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Speaker 1: He is drinks chests, motherfucking podcasts. He's a legends every

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Speaker 1: Queens rapper. He ain't sagreed as your boy in O

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Speaker 1: R E. He's a Miami hip hop pioneer put up

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Speaker 1: as d J e f N. Together they drink it

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Speaker 1: up with some of the biggest players, you know what

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Speaker 1: I mean. And the most professional unprofessional podcast and your

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Speaker 1: number one source for drunk drinks Chancy Days New Year's CST.

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Speaker 1: It's time for drink champions. Drink up? Mother? Would it good?

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Speaker 1: Be hoping for? It? Should be? It's your boy n

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Speaker 1: A O N A. What up is d J e

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Speaker 1: f N. That's the tap the crazy world rink chaps. Now,

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Speaker 1: now we got two legends. I did not see this

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Speaker 1: collaboration come in. I heard the album, and the album

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Speaker 1: sounds exactly how I I thought it was supposed to

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Speaker 1: sound like hip hop, and I think you got even

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Speaker 1: a record that called two thousand. Now that's what the funk.

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Speaker 1: This shit sounds like. It sounds like nineties now like

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Speaker 1: the nineties is. Now we got one of the best

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Speaker 1: producers of all times of the one of the producers

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Speaker 1: that's on my first album. He got to know the

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Speaker 1: very first, I wasn't even normy. I believe I was

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Speaker 1: component Noriega. Like I believe they called us Compona Noriega,

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Speaker 1: like if we didn't have a Noriega by myself and

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Speaker 1: he didn't have a compone by myself. And then we

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Speaker 1: got motherfucking one of the best lyricists in the world.

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Speaker 1: He's been getting money taking labels checks for a long time, sir,

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Speaker 1: And we're gonna get into it because he had a

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Speaker 1: fight with Shack on the shoulder recently, and we're gonna

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Speaker 1: get into it. I want to know how did this happen?

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Speaker 1: What a job? Record a record and just said keep

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Speaker 1: it going. Nah, Actually it was. It was just shout

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Speaker 1: out to Shaw. It was his cat from from overseas.

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Speaker 1: He's just like, Yo, you're my favorite Rappo. Buck's my

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Speaker 1: favorite producer. My dream is that y'all do a project.

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Speaker 1: And we started to do it with him. I'm like, Buck,

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Speaker 1: you with it. He said he had some money when

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Speaker 1: it was come time, it was coming, it was going through.

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Speaker 1: This guy started. This is like two thousand and seventeen.

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Speaker 1: He was funding it.

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Speaker 2: Yeah, we funded it.

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Speaker 1: This was like twenty seventeen. What's his name.

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Speaker 2: They start Okay, it.

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Speaker 1: Was like twenty seventeen, so I mean, Buck went in.

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Speaker 1: We did.

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Speaker 2: We did a couple of records.

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Speaker 1: I'm like, yo, Buck, these Ships is coming out five,

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Speaker 1: so don't really got if we can't really fund this

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Speaker 1: project the right way, we're gonna do it ourselves. Let

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Speaker 1: me let me any of those records on the album

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Speaker 1: all they all okay, okay, years ago, cool, cool.

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Speaker 2: The hell out of here, get out of here.

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Speaker 1: We had it like two records at the end. But yeah,

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Speaker 1: that's the beauty of it sounds right now, it sounds

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Speaker 1: like we got done. Buck. I'm like, we could still

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Speaker 1: listen to this ship after the million the times we

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Speaker 1: heard it, and it's still so good. Right, we got

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Speaker 1: some I'm saying, that's what I know. And obviously this

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Speaker 1: is independent, yeah yeah, sure came out through Tech nine

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Speaker 1: and Travis so Gwynn oh yeah, Virget distribution, RGI, the

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Speaker 1: group and we flew out there and meet with Tech

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Speaker 1: and them niggas like eight twenty seventeen, like and this

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Speaker 1: is just coming down there, man, you gotta start putting

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Speaker 1: music out. Did the deal with straight finished the project,

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Speaker 1: like no a good good music last, and it's like

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Speaker 1: it's toimless. It's like you could put it on it

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Speaker 1: and it's like, yo, you know what eight years from

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Speaker 1: now and it's like and Norman, this would be like, yo, mom,

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Speaker 1: if you drop Normy's songs, like you know, all the

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Speaker 1: Pharrell's songs, like every Snory song from the nineties, like

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Speaker 1: it's Thomass ye yeah, yea. Because I'm what the call

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Speaker 1: came on the other day on the radio when your

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Speaker 1: girl was looking, Oh yeah, I like this right, no

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Speaker 1: age he tell me ask you buck. You know our

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Speaker 1: brother Fad. Joe has a great show that's happening right now,

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Speaker 1: Joe and Jada. The biggest thing about Joe is everyone

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Speaker 1: says he's capping. He was just talking about that. You

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Speaker 1: know him for years, you know how longer than not

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Speaker 1: talking about that. What do you a? No cap? No

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Speaker 1: cat's exaggeration. It's not that. It's not it's a little

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Speaker 1: wight exaggeration, yeah, like ten percent, but it's no cat.

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Speaker 1: It's no cat. Yeah. People eat it up. People be like, yo,

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Speaker 1: you know what, yo, what that nigga is capping? Like

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Speaker 1: he's leaning into that point. It's somebody on the internet

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Speaker 1: right now that says that they're his uncle. And I don't.

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Speaker 1: I don't know if it is or not, Like uncle,

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Speaker 1: you got to stop. And it's like it's so interesting.

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Speaker 1: I click on another car and I don't want to

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Speaker 1: ask to him. I don't want to ask the guy.

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Speaker 1: But so you say, Joe's no cap, no cat man. Okay, okay,

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Speaker 1: let's let's let's give one story though, all old stories.

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Speaker 1: I believe ninety nine percent of them, just the high

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Speaker 1: school one.

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Speaker 2: Oh yeah, I wanted to the bar.

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Speaker 1: I want years old. He said niggas was helping him

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Speaker 1: carry the ship out, like niggas helped me around. But

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Speaker 1: I believe that, you know, right right, wanted he wasn't

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Speaker 1: one of the niggas. We want to do two different schools.

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Speaker 1: But it's like, yo, I believe, like you know a

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Speaker 1: lot of that because you know, some exaggeration like ten

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Speaker 1: percent sprinkler sauce to make people be like, oh you

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Speaker 1: know he's tapping. Everybody knows Fat Joe serious dude, had

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Speaker 1: always been a serious guy. Back then it was game.

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Speaker 1: It was a fat gangster. He's a skinny got what Yeah,

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Speaker 1: niggas stuck up as because you gotta be a foul

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Speaker 1: dude to distick up your cousin come bro that's the

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Speaker 1: Brox like living in the Bronx like Yo, this this happens,

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Speaker 1: but like you know when the original Bronx. But when

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Speaker 1: we met like in Queens like Yo, that was like Yo,

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Speaker 1: you know, was spooky and I'm like spooky like Yo.

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Speaker 1: Those dudes is dangerous, like Yo foul because they've been

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Speaker 1: in jail, been in jail like you. But it's like

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Speaker 1: you're your your bond together, you know. So with meeting

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Speaker 1: spooky like Yo, this is I was like Yo, this

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Speaker 1: place is like Yo.

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Speaker 2: That Frank is just like Yo block exactly.

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Speaker 1: But let me ask you being a part of that

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Speaker 1: legendary crew d I T C, Like how did that

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Speaker 1: even come about? Huhm? It started with show Bus and Akay, Showman,

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Speaker 1: Diamond show A Diamond show before was yeah before and

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Speaker 1: then Finesse they did Finess album and we're doing Finess

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Speaker 1: album and that's what signa. You know, it's a wild

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Speaker 1: pitch and search right yeah no no, no, not search

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Speaker 1: like it's too fun. Oh yeah. The album they did

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Speaker 1: the album for like five hundred dollars is like technician

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Speaker 1: peanuts and it's like yo ag was introduced to show

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Speaker 1: you know what I'm saying. And then you got Showman

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Speaker 1: a G and it's like he met from battling thing,

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Speaker 1: battling finesse.

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Speaker 2: Who battle for.

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Speaker 1: That's yeah a G Okay okay, it's like Payton versus Okay.

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Speaker 1: You know, so you know, you see what you've got.

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Speaker 1: You know, he spit and you know, a G spit

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Speaker 1: and you know, back and forth, and you know it's

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Speaker 1: like yo, he nice and matter of fact, everybody came

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Speaker 1: like after like me big al oh, fat Joey, Fat

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Speaker 1: Joe was.

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Speaker 2: So who was the first people it was?

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Speaker 3: It was he said Diamond, Diamond, and.

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Speaker 1: You know Diamond bought fat Joeman and before a G, No,

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Speaker 1: we skipped a G. When a g ag is like

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Speaker 1: the same time, okay, okay, okay, and like me O

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Speaker 1: c big alcause you know, all the rest of them

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Speaker 1: is like yo, that's that's history. And then Premiere came

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Speaker 1: down the line mans like yo, Man is like the original. Okay.

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Speaker 1: So when they did Funky Technician from always thought this,

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Speaker 1: yeah yeah, yeah that was only DJs knew that ship Man,

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Speaker 1: you slip in the bronx, get the fun out of here.

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Speaker 4: Now.

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Speaker 1: This is this is the hip I breaking news he

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Speaker 1: went to the Bronx had but it's like Brooklyn and

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Speaker 1: then it's like he lived in maybe Ogden Avenue in

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Speaker 1: the Bronx and that that was it. Oh I never

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Speaker 1: knew that. I know, he's part of digging in the

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Speaker 1: crazy crazy And then who came up with the name,

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Speaker 1: who said, let's call this collective d I T C.

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Speaker 1: I think that came from from Showman Diamond digging, you know,

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Speaker 1: like finding out you know, oh we're digging. Oh yeah,

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Speaker 1: we're digging in the crates and you know it's stuck.

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Speaker 1: M legends were born. But you know, cool for real,

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Speaker 1: Like that's always like a staple where it's like, you know,

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Speaker 1: we did correct. It's it's like no cap no, you

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Speaker 1: know how you say nor ship. It's like they want

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Speaker 1: to have the but we want to have the best

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Speaker 1: beats and the best songs.

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Speaker 2: And it's like that's what it is he.

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Speaker 1: Did for Crates dig four Crates Crates Ship. But I

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Speaker 1: don't know, I don't know different, but I say legendary.

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Speaker 1: So boom, let's take it to you. So, so how

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Speaker 1: did you how did you get started in this game?

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Speaker 2: I just man, I got started.

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Speaker 1: Pain. We know that you was and it was it

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Speaker 1: was right now. I was Yeah, I was in the

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Speaker 1: jail house group called seven up. He was like, who tang?

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Speaker 1: Who called seven? It was all God body, That's why

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Speaker 1: seven might work. Still to this day, I'm telling the

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Speaker 1: gods got was missing in the game. That really is

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Speaker 1: what's missing. I was just crazy that whole area everybody

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Speaker 1: came through that made the impact with God. Body, make

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Speaker 1: sure we get back to the beginning, because I just

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Speaker 1: wanted to say something listening to this album the one

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Speaker 1: man the Crazy Ship that I learned listen to this

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Speaker 1: album and learned listening to your music, is that Tupac

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Speaker 1: would have been your friend? Oh yeah, I would. I

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Speaker 1: like listening to all your ship knowing that we had

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Speaker 1: your book, and I was like, Yo, Sa gone in

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Speaker 1: a crazy world gone, True life Tupac and I forget

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Speaker 1: the two others that I named. It's like it's the

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Speaker 1: Gasters street guys, but they have none and they're telling

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Speaker 1: you don't like, don't your brother man. It's like it's

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Speaker 1: like it's funny with true life. People don't know his

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Speaker 1: name stand for the Righteous, uniting those living in the

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Speaker 1: fantasy environment about that's the street bar. Actually like I

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Speaker 1: loved music, like he got records with Jay Niles together,

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Speaker 1: Snoop and all this, and I'll be just looking at

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Speaker 1: him sometimes like how the funk? You don't put this out? Still,

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Speaker 1: like you don't put it out like but if you

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Speaker 1: listen to like he be dropping knowledge, you think it

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Speaker 1: like it was so but Puerto Rican godbout it? What

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Speaker 1: do you think? What do you think life would have

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Speaker 1: been like had Tupac been alive during during your era?

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Speaker 1: I wish because he had that lane open for that

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Speaker 1: kind of ship. Like you was listening to more music.

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Speaker 1: It wasn't just about no real you know, drill tough ship,

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Speaker 1: trap ship. It was more so you had to have

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Speaker 1: some kind of message ship. And that's what hip hop was. Man.

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Speaker 2: When we grew up on hip hop, we were.

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Speaker 1: Listening to ex claim and ship like that. They came

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Speaker 1: about reading I went to school talking about he was like,

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Speaker 1: I know, I was saying, we used to brag about

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Speaker 1: having no gold with downions, no gold, no pig, Somebney

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Speaker 1: buddy him with some black ship and then brand Nubian brand.

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Speaker 1: You look at poor righteous teacher hell those guys. So

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Speaker 1: that's when I was looking up to their motherfuckers like yo,

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Speaker 1: even though I was in the street D four woundand

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Speaker 1: doing dumb ship when I got when I picked up

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Speaker 1: a pen, I was like, you know, try to be

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Speaker 1: like one of these motherfuckerdrop. I thought I was one

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Speaker 1: of the Jungle Brothers and some ship and they just

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Speaker 1: never left. Like so when I as I evolved, I

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Speaker 1: just kept I kept happening and I had to have

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Speaker 1: social commentary in my ship. And another thing that happened

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Speaker 1: in jail one time one day because I did have

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Speaker 1: the gangster ship when they am in the yard and

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Speaker 1: I'm your father, Yeah, I was in there killing you'll only.

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Speaker 2: Go bust my gun.

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Speaker 1: It was ship and they walked up and he's like, yo,

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Speaker 1: you like to hear something because everything you rabbing got

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Speaker 1: your monkey ass in here? He said, you like, yo,

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Speaker 1: what I like it in here? Like I said, you

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Speaker 1: like your hair. I never heard the nigga say like

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Speaker 1: your hair, you know. And I was like, hey, fuck

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Speaker 1: like and ship for the birds. He was like, well,

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Speaker 1: you spend everything that got you up in here. Everything

234
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Speaker 1: you talk about is the reason you hear right. I'm like, damn,

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Speaker 1: I never looked at it like that, And that made

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00:14:12,960 --> 00:14:14,559
Speaker 1: me kind of be conscious to that when I was

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00:14:14,600 --> 00:14:17,079
Speaker 1: writing ROMs, like, you know what, because it's kids that

238
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Speaker 1: look up to us, kids emulate us, and they want

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Speaker 1: to be like us. So I'm like, I'm gonna be

240
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Speaker 1: a little bit conscious of it. So there was a balance,

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Speaker 1: like and honestly, when I went full positive, that's when

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Speaker 1: my career went tank. That's when niggas, you can't go

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Speaker 1: full positive. Now you can't like the preacher. I gotta

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Speaker 1: believe the preacher. I got to see the smoke a

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Speaker 1: joint like like you know what I'm saying, Like I

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Speaker 1: got like, you can't do you can't be perfect, Like

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Speaker 1: you know what I'm saying, Like Twin Twin saying Friday

248
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Speaker 1: like I only trusted when he asks for some bod

249
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Speaker 1: I was like, all, I trust a preacher, you know

250
00:14:47,440 --> 00:14:49,600
Speaker 1: what I'm saying, Like, yeah, you got to have a

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Speaker 1: little bit. That's why five was thirteen X was very successful.

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Speaker 1: There was thirty X did not go to the people

253
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Speaker 1: who were perfect, right to the people who was mistaken,

254
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Speaker 1: who were mistaken, and so easy to fix a person

255
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Speaker 1: who already has a mistake that you identified that mistake,

256
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Speaker 1: so you know what I mean. So that's the reason

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00:15:05,080 --> 00:15:07,280
Speaker 1: why teach niggas math for dice. So niggas thought they

258
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Speaker 1: was gambling, but he's teaching the mathematics. Wow, sitting there

259
00:15:11,280 --> 00:15:14,000
Speaker 1: thinking they're gambling, but he's teaching the mathematics, that's saying.

260
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Speaker 1: So he was using Yeah, he was using the that

261
00:15:16,160 --> 00:15:20,880
Speaker 1: they to really give the mathematics. What's interesting? What's the

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Speaker 1: bronx really? Uh? The city of the Gods at one point? Yeah, yeah, yeah, okay,

263
00:15:28,320 --> 00:15:44,000
Speaker 1: so Joe, Joe ain't capped with that crack, but they

264
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Speaker 1: probably was calling him that because it's like he's from Godsville. Yeah,

265
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Speaker 1: and it's like, you know, Forrest is like that's the name,

266
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Speaker 1: and it's like, yo, he had a rep. And it's

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Speaker 1: like the rep grew bigger, and it's like, you know,

268
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Speaker 1: like he grew bigger, and it's like, Yo, that's exploded.

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Speaker 1: You know what I'm saying. Right right, let's make some

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Speaker 1: noise for the god crack came along. Man. That's a

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Speaker 1: good context. It is well because when you put it

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Speaker 1: in that perspective, I can see it, like you can

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Speaker 1: see that, like you said, god, body everybody know Joe,

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Speaker 1: like Joe hung with like pistols from my block. Yeah,

275
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Speaker 1: piece from my block and which one here? Black on

276
00:16:27,680 --> 00:16:32,360
Speaker 1: the black okay, Latin one. Yeah, but the reckless Pistol Pete,

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Speaker 1: like Pete went to jails like fucking you know, in

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Speaker 1: and out of jail. It's like all of them, all them

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Speaker 1: dudes with like yo, you know from this like you

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Speaker 1: know they are you know, they are like Joe and

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Speaker 1: it's like Joe saved like Pistol, you know what I'm saying,

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Speaker 1: Like yo, he was like yo, you know what when

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Speaker 1: Pistol came home, Like I went to the studio to

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Speaker 1: see game and I was like, yo, what's good, like

285
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Speaker 1: you know, YadA, YadA, YadA, So like yo, you know what.

286
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Speaker 1: It was dope because it's like stay out. Yeah, that

287
00:17:04,720 --> 00:17:08,760
Speaker 1: was his like even though like you know, he would

288
00:17:08,800 --> 00:17:11,760
Speaker 1: do things like Yo, this is this is this is

289
00:17:11,760 --> 00:17:13,800
Speaker 1: where you want to be, you know what I'm saying.

290
00:17:13,800 --> 00:17:16,719
Speaker 1: And that's it all right and now you're killing all

291
00:17:16,760 --> 00:17:19,760
Speaker 1: the rats kills. Didn't you work on Sean album? Yeah?

292
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Speaker 1: How is that like?

293
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Speaker 2: Working with Sean?

294
00:17:23,000 --> 00:17:26,119
Speaker 1: Sean is? Sean is real cool? Like he'd be by

295
00:17:26,240 --> 00:17:31,000
Speaker 1: himself Sean. Yeah, okay, he shot to Jamal Jamal's kids

296
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Speaker 1: from Jamal Barrows.

297
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Speaker 2: He was a wild kay though he was always a

298
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Speaker 2: little recles.

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Speaker 1: But all of all the known rappers like Famous from Bronx, no,

300
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Speaker 1: not from Bronx New York, like you like all of

301
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Speaker 1: them famous, like yo, they put him work right, and

302
00:17:51,480 --> 00:17:55,439
Speaker 1: it's like that's the thing where it's like now rappers

303
00:17:55,480 --> 00:17:57,760
Speaker 1: would be like yo, you know what I'm rapping. Now,

304
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Speaker 1: It's like yo, let me go put and work. But

305
00:17:59,640 --> 00:18:03,919
Speaker 1: it's like, yeah, I didn't supposed to work before that. Yeah,

306
00:18:03,680 --> 00:18:07,160
Speaker 1: you waschool like hustling backwards way back.

307
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Speaker 2: He doesn't exist anymore. I understood that.

308
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Speaker 1: I was on the phone with Max B yesterday two

309
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Speaker 1: days ago, and Max we was on phone for.

310
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Speaker 2: About hour and a half.

311
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Speaker 1: Bro like just and he like, yo, Bro, I gave

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Speaker 1: seventy seventy five years.

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Speaker 2: Man, he had year I had say.

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Speaker 1: Like right, he did twelve twelve now like I got

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Speaker 1: eight weeks left by years.

316
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Speaker 2: He just you know, he laughed like he.

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Speaker 1: Wullieve that, sis, I said, yo, And he did it

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Speaker 1: eight piece before he became Max B. So he did

319
00:18:35,119 --> 00:18:38,520
Speaker 1: eight years, came home, got home and then got caught

320
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Speaker 1: up in that ship. So God just God gave him

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00:18:40,680 --> 00:18:43,520
Speaker 1: another shot, like we had him on drink champs, and

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00:18:43,560 --> 00:18:46,080
Speaker 1: I asked him. I was like, you think you can compete?

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Speaker 1: And I don't think he liked that question. But it's

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00:18:51,840 --> 00:18:55,440
Speaker 1: an honest answer, right, because when you were in jail,

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Speaker 1: like like one thing about Sean, he was just speaking

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Speaker 1: about Shine like it the the first records, Like you

327
00:19:00,960 --> 00:19:02,679
Speaker 1: could tell College kind of rushed the record.

328
00:19:04,840 --> 00:19:06,840
Speaker 2: You could tell that Sean had a step behind.

329
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Speaker 1: You could tell like if he gets if you if

330
00:19:10,240 --> 00:19:16,560
Speaker 1: you waited two more weeks, you know what I mean?

331
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Speaker 1: And like a similar So that's the thing. What do

332
00:19:20,880 --> 00:19:23,919
Speaker 1: you think about maxb You know what I heard? I

333
00:19:23,960 --> 00:19:26,000
Speaker 1: heard some music he's been doing in there because he

334
00:19:26,040 --> 00:19:29,440
Speaker 1: got a studio and shipping. Then he got got a

335
00:19:29,480 --> 00:19:31,960
Speaker 1: whole studio in itself. Bro the nigga.

336
00:19:32,240 --> 00:19:34,520
Speaker 2: He got some fire ship Bro, and he's like, I.

337
00:19:34,440 --> 00:19:38,240
Speaker 1: Got four hundred quality songs like bullshit, not a bunch

338
00:19:38,280 --> 00:19:40,760
Speaker 1: of He's like, I got quality records. He's gonna do

339
00:19:40,800 --> 00:19:43,960
Speaker 1: good because people as anticipating them. But the song I

340
00:19:44,000 --> 00:19:46,439
Speaker 1: heard sound great, like he sounds he didn't miss a step,

341
00:19:46,760 --> 00:19:53,400
Speaker 1: you know, sound like you know vibs Cartel had studios

342
00:19:53,520 --> 00:20:11,720
Speaker 1: that Bob had pro to videos. Girl, you know I

343
00:20:11,720 --> 00:20:15,000
Speaker 1: didn't realize how big he was until he can't until

344
00:20:15,080 --> 00:20:17,239
Speaker 1: he got out. Jet I knew he was popping when

345
00:20:17,240 --> 00:20:20,480
Speaker 1: he got out and he sold out the motherfucking Barclays

346
00:20:20,560 --> 00:20:22,560
Speaker 1: in the garden. I'm like, let me, let me let

347
00:20:22,600 --> 00:20:25,359
Speaker 1: you know how I know how pause how big he is.

348
00:20:26,000 --> 00:20:32,320
Speaker 1: Everywhere I go, people coming to me and go, what

349
00:20:33,040 --> 00:20:38,919
Speaker 1: World Boss, Like good job with the World Boss. I'm like, like,

350
00:20:38,960 --> 00:20:41,480
Speaker 1: I don't know what the to say. Like they get

351
00:20:41,520 --> 00:20:45,639
Speaker 1: straight to the point, like I don't really know you

352
00:20:44,920 --> 00:20:47,760
Speaker 1: you know what, But you interviewed the world Boss. And

353
00:20:47,800 --> 00:20:49,639
Speaker 1: I'd be like, okay, I'll be like I'll take the

354
00:20:49,640 --> 00:20:53,240
Speaker 1: compliment world Boss, like you're the boss of the whole world.

355
00:20:55,840 --> 00:21:00,359
Speaker 1: God damn he's that. I'm the world Boss. So that's ship.

356
00:21:00,920 --> 00:21:03,080
Speaker 1: One time. I know we spoke about this, but one time,

357
00:21:03,480 --> 00:21:05,879
Speaker 1: and I love the fact that y'all speak now. But

358
00:21:06,680 --> 00:21:10,080
Speaker 1: where was the actual problem of you a mob deep

359
00:21:10,080 --> 00:21:14,119
Speaker 1: in the S O B ship you I went to

360
00:21:14,160 --> 00:21:22,520
Speaker 1: C T O N Y I was. I didn't want

361
00:21:22,560 --> 00:21:22,720
Speaker 1: to go.

362
00:21:22,880 --> 00:21:24,359
Speaker 2: I knew I have smoke with them niggas.

363
00:21:24,359 --> 00:21:28,200
Speaker 1: I'm like, yo, I never seen Compona norig alive niggas

364
00:21:28,280 --> 00:21:31,040
Speaker 1: Like nah, Mob Deeper is opening up I don't give

365
00:21:31,080 --> 00:21:34,480
Speaker 1: a fun play the cut, and once once y'all get

366
00:21:34,480 --> 00:21:36,440
Speaker 1: on stage, I'm out of it. I'm like, why time

367
00:21:36,480 --> 00:21:39,040
Speaker 1: they going be going? So i just want to see

368
00:21:39,040 --> 00:21:41,919
Speaker 1: them and ship. And then some fucking Peter Rosenberg was like, nah,

369
00:21:41,960 --> 00:21:43,600
Speaker 1: you got to do your single. You gotta single, you

370
00:21:43,640 --> 00:21:46,960
Speaker 1: got to represent and I'm like, right, I'm like to

371
00:21:47,040 --> 00:21:49,840
Speaker 1: take the place. Take the place for that, trust me

372
00:21:52,080 --> 00:21:57,240
Speaker 1: the whole, Please the place for that. You know, it's crazy.

373
00:21:57,280 --> 00:22:00,480
Speaker 1: We were separated and it was and this was like

374
00:22:00,520 --> 00:22:04,560
Speaker 1: the first time in New York City's headline and overwhelmed.

375
00:22:07,320 --> 00:22:12,840
Speaker 1: I wanted to see t O n Wild.

376
00:22:12,960 --> 00:22:14,959
Speaker 2: So that's one of my favorite hip hop songs.

377
00:22:15,119 --> 00:22:16,840
Speaker 1: So but let me ask you, right, so everyone knows

378
00:22:16,840 --> 00:22:19,760
Speaker 1: how that ended, right, but how did y'all initially get

379
00:22:19,760 --> 00:22:22,880
Speaker 1: together and squash it? Because he was gonna before he died,

380
00:22:22,920 --> 00:22:24,080
Speaker 1: we was getting on the phone.

381
00:22:24,240 --> 00:22:25,080
Speaker 2: Okay, you know what I'm saying.

382
00:22:25,080 --> 00:22:26,800
Speaker 1: It was like listening up because we was friends before that.

383
00:22:26,840 --> 00:22:29,040
Speaker 1: A lot of people don't realize me and prod we

384
00:22:29,040 --> 00:22:29,959
Speaker 1: was in friends, but we was.

385
00:22:30,040 --> 00:22:31,320
Speaker 2: We was cordial.

386
00:22:31,600 --> 00:22:34,120
Speaker 1: It was cordial, and then ship happened with true That's

387
00:22:34,119 --> 00:22:34,600
Speaker 1: what got me.

388
00:22:34,680 --> 00:22:38,360
Speaker 2: That's where it started, what did you do? True Rob?

389
00:22:38,840 --> 00:22:41,120
Speaker 1: Yeah, he paid them for a verse and Prodigy used

390
00:22:41,119 --> 00:22:43,840
Speaker 1: a verse on another song. So he was like, either

391
00:22:43,880 --> 00:22:46,000
Speaker 1: give me, give me the money back, or give me

392
00:22:46,000 --> 00:22:46,879
Speaker 1: a new verse.

393
00:22:47,080 --> 00:22:48,440
Speaker 2: Which is fair? Which is fair?

394
00:22:48,440 --> 00:22:51,960
Speaker 1: And he started like like not picking up the phone,

395
00:22:52,119 --> 00:22:54,399
Speaker 1: is it Like I'm gonna tell you. I'm gonna tell you.

396
00:22:54,880 --> 00:22:56,560
Speaker 2: He started doubling them something like they think.

397
00:22:57,520 --> 00:22:58,840
Speaker 1: Once he started saying that was like.

398
00:22:59,040 --> 00:23:00,159
Speaker 2: I'm gonna tell you us.

399
00:23:00,160 --> 00:23:01,879
Speaker 1: We should do that. Back in the days, we used

400
00:23:01,920 --> 00:23:04,840
Speaker 1: to be like, well, being a studio session, somebody would

401
00:23:04,880 --> 00:23:07,280
Speaker 1: have a back for us. We didn't want to write

402
00:23:07,280 --> 00:23:11,560
Speaker 1: the round real quick. So we just infamous for that.

403
00:23:12,960 --> 00:23:14,600
Speaker 1: I know this because I'm a mix tape so I've

404
00:23:14,600 --> 00:23:16,040
Speaker 1: seen it all the time. Let me tell you something.

405
00:23:22,040 --> 00:23:24,600
Speaker 1: The other day was Na's birthday, right, so they start

406
00:23:24,640 --> 00:23:27,240
Speaker 1: tagging him on all like like his freestyles that he

407
00:23:27,320 --> 00:23:29,639
Speaker 1: had and I had like three or four freestyles.

408
00:23:29,640 --> 00:23:31,719
Speaker 2: I was like, all of these shis is on my album.

409
00:23:33,600 --> 00:23:40,000
Speaker 1: I was right on this. I don't know some nigga

410
00:23:40,040 --> 00:23:41,960
Speaker 1: be wasting some fire. I'd be like, yo, I would

411
00:23:41,960 --> 00:23:43,840
Speaker 1: have kept that ship for a song. You don't see

412
00:23:43,840 --> 00:23:45,560
Speaker 1: a nigga rapping on the radio and the should be

413
00:23:45,560 --> 00:23:48,120
Speaker 1: better than songs and ship like you should have kept

414
00:23:49,400 --> 00:23:51,639
Speaker 1: you giving away the good ship. Your ship said, like

415
00:23:51,680 --> 00:23:55,399
Speaker 1: ship they purposed the first song that Prodigy verse it

416
00:23:55,520 --> 00:23:56,200
Speaker 1: was it was dope.

417
00:23:56,280 --> 00:23:56,480
Speaker 5: It was.

418
00:23:59,200 --> 00:24:02,200
Speaker 2: MG rat true what What's true?

419
00:24:02,240 --> 00:24:06,760
Speaker 1: Life said, Oh, it was dope record. So he never

420
00:24:06,960 --> 00:24:09,399
Speaker 1: replaced the verse and he didn't even get mad at

421
00:24:09,400 --> 00:24:12,480
Speaker 1: that point. He got mad when Son stopped replyings. He

422
00:24:12,600 --> 00:24:14,760
Speaker 1: just kind of pretty much was like because he was like,

423
00:24:14,840 --> 00:24:16,520
Speaker 1: if you won't give me a new verse, because someone's like,

424
00:24:16,560 --> 00:24:17,720
Speaker 1: oh my bad smoke a lot.

425
00:24:17,800 --> 00:24:19,159
Speaker 2: That's Peter probably like.

426
00:24:19,200 --> 00:24:21,920
Speaker 1: Y'all be getting He probably was right, yeah, y'all smoke

427
00:24:21,960 --> 00:24:23,560
Speaker 1: a love for God that I even use that ship.

428
00:24:23,600 --> 00:24:25,000
Speaker 1: He was like, I got you and give you a new,

429
00:24:25,240 --> 00:24:28,359
Speaker 1: brand new ship. Someone's happy. He was like, say less

430
00:24:28,400 --> 00:24:30,320
Speaker 1: and then a couple of weeks past and you know,

431
00:24:30,480 --> 00:24:32,040
Speaker 1: some whatever, a couple of months and then he just

432
00:24:32,040 --> 00:24:34,080
Speaker 1: stopped replying, so he said, I'm catch up with him?

433
00:24:34,520 --> 00:24:39,720
Speaker 1: You know, did he catch up with learning the industry? Like,

434
00:24:39,760 --> 00:24:41,800
Speaker 1: because you think these guys are your friends. At first,

435
00:24:41,800 --> 00:24:44,040
Speaker 1: you think like, like you know what you showed the

436
00:24:44,119 --> 00:24:47,720
Speaker 1: love that you showed them to show When you actually

437
00:24:47,800 --> 00:24:50,119
Speaker 1: realized that and you realize that these guys are pieces

438
00:24:50,160 --> 00:24:53,320
Speaker 1: of ship sometimes all the time. Sometimes that person would

439
00:24:53,359 --> 00:24:55,439
Speaker 1: just forgot you know what I'm saying, But like like

440
00:24:56,800 --> 00:24:58,800
Speaker 1: I can understand. So then what happened when True like

441
00:24:58,920 --> 00:25:02,040
Speaker 1: finally saw them caught up but he ain't catch peing

442
00:25:02,119 --> 00:25:04,639
Speaker 1: and how he caught like the whole infamous mob niggas

443
00:25:04,680 --> 00:25:06,040
Speaker 1: they caught him on Green Street studio.

444
00:25:06,200 --> 00:25:08,000
Speaker 2: Yeah, and they robbed him and they.

445
00:25:08,000 --> 00:25:10,879
Speaker 1: Stripped niggas naked and pistolhip Alchemis did a lot of

446
00:25:10,920 --> 00:25:13,399
Speaker 1: foul ship, like you know what I'm saying. It was

447
00:25:13,400 --> 00:25:15,600
Speaker 1: a little extreme for that, but you know I saw

448
00:25:15,680 --> 00:25:17,960
Speaker 1: niggas was on you know what I'm saying. And then

449
00:25:18,119 --> 00:25:20,200
Speaker 1: so I was get because I was with True every day.

450
00:25:20,200 --> 00:25:22,640
Speaker 1: I'm like guilty by association, like, oh that's his man

451
00:25:22,680 --> 00:25:25,520
Speaker 1: type shit. So we were bumping to them niggas and

452
00:25:25,520 --> 00:25:27,240
Speaker 1: they're like, yeah, what's up? What's up? Man?

453
00:25:27,320 --> 00:25:28,400
Speaker 2: Like you know, you know what's sod.

454
00:25:28,440 --> 00:25:30,160
Speaker 1: I'm on you know what I'm saying, because I'm cool shot,

455
00:25:30,200 --> 00:25:32,600
Speaker 1: But that's my brother being True. I know Truth is

456
00:25:32,640 --> 00:25:34,119
Speaker 1: our teenager, you know what I'm saying. So I'm like,

457
00:25:34,800 --> 00:25:36,840
Speaker 1: that's my brother. So you know what I'm saying. So

458
00:25:37,040 --> 00:25:39,159
Speaker 1: one thing led to do another to the point and

459
00:25:39,200 --> 00:25:41,240
Speaker 1: then they try to say we was burning mall deep

460
00:25:41,320 --> 00:25:45,280
Speaker 1: CDs on We had a stack of CDs. They should

461
00:25:45,440 --> 00:25:47,440
Speaker 1: just happened to be one of them. So we burned

462
00:25:47,480 --> 00:25:50,080
Speaker 1: everybody ship like all this shit is garbage. That's when

463
00:25:50,080 --> 00:25:52,720
Speaker 1: we was being reckless, Like we kind of invented a

464
00:25:52,760 --> 00:25:54,520
Speaker 1: lot of shit that's on the internet now, like the

465
00:25:54,520 --> 00:25:57,199
Speaker 1: ship niggas doing they trolling, We was doing it on DVD.

466
00:25:57,680 --> 00:26:00,840
Speaker 1: You know what I'm saying. You know true staff Champagne Rose,

467
00:26:02,000 --> 00:26:10,560
Speaker 1: he selected I want to take pictures with the niggas dollar.

468
00:26:10,760 --> 00:26:12,639
Speaker 1: It's a dollar to take a picture with his niggas.

469
00:26:12,680 --> 00:26:17,119
Speaker 1: Jewelry was fucked up. So then I was guilty by association.

470
00:26:17,240 --> 00:26:18,880
Speaker 1: So they was like, yeah, we're gonna We're gonna get

471
00:26:18,880 --> 00:26:23,560
Speaker 1: you when it happened. But because nothing actually initially happened

472
00:26:23,560 --> 00:26:25,800
Speaker 1: with y'all. But what was it for s obs that

473
00:26:26,080 --> 00:26:28,439
Speaker 1: all them niggas got on stage while I was on stage?

474
00:26:28,680 --> 00:26:30,800
Speaker 1: I wan't put nothing happened with y'all prior to that.

475
00:26:31,480 --> 00:26:32,280
Speaker 2: Okay, Well, one.

476
00:26:32,119 --> 00:26:35,240
Speaker 1: Time, one one time time, were about to get it on, okay,

477
00:26:35,240 --> 00:26:37,640
Speaker 1: and one of the niggas had a hammer and they

478
00:26:37,720 --> 00:26:40,120
Speaker 1: was like, yeah, we could kill you right now. I'm like, nigga,

479
00:26:40,640 --> 00:26:42,640
Speaker 1: a good day to die, Nigga, I ain't. I ain't

480
00:26:42,680 --> 00:26:44,959
Speaker 1: no cow, like what's up? And I was ready to go.

481
00:26:45,040 --> 00:26:46,760
Speaker 1: You act sickam all your act them. I was ready

482
00:26:46,800 --> 00:26:49,240
Speaker 1: to go. And then but it ain't. Nothing happened. So

483
00:26:49,320 --> 00:26:51,720
Speaker 1: but I knew now that that's when I knew we

484
00:26:51,800 --> 00:26:54,040
Speaker 1: had a problem because I'm like, I want to talk

485
00:26:54,119 --> 00:26:56,120
Speaker 1: to Prodigy and his man just trying to like put

486
00:26:56,400 --> 00:26:59,040
Speaker 1: his arm in front of him like so I'm like, so,

487
00:26:59,200 --> 00:27:01,080
Speaker 1: what's up with the hand say nothing, always putting to

488
00:27:01,119 --> 00:27:03,760
Speaker 1: be like, yo, that's my man. And he didn't say nothing.

489
00:27:03,840 --> 00:27:06,560
Speaker 1: So I'm like, oh, maybe you don't fuck me no more.

490
00:27:06,880 --> 00:27:09,360
Speaker 1: So from that point on, things just didn't go right

491
00:27:09,400 --> 00:27:11,720
Speaker 1: because he affiliated you Tube with the True Life Ship.

492
00:27:11,840 --> 00:27:14,359
Speaker 1: So then when when when the niggas got on stage,

493
00:27:14,440 --> 00:27:16,040
Speaker 1: I was like, fuck it. I thought they was gonna

494
00:27:16,080 --> 00:27:19,120
Speaker 1: speak touse living no angle lie. I'm like, I'm gonna

495
00:27:19,119 --> 00:27:19,880
Speaker 1: get minds off.

496
00:27:19,960 --> 00:27:22,600
Speaker 6: And I told y'all was together. Yeah, everybody did that

497
00:27:22,640 --> 00:27:27,040
Speaker 6: because that's how close y'all were. Nigga like it was

498
00:27:27,119 --> 00:27:30,640
Speaker 6: cruel out. I was like, oh, like that.

499
00:27:30,800 --> 00:27:33,399
Speaker 1: Because niggas don't see thee Before they got on stage,

500
00:27:33,760 --> 00:27:35,840
Speaker 1: they started with everybody on stage. I was up there

501
00:27:35,880 --> 00:27:38,400
Speaker 1: by myself when by the time they showed the video,

502
00:27:38,440 --> 00:27:41,199
Speaker 1: it's fourteen motherfuckers on stage, and I'm looking around like

503
00:27:41,200 --> 00:27:44,960
Speaker 1: who are these niggas? But I keep rapping, you know,

504
00:27:45,040 --> 00:27:48,320
Speaker 1: and then like I'm thinking, these niggas like this, they

505
00:27:48,440 --> 00:27:52,320
Speaker 1: like this. I'm like, oh, this is and I've seen

506
00:27:52,680 --> 00:27:55,280
Speaker 1: my man Prince who I grew up with, who's Havoc's cousin,

507
00:27:55,600 --> 00:27:57,679
Speaker 1: and I'm like something, what is this? Like what's going on?

508
00:27:57,760 --> 00:28:01,359
Speaker 1: He's like you good son, you good? You problems? So

509
00:28:01,560 --> 00:28:03,400
Speaker 1: I was like, oh, fuck it, maybe it is love

510
00:28:03,960 --> 00:28:06,600
Speaker 1: until it was time to get off the stage yoked

511
00:28:06,640 --> 00:28:09,359
Speaker 1: me up, so all right, so it's popular. So then

512
00:28:09,400 --> 00:28:11,359
Speaker 1: we got it. We started fighting, and that was the

513
00:28:11,400 --> 00:28:13,679
Speaker 1: dumbest ship. That was dumb, like when you could be

514
00:28:13,720 --> 00:28:16,960
Speaker 1: too brave sometimes because had I not, had God not

515
00:28:17,040 --> 00:28:19,200
Speaker 1: been with me that day, they would have stomped a

516
00:28:19,320 --> 00:28:21,880
Speaker 1: fucking mud hole in my eyes. Think about it, when

517
00:28:21,920 --> 00:28:24,200
Speaker 1: y'all was running around right seeing in with y'all man

518
00:28:24,280 --> 00:28:27,280
Speaker 1: deep murdering unit and all that. But nigga would too

519
00:28:27,320 --> 00:28:29,560
Speaker 1: deep and would have snuffed you. What would have happened

520
00:28:29,600 --> 00:28:32,760
Speaker 1: to him? Nigga probably died like and I thought I

521
00:28:32,800 --> 00:28:34,320
Speaker 1: was gonna I was either I was like they were

522
00:28:34,400 --> 00:28:36,080
Speaker 1: gonna kill me or they gonna hurt me real bad.

523
00:28:36,520 --> 00:28:38,400
Speaker 1: But one thing they're gonna say is this niggas this

524
00:28:38,480 --> 00:28:41,400
Speaker 1: nigga went out And that's that dumb mentality. It's a

525
00:28:41,440 --> 00:28:44,880
Speaker 1: civil mentality. In hindsight, I wouldn't do it today. I

526
00:28:44,880 --> 00:28:47,920
Speaker 1: wouldn't do that. I'm saying that, but if I was

527
00:28:48,000 --> 00:28:49,320
Speaker 1: in my right state of mind, I'd be like, no,

528
00:28:49,400 --> 00:28:52,200
Speaker 1: I ain't doing that. Ship shot your shots that anything

529
00:28:52,200 --> 00:28:54,680
Speaker 1: could happen. Did y'all everythink and I'm gonna ask you don't

530
00:28:54,720 --> 00:28:58,960
Speaker 1: thank God? Nohing yeah show on both sides. Did you

531
00:28:59,000 --> 00:29:01,200
Speaker 1: ever think that will have a day where we were

532
00:29:01,200 --> 00:29:07,480
Speaker 1: talking about Cameron and Mate, excuse me name Dame after

533
00:29:07,640 --> 00:29:11,360
Speaker 1: Cameron and Jim Jones was beefing after Jim Jones and

534
00:29:11,440 --> 00:29:14,960
Speaker 1: Dame was beefing. Now that Cam and Dames beefing, do

535
00:29:15,040 --> 00:29:18,960
Speaker 1: you ever think that, like you like com home to

536
00:29:19,280 --> 00:29:22,800
Speaker 1: unite hall them. Everybody said, everybody get a clean slate,

537
00:29:24,000 --> 00:29:26,720
Speaker 1: everybody get a clean slate. When I come on needed

538
00:29:27,120 --> 00:29:30,120
Speaker 1: he does know how to deliver a great interview. Oh yeah,

539
00:29:30,840 --> 00:29:34,960
Speaker 1: deliver great entertaining. I couldn't tell they was going to

540
00:29:35,000 --> 00:29:40,040
Speaker 1: scrap at one point, you got to do that, told

541
00:29:40,080 --> 00:29:44,440
Speaker 1: me me as knowing Dame and me as knowing Charlotmage.

542
00:29:45,040 --> 00:29:47,400
Speaker 1: I wasn't worried at all. He wasn't. Yeah, I wasn't

543
00:29:47,680 --> 00:29:50,280
Speaker 1: at all. I'm like, that's a little spicy. They getting

544
00:29:50,240 --> 00:29:52,800
Speaker 1: a little spicy talk like I'll punch you in the

545
00:29:52,840 --> 00:30:00,840
Speaker 1: face the side, like turn the cameras on. But they

546
00:30:00,880 --> 00:30:05,080
Speaker 1: took pictures together afterwards and everything, so like you know, Dame,

547
00:30:05,160 --> 00:30:07,840
Speaker 1: Dame definitely know he's polarizing. That's one thing I give

548
00:30:07,880 --> 00:30:11,280
Speaker 1: him credit for. He gave a lot of dudes opportunity. Man,

549
00:30:11,440 --> 00:30:14,720
Speaker 1: And he wasn't you started the rocket for at one point? No,

550
00:30:14,840 --> 00:30:16,760
Speaker 1: I was, I was going. I was going. I didn't

551
00:30:16,760 --> 00:30:19,520
Speaker 1: know I didn't know I had the opportunity until Randy

552
00:30:19,560 --> 00:30:25,200
Speaker 1: actor to the fact that let you. I said, what

553
00:30:25,240 --> 00:30:27,120
Speaker 1: then say? He said, I should have let you do

554
00:30:27,160 --> 00:30:32,240
Speaker 1: the jigadale? He said, he said it was a jigger deal.

555
00:30:32,800 --> 00:30:33,280
Speaker 1: You didn't know.

556
00:30:33,400 --> 00:30:35,080
Speaker 2: He said, you had ready to the Atlantic deal.

557
00:30:35,120 --> 00:30:41,800
Speaker 1: I said, man, I could of got out of GM.

558
00:30:42,240 --> 00:30:43,760
Speaker 2: Jay could have made that ship go away.

559
00:30:43,600 --> 00:30:48,560
Speaker 1: Like that with Retrospect. At that time, Atlantic was like

560
00:30:48,840 --> 00:30:51,760
Speaker 1: direct in competition with Depth, and they were they were

561
00:30:51,800 --> 00:30:54,560
Speaker 1: trying to like, well, so who's that because they had

562
00:30:54,560 --> 00:31:06,000
Speaker 1: the whole cra Okay, you let jay Z do his

563
00:31:06,040 --> 00:31:08,400
Speaker 1: thing over there, and I'm like, yo, son, I just

564
00:31:08,440 --> 00:31:10,440
Speaker 1: played we can go over here with with Jay. I'm like,

565
00:31:10,480 --> 00:31:13,000
Speaker 1: this should makes sense. We got the record, but I

566
00:31:13,000 --> 00:31:14,840
Speaker 1: didn't know that there was an opportunity for a day

567
00:31:14,880 --> 00:31:16,840
Speaker 1: because I used to be in Baseline every day, so

568
00:31:16,880 --> 00:31:18,920
Speaker 1: it kind of seemed like I was on Rockefeller. I'd

569
00:31:18,920 --> 00:31:21,600
Speaker 1: be in there with Bleak and Murder and Bonn and

570
00:31:21,640 --> 00:31:24,760
Speaker 1: all the niggas every single day. So I felt like

571
00:31:24,800 --> 00:31:26,200
Speaker 1: I was even though I was on a different label,

572
00:31:26,200 --> 00:31:28,160
Speaker 1: it felt like I was still Rockefeller out We do

573
00:31:28,320 --> 00:31:31,320
Speaker 1: our records together and so it was all good. It

574
00:31:31,360 --> 00:31:34,000
Speaker 1: was like a family. So you know, then when ship

575
00:31:34,000 --> 00:31:35,960
Speaker 1: went south with when they left, when they when they

576
00:31:36,040 --> 00:31:38,080
Speaker 1: left Atlantic, that's when I was like, I don't want

577
00:31:38,120 --> 00:31:40,760
Speaker 1: to be here because g and Hop left within like

578
00:31:40,800 --> 00:31:43,200
Speaker 1: a year, right, so I'm like I want to be

579
00:31:43,320 --> 00:31:44,280
Speaker 1: I don't talk, I don't know.

580
00:31:45,160 --> 00:31:47,120
Speaker 2: Yeah, Atlantic, he wasn't there.

581
00:31:47,400 --> 00:31:48,840
Speaker 1: He had was in.

582
00:31:49,440 --> 00:31:51,320
Speaker 2: Craig was running this ship because.

583
00:31:51,680 --> 00:31:58,040
Speaker 1: They grew an industry, like when' what's the move? What's

584
00:31:58,080 --> 00:32:06,880
Speaker 1: the movie? Paper soldiers? The other one stay property, state

585
00:32:06,920 --> 00:32:09,680
Speaker 1: property too. Like they got an eighty Like when Beanie

586
00:32:09,680 --> 00:32:12,440
Speaker 1: went to jail, like I gave him an eighty thousand

587
00:32:12,480 --> 00:32:16,480
Speaker 1: dollars clearance from what the thug about? And they was

588
00:32:16,760 --> 00:32:18,440
Speaker 1: like they was beef and it's like, yo, you know

589
00:32:18,520 --> 00:32:20,560
Speaker 1: what He's like, Yo, how you gonna tell me? You know,

590
00:32:20,960 --> 00:32:24,440
Speaker 1: my producer, like you know, blah blah blah, and it's

591
00:32:24,480 --> 00:32:26,160
Speaker 1: like yo, he was like, yo, give it to him.

592
00:32:26,400 --> 00:32:28,920
Speaker 1: Like you know, he was like, yo, you know, beans

593
00:32:28,960 --> 00:32:32,800
Speaker 1: need a favor because they got beans beans in court

594
00:32:32,840 --> 00:32:34,800
Speaker 1: and they got to get up all the money, you know,

595
00:32:35,560 --> 00:32:38,720
Speaker 1: so to pay his legal fees. And that was that

596
00:32:38,840 --> 00:32:43,160
Speaker 1: was deeva. It's like, yo, eighty thousand all right, said

597
00:32:43,160 --> 00:32:45,680
Speaker 1: you had to give up? No, no, Like the Clarence

598
00:32:45,800 --> 00:32:49,160
Speaker 1: was eighty thousands, okay, okay, you know like a Clarence

599
00:32:49,560 --> 00:32:53,040
Speaker 1: used ten fifteen. Ye. They was like, oh, you know

600
00:32:53,360 --> 00:32:55,840
Speaker 1: it's an eighty thousand dollars Clarence maybe more.

601
00:32:56,360 --> 00:33:01,920
Speaker 2: Well it's a clear to sample sugar about about damn.

602
00:33:02,680 --> 00:33:06,520
Speaker 1: That's crazy, Come on baby with one hundred grand and

603
00:33:06,600 --> 00:33:09,479
Speaker 1: they took one hundred percent of the publishing. Jay Giles

604
00:33:09,520 --> 00:33:11,760
Speaker 1: mand I was like, but back then you don't be

605
00:33:11,840 --> 00:33:14,880
Speaker 1: knowing you just like it ain't my fucking money at

606
00:33:14,880 --> 00:33:19,080
Speaker 1: throwing up out. You don't realize until recouping you like, yo,

607
00:33:20,280 --> 00:33:22,680
Speaker 1: when you care about recouping, you care about you do

608
00:33:22,800 --> 00:33:25,400
Speaker 1: records like that, Like you know, after twenty five years,

609
00:33:25,440 --> 00:33:27,760
Speaker 1: I'll believe thirty years the records convert back to you.

610
00:33:28,120 --> 00:33:30,840
Speaker 1: You do records like that, those never convert back to you, Yeah,

611
00:33:30,840 --> 00:33:37,960
Speaker 1: because they get your wrap. Yeah, sure, like the J

612
00:33:38,160 --> 00:33:41,120
Speaker 1: Jeals Man, it's like that will that will push your album,

613
00:33:41,440 --> 00:33:44,440
Speaker 1: you know what I'm saying. And you can have you know,

614
00:33:45,000 --> 00:33:49,000
Speaker 1: like Booty records on the album and it's like through

615
00:33:49,040 --> 00:33:51,920
Speaker 1: one hot record that'll that'll make it move, you know

616
00:33:51,960 --> 00:33:54,760
Speaker 1: what I'm saying. And that's that's what it's for. Like

617
00:33:54,840 --> 00:33:57,560
Speaker 1: sometimes it's like, Yo, you know what I didn't play

618
00:33:57,640 --> 00:34:00,560
Speaker 1: this sample or I played this sample? Is they took

619
00:34:00,640 --> 00:34:05,240
Speaker 1: everything and it's like, yo, that's it. Like Isaac Hayes

620
00:34:05,320 --> 00:34:10,279
Speaker 1: did that with Faith record you produce, Yeah, they got

621
00:34:10,280 --> 00:34:17,439
Speaker 1: eighty poppers in the publishing. Dam what else? I don't

622
00:34:17,480 --> 00:34:20,120
Speaker 1: need him. Jesse Jackson took all the.

623
00:34:20,080 --> 00:34:23,480
Speaker 2: Publishing Jesse Jackson, Yeah, Jesse Jackson.

624
00:34:23,840 --> 00:34:25,840
Speaker 1: Jesse Jason ran for president.

625
00:34:26,239 --> 00:34:30,160
Speaker 7: Yeah yeah, Jesse Jackson, you said Jackson DJ CO.

626
00:34:31,440 --> 00:34:34,719
Speaker 1: But like I had a lot of clearances, like even

627
00:34:34,760 --> 00:34:38,319
Speaker 1: though people don't know, like yo, what you've done. Like

628
00:34:38,480 --> 00:34:41,080
Speaker 1: I had a lot of clearances and like movies and stuff,

629
00:34:41,320 --> 00:34:46,879
Speaker 1: it's like, yo, it's insane. So it's I was like, yo, Sean,

630
00:34:47,000 --> 00:34:50,719
Speaker 1: you know what it is? Like, Oh you know, yo,

631
00:34:50,760 --> 00:34:52,920
Speaker 1: he won one hundred percent? All right, cool, you know

632
00:34:53,080 --> 00:34:57,719
Speaker 1: at least I got. I got the other part, you

633
00:34:57,719 --> 00:35:00,319
Speaker 1: know what I'm saying, Not the publishing part, but you know,

634
00:35:00,400 --> 00:35:02,839
Speaker 1: the sales part. So when they take on a hundred percent,

635
00:35:02,960 --> 00:35:08,600
Speaker 1: you still get paid though, right oh no, no, don't

636
00:35:08,719 --> 00:35:11,799
Speaker 1: produce it, don't get paid. It's two parts like either

637
00:35:12,960 --> 00:35:17,880
Speaker 1: if the publishing and the master the mechanical, like mechanical,

638
00:35:18,160 --> 00:35:20,759
Speaker 1: Like I got the mechanical because it's like it was

639
00:35:21,080 --> 00:35:25,280
Speaker 1: public domain. So like I ate, you know what I'm saying,

640
00:35:25,320 --> 00:35:27,640
Speaker 1: but I didn't eat. But it's like, you know, the publishing.

641
00:35:27,880 --> 00:35:30,080
Speaker 1: I think what he's asking is for just making the bee.

642
00:35:30,239 --> 00:35:34,160
Speaker 1: You still get paid, like you're making work for high No, no,

643
00:35:34,800 --> 00:35:38,960
Speaker 1: not not publishing like it originally.

644
00:35:39,040 --> 00:35:41,320
Speaker 3: Yeah, like the label has to pay for the clears

645
00:35:41,320 --> 00:35:43,239
Speaker 3: of the sample, but for you to actually make the beef,

646
00:35:43,480 --> 00:35:45,520
Speaker 3: you got to clear it something.

647
00:35:46,840 --> 00:35:55,120
Speaker 1: Yeah, there's a lot of money, but like real, you know,

648
00:35:56,800 --> 00:35:59,040
Speaker 1: but real, like yo, I got a lot of money

649
00:35:59,239 --> 00:36:03,160
Speaker 1: just doing beats like then, because it's like I was

650
00:36:03,280 --> 00:36:05,960
Speaker 1: turning out beats and turning out beats and all of

651
00:36:06,000 --> 00:36:06,680
Speaker 1: them still.

652
00:36:06,440 --> 00:36:13,120
Speaker 2: Play today, right, you know, to look, I got a

653
00:36:13,160 --> 00:36:16,120
Speaker 2: lot of ship. So let me just tell you something.

654
00:36:16,520 --> 00:36:20,040
Speaker 1: It was. It was one era like there's always like

655
00:36:20,200 --> 00:36:23,319
Speaker 1: two producers, right, so it's like Primo and Pete Rock, right,

656
00:36:24,800 --> 00:36:28,080
Speaker 1: Swiss and Timberland, and then I remember this one era

657
00:36:28,200 --> 00:36:28,680
Speaker 1: it was just.

658
00:36:28,680 --> 00:36:32,239
Speaker 2: Buck Wild and easy LP. Yeah.

659
00:36:33,200 --> 00:36:40,680
Speaker 1: I found out easy LP record, which one is that

660
00:36:40,760 --> 00:36:48,600
Speaker 1: it's a record called Come Again. Like I would do

661
00:36:48,640 --> 00:36:50,400
Speaker 1: a record and then you'd be like, yo, you know what,

662
00:36:50,480 --> 00:36:52,840
Speaker 1: I heard your record. I'm going to make beats and

663
00:36:52,840 --> 00:36:56,880
Speaker 1: it's like and then he do a record like I

664
00:36:56,960 --> 00:36:57,919
Speaker 1: remember when when.

665
00:36:57,880 --> 00:37:00,359
Speaker 2: Sean ship, Like yo, I heard that ship.

666
00:37:00,400 --> 00:37:07,000
Speaker 1: I was like, damn man, and that's that's going like

667
00:37:07,120 --> 00:37:09,640
Speaker 1: you know the next week, you know, I want to

668
00:37:09,880 --> 00:37:12,839
Speaker 1: rob and it's like, Yo, that was that and it's

669
00:37:12,920 --> 00:37:17,359
Speaker 1: like it was like yo one l P one one

670
00:37:17,400 --> 00:37:20,080
Speaker 1: buck Wild one LP one buck Wild and it's like, yo,

671
00:37:20,160 --> 00:37:21,000
Speaker 1: that was on fire.

672
00:37:21,120 --> 00:37:22,319
Speaker 2: That was that was a dope error.

673
00:37:22,400 --> 00:37:22,520
Speaker 1: Man.

674
00:37:22,560 --> 00:37:25,560
Speaker 2: Imagine you ever did a compilation together like A side

675
00:37:25,640 --> 00:37:26,360
Speaker 2: and B side.

676
00:37:26,880 --> 00:37:30,719
Speaker 1: We didn't. We didn't know, like yeah, like rappers competition

677
00:37:31,480 --> 00:37:34,480
Speaker 1: like and today no niggas will be like, oh, you know,

678
00:37:34,560 --> 00:37:39,080
Speaker 1: ain't no competition like we we like we'll be like, yo,

679
00:37:39,160 --> 00:37:42,080
Speaker 1: you know what I'm yo, I'm gonna smash that ship.

680
00:37:42,719 --> 00:37:45,399
Speaker 1: And that's what it is. It's like, you know, ain't

681
00:37:45,400 --> 00:37:48,359
Speaker 1: no competition like yo, you know, yo, you gotta wreck.

682
00:37:48,480 --> 00:37:49,839
Speaker 2: Don't care about the art no more.

683
00:37:49,920 --> 00:37:52,799
Speaker 1: That the creativity that's the whack part about it, Like

684
00:37:52,960 --> 00:37:55,160
Speaker 1: you don't hear music no more to make you be like, yo,

685
00:37:55,320 --> 00:37:56,880
Speaker 1: this is inspiring. Man, I want to go.

686
00:37:57,560 --> 00:37:59,120
Speaker 2: I need man, you don't hear that ship?

687
00:37:59,200 --> 00:38:01,560
Speaker 3: Like music is being ages to be in the media

688
00:38:01,600 --> 00:38:04,640
Speaker 3: sirt exactly like it where where you want the.

689
00:38:04,640 --> 00:38:07,560
Speaker 1: Media to promote the music. Now it's like use music

690
00:38:07,600 --> 00:38:11,240
Speaker 1: to just do exact media exactly. That's the beaute about

691
00:38:11,320 --> 00:38:16,560
Speaker 1: your album is again it sounds like the culture, but

692
00:38:16,600 --> 00:38:21,000
Speaker 1: then it sounds like now right now, I'm well aware

693
00:38:22,280 --> 00:38:28,839
Speaker 1: of my age, well over in my age seven. So

694
00:38:29,840 --> 00:38:32,400
Speaker 1: like that's that's the scary part for me. Is the

695
00:38:32,400 --> 00:38:34,600
Speaker 1: reason why I kind of don't want to make music

696
00:38:35,239 --> 00:38:38,680
Speaker 1: is not not completely, but this is one of the reasons, right,

697
00:38:39,480 --> 00:38:41,520
Speaker 1: It is because I don't know if I lost my ear.

698
00:38:43,520 --> 00:38:44,640
Speaker 1: This is what I mean, let me, let me, let me,

699
00:38:44,680 --> 00:38:46,759
Speaker 1: let me finish, or do I just want to hear

700
00:38:46,880 --> 00:38:51,319
Speaker 1: my type of music? Because like because I started to

701
00:38:51,360 --> 00:38:55,440
Speaker 1: sound like that old dude like my day, Like I

702
00:38:55,480 --> 00:38:57,480
Speaker 1: was like wait a minute, like hold on, hold up,

703
00:38:57,520 --> 00:39:00,200
Speaker 1: like you know what I mean. So so like what

704
00:39:00,200 --> 00:39:04,719
Speaker 1: I'm saying, like that's kind of inevitable, Like I want

705
00:39:04,760 --> 00:39:10,759
Speaker 1: by luxury to get my son's room. I'm not knocking it,

706
00:39:10,800 --> 00:39:14,640
Speaker 1: but I'm just like, am I become my parents because

707
00:39:14,640 --> 00:39:18,360
Speaker 1: I'm like, listen, one of the biggest rappers out I

708
00:39:18,400 --> 00:39:21,160
Speaker 1: don't understand none of that ship like Playboy CARDI.

709
00:39:21,239 --> 00:39:22,439
Speaker 2: You ever listen to that ship?

710
00:39:22,480 --> 00:39:26,200
Speaker 1: It ain't even like rat but it makes noises like

711
00:39:28,080 --> 00:39:32,799
Speaker 1: you're not even Hendrick. I don't know about my kids

712
00:39:32,880 --> 00:39:35,960
Speaker 1: listening to Kendrick. I'm saying, do you listen to Kendrick? Oh?

713
00:39:36,000 --> 00:39:37,239
Speaker 2: I listen to and Drake.

714
00:39:37,760 --> 00:39:40,520
Speaker 1: So when when you listen to Kendrick and Drake, you're like, yo,

715
00:39:40,560 --> 00:39:43,239
Speaker 1: you know you tuned in, so you got your hand

716
00:39:43,280 --> 00:39:46,200
Speaker 1: on a poster, like you know, hip hop, there's other ships,

717
00:39:46,360 --> 00:39:49,640
Speaker 1: you know, kids we listen to be like, I don't know,

718
00:39:49,719 --> 00:39:51,400
Speaker 1: I don't know what. I don't know what that ship is.

719
00:39:51,440 --> 00:39:53,680
Speaker 1: I don't know what it's from. Like my son be

720
00:39:53,760 --> 00:39:56,359
Speaker 1: like yo, putting putting songs in the car.

721
00:39:56,800 --> 00:39:58,759
Speaker 2: I'd be like, Yo, what the fuck is that ship?

722
00:39:58,840 --> 00:39:59,600
Speaker 2: Reason why I would?

723
00:39:59,640 --> 00:40:02,160
Speaker 1: I would me personally would appreciate some new music from

724
00:40:02,200 --> 00:40:05,440
Speaker 1: you because you always had your own style.

725
00:40:05,600 --> 00:40:08,200
Speaker 2: You always ship your way like I used to be

726
00:40:08,239 --> 00:40:08,920
Speaker 2: like Yo, Norri.

727
00:40:09,480 --> 00:40:11,520
Speaker 1: You know, like nobody.

728
00:40:11,280 --> 00:40:11,799
Speaker 2: Creation it is.

729
00:40:11,800 --> 00:40:14,480
Speaker 1: I always try to be in my lane, but I

730
00:40:14,480 --> 00:40:17,680
Speaker 1: don't know what lane going this time. It's like you

731
00:40:17,800 --> 00:40:20,920
Speaker 1: but it's your lane, like you know, you let your

732
00:40:20,920 --> 00:40:26,040
Speaker 1: mind get it million percent. Because it's something that I've

733
00:40:26,040 --> 00:40:27,920
Speaker 1: seen young Thug. They said to Young Doug and it

734
00:40:28,040 --> 00:40:30,120
Speaker 1: was like, Yo, why you ain't dropping music? And he

735
00:40:30,200 --> 00:40:32,719
Speaker 1: was like, I just don't have the energy around me.

736
00:40:32,800 --> 00:40:33,279
Speaker 1: And it's like.

737
00:40:34,880 --> 00:40:35,480
Speaker 2: I thought of that.

738
00:40:35,480 --> 00:40:38,360
Speaker 1: It's like sometimes like oh, maybe I'm scared of this generation.

739
00:40:38,680 --> 00:40:40,720
Speaker 1: Maybe I'm scared of just catered to my generation.

740
00:40:40,800 --> 00:40:41,200
Speaker 2: I don't know.

741
00:40:41,400 --> 00:40:43,440
Speaker 1: Like four four four was one of my favorite jay

742
00:40:43,480 --> 00:40:46,840
Speaker 1: Z jay Z's album and it wasn't because it was

743
00:40:46,960 --> 00:40:49,120
Speaker 1: the best jay Z album, but it was. It was

744
00:40:49,360 --> 00:40:52,359
Speaker 1: because it related to this time. He spoke to this

745
00:40:52,440 --> 00:40:54,319
Speaker 1: day in time. He didn't try to be a twenty

746
00:40:54,400 --> 00:40:58,360
Speaker 1: year old rapper. He's trying to be a grown uh married,

747
00:40:59,520 --> 00:41:02,799
Speaker 1: successful businessman and make dope raps. So that's the reason why,

748
00:41:02,800 --> 00:41:04,440
Speaker 1: that's why he stated he did.

749
00:41:04,360 --> 00:41:06,560
Speaker 3: Himself like he did what I'm assuming he did the

750
00:41:06,600 --> 00:41:08,520
Speaker 3: music that he wanted to do that he appreciated.

751
00:41:08,680 --> 00:41:10,719
Speaker 1: I know, sometimes it's not enough. That's that's what you

752
00:41:10,719 --> 00:41:14,440
Speaker 1: can't put yourself. So like ship, you know, like you

753
00:41:14,480 --> 00:41:16,799
Speaker 1: know what, I made the Ward report for us, but

754
00:41:16,880 --> 00:41:19,359
Speaker 1: I had in mind that the world was going to

755
00:41:19,400 --> 00:41:21,040
Speaker 1: do it. But if I would have made it just

756
00:41:21,080 --> 00:41:23,200
Speaker 1: for us, the world wouldn't have heard it. You know

757
00:41:23,200 --> 00:41:26,800
Speaker 1: what I'm saying about the world. But let me just

758
00:41:26,800 --> 00:41:28,520
Speaker 1: tell you something. When I listened to the ward report,

759
00:41:28,840 --> 00:41:31,360
Speaker 1: I'd be like, why the people even like this ship?

760
00:41:31,480 --> 00:41:41,319
Speaker 1: We were talking and the queen slang like you. I

761
00:41:41,320 --> 00:41:43,879
Speaker 1: didn't realize that what I listen to all that ship

762
00:41:44,040 --> 00:41:47,839
Speaker 1: right now the same feeling. Like me, music is about

763
00:41:47,840 --> 00:41:50,239
Speaker 1: a feeling, and I still get that feeling when I

764
00:41:50,680 --> 00:41:51,719
Speaker 1: what was that ship you had?

765
00:41:52,200 --> 00:41:54,080
Speaker 2: Think mom, thug was on that ship.

766
00:41:54,800 --> 00:42:01,279
Speaker 1: Keep you remember that it happened to now. We were

767
00:42:01,320 --> 00:42:02,440
Speaker 1: talking and he was like, yo, I don't know what

768
00:42:02,719 --> 00:42:05,000
Speaker 1: you're talk about because we were talking about queens. So

769
00:42:05,320 --> 00:42:08,560
Speaker 1: like the thing about it is, that's what's crazy about

770
00:42:08,560 --> 00:42:10,920
Speaker 1: the world is sometimes you make something for your little

771
00:42:10,920 --> 00:42:14,480
Speaker 1: block and that little world, the world that takes over.

772
00:42:14,560 --> 00:42:16,600
Speaker 1: That ship Charlotte made said he used to call the

773
00:42:17,200 --> 00:42:22,399
Speaker 1: old Queen's Bridge. They was in South Carolina, queens brand

774
00:42:25,640 --> 00:42:28,640
Speaker 1: because you draw people into your world, not you. You

775
00:42:28,800 --> 00:42:30,400
Speaker 1: be like, oh, you know, I'm gonna make this for

776
00:42:30,480 --> 00:42:32,560
Speaker 1: the You don't behind in the parraale like them, and

777
00:42:32,640 --> 00:42:35,399
Speaker 1: there me some ship, give me the Louis guitar. Yeat

778
00:42:40,320 --> 00:42:42,760
Speaker 1: kidding me. I don't know how to ask for friends

779
00:42:42,760 --> 00:42:51,360
Speaker 1: and family. I don't know to be that guy right now, brother,

780
00:42:52,480 --> 00:42:59,319
Speaker 1: I know that Louis ship. You gotta you gotta get

781
00:43:00,160 --> 00:43:06,520
Speaker 1: buying my own ship. No like you gotta point. I

782
00:43:06,560 --> 00:43:10,520
Speaker 1: gotta get get And by the way, let's make the

783
00:43:10,600 --> 00:43:17,640
Speaker 1: noise for real. For being the fucking Louis vuitar. It

784
00:43:17,680 --> 00:43:20,120
Speaker 1: sounds like kind of cliche, but it's not. And he said,

785
00:43:20,120 --> 00:43:21,719
Speaker 1: did you ever think that hip hop will take it

786
00:43:21,760 --> 00:43:24,880
Speaker 1: this far? Like crazy? Ship is like yo, bro, just

787
00:43:24,880 --> 00:43:27,640
Speaker 1: seeing Pharrell again living this big up Pharrell and big

788
00:43:27,719 --> 00:43:30,319
Speaker 1: up to clips, like seeing them in the Vatican like

789
00:43:30,360 --> 00:43:33,160
Speaker 1: a t K in my eye. Bro, that's crazy. Never

790
00:43:33,239 --> 00:43:36,440
Speaker 1: think about, like not only think about for me, but

791
00:43:36,520 --> 00:43:37,880
Speaker 1: think about for any artist.

792
00:43:37,960 --> 00:43:40,120
Speaker 8: And then you sort the thing. You say, what the

793
00:43:40,480 --> 00:43:43,640
Speaker 8: isn't clips drug dealers? Like how the are they performing

794
00:43:43,680 --> 00:43:48,800
Speaker 8: in the vat Vatican? Make you so?

795
00:43:49,400 --> 00:43:52,320
Speaker 1: And they're performing a song about their parents who passed

796
00:43:52,320 --> 00:43:55,279
Speaker 1: away and there's no curses on this song. And I'm like,

797
00:43:56,000 --> 00:44:06,480
Speaker 1: I'm like, they got the but de listen like they

798
00:44:06,560 --> 00:44:10,120
Speaker 1: doing the super Bowl. I'm like, you know, I want

799
00:44:10,160 --> 00:44:12,000
Speaker 1: to see j do the super Bowl just as to say,

800
00:44:12,040 --> 00:44:14,799
Speaker 1: everybody kiss my ass, like because he could have been

801
00:44:14,840 --> 00:44:19,480
Speaker 1: signed himself up to do it.

802
00:44:20,480 --> 00:44:27,000
Speaker 9: About first you got enough other people?

803
00:44:27,040 --> 00:44:30,960
Speaker 1: Bring me out? I would you want Ushige the record

804
00:44:30,960 --> 00:44:36,239
Speaker 1: with you? Every jay Z is nice because it's like, yo,

805
00:44:36,280 --> 00:44:39,000
Speaker 1: you know what they could go do it. It's like

806
00:44:39,239 --> 00:44:41,799
Speaker 1: and he knows that he's gonna kill it, like now,

807
00:44:41,800 --> 00:44:45,160
Speaker 1: I'm gonna be honest. I think that Brooklyn died of him.

808
00:44:45,239 --> 00:44:48,200
Speaker 1: He got tired of people talking about this guy should

809
00:44:48,200 --> 00:44:50,480
Speaker 1: have been on this stage and this guy, and he's like, listen,

810
00:44:50,680 --> 00:44:54,160
Speaker 1: I've run this ship, and now show y'all I run

811
00:44:54,200 --> 00:44:57,440
Speaker 1: this like. I think he got biggered to. They say

812
00:44:57,440 --> 00:45:00,560
Speaker 1: it was called big eared. Yeah, the bigger him too much.

813
00:45:00,640 --> 00:45:03,960
Speaker 1: And I think he said, Okay, I'm gonna show you

814
00:45:04,000 --> 00:45:06,640
Speaker 1: how the crocodile bikes back. You know what I mean,

815
00:45:06,680 --> 00:45:10,520
Speaker 1: because the pigeon is Chris pickering on the crocodile on

816
00:45:10,600 --> 00:45:17,520
Speaker 1: the crocodile. And it's like, hey man, because that's what

817
00:45:17,600 --> 00:45:18,880
Speaker 1: rappers ship, like, we gotta do.

818
00:45:18,880 --> 00:45:19,919
Speaker 2: We gotta do rapper ship.

819
00:45:20,239 --> 00:45:23,799
Speaker 1: Yeah, that's why you know our show it's about giving

820
00:45:23,800 --> 00:45:26,640
Speaker 1: people they flowers but they can smell them, do us

821
00:45:26,680 --> 00:45:28,319
Speaker 1: where they can tell them it drinks while they can

822
00:45:28,360 --> 00:45:31,000
Speaker 1: drink them, and they they smoke while they could smoke them.

823
00:45:31,040 --> 00:45:32,360
Speaker 1: You know, we want to get you.

824
00:45:32,400 --> 00:45:43,160
Speaker 10: Oh I got about the sack ship.

825
00:45:45,000 --> 00:45:54,239
Speaker 1: Oh yeah, you he knows this, know that's right, No

826
00:45:54,280 --> 00:45:59,560
Speaker 1: doubt is better than the Grammy because this bro so

827
00:45:59,680 --> 00:46:05,960
Speaker 1: buck what what was what was your most unexpected, unexpected production,

828
00:46:06,120 --> 00:46:08,080
Speaker 1: like someone called and wanted to work with you, and

829
00:46:08,120 --> 00:46:12,640
Speaker 1: you like, get the fuck out of here. I got

830
00:46:12,680 --> 00:46:17,200
Speaker 1: a lot of calls like that, okay, And Okay, that's

831
00:46:17,239 --> 00:46:20,960
Speaker 1: a hard question. Okay, you know because everybody, everybody, like

832
00:46:21,320 --> 00:46:23,920
Speaker 1: in my time, like everybody was reaching out and it's like,

833
00:46:24,040 --> 00:46:26,960
Speaker 1: yo didn't know and YA was partying and all like

834
00:46:27,760 --> 00:46:31,840
Speaker 1: having took the stones out, like everybody was calling, and

835
00:46:32,040 --> 00:46:35,600
Speaker 1: you know, I was just, oh, you know, that's that

836
00:46:36,200 --> 00:46:38,520
Speaker 1: nobody stands out and protect like who you were, Like,

837
00:46:38,600 --> 00:46:42,600
Speaker 1: damn anybody you were nervous for the I would say

838
00:46:42,640 --> 00:46:46,560
Speaker 1: probably Faith because it's like I was, I was doing

839
00:46:46,920 --> 00:46:50,800
Speaker 1: R and B music, but it's like that's that's that's

840
00:46:50,960 --> 00:46:54,560
Speaker 1: that's the record that I love you, that that was

841
00:46:54,560 --> 00:46:55,000
Speaker 1: that ship.

842
00:46:55,400 --> 00:47:00,319
Speaker 2: You know what I'm saying. Because j Loo wrote it?

843
00:47:01,080 --> 00:47:05,680
Speaker 1: What really come on? Man? You listen.

844
00:47:07,239 --> 00:47:13,800
Speaker 2: She wrote a part of it.

845
00:47:12,600 --> 00:47:19,920
Speaker 1: I mean, like I think the hook like she wrote

846
00:47:19,920 --> 00:47:23,840
Speaker 1: and it's like a couple of lines but a minimum

847
00:47:23,960 --> 00:47:27,520
Speaker 1: like five percent on ten percent like she wrote. But

848
00:47:27,800 --> 00:47:30,839
Speaker 1: she was in a studio with the face didn't write

849
00:47:30,880 --> 00:47:32,920
Speaker 1: the song like Faith's just like yo, you know what,

850
00:47:33,000 --> 00:47:37,719
Speaker 1: I'll take it. That's crazy and you know, it's like, well,

851
00:47:38,360 --> 00:47:48,839
Speaker 1: I love you, I love you. I mean forget he did.

852
00:47:50,320 --> 00:48:01,879
Speaker 1: His discography is crazy. DJ know, it's crazy, crazy discography, Bro,

853
00:48:02,560 --> 00:48:08,440
Speaker 1: that's crazy. What about the big records though, and you

854
00:48:08,480 --> 00:48:11,160
Speaker 1: record those a bad boy? Right? Bad boy? That is

855
00:48:11,520 --> 00:48:16,719
Speaker 1: everybody everybody who was a big artist are recorded with them,

856
00:48:17,320 --> 00:48:21,120
Speaker 1: except for fifty. Like fifty went off like you know,

857
00:48:21,360 --> 00:48:26,000
Speaker 1: with Mike Tyson, like Tyson House, like he recorded over there,

858
00:48:26,520 --> 00:48:29,279
Speaker 1: and it's like they was like, oh, you know, yo,

859
00:48:29,400 --> 00:48:31,719
Speaker 1: this fifty record is crazy, and it's like, you know,

860
00:48:32,320 --> 00:48:36,880
Speaker 1: I don't need them. It's like when in the nineties

861
00:48:36,920 --> 00:48:39,600
Speaker 1: and two thousands, it's like if it ain't ringing like

862
00:48:39,719 --> 00:48:42,879
Speaker 1: a single, I'd be like, yo, you know what, this

863
00:48:42,920 --> 00:48:46,880
Speaker 1: ain't it right, But the streams and shit, you know,

864
00:48:47,680 --> 00:48:49,920
Speaker 1: they show they show like yo, this is this is

865
00:48:50,080 --> 00:48:55,000
Speaker 1: people's favorite record, you know, and that's crazy, right? All right?

866
00:48:55,120 --> 00:48:56,680
Speaker 1: What about making a biggie records?

867
00:48:58,400 --> 00:49:02,400
Speaker 2: Oh well, biggie, what joints you did it?

868
00:49:02,440 --> 00:49:06,280
Speaker 1: Big? I got a story to tell. I kicked clothes

869
00:49:06,320 --> 00:49:09,560
Speaker 1: for you. Yeah, that was that. It be he born

870
00:49:09,600 --> 00:49:14,319
Speaker 1: in another beat like I had about seven and eight

871
00:49:14,360 --> 00:49:17,759
Speaker 1: beats and he was like, oh, you know now you're

872
00:49:17,800 --> 00:49:20,760
Speaker 1: doing shit. I like, and this was right before he died.

873
00:49:21,560 --> 00:49:24,200
Speaker 1: But when he said, oh, you know, I got a song,

874
00:49:24,280 --> 00:49:27,520
Speaker 1: it's like, you know, I was like, okay, cool, It's

875
00:49:27,600 --> 00:49:28,919
Speaker 1: like this is the song that the.

876
00:49:28,840 --> 00:49:32,279
Speaker 2: Locks want, and you know, the story to tell was

877
00:49:32,320 --> 00:49:32,920
Speaker 2: for the locks.

878
00:49:33,040 --> 00:49:37,719
Speaker 1: No, it was another beat, but it's like this, this

879
00:49:37,880 --> 00:49:42,279
Speaker 1: was for the Locks. And when I got it, like, oh, ship,

880
00:49:42,360 --> 00:49:45,480
Speaker 1: you know I was I was bugging. I was like, yo,

881
00:49:45,600 --> 00:49:49,640
Speaker 1: you know what Yo? He just one verse and you know,

882
00:49:49,719 --> 00:49:51,799
Speaker 1: people was like, oh, you know, just the hottest ship.

883
00:49:52,040 --> 00:49:55,879
Speaker 1: Foxy said that ship. And I was like, Yo, this

884
00:49:56,000 --> 00:49:58,560
Speaker 1: is this is cool. You know what I'm saying. You

885
00:49:58,600 --> 00:50:02,040
Speaker 1: didn't realize. You didn't realize it was it was hard,

886
00:50:02,080 --> 00:50:03,840
Speaker 1: and you didn't realize he was talking about Anthony Mason.

887
00:50:03,920 --> 00:50:14,400
Speaker 1: Yeah I don't know, yeah allegedly. You know that was crazy.

888
00:50:15,239 --> 00:50:18,040
Speaker 1: While it is being done, man, it's like I've done

889
00:50:18,120 --> 00:50:20,840
Speaker 1: so many records, it's like yo, and you could attest

890
00:50:20,880 --> 00:50:23,759
Speaker 1: to this like records fold over and it's like, oh,

891
00:50:23,800 --> 00:50:26,600
Speaker 1: you know this is that. It's like this is out

892
00:50:26,640 --> 00:50:29,120
Speaker 1: the windows, like this is on on to the next

893
00:50:29,280 --> 00:50:34,640
Speaker 1: and that's what it is, all right, But so when

894
00:50:34,640 --> 00:50:38,480
Speaker 1: did you realize that this record is a classic. After

895
00:50:38,520 --> 00:50:44,160
Speaker 1: it dropped probably like ninety nine or two thousand, damn.

896
00:50:45,640 --> 00:50:49,920
Speaker 1: Like after like after like you know, streaming, it's like

897
00:50:50,560 --> 00:50:55,759
Speaker 1: I started seeing everything come to fruition. It's like you

898
00:50:55,800 --> 00:50:58,080
Speaker 1: to realize it was a classic, like yeah, because it's

899
00:50:58,120 --> 00:51:01,719
Speaker 1: like we was only like we Like for me, I

900
00:51:01,719 --> 00:51:03,239
Speaker 1: lived in the Bronx, so it's like I would go

901
00:51:03,320 --> 00:51:04,799
Speaker 1: on the porch and I'd be like, yo, you know

902
00:51:05,120 --> 00:51:08,120
Speaker 1: counter counter cars is like you know, drop by playing

903
00:51:08,160 --> 00:51:13,520
Speaker 1: my ship and I was like, oh, you know, and

904
00:51:13,600 --> 00:51:17,040
Speaker 1: every like the streatment is like yo, everything came at once.

905
00:51:18,440 --> 00:51:23,080
Speaker 1: You know, that's crazy. So you knew WOA was out

906
00:51:23,120 --> 00:51:25,080
Speaker 1: of here because every car was playing whoa when that

907
00:51:25,200 --> 00:51:32,880
Speaker 1: shake out, like whoa, it's like I seen it. But

908
00:51:33,120 --> 00:51:37,279
Speaker 1: when I seen it, I was in the I forgot this,

909
00:51:37,440 --> 00:51:41,880
Speaker 1: I forgot this club. But I've seen hole. It was

910
00:51:41,960 --> 00:51:46,000
Speaker 1: like because he's he like he like we gave him

911
00:51:46,000 --> 00:51:51,800
Speaker 1: a beat, and it's like, yo, get out of here here. Lenny,

912
00:51:51,920 --> 00:51:56,440
Speaker 1: like Lenny as who's the mastermind, Like yo, he he

913
00:51:56,560 --> 00:51:58,319
Speaker 1: took all the beats, like you know, he was like,

914
00:51:58,320 --> 00:51:59,920
Speaker 1: oh you know what I'm gonna I'm gonna get this

915
00:52:00,040 --> 00:52:02,359
Speaker 1: want to get that one and it's like yo, old

916
00:52:02,400 --> 00:52:06,000
Speaker 1: us for JA, hold us for bleak or argue with

917
00:52:06,040 --> 00:52:09,680
Speaker 1: the bleak, and it's like nobody wanted it, and you

918
00:52:09,719 --> 00:52:13,799
Speaker 1: know Rol took it. I don't think nobody would have

919
00:52:13,800 --> 00:52:20,000
Speaker 1: did it for him. Always say that, like nobody, nobody

920
00:52:20,040 --> 00:52:24,000
Speaker 1: would would have tried to rap too much to do

921
00:52:24,080 --> 00:52:26,839
Speaker 1: the world. When you when you got an artist, right,

922
00:52:27,760 --> 00:52:30,279
Speaker 1: artist like Jay is like, oh, you know what, I

923
00:52:30,360 --> 00:52:34,279
Speaker 1: gotta figure figure out how to conquer the song and

924
00:52:34,320 --> 00:52:36,719
Speaker 1: like oh see o C Like you know, all the

925
00:52:36,800 --> 00:52:39,600
Speaker 1: rappers you know is the same person. Like you know,

926
00:52:39,960 --> 00:52:42,799
Speaker 1: they figure out, like yo, how to address this I'm

927
00:52:42,800 --> 00:52:45,720
Speaker 1: saying and that, and that's what it is like. Even Mont,

928
00:52:45,800 --> 00:52:49,480
Speaker 1: It's like you know what Simon says, It's like like

929
00:52:50,440 --> 00:52:52,839
Speaker 1: the gods is a simple he he could have spit

930
00:52:52,960 --> 00:52:55,920
Speaker 1: like hymnautical gases and ship like that. But you know

931
00:52:56,280 --> 00:52:59,120
Speaker 1: Simon says as well, no, okay, I wish I did.

932
00:53:00,600 --> 00:53:04,959
Speaker 1: Remember what happened with that record they got Yo. When

933
00:53:05,239 --> 00:53:09,040
Speaker 1: when he when he my house, He's like, yo, you

934
00:53:09,080 --> 00:53:11,400
Speaker 1: know what, I want you to hit his record? He

935
00:53:11,480 --> 00:53:15,080
Speaker 1: drove all the way to the Bronx and like I

936
00:53:15,239 --> 00:53:19,239
Speaker 1: just I just had done the beat for Woe and

937
00:53:19,280 --> 00:53:21,799
Speaker 1: it's like yo. He was like, Yo, tell me, tell

938
00:53:21,840 --> 00:53:23,120
Speaker 1: me what you think of this record.

939
00:53:24,000 --> 00:53:27,120
Speaker 2: And I look and I was like, damn.

940
00:53:26,880 --> 00:53:30,560
Speaker 1: Man, it's like he done it. You knew it was fire.

941
00:53:30,680 --> 00:53:38,480
Speaker 1: He produced that too. No found that produced record. I

942
00:53:38,520 --> 00:53:41,680
Speaker 1: think that might be the only one he did himself,

943
00:53:42,480 --> 00:53:46,720
Speaker 1: the only one. Yeah, But that's how the record was huge.

944
00:53:47,520 --> 00:53:50,680
Speaker 1: Know when he said he could have said hypnautical gases

945
00:53:50,719 --> 00:53:56,719
Speaker 1: on it, he could have games. He's literally he did

946
00:53:56,760 --> 00:54:02,000
Speaker 1: the right thing for that artist. It's like he'll he'll

947
00:54:02,000 --> 00:54:04,160
Speaker 1: do the right beat for the right artists. And it's like, yo,

948
00:54:04,640 --> 00:54:08,439
Speaker 1: you can't spit this on us. And it's like Simon says,

949
00:54:08,440 --> 00:54:10,840
Speaker 1: it's like, yo, that's that fit.

950
00:54:10,800 --> 00:54:14,360
Speaker 2: Perfect, that's the record right records.

951
00:54:14,360 --> 00:54:17,920
Speaker 1: Still, I was on tour with Ouur March, which we

952
00:54:17,960 --> 00:54:22,560
Speaker 1: need on drink Champs by twelve years ago man, and

953
00:54:22,600 --> 00:54:27,000
Speaker 1: he taught me intimitted fast and back then, oh, twelve

954
00:54:27,160 --> 00:54:29,520
Speaker 1: years ago. I was like, we came downstairs at the

955
00:54:29,520 --> 00:54:36,040
Speaker 1: point it was this is this is this is he

956
00:54:36,120 --> 00:54:39,560
Speaker 1: put together like like I'm talking about like slim trim

957
00:54:39,800 --> 00:54:41,680
Speaker 1: and I'm like, yo, we're going to get something to eat.

958
00:54:43,320 --> 00:54:45,799
Speaker 1: He was like, yeah, I ate yesterday and we just

959
00:54:45,880 --> 00:54:52,080
Speaker 1: all laughed at this time. By the way we laughed,

960
00:54:52,719 --> 00:54:59,040
Speaker 1: We're like, yo, what the yo yesterday? Like And twelve

961
00:54:59,160 --> 00:55:04,839
Speaker 1: years later this ship to make the weight off. I

962
00:55:04,880 --> 00:55:08,360
Speaker 1: had read How to Eat to Live already. I laughed

963
00:55:08,400 --> 00:55:11,840
Speaker 1: at him, really me laughing at myself, Like I was like,

964
00:55:12,520 --> 00:55:15,920
Speaker 1: he showed me the blueprint. I knew better. But but

965
00:55:16,080 --> 00:55:18,359
Speaker 1: you know, we all overseas me in Germany and ship.

966
00:55:20,400 --> 00:55:23,440
Speaker 1: I was like, I got Chinese mood in Germany.

967
00:55:23,480 --> 00:55:25,000
Speaker 2: I'm I'm going together.

968
00:55:25,360 --> 00:55:27,279
Speaker 1: We did the day before. We went here the day

969
00:55:27,280 --> 00:55:29,480
Speaker 1: before and they had duck sauce. We were open. We

970
00:55:29,520 --> 00:55:33,080
Speaker 1: didn't realize other people had dunk sauce outside of New

971
00:55:33,160 --> 00:55:36,239
Speaker 1: York City, so we were like yo. We were like, yo, yo,

972
00:55:36,280 --> 00:55:38,200
Speaker 1: you want to go to the next party? Like nah,

973
00:55:38,400 --> 00:55:41,680
Speaker 1: they got stay at the same hotel. They got dunks

974
00:55:41,760 --> 00:55:45,360
Speaker 1: over there. Then they got dunk. I just came with us.

975
00:55:45,480 --> 00:55:52,080
Speaker 1: It was us, Paul marsh I'm gonna get who else

976
00:55:52,360 --> 00:55:56,000
Speaker 1: but honest came with us. But so uh, I'm sorry

977
00:55:56,040 --> 00:55:58,520
Speaker 1: this sounds so cliche, and I know we brushed on

978
00:55:58,560 --> 00:56:00,359
Speaker 1: it earlier, but did you ever think that hip hop

979
00:56:00,400 --> 00:56:04,640
Speaker 1: will actually make it this far? Never? Look, look billionaires

980
00:56:04,680 --> 00:56:08,000
Speaker 1: like it was something for motherfucker to make think about

981
00:56:08,000 --> 00:56:11,640
Speaker 1: what Jay was saying, eighty million, like I'm raping jump

982
00:56:11,719 --> 00:56:14,120
Speaker 1: Jim till I'm the hundred million men like he was.

983
00:56:14,239 --> 00:56:14,919
Speaker 2: That was the reach.

984
00:56:15,040 --> 00:56:23,359
Speaker 1: We were like, yeah, millions, crazy man's penuts. Yeah, a couple.

985
00:56:23,680 --> 00:56:29,640
Speaker 1: He's the most. He's the richest fucking musician. That's crazy.

986
00:56:29,680 --> 00:56:30,560
Speaker 2: So you're talking about.

987
00:56:30,360 --> 00:56:34,239
Speaker 1: Taking this fall to the top of the boller stones. Yeah, yeah,

988
00:56:34,600 --> 00:56:37,200
Speaker 1: Like nobody funny the niggas that take act with some

989
00:56:37,200 --> 00:56:44,680
Speaker 1: other niggas, Yeah, all them people. I'm stopped saying the

990
00:56:44,840 --> 00:56:47,520
Speaker 1: word me and being bleak was being bleak when when

991
00:56:47,520 --> 00:56:50,040
Speaker 1: I did Bleak podcast, we were talking about the scenes

992
00:56:50,600 --> 00:56:52,880
Speaker 1: and I was just like, I made a post and

993
00:56:52,920 --> 00:56:55,680
Speaker 1: I said, I think Beyonce might have surpassed Mike, like

994
00:56:55,760 --> 00:56:59,839
Speaker 1: the greatest entertainer ever, Like, man, I got so much.

995
00:56:59,840 --> 00:57:02,359
Speaker 1: He got me Mike alone, And Blee was like, nah,

996
00:57:02,400 --> 00:57:05,640
Speaker 1: he said, me and Jay had that argument, Jason, now

997
00:57:05,719 --> 00:57:14,680
Speaker 1: you bugging, Oh my god, man, I'm you're saying you

998
00:57:14,760 --> 00:57:18,520
Speaker 1: gotta relax. That's Mike, And I'm like, but when you

999
00:57:18,840 --> 00:57:20,960
Speaker 1: go back, when you look at the consistency though of

1000
00:57:21,000 --> 00:57:24,760
Speaker 1: Beyonce's career, because I went and did the fucking Mike last.

1001
00:57:25,040 --> 00:57:28,240
Speaker 1: Michael had like twelve year gaps in between his but

1002
00:57:28,280 --> 00:57:31,280
Speaker 1: you gotta count Jackson five. But he's right now, got

1003
00:57:31,360 --> 00:57:37,920
Speaker 1: Destiny Shell too. Yeah yeah, okay.

1004
00:57:37,680 --> 00:57:38,640
Speaker 2: Yeah, okay.

1005
00:57:39,040 --> 00:57:41,200
Speaker 1: But even though still like Mike had these bits, like

1006
00:57:41,520 --> 00:57:44,760
Speaker 1: you say, he got three monster albums that make his

1007
00:57:44,880 --> 00:57:47,640
Speaker 1: career off the wall, and what is it dangerous?

1008
00:57:48,200 --> 00:57:48,680
Speaker 2: Even bad?

1009
00:57:48,720 --> 00:57:52,000
Speaker 1: You can throw bad in it, right, And this girl

1010
00:57:52,000 --> 00:57:54,600
Speaker 1: don't stop man like, she's consistent. She doesn't turn to

1011
00:57:54,680 --> 00:57:58,400
Speaker 1: the cowboy out. That's one thing that she turned the cowboy.

1012
00:57:58,400 --> 00:58:01,280
Speaker 1: It's one thing that Michael got over. Kind of like everybody,

1013
00:58:01,320 --> 00:58:03,120
Speaker 1: what's that making niggas faint and ship.

1014
00:58:03,360 --> 00:58:04,120
Speaker 2: Niggas be dying?

1015
00:58:04,120 --> 00:58:08,120
Speaker 1: And Mike Ship Mike he had all that stretchers in

1016
00:58:08,160 --> 00:58:11,040
Speaker 1: the front. You never seen nobody else with stretches. He

1017
00:58:11,080 --> 00:58:15,880
Speaker 1: originated that. But Mike was a crib.

1018
00:58:16,840 --> 00:58:19,400
Speaker 2: You've seen that ship. Mike was the crib. Mike was crip.

1019
00:58:19,760 --> 00:58:24,600
Speaker 1: Well, dif that was the difference, Like, yeah, we had

1020
00:58:26,160 --> 00:58:28,560
Speaker 1: DJ Quick sit right here and we're like, because you

1021
00:58:28,560 --> 00:58:31,800
Speaker 1: know he yeah, he was walking this movie and I'm like, ya,

1022
00:58:31,800 --> 00:58:34,920
Speaker 1: I gotta ask you he goes because I believe this

1023
00:58:34,960 --> 00:58:39,080
Speaker 1: is the exact words. He goes them signs he was

1024
00:58:39,080 --> 00:58:43,840
Speaker 1: throwing up was not blood friendly. It was making Mike.

1025
00:58:45,160 --> 00:58:47,840
Speaker 1: And there's that rumor that he fought Park. You know,

1026
00:58:47,920 --> 00:58:50,960
Speaker 1: that rumor gets bigger and bigger, but it's not so

1027
00:58:51,320 --> 00:58:54,840
Speaker 1: real like that Mike just whipped his ass like was

1028
00:58:54,840 --> 00:58:59,200
Speaker 1: messing with.

1029
00:58:58,880 --> 00:59:00,760
Speaker 7: I think about it.

1030
00:59:01,080 --> 00:59:08,200
Speaker 3: Just wonder lady like yeah, talking about.

1031
00:59:09,640 --> 00:59:15,120
Speaker 1: Yeahs probing on the like just gonnaup on your phone

1032
00:59:15,160 --> 00:59:18,920
Speaker 1: so you le seriously, I can believe Michael fight. The

1033
00:59:18,960 --> 00:59:21,640
Speaker 1: guy told the store. You can't believe it too, because

1034
00:59:21,680 --> 00:59:23,680
Speaker 1: they said prince and they say he grew up getting

1035
00:59:23,680 --> 00:59:30,280
Speaker 1: as weapons so they seen the fighting.

1036
00:59:30,640 --> 00:59:38,200
Speaker 9: Yeah, your brothers not your parents. You don't learn how

1037
00:59:38,200 --> 00:59:41,240
Speaker 9: to fight and your brothers and you fight your brothers

1038
00:59:41,280 --> 00:59:44,760
Speaker 9: faking that's your brother you got you ready to pop

1039
00:59:44,760 --> 00:59:45,080
Speaker 9: on them?

1040
00:59:45,440 --> 00:59:48,480
Speaker 1: Joe funck them up. Joe fun them up. What I'm saying,

1041
00:59:48,760 --> 00:59:52,840
Speaker 1: Joe funcked them up. But Joe, Joe, you say you'll

1042
00:59:52,840 --> 00:59:58,000
Speaker 1: put your hands up. No, That's what I'm saying. So

1043
00:59:58,120 --> 01:00:02,920
Speaker 1: Joe was like the complete ass whooping, and the brothers like, yo,

1044
01:00:03,000 --> 01:00:06,520
Speaker 1: you know what this just ask what exactly wanted the talent?

1045
01:00:06,520 --> 01:00:08,480
Speaker 1: He whipped them niggas in the shape because the niggas

1046
01:00:08,600 --> 01:00:11,919
Speaker 1: talented the ship. You the step again, Manna, Like what

1047
01:00:14,600 --> 01:00:19,919
Speaker 1: lit fucking around even want? Don't do that again? Nah?

1048
01:00:19,960 --> 01:00:22,040
Speaker 1: They said he would making sure that they practiced. Had

1049
01:00:22,040 --> 01:00:23,280
Speaker 1: to get up in the middle of the night, like

1050
01:00:23,400 --> 01:00:26,200
Speaker 1: liter what's the most American idol? Ain't he a Jackson?

1051
01:00:27,000 --> 01:00:29,960
Speaker 1: Not American idol? Randy, He's not a Jackson. No, he's

1052
01:00:29,960 --> 01:00:33,200
Speaker 1: not a Jackson. Brandy Jackson. When Bizz, you know, following

1053
01:00:33,240 --> 01:00:37,040
Speaker 1: that fucking Internet, when Biz was sick, somebody posted your

1054
01:00:37,080 --> 01:00:41,920
Speaker 1: biz rest in peace, this markey, this market and somebody posted, yo,

1055
01:00:42,120 --> 01:00:44,320
Speaker 1: biz rest in peace, my dumb ass. Wanting to get

1056
01:00:44,480 --> 01:00:46,600
Speaker 1: likes real quick. Those want to be like I got

1057
01:00:46,600 --> 01:00:49,480
Speaker 1: the interest that recipe, I don't know. I don't posted

1058
01:00:49,480 --> 01:00:51,560
Speaker 1: a pit to the nigga your resting piece of the beers.

1059
01:00:52,160 --> 01:00:55,000
Speaker 1: Just Blaze came immediately say yo, just got off the phone.

1060
01:00:55,040 --> 01:00:59,880
Speaker 1: Bit Biz ain't dad Bro stupid as hell. He's like, Yo,

1061
01:01:00,120 --> 01:01:02,800
Speaker 1: do what the fun you doing? I was like, that's

1062
01:01:02,840 --> 01:01:05,840
Speaker 1: the Internet for you. You want to be first. Niggas

1063
01:01:05,840 --> 01:01:07,400
Speaker 1: want to be first to shit and get that get

1064
01:01:07,400 --> 01:01:09,960
Speaker 1: that engagement. They like, Oh ship, I got some, I

1065
01:01:09,960 --> 01:01:12,680
Speaker 1: got some like with the Dame dash ship. Look, I

1066
01:01:12,720 --> 01:01:14,240
Speaker 1: mean niggas is spreading that ship, but.

1067
01:01:16,200 --> 01:01:16,760
Speaker 2: Revoked ship.

1068
01:01:17,480 --> 01:01:19,880
Speaker 1: She was up listening to that live you should have called.

1069
01:01:20,120 --> 01:01:22,440
Speaker 1: That's how I knew it was a little bit of a

1070
01:01:22,480 --> 01:01:28,120
Speaker 1: cat because he wouldn't have said, I'm like everybody's. He

1071
01:01:28,120 --> 01:01:34,360
Speaker 1: would have threw me under the table. Listen. I'm expecting it, y'all,

1072
01:01:34,640 --> 01:01:37,760
Speaker 1: y'all good. I always been good with Dame. I always

1073
01:01:37,760 --> 01:01:40,840
Speaker 1: appreciated Dame. I always had love for Dame. We had,

1074
01:01:41,720 --> 01:01:46,280
Speaker 1: uh we say exchanged recently stick face Gary and then

1075
01:01:46,320 --> 01:01:47,960
Speaker 1: me and being Bleak. We all got on the phone.

1076
01:01:48,160 --> 01:01:51,000
Speaker 1: But what it was was we smoke like men. We

1077
01:01:51,040 --> 01:01:52,720
Speaker 1: smoke like men. I told him what I didn't like.

1078
01:01:52,760 --> 01:01:56,040
Speaker 1: He told me what he didn't like. We agreed to

1079
01:01:56,040 --> 01:02:00,200
Speaker 1: disagree because we did not you know, not me in

1080
01:02:00,200 --> 01:02:04,440
Speaker 1: the in the middle. We met. That's what the problem was.

1081
01:02:04,520 --> 01:02:07,680
Speaker 1: I mean, that's that's what solution was, and we we

1082
01:02:07,800 --> 01:02:11,880
Speaker 1: amended ways. And then I admire what he's doing. I

1083
01:02:11,880 --> 01:02:16,760
Speaker 1: admire him acknowledging bleaks. Yeah, that was the loyalty and

1084
01:02:16,840 --> 01:02:20,360
Speaker 1: Bleak because you know what it is is we have

1085
01:02:20,440 --> 01:02:23,360
Speaker 1: Bleak on here. And then like we kind of studied

1086
01:02:23,400 --> 01:02:26,640
Speaker 1: the algorithms of what happened and right now. To me,

1087
01:02:27,360 --> 01:02:29,800
Speaker 1: I know I'm going to sound crazy, but to me,

1088
01:02:30,640 --> 01:02:34,320
Speaker 1: like Jim Jones, talking is very important to me, Tony yao,

1089
01:02:34,480 --> 01:02:37,480
Speaker 1: talking is very very important to me.

1090
01:02:39,120 --> 01:02:41,400
Speaker 2: Uh, bleak.

1091
01:02:42,520 --> 01:02:46,520
Speaker 1: To the guy and to me, it's the year of

1092
01:02:46,560 --> 01:02:48,720
Speaker 1: the man that's saying. Next to the man, it comes

1093
01:02:48,760 --> 01:02:50,840
Speaker 1: to band this year, you know what I'm saying. So

1094
01:02:52,600 --> 01:02:57,560
Speaker 1: Bleak is like he's really taking on like Jay's whole monaricure,

1095
01:02:57,720 --> 01:03:01,160
Speaker 1: like like like like everybody, everybody that's saying something wrong

1096
01:03:01,160 --> 01:03:03,320
Speaker 1: about Jay. He knows Jay's not coming out of the house,

1097
01:03:03,680 --> 01:03:06,040
Speaker 1: and he knows he has a podcast, so he knows

1098
01:03:06,080 --> 01:03:09,080
Speaker 1: that he can actually delivered addressed.

1099
01:03:10,040 --> 01:03:15,280
Speaker 2: I'm saying, this ship came out out today.

1100
01:03:15,520 --> 01:03:17,640
Speaker 1: So what I'm trying to say is that's so smart

1101
01:03:17,640 --> 01:03:20,000
Speaker 1: to me, even though I gave him the blueprint and

1102
01:03:20,200 --> 01:03:23,560
Speaker 1: we gave him the distribution, but that part is like

1103
01:03:23,720 --> 01:03:25,280
Speaker 1: bringing people into his own world.

1104
01:03:26,040 --> 01:03:26,800
Speaker 2: That's that's his ship.

1105
01:03:26,880 --> 01:03:31,320
Speaker 1: He got good personality, man, person funny your funny god, dude.

1106
01:03:31,800 --> 01:03:34,520
Speaker 1: So what's what's your favorite part of the game. So

1107
01:03:34,560 --> 01:03:38,680
Speaker 1: I going, is it performing? Yeah, traveling, traveling, seeing different

1108
01:03:38,680 --> 01:03:40,439
Speaker 1: parts of the world that none of us will probably

1109
01:03:40,440 --> 01:03:42,400
Speaker 1: see he wasn't rapping. You know what I'm saying, You'll

1110
01:03:42,440 --> 01:03:44,080
Speaker 1: find yourself in one of the countries. You're like, what

1111
01:03:44,200 --> 01:03:46,480
Speaker 1: the where the fuck am I interested? He's the only

1112
01:03:46,480 --> 01:03:49,320
Speaker 1: one that ever sat traveling. That's the funniest part, the

1113
01:03:49,360 --> 01:03:52,880
Speaker 1: funniest part of everyone says they always pay promore in

1114
01:03:53,000 --> 01:03:56,880
Speaker 1: and performing, excuse me or recording.

1115
01:03:57,200 --> 01:03:57,960
Speaker 2: I like traveling.

1116
01:03:58,000 --> 01:04:02,360
Speaker 1: I mean i'd assume performing goes with the traveling. Not really. No, say,

1117
01:04:02,400 --> 01:04:04,680
Speaker 1: you can perform anywhere, but when you like me, I

1118
01:04:04,760 --> 01:04:07,480
Speaker 1: like to see him, which I'm not. I want you.

1119
01:04:09,000 --> 01:04:11,960
Speaker 1: That's why I'm sitting here messed up because now I'm

1120
01:04:12,040 --> 01:04:15,600
Speaker 1: traveling and I didn't realize how much. And I'm saying

1121
01:04:15,600 --> 01:04:17,040
Speaker 1: this with a with a grain of salt, and I'm

1122
01:04:17,080 --> 01:04:18,960
Speaker 1: saying this, I didn't know how much of a slave

1123
01:04:19,040 --> 01:04:21,880
Speaker 1: I was. I would never enjoy these towns.

1124
01:04:21,920 --> 01:04:23,320
Speaker 2: I would go there, perform.

1125
01:04:23,440 --> 01:04:26,040
Speaker 1: Do the version of the Breakfast Club, do that version

1126
01:04:26,080 --> 01:04:30,520
Speaker 1: of funk Flex, do they version of DJ And you

1127
01:04:30,520 --> 01:04:34,920
Speaker 1: know I know it. See the spot, I'm like, I

1128
01:04:35,160 --> 01:04:38,240
Speaker 1: see the part of Croatia and I was like, Croatia

1129
01:04:38,320 --> 01:04:41,600
Speaker 1: is nice, Like I've been to the foul water. I

1130
01:04:41,640 --> 01:04:43,800
Speaker 1: was like, wait a minute, like because and I was

1131
01:04:43,840 --> 01:04:46,760
Speaker 1: just there to work. So now that I'm traveling again

1132
01:04:47,120 --> 01:04:51,480
Speaker 1: and seeing the world, I appreciate it so I don't

1133
01:04:51,520 --> 01:04:54,080
Speaker 1: have to rush the soundtrack. I don't have to you know.

1134
01:04:54,560 --> 01:04:56,720
Speaker 1: Take a page from jay z book where it's like

1135
01:04:57,640 --> 01:05:02,520
Speaker 1: the reason why he flew like like was talking about

1136
01:05:02,520 --> 01:05:05,520
Speaker 1: like yo he took he like he takes fucking days

1137
01:05:05,760 --> 01:05:09,320
Speaker 1: where it's like they take days to reach theate destination.

1138
01:05:09,920 --> 01:05:12,200
Speaker 1: Jay Z beat there in the day, yeah you know,

1139
01:05:12,320 --> 01:05:15,160
Speaker 1: but it's like, yo, he soak up a lot of culture.

1140
01:05:17,440 --> 01:05:30,040
Speaker 1: He said, I'm flying over believe yeah, man, but that

1141
01:05:30,040 --> 01:05:32,200
Speaker 1: that traveling, yeah, to see in the world. Man, you know,

1142
01:05:32,320 --> 01:05:34,960
Speaker 1: not listen to me. I've never heard that. And when

1143
01:05:35,000 --> 01:05:37,160
Speaker 1: you just said that, I realized that's that was mine.

1144
01:05:37,680 --> 01:05:40,400
Speaker 1: It's because like right now, like I just went to

1145
01:05:40,480 --> 01:05:44,840
Speaker 1: Paris and I went there to run, but I was

1146
01:05:44,920 --> 01:05:47,560
Speaker 1: I was traveling and so many people are like y'all

1147
01:05:47,560 --> 01:05:48,880
Speaker 1: got to back for you, got a back for you,

1148
01:05:49,240 --> 01:05:51,480
Speaker 1: And I was just like I don't want to go

1149
01:05:51,480 --> 01:05:53,800
Speaker 1: to but I was thought about. I was like I

1150
01:05:53,920 --> 01:05:58,400
Speaker 1: reached my destination already. I'm here. I traveled here, like

1151
01:05:58,440 --> 01:06:01,840
Speaker 1: I actually don't we care about going in the club,

1152
01:06:01,880 --> 01:06:03,960
Speaker 1: and these guys don't have the order and all this

1153
01:06:04,000 --> 01:06:11,040
Speaker 1: ship like, guys, they don't have the I know everywhere,

1154
01:06:11,040 --> 01:06:11,920
Speaker 1: I know everywhere, like I.

1155
01:06:12,000 --> 01:06:13,320
Speaker 2: Know eighty five for yah.

1156
01:06:13,600 --> 01:06:24,000
Speaker 7: Yeah, yeah, people, we want we want.

1157
01:06:24,440 --> 01:06:27,360
Speaker 1: Ziro when you get with this. Herot's you know what

1158
01:06:27,360 --> 01:06:32,080
Speaker 1: I'm saying, we want that guy. That's hilarious, he said, Yeah,

1159
01:06:32,480 --> 01:06:35,160
Speaker 1: I'm not just take ship whatever. Man.

1160
01:06:36,120 --> 01:06:37,920
Speaker 3: All right, guys, we're gonna do quick time with slime.

1161
01:06:40,120 --> 01:06:43,520
Speaker 3: Oh really, this is the drinking game. Drink water, you

1162
01:06:43,520 --> 01:06:44,600
Speaker 3: can zip it.

1163
01:06:45,880 --> 01:06:46,400
Speaker 1: I'm drinking.

1164
01:06:46,480 --> 01:06:49,480
Speaker 3: We'll give you two choices. Look, but we're gonna give

1165
01:06:49,480 --> 01:06:52,760
Speaker 3: you two choices. Pick one and we're not drinking. Say

1166
01:06:52,800 --> 01:06:56,080
Speaker 3: both are neither and were drinking. But just give us

1167
01:06:56,080 --> 01:06:58,120
Speaker 3: some stories, and you know, we just want to bring

1168
01:06:58,200 --> 01:07:02,920
Speaker 3: up people in places. All right, park are easy.

1169
01:07:07,040 --> 01:07:10,960
Speaker 1: That's a hard easy.

1170
01:07:10,680 --> 01:07:13,880
Speaker 2: He's the godfather, Yes he is.

1171
01:07:13,960 --> 01:07:18,440
Speaker 1: Like yo, he's he started the ship. It's true, he

1172
01:07:18,520 --> 01:07:21,919
Speaker 1: started start. What are you starting to think of the tree?

1173
01:07:22,000 --> 01:07:25,800
Speaker 1: The tree going? Let me just tell you how ill

1174
01:07:25,840 --> 01:07:29,480
Speaker 1: easy is. I know, no, even that tree reaches pop

1175
01:07:29,760 --> 01:07:31,480
Speaker 1: for sure. I've been listening to this album. I never

1176
01:07:31,560 --> 01:07:35,400
Speaker 1: really caught it easy, he said on his ship. He said,

1177
01:07:35,480 --> 01:07:40,400
Speaker 1: ice Cube right the rhymes that I say, crazy Holy

1178
01:07:40,520 --> 01:07:43,600
Speaker 1: Ship interview ice Cube, and I asked, And then if

1179
01:07:43,600 --> 01:07:46,000
Speaker 1: you look at the credits, I don't think ice Cube

1180
01:07:46,120 --> 01:07:52,600
Speaker 1: name is on there right around and it's Easy credited

1181
01:07:52,680 --> 01:07:59,000
Speaker 1: for Jerry hell Ship, Jerry heller Ship, go off what

1182
01:07:59,120 --> 01:08:05,040
Speaker 1: you want saying? Said Easy Easy? Yeah, wow yo, because

1183
01:08:05,080 --> 01:08:07,040
Speaker 1: he like Easy is the god. Like you know what

1184
01:08:07,080 --> 01:08:09,880
Speaker 1: I'm saying. It's like Park is like a worker, like

1185
01:08:10,120 --> 01:08:14,000
Speaker 1: he like he like he commanded, like you know, he

1186
01:08:14,200 --> 01:08:16,920
Speaker 1: taught us, you know what I'm saying, Like he he

1187
01:08:17,000 --> 01:08:20,360
Speaker 1: wrote like he ain't right, but it's like he commanded, like,

1188
01:08:20,360 --> 01:08:22,160
Speaker 1: oh you know, write the song. It's like you know,

1189
01:08:22,920 --> 01:08:26,479
Speaker 1: and that's said, like yo, you know he was a dude.

1190
01:08:27,640 --> 01:08:30,160
Speaker 1: And what's crazy is I believed Easy more than all

1191
01:08:30,200 --> 01:08:35,639
Speaker 1: of them, not even knowing that someone was. I guess

1192
01:08:35,640 --> 01:08:39,120
Speaker 1: his delivery was like you could tell, like it's intense,

1193
01:08:39,520 --> 01:08:41,360
Speaker 1: you could tell it came from him, and I feel

1194
01:08:41,600 --> 01:08:45,760
Speaker 1: would say Easy. Yeah. I don't know, man, I think

1195
01:08:46,479 --> 01:08:50,599
Speaker 1: because once once they left Easy, he went and signed

1196
01:08:50,640 --> 01:08:52,559
Speaker 1: on Bone Thugs and Home Andy. So he kept his

1197
01:08:52,640 --> 01:08:56,520
Speaker 1: career the business part of it, but his music after that,

1198
01:08:56,600 --> 01:09:03,400
Speaker 1: after that record was seven killed with this record. The

1199
01:09:03,760 --> 01:09:10,560
Speaker 1: people kind of you know what this record when he

1200
01:09:10,640 --> 01:09:12,160
Speaker 1: went to the White House and all I'm like, what

1201
01:09:12,479 --> 01:09:17,000
Speaker 1: fuck is this nigga? But I'm like, first thing gonna

1202
01:09:17,000 --> 01:09:19,000
Speaker 1: go to the White House, first thing gonna do, like

1203
01:09:19,040 --> 01:09:22,000
Speaker 1: almost everything is he let it from the f B.

1204
01:09:22,120 --> 01:09:25,640
Speaker 1: I did the first ones to get the rested on stage. Yeah,

1205
01:09:25,800 --> 01:09:33,040
Speaker 1: now that was that was Gusta Oh, which was mimicking

1206
01:09:33,080 --> 01:09:39,000
Speaker 1: in It's Crazy. Chris Rock was disrespectful for that, Yeah,

1207
01:09:39,800 --> 01:09:44,639
Speaker 1: blating with it to m Gusta Crazy before It's Crazy.

1208
01:09:44,680 --> 01:09:46,640
Speaker 1: That's my one of my favorite movies, bro, because it

1209
01:09:46,680 --> 01:09:50,200
Speaker 1: makes more sense now it is. Yeah, when you when you.

1210
01:09:50,000 --> 01:09:53,080
Speaker 3: When hindsight, the recipes are pocketing easy by the way,

1211
01:09:53,800 --> 01:09:55,760
Speaker 3: Diamond d or Lord Finess.

1212
01:09:55,400 --> 01:09:58,840
Speaker 2: Oh that's the one, Yo, that's a hard one though.

1213
01:09:59,280 --> 01:10:02,559
Speaker 1: Is a producer, however, you know I'm saying it's a producer.

1214
01:10:02,760 --> 01:10:06,000
Speaker 1: This is what advertaria you feel your mind is a producer,

1215
01:10:06,520 --> 01:10:14,559
Speaker 1: Lord Finess, get out of here over Diamond D Yo too.

1216
01:10:15,000 --> 01:10:22,000
Speaker 1: But with Diamonds Yo, he'spen ticulous with beats and Yo

1217
01:10:22,400 --> 01:10:26,160
Speaker 1: they come out crazy and Diamond is like yoikulous with

1218
01:10:26,280 --> 01:10:30,040
Speaker 1: songs like he made dope songs, So for songs is

1219
01:10:30,080 --> 01:10:35,599
Speaker 1: a rapper, it's Diamond. What I would have never guessed

1220
01:10:35,600 --> 01:10:40,120
Speaker 1: that because it's like, yo, Diamond, Diamonds are better rapping thawfulness, Yeah,

1221
01:10:40,439 --> 01:10:45,799
Speaker 1: because that's what. But like yo artist, like the person

1222
01:10:45,800 --> 01:10:50,080
Speaker 1: who's fits and stage show like Diamond d is flawless.

1223
01:10:50,640 --> 01:10:54,040
Speaker 1: You know, Diamond has first album class what I'm saying,

1224
01:10:54,720 --> 01:11:01,320
Speaker 1: and finesse the beats. Fucking I would have reverse that, Yo,

1225
01:11:01,760 --> 01:11:08,200
Speaker 1: U not not so suicidal thoughts the doctor dre beat,

1226
01:11:09,120 --> 01:11:11,160
Speaker 1: you know, and it's it's it's on and on and

1227
01:11:11,200 --> 01:11:14,280
Speaker 1: it's like you don't know where. It's like you know

1228
01:11:14,920 --> 01:11:18,800
Speaker 1: he's gonna end up, but it's like he like they

1229
01:11:18,840 --> 01:11:19,360
Speaker 1: both don't.

1230
01:11:19,439 --> 01:11:20,840
Speaker 2: But it's like Vanessa, is.

1231
01:11:20,760 --> 01:11:22,800
Speaker 1: That dude just like he got an extra he got

1232
01:11:22,840 --> 01:11:28,640
Speaker 1: an extra with like you know, it's it's you know, you.

1233
01:11:29,240 --> 01:11:31,200
Speaker 3: Know, we got to respect him because most people will

1234
01:11:31,280 --> 01:11:33,479
Speaker 3: said easily or not.

1235
01:11:34,800 --> 01:11:40,360
Speaker 1: He possibly don't knows better.

1236
01:11:40,479 --> 01:11:43,280
Speaker 2: But I would have never seen.

1237
01:11:43,360 --> 01:11:46,880
Speaker 1: A person put together syllables and punchlines like the way

1238
01:11:47,040 --> 01:11:50,560
Speaker 1: Lord for that, Lord for that can start like the

1239
01:11:50,720 --> 01:11:54,519
Speaker 1: first ball and then he first ball makes sense ball.

1240
01:11:54,600 --> 01:11:59,280
Speaker 1: He's dope. But Diamond is the rapper, the rappers, rapper,

1241
01:11:59,680 --> 01:12:04,840
Speaker 1: he thanks to songs, and you know, I think he's

1242
01:12:04,840 --> 01:12:07,960
Speaker 1: a producer, but it's like he's the rapper rapper. He's like, yo,

1243
01:12:08,000 --> 01:12:10,519
Speaker 1: you know what he's doping doing BC. He's like he

1244
01:12:10,840 --> 01:12:13,680
Speaker 1: can make like classics, you know, that's that ship and

1245
01:12:13,760 --> 01:12:15,519
Speaker 1: it's like, you know, a bunch of other song like

1246
01:12:15,560 --> 01:12:18,960
Speaker 1: more anthem, you know. But it's like Finessa's like yo,

1247
01:12:19,080 --> 01:12:22,960
Speaker 1: you know what he like. He he puts those hits together,

1248
01:12:23,720 --> 01:12:25,439
Speaker 1: you know, and it's like he'll be like, yo, you

1249
01:12:25,439 --> 01:12:29,160
Speaker 1: know what, Diamond like I would did this this way?

1250
01:12:29,240 --> 01:12:33,599
Speaker 1: It's like I would is this this way? Nobody better act?

1251
01:12:36,960 --> 01:12:39,920
Speaker 1: I would have definitely thought, yeah, we would have said,

1252
01:12:39,960 --> 01:12:44,280
Speaker 1: Vanessa's an MC. That's that's interesting. Vanessa's a producers like yo,

1253
01:12:44,720 --> 01:12:48,240
Speaker 1: people sleep on finess Like that's the only persons like yo.

1254
01:12:48,880 --> 01:12:50,880
Speaker 1: He hit everything that I don't think. I don't think

1255
01:12:50,880 --> 01:12:52,519
Speaker 1: people sleep on for nes. I think that he's a

1256
01:12:52,600 --> 01:12:54,960
Speaker 1: sleep as a producer. I think okay as a producer,

1257
01:12:55,000 --> 01:12:57,519
Speaker 1: but I don't think people doc I would think that

1258
01:12:58,000 --> 01:13:00,519
Speaker 1: his skills as an m C is so much at

1259
01:13:00,520 --> 01:13:01,600
Speaker 1: the forefront. A lot of.

1260
01:13:01,560 --> 01:13:07,120
Speaker 11: People time you don't remember or they forget, forget people

1261
01:13:07,160 --> 01:13:11,280
Speaker 11: don't know where it's like yo, if MC skills and

1262
01:13:11,840 --> 01:13:14,960
Speaker 11: producer skills like yo, I would go with with the

1263
01:13:15,000 --> 01:13:19,280
Speaker 11: producer first, because it's like, yo, he makes those hit

1264
01:13:19,320 --> 01:13:23,479
Speaker 11: records and you know like when Channel ten, it's like yo,

1265
01:13:24,560 --> 01:13:27,479
Speaker 11: he bodied that, and it's like yo, I'll be like Yo,

1266
01:13:27,640 --> 01:13:28,720
Speaker 11: how the fuck he did that?

1267
01:13:28,760 --> 01:13:35,800
Speaker 1: Ship? You know? And that's that all right? Big yell

1268
01:13:35,920 --> 01:13:39,560
Speaker 1: or biggie, both of you answers I'm drinking and that

1269
01:13:41,040 --> 01:13:44,400
Speaker 1: I'm drinking. I'm a big, huge, bigl fan. Too big

1270
01:13:45,560 --> 01:13:49,560
Speaker 1: because of the bars, right, and Biggie because of the

1271
01:13:49,640 --> 01:13:54,439
Speaker 1: hit records. No, I'm saying because like he'll he'll make

1272
01:13:54,479 --> 01:13:59,120
Speaker 1: you dance, He'll make he'll make it big, yeah big,

1273
01:13:59,360 --> 01:14:01,519
Speaker 1: you know that. That's that's his key. You know what

1274
01:14:01,560 --> 01:14:03,840
Speaker 1: I'm saying. He'll make the hot album be like yo,

1275
01:14:03,960 --> 01:14:07,680
Speaker 1: you know what. I'm listening to this from one to

1276
01:14:08,520 --> 01:14:10,840
Speaker 1: But he also had Diddy Man like did he one

1277
01:14:10,880 --> 01:14:14,080
Speaker 1: thing about did he he made everybody sound? No? No, no,

1278
01:14:16,800 --> 01:14:21,880
Speaker 1: no no no? Did he did? He would like pick

1279
01:14:21,920 --> 01:14:24,120
Speaker 1: the beat, you know what I'm saying. The song it's like, oh,

1280
01:14:24,120 --> 01:14:26,200
Speaker 1: you know that's dope. We're gonna run with this ship.

1281
01:14:26,680 --> 01:14:32,000
Speaker 1: But it's after every everybody done the whole the whole album.

1282
01:14:32,240 --> 01:14:34,559
Speaker 1: But it's like he gets credibly like, oh, you know,

1283
01:14:34,680 --> 01:14:37,760
Speaker 1: did he did the album? You know, he't do the album?

1284
01:14:37,840 --> 01:14:41,360
Speaker 1: He picked he picked a single, you know. But the

1285
01:14:41,360 --> 01:14:47,600
Speaker 1: person who's like yo being in Bad Boy, like sometimes

1286
01:14:47,680 --> 01:14:53,000
Speaker 1: like Yo, they'll let whoever be like YO, do your song.

1287
01:14:53,040 --> 01:14:55,679
Speaker 1: Oh you know, I'm gonna pick the single. Oh yeah.

1288
01:14:55,720 --> 01:14:59,960
Speaker 1: That's when when when Rob picked, when did he picked

1289
01:15:00,040 --> 01:15:03,680
Speaker 1: all Joy? He's like, yo, oh we're ready to go,

1290
01:15:04,400 --> 01:15:06,599
Speaker 1: ready to go, you know, the video and all, and

1291
01:15:06,640 --> 01:15:09,920
Speaker 1: it's like that's that's all. But you think about it.

1292
01:15:09,960 --> 01:15:12,759
Speaker 1: Look at every artist is after they stopped fucking with Diddy,

1293
01:15:12,880 --> 01:15:16,439
Speaker 1: how their music R and B as well, total one twelve,

1294
01:15:16,880 --> 01:15:19,599
Speaker 1: all these groups he had faith, you name him. None

1295
01:15:19,640 --> 01:15:21,559
Speaker 1: of them was able to none, None of them was

1296
01:15:21,600 --> 01:15:26,479
Speaker 1: able to maintain listen, None of them was able to

1297
01:15:26,520 --> 01:15:29,639
Speaker 1: maintain the level of quality music after they left Diddy,

1298
01:15:29,760 --> 01:15:32,439
Speaker 1: not one, not one individual. And who was they working with?

1299
01:15:32,960 --> 01:15:37,280
Speaker 1: The hitman dependent Like if you don't, you're gonna you're

1300
01:15:37,280 --> 01:15:40,400
Speaker 1: gonna find where the heat is at. It's like people

1301
01:15:40,960 --> 01:15:45,000
Speaker 1: when they left Bad Boy, they left you know all together.

1302
01:15:45,040 --> 01:15:48,960
Speaker 1: It's like they they wasn't fucking with nobody, and it's like,

1303
01:15:49,280 --> 01:15:51,920
Speaker 1: that's what it is. It's like when you when you

1304
01:15:51,960 --> 01:15:54,720
Speaker 1: when you can do the hits, man, it's like the

1305
01:15:54,720 --> 01:15:58,880
Speaker 1: main leave bad Boy and retired nigga. They still right,

1306
01:15:59,360 --> 01:16:03,320
Speaker 1: he wasn't landing. But when you, like as I said,

1307
01:16:03,840 --> 01:16:06,560
Speaker 1: when you work, and it's a difference. It's like no,

1308
01:16:06,760 --> 01:16:10,280
Speaker 1: we nor were working with Prell and not we working

1309
01:16:10,320 --> 01:16:13,200
Speaker 1: with you know, Buck Waller, E's a l P Forrell

1310
01:16:13,360 --> 01:16:16,439
Speaker 1: is going to give him that you know what I'm saying.

1311
01:16:16,439 --> 01:16:19,000
Speaker 1: It's like he's gonna give him the memorable joints and

1312
01:16:19,120 --> 01:16:21,880
Speaker 1: you know, like will give him an album. Cousin's like, oh,

1313
01:16:21,920 --> 01:16:23,719
Speaker 1: you know you told niggas how to rhym on Neptun.

1314
01:16:26,240 --> 01:16:33,919
Speaker 7: Niggas ain't don't even think.

1315
01:16:33,880 --> 01:16:36,840
Speaker 1: When we when we did, not we? When you did?

1316
01:16:36,920 --> 01:16:41,040
Speaker 1: What what that shows? It's like, Yo, you got the

1317
01:16:41,120 --> 01:16:44,280
Speaker 1: chorus already. Story how that hook came up as funny

1318
01:16:44,280 --> 01:16:48,840
Speaker 1: and that I was counting count like that's the hook.

1319
01:16:50,520 --> 01:16:54,040
Speaker 1: This is the profession of a producer, like a non producer,

1320
01:16:54,920 --> 01:16:58,679
Speaker 1: like he'll he'll he'll correct your mistakes and he'll bring

1321
01:16:58,720 --> 01:17:01,160
Speaker 1: it out of you. And that's what it is. It's

1322
01:17:01,200 --> 01:17:07,960
Speaker 1: like they didn't have that ran after. They didn't want

1323
01:17:07,960 --> 01:17:09,479
Speaker 1: the best an rs have a lived. You got to

1324
01:17:09,479 --> 01:17:11,599
Speaker 1: think even before Bad Boy, this nigme was doing Joey.

1325
01:17:11,800 --> 01:17:15,120
Speaker 2: These were some countries I understand, but they like, I'll

1326
01:17:15,160 --> 01:17:15,439
Speaker 2: do you.

1327
01:17:16,040 --> 01:17:18,360
Speaker 1: Even before bad Boy, you gotta stand and he did,

1328
01:17:18,560 --> 01:17:21,519
Speaker 1: Mary J. Blige, Jo Father m C.

1329
01:17:22,040 --> 01:17:22,920
Speaker 2: He was showing these.

1330
01:17:22,800 --> 01:17:26,920
Speaker 1: Motherfuckers really how to dress, what kind of records to do,

1331
01:17:27,120 --> 01:17:29,920
Speaker 1: like did He's you can't take nothing away from Paul

1332
01:17:30,120 --> 01:17:32,320
Speaker 1: MC is still touring too right now, ye biking them

1333
01:17:32,400 --> 01:17:32,680
Speaker 1: up like.

1334
01:17:34,360 --> 01:17:38,040
Speaker 2: When I'm there, and it's like it was like a fake.

1335
01:17:38,080 --> 01:17:40,519
Speaker 1: Big Daddy came to me. I never he came up

1336
01:17:40,560 --> 01:17:45,360
Speaker 1: first though he didn't. He came from Yo. These people,

1337
01:17:45,360 --> 01:17:48,120
Speaker 1: I don't know. I think so King was first. Let's

1338
01:17:48,200 --> 01:17:51,320
Speaker 1: let's look at look it up. Kane was first. Came

1339
01:17:51,560 --> 01:17:56,040
Speaker 1: King had to be first. Believe King. I believe so.

1340
01:17:56,240 --> 01:17:59,479
Speaker 1: I'm like Big Daddy, Father m C, like Nola Town

1341
01:17:59,640 --> 01:18:02,040
Speaker 1: like that. Nigga's trying to be kne when I've first

1342
01:18:02,040 --> 01:18:04,920
Speaker 1: seen his first video. Oh I don't fuck with this.

1343
01:18:05,000 --> 01:18:09,559
Speaker 1: I'm sure it's close. Huh damn, what are you typing? Bro?

1344
01:18:09,720 --> 01:18:12,920
Speaker 1: You were there, You're saying has like once upon a

1345
01:18:12,960 --> 01:18:18,280
Speaker 1: time following just rapping with Biers and all that, that

1346
01:18:18,560 --> 01:18:22,840
Speaker 1: was eighty six. Yeah, okay, three years. You see what

1347
01:18:22,840 --> 01:18:24,200
Speaker 1: I'm saying. Close.

1348
01:18:24,280 --> 01:18:26,400
Speaker 3: I mean back then that wasn't closed, but nowadays that

1349
01:18:26,400 --> 01:18:31,200
Speaker 3: would be closing, all right?

1350
01:18:31,320 --> 01:18:33,880
Speaker 1: So next one, Yeah, I think it's the photo se

1351
01:18:34,240 --> 01:18:34,680
Speaker 1: still on.

1352
01:18:34,680 --> 01:18:39,920
Speaker 3: Tour MPC three thousand or NPC two thousand, Excel.

1353
01:18:44,600 --> 01:18:45,640
Speaker 1: The studio.

1354
01:18:47,600 --> 01:18:49,439
Speaker 2: For the studio for them things.

1355
01:18:49,720 --> 01:18:52,559
Speaker 1: If if we got to, if we gotta go through

1356
01:18:52,560 --> 01:18:55,840
Speaker 1: the two thousand, in the three thousand, I will go

1357
01:18:56,120 --> 01:18:59,800
Speaker 1: to the two thousand. Okay, So me, who.

1358
01:18:59,680 --> 01:19:01,720
Speaker 2: Would you what would you prefer those?

1359
01:19:01,800 --> 01:19:04,000
Speaker 3: I mean, I'm not a producer like that, but you

1360
01:19:04,240 --> 01:19:06,160
Speaker 3: know how to use both machines, right, not at all?

1361
01:19:07,800 --> 01:19:12,880
Speaker 2: Let me ask you buck, producer or beat maker?

1362
01:19:15,200 --> 01:19:19,280
Speaker 1: Me? Period? Yeah? What do you prefer? Producer? What's the

1363
01:19:19,280 --> 01:19:21,960
Speaker 1: difference between a producer and the beat maker? He just made?

1364
01:19:22,200 --> 01:19:25,160
Speaker 1: Like a beat maker just makes beats and think and run.

1365
01:19:25,800 --> 01:19:28,320
Speaker 1: But a producer, like yo, he'll he'll sit there and

1366
01:19:28,320 --> 01:19:32,639
Speaker 1: it's like he'll craft it, like when we do CNN.

1367
01:19:33,080 --> 01:19:35,760
Speaker 1: I learned producing like yo, you know what? I learned

1368
01:19:35,800 --> 01:19:38,200
Speaker 1: how to cultivate be like yo, you know what just

1369
01:19:38,280 --> 01:19:41,639
Speaker 1: how the song re orchestrated, and that's what it is.

1370
01:19:42,360 --> 01:19:43,599
Speaker 2: Producer is like.

1371
01:19:43,360 --> 01:19:44,960
Speaker 3: Like a producer doesn't even have to be the one

1372
01:19:45,000 --> 01:19:45,439
Speaker 3: that makes.

1373
01:19:45,280 --> 01:19:49,200
Speaker 1: The beat in some instances, yeah okay. And he could

1374
01:19:49,200 --> 01:19:51,040
Speaker 1: tell be like, oh, you know you played us, you

1375
01:19:51,120 --> 01:19:54,760
Speaker 1: play this because it's funny. Well yeah, yeah, get this

1376
01:19:54,840 --> 01:19:56,120
Speaker 1: album with songs.

1377
01:19:56,280 --> 01:19:58,320
Speaker 2: And I hate you know.

1378
01:19:58,479 --> 01:20:00,160
Speaker 1: I don't think I'm the best rabbit, but I'm think

1379
01:20:00,160 --> 01:20:01,240
Speaker 1: I'm a pretty good rapper.

1380
01:20:01,479 --> 01:20:03,479
Speaker 2: And he would be like, nah, that ain't it.

1381
01:20:03,560 --> 01:20:08,400
Speaker 1: Do that? Do that over and I'm like the overall worse,

1382
01:20:09,080 --> 01:20:12,920
Speaker 1: the bars, everything worse, and I'm like, son, this is fired.

1383
01:20:12,960 --> 01:20:14,800
Speaker 1: He like, trust me, I know your potential. I know

1384
01:20:14,840 --> 01:20:17,240
Speaker 1: you could do better. And a lot of producers just

1385
01:20:17,240 --> 01:20:18,720
Speaker 1: gonna give you the beat and let you do what

1386
01:20:18,720 --> 01:20:20,200
Speaker 1: as the fuck you want and then never you have

1387
01:20:20,280 --> 01:20:22,720
Speaker 1: to hear from the motherfucker again. And he was like, nah,

1388
01:20:22,720 --> 01:20:25,439
Speaker 1: you gotta eat. I know your potential. I know that

1389
01:20:25,439 --> 01:20:27,759
Speaker 1: that it ain't it, ain't it. And I would love

1390
01:20:27,800 --> 01:20:31,400
Speaker 1: me in the studio every single time. Every single time

1391
01:20:31,439 --> 01:20:33,200
Speaker 1: he told me that, I went back and I went

1392
01:20:33,240 --> 01:20:35,639
Speaker 1: back and changed whatever he told me. He was mad.

1393
01:20:35,960 --> 01:20:39,360
Speaker 1: Sometimes I thought my words was better I'm like, I

1394
01:20:39,400 --> 01:20:41,559
Speaker 1: had it. That shit was perfect, and he's like, nah,

1395
01:20:41,760 --> 01:20:44,200
Speaker 1: trust me and the songs we've done, it's like, you

1396
01:20:44,240 --> 01:20:46,360
Speaker 1: know this got me.

1397
01:20:46,360 --> 01:20:49,640
Speaker 2: Doing Ship four five. I'm like, I'm not doing this, sire.

1398
01:20:53,960 --> 01:20:56,639
Speaker 1: I think that's missing though right now, that people don't

1399
01:20:56,720 --> 01:20:59,280
Speaker 1: hear about the creativity no more. I don't want to

1400
01:20:59,280 --> 01:21:04,760
Speaker 1: say maybe eighties nineties that producer era. The producer was

1401
01:21:04,840 --> 01:21:07,880
Speaker 1: nineties and two thousands, the biggest ego in the room

1402
01:21:07,920 --> 01:21:10,040
Speaker 1: at that time, saying this is how it has to

1403
01:21:10,040 --> 01:21:12,240
Speaker 1: be done and getting the best out of the NBC

1404
01:21:13,160 --> 01:21:13,719
Speaker 1: as the artist.

1405
01:21:13,840 --> 01:21:16,599
Speaker 3: So you know, we we we kind of imagine now.

1406
01:21:16,840 --> 01:21:19,519
Speaker 1: The producer is quite scared of these artists now, like he's.

1407
01:21:19,320 --> 01:21:20,800
Speaker 2: I'm gonna they don't give a ship like.

1408
01:21:21,240 --> 01:21:25,000
Speaker 1: Scared of I'm just giving the bag marking out. You know,

1409
01:21:25,040 --> 01:21:28,040
Speaker 1: hold on, let me ask you just blaze, oh buck

1410
01:21:28,120 --> 01:21:35,840
Speaker 1: whow oh ship, Just blaze saying that, I said, for some.

1411
01:21:37,920 --> 01:21:39,880
Speaker 2: That's crazy, that's fun.

1412
01:21:40,560 --> 01:21:42,920
Speaker 1: You gotta say both. Let's take a drink. Yeah, say

1413
01:21:42,960 --> 01:21:48,479
Speaker 1: I'm gonna say both. Just blaze, man, he answered honestly

1414
01:21:48,560 --> 01:21:51,600
Speaker 1: with his crewmates. You know what it is now, what

1415
01:21:51,680 --> 01:21:54,439
Speaker 1: it is about justice? Justice, just a freaking nature though,

1416
01:21:54,520 --> 01:22:00,240
Speaker 1: like just Blaze is MIDI compatible. Nigga's like a machine.

1417
01:22:02,320 --> 01:22:05,000
Speaker 1: He's not human in a sense like this nigga just

1418
01:22:05,760 --> 01:22:07,920
Speaker 1: I think he's like a robot and ship. So it's

1419
01:22:08,000 --> 01:22:10,400
Speaker 1: kind of not fair to compare that nigga to nobody

1420
01:22:10,600 --> 01:22:13,760
Speaker 1: because but the same time, like the soul that Buck

1421
01:22:13,800 --> 01:22:16,320
Speaker 1: puts in his music, Like I did a whole album

1422
01:22:16,360 --> 01:22:18,920
Speaker 1: with Justin. Buck did one song album and that was

1423
01:22:18,960 --> 01:22:21,439
Speaker 1: my favorite song. So it's kind of hard to really

1424
01:22:22,040 --> 01:22:24,320
Speaker 1: And I'm like, because his music got a lot of

1425
01:22:24,360 --> 01:22:26,479
Speaker 1: soul in it, like when he dig like he did

1426
01:22:26,680 --> 01:22:29,080
Speaker 1: like and he chopped it up. Not to say just

1427
01:22:29,240 --> 01:22:31,080
Speaker 1: music don't because you listen to Blueprint and all that

1428
01:22:31,120 --> 01:22:33,559
Speaker 1: sh he does. He's a soulful guy. But he could

1429
01:22:33,600 --> 01:22:36,240
Speaker 1: do it without the vocal samples. Like a lot of

1430
01:22:36,280 --> 01:22:38,519
Speaker 1: times people need them vocal samples to bring to make

1431
01:22:38,520 --> 01:22:39,320
Speaker 1: it sound soulful.

1432
01:22:39,400 --> 01:22:40,960
Speaker 2: They speed him up or they slow them down.

1433
01:22:41,080 --> 01:22:43,840
Speaker 1: He doesn't just the sound beat, you know what I'm

1434
01:22:43,840 --> 01:22:46,360
Speaker 1: saying to make you feel like, oh this ship ship

1435
01:22:46,439 --> 01:22:49,719
Speaker 1: hit me here. But I think that's the hardest step

1436
01:22:49,800 --> 01:22:53,720
Speaker 1: was the album bro, I fucked up? You do a

1437
01:22:53,720 --> 01:22:57,559
Speaker 1: certain part you know well, because it's like all here

1438
01:22:57,800 --> 01:23:00,200
Speaker 1: just shp and be like, oh man, it's crazy. And

1439
01:23:00,240 --> 01:23:03,920
Speaker 1: he'll probably hear some ship and be like, yo, you

1440
01:23:04,040 --> 01:23:07,400
Speaker 1: inspired me. And it's like the inspiration is like from

1441
01:23:07,640 --> 01:23:12,760
Speaker 1: you know, from that you know, and that's that's it. Yeah,

1442
01:23:12,800 --> 01:23:14,679
Speaker 1: well just so you know, you inspire a lot of people.

1443
01:23:14,800 --> 01:23:19,919
Speaker 2: Absolutely, he's been spotting.

1444
01:23:20,080 --> 01:23:20,719
Speaker 1: You know what I'm saying.

1445
01:23:20,840 --> 01:23:22,400
Speaker 2: That's right next, don't kill me.

1446
01:23:22,640 --> 01:23:30,280
Speaker 1: Just red alert Capri, Right alert, right alert, That's that's

1447
01:23:30,040 --> 01:23:36,559
Speaker 1: that's I love Capri, but right alert Capri. He just

1448
01:23:36,640 --> 01:23:41,679
Speaker 1: liked being different. He wasn't the I C C JAB.

1449
01:23:42,080 --> 01:23:45,280
Speaker 1: I feel like he was those of the crew, like

1450
01:23:45,360 --> 01:23:47,559
Speaker 1: Ki Capri is like yo, he like he had a

1451
01:23:47,600 --> 01:23:48,400
Speaker 1: party rocking.

1452
01:23:48,760 --> 01:23:53,720
Speaker 2: Yeah, no listen Capri, no, no doubt.

1453
01:23:53,760 --> 01:23:58,799
Speaker 1: But it's like red alert. It's like alert or the radio.

1454
01:23:58,920 --> 01:23:59,880
Speaker 1: You gonna be on the radio.

1455
01:24:00,080 --> 01:24:01,840
Speaker 2: But let me just tell you something.

1456
01:24:02,200 --> 01:24:05,040
Speaker 1: I'll be I'll be in certain towns and Kicking will

1457
01:24:05,080 --> 01:24:05,719
Speaker 1: be DJing.

1458
01:24:05,880 --> 01:24:07,000
Speaker 2: I won't even text him.

1459
01:24:07,240 --> 01:24:09,639
Speaker 1: I'll just go in and just have a great fucking time,

1460
01:24:10,160 --> 01:24:12,400
Speaker 1: like like, and I'll be sitting there like he can

1461
01:24:12,520 --> 01:24:15,040
Speaker 1: rock any crowd. Can I tell you? Kicking pre can

1462
01:24:15,120 --> 01:24:18,519
Speaker 1: rock any crowd, any crowd. And I'm not saying I

1463
01:24:18,560 --> 01:24:20,519
Speaker 1: read Alert, because I'm not. I know that's like a cravison.

1464
01:24:20,600 --> 01:24:22,360
Speaker 1: I'm not saying read alert. Can't I just say I

1465
01:24:22,400 --> 01:24:26,519
Speaker 1: have been to witness it. I've been in from from

1466
01:24:26,880 --> 01:24:29,880
Speaker 1: you know, a trinidaddy and party to a Haitian party,

1467
01:24:29,920 --> 01:24:34,200
Speaker 1: to a Jamaican party to a straight up R and

1468
01:24:34,240 --> 01:24:37,280
Speaker 1: B party to a rap party, and Kicking Prix does

1469
01:24:37,320 --> 01:24:41,240
Speaker 1: them all the same way he destroyed. I was thinking

1470
01:24:41,360 --> 01:24:44,639
Speaker 1: all also thinking about the impact they had in the coature,

1471
01:24:44,880 --> 01:24:47,880
Speaker 1: right because Red Alert put us on radio. Niggas just

1472
01:24:47,960 --> 01:24:50,639
Speaker 1: stay up in late at night to listen, and without

1473
01:24:50,640 --> 01:24:55,280
Speaker 1: Read Alert, we wouldn't have Kicking Prex on Mario exactly. Comedy, Yeah,

1474
01:24:56,520 --> 01:25:01,559
Speaker 1: said Mark. I meant, I meant comedy jah the whole book.

1475
01:25:03,120 --> 01:25:06,559
Speaker 1: That's his verse on Wren. That's kpri Now.

1476
01:25:06,600 --> 01:25:07,720
Speaker 2: Somebody said that wasn't him.

1477
01:25:07,720 --> 01:25:12,280
Speaker 1: Who who he's sued for it? Somebody said the original

1478
01:25:12,280 --> 01:25:14,960
Speaker 1: one was and then they sue the cole and one

1479
01:25:14,960 --> 01:25:19,479
Speaker 1: of them nigga said it was him. That's it. Yeah,

1480
01:25:20,160 --> 01:25:23,000
Speaker 1: said yeah, I believe it's on last said he did it.

1481
01:25:23,240 --> 01:25:23,439
Speaker 12: Yeah.

1482
01:25:23,640 --> 01:25:25,599
Speaker 1: But what I was talking about, when I stay right alert,

1483
01:25:25,640 --> 01:25:29,120
Speaker 1: you gotta understand, like, well, yeah, the whole Boogie dam Productions,

1484
01:25:29,520 --> 01:25:33,679
Speaker 1: Fucking Boy Ship Vio, bringing in Baby Jump and bring

1485
01:25:33,680 --> 01:25:36,720
Speaker 1: the whole brother everybody came through. I dig that, but

1486
01:25:37,160 --> 01:25:40,640
Speaker 1: like is the party guy and the mixed guy, Like

1487
01:25:41,040 --> 01:25:45,960
Speaker 1: a person's talent is noted where it's like in a party.

1488
01:25:46,280 --> 01:25:49,400
Speaker 2: So you DJ, you want to rock the party.

1489
01:25:49,240 --> 01:25:51,679
Speaker 1: Not the radio. Some dudes on even some dudes on radio,

1490
01:25:51,760 --> 01:25:55,760
Speaker 1: even on the radio, like Yo, Kick Capri is a

1491
01:25:55,800 --> 01:25:59,040
Speaker 1: monster on the radio. He plays Ship like the album cuts.

1492
01:25:59,120 --> 01:26:02,639
Speaker 1: It's like he'll he'll do something else like Yo, He's

1493
01:26:02,800 --> 01:26:11,160
Speaker 1: he's crazy at the age Dessert Nigga would personally, I'll

1494
01:26:11,200 --> 01:26:15,360
Speaker 1: be honest, sweet again you know alres my o G.

1495
01:26:16,120 --> 01:26:20,440
Speaker 1: But at one point it was this biggie had this

1496
01:26:20,439 --> 01:26:23,400
Speaker 1: this song called machine Gun Funk. Before that came out,

1497
01:26:23,439 --> 01:26:26,080
Speaker 1: that was it was a wee spot called Three Wives Men,

1498
01:26:26,840 --> 01:26:28,200
Speaker 1: and we used to get there, used to get the

1499
01:26:28,200 --> 01:26:30,320
Speaker 1: bootle Funk. We used to get the machine Gun Funk,

1500
01:26:30,680 --> 01:26:32,040
Speaker 1: and we used to get there and we used to

1501
01:26:32,040 --> 01:26:35,839
Speaker 1: get a kicking pre tape and us coming from Queens

1502
01:26:35,920 --> 01:26:38,840
Speaker 1: buying a kicking pre tape, we felt like that was

1503
01:26:38,880 --> 01:26:44,160
Speaker 1: our outfit. That's how much Kicking pre tape met back

1504
01:26:44,200 --> 01:26:48,840
Speaker 1: then like dress, I had to have a new kicking

1505
01:26:49,520 --> 01:26:52,360
Speaker 1: to normal. I had to have a new kicking bretape,

1506
01:26:52,360 --> 01:26:55,160
Speaker 1: I sweeter. I had to go up Queen you talking

1507
01:26:55,160 --> 01:27:02,040
Speaker 1: about around mixed every Ca Capre tape and it's like

1508
01:27:03,280 --> 01:27:08,479
Speaker 1: completely I had. I had a Ca Capri dynasty like

1509
01:27:08,520 --> 01:27:13,000
Speaker 1: whatever you call a collection where like crazy, like every

1510
01:27:13,120 --> 01:27:17,120
Speaker 1: tape like I would walking and be like, yo, what's new,

1511
01:27:17,160 --> 01:27:18,840
Speaker 1: and it's like they pull on. Did you wait up

1512
01:27:18,880 --> 01:27:21,519
Speaker 1: late at night and taking press record and wait for

1513
01:27:21,600 --> 01:27:25,000
Speaker 1: red alert? Yeah, you got met the cushion in your

1514
01:27:25,040 --> 01:27:27,280
Speaker 1: team and make sure that's it, and then wake up

1515
01:27:27,320 --> 01:27:30,360
Speaker 1: to see what you caught. The grades whom he was broken,

1516
01:27:30,920 --> 01:27:40,240
Speaker 1: who made a little bit more money, that's exactly like

1517
01:27:41,120 --> 01:27:43,200
Speaker 1: all night like this, that's enough because we had enough

1518
01:27:43,280 --> 01:27:44,800
Speaker 1: on her. He was talking about the poorestakes, But I

1519
01:27:44,800 --> 01:27:47,439
Speaker 1: didn't you want to charm in and be like I thought,

1520
01:27:48,040 --> 01:27:49,920
Speaker 1: because the way he described it was as if it

1521
01:27:50,000 --> 01:27:54,000
Speaker 1: was only DJs who did that. Everybody, Well, the thing

1522
01:27:54,160 --> 01:27:56,400
Speaker 1: is making real posit mistakes. We would have two double

1523
01:27:56,439 --> 01:27:59,000
Speaker 1: deckers and you would manipulate the ship. You know what's crazy.

1524
01:27:59,040 --> 01:28:01,519
Speaker 1: One of my first, one of my very first top

1525
01:28:01,600 --> 01:28:04,599
Speaker 1: ten songs because I see he'd be getting slacked lately,

1526
01:28:05,000 --> 01:28:05,880
Speaker 1: is my guy Kwaime?

1527
01:28:07,640 --> 01:28:07,920
Speaker 12: Like like.

1528
01:28:10,920 --> 01:28:12,080
Speaker 1: I didn't know that. I don't know he was ready

1529
01:28:12,120 --> 01:28:15,280
Speaker 1: to get what is it? Because I see him explaining

1530
01:28:15,360 --> 01:28:20,000
Speaker 1: himself on sway like okay, big did this you life

1531
01:28:20,000 --> 01:28:23,600
Speaker 1: has played out? Caught me able to But look at

1532
01:28:23,680 --> 01:28:26,040
Speaker 1: all the other lines in the pop that was bigging

1533
01:28:26,120 --> 01:28:28,240
Speaker 1: you up like like a man.

1534
01:28:28,520 --> 01:28:34,200
Speaker 13: Yeah, Like I remember saying he's dope man, because like

1535
01:28:34,760 --> 01:28:37,880
Speaker 13: even with the big thing, like he just shrunk that

1536
01:28:38,000 --> 01:28:39,800
Speaker 13: off with get along with it.

1537
01:28:39,920 --> 01:28:46,080
Speaker 1: Yeah, it is dope, is amazing, Like I wanted to

1538
01:28:46,120 --> 01:28:49,440
Speaker 1: come through man. I was like, that's this ship is impressive.

1539
01:28:50,120 --> 01:28:53,200
Speaker 1: Make you become a fan again like Kame was always fine.

1540
01:28:53,600 --> 01:28:54,479
Speaker 2: They looked the same too.

1541
01:28:54,560 --> 01:28:59,800
Speaker 1: Hey look sir yea he got the Poka Doon ship

1542
01:29:00,120 --> 01:29:02,680
Speaker 1: to rocking at it again? Where the mommy, like you

1543
01:29:02,760 --> 01:29:05,400
Speaker 1: gotta ship back. I would have ran with that ship

1544
01:29:05,439 --> 01:29:09,360
Speaker 1: to like that it's my ship. Ain't take that clock off.

1545
01:29:12,200 --> 01:29:14,639
Speaker 1: Lave got the clock. I got the dots, nigga funk

1546
01:29:14,760 --> 01:29:20,640
Speaker 1: back words O C or a G ding. That's for

1547
01:29:20,720 --> 01:29:23,439
Speaker 1: you brother s, you like putt niggas on the spot,

1548
01:29:33,600 --> 01:29:35,719
Speaker 1: by the way, we need O C and show business.

1549
01:29:35,760 --> 01:29:40,240
Speaker 1: A g on here, facts, facts, come get your dope,

1550
01:29:40,280 --> 01:29:44,040
Speaker 1: dope m cs bro Frank White, Anino Brown.

1551
01:29:45,960 --> 01:29:46,920
Speaker 2: I gotta go with Nino.

1552
01:29:47,560 --> 01:29:51,240
Speaker 1: Yep, even though you're at it, It's okay. He's he's

1553
01:29:51,240 --> 01:29:55,960
Speaker 1: a good snitch. In the way you did that. Nigga said,

1554
01:29:55,960 --> 01:29:58,280
Speaker 1: I ain't going down with myself. He said that pretty

1555
01:29:58,320 --> 01:30:05,559
Speaker 1: mother good class. Yeah, right there on the stage right.

1556
01:30:05,880 --> 01:30:10,160
Speaker 1: Frank White is real and Nino browns faith. But Frank

1557
01:30:10,240 --> 01:30:13,840
Speaker 1: White is real. I think Leo Brown, Nina Brown is

1558
01:30:14,400 --> 01:30:16,760
Speaker 1: Frank Money Vaughan's Nino Brown is supposed to Nick. You know.

1559
01:30:17,040 --> 01:30:19,320
Speaker 1: It was a mix up from Detroit Brown. They they

1560
01:30:19,439 --> 01:30:21,840
Speaker 1: made it. They it's like Star Phase. They said that

1561
01:30:21,920 --> 01:30:28,439
Speaker 1: after they indicted Frank White, you know from Blue Magic. No,

1562
01:30:28,600 --> 01:30:44,519
Speaker 1: that's that's Frank Yeah, because he missed that movie. But

1563
01:30:44,800 --> 01:30:50,560
Speaker 1: you know Whatino Brown man, Nino, Nino was a ruthless motherfuckers.

1564
01:30:51,120 --> 01:30:56,920
Speaker 1: Cancel that bitch, Cancel that Fino. Don't give a fuck. Alright, WHOA,

1565
01:30:57,720 --> 01:31:04,479
Speaker 1: I got a story to tell. Oh, take a drink,

1566
01:31:04,640 --> 01:31:10,240
Speaker 1: they can drink a little drunkigg eaty one, I got

1567
01:31:10,280 --> 01:31:14,320
Speaker 1: a job. Get a niggas eat one all right, Analog

1568
01:31:14,439 --> 01:31:17,200
Speaker 1: or digital, both the analog.

1569
01:31:17,240 --> 01:31:18,599
Speaker 2: Analog and digital.

1570
01:31:18,640 --> 01:31:21,720
Speaker 1: I'm going digital sound sound wise and analog with all

1571
01:31:21,800 --> 01:31:25,679
Speaker 1: that carrying. The motherfucking I'm carrying them too for them reals.

1572
01:31:25,720 --> 01:31:29,200
Speaker 1: It sounds like you confuse. Take a drink, sir, I'll

1573
01:31:29,200 --> 01:31:32,759
Speaker 1: take a ship. You said both. You said analog because

1574
01:31:32,800 --> 01:31:37,960
Speaker 1: it is you look at analog digital ship with all

1575
01:31:38,000 --> 01:31:41,880
Speaker 1: that carrying, all that ship. You love analog because you

1576
01:31:42,000 --> 01:31:44,080
Speaker 1: We couldn't do a song together back then unless we

1577
01:31:44,200 --> 01:31:46,280
Speaker 1: was in the studio together. So you got to smell

1578
01:31:46,320 --> 01:31:48,560
Speaker 1: my izzy mi JACKI. You know what I'm saying. I

1579
01:31:48,640 --> 01:31:50,960
Speaker 1: got to smell you Jake it you eating. You know

1580
01:31:50,960 --> 01:31:53,040
Speaker 1: what I'm saying. You got to smell my teacher on

1581
01:31:53,160 --> 01:31:57,880
Speaker 1: it for your colden West. If you want to punch

1582
01:31:57,920 --> 01:32:03,840
Speaker 1: you punching nigga and the taste watch they got to

1583
01:32:03,840 --> 01:32:08,840
Speaker 1: rewind it. Watch you. I really think I knew how

1584
01:32:08,880 --> 01:32:13,240
Speaker 1: to not punch in because of that, because excuse me,

1585
01:32:13,280 --> 01:32:14,760
Speaker 1: I know I know how to flow all the way

1586
01:32:14,840 --> 01:32:18,080
Speaker 1: through because I hated punching it like you have to.

1587
01:32:18,240 --> 01:32:20,120
Speaker 1: The engineer will literally have to say you sure you

1588
01:32:20,200 --> 01:32:22,479
Speaker 1: want these eight bars? Yes, I want these eight balls.

1589
01:32:22,520 --> 01:32:24,240
Speaker 1: You're going to add the other eight bars. They would

1590
01:32:24,240 --> 01:32:29,840
Speaker 1: have to take it, to take, to take, lose your

1591
01:32:29,920 --> 01:32:34,000
Speaker 1: moment to you don't right right right, and now like

1592
01:32:34,080 --> 01:32:37,479
Speaker 1: oh you know, just copy and paste this ship, you know. Yeah,

1593
01:32:38,680 --> 01:32:41,040
Speaker 1: not to wate studio Digital made anybody be able to

1594
01:32:41,080 --> 01:32:42,920
Speaker 1: do it too. That's kind of we made it whack too,

1595
01:32:43,040 --> 01:32:46,479
Speaker 1: like anybody got pro tools and were like the middle

1596
01:32:46,520 --> 01:32:50,200
Speaker 1: ground when we had that tape, me after somebody real quick.

1597
01:32:50,600 --> 01:32:53,360
Speaker 1: Because of our first studio let mean excuse me, my

1598
01:32:53,439 --> 01:32:56,720
Speaker 1: first album, he taught us not to waste studio time,

1599
01:32:57,200 --> 01:33:03,240
Speaker 1: like so who tragedy tragedy every time my rhymes wrote everything,

1600
01:33:03,280 --> 01:33:05,599
Speaker 1: I knew exactly what I was doing. I never wasted time,

1601
01:33:05,640 --> 01:33:11,400
Speaker 1: like if I had eight hours, I used old studio.

1602
01:33:12,240 --> 01:33:14,719
Speaker 1: That's what was the thing. It's like, you know, studio

1603
01:33:14,840 --> 01:33:16,479
Speaker 1: was so expensive. It's like, oh you know what, I

1604
01:33:16,600 --> 01:33:20,080
Speaker 1: can't waste time, you know, And that's it. That's that's it.

1605
01:33:20,560 --> 01:33:23,519
Speaker 1: Studio was the original gatekeeper. You had to really want

1606
01:33:23,760 --> 01:33:25,360
Speaker 1: to be in this stiff because you had to invest

1607
01:33:25,479 --> 01:33:30,040
Speaker 1: everybody if you ain't. Yeah, but it's like everybody was like, oh,

1608
01:33:30,080 --> 01:33:31,760
Speaker 1: you know, dudes, be like, oh, you know, I did

1609
01:33:31,840 --> 01:33:33,240
Speaker 1: ten songs to day in the studio.

1610
01:33:34,040 --> 01:33:37,240
Speaker 2: Two songs. That's all like the.

1611
01:33:37,360 --> 01:33:39,960
Speaker 1: Real, the real be like, yo, you know what hold

1612
01:33:40,960 --> 01:33:43,280
Speaker 1: only only holding two? And it's like if you got

1613
01:33:43,400 --> 01:33:45,040
Speaker 1: to buy another reel, that's what.

1614
01:33:48,000 --> 01:33:49,640
Speaker 7: You like.

1615
01:33:50,040 --> 01:33:52,280
Speaker 1: Until I moved to Florida, I swear to god, I'm

1616
01:33:52,280 --> 01:33:55,200
Speaker 1: not playing around. Until I moved to Florida, I didn't

1617
01:33:55,200 --> 01:33:59,040
Speaker 1: know people didn't record five records at night. Like I

1618
01:33:59,200 --> 01:34:02,439
Speaker 1: was like, I would not go to the studio. Let's

1619
01:34:02,479 --> 01:34:06,519
Speaker 1: I record? Yeah, I mean obviously, yeah, yeah, yeah, that's

1620
01:34:06,520 --> 01:34:10,280
Speaker 1: what I'm saying. Because once it went from analog, and

1621
01:34:10,400 --> 01:34:12,679
Speaker 1: I already have my ROMs, and when it was digital,

1622
01:34:12,720 --> 01:34:15,920
Speaker 1: I was making was already. I was like, so until

1623
01:34:15,920 --> 01:34:19,080
Speaker 1: I got out here, I seen somebody like, excuse me,

1624
01:34:19,160 --> 01:34:20,640
Speaker 1: not got out here because I wasn't living out here

1625
01:34:20,640 --> 01:34:22,800
Speaker 1: at the time. Until I got to the it wasn't

1626
01:34:22,800 --> 01:34:25,120
Speaker 1: even the head factory because the criteria criteria. And I

1627
01:34:25,120 --> 01:34:27,439
Speaker 1: would see your motherfucker make a record and go outside

1628
01:34:27,479 --> 01:34:29,840
Speaker 1: and smoke a cigarette, and I was like, oh, you

1629
01:34:29,920 --> 01:34:32,240
Speaker 1: don't go back in, you do? You just make the

1630
01:34:32,280 --> 01:34:35,840
Speaker 1: record and you're cool. And I'm like, oh, I'm you know,

1631
01:34:35,960 --> 01:34:38,800
Speaker 1: that's crazy, and I'm gonna come out here and play

1632
01:34:38,840 --> 01:34:43,120
Speaker 1: some five songs in the night. When it's like we

1633
01:34:43,280 --> 01:34:45,400
Speaker 1: was ah fact for me to do.

1634
01:34:45,400 --> 01:34:49,960
Speaker 2: That analog on analog. Okay, he's a beast, Yeah yeah.

1635
01:34:50,520 --> 01:34:55,160
Speaker 1: Just running through it. They don't put up another beat man. Yeah,

1636
01:34:55,800 --> 01:34:58,200
Speaker 1: I imagine was doing that too. The same had to

1637
01:34:58,240 --> 01:35:00,840
Speaker 1: be knocking out more knocking him A had had Pop

1638
01:35:02,720 --> 01:35:09,600
Speaker 1: I'm about coming home from jail Pop had two studios

1639
01:35:09,640 --> 01:35:14,080
Speaker 1: like yeah and another SSL. While you're doing the beat

1640
01:35:14,360 --> 01:35:16,880
Speaker 1: in hand, you know, I'm gonna do the vocals and

1641
01:35:16,960 --> 01:35:19,000
Speaker 1: when you finish the beat, I'm gonna jump in hand

1642
01:35:19,000 --> 01:35:20,920
Speaker 1: And it's like, that's what podcast. You know what I

1643
01:35:21,000 --> 01:35:23,760
Speaker 1: heard about Tupac which made it interesting. They said once

1644
01:35:23,800 --> 01:35:26,200
Speaker 1: he was done with a song, he wouldn't listen back

1645
01:35:26,920 --> 01:35:30,160
Speaker 1: like film, he ain't gonna live at that from him.

1646
01:35:30,200 --> 01:35:30,679
Speaker 2: That's great.

1647
01:35:30,760 --> 01:35:33,439
Speaker 1: That's a good idea. You can get listen to the

1648
01:35:33,479 --> 01:35:37,200
Speaker 1: same song for man because you know why we're on

1649
01:35:37,320 --> 01:35:40,519
Speaker 1: the first fan. Yeah, you're right, like you would never

1650
01:35:40,600 --> 01:35:42,840
Speaker 1: grow out of being your own first fan, right like

1651
01:35:42,960 --> 01:35:46,439
Speaker 1: everyone everyone thinks that this. No, it starts with you,

1652
01:35:47,160 --> 01:35:49,000
Speaker 1: your confidence. It starts with you when you're listening into

1653
01:35:49,000 --> 01:35:51,320
Speaker 1: your beat. So if you sit there and you just

1654
01:35:51,400 --> 01:35:53,360
Speaker 1: keep listening, you'll listen to that ship all day. Like

1655
01:35:53,520 --> 01:35:55,360
Speaker 1: I don't if I think a record about a fucking

1656
01:35:55,400 --> 01:35:59,800
Speaker 1: lighter right now, I'm like that, Just keep listening because

1657
01:35:59,800 --> 01:36:01,840
Speaker 1: I love you know what I'm saying. But it's like

1658
01:36:02,439 --> 01:36:07,479
Speaker 1: even instrumental, like we do that ship too, like no shame.

1659
01:36:07,520 --> 01:36:09,400
Speaker 1: People probably be like, oh, big up not seeing my

1660
01:36:09,520 --> 01:36:14,360
Speaker 1: ship while like twenty times in a row, and you know,

1661
01:36:14,640 --> 01:36:17,120
Speaker 1: when you're done it, it's like, yo, I want to y'all,

1662
01:36:17,200 --> 01:36:19,920
Speaker 1: I need to give these records back. You know. It's funny.

1663
01:36:19,960 --> 01:36:22,840
Speaker 1: These young kids, they I don't even think they sit on.

1664
01:36:23,120 --> 01:36:24,400
Speaker 1: I think as soon as it's done, they put it.

1665
01:36:25,240 --> 01:36:26,479
Speaker 1: They mix. They don't.

1666
01:36:28,000 --> 01:36:28,559
Speaker 4: Clean version.

1667
01:36:28,600 --> 01:36:32,800
Speaker 1: I mean you can put it through NB. A young

1668
01:36:32,880 --> 01:36:36,000
Speaker 1: boy got like seventy five albums. I think, like like

1669
01:36:36,120 --> 01:36:39,200
Speaker 1: the young Nick Russell was like on my eighty six LP.

1670
01:36:40,479 --> 01:36:43,920
Speaker 1: They don't have experience, say, I don't think they have

1671
01:36:44,160 --> 01:36:49,200
Speaker 1: experience teaching where it's like to meticulous, like meticulously like

1672
01:36:49,520 --> 01:36:52,479
Speaker 1: you know, to judge, and it's like the judging is

1673
01:36:52,560 --> 01:36:54,320
Speaker 1: like that's the part where it's like, nah, you know,

1674
01:36:54,400 --> 01:36:56,519
Speaker 1: I could do that better, and it's like yo, you know,

1675
01:36:56,680 --> 01:37:00,960
Speaker 1: oh you know, yo, I laid this verse next song.

1676
01:37:01,040 --> 01:37:03,400
Speaker 1: It's like that's how they figure, you know, you need

1677
01:37:03,479 --> 01:37:03,680
Speaker 1: to be.

1678
01:37:04,040 --> 01:37:06,720
Speaker 3: Plus the streaming era. It's like it's a numbers game.

1679
01:37:06,760 --> 01:37:10,080
Speaker 3: They're just not play the numbers. The algorithm I'm throwing

1680
01:37:10,479 --> 01:37:14,040
Speaker 3: keep throwing out. But it's unfortunate enough. It's unfortunate like

1681
01:37:14,479 --> 01:37:16,479
Speaker 3: it waters a lot of it is. It's a lot

1682
01:37:16,600 --> 01:37:17,320
Speaker 3: of garbage.

1683
01:37:17,400 --> 01:37:19,479
Speaker 2: It makes it so much because they keep doing the

1684
01:37:19,560 --> 01:37:21,200
Speaker 2: same ship over and over.

1685
01:37:21,479 --> 01:37:24,840
Speaker 1: You can't be that good the way you could turn

1686
01:37:24,920 --> 01:37:30,120
Speaker 1: out fifty five albums all be hot. Nobody look at

1687
01:37:30,160 --> 01:37:34,040
Speaker 1: the music industry like it's like it's like going to

1688
01:37:34,120 --> 01:37:38,160
Speaker 1: Costcos now right, Like you go to Costcos you just

1689
01:37:38,200 --> 01:37:40,599
Speaker 1: want to plant, but you end up but you get

1690
01:37:40,640 --> 01:37:51,800
Speaker 1: off it peanuts, clothes, watermelons, TV battery Okay, like hands

1691
01:37:51,840 --> 01:37:53,920
Speaker 1: turning that bitch. You can't hit for a plant. It

1692
01:37:54,120 --> 01:37:56,360
Speaker 1: was fucked up about that plant. The plant is all

1693
01:37:56,400 --> 01:37:58,920
Speaker 1: the way in the backs. So to get to to

1694
01:37:59,040 --> 01:38:01,000
Speaker 1: get to the plant, which you just came there for,

1695
01:38:01,520 --> 01:38:03,880
Speaker 1: you got to pass to a whole bunch of bullshit

1696
01:38:05,040 --> 01:38:08,720
Speaker 1: ship that you don't want, but you timpted because it's

1697
01:38:08,760 --> 01:38:11,640
Speaker 1: one thing that like, all right, that's just y'all, Like

1698
01:38:11,800 --> 01:38:15,679
Speaker 1: something like a cold, cold car that holds your phone

1699
01:38:16,240 --> 01:38:19,280
Speaker 1: like and you're like, okay, this is I want to

1700
01:38:19,320 --> 01:38:23,519
Speaker 1: watch super Bowl like and then you wind up. But

1701
01:38:23,600 --> 01:38:26,160
Speaker 1: that's what the music industry is. Like. It's like sometimes

1702
01:38:26,200 --> 01:38:28,200
Speaker 1: you just want to go and just get like like

1703
01:38:28,479 --> 01:38:32,080
Speaker 1: like my mom my ship downloaded the other day and

1704
01:38:32,160 --> 01:38:34,360
Speaker 1: I wanted to hear shot, right, so I go on,

1705
01:38:35,120 --> 01:38:39,759
Speaker 1: I pressed ask Oh my god, that's like I didn't

1706
01:38:39,760 --> 01:38:41,960
Speaker 1: even allow me to press as a like they were

1707
01:38:42,040 --> 01:38:51,320
Speaker 1: just like yo, like, So that's what That's what the

1708
01:38:51,400 --> 01:38:54,120
Speaker 1: music industry is. There's still great products out there, it's

1709
01:38:54,160 --> 01:38:59,640
Speaker 1: just all in one. It's oversaturated. Man, it's just one warehouse.

1710
01:39:00,080 --> 01:39:02,000
Speaker 1: You gotta know what they get there. When I'm getting

1711
01:39:02,040 --> 01:39:04,760
Speaker 1: like that. It almost like cable TV. Remember cable TV

1712
01:39:04,920 --> 01:39:07,679
Speaker 1: had like sixty channels because we hold niggas.

1713
01:39:07,680 --> 01:39:09,759
Speaker 2: Remember the eight channel when we were growing.

1714
01:39:09,600 --> 01:39:11,280
Speaker 1: Up, they had to play the boy channel. I'm gonna

1715
01:39:11,280 --> 01:39:22,800
Speaker 1: play boy. That was called soft horn right, No, no,

1716
01:39:22,960 --> 01:39:24,320
Speaker 1: that was the real thing. He was doing it right.

1717
01:39:24,400 --> 01:39:27,920
Speaker 1: Benny Hill, Remember Benny Hill? Yeah, man, man, yeah, let

1718
01:39:27,960 --> 01:39:28,639
Speaker 1: me tell you something.

1719
01:39:29,080 --> 01:39:30,120
Speaker 2: No, let me tell you something.

1720
01:39:32,720 --> 01:39:35,840
Speaker 1: Can Benny Hill exists? No way, he would not exist,

1721
01:39:36,400 --> 01:39:40,160
Speaker 1: None of them niggas could exist. Martin Downy Yeah wow,

1722
01:39:41,880 --> 01:39:47,400
Speaker 1: chie Bunker Bunker was raised, said he's some miles today.

1723
01:39:47,439 --> 01:39:51,599
Speaker 1: When they pleaded looking woke, yeah, he said. He said

1724
01:39:51,640 --> 01:39:54,280
Speaker 1: to the lady, he said, so, who does all the

1725
01:39:54,320 --> 01:40:00,479
Speaker 1: cookies in your house? She says, my husband does. He goes,

1726
01:40:00,720 --> 01:40:03,280
Speaker 1: are you worried about that? Like people will find out?

1727
01:40:03,680 --> 01:40:07,400
Speaker 1: And then she goes, she goes, what that that I'm

1728
01:40:07,439 --> 01:40:19,840
Speaker 1: a lazy wife. He goes, no that, I'm like, yo.

1729
01:40:20,360 --> 01:40:23,360
Speaker 1: It just was Ralph Cran, the famed nigga too, Ralph

1730
01:40:23,400 --> 01:40:25,920
Speaker 1: crand that used to be like Alice one year to

1731
01:40:26,040 --> 01:40:29,880
Speaker 1: his wife, You're not gonna he was domestic bobu. He

1732
01:40:30,000 --> 01:40:37,560
Speaker 1: was a domestic violence like I was about it and

1733
01:40:37,640 --> 01:40:40,439
Speaker 1: then and then I ain't gonna lie. And he was Jefferson.

1734
01:40:40,680 --> 01:40:43,880
Speaker 1: He gotta remember that nigga. You gotta remember that was

1735
01:40:43,960 --> 01:40:47,160
Speaker 1: in Queens, you know, so we're gonna remember George was

1736
01:40:47,200 --> 01:40:50,479
Speaker 1: on the east side. Yeah, and he left the east side.

1737
01:40:50,560 --> 01:40:54,679
Speaker 1: East side was still Harlem. Queens was Dame Queens because

1738
01:40:54,760 --> 01:40:58,000
Speaker 1: the actual Queen came from England and then they visited

1739
01:40:58,040 --> 01:41:00,200
Speaker 1: there and I believe the King went to and that's

1740
01:41:00,200 --> 01:41:03,320
Speaker 1: why they called the King's County. Right, So these guys

1741
01:41:03,640 --> 01:41:06,160
Speaker 1: this is now, this is this is how it beats queens.

1742
01:41:06,600 --> 01:41:10,680
Speaker 1: This is usif Hawking's queens will and they're making your

1743
01:41:11,240 --> 01:41:15,840
Speaker 1: race back then I'm talking about the Going Hall. It

1744
01:41:15,960 --> 01:41:18,200
Speaker 1: was like did not like? Yeah, I remember saf and

1745
01:41:18,280 --> 01:41:22,000
Speaker 1: a sudden yo. And by the way, that that TV

1746
01:41:22,200 --> 01:41:25,160
Speaker 1: back then, bro, they can bring that back. We a

1747
01:41:25,200 --> 01:41:27,600
Speaker 1: little TV and we are over sensitive now went with

1748
01:41:27,960 --> 01:41:30,720
Speaker 1: certain ship. But because but like you said, because Ralph

1749
01:41:30,720 --> 01:41:32,000
Speaker 1: Cranny was threatening to beat his.

1750
01:41:32,040 --> 01:41:32,840
Speaker 2: Bitch up a night.

1751
01:41:32,880 --> 01:41:36,040
Speaker 1: He said, Alice, one of these fucking band full straight

1752
01:41:36,120 --> 01:41:38,160
Speaker 1: to the movie, like, you gotta knock him. You do

1753
01:41:38,320 --> 01:41:40,439
Speaker 1: that ship. Now you're getting canceled. You found it was

1754
01:41:40,520 --> 01:41:43,200
Speaker 1: the first Ike Turner. He was Ike Turner like motherfucker.

1755
01:41:43,400 --> 01:41:47,479
Speaker 1: But he was promoting his ship. I wasn't. I was mistake,

1756
01:41:48,880 --> 01:41:54,439
Speaker 1: my mistake, man, hold on, we're not doing a quick time.

1757
01:41:54,560 --> 01:41:54,840
Speaker 1: Let's go.

1758
01:41:56,120 --> 01:42:00,639
Speaker 3: Time was sling eighties and nineties hip hop nineties, nineties, nineties,

1759
01:42:01,120 --> 01:42:04,679
Speaker 3: Ya book all right? Joe and Jada are Cam and Mace.

1760
01:42:05,880 --> 01:42:11,040
Speaker 2: Oh that's a good one, man, God, drink, that's just

1761
01:42:11,120 --> 01:42:11,599
Speaker 2: got drink.

1762
01:42:11,880 --> 01:42:14,080
Speaker 1: Go ahead, drink you know you.

1763
01:42:14,560 --> 01:42:18,519
Speaker 2: No, I gotta respond, that's damn. I'm gonna go.

1764
01:42:18,720 --> 01:42:22,200
Speaker 1: Joe and Jada I like the I like, I love

1765
01:42:22,320 --> 01:42:25,960
Speaker 1: Cam and Mason's dynamic. But we always seen that because

1766
01:42:25,960 --> 01:42:27,920
Speaker 1: they did songs together, they were from the same cruise.

1767
01:42:28,040 --> 01:42:30,640
Speaker 1: We see their personalities, how dope their personalities is to

1768
01:42:30,680 --> 01:42:33,080
Speaker 1: get right, That's like, that's why I think it works

1769
01:42:33,120 --> 01:42:35,800
Speaker 1: because they friends, they grow together. Joe and Jada is

1770
01:42:35,920 --> 01:42:40,479
Speaker 1: like a few different worlds. They worked a lot together too. Really, yeah,

1771
01:42:41,080 --> 01:42:43,920
Speaker 1: I don't really know, because it's like having Cam on

1772
01:42:44,000 --> 01:42:49,000
Speaker 1: the songs, like he's around, but it's like it's like

1773
01:42:49,160 --> 01:42:51,880
Speaker 1: we were probably like yo, you know what. Oh you

1774
01:42:51,960 --> 01:42:56,120
Speaker 1: know Cam is is doing too much or another excuse,

1775
01:42:56,640 --> 01:43:01,200
Speaker 1: but no, he's right like me being me being in

1776
01:43:01,280 --> 01:43:04,479
Speaker 1: the Bronx is like I spent time in hallm and

1777
01:43:04,600 --> 01:43:07,080
Speaker 1: it's like we're big ol and it's like I've seen

1778
01:43:07,840 --> 01:43:10,280
Speaker 1: I've seen the dynamics, what they was, what they could do.

1779
01:43:10,880 --> 01:43:16,479
Speaker 2: But you know what that got to do with this though, dude?

1780
01:43:18,479 --> 01:43:23,160
Speaker 1: Yeah, yeah, I think it was making the Harlem reference

1781
01:43:23,200 --> 01:43:25,800
Speaker 1: about the Yeah, but that was.

1782
01:43:26,400 --> 01:43:28,240
Speaker 2: I mean to my point, that's what I'm saying.

1783
01:43:28,240 --> 01:43:29,880
Speaker 1: That's the reason why I would give the edge to

1784
01:43:29,960 --> 01:43:32,800
Speaker 1: Joe and Jada because their chemistry for them, like you

1785
01:43:32,920 --> 01:43:41,080
Speaker 1: did some records together, but these dudes was challenge these

1786
01:43:41,160 --> 01:43:45,080
Speaker 1: guys just and then they play off each other really

1787
01:43:45,120 --> 01:43:49,439
Speaker 1: well with the cap shipp and here comes they got

1788
01:43:49,479 --> 01:43:53,120
Speaker 1: the flag they throwing the flawers. I knew's personality, I

1789
01:43:53,240 --> 01:43:56,200
Speaker 1: didn't know how dope Ma's personality is, and I didn't

1790
01:43:56,200 --> 01:43:59,920
Speaker 1: know how dope their personalities together it works like yeah,

1791
01:44:00,040 --> 01:44:05,800
Speaker 1: works for Joe and data. Joe Jada Jada is sometimes

1792
01:44:06,280 --> 01:44:07,400
Speaker 1: like offended by each other.

1793
01:44:07,520 --> 01:44:08,040
Speaker 3: And I like that.

1794
01:44:08,120 --> 01:44:09,800
Speaker 1: I like that, Yeah, I like that. I like that

1795
01:44:10,360 --> 01:44:14,920
Speaker 1: because Jada doesn't co sign and ship like this guy. Yeah, Joe,

1796
01:44:15,800 --> 01:44:19,360
Speaker 1: I know him his personality and I know Jada's personality,

1797
01:44:19,760 --> 01:44:22,680
Speaker 1: so obviously like you don't know the personalities like oh

1798
01:44:22,760 --> 01:44:25,160
Speaker 1: you know, I don't know. I don't know these niggas

1799
01:44:25,680 --> 01:44:29,280
Speaker 1: right like Joe AND's like and Jada like you know,

1800
01:44:29,600 --> 01:44:31,960
Speaker 1: I know both of the niggas talking about you don't know,

1801
01:44:32,640 --> 01:44:35,760
Speaker 1: like I know. Just the other day is like, you know,

1802
01:44:36,040 --> 01:44:40,880
Speaker 1: is it we don't sleep? What cap? Yo? When when

1803
01:44:40,960 --> 01:44:43,120
Speaker 1: Joe be saying ship like oh you know is that cap?

1804
01:44:44,240 --> 01:44:47,320
Speaker 1: But it's it's really real and it's like even Jada

1805
01:44:47,439 --> 01:44:48,920
Speaker 1: is like, oh you know this thing is capp and

1806
01:44:49,000 --> 01:44:51,639
Speaker 1: it's like you'd be throwing flags and ship all around.

1807
01:44:52,960 --> 01:44:57,080
Speaker 1: But Joe, Joe like it a purposely. He accepts it.

1808
01:44:57,160 --> 01:45:02,120
Speaker 1: Now that's what I like. Yeah, it's like, yo, they

1809
01:45:02,280 --> 01:45:04,400
Speaker 1: love me. Now he's going. He was like I was

1810
01:45:04,479 --> 01:45:11,680
Speaker 1: at Pablo escoballrid like what wild ship is joking saying, well,

1811
01:45:11,720 --> 01:45:13,840
Speaker 1: how funny is j when he.

1812
01:45:13,920 --> 01:45:15,639
Speaker 2: John does a kid who imitates them?

1813
01:45:16,000 --> 01:45:19,920
Speaker 1: So he goes like this, he goes, Yo, the US

1814
01:45:20,000 --> 01:45:21,920
Speaker 1: government inviting me the malls one time.

1815
01:45:25,040 --> 01:45:29,920
Speaker 7: Joe, He's like, so bround, just two hundred niggas. He

1816
01:45:29,960 --> 01:45:33,560
Speaker 7: said there was two hundred period people. There was a

1817
01:45:33,680 --> 01:45:35,919
Speaker 7: coaching nigga the blue.

1818
01:45:35,880 --> 01:45:42,400
Speaker 1: My tyson kids. I'm dying because the way Homeboys delivering

1819
01:45:42,439 --> 01:45:47,639
Speaker 1: the message he has Joe man again, I din't funk

1820
01:45:47,680 --> 01:45:56,280
Speaker 1: with drinks Champstown. I want Joey love everybody whatever drink

1821
01:45:56,360 --> 01:46:02,040
Speaker 1: said this the o G Joe, I love everybody game.

1822
01:46:02,400 --> 01:46:05,719
Speaker 1: I'm everybody. I'm happy to see. I'm happy to see. Okay,

1823
01:46:05,960 --> 01:46:10,280
Speaker 1: all these brothers excel and and do well after they

1824
01:46:10,360 --> 01:46:13,920
Speaker 1: had very luke for their successful rap. Figure out something

1825
01:46:14,000 --> 01:46:16,000
Speaker 1: else while you're older, like, okay, we can't, we don't

1826
01:46:16,000 --> 01:46:18,599
Speaker 1: want rap forever. Okay, this is something else but now

1827
01:46:18,720 --> 01:46:20,879
Speaker 1: it could be, you know, take care of our families.

1828
01:46:20,960 --> 01:46:23,240
Speaker 1: But now we could teach youngs about the coaching, like

1829
01:46:23,280 --> 01:46:24,880
Speaker 1: what're doing with us? And you know what I mean.

1830
01:46:24,920 --> 01:46:27,080
Speaker 1: People watch this ship and be seeing off. I don't

1831
01:46:27,120 --> 01:46:28,680
Speaker 1: learning ship. I ain't know. Like when I watch the

1832
01:46:28,680 --> 01:46:31,599
Speaker 1: show Seeing Quick and all these stories, I'm like, oh, Ship,

1833
01:46:31,680 --> 01:46:32,160
Speaker 1: I knew that.

1834
01:46:32,240 --> 01:46:35,280
Speaker 2: And I think I'm a hip hop historians.

1835
01:46:36,280 --> 01:46:42,160
Speaker 1: Everything the show. I love about this show. Yeah, it's funny. Yeah,

1836
01:46:42,520 --> 01:46:45,080
Speaker 1: I love that show. Bro that that ship is fire

1837
01:46:46,160 --> 01:46:51,360
Speaker 1: like bleak ship too is killing I like everything. Let's

1838
01:46:51,400 --> 01:47:05,759
Speaker 1: make some more, all right, Ris alchemists, Yeah, I think alchemists.

1839
01:47:06,280 --> 01:47:10,120
Speaker 3: Yeah, Alchemist would shout out to alchemist too, though shout yeah.

1840
01:47:10,720 --> 01:47:15,759
Speaker 1: All right, Karris wanted chars want to Coolie rap damn

1841
01:47:16,479 --> 01:47:21,400
Speaker 1: drink drink rap, drink some monsco. So you said, who's

1842
01:47:21,400 --> 01:47:24,000
Speaker 1: your app Yes, he picked. Yeah, I'm gonna go Coolie

1843
01:47:24,080 --> 01:47:30,400
Speaker 1: Rapp too. Okay, you illmatic or ready to die damn

1844
01:47:30,640 --> 01:47:37,519
Speaker 1: you know, damn beyond popular belief, ready to die. I'm

1845
01:47:37,520 --> 01:47:41,600
Speaker 1: gonna go allmatic just the way, just the way that

1846
01:47:42,000 --> 01:47:43,800
Speaker 1: you know, the feeling I got when I heard both

1847
01:47:43,800 --> 01:47:46,000
Speaker 1: of them for the first time, it was great. Now

1848
01:47:46,400 --> 01:47:51,320
Speaker 1: take my life. It's a movie, Like what the no lie? Like,

1849
01:47:51,560 --> 01:47:55,240
Speaker 1: I don't believe every story about Queen's Bridge, but Queen's

1850
01:47:55,280 --> 01:47:57,920
Speaker 1: Bridge is like it's like, oh it's made up place.

1851
01:47:58,400 --> 01:48:01,360
Speaker 1: It's a real place, but it's like the stories is

1852
01:48:01,439 --> 01:48:03,200
Speaker 1: like kind of made up. You know what I'm saying.

1853
01:48:03,479 --> 01:48:06,360
Speaker 1: What do you mean? Like Memory Lane? It's like, you

1854
01:48:06,479 --> 01:48:09,320
Speaker 1: know a lot of those stories is like yo, they

1855
01:48:09,479 --> 01:48:12,639
Speaker 1: not real authentic story. But it's like when you listening

1856
01:48:12,720 --> 01:48:17,880
Speaker 1: ready to die, he's he's telling you what happens. Yeah,

1857
01:48:18,200 --> 01:48:19,920
Speaker 1: I would argue you now is doing the same thing.

1858
01:48:20,360 --> 01:48:24,599
Speaker 1: Yeah yeah, And you know what because Biggie mom Biggie

1859
01:48:24,680 --> 01:48:26,360
Speaker 1: Moms came out and said, I don't know what the

1860
01:48:26,439 --> 01:48:30,120
Speaker 1: fuck he was talking about, struggling ship one room shack

1861
01:48:30,240 --> 01:48:32,720
Speaker 1: and likes pre stylish.

1862
01:48:34,439 --> 01:48:34,599
Speaker 12: Him.

1863
01:48:35,160 --> 01:48:37,720
Speaker 1: He's the only child. Nigga never wanted for ship. The

1864
01:48:37,800 --> 01:48:39,679
Speaker 1: nigga want to play in the street on his own,

1865
01:48:39,800 --> 01:48:42,360
Speaker 1: not that he had to. Yeah, his mom said that

1866
01:48:43,040 --> 01:48:46,240
Speaker 1: let us say that ship he was creative writing.

1867
01:48:46,160 --> 01:48:49,080
Speaker 2: Drug Dealer and all that ship. That ship is real.

1868
01:48:49,720 --> 01:48:55,240
Speaker 1: Well yeah, yeah, you niggas so brad like you nor

1869
01:48:55,360 --> 01:48:57,240
Speaker 1: we like but let me just say, let me tell

1870
01:48:57,240 --> 01:48:59,360
Speaker 1: you something let me say something, let me say something.

1871
01:48:59,800 --> 01:49:03,200
Speaker 1: But Illmatic I was away when Ellmatic dropped, right, and

1872
01:49:03,320 --> 01:49:07,320
Speaker 1: I had been visiting Queensbridge prior to my incarceration.

1873
01:49:07,520 --> 01:49:12,840
Speaker 2: Right, I literally saw I didn't hear Illmatic.

1874
01:49:13,760 --> 01:49:14,320
Speaker 1: I saw it.

1875
01:49:15,040 --> 01:49:17,519
Speaker 2: Yeah, like when I heard it, like I saw like you.

1876
01:49:17,560 --> 01:49:21,360
Speaker 1: Know how Donald goings, Donald going to like like you

1877
01:49:21,760 --> 01:49:25,559
Speaker 1: if you read the book, You're you're in Detroit from

1878
01:49:25,600 --> 01:49:27,559
Speaker 1: when you when you from.

1879
01:49:27,479 --> 01:49:28,000
Speaker 7: The NG Like.

1880
01:49:30,240 --> 01:49:32,760
Speaker 1: Like I came outside. I remember coming outside that yard

1881
01:49:32,880 --> 01:49:36,840
Speaker 1: like yeah, because we had Buckshot Shorty at the time.

1882
01:49:37,200 --> 01:49:39,640
Speaker 1: Like a lot of people of Black Moon, A lot

1883
01:49:39,680 --> 01:49:44,520
Speaker 1: of people think that at first they compared Big Tona's

1884
01:49:44,560 --> 01:49:47,040
Speaker 1: it wasn't Big to Nas. It was black Moon. At

1885
01:49:47,080 --> 01:49:52,120
Speaker 1: first that was like and then Big came and right right,

1886
01:49:52,240 --> 01:49:54,599
Speaker 1: it was bigger and then I ended up having too.

1887
01:49:54,880 --> 01:49:57,840
Speaker 1: It was like it was Biggis because it's like after

1888
01:49:57,880 --> 01:50:00,479
Speaker 1: that Biggiannas became cool. Remember that's why they said they

1889
01:50:00,520 --> 01:50:02,479
Speaker 1: were hanging out together. But at first it was it

1890
01:50:02,600 --> 01:50:08,760
Speaker 1: was black Boom. Biggie was that at that time, Nos

1891
01:50:08,800 --> 01:50:10,880
Speaker 1: and Big It's like everybody be like, yo, you know what,

1892
01:50:12,240 --> 01:50:14,280
Speaker 1: ready to die? It's like, oh, you know, ell Maddic

1893
01:50:14,360 --> 01:50:16,360
Speaker 1: and It's like that was a choice with like you know,

1894
01:50:16,479 --> 01:50:18,880
Speaker 1: listen niggas listen to it in a car. You know

1895
01:50:18,920 --> 01:50:20,599
Speaker 1: what I'm saying. It's like that was a big thing.

1896
01:50:21,680 --> 01:50:24,080
Speaker 1: You know, I think what set what set bigger parts

1897
01:50:24,160 --> 01:50:27,639
Speaker 1: and remixes? Oh hell yeah one more chance pound Yeah yeah,

1898
01:50:27,880 --> 01:50:33,040
Speaker 1: buff start remixing and records that niggas said the mixtape

1899
01:50:33,080 --> 01:50:37,200
Speaker 1: joints and Ship came out like the remixes took that

1900
01:50:37,640 --> 01:50:41,120
Speaker 1: to another level where he was going where It's like, yo,

1901
01:50:41,800 --> 01:50:44,080
Speaker 1: he was he was for the hood, like he had

1902
01:50:44,200 --> 01:50:47,680
Speaker 1: probably like seven records on the radio besides you know,

1903
01:50:48,400 --> 01:50:52,880
Speaker 1: one more chants and he like he he had street records. Yeah.

1904
01:50:52,880 --> 01:50:55,280
Speaker 1: I heard say that the other day, like yo, be

1905
01:50:55,560 --> 01:50:58,880
Speaker 1: in ill because it's like no no question was like

1906
01:50:59,240 --> 01:51:02,200
Speaker 1: and you could test like yo, people be like oh

1907
01:51:02,400 --> 01:51:06,920
Speaker 1: nas nas This is like oh nas is cool? Is

1908
01:51:07,000 --> 01:51:11,360
Speaker 1: crazy because Na's imagination. But Biggie he was like he

1909
01:51:11,479 --> 01:51:14,040
Speaker 1: was talking about real ship. You know, I think it

1910
01:51:14,160 --> 01:51:16,679
Speaker 1: Big wouldn't have died. He would have by far, said

1911
01:51:16,720 --> 01:51:20,439
Speaker 1: himself ahead of a pack of mcs as far as

1912
01:51:20,520 --> 01:51:24,760
Speaker 1: his creativity and big was and what do he died

1913
01:51:24,840 --> 01:51:28,360
Speaker 1: twenty four, twenty five. Young, Yeah, when you die that

1914
01:51:28,520 --> 01:51:30,680
Speaker 1: young twenty four. You look at twenty four year old

1915
01:51:30,720 --> 01:51:32,200
Speaker 1: right now. I wouldn't even fight it twenty four.

1916
01:51:33,439 --> 01:51:36,559
Speaker 3: That's why it's crazy when we like big they birth

1917
01:51:36,680 --> 01:51:38,280
Speaker 3: at the age of the It's crazy.

1918
01:51:38,120 --> 01:51:44,840
Speaker 1: That y they said it best, like Jay said it best.

1919
01:51:44,880 --> 01:51:48,160
Speaker 1: Who's the best? See Biggie Jay z and Os And

1920
01:51:48,280 --> 01:51:52,400
Speaker 1: it's like to this day we argue about that, you know,

1921
01:51:52,800 --> 01:51:56,759
Speaker 1: ready to die or illmatic? And that was so smarter

1922
01:51:56,920 --> 01:52:02,439
Speaker 1: Jay to put itself in that conversation. Oh yeah, that

1923
01:52:02,840 --> 01:52:08,280
Speaker 1: he didn't qualify like that was Jesus is marketing, bro.

1924
01:52:08,439 --> 01:52:12,840
Speaker 1: The genius is like yo. The album he did? You

1925
01:52:12,920 --> 01:52:16,920
Speaker 1: know that was that was another test like yo, you know,

1926
01:52:17,920 --> 01:52:20,040
Speaker 1: like reasonable doubt. It's like Yo, it's just as good

1927
01:52:20,479 --> 01:52:24,559
Speaker 1: and you can't say it's not good. It's amazing, absolutely amazing.

1928
01:52:25,000 --> 01:52:26,880
Speaker 1: You know what was the next album after that? In

1929
01:52:26,960 --> 01:52:31,400
Speaker 1: my lifetime? Yeah One Wan have some joints on the

1930
01:52:31,600 --> 01:52:34,080
Speaker 1: I believe by One was better than reasonable. I had

1931
01:52:34,120 --> 01:52:35,600
Speaker 1: to go back to reasonable Doubt to.

1932
01:52:35,680 --> 01:52:36,160
Speaker 2: Tell you the truth.

1933
01:52:36,640 --> 01:52:40,920
Speaker 1: It was really broken without time, I was really broke.

1934
01:52:40,960 --> 01:52:43,760
Speaker 1: I didn't understand none of that money, none of that money.

1935
01:52:43,960 --> 01:52:47,280
Speaker 1: I learned all these fashion brands and she wear, I'm like,

1936
01:52:47,960 --> 01:52:50,600
Speaker 1: is that she had Donna Karen and this and this

1937
01:52:50,720 --> 01:52:52,200
Speaker 1: and that, and I'm like, these niggas know a lot

1938
01:52:52,240 --> 01:52:57,040
Speaker 1: about fashion. I had to go back and the coach

1939
01:52:57,479 --> 01:53:02,400
Speaker 1: direction they taught us because it's like be he taught

1940
01:53:02,479 --> 01:53:06,400
Speaker 1: us like street ship, you know, you know ounces and whatever,

1941
01:53:06,840 --> 01:53:12,320
Speaker 1: and Nas taught us like different, like different you know key,

1942
01:53:12,520 --> 01:53:15,720
Speaker 1: like yo, you know street ship, And it's like Jay

1943
01:53:15,840 --> 01:53:19,240
Speaker 1: taught us like yo, you know the money. So when

1944
01:53:19,280 --> 01:53:21,960
Speaker 1: it's like, oh, you know if you if you get money, nigga,

1945
01:53:22,080 --> 01:53:25,280
Speaker 1: you like readables out to me to me ill Madica

1946
01:53:25,360 --> 01:53:28,200
Speaker 1: is the original good kid mad City. Yeah, I could

1947
01:53:28,200 --> 01:53:30,240
Speaker 1: see that because he was like telling the story like

1948
01:53:30,280 --> 01:53:32,120
Speaker 1: you said, apposed to all in this pack. From when

1949
01:53:32,160 --> 01:53:35,360
Speaker 1: I hear almost stories, I can see that compared I've

1950
01:53:35,600 --> 01:53:38,160
Speaker 1: been on the when I hear all the stories when

1951
01:53:38,240 --> 01:53:41,479
Speaker 1: people come back block. But NAS is like and another

1952
01:53:41,600 --> 01:53:47,040
Speaker 1: stratosphere and like Biggie like they artist is like they

1953
01:53:47,120 --> 01:53:50,920
Speaker 1: dope artists. But it's like they like Donald Goings and

1954
01:53:50,960 --> 01:53:54,640
Speaker 1: it's like Langston Hughes and it's like they are the

1955
01:53:55,120 --> 01:53:58,719
Speaker 1: cream of the crop. You know, Kendrick is mad cool,

1956
01:53:59,360 --> 01:54:02,280
Speaker 1: but Kendrick ain't no naws and it's like it's no

1957
01:54:02,439 --> 01:54:07,439
Speaker 1: Biggie and it's like and and I probably say, he'll

1958
01:54:07,479 --> 01:54:09,479
Speaker 1: probably say the same thing, you know.

1959
01:54:09,840 --> 01:54:11,920
Speaker 2: He like they was like yes ahead.

1960
01:54:11,960 --> 01:54:15,840
Speaker 1: It's like where it's like, oh, you know, good kid,

1961
01:54:15,920 --> 01:54:19,040
Speaker 1: mad City. I don't I don't know if if people

1962
01:54:19,040 --> 01:54:21,160
Speaker 1: are going to be listening to that and you know

1963
01:54:21,800 --> 01:54:22,800
Speaker 1: that fire bro.

1964
01:54:23,840 --> 01:54:24,160
Speaker 3: I don't know.

1965
01:54:24,320 --> 01:54:26,720
Speaker 1: I could argue that. I think that was crazy. I

1966
01:54:26,800 --> 01:54:31,559
Speaker 1: think he is. I didn't pretty easily easy.

1967
01:54:32,040 --> 01:54:37,320
Speaker 5: But today today's Nads and Biggie but not today's Kendrick.

1968
01:54:39,400 --> 01:54:41,280
Speaker 5: Well no, I'm just saying we're comparing it in that way,

1969
01:54:41,360 --> 01:54:42,040
Speaker 5: you know what I'm saying.

1970
01:54:42,120 --> 01:54:45,400
Speaker 1: But it's like you compare him the Naws and Biggie

1971
01:54:45,480 --> 01:54:50,360
Speaker 1: and jay Z, but you don't listen less generationally.

1972
01:54:51,480 --> 01:54:54,280
Speaker 2: A lot of above them.

1973
01:54:55,320 --> 01:55:02,800
Speaker 1: They put Kendrick above is above like since the second album,

1974
01:55:03,480 --> 01:55:07,760
Speaker 1: like he like he's yeah, he solidified himself as like yo,

1975
01:55:07,840 --> 01:55:09,520
Speaker 1: you know what, I don't want to be these thingers,

1976
01:55:10,360 --> 01:55:12,560
Speaker 1: you know, and and it's like this this is what

1977
01:55:12,680 --> 01:55:15,480
Speaker 1: it is. It's like he has so much skill where

1978
01:55:15,520 --> 01:55:18,360
Speaker 1: it's like yo, you know what, He's on another level.

1979
01:55:18,720 --> 01:55:21,000
Speaker 1: It's like he like he could be equal, like oh

1980
01:55:21,040 --> 01:55:23,960
Speaker 1: you know, Big jay Z and Odds and Kendrick and

1981
01:55:24,080 --> 01:55:29,560
Speaker 1: it's it's other people. It's like in the same place. Agree, Damn,

1982
01:55:29,560 --> 01:55:31,640
Speaker 1: I didn't. I just realized there's always a big three.

1983
01:55:31,800 --> 01:55:35,080
Speaker 1: Right back then it was bigg J, It's Crazy, Hendrick

1984
01:55:35,160 --> 01:55:38,840
Speaker 1: Draken and Jacole Cole. So we had to give a

1985
01:55:38,960 --> 01:55:42,320
Speaker 1: big three of Now like new artists. Is there anybody

1986
01:55:42,400 --> 01:55:46,120
Speaker 1: that you would know about Kendrick? No, no, no, no,

1987
01:55:46,320 --> 01:55:53,680
Speaker 1: that's in the late thirties. Now, that's right, they're not you. Yeah,

1988
01:55:53,880 --> 01:55:56,800
Speaker 1: they almost forty. So who's the new Who are you that?

1989
01:55:56,920 --> 01:55:58,360
Speaker 1: And tapped into what's going on? Are you?

1990
01:55:59,000 --> 01:56:00,720
Speaker 3: I just think there's so many artist is hard to

1991
01:56:00,760 --> 01:56:03,880
Speaker 3: be too much because this this lane of people, you know,

1992
01:56:04,080 --> 01:56:07,840
Speaker 3: this lane, this lane, and everybody's got their own time, different.

1993
01:56:07,600 --> 01:56:12,160
Speaker 1: Lane right right. It's true, Yeah, because you can't because

1994
01:56:12,240 --> 01:56:13,560
Speaker 1: Playboy CARDI I don't, Like.

1995
01:56:13,600 --> 01:56:15,160
Speaker 2: I said, I try to listen.

1996
01:56:15,480 --> 01:56:17,200
Speaker 1: I try to listen to that city because I'm like,

1997
01:56:17,240 --> 01:56:20,720
Speaker 1: how is he so fucking like all of these this

1998
01:56:20,880 --> 01:56:24,400
Speaker 1: guy's Yeah, But then I listened to the music and

1999
01:56:24,480 --> 01:56:28,720
Speaker 1: I was like, he's an old rapper. Who's that Playboy Cardy? Yeah,

2000
01:56:31,560 --> 01:56:32,840
Speaker 1: Like I know he's been out for a minute, like

2001
01:56:33,000 --> 01:56:36,120
Speaker 1: ten years. Yeah, yeah, no, Now there's somebody we never

2002
01:56:36,200 --> 01:56:36,680
Speaker 1: heard of, like.

2003
01:56:39,440 --> 01:56:40,360
Speaker 2: Some kid named Zeddy.

2004
01:56:40,760 --> 01:56:43,240
Speaker 1: My daughter listening to this kid names that he's she

2005
01:56:43,560 --> 01:56:46,080
Speaker 1: she swears by him. I said, let me hear, just

2006
01:56:46,120 --> 01:56:47,560
Speaker 1: so I could know, because I'm going to if they

2007
01:56:47,680 --> 01:56:50,640
Speaker 1: rapping or if they mumble rapping, like what's what's hot

2008
01:56:50,680 --> 01:56:53,400
Speaker 1: with the kids? And he rapped. But it's like it's

2009
01:56:53,400 --> 01:56:56,120
Speaker 1: almost like some new qualmation. But I think we got

2010
01:56:56,240 --> 01:56:58,120
Speaker 1: to be cool because it's off that drill ship.

2011
01:56:58,120 --> 01:57:00,320
Speaker 3: It ain't that we gotta be careful with that old

2012
01:57:01,040 --> 01:57:04,160
Speaker 3: idea of what's hot with the kids, because that's that's

2013
01:57:04,320 --> 01:57:05,160
Speaker 3: also a problem.

2014
01:57:05,680 --> 01:57:08,880
Speaker 1: Absolutely, we keep referring to what the youth likes. This

2015
01:57:09,120 --> 01:57:13,200
Speaker 1: is just what's good because it's whatever they say hot good.

2016
01:57:13,640 --> 01:57:16,680
Speaker 1: Yeah the point there, yeah, between hot and good, Like

2017
01:57:16,800 --> 01:57:18,760
Speaker 1: that's the people get and they could be hot and

2018
01:57:18,840 --> 01:57:19,960
Speaker 1: be trying to be trash.

2019
01:57:20,120 --> 01:57:21,480
Speaker 2: Yeah, records playing.

2020
01:57:21,320 --> 01:57:23,800
Speaker 3: And just because a fourteen year old likes it doesn't

2021
01:57:23,840 --> 01:57:25,480
Speaker 3: mean that I mean it's good. We should be like, oh,

2022
01:57:25,520 --> 01:57:27,800
Speaker 3: I got accept that automatically, you know, right.

2023
01:57:27,880 --> 01:57:32,440
Speaker 2: But Rake's has been around what twenty years, sixteen seventeen. Yeah,

2024
01:57:33,040 --> 01:57:34,879
Speaker 2: so like this three.

2025
01:57:34,760 --> 01:57:38,840
Speaker 1: Where it's like they've proven success absolutely, you know, yeah,

2026
01:57:39,760 --> 01:57:44,720
Speaker 1: but the next three is like, who's the next three? Damn,

2027
01:57:44,920 --> 01:57:47,240
Speaker 1: I don't think that half that track record think there'll

2028
01:57:47,320 --> 01:57:51,560
Speaker 1: be another three. The industry doesn't even get another EXXL

2029
01:57:51,680 --> 01:57:54,080
Speaker 1: come on or you don't even know if that that's good?

2030
01:57:54,640 --> 01:57:57,840
Speaker 1: The freshman the freshman ship right when the person come

2031
01:57:57,880 --> 01:57:59,960
Speaker 1: on the first one, first one, you can't even try.

2032
01:58:04,880 --> 01:58:08,360
Speaker 1: That's funny. You look at that cover, you look at

2033
01:58:08,400 --> 01:58:13,440
Speaker 1: who's still around, and you see how everybody maintained their career.

2034
01:58:13,960 --> 01:58:15,080
Speaker 2: It wasn't always through music.

2035
01:58:15,160 --> 01:58:18,240
Speaker 1: It was something else, Like boc was on the cover,

2036
01:58:18,400 --> 01:58:23,760
Speaker 1: Little Boozy Boost, it was Joel Ortiz, myself, who else

2037
01:58:23,880 --> 01:58:28,560
Speaker 1: was on the Gorilla Zoe Lou Paid Fiasco? So all

2038
01:58:28,640 --> 01:58:30,480
Speaker 1: these guys. I watched all these guys because they were

2039
01:58:30,560 --> 01:58:34,160
Speaker 1: my competition in my cop colleagues and time Piers right,

2040
01:58:34,360 --> 01:58:37,000
Speaker 1: And I'm like, in hindsight, like who went on to

2041
01:58:37,080 --> 01:58:39,320
Speaker 1: do what? Some of them dudes went like this? They

2042
01:58:39,400 --> 01:58:42,280
Speaker 1: had huge records. Know who else like the rich Richard's

2043
01:58:42,320 --> 01:58:49,440
Speaker 1: names on that bitch rich rich cover that too, So

2044
01:58:49,480 --> 01:58:52,200
Speaker 1: I'm like, damn, he just like stopped doing music or whatever,

2045
01:58:52,280 --> 01:58:54,480
Speaker 1: the fuck him and polo for I don't know what happened,

2046
01:58:54,560 --> 01:58:57,440
Speaker 1: but then you all have big songs. Stop coming off

2047
01:58:57,520 --> 01:59:03,640
Speaker 1: so triggering me, that's the trigger. Yeah it is. Look

2048
01:59:03,720 --> 01:59:11,880
Speaker 1: Pat Joel, Crocodile, Young Doe. This was applies me plies Boomy. Yeah,

2049
01:59:11,920 --> 01:59:16,080
Speaker 1: that's a that's a hell. That's tough. When that was tough,

2050
01:59:17,800 --> 01:59:19,960
Speaker 1: everybody it's great or something.

2051
01:59:20,880 --> 01:59:22,520
Speaker 2: Everybody on it was great in their own right.

2052
01:59:22,560 --> 01:59:24,040
Speaker 1: That's why I was like, I felt on and when

2053
01:59:24,040 --> 01:59:26,200
Speaker 1: they asked me to be on the cover, but I

2054
01:59:26,360 --> 01:59:28,000
Speaker 1: just be doing the TV ship. I'm like, all right,

2055
01:59:28,040 --> 01:59:31,440
Speaker 1: I'm gonna find another way to make ends meet when

2056
01:59:31,600 --> 01:59:36,760
Speaker 1: acting because the answer finish the finished quick time. Yeah,

2057
01:59:37,160 --> 01:59:42,160
Speaker 1: we're gonna go straight into that, all right. A tribe

2058
01:59:42,200 --> 01:59:47,760
Speaker 1: called Question Day Try Try not even close. I don't know.

2059
01:59:49,200 --> 01:59:50,240
Speaker 2: I'm both I'm gonna drink.

2060
01:59:50,760 --> 01:59:54,880
Speaker 1: They got a drink? Okay cool? Yeah? Really yeah? Do

2061
01:59:54,920 --> 01:59:58,000
Speaker 1: you think they like an with Try? Day is nice?

2062
01:59:58,160 --> 02:00:01,040
Speaker 1: I mean, and they definitely nice. They a legendary ship,

2063
02:00:01,160 --> 02:00:04,440
Speaker 1: but Trip does some things Day I can't do. And

2064
02:00:04,520 --> 02:00:07,960
Speaker 1: it's like they all native tones and it's like that's dope.

2065
02:00:08,080 --> 02:00:13,560
Speaker 1: They compliment each other. Yeah, all right. Ex Clan of

2066
02:00:13,600 --> 02:00:16,560
Speaker 1: Poor Righteous Teachers great, that's a great one with the

2067
02:00:16,720 --> 02:00:25,760
Speaker 1: red bill black the green with the key again, it's

2068
02:00:25,840 --> 02:00:31,320
Speaker 1: like just protect it like pie is like yo' it's

2069
02:00:31,400 --> 02:00:34,120
Speaker 1: hard to tell them. It's hard. It's not easy. It's

2070
02:00:34,360 --> 02:00:36,760
Speaker 1: it's it's easy to tell them apart. But it's like

2071
02:00:36,960 --> 02:00:39,640
Speaker 1: they do the same similar things. I love I love

2072
02:00:39,720 --> 02:00:42,280
Speaker 1: poor Righteous teachures to rock the spunky joint with Yeah,

2073
02:00:42,360 --> 02:00:44,920
Speaker 1: that's the joint. What was the other one? Boe my

2074
02:00:45,000 --> 02:00:49,040
Speaker 1: queen that she was cool. But come on, man, brother Jay,

2075
02:00:49,120 --> 02:00:51,200
Speaker 1: I gotta go with brother j Man, I gotta go

2076
02:00:51,320 --> 02:00:56,360
Speaker 1: with brother band verb is it? You know? They both

2077
02:00:56,440 --> 02:00:58,840
Speaker 1: do the same thing and they give me the same feeling.

2078
02:00:59,320 --> 02:01:06,040
Speaker 1: Brother jameson the stick, Yeah yeah, brother the boons, No

2079
02:01:07,240 --> 02:01:15,200
Speaker 1: remember the so you say the boat? Okay, brother that

2080
02:01:17,920 --> 02:01:21,720
Speaker 1: you said both a lot of times, but politically correct, man,

2081
02:01:21,880 --> 02:01:25,840
Speaker 1: it's not politically the artist one. He did the Artist one,

2082
02:01:26,840 --> 02:01:31,600
Speaker 1: d J wise s and s Ranji Ranji I loves

2083
02:01:31,640 --> 02:01:34,840
Speaker 1: too for J bought the mix tape, the mixing like

2084
02:01:34,920 --> 02:01:38,120
Speaker 1: the blends, the blends blind tape, blind tape and the

2085
02:01:39,400 --> 02:01:43,480
Speaker 1: exclusive ships like that. It's like if I'm coping, Rang,

2086
02:01:44,600 --> 02:01:47,520
Speaker 1: I'm copping right. You want both? Yeah, So you're going

2087
02:01:47,560 --> 02:01:52,640
Speaker 1: both again, both styles. Yea, this nigga going both. The

2088
02:01:52,720 --> 02:01:56,880
Speaker 1: reason why I picked ran because Big said piece to

2089
02:01:57,040 --> 02:01:57,960
Speaker 1: rong G broocey Be.

2090
02:01:58,200 --> 02:02:00,480
Speaker 2: He didn say saying.

2091
02:02:03,640 --> 02:02:06,640
Speaker 1: Juicy your funk master Flex out to funk Master flex too,

2092
02:02:06,760 --> 02:02:08,680
Speaker 1: and I hate to see what he's going through. He's

2093
02:02:08,720 --> 02:02:13,760
Speaker 1: a number one who. The young niggas don't give flexing respect.

2094
02:02:14,920 --> 02:02:20,960
Speaker 1: They be talking about flexes flex Flex spoke master something.

2095
02:02:21,040 --> 02:02:21,200
Speaker 9: Man.

2096
02:02:22,280 --> 02:02:24,960
Speaker 1: He's on the radio and miss flights because the master

2097
02:02:25,040 --> 02:02:28,960
Speaker 1: flester Flex. I got this record and I'm like, I

2098
02:02:29,080 --> 02:02:31,040
Speaker 1: don't called my wife and said, listen, I'm missing this flight.

2099
02:02:31,160 --> 02:02:33,520
Speaker 1: I need to hear this record. You can hear it anywhere. No, no, no,

2100
02:02:33,960 --> 02:02:37,040
Speaker 1: it's not like hearing it in New York City. And

2101
02:02:38,240 --> 02:02:40,960
Speaker 1: has been times. FLEXM said pull over New York City

2102
02:02:41,040 --> 02:02:49,280
Speaker 1: and I'm the guy that pull over, Old you're driving

2103
02:02:49,360 --> 02:02:55,280
Speaker 1: pulled over driving Monsoon in Queens when they when they

2104
02:02:55,360 --> 02:02:58,560
Speaker 1: played Triumph like he played it, he played it for

2105
02:02:58,680 --> 02:03:01,480
Speaker 1: like an hour straight. Who flex Yeah, okay, yeah yeah,

2106
02:03:01,480 --> 02:03:03,640
Speaker 1: And that's that would be like, yo, I gotta hear

2107
02:03:03,720 --> 02:03:05,960
Speaker 1: this ship. You know what I'm saying. And that's the

2108
02:03:06,080 --> 02:03:09,680
Speaker 1: thing these records today is like Yo, they don't really

2109
02:03:09,880 --> 02:03:13,240
Speaker 1: have a replay value, so people be like, yo, you know, oh,

2110
02:03:13,360 --> 02:03:15,320
Speaker 1: Flex played my record like three times.

2111
02:03:15,720 --> 02:03:18,120
Speaker 2: I think if Flex was on it, you know Flex

2112
02:03:18,840 --> 02:03:19,760
Speaker 2: twenty times.

2113
02:03:20,560 --> 02:03:24,760
Speaker 3: Well, younger brothers are leaders of the new school.

2114
02:03:25,440 --> 02:03:27,320
Speaker 1: Oh ship, that's a good one.

2115
02:03:28,200 --> 02:03:31,240
Speaker 2: Damn bro, it's a hard one.

2116
02:03:32,080 --> 02:03:35,000
Speaker 1: But I'm gonna go to I'm gonna go to the

2117
02:03:35,160 --> 02:03:38,600
Speaker 1: edge where it's like busting on. Yeah, I'm gonna go

2118
02:03:38,640 --> 02:03:42,840
Speaker 1: with later even though Charlie Brown, you let me down

2119
02:03:42,880 --> 02:03:45,000
Speaker 1: because I thought you was gonna be up there with

2120
02:03:45,080 --> 02:03:47,240
Speaker 1: Bus like he had the person Charlie Brown.

2121
02:03:47,240 --> 02:03:48,400
Speaker 2: I thought he was gonna be a star.

2122
02:03:48,640 --> 02:03:50,920
Speaker 1: Who's that bron I mean he was a star back then.

2123
02:03:51,080 --> 02:03:53,920
Speaker 1: He was wasn't he wants the breakout out of leaders

2124
02:03:53,960 --> 02:03:56,800
Speaker 1: of news originally and then Bus can't bust it's too pold. Yeah,

2125
02:03:56,840 --> 02:03:59,400
Speaker 1: Bus had too much. Bus came and put your hands

2126
02:03:59,480 --> 02:04:01,440
Speaker 1: on my eyes. I think those were two personalities that

2127
02:04:01,800 --> 02:04:03,040
Speaker 1: living was for that.

2128
02:04:03,160 --> 02:04:04,600
Speaker 2: It was that scenario remix.

2129
02:04:04,920 --> 02:04:10,280
Speaker 1: Yeah, yeah, that's what changed everything. Once he's when Thias

2130
02:04:10,360 --> 02:04:14,080
Speaker 1: like like by niggas you imagine that like Terry pet

2131
02:04:14,600 --> 02:04:17,560
Speaker 1: That session was though, like Bus is going like no

2132
02:04:17,640 --> 02:04:23,520
Speaker 1: one heard nobody wrong. Session was like, what we're supposed

2133
02:04:23,520 --> 02:04:30,000
Speaker 1: to tell what's making? What is going on? Then first

2134
02:04:31,480 --> 02:04:34,840
Speaker 1: lie Man Bus is one of them ones too, Like

2135
02:04:35,440 --> 02:04:35,720
Speaker 1: you just.

2136
02:04:35,720 --> 02:04:40,400
Speaker 3: Went a vm MA, yeah he wont Yeah, he gave

2137
02:04:40,440 --> 02:04:42,320
Speaker 3: him the rock the bells like whatever that but a

2138
02:04:42,440 --> 02:04:44,120
Speaker 3: huge honor like make.

2139
02:04:48,040 --> 02:04:50,920
Speaker 1: When you look at he went from p t A

2140
02:04:51,160 --> 02:04:53,960
Speaker 1: to that first Brown broke, it's just another case of

2141
02:04:54,160 --> 02:05:01,520
Speaker 1: that by school teacher. Didn't realize that that's crazy because

2142
02:05:01,560 --> 02:05:04,320
Speaker 1: it's like, Yo, they problem about school.

2143
02:05:04,680 --> 02:05:07,520
Speaker 4: Yea, well niggas ain't even get you were in school

2144
02:05:07,640 --> 02:05:09,960
Speaker 4: like this to send me that niggas had to do

2145
02:05:10,120 --> 02:05:12,920
Speaker 4: for me, I mean different leaders of the new school

2146
02:05:12,920 --> 02:05:16,160
Speaker 4: and he's graduated to be the O.

2147
02:05:16,320 --> 02:05:17,600
Speaker 1: G oh my god.

2148
02:05:17,680 --> 02:05:19,240
Speaker 2: Bus Bus is one of the ones.

2149
02:05:19,320 --> 02:05:21,360
Speaker 1: Like when I see these lists and I don't see

2150
02:05:21,440 --> 02:05:24,240
Speaker 1: Bus in the top twenty, I'm like, whoever made this

2151
02:05:24,400 --> 02:05:29,880
Speaker 1: list is non boyd bro and everything performance longevity you're

2152
02:05:29,880 --> 02:05:35,440
Speaker 1: talking to Like, yo, he was like, it's competitive, crazy,

2153
02:05:35,840 --> 02:05:41,000
Speaker 1: four different rappers competitive. Notice Notice nobody wanted that smoke

2154
02:05:41,080 --> 02:05:44,080
Speaker 1: on versus with Buster. No no, no, nobody said yes,

2155
02:05:44,760 --> 02:05:46,840
Speaker 1: Like he was like fuck niggas with that Chris Brown

2156
02:05:46,960 --> 02:05:48,640
Speaker 1: verse and I gotta go. Then I got to serve

2157
02:05:50,560 --> 02:05:52,680
Speaker 1: you over got a loan. It's like he like Terrece

2158
02:05:52,760 --> 02:05:59,600
Speaker 1: Cwford right now, nobody want to fight terror. I don't

2159
02:05:59,640 --> 02:06:01,800
Speaker 1: think you know, I ain't gonna locked. I'm like, he's

2160
02:06:01,800 --> 02:06:04,320
Speaker 1: too big. He never got hit that our roster told

2161
02:06:04,360 --> 02:06:08,200
Speaker 1: me that our group chat became racial. Oh yeah, yeah yeah,

2162
02:06:09,160 --> 02:06:18,080
Speaker 1: I wasn't you know all the blacks. I was like.

2163
02:06:18,200 --> 02:06:21,680
Speaker 1: I was like it was like some o J you

2164
02:06:21,760 --> 02:06:24,240
Speaker 1: know and black. I was like, I didn't see that

2165
02:06:24,320 --> 02:06:29,120
Speaker 1: part o J verdict when they showed it. All the

2166
02:06:29,160 --> 02:06:34,520
Speaker 1: white people are like, I'm like, Dan, all my race, bro, listen,

2167
02:06:34,560 --> 02:06:36,360
Speaker 1: I'm gonna be honest with you. If you ever want

2168
02:06:36,400 --> 02:06:39,080
Speaker 1: to really see like like a like a race like

2169
02:06:39,200 --> 02:06:44,040
Speaker 1: a race thing, go watch boxing and like like like

2170
02:06:44,120 --> 02:06:47,480
Speaker 1: a Hooters style, not Hooters because I think Hooters closed now,

2171
02:06:47,720 --> 02:06:52,280
Speaker 1: but like I just want Hooters and closed. It's closed.

2172
02:06:53,680 --> 02:06:56,520
Speaker 1: Establishment is closed. I can make it. They're gonna make

2173
02:06:56,560 --> 02:07:01,920
Speaker 1: poters not you go there like like like two different racests,

2174
02:07:01,960 --> 02:07:05,560
Speaker 1: like a Mexican fighting a Filipino. You will never see

2175
02:07:05,600 --> 02:07:10,240
Speaker 1: how racist is like all the Mexicans coming up anywhere.

2176
02:07:10,440 --> 02:07:15,600
Speaker 1: I'm talking about any type you said. Neutral song one

2177
02:07:15,720 --> 02:07:18,440
Speaker 1: gonna be a two different races, two different people I'm

2178
02:07:18,480 --> 02:07:21,760
Speaker 1: told about. Oh my god, you will see how how

2179
02:07:21,960 --> 02:07:26,240
Speaker 1: how people pick a side. God, let's go right. You

2180
02:07:26,360 --> 02:07:29,040
Speaker 1: have TV raps, a video music box. Video is udio

2181
02:07:29,120 --> 02:07:33,160
Speaker 1: music box. Uncle Ralph, Uncle Ralph, this is the the

2182
02:07:33,280 --> 02:07:37,440
Speaker 1: VICTI shut up. This is the vid kid. Don't forget

2183
02:07:37,480 --> 02:07:39,560
Speaker 1: about the vid kids. That's where all of us got

2184
02:07:39,640 --> 02:07:42,520
Speaker 1: us from. You know, so we used to we used

2185
02:07:42,520 --> 02:07:45,200
Speaker 1: to turn the Channel thirty one with the You remember

2186
02:07:45,640 --> 02:07:47,480
Speaker 1: if you grew up in New York, Yeah, you had

2187
02:07:47,520 --> 02:07:49,720
Speaker 1: to put it on Channel you. Then you the little

2188
02:07:49,760 --> 02:07:53,800
Speaker 1: one that's said be man, fuck like.

2189
02:07:57,720 --> 02:07:57,840
Speaker 12: Yo.

2190
02:07:57,960 --> 02:08:01,160
Speaker 1: He put us on like every and it's like the

2191
02:08:01,240 --> 02:08:03,200
Speaker 1: whole New York and it's like the New.

2192
02:08:03,160 --> 02:08:05,880
Speaker 2: York was that drink shamp you? I just haund.

2193
02:08:07,280 --> 02:08:10,480
Speaker 1: Videos he did, Yeah, the videos he directs. I couldn't

2194
02:08:10,520 --> 02:08:19,200
Speaker 1: believe it. Man, boys, and all the videos lightly and

2195
02:08:19,320 --> 02:08:22,560
Speaker 1: it's like he did his thing. He did his thing

2196
02:08:23,000 --> 02:08:27,919
Speaker 1: and humble as fuckers, like yeah, man, with the videos.

2197
02:08:28,000 --> 02:08:30,880
Speaker 1: That's why I'd be like yo, Ralph, he said he

2198
02:08:31,000 --> 02:08:34,440
Speaker 1: said something on here that that fucked me up. He said,

2199
02:08:34,520 --> 02:08:37,160
Speaker 1: niggas didn't get videos back then. You would be lucky

2200
02:08:37,200 --> 02:08:40,040
Speaker 1: to get a video, Like everybody didn't get no video, nigga.

2201
02:08:40,200 --> 02:08:42,760
Speaker 1: You had to be a special, special motherfucker to get

2202
02:08:42,800 --> 02:08:45,120
Speaker 1: a video. I don't even need people quested the video

2203
02:08:46,320 --> 02:08:48,760
Speaker 1: records didn't play. It was Hall the way to play videos,

2204
02:08:49,120 --> 02:08:51,240
Speaker 1: you know what I'm saying. So he created that platform

2205
02:08:51,360 --> 02:08:54,040
Speaker 1: for us and then start directing the videos and giving

2206
02:08:54,120 --> 02:08:56,400
Speaker 1: like wu tang clean protecting that and all these videos.

2207
02:08:56,640 --> 02:08:58,520
Speaker 1: I ain't know he did on ship so he had

2208
02:08:58,600 --> 02:09:12,560
Speaker 1: the fucking the numbers on the side were going. He

2209
02:09:12,680 --> 02:09:15,200
Speaker 1: blew that ship up. That's crazy. That was another one

2210
02:09:15,240 --> 02:09:20,640
Speaker 1: of the ones Black thought of common, black thoughts, this nigga,

2211
02:09:22,040 --> 02:09:23,680
Speaker 1: this nigga, don't think you got to think about that.

2212
02:09:25,240 --> 02:09:27,600
Speaker 1: I got to think about it. Man. It's like black

2213
02:09:27,640 --> 02:09:30,280
Speaker 1: thought is one of the ones, and common is one

2214
02:09:30,320 --> 02:09:32,680
Speaker 1: of the ones. I love comment. But once ron Fest

2215
02:09:32,840 --> 02:09:34,880
Speaker 1: was like, Yo, when I wrote that ship for comment that,

2216
02:09:35,160 --> 02:09:41,200
Speaker 1: I was like what he wrote, glory glory.

2217
02:09:41,680 --> 02:09:45,720
Speaker 2: I wrote that whole for real, yeah said, And then

2218
02:09:45,720 --> 02:09:46,720
Speaker 2: the nigga cut dumb me.

2219
02:09:46,800 --> 02:09:49,160
Speaker 1: You said, I just had the ship. Want to grabby

2220
02:09:49,560 --> 02:09:54,600
Speaker 1: that nigga stoped picking up. You said, I got a

2221
02:09:54,680 --> 02:09:57,040
Speaker 1: nigga grabby You stopped picking up out the ron Fest

2222
02:09:57,240 --> 02:10:00,720
Speaker 1: was brutally honest Chicago nigga around, so he telling them

2223
02:10:00,800 --> 02:10:01,560
Speaker 1: Kanye stories.

2224
02:10:01,640 --> 02:10:05,360
Speaker 3: Bro, nobody know Kanye like he definitely know he got

2225
02:10:05,440 --> 02:10:08,000
Speaker 3: a drink. What you're saying, both yeah.

2226
02:10:08,080 --> 02:10:13,720
Speaker 1: I said both Yeah, the roots, my guy black thought

2227
02:10:13,880 --> 02:10:16,200
Speaker 1: and comment. You know what I'm saying, you got me?

2228
02:10:16,360 --> 02:10:16,680
Speaker 1: None of that.

2229
02:10:16,800 --> 02:10:17,680
Speaker 2: None of it resonates.

2230
02:10:18,280 --> 02:10:24,160
Speaker 1: Everything resonates like everything resonates, like yo, man, common sense

2231
02:10:24,280 --> 02:10:25,280
Speaker 1: going back to common sense.

2232
02:10:25,400 --> 02:10:27,120
Speaker 2: Yeah, commons a beast.

2233
02:10:27,120 --> 02:10:29,280
Speaker 1: I used to love, I used to love it. I

2234
02:10:29,400 --> 02:10:29,800
Speaker 1: used to love it.

2235
02:10:30,640 --> 02:10:32,920
Speaker 2: I love I love, I love comment.

2236
02:10:32,960 --> 02:10:35,160
Speaker 1: And when Ron Fast told me that, like I'm an

2237
02:10:35,280 --> 02:10:38,080
Speaker 1: m c MC, if I hear that writing around, it

2238
02:10:38,200 --> 02:10:39,560
Speaker 1: takes so much away.

2239
02:10:39,320 --> 02:10:41,920
Speaker 2: From me as you was an m C because I'm like.

2240
02:10:42,040 --> 02:10:44,680
Speaker 1: Come on, bro, even in the nineties, a lot of

2241
02:10:44,760 --> 02:10:49,080
Speaker 1: people like you know, broke balls and ship and frames

2242
02:10:49,240 --> 02:10:52,320
Speaker 1: or whatever. It's a lot of people who had you.

2243
02:10:52,400 --> 02:10:56,240
Speaker 2: Know, nigga might throw you a line or right in my.

2244
02:10:56,320 --> 02:11:01,840
Speaker 1: Room, right in my wrong bro, Like yo, you know what,

2245
02:11:02,160 --> 02:11:03,920
Speaker 1: no one can't think like me, so how the hell

2246
02:11:03,960 --> 02:11:06,960
Speaker 1: you can? Sometimes? Like yo, you know, people put people

2247
02:11:07,000 --> 02:11:09,280
Speaker 1: putting the hook like it's different things.

2248
02:11:09,320 --> 02:11:12,880
Speaker 2: Different hook hook is different hooks that's not the verse.

2249
02:11:13,000 --> 02:11:15,640
Speaker 1: We m C. We we we started caring about hooks

2250
02:11:15,640 --> 02:11:18,480
Speaker 1: when we start learning about song structure and making songs

2251
02:11:19,360 --> 02:11:21,760
Speaker 1: for commerce. Be sides. I don't think we were wrapping

2252
02:11:21,760 --> 02:11:23,480
Speaker 1: in the hood. Nigga ain't going to the hook when

2253
02:11:23,520 --> 02:11:26,680
Speaker 1: he was in cycling. It was an inciphment and going

2254
02:11:26,720 --> 02:11:29,760
Speaker 1: to the hook like you don't want.

2255
02:11:32,080 --> 02:11:34,240
Speaker 2: That ship was for the for his records and ship

2256
02:11:34,280 --> 02:11:34,440
Speaker 2: like that.

2257
02:11:35,360 --> 02:11:38,760
Speaker 1: The next one method matter, Red Man met the Man.

2258
02:11:39,880 --> 02:11:43,160
Speaker 1: To me, I love red Man too, but method Man,

2259
02:11:43,880 --> 02:11:44,880
Speaker 1: I gotta go Red Man.

2260
02:11:45,600 --> 02:11:46,480
Speaker 2: This niggas.

2261
02:11:51,240 --> 02:11:56,520
Speaker 1: Like that. That's good Redman like super ill, like nothing

2262
02:11:57,640 --> 02:12:02,600
Speaker 1: but Clint Yo Memphis super ill too. So I was like,

2263
02:12:03,200 --> 02:12:04,960
Speaker 1: he gave you, he gave you your red Man to

2264
02:12:05,000 --> 02:12:08,320
Speaker 1: your method Man. So he who can I connect this?

2265
02:12:08,480 --> 02:12:15,200
Speaker 1: And who's your favorite m C and who can claim

2266
02:12:15,600 --> 02:12:19,320
Speaker 1: who you think is the best? Like technically skill wise

2267
02:12:20,360 --> 02:12:25,880
Speaker 1: like expected Deck a little bit expected Deck, look expected

2268
02:12:25,960 --> 02:12:26,560
Speaker 1: decks man.

2269
02:12:26,840 --> 02:12:29,960
Speaker 3: You said, technically, I think that's yo Jesus to you

2270
02:12:30,040 --> 02:12:30,800
Speaker 3: can't you.

2271
02:12:30,800 --> 02:12:35,360
Speaker 1: Could justect sleeping on ma bros. Be sleeping on but

2272
02:12:35,760 --> 02:12:41,000
Speaker 1: got the total package. You said, technically, technically he's a

2273
02:12:41,080 --> 02:12:43,960
Speaker 1: crazy m to teprobably be like Yo, I got white

2274
02:12:43,960 --> 02:12:46,760
Speaker 1: album blunts. I got fat bags of cloked and it's like, Yo,

2275
02:12:47,320 --> 02:12:51,360
Speaker 1: it's cool, like but this thing is like on Triumph

2276
02:12:52,560 --> 02:13:03,160
Speaker 1: expected Deck. Yeah, topically I work like with the PRESTI

2277
02:13:03,240 --> 02:13:05,240
Speaker 1: lence the hall. Haven't never learned. He went in on

2278
02:13:05,360 --> 02:13:12,280
Speaker 1: that ship too though that when protecting that he was

2279
02:13:12,360 --> 02:13:12,879
Speaker 1: a standout.

2280
02:13:12,960 --> 02:13:13,200
Speaker 7: He was.

2281
02:13:14,880 --> 02:13:16,880
Speaker 1: Playing, ain't nothing to fu we was waiting for. He

2282
02:13:17,080 --> 02:13:19,280
Speaker 1: was like the sticky fingers of Whu tang it won't

2283
02:13:19,320 --> 02:13:21,960
Speaker 1: p He was waiting for meth Park. But when met

2284
02:13:22,120 --> 02:13:24,160
Speaker 1: was in on the song, he was like, So we

2285
02:13:24,640 --> 02:13:28,000
Speaker 1: were jogging the other day listening to I Believe the

2286
02:13:28,240 --> 02:13:31,280
Speaker 1: thirty six Chambers and that skiit came on you. I

2287
02:13:31,360 --> 02:13:38,000
Speaker 1: was so embarrassed, like just jogging about waiting, Yo, I

2288
02:13:38,120 --> 02:13:49,400
Speaker 1: stabbed like, yeah, all the white people just turn around.

2289
02:13:50,000 --> 02:13:52,960
Speaker 1: That's funny. Are you talking about stabbing somebody in the nuts?

2290
02:13:53,320 --> 02:14:01,120
Speaker 1: And he said, man, he said, I I mushold, I

2291
02:14:01,280 --> 02:14:05,720
Speaker 1: look like Yo. They split their sharpest even to this day. Yeah,

2292
02:14:06,240 --> 02:14:10,240
Speaker 1: they all Memphis Memphis super sharp. Still like he got,

2293
02:14:12,000 --> 02:14:14,600
Speaker 1: you know, saying he got better the same way because

2294
02:14:14,640 --> 02:14:17,280
Speaker 1: when I hear him wrapping like wrapp like the like

2295
02:14:17,360 --> 02:14:19,800
Speaker 1: the wrap the young like young spinners like you see

2296
02:14:19,960 --> 02:14:21,520
Speaker 1: the show. He can keep up with him. You know

2297
02:14:21,560 --> 02:14:23,120
Speaker 1: what I'm saying, Like I'm gonna wrap with some of

2298
02:14:23,200 --> 02:14:24,440
Speaker 1: these young dudes that I could.

2299
02:14:24,680 --> 02:14:28,320
Speaker 2: He could from the early nineties, Nigga is keeping up.

2300
02:14:28,960 --> 02:14:33,000
Speaker 1: Yeah, we almost done us. Let's go man, nice smooth

2301
02:14:33,320 --> 02:14:37,480
Speaker 1: brand New, nice Oh ship you can answer like my

2302
02:14:37,560 --> 02:14:43,400
Speaker 1: favorite group, he said, brand New. You gotta drink, Nah,

2303
02:14:43,560 --> 02:14:45,680
Speaker 1: I gotta go, bro. You know that's still one that's hard. Bro,

2304
02:14:45,800 --> 02:14:49,400
Speaker 1: That's still one of the hardest lines ever. All the

2305
02:14:49,560 --> 02:14:53,200
Speaker 1: time the ball bounces, there's no bones and ice cream.

2306
02:15:00,440 --> 02:15:03,560
Speaker 1: You know it's crazy. I've been in the trailers and

2307
02:15:03,800 --> 02:15:06,080
Speaker 1: I've never asked the motherfuckers this ship been on the

2308
02:15:06,880 --> 02:15:17,960
Speaker 1: like hip hop Junkie's got to be one of like

2309
02:15:18,080 --> 02:15:23,040
Speaker 1: slow down and all that ship. But your ump is

2310
02:15:23,120 --> 02:15:28,440
Speaker 1: the illess was crazy, yo. But son wick Ye come

2311
02:15:28,480 --> 02:15:29,160
Speaker 1: on wick.

2312
02:15:29,080 --> 02:15:29,920
Speaker 2: Boom boom boom.

2313
02:15:30,000 --> 02:15:32,320
Speaker 1: Even though that's gangstar wrecking them, niggas made that. No,

2314
02:15:32,840 --> 02:15:35,480
Speaker 1: that was the summer refirm that was two summers in

2315
02:15:35,520 --> 02:15:40,160
Speaker 1: a row, like it was yesterday. Remember that rhyme about

2316
02:15:41,200 --> 02:15:44,480
Speaker 1: with Smoothie talking about the girls coke ship. Now she's

2317
02:15:44,520 --> 02:15:48,520
Speaker 1: on blow Yeah. Sorry, smoothie. I keep having business of snow.

2318
02:15:48,560 --> 02:15:52,040
Speaker 1: I mean blow, I'm not I'm not beat over. What's

2319
02:15:52,120 --> 02:15:56,760
Speaker 1: that song? I got to put sometimes around slow? Yeah,

2320
02:15:56,840 --> 02:16:03,640
Speaker 1: I was one to Nice and Smooth, Nice Bro, Greg,

2321
02:16:03,800 --> 02:16:08,240
Speaker 1: nicest man. I think I got to drink today Anthem makers.

2322
02:16:09,840 --> 02:16:12,480
Speaker 1: I love brand Man. That's hard because I love you know.

2323
02:16:12,560 --> 02:16:17,080
Speaker 1: What's crazy? You know? I believe it was last year

2324
02:16:18,360 --> 02:16:23,000
Speaker 1: and Leo Colmes did event and he had all of

2325
02:16:23,120 --> 02:16:26,840
Speaker 1: us fly out. And what's crazy is I see like

2326
02:16:26,880 --> 02:16:30,080
Speaker 1: the people who's performing. I can't wait for Nice and Smooth.

2327
02:16:31,000 --> 02:16:34,080
Speaker 1: That's nice as move, what's coming out? I was going

2328
02:16:34,120 --> 02:16:35,440
Speaker 1: to I forget who I was going to give a

2329
02:16:35,480 --> 02:16:37,480
Speaker 1: five to. I know it's a very important person. As

2330
02:16:37,480 --> 02:16:44,000
Speaker 1: soon as Nicet Move came out, I had just on

2331
02:16:44,080 --> 02:16:50,240
Speaker 1: stage Greg. We need them on drink chaps as well.

2332
02:16:50,600 --> 02:16:51,800
Speaker 1: We've been trying to we were trying to do.

2333
02:16:52,200 --> 02:16:53,400
Speaker 2: Know this is buck first time.

2334
02:16:54,120 --> 02:17:01,800
Speaker 1: Yeah, Bro, I'm so glad to see this one, brother,

2335
02:17:01,920 --> 02:17:04,920
Speaker 1: because when when the guy was starring Buck, whow did

2336
02:17:04,959 --> 02:17:07,879
Speaker 1: you ever have beat for the dude? Buck? While no, okay, alright, cool,

2337
02:17:07,959 --> 02:17:10,400
Speaker 1: he was cool with him taking your name, he ain't

2338
02:17:10,440 --> 02:17:16,520
Speaker 1: take it. Yeah, let him use it like you used

2339
02:17:16,560 --> 02:17:19,320
Speaker 1: it like, Yo, you know what it's it's tip hop

2340
02:17:19,680 --> 02:17:20,720
Speaker 1: doctor dream doctor.

2341
02:17:20,520 --> 02:17:23,720
Speaker 2: Dream a right, damn, ain't think of that.

2342
02:17:24,080 --> 02:17:25,080
Speaker 1: Very true. Thank you.

2343
02:17:26,360 --> 02:17:26,800
Speaker 2: That's good.

2344
02:17:27,160 --> 02:17:30,800
Speaker 1: Good. The next good observation the last one he said, doctor,

2345
02:17:31,400 --> 02:17:32,480
Speaker 1: loyalty or respect?

2346
02:17:33,120 --> 02:17:33,600
Speaker 2: Loyalty.

2347
02:17:35,040 --> 02:17:37,520
Speaker 1: I don't think you can disrespect some money loyal to.

2348
02:17:38,000 --> 02:17:40,000
Speaker 1: I think if you loyal to somebody, you're gonna respect him.

2349
02:17:40,000 --> 02:17:43,640
Speaker 1: I think it comes hand in hand and vice versa.

2350
02:17:43,760 --> 02:17:47,720
Speaker 1: Com like you could be loyal and still respect me.

2351
02:17:48,520 --> 02:17:51,120
Speaker 1: And it's like it's like, yo, you know what I was.

2352
02:17:51,280 --> 02:17:55,760
Speaker 1: I was thinking, since enough show like Yo, that's a

2353
02:17:55,920 --> 02:18:00,840
Speaker 1: hard question because it's like Yo. On one hand, it's

2354
02:18:00,879 --> 02:18:03,720
Speaker 1: like yo, you know what if you loyal to them,

2355
02:18:03,720 --> 02:18:07,640
Speaker 1: It's like, yo, you don't disrespect them? Right? And I'm like, yo,

2356
02:18:07,720 --> 02:18:13,560
Speaker 1: you know what I would be like, Yo, you know what? Right? No? Right?

2357
02:18:15,240 --> 02:18:18,520
Speaker 1: I just I think loyalty comes is both. Hell yeah,

2358
02:18:23,760 --> 02:18:27,720
Speaker 1: agree with you both. Except the hardest question the answer.

2359
02:18:27,800 --> 02:18:33,960
Speaker 1: That's when he said, answer, Yo, this is like, this

2360
02:18:34,160 --> 02:18:37,039
Speaker 1: is real. It's like, Yo, do I do I choose

2361
02:18:37,280 --> 02:18:42,960
Speaker 1: loyalty or do I respect? You know me? I believe

2362
02:18:43,040 --> 02:18:44,960
Speaker 1: all they all go hand in hand. But if I

2363
02:18:45,080 --> 02:18:47,640
Speaker 1: had to choose one rather. I know a loyal person

2364
02:18:47,800 --> 02:18:50,360
Speaker 1: is not disloyal, and I could trust him because you

2365
02:18:50,400 --> 02:18:53,400
Speaker 1: could trust a person that's loyal, And I don't know

2366
02:18:53,440 --> 02:18:56,840
Speaker 1: if I trust everybody I respect. That's real. Yeah, you

2367
02:18:56,920 --> 02:19:00,680
Speaker 1: know that's real. That's trust. Trust is big, big part

2368
02:19:00,720 --> 02:19:03,400
Speaker 1: of being loyalty. Someone's like, you know your girl loyal,

2369
02:19:03,959 --> 02:19:07,120
Speaker 1: she can go out. You ain't worry about nothing like

2370
02:19:07,280 --> 02:19:09,600
Speaker 1: ain't nobody could call you and tell you your girl out,

2371
02:19:09,720 --> 02:19:12,040
Speaker 1: you can't. I know my girl she loyal. She she

2372
02:19:12,320 --> 02:19:17,000
Speaker 1: she might respect you, I might fight, she might call

2373
02:19:17,040 --> 02:19:20,120
Speaker 1: you a kind of bitch ass, but disrespect the If

2374
02:19:20,160 --> 02:19:23,120
Speaker 1: she's loyal, she ain't never gonna vioe loyal me, that's real.

2375
02:19:23,240 --> 02:19:26,520
Speaker 1: But so she loyal me. She might not be messing

2376
02:19:26,560 --> 02:19:28,440
Speaker 1: with another guy, but she might be out gambling with

2377
02:19:28,560 --> 02:19:32,160
Speaker 1: her girls. Now, if she breaking the trust while doing that, no,

2378
02:19:32,320 --> 02:19:34,160
Speaker 1: but if you ask hers she had to tell you,

2379
02:19:34,440 --> 02:19:36,680
Speaker 1: she didn't. She don't tell you, and that's something you

2380
02:19:36,800 --> 02:19:39,600
Speaker 1: don't on her doing. And I have got understanding and

2381
02:19:39,680 --> 02:19:41,520
Speaker 1: she does it, then she's not loyal. She's not loyal

2382
02:19:41,720 --> 02:19:44,040
Speaker 1: being disloyal. Okay, Well respect that. You think you and

2383
02:19:44,120 --> 02:19:45,680
Speaker 1: your girl might have a fight she might call you

2384
02:19:45,760 --> 02:19:48,120
Speaker 1: all kind of names and disrespect the shit out you,

2385
02:19:48,680 --> 02:19:50,480
Speaker 1: but she ain't gonna go fuck a nigga, you know

2386
02:19:50,520 --> 02:19:52,920
Speaker 1: what I'm saying. So she might disrespect you, she gotta

2387
02:19:52,959 --> 02:20:03,200
Speaker 1: go then just because of you out. That's it. Yeah,

2388
02:20:03,360 --> 02:20:06,440
Speaker 1: Like we don't. We don't tolerate cust me out to

2389
02:20:06,520 --> 02:20:10,840
Speaker 1: go sucking dick any like cuss me the fuck out,

2390
02:20:13,320 --> 02:20:18,840
Speaker 1: no disrespect. But it's like, yo, a person where it's

2391
02:20:18,920 --> 02:20:23,160
Speaker 1: like yo, you know, like females like it's underne love,

2392
02:20:23,800 --> 02:20:26,160
Speaker 1: but it's like they respect you to the fullest. And

2393
02:20:26,240 --> 02:20:29,840
Speaker 1: it's like a female won't want, you know, talk ship

2394
02:20:29,920 --> 02:20:33,160
Speaker 1: about behind your back. It's like what, like what kind

2395
02:20:33,200 --> 02:20:36,720
Speaker 1: of business? This is what I'm saying. I'm saying they're

2396
02:20:36,720 --> 02:20:41,640
Speaker 1: good at No. That's no, no, no, because like you

2397
02:20:41,879 --> 02:20:45,000
Speaker 1: like the dudes argue for real, Like Yo, there's some

2398
02:20:45,200 --> 02:20:49,000
Speaker 1: good ones out here, and you know you got a system.

2399
02:20:49,720 --> 02:20:50,640
Speaker 2: You got a system.

2400
02:20:53,120 --> 02:21:01,520
Speaker 1: That's why he's talking that listen love like something fun up? Yo?

2401
02:21:01,760 --> 02:21:04,000
Speaker 1: What's wrong with you? And they don't use logic. They

2402
02:21:04,000 --> 02:21:08,119
Speaker 1: don't care about listen, they don't care about making sense

2403
02:21:08,240 --> 02:21:13,080
Speaker 1: common sense? Are you like yo? Perfect people like the

2404
02:21:13,160 --> 02:21:16,440
Speaker 1: perfect example of what it is like, yo, I can

2405
02:21:16,480 --> 02:21:19,240
Speaker 1: trust them. It's like I'll do whatever for them. And

2406
02:21:19,400 --> 02:21:22,400
Speaker 1: it's like, yo, she she got my back. It's like

2407
02:21:22,560 --> 02:21:24,880
Speaker 1: you know, and I got out back and it's like, yo,

2408
02:21:25,040 --> 02:21:29,920
Speaker 1: that's it. Let's talk about the orthoorage. How did that answerage?

2409
02:21:30,080 --> 02:21:33,440
Speaker 1: How did you say there's a mistaken answerage? Yeah, ship

2410
02:21:33,920 --> 02:21:35,720
Speaker 1: ge robis to call me. He was like, Yo, Mark

2411
02:21:35,760 --> 02:21:37,600
Speaker 1: Warburg's on the TV show. You want to be on

2412
02:21:37,680 --> 02:21:40,120
Speaker 1: it or you want to audition for it. But it

2413
02:21:40,240 --> 02:21:43,080
Speaker 1: was between me and young Jez. Me and Young Jez

2414
02:21:43,280 --> 02:21:46,039
Speaker 1: was up for that part. And I was like nobody

2415
02:21:46,120 --> 02:21:48,199
Speaker 1: knew it was going to be a hit show when

2416
02:21:48,600 --> 02:21:52,920
Speaker 1: it was like, HBO has an idea? What did you want?

2417
02:21:52,959 --> 02:21:53,920
Speaker 1: Season three? Though two?

2418
02:21:54,160 --> 02:21:56,000
Speaker 2: Season two okay, he was early.

2419
02:21:55,879 --> 02:21:58,480
Speaker 1: On was pilot. Yeah. I was the first black person

2420
02:21:58,560 --> 02:22:02,600
Speaker 1: on outside outside of an extra walking in the back

2421
02:22:03,520 --> 02:22:06,039
Speaker 1: with lines. I was the first nigga with lines. Then

2422
02:22:06,120 --> 02:22:08,480
Speaker 1: bow Wow and fifty and on came after that. But

2423
02:22:08,600 --> 02:22:10,520
Speaker 1: I was I was there to build Turtles character, but

2424
02:22:10,600 --> 02:22:13,960
Speaker 1: you was actually a character roll. I was there to

2425
02:22:14,000 --> 02:22:16,680
Speaker 1: build Turtles character because like, we just got this nigger

2426
02:22:16,760 --> 02:22:20,440
Speaker 1: meandering around, right, I need to give him. Yes, it

2427
02:22:20,520 --> 02:22:24,040
Speaker 1: became my manager ship, which is shout shouting joy far

2428
02:22:24,080 --> 02:22:27,000
Speaker 1: hour good speak in real life. Yeah, that's my brother

2429
02:22:27,240 --> 02:22:32,160
Speaker 1: talking to moms, shout to Jakie's kids. Described how this

2430
02:22:32,320 --> 02:22:35,920
Speaker 1: mistake happened. So because I'm never I wasn't an actor.

2431
02:22:35,959 --> 02:22:37,880
Speaker 1: I never acted in my life. Okay with that, but

2432
02:22:38,160 --> 02:22:41,280
Speaker 1: you know it wasn't we got to act every day.

2433
02:22:41,879 --> 02:22:44,480
Speaker 1: But I'm real acting like that, but no, I never.

2434
02:22:44,600 --> 02:22:46,240
Speaker 1: I had never done that. So I was like, I

2435
02:22:46,320 --> 02:22:47,760
Speaker 1: was looking at it, like, they're not gonna pick me.

2436
02:22:47,800 --> 02:22:52,320
Speaker 1: I ain't. No, you went to Nah, had to fly

2437
02:22:52,520 --> 02:22:55,440
Speaker 1: to Hollywood and meet all these fucking real Hollywood motherfuckers

2438
02:22:55,480 --> 02:22:57,840
Speaker 1: and they're like, and the one thing I did that

2439
02:22:58,000 --> 02:22:58,360
Speaker 1: was smart.

2440
02:22:58,400 --> 02:22:59,480
Speaker 2: I think they had the name.

2441
02:22:59,560 --> 02:23:01,480
Speaker 1: I was like, if I get the park, can I

2442
02:23:01,600 --> 02:23:04,720
Speaker 1: use the name Saigon instead of whatever fucking name they

2443
02:23:04,760 --> 02:23:06,360
Speaker 1: had in the scrip was like a little little g

2444
02:23:06,600 --> 02:23:08,520
Speaker 1: or whatever. The fun I'm like, won't you let me

2445
02:23:08,600 --> 02:23:12,280
Speaker 1: use my real rap name? And that's the best move

2446
02:23:12,400 --> 02:23:14,440
Speaker 1: I ever made in my life. Well I say that,

2447
02:23:15,040 --> 02:23:17,400
Speaker 1: I mean think about it to this day, Yeah say

2448
02:23:17,480 --> 02:23:20,000
Speaker 1: I know, but yeah, to this day, when when that

2449
02:23:20,200 --> 02:23:22,400
Speaker 1: that that should opened some uf I go meet somebody

2450
02:23:22,520 --> 02:23:24,760
Speaker 1: and be like I'm sign. The first thing they say

2451
02:23:24,840 --> 02:23:27,200
Speaker 1: is like the guy from An. They don't even know

2452
02:23:27,240 --> 02:23:29,960
Speaker 1: it's me. Oh wow, like the guy from An, Like

2453
02:23:30,080 --> 02:23:36,240
Speaker 1: I'm you're sterious. I gotta tell them that's me. If

2454
02:23:36,280 --> 02:23:40,520
Speaker 1: you if you open like trapping tickets. You know what

2455
02:23:40,560 --> 02:23:41,920
Speaker 1: I'm saying. I could have been like I'm a little

2456
02:23:42,000 --> 02:23:46,120
Speaker 1: d from Aunt, like little bit like so that ship,

2457
02:23:46,160 --> 02:23:48,000
Speaker 1: I mean, that ship got you out of so much

2458
02:23:48,040 --> 02:23:50,440
Speaker 1: ship when I and that show was hot for like

2459
02:23:50,720 --> 02:23:56,760
Speaker 1: fifty show the greatest shows right now, right now they

2460
02:23:56,840 --> 02:24:01,160
Speaker 1: have a show on Apple Plus all the studio. Yeah,

2461
02:24:01,200 --> 02:24:11,560
Speaker 1: that's rage. Have another to have. Uh uh running point

2462
02:24:12,680 --> 02:24:17,199
Speaker 1: on Netflix about the bus Family. Oh yeah, the Lakers,

2463
02:24:17,400 --> 02:24:26,880
Speaker 1: the bust family. Yeah yeah, writing for Entourage, Like you

2464
02:24:27,000 --> 02:24:29,280
Speaker 1: can literally see where they got the seas from, Like

2465
02:24:29,320 --> 02:24:31,920
Speaker 1: you know what I'm saying, like like Ellen shot Doug

2466
02:24:31,959 --> 02:24:35,720
Speaker 1: Allen and them guys. The writers see what HBO HBO does.

2467
02:24:35,800 --> 02:24:36,680
Speaker 2: They did it with all these.

2468
02:24:36,600 --> 02:24:39,760
Speaker 1: Shows, Sopranos, they did it Wire, they did it with

2469
02:24:39,879 --> 02:24:43,360
Speaker 1: Sex and the City. The first season they go get

2470
02:24:43,520 --> 02:24:45,959
Speaker 1: a bunch of C and D level actors so they

2471
02:24:45,959 --> 02:24:48,000
Speaker 1: ain't got to pay them really a lot, and they

2472
02:24:48,080 --> 02:24:50,800
Speaker 1: give the money to the writers so they go get

2473
02:24:50,879 --> 02:24:54,200
Speaker 1: these great writers who fucking write amazing shows. They be

2474
02:24:54,320 --> 02:24:57,320
Speaker 1: the ones making the two million episode while these actors

2475
02:24:57,400 --> 02:25:00,520
Speaker 1: be making a couple of thousand dollars, right, and so

2476
02:25:00,640 --> 02:25:03,120
Speaker 1: once the show becomes a hit, and are you locked

2477
02:25:03,120 --> 02:25:05,840
Speaker 1: in the contract, I'm gonna get four five seasons out

2478
02:25:05,879 --> 02:25:08,080
Speaker 1: of you before I really got to pay you like

2479
02:25:08,480 --> 02:25:10,640
Speaker 1: once once, once the's time to renegotiate.

2480
02:25:11,000 --> 02:25:12,040
Speaker 2: Now you know you a star.

2481
02:25:12,560 --> 02:25:13,920
Speaker 1: Now you come and be like, no, I need the

2482
02:25:13,959 --> 02:25:18,000
Speaker 1: big bucks now because I'm popping all around.

2483
02:25:17,720 --> 02:25:19,440
Speaker 2: Walk like god. Rest of the soul.

2484
02:25:19,480 --> 02:25:23,840
Speaker 1: His name James who paid Tony soprano Jane Grando. I

2485
02:25:23,879 --> 02:25:28,039
Speaker 1: can't pronounce the ship, but Tony Tony to them niggas

2486
02:25:28,120 --> 02:25:29,960
Speaker 1: was they was. We didn't know who to just Sarah

2487
02:25:30,040 --> 02:25:32,199
Speaker 1: Jessica Pok. He was fighting for them to get more money.

2488
02:25:33,800 --> 02:25:36,040
Speaker 1: The motherfucker. You know, look how many stars that the

2489
02:25:36,160 --> 02:25:40,240
Speaker 1: wire bro Michael B. Jordan's fucking uh, what's the nigga name?

2490
02:25:40,680 --> 02:25:43,600
Speaker 2: The talk old bitches like the album.

2491
02:25:43,879 --> 02:25:46,320
Speaker 1: I didn't even know that nigga from London. I didn't either,

2492
02:25:47,200 --> 02:25:51,720
Speaker 1: the Bottom Batimore nigga. Man, they set it up with

2493
02:25:51,920 --> 02:25:56,240
Speaker 1: like you could get through. They didn't Those rights show

2494
02:25:56,440 --> 02:25:58,200
Speaker 1: that taking off.

2495
02:25:58,400 --> 02:26:01,400
Speaker 2: It's like, yeah, yes it is. It's it's genius.

2496
02:26:01,520 --> 02:26:04,840
Speaker 1: And yeah, that was that. That's why you gotta respect.

2497
02:26:05,000 --> 02:26:06,840
Speaker 1: They know what they fun they're doing over there. I

2498
02:26:07,000 --> 02:26:09,959
Speaker 1: was talking to Doug Allen and he told me, oh,

2499
02:26:10,160 --> 02:26:12,760
Speaker 1: and this is how Hollywood works. He said he was

2500
02:26:12,800 --> 02:26:15,840
Speaker 1: pitching the show to HBO after Entourage. He was like,

2501
02:26:15,920 --> 02:26:18,440
Speaker 1: after Entourage was such a success, I just knew they

2502
02:26:18,520 --> 02:26:21,240
Speaker 1: was gonna let me walk anything through these doors, like

2503
02:26:21,720 --> 02:26:24,840
Speaker 1: because because we had so much successful Entourage. And he's like,

2504
02:26:24,920 --> 02:26:27,280
Speaker 1: me and Mike Tyson did a show and we was like,

2505
02:26:27,320 --> 02:26:29,280
Speaker 1: I spent a million and a half dollars doing the

2506
02:26:29,360 --> 02:26:33,000
Speaker 1: pilot on one episode, million and a half and HBO

2507
02:26:33,200 --> 02:26:35,360
Speaker 1: was like, we don't like it, we don't want it,

2508
02:26:35,920 --> 02:26:39,440
Speaker 1: like a million half in a whole. I was like, damn,

2509
02:26:39,560 --> 02:26:41,080
Speaker 1: that's it. He was like, I just knew I had

2510
02:26:41,320 --> 02:26:44,199
Speaker 1: they was gonna green light it because of my past

2511
02:26:44,240 --> 02:26:46,080
Speaker 1: success with Entourage, and.

2512
02:26:46,160 --> 02:26:48,880
Speaker 2: You know, so this is that's how Hollywood shows the game.

2513
02:26:49,040 --> 02:26:49,200
Speaker 7: Yeah.

2514
02:26:51,600 --> 02:26:56,320
Speaker 1: I got a new showed outright that's super shock. It's

2515
02:26:56,360 --> 02:26:58,960
Speaker 1: called Graves and ya y'all watch Graves in a Yeah,

2516
02:26:59,360 --> 02:27:01,560
Speaker 1: so it's about raised in Brooklyn So the show is

2517
02:27:01,600 --> 02:27:06,320
Speaker 1: about the mafia out you see that. It's like some

2518
02:27:06,520 --> 02:27:11,320
Speaker 1: new soprano ship. Okay, so it's out season, first season,

2519
02:27:11,360 --> 02:27:13,880
Speaker 1: the first two seasons out o season, which is that

2520
02:27:14,040 --> 02:27:15,240
Speaker 1: it's on Amazon.

2521
02:27:17,120 --> 02:27:20,160
Speaker 2: Graves in Brooklyn, Like Benson.

2522
02:27:19,920 --> 02:27:22,680
Speaker 1: Herrison'll show you all the guys in the mall that

2523
02:27:22,760 --> 02:27:25,920
Speaker 1: didn't really blow up, like everybody knew Gotti and because

2524
02:27:25,920 --> 02:27:28,320
Speaker 1: they was on TV. But there was a whole group

2525
02:27:28,400 --> 02:27:30,520
Speaker 1: of mafia and niggas who didn't never get like the light,

2526
02:27:30,640 --> 02:27:33,480
Speaker 1: the shine, who was putting in work. So this is

2527
02:27:33,680 --> 02:27:38,480
Speaker 1: drama like dramatic or dramatic. It's like sopranos, like sopranos,

2528
02:27:38,760 --> 02:27:41,160
Speaker 1: but it's like a realer version of sopranos. Like this

2529
02:27:41,320 --> 02:27:43,400
Speaker 1: is they talkt a my real guys from the neighborhood

2530
02:27:43,800 --> 02:27:46,040
Speaker 1: and yeah, I'm on there. Shot Shaquille O nails on

2531
02:27:46,120 --> 02:27:49,400
Speaker 1: there and I fight Shot. I be fucking this nigga

2532
02:27:49,440 --> 02:27:50,920
Speaker 1: is the strongest nigga in the world.

2533
02:27:50,959 --> 02:27:52,480
Speaker 2: Bro, what is Shot playing a firefighter?

2534
02:27:52,640 --> 02:27:56,920
Speaker 1: No? What is he playing in the show? He played

2535
02:27:57,000 --> 02:28:00,400
Speaker 1: some games. The nigga name Stapfa who cool with mob.

2536
02:28:00,600 --> 02:28:02,480
Speaker 1: Like so when the mob got problem with the Blacks,

2537
02:28:02,800 --> 02:28:06,720
Speaker 1: they'd be like oh, mustop into your people type ship

2538
02:28:07,840 --> 02:28:08,880
Speaker 1: like we don't want to smoke with.

2539
02:28:09,400 --> 02:28:10,880
Speaker 2: I believe Shock is a tough guy.

2540
02:28:12,560 --> 02:28:17,840
Speaker 1: I don't know, man, because I'll be sucking that Yo, son,

2541
02:28:19,200 --> 02:28:21,400
Speaker 1: you talk, you know, I'm gonna tell you remember how

2542
02:28:21,440 --> 02:28:22,960
Speaker 1: many times you have to move his mic because he

2543
02:28:23,080 --> 02:28:29,320
Speaker 1: was like, Yo, we're like this. You did it like

2544
02:28:29,400 --> 02:28:31,560
Speaker 1: five times yourself, but I'm gonna tell you, crazy ship.

2545
02:28:31,640 --> 02:28:33,360
Speaker 1: And then we was we had a fight scene, right

2546
02:28:33,840 --> 02:28:36,080
Speaker 1: nigga wrapped his hand around my neck and the nigga's

2547
02:28:36,120 --> 02:28:44,039
Speaker 1: fingers touched in the back. In the back, I said,

2548
02:28:44,080 --> 02:28:44,320
Speaker 1: get the.

2549
02:28:48,360 --> 02:28:50,840
Speaker 2: Your nigga whole ship like this around my neck.

2550
02:28:50,920 --> 02:28:53,920
Speaker 1: Yo. I'm a I'm a pretty strong dude. I could

2551
02:28:54,000 --> 02:28:57,040
Speaker 1: not budge this motherfucker to the point where every time

2552
02:28:57,080 --> 02:28:59,320
Speaker 1: we would finish the scene one of them fight scenes,

2553
02:28:59,800 --> 02:29:01,360
Speaker 1: my fuckers, I had to come over and be like, Yo,

2554
02:29:01,400 --> 02:29:04,640
Speaker 1: you right, So I'm like, I'm good, I'm good, lying

2555
02:29:04,720 --> 02:29:09,160
Speaker 1: like a nigga choke win that his old Paul and

2556
02:29:09,280 --> 02:29:11,640
Speaker 1: he don't know his own strength. You know, Gorilla stript

2557
02:29:12,480 --> 02:29:19,840
Speaker 1: he might have Mountain Gorilla in his DNA, Like Nigga

2558
02:29:19,920 --> 02:29:22,960
Speaker 1: got boot stripped. Like I couldn't busch this thing, and

2559
02:29:23,040 --> 02:29:26,840
Speaker 1: I'm using, I'm trying, even trying, like he talking on

2560
02:29:26,879 --> 02:29:28,840
Speaker 1: a nigga like this what it is about? I'm like,

2561
02:29:28,879 --> 02:29:32,080
Speaker 1: you get the fun. I'm like, oh, that's why, niggas.

2562
02:29:32,160 --> 02:29:35,920
Speaker 1: This is the diesel for real but amazing individual man

2563
02:29:36,040 --> 02:29:37,960
Speaker 1: like who else is on there? So you shock me,

2564
02:29:38,120 --> 02:29:41,800
Speaker 1: Willie the Mayo like a lot of Manos on it. Okay,

2565
02:29:41,840 --> 02:29:45,400
Speaker 1: the guns is on. They've shocked cronies. They play the

2566
02:29:45,480 --> 02:29:49,080
Speaker 1: little home, Yeah, they play Yeah. He's looking the ordering

2567
02:29:49,640 --> 02:29:53,680
Speaker 1: yeah type ship and and they be fucking me up

2568
02:29:53,720 --> 02:29:55,520
Speaker 1: because every time I got to get it, get it.

2569
02:29:55,560 --> 02:29:56,840
Speaker 2: On him, he sending them little.

2570
02:29:56,640 --> 02:29:59,960
Speaker 1: Niggas like yolot nigga. But this is a great opportunity

2571
02:30:00,200 --> 02:30:02,840
Speaker 1: because working with my brothers, like I love man Or,

2572
02:30:02,840 --> 02:30:04,920
Speaker 1: I love Peter, but these are my friends in her life.

2573
02:30:05,280 --> 02:30:06,720
Speaker 2: I just met Shaq doing the show.

2574
02:30:06,760 --> 02:30:09,600
Speaker 1: I never known them or we established a relationship, you

2575
02:30:09,680 --> 02:30:11,680
Speaker 1: know what I'm saying. And I'll be looking all this

2576
02:30:11,760 --> 02:30:13,960
Speaker 1: ship surreal. All this ship still feels sill. Even be

2577
02:30:14,080 --> 02:30:16,440
Speaker 1: here with you feel surreal to me. I'll be going

2578
02:30:16,480 --> 02:30:18,480
Speaker 1: home and be like, yo, I was just sitting with

2579
02:30:18,600 --> 02:30:20,720
Speaker 1: fucking Nor even working on him, doing the album with

2580
02:30:20,760 --> 02:30:21,200
Speaker 1: Buck Wow.

2581
02:30:21,560 --> 02:30:23,400
Speaker 2: I'm like, I had a fucking album with Buck Wow.

2582
02:30:23,959 --> 02:30:26,040
Speaker 1: I wanted them to do everybody else's on the set

2583
02:30:26,080 --> 02:30:29,240
Speaker 1: acting normal, and I'll be there like yo, starstruck, like yo,

2584
02:30:29,360 --> 02:30:31,440
Speaker 1: it's like working with some of this. But I didn't.

2585
02:30:31,440 --> 02:30:35,120
Speaker 1: I ain't know no black people was in here. Just

2586
02:30:35,360 --> 02:30:42,480
Speaker 1: come on season three Okay, yeah, yeah, yeah, I didn't

2587
02:30:42,480 --> 02:30:44,640
Speaker 1: watch it, but you know it ain't no black peoples

2588
02:30:44,680 --> 02:30:47,360
Speaker 1: on that were coming season three. Every time I keep

2589
02:30:47,400 --> 02:30:49,480
Speaker 1: watching Seinfeld, I see more black people. Now.

2590
02:30:49,680 --> 02:30:51,840
Speaker 2: Oh yeah, man, the oil and the engine.

2591
02:30:52,240 --> 02:30:55,520
Speaker 1: It's not like they made a different version of signing. No, no, no,

2592
02:30:55,680 --> 02:30:57,800
Speaker 1: I just keep watching it because at first it was

2593
02:30:57,840 --> 02:30:59,959
Speaker 1: only one black person on sign for do y'all remember

2594
02:31:00,120 --> 02:31:03,800
Speaker 1: that person, the guy that owns the diner. At least

2595
02:31:03,800 --> 02:31:06,280
Speaker 1: they let him own the diner, the diner that they

2596
02:31:07,320 --> 02:31:09,800
Speaker 1: know they owned the dining. But it's like I didn't

2597
02:31:09,840 --> 02:31:13,680
Speaker 1: know who who, Like who works there? Are the black guy?

2598
02:31:13,760 --> 02:31:15,840
Speaker 1: The black guy owns it? Yeah? On the low? Yeah,

2599
02:31:16,879 --> 02:31:19,360
Speaker 1: and they be changing up the apartment so son felt

2600
02:31:20,000 --> 02:31:24,280
Speaker 1: I never found I never seen friends Seinfeld, friends and

2601
02:31:24,360 --> 02:31:29,800
Speaker 1: Seinfeld together. I've never seen none of them. Listen, listen,

2602
02:31:29,879 --> 02:31:33,119
Speaker 1: this is this is why you first off. It all

2603
02:31:33,200 --> 02:31:39,160
Speaker 1: comes from Seinfeld. Everything Seinfeld. It was two guys I

2604
02:31:39,320 --> 02:31:43,840
Speaker 1: assumed Larry David and Richard I forgot his name. That

2605
02:31:44,920 --> 02:31:47,200
Speaker 1: passed away because that's what it's supposed to be. And

2606
02:31:47,280 --> 02:31:50,680
Speaker 1: they said, let's make a show about nothing. And they

2607
02:31:50,760 --> 02:31:53,680
Speaker 1: was like, okay, so what's it going to be about nothing?

2608
02:31:54,400 --> 02:31:57,600
Speaker 1: So what did you do today? I walked from my crib,

2609
02:31:58,080 --> 02:32:00,520
Speaker 1: I walked the door, and I went to We squired

2610
02:32:00,560 --> 02:32:03,560
Speaker 1: more and I got my friends clean. That's the episode

2611
02:32:04,200 --> 02:32:06,520
Speaker 1: hits biggest show in the biggest show in the world.

2612
02:32:06,560 --> 02:32:09,760
Speaker 1: And it's just it's the first version of reality TV

2613
02:32:10,000 --> 02:32:13,440
Speaker 1: scripted copy copy. You understand what I'm saying, Like, so,

2614
02:32:13,600 --> 02:32:16,240
Speaker 1: I learned so so much. I never understood the Like though,

2615
02:32:16,560 --> 02:32:19,519
Speaker 1: I'm like, why is this so? You never watched Kirby Enthusiasm.

2616
02:32:19,879 --> 02:32:22,000
Speaker 1: I heard that's that's the same guy. That's just that's

2617
02:32:22,000 --> 02:32:26,240
Speaker 1: the same verson. I love him so much. I don't

2618
02:32:26,240 --> 02:32:32,440
Speaker 1: want to meet him. Like the room lave, I would

2619
02:32:32,480 --> 02:32:34,960
Speaker 1: be like, especially if I could, if it's one exit out,

2620
02:32:35,000 --> 02:32:36,800
Speaker 1: then I'll be like, all right, cool, I'll say hi.

2621
02:32:37,080 --> 02:32:39,080
Speaker 1: But if I could exit, I don't want to meet

2622
02:32:39,080 --> 02:32:42,400
Speaker 1: my heroes New more New More. So you met it

2623
02:32:43,200 --> 02:32:47,160
Speaker 1: your heroes. Uh No, Well, at first, when I met

2624
02:32:47,320 --> 02:32:50,960
Speaker 1: Chris Rock was at a uh we was at a

2625
02:32:51,080 --> 02:32:56,160
Speaker 1: bon Jovie party ironically with with Leo Cons, Russell Simmons

2626
02:32:56,879 --> 02:33:01,440
Speaker 1: and Jimmy I Bean, and I was like, like, besides Russ,

2627
02:33:01,440 --> 02:33:03,360
Speaker 1: I was like the only black guy there. And then

2628
02:33:03,800 --> 02:33:08,120
Speaker 1: Chris Rock was hosted and Chris Rock said, uh, what

2629
02:33:08,320 --> 02:33:11,880
Speaker 1: is the world coming to? Oh yeah, what is the

2630
02:33:11,920 --> 02:33:15,720
Speaker 1: world coming to? I gotta take pictures with Nori And

2631
02:33:15,800 --> 02:33:17,640
Speaker 1: I was like, I didn't know if he was playing,

2632
02:33:17,680 --> 02:33:19,800
Speaker 1: because you know, he's a comedian, so I didn't know.

2633
02:33:20,760 --> 02:33:22,320
Speaker 1: But that was the first time I was just like,

2634
02:33:26,000 --> 02:33:29,320
Speaker 1: I don't want to meet too many people. There was

2635
02:33:29,320 --> 02:33:31,560
Speaker 1: a couple of others. It's just I just don't remember,

2636
02:33:31,760 --> 02:33:33,199
Speaker 1: like off top, but it was a couple of others

2637
02:33:33,240 --> 02:33:35,440
Speaker 1: where I was just like, hey, what's up. And it

2638
02:33:35,560 --> 02:33:38,720
Speaker 1: was like people were like I was just like, all right, cool,

2639
02:33:38,840 --> 02:33:42,760
Speaker 1: So you graduated from rappers, yeah, the actors whatever, like

2640
02:33:43,000 --> 02:33:46,720
Speaker 1: like is a matter like most people don't reciprocate the same.

2641
02:33:46,560 --> 02:33:49,960
Speaker 2: Type of love that you that you distribute, so it's cool.

2642
02:33:50,000 --> 02:33:51,800
Speaker 1: I can roll with it. No no, no, I never

2643
02:33:51,920 --> 02:33:54,200
Speaker 1: met MJ. No, No, no, I'm not picking up this

2644
02:33:54,240 --> 02:33:54,720
Speaker 1: story again.

2645
02:33:54,720 --> 02:33:55,080
Speaker 2: I'm good.

2646
02:33:55,840 --> 02:33:59,600
Speaker 1: I'm good. No, no, no, but that's that's a story.

2647
02:33:59,680 --> 02:34:02,360
Speaker 1: But that's not story with me. Like you know what

2648
02:34:02,360 --> 02:34:02,600
Speaker 1: I mean.

2649
02:34:02,640 --> 02:34:05,120
Speaker 2: He ain't front of me. He's on hip hop.

2650
02:34:07,400 --> 02:34:09,000
Speaker 1: So before we get up out here, I want to

2651
02:34:09,080 --> 02:34:11,520
Speaker 1: run through the album, right, that's what you were here for, y'all.

2652
02:34:12,240 --> 02:34:15,040
Speaker 1: A new album, right, yes, So I want you to

2653
02:34:15,080 --> 02:34:16,800
Speaker 1: say something about it real quick as I want through

2654
02:34:16,840 --> 02:34:20,320
Speaker 1: the songs. So, y'all. Father talked part one the intro.

2655
02:34:21,760 --> 02:34:23,560
Speaker 1: Oh yeah, that was just me just saying, let me

2656
02:34:23,680 --> 02:34:26,200
Speaker 1: just rap. But mind people, I can still rap. You

2657
02:34:26,320 --> 02:34:29,080
Speaker 1: named a lot of white women. Yeah, he was going on,

2658
02:34:29,680 --> 02:34:34,640
Speaker 1: I gotta I love I love the pink toes Man,

2659
02:34:34,760 --> 02:34:37,000
Speaker 1: you love. I like, I love it, not not not

2660
02:34:37,120 --> 02:34:39,240
Speaker 1: love him, but I like playing with him. I like

2661
02:34:39,320 --> 02:34:42,320
Speaker 1: when you rap because it's like yo, he like he

2662
02:34:42,440 --> 02:34:44,280
Speaker 1: breaks it down and he goes in. You know what

2663
02:34:44,320 --> 02:34:46,960
Speaker 1: I'm saying. It's like in a way most people can't do.

2664
02:34:48,480 --> 02:34:50,640
Speaker 2: He got a fetish too for white women.

2665
02:34:52,360 --> 02:34:54,440
Speaker 1: This is a soul man. Tell we talked about y'all

2666
02:34:54,440 --> 02:35:03,680
Speaker 1: the soul man look. So we got we like pink

2667
02:35:03,720 --> 02:35:09,360
Speaker 1: to doctor Brother. It is doctor umar man. That school

2668
02:35:09,600 --> 02:35:12,720
Speaker 1: over another brother, Umar, doctor Kumar. We're still waiting for

2669
02:35:12,840 --> 02:35:15,240
Speaker 1: the school, but you are welcome here. Brother, you can

2670
02:35:15,280 --> 02:35:19,560
Speaker 1: school us. Yeah, and bring a white woman with you. Okay. So,

2671
02:35:19,800 --> 02:35:21,760
Speaker 1: dear God, you're still right?

2672
02:35:21,840 --> 02:35:22,040
Speaker 3: God?

2673
02:35:22,120 --> 02:35:25,640
Speaker 1: Do you still no? No? It's I talk. I pray

2674
02:35:25,720 --> 02:35:28,000
Speaker 1: every day. But on the first album, I did this

2675
02:35:28,040 --> 02:35:29,720
Speaker 1: song with marsham Brochs and it was.

2676
02:35:29,760 --> 02:35:31,200
Speaker 2: Like she came with it.

2677
02:35:31,400 --> 02:35:34,680
Speaker 1: Don't you remember you told me you love we was

2678
02:35:35,640 --> 02:35:37,240
Speaker 1: I write a letter to guard So I was like,

2679
02:35:37,400 --> 02:35:40,280
Speaker 1: when't we just double up on that record and be like, yo, that.

2680
02:35:40,360 --> 02:35:42,560
Speaker 2: Album was eleven years ago and the world's getting worse,

2681
02:35:42,680 --> 02:35:42,840
Speaker 2: Like what.

2682
02:35:42,920 --> 02:35:43,680
Speaker 1: The going on?

2683
02:35:43,920 --> 02:35:44,040
Speaker 12: Right?

2684
02:35:45,160 --> 02:35:47,840
Speaker 1: Yeah? Right there, bro like out of truth in the

2685
02:35:48,280 --> 02:35:51,360
Speaker 1: in the song, and it's like yo, Like I could

2686
02:35:51,400 --> 02:35:53,480
Speaker 1: say he poured his heart into it, but it's like, yo,

2687
02:35:53,560 --> 02:35:56,640
Speaker 1: you know what, Like he put a lot of truth

2688
02:35:56,720 --> 02:35:57,080
Speaker 1: into it.

2689
02:35:57,400 --> 02:35:58,080
Speaker 2: Because it's sad.

2690
02:35:58,280 --> 02:36:02,080
Speaker 1: I get sad seeing these young kids, like the young Dolph, Like,

2691
02:36:02,480 --> 02:36:06,120
Speaker 1: look at all of your nipsey hustle pop smoke. Like

2692
02:36:06,320 --> 02:36:09,120
Speaker 1: it's to the point now we so CNB Rocks, P

2693
02:36:09,280 --> 02:36:12,400
Speaker 1: and B Rock We're so desensitized to it now. When

2694
02:36:12,440 --> 02:36:16,080
Speaker 1: it happens it's like monthly Wizard kid named from from Dallas, Like,

2695
02:36:16,560 --> 02:36:19,760
Speaker 1: we're just sensitized almost like it's supposed to add supposed

2696
02:36:19,760 --> 02:36:22,600
Speaker 1: to get too terrible. Man, it's terrible. We had poking

2697
02:36:22,640 --> 02:36:25,280
Speaker 1: big stood out to us, and we ain't getting this

2698
02:36:25,360 --> 02:36:27,640
Speaker 1: game to die. We gain the ship to get away

2699
02:36:27,680 --> 02:36:29,680
Speaker 1: from that ship. You know what I'm saying. We left

2700
02:36:29,760 --> 02:36:32,920
Speaker 1: the streets to come in and prosper and read and

2701
02:36:33,240 --> 02:36:36,320
Speaker 1: move to the suburbs. Now these motherfuckers is getting in

2702
02:36:36,440 --> 02:36:41,560
Speaker 1: the game and dying young like babies like. And we

2703
02:36:41,680 --> 02:36:44,560
Speaker 1: look at it like, oh now, it's the disensitation to

2704
02:36:44,640 --> 02:36:47,160
Speaker 1: where we're not. We don't raise a big flagment that

2705
02:36:47,240 --> 02:36:50,000
Speaker 1: this ship gota. This ship is gotta stop. Us are

2706
02:36:50,080 --> 02:36:52,560
Speaker 1: the people because this is this is hip hop and

2707
02:36:52,959 --> 02:36:55,840
Speaker 1: all be based around the music. It always has something

2708
02:36:55,879 --> 02:36:58,920
Speaker 1: to do with some hip hop ship's destruction today. That

2709
02:36:58,959 --> 02:37:01,720
Speaker 1: will were the same way that when I say that

2710
02:37:01,760 --> 02:37:03,680
Speaker 1: shit all the time, I'm like, you put all these

2711
02:37:03,760 --> 02:37:07,080
Speaker 1: influential people right now on the song and tell motherfuckers yo,

2712
02:37:07,280 --> 02:37:10,080
Speaker 1: chill yo, we got to stop this ship. I've seen

2713
02:37:10,120 --> 02:37:12,000
Speaker 1: this ship with Michael Jordan one time, right and it

2714
02:37:12,080 --> 02:37:15,560
Speaker 1: made me lose so much respect for Mike as a person.

2715
02:37:16,200 --> 02:37:18,080
Speaker 1: I don't. Matter of fact, I won't say I lost

2716
02:37:18,120 --> 02:37:19,879
Speaker 1: respect for him, but I was sad. I was hurt

2717
02:37:19,959 --> 02:37:22,760
Speaker 1: by it. Where member kids used to get killed for

2718
02:37:22,879 --> 02:37:25,160
Speaker 1: Jordan's back in the day. They wanted him to do

2719
02:37:25,200 --> 02:37:28,120
Speaker 1: a press conference right and be like, Yo, we need

2720
02:37:28,200 --> 02:37:31,680
Speaker 1: you to tell these kids, these these sneakers ain't worth

2721
02:37:31,760 --> 02:37:34,560
Speaker 1: dying over. Like he was like, that's gonna take away

2722
02:37:34,600 --> 02:37:38,560
Speaker 1: the value the shoe. I ain't doing that, ship doing that.

2723
02:37:39,120 --> 02:37:41,160
Speaker 1: If I do I do that, I want to think

2724
02:37:41,160 --> 02:37:44,240
Speaker 1: I'm gonna go down from a buck to sixty to forty.

2725
02:37:44,320 --> 02:37:46,760
Speaker 1: I ain't doing that. But they like they're killing them.

2726
02:37:46,800 --> 02:37:50,400
Speaker 1: They're killing each other over your sneakers. And he was like, nah,

2727
02:37:51,200 --> 02:37:53,480
Speaker 1: it's gonna and I'm sure it probably wasn't him, it

2728
02:37:53,560 --> 02:37:56,880
Speaker 1: was probably somebody. He was like, Bro, you can't do that.

2729
02:37:57,560 --> 02:37:58,800
Speaker 2: A couple of bodies ain't shit.

2730
02:37:59,440 --> 02:38:01,920
Speaker 1: And now when you look when we look at it

2731
02:38:02,080 --> 02:38:04,480
Speaker 1: like what drill music was and all this shit was,

2732
02:38:04,879 --> 02:38:07,280
Speaker 1: and we know who funds the drill movement, it ain't

2733
02:38:07,280 --> 02:38:09,280
Speaker 1: these kids. They don't got the money to push records.

2734
02:38:09,320 --> 02:38:11,440
Speaker 1: We know that. We know who push the buttons or

2735
02:38:11,480 --> 02:38:14,800
Speaker 1: the platform order platform. They don't have that. So you

2736
02:38:15,000 --> 02:38:17,160
Speaker 1: when we see all the negativity that come back to

2737
02:38:18,000 --> 02:38:21,080
Speaker 1: self destruction to our community, even with the young ladies,

2738
02:38:21,160 --> 02:38:24,520
Speaker 1: with the females, how they all hyper sexual and all

2739
02:38:24,560 --> 02:38:26,959
Speaker 1: that shit. I got two daughters, Bro, I'll be looking

2740
02:38:27,000 --> 02:38:28,959
Speaker 1: at that shit like Yo, y'all need relaxed.

2741
02:38:29,040 --> 02:38:30,480
Speaker 2: Y'all got to relax with this shit.

2742
02:38:30,360 --> 02:38:34,920
Speaker 1: Because y'all are the Unfortunately, rappers have become all leaders. Bro.

2743
02:38:35,760 --> 02:38:38,360
Speaker 1: It's unfortunate, but it's real. Who else do we look

2744
02:38:38,440 --> 02:38:41,920
Speaker 1: up to like? We look up to like rappers, not

2745
02:38:42,040 --> 02:38:45,360
Speaker 1: even athletes. Athletes look up to rappers. Everybody looks up

2746
02:38:45,400 --> 02:38:48,480
Speaker 1: to hit the hip hop gods, everybody. Jay Z's the

2747
02:38:48,560 --> 02:38:51,040
Speaker 1: top of the food chain when it comes to black culture.

2748
02:38:52,200 --> 02:38:55,720
Speaker 1: If you ask people, yo Arralcun's here, jay Z's here.

2749
02:38:55,720 --> 02:38:59,119
Speaker 1: Where they gonna be at? You only gonna have both

2750
02:38:59,200 --> 02:39:02,120
Speaker 1: ties a weird. Anybody else is over there and he's

2751
02:39:02,200 --> 02:39:04,880
Speaker 1: and he's J's a rapper. So we have to we

2752
02:39:05,080 --> 02:39:07,720
Speaker 1: hold that responsibility, and a lot of people don't want

2753
02:39:07,720 --> 02:39:09,200
Speaker 1: to hold it. That's why when you talk about four

2754
02:39:09,240 --> 02:39:12,240
Speaker 1: four four, you hear a growthriend jay Ship telling niggas,

2755
02:39:12,440 --> 02:39:15,160
Speaker 1: I could have bought a building for two Dumbo. Now

2756
02:39:15,240 --> 02:39:20,240
Speaker 1: the building Dumbo like telling you be financially responsible to

2757
02:39:20,320 --> 02:39:23,720
Speaker 1: all of this ship and they don't care if we

2758
02:39:23,959 --> 02:39:25,760
Speaker 1: if our kids get that or not. They don't give

2759
02:39:25,800 --> 02:39:28,240
Speaker 1: a ship. They want whatever it's gonna sound so not

2760
02:39:28,440 --> 02:39:31,480
Speaker 1: not to be long window. But yeah, that's let's let's

2761
02:39:31,480 --> 02:39:34,840
Speaker 1: get into weld Weshes. That's a song telling everybody that

2762
02:39:35,160 --> 02:39:37,400
Speaker 1: want to see you lose and hate yo, even though

2763
02:39:37,840 --> 02:39:39,440
Speaker 1: you want to see me fucked up, I want to

2764
02:39:39,440 --> 02:39:44,240
Speaker 1: see you. Yeah, yeah, it's fix help you. It was

2765
02:39:44,280 --> 02:39:46,560
Speaker 1: like a hated nigga that like and you you know,

2766
02:39:46,800 --> 02:39:48,760
Speaker 1: you know what, son, it's sad that you want to

2767
02:39:48,800 --> 02:39:51,200
Speaker 1: see me fuck up because if it was up to me,

2768
02:39:51,680 --> 02:39:53,040
Speaker 1: you be in my shoes, right.

2769
02:39:54,840 --> 02:39:59,039
Speaker 2: You know what I'm saying, Meet Raymond Riches.

2770
02:40:03,280 --> 02:40:05,400
Speaker 1: It's really it's really the guy who's trying to get

2771
02:40:05,480 --> 02:40:09,080
Speaker 1: motherfuckers be like, come on, man, it's the soul seal nigga,

2772
02:40:10,440 --> 02:40:13,600
Speaker 1: Like you want fame and Riches fuck with me, bro, like,

2773
02:40:14,200 --> 02:40:16,360
Speaker 1: look at these other niggas you gotta It comes to

2774
02:40:16,400 --> 02:40:19,360
Speaker 1: the point right where your integrity got got to kick

2775
02:40:19,400 --> 02:40:22,800
Speaker 1: in in some stage because they said that pimper sell

2776
02:40:22,879 --> 02:40:26,480
Speaker 1: his own ass if the whole ain't making no money real,

2777
02:40:26,720 --> 02:40:28,760
Speaker 1: So you got actually said, who am I in this situation?

2778
02:40:29,480 --> 02:40:31,600
Speaker 1: I'm not a pimp all hole, I'm I'm a leader,

2779
02:40:31,680 --> 02:40:33,560
Speaker 1: I'm a black man. I'm like, y'all not gonna get

2780
02:40:33,560 --> 02:40:35,640
Speaker 1: me in this situation where I feel like I got

2781
02:40:35,680 --> 02:40:38,080
Speaker 1: bend over because I want a nice call. I want

2782
02:40:38,120 --> 02:40:39,480
Speaker 1: to I want to keep up with the Joneses. I

2783
02:40:39,520 --> 02:40:42,120
Speaker 1: remember going to Germany for the first time, Like I said,

2784
02:40:42,120 --> 02:40:44,840
Speaker 1: I love traveling, and I noticed all the calves with

2785
02:40:44,959 --> 02:40:48,600
Speaker 1: five hundreds every day, every call was a business. So

2786
02:40:48,680 --> 02:40:51,920
Speaker 1: I'm like, we be over here dying, selling drugs, willing

2787
02:40:52,000 --> 02:40:59,959
Speaker 1: to out there, and I'm like, we're down for the ship.

2788
02:41:00,360 --> 02:41:03,520
Speaker 1: We be out here and selling drugs, robbing, doing everything.

2789
02:41:03,600 --> 02:41:06,760
Speaker 1: The fucking driver some ship that it's just a materialism

2790
02:41:07,720 --> 02:41:09,920
Speaker 1: and they got us fucked up with that ship. So

2791
02:41:10,240 --> 02:41:12,880
Speaker 1: that that was one of them things like bro, find

2792
02:41:13,040 --> 02:41:16,160
Speaker 1: find something to lift the stand to stand on as

2793
02:41:16,200 --> 02:41:18,800
Speaker 1: a man, because once you find a purpose, a lot

2794
02:41:18,840 --> 02:41:19,480
Speaker 1: of us don't.

2795
02:41:19,320 --> 02:41:19,840
Speaker 2: Know our purpose.

2796
02:41:19,840 --> 02:41:22,360
Speaker 1: Shit. Once you find your purpose, your life is going

2797
02:41:22,440 --> 02:41:24,160
Speaker 1: to open up. All the doors in your life gonna

2798
02:41:24,160 --> 02:41:27,320
Speaker 1: open up. I got a purpose to be here. Who's

2799
02:41:27,360 --> 02:41:28,680
Speaker 1: for the young? For the young?

2800
02:41:28,800 --> 02:41:32,960
Speaker 2: Another one like it speaks to the kids.

2801
02:41:33,000 --> 02:41:33,160
Speaker 13: Man.

2802
02:41:33,280 --> 02:41:36,120
Speaker 1: You know they always say this is a young man's game, right,

2803
02:41:36,240 --> 02:41:38,640
Speaker 1: So who's us as elders? What are we teaching the

2804
02:41:38,680 --> 02:41:39,160
Speaker 1: young people?

2805
02:41:39,879 --> 02:41:40,280
Speaker 2: We can't.

2806
02:41:40,520 --> 02:41:42,959
Speaker 1: It's a young man's game. But we have a responsibility

2807
02:41:43,120 --> 02:41:46,119
Speaker 1: as that. If I'm a parent, I ain't gonna tell

2808
02:41:46,160 --> 02:41:49,039
Speaker 1: my kyo feed yourself now you will be having for dinner. Nigga,

2809
02:41:49,040 --> 02:41:52,400
Speaker 1: you figure it out. I got it. I gotta make

2810
02:41:52,440 --> 02:41:55,200
Speaker 1: sure you get the nutrient eating the full healthy food

2811
02:41:55,200 --> 02:41:58,640
Speaker 1: groups so he can grow big and strong. We we

2812
02:41:59,080 --> 02:42:01,280
Speaker 1: these are our babies. We shun our babies.

2813
02:42:02,120 --> 02:42:02,920
Speaker 2: I ain't fucking with that.

2814
02:42:03,040 --> 02:42:03,800
Speaker 1: We ain't fucking with that.

2815
02:42:04,000 --> 02:42:05,440
Speaker 2: Like, go go figure out on your own.

2816
02:42:05,640 --> 02:42:07,520
Speaker 1: So when they do, when they all in disarray and

2817
02:42:07,640 --> 02:42:10,200
Speaker 1: fucked up, and and the only niggas around is the

2818
02:42:10,280 --> 02:42:12,760
Speaker 1: old ges, who's trying to do negative shit? Yeah, we

2819
02:42:12,840 --> 02:42:14,920
Speaker 1: got to look at ourselves at some point. That's why

2820
02:42:14,920 --> 02:42:17,240
Speaker 1: I'm saying, who's for the young ones? Who's for the babies?

2821
02:42:17,800 --> 02:42:20,400
Speaker 1: But it ain't us and who because we are the elders,

2822
02:42:20,480 --> 02:42:24,560
Speaker 1: we're the elder statesmans of our community. Yeah, my child,

2823
02:42:26,160 --> 02:42:29,080
Speaker 1: it's me talking to God again, like saying, please don't

2824
02:42:29,160 --> 02:42:29,959
Speaker 1: let my child go.

2825
02:42:30,040 --> 02:42:30,440
Speaker 2: Through the ship.

2826
02:42:30,520 --> 02:42:32,840
Speaker 1: I went through, and I want my son going out,

2827
02:42:32,879 --> 02:42:36,119
Speaker 1: a fourteen year old son right now, and I'll think

2828
02:42:36,160 --> 02:42:38,480
Speaker 1: of myself at fourteen. I think of you and you fourteen,

2829
02:42:38,800 --> 02:42:41,160
Speaker 1: we came through up through high Land and try on

2830
02:42:41,320 --> 02:42:45,360
Speaker 1: Dfy and we was we was getting we was getting there,

2831
02:42:45,440 --> 02:42:48,080
Speaker 1: was already prepping us for prison when we was twelve

2832
02:42:48,160 --> 02:42:50,320
Speaker 1: thirteen years old. Right. So by the time when you

2833
02:42:50,400 --> 02:42:52,959
Speaker 1: go through Dfy, by the time you make it up north, nigga.

2834
02:42:52,680 --> 02:42:53,720
Speaker 2: That shit is cake walk.

2835
02:42:54,000 --> 02:42:56,720
Speaker 1: First you know how to big First we go through Falfort.

2836
02:42:56,800 --> 02:43:02,279
Speaker 1: Did they send you try on a high land Pullum Valley?

2837
02:43:02,360 --> 02:43:04,920
Speaker 2: And then next thing you know, you're in the big house.

2838
02:43:05,200 --> 02:43:06,280
Speaker 2: But you feel like ship.

2839
02:43:06,400 --> 02:43:09,120
Speaker 1: This is just a graduation, like going from high school

2840
02:43:09,120 --> 02:43:11,280
Speaker 1: to prison, going from d f our. So you go

2841
02:43:11,360 --> 02:43:12,960
Speaker 1: in there, you see other d f Y kids and

2842
02:43:13,000 --> 02:43:15,879
Speaker 1: ship you've been yo, son, what up? Some wh y'all

2843
02:43:16,000 --> 02:43:18,520
Speaker 1: were smoking weed, we cutting niggas And the ship is like, damn,

2844
02:43:18,680 --> 02:43:21,320
Speaker 1: this ship is like normal to us. And I'm looking

2845
02:43:21,360 --> 02:43:23,680
Speaker 1: at my son now, I couldn't fathom my son being

2846
02:43:23,680 --> 02:43:25,520
Speaker 1: in no green or kaksaking yard.

2847
02:43:25,840 --> 02:43:27,119
Speaker 2: He wouldn't know what the fucking.

2848
02:43:26,959 --> 02:43:31,320
Speaker 1: Dude that like, that's a good thing.

2849
02:43:32,160 --> 02:43:40,119
Speaker 2: Gatat a great thing. Thank y'all for this again.

2850
02:43:40,200 --> 02:43:42,600
Speaker 1: Man, this ship is big to me. What you were saying,

2851
02:43:42,920 --> 02:43:45,920
Speaker 1: what you're saying, Nah, I said that changes like the

2852
02:43:46,680 --> 02:43:50,400
Speaker 1: the tables turns from when we was young and like

2853
02:43:50,560 --> 02:43:55,119
Speaker 1: we've grown and it's like what we want for the kids.

2854
02:43:55,160 --> 02:43:57,920
Speaker 1: It's like to do their thing, and it's like it's happening.

2855
02:43:58,680 --> 02:44:03,160
Speaker 1: You know, these kids are smart waists. The thing with

2856
02:44:03,320 --> 02:44:05,680
Speaker 1: technology that they have. That's why I got so many

2857
02:44:05,720 --> 02:44:08,400
Speaker 1: young millionaires. These kids are making so much. When you

2858
02:44:08,520 --> 02:44:10,640
Speaker 1: got a guy like Constant and see how much money

2859
02:44:10,640 --> 02:44:11,400
Speaker 1: he's making. Pick up.

2860
02:44:11,959 --> 02:44:16,320
Speaker 2: Yeah, and he's positive.

2861
02:44:16,440 --> 02:44:17,080
Speaker 1: He's positive.

2862
02:44:17,160 --> 02:44:18,400
Speaker 2: Yeah, he's a very part.

2863
02:44:18,480 --> 02:44:20,480
Speaker 1: He's a good Like if my son looked up to him,

2864
02:44:20,480 --> 02:44:23,080
Speaker 1: I'd be happy, like because you know he's a young kid.

2865
02:44:23,160 --> 02:44:26,280
Speaker 1: He's while a off guard. But other than that, Oh yeah,

2866
02:44:27,600 --> 02:44:32,600
Speaker 1: that's funny. What was that nigga? They know what came

2867
02:44:32,640 --> 02:44:37,120
Speaker 1: through my Yeah, he came through Miami. Shut out to

2868
02:44:37,200 --> 02:44:39,640
Speaker 1: him as well, shout out. I like that kid. See,

2869
02:44:39,640 --> 02:44:42,400
Speaker 1: I don't even know this kid, but he's he'll rases anybody.

2870
02:44:42,560 --> 02:44:45,760
Speaker 1: Motherfucker clowmb tree like any this nigga do eighty five

2871
02:44:45,879 --> 02:44:49,720
Speaker 1: backflips in the road. I'm like, this little athletic motherfucker's cool,

2872
02:44:49,800 --> 02:44:52,320
Speaker 1: bro and and and they got to bring the audience

2873
02:44:52,360 --> 02:44:56,480
Speaker 1: with them. Let's go with no like, no witness witness

2874
02:44:56,600 --> 02:44:58,800
Speaker 1: Me and my man Benny the Butcher. That's like I

2875
02:44:58,920 --> 02:45:02,039
Speaker 1: kind of bought Bennie in the dang outside of Griselda.

2876
02:45:02,160 --> 02:45:02,920
Speaker 2: His cousins in them.

2877
02:45:02,959 --> 02:45:07,480
Speaker 1: But Benny was the first person that his first radio interview.

2878
02:45:07,600 --> 02:45:10,280
Speaker 1: I sent him to see Static Selected. He came, my

2879
02:45:10,400 --> 02:45:12,360
Speaker 1: man brought him. My man was up north with him.

2880
02:45:12,760 --> 02:45:14,480
Speaker 1: I got this kid from Buffalo, and I remember them

2881
02:45:14,480 --> 02:45:16,760
Speaker 1: Buffalo niggas up north was nice. So I'm like, he's

2882
02:45:16,760 --> 02:45:20,720
Speaker 1: from Buffalo. I want to hear him usually like I

2883
02:45:20,720 --> 02:45:23,680
Speaker 1: don't Buffalo nigga. I'm like, we hear this nigga because

2884
02:45:23,680 --> 02:45:25,840
Speaker 1: I know if the niggas was getting busy. So I'm like,

2885
02:45:26,280 --> 02:45:27,840
Speaker 1: so he brought him. He's like, his name is Benny.

2886
02:45:27,959 --> 02:45:30,320
Speaker 1: It was just best ever in New York. That's what

2887
02:45:30,440 --> 02:45:33,160
Speaker 1: his name still for fort Bennie the Butcher. It was

2888
02:45:33,240 --> 02:45:37,640
Speaker 1: best ever in New York. And then why so I

2889
02:45:37,760 --> 02:45:39,640
Speaker 1: met him and I heard him rap, I said, yo,

2890
02:45:39,680 --> 02:45:41,480
Speaker 1: I got I called Stack Selected. I said, y'all, I

2891
02:45:41,520 --> 02:45:44,640
Speaker 1: just met this kid. And because Static like people come

2892
02:45:44,720 --> 02:45:46,520
Speaker 1: up on his radio show on rap, I said, you

2893
02:45:46,600 --> 02:45:48,800
Speaker 1: got to have him up here. Static was like, what's

2894
02:45:48,840 --> 02:45:51,640
Speaker 1: his name? I'm like Benny. He's like a nigga named Benny.

2895
02:45:52,320 --> 02:45:55,120
Speaker 1: Fucking with it. I'm like, trust me, Static, this nigga's

2896
02:45:55,120 --> 02:46:03,880
Speaker 1: going say nigga Okay, no, no, I mean that's another

2897
02:46:03,959 --> 02:46:04,959
Speaker 1: one of my brothers. Man.

2898
02:46:05,000 --> 02:46:07,160
Speaker 2: Static is a real and uh yeah.

2899
02:46:07,160 --> 02:46:08,720
Speaker 1: And I sent him up there and he went up

2900
02:46:08,760 --> 02:46:10,640
Speaker 1: there and did what he did and from that and

2901
02:46:10,760 --> 02:46:13,000
Speaker 1: then when when he got when he got with his

2902
02:46:13,080 --> 02:46:16,920
Speaker 1: cousin who started Griselda already, and I watched his career flourish,

2903
02:46:17,000 --> 02:46:19,240
Speaker 1: I was so proud, like I wasn't being a West

2904
02:46:19,280 --> 02:46:21,080
Speaker 1: Side gun. Yeah, west my gun. I was like, yoah,

2905
02:46:21,080 --> 02:46:23,880
Speaker 1: I knew it because you saw it was about It

2906
02:46:23,959 --> 02:46:26,840
Speaker 1: was about a skill set. It wasn't about no can make.

2907
02:46:27,000 --> 02:46:29,440
Speaker 1: He ain't have a fancy shirt on and no ship

2908
02:46:29,520 --> 02:46:32,360
Speaker 1: like that. The niggas just correct, right, you know what

2909
02:46:32,360 --> 02:46:35,600
Speaker 1: I'm saying. He could rap man, Yeah, Bennie rappers as

2910
02:46:35,720 --> 02:46:39,600
Speaker 1: on all of the niggasrap Conway, Conway Room Street, all

2911
02:46:39,640 --> 02:46:43,320
Speaker 1: of niggas is beast. You know. Ransom ran Rans on

2912
02:46:43,400 --> 02:46:47,920
Speaker 1: album like he's a total beast. Ran Bennet beast since

2913
02:46:48,040 --> 02:46:50,800
Speaker 1: since ran in Hitchcock, like when when KLU had them.

2914
02:46:51,640 --> 02:46:53,600
Speaker 1: A lot of these guys get their second win, and

2915
02:46:53,680 --> 02:46:56,800
Speaker 1: I love seeing that because Bennie's first ten to talk

2916
02:46:56,920 --> 02:46:59,880
Speaker 1: to was in two thousand and four. That's what my friend.

2917
02:47:00,160 --> 02:47:02,040
Speaker 1: That's how long this kid. I found out he was

2918
02:47:02,120 --> 02:47:03,760
Speaker 1: rapping for that loan. I'm like, yo, you had a

2919
02:47:03,840 --> 02:47:07,440
Speaker 1: mixtape in oh four twenty something years ago. Wow, that's

2920
02:47:07,520 --> 02:47:09,760
Speaker 1: like when my first mixtape came out. He was like, yeah,

2921
02:47:09,840 --> 02:47:11,880
Speaker 1: but I was in Buffalo. So now niggas in the

2922
02:47:11,920 --> 02:47:13,640
Speaker 1: city wasn't hereing us, you know what I'm saying. But

2923
02:47:13,720 --> 02:47:16,240
Speaker 1: in Buffalo I was killing shit. I was like, dn,

2924
02:47:16,520 --> 02:47:20,600
Speaker 1: those come to assistency, perseverance, like it's gonna get the show.

2925
02:47:20,879 --> 02:47:23,440
Speaker 1: Let's go to two thousand and now that's just some

2926
02:47:23,560 --> 02:47:30,040
Speaker 1: hip hop said so explaining the story, Yeah, because because

2927
02:47:30,040 --> 02:47:31,920
Speaker 1: it was timeless because we did it so long ago.

2928
02:47:32,480 --> 02:47:34,320
Speaker 2: And Q Tip said, never say the year?

2929
02:47:34,680 --> 02:47:35,280
Speaker 1: What song is that?

2930
02:47:35,360 --> 02:47:35,400
Speaker 7: On?

2931
02:47:36,080 --> 02:47:38,240
Speaker 2: Q Tipp be like, never say the year? Like, don't

2932
02:47:38,280 --> 02:47:38,760
Speaker 2: say the year?

2933
02:47:39,040 --> 02:47:41,360
Speaker 1: Did you in? I forgot the name of the song?

2934
02:47:42,200 --> 02:47:43,960
Speaker 1: You know, you guy of going on one of them

2935
02:47:44,000 --> 02:47:45,920
Speaker 1: tribe albums. He says, never say the year in your

2936
02:47:45,959 --> 02:47:49,720
Speaker 1: songs because you dated dated dating it. So I was like,

2937
02:47:49,920 --> 02:47:53,440
Speaker 1: but it's too loud now people like now the press

2938
02:47:53,440 --> 02:47:59,440
Speaker 1: thing the album is new, like you know yourself was like, yo,

2939
02:47:59,800 --> 02:48:02,120
Speaker 1: it's it's a new album. It's like and it's actually

2940
02:48:02,320 --> 02:48:06,160
Speaker 1: kind of old, but it's like it got it's got

2941
02:48:06,200 --> 02:48:10,120
Speaker 1: its repetition, you know, stand power. I was even debating

2942
02:48:10,160 --> 02:48:11,760
Speaker 1: with the fact that should I tell people that we

2943
02:48:11,840 --> 02:48:13,600
Speaker 1: did it that long ago or should I just let

2944
02:48:13,680 --> 02:48:16,160
Speaker 1: them assume. But to me, it's kind of like a

2945
02:48:16,280 --> 02:48:19,400
Speaker 1: testament and how music has stay in power. I could

2946
02:48:19,520 --> 02:48:22,280
Speaker 1: go listen to certain albums and certain music, not just

2947
02:48:22,360 --> 02:48:25,200
Speaker 1: hip hop, from any genre, and it's the feeling. I

2948
02:48:25,240 --> 02:48:27,440
Speaker 1: get a feeling, and once I could, I could like

2949
02:48:27,560 --> 02:48:29,640
Speaker 1: some and I could feel something. It's two different ships.

2950
02:48:29,720 --> 02:48:31,840
Speaker 1: I I like this ship, I don't feel it. I

2951
02:48:32,000 --> 02:48:33,520
Speaker 1: like it, but I don't feel it like they ship.

2952
02:48:33,640 --> 02:48:35,880
Speaker 1: Like I said when I went to put myself in

2953
02:48:36,040 --> 02:48:38,680
Speaker 1: danger to go here t o and why that's because

2954
02:48:38,720 --> 02:48:43,480
Speaker 1: whenever that's don't come on right now. But I feel like,

2955
02:48:43,600 --> 02:48:49,200
Speaker 1: oh my god, either crop going to fucking out, I'm

2956
02:48:49,280 --> 02:48:51,800
Speaker 1: chilling or about to go do some dumb ship and

2957
02:48:51,879 --> 02:48:56,440
Speaker 1: it's just that feeling, and it's a feeling you get.

2958
02:48:56,959 --> 02:48:59,120
Speaker 1: That's that's why when you talk about mad that go

2959
02:48:59,360 --> 02:49:03,920
Speaker 1: ready to die, it's that's the power of music. Man music.

2960
02:49:04,120 --> 02:49:06,200
Speaker 2: Yeah, okay, let's think it's a toxic glove.

2961
02:49:06,680 --> 02:49:08,720
Speaker 1: That's That's one of my favorite songs on the album,

2962
02:49:08,720 --> 02:49:11,760
Speaker 1: because I think we've all been in one situations where

2963
02:49:12,280 --> 02:49:14,720
Speaker 1: the sex is keeping us around longer than we should be. There.

2964
02:49:15,200 --> 02:49:17,920
Speaker 1: I know you're married, man, so you it's probably like

2965
02:49:18,000 --> 02:49:22,320
Speaker 1: before yeah, before that, married anybody like you know what,

2966
02:49:22,640 --> 02:49:25,600
Speaker 1: you know what with a good box and like damn,

2967
02:49:26,200 --> 02:49:28,640
Speaker 1: I said, and you know she likes she might like you,

2968
02:49:28,840 --> 02:49:31,480
Speaker 1: she wants more than that, So you're gonna play the

2969
02:49:31,560 --> 02:49:33,680
Speaker 1: game just to get the box. So for that week,

2970
02:49:33,720 --> 02:49:36,160
Speaker 1: you're gonna pretend like you like this bitch, like how

2971
02:49:36,200 --> 02:49:38,280
Speaker 1: you been Shorty. She's like happy to hear from you,

2972
02:49:38,680 --> 02:49:40,680
Speaker 1: and you know you're playing and just the fuck it,

2973
02:49:41,040 --> 02:49:43,160
Speaker 1: you fuck you probably won't call again for three months.

2974
02:49:43,560 --> 02:49:46,200
Speaker 1: So I'm like, so the whole shit is like, all right,

2975
02:49:46,480 --> 02:49:49,000
Speaker 1: let's Shorty go find a good nigga bro. Don't be

2976
02:49:49,120 --> 02:49:52,680
Speaker 1: that toxic nigga bro. So it's more so about us.

2977
02:49:53,040 --> 02:49:57,240
Speaker 1: So it's the man that's toxic, all right. So one

2978
02:49:57,400 --> 02:50:02,199
Speaker 1: eighty seven point four FM DJ Titty touch let's a skit.

2979
02:50:02,720 --> 02:50:04,840
Speaker 2: Yeah, that's on my first album.

2980
02:50:04,879 --> 02:50:08,120
Speaker 1: We uh, we played off doctor dre and which is

2981
02:50:08,280 --> 02:50:11,560
Speaker 1: just I did DJ t titty touching. That's his ripe

2982
02:50:11,640 --> 02:50:15,640
Speaker 1: Easy Dick, that's his right hand man, and mom DJ

2983
02:50:15,800 --> 02:50:18,879
Speaker 1: titt like. So we just played off that to keep

2984
02:50:18,879 --> 02:50:22,400
Speaker 1: the continuity of the album with Johnson, the album with

2985
02:50:22,520 --> 02:50:25,000
Speaker 1: Buck Okay being necessities.

2986
02:50:25,520 --> 02:50:26,440
Speaker 2: I love that song too.

2987
02:50:26,680 --> 02:50:28,640
Speaker 1: It's just saying we don't need as much as we

2988
02:50:28,720 --> 02:50:30,920
Speaker 1: think we do a lot of this gluttony ship. What

2989
02:50:31,080 --> 02:50:32,640
Speaker 1: the fuck is it they gonna do with a hundred

2990
02:50:32,640 --> 02:50:35,039
Speaker 1: million dollars? Like that ship is a lot of money. Man.

2991
02:50:35,240 --> 02:50:35,640
Speaker 1: I wanted.

2992
02:50:36,160 --> 02:50:38,560
Speaker 2: I wanted to, but I probably give it, right, I probably.

2993
02:50:38,280 --> 02:50:38,760
Speaker 1: Give it away.

2994
02:50:38,840 --> 02:50:39,760
Speaker 2: I probably give it away.

2995
02:50:41,360 --> 02:50:43,360
Speaker 1: They don't need it, but I probably give it away, bro,

2996
02:50:43,760 --> 02:50:47,040
Speaker 1: because after you you don't drove every call, like you said,

2997
02:50:47,080 --> 02:50:47,560
Speaker 1: what else is it?

2998
02:50:47,800 --> 02:50:50,960
Speaker 2: You don't drove every car? I got a lot more

2999
02:50:51,080 --> 02:50:51,520
Speaker 2: work to do.

3000
02:50:57,200 --> 02:50:59,280
Speaker 1: But Gotti, you know what that car gonna do is

3001
02:50:59,280 --> 02:51:01,960
Speaker 1: gonna get you to eighty be bro, exactly the same

3002
02:51:02,240 --> 02:51:04,560
Speaker 1: that can't read up exactly. It just looked nice.

3003
02:51:04,720 --> 02:51:06,040
Speaker 7: You know what.

3004
02:51:06,120 --> 02:51:09,800
Speaker 1: I noticed? It was a guy I believe he was accounting,

3005
02:51:11,520 --> 02:51:14,080
Speaker 1: and he said he has to stop buying gifts for

3006
02:51:14,240 --> 02:51:19,640
Speaker 1: his rewards because that's deep. Like so every time you

3007
02:51:19,760 --> 02:51:22,600
Speaker 1: you you win here by something, you buy yourself again

3008
02:51:22,680 --> 02:51:25,800
Speaker 1: and again. He's like, he's like he spoiled himself so

3009
02:51:26,080 --> 02:51:29,200
Speaker 1: much that it wasn't about the work, it's about to

3010
02:51:29,240 --> 02:51:31,400
Speaker 1: get gas. And I was just like it was. I

3011
02:51:31,400 --> 02:51:33,400
Speaker 1: don't know if you ever see them horder shows where

3012
02:51:33,400 --> 02:51:36,880
Speaker 1: people just keep crazy, people become horders of money, like

3013
02:51:36,959 --> 02:51:39,200
Speaker 1: they don't have no purpose to why they have it.

3014
02:51:39,280 --> 02:51:40,280
Speaker 1: They just want a bunch of it.

3015
02:51:40,400 --> 02:51:41,880
Speaker 3: I mean, you got to think, what can what can

3016
02:51:41,959 --> 02:51:44,120
Speaker 3: you do with a billion dollars or not exactly bro

3017
02:51:44,440 --> 02:51:46,760
Speaker 3: the fun there's countries that don't even have them.

3018
02:51:47,400 --> 02:51:50,400
Speaker 1: Exactly whole country. Why do you need this kind of

3019
02:51:50,480 --> 02:51:51,040
Speaker 1: money for what?

3020
02:51:52,000 --> 02:51:53,000
Speaker 2: And then you don't do shit?

3021
02:51:53,240 --> 02:51:55,160
Speaker 1: I need a lot of them. I need to find

3022
02:51:55,200 --> 02:51:58,320
Speaker 1: out why that we needed. But what are you willing

3023
02:51:58,400 --> 02:52:02,520
Speaker 1: to do? What you will? That's the thing. What do

3024
02:52:02,600 --> 02:52:06,240
Speaker 1: you will? Are you willing to im not not even

3025
02:52:06,280 --> 02:52:07,360
Speaker 1: no crazy ship? Yeah? Yeah?

3026
02:52:07,640 --> 02:52:09,680
Speaker 2: Are you willing to say funk?

3027
02:52:09,760 --> 02:52:12,680
Speaker 1: What what's gonna hinder me from getting that even though

3028
02:52:12,680 --> 02:52:15,040
Speaker 1: it's the right thing to do, like spearing up and

3029
02:52:15,200 --> 02:52:18,000
Speaker 1: saying certain things, especially when you have a voice. So

3030
02:52:18,360 --> 02:52:21,280
Speaker 1: that's why they call these kids influencers. Now, oh he's

3031
02:52:21,320 --> 02:52:23,560
Speaker 1: an influencer. He got this many followers. You got a

3032
02:52:23,640 --> 02:52:26,560
Speaker 1: million followers, he's an influencer. Think about a rapper who

3033
02:52:27,280 --> 02:52:30,360
Speaker 1: a hundred million people love and look up to your influence,

3034
02:52:30,400 --> 02:52:34,160
Speaker 1: your influencer or steroids nigga. So whatever you tell people

3035
02:52:34,240 --> 02:52:36,800
Speaker 1: to do, they're gonna do it. Tell you something and

3036
02:52:36,840 --> 02:52:40,160
Speaker 1: I'm glad you bring that up. The other day, you know,

3037
02:52:40,360 --> 02:52:45,960
Speaker 1: you follow your algorithms, and I'm what one point one

3038
02:52:46,000 --> 02:52:51,480
Speaker 1: point something million. I saw three fucking females that never

3039
02:52:51,600 --> 02:52:56,039
Speaker 1: did the worry for they never fast the square garden

3040
02:52:56,240 --> 02:53:04,240
Speaker 1: nothing something like six million. They don't got looking at

3041
02:53:04,280 --> 02:53:09,520
Speaker 1: the clicking on this ship. That's crazy. Three don't even talk.

3042
02:53:10,000 --> 02:53:12,000
Speaker 1: That's what that matters at the end of the day.

3043
02:53:14,600 --> 02:53:19,920
Speaker 1: Really got accola, Yeah, you did a lot in these

3044
02:53:19,959 --> 02:53:21,720
Speaker 1: women to see me on the streets. She would look

3045
02:53:21,720 --> 02:53:25,800
Speaker 1: at me like I ain't ship. Yeah, like you got

3046
02:53:26,080 --> 02:53:30,880
Speaker 1: point six word, like that's real ship. Like they don't

3047
02:53:30,920 --> 02:53:34,160
Speaker 1: even look at the numbers that numbers lie, though numbers

3048
02:53:34,200 --> 02:53:37,400
Speaker 1: do lie. Dying never goes out of style, shouts and ransom.

3049
02:53:38,160 --> 02:53:39,480
Speaker 1: You know what? You know what song I was trying

3050
02:53:39,520 --> 02:53:44,600
Speaker 1: to channel when I made that song. Yeah, nobody, No, No,

3051
02:53:44,720 --> 02:53:53,119
Speaker 1: it's close number little ghetto boyto just want the original

3052
02:53:53,200 --> 02:53:55,280
Speaker 1: record what you want to do when you grow up?

3053
02:53:55,800 --> 02:53:58,199
Speaker 1: So I'm like, damn because he's talking to the kids.

3054
02:53:58,200 --> 02:54:00,840
Speaker 1: So I'm telling the young kid like, dying never goes

3055
02:54:00,879 --> 02:54:04,600
Speaker 1: out of style, Like nigga, niggas, you could die like

3056
02:54:05,320 --> 02:54:08,840
Speaker 1: that's one thing that's life and death. So if you think, Okay,

3057
02:54:09,320 --> 02:54:11,280
Speaker 1: I'm gonna be out here in these streets and I'm

3058
02:54:11,280 --> 02:54:16,280
Speaker 1: gonna end up somewhere and ultimately in life, nigga, you

3059
02:54:16,520 --> 02:54:19,119
Speaker 1: probably gonna end up in that in a box, either

3060
02:54:19,200 --> 02:54:21,520
Speaker 1: one of the either the pine box or the box

3061
02:54:21,600 --> 02:54:24,240
Speaker 1: with the gates to put the balls in front of it,

3062
02:54:24,640 --> 02:54:28,360
Speaker 1: because you set yourself up for failure and down. When

3063
02:54:28,400 --> 02:54:30,120
Speaker 1: I say dying ever goes out of style, that means

3064
02:54:30,160 --> 02:54:33,840
Speaker 1: to reap the grim reapers waiting he's collecting. You don't

3065
02:54:33,840 --> 02:54:35,200
Speaker 1: care how much money you got, I don't care what

3066
02:54:35,320 --> 02:54:38,320
Speaker 1: color you off. You play. If you play stupid games,

3067
02:54:38,360 --> 02:54:40,560
Speaker 1: you're gonna win stupid ass prizes, and that's just how

3068
02:54:40,600 --> 02:54:42,840
Speaker 1: the shit go. That's why a lot of these kids,

3069
02:54:43,120 --> 02:54:46,000
Speaker 1: one thing, were talking about rappers dying. One thing, they all,

3070
02:54:46,160 --> 02:54:48,160
Speaker 1: most of them, not all of them, but ninety five

3071
02:54:48,200 --> 02:54:50,400
Speaker 1: percent of them had in commonedy. They was all in games.

3072
02:54:50,760 --> 02:54:54,120
Speaker 1: They were all gang affiliated. See what I'm saying. When

3073
02:54:54,160 --> 02:54:56,360
Speaker 1: you sign up for that shit, you signed when you

3074
02:54:56,400 --> 02:54:58,240
Speaker 1: sign up to go to a gang. And this whole

3075
02:54:58,240 --> 02:54:59,880
Speaker 1: shit is going on with the snitch and shit, right,

3076
02:55:00,200 --> 02:55:03,440
Speaker 1: Lennoy from a time where if the nigga was a snitch, you're.

3077
02:55:03,280 --> 02:55:05,600
Speaker 2: Supposed to handle that. You're supposed to handle bitness. He

3078
02:55:05,600 --> 02:55:07,600
Speaker 2: didn't even just talk about it, Yo, this nigga.

3079
02:55:07,440 --> 02:55:11,080
Speaker 1: Told and let him walk by. Snitches get stitches. You're

3080
02:55:11,120 --> 02:55:13,320
Speaker 1: supposed to get with. You're supposed to be willing to risk.

3081
02:55:13,400 --> 02:55:15,920
Speaker 1: If we're really playing my street rules, you're supposed to

3082
02:55:15,920 --> 02:55:18,120
Speaker 1: be willing to risk your freedom to do something to

3083
02:55:18,240 --> 02:55:20,360
Speaker 1: that guy because he's a snitch living that life. If

3084
02:55:20,400 --> 02:55:22,280
Speaker 1: you live in that life, so don't you can't be

3085
02:55:22,400 --> 02:55:24,480
Speaker 1: halfway with it. A nigga like he told and just

3086
02:55:24,560 --> 02:55:26,840
Speaker 1: let him walk by? What do you don't know about

3087
02:55:26,920 --> 02:55:31,160
Speaker 1: j ship? Like when it's like yo. He came in

3088
02:55:31,240 --> 02:55:36,520
Speaker 1: the room and it's like yo, he with you like yo. Sorry,

3089
02:55:37,480 --> 02:55:43,240
Speaker 1: that was the funniest. That was the funniest. Yeah said yo.

3090
02:55:44,160 --> 02:55:56,560
Speaker 1: Nigga recoiled like that in the world that back.

3091
02:55:57,800 --> 02:55:58,000
Speaker 3: You know.

3092
02:55:58,760 --> 02:56:02,480
Speaker 1: Let's talk about the artificial love. Yeah, that's just a skit,

3093
02:56:02,560 --> 02:56:04,959
Speaker 1: another skit and the right. I called it artificial love

3094
02:56:05,000 --> 02:56:08,760
Speaker 1: because I used AI Hey. Yeah, yeah, yeah I did.

3095
02:56:08,879 --> 02:56:11,640
Speaker 1: I used it AI skited to talk about what I

3096
02:56:12,360 --> 02:56:14,440
Speaker 1: typed it them. But I use the AI voice because

3097
02:56:14,440 --> 02:56:17,080
Speaker 1: the artificial is fake. I'm saying, all this love that

3098
02:56:17,280 --> 02:56:19,600
Speaker 1: niggas is that that should be there. It's a lot

3099
02:56:19,640 --> 02:56:21,680
Speaker 1: of fake. Like even with us in this industry, niggas

3100
02:56:21,680 --> 02:56:24,440
Speaker 1: smile on your face, they'll hug you to that. Niggas

3101
02:56:24,440 --> 02:56:26,520
Speaker 1: show you his back teeth and then you call the

3102
02:56:26,600 --> 02:56:28,840
Speaker 1: nigga nigga. One thing about it. You know, I hit

3103
02:56:28,920 --> 02:56:32,000
Speaker 1: you know real, be a real one. You know, even

3104
02:56:32,080 --> 02:56:35,160
Speaker 1: even I don't like to reply hit me back some

3105
02:56:35,280 --> 02:56:37,080
Speaker 1: of the I got you, I tell you I got

3106
02:56:37,120 --> 02:56:39,480
Speaker 1: you something. But it's always going always gonna hit you back.

3107
02:56:39,480 --> 02:56:41,680
Speaker 1: You always gonna let you know. I'm tapped in and

3108
02:56:41,760 --> 02:56:45,000
Speaker 1: I'm sigying, I'm sighing like fucking hold one of the niggas,

3109
02:56:45,080 --> 02:56:47,840
Speaker 1: but he could easily curb me, like fun this niggas.

3110
02:56:48,080 --> 02:56:51,040
Speaker 1: But that's that's the real Real niggas do real things,

3111
02:56:51,080 --> 02:56:53,360
Speaker 1: and that's one of the dealership be Ever said. That's

3112
02:56:53,400 --> 02:56:55,000
Speaker 1: why I wish he would have had more time on

3113
02:56:55,120 --> 02:56:55,480
Speaker 1: this earth.

3114
02:56:56,600 --> 02:56:59,080
Speaker 2: Real niggas do real things. That's I used to love

3115
02:56:59,120 --> 02:56:59,320
Speaker 2: with you.

3116
02:56:59,480 --> 02:57:01,680
Speaker 1: Real niggas do real thing and not to use it

3117
02:57:01,760 --> 02:57:03,880
Speaker 1: in but real people do real shit, you know what

3118
02:57:03,879 --> 02:57:06,920
Speaker 1: I'm saying. So is there any love in the world

3119
02:57:07,360 --> 02:57:09,280
Speaker 1: shout out to my boy my song like I had

3120
02:57:09,320 --> 02:57:10,760
Speaker 1: to go to man, I just don't have to take

3121
02:57:10,800 --> 02:57:14,120
Speaker 1: it to my song on some real black black man shit.

3122
02:57:14,520 --> 02:57:15,880
Speaker 1: You know what I'm saying. This is a real It's

3123
02:57:15,879 --> 02:57:17,520
Speaker 1: that's why I called Paint the World Black. I just

3124
02:57:17,600 --> 02:57:20,080
Speaker 1: care about my people. I care about everybody. But I

3125
02:57:20,160 --> 02:57:22,920
Speaker 1: think we need the most help because we haven't figured

3126
02:57:22,920 --> 02:57:24,920
Speaker 1: it out yet. And all we've been through is the

3127
02:57:25,000 --> 02:57:27,480
Speaker 1: people and we're still here. Yeah, we got we got

3128
02:57:27,520 --> 02:57:31,240
Speaker 1: everything we need to be like like Asians, like Jews,

3129
02:57:31,360 --> 02:57:33,160
Speaker 1: like build our own communities, and we.

3130
02:57:33,240 --> 02:57:34,080
Speaker 2: Still got ghettos.

3131
02:57:34,120 --> 02:57:36,959
Speaker 1: Bro in twenty twenty five that she doesn't make sense,

3132
02:57:37,240 --> 02:57:39,880
Speaker 1: but has to have all these resources and we still

3133
02:57:39,920 --> 02:57:42,480
Speaker 1: got ghettos, like we still I was, I was doing

3134
02:57:42,560 --> 02:57:45,440
Speaker 1: some shit. This was just like twenty twenty two. So

3135
02:57:45,560 --> 02:57:47,400
Speaker 1: I was doing some shit with my man Larry Meistrich

3136
02:57:47,480 --> 02:57:49,600
Speaker 1: to do to produce belly and all that shit. So

3137
02:57:49,720 --> 02:57:51,840
Speaker 1: he's a football coach as well, so he's like, Sanga

3138
02:57:51,879 --> 02:57:53,879
Speaker 1: and the kids love you. I want you to come

3139
02:57:54,120 --> 02:57:56,320
Speaker 1: with me and new work to come coach these kids

3140
02:57:56,920 --> 02:57:59,840
Speaker 1: in football. You know I like football and shit. So

3141
02:58:00,120 --> 02:58:02,440
Speaker 1: these we go on here coaching these kids. First of all,

3142
02:58:02,520 --> 02:58:04,520
Speaker 1: they walk past gang members every day. We got to

3143
02:58:04,560 --> 02:58:07,800
Speaker 1: stop gang members from fucking trying to recruit these niggas

3144
02:58:07,959 --> 02:58:10,160
Speaker 1: like Sun pick up a flag, you know what I'm saying.

3145
02:58:10,640 --> 02:58:13,039
Speaker 1: So that's one thing. He's white, so he's he needs

3146
02:58:13,120 --> 02:58:15,560
Speaker 1: me to be the blackface to be like yo, because

3147
02:58:15,600 --> 02:58:17,200
Speaker 1: I could talk to Son and like, let the nigga

3148
02:58:17,240 --> 02:58:18,920
Speaker 1: come to practice, bro, like stop trying to make the

3149
02:58:19,000 --> 02:58:20,879
Speaker 1: nigga gang bang, and it'd be some of the bro

3150
02:58:21,080 --> 02:58:23,200
Speaker 1: big brothers and all that ship to the point where

3151
02:58:23,360 --> 02:58:24,360
Speaker 1: Newark is a tough town.

3152
02:58:25,120 --> 02:58:26,360
Speaker 2: You like, you got to get it on with some

3153
02:58:26,440 --> 02:58:26,960
Speaker 2: of these niggas.

3154
02:58:27,000 --> 02:58:29,200
Speaker 1: I'm like, yo, fam, we just trying to do right now,

3155
02:58:29,520 --> 02:58:32,800
Speaker 1: and I find myself in these situations, so what fuck

3156
02:58:32,879 --> 02:58:33,120
Speaker 1: me up?

3157
02:58:33,200 --> 02:58:34,160
Speaker 2: It's like, this is Newark.

3158
02:58:34,280 --> 02:58:36,520
Speaker 1: Like shacks from Newark, clean up teams from Newark, not

3159
02:58:36,640 --> 02:58:40,240
Speaker 1: the not the like put the light on them. But

3160
02:58:40,480 --> 02:58:44,120
Speaker 1: the school had to forfeit games because they couldn't afford

3161
02:58:44,200 --> 02:58:48,280
Speaker 1: the proper equipment to play against other schools that had up,

3162
02:58:48,840 --> 02:58:52,040
Speaker 1: so they had to do coporate gamesrate corporate gangs. So

3163
02:58:52,120 --> 02:58:56,640
Speaker 1: they had to forfeit their gag yeah, because the equipment

3164
02:58:56,800 --> 02:58:59,120
Speaker 1: wasn't up to pall. So I'm like all of oh,

3165
02:58:59,200 --> 02:59:01,560
Speaker 1: they had to cut the boy cut the I'm like, nah,

3166
02:59:01,640 --> 02:59:03,960
Speaker 1: we don't need the we got we come together, we

3167
02:59:04,080 --> 02:59:07,640
Speaker 1: got this. We can't afford fucking football uniforms for these

3168
02:59:07,680 --> 02:59:11,560
Speaker 1: kids in twenty twenty three, twenty and in the schools

3169
02:59:11,600 --> 02:59:13,080
Speaker 1: that they want to play, they want to play. These

3170
02:59:13,160 --> 02:59:14,600
Speaker 1: kids want to get out the street, they want to

3171
02:59:14,600 --> 02:59:16,840
Speaker 1: play football, but they got they can't even play. So

3172
02:59:17,160 --> 02:59:19,199
Speaker 1: that's a deterrent that's gonna make you be like, fuck

3173
02:59:19,240 --> 02:59:21,760
Speaker 1: the what's the point of me playing? We can't even play.

3174
02:59:22,200 --> 02:59:23,960
Speaker 1: I'm nice and I can't even play because we can't

3175
02:59:23,959 --> 02:59:26,640
Speaker 1: afford helmets. Fucking I'm gonna go join the cripts like

3176
02:59:26,720 --> 02:59:29,160
Speaker 1: the ship is bugged out and we don't we don't

3177
02:59:29,200 --> 02:59:31,800
Speaker 1: speak up enough as the people as a as a

3178
02:59:32,240 --> 02:59:34,960
Speaker 1: I hate, just hate that word community because we ain't

3179
02:59:34,959 --> 02:59:39,600
Speaker 1: got no unity. You can't say community without unity. So

3180
02:59:39,760 --> 02:59:41,800
Speaker 1: you have unity, you don't have a community. That's just it.

3181
02:59:43,000 --> 02:59:45,800
Speaker 1: The the Games got a WBGT, they got a community.

3182
02:59:46,040 --> 02:59:48,080
Speaker 1: Fuck with them if you want to. The Jews got

3183
02:59:48,160 --> 02:59:51,440
Speaker 1: a community. If everybody got a community, we call our

3184
02:59:51,480 --> 02:59:54,119
Speaker 1: shit the hip hop community, the black community. We got neighborhoods.

3185
02:59:54,160 --> 02:59:56,080
Speaker 1: We don't got communities. That's why we say the hood.

3186
02:59:56,080 --> 02:59:58,360
Speaker 1: I'm from the hood. We don't say I'm from the community,

3187
02:59:58,440 --> 03:00:01,200
Speaker 1: because nigga, you don't you beef. You shoot across street,

3188
03:00:03,840 --> 03:00:07,400
Speaker 1: you live across street from you. How is that a community?

3189
03:00:08,120 --> 03:00:11,080
Speaker 1: Would you ever do reality TV again? No? Never, never,

3190
03:00:11,480 --> 03:00:14,160
Speaker 1: unless unless I can control the edit and tell what

3191
03:00:14,280 --> 03:00:16,119
Speaker 1: I need and tell the story I want to tell.

3192
03:00:16,640 --> 03:00:19,840
Speaker 1: I would never do that again because the edit we

3193
03:00:20,000 --> 03:00:22,440
Speaker 1: have a different bottom line, there's a different like subject.

3194
03:00:22,720 --> 03:00:25,080
Speaker 1: If it's like you speaking to the youth, I still

3195
03:00:25,120 --> 03:00:28,480
Speaker 1: got to see the editcause because they if their goal

3196
03:00:28,640 --> 03:00:32,000
Speaker 1: is going to be to give viewers, they're gonna use drama.

3197
03:00:32,160 --> 03:00:34,640
Speaker 1: Somehow they're gonna make something dramatic. So what made what

3198
03:00:34,720 --> 03:00:38,040
Speaker 1: made you start thinking like that? My experience? Yeah, Love

3199
03:00:38,080 --> 03:00:38,520
Speaker 1: and hip Hop?

3200
03:00:38,640 --> 03:00:44,400
Speaker 2: Because you know my baby moms relax. I'm sorry, cool

3201
03:00:44,440 --> 03:00:48,560
Speaker 2: right now? Yeah, So what what makes you think like that?

3202
03:00:49,400 --> 03:00:55,800
Speaker 1: I love this thigg though, you gotta relate. What made

3203
03:00:55,800 --> 03:00:59,680
Speaker 1: you think like that? What experienced in Love and Hip Hop?

3204
03:00:59,800 --> 03:01:02,120
Speaker 1: Like it was the edit? Because everything that they were

3205
03:01:02,200 --> 03:01:04,640
Speaker 1: doing didn't actually happen, you know what I'm saying.

3206
03:01:04,720 --> 03:01:07,119
Speaker 2: I'm like, oh yeah, I mean it was happened to Jenda.

3207
03:01:07,120 --> 03:01:09,200
Speaker 1: Give me. Let me give you an example, like on

3208
03:01:09,320 --> 03:01:13,120
Speaker 1: a reunion show. Right, there was a time where me

3209
03:01:13,200 --> 03:01:15,880
Speaker 1: and hers trump We're both telling our side of the story,

3210
03:01:16,879 --> 03:01:19,400
Speaker 1: and every time I would try to talk, she would

3211
03:01:19,440 --> 03:01:22,560
Speaker 1: cut me off, yo, because she ain't want no dirt

3212
03:01:22,640 --> 03:01:25,040
Speaker 1: on her name. So I'd be like, I don't hardly

3213
03:01:25,120 --> 03:01:26,840
Speaker 1: know this girl. Me and this girl never been We

3214
03:01:26,959 --> 03:01:28,480
Speaker 1: have a kid, but we never even we went to

3215
03:01:28,560 --> 03:01:32,400
Speaker 1: dinner one time. I'm like, let me tell us. Every

3216
03:01:32,440 --> 03:01:34,720
Speaker 1: time I try to tell a story, she'll cut me off.

3217
03:01:34,800 --> 03:01:35,360
Speaker 2: She cut me off.

3218
03:01:35,400 --> 03:01:37,600
Speaker 1: She cut me off, She cut me off, right, So

3219
03:01:37,879 --> 03:01:40,960
Speaker 1: I'm like, cool, you keep cutting me off. I'm gonna

3220
03:01:41,040 --> 03:01:43,920
Speaker 1: let you talk because you you must got more to say.

3221
03:01:44,280 --> 03:01:47,200
Speaker 1: I'm not going to interrupt you. One time. I let

3222
03:01:47,280 --> 03:01:49,560
Speaker 1: her speak. She sits there and tells her side of

3223
03:01:49,640 --> 03:01:50,160
Speaker 1: our story.

3224
03:01:50,840 --> 03:01:52,560
Speaker 2: I sit here and let her get all of it out.

3225
03:01:52,840 --> 03:01:53,960
Speaker 2: So I said, can I talk now?

3226
03:01:54,120 --> 03:01:57,000
Speaker 1: It's the reunion show. Can I speak now? She's like,

3227
03:01:57,080 --> 03:01:59,240
Speaker 1: all I gots When I go to speak and tell

3228
03:01:59,280 --> 03:02:02,200
Speaker 1: my side of the story, Erica, what about she cut

3229
03:02:02,240 --> 03:02:04,800
Speaker 1: me a cook? So then I go, I get frustrated,

3230
03:02:04,879 --> 03:02:07,240
Speaker 1: so I'm like, shut the funk, shut up, shut up,

3231
03:02:07,320 --> 03:02:07,840
Speaker 1: let me talk.

3232
03:02:08,280 --> 03:02:09,920
Speaker 2: When they aired it, that's.

3233
03:02:11,320 --> 03:02:13,000
Speaker 1: Trying to say one word, and I was like, shut

3234
03:02:13,080 --> 03:02:15,760
Speaker 1: the funk off. I was like, Yo, that's not when

3235
03:02:15,760 --> 03:02:23,360
Speaker 1: I fucking happened, you know. I'm like, that's some likes

3236
03:02:23,400 --> 03:02:26,199
Speaker 1: a piece of ship. I'm like, yo, this just showed

3237
03:02:26,280 --> 03:02:28,160
Speaker 1: me trying to be like yo, can I get a

3238
03:02:28,200 --> 03:02:31,120
Speaker 1: word in? Like that what happened? So when they aired it,

3239
03:02:31,600 --> 03:02:33,440
Speaker 1: she went to talk and she was like a damnsel

3240
03:02:33,480 --> 03:02:35,880
Speaker 1: and distress, like you know, when I be trying to

3241
03:02:35,920 --> 03:02:40,520
Speaker 1: talk to shut the funk off, I look like going Stirling.

3242
03:02:41,000 --> 03:02:45,640
Speaker 1: I'm like, oh hell no, I said I that was

3243
03:02:45,720 --> 03:02:47,320
Speaker 1: just a re Union show. Did you feel that they

3244
03:02:47,400 --> 03:02:50,000
Speaker 1: violated you on an actual show? Did they? Did they do?

3245
03:02:50,400 --> 03:02:50,680
Speaker 1: You know what?

3246
03:02:51,720 --> 03:02:53,600
Speaker 2: Yeah, because what happened was.

3247
03:02:56,360 --> 03:02:59,119
Speaker 1: They was fucking me at first, but once they seen

3248
03:02:59,200 --> 03:03:01,560
Speaker 1: that me and her, they were That's why Stevie J.

3249
03:03:01,800 --> 03:03:03,640
Speaker 1: Was smart. He started saying, fuck it, I'm gonna play

3250
03:03:03,680 --> 03:03:06,280
Speaker 1: the game. I'm gonna start making silly little faces and

3251
03:03:06,600 --> 03:03:09,040
Speaker 1: I'm gonna be a womanizer. And niggas is womanizer. A

3252
03:03:09,080 --> 03:03:12,040
Speaker 1: lot of niggas womanizers and they know that. But when

3253
03:03:12,080 --> 03:03:15,199
Speaker 1: you put a womanizer on the show with a demographics

3254
03:03:15,280 --> 03:03:18,199
Speaker 1: ninety seven percent women and watch that ship, we didn't

3255
03:03:18,240 --> 03:03:20,119
Speaker 1: go home and run home and watch Loving hip hop.

3256
03:03:20,200 --> 03:03:23,400
Speaker 1: It was girls females, So they like, oh, we could

3257
03:03:23,440 --> 03:03:26,480
Speaker 1: make niggas look any kind of way, and you know

3258
03:03:26,680 --> 03:03:27,520
Speaker 1: that's what they were doing.

3259
03:03:27,680 --> 03:03:29,080
Speaker 2: Like, fuck, it is the opportunity.

3260
03:03:29,080 --> 03:03:31,520
Speaker 1: It's gonna get us ratings, it's gonna make him look

3261
03:03:31,600 --> 03:03:34,240
Speaker 1: like ship, it's gonna make the girl look good. Let's

3262
03:03:34,240 --> 03:03:39,240
Speaker 1: do it. Yeah a formula. I love loving him, but

3263
03:03:39,400 --> 03:03:43,320
Speaker 1: I know I love watching it still. Yeah, I haven't

3264
03:03:43,360 --> 03:03:46,200
Speaker 1: been watching the news. Yeah, they got like loving hip hop.

3265
03:03:46,280 --> 03:03:49,280
Speaker 1: Ohio over there like all kind of shit. I want

3266
03:03:49,320 --> 03:03:52,039
Speaker 1: to go to Loving Hip Hop Nebraska. Yeah, they got

3267
03:03:52,080 --> 03:03:56,160
Speaker 1: that ship. Probably Mona don't even own it. She never

3268
03:03:56,200 --> 03:03:56,480
Speaker 1: owned it.

3269
03:03:56,520 --> 03:03:57,240
Speaker 2: That's the crazy show.

3270
03:03:59,680 --> 03:04:01,959
Speaker 1: I was physically there, but I've seen it do online.

3271
03:04:02,440 --> 03:04:04,879
Speaker 1: She's working with Buster again and I seen I've seen

3272
03:04:04,959 --> 03:04:07,280
Speaker 1: them both looking so happy together. I was like, you

3273
03:04:07,360 --> 03:04:09,920
Speaker 1: know what I mean, it's almost like Chris like he

3274
03:04:10,040 --> 03:04:11,960
Speaker 1: was looking down. Remember I was on Violate. I hate

3275
03:04:11,959 --> 03:04:14,760
Speaker 1: it being on Violet because your niggas and again ship

3276
03:04:14,879 --> 03:04:18,360
Speaker 1: the niggas. I'm being violent, you know. I hated it

3277
03:04:18,560 --> 03:04:20,960
Speaker 1: because you know Mona's officers over there, Chris had the

3278
03:04:21,000 --> 03:04:25,119
Speaker 1: big ship niggas like me. They was giving me dude,

3279
03:04:25,160 --> 03:04:25,840
Speaker 1: do love.

3280
03:04:30,480 --> 03:04:30,840
Speaker 3: My brother?

3281
03:04:31,040 --> 03:04:33,080
Speaker 1: Yeah, they were putting the niggas on. I'm like, I

3282
03:04:33,120 --> 03:04:35,960
Speaker 1: can't talk to Chris today. Christ is busy with buss

3283
03:04:36,280 --> 03:04:40,200
Speaker 1: with you know what I'm saying. So I'm like, bro,

3284
03:04:40,480 --> 03:04:42,840
Speaker 1: like what do I get sit down with? At least

3285
03:04:42,879 --> 03:04:47,280
Speaker 1: talk to Mona now, Mona. Mona's busy with this something

3286
03:04:47,440 --> 03:04:48,800
Speaker 1: like do love again?

3287
03:04:49,280 --> 03:04:54,199
Speaker 2: You got to talk to that Joseph. There was Lord

3288
03:04:54,360 --> 03:04:55,600
Speaker 2: Dublin Lad.

3289
03:04:56,040 --> 03:04:57,280
Speaker 1: I like them. They was trying to help me.

3290
03:04:57,320 --> 03:04:58,760
Speaker 2: They was like, Yo, don't worry, keep.

3291
03:04:58,640 --> 03:05:04,120
Speaker 1: Going, don't put me on your you was on violence.

3292
03:05:05,120 --> 03:05:06,960
Speaker 1: I was happy with that. I got that V I

3293
03:05:07,080 --> 03:05:10,520
Speaker 1: was like violators baby Chris, I was, oh man, it

3294
03:05:10,640 --> 03:05:15,360
Speaker 1: depends like who like your fraction, and it's like and

3295
03:05:15,520 --> 03:05:19,320
Speaker 1: who you with like as a producer, like coming down

3296
03:05:19,360 --> 03:05:21,680
Speaker 1: and coming down the Violator. She'd be like, Yo, you

3297
03:05:21,760 --> 03:05:25,480
Speaker 1: know what, Yo, just come here. It's like, don't don't

3298
03:05:25,480 --> 03:05:29,000
Speaker 1: take it nowhere else the small fish and big That

3299
03:05:29,120 --> 03:05:31,280
Speaker 1: happened to me before Violator. I'm gonna tell you when

3300
03:05:31,280 --> 03:05:33,240
Speaker 1: I was doing Entourage, you ever heard of the firm

3301
03:05:33,720 --> 03:05:37,440
Speaker 1: as a management company in LA. They only do holly,

3302
03:05:37,520 --> 03:05:41,640
Speaker 1: They only do so top of the line actors and

3303
03:05:41,800 --> 03:05:45,160
Speaker 1: a listeners. So because I was on Entourage, these motherfuckers

3304
03:05:45,200 --> 03:05:47,800
Speaker 1: came and signed me. So I'm like, damn signed to

3305
03:05:47,879 --> 03:05:50,480
Speaker 1: the firm, this big ass. So I'm like what other hip?

3306
03:05:50,879 --> 03:05:52,560
Speaker 1: I noticed these niggas ain't know what they were doing.

3307
03:05:52,640 --> 03:05:55,920
Speaker 1: So there was like we got two other rappers. I'm like,

3308
03:05:56,000 --> 03:05:59,560
Speaker 1: who are like Snoop Dogg and Ice Cube. I spied

3309
03:05:59,560 --> 03:06:03,400
Speaker 1: the fun so you don't got I can managed Snoop

3310
03:06:03,440 --> 03:06:05,640
Speaker 1: dog Bigga. I can pick up anybody and be like yo,

3311
03:06:05,680 --> 03:06:10,320
Speaker 1: I got Snoop Dogg. Yeah, I'm like so that's what

3312
03:06:10,600 --> 03:06:13,280
Speaker 1: that's the reason why y'all niggas ain't picking up my

3313
03:06:13,440 --> 03:06:17,880
Speaker 1: call like we'll. Snoop ice Cube and Sigone were the

3314
03:06:18,000 --> 03:06:20,240
Speaker 1: only three urban acts in this whole company.

3315
03:06:20,800 --> 03:06:21,960
Speaker 2: And I told her, I said, I gotta get the

3316
03:06:22,040 --> 03:06:22,360
Speaker 2: fuck out.

3317
03:06:22,400 --> 03:06:22,920
Speaker 1: I need one of.

3318
03:06:22,920 --> 03:06:24,280
Speaker 2: Niggas gonna pound the payment with me.

3319
03:06:24,400 --> 03:06:26,920
Speaker 1: I'm like, I'm an underground They only cared about anthor

3320
03:06:26,959 --> 03:06:28,600
Speaker 1: IgE like this might fuck it might be a big

3321
03:06:28,720 --> 03:06:29,440
Speaker 1: actor one day.

3322
03:06:30,040 --> 03:06:31,880
Speaker 2: I'm like, nah, I'm an underground rapper.

3323
03:06:32,000 --> 03:06:34,480
Speaker 1: Bro, Like I still want to rap, Like this ship

3324
03:06:34,560 --> 03:06:36,400
Speaker 1: this is cool, but I want to rap so and

3325
03:06:36,480 --> 03:06:39,560
Speaker 1: then I went from there to Violator and then there was.

3326
03:06:39,560 --> 03:06:42,320
Speaker 2: Another little fish in the big pond. So I'm like

3327
03:06:42,400 --> 03:06:43,240
Speaker 2: this all over.

3328
03:06:43,160 --> 03:06:45,480
Speaker 1: Again because I went from Snoop Dogg and to these

3329
03:06:45,520 --> 03:06:49,600
Speaker 1: niggas like Jory and Caple and I'm like, shit, different

3330
03:06:49,640 --> 03:06:53,480
Speaker 1: same thing, same shit, no intention. But I was just

3331
03:06:53,520 --> 03:06:56,000
Speaker 1: happy to be around that energy though, and say I

3332
03:06:56,120 --> 03:06:57,360
Speaker 1: was a part of this history. I have to be

3333
03:06:57,400 --> 03:06:59,560
Speaker 1: a part of violetor yeah, it was part of the history, bro,

3334
03:07:00,160 --> 03:07:02,640
Speaker 1: even working with like I got a jay Z verse, bro,

3335
03:07:02,800 --> 03:07:04,760
Speaker 1: like I'm about to act. When was the first time

3336
03:07:04,879 --> 03:07:08,320
Speaker 1: jay Z took your beat. Oh ship, he took mad beats.

3337
03:07:09,280 --> 03:07:11,400
Speaker 1: Who was the first one, first one I think was

3338
03:07:11,640 --> 03:07:14,560
Speaker 1: king my kingdom come. It was probably show me what

3339
03:07:14,680 --> 03:07:17,920
Speaker 1: you got, Show me what you got now you get

3340
03:07:17,920 --> 03:07:21,320
Speaker 1: that up. That wasn't you. I know it was mad.

3341
03:07:21,920 --> 03:07:24,640
Speaker 1: You know what, it wasn't totally act like you was mad.

3342
03:07:25,360 --> 03:07:28,400
Speaker 1: It wasn't a man supposed to act like I was

3343
03:07:28,440 --> 03:07:31,520
Speaker 1: going mad at Joss. You had verses that already. No, no,

3344
03:07:32,120 --> 03:07:36,720
Speaker 1: I wasn't in style that it wouldn't even kingdom content

3345
03:07:36,840 --> 03:07:42,080
Speaker 1: were because I couldn't figure it out. I was trying.

3346
03:07:42,640 --> 03:07:46,080
Speaker 1: This is when I wanted that Nigga just kept to me.

3347
03:07:46,200 --> 03:07:47,880
Speaker 1: That's like one of my least I don't even think

3348
03:07:48,000 --> 03:07:52,960
Speaker 1: jaybody it like that. Get I could get rid of

3349
03:07:53,000 --> 03:07:55,879
Speaker 1: that j that wasn't in this kingdom coming.

3350
03:07:55,920 --> 03:07:57,199
Speaker 2: And then come on baby.

3351
03:07:57,600 --> 03:08:00,040
Speaker 1: And the one so the last one he took, he

3352
03:08:00,120 --> 03:08:01,640
Speaker 1: put a verse on it and then he then he

3353
03:08:01,760 --> 03:08:03,480
Speaker 1: was like, yo, I'm about to take some other shits.

3354
03:08:03,480 --> 03:08:06,520
Speaker 1: I was my son, but he was like, nah, I'm

3355
03:08:06,800 --> 03:08:09,920
Speaker 1: keep that verse. You can keep that half a verse

3356
03:08:09,959 --> 03:08:12,080
Speaker 1: something on the other ship. Because if you listen to

3357
03:08:12,160 --> 03:08:13,760
Speaker 1: the song, you don't even finish. They can tell that

3358
03:08:13,840 --> 03:08:20,480
Speaker 1: the nigga didn't. That's how valuable the vocal nigga voice

3359
03:08:20,600 --> 03:08:23,920
Speaker 1: was enough. You can take this. I got people. Yeah,

3360
03:08:25,120 --> 03:08:26,959
Speaker 1: now he killed it, but he used You could tell

3361
03:08:27,040 --> 03:08:30,120
Speaker 1: he didn't go in there. He ain't. Fifteen nigga gave

3362
03:08:30,160 --> 03:08:35,360
Speaker 1: me fourteen and a half fall. A lot of people

3363
03:08:35,440 --> 03:08:38,560
Speaker 1: can't say they got ah. Yeah, And I still play

3364
03:08:38,640 --> 03:08:40,120
Speaker 1: that ship to people today, like you never heard this

3365
03:08:40,240 --> 03:08:43,240
Speaker 1: ja verse, like you're right, I never heard it. I'm like,

3366
03:08:43,360 --> 03:08:45,440
Speaker 1: damn nigga niggas didn't me do? And you know what's funny.

3367
03:08:45,480 --> 03:08:47,400
Speaker 1: I want to say shout to e bro Bo because

3368
03:08:48,160 --> 03:08:50,080
Speaker 1: I realized last time I was on here, it.

3369
03:08:50,120 --> 03:08:53,080
Speaker 2: Was very hard on you, bro, and I was hated

3370
03:08:53,120 --> 03:08:56,800
Speaker 2: him to tell yeah fuck remember oh yeah, okay, okay, okay.

3371
03:08:57,000 --> 03:08:59,440
Speaker 1: And I think that's just me and my feelings because

3372
03:08:59,480 --> 03:09:02,760
Speaker 1: at the time we were friends and I felt like

3373
03:09:02,959 --> 03:09:06,240
Speaker 1: you're ebro. I felt like I thought we were more

3374
03:09:06,280 --> 03:09:08,200
Speaker 1: friends than I guess, like the industry ship than we

3375
03:09:08,320 --> 03:09:10,800
Speaker 1: were because when he banned me from how eety seven,

3376
03:09:10,920 --> 03:09:14,960
Speaker 1: like you're familiar, Yeah what you get banned for? Probably

3377
03:09:15,760 --> 03:09:21,039
Speaker 1: oh okay because that happened, yeah yeah Monday, not like that, Okay,

3378
03:09:21,160 --> 03:09:23,240
Speaker 1: So but they bade me for a whole Yeah, I'm like,

3379
03:09:23,320 --> 03:09:25,720
Speaker 1: nobody got hurt, nobody got shot. And I just think

3380
03:09:25,800 --> 03:09:28,840
Speaker 1: I carried this animosity for so long because I thought

3381
03:09:28,879 --> 03:09:32,760
Speaker 1: we were friends. But on drink Champs today, e Bro,

3382
03:09:34,000 --> 03:09:35,760
Speaker 1: thank you for everything you did do for me, and

3383
03:09:35,920 --> 03:09:39,160
Speaker 1: thank you for being when you all cool, you was cool,

3384
03:09:39,760 --> 03:09:45,360
Speaker 1: and you know what I'm saying, that's right. Probably I

3385
03:09:45,360 --> 03:09:48,640
Speaker 1: spoke to Ebro this morning that So, Buck, is there

3386
03:09:48,680 --> 03:09:50,200
Speaker 1: anything you want to say before we get up out

3387
03:09:50,240 --> 03:09:59,000
Speaker 1: of here? See your fans please, man, No, okay, just

3388
03:09:59,360 --> 03:10:02,560
Speaker 1: digging in the prace man, talk that ship to get

3389
03:10:02,600 --> 03:10:05,960
Speaker 1: the album. Please get the album. Man. It's like, Yo,

3390
03:10:06,600 --> 03:10:09,520
Speaker 1: you're gonna be surprised, man, like you'll before you'll be full,

3391
03:10:09,520 --> 03:10:12,480
Speaker 1: you know what I'm saying. And I got more to come.

3392
03:10:14,000 --> 03:10:18,480
Speaker 1: And Buck did as last album. A lot of people

3393
03:10:18,560 --> 03:10:19,440
Speaker 1: slept on the album.

3394
03:10:20,000 --> 03:10:20,440
Speaker 2: Last album.

3395
03:10:20,480 --> 03:10:23,440
Speaker 1: He produced the whole thing, and that's some of the

3396
03:10:23,520 --> 03:10:26,040
Speaker 1: ass best work to me, What what what label that

3397
03:10:26,120 --> 03:10:26,560
Speaker 1: came on? On?

3398
03:10:27,320 --> 03:10:33,640
Speaker 12: It was independent Hood Records Records, but it was it

3399
03:10:33,760 --> 03:10:37,480
Speaker 12: was indeed, so said the Hood Records not knowing how

3400
03:10:37,560 --> 03:10:38,119
Speaker 12: to promote.

3401
03:10:38,240 --> 03:10:40,120
Speaker 1: And it's like I'll be like, yo, you know what

3402
03:10:40,920 --> 03:10:43,280
Speaker 1: you got to promote market it. This time, it's like

3403
03:10:43,600 --> 03:10:48,640
Speaker 1: we got to do another project. It's singles, first single,

3404
03:10:48,760 --> 03:10:52,040
Speaker 1: second single, it's Street Records, and it's like this is

3405
03:10:52,200 --> 03:10:54,760
Speaker 1: this will be more structured. You know. What I'm saying

3406
03:10:54,920 --> 03:10:57,400
Speaker 1: is the right way. So if you want to get

3407
03:10:58,680 --> 03:11:01,360
Speaker 1: if you want to get people's attend you have to

3408
03:11:02,000 --> 03:11:06,120
Speaker 1: get get the attention the right way, all right, yea?

3409
03:11:06,200 --> 03:11:08,840
Speaker 1: Make it another one you saying you hey, yeah, oh wow,

3410
03:11:09,360 --> 03:11:13,720
Speaker 1: you know that. Okay, that's why you ain't sending me

3411
03:11:13,800 --> 03:11:16,000
Speaker 1: no beats now. I know I ain't been getting on

3412
03:11:16,120 --> 03:11:21,600
Speaker 1: no beats, like about fucking five hundred samples, like what

3413
03:11:21,959 --> 03:11:22,560
Speaker 1: about to kill?

3414
03:11:23,120 --> 03:11:25,280
Speaker 3: Yeah, he's crazy and I want to thank you. You

3415
03:11:25,400 --> 03:11:27,360
Speaker 3: did a joint on my album another time. Oh no,

3416
03:11:27,520 --> 03:11:32,520
Speaker 3: you got so see your old Rex's my favorite joint

3417
03:11:32,520 --> 03:11:32,920
Speaker 3: on the album.

3418
03:11:32,959 --> 03:11:35,720
Speaker 1: You still put down new projects. I mean I'm working

3419
03:11:35,760 --> 03:11:38,960
Speaker 1: on some stuff. Yeah, don't stop. You like you one

3420
03:11:39,000 --> 03:11:41,959
Speaker 1: of them voice bro listen, man, I who.

3421
03:11:43,440 --> 03:11:43,840
Speaker 2: It's about you?

3422
03:11:44,000 --> 03:11:44,920
Speaker 1: About you? Man?

3423
03:11:45,200 --> 03:11:48,600
Speaker 2: But I'm a fan bro ship you think I appreciate that.

3424
03:11:48,800 --> 03:11:50,200
Speaker 1: But it's anything you want to say to you, to

3425
03:11:50,440 --> 03:11:53,440
Speaker 1: your fans and to your people before we get I

3426
03:11:53,480 --> 03:11:55,800
Speaker 1: want to say everybody, go get Everymore ArKade. You know

3427
03:11:55,920 --> 03:11:57,280
Speaker 1: him in the tech world. I do a lot of

3428
03:11:57,320 --> 03:12:00,480
Speaker 1: shit like Evermore Arcades and new app music my way

3429
03:12:00,640 --> 03:12:03,880
Speaker 1: go download the app and like I got some directors.

3430
03:12:04,120 --> 03:12:05,560
Speaker 1: If you're an artist and you really want to get

3431
03:12:05,600 --> 03:12:07,440
Speaker 1: to your fan base, you don't need to go platinum

3432
03:12:07,480 --> 03:12:09,000
Speaker 1: to make money or you need is a good to

3433
03:12:09,280 --> 03:12:12,000
Speaker 1: three thousand fans to fun with you and you can

3434
03:12:12,080 --> 03:12:15,280
Speaker 1: make a living on his music best platform. Okay, and

3435
03:12:15,400 --> 03:12:18,000
Speaker 1: Evermore Arkad we got another shout out to my man.

3436
03:12:18,080 --> 03:12:19,760
Speaker 1: I ain't gonna say his last name because the last

3437
03:12:19,800 --> 03:12:21,560
Speaker 1: time I did, you went in on them.

3438
03:12:21,840 --> 03:12:25,760
Speaker 2: I did his name was two for our Yes, what.

3439
03:12:30,240 --> 03:12:35,560
Speaker 1: Mike semen about ever More Arcade now, But it's like

3440
03:12:35,640 --> 03:12:38,360
Speaker 1: you play games when you win money, So the way

3441
03:12:38,400 --> 03:12:40,000
Speaker 1: you got to set up is like this, I heard

3442
03:12:40,040 --> 03:12:40,200
Speaker 1: of this.

3443
03:12:40,240 --> 03:12:41,800
Speaker 2: The way you got to set up is Evermore.

3444
03:12:41,879 --> 03:12:45,359
Speaker 1: So it's really for like underprivileged people who got phones

3445
03:12:46,280 --> 03:12:48,800
Speaker 1: and they could play games so they could earn little

3446
03:12:48,959 --> 03:12:52,120
Speaker 1: legitly earn real money. So if you win Africa some

3447
03:12:53,040 --> 03:12:55,040
Speaker 1: third world country and you ain't got no money, or

3448
03:12:55,040 --> 03:12:57,680
Speaker 1: you got to do it because he's an advertising genius,

3449
03:12:58,160 --> 03:13:00,640
Speaker 1: so he's like they don't have to pay a nickel.

3450
03:13:01,160 --> 03:13:02,560
Speaker 1: All they got to do is sit on hand play

3451
03:13:02,600 --> 03:13:05,280
Speaker 1: these games and it generates them real money. So have

3452
03:13:05,360 --> 03:13:05,680
Speaker 1: them more.

3453
03:13:05,879 --> 03:13:07,840
Speaker 2: Shout to Shack for bigging up.

3454
03:13:07,879 --> 03:13:10,480
Speaker 1: Eva Moore, shout to sequille O Neil two man, who

3455
03:13:10,560 --> 03:13:13,920
Speaker 1: is great guy, and shout to you Nor you Man

3456
03:13:14,000 --> 03:13:16,039
Speaker 1: shout out to shout to Yeah.

3457
03:13:15,920 --> 03:13:19,680
Speaker 2: Welcome, Yeah taking the picture.

3458
03:13:19,879 --> 03:13:20,039
Speaker 3: Yeah.

3459
03:13:20,720 --> 03:13:21,400
Speaker 1: The first coming.

3460
03:13:26,160 --> 03:13:29,600
Speaker 3: Drink Champs is a drink Champs LLC production hosts and

3461
03:13:29,720 --> 03:13:33,119
Speaker 3: executive producers n O r E and dj e FN.

3462
03:13:34,320 --> 03:13:38,400
Speaker 3: Listen to drink Champs on Apple Podcast, Amazon Music, Spotify,

3463
03:13:38,720 --> 03:13:42,360
Speaker 3: or wherever you get your podcasts. Thanks for joining us

3464
03:13:42,400 --> 03:13:45,000
Speaker 3: for another episode of Drink Champs hosted by Yours Truly,

3465
03:13:45,160 --> 03:13:47,680
Speaker 3: dj e f N and n O r E. Please

3466
03:13:47,760 --> 03:13:49,920
Speaker 3: make sure to follow us on all our socials. It's

3467
03:13:50,000 --> 03:13:53,560
Speaker 3: at drink Champs across all platforms at the Real noriagon

3468
03:13:53,680 --> 03:13:57,160
Speaker 3: I g at Noriega on Twitter, Mine is at Who's

3469
03:13:57,200 --> 03:14:00,640
Speaker 3: Crazy on ig at, dj e f and on Twitter,

3470
03:14:01,000 --> 03:14:03,560
Speaker 3: and most importantly, stay up to date with the latest releases,

3471
03:14:03,959 --> 03:14:07,119
Speaker 3: news and merch by going to drink Champs dot com.

3472
03:14:10,040 --> 03:14:10,400
Speaker 1: MHM