0:41:44.040 --> 0:41:47.839
<v Speaker 1>right now the same feeling. Like me, music is about

0:41:47.840 --> 0:41:50.239
<v Speaker 1>a feeling, and I still get that feeling when I

0:41:50.680 --> 0:41:51.719
<v Speaker 1>what was that ship you had?

0:41:52.200 --> 0:41:54.080
<v Speaker 2>Think mom, thug was on that ship.

0:41:54.800 --> 0:42:01.279
<v Speaker 1>Keep you remember that it happened to now. We were

0:42:01.320 --> 0:42:02.440
<v Speaker 1>talking and he was like, yo, I don't know what

0:42:02.719 --> 0:42:05.000
<v Speaker 1>you're talk about because we were talking about queens. So

0:42:05.320 --> 0:42:08.560
<v Speaker 1>like the thing about it is, that's what's crazy about

0:42:08.560 --> 0:42:10.920
<v Speaker 1>the world is sometimes you make something for your little

0:42:10.920 --> 0:42:14.480
<v Speaker 1>block and that little world, the world that takes over.

0:42:14.560 --> 0:42:16.600
<v Speaker 1>That ship Charlotte made said he used to call the

0:42:17.200 --> 0:42:22.399
<v Speaker 1>old Queen's Bridge. They was in South Carolina, queens brand

0:42:25.640 --> 0:42:28.640
<v Speaker 1>because you draw people into your world, not you. You

0:42:28.800 --> 0:42:30.400
<v Speaker 1>be like, oh, you know, I'm gonna make this for

0:42:30.480 --> 0:42:32.560
<v Speaker 1>the You don't behind in the parraale like them, and

0:42:32.640 --> 0:42:35.399
<v Speaker 1>there me some ship, give me the Louis guitar. Yeat

0:42:40.320 --> 0:42:42.760
<v Speaker 1>kidding me. I don't know how to ask for friends

0:42:42.760 --> 0:42:51.360
<v Speaker 1>and family. I don't know to be that guy right now, brother,

0:42:52.480 --> 0:42:59.319
<v Speaker 1>I know that Louis ship. You gotta you gotta get

0:43:00.160 --> 0:43:06.520
<v Speaker 1>buying my own ship. No like you gotta point. I

0:43:06.560 --> 0:43:10.520
<v Speaker 1>gotta get get And by the way, let's make the

0:43:10.600 --> 0:43:17.640
<v Speaker 1>noise for real. For being the fucking Louis vuitar. It

0:43:17.680 --> 0:43:20.120
<v Speaker 1>sounds like kind of cliche, but it's not. And he said,

0:43:20.120 --> 0:43:21.719
<v Speaker 1>did you ever think that hip hop will take it

0:43:21.760 --> 0:43:24.880
<v Speaker 1>this far? Like crazy? Ship is like yo, bro, just

0:43:24.880 --> 0:43:27.640
<v Speaker 1>seeing Pharrell again living this big up Pharrell and big

0:43:27.719 --> 0:43:30.319
<v Speaker 1>up to clips, like seeing them in the Vatican like

0:43:30.360 --> 0:43:33.160
<v Speaker 1>a t K in my eye. Bro, that's crazy. Never

0:43:33.239 --> 0:43:36.440
<v Speaker 1>think about, like not only think about for me, but

0:43:36.520 --> 0:43:37.880
<v Speaker 1>think about for any artist.

0:43:37.960 --> 0:43:40.120
<v Speaker 8>And then you sort the thing. You say, what the

0:43:40.480 --> 0:43:43.640
<v Speaker 8>isn't clips drug dealers? Like how the are they performing

0:43:43.680 --> 0:43:48.800
<v Speaker 8>in the vat Vatican? Make you so?

0:43:49.400 --> 0:43:52.320
<v Speaker 1>And they're performing a song about their parents who passed

0:43:52.320 --> 0:43:55.279
<v Speaker 1>away and there's no curses on this song. And I'm like,

0:43:56.000 --> 0:44:06.480
<v Speaker 1>I'm like, they got the but de listen like they

0:44:06.560 --> 0:44:10.120
<v Speaker 1>doing the super Bowl. I'm like, you know, I want

0:44:10.160 --> 0:44:12.000
<v Speaker 1>to see j do the super Bowl just as to say,

0:44:12.040 --> 0:44:14.799
<v Speaker 1>everybody kiss my ass, like because he could have been

0:44:14.840 --> 0:44:19.480
<v Speaker 1>signed himself up to do it.

0:44:20.480 --> 0:44:27.000
<v Speaker 9>About first you got enough other people?

0:44:27.040 --> 0:44:30.960
<v Speaker 1>Bring me out? I would you want Ushige the record

0:44:30.960 --> 0:44:36.239
<v Speaker 1>with you? Every jay Z is nice because it's like, yo,

0:44:36.280 --> 0:44:39.000
<v Speaker 1>you know what they could go do it. It's like

0:44:39.239 --> 0:44:41.799
<v Speaker 1>and he knows that he's gonna kill it, like now,

0:44:41.800 --> 0:44:45.160
<v Speaker 1>I'm gonna be honest. I think that Brooklyn died of him.

0:44:45.239 --> 0:44:48.200
<v Speaker 1>He got tired of people talking about this guy should

0:44:48.200 --> 0:44:50.480
<v Speaker 1>have been on this stage and this guy, and he's like, listen,

0:44:50.680 --> 0:44:54.160
<v Speaker 1>I've run this ship, and now show y'all I run

0:44:54.200 --> 0:44:57.440
<v Speaker 1>this like. I think he got biggered to. They say

0:44:57.440 --> 0:45:00.560
<v Speaker 1>it was called big eared. Yeah, the bigger him too much.

0:45:00.640 --> 0:45:03.960
<v Speaker 1>And I think he said, Okay, I'm gonna show you

0:45:04.000 --> 0:45:06.640
<v Speaker 1>how the crocodile bikes back. You know what I mean,

0:45:06.680 --> 0:45:10.520
<v Speaker 1>because the pigeon is Chris pickering on the crocodile on

0:45:10.600 --> 0:45:17.520
<v Speaker 1>the crocodile. And it's like, hey man, because that's what

0:45:17.600 --> 0:45:18.880
<v Speaker 1>rappers ship, like, we gotta do.

0:45:18.880 --> 0:45:19.919
<v Speaker 2>We gotta do rapper ship.

0:45:20.239 --> 0:45:23.799
<v Speaker 1>Yeah, that's why you know our show it's about giving

0:45:23.800 --> 0:45:26.640
<v Speaker 1>people they flowers but they can smell them, do us

0:45:26.680 --> 0:45:28.319
<v Speaker 1>where they can tell them it drinks while they can

0:45:28.360 --> 0:45:31.000
<v Speaker 1>drink them, and they they smoke while they could smoke them.

0:45:31.040 --> 0:45:32.360
<v Speaker 1>You know, we want to get you.

0:45:32.400 --> 0:45:43.160
<v Speaker 10>Oh I got about the sack ship.

0:45:45.000 --> 0:45:54.239
<v Speaker 1>Oh yeah, you he knows this, know that's right, No

0:45:54.280 --> 0:45:59.560
<v Speaker 1>doubt is better than the Grammy because this bro so

0:45:59.680 --> 0:46:05.960
<v Speaker 1>buck what what was what was your most unexpected, unexpected production,

0:46:06.120 --> 0:46:08.080
<v Speaker 1>like someone called and wanted to work with you, and

0:46:08.120 --> 0:46:12.640
<v Speaker 1>you like, get the fuck out of here. I got

0:46:12.680 --> 0:46:17.200
<v Speaker 1>a lot of calls like that, okay, And Okay, that's

0:46:17.239 --> 0:46:20.960
<v Speaker 1>a hard question. Okay, you know because everybody, everybody, like

0:46:21.320 --> 0:46:23.920
<v Speaker 1>in my time, like everybody was reaching out and it's like,

0:46:24.040 --> 0:46:26.960
<v Speaker 1>yo didn't know and YA was partying and all like

0:46:27.760 --> 0:46:31.840
<v Speaker 1>having took the stones out, like everybody was calling, and

0:46:32.040 --> 0:46:35.600
<v Speaker 1>you know, I was just, oh, you know, that's that

0:46:36.200 --> 0:46:38.520
<v Speaker 1>nobody stands out and protect like who you were, Like,

0:46:38.600 --> 0:46:42.600
<v Speaker 1>damn anybody you were nervous for the I would say

0:46:42.640 --> 0:46:46.560
<v Speaker 1>probably Faith because it's like I was, I was doing

0:46:46.920 --> 0:46:50.800
<v Speaker 1>R and B music, but it's like that's that's that's

0:46:50.960 --> 0:46:54.560
<v Speaker 1>that's the record that I love you, that that was

0:46:54.560 --> 0:46:55.000
<v Speaker 1>that ship.

0:46:55.400 --> 0:47:00.319
<v Speaker 2>You know what I'm saying. Because j Loo wrote it?

0:47:01.080 --> 0:47:05.680
<v Speaker 1>What really come on? Man? You listen.

0:47:07.239 --> 0:47:13.800
<v Speaker 2>She wrote a part of it.

0:47:12.600 --> 0:47:19.920
<v Speaker 1>I mean, like I think the hook like she wrote

0:47:19.920 --> 0:47:23.840
<v Speaker 1>and it's like a couple of lines but a minimum

0:47:23.960 --> 0:47:27.520
<v Speaker 1>like five percent on ten percent like she wrote. But

0:47:27.800 --> 0:47:30.839
<v Speaker 1>she was in a studio with the face didn't write

0:47:30.880 --> 0:47:32.920
<v Speaker 1>the song like Faith's just like yo, you know what,

0:47:33.000 --> 0:47:37.719
<v Speaker 1>I'll take it. That's crazy and you know, it's like, well,

0:47:38.360 --> 0:47:48.839
<v Speaker 1>I love you, I love you. I mean forget he did.

0:47:50.320 --> 0:48:01.879
<v Speaker 1>His discography is crazy. DJ know, it's crazy, crazy discography, Bro,

0:48:02.560 --> 0:48:08.440
<v Speaker 1>that's crazy. What about the big records though, and you

0:48:08.480 --> 0:48:11.160
<v Speaker 1>record those a bad boy? Right? Bad boy? That is

0:48:11.520 --> 0:48:16.719
<v Speaker 1>everybody everybody who was a big artist are recorded with them,

0:48:17.320 --> 0:48:21.120
<v Speaker 1>except for fifty. Like fifty went off like you know,

0:48:21.360 --> 0:48:26.000
<v Speaker 1>with Mike Tyson, like Tyson House, like he recorded over there,

0:48:26.520 --> 0:48:29.279
<v Speaker 1>and it's like they was like, oh, you know, yo,

0:48:29.400 --> 0:48:31.719
<v Speaker 1>this fifty record is crazy, and it's like, you know,

0:48:32.320 --> 0:48:36.880
<v Speaker 1>I don't need them. It's like when in the nineties

0:48:36.920 --> 0:48:39.600
<v Speaker 1>and two thousands, it's like if it ain't ringing like

0:48:39.719 --> 0:48:42.879
<v Speaker 1>a single, I'd be like, yo, you know what, this

0:48:42.920 --> 0:48:46.880
<v Speaker 1>ain't it right, But the streams and shit, you know,

0:48:47.680 --> 0:48:49.920
<v Speaker 1>they show they show like yo, this is this is

0:48:50.080 --> 0:48:55.000
<v Speaker 1>people's favorite record, you know, and that's crazy, right? All right?

0:48:55.120 --> 0:48:56.680
<v Speaker 1>What about making a biggie records?

0:48:58.400 --> 0:49:02.400
<v Speaker 2>Oh well, biggie, what joints you did it?

0:49:02.440 --> 0:49:06.280
<v Speaker 1>Big? I got a story to tell. I kicked clothes

0:49:06.320 --> 0:49:09.560
<v Speaker 1>for you. Yeah, that was that. It be he born

0:49:09.600 --> 0:49:14.319
<v Speaker 1>in another beat like I had about seven and eight

0:49:14.360 --> 0:49:17.759
<v Speaker 1>beats and he was like, oh, you know now you're

0:49:17.800 --> 0:49:20.760
<v Speaker 1>doing shit. I like, and this was right before he died.

0:49:21.560 --> 0:49:24.200
<v Speaker 1>But when he said, oh, you know, I got a song,

0:49:24.280 --> 0:49:27.520
<v Speaker 1>it's like, you know, I was like, okay, cool, It's

0:49:27.600 --> 0:49:28.919
<v Speaker 1>like this is the song that the.

0:49:28.840 --> 0:49:32.279
<v Speaker 2>Locks want, and you know, the story to tell was

0:49:32.320 --> 0:49:32.920
<v Speaker 2>for the locks.

0:49:33.040 --> 0:49:37.719
<v Speaker 1>No, it was another beat, but it's like this, this

0:49:37.880 --> 0:49:42.279
<v Speaker 1>was for the Locks. And when I got it, like, oh, ship,

0:49:42.360 --> 0:49:45.480
<v Speaker 1>you know I was I was bugging. I was like, yo,

0:49:45.600 --> 0:49:49.640
<v Speaker 1>you know what Yo? He just one verse and you know,

0:49:49.719 --> 0:49:51.799
<v Speaker 1>people was like, oh, you know, just the hottest ship.

0:49:52.040 --> 0:49:55.879
<v Speaker 1>Foxy said that ship. And I was like, Yo, this

0:49:56.000 --> 0:49:58.560
<v Speaker 1>is this is cool. You know what I'm saying. You

0:49:58.600 --> 0:50:02.040
<v Speaker 1>didn't realize. You didn't realize it was it was hard,

0:50:02.080 --> 0:50:03.840
<v Speaker 1>and you didn't realize he was talking about Anthony Mason.

0:50:03.920 --> 0:50:14.400
<v Speaker 1>Yeah I don't know, yeah allegedly. You know that was crazy.

0:50:15.239 --> 0:50:18.040
<v Speaker 1>While it is being done, man, it's like I've done

0:50:18.120 --> 0:50:20.840
<v Speaker 1>so many records, it's like yo, and you could attest

0:50:20.880 --> 0:50:23.759
<v Speaker 1>to this like records fold over and it's like, oh,

0:50:23.800 --> 0:50:26.600
<v Speaker 1>you know this is that. It's like this is out

0:50:26.640 --> 0:50:29.120
<v Speaker 1>the windows, like this is on on to the next

0:50:29.280 --> 0:50:34.640
<v Speaker 1>and that's what it is, all right, But so when

0:50:34.640 --> 0:50:38.480
<v Speaker 1>did you realize that this record is a classic. After

0:50:38.520 --> 0:50:44.160
<v Speaker 1>it dropped probably like ninety nine or two thousand, damn.

0:50:45.640 --> 0:50:49.920
<v Speaker 1>Like after like after like you know, streaming, it's like

0:50:50.560 --> 0:50:55.759
<v Speaker 1>I started seeing everything come to fruition. It's like you

0:50:55.800 --> 0:50:58.080
<v Speaker 1>to realize it was a classic, like yeah, because it's

0:50:58.120 --> 0:51:01.719
<v Speaker 1>like we was only like we Like for me, I

0:51:01.719 --> 0:51:03.239
<v Speaker 1>lived in the Bronx, so it's like I would go

0:51:03.320 --> 0:51:04.799
<v Speaker 1>on the porch and I'd be like, yo, you know

0:51:05.120 --> 0:51:08.120
<v Speaker 1>counter counter cars is like you know, drop by playing

0:51:08.160 --> 0:51:13.520
<v Speaker 1>my ship and I was like, oh, you know, and

0:51:13.600 --> 0:51:17.040
<v Speaker 1>every like the streatment is like yo, everything came at once.

0:51:18.440 --> 0:51:23.080
<v Speaker 1>You know, that's crazy. So you knew WOA was out

0:51:23.120 --> 0:51:25.080
<v Speaker 1>of here because every car was playing whoa when that

0:51:25.200 --> 0:51:32.880
<v Speaker 1>shake out, like whoa, it's like I seen it. But

0:51:33.120 --> 0:51:37.279
<v Speaker 1>when I seen it, I was in the I forgot this,

0:51:37.440 --> 0:51:41.880
<v Speaker 1>I forgot this club. But I've seen hole. It was

0:51:41.960 --> 0:51:46.000
<v Speaker 1>like because he's he like he like we gave him

0:51:46.000 --> 0:51:51.800
<v Speaker 1>a beat, and it's like, yo, get out of here here. Lenny,

0:51:51.920 --> 0:51:56.440
<v Speaker 1>like Lenny as who's the mastermind, Like yo, he he

0:51:56.560 --> 0:51:58.319
<v Speaker 1>took all the beats, like you know, he was like,

0:51:58.320 --> 0:51:59.920
<v Speaker 1>oh you know what I'm gonna I'm gonna get this

0:52:00.040 --> 0:52:02.359
<v Speaker 1>want to get that one and it's like yo, old

0:52:02.400 --> 0:52:06.000
<v Speaker 1>us for JA, hold us for bleak or argue with

0:52:06.040 --> 0:52:09.680
<v Speaker 1>the bleak, and it's like nobody wanted it, and you

0:52:09.719 --> 0:52:13.799
<v Speaker 1>know Rol took it. I don't think nobody would have

0:52:13.800 --> 0:52:20.000
<v Speaker 1>did it for him. Always say that, like nobody, nobody

0:52:20.040 --> 0:52:24.000
<v Speaker 1>would would have tried to rap too much to do

0:52:24.080 --> 0:52:26.839
<v Speaker 1>the world. When you when you got an artist, right,

0:52:27.760 --> 0:52:30.279
<v Speaker 1>artist like Jay is like, oh, you know what, I

0:52:30.360 --> 0:52:34.279
<v Speaker 1>gotta figure figure out how to conquer the song and

0:52:34.320 --> 0:52:36.719
<v Speaker 1>like oh see o C Like you know, all the

0:52:36.800 --> 0:52:39.600
<v Speaker 1>rappers you know is the same person. Like you know,

0:52:39.960 --> 0:52:42.799
<v Speaker 1>they figure out, like yo, how to address this I'm

0:52:42.800 --> 0:52:45.720
<v Speaker 1>saying and that, and that's what it is like. Even Mont,

0:52:45.800 --> 0:52:49.480
<v Speaker 1>It's like you know what Simon says, It's like like

0:52:50.440 --> 0:52:52.839
<v Speaker 1>the gods is a simple he he could have spit

0:52:52.960 --> 0:52:55.920
<v Speaker 1>like hymnautical gases and ship like that. But you know

0:52:56.280 --> 0:52:59.120
<v Speaker 1>Simon says as well, no, okay, I wish I did.

0:53:00.600 --> 0:53:04.959
<v Speaker 1>Remember what happened with that record they got Yo. When

0:53:05.239 --> 0:53:09.040
<v Speaker 1>when he when he my house, He's like, yo, you

0:53:09.080 --> 0:53:11.400
<v Speaker 1>know what, I want you to hit his record? He

0:53:11.480 --> 0:53:15.080
<v Speaker 1>drove all the way to the Bronx and like I

0:53:15.239 --> 0:53:19.239
<v Speaker 1>just I just had done the beat for Woe and

0:53:19.280 --> 0:53:21.799
<v Speaker 1>it's like yo. He was like, Yo, tell me, tell

0:53:21.840 --> 0:53:23.120
<v Speaker 1>me what you think of this record.

0:53:24.000 --> 0:53:27.120
<v Speaker 2>And I look and I was like, damn.

0:53:26.880 --> 0:53:30.560
<v Speaker 1>Man, it's like he done it. You knew it was fire.

0:53:30.680 --> 0:53:38.480
<v Speaker 1>He produced that too. No found that produced record. I

0:53:38.520 --> 0:53:41.680
<v Speaker 1>think that might be the only one he did himself,

0:53:42.480 --> 0:53:46.720
<v Speaker 1>the only one. Yeah, But that's how the record was huge.

0:53:47.520 --> 0:53:50.680
<v Speaker 1>Know when he said he could have said hypnautical gases

0:53:50.719 --> 0:53:56.719
<v Speaker 1>on it, he could have games. He's literally he did

0:53:56.760 --> 0:54:02.000
<v Speaker 1>the right thing for that artist. It's like he'll he'll

0:54:02.000 --> 0:54:04.160
<v Speaker 1>do the right beat for the right artists. And it's like, yo,

0:54:04.640 --> 0:54:08.439
<v Speaker 1>you can't spit this on us. And it's like Simon says,

0:54:08.440 --> 0:54:10.840
<v Speaker 1>it's like, yo, that's that fit.

0:54:10.800 --> 0:54:14.360
<v Speaker 2>Perfect, that's the record right records.

0:54:14.360 --> 0:54:17.920
<v Speaker 1>Still, I was on tour with Ouur March, which we

0:54:17.960 --> 0:54:22.560
<v Speaker 1>need on drink Champs by twelve years ago man, and

0:54:22.600 --> 0:54:27.000
<v Speaker 1>he taught me intimitted fast and back then, oh, twelve

0:54:27.160 --> 0:54:29.520
<v Speaker 1>years ago. I was like, we came downstairs at the

0:54:29.520 --> 0:54:36.040
<v Speaker 1>point it was this is this is this is he

0:54:36.120 --> 0:54:39.560
<v Speaker 1>put together like like I'm talking about like slim trim

0:54:39.800 --> 0:54:41.680
<v Speaker 1>and I'm like, yo, we're going to get something to eat.

0:54:43.320 --> 0:54:45.799
<v Speaker 1>He was like, yeah, I ate yesterday and we just

0:54:45.880 --> 0:54:52.080
<v Speaker 1>all laughed at this time. By the way we laughed,

0:54:52.719 --> 0:54:59.040
<v Speaker 1>We're like, yo, what the yo yesterday? Like And twelve

0:54:59.160 --> 0:55:04.839
<v Speaker 1>years later this ship to make the weight off. I

0:55:04.880 --> 0:55:08.360
<v Speaker 1>had read How to Eat to Live already. I laughed

0:55:08.400 --> 0:55:11.840
<v Speaker 1>at him, really me laughing at myself, Like I was like,

0:55:12.520 --> 0:55:15.920
<v Speaker 1>he showed me the blueprint. I knew better. But but

0:55:16.080 --> 0:55:18.359
<v Speaker 1>you know, we all overseas me in Germany and ship.

0:55:20.400 --> 0:55:23.440
<v Speaker 1>I was like, I got Chinese mood in Germany.

0:55:23.480 --> 0:55:25.000
<v Speaker 2>I'm I'm going together.

0:55:25.360 --> 0:55:27.279
<v Speaker 1>We did the day before. We went here the day

0:55:27.280 --> 0:55:29.480
<v Speaker 1>before and they had duck sauce. We were open. We

0:55:29.520 --> 0:55:33.080
<v Speaker 1>didn't realize other people had dunk sauce outside of New

0:55:33.160 --> 0:55:36.239
<v Speaker 1>York City, so we were like yo. We were like, yo, yo,

0:55:36.280 --> 0:55:38.200
<v Speaker 1>you want to go to the next party? Like nah,

0:55:38.400 --> 0:55:41.680
<v Speaker 1>they got stay at the same hotel. They got dunks

0:55:41.760 --> 0:55:45.360
<v Speaker 1>over there. Then they got dunk. I just came with us.

0:55:45.480 --> 0:55:52.080
<v Speaker 1>It was us, Paul marsh I'm gonna get who else

0:55:52.360 --> 0:55:56.000
<v Speaker 1>but honest came with us. But so uh, I'm sorry

0:55:56.040 --> 0:55:58.520
<v Speaker 1>this sounds so cliche, and I know we brushed on

0:55:58.560 --> 0:56:00.359
<v Speaker 1>it earlier, but did you ever think that hip hop

0:56:00.400 --> 0:56:04.640
<v Speaker 1>will actually make it this far? Never? Look, look billionaires

0:56:04.680 --> 0:56:08.000
<v Speaker 1>like it was something for motherfucker to make think about

0:56:08.000 --> 0:56:11.640
<v Speaker 1>what Jay was saying, eighty million, like I'm raping jump

0:56:11.719 --> 0:56:14.120
<v Speaker 1>Jim till I'm the hundred million men like he was.

0:56:14.239 --> 0:56:14.919
<v Speaker 2>That was the reach.

0:56:15.040 --> 0:56:23.359
<v Speaker 1>We were like, yeah, millions, crazy man's penuts. Yeah, a couple.

0:56:23.680 --> 0:56:29.640
<v Speaker 1>He's the most. He's the richest fucking musician. That's crazy.

0:56:29.680 --> 0:56:30.560
<v Speaker 2>So you're talking about.

0:56:30.360 --> 0:56:34.239
<v Speaker 1>Taking this fall to the top of the boller stones. Yeah, yeah,

0:56:34.600 --> 0:56:37.200
<v Speaker 1>Like nobody funny the niggas that take act with some

0:56:37.200 --> 0:56:44.680
<v Speaker 1>other niggas, Yeah, all them people. I'm stopped saying the

0:56:44.840 --> 0:56:47.520
<v Speaker 1>word me and being bleak was being bleak when when

0:56:47.520 --> 0:56:50.040
<v Speaker 1>I did Bleak podcast, we were talking about the scenes

0:56:50.600 --> 0:56:52.880
<v Speaker 1>and I was just like, I made a post and

0:56:52.920 --> 0:56:55.680
<v Speaker 1>I said, I think Beyonce might have surpassed Mike, like

0:56:55.760 --> 0:56:59.839
<v Speaker 1>the greatest entertainer ever, Like, man, I got so much.

0:56:59.840 --> 0:57:02.359
<v Speaker 1>He got me Mike alone, And Blee was like, nah,

0:57:02.400 --> 0:57:05.640
<v Speaker 1>he said, me and Jay had that argument, Jason, now

0:57:05.719 --> 0:57:14.680
<v Speaker 1>you bugging, Oh my god, man, I'm you're saying you

0:57:14.760 --> 0:57:18.520
<v Speaker 1>gotta relax. That's Mike, And I'm like, but when you

0:57:18.840 --> 0:57:20.960
<v Speaker 1>go back, when you look at the consistency though of

0:57:21.000 --> 0:57:24.760
<v Speaker 1>Beyonce's career, because I went and did the fucking Mike last.

0:57:25.040 --> 0:57:28.240
<v Speaker 1>Michael had like twelve year gaps in between his but

0:57:28.280 --> 0:57:31.280
<v Speaker 1>you gotta count Jackson five. But he's right now, got

0:57:31.360 --> 0:57:37.920
<v Speaker 1>Destiny Shell too. Yeah yeah, okay.

0:57:37.680 --> 0:57:38.640
<v Speaker 2>Yeah, okay.

0:57:39.040 --> 0:57:41.200
<v Speaker 1>But even though still like Mike had these bits, like

0:57:41.520 --> 0:57:44.760
<v Speaker 1>you say, he got three monster albums that make his

0:57:44.880 --> 0:57:47.640
<v Speaker 1>career off the wall, and what is it dangerous?

0:57:48.200 --> 0:57:48.680
<v Speaker 2>Even bad?

0:57:48.720 --> 0:57:52.000
<v Speaker 1>You can throw bad in it, right, And this girl

0:57:52.000 --> 0:57:54.600
<v Speaker 1>don't stop man like, she's consistent. She doesn't turn to

0:57:54.680 --> 0:57:58.400
<v Speaker 1>the cowboy out. That's one thing that she turned the cowboy.

0:57:58.400 --> 0:58:01.280
<v Speaker 1>It's one thing that Michael got over. Kind of like everybody,

0:58:01.320 --> 0:58:03.120
<v Speaker 1>what's that making niggas faint and ship.

0:58:03.360 --> 0:58:04.120
<v Speaker 2>Niggas be dying?

0:58:04.120 --> 0:58:08.120
<v Speaker 1>And Mike Ship Mike he had all that stretchers in

0:58:08.160 --> 0:58:11.040
<v Speaker 1>the front. You never seen nobody else with stretches. He

0:58:11.080 --> 0:58:15.880
<v Speaker 1>originated that. But Mike was a crib.

0:58:16.840 --> 0:58:19.400
<v Speaker 2>You've seen that ship. Mike was the crib. Mike was crip.

0:58:19.760 --> 0:58:24.600
<v Speaker 1>Well, dif that was the difference, Like, yeah, we had

0:58:26.160 --> 0:58:28.560
<v Speaker 1>DJ Quick sit right here and we're like, because you

0:58:28.560 --> 0:58:31.800
<v Speaker 1>know he yeah, he was walking this movie and I'm like, ya,

0:58:31.800 --> 0:58:34.920
<v Speaker 1>I gotta ask you he goes because I believe this

0:58:34.960 --> 0:58:39.080
<v Speaker 1>is the exact words. He goes them signs he was

0:58:39.080 --> 0:58:43.840
<v Speaker 1>throwing up was not blood friendly. It was making Mike.

0:58:45.160 --> 0:58:47.840
<v Speaker 1>And there's that rumor that he fought Park. You know,

0:58:47.920 --> 0:58:50.960
<v Speaker 1>that rumor gets bigger and bigger, but it's not so

0:58:51.320 --> 0:58:54.840
<v Speaker 1>real like that Mike just whipped his ass like was

0:58:54.840 --> 0:58:59.200
<v Speaker 1>messing with.

0:58:58.880 --> 0:59:00.760
<v Speaker 7>I think about it.

0:59:01.080 --> 0:59:08.200
<v Speaker 3>Just wonder lady like yeah, talking about.

0:59:09.640 --> 0:59:15.120
<v Speaker 1>Yeahs probing on the like just gonnaup on your phone

0:59:15.160 --> 0:59:18.920
<v Speaker 1>so you le seriously, I can believe Michael fight. The

0:59:18.960 --> 0:59:21.640
<v Speaker 1>guy told the store. You can't believe it too, because

0:59:21.680 --> 0:59:23.680
<v Speaker 1>they said prince and they say he grew up getting

0:59:23.680 --> 0:59:30.280
<v Speaker 1>as weapons so they seen the fighting.

0:59:30.640 --> 0:59:38.200
<v Speaker 9>Yeah, your brothers not your parents. You don't learn how

0:59:38.200 --> 0:59:41.240
<v Speaker 9>to fight and your brothers and you fight your brothers

0:59:41.280 --> 0:59:44.760
<v Speaker 9>faking that's your brother you got you ready to pop

0:59:44.760 --> 0:59:45.080
<v Speaker 9>on them?

0:59:45.440 --> 0:59:48.480
<v Speaker 1>Joe funck them up. Joe fun them up. What I'm saying,

0:59:48.760 --> 0:59:52.840
<v Speaker 1>Joe funcked them up. But Joe, Joe, you say you'll

0:59:52.840 --> 0:59:58.000
<v Speaker 1>put your hands up. No, That's what I'm saying. So

0:59:58.120 --> 1:00:02.920
<v Speaker 1>Joe was like the complete ass whooping, and the brothers like, yo,

1:00:03.000 --> 1:00:06.520
<v Speaker 1>you know what this just ask what exactly wanted the talent?

1:00:06.520 --> 1:00:08.480
<v Speaker 1>He whipped them niggas in the shape because the niggas

1:00:08.600 --> 1:00:11.919
<v Speaker 1>talented the ship. You the step again, Manna, Like what

1:00:14.600 --> 1:00:19.919
<v Speaker 1>lit fucking around even want? Don't do that again? Nah?

1:00:19.960 --> 1:00:22.040
<v Speaker 1>They said he would making sure that they practiced. Had

1:00:22.040 --> 1:00:23.280
<v Speaker 1>to get up in the middle of the night, like

1:00:23.400 --> 1:00:26.200
<v Speaker 1>liter what's the most American idol? Ain't he a Jackson?

1:00:27.000 --> 1:00:29.960
<v Speaker 1>Not American idol? Randy, He's not a Jackson. No, he's

1:00:29.960 --> 1:00:33.200
<v Speaker 1>not a Jackson. Brandy Jackson. When Bizz, you know, following

1:00:33.240 --> 1:00:37.040
<v Speaker 1>that fucking Internet, when Biz was sick, somebody posted your

1:00:37.080 --> 1:00:41.920
<v Speaker 1>biz rest in peace, this markey, this market and somebody posted, yo,

1:00:42.120 --> 1:00:44.320
<v Speaker 1>biz rest in peace, my dumb ass. Wanting to get

1:00:44.480 --> 1:00:46.600
<v Speaker 1>likes real quick. Those want to be like I got

1:00:46.600 --> 1:00:49.480
<v Speaker 1>the interest that recipe, I don't know. I don't posted

1:00:49.480 --> 1:00:51.560
<v Speaker 1>a pit to the nigga your resting piece of the beers.

1:00:52.160 --> 1:00:55.000
<v Speaker 1>Just Blaze came immediately say yo, just got off the phone.

1:00:55.040 --> 1:00:59.880
<v Speaker 1>Bit Biz ain't dad Bro stupid as hell. He's like, Yo,

1:01:00.120 --> 1:01:02.800
<v Speaker 1>do what the fun you doing? I was like, that's

1:01:02.840 --> 1:01:05.840
<v Speaker 1>the Internet for you. You want to be first. Niggas

1:01:05.840 --> 1:01:07.400
<v Speaker 1>want to be first to shit and get that get

1:01:07.400 --> 1:01:09.960
<v Speaker 1>that engagement. They like, Oh ship, I got some, I

1:01:09.960 --> 1:01:12.680
<v Speaker 1>got some like with the Dame dash ship. Look, I

1:01:12.720 --> 1:01:14.240
<v Speaker 1>mean niggas is spreading that ship, but.

1:01:16.200 --> 1:01:16.760
<v Speaker 2>Revoked ship.

1:01:17.480 --> 1:01:19.880
<v Speaker 1>She was up listening to that live you should have called.

1:01:20.120 --> 1:01:22.440
<v Speaker 1>That's how I knew it was a little bit of a

1:01:22.480 --> 1:01:28.120
<v Speaker 1>cat because he wouldn't have said, I'm like everybody's. He

1:01:28.120 --> 1:01:34.360
<v Speaker 1>would have threw me under the table. Listen. I'm expecting it, y'all,

1:01:34.640 --> 1:01:37.760
<v Speaker 1>y'all good. I always been good with Dame. I always

1:01:37.760 --> 1:01:40.840
<v Speaker 1>appreciated Dame. I always had love for Dame. We had,

1:01:41.720 --> 1:01:46.280
<v Speaker 1>uh we say exchanged recently stick face Gary and then

1:01:46.320 --> 1:01:47.960
<v Speaker 1>me and being Bleak. We all got on the phone.

1:01:48.160 --> 1:01:51.000
<v Speaker 1>But what it was was we smoke like men. We

1:01:51.040 --> 1:01:52.720
<v Speaker 1>smoke like men. I told him what I didn't like.

1:01:52.760 --> 1:01:56.040
<v Speaker 1>He told me what he didn't like. We agreed to

1:01:56.040 --> 1:02:00.200
<v Speaker 1>disagree because we did not you know, not me in

1:02:00.200 --> 1:02:04.440
<v Speaker 1>the in the middle. We met. That's what the problem was.

1:02:04.520 --> 1:02:07.680
<v Speaker 1>I mean, that's that's what solution was, and we we

1:02:07.800 --> 1:02:11.880
<v Speaker 1>amended ways. And then I admire what he's doing. I

1:02:11.880 --> 1:02:16.760
<v Speaker 1>admire him acknowledging bleaks. Yeah, that was the loyalty and

1:02:16.840 --> 1:02:20.360
<v Speaker 1>Bleak because you know what it is is we have

1:02:20.440 --> 1:02:23.360
<v Speaker 1>Bleak on here. And then like we kind of studied

1:02:23.400 --> 1:02:26.640
<v Speaker 1>the algorithms of what happened and right now. To me,

1:02:27.360 --> 1:02:29.800
<v Speaker 1>I know I'm going to sound crazy, but to me,

1:02:30.640 --> 1:02:34.320
<v Speaker 1>like Jim Jones, talking is very important to me, Tony yao,

1:02:34.480 --> 1:02:37.480
<v Speaker 1>talking is very very important to me.

1:02:39.120 --> 1:02:41.400
<v Speaker 2>Uh, bleak.

1:02:42.520 --> 1:02:46.520
<v Speaker 1>To the guy and to me, it's the year of

1:02:46.560 --> 1:02:48.720
<v Speaker 1>the man that's saying. Next to the man, it comes

1:02:48.760 --> 1:02:50.840
<v Speaker 1>to band this year, you know what I'm saying. So

1:02:52.600 --> 1:02:57.560
<v Speaker 1>Bleak is like he's really taking on like Jay's whole monaricure,

1:02:57.720 --> 1:03:01.160
<v Speaker 1>like like like like everybody, everybody that's saying something wrong

1:03:01.160 --> 1:03:03.320
<v Speaker 1>about Jay. He knows Jay's not coming out of the house,

1:03:03.680 --> 1:03:06.040
<v Speaker 1>and he knows he has a podcast, so he knows

1:03:06.080 --> 1:03:09.080
<v Speaker 1>that he can actually delivered addressed.

1:03:10.040 --> 1:03:15.280
<v Speaker 2>I'm saying, this ship came out out today.

1:03:15.520 --> 1:03:17.640
<v Speaker 1>So what I'm trying to say is that's so smart

1:03:17.640 --> 1:03:20.000
<v Speaker 1>to me, even though I gave him the blueprint and

1:03:20.200 --> 1:03:23.560
<v Speaker 1>we gave him the distribution, but that part is like

1:03:23.720 --> 1:03:25.280
<v Speaker 1>bringing people into his own world.

1:03:26.040 --> 1:03:26.800
<v Speaker 2>That's that's his ship.

1:03:26.880 --> 1:03:31.320
<v Speaker 1>He got good personality, man, person funny your funny god, dude.

1:03:31.800 --> 1:03:34.520
<v Speaker 1>So what's what's your favorite part of the game. So

1:03:34.560 --> 1:03:38.680
<v Speaker 1>I going, is it performing? Yeah, traveling, traveling, seeing different

1:03:38.680 --> 1:03:40.439
<v Speaker 1>parts of the world that none of us will probably

1:03:40.440 --> 1:03:42.400
<v Speaker 1>see he wasn't rapping. You know what I'm saying, You'll

1:03:42.440 --> 1:03:44.080
<v Speaker 1>find yourself in one of the countries. You're like, what

1:03:44.200 --> 1:03:46.480
<v Speaker 1>the where the fuck am I interested? He's the only

1:03:46.480 --> 1:03:49.320
<v Speaker 1>one that ever sat traveling. That's the funniest part, the

1:03:49.360 --> 1:03:52.880
<v Speaker 1>funniest part of everyone says they always pay promore in

1:03:53.000 --> 1:03:56.880
<v Speaker 1>and performing, excuse me or recording.

1:03:57.200 --> 1:03:57.960
<v Speaker 2>I like traveling.

1:03:58.000 --> 1:04:02.360
<v Speaker 1>I mean i'd assume performing goes with the traveling. Not really. No, say,

1:04:02.400 --> 1:04:04.680
<v Speaker 1>you can perform anywhere, but when you like me, I

1:04:04.760 --> 1:04:07.480
<v Speaker 1>like to see him, which I'm not. I want you.

1:04:09.000 --> 1:04:11.960
<v Speaker 1>That's why I'm sitting here messed up because now I'm

1:04:12.040 --> 1:04:15.600
<v Speaker 1>traveling and I didn't realize how much. And I'm saying

1:04:15.600 --> 1:04:17.040
<v Speaker 1>this with a with a grain of salt, and I'm

1:04:17.080 --> 1:04:18.960
<v Speaker 1>saying this, I didn't know how much of a slave

1:04:19.040 --> 1:04:21.880
<v Speaker 1>I was. I would never enjoy these towns.

1:04:21.920 --> 1:04:23.320
<v Speaker 2>I would go there, perform.

1:04:23.440 --> 1:04:26.040
<v Speaker 1>Do the version of the Breakfast Club, do that version

1:04:26.080 --> 1:04:30.520
<v Speaker 1>of funk Flex, do they version of DJ And you

1:04:30.520 --> 1:04:34.920
<v Speaker 1>know I know it. See the spot, I'm like, I

1:04:35.160 --> 1:04:38.240
<v Speaker 1>see the part of Croatia and I was like, Croatia

1:04:38.320 --> 1:04:41.600
<v Speaker 1>is nice, Like I've been to the foul water. I

1:04:41.640 --> 1:04:43.800
<v Speaker 1>was like, wait a minute, like because and I was

1:04:43.840 --> 1:04:46.760
<v Speaker 1>just there to work. So now that I'm traveling again

1:04:47.120 --> 1:04:51.480
<v Speaker 1>and seeing the world, I appreciate it so I don't

1:04:51.520 --> 1:04:54.080
<v Speaker 1>have to rush the soundtrack. I don't have to you know.

1:04:54.560 --> 1:04:56.720
<v Speaker 1>Take a page from jay z book where it's like

1:04:57.640 --> 1:05:02.520
<v Speaker 1>the reason why he flew like like was talking about

1:05:02.520 --> 1:05:05.520
<v Speaker 1>like yo he took he like he takes fucking days

1:05:05.760 --> 1:05:09.320
<v Speaker 1>where it's like they take days to reach theate destination.

1:05:09.920 --> 1:05:12.200
<v Speaker 1>Jay Z beat there in the day, yeah you know,

1:05:12.320 --> 1:05:15.160
<v Speaker 1>but it's like, yo, he soak up a lot of culture.

1:05:17.440 --> 1:05:30.040
<v Speaker 1>He said, I'm flying over believe yeah, man, but that

1:05:30.040 --> 1:05:32.200
<v Speaker 1>that traveling, yeah, to see in the world. Man, you know,

1:05:32.320 --> 1:05:34.960
<v Speaker 1>not listen to me. I've never heard that. And when

1:05:35.000 --> 1:05:37.160
<v Speaker 1>you just said that, I realized that's that was mine.

1:05:37.680 --> 1:05:40.400
<v Speaker 1>It's because like right now, like I just went to

1:05:40.480 --> 1:05:44.840
<v Speaker 1>Paris and I went there to run, but I was

1:05:44.920 --> 1:05:47.560
<v Speaker 1>I was traveling and so many people are like y'all

1:05:47.560 --> 1:05:48.880
<v Speaker 1>got to back for you, got a back for you,

1:05:49.240 --> 1:05:51.480
<v Speaker 1>And I was just like I don't want to go

1:05:51.480 --> 1:05:53.800
<v Speaker 1>to but I was thought about. I was like I

1:05:53.920 --> 1:05:58.400
<v Speaker 1>reached my destination already. I'm here. I traveled here, like

1:05:58.440 --> 1:06:01.840
<v Speaker 1>I actually don't we care about going in the club,

1:06:01.880 --> 1:06:03.960
<v Speaker 1>and these guys don't have the order and all this

1:06:04.000 --> 1:06:11.040
<v Speaker 1>ship like, guys, they don't have the I know everywhere,

1:06:11.040 --> 1:06:11.920
<v Speaker 1>I know everywhere, like I.

1:06:12.000 --> 1:06:13.320
<v Speaker 2>Know eighty five for yah.

1:06:13.600 --> 1:06:24.000
<v Speaker 7>Yeah, yeah, people, we want we want.

1:06:24.440 --> 1:06:27.360
<v Speaker 1>Ziro when you get with this. Herot's you know what

1:06:27.360 --> 1:06:32.080
<v Speaker 1>I'm saying, we want that guy. That's hilarious, he said, Yeah,

1:06:32.480 --> 1:06:35.160
<v Speaker 1>I'm not just take ship whatever. Man.

1:06:36.120 --> 1:06:37.920
<v Speaker 3>All right, guys, we're gonna do quick time with slime.

1:06:40.120 --> 1:06:43.520
<v Speaker 3>Oh really, this is the drinking game. Drink water, you

1:06:43.520 --> 1:06:44.600
<v Speaker 3>can zip it.

1:06:45.880 --> 1:06:46.400
<v Speaker 1>I'm drinking.

1:06:46.480 --> 1:06:49.480
<v Speaker 3>We'll give you two choices. Look, but we're gonna give

1:06:49.480 --> 1:06:52.760
<v Speaker 3>you two choices. Pick one and we're not drinking. Say

1:06:52.800 --> 1:06:56.080
<v Speaker 3>both are neither and were drinking. But just give us

1:06:56.080 --> 1:06:58.120
<v Speaker 3>some stories, and you know, we just want to bring

1:06:58.200 --> 1:07:02.920
<v Speaker 3>up people in places. All right, park are easy.

1:07:07.040 --> 1:07:10.960
<v Speaker 1>That's a hard easy.

1:07:10.680 --> 1:07:13.880
<v Speaker 2>He's the godfather, Yes he is.

1:07:13.960 --> 1:07:18.440
<v Speaker 1>Like yo, he's he started the ship. It's true, he

1:07:18.520 --> 1:07:21.919
<v Speaker 1>started start. What are you starting to think of the tree?

1:07:22.000 --> 1:07:25.800
<v Speaker 1>The tree going? Let me just tell you how ill

1:07:25.840 --> 1:07:29.480
<v Speaker 1>easy is. I know, no, even that tree reaches pop

1:07:29.760 --> 1:07:31.480
<v Speaker 1>for sure. I've been listening to this album. I never

1:07:31.560 --> 1:07:35.400
<v Speaker 1>really caught it easy, he said on his ship. He said,

1:07:35.480 --> 1:07:40.400
<v Speaker 1>ice Cube right the rhymes that I say, crazy Holy

1:07:40.520 --> 1:07:43.600
<v Speaker 1>Ship interview ice Cube, and I asked, And then if

1:07:43.600 --> 1:07:46.000
<v Speaker 1>you look at the credits, I don't think ice Cube

1:07:46.120 --> 1:07:52.600
<v Speaker 1>name is on there right around and it's Easy credited

1:07:52.680 --> 1:07:59.000
<v Speaker 1>for Jerry hell Ship, Jerry heller Ship, go off what

1:07:59.120 --> 1:08:05.040
<v Speaker 1>you want saying? Said Easy Easy? Yeah, wow yo, because

1:08:05.080 --> 1:08:07.040
<v Speaker 1>he like Easy is the god. Like you know what

1:08:07.080 --> 1:08:09.880
<v Speaker 1>I'm saying. It's like Park is like a worker, like

1:08:10.120 --> 1:08:14.000
<v Speaker 1>he like he like he commanded, like you know, he

1:08:14.200 --> 1:08:16.920
<v Speaker 1>taught us, you know what I'm saying, Like he he

1:08:17.000 --> 1:08:20.360
<v Speaker 1>wrote like he ain't right, but it's like he commanded, like,

1:08:20.360 --> 1:08:22.160
<v Speaker 1>oh you know, write the song. It's like you know,

1:08:22.920 --> 1:08:26.479
<v Speaker 1>and that's said, like yo, you know he was a dude.

1:08:27.640 --> 1:08:30.160
<v Speaker 1>And what's crazy is I believed Easy more than all

1:08:30.200 --> 1:08:35.639
<v Speaker 1>of them, not even knowing that someone was. I guess

1:08:35.640 --> 1:08:39.120
<v Speaker 1>his delivery was like you could tell, like it's intense,

1:08:39.520 --> 1:08:41.360
<v Speaker 1>you could tell it came from him, and I feel

1:08:41.600 --> 1:08:45.760
<v Speaker 1>would say Easy. Yeah. I don't know, man, I think

1:08:46.479 --> 1:08:50.599
<v Speaker 1>because once once they left Easy, he went and signed

1:08:50.640 --> 1:08:52.559
<v Speaker 1>on Bone Thugs and Home Andy. So he kept his

1:08:52.640 --> 1:08:56.520
<v Speaker 1>career the business part of it, but his music after that,

1:08:56.600 --> 1:09:03.400
<v Speaker 1>after that record was seven killed with this record. The

1:09:03.760 --> 1:09:10.560
<v Speaker 1>people kind of you know what this record when he

1:09:10.640 --> 1:09:12.160
<v Speaker 1>went to the White House and all I'm like, what

1:09:12.479 --> 1:09:17.000
<v Speaker 1>fuck is this nigga? But I'm like, first thing gonna

1:09:17.000 --> 1:09:19.000
<v Speaker 1>go to the White House, first thing gonna do, like

1:09:19.040 --> 1:09:22.000
<v Speaker 1>almost everything is he let it from the f B.

1:09:22.120 --> 1:09:25.640
<v Speaker 1>I did the first ones to get the rested on stage. Yeah,

1:09:25.800 --> 1:09:33.040
<v Speaker 1>now that was that was Gusta Oh, which was mimicking

1:09:33.080 --> 1:09:39.000
<v Speaker 1>in It's Crazy. Chris Rock was disrespectful for that, Yeah,

1:09:39.800 --> 1:09:44.639
<v Speaker 1>blating with it to m Gusta Crazy before It's Crazy.

1:09:44.680 --> 1:09:46.640
<v Speaker 1>That's my one of my favorite movies, bro, because it

1:09:46.680 --> 1:09:50.200
<v Speaker 1>makes more sense now it is. Yeah, when you when you.

1:09:50.000 --> 1:09:53.080
<v Speaker 3>When hindsight, the recipes are pocketing easy by the way,

1:09:53.800 --> 1:09:55.760
<v Speaker 3>Diamond d or Lord Finess.

1:09:55.400 --> 1:09:58.840
<v Speaker 2>Oh that's the one, Yo, that's a hard one though.

1:09:59.280 --> 1:10:02.559
<v Speaker 1>Is a producer, however, you know I'm saying it's a producer.

1:10:02.760 --> 1:10:06.000
<v Speaker 1>This is what advertaria you feel your mind is a producer,

1:10:06.520 --> 1:10:14.559
<v Speaker 1>Lord Finess, get out of here over Diamond D Yo too.

1:10:15.000 --> 1:10:22.000
<v Speaker 1>But with Diamonds Yo, he'spen ticulous with beats and Yo

1:10:22.400 --> 1:10:26.160
<v Speaker 1>they come out crazy and Diamond is like yoikulous with

1:10:26.280 --> 1:10:30.040
<v Speaker 1>songs like he made dope songs, So for songs is

1:10:30.080 --> 1:10:35.599
<v Speaker 1>a rapper, it's Diamond. What I would have never guessed

1:10:35.600 --> 1:10:40.120
<v Speaker 1>that because it's like, yo, Diamond, Diamonds are better rapping thawfulness, Yeah,

1:10:40.439 --> 1:10:45.799
<v Speaker 1>because that's what. But like yo artist, like the person

1:10:45.800 --> 1:10:50.080
<v Speaker 1>who's fits and stage show like Diamond d is flawless.

1:10:50.640 --> 1:10:54.040
<v Speaker 1>You know, Diamond has first album class what I'm saying,

1:10:54.720 --> 1:11:01.320
<v Speaker 1>and finesse the beats. Fucking I would have reverse that, Yo,

1:11:01.760 --> 1:11:08.200
<v Speaker 1>U not not so suicidal thoughts the doctor dre beat,

1:11:09.120 --> 1:11:11.160
<v Speaker 1>you know, and it's it's it's on and on and

1:11:11.200 --> 1:11:14.280
<v Speaker 1>it's like you don't know where. It's like you know

1:11:14.920 --> 1:11:18.800
<v Speaker 1>he's gonna end up, but it's like he like they

1:11:18.840 --> 1:11:19.360
<v Speaker 1>both don't.

1:11:19.439 --> 1:11:20.840
<v Speaker 2>But it's like Vanessa, is.

1:11:20.760 --> 1:11:22.800
<v Speaker 1>That dude just like he got an extra he got

1:11:22.840 --> 1:11:28.640
<v Speaker 1>an extra with like you know, it's it's you know, you.

1:11:29.240 --> 1:11:31.200
<v Speaker 3>Know, we got to respect him because most people will

1:11:31.280 --> 1:11:33.479
<v Speaker 3>said easily or not.

1:11:34.800 --> 1:11:40.360
<v Speaker 1>He possibly don't knows better.

1:11:40.479 --> 1:11:43.280
<v Speaker 2>But I would have never seen.

1:11:43.360 --> 1:11:46.880
<v Speaker 1>A person put together syllables and punchlines like the way

1:11:47.040 --> 1:11:50.560
<v Speaker 1>Lord for that, Lord for that can start like the

1:11:50.720 --> 1:11:54.519
<v Speaker 1>first ball and then he first ball makes sense ball.

1:11:54.600 --> 1:11:59.280
<v Speaker 1>He's dope. But Diamond is the rapper, the rappers, rapper,

1:11:59.680 --> 1:12:04.840
<v Speaker 1>he thanks to songs, and you know, I think he's

1:12:04.840 --> 1:12:07.960
<v Speaker 1>a producer, but it's like he's the rapper rapper. He's like, yo,

1:12:08.000 --> 1:12:10.519
<v Speaker 1>you know what he's doping doing BC. He's like he

1:12:10.840 --> 1:12:13.680
<v Speaker 1>can make like classics, you know, that's that ship and

1:12:13.760 --> 1:12:15.519
<v Speaker 1>it's like, you know, a bunch of other song like

1:12:15.560 --> 1:12:18.960
<v Speaker 1>more anthem, you know. But it's like Finessa's like yo,

1:12:19.080 --> 1:12:22.960
<v Speaker 1>you know what he like. He he puts those hits together,

1:12:23.720 --> 1:12:25.439
<v Speaker 1>you know, and it's like he'll be like, yo, you

1:12:25.439 --> 1:12:29.160
<v Speaker 1>know what, Diamond like I would did this this way?

1:12:29.240 --> 1:12:33.599
<v Speaker 1>It's like I would is this this way? Nobody better act?

1:12:36.960 --> 1:12:39.920
<v Speaker 1>I would have definitely thought, yeah, we would have said,

1:12:39.960 --> 1:12:44.280
<v Speaker 1>Vanessa's an MC. That's that's interesting. Vanessa's a producers like yo,

1:12:44.720 --> 1:12:48.240
<v Speaker 1>people sleep on finess Like that's the only persons like yo.

1:12:48.880 --> 1:12:50.880
<v Speaker 1>He hit everything that I don't think. I don't think

1:12:50.880 --> 1:12:52.519
<v Speaker 1>people sleep on for nes. I think that he's a

1:12:52.600 --> 1:12:54.960
<v Speaker 1>sleep as a producer. I think okay as a producer,

1:12:55.000 --> 1:12:57.519
<v Speaker 1>but I don't think people doc I would think that

1:12:58.000 --> 1:13:00.519
<v Speaker 1>his skills as an m C is so much at

1:13:00.520 --> 1:13:01.600
<v Speaker 1>the forefront. A lot of.

1:13:01.560 --> 1:13:07.120
<v Speaker 11>People time you don't remember or they forget, forget people

1:13:07.160 --> 1:13:11.280
<v Speaker 11>don't know where it's like yo, if MC skills and

1:13:11.840 --> 1:13:14.960
<v Speaker 11>producer skills like yo, I would go with with the

1:13:15.000 --> 1:13:19.280
<v Speaker 11>producer first, because it's like, yo, he makes those hit

1:13:19.320 --> 1:13:23.479
<v Speaker 11>records and you know like when Channel ten, it's like yo,

1:13:24.560 --> 1:13:27.479
<v Speaker 11>he bodied that, and it's like yo, I'll be like Yo,

1:13:27.640 --> 1:13:28.720
<v Speaker 11>how the fuck he did that?

1:13:28.760 --> 1:13:35.800
<v Speaker 1>Ship? You know? And that's that all right? Big yell

1:13:35.920 --> 1:13:39.560
<v Speaker 1>or biggie, both of you answers I'm drinking and that

1:13:41.040 --> 1:13:44.400
<v Speaker 1>I'm drinking. I'm a big, huge, bigl fan. Too big

1:13:45.560 --> 1:13:49.560
<v Speaker 1>because of the bars, right, and Biggie because of the

1:13:49.640 --> 1:13:54.439
<v Speaker 1>hit records. No, I'm saying because like he'll he'll make

1:13:54.479 --> 1:13:59.120
<v Speaker 1>you dance, He'll make he'll make it big, yeah big,

1:13:59.360 --> 1:14:01.519
<v Speaker 1>you know that. That's that's his key. You know what

1:14:01.560 --> 1:14:03.840
<v Speaker 1>I'm saying. He'll make the hot album be like yo,

1:14:03.960 --> 1:14:07.680
<v Speaker 1>you know what. I'm listening to this from one to

1:14:08.520 --> 1:14:10.840
<v Speaker 1>But he also had Diddy Man like did he one

1:14:10.880 --> 1:14:14.080
<v Speaker 1>thing about did he he made everybody sound? No? No, no,

1:14:16.800 --> 1:14:21.880
<v Speaker 1>no no no? Did he did? He would like pick

1:14:21.920 --> 1:14:24.120
<v Speaker 1>the beat, you know what I'm saying. The song it's like, oh,

1:14:24.120 --> 1:14:26.200
<v Speaker 1>you know that's dope. We're gonna run with this ship.

1:14:26.680 --> 1:14:32.000
<v Speaker 1>But it's after every everybody done the whole the whole album.

1:14:32.240 --> 1:14:34.559
<v Speaker 1>But it's like he gets credibly like, oh, you know,

1:14:34.680 --> 1:14:37.760
<v Speaker 1>did he did the album? You know, he't do the album?

1:14:37.840 --> 1:14:41.360
<v Speaker 1>He picked he picked a single, you know. But the

1:14:41.360 --> 1:14:47.600
<v Speaker 1>person who's like yo being in Bad Boy, like sometimes

1:14:47.680 --> 1:14:53.000
<v Speaker 1>like Yo, they'll let whoever be like YO, do your song.

1:14:53.040 --> 1:14:55.679
<v Speaker 1>Oh you know, I'm gonna pick the single. Oh yeah.

1:14:55.720 --> 1:14:59.960
<v Speaker 1>That's when when when Rob picked, when did he picked

1:15:00.040 --> 1:15:03.680
<v Speaker 1>all Joy? He's like, yo, oh we're ready to go,

1:15:04.400 --> 1:15:06.599
<v Speaker 1>ready to go, you know, the video and all, and

1:15:06.640 --> 1:15:09.920
<v Speaker 1>it's like that's that's all. But you think about it.

1:15:09.960 --> 1:15:12.759
<v Speaker 1>Look at every artist is after they stopped fucking with Diddy,

1:15:12.880 --> 1:15:16.439
<v Speaker 1>how their music R and B as well, total one twelve,

1:15:16.880 --> 1:15:19.599
<v Speaker 1>all these groups he had faith, you name him. None

1:15:19.640 --> 1:15:21.559
<v Speaker 1>of them was able to none, None of them was

1:15:21.600 --> 1:15:26.479
<v Speaker 1>able to maintain listen, None of them was able to

1:15:26.520 --> 1:15:29.639
<v Speaker 1>maintain the level of quality music after they left Diddy,

1:15:29.760 --> 1:15:32.439
<v Speaker 1>not one, not one individual. And who was they working with?

1:15:32.960 --> 1:15:37.280
<v Speaker 1>The hitman dependent Like if you don't, you're gonna you're

1:15:37.280 --> 1:15:40.400
<v Speaker 1>gonna find where the heat is at. It's like people

1:15:40.960 --> 1:15:45.000
<v Speaker 1>when they left Bad Boy, they left you know all together.

1:15:45.040 --> 1:15:48.960
<v Speaker 1>It's like they they wasn't fucking with nobody, and it's like,

1:15:49.280 --> 1:15:51.920
<v Speaker 1>that's what it is. It's like when you when you

1:15:51.960 --> 1:15:54.720
<v Speaker 1>when you can do the hits, man, it's like the

1:15:54.720 --> 1:15:58.880
<v Speaker 1>main leave bad Boy and retired nigga. They still right,

1:15:59.360 --> 1:16:03.320
<v Speaker 1>he wasn't landing. But when you, like as I said,

1:16:03.840 --> 1:16:06.560
<v Speaker 1>when you work, and it's a difference. It's like no,

1:16:06.760 --> 1:16:10.280
<v Speaker 1>we nor were working with Prell and not we working

1:16:10.320 --> 1:16:13.200
<v Speaker 1>with you know, Buck Waller, E's a l P Forrell

1:16:13.360 --> 1:16:16.439
<v Speaker 1>is going to give him that you know what I'm saying.

1:16:16.439 --> 1:16:19.000
<v Speaker 1>It's like he's gonna give him the memorable joints and

1:16:19.120 --> 1:16:21.880
<v Speaker 1>you know, like will give him an album. Cousin's like, oh,

1:16:21.920 --> 1:16:23.719
<v Speaker 1>you know you told niggas how to rhym on Neptun.

1:16:26.240 --> 1:16:33.919
<v Speaker 7>Niggas ain't don't even think.

1:16:33.880 --> 1:16:36.840
<v Speaker 1>When we when we did, not we? When you did?

1:16:36.920 --> 1:16:41.040
<v Speaker 1>What what that shows? It's like, Yo, you got the

1:16:41.120 --> 1:16:44.280
<v Speaker 1>chorus already. Story how that hook came up as funny

1:16:44.280 --> 1:16:48.840
<v Speaker 1>and that I was counting count like that's the hook.

1:16:50.520 --> 1:16:54.040
<v Speaker 1>This is the profession of a producer, like a non producer,

1:16:54.920 --> 1:16:58.679
<v Speaker 1>like he'll he'll he'll correct your mistakes and he'll bring

1:16:58.720 --> 1:17:01.160
<v Speaker 1>it out of you. And that's what it is. It's

1:17:01.200 --> 1:17:07.960
<v Speaker 1>like they didn't have that ran after. They didn't want

1:17:07.960 --> 1:17:09.479
<v Speaker 1>the best an rs have a lived. You got to

1:17:09.479 --> 1:17:11.599
<v Speaker 1>think even before Bad Boy, this nigme was doing Joey.

1:17:11.800 --> 1:17:15.120
<v Speaker 2>These were some countries I understand, but they like, I'll

1:17:15.160 --> 1:17:15.439
<v Speaker 2>do you.

1:17:16.040 --> 1:17:18.360
<v Speaker 1>Even before bad Boy, you gotta stand and he did,

1:17:18.560 --> 1:17:21.519
<v Speaker 1>Mary J. Blige, Jo Father m C.

1:17:22.040 --> 1:17:22.920
<v Speaker 2>He was showing these.

1:17:22.800 --> 1:17:26.920
<v Speaker 1>Motherfuckers really how to dress, what kind of records to do,

1:17:27.120 --> 1:17:29.920
<v Speaker 1>like did He's you can't take nothing away from Paul

1:17:30.120 --> 1:17:32.320
<v Speaker 1>MC is still touring too right now, ye biking them

1:17:32.400 --> 1:17:32.680
<v Speaker 1>up like.

1:17:34.360 --> 1:17:38.040
<v Speaker 2>When I'm there, and it's like it was like a fake.

1:17:38.080 --> 1:17:40.519
<v Speaker 1>Big Daddy came to me. I never he came up

1:17:40.560 --> 1:17:45.360
<v Speaker 1>first though he didn't. He came from Yo. These people,

1:17:45.360 --> 1:17:48.120
<v Speaker 1>I don't know. I think so King was first. Let's

1:17:48.200 --> 1:17:51.320
<v Speaker 1>let's look at look it up. Kane was first. Came

1:17:51.560 --> 1:17:56.040
<v Speaker 1>King had to be first. Believe King. I believe so.

1:17:56.240 --> 1:17:59.479
<v Speaker 1>I'm like Big Daddy, Father m C, like Nola Town

1:17:59.640 --> 1:18:02.040
<v Speaker 1>like that. Nigga's trying to be kne when I've first

1:18:02.040 --> 1:18:04.920
<v Speaker 1>seen his first video. Oh I don't fuck with this.

1:18:05.000 --> 1:18:09.559
<v Speaker 1>I'm sure it's close. Huh damn, what are you typing? Bro?

1:18:09.720 --> 1:18:12.920
<v Speaker 1>You were there, You're saying has like once upon a

1:18:12.960 --> 1:18:18.280
<v Speaker 1>time following just rapping with Biers and all that, that

1:18:18.560 --> 1:18:22.840
<v Speaker 1>was eighty six. Yeah, okay, three years. You see what

1:18:22.840 --> 1:18:24.200
<v Speaker 1>I'm saying. Close.

1:18:24.280 --> 1:18:26.400
<v Speaker 3>I mean back then that wasn't closed, but nowadays that

1:18:26.400 --> 1:18:31.200
<v Speaker 3>would be closing, all right?

1:18:31.320 --> 1:18:33.880
<v Speaker 1>So next one, Yeah, I think it's the photo se

1:18:34.240 --> 1:18:34.680
<v Speaker 1>still on.

1:18:34.680 --> 1:18:39.920
<v Speaker 3>Tour MPC three thousand or NPC two thousand, Excel.

1:18:44.600 --> 1:18:45.640
<v Speaker 1>The studio.

1:18:47.600 --> 1:18:49.439
<v Speaker 2>For the studio for them things.

1:18:49.720 --> 1:18:52.559
<v Speaker 1>If if we got to, if we gotta go through

1:18:52.560 --> 1:18:55.840
<v Speaker 1>the two thousand, in the three thousand, I will go

1:18:56.120 --> 1:18:59.800
<v Speaker 1>to the two thousand. Okay, So me, who.

1:18:59.680 --> 1:19:01.720
<v Speaker 2>Would you what would you prefer those?

1:19:01.800 --> 1:19:04.000
<v Speaker 3>I mean, I'm not a producer like that, but you

1:19:04.240 --> 1:19:06.160
<v Speaker 3>know how to use both machines, right, not at all?

1:19:07.800 --> 1:19:12.880
<v Speaker 2>Let me ask you buck, producer or beat maker?

1:19:15.200 --> 1:19:19.280
<v Speaker 1>Me? Period? Yeah? What do you prefer? Producer? What's the

1:19:19.280 --> 1:19:21.960
<v Speaker 1>difference between a producer and the beat maker? He just made?

1:19:22.200 --> 1:19:25.160
<v Speaker 1>Like a beat maker just makes beats and think and run.

1:19:25.800 --> 1:19:28.320
<v Speaker 1>But a producer, like yo, he'll he'll sit there and

1:19:28.320 --> 1:19:32.639
<v Speaker 1>it's like he'll craft it, like when we do CNN.

1:19:33.080 --> 1:19:35.760
<v Speaker 1>I learned producing like yo, you know what? I learned

1:19:35.800 --> 1:19:38.200
<v Speaker 1>how to cultivate be like yo, you know what just

1:19:38.280 --> 1:19:41.639
<v Speaker 1>how the song re orchestrated, and that's what it is.

1:19:42.360 --> 1:19:43.599
<v Speaker 2>Producer is like.

1:19:43.360 --> 1:19:44.960
<v Speaker 3>Like a producer doesn't even have to be the one

1:19:45.000 --> 1:19:45.439
<v Speaker 3>that makes.

1:19:45.280 --> 1:19:49.200
<v Speaker 1>The beat in some instances, yeah okay. And he could

1:19:49.200 --> 1:19:51.040
<v Speaker 1>tell be like, oh, you know you played us, you

1:19:51.120 --> 1:19:54.760
<v Speaker 1>play this because it's funny. Well yeah, yeah, get this

1:19:54.840 --> 1:19:56.120
<v Speaker 1>album with songs.

1:19:56.280 --> 1:19:58.320
<v Speaker 2>And I hate you know.

1:19:58.479 --> 1:20:00.160
<v Speaker 1>I don't think I'm the best rabbit, but I'm think

1:20:00.160 --> 1:20:01.240
<v Speaker 1>I'm a pretty good rapper.

1:20:01.479 --> 1:20:03.479
<v Speaker 2>And he would be like, nah, that ain't it.

1:20:03.560 --> 1:20:08.400
<v Speaker 1>Do that? Do that over and I'm like the overall worse,

1:20:09.080 --> 1:20:12.920
<v Speaker 1>the bars, everything worse, and I'm like, son, this is fired.

1:20:12.960 --> 1:20:14.800
<v Speaker 1>He like, trust me, I know your potential. I know

1:20:14.840 --> 1:20:17.240
<v Speaker 1>you could do better. And a lot of producers just

1:20:17.240 --> 1:20:18.720
<v Speaker 1>gonna give you the beat and let you do what

1:20:18.720 --> 1:20:20.200
<v Speaker 1>as the fuck you want and then never you have

1:20:20.280 --> 1:20:22.720
<v Speaker 1>to hear from the motherfucker again. And he was like, nah,

1:20:22.720 --> 1:20:25.439
<v Speaker 1>you gotta eat. I know your potential. I know that

1:20:25.439 --> 1:20:27.759
<v Speaker 1>that it ain't it, ain't it. And I would love

1:20:27.800 --> 1:20:31.400
<v Speaker 1>me in the studio every single time. Every single time

1:20:31.439 --> 1:20:33.200
<v Speaker 1>he told me that, I went back and I went

1:20:33.240 --> 1:20:35.639
<v Speaker 1>back and changed whatever he told me. He was mad.

1:20:35.960 --> 1:20:39.360
<v Speaker 1>Sometimes I thought my words was better I'm like, I

1:20:39.400 --> 1:20:41.559
<v Speaker 1>had it. That shit was perfect, and he's like, nah,

1:20:41.760 --> 1:20:44.200
<v Speaker 1>trust me and the songs we've done, it's like, you

1:20:44.240 --> 1:20:46.360
<v Speaker 1>know this got me.

1:20:46.360 --> 1:20:49.640
<v Speaker 2>Doing Ship four five. I'm like, I'm not doing this, sire.

1:20:53.960 --> 1:20:56.639
<v Speaker 1>I think that's missing though right now, that people don't

1:20:56.720 --> 1:20:59.280
<v Speaker 1>hear about the creativity no more. I don't want to

1:20:59.280 --> 1:21:04.760
<v Speaker 1>say maybe eighties nineties that producer era. The producer was

1:21:04.840 --> 1:21:07.880
<v Speaker 1>nineties and two thousands, the biggest ego in the room

1:21:07.920 --> 1:21:10.040
<v Speaker 1>at that time, saying this is how it has to

1:21:10.040 --> 1:21:12.240
<v Speaker 1>be done and getting the best out of the NBC

1:21:13.160 --> 1:21:13.719
<v Speaker 1>as the artist.

1:21:13.840 --> 1:21:16.599
<v Speaker 3>So you know, we we we kind of imagine now.

1:21:16.840 --> 1:21:19.519
<v Speaker 1>The producer is quite scared of these artists now, like he's.

1:21:19.320 --> 1:21:20.800
<v Speaker 2>I'm gonna they don't give a ship like.

1:21:21.240 --> 1:21:25.000
<v Speaker 1>Scared of I'm just giving the bag marking out. You know,

1:21:25.040 --> 1:21:28.040
<v Speaker 1>hold on, let me ask you just blaze, oh buck

1:21:28.120 --> 1:21:35.840
<v Speaker 1>whow oh ship, Just blaze saying that, I said, for some.

1:21:37.920 --> 1:21:39.880
<v Speaker 2>That's crazy, that's fun.

1:21:40.560 --> 1:21:42.920
<v Speaker 1>You gotta say both. Let's take a drink. Yeah, say

1:21:42.960 --> 1:21:48.479
<v Speaker 1>I'm gonna say both. Just blaze, man, he answered honestly

1:21:48.560 --> 1:21:51.600
<v Speaker 1>with his crewmates. You know what it is now, what

1:21:51.680 --> 1:21:54.439
<v Speaker 1>it is about justice? Justice, just a freaking nature though,

1:21:54.520 --> 1:22:00.240
<v Speaker 1>like just Blaze is MIDI compatible. Nigga's like a machine.

1:22:02.320 --> 1:22:05.000
<v Speaker 1>He's not human in a sense like this nigga just

1:22:05.760 --> 1:22:07.920
<v Speaker 1>I think he's like a robot and ship. So it's

1:22:08.000 --> 1:22:10.400
<v Speaker 1>kind of not fair to compare that nigga to nobody

1:22:10.600 --> 1:22:13.760
<v Speaker 1>because but the same time, like the soul that Buck

1:22:13.800 --> 1:22:16.320
<v Speaker 1>puts in his music, Like I did a whole album

1:22:16.360 --> 1:22:18.920
<v Speaker 1>with Justin. Buck did one song album and that was

1:22:18.960 --> 1:22:21.439
<v Speaker 1>my favorite song. So it's kind of hard to really

1:22:22.040 --> 1:22:24.320
<v Speaker 1>And I'm like, because his music got a lot of

1:22:24.360 --> 1:22:26.479
<v Speaker 1>soul in it, like when he dig like he did

1:22:26.680 --> 1:22:29.080
<v Speaker 1>like and he chopped it up. Not to say just

1:22:29.240 --> 1:22:31.080
<v Speaker 1>music don't because you listen to Blueprint and all that

1:22:31.120 --> 1:22:33.559
<v Speaker 1>sh he does. He's a soulful guy. But he could

1:22:33.600 --> 1:22:36.240
<v Speaker 1>do it without the vocal samples. Like a lot of

1:22:36.280 --> 1:22:38.519
<v Speaker 1>times people need them vocal samples to bring to make

1:22:38.520 --> 1:22:39.320
<v Speaker 1>it sound soulful.

1:22:39.400 --> 1:22:40.960
<v Speaker 2>They speed him up or they slow them down.

1:22:41.080 --> 1:22:43.840
<v Speaker 1>He doesn't just the sound beat, you know what I'm

1:22:43.840 --> 1:22:46.360
<v Speaker 1>saying to make you feel like, oh this ship ship

1:22:46.439 --> 1:22:49.719
<v Speaker 1>hit me here. But I think that's the hardest step

1:22:49.800 --> 1:22:53.720
<v Speaker 1>was the album bro, I fucked up? You do a

1:22:53.720 --> 1:22:57.559
<v Speaker 1>certain part you know well, because it's like all here

1:22:57.800 --> 1:23:00.200
<v Speaker 1>just shp and be like, oh man, it's crazy. And

1:23:00.240 --> 1:23:03.920
<v Speaker 1>he'll probably hear some ship and be like, yo, you

1:23:04.040 --> 1:23:07.400
<v Speaker 1>inspired me. And it's like the inspiration is like from

1:23:07.640 --> 1:23:12.760
<v Speaker 1>you know, from that you know, and that's that's it. Yeah,

1:23:12.800 --> 1:23:14.679
<v Speaker 1>well just so you know, you inspire a lot of people.

1:23:14.800 --> 1:23:19.919
<v Speaker 2>Absolutely, he's been spotting.

1:23:20.080 --> 1:23:20.719
<v Speaker 1>You know what I'm saying.

1:23:20.840 --> 1:23:22.400
<v Speaker 2>That's right next, don't kill me.

1:23:22.640 --> 1:23:30.280
<v Speaker 1>Just red alert Capri, Right alert, right alert, That's that's

1:23:30.040 --> 1:23:36.559
<v Speaker 1>that's I love Capri, but right alert Capri. He just

1:23:36.640 --> 1:23:41.679
<v Speaker 1>liked being different. He wasn't the I C C JAB.

1:23:42.080 --> 1:23:45.280
<v Speaker 1>I feel like he was those of the crew, like

1:23:45.360 --> 1:23:47.559
<v Speaker 1>Ki Capri is like yo, he like he had a

1:23:47.600 --> 1:23:48.400
<v Speaker 1>party rocking.

1:23:48.760 --> 1:23:53.720
<v Speaker 2>Yeah, no listen Capri, no, no doubt.

1:23:53.760 --> 1:23:58.799
<v Speaker 1>But it's like red alert. It's like alert or the radio.

1:23:58.920 --> 1:23:59.880
<v Speaker 1>You gonna be on the radio.

1:24:00.080 --> 1:24:01.840
<v Speaker 2>But let me just tell you something.

1:24:02.200 --> 1:24:05.040
<v Speaker 1>I'll be I'll be in certain towns and Kicking will

1:24:05.080 --> 1:24:05.719
<v Speaker 1>be DJing.

1:24:05.880 --> 1:24:07.000
<v Speaker 2>I won't even text him.

1:24:07.240 --> 1:24:09.639
<v Speaker 1>I'll just go in and just have a great fucking time,

1:24:10.160 --> 1:24:12.400
<v Speaker 1>like like, and I'll be sitting there like he can

1:24:12.520 --> 1:24:15.040
<v Speaker 1>rock any crowd. Can I tell you? Kicking pre can

1:24:15.120 --> 1:24:18.519
<v Speaker 1>rock any crowd, any crowd. And I'm not saying I

1:24:18.560 --> 1:24:20.519
<v Speaker 1>read Alert, because I'm not. I know that's like a cravison.

1:24:20.600 --> 1:24:22.360
<v Speaker 1>I'm not saying read alert. Can't I just say I

1:24:22.400 --> 1:24:26.519
<v Speaker 1>have been to witness it. I've been in from from

1:24:26.880 --> 1:24:29.880
<v Speaker 1>you know, a trinidaddy and party to a Haitian party,

1:24:29.920 --> 1:24:34.200
<v Speaker 1>to a Jamaican party to a straight up R and

1:24:34.240 --> 1:24:37.280
<v Speaker 1>B party to a rap party, and Kicking Prix does

1:24:37.320 --> 1:24:41.240
<v Speaker 1>them all the same way he destroyed. I was thinking

1:24:41.360 --> 1:24:44.639
<v Speaker 1>all also thinking about the impact they had in the coature,

1:24:44.880 --> 1:24:47.880
<v Speaker 1>right because Red Alert put us on radio. Niggas just

1:24:47.960 --> 1:24:50.639
<v Speaker 1>stay up in late at night to listen, and without

1:24:50.640 --> 1:24:55.280
<v Speaker 1>Read Alert, we wouldn't have Kicking Prex on Mario exactly. Comedy, Yeah,

1:24:56.520 --> 1:25:01.559
<v Speaker 1>said Mark. I meant, I meant comedy jah the whole book.

1:25:03.120 --> 1:25:06.559
<v Speaker 1>That's his verse on Wren. That's kpri Now.

1:25:06.600 --> 1:25:07.720
<v Speaker 2>Somebody said that wasn't him.

1:25:07.720 --> 1:25:12.280
<v Speaker 1>Who who he's sued for it? Somebody said the original

1:25:12.280 --> 1:25:14.960
<v Speaker 1>one was and then they sue the cole and one

1:25:14.960 --> 1:25:19.479
<v Speaker 1>of them nigga said it was him. That's it. Yeah,

1:25:20.160 --> 1:25:23.000
<v Speaker 1>said yeah, I believe it's on last said he did it.

1:25:23.240 --> 1:25:23.439
<v Speaker 12>Yeah.

1:25:23.640 --> 1:25:25.599
<v Speaker 1>But what I was talking about, when I stay right alert,

1:25:25.640 --> 1:25:29.120
<v Speaker 1>you gotta understand, like, well, yeah, the whole Boogie dam Productions,

1:25:29.520 --> 1:25:33.679
<v Speaker 1>Fucking Boy Ship Vio, bringing in Baby Jump and bring

1:25:33.680 --> 1:25:36.720
<v Speaker 1>the whole brother everybody came through. I dig that, but

1:25:37.160 --> 1:25:40.640
<v Speaker 1>like is the party guy and the mixed guy, Like

1:25:41.040 --> 1:25:45.960
<v Speaker 1>a person's talent is noted where it's like in a party.

1:25:46.280 --> 1:25:49.400
<v Speaker 2>So you DJ, you want to rock the party.

1:25:49.240 --> 1:25:51.679
<v Speaker 1>Not the radio. Some dudes on even some dudes on radio,

1:25:51.760 --> 1:25:55.760
<v Speaker 1>even on the radio, like Yo, Kick Capri is a

1:25:55.800 --> 1:25:59.040
<v Speaker 1>monster on the radio. He plays Ship like the album cuts.

1:25:59.120 --> 1:26:02.639
<v Speaker 1>It's like he'll he'll do something else like Yo, He's

1:26:02.800 --> 1:26:11.160
<v Speaker 1>he's crazy at the age Dessert Nigga would personally, I'll

1:26:11.200 --> 1:26:15.360
<v Speaker 1>be honest, sweet again you know alres my o G.

1:26:16.120 --> 1:26:20.440
<v Speaker 1>But at one point it was this biggie had this

1:26:20.439 --> 1:26:23.400
<v Speaker 1>this song called machine Gun Funk. Before that came out,

1:26:23.439 --> 1:26:26.080
<v Speaker 1>that was it was a wee spot called Three Wives Men,

1:26:26.840 --> 1:26:28.200
<v Speaker 1>and we used to get there, used to get the

1:26:28.200 --> 1:26:30.320
<v Speaker 1>bootle Funk. We used to get the machine Gun Funk,

1:26:30.680 --> 1:26:32.040
<v Speaker 1>and we used to get there and we used to

1:26:32.040 --> 1:26:35.839
<v Speaker 1>get a kicking pre tape and us coming from Queens

1:26:35.920 --> 1:26:38.840
<v Speaker 1>buying a kicking pre tape, we felt like that was

1:26:38.880 --> 1:26:44.160
<v Speaker 1>our outfit. That's how much Kicking pre tape met back

1:26:44.200 --> 1:26:48.840
<v Speaker 1>then like dress, I had to have a new kicking

1:26:49.520 --> 1:26:52.360
<v Speaker 1>to normal. I had to have a new kicking bretape,

1:26:52.360 --> 1:26:55.160
<v Speaker 1>I sweeter. I had to go up Queen you talking

1:26:55.160 --> 1:27:02.040
<v Speaker 1>about around mixed every Ca Capre tape and it's like

1:27:03.280 --> 1:27:08.479
<v Speaker 1>completely I had. I had a Ca Capri dynasty like

1:27:08.520 --> 1:27:13.000
<v Speaker 1>whatever you call a collection where like crazy, like every

1:27:13.120 --> 1:27:17.120
<v Speaker 1>tape like I would walking and be like, yo, what's new,

1:27:17.160 --> 1:27:18.840
<v Speaker 1>and it's like they pull on. Did you wait up

1:27:18.880 --> 1:27:21.519
<v Speaker 1>late at night and taking press record and wait for

1:27:21.600 --> 1:27:25.000
<v Speaker 1>red alert? Yeah, you got met the cushion in your

1:27:25.040 --> 1:27:27.280
<v Speaker 1>team and make sure that's it, and then wake up

1:27:27.320 --> 1:27:30.360
<v Speaker 1>to see what you caught. The grades whom he was broken,

1:27:30.920 --> 1:27:40.240
<v Speaker 1>who made a little bit more money, that's exactly like

1:27:41.120 --> 1:27:43.200
<v Speaker 1>all night like this, that's enough because we had enough

1:27:43.280 --> 1:27:44.800
<v Speaker 1>on her. He was talking about the poorestakes, But I

1:27:44.800 --> 1:27:47.439
<v Speaker 1>didn't you want to charm in and be like I thought,

1:27:48.040 --> 1:27:49.920
<v Speaker 1>because the way he described it was as if it

1:27:50.000 --> 1:27:54.000
<v Speaker 1>was only DJs who did that. Everybody, Well, the thing

1:27:54.160 --> 1:27:56.400
<v Speaker 1>is making real posit mistakes. We would have two double

1:27:56.439 --> 1:27:59.000
<v Speaker 1>deckers and you would manipulate the ship. You know what's crazy.

1:27:59.040 --> 1:28:01.519
<v Speaker 1>One of my first, one of my very first top

1:28:01.600 --> 1:28:04.599
<v Speaker 1>ten songs because I see he'd be getting slacked lately,

1:28:05.000 --> 1:28:05.880
<v Speaker 1>is my guy Kwaime?

1:28:07.640 --> 1:28:07.920
<v Speaker 12>Like like.

1:28:10.920 --> 1:28:12.080
<v Speaker 1>I didn't know that. I don't know he was ready

1:28:12.120 --> 1:28:15.280
<v Speaker 1>to get what is it? Because I see him explaining

1:28:15.360 --> 1:28:20.000
<v Speaker 1>himself on sway like okay, big did this you life

1:28:20.000 --> 1:28:23.600
<v Speaker 1>has played out? Caught me able to But look at

1:28:23.680 --> 1:28:26.040
<v Speaker 1>all the other lines in the pop that was bigging

1:28:26.120 --> 1:28:28.240
<v Speaker 1>you up like like a man.

1:28:28.520 --> 1:28:34.200
<v Speaker 13>Yeah, Like I remember saying he's dope man, because like

1:28:34.760 --> 1:28:37.880
<v Speaker 13>even with the big thing, like he just shrunk that

1:28:38.000 --> 1:28:39.800
<v Speaker 13>off with get along with it.

1:28:39.920 --> 1:28:46.080
<v Speaker 1>Yeah, it is dope, is amazing, Like I wanted to

1:28:46.120 --> 1:28:49.440
<v Speaker 1>come through man. I was like, that's this ship is impressive.

1:28:50.120 --> 1:28:53.200
<v Speaker 1>Make you become a fan again like Kame was always fine.

1:28:53.600 --> 1:28:54.479
<v Speaker 2>They looked the same too.

1:28:54.560 --> 1:28:59.800
<v Speaker 1>Hey look sir yea he got the Poka Doon ship

1:29:00.120 --> 1:29:02.680
<v Speaker 1>to rocking at it again? Where the mommy, like you

1:29:02.760 --> 1:29:05.400
<v Speaker 1>gotta ship back. I would have ran with that ship

1:29:05.439 --> 1:29:09.360
<v Speaker 1>to like that it's my ship. Ain't take that clock off.

1:29:12.200 --> 1:29:14.639
<v Speaker 1>Lave got the clock. I got the dots, nigga funk

1:29:14.760 --> 1:29:20.640
<v Speaker 1>back words O C or a G ding. That's for

1:29:20.720 --> 1:29:23.439
<v Speaker 1>you brother s, you like putt niggas on the spot,

1:29:33.600 --> 1:29:35.719
<v Speaker 1>by the way, we need O C and show business.

1:29:35.760 --> 1:29:40.240
<v Speaker 1>A g on here, facts, facts, come get your dope,

1:29:40.280 --> 1:29:44.040
<v Speaker 1>dope m cs bro Frank White, Anino Brown.

1:29:45.960 --> 1:29:46.920
<v Speaker 2>I gotta go with Nino.

1:29:47.560 --> 1:29:51.240
<v Speaker 1>Yep, even though you're at it, It's okay. He's he's

1:29:51.240 --> 1:29:55.960
<v Speaker 1>a good snitch. In the way you did that. Nigga said,

1:29:55.960 --> 1:29:58.280
<v Speaker 1>I ain't going down with myself. He said that pretty

1:29:58.320 --> 1:30:05.559
<v Speaker 1>mother good class. Yeah, right there on the stage right.

1:30:05.880 --> 1:30:10.160
<v Speaker 1>Frank White is real and Nino browns faith. But Frank

1:30:10.240 --> 1:30:13.840
<v Speaker 1>White is real. I think Leo Brown, Nina Brown is

1:30:14.400 --> 1:30:16.760
<v Speaker 1>Frank Money Vaughan's Nino Brown is supposed to Nick. You know.

1:30:17.040 --> 1:30:19.320
<v Speaker 1>It was a mix up from Detroit Brown. They they

1:30:19.439 --> 1:30:21.840
<v Speaker 1>made it. They it's like Star Phase. They said that

1:30:21.920 --> 1:30:28.439
<v Speaker 1>after they indicted Frank White, you know from Blue Magic. No,

1:30:28.600 --> 1:30:44.519
<v Speaker 1>that's that's Frank Yeah, because he missed that movie. But

1:30:44.800 --> 1:30:50.560
<v Speaker 1>you know Whatino Brown man, Nino, Nino was a ruthless motherfuckers.

1:30:51.120 --> 1:30:56.920
<v Speaker 1>Cancel that bitch, Cancel that Fino. Don't give a fuck. Alright, WHOA,

1:30:57.720 --> 1:31:04.479
<v Speaker 1>I got a story to tell. Oh, take a drink,

1:31:04.640 --> 1:31:10.240
<v Speaker 1>they can drink a little drunkigg eaty one, I got

1:31:10.280 --> 1:31:14.320
<v Speaker 1>a job. Get a niggas eat one all right, Analog

1:31:14.439 --> 1:31:17.200
<v Speaker 1>or digital, both the analog.

1:31:17.240 --> 1:31:18.599
<v Speaker 2>Analog and digital.

1:31:18.640 --> 1:31:21.720
<v Speaker 1>I'm going digital sound sound wise and analog with all

1:31:21.800 --> 1:31:25.679
<v Speaker 1>that carrying. The motherfucking I'm carrying them too for them reals.

1:31:25.720 --> 1:31:29.200
<v Speaker 1>It sounds like you confuse. Take a drink, sir, I'll

1:31:29.200 --> 1:31:32.759
<v Speaker 1>take a ship. You said both. You said analog because

1:31:32.800 --> 1:31:37.960
<v Speaker 1>it is you look at analog digital ship with all

1:31:38.000 --> 1:31:41.880
<v Speaker 1>that carrying, all that ship. You love analog because you

1:31:42.000 --> 1:31:44.080
<v Speaker 1>We couldn't do a song together back then unless we

1:31:44.200 --> 1:31:46.280
<v Speaker 1>was in the studio together. So you got to smell

1:31:46.320 --> 1:31:48.560
<v Speaker 1>my izzy mi JACKI. You know what I'm saying. I

1:31:48.640 --> 1:31:50.960
<v Speaker 1>got to smell you Jake it you eating. You know

1:31:50.960 --> 1:31:53.040
<v Speaker 1>what I'm saying. You got to smell my teacher on

1:31:53.160 --> 1:31:57.880
<v Speaker 1>it for your colden West. If you want to punch

1:31:57.920 --> 1:32:03.840
<v Speaker 1>you punching nigga and the taste watch they got to

1:32:03.840 --> 1:32:08.840
<v Speaker 1>rewind it. Watch you. I really think I knew how

1:32:08.880 --> 1:32:13.240
<v Speaker 1>to not punch in because of that, because excuse me,

1:32:13.280 --> 1:32:14.760
<v Speaker 1>I know I know how to flow all the way

1:32:14.840 --> 1:32:18.080
<v Speaker 1>through because I hated punching it like you have to.

1:32:18.240 --> 1:32:20.120
<v Speaker 1>The engineer will literally have to say you sure you

1:32:20.200 --> 1:32:22.479
<v Speaker 1>want these eight bars? Yes, I want these eight balls.

1:32:22.520 --> 1:32:24.240
<v Speaker 1>You're going to add the other eight bars. They would

1:32:24.240 --> 1:32:29.840
<v Speaker 1>have to take it, to take, to take, lose your

1:32:29.920 --> 1:32:34.000
<v Speaker 1>moment to you don't right right right, and now like

1:32:34.080 --> 1:32:37.479
<v Speaker 1>oh you know, just copy and paste this ship, you know. Yeah,

1:32:38.680 --> 1:32:41.040
<v Speaker 1>not to wate studio Digital made anybody be able to

1:32:41.080 --> 1:32:42.920
<v Speaker 1>do it too. That's kind of we made it whack too,

1:32:43.040 --> 1:32:46.479
<v Speaker 1>like anybody got pro tools and were like the middle

1:32:46.520 --> 1:32:50.200
<v Speaker 1>ground when we had that tape, me after somebody real quick.

1:32:50.600 --> 1:32:53.360
<v Speaker 1>Because of our first studio let mean excuse me, my

1:32:53.439 --> 1:32:56.720
<v Speaker 1>first album, he taught us not to waste studio time,

1:32:57.200 --> 1:33:03.240
<v Speaker 1>like so who tragedy tragedy every time my rhymes wrote everything,

1:33:03.280 --> 1:33:05.599
<v Speaker 1>I knew exactly what I was doing. I never wasted time,

1:33:05.640 --> 1:33:11.400
<v Speaker 1>like if I had eight hours, I used old studio.

1:33:12.240 --> 1:33:14.719
<v Speaker 1>That's what was the thing. It's like, you know, studio

1:33:14.840 --> 1:33:16.479
<v Speaker 1>was so expensive. It's like, oh you know what, I

1:33:16.600 --> 1:33:20.080
<v Speaker 1>can't waste time, you know, And that's it. That's that's it.

1:33:20.560 --> 1:33:23.519
<v Speaker 1>Studio was the original gatekeeper. You had to really want

1:33:23.760 --> 1:33:25.360
<v Speaker 1>to be in this stiff because you had to invest

1:33:25.479 --> 1:33:30.040
<v Speaker 1>everybody if you ain't. Yeah, but it's like everybody was like, oh,

1:33:30.080 --> 1:33:31.760
<v Speaker 1>you know, dudes, be like, oh, you know, I did

1:33:31.840 --> 1:33:33.240
<v Speaker 1>ten songs to day in the studio.

1:33:34.040 --> 1:33:37.240
<v Speaker 2>Two songs. That's all like the.

1:33:37.360 --> 1:33:39.960
<v Speaker 1>Real, the real be like, yo, you know what hold

1:33:40.960 --> 1:33:43.280
<v Speaker 1>only only holding two? And it's like if you got

1:33:43.400 --> 1:33:45.040
<v Speaker 1>to buy another reel, that's what.

1:33:48.000 --> 1:33:49.640
<v Speaker 7>You like.

1:33:50.040 --> 1:33:52.280
<v Speaker 1>Until I moved to Florida, I swear to god, I'm

1:33:52.280 --> 1:33:55.200
<v Speaker 1>not playing around. Until I moved to Florida, I didn't

1:33:55.200 --> 1:33:59.040
<v Speaker 1>know people didn't record five records at night. Like I

1:33:59.200 --> 1:34:02.439
<v Speaker 1>was like, I would not go to the studio. Let's

1:34:02.479 --> 1:34:06.519
<v Speaker 1>I record? Yeah, I mean obviously, yeah, yeah, yeah, that's

1:34:06.520 --> 1:34:10.280
<v Speaker 1>what I'm saying. Because once it went from analog, and

1:34:10.400 --> 1:34:12.679
<v Speaker 1>I already have my ROMs, and when it was digital,

1:34:12.720 --> 1:34:15.920
<v Speaker 1>I was making was already. I was like, so until

1:34:15.920 --> 1:34:19.080
<v Speaker 1>I got out here, I seen somebody like, excuse me,

1:34:19.160 --> 1:34:20.640
<v Speaker 1>not got out here because I wasn't living out here

1:34:20.640 --> 1:34:22.800
<v Speaker 1>at the time. Until I got to the it wasn't

1:34:22.800 --> 1:34:25.120
<v Speaker 1>even the head factory because the criteria criteria. And I

1:34:25.120 --> 1:34:27.439
<v Speaker 1>would see your motherfucker make a record and go outside

1:34:27.479 --> 1:34:29.840
<v Speaker 1>and smoke a cigarette, and I was like, oh, you

1:34:29.920 --> 1:34:32.240
<v Speaker 1>don't go back in, you do? You just make the

1:34:32.280 --> 1:34:35.840
<v Speaker 1>record and you're cool. And I'm like, oh, I'm you know,

1:34:35.960 --> 1:34:38.800
<v Speaker 1>that's crazy, and I'm gonna come out here and play

1:34:38.840 --> 1:34:43.120
<v Speaker 1>some five songs in the night. When it's like we

1:34:43.280 --> 1:34:45.400
<v Speaker 1>was ah fact for me to do.

1:34:45.400 --> 1:34:49.960
<v Speaker 2>That analog on analog. Okay, he's a beast, Yeah yeah.

1:34:50.520 --> 1:34:55.160
<v Speaker 1>Just running through it. They don't put up another beat man. Yeah,

1:34:55.800 --> 1:34:58.200
<v Speaker 1>I imagine was doing that too. The same had to

1:34:58.240 --> 1:35:00.840
<v Speaker 1>be knocking out more knocking him A had had Pop

1:35:02.720 --> 1:35:09.600
<v Speaker 1>I'm about coming home from jail Pop had two studios

1:35:09.640 --> 1:35:14.080
<v Speaker 1>like yeah and another SSL. While you're doing the beat

1:35:14.360 --> 1:35:16.880
<v Speaker 1>in hand, you know, I'm gonna do the vocals and

1:35:16.960 --> 1:35:19.000
<v Speaker 1>when you finish the beat, I'm gonna jump in hand

1:35:19.000 --> 1:35:20.920
<v Speaker 1>And it's like, that's what podcast. You know what I

1:35:21.000 --> 1:35:23.760
<v Speaker 1>heard about Tupac which made it interesting. They said once

1:35:23.800 --> 1:35:26.200
<v Speaker 1>he was done with a song, he wouldn't listen back

1:35:26.920 --> 1:35:30.160
<v Speaker 1>like film, he ain't gonna live at that from him.

1:35:30.200 --> 1:35:30.679
<v Speaker 2>That's great.

1:35:30.760 --> 1:35:33.439
<v Speaker 1>That's a good idea. You can get listen to the

1:35:33.479 --> 1:35:37.200
<v Speaker 1>same song for man because you know why we're on

1:35:37.320 --> 1:35:40.519
<v Speaker 1>the first fan. Yeah, you're right, like you would never

1:35:40.600 --> 1:35:42.840
<v Speaker 1>grow out of being your own first fan, right like

1:35:42.960 --> 1:35:46.439
<v Speaker 1>everyone everyone thinks that this. No, it starts with you,

1:35:47.160 --> 1:35:49.000
<v Speaker 1>your confidence. It starts with you when you're listening into

1:35:49.000 --> 1:35:51.320
<v Speaker 1>your beat. So if you sit there and you just

1:35:51.400 --> 1:35:53.360
<v Speaker 1>keep listening, you'll listen to that ship all day. Like

1:35:53.520 --> 1:35:55.360
<v Speaker 1>I don't if I think a record about a fucking

1:35:55.400 --> 1:35:59.800
<v Speaker 1>lighter right now, I'm like that, Just keep listening because

1:35:59.800 --> 1:36:01.840
<v Speaker 1>I love you know what I'm saying. But it's like

1:36:02.439 --> 1:36:07.479
<v Speaker 1>even instrumental, like we do that ship too, like no shame.

1:36:07.520 --> 1:36:09.400
<v Speaker 1>People probably be like, oh, big up not seeing my

1:36:09.520 --> 1:36:14.360
<v Speaker 1>ship while like twenty times in a row, and you know,

1:36:14.640 --> 1:36:17.120
<v Speaker 1>when you're done it, it's like, yo, I want to y'all,

1:36:17.200 --> 1:36:19.920
<v Speaker 1>I need to give these records back. You know. It's funny.

1:36:19.960 --> 1:36:22.840
<v Speaker 1>These young kids, they I don't even think they sit on.

1:36:23.120 --> 1:36:24.400
<v Speaker 1>I think as soon as it's done, they put it.

1:36:25.240 --> 1:36:26.479
<v Speaker 1>They mix. They don't.

1:36:28.000 --> 1:36:28.559
<v Speaker 4>Clean version.

1:36:28.600 --> 1:36:32.800
<v Speaker 1>I mean you can put it through NB. A young

1:36:32.880 --> 1:36:36.000
<v Speaker 1>boy got like seventy five albums. I think, like like

1:36:36.120 --> 1:36:39.200
<v Speaker 1>the young Nick Russell was like on my eighty six LP.

1:36:40.479 --> 1:36:43.920
<v Speaker 1>They don't have experience, say, I don't think they have

1:36:44.160 --> 1:36:49.200
<v Speaker 1>experience teaching where it's like to meticulous, like meticulously like

1:36:49.520 --> 1:36:52.479
<v Speaker 1>you know, to judge, and it's like the judging is

1:36:52.560 --> 1:36:54.320
<v Speaker 1>like that's the part where it's like, nah, you know,

1:36:54.400 --> 1:36:56.519
<v Speaker 1>I could do that better, and it's like yo, you know,

1:36:56.680 --> 1:37:00.960
<v Speaker 1>oh you know, yo, I laid this verse next song.

1:37:01.040 --> 1:37:03.400
<v Speaker 1>It's like that's how they figure, you know, you need

1:37:03.479 --> 1:37:03.680
<v Speaker 1>to be.

1:37:04.040 --> 1:37:06.720
<v Speaker 3>Plus the streaming era. It's like it's a numbers game.

1:37:06.760 --> 1:37:10.080
<v Speaker 3>They're just not play the numbers. The algorithm I'm throwing

1:37:10.479 --> 1:37:14.040
<v Speaker 3>keep throwing out. But it's unfortunate enough. It's unfortunate like

1:37:14.479 --> 1:37:16.479
<v Speaker 3>it waters a lot of it is. It's a lot

1:37:16.600 --> 1:37:17.320
<v Speaker 3>of garbage.

1:37:17.400 --> 1:37:19.479
<v Speaker 2>It makes it so much because they keep doing the

1:37:19.560 --> 1:37:21.200
<v Speaker 2>same ship over and over.

1:37:21.479 --> 1:37:24.840
<v Speaker 1>You can't be that good the way you could turn

1:37:24.920 --> 1:37:30.120
<v Speaker 1>out fifty five albums all be hot. Nobody look at

1:37:30.160 --> 1:37:34.040
<v Speaker 1>the music industry like it's like it's like going to

1:37:34.120 --> 1:37:38.160
<v Speaker 1>Costcos now right, Like you go to Costcos you just

1:37:38.200 --> 1:37:40.599
<v Speaker 1>want to plant, but you end up but you get

1:37:40.640 --> 1:37:51.800
<v Speaker 1>off it peanuts, clothes, watermelons, TV battery Okay, like hands

1:37:51.840 --> 1:37:53.920
<v Speaker 1>turning that bitch. You can't hit for a plant. It

1:37:54.120 --> 1:37:56.360
<v Speaker 1>was fucked up about that plant. The plant is all

1:37:56.400 --> 1:37:58.920
<v Speaker 1>the way in the backs. So to get to to

1:37:59.040 --> 1:38:01.000
<v Speaker 1>get to the plant, which you just came there for,

1:38:01.520 --> 1:38:03.880
<v Speaker 1>you got to pass to a whole bunch of bullshit

1:38:05.040 --> 1:38:08.720
<v Speaker 1>ship that you don't want, but you timpted because it's

1:38:08.760 --> 1:38:11.640
<v Speaker 1>one thing that like, all right, that's just y'all, Like

1:38:11.800 --> 1:38:15.679
<v Speaker 1>something like a cold, cold car that holds your phone

1:38:16.240 --> 1:38:19.280
<v Speaker 1>like and you're like, okay, this is I want to

1:38:19.320 --> 1:38:23.519
<v Speaker 1>watch super Bowl like and then you wind up. But

1:38:23.600 --> 1:38:26.160
<v Speaker 1>that's what the music industry is. Like. It's like sometimes

1:38:26.200 --> 1:38:28.200
<v Speaker 1>you just want to go and just get like like

1:38:28.479 --> 1:38:32.080
<v Speaker 1>like my mom my ship downloaded the other day and

1:38:32.160 --> 1:38:34.360
<v Speaker 1>I wanted to hear shot, right, so I go on,

1:38:35.120 --> 1:38:39.759
<v Speaker 1>I pressed ask Oh my god, that's like I didn't

1:38:39.760 --> 1:38:41.960
<v Speaker 1>even allow me to press as a like they were

1:38:42.040 --> 1:38:51.320
<v Speaker 1>just like yo, like, So that's what That's what the

1:38:51.400 --> 1:38:54.120
<v Speaker 1>music industry is. There's still great products out there, it's

1:38:54.160 --> 1:38:59.640
<v Speaker 1>just all in one. It's oversaturated. Man, it's just one warehouse.

1:39:00.080 --> 1:39:02.000
<v Speaker 1>You gotta know what they get there. When I'm getting

1:39:02.040 --> 1:39:04.760
<v Speaker 1>like that. It almost like cable TV. Remember cable TV

1:39:04.920 --> 1:39:07.679
<v Speaker 1>had like sixty channels because we hold niggas.

1:39:07.680 --> 1:39:09.759
<v Speaker 2>Remember the eight channel when we were growing.

1:39:09.600 --> 1:39:11.280
<v Speaker 1>Up, they had to play the boy channel. I'm gonna

1:39:11.280 --> 1:39:22.800
<v Speaker 1>play boy. That was called soft horn right, No, no,

1:39:22.960 --> 1:39:24.320
<v Speaker 1>that was the real thing. He was doing it right.

1:39:24.400 --> 1:39:27.920
<v Speaker 1>Benny Hill, Remember Benny Hill? Yeah, man, man, yeah, let

1:39:27.960 --> 1:39:28.639
<v Speaker 1>me tell you something.

1:39:29.080 --> 1:39:30.120
<v Speaker 2>No, let me tell you something.

1:39:32.720 --> 1:39:35.840
<v Speaker 1>Can Benny Hill exists? No way, he would not exist,

1:39:36.400 --> 1:39:40.160
<v Speaker 1>None of them niggas could exist. Martin Downy Yeah wow,

1:39:41.880 --> 1:39:47.400
<v Speaker 1>chie Bunker Bunker was raised, said he's some miles today.

1:39:47.439 --> 1:39:51.599
<v Speaker 1>When they pleaded looking woke, yeah, he said. He said

1:39:51.640 --> 1:39:54.280
<v Speaker 1>to the lady, he said, so, who does all the

1:39:54.320 --> 1:40:00.479
<v Speaker 1>cookies in your house? She says, my husband does. He goes,

1:40:00.720 --> 1:40:03.280
<v Speaker 1>are you worried about that? Like people will find out?

1:40:03.680 --> 1:40:07.400
<v Speaker 1>And then she goes, she goes, what that that I'm

1:40:07.439 --> 1:40:19.840
<v Speaker 1>a lazy wife. He goes, no that, I'm like, yo.

1:40:20.360 --> 1:40:23.360
<v Speaker 1>It just was Ralph Cran, the famed nigga too, Ralph

1:40:23.400 --> 1:40:25.920
<v Speaker 1>crand that used to be like Alice one year to

1:40:26.040 --> 1:40:29.880
<v Speaker 1>his wife, You're not gonna he was domestic bobu. He

1:40:30.000 --> 1:40:37.560
<v Speaker 1>was a domestic violence like I was about it and

1:40:37.640 --> 1:40:40.439
<v Speaker 1>then and then I ain't gonna lie. And he was Jefferson.

1:40:40.680 --> 1:40:43.880
<v Speaker 1>He gotta remember that nigga. You gotta remember that was

1:40:43.960 --> 1:40:47.160
<v Speaker 1>in Queens, you know, so we're gonna remember George was

1:40:47.200 --> 1:40:50.479
<v Speaker 1>on the east side. Yeah, and he left the east side.

1:40:50.560 --> 1:40:54.679
<v Speaker 1>East side was still Harlem. Queens was Dame Queens because

1:40:54.760 --> 1:40:58.000
<v Speaker 1>the actual Queen came from England and then they visited

1:40:58.040 --> 1:41:00.200
<v Speaker 1>there and I believe the King went to and that's

1:41:00.200 --> 1:41:03.320
<v Speaker 1>why they called the King's County. Right, So these guys

1:41:03.640 --> 1:41:06.160
<v Speaker 1>this is now, this is this is how it beats queens.

1:41:06.600 --> 1:41:10.680
<v Speaker 1>This is usif Hawking's queens will and they're making your

1:41:11.240 --> 1:41:15.840
<v Speaker 1>race back then I'm talking about the Going Hall. It

1:41:15.960 --> 1:41:18.200
<v Speaker 1>was like did not like? Yeah, I remember saf and

1:41:18.280 --> 1:41:22.000
<v Speaker 1>a sudden yo. And by the way, that that TV

1:41:22.200 --> 1:41:25.160
<v Speaker 1>back then, bro, they can bring that back. We a

1:41:25.200 --> 1:41:27.600
<v Speaker 1>little TV and we are over sensitive now went with

1:41:27.960 --> 1:41:30.720
<v Speaker 1>certain ship. But because but like you said, because Ralph

1:41:30.720 --> 1:41:32.000
<v Speaker 1>Cranny was threatening to beat his.

1:41:32.040 --> 1:41:32.840
<v Speaker 2>Bitch up a night.

1:41:32.880 --> 1:41:36.040
<v Speaker 1>He said, Alice, one of these fucking band full straight

1:41:36.120 --> 1:41:38.160
<v Speaker 1>to the movie, like, you gotta knock him. You do

1:41:38.320 --> 1:41:40.439
<v Speaker 1>that ship. Now you're getting canceled. You found it was

1:41:40.520 --> 1:41:43.200
<v Speaker 1>the first Ike Turner. He was Ike Turner like motherfucker.

1:41:43.400 --> 1:41:47.479
<v Speaker 1>But he was promoting his ship. I wasn't. I was mistake,

1:41:48.880 --> 1:41:54.439
<v Speaker 1>my mistake, man, hold on, we're not doing a quick time.

1:41:54.560 --> 1:41:54.840
<v Speaker 1>Let's go.

1:41:56.120 --> 1:42:00.639
<v Speaker 3>Time was sling eighties and nineties hip hop nineties, nineties, nineties,

1:42:01.120 --> 1:42:04.679
<v Speaker 3>Ya book all right? Joe and Jada are Cam and Mace.

1:42:05.880 --> 1:42:11.040
<v Speaker 2>Oh that's a good one, man, God, drink, that's just

1:42:11.120 --> 1:42:11.599
<v Speaker 2>got drink.

1:42:11.880 --> 1:42:14.080
<v Speaker 1>Go ahead, drink you know you.

1:42:14.560 --> 1:42:18.519
<v Speaker 2>No, I gotta respond, that's damn. I'm gonna go.

1:42:18.720 --> 1:42:22.200
<v Speaker 1>Joe and Jada I like the I like, I love

1:42:22.320 --> 1:42:25.960
<v Speaker 1>Cam and Mason's dynamic. But we always seen that because

1:42:25.960 --> 1:42:27.920
<v Speaker 1>they did songs together, they were from the same cruise.

1:42:28.040 --> 1:42:30.640
<v Speaker 1>We see their personalities, how dope their personalities is to

1:42:30.680 --> 1:42:33.080
<v Speaker 1>get right, That's like, that's why I think it works

1:42:33.120 --> 1:42:35.800
<v Speaker 1>because they friends, they grow together. Joe and Jada is

1:42:35.920 --> 1:42:40.479
<v Speaker 1>like a few different worlds. They worked a lot together too. Really, yeah,

1:42:41.080 --> 1:42:43.920
<v Speaker 1>I don't really know, because it's like having Cam on

1:42:44.000 --> 1:42:49.000
<v Speaker 1>the songs, like he's around, but it's like it's like

1:42:49.160 --> 1:42:51.880
<v Speaker 1>we were probably like yo, you know what. Oh you

1:42:51.960 --> 1:42:56.120
<v Speaker 1>know Cam is is doing too much or another excuse,

1:42:56.640 --> 1:43:01.200
<v Speaker 1>but no, he's right like me being me being in

1:43:01.280 --> 1:43:04.479
<v Speaker 1>the Bronx is like I spent time in hallm and

1:43:04.600 --> 1:43:07.080
<v Speaker 1>it's like we're big ol and it's like I've seen

1:43:07.840 --> 1:43:10.280
<v Speaker 1>I've seen the dynamics, what they was, what they could do.

1:43:10.880 --> 1:43:16.479
<v Speaker 2>But you know what that got to do with this though, dude?

1:43:18.479 --> 1:43:23.160
<v Speaker 1>Yeah, yeah, I think it was making the Harlem reference

1:43:23.200 --> 1:43:25.800
<v Speaker 1>about the Yeah, but that was.

1:43:26.400 --> 1:43:28.240
<v Speaker 2>I mean to my point, that's what I'm saying.

1:43:28.240 --> 1:43:29.880
<v Speaker 1>That's the reason why I would give the edge to

1:43:29.960 --> 1:43:32.800
<v Speaker 1>Joe and Jada because their chemistry for them, like you

1:43:32.920 --> 1:43:41.080
<v Speaker 1>did some records together, but these dudes was challenge these

1:43:41.160 --> 1:43:45.080
<v Speaker 1>guys just and then they play off each other really

1:43:45.120 --> 1:43:49.439
<v Speaker 1>well with the cap shipp and here comes they got

1:43:49.479 --> 1:43:53.120
<v Speaker 1>the flag they throwing the flawers. I knew's personality, I

1:43:53.240 --> 1:43:56.200
<v Speaker 1>didn't know how dope Ma's personality is, and I didn't

1:43:56.200 --> 1:43:59.920
<v Speaker 1>know how dope their personalities together it works like yeah,

1:44:00.040 --> 1:44:05.800
<v Speaker 1>works for Joe and data. Joe Jada Jada is sometimes

1:44:06.280 --> 1:44:07.400
<v Speaker 1>like offended by each other.

1:44:07.520 --> 1:44:08.040
<v Speaker 3>And I like that.

1:44:08.120 --> 1:44:09.800
<v Speaker 1>I like that, Yeah, I like that. I like that

1:44:10.360 --> 1:44:14.920
<v Speaker 1>because Jada doesn't co sign and ship like this guy. Yeah, Joe,

1:44:15.800 --> 1:44:19.360
<v Speaker 1>I know him his personality and I know Jada's personality,

1:44:19.760 --> 1:44:22.680
<v Speaker 1>so obviously like you don't know the personalities like oh

1:44:22.760 --> 1:44:25.160
<v Speaker 1>you know, I don't know. I don't know these niggas

1:44:25.680 --> 1:44:29.280
<v Speaker 1>right like Joe AND's like and Jada like you know,

1:44:29.600 --> 1:44:31.960
<v Speaker 1>I know both of the niggas talking about you don't know,

1:44:32.640 --> 1:44:35.760
<v Speaker 1>like I know. Just the other day is like, you know,

1:44:36.040 --> 1:44:40.880
<v Speaker 1>is it we don't sleep? What cap? Yo? When when

1:44:40.960 --> 1:44:43.120
<v Speaker 1>Joe be saying ship like oh you know is that cap?

1:44:44.240 --> 1:44:47.320
<v Speaker 1>But it's it's really real and it's like even Jada

1:44:47.439 --> 1:44:48.920
<v Speaker 1>is like, oh you know this thing is capp and

1:44:49.000 --> 1:44:51.639
<v Speaker 1>it's like you'd be throwing flags and ship all around.

1:44:52.960 --> 1:44:57.080
<v Speaker 1>But Joe, Joe like it a purposely. He accepts it.

1:44:57.160 --> 1:45:02.120
<v Speaker 1>Now that's what I like. Yeah, it's like, yo, they

1:45:02.280 --> 1:45:04.400
<v Speaker 1>love me. Now he's going. He was like I was

1:45:04.479 --> 1:45:11.680
<v Speaker 1>at Pablo escoballrid like what wild ship is joking saying, well,

1:45:11.720 --> 1:45:13.840
<v Speaker 1>how funny is j when he.

1:45:13.920 --> 1:45:15.639
<v Speaker 2>John does a kid who imitates them?

1:45:16.000 --> 1:45:19.920
<v Speaker 1>So he goes like this, he goes, Yo, the US

1:45:20.000 --> 1:45:21.920
<v Speaker 1>government inviting me the malls one time.

1:45:25.040 --> 1:45:29.920
<v Speaker 7>Joe, He's like, so bround, just two hundred niggas. He

1:45:29.960 --> 1:45:33.560
<v Speaker 7>said there was two hundred period people. There was a

1:45:33.680 --> 1:45:35.919
<v Speaker 7>coaching nigga the blue.

1:45:35.880 --> 1:45:42.400
<v Speaker 1>My tyson kids. I'm dying because the way Homeboys delivering

1:45:42.439 --> 1:45:47.639
<v Speaker 1>the message he has Joe man again, I din't funk

1:45:47.680 --> 1:45:56.280
<v Speaker 1>with drinks Champstown. I want Joey love everybody whatever drink

1:45:56.360 --> 1:46:02.040
<v Speaker 1>said this the o G Joe, I love everybody game.

1:46:02.400 --> 1:46:05.719
<v Speaker 1>I'm everybody. I'm happy to see. I'm happy to see. Okay,

1:46:05.960 --> 1:46:10.280
<v Speaker 1>all these brothers excel and and do well after they

1:46:10.360 --> 1:46:13.920
<v Speaker 1>had very luke for their successful rap. Figure out something

1:46:14.000 --> 1:46:16.000
<v Speaker 1>else while you're older, like, okay, we can't, we don't

1:46:16.000 --> 1:46:18.599
<v Speaker 1>want rap forever. Okay, this is something else but now

1:46:18.720 --> 1:46:20.879
<v Speaker 1>it could be, you know, take care of our families.

1:46:20.960 --> 1:46:23.240
<v Speaker 1>But now we could teach youngs about the coaching, like

1:46:23.280 --> 1:46:24.880
<v Speaker 1>what're doing with us? And you know what I mean.

1:46:24.920 --> 1:46:27.080
<v Speaker 1>People watch this ship and be seeing off. I don't

1:46:27.120 --> 1:46:28.680
<v Speaker 1>learning ship. I ain't know. Like when I watch the

1:46:28.680 --> 1:46:31.599
<v Speaker 1>show Seeing Quick and all these stories, I'm like, oh, Ship,

1:46:31.680 --> 1:46:32.160
<v Speaker 1>I knew that.

1:46:32.240 --> 1:46:35.280
<v Speaker 2>And I think I'm a hip hop historians.

1:46:36.280 --> 1:46:42.160
<v Speaker 1>Everything the show. I love about this show. Yeah, it's funny. Yeah,

1:46:42.520 --> 1:46:45.080
<v Speaker 1>I love that show. Bro that that ship is fire

1:46:46.160 --> 1:46:51.360
<v Speaker 1>like bleak ship too is killing I like everything. Let's

1:46:51.400 --> 1:47:05.759
<v Speaker 1>make some more, all right, Ris alchemists, Yeah, I think alchemists.

1:47:06.280 --> 1:47:10.120
<v Speaker 3>Yeah, Alchemist would shout out to alchemist too, though shout yeah.

1:47:10.720 --> 1:47:15.759
<v Speaker 1>All right, Karris wanted chars want to Coolie rap damn

1:47:16.479 --> 1:47:21.400
<v Speaker 1>drink drink rap, drink some monsco. So you said, who's

1:47:21.400 --> 1:47:24.000
<v Speaker 1>your app Yes, he picked. Yeah, I'm gonna go Coolie

1:47:24.080 --> 1:47:30.400
<v Speaker 1>Rapp too. Okay, you illmatic or ready to die damn

1:47:30.640 --> 1:47:37.519
<v Speaker 1>you know, damn beyond popular belief, ready to die. I'm

1:47:37.520 --> 1:47:41.600
<v Speaker 1>gonna go allmatic just the way, just the way that

1:47:42.000 --> 1:47:43.800
<v Speaker 1>you know, the feeling I got when I heard both

1:47:43.800 --> 1:47:46.000
<v Speaker 1>of them for the first time, it was great. Now

1:47:46.400 --> 1:47:51.320
<v Speaker 1>take my life. It's a movie, Like what the no lie? Like,

1:47:51.560 --> 1:47:55.240
<v Speaker 1>I don't believe every story about Queen's Bridge, but Queen's

1:47:55.280 --> 1:47:57.920
<v Speaker 1>Bridge is like it's like, oh it's made up place.

1:47:58.400 --> 1:48:01.360
<v Speaker 1>It's a real place, but it's like the stories is

1:48:01.439 --> 1:48:03.200
<v Speaker 1>like kind of made up. You know what I'm saying.

1:48:03.479 --> 1:48:06.360
<v Speaker 1>What do you mean? Like Memory Lane? It's like, you

1:48:06.479 --> 1:48:09.320
<v Speaker 1>know a lot of those stories is like yo, they

1:48:09.479 --> 1:48:12.639
<v Speaker 1>not real authentic story. But it's like when you listening

1:48:12.720 --> 1:48:17.880
<v Speaker 1>ready to die, he's he's telling you what happens. Yeah,

1:48:18.200 --> 1:48:19.920
<v Speaker 1>I would argue you now is doing the same thing.

1:48:20.360 --> 1:48:24.599
<v Speaker 1>Yeah yeah, And you know what because Biggie mom Biggie

1:48:24.680 --> 1:48:26.360
<v Speaker 1>Moms came out and said, I don't know what the

1:48:26.439 --> 1:48:30.120
<v Speaker 1>fuck he was talking about, struggling ship one room shack

1:48:30.240 --> 1:48:32.720
<v Speaker 1>and likes pre stylish.

1:48:34.439 --> 1:48:34.599
<v Speaker 12>Him.

1:48:35.160 --> 1:48:37.720
<v Speaker 1>He's the only child. Nigga never wanted for ship. The

1:48:37.800 --> 1:48:39.679
<v Speaker 1>nigga want to play in the street on his own,

1:48:39.800 --> 1:48:42.360
<v Speaker 1>not that he had to. Yeah, his mom said that

1:48:43.040 --> 1:48:46.240
<v Speaker 1>let us say that ship he was creative writing.

1:48:46.160 --> 1:48:49.080
<v Speaker 2>Drug Dealer and all that ship. That ship is real.

1:48:49.720 --> 1:48:55.240
<v Speaker 1>Well yeah, yeah, you niggas so brad like you nor

1:48:55.360 --> 1:48:57.240
<v Speaker 1>we like but let me just say, let me tell

1:48:57.240 --> 1:48:59.360
<v Speaker 1>you something let me say something, let me say something.

1:48:59.800 --> 1:49:03.200
<v Speaker 1>But Illmatic I was away when Ellmatic dropped, right, and

1:49:03.320 --> 1:49:07.320
<v Speaker 1>I had been visiting Queensbridge prior to my incarceration.

1:49:07.520 --> 1:49:12.840
<v Speaker 2>Right, I literally saw I didn't hear Illmatic.

1:49:13.760 --> 1:49:14.320
<v Speaker 1>I saw it.

1:49:15.040 --> 1:49:17.519
<v Speaker 2>Yeah, like when I heard it, like I saw like you.

1:49:17.560 --> 1:49:21.360
<v Speaker 1>Know how Donald goings, Donald going to like like you

1:49:21.760 --> 1:49:25.559
<v Speaker 1>if you read the book, You're you're in Detroit from

1:49:25.600 --> 1:49:27.559
<v Speaker 1>when you when you from.

1:49:27.479 --> 1:49:28.000
<v Speaker 7>The NG Like.

1:49:30.240 --> 1:49:32.760
<v Speaker 1>Like I came outside. I remember coming outside that yard

1:49:32.880 --> 1:49:36.840
<v Speaker 1>like yeah, because we had Buckshot Shorty at the time.

1:49:37.200 --> 1:49:39.640
<v Speaker 1>Like a lot of people of Black Moon, A lot

1:49:39.680 --> 1:49:44.520
<v Speaker 1>of people think that at first they compared Big Tona's

1:49:44.560 --> 1:49:47.040
<v Speaker 1>it wasn't Big to Nas. It was black Moon. At

1:49:47.080 --> 1:49:52.120
<v Speaker 1>first that was like and then Big came and right right,

1:49:52.240 --> 1:49:54.599
<v Speaker 1>it was bigger and then I ended up having too.

1:49:54.880 --> 1:49:57.840
<v Speaker 1>It was like it was Biggis because it's like after

1:49:57.880 --> 1:50:00.479
<v Speaker 1>that Biggiannas became cool. Remember that's why they said they

1:50:00.520 --> 1:50:02.479
<v Speaker 1>were hanging out together. But at first it was it

1:50:02.600 --> 1:50:08.760
<v Speaker 1>was black Boom. Biggie was that at that time, Nos

1:50:08.800 --> 1:50:10.880
<v Speaker 1>and Big It's like everybody be like, yo, you know what,

1:50:12.240 --> 1:50:14.280
<v Speaker 1>ready to die? It's like, oh, you know, ell Maddic

1:50:14.360 --> 1:50:16.360
<v Speaker 1>and It's like that was a choice with like you know,

1:50:16.479 --> 1:50:18.880
<v Speaker 1>listen niggas listen to it in a car. You know

1:50:18.920 --> 1:50:20.599
<v Speaker 1>what I'm saying. It's like that was a big thing.

1:50:21.680 --> 1:50:24.080
<v Speaker 1>You know, I think what set what set bigger parts

1:50:24.160 --> 1:50:27.639
<v Speaker 1>and remixes? Oh hell yeah one more chance pound Yeah yeah,

1:50:27.880 --> 1:50:33.040
<v Speaker 1>buff start remixing and records that niggas said the mixtape

1:50:33.080 --> 1:50:37.200
<v Speaker 1>joints and Ship came out like the remixes took that

1:50:37.640 --> 1:50:41.120
<v Speaker 1>to another level where he was going where It's like, yo,

1:50:41.800 --> 1:50:44.080
<v Speaker 1>he was he was for the hood, like he had

1:50:44.200 --> 1:50:47.680
<v Speaker 1>probably like seven records on the radio besides you know,

1:50:48.400 --> 1:50:52.880
<v Speaker 1>one more chants and he like he he had street records. Yeah.

1:50:52.880 --> 1:50:55.280
<v Speaker 1>I heard say that the other day, like yo, be

1:50:55.560 --> 1:50:58.880
<v Speaker 1>in ill because it's like no no question was like

1:50:59.240 --> 1:51:02.200
<v Speaker 1>and you could test like yo, people be like oh

1:51:02.400 --> 1:51:06.920
<v Speaker 1>nas nas This is like oh nas is cool? Is

1:51:07.000 --> 1:51:11.360
<v Speaker 1>crazy because Na's imagination. But Biggie he was like he

1:51:11.479 --> 1:51:14.040
<v Speaker 1>was talking about real ship. You know, I think it

1:51:14.160 --> 1:51:16.679
<v Speaker 1>Big wouldn't have died. He would have by far, said

1:51:16.720 --> 1:51:20.439
<v Speaker 1>himself ahead of a pack of mcs as far as

1:51:20.520 --> 1:51:24.760
<v Speaker 1>his creativity and big was and what do he died

1:51:24.840 --> 1:51:28.360
<v Speaker 1>twenty four, twenty five. Young, Yeah, when you die that

1:51:28.520 --> 1:51:30.680
<v Speaker 1>young twenty four. You look at twenty four year old

1:51:30.720 --> 1:51:32.200
<v Speaker 1>right now. I wouldn't even fight it twenty four.

1:51:33.439 --> 1:51:36.559
<v Speaker 3>That's why it's crazy when we like big they birth

1:51:36.680 --> 1:51:38.280
<v Speaker 3>at the age of the It's crazy.

1:51:38.120 --> 1:51:44.840
<v Speaker 1>That y they said it best, like Jay said it best.

1:51:44.880 --> 1:51:48.160
<v Speaker 1>Who's the best? See Biggie Jay z and Os And

1:51:48.280 --> 1:51:52.400
<v Speaker 1>it's like to this day we argue about that, you know,

1:51:52.800 --> 1:51:56.759
<v Speaker 1>ready to die or illmatic? And that was so smarter

1:51:56.920 --> 1:52:02.439
<v Speaker 1>Jay to put itself in that conversation. Oh yeah, that

1:52:02.840 --> 1:52:08.280
<v Speaker 1>he didn't qualify like that was Jesus is marketing, bro.

1:52:08.439 --> 1:52:12.840
<v Speaker 1>The genius is like yo. The album he did? You

1:52:12.920 --> 1:52:16.920
<v Speaker 1>know that was that was another test like yo, you know,

1:52:17.920 --> 1:52:20.040
<v Speaker 1>like reasonable doubt. It's like Yo, it's just as good

1:52:20.479 --> 1:52:24.559
<v Speaker 1>and you can't say it's not good. It's amazing, absolutely amazing.

1:52:25.000 --> 1:52:26.880
<v Speaker 1>You know what was the next album after that? In

1:52:26.960 --> 1:52:31.400
<v Speaker 1>my lifetime? Yeah One Wan have some joints on the

1:52:31.600 --> 1:52:34.080
<v Speaker 1>I believe by One was better than reasonable. I had

1:52:34.120 --> 1:52:35.600
<v Speaker 1>to go back to reasonable Doubt to.

1:52:35.680 --> 1:52:36.160
<v Speaker 2>Tell you the truth.

1:52:36.640 --> 1:52:40.920
<v Speaker 1>It was really broken without time, I was really broke.

1:52:40.960 --> 1:52:43.760
<v Speaker 1>I didn't understand none of that money, none of that money.

1:52:43.960 --> 1:52:47.280
<v Speaker 1>I learned all these fashion brands and she wear, I'm like,

1:52:47.960 --> 1:52:50.600
<v Speaker 1>is that she had Donna Karen and this and this

1:52:50.720 --> 1:52:52.200
<v Speaker 1>and that, and I'm like, these niggas know a lot

1:52:52.240 --> 1:52:57.040
<v Speaker 1>about fashion. I had to go back and the coach

1:52:57.479 --> 1:53:02.400
<v Speaker 1>direction they taught us because it's like be he taught

1:53:02.479 --> 1:53:06.400
<v Speaker 1>us like street ship, you know, you know ounces and whatever,

1:53:06.840 --> 1:53:12.320
<v Speaker 1>and Nas taught us like different, like different you know key,

1:53:12.520 --> 1:53:15.720
<v Speaker 1>like yo, you know street ship, And it's like Jay

1:53:15.840 --> 1:53:19.240
<v Speaker 1>taught us like yo, you know the money. So when

1:53:19.280 --> 1:53:21.960
<v Speaker 1>it's like, oh, you know if you if you get money, nigga,

1:53:22.080 --> 1:53:25.280
<v Speaker 1>you like readables out to me to me ill Madica

1:53:25.360 --> 1:53:28.200
<v Speaker 1>is the original good kid mad City. Yeah, I could

1:53:28.200 --> 1:53:30.240
<v Speaker 1>see that because he was like telling the story like

1:53:30.280 --> 1:53:32.120
<v Speaker 1>you said, apposed to all in this pack. From when

1:53:32.160 --> 1:53:35.360
<v Speaker 1>I hear almost stories, I can see that compared I've

1:53:35.600 --> 1:53:38.160
<v Speaker 1>been on the when I hear all the stories when

1:53:38.240 --> 1:53:41.479
<v Speaker 1>people come back block. But NAS is like and another

1:53:41.600 --> 1:53:47.040
<v Speaker 1>stratosphere and like Biggie like they artist is like they

1:53:47.120 --> 1:53:50.920
<v Speaker 1>dope artists. But it's like they like Donald Goings and

1:53:50.960 --> 1:53:54.640
<v Speaker 1>it's like Langston Hughes and it's like they are the

1:53:55.120 --> 1:53:58.719
<v Speaker 1>cream of the crop. You know, Kendrick is mad cool,

1:53:59.360 --> 1:54:02.280
<v Speaker 1>but Kendrick ain't no naws and it's like it's no

1:54:02.439 --> 1:54:07.439
<v Speaker 1>Biggie and it's like and and I probably say, he'll

1:54:07.479 --> 1:54:09.479
<v Speaker 1>probably say the same thing, you know.

1:54:09.840 --> 1:54:11.920
<v Speaker 2>He like they was like yes ahead.

1:54:11.960 --> 1:54:15.840
<v Speaker 1>It's like where it's like, oh, you know, good kid,

1:54:15.920 --> 1:54:19.040
<v Speaker 1>mad City. I don't I don't know if if people

1:54:19.040 --> 1:54:21.160
<v Speaker 1>are going to be listening to that and you know

1:54:21.800 --> 1:54:22.800
<v Speaker 1>that fire bro.

1:54:23.840 --> 1:54:24.160
<v Speaker 3>I don't know.

1:54:24.320 --> 1:54:26.720
<v Speaker 1>I could argue that. I think that was crazy. I

1:54:26.800 --> 1:54:31.559
<v Speaker 1>think he is. I didn't pretty easily easy.

1:54:32.040 --> 1:54:37.320
<v Speaker 5>But today today's Nads and Biggie but not today's Kendrick.

1:54:39.400 --> 1:54:41.280
<v Speaker 5>Well no, I'm just saying we're comparing it in that way,

1:54:41.360 --> 1:54:42.040
<v Speaker 5>you know what I'm saying.

1:54:42.120 --> 1:54:45.400
<v Speaker 1>But it's like you compare him the Naws and Biggie

1:54:45.480 --> 1:54:50.360
<v Speaker 1>and jay Z, but you don't listen less generationally.

1:54:51.480 --> 1:54:54.280
<v Speaker 2>A lot of above them.

1:54:55.320 --> 1:55:02.800
<v Speaker 1>They put Kendrick above is above like since the second album,

1:55:03.480 --> 1:55:07.760
<v Speaker 1>like he like he's yeah, he solidified himself as like yo,

1:55:07.840 --> 1:55:09.520
<v Speaker 1>you know what, I don't want to be these thingers,

1:55:10.360 --> 1:55:12.560
<v Speaker 1>you know, and and it's like this this is what

1:55:12.680 --> 1:55:15.480
<v Speaker 1>it is. It's like he has so much skill where

1:55:15.520 --> 1:55:18.360
<v Speaker 1>it's like yo, you know what, He's on another level.

1:55:18.720 --> 1:55:21.000
<v Speaker 1>It's like he like he could be equal, like oh

1:55:21.040 --> 1:55:23.960
<v Speaker 1>you know, Big jay Z and Odds and Kendrick and

1:55:24.080 --> 1:55:29.560
<v Speaker 1>it's it's other people. It's like in the same place. Agree, Damn,

1:55:29.560 --> 1:55:31.640
<v Speaker 1>I didn't. I just realized there's always a big three.

1:55:31.800 --> 1:55:35.080
<v Speaker 1>Right back then it was bigg J, It's Crazy, Hendrick

1:55:35.160 --> 1:55:38.840
<v Speaker 1>Draken and Jacole Cole. So we had to give a

1:55:38.960 --> 1:55:42.320
<v Speaker 1>big three of Now like new artists. Is there anybody

1:55:42.400 --> 1:55:46.120
<v Speaker 1>that you would know about Kendrick? No, no, no, no,

1:55:46.320 --> 1:55:53.680
<v Speaker 1>that's in the late thirties. Now, that's right, they're not you. Yeah,

1:55:53.880 --> 1:55:56.800
<v Speaker 1>they almost forty. So who's the new Who are you that?

1:55:56.920 --> 1:55:58.360
<v Speaker 1>And tapped into what's going on? Are you?

1:55:59.000 --> 1:56:00.720
<v Speaker 3>I just think there's so many artist is hard to

1:56:00.760 --> 1:56:03.880
<v Speaker 3>be too much because this this lane of people, you know,

1:56:04.080 --> 1:56:07.840
<v Speaker 3>this lane, this lane, and everybody's got their own time, different.

1:56:07.600 --> 1:56:12.160
<v Speaker 1>Lane right right. It's true, Yeah, because you can't because

1:56:12.240 --> 1:56:13.560
<v Speaker 1>Playboy CARDI I don't, Like.

1:56:13.600 --> 1:56:15.160
<v Speaker 2>I said, I try to listen.

1:56:15.480 --> 1:56:17.200
<v Speaker 1>I try to listen to that city because I'm like,

1:56:17.240 --> 1:56:20.720
<v Speaker 1>how is he so fucking like all of these this

1:56:20.880 --> 1:56:24.400
<v Speaker 1>guy's Yeah, But then I listened to the music and

1:56:24.480 --> 1:56:28.720
<v Speaker 1>I was like, he's an old rapper. Who's that Playboy Cardy? Yeah,

1:56:31.560 --> 1:56:32.840
<v Speaker 1>Like I know he's been out for a minute, like

1:56:33.000 --> 1:56:36.120
<v Speaker 1>ten years. Yeah, yeah, no, Now there's somebody we never

1:56:36.200 --> 1:56:36.680
<v Speaker 1>heard of, like.

1:56:39.440 --> 1:56:40.360
<v Speaker 2>Some kid named Zeddy.

1:56:40.760 --> 1:56:43.240
<v Speaker 1>My daughter listening to this kid names that he's she

1:56:43.560 --> 1:56:46.080
<v Speaker 1>she swears by him. I said, let me hear, just

1:56:46.120 --> 1:56:47.560
<v Speaker 1>so I could know, because I'm going to if they

1:56:47.680 --> 1:56:50.640
<v Speaker 1>rapping or if they mumble rapping, like what's what's hot

1:56:50.680 --> 1:56:53.400
<v Speaker 1>with the kids? And he rapped. But it's like it's

1:56:53.400 --> 1:56:56.120
<v Speaker 1>almost like some new qualmation. But I think we got

1:56:56.240 --> 1:56:58.120
<v Speaker 1>to be cool because it's off that drill ship.

1:56:58.120 --> 1:57:00.320
<v Speaker 3>It ain't that we gotta be careful with that old

1:57:01.040 --> 1:57:04.160
<v Speaker 3>idea of what's hot with the kids, because that's that's

1:57:04.320 --> 1:57:05.160
<v Speaker 3>also a problem.

1:57:05.680 --> 1:57:08.880
<v Speaker 1>Absolutely, we keep referring to what the youth likes. This

1:57:09.120 --> 1:57:13.200
<v Speaker 1>is just what's good because it's whatever they say hot good.

1:57:13.640 --> 1:57:16.680
<v Speaker 1>Yeah the point there, yeah, between hot and good, Like

1:57:16.800 --> 1:57:18.760
<v Speaker 1>that's the people get and they could be hot and

1:57:18.840 --> 1:57:19.960
<v Speaker 1>be trying to be trash.

1:57:20.120 --> 1:57:21.480
<v Speaker 2>Yeah, records playing.

1:57:21.320 --> 1:57:23.800
<v Speaker 3>And just because a fourteen year old likes it doesn't

1:57:23.840 --> 1:57:25.480
<v Speaker 3>mean that I mean it's good. We should be like, oh,

1:57:25.520 --> 1:57:27.800
<v Speaker 3>I got accept that automatically, you know, right.

1:57:27.880 --> 1:57:32.440
<v Speaker 2>But Rake's has been around what twenty years, sixteen seventeen. Yeah,

1:57:33.040 --> 1:57:34.879
<v Speaker 2>so like this three.

1:57:34.760 --> 1:57:38.840
<v Speaker 1>Where it's like they've proven success absolutely, you know, yeah,

1:57:39.760 --> 1:57:44.720
<v Speaker 1>but the next three is like, who's the next three? Damn,

1:57:44.920 --> 1:57:47.240
<v Speaker 1>I don't think that half that track record think there'll

1:57:47.320 --> 1:57:51.560
<v Speaker 1>be another three. The industry doesn't even get another EXXL

1:57:51.680 --> 1:57:54.080
<v Speaker 1>come on or you don't even know if that that's good?

1:57:54.640 --> 1:57:57.840
<v Speaker 1>The freshman the freshman ship right when the person come

1:57:57.880 --> 1:57:59.960
<v Speaker 1>on the first one, first one, you can't even try.

1:58:04.880 --> 1:58:08.360
<v Speaker 1>That's funny. You look at that cover, you look at

1:58:08.400 --> 1:58:13.440
<v Speaker 1>who's still around, and you see how everybody maintained their career.

1:58:13.960 --> 1:58:15.080
<v Speaker 2>It wasn't always through music.

1:58:15.160 --> 1:58:18.240
<v Speaker 1>It was something else, Like boc was on the cover,

1:58:18.400 --> 1:58:23.760
<v Speaker 1>Little Boozy Boost, it was Joel Ortiz, myself, who else

1:58:23.880 --> 1:58:28.560
<v Speaker 1>was on the Gorilla Zoe Lou Paid Fiasco? So all

1:58:28.640 --> 1:58:30.480
<v Speaker 1>these guys. I watched all these guys because they were

1:58:30.560 --> 1:58:34.160
<v Speaker 1>my competition in my cop colleagues and time Piers right,

1:58:34.360 --> 1:58:37.000
<v Speaker 1>And I'm like, in hindsight, like who went on to

1:58:37.080 --> 1:58:39.320
<v Speaker 1>do what? Some of them dudes went like this? They

1:58:39.400 --> 1:58:42.280
<v Speaker 1>had huge records. Know who else like the rich Richard's

1:58:42.320 --> 1:58:49.440
<v Speaker 1>names on that bitch rich rich cover that too, So

1:58:49.480 --> 1:58:52.200
<v Speaker 1>I'm like, damn, he just like stopped doing music or whatever,

1:58:52.280 --> 1:58:54.480
<v Speaker 1>the fuck him and polo for I don't know what happened,

1:58:54.560 --> 1:58:57.440
<v Speaker 1>but then you all have big songs. Stop coming off

1:58:57.520 --> 1:59:03.640
<v Speaker 1>so triggering me, that's the trigger. Yeah it is. Look

1:59:03.720 --> 1:59:11.880
<v Speaker 1>Pat Joel, Crocodile, Young Doe. This was applies me plies Boomy. Yeah,

1:59:11.920 --> 1:59:16.080
<v Speaker 1>that's a that's a hell. That's tough. When that was tough,

1:59:17.800 --> 1:59:19.960
<v Speaker 1>everybody it's great or something.

1:59:20.880 --> 1:59:22.520
<v Speaker 2>Everybody on it was great in their own right.

1:59:22.560 --> 1:59:24.040
<v Speaker 1>That's why I was like, I felt on and when

1:59:24.040 --> 1:59:26.200
<v Speaker 1>they asked me to be on the cover, but I

1:59:26.360 --> 1:59:28.000
<v Speaker 1>just be doing the TV ship. I'm like, all right,

1:59:28.040 --> 1:59:31.440
<v Speaker 1>I'm gonna find another way to make ends meet when

1:59:31.600 --> 1:59:36.760
<v Speaker 1>acting because the answer finish the finished quick time. Yeah,

1:59:37.160 --> 1:59:42.160
<v Speaker 1>we're gonna go straight into that, all right. A tribe

1:59:42.200 --> 1:59:47.760
<v Speaker 1>called Question Day Try Try not even close. I don't know.

1:59:49.200 --> 1:59:50.240
<v Speaker 2>I'm both I'm gonna drink.

1:59:50.760 --> 1:59:54.880
<v Speaker 1>They got a drink? Okay cool? Yeah? Really yeah? Do

1:59:54.920 --> 1:59:58.000
<v Speaker 1>you think they like an with Try? Day is nice?

1:59:58.160 --> 2:00:01.040
<v Speaker 1>I mean, and they definitely nice. They a legendary ship,

2:00:01.160 --> 2:00:04.440
<v Speaker 1>but Trip does some things Day I can't do. And

2:00:04.520 --> 2:00:07.960
<v Speaker 1>it's like they all native tones and it's like that's dope.

2:00:08.080 --> 2:00:13.560
<v Speaker 1>They compliment each other. Yeah, all right. Ex Clan of

2:00:13.600 --> 2:00:16.560
<v Speaker 1>Poor Righteous Teachers great, that's a great one with the

2:00:16.720 --> 2:00:25.760
<v Speaker 1>red bill black the green with the key again, it's

2:00:25.840 --> 2:00:31.320
<v Speaker 1>like just protect it like pie is like yo' it's

2:00:31.400 --> 2:00:34.120
<v Speaker 1>hard to tell them. It's hard. It's not easy. It's

2:00:34.360 --> 2:00:36.760
<v Speaker 1>it's it's easy to tell them apart. But it's like

2:00:36.960 --> 2:00:39.640
<v Speaker 1>they do the same similar things. I love I love

2:00:39.720 --> 2:00:42.280
<v Speaker 1>poor Righteous teachures to rock the spunky joint with Yeah,

2:00:42.360 --> 2:00:44.920
<v Speaker 1>that's the joint. What was the other one? Boe my

2:00:45.000 --> 2:00:49.040
<v Speaker 1>queen that she was cool. But come on, man, brother Jay,

2:00:49.120 --> 2:00:51.200
<v Speaker 1>I gotta go with brother j Man, I gotta go

2:00:51.320 --> 2:00:56.360
<v Speaker 1>with brother band verb is it? You know? They both

2:00:56.440 --> 2:00:58.840
<v Speaker 1>do the same thing and they give me the same feeling.

2:00:59.320 --> 2:01:06.040
<v Speaker 1>Brother jameson the stick, Yeah yeah, brother the boons, No

2:01:07.240 --> 2:01:15.200
<v Speaker 1>remember the so you say the boat? Okay, brother that

2:01:17.920 --> 2:01:21.720
<v Speaker 1>you said both a lot of times, but politically correct, man,

2:01:21.880 --> 2:01:25.840
<v Speaker 1>it's not politically the artist one. He did the Artist one,

2:01:26.840 --> 2:01:31.600
<v Speaker 1>d J wise s and s Ranji Ranji I loves

2:01:31.640 --> 2:01:34.840
<v Speaker 1>too for J bought the mix tape, the mixing like

2:01:34.920 --> 2:01:38.120
<v Speaker 1>the blends, the blends blind tape, blind tape and the

2:01:39.400 --> 2:01:43.480
<v Speaker 1>exclusive ships like that. It's like if I'm coping, Rang,

2:01:44.600 --> 2:01:47.520
<v Speaker 1>I'm copping right. You want both? Yeah, So you're going

2:01:47.560 --> 2:01:52.640
<v Speaker 1>both again, both styles. Yea, this nigga going both. The

2:01:52.720 --> 2:01:56.880
<v Speaker 1>reason why I picked ran because Big said piece to

2:01:57.040 --> 2:01:57.960
<v Speaker 1>rong G broocey Be.

2:01:58.200 --> 2:02:00.480
<v Speaker 2>He didn say saying.

2:02:03.640 --> 2:02:06.640
<v Speaker 1>Juicy your funk master Flex out to funk Master flex too,

2:02:06.760 --> 2:02:08.680
<v Speaker 1>and I hate to see what he's going through. He's

2:02:08.720 --> 2:02:13.760
<v Speaker 1>a number one who. The young niggas don't give flexing respect.

2:02:14.920 --> 2:02:20.960
<v Speaker 1>They be talking about flexes flex Flex spoke master something.

2:02:21.040 --> 2:02:21.200
<v Speaker 9>Man.

2:02:22.280 --> 2:02:24.960
<v Speaker 1>He's on the radio and miss flights because the master

2:02:25.040 --> 2:02:28.960
<v Speaker 1>flester Flex. I got this record and I'm like, I

2:02:29.080 --> 2:02:31.040
<v Speaker 1>don't called my wife and said, listen, I'm missing this flight.

2:02:31.160 --> 2:02:33.520
<v Speaker 1>I need to hear this record. You can hear it anywhere. No, no, no,

2:02:33.960 --> 2:02:37.040
<v Speaker 1>it's not like hearing it in New York City. And

2:02:38.240 --> 2:02:40.960
<v Speaker 1>has been times. FLEXM said pull over New York City

2:02:41.040 --> 2:02:49.280
<v Speaker 1>and I'm the guy that pull over, Old you're driving

2:02:49.360 --> 2:02:55.280
<v Speaker 1>pulled over driving Monsoon in Queens when they when they

2:02:55.360 --> 2:02:58.560
<v Speaker 1>played Triumph like he played it, he played it for

2:02:58.680 --> 2:03:01.480
<v Speaker 1>like an hour straight. Who flex Yeah, okay, yeah yeah,

2:03:01.480 --> 2:03:03.640
<v Speaker 1>And that's that would be like, yo, I gotta hear

2:03:03.720 --> 2:03:05.960
<v Speaker 1>this ship. You know what I'm saying. And that's the

2:03:06.080 --> 2:03:09.680
<v Speaker 1>thing these records today is like Yo, they don't really

2:03:09.880 --> 2:03:13.240
<v Speaker 1>have a replay value, so people be like, yo, you know, oh,

2:03:13.360 --> 2:03:15.320
<v Speaker 1>Flex played my record like three times.

2:03:15.720 --> 2:03:18.120
<v Speaker 2>I think if Flex was on it, you know Flex

2:03:18.840 --> 2:03:19.760
<v Speaker 2>twenty times.

2:03:20.560 --> 2:03:24.760
<v Speaker 3>Well, younger brothers are leaders of the new school.

2:03:25.440 --> 2:03:27.320
<v Speaker 1>Oh ship, that's a good one.

2:03:28.200 --> 2:03:31.240
<v Speaker 2>Damn bro, it's a hard one.

2:03:32.080 --> 2:03:35.000
<v Speaker 1>But I'm gonna go to I'm gonna go to the

2:03:35.160 --> 2:03:38.600
<v Speaker 1>edge where it's like busting on. Yeah, I'm gonna go

2:03:38.640 --> 2:03:42.840
<v Speaker 1>with later even though Charlie Brown, you let me down

2:03:42.880 --> 2:03:45.000
<v Speaker 1>because I thought you was gonna be up there with

2:03:45.080 --> 2:03:47.240
<v Speaker 1>Bus like he had the person Charlie Brown.

2:03:47.240 --> 2:03:48.400
<v Speaker 2>I thought he was gonna be a star.

2:03:48.640 --> 2:03:50.920
<v Speaker 1>Who's that bron I mean he was a star back then.

2:03:51.080 --> 2:03:53.920
<v Speaker 1>He was wasn't he wants the breakout out of leaders

2:03:53.960 --> 2:03:56.800
<v Speaker 1>of news originally and then Bus can't bust it's too pold. Yeah,

2:03:56.840 --> 2:03:59.400
<v Speaker 1>Bus had too much. Bus came and put your hands

2:03:59.480 --> 2:04:01.440
<v Speaker 1>on my eyes. I think those were two personalities that

2:04:01.800 --> 2:04:03.040
<v Speaker 1>living was for that.

2:04:03.160 --> 2:04:04.600
<v Speaker 2>It was that scenario remix.

2:04:04.920 --> 2:04:10.280
<v Speaker 1>Yeah, yeah, that's what changed everything. Once he's when Thias

2:04:10.360 --> 2:04:14.080
<v Speaker 1>like like by niggas you imagine that like Terry pet

2:04:14.600 --> 2:04:17.560
<v Speaker 1>That session was though, like Bus is going like no

2:04:17.640 --> 2:04:23.520
<v Speaker 1>one heard nobody wrong. Session was like, what we're supposed

2:04:23.520 --> 2:04:30.000
<v Speaker 1>to tell what's making? What is going on? Then first

2:04:31.480 --> 2:04:34.840
<v Speaker 1>lie Man Bus is one of them ones too, Like

2:04:35.440 --> 2:04:35.720
<v Speaker 1>you just.

2:04:35.720 --> 2:04:40.400
<v Speaker 3>Went a vm MA, yeah he wont Yeah, he gave

2:04:40.440 --> 2:04:42.320
<v Speaker 3>him the rock the bells like whatever that but a

2:04:42.440 --> 2:04:44.120
<v Speaker 3>huge honor like make.

2:04:48.040 --> 2:04:50.920
<v Speaker 1>When you look at he went from p t A

2:04:51.160 --> 2:04:53.960
<v Speaker 1>to that first Brown broke, it's just another case of

2:04:54.160 --> 2:05:01.520
<v Speaker 1>that by school teacher. Didn't realize that that's crazy because

2:05:01.560 --> 2:05:04.320
<v Speaker 1>it's like, Yo, they problem about school.

2:05:04.680 --> 2:05:07.520
<v Speaker 4>Yea, well niggas ain't even get you were in school

2:05:07.640 --> 2:05:09.960
<v Speaker 4>like this to send me that niggas had to do

2:05:10.120 --> 2:05:12.920
<v Speaker 4>for me, I mean different leaders of the new school

2:05:12.920 --> 2:05:16.160
<v Speaker 4>and he's graduated to be the O.

2:05:16.320 --> 2:05:17.600
<v Speaker 1>G oh my god.

2:05:17.680 --> 2:05:19.240
<v Speaker 2>Bus Bus is one of the ones.

2:05:19.320 --> 2:05:21.360
<v Speaker 1>Like when I see these lists and I don't see

2:05:21.440 --> 2:05:24.240
<v Speaker 1>Bus in the top twenty, I'm like, whoever made this

2:05:24.400 --> 2:05:29.880
<v Speaker 1>list is non boyd bro and everything performance longevity you're

2:05:29.880 --> 2:05:35.440
<v Speaker 1>talking to Like, yo, he was like, it's competitive, crazy,

2:05:35.840 --> 2:05:41.000
<v Speaker 1>four different rappers competitive. Notice Notice nobody wanted that smoke

2:05:41.080 --> 2:05:44.080
<v Speaker 1>on versus with Buster. No no, no, nobody said yes,

2:05:44.760 --> 2:05:46.840
<v Speaker 1>Like he was like fuck niggas with that Chris Brown

2:05:46.960 --> 2:05:48.640
<v Speaker 1>verse and I gotta go. Then I got to serve

2:05:50.560 --> 2:05:52.680
<v Speaker 1>you over got a loan. It's like he like Terrece

2:05:52.760 --> 2:05:59.600
<v Speaker 1>Cwford right now, nobody want to fight terror. I don't

2:05:59.640 --> 2:06:01.800
<v Speaker 1>think you know, I ain't gonna locked. I'm like, he's

2:06:01.800 --> 2:06:04.320
<v Speaker 1>too big. He never got hit that our roster told

2:06:04.360 --> 2:06:08.200
<v Speaker 1>me that our group chat became racial. Oh yeah, yeah yeah,

2:06:09.160 --> 2:06:18.080
<v Speaker 1>I wasn't you know all the blacks. I was like.

2:06:18.200 --> 2:06:21.680
<v Speaker 1>I was like it was like some o J you

2:06:21.760 --> 2:06:24.240
<v Speaker 1>know and black. I was like, I didn't see that

2:06:24.320 --> 2:06:29.120
<v Speaker 1>part o J verdict when they showed it. All the

2:06:29.160 --> 2:06:34.520
<v Speaker 1>white people are like, I'm like, Dan, all my race, bro, listen,

2:06:34.560 --> 2:06:36.360
<v Speaker 1>I'm gonna be honest with you. If you ever want

2:06:36.400 --> 2:06:39.080
<v Speaker 1>to really see like like a like a race like

2:06:39.200 --> 2:06:44.040
<v Speaker 1>a race thing, go watch boxing and like like like

2:06:44.120 --> 2:06:47.480
<v Speaker 1>a Hooters style, not Hooters because I think Hooters closed now,

2:06:47.720 --> 2:06:52.280
<v Speaker 1>but like I just want Hooters and closed. It's closed.

2:06:53.680 --> 2:06:56.520
<v Speaker 1>Establishment is closed. I can make it. They're gonna make

2:06:56.560 --> 2:07:01.920
<v Speaker 1>poters not you go there like like like two different racests,

2:07:01.960 --> 2:07:05.560
<v Speaker 1>like a Mexican fighting a Filipino. You will never see

2:07:05.600 --> 2:07:10.240
<v Speaker 1>how racist is like all the Mexicans coming up anywhere.

2:07:10.440 --> 2:07:15.600
<v Speaker 1>I'm talking about any type you said. Neutral song one

2:07:15.720 --> 2:07:18.440
<v Speaker 1>gonna be a two different races, two different people I'm

2:07:18.480 --> 2:07:21.760
<v Speaker 1>told about. Oh my god, you will see how how

2:07:21.960 --> 2:07:26.240
<v Speaker 1>how people pick a side. God, let's go right. You

2:07:26.360 --> 2:07:29.040
<v Speaker 1>have TV raps, a video music box. Video is udio

2:07:29.120 --> 2:07:33.160
<v Speaker 1>music box. Uncle Ralph, Uncle Ralph, this is the the

2:07:33.280 --> 2:07:37.440
<v Speaker 1>VICTI shut up. This is the vid kid. Don't forget

2:07:37.480 --> 2:07:39.560
<v Speaker 1>about the vid kids. That's where all of us got

2:07:39.640 --> 2:07:42.520
<v Speaker 1>us from. You know, so we used to we used

2:07:42.520 --> 2:07:45.200
<v Speaker 1>to turn the Channel thirty one with the You remember

2:07:45.640 --> 2:07:47.480
<v Speaker 1>if you grew up in New York, Yeah, you had

2:07:47.520 --> 2:07:49.720
<v Speaker 1>to put it on Channel you. Then you the little

2:07:49.760 --> 2:07:53.800
<v Speaker 1>one that's said be man, fuck like.

2:07:57.720 --> 2:07:57.840
<v Speaker 12>Yo.

2:07:57.960 --> 2:08:01.160
<v Speaker 1>He put us on like every and it's like the

2:08:01.240 --> 2:08:03.200
<v Speaker 1>whole New York and it's like the New.

2:08:03.160 --> 2:08:05.880
<v Speaker 2>York was that drink shamp you? I just haund.

2:08:07.280 --> 2:08:10.480
<v Speaker 1>Videos he did, Yeah, the videos he directs. I couldn't

2:08:10.520 --> 2:08:19.200
<v Speaker 1>believe it. Man, boys, and all the videos lightly and

2:08:19.320 --> 2:08:22.560
<v Speaker 1>it's like he did his thing. He did his thing

2:08:23.000 --> 2:08:27.919
<v Speaker 1>and humble as fuckers, like yeah, man, with the videos.

2:08:28.000 --> 2:08:30.880
<v Speaker 1>That's why I'd be like yo, Ralph, he said he

2:08:31.000 --> 2:08:34.440
<v Speaker 1>said something on here that that fucked me up. He said,

2:08:34.520 --> 2:08:37.160
<v Speaker 1>niggas didn't get videos back then. You would be lucky

2:08:37.200 --> 2:08:40.040
<v Speaker 1>to get a video, Like everybody didn't get no video, nigga.

2:08:40.200 --> 2:08:42.760
<v Speaker 1>You had to be a special, special motherfucker to get

2:08:42.800 --> 2:08:45.120
<v Speaker 1>a video. I don't even need people quested the video

2:08:46.320 --> 2:08:48.760
<v Speaker 1>records didn't play. It was Hall the way to play videos,

2:08:49.120 --> 2:08:51.240
<v Speaker 1>you know what I'm saying. So he created that platform

2:08:51.360 --> 2:08:54.040
<v Speaker 1>for us and then start directing the videos and giving

2:08:54.120 --> 2:08:56.400
<v Speaker 1>like wu tang clean protecting that and all these videos.

2:08:56.640 --> 2:08:58.520
<v Speaker 1>I ain't know he did on ship so he had

2:08:58.600 --> 2:09:12.560
<v Speaker 1>the fucking the numbers on the side were going. He

2:09:12.680 --> 2:09:15.200
<v Speaker 1>blew that ship up. That's crazy. That was another one

2:09:15.240 --> 2:09:20.640
<v Speaker 1>of the ones Black thought of common, black thoughts, this nigga,

2:09:22.040 --> 2:09:23.680
<v Speaker 1>this nigga, don't think you got to think about that.

2:09:25.240 --> 2:09:27.600
<v Speaker 1>I got to think about it. Man. It's like black

2:09:27.640 --> 2:09:30.280
<v Speaker 1>thought is one of the ones, and common is one

2:09:30.320 --> 2:09:32.680
<v Speaker 1>of the ones. I love comment. But once ron Fest

2:09:32.840 --> 2:09:34.880
<v Speaker 1>was like, Yo, when I wrote that ship for comment that,

2:09:35.160 --> 2:09:41.200
<v Speaker 1>I was like what he wrote, glory glory.

2:09:41.680 --> 2:09:45.720
<v Speaker 2>I wrote that whole for real, yeah said, And then

2:09:45.720 --> 2:09:46.720
<v Speaker 2>the nigga cut dumb me.

2:09:46.800 --> 2:09:49.160
<v Speaker 1>You said, I just had the ship. Want to grabby

2:09:49.560 --> 2:09:54.600
<v Speaker 1>that nigga stoped picking up. You said, I got a

2:09:54.680 --> 2:09:57.040
<v Speaker 1>nigga grabby You stopped picking up out the ron Fest

2:09:57.240 --> 2:10:00.720
<v Speaker 1>was brutally honest Chicago nigga around, so he telling them

2:10:00.800 --> 2:10:01.560
<v Speaker 1>Kanye stories.

2:10:01.640 --> 2:10:05.360
<v Speaker 3>Bro, nobody know Kanye like he definitely know he got

2:10:05.440 --> 2:10:08.000
<v Speaker 3>a drink. What you're saying, both yeah.

2:10:08.080 --> 2:10:13.720
<v Speaker 1>I said both Yeah, the roots, my guy black thought

2:10:13.880 --> 2:10:16.200
<v Speaker 1>and comment. You know what I'm saying, you got me?

2:10:16.360 --> 2:10:16.680
<v Speaker 1>None of that.

2:10:16.800 --> 2:10:17.680
<v Speaker 2>None of it resonates.

2:10:18.280 --> 2:10:24.160
<v Speaker 1>Everything resonates like everything resonates, like yo, man, common sense

2:10:24.280 --> 2:10:25.280
<v Speaker 1>going back to common sense.

2:10:25.400 --> 2:10:27.120
<v Speaker 2>Yeah, commons a beast.

2:10:27.120 --> 2:10:29.280
<v Speaker 1>I used to love, I used to love it. I

2:10:29.400 --> 2:10:29.800
<v Speaker 1>used to love it.

2:10:30.640 --> 2:10:32.920
<v Speaker 2>I love I love, I love comment.

2:10:32.960 --> 2:10:35.160
<v Speaker 1>And when Ron Fast told me that, like I'm an

2:10:35.280 --> 2:10:38.080
<v Speaker 1>m c MC, if I hear that writing around, it

2:10:38.200 --> 2:10:39.560
<v Speaker 1>takes so much away.

2:10:39.320 --> 2:10:41.920
<v Speaker 2>From me as you was an m C because I'm like.

2:10:42.040 --> 2:10:44.680
<v Speaker 1>Come on, bro, even in the nineties, a lot of

2:10:44.760 --> 2:10:49.080
<v Speaker 1>people like you know, broke balls and ship and frames

2:10:49.240 --> 2:10:52.320
<v Speaker 1>or whatever. It's a lot of people who had you.

2:10:52.400 --> 2:10:56.240
<v Speaker 2>Know, nigga might throw you a line or right in my.

2:10:56.320 --> 2:11:01.840
<v Speaker 1>Room, right in my wrong bro, Like yo, you know what,

2:11:02.160 --> 2:11:03.920
<v Speaker 1>no one can't think like me, so how the hell

2:11:03.960 --> 2:11:06.960
<v Speaker 1>you can? Sometimes? Like yo, you know, people put people

2:11:07.000 --> 2:11:09.280
<v Speaker 1>putting the hook like it's different things.

2:11:09.320 --> 2:11:12.880
<v Speaker 2>Different hook hook is different hooks that's not the verse.

2:11:13.000 --> 2:11:15.640
<v Speaker 1>We m C. We we we started caring about hooks

2:11:15.640 --> 2:11:18.480
<v Speaker 1>when we start learning about song structure and making songs

2:11:19.360 --> 2:11:21.760
<v Speaker 1>for commerce. Be sides. I don't think we were wrapping

2:11:21.760 --> 2:11:23.480
<v Speaker 1>in the hood. Nigga ain't going to the hook when

2:11:23.520 --> 2:11:26.680
<v Speaker 1>he was in cycling. It was an inciphment and going

2:11:26.720 --> 2:11:29.760
<v Speaker 1>to the hook like you don't want.

2:11:32.080 --> 2:11:34.240
<v Speaker 2>That ship was for the for his records and ship

2:11:34.280 --> 2:11:34.440
<v Speaker 2>like that.

2:11:35.360 --> 2:11:38.760
<v Speaker 1>The next one method matter, Red Man met the Man.

2:11:39.880 --> 2:11:43.160
<v Speaker 1>To me, I love red Man too, but method Man,

2:11:43.880 --> 2:11:44.880
<v Speaker 1>I gotta go Red Man.

2:11:45.600 --> 2:11:46.480
<v Speaker 2>This niggas.

2:11:51.240 --> 2:11:56.520
<v Speaker 1>Like that. That's good Redman like super ill, like nothing

2:11:57.640 --> 2:12:02.600
<v Speaker 1>but Clint Yo Memphis super ill too. So I was like,

2:12:03.200 --> 2:12:04.960
<v Speaker 1>he gave you, he gave you your red Man to

2:12:05.000 --> 2:12:08.320
<v Speaker 1>your method Man. So he who can I connect this?

2:12:08.480 --> 2:12:15.200
<v Speaker 1>And who's your favorite m C and who can claim

2:12:15.600 --> 2:12:19.320
<v Speaker 1>who you think is the best? Like technically skill wise

2:12:20.360 --> 2:12:25.880
<v Speaker 1>like expected Deck a little bit expected Deck, look expected

2:12:25.960 --> 2:12:26.560
<v Speaker 1>decks man.

2:12:26.840 --> 2:12:29.960
<v Speaker 3>You said, technically, I think that's yo Jesus to you

2:12:30.040 --> 2:12:30.800
<v Speaker 3>can't you.

2:12:30.800 --> 2:12:35.360
<v Speaker 1>Could justect sleeping on ma bros. Be sleeping on but

2:12:35.760 --> 2:12:41.000
<v Speaker 1>got the total package. You said, technically, technically he's a

2:12:41.080 --> 2:12:43.960
<v Speaker 1>crazy m to teprobably be like Yo, I got white

2:12:43.960 --> 2:12:46.760
<v Speaker 1>album blunts. I got fat bags of cloked and it's like, Yo,

2:12:47.320 --> 2:12:51.360
<v Speaker 1>it's cool, like but this thing is like on Triumph

2:12:52.560 --> 2:13:03.160
<v Speaker 1>expected Deck. Yeah, topically I work like with the PRESTI

2:13:03.240 --> 2:13:05.240
<v Speaker 1>lence the hall. Haven't never learned. He went in on

2:13:05.360 --> 2:13:12.280
<v Speaker 1>that ship too though that when protecting that he was

2:13:12.360 --> 2:13:12.879
<v Speaker 1>a standout.

2:13:12.960 --> 2:13:13.200
<v Speaker 7>He was.

2:13:14.880 --> 2:13:16.880
<v Speaker 1>Playing, ain't nothing to fu we was waiting for. He

2:13:17.080 --> 2:13:19.280
<v Speaker 1>was like the sticky fingers of Whu tang it won't

2:13:19.320 --> 2:13:21.960
<v Speaker 1>p He was waiting for meth Park. But when met

2:13:22.120 --> 2:13:24.160
<v Speaker 1>was in on the song, he was like, So we

2:13:24.640 --> 2:13:28.000
<v Speaker 1>were jogging the other day listening to I Believe the

2:13:28.240 --> 2:13:31.280
<v Speaker 1>thirty six Chambers and that skiit came on you. I

2:13:31.360 --> 2:13:38.000
<v Speaker 1>was so embarrassed, like just jogging about waiting, Yo, I

2:13:38.120 --> 2:13:49.400
<v Speaker 1>stabbed like, yeah, all the white people just turn around.

2:13:50.000 --> 2:13:52.960
<v Speaker 1>That's funny. Are you talking about stabbing somebody in the nuts?

2:13:53.320 --> 2:14:01.120
<v Speaker 1>And he said, man, he said, I I mushold, I

2:14:01.280 --> 2:14:05.720
<v Speaker 1>look like Yo. They split their sharpest even to this day. Yeah,

2:14:06.240 --> 2:14:10.240
<v Speaker 1>they all Memphis Memphis super sharp. Still like he got,

2:14:12.000 --> 2:14:14.600
<v Speaker 1>you know, saying he got better the same way because

2:14:14.640 --> 2:14:17.280
<v Speaker 1>when I hear him wrapping like wrapp like the like

2:14:17.360 --> 2:14:19.800
<v Speaker 1>the wrap the young like young spinners like you see

2:14:19.960 --> 2:14:21.520
<v Speaker 1>the show. He can keep up with him. You know

2:14:21.560 --> 2:14:23.120
<v Speaker 1>what I'm saying, Like I'm gonna wrap with some of

2:14:23.200 --> 2:14:24.440
<v Speaker 1>these young dudes that I could.

2:14:24.680 --> 2:14:28.320
<v Speaker 2>He could from the early nineties, Nigga is keeping up.

2:14:28.960 --> 2:14:33.000
<v Speaker 1>Yeah, we almost done us. Let's go man, nice smooth

2:14:33.320 --> 2:14:37.480
<v Speaker 1>brand New, nice Oh ship you can answer like my

2:14:37.560 --> 2:14:43.400
<v Speaker 1>favorite group, he said, brand New. You gotta drink, Nah,

2:14:43.560 --> 2:14:45.680
<v Speaker 1>I gotta go, bro. You know that's still one that's hard. Bro,

2:14:45.800 --> 2:14:49.400
<v Speaker 1>That's still one of the hardest lines ever. All the

2:14:49.560 --> 2:14:53.200
<v Speaker 1>time the ball bounces, there's no bones and ice cream.

2:15:00.440 --> 2:15:03.560
<v Speaker 1>You know it's crazy. I've been in the trailers and

2:15:03.800 --> 2:15:06.080
<v Speaker 1>I've never asked the motherfuckers this ship been on the

2:15:06.880 --> 2:15:17.960
<v Speaker 1>like hip hop Junkie's got to be one of like

2:15:18.080 --> 2:15:23.040
<v Speaker 1>slow down and all that ship. But your ump is

2:15:23.120 --> 2:15:28.440
<v Speaker 1>the illess was crazy, yo. But son wick Ye come

2:15:28.480 --> 2:15:29.160
<v Speaker 1>on wick.

2:15:29.080 --> 2:15:29.920
<v Speaker 2>Boom boom boom.

2:15:30.000 --> 2:15:32.320
<v Speaker 1>Even though that's gangstar wrecking them, niggas made that. No,

2:15:32.840 --> 2:15:35.480
<v Speaker 1>that was the summer refirm that was two summers in

2:15:35.520 --> 2:15:40.160
<v Speaker 1>a row, like it was yesterday. Remember that rhyme about

2:15:41.200 --> 2:15:44.480
<v Speaker 1>with Smoothie talking about the girls coke ship. Now she's

2:15:44.520 --> 2:15:48.520
<v Speaker 1>on blow Yeah. Sorry, smoothie. I keep having business of snow.

2:15:48.560 --> 2:15:52.040
<v Speaker 1>I mean blow, I'm not I'm not beat over. What's

2:15:52.120 --> 2:15:56.760
<v Speaker 1>that song? I got to put sometimes around slow? Yeah,

2:15:56.840 --> 2:16:03.640
<v Speaker 1>I was one to Nice and Smooth, Nice Bro, Greg,

2:16:03.800 --> 2:16:08.240
<v Speaker 1>nicest man. I think I got to drink today Anthem makers.

2:16:09.840 --> 2:16:12.480
<v Speaker 1>I love brand Man. That's hard because I love you know.

2:16:12.560 --> 2:16:17.080
<v Speaker 1>What's crazy? You know? I believe it was last year

2:16:18.360 --> 2:16:23.000
<v Speaker 1>and Leo Colmes did event and he had all of

2:16:23.120 --> 2:16:26.840
<v Speaker 1>us fly out. And what's crazy is I see like

2:16:26.880 --> 2:16:30.080
<v Speaker 1>the people who's performing. I can't wait for Nice and Smooth.

2:16:31.000 --> 2:16:34.080
<v Speaker 1>That's nice as move, what's coming out? I was going

2:16:34.120 --> 2:16:35.440
<v Speaker 1>to I forget who I was going to give a

2:16:35.480 --> 2:16:37.480
<v Speaker 1>five to. I know it's a very important person. As

2:16:37.480 --> 2:16:44.000
<v Speaker 1>soon as Nicet Move came out, I had just on

2:16:44.080 --> 2:16:50.240
<v Speaker 1>stage Greg. We need them on drink chaps as well.

2:16:50.600 --> 2:16:51.800
<v Speaker 1>We've been trying to we were trying to do.

2:16:52.200 --> 2:16:53.400
<v Speaker 2>Know this is buck first time.

2:16:54.120 --> 2:17:01.800
<v Speaker 1>Yeah, Bro, I'm so glad to see this one, brother,

2:17:01.920 --> 2:17:04.920
<v Speaker 1>because when when the guy was starring Buck, whow did

2:17:04.959 --> 2:17:07.879
<v Speaker 1>you ever have beat for the dude? Buck? While no, okay, alright, cool,

2:17:07.959 --> 2:17:10.400
<v Speaker 1>he was cool with him taking your name, he ain't

2:17:10.440 --> 2:17:16.520
<v Speaker 1>take it. Yeah, let him use it like you used

2:17:16.560 --> 2:17:19.320
<v Speaker 1>it like, Yo, you know what it's it's tip hop

2:17:19.680 --> 2:17:20.720
<v Speaker 1>doctor dream doctor.

2:17:20.520 --> 2:17:23.720
<v Speaker 2>Dream a right, damn, ain't think of that.

2:17:24.080 --> 2:17:25.080
<v Speaker 1>Very true. Thank you.

2:17:26.360 --> 2:17:26.800
<v Speaker 2>That's good.

2:17:27.160 --> 2:17:30.800
<v Speaker 1>Good. The next good observation the last one he said, doctor,

2:17:31.400 --> 2:17:32.480
<v Speaker 1>loyalty or respect?

2:17:33.120 --> 2:17:33.600
<v Speaker 2>Loyalty.

2:17:35.040 --> 2:17:37.520
<v Speaker 1>I don't think you can disrespect some money loyal to.

2:17:38.000 --> 2:17:40.000
<v Speaker 1>I think if you loyal to somebody, you're gonna respect him.

2:17:40.000 --> 2:17:43.640
<v Speaker 1>I think it comes hand in hand and vice versa.

2:17:43.760 --> 2:17:47.720
<v Speaker 1>Com like you could be loyal and still respect me.

2:17:48.520 --> 2:17:51.120
<v Speaker 1>And it's like it's like, yo, you know what I was.

2:17:51.280 --> 2:17:55.760
<v Speaker 1>I was thinking, since enough show like Yo, that's a

2:17:55.920 --> 2:18:00.840
<v Speaker 1>hard question because it's like Yo. On one hand, it's

2:18:00.879 --> 2:18:03.720
<v Speaker 1>like yo, you know what if you loyal to them,

2:18:03.720 --> 2:18:07.640
<v Speaker 1>It's like, yo, you don't disrespect them? Right? And I'm like, yo,

2:18:07.720 --> 2:18:13.560
<v Speaker 1>you know what I would be like, Yo, you know what? Right? No? Right?

2:18:15.240 --> 2:18:18.520
<v Speaker 1>I just I think loyalty comes is both. Hell yeah,

2:18:23.760 --> 2:18:27.720
<v Speaker 1>agree with you both. Except the hardest question the answer.

2:18:27.800 --> 2:18:33.960
<v Speaker 1>That's when he said, answer, Yo, this is like, this

2:18:34.160 --> 2:18:37.039
<v Speaker 1>is real. It's like, Yo, do I do I choose

2:18:37.280 --> 2:18:42.960
<v Speaker 1>loyalty or do I respect? You know me? I believe

2:18:43.040 --> 2:18:44.960
<v Speaker 1>all they all go hand in hand. But if I

2:18:45.080 --> 2:18:47.640
<v Speaker 1>had to choose one rather. I know a loyal person

2:18:47.800 --> 2:18:50.360
<v Speaker 1>is not disloyal, and I could trust him because you

2:18:50.400 --> 2:18:53.400
<v Speaker 1>could trust a person that's loyal, And I don't know

2:18:53.440 --> 2:18:56.840
<v Speaker 1>if I trust everybody I respect. That's real. Yeah, you

2:18:56.920 --> 2:19:00.680
<v Speaker 1>know that's real. That's trust. Trust is big, big part

2:19:00.720 --> 2:19:03.400
<v Speaker 1>of being loyalty. Someone's like, you know your girl loyal,

2:19:03.959 --> 2:19:07.120
<v Speaker 1>she can go out. You ain't worry about nothing like

2:19:07.280 --> 2:19:09.600
<v Speaker 1>ain't nobody could call you and tell you your girl out,

2:19:09.720 --> 2:19:12.040
<v Speaker 1>you can't. I know my girl she loyal. She she

2:19:12.320 --> 2:19:17.000
<v Speaker 1>she might respect you, I might fight, she might call

2:19:17.040 --> 2:19:20.120
<v Speaker 1>you a kind of bitch ass, but disrespect the If

2:19:20.160 --> 2:19:23.120
<v Speaker 1>she's loyal, she ain't never gonna vioe loyal me, that's real.

2:19:23.240 --> 2:19:26.520
<v Speaker 1>But so she loyal me. She might not be messing

2:19:26.560 --> 2:19:28.440
<v Speaker 1>with another guy, but she might be out gambling with

2:19:28.560 --> 2:19:32.160
<v Speaker 1>her girls. Now, if she breaking the trust while doing that, no,

2:19:32.320 --> 2:19:34.160
<v Speaker 1>but if you ask hers she had to tell you,

2:19:34.440 --> 2:19:36.680
<v Speaker 1>she didn't. She don't tell you, and that's something you

2:19:36.800 --> 2:19:39.600
<v Speaker 1>don't on her doing. And I have got understanding and

2:19:39.680 --> 2:19:41.520
<v Speaker 1>she does it, then she's not loyal. She's not loyal

2:19:41.720 --> 2:19:44.040
<v Speaker 1>being disloyal. Okay, Well respect that. You think you and

2:19:44.120 --> 2:19:45.680
<v Speaker 1>your girl might have a fight she might call you

2:19:45.760 --> 2:19:48.120
<v Speaker 1>all kind of names and disrespect the shit out you,

2:19:48.680 --> 2:19:50.480
<v Speaker 1>but she ain't gonna go fuck a nigga, you know

2:19:50.520 --> 2:19:52.920
<v Speaker 1>what I'm saying. So she might disrespect you, she gotta

2:19:52.959 --> 2:20:03.200
<v Speaker 1>go then just because of you out. That's it. Yeah,

2:20:03.360 --> 2:20:06.440
<v Speaker 1>Like we don't. We don't tolerate cust me out to

2:20:06.520 --> 2:20:10.840
<v Speaker 1>go sucking dick any like cuss me the fuck out,

2:20:13.320 --> 2:20:18.840
<v Speaker 1>no disrespect. But it's like, yo, a person where it's

2:20:18.920 --> 2:20:23.160
<v Speaker 1>like yo, you know, like females like it's underne love,

2:20:23.800 --> 2:20:26.160
<v Speaker 1>but it's like they respect you to the fullest. And

2:20:26.240 --> 2:20:29.840
<v Speaker 1>it's like a female won't want, you know, talk ship

2:20:29.920 --> 2:20:33.160
<v Speaker 1>about behind your back. It's like what, like what kind

2:20:33.200 --> 2:20:36.720
<v Speaker 1>of business? This is what I'm saying. I'm saying they're

2:20:36.720 --> 2:20:41.640
<v Speaker 1>good at No. That's no, no, no, because like you

2:20:41.879 --> 2:20:45.000
<v Speaker 1>like the dudes argue for real, Like Yo, there's some

2:20:45.200 --> 2:20:49.000
<v Speaker 1>good ones out here, and you know you got a system.

2:20:49.720 --> 2:20:50.640
<v Speaker 2>You got a system.

2:20:53.120 --> 2:21:01.520
<v Speaker 1>That's why he's talking that listen love like something fun up? Yo?

2:21:01.760 --> 2:21:04.000
<v Speaker 1>What's wrong with you? And they don't use logic. They

2:21:04.000 --> 2:21:08.119
<v Speaker 1>don't care about listen, they don't care about making sense

2:21:08.240 --> 2:21:13.080
<v Speaker 1>common sense? Are you like yo? Perfect people like the

2:21:13.160 --> 2:21:16.440
<v Speaker 1>perfect example of what it is like, yo, I can

2:21:16.480 --> 2:21:19.240
<v Speaker 1>trust them. It's like I'll do whatever for them. And

2:21:19.400 --> 2:21:22.400
<v Speaker 1>it's like, yo, she she got my back. It's like

2:21:22.560 --> 2:21:24.880
<v Speaker 1>you know, and I got out back and it's like, yo,

2:21:25.040 --> 2:21:29.920
<v Speaker 1>that's it. Let's talk about the orthoorage. How did that answerage?

2:21:30.080 --> 2:21:33.440
<v Speaker 1>How did you say there's a mistaken answerage? Yeah, ship

2:21:33.920 --> 2:21:35.720
<v Speaker 1>ge robis to call me. He was like, Yo, Mark

2:21:35.760 --> 2:21:37.600
<v Speaker 1>Warburg's on the TV show. You want to be on

2:21:37.680 --> 2:21:40.120
<v Speaker 1>it or you want to audition for it. But it

2:21:40.240 --> 2:21:43.080
<v Speaker 1>was between me and young Jez. Me and Young Jez

2:21:43.280 --> 2:21:46.039
<v Speaker 1>was up for that part. And I was like nobody

2:21:46.120 --> 2:21:48.199
<v Speaker 1>knew it was going to be a hit show when

2:21:48.600 --> 2:21:52.920
<v Speaker 1>it was like, HBO has an idea? What did you want?

2:21:52.959 --> 2:21:53.920
<v Speaker 1>Season three? Though two?

2:21:54.160 --> 2:21:56.000
<v Speaker 2>Season two okay, he was early.

2:21:55.879 --> 2:21:58.480
<v Speaker 1>On was pilot. Yeah. I was the first black person

2:21:58.560 --> 2:22:02.600
<v Speaker 1>on outside outside of an extra walking in the back

2:22:03.520 --> 2:22:06.039
<v Speaker 1>with lines. I was the first nigga with lines. Then

2:22:06.120 --> 2:22:08.480
<v Speaker 1>bow Wow and fifty and on came after that. But

2:22:08.600 --> 2:22:10.520
<v Speaker 1>I was I was there to build Turtles character, but

2:22:10.600 --> 2:22:13.960
<v Speaker 1>you was actually a character roll. I was there to

2:22:14.000 --> 2:22:16.680
<v Speaker 1>build Turtles character because like, we just got this nigger

2:22:16.760 --> 2:22:20.440
<v Speaker 1>meandering around, right, I need to give him. Yes, it

2:22:20.520 --> 2:22:24.040
<v Speaker 1>became my manager ship, which is shout shouting joy far

2:22:24.080 --> 2:22:27.000
<v Speaker 1>hour good speak in real life. Yeah, that's my brother

2:22:27.240 --> 2:22:32.160
<v Speaker 1>talking to moms, shout to Jakie's kids. Described how this

2:22:32.320 --> 2:22:35.920
<v Speaker 1>mistake happened. So because I'm never I wasn't an actor.

2:22:35.959 --> 2:22:37.880
<v Speaker 1>I never acted in my life. Okay with that, but

2:22:38.160 --> 2:22:41.280
<v Speaker 1>you know it wasn't we got to act every day.

2:22:41.879 --> 2:22:44.480
<v Speaker 1>But I'm real acting like that, but no, I never.

2:22:44.600 --> 2:22:46.240
<v Speaker 1>I had never done that. So I was like, I

2:22:46.320 --> 2:22:47.760
<v Speaker 1>was looking at it, like, they're not gonna pick me.

2:22:47.800 --> 2:22:52.320
<v Speaker 1>I ain't. No, you went to Nah, had to fly

2:22:52.520 --> 2:22:55.440
<v Speaker 1>to Hollywood and meet all these fucking real Hollywood motherfuckers

2:22:55.480 --> 2:22:57.840
<v Speaker 1>and they're like, and the one thing I did that

2:22:58.000 --> 2:22:58.360
<v Speaker 1>was smart.

2:22:58.400 --> 2:22:59.480
<v Speaker 2>I think they had the name.

2:22:59.560 --> 2:23:01.480
<v Speaker 1>I was like, if I get the park, can I

2:23:01.600 --> 2:23:04.720
<v Speaker 1>use the name Saigon instead of whatever fucking name they

2:23:04.760 --> 2:23:06.360
<v Speaker 1>had in the scrip was like a little little g

2:23:06.600 --> 2:23:08.520
<v Speaker 1>or whatever. The fun I'm like, won't you let me

2:23:08.600 --> 2:23:12.280
<v Speaker 1>use my real rap name? And that's the best move

2:23:12.400 --> 2:23:14.440
<v Speaker 1>I ever made in my life. Well I say that,

2:23:15.040 --> 2:23:17.400
<v Speaker 1>I mean think about it to this day, Yeah say

2:23:17.480 --> 2:23:20.000
<v Speaker 1>I know, but yeah, to this day, when when that

2:23:20.200 --> 2:23:22.400
<v Speaker 1>that that should opened some uf I go meet somebody

2:23:22.520 --> 2:23:24.760
<v Speaker 1>and be like I'm sign. The first thing they say

2:23:24.840 --> 2:23:27.200
<v Speaker 1>is like the guy from An. They don't even know

2:23:27.240 --> 2:23:29.960
<v Speaker 1>it's me. Oh wow, like the guy from An, Like

2:23:30.080 --> 2:23:36.240
<v Speaker 1>I'm you're sterious. I gotta tell them that's me. If

2:23:36.280 --> 2:23:40.520
<v Speaker 1>you if you open like trapping tickets. You know what

2:23:40.560 --> 2:23:41.920
<v Speaker 1>I'm saying. I could have been like I'm a little

2:23:42.000 --> 2:23:46.120
<v Speaker 1>d from Aunt, like little bit like so that ship,

2:23:46.160 --> 2:23:48.000
<v Speaker 1>I mean, that ship got you out of so much

2:23:48.040 --> 2:23:50.440
<v Speaker 1>ship when I and that show was hot for like

2:23:50.720 --> 2:23:56.760
<v Speaker 1>fifty show the greatest shows right now, right now they

2:23:56.840 --> 2:24:01.160
<v Speaker 1>have a show on Apple Plus all the studio. Yeah,

2:24:01.200 --> 2:24:11.560
<v Speaker 1>that's rage. Have another to have. Uh uh running point

2:24:12.680 --> 2:24:17.199
<v Speaker 1>on Netflix about the bus Family. Oh yeah, the Lakers,

2:24:17.400 --> 2:24:26.880
<v Speaker 1>the bust family. Yeah yeah, writing for Entourage, Like you

2:24:27.000 --> 2:24:29.280
<v Speaker 1>can literally see where they got the seas from, Like

2:24:29.320 --> 2:24:31.920
<v Speaker 1>you know what I'm saying, like like Ellen shot Doug

2:24:31.959 --> 2:24:35.720
<v Speaker 1>Allen and them guys. The writers see what HBO HBO does.

2:24:35.800 --> 2:24:36.680
<v Speaker 2>They did it with all these.

2:24:36.600 --> 2:24:39.760
<v Speaker 1>Shows, Sopranos, they did it Wire, they did it with

2:24:39.879 --> 2:24:43.360
<v Speaker 1>Sex and the City. The first season they go get

2:24:43.520 --> 2:24:45.959
<v Speaker 1>a bunch of C and D level actors so they

2:24:45.959 --> 2:24:48.000
<v Speaker 1>ain't got to pay them really a lot, and they

2:24:48.080 --> 2:24:50.800
<v Speaker 1>give the money to the writers so they go get

2:24:50.879 --> 2:24:54.200
<v Speaker 1>these great writers who fucking write amazing shows. They be

2:24:54.320 --> 2:24:57.320
<v Speaker 1>the ones making the two million episode while these actors

2:24:57.400 --> 2:25:00.520
<v Speaker 1>be making a couple of thousand dollars, right, and so

2:25:00.640 --> 2:25:03.120
<v Speaker 1>once the show becomes a hit, and are you locked

2:25:03.120 --> 2:25:05.840
<v Speaker 1>in the contract, I'm gonna get four five seasons out

2:25:05.879 --> 2:25:08.080
<v Speaker 1>of you before I really got to pay you like

2:25:08.480 --> 2:25:10.640
<v Speaker 1>once once, once the's time to renegotiate.

2:25:11.000 --> 2:25:12.040
<v Speaker 2>Now you know you a star.

2:25:12.560 --> 2:25:13.920
<v Speaker 1>Now you come and be like, no, I need the

2:25:13.959 --> 2:25:18.000
<v Speaker 1>big bucks now because I'm popping all around.

2:25:17.720 --> 2:25:19.440
<v Speaker 2>Walk like god. Rest of the soul.

2:25:19.480 --> 2:25:23.840
<v Speaker 1>His name James who paid Tony soprano Jane Grando. I

2:25:23.879 --> 2:25:28.039
<v Speaker 1>can't pronounce the ship, but Tony Tony to them niggas

2:25:28.120 --> 2:25:29.960
<v Speaker 1>was they was. We didn't know who to just Sarah

2:25:30.040 --> 2:25:32.199
<v Speaker 1>Jessica Pok. He was fighting for them to get more money.

2:25:33.800 --> 2:25:36.040
<v Speaker 1>The motherfucker. You know, look how many stars that the

2:25:36.160 --> 2:25:40.240
<v Speaker 1>wire bro Michael B. Jordan's fucking uh, what's the nigga name?

2:25:40.680 --> 2:25:43.600
<v Speaker 2>The talk old bitches like the album.

2:25:43.879 --> 2:25:46.320
<v Speaker 1>I didn't even know that nigga from London. I didn't either,

2:25:47.200 --> 2:25:51.720
<v Speaker 1>the Bottom Batimore nigga. Man, they set it up with

2:25:51.920 --> 2:25:56.240
<v Speaker 1>like you could get through. They didn't Those rights show

2:25:56.440 --> 2:25:58.200
<v Speaker 1>that taking off.

2:25:58.400 --> 2:26:01.400
<v Speaker 2>It's like, yeah, yes it is. It's it's genius.

2:26:01.520 --> 2:26:04.840
<v Speaker 1>And yeah, that was that. That's why you gotta respect.

2:26:05.000 --> 2:26:06.840
<v Speaker 1>They know what they fun they're doing over there. I

2:26:07.000 --> 2:26:09.959
<v Speaker 1>was talking to Doug Allen and he told me, oh,

2:26:10.160 --> 2:26:12.760
<v Speaker 1>and this is how Hollywood works. He said he was

2:26:12.800 --> 2:26:15.840
<v Speaker 1>pitching the show to HBO after Entourage. He was like,

2:26:15.920 --> 2:26:18.440
<v Speaker 1>after Entourage was such a success, I just knew they

2:26:18.520 --> 2:26:21.240
<v Speaker 1>was gonna let me walk anything through these doors, like

2:26:21.720 --> 2:26:24.840
<v Speaker 1>because because we had so much successful Entourage. And he's like,

2:26:24.920 --> 2:26:27.280
<v Speaker 1>me and Mike Tyson did a show and we was like,

2:26:27.320 --> 2:26:29.280
<v Speaker 1>I spent a million and a half dollars doing the

2:26:29.360 --> 2:26:33.000
<v Speaker 1>pilot on one episode, million and a half and HBO

2:26:33.200 --> 2:26:35.360
<v Speaker 1>was like, we don't like it, we don't want it,

2:26:35.920 --> 2:26:39.440
<v Speaker 1>like a million half in a whole. I was like, damn,

2:26:39.560 --> 2:26:41.080
<v Speaker 1>that's it. He was like, I just knew I had

2:26:41.320 --> 2:26:44.199
<v Speaker 1>they was gonna green light it because of my past

2:26:44.240 --> 2:26:46.080
<v Speaker 1>success with Entourage, and.

2:26:46.160 --> 2:26:48.880
<v Speaker 2>You know, so this is that's how Hollywood shows the game.

2:26:49.040 --> 2:26:49.200
<v Speaker 7>Yeah.

2:26:51.600 --> 2:26:56.320
<v Speaker 1>I got a new showed outright that's super shock. It's

2:26:56.360 --> 2:26:58.960
<v Speaker 1>called Graves and ya y'all watch Graves in a Yeah,

2:26:59.360 --> 2:27:01.560
<v Speaker 1>so it's about raised in Brooklyn So the show is

2:27:01.600 --> 2:27:06.320
<v Speaker 1>about the mafia out you see that. It's like some

2:27:06.520 --> 2:27:11.320
<v Speaker 1>new soprano ship. Okay, so it's out season, first season,

2:27:11.360 --> 2:27:13.880
<v Speaker 1>the first two seasons out o season, which is that

2:27:14.040 --> 2:27:15.240
<v Speaker 1>it's on Amazon.

2:27:17.120 --> 2:27:20.160
<v Speaker 2>Graves in Brooklyn, Like Benson.

2:27:19.920 --> 2:27:22.680
<v Speaker 1>Herrison'll show you all the guys in the mall that

2:27:22.760 --> 2:27:25.920
<v Speaker 1>didn't really blow up, like everybody knew Gotti and because

2:27:25.920 --> 2:27:28.320
<v Speaker 1>they was on TV. But there was a whole group

2:27:28.400 --> 2:27:30.520
<v Speaker 1>of mafia and niggas who didn't never get like the light,

2:27:30.640 --> 2:27:33.480
<v Speaker 1>the shine, who was putting in work. So this is

2:27:33.680 --> 2:27:38.480
<v Speaker 1>drama like dramatic or dramatic. It's like sopranos, like sopranos,

2:27:38.760 --> 2:27:41.160
<v Speaker 1>but it's like a realer version of sopranos. Like this

2:27:41.320 --> 2:27:43.400
<v Speaker 1>is they talkt a my real guys from the neighborhood

2:27:43.800 --> 2:27:46.040
<v Speaker 1>and yeah, I'm on there. Shot Shaquille O nails on

2:27:46.120 --> 2:27:49.400
<v Speaker 1>there and I fight Shot. I be fucking this nigga

2:27:49.440 --> 2:27:50.920
<v Speaker 1>is the strongest nigga in the world.

2:27:50.959 --> 2:27:52.480
<v Speaker 2>Bro, what is Shot playing a firefighter?

2:27:52.640 --> 2:27:56.920
<v Speaker 1>No? What is he playing in the show? He played

2:27:57.000 --> 2:28:00.400
<v Speaker 1>some games. The nigga name Stapfa who cool with mob.

2:28:00.600 --> 2:28:02.480
<v Speaker 1>Like so when the mob got problem with the Blacks,

2:28:02.800 --> 2:28:06.720
<v Speaker 1>they'd be like oh, mustop into your people type ship

2:28:07.840 --> 2:28:08.880
<v Speaker 1>like we don't want to smoke with.

2:28:09.400 --> 2:28:10.880
<v Speaker 2>I believe Shock is a tough guy.

2:28:12.560 --> 2:28:17.840
<v Speaker 1>I don't know, man, because I'll be sucking that Yo, son,

2:28:19.200 --> 2:28:21.400
<v Speaker 1>you talk, you know, I'm gonna tell you remember how

2:28:21.440 --> 2:28:22.960
<v Speaker 1>many times you have to move his mic because he

2:28:23.080 --> 2:28:29.320
<v Speaker 1>was like, Yo, we're like this. You did it like

2:28:29.400 --> 2:28:31.560
<v Speaker 1>five times yourself, but I'm gonna tell you, crazy ship.

2:28:31.640 --> 2:28:33.360
<v Speaker 1>And then we was we had a fight scene, right

2:28:33.840 --> 2:28:36.080
<v Speaker 1>nigga wrapped his hand around my neck and the nigga's

2:28:36.120 --> 2:28:44.039
<v Speaker 1>fingers touched in the back. In the back, I said,

2:28:44.080 --> 2:28:44.320
<v Speaker 1>get the.

2:28:48.360 --> 2:28:50.840
<v Speaker 2>Your nigga whole ship like this around my neck.

2:28:50.920 --> 2:28:53.920
<v Speaker 1>Yo. I'm a I'm a pretty strong dude. I could

2:28:54.000 --> 2:28:57.040
<v Speaker 1>not budge this motherfucker to the point where every time

2:28:57.080 --> 2:28:59.320
<v Speaker 1>we would finish the scene one of them fight scenes,

2:28:59.800 --> 2:29:01.360
<v Speaker 1>my fuckers, I had to come over and be like, Yo,

2:29:01.400 --> 2:29:04.640
<v Speaker 1>you right, So I'm like, I'm good, I'm good, lying

2:29:04.720 --> 2:29:09.160
<v Speaker 1>like a nigga choke win that his old Paul and

2:29:09.280 --> 2:29:11.640
<v Speaker 1>he don't know his own strength. You know, Gorilla stript

2:29:12.480 --> 2:29:19.840
<v Speaker 1>he might have Mountain Gorilla in his DNA, Like Nigga

2:29:19.920 --> 2:29:22.960
<v Speaker 1>got boot stripped. Like I couldn't busch this thing, and

2:29:23.040 --> 2:29:26.840
<v Speaker 1>I'm using, I'm trying, even trying, like he talking on

2:29:26.879 --> 2:29:28.840
<v Speaker 1>a nigga like this what it is about? I'm like,

2:29:28.879 --> 2:29:32.080
<v Speaker 1>you get the fun. I'm like, oh, that's why, niggas.

2:29:32.160 --> 2:29:35.920
<v Speaker 1>This is the diesel for real but amazing individual man

2:29:36.040 --> 2:29:37.960
<v Speaker 1>like who else is on there? So you shock me,

2:29:38.120 --> 2:29:41.800
<v Speaker 1>Willie the Mayo like a lot of Manos on it. Okay,

2:29:41.840 --> 2:29:45.400
<v Speaker 1>the guns is on. They've shocked cronies. They play the

2:29:45.480 --> 2:29:49.080
<v Speaker 1>little home, Yeah, they play Yeah. He's looking the ordering

2:29:49.640 --> 2:29:53.680
<v Speaker 1>yeah type ship and and they be fucking me up

2:29:53.720 --> 2:29:55.520
<v Speaker 1>because every time I got to get it, get it.

2:29:55.560 --> 2:29:56.840
<v Speaker 2>On him, he sending them little.

2:29:56.640 --> 2:29:59.960
<v Speaker 1>Niggas like yolot nigga. But this is a great opportunity

2:30:00.200 --> 2:30:02.840
<v Speaker 1>because working with my brothers, like I love man Or,

2:30:02.840 --> 2:30:04.920
<v Speaker 1>I love Peter, but these are my friends in her life.

2:30:05.280 --> 2:30:06.720
<v Speaker 2>I just met Shaq doing the show.

2:30:06.760 --> 2:30:09.600
<v Speaker 1>I never known them or we established a relationship, you

2:30:09.680 --> 2:30:11.680
<v Speaker 1>know what I'm saying. And I'll be looking all this

2:30:11.760 --> 2:30:13.960
<v Speaker 1>ship surreal. All this ship still feels sill. Even be

2:30:14.080 --> 2:30:16.440
<v Speaker 1>here with you feel surreal to me. I'll be going

2:30:16.480 --> 2:30:18.480
<v Speaker 1>home and be like, yo, I was just sitting with

2:30:18.600 --> 2:30:20.720
<v Speaker 1>fucking Nor even working on him, doing the album with

2:30:20.760 --> 2:30:21.200
<v Speaker 1>Buck Wow.

2:30:21.560 --> 2:30:23.400
<v Speaker 2>I'm like, I had a fucking album with Buck Wow.

2:30:23.959 --> 2:30:26.040
<v Speaker 1>I wanted them to do everybody else's on the set

2:30:26.080 --> 2:30:29.240
<v Speaker 1>acting normal, and I'll be there like yo, starstruck, like yo,

2:30:29.360 --> 2:30:31.440
<v Speaker 1>it's like working with some of this. But I didn't.

2:30:31.440 --> 2:30:35.120
<v Speaker 1>I ain't know no black people was in here. Just

2:30:35.360 --> 2:30:42.480
<v Speaker 1>come on season three Okay, yeah, yeah, yeah, I didn't

2:30:42.480 --> 2:30:44.640
<v Speaker 1>watch it, but you know it ain't no black peoples

2:30:44.680 --> 2:30:47.360
<v Speaker 1>on that were coming season three. Every time I keep

2:30:47.400 --> 2:30:49.480
<v Speaker 1>watching Seinfeld, I see more black people. Now.

2:30:49.680 --> 2:30:51.840
<v Speaker 2>Oh yeah, man, the oil and the engine.

2:30:52.240 --> 2:30:55.520
<v Speaker 1>It's not like they made a different version of signing. No, no, no,

2:30:55.680 --> 2:30:57.800
<v Speaker 1>I just keep watching it because at first it was

2:30:57.840 --> 2:30:59.959
<v Speaker 1>only one black person on sign for do y'all remember

2:31:00.120 --> 2:31:03.800
<v Speaker 1>that person, the guy that owns the diner. At least

2:31:03.800 --> 2:31:06.280
<v Speaker 1>they let him own the diner, the diner that they

2:31:07.320 --> 2:31:09.800
<v Speaker 1>know they owned the dining. But it's like I didn't

2:31:09.840 --> 2:31:13.680
<v Speaker 1>know who who, Like who works there? Are the black guy?

2:31:13.760 --> 2:31:15.840
<v Speaker 1>The black guy owns it? Yeah? On the low? Yeah,

2:31:16.879 --> 2:31:19.360
<v Speaker 1>and they be changing up the apartment so son felt

2:31:20.000 --> 2:31:24.280
<v Speaker 1>I never found I never seen friends Seinfeld, friends and

2:31:24.360 --> 2:31:29.800
<v Speaker 1>Seinfeld together. I've never seen none of them. Listen, listen,

2:31:29.879 --> 2:31:33.119
<v Speaker 1>this is this is why you first off. It all

2:31:33.200 --> 2:31:39.160
<v Speaker 1>comes from Seinfeld. Everything Seinfeld. It was two guys I

2:31:39.320 --> 2:31:43.840
<v Speaker 1>assumed Larry David and Richard I forgot his name. That

2:31:44.920 --> 2:31:47.200
<v Speaker 1>passed away because that's what it's supposed to be. And

2:31:47.280 --> 2:31:50.680
<v Speaker 1>they said, let's make a show about nothing. And they

2:31:50.760 --> 2:31:53.680
<v Speaker 1>was like, okay, so what's it going to be about nothing?

2:31:54.400 --> 2:31:57.600
<v Speaker 1>So what did you do today? I walked from my crib,

2:31:58.080 --> 2:32:00.520
<v Speaker 1>I walked the door, and I went to We squired

2:32:00.560 --> 2:32:03.560
<v Speaker 1>more and I got my friends clean. That's the episode

2:32:04.200 --> 2:32:06.520
<v Speaker 1>hits biggest show in the biggest show in the world.

2:32:06.560 --> 2:32:09.760
<v Speaker 1>And it's just it's the first version of reality TV

2:32:10.000 --> 2:32:13.440
<v Speaker 1>scripted copy copy. You understand what I'm saying, Like, so,

2:32:13.600 --> 2:32:16.240
<v Speaker 1>I learned so so much. I never understood the Like though,

2:32:16.560 --> 2:32:19.519
<v Speaker 1>I'm like, why is this so? You never watched Kirby Enthusiasm.

2:32:19.879 --> 2:32:22.000
<v Speaker 1>I heard that's that's the same guy. That's just that's

2:32:22.000 --> 2:32:26.240
<v Speaker 1>the same verson. I love him so much. I don't

2:32:26.240 --> 2:32:32.440
<v Speaker 1>want to meet him. Like the room lave, I would

2:32:32.480 --> 2:32:34.960
<v Speaker 1>be like, especially if I could, if it's one exit out,

2:32:35.000 --> 2:32:36.800
<v Speaker 1>then I'll be like, all right, cool, I'll say hi.

2:32:37.080 --> 2:32:39.080
<v Speaker 1>But if I could exit, I don't want to meet

2:32:39.080 --> 2:32:42.400
<v Speaker 1>my heroes New more New More. So you met it

2:32:43.200 --> 2:32:47.160
<v Speaker 1>your heroes. Uh No, Well, at first, when I met

2:32:47.320 --> 2:32:50.960
<v Speaker 1>Chris Rock was at a uh we was at a

2:32:51.080 --> 2:32:56.160
<v Speaker 1>bon Jovie party ironically with with Leo Cons, Russell Simmons

2:32:56.879 --> 2:33:01.440
<v Speaker 1>and Jimmy I Bean, and I was like, like, besides Russ,

2:33:01.440 --> 2:33:03.360
<v Speaker 1>I was like the only black guy there. And then

2:33:03.800 --> 2:33:08.120
<v Speaker 1>Chris Rock was hosted and Chris Rock said, uh, what

2:33:08.320 --> 2:33:11.880
<v Speaker 1>is the world coming to? Oh yeah, what is the

2:33:11.920 --> 2:33:15.720
<v Speaker 1>world coming to? I gotta take pictures with Nori And

2:33:15.800 --> 2:33:17.640
<v Speaker 1>I was like, I didn't know if he was playing,

2:33:17.680 --> 2:33:19.800
<v Speaker 1>because you know, he's a comedian, so I didn't know.

2:33:20.760 --> 2:33:22.320
<v Speaker 1>But that was the first time I was just like,

2:33:26.000 --> 2:33:29.320
<v Speaker 1>I don't want to meet too many people. There was

2:33:29.320 --> 2:33:31.560
<v Speaker 1>a couple of others. It's just I just don't remember,

2:33:31.760 --> 2:33:33.199
<v Speaker 1>like off top, but it was a couple of others

2:33:33.240 --> 2:33:35.440
<v Speaker 1>where I was just like, hey, what's up. And it

2:33:35.560 --> 2:33:38.720
<v Speaker 1>was like people were like I was just like, all right, cool,

2:33:38.840 --> 2:33:42.760
<v Speaker 1>So you graduated from rappers, yeah, the actors whatever, like

2:33:43.000 --> 2:33:46.720
<v Speaker 1>like is a matter like most people don't reciprocate the same.

2:33:46.560 --> 2:33:49.960
<v Speaker 2>Type of love that you that you distribute, so it's cool.

2:33:50.000 --> 2:33:51.800
<v Speaker 1>I can roll with it. No no, no, I never

2:33:51.920 --> 2:33:54.200
<v Speaker 1>met MJ. No, No, no, I'm not picking up this

2:33:54.240 --> 2:33:54.720
<v Speaker 1>story again.

2:33:54.720 --> 2:33:55.080
<v Speaker 2>I'm good.

2:33:55.840 --> 2:33:59.600
<v Speaker 1>I'm good. No, no, no, but that's that's a story.

2:33:59.680 --> 2:34:02.360
<v Speaker 1>But that's not story with me. Like you know what

2:34:02.360 --> 2:34:02.600
<v Speaker 1>I mean.

2:34:02.640 --> 2:34:05.120
<v Speaker 2>He ain't front of me. He's on hip hop.

2:34:07.400 --> 2:34:09.000
<v Speaker 1>So before we get up out here, I want to

2:34:09.080 --> 2:34:11.520
<v Speaker 1>run through the album, right, that's what you were here for, y'all.

2:34:12.240 --> 2:34:15.040
<v Speaker 1>A new album, right, yes, So I want you to

2:34:15.080 --> 2:34:16.800
<v Speaker 1>say something about it real quick as I want through

2:34:16.840 --> 2:34:20.320
<v Speaker 1>the songs. So, y'all. Father talked part one the intro.

2:34:21.760 --> 2:34:23.560
<v Speaker 1>Oh yeah, that was just me just saying, let me

2:34:23.680 --> 2:34:26.200
<v Speaker 1>just rap. But mind people, I can still rap. You

2:34:26.320 --> 2:34:29.080
<v Speaker 1>named a lot of white women. Yeah, he was going on,

2:34:29.680 --> 2:34:34.640
<v Speaker 1>I gotta I love I love the pink toes Man,

2:34:34.760 --> 2:34:37.000
<v Speaker 1>you love. I like, I love it, not not not

2:34:37.120 --> 2:34:39.240
<v Speaker 1>love him, but I like playing with him. I like

2:34:39.320 --> 2:34:42.320
<v Speaker 1>when you rap because it's like yo, he like he

2:34:42.440 --> 2:34:44.280
<v Speaker 1>breaks it down and he goes in. You know what

2:34:44.320 --> 2:34:46.960
<v Speaker 1>I'm saying. It's like in a way most people can't do.

2:34:48.480 --> 2:34:50.640
<v Speaker 2>He got a fetish too for white women.

2:34:52.360 --> 2:34:54.440
<v Speaker 1>This is a soul man. Tell we talked about y'all

2:34:54.440 --> 2:35:03.680
<v Speaker 1>the soul man look. So we got we like pink

2:35:03.720 --> 2:35:09.360
<v Speaker 1>to doctor Brother. It is doctor umar man. That school

2:35:09.600 --> 2:35:12.720
<v Speaker 1>over another brother, Umar, doctor Kumar. We're still waiting for

2:35:12.840 --> 2:35:15.240
<v Speaker 1>the school, but you are welcome here. Brother, you can

2:35:15.280 --> 2:35:19.560
<v Speaker 1>school us. Yeah, and bring a white woman with you. Okay. So,

2:35:19.800 --> 2:35:21.760
<v Speaker 1>dear God, you're still right?

2:35:21.840 --> 2:35:22.040
<v Speaker 3>God?

2:35:22.120 --> 2:35:25.640
<v Speaker 1>Do you still no? No? It's I talk. I pray

2:35:25.720 --> 2:35:28.000
<v Speaker 1>every day. But on the first album, I did this

2:35:28.040 --> 2:35:29.720
<v Speaker 1>song with marsham Brochs and it was.

2:35:29.760 --> 2:35:31.200
<v Speaker 2>Like she came with it.

2:35:31.400 --> 2:35:34.680
<v Speaker 1>Don't you remember you told me you love we was

2:35:35.640 --> 2:35:37.240
<v Speaker 1>I write a letter to guard So I was like,

2:35:37.400 --> 2:35:40.280
<v Speaker 1>when't we just double up on that record and be like, yo, that.

2:35:40.360 --> 2:35:42.560
<v Speaker 2>Album was eleven years ago and the world's getting worse,

2:35:42.680 --> 2:35:42.840
<v Speaker 2>Like what.

2:35:42.920 --> 2:35:43.680
<v Speaker 1>The going on?

2:35:43.920 --> 2:35:44.040
<v Speaker 12>Right?

2:35:45.160 --> 2:35:47.840
<v Speaker 1>Yeah? Right there, bro like out of truth in the

2:35:48.280 --> 2:35:51.360
<v Speaker 1>in the song, and it's like yo, Like I could

2:35:51.400 --> 2:35:53.480
<v Speaker 1>say he poured his heart into it, but it's like, yo,

2:35:53.560 --> 2:35:56.640
<v Speaker 1>you know what, Like he put a lot of truth

2:35:56.720 --> 2:35:57.080
<v Speaker 1>into it.

2:35:57.400 --> 2:35:58.080
<v Speaker 2>Because it's sad.

2:35:58.280 --> 2:36:02.080
<v Speaker 1>I get sad seeing these young kids, like the young Dolph, Like,

2:36:02.480 --> 2:36:06.120
<v Speaker 1>look at all of your nipsey hustle pop smoke. Like

2:36:06.320 --> 2:36:09.120
<v Speaker 1>it's to the point now we so CNB Rocks, P

2:36:09.280 --> 2:36:12.400
<v Speaker 1>and B Rock We're so desensitized to it now. When

2:36:12.440 --> 2:36:16.080
<v Speaker 1>it happens it's like monthly Wizard kid named from from Dallas, Like,

2:36:16.560 --> 2:36:19.760
<v Speaker 1>we're just sensitized almost like it's supposed to add supposed

2:36:19.760 --> 2:36:22.600
<v Speaker 1>to get too terrible. Man, it's terrible. We had poking

2:36:22.640 --> 2:36:25.280
<v Speaker 1>big stood out to us, and we ain't getting this

2:36:25.360 --> 2:36:27.640
<v Speaker 1>game to die. We gain the ship to get away

2:36:27.680 --> 2:36:29.680
<v Speaker 1>from that ship. You know what I'm saying. We left

2:36:29.760 --> 2:36:32.920
<v Speaker 1>the streets to come in and prosper and read and

2:36:33.240 --> 2:36:36.320
<v Speaker 1>move to the suburbs. Now these motherfuckers is getting in

2:36:36.440 --> 2:36:41.560
<v Speaker 1>the game and dying young like babies like. And we

2:36:41.680 --> 2:36:44.560
<v Speaker 1>look at it like, oh now, it's the disensitation to

2:36:44.640 --> 2:36:47.160
<v Speaker 1>where we're not. We don't raise a big flagment that

2:36:47.240 --> 2:36:50.000
<v Speaker 1>this ship gota. This ship is gotta stop. Us are

2:36:50.080 --> 2:36:52.560
<v Speaker 1>the people because this is this is hip hop and

2:36:52.959 --> 2:36:55.840
<v Speaker 1>all be based around the music. It always has something

2:36:55.879 --> 2:36:58.920
<v Speaker 1>to do with some hip hop ship's destruction today. That

2:36:58.959 --> 2:37:01.720
<v Speaker 1>will were the same way that when I say that

2:37:01.760 --> 2:37:03.680
<v Speaker 1>shit all the time, I'm like, you put all these

2:37:03.760 --> 2:37:07.080
<v Speaker 1>influential people right now on the song and tell motherfuckers yo,

2:37:07.280 --> 2:37:10.080
<v Speaker 1>chill yo, we got to stop this ship. I've seen

2:37:10.120 --> 2:37:12.000
<v Speaker 1>this ship with Michael Jordan one time, right and it

2:37:12.080 --> 2:37:15.560
<v Speaker 1>made me lose so much respect for Mike as a person.

2:37:16.200 --> 2:37:18.080
<v Speaker 1>I don't. Matter of fact, I won't say I lost

2:37:18.120 --> 2:37:19.879
<v Speaker 1>respect for him, but I was sad. I was hurt

2:37:19.959 --> 2:37:22.760
<v Speaker 1>by it. Where member kids used to get killed for

2:37:22.879 --> 2:37:25.160
<v Speaker 1>Jordan's back in the day. They wanted him to do

2:37:25.200 --> 2:37:28.120
<v Speaker 1>a press conference right and be like, Yo, we need

2:37:28.200 --> 2:37:31.680
<v Speaker 1>you to tell these kids, these these sneakers ain't worth

2:37:31.760 --> 2:37:34.560
<v Speaker 1>dying over. Like he was like, that's gonna take away

2:37:34.600 --> 2:37:38.560
<v Speaker 1>the value the shoe. I ain't doing that, ship doing that.

2:37:39.120 --> 2:37:41.160
<v Speaker 1>If I do I do that, I want to think

2:37:41.160 --> 2:37:44.240
<v Speaker 1>I'm gonna go down from a buck to sixty to forty.

2:37:44.320 --> 2:37:46.760
<v Speaker 1>I ain't doing that. But they like they're killing them.

2:37:46.800 --> 2:37:50.400
<v Speaker 1>They're killing each other over your sneakers. And he was like, nah,

2:37:51.200 --> 2:37:53.480
<v Speaker 1>it's gonna and I'm sure it probably wasn't him, it

2:37:53.560 --> 2:37:56.880
<v Speaker 1>was probably somebody. He was like, Bro, you can't do that.

2:37:57.560 --> 2:37:58.800
<v Speaker 2>A couple of bodies ain't shit.

2:37:59.440 --> 2:38:01.920
<v Speaker 1>And now when you look when we look at it

2:38:02.080 --> 2:38:04.480
<v Speaker 1>like what drill music was and all this shit was,

2:38:04.879 --> 2:38:07.280
<v Speaker 1>and we know who funds the drill movement, it ain't

2:38:07.280 --> 2:38:09.280
<v Speaker 1>these kids. They don't got the money to push records.

2:38:09.320 --> 2:38:11.440
<v Speaker 1>We know that. We know who push the buttons or

2:38:11.480 --> 2:38:14.800
<v Speaker 1>the platform order platform. They don't have that. So you

2:38:15.000 --> 2:38:17.160
<v Speaker 1>when we see all the negativity that come back to

2:38:18.000 --> 2:38:21.080
<v Speaker 1>self destruction to our community, even with the young ladies,

2:38:21.160 --> 2:38:24.520
<v Speaker 1>with the females, how they all hyper sexual and all

2:38:24.560 --> 2:38:26.959
<v Speaker 1>that shit. I got two daughters, Bro, I'll be looking

2:38:27.000 --> 2:38:28.959
<v Speaker 1>at that shit like Yo, y'all need relaxed.

2:38:29.040 --> 2:38:30.480
<v Speaker 2>Y'all got to relax with this shit.

2:38:30.360 --> 2:38:34.920
<v Speaker 1>Because y'all are the Unfortunately, rappers have become all leaders. Bro.

2:38:35.760 --> 2:38:38.360
<v Speaker 1>It's unfortunate, but it's real. Who else do we look

2:38:38.440 --> 2:38:41.920
<v Speaker 1>up to like? We look up to like rappers, not

2:38:42.040 --> 2:38:45.360
<v Speaker 1>even athletes. Athletes look up to rappers. Everybody looks up

2:38:45.400 --> 2:38:48.480
<v Speaker 1>to hit the hip hop gods, everybody. Jay Z's the

2:38:48.560 --> 2:38:51.040
<v Speaker 1>top of the food chain when it comes to black culture.

2:38:52.200 --> 2:38:55.720
<v Speaker 1>If you ask people, yo Arralcun's here, jay Z's here.

2:38:55.720 --> 2:38:59.119
<v Speaker 1>Where they gonna be at? You only gonna have both

2:38:59.200 --> 2:39:02.120
<v Speaker 1>ties a weird. Anybody else is over there and he's

2:39:02.200 --> 2:39:04.880
<v Speaker 1>and he's J's a rapper. So we have to we

2:39:05.080 --> 2:39:07.720
<v Speaker 1>hold that responsibility, and a lot of people don't want

2:39:07.720 --> 2:39:09.200
<v Speaker 1>to hold it. That's why when you talk about four

2:39:09.240 --> 2:39:12.240
<v Speaker 1>four four, you hear a growthriend jay Ship telling niggas,

2:39:12.440 --> 2:39:15.160
<v Speaker 1>I could have bought a building for two Dumbo. Now

2:39:15.240 --> 2:39:20.240
<v Speaker 1>the building Dumbo like telling you be financially responsible to

2:39:20.320 --> 2:39:23.720
<v Speaker 1>all of this ship and they don't care if we

2:39:23.959 --> 2:39:25.760
<v Speaker 1>if our kids get that or not. They don't give

2:39:25.800 --> 2:39:28.240
<v Speaker 1>a ship. They want whatever it's gonna sound so not

2:39:28.440 --> 2:39:31.480
<v Speaker 1>not to be long window. But yeah, that's let's let's

2:39:31.480 --> 2:39:34.840
<v Speaker 1>get into weld Weshes. That's a song telling everybody that

2:39:35.160 --> 2:39:37.400
<v Speaker 1>want to see you lose and hate yo, even though

2:39:37.840 --> 2:39:39.440
<v Speaker 1>you want to see me fucked up, I want to

2:39:39.440 --> 2:39:44.240
<v Speaker 1>see you. Yeah, yeah, it's fix help you. It was

2:39:44.280 --> 2:39:46.560
<v Speaker 1>like a hated nigga that like and you you know,

2:39:46.800 --> 2:39:48.760
<v Speaker 1>you know what, son, it's sad that you want to

2:39:48.800 --> 2:39:51.200
<v Speaker 1>see me fuck up because if it was up to me,

2:39:51.680 --> 2:39:53.040
<v Speaker 1>you be in my shoes, right.

2:39:54.840 --> 2:39:59.039
<v Speaker 2>You know what I'm saying, Meet Raymond Riches.

2:40:03.280 --> 2:40:05.400
<v Speaker 1>It's really it's really the guy who's trying to get

2:40:05.480 --> 2:40:09.080
<v Speaker 1>motherfuckers be like, come on, man, it's the soul seal nigga,

2:40:10.440 --> 2:40:13.600
<v Speaker 1>Like you want fame and Riches fuck with me, bro, like,

2:40:14.200 --> 2:40:16.360
<v Speaker 1>look at these other niggas you gotta It comes to

2:40:16.400 --> 2:40:19.360
<v Speaker 1>the point right where your integrity got got to kick

2:40:19.400 --> 2:40:22.800
<v Speaker 1>in in some stage because they said that pimper sell

2:40:22.879 --> 2:40:26.480
<v Speaker 1>his own ass if the whole ain't making no money real,

2:40:26.720 --> 2:40:28.760
<v Speaker 1>So you got actually said, who am I in this situation?

2:40:29.480 --> 2:40:31.600
<v Speaker 1>I'm not a pimp all hole, I'm I'm a leader,

2:40:31.680 --> 2:40:33.560
<v Speaker 1>I'm a black man. I'm like, y'all not gonna get

2:40:33.560 --> 2:40:35.640
<v Speaker 1>me in this situation where I feel like I got

2:40:35.680 --> 2:40:38.080
<v Speaker 1>bend over because I want a nice call. I want

2:40:38.120 --> 2:40:39.480
<v Speaker 1>to I want to keep up with the Joneses. I

2:40:39.520 --> 2:40:42.120
<v Speaker 1>remember going to Germany for the first time, Like I said,

2:40:42.120 --> 2:40:44.840
<v Speaker 1>I love traveling, and I noticed all the calves with

2:40:44.959 --> 2:40:48.600
<v Speaker 1>five hundreds every day, every call was a business. So

2:40:48.680 --> 2:40:51.920
<v Speaker 1>I'm like, we be over here dying, selling drugs, willing

2:40:52.000 --> 2:40:59.959
<v Speaker 1>to out there, and I'm like, we're down for the ship.

2:41:00.360 --> 2:41:03.520
<v Speaker 1>We be out here and selling drugs, robbing, doing everything.

2:41:03.600 --> 2:41:06.760
<v Speaker 1>The fucking driver some ship that it's just a materialism

2:41:07.720 --> 2:41:09.920
<v Speaker 1>and they got us fucked up with that ship. So

2:41:10.240 --> 2:41:12.880
<v Speaker 1>that that was one of them things like bro, find

2:41:13.040 --> 2:41:16.160
<v Speaker 1>find something to lift the stand to stand on as

2:41:16.200 --> 2:41:18.800
<v Speaker 1>a man, because once you find a purpose, a lot

2:41:18.840 --> 2:41:19.480
<v Speaker 1>of us don't.

2:41:19.320 --> 2:41:19.840
<v Speaker 2>Know our purpose.

2:41:19.840 --> 2:41:22.360
<v Speaker 1>Shit. Once you find your purpose, your life is going

2:41:22.440 --> 2:41:24.160
<v Speaker 1>to open up. All the doors in your life gonna

2:41:24.160 --> 2:41:27.320
<v Speaker 1>open up. I got a purpose to be here. Who's

2:41:27.360 --> 2:41:28.680
<v Speaker 1>for the young? For the young?

2:41:28.800 --> 2:41:32.960
<v Speaker 2>Another one like it speaks to the kids.

2:41:33.000 --> 2:41:33.160
<v Speaker 13>Man.

2:41:33.280 --> 2:41:36.120
<v Speaker 1>You know they always say this is a young man's game, right,

2:41:36.240 --> 2:41:38.640
<v Speaker 1>So who's us as elders? What are we teaching the

2:41:38.680 --> 2:41:39.160
<v Speaker 1>young people?

2:41:39.879 --> 2:41:40.280
<v Speaker 2>We can't.

2:41:40.520 --> 2:41:42.959
<v Speaker 1>It's a young man's game. But we have a responsibility

2:41:43.120 --> 2:41:46.119
<v Speaker 1>as that. If I'm a parent, I ain't gonna tell

2:41:46.160 --> 2:41:49.039
<v Speaker 1>my kyo feed yourself now you will be having for dinner. Nigga,

2:41:49.040 --> 2:41:52.400
<v Speaker 1>you figure it out. I got it. I gotta make

2:41:52.440 --> 2:41:55.200
<v Speaker 1>sure you get the nutrient eating the full healthy food

2:41:55.200 --> 2:41:58.640
<v Speaker 1>groups so he can grow big and strong. We we

2:41:59.080 --> 2:42:01.280
<v Speaker 1>these are our babies. We shun our babies.

2:42:02.120 --> 2:42:02.920
<v Speaker 2>I ain't fucking with that.

2:42:03.040 --> 2:42:03.800
<v Speaker 1>We ain't fucking with that.

2:42:04.000 --> 2:42:05.440
<v Speaker 2>Like, go go figure out on your own.

2:42:05.640 --> 2:42:07.520
<v Speaker 1>So when they do, when they all in disarray and

2:42:07.640 --> 2:42:10.200
<v Speaker 1>fucked up, and and the only niggas around is the

2:42:10.280 --> 2:42:12.760
<v Speaker 1>old ges, who's trying to do negative shit? Yeah, we

2:42:12.840 --> 2:42:14.920
<v Speaker 1>got to look at ourselves at some point. That's why

2:42:14.920 --> 2:42:17.240
<v Speaker 1>I'm saying, who's for the young ones? Who's for the babies?

2:42:17.800 --> 2:42:20.400
<v Speaker 1>But it ain't us and who because we are the elders,

2:42:20.480 --> 2:42:24.560
<v Speaker 1>we're the elder statesmans of our community. Yeah, my child,

2:42:26.160 --> 2:42:29.080
<v Speaker 1>it's me talking to God again, like saying, please don't

2:42:29.160 --> 2:42:29.959
<v Speaker 1>let my child go.

2:42:30.040 --> 2:42:30.440
<v Speaker 2>Through the ship.

2:42:30.520 --> 2:42:32.840
<v Speaker 1>I went through, and I want my son going out,

2:42:32.879 --> 2:42:36.119
<v Speaker 1>a fourteen year old son right now, and I'll think

2:42:36.160 --> 2:42:38.480
<v Speaker 1>of myself at fourteen. I think of you and you fourteen,

2:42:38.800 --> 2:42:41.160
<v Speaker 1>we came through up through high Land and try on

2:42:41.320 --> 2:42:45.360
<v Speaker 1>Dfy and we was we was getting we was getting there,

2:42:45.440 --> 2:42:48.080
<v Speaker 1>was already prepping us for prison when we was twelve

2:42:48.160 --> 2:42:50.320
<v Speaker 1>thirteen years old. Right. So by the time when you

2:42:50.400 --> 2:42:52.959
<v Speaker 1>go through Dfy, by the time you make it up north, nigga.

2:42:52.680 --> 2:42:53.720
<v Speaker 2>That shit is cake walk.

2:42:54.000 --> 2:42:56.720
<v Speaker 1>First you know how to big First we go through Falfort.

2:42:56.800 --> 2:43:02.279
<v Speaker 1>Did they send you try on a high land Pullum Valley?

2:43:02.360 --> 2:43:04.920
<v Speaker 2>And then next thing you know, you're in the big house.

2:43:05.200 --> 2:43:06.280
<v Speaker 2>But you feel like ship.

2:43:06.400 --> 2:43:09.120
<v Speaker 1>This is just a graduation, like going from high school

2:43:09.120 --> 2:43:11.280
<v Speaker 1>to prison, going from d f our. So you go

2:43:11.360 --> 2:43:12.960
<v Speaker 1>in there, you see other d f Y kids and

2:43:13.000 --> 2:43:15.879
<v Speaker 1>ship you've been yo, son, what up? Some wh y'all

2:43:16.000 --> 2:43:18.520
<v Speaker 1>were smoking weed, we cutting niggas And the ship is like, damn,

2:43:18.680 --> 2:43:21.320
<v Speaker 1>this ship is like normal to us. And I'm looking

2:43:21.360 --> 2:43:23.680
<v Speaker 1>at my son now, I couldn't fathom my son being

2:43:23.680 --> 2:43:25.520
<v Speaker 1>in no green or kaksaking yard.

2:43:25.840 --> 2:43:27.119
<v Speaker 2>He wouldn't know what the fucking.

2:43:26.959 --> 2:43:31.320
<v Speaker 1>Dude that like, that's a good thing.

2:43:32.160 --> 2:43:40.119
<v Speaker 2>Gatat a great thing. Thank y'all for this again.

2:43:40.200 --> 2:43:42.600
<v Speaker 1>Man, this ship is big to me. What you were saying,

2:43:42.920 --> 2:43:45.920
<v Speaker 1>what you're saying, Nah, I said that changes like the

2:43:46.680 --> 2:43:50.400
<v Speaker 1>the tables turns from when we was young and like

2:43:50.560 --> 2:43:55.119
<v Speaker 1>we've grown and it's like what we want for the kids.

2:43:55.160 --> 2:43:57.920
<v Speaker 1>It's like to do their thing, and it's like it's happening.

2:43:58.680 --> 2:44:03.160
<v Speaker 1>You know, these kids are smart waists. The thing with

2:44:03.320 --> 2:44:05.680
<v Speaker 1>technology that they have. That's why I got so many

2:44:05.720 --> 2:44:08.400
<v Speaker 1>young millionaires. These kids are making so much. When you

2:44:08.520 --> 2:44:10.640
<v Speaker 1>got a guy like Constant and see how much money

2:44:10.640 --> 2:44:11.400
<v Speaker 1>he's making. Pick up.

2:44:11.959 --> 2:44:16.320
<v Speaker 2>Yeah, and he's positive.

2:44:16.440 --> 2:44:17.080
<v Speaker 1>He's positive.

2:44:17.160 --> 2:44:18.400
<v Speaker 2>Yeah, he's a very part.

2:44:18.480 --> 2:44:20.480
<v Speaker 1>He's a good Like if my son looked up to him,

2:44:20.480 --> 2:44:23.080
<v Speaker 1>I'd be happy, like because you know he's a young kid.

2:44:23.160 --> 2:44:26.280
<v Speaker 1>He's while a off guard. But other than that, Oh yeah,

2:44:27.600 --> 2:44:32.600
<v Speaker 1>that's funny. What was that nigga? They know what came

2:44:32.640 --> 2:44:37.120
<v Speaker 1>through my Yeah, he came through Miami. Shut out to

2:44:37.200 --> 2:44:39.640
<v Speaker 1>him as well, shout out. I like that kid. See,

2:44:39.640 --> 2:44:42.400
<v Speaker 1>I don't even know this kid, but he's he'll rases anybody.

2:44:42.560 --> 2:44:45.760
<v Speaker 1>Motherfucker clowmb tree like any this nigga do eighty five

2:44:45.879 --> 2:44:49.720
<v Speaker 1>backflips in the road. I'm like, this little athletic motherfucker's cool,

2:44:49.800 --> 2:44:52.320
<v Speaker 1>bro and and and they got to bring the audience

2:44:52.360 --> 2:44:56.480
<v Speaker 1>with them. Let's go with no like, no witness witness

2:44:56.600 --> 2:44:58.800
<v Speaker 1>Me and my man Benny the Butcher. That's like I

2:44:58.920 --> 2:45:02.039
<v Speaker 1>kind of bought Bennie in the dang outside of Griselda.

2:45:02.160 --> 2:45:02.920
<v Speaker 2>His cousins in them.

2:45:02.959 --> 2:45:07.480
<v Speaker 1>But Benny was the first person that his first radio interview.

2:45:07.600 --> 2:45:10.280
<v Speaker 1>I sent him to see Static Selected. He came, my

2:45:10.400 --> 2:45:12.360
<v Speaker 1>man brought him. My man was up north with him.

2:45:12.760 --> 2:45:14.480
<v Speaker 1>I got this kid from Buffalo, and I remember them

2:45:14.480 --> 2:45:16.760
<v Speaker 1>Buffalo niggas up north was nice. So I'm like, he's

2:45:16.760 --> 2:45:20.720
<v Speaker 1>from Buffalo. I want to hear him usually like I

2:45:20.720 --> 2:45:23.680
<v Speaker 1>don't Buffalo nigga. I'm like, we hear this nigga because

2:45:23.680 --> 2:45:25.840
<v Speaker 1>I know if the niggas was getting busy. So I'm like,

2:45:26.280 --> 2:45:27.840
<v Speaker 1>so he brought him. He's like, his name is Benny.

2:45:27.959 --> 2:45:30.320
<v Speaker 1>It was just best ever in New York. That's what

2:45:30.440 --> 2:45:33.160
<v Speaker 1>his name still for fort Bennie the Butcher. It was

2:45:33.240 --> 2:45:37.640
<v Speaker 1>best ever in New York. And then why so I

2:45:37.760 --> 2:45:39.640
<v Speaker 1>met him and I heard him rap, I said, yo,

2:45:39.680 --> 2:45:41.480
<v Speaker 1>I got I called Stack Selected. I said, y'all, I

2:45:41.520 --> 2:45:44.640
<v Speaker 1>just met this kid. And because Static like people come

2:45:44.720 --> 2:45:46.520
<v Speaker 1>up on his radio show on rap, I said, you

2:45:46.600 --> 2:45:48.800
<v Speaker 1>got to have him up here. Static was like, what's

2:45:48.840 --> 2:45:51.640
<v Speaker 1>his name? I'm like Benny. He's like a nigga named Benny.

2:45:52.320 --> 2:45:55.120
<v Speaker 1>Fucking with it. I'm like, trust me, Static, this nigga's

2:45:55.120 --> 2:46:03.880
<v Speaker 1>going say nigga Okay, no, no, I mean that's another

2:46:03.959 --> 2:46:04.959
<v Speaker 1>one of my brothers. Man.

2:46:05.000 --> 2:46:07.160
<v Speaker 2>Static is a real and uh yeah.

2:46:07.160 --> 2:46:08.720
<v Speaker 1>And I sent him up there and he went up

2:46:08.760 --> 2:46:10.640
<v Speaker 1>there and did what he did and from that and

2:46:10.760 --> 2:46:13.000
<v Speaker 1>then when when he got when he got with his

2:46:13.080 --> 2:46:16.920
<v Speaker 1>cousin who started Griselda already, and I watched his career flourish,

2:46:17.000 --> 2:46:19.240
<v Speaker 1>I was so proud, like I wasn't being a West

2:46:19.280 --> 2:46:21.080
<v Speaker 1>Side gun. Yeah, west my gun. I was like, yoah,

2:46:21.080 --> 2:46:23.880
<v Speaker 1>I knew it because you saw it was about It

2:46:23.959 --> 2:46:26.840
<v Speaker 1>was about a skill set. It wasn't about no can make.

2:46:27.000 --> 2:46:29.440
<v Speaker 1>He ain't have a fancy shirt on and no ship

2:46:29.520 --> 2:46:32.360
<v Speaker 1>like that. The niggas just correct, right, you know what

2:46:32.360 --> 2:46:35.600
<v Speaker 1>I'm saying. He could rap man, Yeah, Bennie rappers as

2:46:35.720 --> 2:46:39.600
<v Speaker 1>on all of the niggasrap Conway, Conway Room Street, all

2:46:39.640 --> 2:46:43.320
<v Speaker 1>of niggas is beast. You know. Ransom ran Rans on

2:46:43.400 --> 2:46:47.920
<v Speaker 1>album like he's a total beast. Ran Bennet beast since

2:46:48.040 --> 2:46:50.800
<v Speaker 1>since ran in Hitchcock, like when when KLU had them.

2:46:51.640 --> 2:46:53.600
<v Speaker 1>A lot of these guys get their second win, and

2:46:53.680 --> 2:46:56.800
<v Speaker 1>I love seeing that because Bennie's first ten to talk

2:46:56.920 --> 2:46:59.880
<v Speaker 1>to was in two thousand and four. That's what my friend.

2:47:00.160 --> 2:47:02.040
<v Speaker 1>That's how long this kid. I found out he was

2:47:02.120 --> 2:47:03.760
<v Speaker 1>rapping for that loan. I'm like, yo, you had a

2:47:03.840 --> 2:47:07.440
<v Speaker 1>mixtape in oh four twenty something years ago. Wow, that's

2:47:07.520 --> 2:47:09.760
<v Speaker 1>like when my first mixtape came out. He was like, yeah,

2:47:09.840 --> 2:47:11.880
<v Speaker 1>but I was in Buffalo. So now niggas in the

2:47:11.920 --> 2:47:13.640
<v Speaker 1>city wasn't hereing us, you know what I'm saying. But

2:47:13.720 --> 2:47:16.240
<v Speaker 1>in Buffalo I was killing shit. I was like, dn,

2:47:16.520 --> 2:47:20.600
<v Speaker 1>those come to assistency, perseverance, like it's gonna get the show.

2:47:20.879 --> 2:47:23.440
<v Speaker 1>Let's go to two thousand and now that's just some

2:47:23.560 --> 2:47:30.040
<v Speaker 1>hip hop said so explaining the story, Yeah, because because

2:47:30.040 --> 2:47:31.920
<v Speaker 1>it was timeless because we did it so long ago.

2:47:32.480 --> 2:47:34.320
<v Speaker 2>And Q Tip said, never say the year?

2:47:34.680 --> 2:47:35.280
<v Speaker 1>What song is that?

2:47:35.360 --> 2:47:35.400
<v Speaker 7>On?

2:47:36.080 --> 2:47:38.240
<v Speaker 2>Q Tipp be like, never say the year? Like, don't

2:47:38.280 --> 2:47:38.760
<v Speaker 2>say the year?

2:47:39.040 --> 2:47:41.360
<v Speaker 1>Did you in? I forgot the name of the song?

2:47:42.200 --> 2:47:43.960
<v Speaker 1>You know, you guy of going on one of them

2:47:44.000 --> 2:47:45.920
<v Speaker 1>tribe albums. He says, never say the year in your

2:47:45.959 --> 2:47:49.720
<v Speaker 1>songs because you dated dated dating it. So I was like,

2:47:49.920 --> 2:47:53.440
<v Speaker 1>but it's too loud now people like now the press

2:47:53.440 --> 2:47:59.440
<v Speaker 1>thing the album is new, like you know yourself was like, yo,

2:47:59.800 --> 2:48:02.120
<v Speaker 1>it's it's a new album. It's like and it's actually

2:48:02.320 --> 2:48:06.160
<v Speaker 1>kind of old, but it's like it got it's got

2:48:06.200 --> 2:48:10.120
<v Speaker 1>its repetition, you know, stand power. I was even debating

2:48:10.160 --> 2:48:11.760
<v Speaker 1>with the fact that should I tell people that we

2:48:11.840 --> 2:48:13.600
<v Speaker 1>did it that long ago or should I just let

2:48:13.680 --> 2:48:16.160
<v Speaker 1>them assume. But to me, it's kind of like a

2:48:16.280 --> 2:48:19.400
<v Speaker 1>testament and how music has stay in power. I could

2:48:19.520 --> 2:48:22.280
<v Speaker 1>go listen to certain albums and certain music, not just

2:48:22.360 --> 2:48:25.200
<v Speaker 1>hip hop, from any genre, and it's the feeling. I

2:48:25.240 --> 2:48:27.440
<v Speaker 1>get a feeling, and once I could, I could like

2:48:27.560 --> 2:48:29.640
<v Speaker 1>some and I could feel something. It's two different ships.

2:48:29.720 --> 2:48:31.840
<v Speaker 1>I I like this ship, I don't feel it. I

2:48:32.000 --> 2:48:33.520
<v Speaker 1>like it, but I don't feel it like they ship.

2:48:33.640 --> 2:48:35.880
<v Speaker 1>Like I said when I went to put myself in

2:48:36.040 --> 2:48:38.680
<v Speaker 1>danger to go here t o and why that's because

2:48:38.720 --> 2:48:43.480
<v Speaker 1>whenever that's don't come on right now. But I feel like,

2:48:43.600 --> 2:48:49.200
<v Speaker 1>oh my god, either crop going to fucking out, I'm

2:48:49.280 --> 2:48:51.800
<v Speaker 1>chilling or about to go do some dumb ship and

2:48:51.879 --> 2:48:56.440
<v Speaker 1>it's just that feeling, and it's a feeling you get.

2:48:56.959 --> 2:48:59.120
<v Speaker 1>That's that's why when you talk about mad that go

2:48:59.360 --> 2:49:03.920
<v Speaker 1>ready to die, it's that's the power of music. Man music.

2:49:04.120 --> 2:49:06.200
<v Speaker 2>Yeah, okay, let's think it's a toxic glove.

2:49:06.680 --> 2:49:08.720
<v Speaker 1>That's That's one of my favorite songs on the album,

2:49:08.720 --> 2:49:11.760
<v Speaker 1>because I think we've all been in one situations where

2:49:12.280 --> 2:49:14.720
<v Speaker 1>the sex is keeping us around longer than we should be. There.

2:49:15.200 --> 2:49:17.920
<v Speaker 1>I know you're married, man, so you it's probably like

2:49:18.000 --> 2:49:22.320
<v Speaker 1>before yeah, before that, married anybody like you know what,

2:49:22.640 --> 2:49:25.600
<v Speaker 1>you know what with a good box and like damn,

2:49:26.200 --> 2:49:28.640
<v Speaker 1>I said, and you know she likes she might like you,

2:49:28.840 --> 2:49:31.480
<v Speaker 1>she wants more than that, So you're gonna play the

2:49:31.560 --> 2:49:33.680
<v Speaker 1>game just to get the box. So for that week,

2:49:33.720 --> 2:49:36.160
<v Speaker 1>you're gonna pretend like you like this bitch, like how

2:49:36.200 --> 2:49:38.280
<v Speaker 1>you been Shorty. She's like happy to hear from you,

2:49:38.680 --> 2:49:40.680
<v Speaker 1>and you know you're playing and just the fuck it,

2:49:41.040 --> 2:49:43.160
<v Speaker 1>you fuck you probably won't call again for three months.

2:49:43.560 --> 2:49:46.200
<v Speaker 1>So I'm like, so the whole shit is like, all right,

2:49:46.480 --> 2:49:49.000
<v Speaker 1>let's Shorty go find a good nigga bro. Don't be

2:49:49.120 --> 2:49:52.680
<v Speaker 1>that toxic nigga bro. So it's more so about us.

2:49:53.040 --> 2:49:57.240
<v Speaker 1>So it's the man that's toxic, all right. So one

2:49:57.400 --> 2:50:02.199
<v Speaker 1>eighty seven point four FM DJ Titty touch let's a skit.

2:50:02.720 --> 2:50:04.840
<v Speaker 2>Yeah, that's on my first album.

2:50:04.879 --> 2:50:08.120
<v Speaker 1>We uh, we played off doctor dre and which is

2:50:08.280 --> 2:50:11.560
<v Speaker 1>just I did DJ t titty touching. That's his ripe

2:50:11.640 --> 2:50:15.640
<v Speaker 1>Easy Dick, that's his right hand man, and mom DJ

2:50:15.800 --> 2:50:18.879
<v Speaker 1>titt like. So we just played off that to keep

2:50:18.879 --> 2:50:22.400
<v Speaker 1>the continuity of the album with Johnson, the album with

2:50:22.520 --> 2:50:25.000
<v Speaker 1>Buck Okay being necessities.

2:50:25.520 --> 2:50:26.440
<v Speaker 2>I love that song too.

2:50:26.680 --> 2:50:28.640
<v Speaker 1>It's just saying we don't need as much as we

2:50:28.720 --> 2:50:30.920
<v Speaker 1>think we do a lot of this gluttony ship. What

2:50:31.080 --> 2:50:32.640
<v Speaker 1>the fuck is it they gonna do with a hundred

2:50:32.640 --> 2:50:35.039
<v Speaker 1>million dollars? Like that ship is a lot of money. Man.

2:50:35.240 --> 2:50:35.640
<v Speaker 1>I wanted.

2:50:36.160 --> 2:50:38.560
<v Speaker 2>I wanted to, but I probably give it, right, I probably.

2:50:38.280 --> 2:50:38.760
<v Speaker 1>Give it away.

2:50:38.840 --> 2:50:39.760
<v Speaker 2>I probably give it away.

2:50:41.360 --> 2:50:43.360
<v Speaker 1>They don't need it, but I probably give it away, bro,

2:50:43.760 --> 2:50:47.040
<v Speaker 1>because after you you don't drove every call, like you said,

2:50:47.080 --> 2:50:47.560
<v Speaker 1>what else is it?

2:50:47.800 --> 2:50:50.960
<v Speaker 2>You don't drove every car? I got a lot more

2:50:51.080 --> 2:50:51.520
<v Speaker 2>work to do.

2:50:57.200 --> 2:50:59.280
<v Speaker 1>But Gotti, you know what that car gonna do is

2:50:59.280 --> 2:51:01.960
<v Speaker 1>gonna get you to eighty be bro, exactly the same

2:51:02.240 --> 2:51:04.560
<v Speaker 1>that can't read up exactly. It just looked nice.

2:51:04.720 --> 2:51:06.040
<v Speaker 7>You know what.

2:51:06.120 --> 2:51:09.800
<v Speaker 1>I noticed? It was a guy I believe he was accounting,

2:51:11.520 --> 2:51:14.080
<v Speaker 1>and he said he has to stop buying gifts for

2:51:14.240 --> 2:51:19.640
<v Speaker 1>his rewards because that's deep. Like so every time you

2:51:19.760 --> 2:51:22.600
<v Speaker 1>you you win here by something, you buy yourself again

2:51:22.680 --> 2:51:25.800
<v Speaker 1>and again. He's like, he's like he spoiled himself so

2:51:26.080 --> 2:51:29.200
<v Speaker 1>much that it wasn't about the work, it's about to

2:51:29.240 --> 2:51:31.400
<v Speaker 1>get gas. And I was just like it was. I

2:51:31.400 --> 2:51:33.400
<v Speaker 1>don't know if you ever see them horder shows where

2:51:33.400 --> 2:51:36.880
<v Speaker 1>people just keep crazy, people become horders of money, like

2:51:36.959 --> 2:51:39.200
<v Speaker 1>they don't have no purpose to why they have it.

2:51:39.280 --> 2:51:40.280
<v Speaker 1>They just want a bunch of it.

2:51:40.400 --> 2:51:41.880
<v Speaker 3>I mean, you got to think, what can what can

2:51:41.959 --> 2:51:44.120
<v Speaker 3>you do with a billion dollars or not exactly bro

2:51:44.440 --> 2:51:46.760
<v Speaker 3>the fun there's countries that don't even have them.

2:51:47.400 --> 2:51:50.400
<v Speaker 1>Exactly whole country. Why do you need this kind of

2:51:50.480 --> 2:51:51.040
<v Speaker 1>money for what?

2:51:52.000 --> 2:51:53.000
<v Speaker 2>And then you don't do shit?

2:51:53.240 --> 2:51:55.160
<v Speaker 1>I need a lot of them. I need to find

2:51:55.200 --> 2:51:58.320
<v Speaker 1>out why that we needed. But what are you willing

2:51:58.400 --> 2:52:02.520
<v Speaker 1>to do? What you will? That's the thing. What do

2:52:02.600 --> 2:52:06.240
<v Speaker 1>you will? Are you willing to im not not even

2:52:06.280 --> 2:52:07.360
<v Speaker 1>no crazy ship? Yeah? Yeah?

2:52:07.640 --> 2:52:09.680
<v Speaker 2>Are you willing to say funk?

2:52:09.760 --> 2:52:12.680
<v Speaker 1>What what's gonna hinder me from getting that even though

2:52:12.680 --> 2:52:15.040
<v Speaker 1>it's the right thing to do, like spearing up and

2:52:15.200 --> 2:52:18.000
<v Speaker 1>saying certain things, especially when you have a voice. So

2:52:18.360 --> 2:52:21.280
<v Speaker 1>that's why they call these kids influencers. Now, oh he's

2:52:21.320 --> 2:52:23.560
<v Speaker 1>an influencer. He got this many followers. You got a

2:52:23.640 --> 2:52:26.560
<v Speaker 1>million followers, he's an influencer. Think about a rapper who

2:52:27.280 --> 2:52:30.360
<v Speaker 1>a hundred million people love and look up to your influence,

2:52:30.400 --> 2:52:34.160
<v Speaker 1>your influencer or steroids nigga. So whatever you tell people

2:52:34.240 --> 2:52:36.800
<v Speaker 1>to do, they're gonna do it. Tell you something and

2:52:36.840 --> 2:52:40.160
<v Speaker 1>I'm glad you bring that up. The other day, you know,

2:52:40.360 --> 2:52:45.960
<v Speaker 1>you follow your algorithms, and I'm what one point one

2:52:46.000 --> 2:52:51.480
<v Speaker 1>point something million. I saw three fucking females that never

2:52:51.600 --> 2:52:56.039
<v Speaker 1>did the worry for they never fast the square garden

2:52:56.240 --> 2:53:04.240
<v Speaker 1>nothing something like six million. They don't got looking at

2:53:04.280 --> 2:53:09.520
<v Speaker 1>the clicking on this ship. That's crazy. Three don't even talk.

2:53:10.000 --> 2:53:12.000
<v Speaker 1>That's what that matters at the end of the day.

2:53:14.600 --> 2:53:19.920
<v Speaker 1>Really got accola, Yeah, you did a lot in these

2:53:19.959 --> 2:53:21.720
<v Speaker 1>women to see me on the streets. She would look

2:53:21.720 --> 2:53:25.800
<v Speaker 1>at me like I ain't ship. Yeah, like you got

2:53:26.080 --> 2:53:30.880
<v Speaker 1>point six word, like that's real ship. Like they don't

2:53:30.920 --> 2:53:34.160
<v Speaker 1>even look at the numbers that numbers lie, though numbers

2:53:34.200 --> 2:53:37.400
<v Speaker 1>do lie. Dying never goes out of style, shouts and ransom.

2:53:38.160 --> 2:53:39.480
<v Speaker 1>You know what? You know what song I was trying

2:53:39.520 --> 2:53:44.600
<v Speaker 1>to channel when I made that song. Yeah, nobody, No, No,

2:53:44.720 --> 2:53:53.119
<v Speaker 1>it's close number little ghetto boyto just want the original

2:53:53.200 --> 2:53:55.280
<v Speaker 1>record what you want to do when you grow up?

2:53:55.800 --> 2:53:58.199
<v Speaker 1>So I'm like, damn because he's talking to the kids.

2:53:58.200 --> 2:54:00.840
<v Speaker 1>So I'm telling the young kid like, dying never goes

2:54:00.879 --> 2:54:04.600
<v Speaker 1>out of style, Like nigga, niggas, you could die like

2:54:05.320 --> 2:54:08.840
<v Speaker 1>that's one thing that's life and death. So if you think, Okay,

2:54:09.320 --> 2:54:11.280
<v Speaker 1>I'm gonna be out here in these streets and I'm

2:54:11.280 --> 2:54:16.280
<v Speaker 1>gonna end up somewhere and ultimately in life, nigga, you

2:54:16.520 --> 2:54:19.119
<v Speaker 1>probably gonna end up in that in a box, either

2:54:19.200 --> 2:54:21.520
<v Speaker 1>one of the either the pine box or the box

2:54:21.600 --> 2:54:24.240
<v Speaker 1>with the gates to put the balls in front of it,

2:54:24.640 --> 2:54:28.360
<v Speaker 1>because you set yourself up for failure and down. When

2:54:28.400 --> 2:54:30.120
<v Speaker 1>I say dying ever goes out of style, that means

2:54:30.160 --> 2:54:33.840
<v Speaker 1>to reap the grim reapers waiting he's collecting. You don't

2:54:33.840 --> 2:54:35.200
<v Speaker 1>care how much money you got, I don't care what

2:54:35.320 --> 2:54:38.320
<v Speaker 1>color you off. You play. If you play stupid games,

2:54:38.360 --> 2:54:40.560
<v Speaker 1>you're gonna win stupid ass prizes, and that's just how

2:54:40.600 --> 2:54:42.840
<v Speaker 1>the shit go. That's why a lot of these kids,

2:54:43.120 --> 2:54:46.000
<v Speaker 1>one thing, were talking about rappers dying. One thing, they all,

2:54:46.160 --> 2:54:48.160
<v Speaker 1>most of them, not all of them, but ninety five

2:54:48.200 --> 2:54:50.400
<v Speaker 1>percent of them had in commonedy. They was all in games.

2:54:50.760 --> 2:54:54.120
<v Speaker 1>They were all gang affiliated. See what I'm saying. When

2:54:54.160 --> 2:54:56.360
<v Speaker 1>you sign up for that shit, you signed when you

2:54:56.400 --> 2:54:58.240
<v Speaker 1>sign up to go to a gang. And this whole

2:54:58.240 --> 2:54:59.880
<v Speaker 1>shit is going on with the snitch and shit, right,

2:55:00.200 --> 2:55:03.440
<v Speaker 1>Lennoy from a time where if the nigga was a snitch, you're.

2:55:03.280 --> 2:55:05.600
<v Speaker 2>Supposed to handle that. You're supposed to handle bitness. He

2:55:05.600 --> 2:55:07.600
<v Speaker 2>didn't even just talk about it, Yo, this nigga.

2:55:07.440 --> 2:55:11.080
<v Speaker 1>Told and let him walk by. Snitches get stitches. You're

2:55:11.120 --> 2:55:13.320
<v Speaker 1>supposed to get with. You're supposed to be willing to risk.

2:55:13.400 --> 2:55:15.920
<v Speaker 1>If we're really playing my street rules, you're supposed to

2:55:15.920 --> 2:55:18.120
<v Speaker 1>be willing to risk your freedom to do something to

2:55:18.240 --> 2:55:20.360
<v Speaker 1>that guy because he's a snitch living that life. If

2:55:20.400 --> 2:55:22.280
<v Speaker 1>you live in that life, so don't you can't be

2:55:22.400 --> 2:55:24.480
<v Speaker 1>halfway with it. A nigga like he told and just

2:55:24.560 --> 2:55:26.840
<v Speaker 1>let him walk by? What do you don't know about

2:55:26.920 --> 2:55:31.160
<v Speaker 1>j ship? Like when it's like yo. He came in

2:55:31.240 --> 2:55:36.520
<v Speaker 1>the room and it's like yo, he with you like yo. Sorry,

2:55:37.480 --> 2:55:43.240
<v Speaker 1>that was the funniest. That was the funniest. Yeah said yo.

2:55:44.160 --> 2:55:56.560
<v Speaker 1>Nigga recoiled like that in the world that back.

2:55:57.800 --> 2:55:58.000
<v Speaker 3>You know.

2:55:58.760 --> 2:56:02.480
<v Speaker 1>Let's talk about the artificial love. Yeah, that's just a skit,

2:56:02.560 --> 2:56:04.959
<v Speaker 1>another skit and the right. I called it artificial love

2:56:05.000 --> 2:56:08.760
<v Speaker 1>because I used AI Hey. Yeah, yeah, yeah I did.

2:56:08.879 --> 2:56:11.640
<v Speaker 1>I used it AI skited to talk about what I

2:56:12.360 --> 2:56:14.440
<v Speaker 1>typed it them. But I use the AI voice because

2:56:14.440 --> 2:56:17.080
<v Speaker 1>the artificial is fake. I'm saying, all this love that

2:56:17.280 --> 2:56:19.600
<v Speaker 1>niggas is that that should be there. It's a lot

2:56:19.640 --> 2:56:21.680
<v Speaker 1>of fake. Like even with us in this industry, niggas

2:56:21.680 --> 2:56:24.440
<v Speaker 1>smile on your face, they'll hug you to that. Niggas

2:56:24.440 --> 2:56:26.520
<v Speaker 1>show you his back teeth and then you call the

2:56:26.600 --> 2:56:28.840
<v Speaker 1>nigga nigga. One thing about it. You know, I hit

2:56:28.920 --> 2:56:32.000
<v Speaker 1>you know real, be a real one. You know, even

2:56:32.080 --> 2:56:35.160
<v Speaker 1>even I don't like to reply hit me back some

2:56:35.280 --> 2:56:37.080
<v Speaker 1>of the I got you, I tell you I got

2:56:37.120 --> 2:56:39.480
<v Speaker 1>you something. But it's always going always gonna hit you back.

2:56:39.480 --> 2:56:41.680
<v Speaker 1>You always gonna let you know. I'm tapped in and

2:56:41.760 --> 2:56:45.000
<v Speaker 1>I'm sigying, I'm sighing like fucking hold one of the niggas,

2:56:45.080 --> 2:56:47.840
<v Speaker 1>but he could easily curb me, like fun this niggas.

2:56:48.080 --> 2:56:51.040
<v Speaker 1>But that's that's the real Real niggas do real things,

2:56:51.080 --> 2:56:53.360
<v Speaker 1>and that's one of the dealership be Ever said. That's

2:56:53.400 --> 2:56:55.000
<v Speaker 1>why I wish he would have had more time on

2:56:55.120 --> 2:56:55.480
<v Speaker 1>this earth.

2:56:56.600 --> 2:56:59.080
<v Speaker 2>Real niggas do real things. That's I used to love

2:56:59.120 --> 2:56:59.320
<v Speaker 2>with you.

2:56:59.480 --> 2:57:01.680
<v Speaker 1>Real niggas do real thing and not to use it

2:57:01.760 --> 2:57:03.880
<v Speaker 1>in but real people do real shit, you know what

2:57:03.879 --> 2:57:06.920
<v Speaker 1>I'm saying. So is there any love in the world

2:57:07.360 --> 2:57:09.280
<v Speaker 1>shout out to my boy my song like I had

2:57:09.320 --> 2:57:10.760
<v Speaker 1>to go to man, I just don't have to take

2:57:10.800 --> 2:57:14.120
<v Speaker 1>it to my song on some real black black man shit.

2:57:14.520 --> 2:57:15.880
<v Speaker 1>You know what I'm saying. This is a real It's

2:57:15.879 --> 2:57:17.520
<v Speaker 1>that's why I called Paint the World Black. I just

2:57:17.600 --> 2:57:20.080
<v Speaker 1>care about my people. I care about everybody. But I

2:57:20.160 --> 2:57:22.920
<v Speaker 1>think we need the most help because we haven't figured

2:57:22.920 --> 2:57:24.920
<v Speaker 1>it out yet. And all we've been through is the

2:57:25.000 --> 2:57:27.480
<v Speaker 1>people and we're still here. Yeah, we got we got

2:57:27.520 --> 2:57:31.240
<v Speaker 1>everything we need to be like like Asians, like Jews,

2:57:31.360 --> 2:57:33.160
<v Speaker 1>like build our own communities, and we.

2:57:33.240 --> 2:57:34.080
<v Speaker 2>Still got ghettos.

2:57:34.120 --> 2:57:36.959
<v Speaker 1>Bro in twenty twenty five that she doesn't make sense,

2:57:37.240 --> 2:57:39.880
<v Speaker 1>but has to have all these resources and we still

2:57:39.920 --> 2:57:42.480
<v Speaker 1>got ghettos, like we still I was, I was doing

2:57:42.560 --> 2:57:45.440
<v Speaker 1>some shit. This was just like twenty twenty two. So

2:57:45.560 --> 2:57:47.400
<v Speaker 1>I was doing some shit with my man Larry Meistrich

2:57:47.480 --> 2:57:49.600
<v Speaker 1>to do to produce belly and all that shit. So

2:57:49.720 --> 2:57:51.840
<v Speaker 1>he's a football coach as well, so he's like, Sanga

2:57:51.879 --> 2:57:53.879
<v Speaker 1>and the kids love you. I want you to come

2:57:54.120 --> 2:57:56.320
<v Speaker 1>with me and new work to come coach these kids

2:57:56.920 --> 2:57:59.840
<v Speaker 1>in football. You know I like football and shit. So

2:58:00.120 --> 2:58:02.440
<v Speaker 1>these we go on here coaching these kids. First of all,

2:58:02.520 --> 2:58:04.520
<v Speaker 1>they walk past gang members every day. We got to

2:58:04.560 --> 2:58:07.800
<v Speaker 1>stop gang members from fucking trying to recruit these niggas

2:58:07.959 --> 2:58:10.160
<v Speaker 1>like Sun pick up a flag, you know what I'm saying.

2:58:10.640 --> 2:58:13.039
<v Speaker 1>So that's one thing. He's white, so he's he needs

2:58:13.120 --> 2:58:15.560
<v Speaker 1>me to be the blackface to be like yo, because

2:58:15.600 --> 2:58:17.200
<v Speaker 1>I could talk to Son and like, let the nigga

2:58:17.240 --> 2:58:18.920
<v Speaker 1>come to practice, bro, like stop trying to make the

2:58:19.000 --> 2:58:20.879
<v Speaker 1>nigga gang bang, and it'd be some of the bro

2:58:21.080 --> 2:58:23.200
<v Speaker 1>big brothers and all that ship to the point where

2:58:23.360 --> 2:58:24.360
<v Speaker 1>Newark is a tough town.

2:58:25.120 --> 2:58:26.360
<v Speaker 2>You like, you got to get it on with some

2:58:26.440 --> 2:58:26.960
<v Speaker 2>of these niggas.

2:58:27.000 --> 2:58:29.200
<v Speaker 1>I'm like, yo, fam, we just trying to do right now,

2:58:29.520 --> 2:58:32.800
<v Speaker 1>and I find myself in these situations, so what fuck

2:58:32.879 --> 2:58:33.120
<v Speaker 1>me up?

2:58:33.200 --> 2:58:34.160
<v Speaker 2>It's like, this is Newark.

2:58:34.280 --> 2:58:36.520
<v Speaker 1>Like shacks from Newark, clean up teams from Newark, not

2:58:36.640 --> 2:58:40.240
<v Speaker 1>the not the like put the light on them. But

2:58:40.480 --> 2:58:44.120
<v Speaker 1>the school had to forfeit games because they couldn't afford

2:58:44.200 --> 2:58:48.280
<v Speaker 1>the proper equipment to play against other schools that had up,

2:58:48.840 --> 2:58:52.040
<v Speaker 1>so they had to do coporate gamesrate corporate gangs. So

2:58:52.120 --> 2:58:56.640
<v Speaker 1>they had to forfeit their gag yeah, because the equipment

2:58:56.800 --> 2:58:59.120
<v Speaker 1>wasn't up to pall. So I'm like all of oh,

2:58:59.200 --> 2:59:01.560
<v Speaker 1>they had to cut the boy cut the I'm like, nah,

2:59:01.640 --> 2:59:03.960
<v Speaker 1>we don't need the we got we come together, we

2:59:04.080 --> 2:59:07.640
<v Speaker 1>got this. We can't afford fucking football uniforms for these

2:59:07.680 --> 2:59:11.560
<v Speaker 1>kids in twenty twenty three, twenty and in the schools

2:59:11.600 --> 2:59:13.080
<v Speaker 1>that they want to play, they want to play. These

2:59:13.160 --> 2:59:14.600
<v Speaker 1>kids want to get out the street, they want to

2:59:14.600 --> 2:59:16.840
<v Speaker 1>play football, but they got they can't even play. So

2:59:17.160 --> 2:59:19.199
<v Speaker 1>that's a deterrent that's gonna make you be like, fuck

2:59:19.240 --> 2:59:21.760
<v Speaker 1>the what's the point of me playing? We can't even play.

2:59:22.200 --> 2:59:23.960
<v Speaker 1>I'm nice and I can't even play because we can't

2:59:23.959 --> 2:59:26.640
<v Speaker 1>afford helmets. Fucking I'm gonna go join the cripts like

2:59:26.720 --> 2:59:29.160
<v Speaker 1>the ship is bugged out and we don't we don't

2:59:29.200 --> 2:59:31.800
<v Speaker 1>speak up enough as the people as a as a

2:59:32.240 --> 2:59:34.960
<v Speaker 1>I hate, just hate that word community because we ain't

2:59:34.959 --> 2:59:39.600
<v Speaker 1>got no unity. You can't say community without unity. So

2:59:39.760 --> 2:59:41.800
<v Speaker 1>you have unity, you don't have a community. That's just it.

2:59:43.000 --> 2:59:45.800
<v Speaker 1>The the Games got a WBGT, they got a community.

2:59:46.040 --> 2:59:48.080
<v Speaker 1>Fuck with them if you want to. The Jews got

2:59:48.160 --> 2:59:51.440
<v Speaker 1>a community. If everybody got a community, we call our

2:59:51.480 --> 2:59:54.119
<v Speaker 1>shit the hip hop community, the black community. We got neighborhoods.

2:59:54.160 --> 2:59:56.080
<v Speaker 1>We don't got communities. That's why we say the hood.

2:59:56.080 --> 2:59:58.360
<v Speaker 1>I'm from the hood. We don't say I'm from the community,

2:59:58.440 --> 3:00:01.200
<v Speaker 1>because nigga, you don't you beef. You shoot across street,

3:00:03.840 --> 3:00:07.400
<v Speaker 1>you live across street from you. How is that a community?

3:00:08.120 --> 3:00:11.080
<v Speaker 1>Would you ever do reality TV again? No? Never, never,

3:00:11.480 --> 3:00:14.160
<v Speaker 1>unless unless I can control the edit and tell what

3:00:14.280 --> 3:00:16.119
<v Speaker 1>I need and tell the story I want to tell.

3:00:16.640 --> 3:00:19.840
<v Speaker 1>I would never do that again because the edit we

3:00:20.000 --> 3:00:22.440
<v Speaker 1>have a different bottom line, there's a different like subject.

3:00:22.720 --> 3:00:25.080
<v Speaker 1>If it's like you speaking to the youth, I still

3:00:25.120 --> 3:00:28.480
<v Speaker 1>got to see the editcause because they if their goal

3:00:28.640 --> 3:00:32.000
<v Speaker 1>is going to be to give viewers, they're gonna use drama.

3:00:32.160 --> 3:00:34.640
<v Speaker 1>Somehow they're gonna make something dramatic. So what made what

3:00:34.720 --> 3:00:38.040
<v Speaker 1>made you start thinking like that? My experience? Yeah, Love

3:00:38.080 --> 3:00:38.520
<v Speaker 1>and hip Hop?

3:00:38.640 --> 3:00:44.400
<v Speaker 2>Because you know my baby moms relax. I'm sorry, cool

3:00:44.440 --> 3:00:48.560
<v Speaker 2>right now? Yeah, So what what makes you think like that?

3:00:49.400 --> 3:00:55.800
<v Speaker 1>I love this thigg though, you gotta relate. What made

3:00:55.800 --> 3:00:59.680
<v Speaker 1>you think like that? What experienced in Love and Hip Hop?

3:00:59.800 --> 3:01:02.120
<v Speaker 1>Like it was the edit? Because everything that they were

3:01:02.200 --> 3:01:04.640
<v Speaker 1>doing didn't actually happen, you know what I'm saying.

3:01:04.720 --> 3:01:07.119
<v Speaker 2>I'm like, oh yeah, I mean it was happened to Jenda.

3:01:07.120 --> 3:01:09.200
<v Speaker 1>Give me. Let me give you an example, like on

3:01:09.320 --> 3:01:13.120
<v Speaker 1>a reunion show. Right, there was a time where me

3:01:13.200 --> 3:01:15.880
<v Speaker 1>and hers trump We're both telling our side of the story,

3:01:16.879 --> 3:01:19.400
<v Speaker 1>and every time I would try to talk, she would

3:01:19.440 --> 3:01:22.560
<v Speaker 1>cut me off, yo, because she ain't want no dirt

3:01:22.640 --> 3:01:25.040
<v Speaker 1>on her name. So I'd be like, I don't hardly

3:01:25.120 --> 3:01:26.840
<v Speaker 1>know this girl. Me and this girl never been We

3:01:26.959 --> 3:01:28.480
<v Speaker 1>have a kid, but we never even we went to

3:01:28.560 --> 3:01:32.400
<v Speaker 1>dinner one time. I'm like, let me tell us. Every

3:01:32.440 --> 3:01:34.720
<v Speaker 1>time I try to tell a story, she'll cut me off.

3:01:34.800 --> 3:01:35.360
<v Speaker 2>She cut me off.

3:01:35.400 --> 3:01:37.600
<v Speaker 1>She cut me off, She cut me off, right, So

3:01:37.879 --> 3:01:40.960
<v Speaker 1>I'm like, cool, you keep cutting me off. I'm gonna

3:01:41.040 --> 3:01:43.920
<v Speaker 1>let you talk because you you must got more to say.

3:01:44.280 --> 3:01:47.200
<v Speaker 1>I'm not going to interrupt you. One time. I let

3:01:47.280 --> 3:01:49.560
<v Speaker 1>her speak. She sits there and tells her side of

3:01:49.640 --> 3:01:50.160
<v Speaker 1>our story.

3:01:50.840 --> 3:01:52.560
<v Speaker 2>I sit here and let her get all of it out.

3:01:52.840 --> 3:01:53.960
<v Speaker 2>So I said, can I talk now?

3:01:54.120 --> 3:01:57.000
<v Speaker 1>It's the reunion show. Can I speak now? She's like,

3:01:57.080 --> 3:01:59.240
<v Speaker 1>all I gots When I go to speak and tell

3:01:59.280 --> 3:02:02.200
<v Speaker 1>my side of the story, Erica, what about she cut

3:02:02.240 --> 3:02:04.800
<v Speaker 1>me a cook? So then I go, I get frustrated,

3:02:04.879 --> 3:02:07.240
<v Speaker 1>so I'm like, shut the funk, shut up, shut up,

3:02:07.320 --> 3:02:07.840
<v Speaker 1>let me talk.

3:02:08.280 --> 3:02:09.920
<v Speaker 2>When they aired it, that's.

3:02:11.320 --> 3:02:13.000
<v Speaker 1>Trying to say one word, and I was like, shut

3:02:13.080 --> 3:02:15.760
<v Speaker 1>the funk off. I was like, Yo, that's not when

3:02:15.760 --> 3:02:23.360
<v Speaker 1>I fucking happened, you know. I'm like, that's some likes

3:02:23.400 --> 3:02:26.199
<v Speaker 1>a piece of ship. I'm like, yo, this just showed

3:02:26.280 --> 3:02:28.160
<v Speaker 1>me trying to be like yo, can I get a

3:02:28.200 --> 3:02:31.120
<v Speaker 1>word in? Like that what happened? So when they aired it,

3:02:31.600 --> 3:02:33.440
<v Speaker 1>she went to talk and she was like a damnsel

3:02:33.480 --> 3:02:35.880
<v Speaker 1>and distress, like you know, when I be trying to

3:02:35.920 --> 3:02:40.520
<v Speaker 1>talk to shut the funk off, I look like going Stirling.

3:02:41.000 --> 3:02:45.640
<v Speaker 1>I'm like, oh hell no, I said I that was

3:02:45.720 --> 3:02:47.320
<v Speaker 1>just a re Union show. Did you feel that they

3:02:47.400 --> 3:02:50.000
<v Speaker 1>violated you on an actual show? Did they? Did they do?

3:02:50.400 --> 3:02:50.680
<v Speaker 1>You know what?

3:02:51.720 --> 3:02:53.600
<v Speaker 2>Yeah, because what happened was.

3:02:56.360 --> 3:02:59.119
<v Speaker 1>They was fucking me at first, but once they seen

3:02:59.200 --> 3:03:01.560
<v Speaker 1>that me and her, they were That's why Stevie J.

3:03:01.800 --> 3:03:03.640
<v Speaker 1>Was smart. He started saying, fuck it, I'm gonna play

3:03:03.680 --> 3:03:06.280
<v Speaker 1>the game. I'm gonna start making silly little faces and

3:03:06.600 --> 3:03:09.040
<v Speaker 1>I'm gonna be a womanizer. And niggas is womanizer. A

3:03:09.080 --> 3:03:12.040
<v Speaker 1>lot of niggas womanizers and they know that. But when

3:03:12.080 --> 3:03:15.199
<v Speaker 1>you put a womanizer on the show with a demographics

3:03:15.280 --> 3:03:18.199
<v Speaker 1>ninety seven percent women and watch that ship, we didn't

3:03:18.240 --> 3:03:20.119
<v Speaker 1>go home and run home and watch Loving hip hop.

3:03:20.200 --> 3:03:23.400
<v Speaker 1>It was girls females, So they like, oh, we could

3:03:23.440 --> 3:03:26.480
<v Speaker 1>make niggas look any kind of way, and you know

3:03:26.680 --> 3:03:27.520
<v Speaker 1>that's what they were doing.

3:03:27.680 --> 3:03:29.080
<v Speaker 2>Like, fuck, it is the opportunity.

3:03:29.080 --> 3:03:31.520
<v Speaker 1>It's gonna get us ratings, it's gonna make him look

3:03:31.600 --> 3:03:34.240
<v Speaker 1>like ship, it's gonna make the girl look good. Let's

3:03:34.240 --> 3:03:39.240
<v Speaker 1>do it. Yeah a formula. I love loving him, but

3:03:39.400 --> 3:03:43.320
<v Speaker 1>I know I love watching it still. Yeah, I haven't

3:03:43.360 --> 3:03:46.200
<v Speaker 1>been watching the news. Yeah, they got like loving hip hop.

3:03:46.280 --> 3:03:49.280
<v Speaker 1>Ohio over there like all kind of shit. I want

3:03:49.320 --> 3:03:52.039
<v Speaker 1>to go to Loving Hip Hop Nebraska. Yeah, they got

3:03:52.080 --> 3:03:56.160
<v Speaker 1>that ship. Probably Mona don't even own it. She never

3:03:56.200 --> 3:03:56.480
<v Speaker 1>owned it.

3:03:56.520 --> 3:03:57.240
<v Speaker 2>That's the crazy show.

3:03:59.680 --> 3:04:01.959
<v Speaker 1>I was physically there, but I've seen it do online.

3:04:02.440 --> 3:04:04.879
<v Speaker 1>She's working with Buster again and I seen I've seen

3:04:04.959 --> 3:04:07.280
<v Speaker 1>them both looking so happy together. I was like, you

3:04:07.360 --> 3:04:09.920
<v Speaker 1>know what I mean, it's almost like Chris like he

3:04:10.040 --> 3:04:11.960
<v Speaker 1>was looking down. Remember I was on Violate. I hate

3:04:11.959 --> 3:04:14.760
<v Speaker 1>it being on Violet because your niggas and again ship

3:04:14.879 --> 3:04:18.360
<v Speaker 1>the niggas. I'm being violent, you know. I hated it

3:04:18.560 --> 3:04:20.960
<v Speaker 1>because you know Mona's officers over there, Chris had the

3:04:21.000 --> 3:04:25.119
<v Speaker 1>big ship niggas like me. They was giving me dude,

3:04:25.160 --> 3:04:25.840
<v Speaker 1>do love.

3:04:30.480 --> 3:04:30.840
<v Speaker 3>My brother?

3:04:31.040 --> 3:04:33.080
<v Speaker 1>Yeah, they were putting the niggas on. I'm like, I

3:04:33.120 --> 3:04:35.960
<v Speaker 1>can't talk to Chris today. Christ is busy with buss

3:04:36.280 --> 3:04:40.200
<v Speaker 1>with you know what I'm saying. So I'm like, bro,

3:04:40.480 --> 3:04:42.840
<v Speaker 1>like what do I get sit down with? At least

3:04:42.879 --> 3:04:47.280
<v Speaker 1>talk to Mona now, Mona. Mona's busy with this something

3:04:47.440 --> 3:04:48.800
<v Speaker 1>like do love again?

3:04:49.280 --> 3:04:54.199
<v Speaker 2>You got to talk to that Joseph. There was Lord

3:04:54.360 --> 3:04:55.600
<v Speaker 2>Dublin Lad.

3:04:56.040 --> 3:04:57.280
<v Speaker 1>I like them. They was trying to help me.

3:04:57.320 --> 3:04:58.760
<v Speaker 2>They was like, Yo, don't worry, keep.

3:04:58.640 --> 3:05:04.120
<v Speaker 1>Going, don't put me on your you was on violence.

3:05:05.120 --> 3:05:06.960
<v Speaker 1>I was happy with that. I got that V I

3:05:07.080 --> 3:05:10.520
<v Speaker 1>was like violators baby Chris, I was, oh man, it

3:05:10.640 --> 3:05:15.360
<v Speaker 1>depends like who like your fraction, and it's like and

3:05:15.520 --> 3:05:19.320
<v Speaker 1>who you with like as a producer, like coming down

3:05:19.360 --> 3:05:21.680
<v Speaker 1>and coming down the Violator. She'd be like, Yo, you

3:05:21.760 --> 3:05:25.480
<v Speaker 1>know what, Yo, just come here. It's like, don't don't

3:05:25.480 --> 3:05:29.000
<v Speaker 1>take it nowhere else the small fish and big That

3:05:29.120 --> 3:05:31.280
<v Speaker 1>happened to me before Violator. I'm gonna tell you when

3:05:31.280 --> 3:05:33.240
<v Speaker 1>I was doing Entourage, you ever heard of the firm

3:05:33.720 --> 3:05:37.440
<v Speaker 1>as a management company in LA. They only do holly,

3:05:37.520 --> 3:05:41.640
<v Speaker 1>They only do so top of the line actors and

3:05:41.800 --> 3:05:45.160
<v Speaker 1>a listeners. So because I was on Entourage, these motherfuckers

3:05:45.200 --> 3:05:47.800
<v Speaker 1>came and signed me. So I'm like, damn signed to

3:05:47.879 --> 3:05:50.480
<v Speaker 1>the firm, this big ass. So I'm like what other hip?

3:05:50.879 --> 3:05:52.560
<v Speaker 1>I noticed these niggas ain't know what they were doing.

3:05:52.640 --> 3:05:55.920
<v Speaker 1>So there was like we got two other rappers. I'm like,

3:05:56.000 --> 3:05:59.560
<v Speaker 1>who are like Snoop Dogg and Ice Cube. I spied

3:05:59.560 --> 3:06:03.400
<v Speaker 1>the fun so you don't got I can managed Snoop

3:06:03.440 --> 3:06:05.640
<v Speaker 1>dog Bigga. I can pick up anybody and be like yo,

3:06:05.680 --> 3:06:10.320
<v Speaker 1>I got Snoop Dogg. Yeah, I'm like so that's what

3:06:10.600 --> 3:06:13.280
<v Speaker 1>that's the reason why y'all niggas ain't picking up my

3:06:13.440 --> 3:06:17.880
<v Speaker 1>call like we'll. Snoop ice Cube and Sigone were the

3:06:18.000 --> 3:06:20.240
<v Speaker 1>only three urban acts in this whole company.

3:06:20.800 --> 3:06:21.960
<v Speaker 2>And I told her, I said, I gotta get the

3:06:22.040 --> 3:06:22.360
<v Speaker 2>fuck out.

3:06:22.400 --> 3:06:22.920
<v Speaker 1>I need one of.

3:06:22.920 --> 3:06:24.280
<v Speaker 2>Niggas gonna pound the payment with me.

3:06:24.400 --> 3:06:26.920
<v Speaker 1>I'm like, I'm an underground They only cared about anthor

3:06:26.959 --> 3:06:28.600
<v Speaker 1>IgE like this might fuck it might be a big

3:06:28.720 --> 3:06:29.440
<v Speaker 1>actor one day.

3:06:30.040 --> 3:06:31.880
<v Speaker 2>I'm like, nah, I'm an underground rapper.

3:06:32.000 --> 3:06:34.480
<v Speaker 1>Bro, Like I still want to rap, Like this ship

3:06:34.560 --> 3:06:36.400
<v Speaker 1>this is cool, but I want to rap so and

3:06:36.480 --> 3:06:39.560
<v Speaker 1>then I went from there to Violator and then there was.

3:06:39.560 --> 3:06:42.320
<v Speaker 2>Another little fish in the big pond. So I'm like

3:06:42.400 --> 3:06:43.240
<v Speaker 2>this all over.

3:06:43.160 --> 3:06:45.480
<v Speaker 1>Again because I went from Snoop Dogg and to these

3:06:45.520 --> 3:06:49.600
<v Speaker 1>niggas like Jory and Caple and I'm like, shit, different

3:06:49.640 --> 3:06:53.480
<v Speaker 1>same thing, same shit, no intention. But I was just

3:06:53.520 --> 3:06:56.000
<v Speaker 1>happy to be around that energy though, and say I

3:06:56.120 --> 3:06:57.360
<v Speaker 1>was a part of this history. I have to be

3:06:57.400 --> 3:06:59.560
<v Speaker 1>a part of violetor yeah, it was part of the history, bro,

3:07:00.160 --> 3:07:02.640
<v Speaker 1>even working with like I got a jay Z verse, bro,

3:07:02.800 --> 3:07:04.760
<v Speaker 1>like I'm about to act. When was the first time

3:07:04.879 --> 3:07:08.320
<v Speaker 1>jay Z took your beat. Oh ship, he took mad beats.

3:07:09.280 --> 3:07:11.400
<v Speaker 1>Who was the first one, first one I think was

3:07:11.640 --> 3:07:14.560
<v Speaker 1>king my kingdom come. It was probably show me what

3:07:14.680 --> 3:07:17.920
<v Speaker 1>you got, Show me what you got now you get

3:07:17.920 --> 3:07:21.320
<v Speaker 1>that up. That wasn't you. I know it was mad.

3:07:21.920 --> 3:07:24.640
<v Speaker 1>You know what, it wasn't totally act like you was mad.

3:07:25.360 --> 3:07:28.400
<v Speaker 1>It wasn't a man supposed to act like I was

3:07:28.440 --> 3:07:31.520
<v Speaker 1>going mad at Joss. You had verses that already. No, no,

3:07:32.120 --> 3:07:36.720
<v Speaker 1>I wasn't in style that it wouldn't even kingdom content

3:07:36.840 --> 3:07:42.080
<v Speaker 1>were because I couldn't figure it out. I was trying.

3:07:42.640 --> 3:07:46.080
<v Speaker 1>This is when I wanted that Nigga just kept to me.

3:07:46.200 --> 3:07:47.880
<v Speaker 1>That's like one of my least I don't even think

3:07:48.000 --> 3:07:52.960
<v Speaker 1>jaybody it like that. Get I could get rid of

3:07:53.000 --> 3:07:55.879
<v Speaker 1>that j that wasn't in this kingdom coming.

3:07:55.920 --> 3:07:57.199
<v Speaker 2>And then come on baby.

3:07:57.600 --> 3:08:00.040
<v Speaker 1>And the one so the last one he took, he

3:08:00.120 --> 3:08:01.640
<v Speaker 1>put a verse on it and then he then he

3:08:01.760 --> 3:08:03.480
<v Speaker 1>was like, yo, I'm about to take some other shits.

3:08:03.480 --> 3:08:06.520
<v Speaker 1>I was my son, but he was like, nah, I'm

3:08:06.800 --> 3:08:09.920
<v Speaker 1>keep that verse. You can keep that half a verse

3:08:09.959 --> 3:08:12.080
<v Speaker 1>something on the other ship. Because if you listen to

3:08:12.160 --> 3:08:13.760
<v Speaker 1>the song, you don't even finish. They can tell that

3:08:13.840 --> 3:08:20.480
<v Speaker 1>the nigga didn't. That's how valuable the vocal nigga voice

3:08:20.600 --> 3:08:23.920
<v Speaker 1>was enough. You can take this. I got people. Yeah,

3:08:25.120 --> 3:08:26.959
<v Speaker 1>now he killed it, but he used You could tell

3:08:27.040 --> 3:08:30.120
<v Speaker 1>he didn't go in there. He ain't. Fifteen nigga gave

3:08:30.160 --> 3:08:35.360
<v Speaker 1>me fourteen and a half fall. A lot of people

3:08:35.440 --> 3:08:38.560
<v Speaker 1>can't say they got ah. Yeah, And I still play

3:08:38.640 --> 3:08:40.120
<v Speaker 1>that ship to people today, like you never heard this

3:08:40.240 --> 3:08:43.240
<v Speaker 1>ja verse, like you're right, I never heard it. I'm like,

3:08:43.360 --> 3:08:45.440
<v Speaker 1>damn nigga niggas didn't me do? And you know what's funny.

3:08:45.480 --> 3:08:47.400
<v Speaker 1>I want to say shout to e bro Bo because

3:08:48.160 --> 3:08:50.080
<v Speaker 1>I realized last time I was on here, it.

3:08:50.120 --> 3:08:53.080
<v Speaker 2>Was very hard on you, bro, and I was hated

3:08:53.120 --> 3:08:56.800
<v Speaker 2>him to tell yeah fuck remember oh yeah, okay, okay, okay.

3:08:57.000 --> 3:08:59.440
<v Speaker 1>And I think that's just me and my feelings because

3:08:59.480 --> 3:09:02.760
<v Speaker 1>at the time we were friends and I felt like

3:09:02.959 --> 3:09:06.240
<v Speaker 1>you're ebro. I felt like I thought we were more

3:09:06.280 --> 3:09:08.200
<v Speaker 1>friends than I guess, like the industry ship than we

3:09:08.320 --> 3:09:10.800
<v Speaker 1>were because when he banned me from how eety seven,

3:09:10.920 --> 3:09:14.960
<v Speaker 1>like you're familiar, Yeah what you get banned for? Probably

3:09:15.760 --> 3:09:21.039
<v Speaker 1>oh okay because that happened, yeah yeah Monday, not like that, Okay,

3:09:21.160 --> 3:09:23.240
<v Speaker 1>So but they bade me for a whole Yeah, I'm like,

3:09:23.320 --> 3:09:25.720
<v Speaker 1>nobody got hurt, nobody got shot. And I just think

3:09:25.800 --> 3:09:28.840
<v Speaker 1>I carried this animosity for so long because I thought

3:09:28.879 --> 3:09:32.760
<v Speaker 1>we were friends. But on drink Champs today, e Bro,

3:09:34.000 --> 3:09:35.760
<v Speaker 1>thank you for everything you did do for me, and

3:09:35.920 --> 3:09:39.160
<v Speaker 1>thank you for being when you all cool, you was cool,

3:09:39.760 --> 3:09:45.360
<v Speaker 1>and you know what I'm saying, that's right. Probably I

3:09:45.360 --> 3:09:48.640
<v Speaker 1>spoke to Ebro this morning that So, Buck, is there

3:09:48.680 --> 3:09:50.200
<v Speaker 1>anything you want to say before we get up out

3:09:50.240 --> 3:09:59.000
<v Speaker 1>of here? See your fans please, man, No, okay, just

3:09:59.360 --> 3:10:02.560
<v Speaker 1>digging in the prace man, talk that ship to get

3:10:02.600 --> 3:10:05.960
<v Speaker 1>the album. Please get the album. Man. It's like, Yo,

3:10:06.600 --> 3:10:09.520
<v Speaker 1>you're gonna be surprised, man, like you'll before you'll be full,

3:10:09.520 --> 3:10:12.480
<v Speaker 1>you know what I'm saying. And I got more to come.

3:10:14.000 --> 3:10:18.480
<v Speaker 1>And Buck did as last album. A lot of people

3:10:18.560 --> 3:10:19.440
<v Speaker 1>slept on the album.

3:10:20.000 --> 3:10:20.440
<v Speaker 2>Last album.

3:10:20.480 --> 3:10:23.440
<v Speaker 1>He produced the whole thing, and that's some of the

3:10:23.520 --> 3:10:26.040
<v Speaker 1>ass best work to me, What what what label that

3:10:26.120 --> 3:10:26.560
<v Speaker 1>came on? On?

3:10:27.320 --> 3:10:33.640
<v Speaker 12>It was independent Hood Records Records, but it was it

3:10:33.760 --> 3:10:37.480
<v Speaker 12>was indeed, so said the Hood Records not knowing how

3:10:37.560 --> 3:10:38.119
<v Speaker 12>to promote.

3:10:38.240 --> 3:10:40.120
<v Speaker 1>And it's like I'll be like, yo, you know what

3:10:40.920 --> 3:10:43.280
<v Speaker 1>you got to promote market it. This time, it's like

3:10:43.600 --> 3:10:48.640
<v Speaker 1>we got to do another project. It's singles, first single,

3:10:48.760 --> 3:10:52.040
<v Speaker 1>second single, it's Street Records, and it's like this is

3:10:52.200 --> 3:10:54.760
<v Speaker 1>this will be more structured. You know. What I'm saying

3:10:54.920 --> 3:10:57.400
<v Speaker 1>is the right way. So if you want to get

3:10:58.680 --> 3:11:01.360
<v Speaker 1>if you want to get people's attend you have to

3:11:02.000 --> 3:11:06.120
<v Speaker 1>get get the attention the right way, all right, yea?

3:11:06.200 --> 3:11:08.840
<v Speaker 1>Make it another one you saying you hey, yeah, oh wow,

3:11:09.360 --> 3:11:13.720
<v Speaker 1>you know that. Okay, that's why you ain't sending me

3:11:13.800 --> 3:11:16.000
<v Speaker 1>no beats now. I know I ain't been getting on

3:11:16.120 --> 3:11:21.600
<v Speaker 1>no beats, like about fucking five hundred samples, like what

3:11:21.959 --> 3:11:22.560
<v Speaker 1>about to kill?

3:11:23.120 --> 3:11:25.280
<v Speaker 3>Yeah, he's crazy and I want to thank you. You

3:11:25.400 --> 3:11:27.360
<v Speaker 3>did a joint on my album another time. Oh no,

3:11:27.520 --> 3:11:32.520
<v Speaker 3>you got so see your old Rex's my favorite joint

3:11:32.520 --> 3:11:32.920
<v Speaker 3>on the album.

3:11:32.959 --> 3:11:35.720
<v Speaker 1>You still put down new projects. I mean I'm working

3:11:35.760 --> 3:11:38.960
<v Speaker 1>on some stuff. Yeah, don't stop. You like you one

3:11:39.000 --> 3:11:41.959
<v Speaker 1>of them voice bro listen, man, I who.

3:11:43.440 --> 3:11:43.840
<v Speaker 2>It's about you?

3:11:44.000 --> 3:11:44.920
<v Speaker 1>About you? Man?

3:11:45.200 --> 3:11:48.600
<v Speaker 2>But I'm a fan bro ship you think I appreciate that.

3:11:48.800 --> 3:11:50.200
<v Speaker 1>But it's anything you want to say to you, to

3:11:50.440 --> 3:11:53.440
<v Speaker 1>your fans and to your people before we get I

3:11:53.480 --> 3:11:55.800
<v Speaker 1>want to say everybody, go get Everymore ArKade. You know

3:11:55.920 --> 3:11:57.280
<v Speaker 1>him in the tech world. I do a lot of

3:11:57.320 --> 3:12:00.480
<v Speaker 1>shit like Evermore Arcades and new app music my way

3:12:00.640 --> 3:12:03.880
<v Speaker 1>go download the app and like I got some directors.

3:12:04.120 --> 3:12:05.560
<v Speaker 1>If you're an artist and you really want to get

3:12:05.600 --> 3:12:07.440
<v Speaker 1>to your fan base, you don't need to go platinum

3:12:07.480 --> 3:12:09.000
<v Speaker 1>to make money or you need is a good to

3:12:09.280 --> 3:12:12.000
<v Speaker 1>three thousand fans to fun with you and you can

3:12:12.080 --> 3:12:15.280
<v Speaker 1>make a living on his music best platform. Okay, and

3:12:15.400 --> 3:12:18.000
<v Speaker 1>Evermore Arkad we got another shout out to my man.

3:12:18.080 --> 3:12:19.760
<v Speaker 1>I ain't gonna say his last name because the last

3:12:19.800 --> 3:12:21.560
<v Speaker 1>time I did, you went in on them.

3:12:21.840 --> 3:12:25.760
<v Speaker 2>I did his name was two for our Yes, what.

3:12:30.240 --> 3:12:35.560
<v Speaker 1>Mike semen about ever More Arcade now, But it's like

3:12:35.640 --> 3:12:38.360
<v Speaker 1>you play games when you win money, So the way

3:12:38.400 --> 3:12:40.000
<v Speaker 1>you got to set up is like this, I heard

3:12:40.040 --> 3:12:40.200
<v Speaker 1>of this.

3:12:40.240 --> 3:12:41.800
<v Speaker 2>The way you got to set up is Evermore.

3:12:41.879 --> 3:12:45.359
<v Speaker 1>So it's really for like underprivileged people who got phones

3:12:46.280 --> 3:12:48.800
<v Speaker 1>and they could play games so they could earn little

3:12:48.959 --> 3:12:52.120
<v Speaker 1>legitly earn real money. So if you win Africa some

3:12:53.040 --> 3:12:55.040
<v Speaker 1>third world country and you ain't got no money, or

3:12:55.040 --> 3:12:57.680
<v Speaker 1>you got to do it because he's an advertising genius,

3:12:58.160 --> 3:13:00.640
<v Speaker 1>so he's like they don't have to pay a nickel.

3:13:01.160 --> 3:13:02.560
<v Speaker 1>All they got to do is sit on hand play

3:13:02.600 --> 3:13:05.280
<v Speaker 1>these games and it generates them real money. So have

3:13:05.360 --> 3:13:05.680
<v Speaker 1>them more.

3:13:05.879 --> 3:13:07.840
<v Speaker 2>Shout to Shack for bigging up.

3:13:07.879 --> 3:13:10.480
<v Speaker 1>Eva Moore, shout to sequille O Neil two man, who

3:13:10.560 --> 3:13:13.920
<v Speaker 1>is great guy, and shout to you Nor you Man

3:13:14.000 --> 3:13:16.039
<v Speaker 1>shout out to shout to Yeah.

3:13:15.920 --> 3:13:19.680
<v Speaker 2>Welcome, Yeah taking the picture.

3:13:19.879 --> 3:13:20.039
<v Speaker 3>Yeah.

3:13:20.720 --> 3:13:21.400
<v Speaker 1>The first coming.

3:13:26.160 --> 3:13:29.600
<v Speaker 3>Drink Champs is a drink Champs LLC production hosts and

3:13:29.720 --> 3:13:33.119
<v Speaker 3>executive producers n O r E and dj e FN.

3:13:34.320 --> 3:13:38.400
<v Speaker 3>Listen to drink Champs on Apple Podcast, Amazon Music, Spotify,

3:13:38.720 --> 3:13:42.360
<v Speaker 3>or wherever you get your podcasts. Thanks for joining us

3:13:42.400 --> 3:13:45.000
<v Speaker 3>for another episode of Drink Champs hosted by Yours Truly,

3:13:45.160 --> 3:13:47.680
<v Speaker 3>dj e f N and n O r E. Please

3:13:47.760 --> 3:13:49.920
<v Speaker 3>make sure to follow us on all our socials. It's

3:13:50.000 --> 3:13:53.560
<v Speaker 3>at drink Champs across all platforms at the Real noriagon

3:13:53.680 --> 3:13:57.160
<v Speaker 3>I g at Noriega on Twitter, Mine is at Who's

3:13:57.200 --> 3:14:00.640
<v Speaker 3>Crazy on ig at, dj e f and on Twitter,

3:14:01.000 --> 3:14:03.560
<v Speaker 3>and most importantly, stay up to date with the latest releases,

3:14:03.959 --> 3:14:07.119
<v Speaker 3>news and merch by going to drink Champs dot com.

3:14:10.040 --> 3:14:10.400
<v Speaker 1>MHM