WEBVTT - Where Do Sandman Myths Come From?

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<v Speaker 1>Welcome to brain Stuff from how Stuff Works. Hey, brain Stuff,

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<v Speaker 1>Lauren Vogel Bomb here. You know, when you wake up

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<v Speaker 1>in the morning and you have all that crusty stuff

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<v Speaker 1>in your eyes, that's called room And it's just the

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<v Speaker 1>remnants of a liquid coating that protects your eyes that

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<v Speaker 1>you blink away when you're awake, but that collects and

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<v Speaker 1>dries when you sleep. But if you were a child

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<v Speaker 1>living in central or northern Europe a couple of centuries ago,

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<v Speaker 1>ground ups would have probably told you that when you

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<v Speaker 1>woke up in the morning with crusty eyelashes, it was

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<v Speaker 1>because the Sandman had been to your bedside, sprinkling his

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<v Speaker 1>magical sleepy dust in your eyes, spinning the yarns of

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<v Speaker 1>your dreams. This might have caused you some alarm, because

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<v Speaker 1>the figure of the Sandman isn't all magical, benevolent snooze dust.

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<v Speaker 1>It turns out, as much as the Sandman is to

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<v Speaker 1>sleep as Santa is to gift, giving, a sandman's shadow

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<v Speaker 1>side is at least as conspicuous as Santa's penchant for

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<v Speaker 1>shady around the clock surveillance and distribution of switches and

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<v Speaker 1>coal to naughty kids. We spoke about how the Sandman

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<v Speaker 1>myths got their start with Dr Maria Tatar, a professor

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<v Speaker 1>of German studies, folklore, and children's literature at Harvard University.

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<v Speaker 1>She said, it's a bit difficult to trace his origins

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<v Speaker 1>because stories about the Sandman are part of an oral tradition.

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<v Speaker 1>I feel confident that there are similar figures in other

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<v Speaker 1>cultures because so many of the jolly, child friendly creatures

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<v Speaker 1>are shadowed by a disciplinary, evil person who invented the Sandman.

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<v Speaker 1>Who knows the Sandman's first parade onto the page was

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<v Speaker 1>an eighteenth century German dictionaries which briefly described the German

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<v Speaker 1>idiom der Zantman Comte Sandman is Coming, which was used

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<v Speaker 1>to tease children who were particularly sleepy looking. The first

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<v Speaker 1>story about the Sandman and his doings was published in

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<v Speaker 1>eighteen eighteen by German writer E. T. A. Hoffman. Der

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<v Speaker 1>Sandman begins with an exasperated nurse telling a story about

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<v Speaker 1>a mythical creature who throws sand in the eyes of

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<v Speaker 1>little children who won't go to sleep, causing their eyes

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<v Speaker 1>to fall out of their sockets. The sandman then collects

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<v Speaker 1>the eyeballs in a sack and carries them to his

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<v Speaker 1>home on the dark side of the moon, where he

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<v Speaker 1>feeds them to his children. Tatar said Dr Zentman became

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<v Speaker 1>an important story in psychoanalytic circles because Freud made so

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<v Speaker 1>much of it in his essay The Uncanny Hoffman's story

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<v Speaker 1>is a fairy tale for grown ups. Really, his sandman

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<v Speaker 1>is this dark, predatory monster. It definitely wasn't written for children.

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<v Speaker 1>Keep in mind many of the things we consider kids

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<v Speaker 1>stories today of snow white sleeping beauty were originally told

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<v Speaker 1>by and two adults, though of course not all fairy

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<v Speaker 1>tales were for grown ups. In eighteen forty one, Hans

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<v Speaker 1>Christian Andersen published a fairy tale meant for a young

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<v Speaker 1>audience called Old locai Ole, being a Danish first name

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<v Speaker 1>and Loca translating to shut your eye. The eponymous character,

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<v Speaker 1>always dressed in silk pajamas and carrying a colorful umbrella,

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<v Speaker 1>is never referred to by Anderson as the Sandman, but

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<v Speaker 1>the Sandman is the title most English translations assigned to

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<v Speaker 1>the fairy tale. Old doesn't throws and into children's eyes,

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<v Speaker 1>he squirts milk into them. The story is a sequence

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<v Speaker 1>of dream like tableaus, and all seems to be a

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<v Speaker 1>benevolent figure in them, but he does introduce the main character,

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<v Speaker 1>a young boy, too, concepts of sexuality and death, and

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<v Speaker 1>at the end of the story, the boy discovers that

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<v Speaker 1>Old Locai has a brother who, instead of coming night

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<v Speaker 1>after night to our bedsides bringing dreams, only visits each

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<v Speaker 1>person once, bringing death. His name is also all Loci

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<v Speaker 1>Tatar said, what's interesting about the Sandman's stories is they

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<v Speaker 1>remind me a bit of the children's verses and lullabies.

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<v Speaker 1>We sing to children, which are soothing and gentle, but

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<v Speaker 1>there's a stark, violent side to them too. Somehow it

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<v Speaker 1>seems to mirror our ambivalence towards children. We adore them

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<v Speaker 1>and want to tell them gentle, lovely stories, but they

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<v Speaker 1>drive us crazy. At times, We and especially our ancestors,

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<v Speaker 1>resorted to cautionary and disciplinary tales like Little Red Riding Hood,

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<v Speaker 1>in which the wolf will eat you up if you

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<v Speaker 1>stray from the path. In the Hoffman story, if you

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<v Speaker 1>don't go to sleep, the Sandman's squ to come and

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<v Speaker 1>scratch out your eyes. And if strong arming children and

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<v Speaker 1>too settling down to sleep is not why the European

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<v Speaker 1>parents and nurses of old told cautionary bedtime stories. Maybe

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<v Speaker 1>it's because they wanted to prepare their little ones for

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<v Speaker 1>life's hardships. Tatar said, the unusual thing about the Sandman

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<v Speaker 1>is he's a lot bigger than you are. There's no

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<v Speaker 1>defeating him. You can't face him down like you can

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<v Speaker 1>the villains in fairy tales. There's no happily ever after

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<v Speaker 1>except falling asleep giving in. He can't be beheaded or

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<v Speaker 1>trapped or tricked like other villains. It's hard to distinguish

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<v Speaker 1>fairy tale, myth, legend and all of that, but in

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<v Speaker 1>a way, he belongs more to the realm of myth

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<v Speaker 1>than fairy tales. Today's episode was written by Jescelin Shields

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<v Speaker 1>and produced by Tyler Clang for iHeart Media and How

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<v Speaker 1>To Works. For more on this and lots of other topics,

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<v Speaker 1>visit our home planet, how Stuff Works dot com.