WEBVTT - #197 - Dvsn

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<v Speaker 1>Bulet Cap show special guests in the building. We have

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<v Speaker 1>division ladies and general Well, first of all, I want

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<v Speaker 1>to say on behalf of men all over the place

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<v Speaker 1>that aren't to me because I can't relate to this

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<v Speaker 1>particular record, and while you're speaking on the behalf, because

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<v Speaker 1>I have friends who relate strongly to this record strong

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<v Speaker 1>This record is very, very appreciated by the male demographic

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<v Speaker 1>in the world. Is this something that you guys, I mean,

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<v Speaker 1>obviously personal experience you went through and you're like, yo,

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<v Speaker 1>this is how come we don't have one of these? Yeah?

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<v Speaker 1>I mean, I mean tell us how much of a

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<v Speaker 1>piece of shit you are? Honestly, the record is not

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<v Speaker 1>It's not what you guys are taking it as first

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<v Speaker 1>and foremost. Well, I mean, the hook is very factual.

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<v Speaker 1>Though everything in the record is fact What I'm saying, like,

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<v Speaker 1>I just I mean, I don't love you, right, because

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<v Speaker 1>when you break it down, cheating is not about that.

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<v Speaker 1>For a lot of people when they're cheating, it's men specifically,

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<v Speaker 1>A lot of men specifically to it, right, correct. But

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<v Speaker 1>we've heard from women too, and there's a lot of

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<v Speaker 1>girls that are like yo, I I kind of just

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<v Speaker 1>wanted to go out there and fuck, or I got

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<v Speaker 1>you know, I got caught up in this situation. Or

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<v Speaker 1>I felt low about myself. I wanted to feel sexy again,

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<v Speaker 1>and this person over here made me feel that way.

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<v Speaker 1>You know, I didn't stop loving my person the moment

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<v Speaker 1>the moment I was finished, I felt like, fuck, what

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<v Speaker 1>did I just? Do? You know that that feeling? So

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<v Speaker 1>I've I've been on. I think we've both been on,

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<v Speaker 1>probably both sides of that that fence. What do you

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<v Speaker 1>guys have cheated and been cheated on? I think I've

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<v Speaker 1>been cheated on. I'm not. I don't have the you

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<v Speaker 1>don't know for sure, then you don't know. See, I

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<v Speaker 1>don't know, but it looks, it looks, it looks suspect. Yes,

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<v Speaker 1>I had a god awful, terrible dumpster fire of a

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<v Speaker 1>human being as a baby mother. So shout out to hers.

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<v Speaker 1>She's a fucking terrible person. She's somewhere probably doing heroin

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<v Speaker 1>right now. I don't know I have that, bitch. I

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<v Speaker 1>have my son. This only matters anyway. Uh So, yeah,

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<v Speaker 1>So like, who was this your idea? Okay, so let

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<v Speaker 1>me wreak it down. We have been working on this

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<v Speaker 1>album with Jermain dupri real closely. Darn b god, there

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<v Speaker 1>your salute? What up? Ja d We walked into the

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<v Speaker 1>studio and he's literally opens the door singing that chorus

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<v Speaker 1>opens and I mean, I don't love you. And I

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<v Speaker 1>was like what And I was like, oh my god,

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<v Speaker 1>that's exactly what I want to say in life. And

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<v Speaker 1>I was like, I've never heard somebody just say it was.

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<v Speaker 1>So it's put so simply, but it's a it's a

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<v Speaker 1>deep thought. And so we walk in. Brian Michael Cox

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<v Speaker 1>is already messing around with legendary Yeah, yeah, already just

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<v Speaker 1>you know, he's going at it. Nineteen has the idea

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<v Speaker 1>to be like, yo, what if we flip some of

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<v Speaker 1>our old ideas where we used to put like girl

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<v Speaker 1>choirs on stuff and make it men a whole bunch

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<v Speaker 1>of guys this time. So that way it can you know,

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<v Speaker 1>help express that this isn't This is a thought that

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<v Speaker 1>seemed that feels universal, right, A lot of people can

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<v Speaker 1>relate to this. So I thought that was genius, and

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<v Speaker 1>I sat down and I wrote this. These verses. Now,

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<v Speaker 1>these verses have been highly taken out of perspective. I

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<v Speaker 1>think on people's first maybe second a little misunderstanding about

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<v Speaker 1>the meeting. Yes, yeah, So I'm writing about a guy

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<v Speaker 1>that's in a relationship where his partner starts to feel

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<v Speaker 1>like maybe they're cheating on them. And I'm writing this

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<v Speaker 1>from the perspective of someone who's like, yo, everything you,

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<v Speaker 1>everything that attracted you to me, is now turned into

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<v Speaker 1>your insecurities. Right. That happens a lot, happens a lot

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<v Speaker 1>guys and girls. Right. So it's like you you liked

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<v Speaker 1>me for who I was, for being fly, for being

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<v Speaker 1>a good looking dude, for being and you know, funny, cool, whatever,

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<v Speaker 1>all these things. But now because as soon as I

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<v Speaker 1>leave the crib, yeah, exactly exactly, you're going, where are

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<v Speaker 1>you going? You know all you're going over there. Oh

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<v Speaker 1>you're gonna ah, You're gonna be talking and all these

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<v Speaker 1>these holes faces. You gotta be the life of the party.

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<v Speaker 1>It's like, you met me this way, you liked me

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<v Speaker 1>because of these things. You always liked being around my energy,

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<v Speaker 1>all these things like that, and now it's turn into this.

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<v Speaker 1>Now you're digging through phones and you know, checking Instagram

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<v Speaker 1>followers and all that stuff like that. So that's the

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<v Speaker 1>perspective that I'm writing about it. So people hear me

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<v Speaker 1>say I'm a fly nigga when you got here, charismatic

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<v Speaker 1>when you got here, and they're thinking, oh, he's telling

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<v Speaker 1>the girls like he was fly. You should have already

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<v Speaker 1>know I'm gonna be fucking these holes or something. But

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<v Speaker 1>it's like, that's not what I was saying. I was

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<v Speaker 1>saying I was these things. And now, well, that's also

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<v Speaker 1>a very important thing to convey because a lot of

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<v Speaker 1>people feel that way. What that I was flying already

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<v Speaker 1>the hose. No, that when you get into a relationship,

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<v Speaker 1>like you said, it always happens, whether it's the guy

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<v Speaker 1>or the girl. When you think about it, a lot

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<v Speaker 1>of dudes will meet to chicken the club, who's fucking beautiful,

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<v Speaker 1>fucking ass out whatever, and it's like, well, that's how

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<v Speaker 1>you met this girl, that's what attracted you to her.

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<v Speaker 1>Now that you cuffed her, like, you can't get mad,

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<v Speaker 1>she's going out with her homegirls exactly. So that's that's

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<v Speaker 1>the perspective I wrote the verses from. And then I

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<v Speaker 1>was like, it gets into the idea of Okay, so

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<v Speaker 1>now you're now you're doing the dig into the phone shit.

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<v Speaker 1>Are you trying to find a problem or are you

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<v Speaker 1>trying to find an actual reason to leave, and then

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<v Speaker 1>comes the because, and why would why would you want

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<v Speaker 1>to leave? When even if hypothetically I was to cheat

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<v Speaker 1>on you, it wouldn't be because all of a sudden

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<v Speaker 1>I just lost my feelings for you and I don't

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<v Speaker 1>love you anymore. It would be probably because I just

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<v Speaker 1>did something super selfish, super self indulgent, super you know,

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<v Speaker 1>me being addiction, asshole, short sighted, you know, stroking my ego,

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<v Speaker 1>all these other things. And I think that's the miss

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<v Speaker 1>a big misconception with people about why people cheat, and

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<v Speaker 1>that's why we wanted to bring it to the table.

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<v Speaker 1>It's usually not about the other person, especially with guys.

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<v Speaker 1>Sometimes sometimes you hear women say you know that, you

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<v Speaker 1>know that they only did it because there's a lack

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<v Speaker 1>of something or a void or emotional disconnect whatever, and

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<v Speaker 1>we're getting something in their relationship they want to go

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<v Speaker 1>find it. But guys, especially a lot of guys, I

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<v Speaker 1>know girls too, but a lot of guys commonly we

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<v Speaker 1>can hear that, yo, they have the girl they want

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<v Speaker 1>right there. This is just literally had nothing to do

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<v Speaker 1>with them. I mean, if you think about, like all

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<v Speaker 1>of the halle Berry has been cheated on, you know

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<v Speaker 1>what I'm saying, Like girls say that, he goes like,

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<v Speaker 1>how do you cheat on this person? And every guy

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<v Speaker 1>gets it. Honestly, I think we're guys. The more you

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<v Speaker 1>have that you actually wanted, the less you feel inclined

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<v Speaker 1>to stay because we're used to chasing, so we're used

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<v Speaker 1>to looking for the other things. So if you actually

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<v Speaker 1>have everything at home, I feel like there's a twisted

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<v Speaker 1>thing that happens and guys where they start being like

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<v Speaker 1>something's missing, like I missed the chair, me I'm not

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<v Speaker 1>doing what my what I feel like my nature just

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<v Speaker 1>pushes me do or the rape or you know, and

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<v Speaker 1>mind you it's it's not something that we can't control.

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<v Speaker 1>It's something that we can't just say no to. But

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<v Speaker 1>it's something that a lot of people fall into, right

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<v Speaker 1>And I don't think that when they do. It's talked

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<v Speaker 1>about enough that a lot of times it's not because

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<v Speaker 1>they just don't love you anymore. It's because of some

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<v Speaker 1>other issues that they probably got to work out. Maybe

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<v Speaker 1>they maybe they need to feel more desired, Maybe their

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<v Speaker 1>self esteems a little lower and the cell they boost

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<v Speaker 1>it this is an ego thing. Maybe this is maybe

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<v Speaker 1>they haven't. I don't know whatever. It is, just you know,

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<v Speaker 1>addiction to the chase, like you're saying so, and women

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<v Speaker 1>at times have an addiction to chasing down your phone

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<v Speaker 1>and trying to just find something to fight about even

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<v Speaker 1>if you're not cheating, right, and so that is really

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<v Speaker 1>I like that. I like when you know, use what's

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<v Speaker 1>going on here to shoot out there. Yeah, but nah,

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<v Speaker 1>I really feel like I really feel like that's the

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<v Speaker 1>conversation that we wanted to put on the table and

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<v Speaker 1>know that we wanted people to let's talk about it, yeah,

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<v Speaker 1>because no one wants to talk about it. Everyone wants

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<v Speaker 1>to act so like it's so taboo. And I think

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<v Speaker 1>that that's what made the record really go, and it's

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<v Speaker 1>making the record really go, is the fact that it's

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<v Speaker 1>so real and it's like Hella underserved niche of that.

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<v Speaker 1>Like in R and B, you know what I'm saying, Like,

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<v Speaker 1>I feel like we don't have like an anthem like

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<v Speaker 1>that there's never been and men enjoy R and B.

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<v Speaker 1>I love R and B. And you know, I feel

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<v Speaker 1>like there's so much scorned woman music. Yeah, there's not

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<v Speaker 1>many songs that I feel like speak to this demographic

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<v Speaker 1>that's embraced it so well, just like every man in

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<v Speaker 1>the world except me obviously. Yeah. So the Jermaine Depris thing.

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<v Speaker 1>Obviously JD one of the greatest producers of all time,

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<v Speaker 1>but specifically when it comes to the R and B shit,

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<v Speaker 1>he's I mean, I don't know, man, he might be

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<v Speaker 1>the goat, you know. I mean you think of confessions

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<v Speaker 1>and shit, JD's that motherfucker. What was the initial like, uh,

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<v Speaker 1>link up with JD and like having him handle a

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<v Speaker 1>lot of the reins on the project. It wasn't supposed

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<v Speaker 1>to be that. On first meet up, we're really just

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<v Speaker 1>meeting our management team, just set up, you know, me

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<v Speaker 1>going through to go say what up to him? Right me,

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<v Speaker 1>Jermain Duprie, And you know, fast forward two three days

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<v Speaker 1>and it's like, yo, we're together every day, right and

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<v Speaker 1>we talk every day. You know. The relationships turned from

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<v Speaker 1>hero to you know, big bro shit. Yeah. You know, like,

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<v Speaker 1>I don't think it's a day that goes by we're

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<v Speaker 1>not calling or texting about whatever it is. You know,

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<v Speaker 1>at this point, what is something that you guys learned

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<v Speaker 1>creatively from j D? Because you know, when you're like

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<v Speaker 1>that prolific, I feel like I'm sure a lot of

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<v Speaker 1>the stuff he does just seems like effortlessly, but at

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<v Speaker 1>the end of the day, you could probably grab from Oh.

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<v Speaker 1>I think it is that though everything he does seems

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<v Speaker 1>so effortless that when we're with him, he's always he's

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<v Speaker 1>telling us we're thinking too hard. You'd be the first

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<v Speaker 1>to be like, bro, you're thinking about this way too hard.

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<v Speaker 1>If you haven't got it by now, either move on

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<v Speaker 1>or it's that thing right there. So that's his like

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<v Speaker 1>hit formula. He can tell you in like ten seconds, Yeah,

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<v Speaker 1>that's going to go that that's not the one. It's

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<v Speaker 1>the craziest thing with him, and it really shows in

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<v Speaker 1>this record because what I like to say that I

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<v Speaker 1>think he's great at is is real genius. And what

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<v Speaker 1>I mean by that is there's a level of genius

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<v Speaker 1>that I think that is for intellectual people to catch,

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<v Speaker 1>but I think there's another higher tier where even if

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<v Speaker 1>you're not smart, you still recognize the genius right, And

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<v Speaker 1>he's a way that finds a way of making everything

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<v Speaker 1>genius so simple, well, like a kid to get it right. Yeah,

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<v Speaker 1>And that's what I'm saying. He's his records supposed to

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<v Speaker 1>be palatable to everybody they should be right exactly so,

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<v Speaker 1>and I think that we've always I think that's something

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<v Speaker 1>that we really have always used some of that because

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<v Speaker 1>I think sometimes we've made like almost higher intellectual R

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<v Speaker 1>and B. Even in this it's just like we gotta

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<v Speaker 1>we gotta think, oh, we really listen to intelligence sometimes

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<v Speaker 1>the music from from our perspective. And I think he

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<v Speaker 1>was very clear with us about like, Yo, whatever you

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<v Speaker 1>guys have been doing is beautiful music, but let's make

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<v Speaker 1>things that kind of go across the board. Like people

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<v Speaker 1>need to understand it on the most basic level. They

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<v Speaker 1>don't need to be able to they don't have to

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<v Speaker 1>like break it down to be like, well, this this

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<v Speaker 1>and this happened. That's why tied into this line over here.

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<v Speaker 1>You know it sometimes if someone just can just stop

0:11:34.120 --> 0:11:37.400
<v Speaker 1>you and just be like, yo, exactly what you said there,

0:11:37.600 --> 0:11:39.920
<v Speaker 1>Just leave it like that. He's great at that and

0:11:39.960 --> 0:11:42.800
<v Speaker 1>not overthinking it exactly. And he's like, Yo, for the

0:11:42.800 --> 0:11:45.160
<v Speaker 1>spot in R and B that you want to go

0:11:45.679 --> 0:11:48.400
<v Speaker 1>take and that I can see that you you have

0:11:48.520 --> 0:11:51.240
<v Speaker 1>what it takes to go take that. This is the

0:11:51.280 --> 0:11:53.400
<v Speaker 1>way to go. It's like no different than like you know,

0:11:53.480 --> 0:11:55.800
<v Speaker 1>like I don't know Kendrick Lamar and like Section eighty,

0:11:55.840 --> 0:11:57.920
<v Speaker 1>which is fucking one of my favorite Kendric projects. Right,

0:11:57.920 --> 0:11:59.960
<v Speaker 1>But then on Good Kymad City, he like puts some

0:12:00.160 --> 0:12:02.160
<v Speaker 1>like hit, he puts some thought into, like you know,

0:12:02.600 --> 0:12:05.440
<v Speaker 1>some hits. I guess he took it. Oh my god,

0:12:05.480 --> 0:12:08.600
<v Speaker 1>he took away further for sure, like to pimp a Butterfly.

0:12:08.880 --> 0:12:12.080
<v Speaker 1>He said, fuck it, I'm doing me. Damn, he got

0:12:12.080 --> 0:12:13.680
<v Speaker 1>to it, you know what. I'm sure, by the way,

0:12:13.679 --> 0:12:16.960
<v Speaker 1>that's my Butterfly is my favorite Countrick album for the record, Yes,

0:12:17.480 --> 0:12:19.680
<v Speaker 1>but uh yeah, how do you guys like the new

0:12:19.720 --> 0:12:25.959
<v Speaker 1>Kendrick album. I think it's such a like beautiful piece

0:12:26.000 --> 0:12:29.200
<v Speaker 1>of art that I only feel like he can play

0:12:29.200 --> 0:12:31.319
<v Speaker 1>it in specific moments, Like I don't feel like he

0:12:31.360 --> 0:12:33.120
<v Speaker 1>can played it at all times. I have to like

0:12:33.240 --> 0:12:35.560
<v Speaker 1>be ready to just like you know, I felt like

0:12:35.559 --> 0:12:38.599
<v Speaker 1>that for about a week and now it's like it

0:12:38.840 --> 0:12:40.600
<v Speaker 1>just Rich Spirit. I just like can throw that ship

0:12:40.640 --> 0:12:46.040
<v Speaker 1>on work out, like definitely Rich Savior. There's some ship

0:12:46.120 --> 0:12:47.800
<v Speaker 1>on there. There's some ship. I feel like when it

0:12:47.840 --> 0:12:50.040
<v Speaker 1>first came out, I was kind of like, damn, what

0:12:50.080 --> 0:12:51.680
<v Speaker 1>do I like? Bang though, you know what I'm saying.

0:12:51.800 --> 0:12:54.560
<v Speaker 1>But now I'm like going back. I listen to that

0:12:54.559 --> 0:12:56.280
<v Speaker 1>ship a lot. I listen that shit when I work out.

0:12:56.320 --> 0:12:58.200
<v Speaker 1>That's why if I could, if I could work out

0:12:57.880 --> 0:13:00.240
<v Speaker 1>to your ship, I feel like I could hear on

0:13:00.360 --> 0:13:02.160
<v Speaker 1>like on the radio or like hear it in the car.

0:13:02.440 --> 0:13:04.120
<v Speaker 1>You know what I'm saying. But I feel like you

0:13:04.120 --> 0:13:06.920
<v Speaker 1>gotta say it's I feel like, more than most albums

0:13:06.960 --> 0:13:08.760
<v Speaker 1>in the last four or five years, you gotta really

0:13:08.800 --> 0:13:11.120
<v Speaker 1>like and you get I feel like it gets better

0:13:11.120 --> 0:13:14.320
<v Speaker 1>every time you listen to it. I'm sure as yeah.

0:13:14.760 --> 0:13:18.640
<v Speaker 1>I mean so, you guys also, did was it last

0:13:18.679 --> 0:13:20.760
<v Speaker 1>year you did the Tied ALTI side project? Last year

0:13:20.920 --> 0:13:22.959
<v Speaker 1>we did a mix tape with Tie. Shout out to

0:13:23.000 --> 0:13:27.160
<v Speaker 1>Tie one of the greats. You guys have two albums

0:13:27.160 --> 0:13:30.880
<v Speaker 1>out correct, and we just dropped our third up before that,

0:13:31.679 --> 0:13:37.000
<v Speaker 1>before the Tie Ship. I always feel like with the

0:13:37.000 --> 0:13:38.880
<v Speaker 1>OVO thing, right, It's like, do you ever feel like

0:13:38.880 --> 0:13:40.920
<v Speaker 1>that there's like a gift in a curse of being

0:13:41.040 --> 0:13:42.760
<v Speaker 1>with Ovo because at the end of the day, Drake

0:13:42.840 --> 0:13:44.319
<v Speaker 1>is the biggest artist in the world. He's one of

0:13:44.320 --> 0:13:49.040
<v Speaker 1>the most talented artists in the world, and I feel

0:13:49.040 --> 0:13:52.560
<v Speaker 1>like I appreciate his ear for who he signs to

0:13:52.600 --> 0:13:55.800
<v Speaker 1>the label because there's always like high I mean, I

0:13:55.800 --> 0:13:59.800
<v Speaker 1>wouldn't say always, but for the most part high artistic integrity.

0:13:59.800 --> 0:14:01.880
<v Speaker 1>When I think of like Majia Jordan and you guys,

0:14:04.640 --> 0:14:07.840
<v Speaker 1>I feel like he also is allowing people to develop,

0:14:07.960 --> 0:14:09.920
<v Speaker 1>Like artist development is like a real thing at OVO,

0:14:10.360 --> 0:14:12.600
<v Speaker 1>if that makes sense. But at the same time, that

0:14:12.679 --> 0:14:15.840
<v Speaker 1>takes time. And when you're signed to Drake, people probably

0:14:15.880 --> 0:14:18.320
<v Speaker 1>expect you to just come out swinging with like, you know,

0:14:18.440 --> 0:14:20.960
<v Speaker 1>fucking hit records and Drake features and all this shit.

0:14:21.080 --> 0:14:26.200
<v Speaker 1>You know, people look at his what he does for

0:14:26.240 --> 0:14:29.560
<v Speaker 1>features and what he does for the label as two

0:14:29.560 --> 0:14:31.960
<v Speaker 1>separate things, and they expect the same things. I think

0:14:31.960 --> 0:14:34.640
<v Speaker 1>it's different. I think him jumping on a record versus

0:14:34.720 --> 0:14:37.520
<v Speaker 1>him signing you, his mental approach to that is just

0:14:37.560 --> 0:14:40.080
<v Speaker 1>completely different. I think like he might find a record

0:14:40.080 --> 0:14:42.240
<v Speaker 1>and be cool, I'm gonna just hop on this wave,

0:14:42.320 --> 0:14:45.720
<v Speaker 1>come on, come on there, drop this, drop this, elevate

0:14:45.720 --> 0:14:48.200
<v Speaker 1>this record, and they call it the Drake Stimmy package. Yeah,

0:14:48.200 --> 0:14:50.840
<v Speaker 1>the stimmy right. Yes. Whereas I think with artists that

0:14:51.120 --> 0:14:54.160
<v Speaker 1>he's involved with, you know, the business of signing, I

0:14:54.200 --> 0:14:58.480
<v Speaker 1>think that he likes to be like this person's dope,

0:14:58.960 --> 0:15:02.560
<v Speaker 1>give them, give them what they need. This person's dope,

0:15:02.720 --> 0:15:05.920
<v Speaker 1>you know, give them what they need, versus the approach

0:15:05.960 --> 0:15:07.920
<v Speaker 1>that he takes when it's just like I'm jumping on

0:15:07.920 --> 0:15:10.200
<v Speaker 1>a run, right, I just feel like it's like dope

0:15:10.200 --> 0:15:13.400
<v Speaker 1>because you'll see like artist development happening at Ouvio, Like

0:15:13.440 --> 0:15:15.160
<v Speaker 1>you know what I'm saying, Like, it's not always like

0:15:15.440 --> 0:15:17.600
<v Speaker 1>the cheat code is like let me just get on

0:15:17.680 --> 0:15:20.480
<v Speaker 1>a song knowing what that's going to do. That's also

0:15:20.520 --> 0:15:23.560
<v Speaker 1>the easiest way for people to fail. I mean, if

0:15:23.560 --> 0:15:28.000
<v Speaker 1>you take an artist that's not in the drake position,

0:15:29.080 --> 0:15:35.920
<v Speaker 1>you give them the drake and then and insert name

0:15:36.040 --> 0:15:40.720
<v Speaker 1>here who's no longer relevant exactly, you know. And that's

0:15:40.760 --> 0:15:44.920
<v Speaker 1>why we've always been really appreciative of the way that

0:15:44.960 --> 0:15:48.480
<v Speaker 1>he's embraced things and let us kind of develop on

0:15:48.560 --> 0:15:52.560
<v Speaker 1>our own path figure that out. And the same time,

0:15:52.640 --> 0:15:55.520
<v Speaker 1>like we still can go back and forth with records

0:15:55.640 --> 0:15:58.400
<v Speaker 1>or ideas, and that's how we ended up on the

0:15:58.480 --> 0:16:01.960
<v Speaker 1>Views album. More. That's how he's had songs that he's

0:16:01.960 --> 0:16:03.440
<v Speaker 1>written and he'll throw to us and be like, yo,

0:16:03.560 --> 0:16:04.840
<v Speaker 1>what do you think of this record? You want to

0:16:04.880 --> 0:16:07.040
<v Speaker 1>do something with it? Or you know, and there's always

0:16:07.040 --> 0:16:09.480
<v Speaker 1>been that freedom, but there's never the pressure to feel like,

0:16:09.600 --> 0:16:12.880
<v Speaker 1>you guys don't have to do the Drake way of

0:16:12.960 --> 0:16:15.840
<v Speaker 1>doing so, you don't have to do it the way

0:16:16.880 --> 0:16:21.160
<v Speaker 1>the traditional like label process would be. Not only that,

0:16:21.240 --> 0:16:23.880
<v Speaker 1>but I think it helps every artist on the label

0:16:24.080 --> 0:16:30.120
<v Speaker 1>kind of own own their brand, right. That's smart, Yeah,

0:16:30.160 --> 0:16:32.600
<v Speaker 1>because I think that division like we have our we

0:16:32.720 --> 0:16:36.640
<v Speaker 1>definitely have our own brand and your own following, following

0:16:36.680 --> 0:16:40.840
<v Speaker 1>our fans. It's independent of everything, independent of anything. So

0:16:41.160 --> 0:16:44.640
<v Speaker 1>I love that we've been able to to have the

0:16:44.680 --> 0:16:47.280
<v Speaker 1>space to do that and to be you know, successful

0:16:47.280 --> 0:16:49.400
<v Speaker 1>in doing that. What was his reaction when you heard

0:16:49.400 --> 0:16:51.680
<v Speaker 1>this record? We haven't. We haven't talked to anybody since

0:16:51.680 --> 0:16:56.680
<v Speaker 1>we dropped Jesus bro. We literally in the tunnels just

0:16:56.680 --> 0:16:59.280
<v Speaker 1>trying to get this album done so justice over there

0:16:59.320 --> 0:17:03.760
<v Speaker 1>is and kill us. But we literally haven't talked to

0:17:03.800 --> 0:17:06.879
<v Speaker 1>anybody sent you know, we don't. We literally locked in

0:17:06.880 --> 0:17:10.600
<v Speaker 1>the studio, cooked up and popped our head out to

0:17:10.680 --> 0:17:13.000
<v Speaker 1>drop this and even this record. Why we popped our

0:17:13.000 --> 0:17:15.640
<v Speaker 1>head up to drop this is because we've been inviting

0:17:15.720 --> 0:17:19.320
<v Speaker 1>people to the studio just to you know, hear things,

0:17:19.960 --> 0:17:22.960
<v Speaker 1>and every time we played that record, the whole room

0:17:23.200 --> 0:17:26.520
<v Speaker 1>burst into argument for like half an hour an hour time,

0:17:26.880 --> 0:17:29.359
<v Speaker 1>so we're like, Yo, what is happening? And every guy

0:17:29.440 --> 0:17:32.800
<v Speaker 1>felt like liberated. Some women are like, yeah, you know what,

0:17:32.840 --> 0:17:34.600
<v Speaker 1>I get that. You know it's honest. Some girls like, oh,

0:17:34.600 --> 0:17:37.760
<v Speaker 1>it's a bop. Some girls are like, man, I'm triggered.

0:17:37.800 --> 0:17:41.480
<v Speaker 1>You know, I'm mad, you know, And we're just like, Yo,

0:17:41.600 --> 0:17:44.440
<v Speaker 1>what is happening. This has never happened with a song

0:17:44.520 --> 0:17:46.879
<v Speaker 1>like this, and so because of that, we just we

0:17:46.920 --> 0:17:48.680
<v Speaker 1>got to get this thing out. This is also the

0:17:48.720 --> 0:17:51.920
<v Speaker 1>first album that we've done outside of Toronto. You guys

0:17:51.920 --> 0:17:57.080
<v Speaker 1>do were you guys doing in Atlanta? It's amazing. Whose

0:17:57.080 --> 0:17:59.320
<v Speaker 1>idea was? It was your idea? JD's idea to sample

0:17:59.400 --> 0:18:01.480
<v Speaker 1>Jay to the jay z is both of us, because

0:18:01.600 --> 0:18:06.760
<v Speaker 1>me and JD were joking about how ridiculous that line.

0:18:07.320 --> 0:18:09.080
<v Speaker 1>It's like, Yo, that's a crazy line. What if we

0:18:09.160 --> 0:18:10.480
<v Speaker 1>use it? And then I was like, I don't really

0:18:10.480 --> 0:18:12.360
<v Speaker 1>think I can do that. He's like, Wow, I don't

0:18:12.359 --> 0:18:14.600
<v Speaker 1>think we're to get that cleared. He's like, I'll handle

0:18:14.600 --> 0:18:17.080
<v Speaker 1>the clear and stuff. You just sample however, you see,

0:18:17.119 --> 0:18:19.040
<v Speaker 1>like how you see that fitting in the record, And

0:18:19.040 --> 0:18:21.920
<v Speaker 1>I'll do the rest and he did he took care

0:18:21.920 --> 0:18:25.080
<v Speaker 1>of Hope cleared it. Hope cleared it. I mean, and

0:18:25.119 --> 0:18:27.840
<v Speaker 1>it's it's it's cool because I saw I actually saw

0:18:27.880 --> 0:18:31.720
<v Speaker 1>the like I think the chext conversation or whatever that

0:18:31.720 --> 0:18:33.400
<v Speaker 1>that came out about Whole Clear, and I didn't hear

0:18:33.400 --> 0:18:36.280
<v Speaker 1>the record yet, So when I heard it, I was like, oh, ship,

0:18:36.680 --> 0:18:41.760
<v Speaker 1>they use that and it's perfect for the for the song. Yeah,

0:18:42.000 --> 0:18:45.600
<v Speaker 1>it works. It was message because again to say something

0:18:45.640 --> 0:18:47.840
<v Speaker 1>like that, you know again you're you're in your full

0:18:48.160 --> 0:18:50.359
<v Speaker 1>ego at that moment to be able to tell somebody

0:18:50.480 --> 0:18:53.480
<v Speaker 1>like it was just I was just doing that, like

0:18:53.920 --> 0:18:57.639
<v Speaker 1>I was coming right back and thinking that that's what percentage.

0:18:57.680 --> 0:18:59.520
<v Speaker 1>Are we done with the album or is it done

0:18:59.640 --> 0:19:05.160
<v Speaker 1>or is it like you guys get on the album.

0:19:05.440 --> 0:19:08.600
<v Speaker 1>I mean, you're gonna have to wait and see on

0:19:08.640 --> 0:19:11.560
<v Speaker 1>the remix at least yeo. I said you're gonna have

0:19:11.560 --> 0:19:16.320
<v Speaker 1>to wait and see. It feels like yeah, yeah you

0:19:16.359 --> 0:19:18.040
<v Speaker 1>said yeah, because the usher it feels like it's a

0:19:18.119 --> 0:19:23.879
<v Speaker 1>nice connection there. M hmm yeah yeah, what about the

0:19:23.880 --> 0:19:27.080
<v Speaker 1>Brat I'm just kidding that would be random as you

0:19:27.160 --> 0:19:30.439
<v Speaker 1>just have like the SOSO based All Stars like on

0:19:30.520 --> 0:19:32.480
<v Speaker 1>like the last song. You know what I mean, record

0:19:32.720 --> 0:19:38.600
<v Speaker 1>seen like bone Crusher a little Bow. Wow, she no,

0:19:38.720 --> 0:19:43.800
<v Speaker 1>she's just like this record is so fire. Bra Functified

0:19:43.880 --> 0:19:49.280
<v Speaker 1>was incredible shoutouts. Yeah, so first album outside of Toronto, right,

0:19:49.400 --> 0:19:51.359
<v Speaker 1>or just Canada in general? What part are you? Guys?

0:19:51.359 --> 0:19:54.480
<v Speaker 1>Both from Toronto? From Toronto? I keep hearing about Toronto.

0:19:54.480 --> 0:19:56.880
<v Speaker 1>I hear it's amazing, man, you to come. I heard.

0:19:56.920 --> 0:20:00.000
<v Speaker 1>It's like, yeah, I heard it's a vibe. Yeah. Everybody

0:20:00.119 --> 0:20:02.320
<v Speaker 1>I know from you guys are just the nicest people.

0:20:03.480 --> 0:20:06.200
<v Speaker 1>Canadians are just so sweet. Man. I don't know one

0:20:06.240 --> 0:20:08.400
<v Speaker 1>dickhead is a Canadian. Now, you guys probably do because

0:20:08.400 --> 0:20:10.960
<v Speaker 1>you're from there. All the Canadians I come into context

0:20:11.040 --> 0:20:13.919
<v Speaker 1>seem to be sweet guys. Yeah, what is it? Why

0:20:14.080 --> 0:20:18.879
<v Speaker 1>is that? I don't think that's accurate? Well, why is it?

0:20:19.720 --> 0:20:21.600
<v Speaker 1>I just feel like, is it because there's like fucking

0:20:21.680 --> 0:20:26.760
<v Speaker 1>you know, uh, free healthcare, less distress about less aggressive

0:20:26.800 --> 0:20:29.240
<v Speaker 1>people in general? Yeah? I think that you guys call

0:20:29.280 --> 0:20:33.520
<v Speaker 1>ham Canadian bacon. There's no Canadian bacon is a certain type,

0:20:35.320 --> 0:20:37.919
<v Speaker 1>not a Papa John's. You get that Papa John's. You say, hey,

0:20:38.000 --> 0:20:39.800
<v Speaker 1>we got Canadian bacon, and it comes in, it's hawn.

0:20:40.119 --> 0:20:41.520
<v Speaker 1>I know a lot of people. I gotta say this

0:20:41.560 --> 0:20:43.399
<v Speaker 1>because Church Toronto people will see this. I know a

0:20:43.440 --> 0:20:47.760
<v Speaker 1>lot of Toronto people that feel the complete opposite about

0:20:48.080 --> 0:20:52.320
<v Speaker 1>Toronto versus States, Like everyone from the US is nice,

0:20:52.359 --> 0:20:55.280
<v Speaker 1>super nice. Really, have you ever been to like, I

0:20:55.280 --> 0:20:58.760
<v Speaker 1>don't know, fucking Tennessee or Mississippi or something. I'm saying,

0:20:58.800 --> 0:21:03.560
<v Speaker 1>maybe I haven't been even places at Atlanta, Houston, go

0:21:03.600 --> 0:21:06.639
<v Speaker 1>to the middle of America, Yeah, that's different. So but

0:21:06.720 --> 0:21:11.200
<v Speaker 1>I'm seeing the places that I go, the the people

0:21:11.240 --> 0:21:13.480
<v Speaker 1>that I meet as far as especially in comparison to

0:21:13.560 --> 0:21:17.200
<v Speaker 1>the black community in Toronto's way more love especially in

0:21:17.240 --> 0:21:20.520
<v Speaker 1>the South and stuff like that amongst them versus than

0:21:20.560 --> 0:21:24.440
<v Speaker 1>it is in Toronto. And I think it's the Southern hospitality.

0:21:25.200 --> 0:21:28.159
<v Speaker 1>I think it's also to get all deep, but I

0:21:28.200 --> 0:21:29.719
<v Speaker 1>think no, really, I know it's not to get all

0:21:29.760 --> 0:21:31.640
<v Speaker 1>deep Jesus, But I think it's that. I think it's

0:21:31.640 --> 0:21:34.359
<v Speaker 1>the fact that I think it's the fact that people

0:21:34.400 --> 0:21:37.280
<v Speaker 1>have always there's always been like and just the racism

0:21:37.520 --> 0:21:40.359
<v Speaker 1>idea of it all has kind of made black people

0:21:40.480 --> 0:21:42.400
<v Speaker 1>kind of feel to other black people like, oh, you're

0:21:42.400 --> 0:21:45.679
<v Speaker 1>one of us, you know, And in Toronto. It's a

0:21:45.680 --> 0:21:48.919
<v Speaker 1>lot of the island culture, like Jamaican and Island culture

0:21:48.960 --> 0:21:52.399
<v Speaker 1>kind of runs that and Island people are just you know,

0:21:52.400 --> 0:21:54.320
<v Speaker 1>they have their own attitude about them at all times.

0:21:54.359 --> 0:21:57.960
<v Speaker 1>That kind of that's kind of what they are. Like, Okay,

0:21:58.640 --> 0:22:01.359
<v Speaker 1>when you get there, I won't even make a comment.

0:22:01.400 --> 0:22:06.840
<v Speaker 1>Then everybody's nice. Yeah, the world's nice. How do you

0:22:06.880 --> 0:22:10.479
<v Speaker 1>feel about you guys? Have Justin Trudeau running your country

0:22:10.520 --> 0:22:13.199
<v Speaker 1>and I know that, like there's like a crazy like

0:22:14.240 --> 0:22:16.280
<v Speaker 1>I know, people fucked with him, and then COVID happened

0:22:16.280 --> 0:22:18.960
<v Speaker 1>and it seems like he's How do y'all feel about

0:22:18.960 --> 0:22:23.359
<v Speaker 1>this guy? I think COVID made everything different, you know,

0:22:23.600 --> 0:22:26.200
<v Speaker 1>I won't say better or worse. I think it made

0:22:26.200 --> 0:22:29.840
<v Speaker 1>things different. And this was one of the few times

0:22:29.920 --> 0:22:34.720
<v Speaker 1>that the world looked at Canada as not being like

0:22:34.800 --> 0:22:38.360
<v Speaker 1>one of the leaders as far as the way things

0:22:38.359 --> 0:22:40.679
<v Speaker 1>were handled right, you know, I think people always look

0:22:40.760 --> 0:22:42.439
<v Speaker 1>to Canadians like, oh, the way they do it up

0:22:42.480 --> 0:22:44.720
<v Speaker 1>there is they got you know, they got they get

0:22:44.720 --> 0:22:47.879
<v Speaker 1>the healthcare. Yeah, this was one of the five times

0:22:47.880 --> 0:22:50.560
<v Speaker 1>where it seems like we weren't necessarily the front runner

0:22:51.280 --> 0:22:54.720
<v Speaker 1>as far as how certain things were handled. Even right now,

0:22:54.720 --> 0:22:58.800
<v Speaker 1>the airports are crazy, and you know, there shouldn't be

0:22:58.960 --> 0:23:01.879
<v Speaker 1>that much of a difference between even us in the

0:23:01.880 --> 0:23:06.800
<v Speaker 1>States as far as how we've kind of transitioned out

0:23:07.200 --> 0:23:10.080
<v Speaker 1>of you know, if we have transitioned out, I think

0:23:10.240 --> 0:23:12.280
<v Speaker 1>we're coming right back into it. I mean, you guys

0:23:12.280 --> 0:23:14.520
<v Speaker 1>have been in Atlanta. You guys know it don't exist there.

0:23:15.040 --> 0:23:18.359
<v Speaker 1>What how many how many meals if you guys shared

0:23:18.359 --> 0:23:19.960
<v Speaker 1>at a strip club in the last twelve months in

0:23:19.960 --> 0:23:25.720
<v Speaker 1>Atlanta at least one, right, at least Yeah, Blue Flame

0:23:25.800 --> 0:23:28.159
<v Speaker 1>got great Wings. That's one of the strip clubes I

0:23:28.160 --> 0:23:30.600
<v Speaker 1>actually still haven't gone to yet. There's like, there's a

0:23:30.600 --> 0:23:33.959
<v Speaker 1>strip club there that plays terrible music. It's like Nickelback

0:23:34.000 --> 0:23:37.760
<v Speaker 1>and know exactly what you're talking about, lamb Chops. I

0:23:37.800 --> 0:23:39.800
<v Speaker 1>know exactly what you're talking about. It's actually right out

0:23:39.800 --> 0:23:41.880
<v Speaker 1>the side. It's on the south side. It's like, yeah,

0:23:41.920 --> 0:23:44.720
<v Speaker 1>they got great lamb chops. No, he's not talking about

0:23:44.720 --> 0:23:47.479
<v Speaker 1>you though, he's not talking about that's right. No, they

0:23:47.520 --> 0:23:49.879
<v Speaker 1>got the lamb chops. She's just definitely playing Nickelback. It's

0:23:49.960 --> 0:23:53.120
<v Speaker 1>the the other one up up the street from No, no,

0:23:53.119 --> 0:23:56.120
<v Speaker 1>no, no no, he's it's Cheata it's cheatah. Yeah, no, no no, no,

0:23:56.320 --> 0:24:00.199
<v Speaker 1>the Lamb Chees isn't playing nickel Back anymore. I've been

0:24:00.240 --> 0:24:02.040
<v Speaker 1>there three times in the last when I went there,

0:24:02.160 --> 0:24:04.400
<v Speaker 1>they were playing some fucking nickelback when I went when

0:24:04.400 --> 0:24:07.520
<v Speaker 1>I went to cheating there by the way, play nickelback Canadian?

0:24:08.200 --> 0:24:10.280
<v Speaker 1>When's that happening? Boys? When we're gonna do the little

0:24:10.320 --> 0:24:15.040
<v Speaker 1>fucking collapse? Are they still out? Man? That's a big

0:24:15.280 --> 0:24:20.439
<v Speaker 1>is that? Y'all ship people? But I was like, I

0:24:20.480 --> 0:24:22.440
<v Speaker 1>think about kind of secretly of a couple of bands.

0:24:23.560 --> 0:24:26.000
<v Speaker 1>They got a few Spider Man, the Spider Man soundtrack,

0:24:26.000 --> 0:24:29.119
<v Speaker 1>I liked Hero Hero track. I liked. Yeah, their music

0:24:29.240 --> 0:24:32.720
<v Speaker 1>is better than Creed's. I'll tell you that is it.

0:24:32.920 --> 0:24:37.119
<v Speaker 1>I thought that I thought people. I thought music was atrocious. People.

0:24:37.200 --> 0:24:42.840
<v Speaker 1>People always ship on Nickelback like they're the they're the

0:24:42.920 --> 0:24:44.960
<v Speaker 1>lesser Creed is what I always talk to people thought.

0:24:45.119 --> 0:24:46.880
<v Speaker 1>But I'm trying to figure out a word that you're

0:24:46.880 --> 0:24:49.600
<v Speaker 1>getting be canceled that they're the something is banned in

0:24:49.600 --> 0:24:52.960
<v Speaker 1>the world, right, but they're not. But what what's the something?

0:24:53.000 --> 0:24:54.560
<v Speaker 1>Will come on? Just give it? What's the word? Man?

0:24:54.720 --> 0:24:57.920
<v Speaker 1>Something is? You know what? No, I don't in the world.

0:24:58.320 --> 0:25:06.919
<v Speaker 1>Ah wow, we're just gonna bleep that out. It's it's

0:25:06.920 --> 0:25:10.840
<v Speaker 1>almost like it's like it's like Nickelback is like the

0:25:11.320 --> 0:25:13.159
<v Speaker 1>but all these bands aren't They just kind of like

0:25:13.240 --> 0:25:18.160
<v Speaker 1>the flow right of like Rockberry right, poppy, it's poppy, right, yeah,

0:25:18.960 --> 0:25:22.440
<v Speaker 1>but like Lincoln Park was poppy, you know, like I

0:25:22.480 --> 0:25:25.280
<v Speaker 1>guess but not but I like Lincoln Park, Creeds from

0:25:25.320 --> 0:25:27.720
<v Speaker 1>Canada or not Creed uh, nickel Backs from Canada? So

0:25:27.720 --> 0:25:30.000
<v Speaker 1>those you're those y'all. You know, y'all got to stick together. Man,

0:25:30.400 --> 0:25:32.040
<v Speaker 1>it'd be kind of crazy if y'all did a record

0:25:32.080 --> 0:25:35.160
<v Speaker 1>with Creed, it might sound terrible. Creed, I keep saying

0:25:35.160 --> 0:25:39.879
<v Speaker 1>Creed Nickelback, Right, I'm confusing my Caucasians. I'm confusing my

0:25:39.920 --> 0:25:45.040
<v Speaker 1>shitty rock bands. Guys, jesus here we are. So do

0:25:45.040 --> 0:25:47.000
<v Speaker 1>we have any idea of the project? Will be dropping

0:25:47.240 --> 0:25:50.320
<v Speaker 1>in the next couple of months and then so soon? Yeah? Nice?

0:25:50.600 --> 0:25:53.560
<v Speaker 1>How fun was the little photo shoot y'all with the

0:25:53.600 --> 0:25:57.520
<v Speaker 1>with the you know you're for the single? That wasn't

0:25:57.560 --> 0:25:59.719
<v Speaker 1>We had to do that a couple of times, just

0:26:00.119 --> 0:26:04.640
<v Speaker 1>could look that way, But no, it's dope. The models

0:26:04.680 --> 0:26:11.960
<v Speaker 1>all all got into character. Nice character for it. I

0:26:12.040 --> 0:26:17.320
<v Speaker 1>put on a silk shirt if you wear those like normally, Yeah, uncomfortable,

0:26:18.000 --> 0:26:21.000
<v Speaker 1>silk uncomfortable, like if it's hot. I'm from Arizona, so

0:26:21.080 --> 0:26:24.479
<v Speaker 1>this doesn't like sticks the breathiest. I don't know. I've

0:26:24.480 --> 0:26:26.680
<v Speaker 1>never worn when you're shaped like me, I'm shaped like

0:26:26.680 --> 0:26:28.840
<v Speaker 1>a bag of potatoes. I can't wear a fucking silk shirt.

0:26:28.880 --> 0:26:30.720
<v Speaker 1>You said you're in the gym. Now you listen, I am,

0:26:30.800 --> 0:26:32.800
<v Speaker 1>I've been working out. I have been working out, but

0:26:32.840 --> 0:26:36.480
<v Speaker 1>I still I still, I still still got What do

0:26:36.520 --> 0:26:40.359
<v Speaker 1>I look like in his silk shirt? Broom a boat,

0:26:41.119 --> 0:26:44.439
<v Speaker 1>Get a pair of shorts, some fresh white Air Force shorts.

0:26:46.320 --> 0:26:51.920
<v Speaker 1>All the time, everyone says, Okay, Scott's sorches little brother.

0:26:52.520 --> 0:26:56.880
<v Speaker 1>The thing? Did you say that on purpose? That Scott's

0:26:56.880 --> 0:27:00.760
<v Speaker 1>a great guy? Have you met Scott Storch one time?

0:27:01.040 --> 0:27:05.760
<v Speaker 1>My great guy, change, great guy, great guy, very talented.

0:27:06.320 --> 0:27:08.640
<v Speaker 1>He's like I would say, he's where would you guys

0:27:08.640 --> 0:27:12.960
<v Speaker 1>put him all time? Top fifteen who got storage as

0:27:12.960 --> 0:27:16.520
<v Speaker 1>a producer? Yeah? Top fifteen? Rap? You sing rap? Or

0:27:16.520 --> 0:27:18.359
<v Speaker 1>are you saying I'm saying rap? Ye? Because if you

0:27:18.359 --> 0:27:22.199
<v Speaker 1>go all rob what because of how high dre is

0:27:22.200 --> 0:27:25.040
<v Speaker 1>going to be? And people don't realize how much he's

0:27:25.400 --> 0:27:28.480
<v Speaker 1>especially JWO thousand and one. Yeah, then I think you

0:27:28.600 --> 0:27:31.880
<v Speaker 1>gotta put him not I think he could get top fifteen. Yeah,

0:27:32.560 --> 0:27:34.440
<v Speaker 1>not faring, So I don't think that. I think people

0:27:34.480 --> 0:27:37.679
<v Speaker 1>just forget how much he did. Yeah, who's your who's your? Like?

0:27:37.800 --> 0:27:52.280
<v Speaker 1>Top five producers hip hop all time? Wow, top five Yay, Timberland, Neptunes, Primo.

0:27:54.000 --> 0:27:59.119
<v Speaker 1>Just there's too many Just Blaze, just Blazes, So you

0:27:59.119 --> 0:28:01.000
<v Speaker 1>don't have Drey in there, and you don't have Jermaine

0:28:01.000 --> 0:28:03.240
<v Speaker 1>to prea give him right, he's just doing your whole

0:28:03.240 --> 0:28:08.159
<v Speaker 1>album too many? Yeah, because Jermaine, it's like so much

0:28:08.200 --> 0:28:10.159
<v Speaker 1>bigger than just hip hop. I agree. I agree. So

0:28:10.200 --> 0:28:12.920
<v Speaker 1>it's timblind, but I actually feel like I actually feel

0:28:12.920 --> 0:28:16.000
<v Speaker 1>like Timberland if you think about the Range. I don't

0:28:16.000 --> 0:28:18.760
<v Speaker 1>know if anyone's fucking with Timberland now. My personal favorite

0:28:18.760 --> 0:28:21.200
<v Speaker 1>ever is just Blaze, Like he's my personal favorite. I

0:28:21.240 --> 0:28:23.200
<v Speaker 1>know he's not the best, but he's my personal number one.

0:28:23.560 --> 0:28:26.760
<v Speaker 1>But Timberland to me is like the Range if you

0:28:26.760 --> 0:28:32.040
<v Speaker 1>think about justin, Timberlake was my favorite, was my favorite producer,

0:28:32.080 --> 0:28:33.880
<v Speaker 1>and I actually just met him for the first time

0:28:33.960 --> 0:28:37.120
<v Speaker 1>maybe like three weeks ago, there was like a bubb

0:28:37.160 --> 0:28:42.800
<v Speaker 1>A Sparks album called Deliverance that it's crazy. No one

0:28:42.800 --> 0:28:45.120
<v Speaker 1>talks about that album. I'm like, y'all understand this motherfucker

0:28:45.160 --> 0:28:47.360
<v Speaker 1>did a whole country rap album that was like flawless.

0:28:48.480 --> 0:28:50.880
<v Speaker 1>I haven't heard that album. Deliverance is crazy, don't listen

0:28:50.920 --> 0:28:52.400
<v Speaker 1>to The first album is like the mom but Ugly,

0:28:52.440 --> 0:28:54.880
<v Speaker 1>which is a great record, But the second one is

0:28:54.880 --> 0:28:57.000
<v Speaker 1>the one we sampling all kinds of like folk, country

0:28:57.040 --> 0:29:00.000
<v Speaker 1>and ship. Yeah. Timberland's that guy man. So we're getting

0:29:00.080 --> 0:29:03.480
<v Speaker 1>album in the next couple of months. Yeah, videos dope.

0:29:04.360 --> 0:29:06.560
<v Speaker 1>I saw that Joe Biden was a little critical of

0:29:06.600 --> 0:29:08.760
<v Speaker 1>this record. He's a fan of you guys obviously, But

0:29:09.880 --> 0:29:11.760
<v Speaker 1>was that just coming with having Mal in the video?

0:29:11.960 --> 0:29:15.160
<v Speaker 1>I mean, I think definitely mall played a part in that.

0:29:15.240 --> 0:29:17.160
<v Speaker 1>I think we knew once Mal was in the video.

0:29:17.880 --> 0:29:21.480
<v Speaker 1>I mean, it's crazy because I wasn't thinking about it

0:29:21.520 --> 0:29:23.480
<v Speaker 1>at all, and then I it hit me. I was like, oh,

0:29:23.520 --> 0:29:26.480
<v Speaker 1>you know what, Joe, my Je's gonna probably have something

0:29:26.520 --> 0:29:29.000
<v Speaker 1>to say because he said, you guys talk right, you know,

0:29:29.040 --> 0:29:31.160
<v Speaker 1>we DM and hearing he's an R and B fan,

0:29:31.320 --> 0:29:32.800
<v Speaker 1>Like he talks about R and B a lot. Yeah,

0:29:32.840 --> 0:29:36.280
<v Speaker 1>he you know, he's he's good for saying a lot

0:29:36.280 --> 0:29:40.000
<v Speaker 1>of real things, but he's also good for just kind

0:29:40.000 --> 0:29:43.240
<v Speaker 1>of just saying things sometimes. So it is what it is,

0:29:43.280 --> 0:29:45.640
<v Speaker 1>you know, he's he I think he said we dropped

0:29:45.640 --> 0:29:48.840
<v Speaker 1>an album in twenty sixteen, then another one in twenty nineteen,

0:29:49.440 --> 0:29:51.040
<v Speaker 1>and so we don't drop enough for him. And I

0:29:51.080 --> 0:29:54.680
<v Speaker 1>was like, that is not our album. That's not accurate

0:29:55.040 --> 0:29:57.320
<v Speaker 1>at all. But shout out to Joe. You know, whatever,

0:29:57.360 --> 0:29:59.239
<v Speaker 1>it is, what it is. She just can't. He's just

0:29:59.240 --> 0:30:02.160
<v Speaker 1>not the division wikipedia he thinks he is. And sometimes

0:30:02.200 --> 0:30:06.280
<v Speaker 1>he's just wrong on records. Wrong. Great, this one's already

0:30:06.280 --> 0:30:08.840
<v Speaker 1>proven that he's went out, and you know, he said

0:30:08.880 --> 0:30:11.200
<v Speaker 1>what he said, and then you know, I think the same.

0:30:12.280 --> 0:30:14.160
<v Speaker 1>Maybe like a few days later, we heard the most

0:30:14.240 --> 0:30:17.680
<v Speaker 1>number one added song to urban radio. You know, so

0:30:18.640 --> 0:30:22.040
<v Speaker 1>you're wrong. I think it's like I think I watched

0:30:22.080 --> 0:30:26.520
<v Speaker 1>that clip and I think I think he's probably Like

0:30:27.360 --> 0:30:29.440
<v Speaker 1>it's kind of like if you're like a really big

0:30:29.440 --> 0:30:32.720
<v Speaker 1>fan of like an underground rapper, right, and then they

0:30:32.800 --> 0:30:36.720
<v Speaker 1>put out like a song with Drake or some crazy

0:30:36.800 --> 0:30:39.160
<v Speaker 1>and you're just like you didn't have to, you know,

0:30:39.200 --> 0:30:40.560
<v Speaker 1>what I mean. I feel like that that was more

0:30:40.600 --> 0:30:42.239
<v Speaker 1>his perspective. I don't agree with it because I love

0:30:42.280 --> 0:30:43.680
<v Speaker 1>this fucking song. I think the song is great, But

0:30:43.720 --> 0:30:46.160
<v Speaker 1>I think that, like I feel like, you know, everybody

0:30:46.160 --> 0:30:49.959
<v Speaker 1>who most fans who are with you from the beginning

0:30:50.000 --> 0:30:53.080
<v Speaker 1>when you have that first real big splash, and they're

0:30:53.160 --> 0:30:55.240
<v Speaker 1>kind of like, hmm, you know what I mean. So

0:30:55.280 --> 0:30:57.640
<v Speaker 1>maybe he was just speaking from that perspective. Maybe, you know.

0:30:57.880 --> 0:30:59.960
<v Speaker 1>And one thing about this song that I have noticed,

0:31:00.080 --> 0:31:02.960
<v Speaker 1>whether it's you know, a critic or just like a

0:31:04.000 --> 0:31:10.080
<v Speaker 1>casual listener, a fan, even is it's it sticks with

0:31:10.160 --> 0:31:12.040
<v Speaker 1>you in a way that's different. So I think that

0:31:12.760 --> 0:31:15.000
<v Speaker 1>even if on first listen you don't want to like it,

0:31:15.760 --> 0:31:17.880
<v Speaker 1>on second listen you realize that you kind of do

0:31:18.000 --> 0:31:19.320
<v Speaker 1>what you might not want to say. Even if you

0:31:19.320 --> 0:31:21.400
<v Speaker 1>don't like it, it's going to be in your you

0:31:21.440 --> 0:31:23.720
<v Speaker 1>can't get it out of you. So it's just it's

0:31:23.760 --> 0:31:25.720
<v Speaker 1>just that kind of song, which is cool. Would you

0:31:25.720 --> 0:31:28.280
<v Speaker 1>guys do a remix to this record if the if

0:31:28.320 --> 0:31:30.640
<v Speaker 1>the right idea came to mind, for sure, why not?

0:31:31.400 --> 0:31:33.120
<v Speaker 1>I feel like when the record gets this big, it's

0:31:33.120 --> 0:31:36.960
<v Speaker 1>like people are going to remix it themselves. Yeah, you'd

0:31:37.000 --> 0:31:42.040
<v Speaker 1>almost rather yeah, have like control the recontrol. Yeah. We've

0:31:42.080 --> 0:31:45.000
<v Speaker 1>seen some girls start to make their clap backs, which

0:31:45.000 --> 0:31:46.840
<v Speaker 1>I think is crazy. I think it's I haven't seen

0:31:46.840 --> 0:31:51.440
<v Speaker 1>any of these any good ones to Baby Tait, Baby Tait,

0:31:51.480 --> 0:31:58.160
<v Speaker 1>who's label mate? Yeah, okay, so no, she her, HER's

0:31:58.160 --> 0:32:01.400
<v Speaker 1>the fire. But you know, a bag of girls have

0:32:01.480 --> 0:32:03.680
<v Speaker 1>started to do it. And there's a bag of girls,

0:32:03.720 --> 0:32:06.680
<v Speaker 1>a group like a no, you know, a bunch of women.

0:32:13.080 --> 0:32:14.320
<v Speaker 1>You know, a bunch of a bunch of girls have

0:32:14.360 --> 0:32:16.920
<v Speaker 1>done it. And what I think is very interesting and

0:32:17.000 --> 0:32:19.000
<v Speaker 1>I think we knew was going to happen to besides

0:32:19.720 --> 0:32:24.040
<v Speaker 1>this song, bring this conversation about relationship and setting up

0:32:24.040 --> 0:32:26.840
<v Speaker 1>the story of the album. Blah blah blah. It's going

0:32:26.880 --> 0:32:28.600
<v Speaker 1>to show some some sides of people are showing a

0:32:28.600 --> 0:32:31.400
<v Speaker 1>lot of double standards and men. It's showing a lot

0:32:31.400 --> 0:32:34.160
<v Speaker 1>of even hipocrisy, though sometimes of women, because these women

0:32:34.200 --> 0:32:38.960
<v Speaker 1>are now making super over the top toxic clapbacks and

0:32:39.080 --> 0:32:42.440
<v Speaker 1>girls are now cheering it on like yes, man, talk

0:32:42.560 --> 0:32:45.160
<v Speaker 1>that ship, you know, and they're happy about it. Now.

0:32:45.720 --> 0:32:48.000
<v Speaker 1>I love this so many of those I love this.

0:32:48.120 --> 0:32:50.080
<v Speaker 1>Women have so many of them, so many What do

0:32:50.120 --> 0:32:53.160
<v Speaker 1>you mean we get so many insert R and insert

0:32:53.240 --> 0:32:59.000
<v Speaker 1>Keishah's discography here. Everything we've been enough, Somber Walker, Jesus

0:32:59.040 --> 0:33:02.160
<v Speaker 1>Simon Walker, everybody going and shout out to all that.

0:33:02.760 --> 0:33:06.440
<v Speaker 1>Of course, the great records that you know we got,

0:33:06.040 --> 0:33:08.040
<v Speaker 1>we haven't had. I feel like we haven't had some

0:33:08.040 --> 0:33:11.680
<v Speaker 1>ship like this since Confessions. It's been a while. Yeah,

0:33:11.840 --> 0:33:14.880
<v Speaker 1>have you guys? Confession's toxic. It wasn't toxic, but it

0:33:14.920 --> 0:33:17.479
<v Speaker 1>was definitely like, oh wow, he's like rapping about like

0:33:17.600 --> 0:33:20.120
<v Speaker 1>cheating and like sucking up a relationship and like, so,

0:33:20.120 --> 0:33:22.600
<v Speaker 1>why don't people take this the same way? I think

0:33:22.600 --> 0:33:27.920
<v Speaker 1>it's a little more blatant and we're fighting. It's an anthem.

0:33:28.000 --> 0:33:31.400
<v Speaker 1>It's a very anthem, like like you said, you guys

0:33:31.400 --> 0:33:35.320
<v Speaker 1>did the like male like, like everyone's chanting and let's

0:33:35.360 --> 0:33:39.480
<v Speaker 1>be honest, it's twenty twenty two. Motherfuckers are pussy out here.

0:33:41.240 --> 0:33:44.160
<v Speaker 1>I like that. Wow, nobody's used to men talking like

0:33:44.160 --> 0:33:46.080
<v Speaker 1>that shit on records, especially R and B. They're like,

0:33:46.120 --> 0:33:49.800
<v Speaker 1>oh my god, ruffel feathers. Yeah, you guys, mind fucking

0:33:49.800 --> 0:33:51.760
<v Speaker 1>When I got canceled in a few like group chats,

0:33:51.760 --> 0:33:53.120
<v Speaker 1>you know what I'm saying. You don't know for sure

0:33:55.240 --> 0:33:59.160
<v Speaker 1>but yeah it worked because the shock is, you know,

0:33:59.320 --> 0:34:02.120
<v Speaker 1>starting to wear. Often people are like, but I like

0:34:02.160 --> 0:34:03.400
<v Speaker 1>the song, Well there it is