1
00:00:00,080 --> 00:00:02,560
Speaker 1: Bulet Cap show special guests in the building. We have

2
00:00:02,640 --> 00:00:06,360
Speaker 1: division ladies and general Well, first of all, I want

3
00:00:06,360 --> 00:00:10,880
Speaker 1: to say on behalf of men all over the place

4
00:00:10,920 --> 00:00:14,360
Speaker 1: that aren't to me because I can't relate to this

5
00:00:14,400 --> 00:00:17,200
Speaker 1: particular record, and while you're speaking on the behalf, because

6
00:00:17,239 --> 00:00:20,680
Speaker 1: I have friends who relate strongly to this record strong

7
00:00:20,960 --> 00:00:25,759
Speaker 1: This record is very, very appreciated by the male demographic

8
00:00:25,800 --> 00:00:29,159
Speaker 1: in the world. Is this something that you guys, I mean,

9
00:00:29,200 --> 00:00:31,640
Speaker 1: obviously personal experience you went through and you're like, yo,

10
00:00:31,680 --> 00:00:34,680
Speaker 1: this is how come we don't have one of these? Yeah?

11
00:00:34,800 --> 00:00:37,360
Speaker 1: I mean, I mean tell us how much of a

12
00:00:37,360 --> 00:00:41,400
Speaker 1: piece of shit you are? Honestly, the record is not

13
00:00:42,159 --> 00:00:44,080
Speaker 1: It's not what you guys are taking it as first

14
00:00:44,120 --> 00:00:47,160
Speaker 1: and foremost. Well, I mean, the hook is very factual.

15
00:00:47,200 --> 00:00:49,720
Speaker 1: Though everything in the record is fact What I'm saying, like,

16
00:00:49,760 --> 00:00:53,240
Speaker 1: I just I mean, I don't love you, right, because

17
00:00:53,280 --> 00:00:55,880
Speaker 1: when you break it down, cheating is not about that.

18
00:00:55,920 --> 00:00:58,720
Speaker 1: For a lot of people when they're cheating, it's men specifically,

19
00:00:58,840 --> 00:01:02,000
Speaker 1: A lot of men specifically to it, right, correct. But

20
00:01:02,520 --> 00:01:04,040
Speaker 1: we've heard from women too, and there's a lot of

21
00:01:04,040 --> 00:01:07,319
Speaker 1: girls that are like yo, I I kind of just

22
00:01:07,360 --> 00:01:10,560
Speaker 1: wanted to go out there and fuck, or I got

23
00:01:10,600 --> 00:01:12,120
Speaker 1: you know, I got caught up in this situation. Or

24
00:01:12,160 --> 00:01:15,360
Speaker 1: I felt low about myself. I wanted to feel sexy again,

25
00:01:15,360 --> 00:01:17,319
Speaker 1: and this person over here made me feel that way.

26
00:01:17,720 --> 00:01:19,759
Speaker 1: You know, I didn't stop loving my person the moment

27
00:01:20,160 --> 00:01:22,000
Speaker 1: the moment I was finished, I felt like, fuck, what

28
00:01:22,000 --> 00:01:24,560
Speaker 1: did I just? Do? You know that that feeling? So

29
00:01:24,640 --> 00:01:27,560
Speaker 1: I've I've been on. I think we've both been on,

30
00:01:27,760 --> 00:01:29,800
Speaker 1: probably both sides of that that fence. What do you

31
00:01:29,840 --> 00:01:32,600
Speaker 1: guys have cheated and been cheated on? I think I've

32
00:01:32,600 --> 00:01:34,080
Speaker 1: been cheated on. I'm not. I don't have the you

33
00:01:34,120 --> 00:01:36,640
Speaker 1: don't know for sure, then you don't know. See, I

34
00:01:36,680 --> 00:01:41,120
Speaker 1: don't know, but it looks, it looks, it looks suspect. Yes,

35
00:01:41,319 --> 00:01:44,160
Speaker 1: I had a god awful, terrible dumpster fire of a

36
00:01:44,240 --> 00:01:47,720
Speaker 1: human being as a baby mother. So shout out to hers.

37
00:01:47,840 --> 00:01:52,559
Speaker 1: She's a fucking terrible person. She's somewhere probably doing heroin

38
00:01:52,640 --> 00:01:54,960
Speaker 1: right now. I don't know I have that, bitch. I

39
00:01:55,000 --> 00:01:59,160
Speaker 1: have my son. This only matters anyway. Uh So, yeah,

40
00:01:59,240 --> 00:02:03,200
Speaker 1: So like, who was this your idea? Okay, so let

41
00:02:03,200 --> 00:02:06,320
Speaker 1: me wreak it down. We have been working on this

42
00:02:06,360 --> 00:02:09,920
Speaker 1: album with Jermain dupri real closely. Darn b god, there

43
00:02:10,000 --> 00:02:13,640
Speaker 1: your salute? What up? Ja d We walked into the

44
00:02:13,639 --> 00:02:20,480
Speaker 1: studio and he's literally opens the door singing that chorus

45
00:02:20,560 --> 00:02:26,040
Speaker 1: opens and I mean, I don't love you. And I

46
00:02:26,080 --> 00:02:29,640
Speaker 1: was like what And I was like, oh my god,

47
00:02:29,720 --> 00:02:32,080
Speaker 1: that's exactly what I want to say in life. And

48
00:02:32,080 --> 00:02:35,880
Speaker 1: I was like, I've never heard somebody just say it was.

49
00:02:35,919 --> 00:02:38,520
Speaker 1: So it's put so simply, but it's a it's a

50
00:02:38,520 --> 00:02:43,840
Speaker 1: deep thought. And so we walk in. Brian Michael Cox

51
00:02:43,919 --> 00:02:48,440
Speaker 1: is already messing around with legendary Yeah, yeah, already just

52
00:02:48,639 --> 00:02:52,440
Speaker 1: you know, he's going at it. Nineteen has the idea

53
00:02:52,520 --> 00:02:56,320
Speaker 1: to be like, yo, what if we flip some of

54
00:02:56,360 --> 00:02:58,200
Speaker 1: our old ideas where we used to put like girl

55
00:02:58,280 --> 00:03:02,560
Speaker 1: choirs on stuff and make it men a whole bunch

56
00:03:02,600 --> 00:03:04,920
Speaker 1: of guys this time. So that way it can you know,

57
00:03:05,000 --> 00:03:07,640
Speaker 1: help express that this isn't This is a thought that

58
00:03:07,760 --> 00:03:10,560
Speaker 1: seemed that feels universal, right, A lot of people can

59
00:03:10,600 --> 00:03:12,880
Speaker 1: relate to this. So I thought that was genius, and

60
00:03:12,880 --> 00:03:15,160
Speaker 1: I sat down and I wrote this. These verses. Now,

61
00:03:16,200 --> 00:03:22,480
Speaker 1: these verses have been highly taken out of perspective. I

62
00:03:22,520 --> 00:03:27,880
Speaker 1: think on people's first maybe second a little misunderstanding about

63
00:03:27,880 --> 00:03:33,240
Speaker 1: the meeting. Yes, yeah, So I'm writing about a guy

64
00:03:33,280 --> 00:03:37,120
Speaker 1: that's in a relationship where his partner starts to feel

65
00:03:37,120 --> 00:03:40,160
Speaker 1: like maybe they're cheating on them. And I'm writing this

66
00:03:40,280 --> 00:03:43,400
Speaker 1: from the perspective of someone who's like, yo, everything you,

67
00:03:43,760 --> 00:03:46,480
Speaker 1: everything that attracted you to me, is now turned into

68
00:03:46,520 --> 00:03:49,920
Speaker 1: your insecurities. Right. That happens a lot, happens a lot

69
00:03:50,320 --> 00:03:54,320
Speaker 1: guys and girls. Right. So it's like you you liked

70
00:03:54,360 --> 00:03:58,400
Speaker 1: me for who I was, for being fly, for being

71
00:03:58,600 --> 00:04:02,040
Speaker 1: a good looking dude, for being and you know, funny, cool, whatever,

72
00:04:02,120 --> 00:04:04,000
Speaker 1: all these things. But now because as soon as I

73
00:04:04,080 --> 00:04:11,360
Speaker 1: leave the crib, yeah, exactly exactly, you're going, where are

74
00:04:11,360 --> 00:04:13,400
Speaker 1: you going? You know all you're going over there. Oh

75
00:04:13,440 --> 00:04:15,760
Speaker 1: you're gonna ah, You're gonna be talking and all these

76
00:04:15,840 --> 00:04:18,400
Speaker 1: these holes faces. You gotta be the life of the party.

77
00:04:18,720 --> 00:04:20,640
Speaker 1: It's like, you met me this way, you liked me

78
00:04:20,680 --> 00:04:23,400
Speaker 1: because of these things. You always liked being around my energy,

79
00:04:23,400 --> 00:04:25,039
Speaker 1: all these things like that, and now it's turn into this.

80
00:04:25,320 --> 00:04:28,280
Speaker 1: Now you're digging through phones and you know, checking Instagram

81
00:04:28,320 --> 00:04:31,719
Speaker 1: followers and all that stuff like that. So that's the

82
00:04:31,760 --> 00:04:33,680
Speaker 1: perspective that I'm writing about it. So people hear me

83
00:04:33,720 --> 00:04:36,160
Speaker 1: say I'm a fly nigga when you got here, charismatic

84
00:04:36,240 --> 00:04:38,479
Speaker 1: when you got here, and they're thinking, oh, he's telling

85
00:04:38,520 --> 00:04:40,760
Speaker 1: the girls like he was fly. You should have already

86
00:04:40,800 --> 00:04:42,599
Speaker 1: know I'm gonna be fucking these holes or something. But

87
00:04:42,600 --> 00:04:44,120
Speaker 1: it's like, that's not what I was saying. I was

88
00:04:44,160 --> 00:04:47,200
Speaker 1: saying I was these things. And now, well, that's also

89
00:04:47,200 --> 00:04:49,480
Speaker 1: a very important thing to convey because a lot of

90
00:04:49,480 --> 00:04:51,919
Speaker 1: people feel that way. What that I was flying already

91
00:04:52,160 --> 00:04:55,560
Speaker 1: the hose. No, that when you get into a relationship,

92
00:04:55,600 --> 00:04:57,720
Speaker 1: like you said, it always happens, whether it's the guy

93
00:04:57,800 --> 00:05:00,960
Speaker 1: or the girl. When you think about it, a lot

94
00:05:01,000 --> 00:05:03,479
Speaker 1: of dudes will meet to chicken the club, who's fucking beautiful,

95
00:05:03,760 --> 00:05:05,840
Speaker 1: fucking ass out whatever, and it's like, well, that's how

96
00:05:05,880 --> 00:05:07,960
Speaker 1: you met this girl, that's what attracted you to her.

97
00:05:08,640 --> 00:05:10,560
Speaker 1: Now that you cuffed her, like, you can't get mad,

98
00:05:10,680 --> 00:05:14,480
Speaker 1: she's going out with her homegirls exactly. So that's that's

99
00:05:14,520 --> 00:05:16,200
Speaker 1: the perspective I wrote the verses from. And then I

100
00:05:16,320 --> 00:05:19,800
Speaker 1: was like, it gets into the idea of Okay, so

101
00:05:19,839 --> 00:05:22,120
Speaker 1: now you're now you're doing the dig into the phone shit.

102
00:05:23,920 --> 00:05:25,839
Speaker 1: Are you trying to find a problem or are you

103
00:05:25,920 --> 00:05:28,720
Speaker 1: trying to find an actual reason to leave, and then

104
00:05:28,800 --> 00:05:32,280
Speaker 1: comes the because, and why would why would you want

105
00:05:32,279 --> 00:05:36,320
Speaker 1: to leave? When even if hypothetically I was to cheat

106
00:05:36,360 --> 00:05:38,279
Speaker 1: on you, it wouldn't be because all of a sudden

107
00:05:38,279 --> 00:05:40,440
Speaker 1: I just lost my feelings for you and I don't

108
00:05:40,440 --> 00:05:42,960
Speaker 1: love you anymore. It would be probably because I just

109
00:05:43,000 --> 00:05:47,320
Speaker 1: did something super selfish, super self indulgent, super you know,

110
00:05:47,440 --> 00:05:51,480
Speaker 1: me being addiction, asshole, short sighted, you know, stroking my ego,

111
00:05:51,920 --> 00:05:53,640
Speaker 1: all these other things. And I think that's the miss

112
00:05:53,880 --> 00:05:56,640
Speaker 1: a big misconception with people about why people cheat, and

113
00:05:56,680 --> 00:05:58,200
Speaker 1: that's why we wanted to bring it to the table.

114
00:05:58,440 --> 00:06:03,720
Speaker 1: It's usually not about the other person, especially with guys.

115
00:06:04,000 --> 00:06:06,800
Speaker 1: Sometimes sometimes you hear women say you know that, you

116
00:06:06,839 --> 00:06:09,560
Speaker 1: know that they only did it because there's a lack

117
00:06:09,640 --> 00:06:12,840
Speaker 1: of something or a void or emotional disconnect whatever, and

118
00:06:12,920 --> 00:06:14,600
Speaker 1: we're getting something in their relationship they want to go

119
00:06:14,640 --> 00:06:17,279
Speaker 1: find it. But guys, especially a lot of guys, I

120
00:06:17,320 --> 00:06:20,080
Speaker 1: know girls too, but a lot of guys commonly we

121
00:06:20,120 --> 00:06:23,440
Speaker 1: can hear that, yo, they have the girl they want

122
00:06:23,960 --> 00:06:27,080
Speaker 1: right there. This is just literally had nothing to do

123
00:06:27,120 --> 00:06:30,920
Speaker 1: with them. I mean, if you think about, like all

124
00:06:31,000 --> 00:06:34,440
Speaker 1: of the halle Berry has been cheated on, you know

125
00:06:34,480 --> 00:06:36,560
Speaker 1: what I'm saying, Like girls say that, he goes like,

126
00:06:36,560 --> 00:06:38,320
Speaker 1: how do you cheat on this person? And every guy

127
00:06:38,320 --> 00:06:43,560
Speaker 1: gets it. Honestly, I think we're guys. The more you

128
00:06:43,640 --> 00:06:47,840
Speaker 1: have that you actually wanted, the less you feel inclined

129
00:06:47,880 --> 00:06:51,200
Speaker 1: to stay because we're used to chasing, so we're used

130
00:06:51,200 --> 00:06:53,560
Speaker 1: to looking for the other things. So if you actually

131
00:06:53,640 --> 00:06:56,080
Speaker 1: have everything at home, I feel like there's a twisted

132
00:06:56,120 --> 00:06:58,120
Speaker 1: thing that happens and guys where they start being like

133
00:06:58,440 --> 00:07:00,760
Speaker 1: something's missing, like I missed the chair, me I'm not

134
00:07:01,000 --> 00:07:04,200
Speaker 1: doing what my what I feel like my nature just

135
00:07:04,240 --> 00:07:07,440
Speaker 1: pushes me do or the rape or you know, and

136
00:07:07,480 --> 00:07:10,360
Speaker 1: mind you it's it's not something that we can't control.

137
00:07:10,360 --> 00:07:12,280
Speaker 1: It's something that we can't just say no to. But

138
00:07:13,120 --> 00:07:15,880
Speaker 1: it's something that a lot of people fall into, right

139
00:07:15,960 --> 00:07:18,880
Speaker 1: And I don't think that when they do. It's talked

140
00:07:18,880 --> 00:07:22,160
Speaker 1: about enough that a lot of times it's not because

141
00:07:22,880 --> 00:07:25,680
Speaker 1: they just don't love you anymore. It's because of some

142
00:07:25,760 --> 00:07:28,600
Speaker 1: other issues that they probably got to work out. Maybe

143
00:07:28,600 --> 00:07:30,880
Speaker 1: they maybe they need to feel more desired, Maybe their

144
00:07:30,960 --> 00:07:32,760
Speaker 1: self esteems a little lower and the cell they boost

145
00:07:32,800 --> 00:07:35,320
Speaker 1: it this is an ego thing. Maybe this is maybe

146
00:07:35,360 --> 00:07:37,960
Speaker 1: they haven't. I don't know whatever. It is, just you know,

147
00:07:38,000 --> 00:07:41,160
Speaker 1: addiction to the chase, like you're saying so, and women

148
00:07:41,200 --> 00:07:43,480
Speaker 1: at times have an addiction to chasing down your phone

149
00:07:43,520 --> 00:07:45,400
Speaker 1: and trying to just find something to fight about even

150
00:07:45,400 --> 00:07:48,480
Speaker 1: if you're not cheating, right, and so that is really

151
00:07:50,280 --> 00:07:52,560
Speaker 1: I like that. I like when you know, use what's

152
00:07:52,560 --> 00:07:55,680
Speaker 1: going on here to shoot out there. Yeah, but nah,

153
00:07:59,240 --> 00:08:01,600
Speaker 1: I really feel like I really feel like that's the

154
00:08:01,640 --> 00:08:05,400
Speaker 1: conversation that we wanted to put on the table and

155
00:08:05,840 --> 00:08:08,120
Speaker 1: know that we wanted people to let's talk about it, yeah,

156
00:08:08,200 --> 00:08:10,880
Speaker 1: because no one wants to talk about it. Everyone wants

157
00:08:10,920 --> 00:08:13,760
Speaker 1: to act so like it's so taboo. And I think

158
00:08:13,800 --> 00:08:15,760
Speaker 1: that that's what made the record really go, and it's

159
00:08:15,800 --> 00:08:19,760
Speaker 1: making the record really go, is the fact that it's

160
00:08:19,800 --> 00:08:26,040
Speaker 1: so real and it's like Hella underserved niche of that.

161
00:08:26,200 --> 00:08:28,440
Speaker 1: Like in R and B, you know what I'm saying, Like,

162
00:08:28,480 --> 00:08:30,200
Speaker 1: I feel like we don't have like an anthem like

163
00:08:30,240 --> 00:08:32,680
Speaker 1: that there's never been and men enjoy R and B.

164
00:08:32,880 --> 00:08:35,000
Speaker 1: I love R and B. And you know, I feel

165
00:08:35,040 --> 00:08:37,600
Speaker 1: like there's so much scorned woman music. Yeah, there's not

166
00:08:37,640 --> 00:08:41,960
Speaker 1: many songs that I feel like speak to this demographic

167
00:08:42,000 --> 00:08:44,280
Speaker 1: that's embraced it so well, just like every man in

168
00:08:44,320 --> 00:08:49,400
Speaker 1: the world except me obviously. Yeah. So the Jermaine Depris thing.

169
00:08:49,440 --> 00:08:52,800
Speaker 1: Obviously JD one of the greatest producers of all time,

170
00:08:52,840 --> 00:08:54,680
Speaker 1: but specifically when it comes to the R and B shit,

171
00:08:54,760 --> 00:08:57,360
Speaker 1: he's I mean, I don't know, man, he might be

172
00:08:57,480 --> 00:08:59,600
Speaker 1: the goat, you know. I mean you think of confessions

173
00:08:59,640 --> 00:09:05,520
Speaker 1: and shit, JD's that motherfucker. What was the initial like, uh,

174
00:09:06,160 --> 00:09:08,760
Speaker 1: link up with JD and like having him handle a

175
00:09:08,800 --> 00:09:11,360
Speaker 1: lot of the reins on the project. It wasn't supposed

176
00:09:11,400 --> 00:09:14,760
Speaker 1: to be that. On first meet up, we're really just

177
00:09:14,840 --> 00:09:19,040
Speaker 1: meeting our management team, just set up, you know, me

178
00:09:19,120 --> 00:09:21,480
Speaker 1: going through to go say what up to him? Right me,

179
00:09:21,640 --> 00:09:26,120
Speaker 1: Jermain Duprie, And you know, fast forward two three days

180
00:09:26,120 --> 00:09:30,240
Speaker 1: and it's like, yo, we're together every day, right and

181
00:09:30,360 --> 00:09:33,120
Speaker 1: we talk every day. You know. The relationships turned from

182
00:09:33,760 --> 00:09:36,280
Speaker 1: hero to you know, big bro shit. Yeah. You know, like,

183
00:09:36,480 --> 00:09:37,959
Speaker 1: I don't think it's a day that goes by we're

184
00:09:38,000 --> 00:09:40,600
Speaker 1: not calling or texting about whatever it is. You know,

185
00:09:40,640 --> 00:09:42,560
Speaker 1: at this point, what is something that you guys learned

186
00:09:42,559 --> 00:09:46,280
Speaker 1: creatively from j D? Because you know, when you're like

187
00:09:46,320 --> 00:09:48,400
Speaker 1: that prolific, I feel like I'm sure a lot of

188
00:09:48,400 --> 00:09:50,360
Speaker 1: the stuff he does just seems like effortlessly, but at

189
00:09:50,360 --> 00:09:53,040
Speaker 1: the end of the day, you could probably grab from Oh.

190
00:09:54,440 --> 00:09:56,640
Speaker 1: I think it is that though everything he does seems

191
00:09:56,679 --> 00:10:00,160
Speaker 1: so effortless that when we're with him, he's always he's

192
00:10:00,200 --> 00:10:02,480
Speaker 1: telling us we're thinking too hard. You'd be the first

193
00:10:02,480 --> 00:10:04,120
Speaker 1: to be like, bro, you're thinking about this way too hard.

194
00:10:04,600 --> 00:10:06,120
Speaker 1: If you haven't got it by now, either move on

195
00:10:06,200 --> 00:10:09,280
Speaker 1: or it's that thing right there. So that's his like

196
00:10:09,960 --> 00:10:12,520
Speaker 1: hit formula. He can tell you in like ten seconds, Yeah,

197
00:10:12,520 --> 00:10:15,040
Speaker 1: that's going to go that that's not the one. It's

198
00:10:15,040 --> 00:10:18,040
Speaker 1: the craziest thing with him, and it really shows in

199
00:10:18,080 --> 00:10:21,240
Speaker 1: this record because what I like to say that I

200
00:10:21,240 --> 00:10:25,400
Speaker 1: think he's great at is is real genius. And what

201
00:10:25,800 --> 00:10:28,920
Speaker 1: I mean by that is there's a level of genius

202
00:10:28,920 --> 00:10:35,040
Speaker 1: that I think that is for intellectual people to catch,

203
00:10:35,840 --> 00:10:38,160
Speaker 1: but I think there's another higher tier where even if

204
00:10:38,160 --> 00:10:41,960
Speaker 1: you're not smart, you still recognize the genius right, And

205
00:10:42,000 --> 00:10:44,480
Speaker 1: he's a way that finds a way of making everything

206
00:10:44,559 --> 00:10:47,760
Speaker 1: genius so simple, well, like a kid to get it right. Yeah,

207
00:10:47,760 --> 00:10:51,240
Speaker 1: And that's what I'm saying. He's his records supposed to

208
00:10:51,280 --> 00:10:54,000
Speaker 1: be palatable to everybody they should be right exactly so,

209
00:10:54,040 --> 00:10:56,520
Speaker 1: and I think that we've always I think that's something

210
00:10:56,559 --> 00:11:01,680
Speaker 1: that we really have always used some of that because

211
00:11:01,720 --> 00:11:05,439
Speaker 1: I think sometimes we've made like almost higher intellectual R

212
00:11:05,520 --> 00:11:07,080
Speaker 1: and B. Even in this it's just like we gotta

213
00:11:07,160 --> 00:11:09,959
Speaker 1: we gotta think, oh, we really listen to intelligence sometimes

214
00:11:10,000 --> 00:11:13,280
Speaker 1: the music from from our perspective. And I think he

215
00:11:13,400 --> 00:11:16,839
Speaker 1: was very clear with us about like, Yo, whatever you

216
00:11:16,880 --> 00:11:20,080
Speaker 1: guys have been doing is beautiful music, but let's make

217
00:11:20,120 --> 00:11:22,320
Speaker 1: things that kind of go across the board. Like people

218
00:11:22,440 --> 00:11:25,080
Speaker 1: need to understand it on the most basic level. They

219
00:11:25,080 --> 00:11:26,600
Speaker 1: don't need to be able to they don't have to

220
00:11:26,600 --> 00:11:28,520
Speaker 1: like break it down to be like, well, this this

221
00:11:28,559 --> 00:11:31,240
Speaker 1: and this happened. That's why tied into this line over here.

222
00:11:31,600 --> 00:11:34,080
Speaker 1: You know it sometimes if someone just can just stop

223
00:11:34,120 --> 00:11:37,400
Speaker 1: you and just be like, yo, exactly what you said there,

224
00:11:37,600 --> 00:11:39,920
Speaker 1: Just leave it like that. He's great at that and

225
00:11:39,960 --> 00:11:42,800
Speaker 1: not overthinking it exactly. And he's like, Yo, for the

226
00:11:42,800 --> 00:11:45,160
Speaker 1: spot in R and B that you want to go

227
00:11:45,679 --> 00:11:48,400
Speaker 1: take and that I can see that you you have

228
00:11:48,520 --> 00:11:51,240
Speaker 1: what it takes to go take that. This is the

229
00:11:51,280 --> 00:11:53,400
Speaker 1: way to go. It's like no different than like you know,

230
00:11:53,480 --> 00:11:55,800
Speaker 1: like I don't know Kendrick Lamar and like Section eighty,

231
00:11:55,840 --> 00:11:57,920
Speaker 1: which is fucking one of my favorite Kendric projects. Right,

232
00:11:57,920 --> 00:11:59,960
Speaker 1: But then on Good Kymad City, he like puts some

233
00:12:00,160 --> 00:12:02,160
Speaker 1: like hit, he puts some thought into, like you know,

234
00:12:02,600 --> 00:12:05,440
Speaker 1: some hits. I guess he took it. Oh my god,

235
00:12:05,480 --> 00:12:08,600
Speaker 1: he took away further for sure, like to pimp a Butterfly.

236
00:12:08,880 --> 00:12:12,080
Speaker 1: He said, fuck it, I'm doing me. Damn, he got

237
00:12:12,080 --> 00:12:13,680
Speaker 1: to it, you know what. I'm sure, by the way,

238
00:12:13,679 --> 00:12:16,960
Speaker 1: that's my Butterfly is my favorite Countrick album for the record, Yes,

239
00:12:17,480 --> 00:12:19,680
Speaker 1: but uh yeah, how do you guys like the new

240
00:12:19,720 --> 00:12:25,959
Speaker 1: Kendrick album. I think it's such a like beautiful piece

241
00:12:26,000 --> 00:12:29,200
Speaker 1: of art that I only feel like he can play

242
00:12:29,200 --> 00:12:31,319
Speaker 1: it in specific moments, Like I don't feel like he

243
00:12:31,360 --> 00:12:33,120
Speaker 1: can played it at all times. I have to like

244
00:12:33,240 --> 00:12:35,560
Speaker 1: be ready to just like you know, I felt like

245
00:12:35,559 --> 00:12:38,599
Speaker 1: that for about a week and now it's like it

246
00:12:38,840 --> 00:12:40,600
Speaker 1: just Rich Spirit. I just like can throw that ship

247
00:12:40,640 --> 00:12:46,040
Speaker 1: on work out, like definitely Rich Savior. There's some ship

248
00:12:46,120 --> 00:12:47,800
Speaker 1: on there. There's some ship. I feel like when it

249
00:12:47,840 --> 00:12:50,040
Speaker 1: first came out, I was kind of like, damn, what

250
00:12:50,080 --> 00:12:51,680
Speaker 1: do I like? Bang though, you know what I'm saying.

251
00:12:51,800 --> 00:12:54,560
Speaker 1: But now I'm like going back. I listen to that

252
00:12:54,559 --> 00:12:56,280
Speaker 1: ship a lot. I listen that shit when I work out.

253
00:12:56,320 --> 00:12:58,200
Speaker 1: That's why if I could, if I could work out

254
00:12:57,880 --> 00:13:00,240
Speaker 1: to your ship, I feel like I could hear on

255
00:13:00,360 --> 00:13:02,160
Speaker 1: like on the radio or like hear it in the car.

256
00:13:02,440 --> 00:13:04,120
Speaker 1: You know what I'm saying. But I feel like you

257
00:13:04,120 --> 00:13:06,920
Speaker 1: gotta say it's I feel like, more than most albums

258
00:13:06,960 --> 00:13:08,760
Speaker 1: in the last four or five years, you gotta really

259
00:13:08,800 --> 00:13:11,120
Speaker 1: like and you get I feel like it gets better

260
00:13:11,120 --> 00:13:14,320
Speaker 1: every time you listen to it. I'm sure as yeah.

261
00:13:14,760 --> 00:13:18,640
Speaker 1: I mean so, you guys also, did was it last

262
00:13:18,679 --> 00:13:20,760
Speaker 1: year you did the Tied ALTI side project? Last year

263
00:13:20,920 --> 00:13:22,959
Speaker 1: we did a mix tape with Tie. Shout out to

264
00:13:23,000 --> 00:13:27,160
Speaker 1: Tie one of the greats. You guys have two albums

265
00:13:27,160 --> 00:13:30,880
Speaker 1: out correct, and we just dropped our third up before that,

266
00:13:31,679 --> 00:13:37,000
Speaker 1: before the Tie Ship. I always feel like with the

267
00:13:37,000 --> 00:13:38,880
Speaker 1: OVO thing, right, It's like, do you ever feel like

268
00:13:38,880 --> 00:13:40,920
Speaker 1: that there's like a gift in a curse of being

269
00:13:41,040 --> 00:13:42,760
Speaker 1: with Ovo because at the end of the day, Drake

270
00:13:42,840 --> 00:13:44,319
Speaker 1: is the biggest artist in the world. He's one of

271
00:13:44,320 --> 00:13:49,040
Speaker 1: the most talented artists in the world, and I feel

272
00:13:49,040 --> 00:13:52,560
Speaker 1: like I appreciate his ear for who he signs to

273
00:13:52,600 --> 00:13:55,800
Speaker 1: the label because there's always like high I mean, I

274
00:13:55,800 --> 00:13:59,800
Speaker 1: wouldn't say always, but for the most part high artistic integrity.

275
00:13:59,800 --> 00:14:01,880
Speaker 1: When I think of like Majia Jordan and you guys,

276
00:14:04,640 --> 00:14:07,840
Speaker 1: I feel like he also is allowing people to develop,

277
00:14:07,960 --> 00:14:09,920
Speaker 1: Like artist development is like a real thing at OVO,

278
00:14:10,360 --> 00:14:12,600
Speaker 1: if that makes sense. But at the same time, that

279
00:14:12,679 --> 00:14:15,840
Speaker 1: takes time. And when you're signed to Drake, people probably

280
00:14:15,880 --> 00:14:18,320
Speaker 1: expect you to just come out swinging with like, you know,

281
00:14:18,440 --> 00:14:20,960
Speaker 1: fucking hit records and Drake features and all this shit.

282
00:14:21,080 --> 00:14:26,200
Speaker 1: You know, people look at his what he does for

283
00:14:26,240 --> 00:14:29,560
Speaker 1: features and what he does for the label as two

284
00:14:29,560 --> 00:14:31,960
Speaker 1: separate things, and they expect the same things. I think

285
00:14:31,960 --> 00:14:34,640
Speaker 1: it's different. I think him jumping on a record versus

286
00:14:34,720 --> 00:14:37,520
Speaker 1: him signing you, his mental approach to that is just

287
00:14:37,560 --> 00:14:40,080
Speaker 1: completely different. I think like he might find a record

288
00:14:40,080 --> 00:14:42,240
Speaker 1: and be cool, I'm gonna just hop on this wave,

289
00:14:42,320 --> 00:14:45,720
Speaker 1: come on, come on there, drop this, drop this, elevate

290
00:14:45,720 --> 00:14:48,200
Speaker 1: this record, and they call it the Drake Stimmy package. Yeah,

291
00:14:48,200 --> 00:14:50,840
Speaker 1: the stimmy right. Yes. Whereas I think with artists that

292
00:14:51,120 --> 00:14:54,160
Speaker 1: he's involved with, you know, the business of signing, I

293
00:14:54,200 --> 00:14:58,480
Speaker 1: think that he likes to be like this person's dope,

294
00:14:58,960 --> 00:15:02,560
Speaker 1: give them, give them what they need. This person's dope,

295
00:15:02,720 --> 00:15:05,920
Speaker 1: you know, give them what they need, versus the approach

296
00:15:05,960 --> 00:15:07,920
Speaker 1: that he takes when it's just like I'm jumping on

297
00:15:07,920 --> 00:15:10,200
Speaker 1: a run, right, I just feel like it's like dope

298
00:15:10,200 --> 00:15:13,400
Speaker 1: because you'll see like artist development happening at Ouvio, Like

299
00:15:13,440 --> 00:15:15,160
Speaker 1: you know what I'm saying, Like, it's not always like

300
00:15:15,440 --> 00:15:17,600
Speaker 1: the cheat code is like let me just get on

301
00:15:17,680 --> 00:15:20,480
Speaker 1: a song knowing what that's going to do. That's also

302
00:15:20,520 --> 00:15:23,560
Speaker 1: the easiest way for people to fail. I mean, if

303
00:15:23,560 --> 00:15:28,000
Speaker 1: you take an artist that's not in the drake position,

304
00:15:29,080 --> 00:15:35,920
Speaker 1: you give them the drake and then and insert name

305
00:15:36,040 --> 00:15:40,720
Speaker 1: here who's no longer relevant exactly, you know. And that's

306
00:15:40,760 --> 00:15:44,920
Speaker 1: why we've always been really appreciative of the way that

307
00:15:44,960 --> 00:15:48,480
Speaker 1: he's embraced things and let us kind of develop on

308
00:15:48,560 --> 00:15:52,560
Speaker 1: our own path figure that out. And the same time,

309
00:15:52,640 --> 00:15:55,520
Speaker 1: like we still can go back and forth with records

310
00:15:55,640 --> 00:15:58,400
Speaker 1: or ideas, and that's how we ended up on the

311
00:15:58,480 --> 00:16:01,960
Speaker 1: Views album. More. That's how he's had songs that he's

312
00:16:01,960 --> 00:16:03,440
Speaker 1: written and he'll throw to us and be like, yo,

313
00:16:03,560 --> 00:16:04,840
Speaker 1: what do you think of this record? You want to

314
00:16:04,880 --> 00:16:07,040
Speaker 1: do something with it? Or you know, and there's always

315
00:16:07,040 --> 00:16:09,480
Speaker 1: been that freedom, but there's never the pressure to feel like,

316
00:16:09,600 --> 00:16:12,880
Speaker 1: you guys don't have to do the Drake way of

317
00:16:12,960 --> 00:16:15,840
Speaker 1: doing so, you don't have to do it the way

318
00:16:16,880 --> 00:16:21,160
Speaker 1: the traditional like label process would be. Not only that,

319
00:16:21,240 --> 00:16:23,880
Speaker 1: but I think it helps every artist on the label

320
00:16:24,080 --> 00:16:30,120
Speaker 1: kind of own own their brand, right. That's smart, Yeah,

321
00:16:30,160 --> 00:16:32,600
Speaker 1: because I think that division like we have our we

322
00:16:32,720 --> 00:16:36,640
Speaker 1: definitely have our own brand and your own following, following

323
00:16:36,680 --> 00:16:40,840
Speaker 1: our fans. It's independent of everything, independent of anything. So

324
00:16:41,160 --> 00:16:44,640
Speaker 1: I love that we've been able to to have the

325
00:16:44,680 --> 00:16:47,280
Speaker 1: space to do that and to be you know, successful

326
00:16:47,280 --> 00:16:49,400
Speaker 1: in doing that. What was his reaction when you heard

327
00:16:49,400 --> 00:16:51,680
Speaker 1: this record? We haven't. We haven't talked to anybody since

328
00:16:51,680 --> 00:16:56,680
Speaker 1: we dropped Jesus bro. We literally in the tunnels just

329
00:16:56,680 --> 00:16:59,280
Speaker 1: trying to get this album done so justice over there

330
00:16:59,320 --> 00:17:03,760
Speaker 1: is and kill us. But we literally haven't talked to

331
00:17:03,800 --> 00:17:06,879
Speaker 1: anybody sent you know, we don't. We literally locked in

332
00:17:06,880 --> 00:17:10,600
Speaker 1: the studio, cooked up and popped our head out to

333
00:17:10,680 --> 00:17:13,000
Speaker 1: drop this and even this record. Why we popped our

334
00:17:13,000 --> 00:17:15,640
Speaker 1: head up to drop this is because we've been inviting

335
00:17:15,720 --> 00:17:19,320
Speaker 1: people to the studio just to you know, hear things,

336
00:17:19,960 --> 00:17:22,960
Speaker 1: and every time we played that record, the whole room

337
00:17:23,200 --> 00:17:26,520
Speaker 1: burst into argument for like half an hour an hour time,

338
00:17:26,880 --> 00:17:29,359
Speaker 1: so we're like, Yo, what is happening? And every guy

339
00:17:29,440 --> 00:17:32,800
Speaker 1: felt like liberated. Some women are like, yeah, you know what,

340
00:17:32,840 --> 00:17:34,600
Speaker 1: I get that. You know it's honest. Some girls like, oh,

341
00:17:34,600 --> 00:17:37,760
Speaker 1: it's a bop. Some girls are like, man, I'm triggered.

342
00:17:37,800 --> 00:17:41,480
Speaker 1: You know, I'm mad, you know, And we're just like, Yo,

343
00:17:41,600 --> 00:17:44,440
Speaker 1: what is happening. This has never happened with a song

344
00:17:44,520 --> 00:17:46,879
Speaker 1: like this, and so because of that, we just we

345
00:17:46,920 --> 00:17:48,680
Speaker 1: got to get this thing out. This is also the

346
00:17:48,720 --> 00:17:51,920
Speaker 1: first album that we've done outside of Toronto. You guys

347
00:17:51,920 --> 00:17:57,080
Speaker 1: do were you guys doing in Atlanta? It's amazing. Whose

348
00:17:57,080 --> 00:17:59,320
Speaker 1: idea was? It was your idea? JD's idea to sample

349
00:17:59,400 --> 00:18:01,480
Speaker 1: Jay to the jay z is both of us, because

350
00:18:01,600 --> 00:18:06,760
Speaker 1: me and JD were joking about how ridiculous that line.

351
00:18:07,320 --> 00:18:09,080
Speaker 1: It's like, Yo, that's a crazy line. What if we

352
00:18:09,160 --> 00:18:10,480
Speaker 1: use it? And then I was like, I don't really

353
00:18:10,480 --> 00:18:12,360
Speaker 1: think I can do that. He's like, Wow, I don't

354
00:18:12,359 --> 00:18:14,600
Speaker 1: think we're to get that cleared. He's like, I'll handle

355
00:18:14,600 --> 00:18:17,080
Speaker 1: the clear and stuff. You just sample however, you see,

356
00:18:17,119 --> 00:18:19,040
Speaker 1: like how you see that fitting in the record, And

357
00:18:19,040 --> 00:18:21,920
Speaker 1: I'll do the rest and he did he took care

358
00:18:21,920 --> 00:18:25,080
Speaker 1: of Hope cleared it. Hope cleared it. I mean, and

359
00:18:25,119 --> 00:18:27,840
Speaker 1: it's it's it's cool because I saw I actually saw

360
00:18:27,880 --> 00:18:31,720
Speaker 1: the like I think the chext conversation or whatever that

361
00:18:31,720 --> 00:18:33,400
Speaker 1: that came out about Whole Clear, and I didn't hear

362
00:18:33,400 --> 00:18:36,280
Speaker 1: the record yet, So when I heard it, I was like, oh, ship,

363
00:18:36,680 --> 00:18:41,760
Speaker 1: they use that and it's perfect for the for the song. Yeah,

364
00:18:42,000 --> 00:18:45,600
Speaker 1: it works. It was message because again to say something

365
00:18:45,640 --> 00:18:47,840
Speaker 1: like that, you know again you're you're in your full

366
00:18:48,160 --> 00:18:50,359
Speaker 1: ego at that moment to be able to tell somebody

367
00:18:50,480 --> 00:18:53,480
Speaker 1: like it was just I was just doing that, like

368
00:18:53,920 --> 00:18:57,639
Speaker 1: I was coming right back and thinking that that's what percentage.

369
00:18:57,680 --> 00:18:59,520
Speaker 1: Are we done with the album or is it done

370
00:18:59,640 --> 00:19:05,160
Speaker 1: or is it like you guys get on the album.

371
00:19:05,440 --> 00:19:08,600
Speaker 1: I mean, you're gonna have to wait and see on

372
00:19:08,640 --> 00:19:11,560
Speaker 1: the remix at least yeo. I said you're gonna have

373
00:19:11,560 --> 00:19:16,320
Speaker 1: to wait and see. It feels like yeah, yeah you

374
00:19:16,359 --> 00:19:18,040
Speaker 1: said yeah, because the usher it feels like it's a

375
00:19:18,119 --> 00:19:23,879
Speaker 1: nice connection there. M hmm yeah yeah, what about the

376
00:19:23,880 --> 00:19:27,080
Speaker 1: Brat I'm just kidding that would be random as you

377
00:19:27,160 --> 00:19:30,439
Speaker 1: just have like the SOSO based All Stars like on

378
00:19:30,520 --> 00:19:32,480
Speaker 1: like the last song. You know what I mean, record

379
00:19:32,720 --> 00:19:38,600
Speaker 1: seen like bone Crusher a little Bow. Wow, she no,

380
00:19:38,720 --> 00:19:43,800
Speaker 1: she's just like this record is so fire. Bra Functified

381
00:19:43,880 --> 00:19:49,280
Speaker 1: was incredible shoutouts. Yeah, so first album outside of Toronto, right,

382
00:19:49,400 --> 00:19:51,359
Speaker 1: or just Canada in general? What part are you? Guys?

383
00:19:51,359 --> 00:19:54,480
Speaker 1: Both from Toronto? From Toronto? I keep hearing about Toronto.

384
00:19:54,480 --> 00:19:56,880
Speaker 1: I hear it's amazing, man, you to come. I heard.

385
00:19:56,920 --> 00:20:00,000
Speaker 1: It's like, yeah, I heard it's a vibe. Yeah. Everybody

386
00:20:00,119 --> 00:20:02,320
Speaker 1: I know from you guys are just the nicest people.

387
00:20:03,480 --> 00:20:06,200
Speaker 1: Canadians are just so sweet. Man. I don't know one

388
00:20:06,240 --> 00:20:08,400
Speaker 1: dickhead is a Canadian. Now, you guys probably do because

389
00:20:08,400 --> 00:20:10,960
Speaker 1: you're from there. All the Canadians I come into context

390
00:20:11,040 --> 00:20:13,919
Speaker 1: seem to be sweet guys. Yeah, what is it? Why

391
00:20:14,080 --> 00:20:18,879
Speaker 1: is that? I don't think that's accurate? Well, why is it?

392
00:20:19,720 --> 00:20:21,600
Speaker 1: I just feel like, is it because there's like fucking

393
00:20:21,680 --> 00:20:26,760
Speaker 1: you know, uh, free healthcare, less distress about less aggressive

394
00:20:26,800 --> 00:20:29,240
Speaker 1: people in general? Yeah? I think that you guys call

395
00:20:29,280 --> 00:20:33,520
Speaker 1: ham Canadian bacon. There's no Canadian bacon is a certain type,

396
00:20:35,320 --> 00:20:37,919
Speaker 1: not a Papa John's. You get that Papa John's. You say, hey,

397
00:20:38,000 --> 00:20:39,800
Speaker 1: we got Canadian bacon, and it comes in, it's hawn.

398
00:20:40,119 --> 00:20:41,520
Speaker 1: I know a lot of people. I gotta say this

399
00:20:41,560 --> 00:20:43,399
Speaker 1: because Church Toronto people will see this. I know a

400
00:20:43,440 --> 00:20:47,760
Speaker 1: lot of Toronto people that feel the complete opposite about

401
00:20:48,080 --> 00:20:52,320
Speaker 1: Toronto versus States, Like everyone from the US is nice,

402
00:20:52,359 --> 00:20:55,280
Speaker 1: super nice. Really, have you ever been to like, I

403
00:20:55,280 --> 00:20:58,760
Speaker 1: don't know, fucking Tennessee or Mississippi or something. I'm saying,

404
00:20:58,800 --> 00:21:03,560
Speaker 1: maybe I haven't been even places at Atlanta, Houston, go

405
00:21:03,600 --> 00:21:06,639
Speaker 1: to the middle of America, Yeah, that's different. So but

406
00:21:06,720 --> 00:21:11,200
Speaker 1: I'm seeing the places that I go, the the people

407
00:21:11,240 --> 00:21:13,480
Speaker 1: that I meet as far as especially in comparison to

408
00:21:13,560 --> 00:21:17,200
Speaker 1: the black community in Toronto's way more love especially in

409
00:21:17,240 --> 00:21:20,520
Speaker 1: the South and stuff like that amongst them versus than

410
00:21:20,560 --> 00:21:24,440
Speaker 1: it is in Toronto. And I think it's the Southern hospitality.

411
00:21:25,200 --> 00:21:28,159
Speaker 1: I think it's also to get all deep, but I

412
00:21:28,200 --> 00:21:29,719
Speaker 1: think no, really, I know it's not to get all

413
00:21:29,760 --> 00:21:31,640
Speaker 1: deep Jesus, But I think it's that. I think it's

414
00:21:31,640 --> 00:21:34,359
Speaker 1: the fact that I think it's the fact that people

415
00:21:34,400 --> 00:21:37,280
Speaker 1: have always there's always been like and just the racism

416
00:21:37,520 --> 00:21:40,359
Speaker 1: idea of it all has kind of made black people

417
00:21:40,480 --> 00:21:42,400
Speaker 1: kind of feel to other black people like, oh, you're

418
00:21:42,400 --> 00:21:45,679
Speaker 1: one of us, you know, And in Toronto. It's a

419
00:21:45,680 --> 00:21:48,919
Speaker 1: lot of the island culture, like Jamaican and Island culture

420
00:21:48,960 --> 00:21:52,399
Speaker 1: kind of runs that and Island people are just you know,

421
00:21:52,400 --> 00:21:54,320
Speaker 1: they have their own attitude about them at all times.

422
00:21:54,359 --> 00:21:57,960
Speaker 1: That kind of that's kind of what they are. Like, Okay,

423
00:21:58,640 --> 00:22:01,359
Speaker 1: when you get there, I won't even make a comment.

424
00:22:01,400 --> 00:22:06,840
Speaker 1: Then everybody's nice. Yeah, the world's nice. How do you

425
00:22:06,880 --> 00:22:10,479
Speaker 1: feel about you guys? Have Justin Trudeau running your country

426
00:22:10,520 --> 00:22:13,199
Speaker 1: and I know that, like there's like a crazy like

427
00:22:14,240 --> 00:22:16,280
Speaker 1: I know, people fucked with him, and then COVID happened

428
00:22:16,280 --> 00:22:18,960
Speaker 1: and it seems like he's How do y'all feel about

429
00:22:18,960 --> 00:22:23,359
Speaker 1: this guy? I think COVID made everything different, you know,

430
00:22:23,600 --> 00:22:26,200
Speaker 1: I won't say better or worse. I think it made

431
00:22:26,200 --> 00:22:29,840
Speaker 1: things different. And this was one of the few times

432
00:22:29,920 --> 00:22:34,720
Speaker 1: that the world looked at Canada as not being like

433
00:22:34,800 --> 00:22:38,360
Speaker 1: one of the leaders as far as the way things

434
00:22:38,359 --> 00:22:40,679
Speaker 1: were handled right, you know, I think people always look

435
00:22:40,760 --> 00:22:42,439
Speaker 1: to Canadians like, oh, the way they do it up

436
00:22:42,480 --> 00:22:44,720
Speaker 1: there is they got you know, they got they get

437
00:22:44,720 --> 00:22:47,879
Speaker 1: the healthcare. Yeah, this was one of the five times

438
00:22:47,880 --> 00:22:50,560
Speaker 1: where it seems like we weren't necessarily the front runner

439
00:22:51,280 --> 00:22:54,720
Speaker 1: as far as how certain things were handled. Even right now,

440
00:22:54,720 --> 00:22:58,800
Speaker 1: the airports are crazy, and you know, there shouldn't be

441
00:22:58,960 --> 00:23:01,879
Speaker 1: that much of a difference between even us in the

442
00:23:01,880 --> 00:23:06,800
Speaker 1: States as far as how we've kind of transitioned out

443
00:23:07,200 --> 00:23:10,080
Speaker 1: of you know, if we have transitioned out, I think

444
00:23:10,240 --> 00:23:12,280
Speaker 1: we're coming right back into it. I mean, you guys

445
00:23:12,280 --> 00:23:14,520
Speaker 1: have been in Atlanta. You guys know it don't exist there.

446
00:23:15,040 --> 00:23:18,359
Speaker 1: What how many how many meals if you guys shared

447
00:23:18,359 --> 00:23:19,960
Speaker 1: at a strip club in the last twelve months in

448
00:23:19,960 --> 00:23:25,720
Speaker 1: Atlanta at least one, right, at least Yeah, Blue Flame

449
00:23:25,800 --> 00:23:28,159
Speaker 1: got great Wings. That's one of the strip clubes I

450
00:23:28,160 --> 00:23:30,600
Speaker 1: actually still haven't gone to yet. There's like, there's a

451
00:23:30,600 --> 00:23:33,959
Speaker 1: strip club there that plays terrible music. It's like Nickelback

452
00:23:34,000 --> 00:23:37,760
Speaker 1: and know exactly what you're talking about, lamb Chops. I

453
00:23:37,800 --> 00:23:39,800
Speaker 1: know exactly what you're talking about. It's actually right out

454
00:23:39,800 --> 00:23:41,880
Speaker 1: the side. It's on the south side. It's like, yeah,

455
00:23:41,920 --> 00:23:44,720
Speaker 1: they got great lamb chops. No, he's not talking about

456
00:23:44,720 --> 00:23:47,479
Speaker 1: you though, he's not talking about that's right. No, they

457
00:23:47,520 --> 00:23:49,879
Speaker 1: got the lamb chops. She's just definitely playing Nickelback. It's

458
00:23:49,960 --> 00:23:53,120
Speaker 1: the the other one up up the street from No, no,

459
00:23:53,119 --> 00:23:56,120
Speaker 1: no, no no, he's it's Cheata it's cheatah. Yeah, no, no no, no,

460
00:23:56,320 --> 00:24:00,199
Speaker 1: the Lamb Chees isn't playing nickel Back anymore. I've been

461
00:24:00,240 --> 00:24:02,040
Speaker 1: there three times in the last when I went there,

462
00:24:02,160 --> 00:24:04,400
Speaker 1: they were playing some fucking nickelback when I went when

463
00:24:04,400 --> 00:24:07,520
Speaker 1: I went to cheating there by the way, play nickelback Canadian?

464
00:24:08,200 --> 00:24:10,280
Speaker 1: When's that happening? Boys? When we're gonna do the little

465
00:24:10,320 --> 00:24:15,040
Speaker 1: fucking collapse? Are they still out? Man? That's a big

466
00:24:15,280 --> 00:24:20,439
Speaker 1: is that? Y'all ship people? But I was like, I

467
00:24:20,480 --> 00:24:22,440
Speaker 1: think about kind of secretly of a couple of bands.

468
00:24:23,560 --> 00:24:26,000
Speaker 1: They got a few Spider Man, the Spider Man soundtrack,

469
00:24:26,000 --> 00:24:29,119
Speaker 1: I liked Hero Hero track. I liked. Yeah, their music

470
00:24:29,240 --> 00:24:32,720
Speaker 1: is better than Creed's. I'll tell you that is it.

471
00:24:32,920 --> 00:24:37,119
Speaker 1: I thought that I thought people. I thought music was atrocious. People.

472
00:24:37,200 --> 00:24:42,840
Speaker 1: People always ship on Nickelback like they're the they're the

473
00:24:42,920 --> 00:24:44,960
Speaker 1: lesser Creed is what I always talk to people thought.

474
00:24:45,119 --> 00:24:46,880
Speaker 1: But I'm trying to figure out a word that you're

475
00:24:46,880 --> 00:24:49,600
Speaker 1: getting be canceled that they're the something is banned in

476
00:24:49,600 --> 00:24:52,960
Speaker 1: the world, right, but they're not. But what what's the something?

477
00:24:53,000 --> 00:24:54,560
Speaker 1: Will come on? Just give it? What's the word? Man?

478
00:24:54,720 --> 00:24:57,920
Speaker 1: Something is? You know what? No, I don't in the world.

479
00:24:58,320 --> 00:25:06,919
Speaker 1: Ah wow, we're just gonna bleep that out. It's it's

480
00:25:06,920 --> 00:25:10,840
Speaker 1: almost like it's like it's like Nickelback is like the

481
00:25:11,320 --> 00:25:13,159
Speaker 1: but all these bands aren't They just kind of like

482
00:25:13,240 --> 00:25:18,160
Speaker 1: the flow right of like Rockberry right, poppy, it's poppy, right, yeah,

483
00:25:18,960 --> 00:25:22,440
Speaker 1: but like Lincoln Park was poppy, you know, like I

484
00:25:22,480 --> 00:25:25,280
Speaker 1: guess but not but I like Lincoln Park, Creeds from

485
00:25:25,320 --> 00:25:27,720
Speaker 1: Canada or not Creed uh, nickel Backs from Canada? So

486
00:25:27,720 --> 00:25:30,000
Speaker 1: those you're those y'all. You know, y'all got to stick together. Man,

487
00:25:30,400 --> 00:25:32,040
Speaker 1: it'd be kind of crazy if y'all did a record

488
00:25:32,080 --> 00:25:35,160
Speaker 1: with Creed, it might sound terrible. Creed, I keep saying

489
00:25:35,160 --> 00:25:39,879
Speaker 1: Creed Nickelback, Right, I'm confusing my Caucasians. I'm confusing my

490
00:25:39,920 --> 00:25:45,040
Speaker 1: shitty rock bands. Guys, jesus here we are. So do

491
00:25:45,040 --> 00:25:47,000
Speaker 1: we have any idea of the project? Will be dropping

492
00:25:47,240 --> 00:25:50,320
Speaker 1: in the next couple of months and then so soon? Yeah? Nice?

493
00:25:50,600 --> 00:25:53,560
Speaker 1: How fun was the little photo shoot y'all with the

494
00:25:53,600 --> 00:25:57,520
Speaker 1: with the you know you're for the single? That wasn't

495
00:25:57,560 --> 00:25:59,719
Speaker 1: We had to do that a couple of times, just

496
00:26:00,119 --> 00:26:04,640
Speaker 1: could look that way, But no, it's dope. The models

497
00:26:04,680 --> 00:26:11,960
Speaker 1: all all got into character. Nice character for it. I

498
00:26:12,040 --> 00:26:17,320
Speaker 1: put on a silk shirt if you wear those like normally, Yeah, uncomfortable,

499
00:26:18,000 --> 00:26:21,000
Speaker 1: silk uncomfortable, like if it's hot. I'm from Arizona, so

500
00:26:21,080 --> 00:26:24,479
Speaker 1: this doesn't like sticks the breathiest. I don't know. I've

501
00:26:24,480 --> 00:26:26,680
Speaker 1: never worn when you're shaped like me, I'm shaped like

502
00:26:26,680 --> 00:26:28,840
Speaker 1: a bag of potatoes. I can't wear a fucking silk shirt.

503
00:26:28,880 --> 00:26:30,720
Speaker 1: You said you're in the gym. Now you listen, I am,

504
00:26:30,800 --> 00:26:32,800
Speaker 1: I've been working out. I have been working out, but

505
00:26:32,840 --> 00:26:36,480
Speaker 1: I still I still, I still still got What do

506
00:26:36,520 --> 00:26:40,359
Speaker 1: I look like in his silk shirt? Broom a boat,

507
00:26:41,119 --> 00:26:44,439
Speaker 1: Get a pair of shorts, some fresh white Air Force shorts.

508
00:26:46,320 --> 00:26:51,920
Speaker 1: All the time, everyone says, Okay, Scott's sorches little brother.

509
00:26:52,520 --> 00:26:56,880
Speaker 1: The thing? Did you say that on purpose? That Scott's

510
00:26:56,880 --> 00:27:00,760
Speaker 1: a great guy? Have you met Scott Storch one time?

511
00:27:01,040 --> 00:27:05,760
Speaker 1: My great guy, change, great guy, great guy, very talented.

512
00:27:06,320 --> 00:27:08,640
Speaker 1: He's like I would say, he's where would you guys

513
00:27:08,640 --> 00:27:12,960
Speaker 1: put him all time? Top fifteen who got storage as

514
00:27:12,960 --> 00:27:16,520
Speaker 1: a producer? Yeah? Top fifteen? Rap? You sing rap? Or

515
00:27:16,520 --> 00:27:18,359
Speaker 1: are you saying I'm saying rap? Ye? Because if you

516
00:27:18,359 --> 00:27:22,199
Speaker 1: go all rob what because of how high dre is

517
00:27:22,200 --> 00:27:25,040
Speaker 1: going to be? And people don't realize how much he's

518
00:27:25,400 --> 00:27:28,480
Speaker 1: especially JWO thousand and one. Yeah, then I think you

519
00:27:28,600 --> 00:27:31,880
Speaker 1: gotta put him not I think he could get top fifteen. Yeah,

520
00:27:32,560 --> 00:27:34,440
Speaker 1: not faring, So I don't think that. I think people

521
00:27:34,480 --> 00:27:37,679
Speaker 1: just forget how much he did. Yeah, who's your who's your? Like?

522
00:27:37,800 --> 00:27:52,280
Speaker 1: Top five producers hip hop all time? Wow, top five Yay, Timberland, Neptunes, Primo.

523
00:27:54,000 --> 00:27:59,119
Speaker 1: Just there's too many Just Blaze, just Blazes, So you

524
00:27:59,119 --> 00:28:01,000
Speaker 1: don't have Drey in there, and you don't have Jermaine

525
00:28:01,000 --> 00:28:03,240
Speaker 1: to prea give him right, he's just doing your whole

526
00:28:03,240 --> 00:28:08,159
Speaker 1: album too many? Yeah, because Jermaine, it's like so much

527
00:28:08,200 --> 00:28:10,159
Speaker 1: bigger than just hip hop. I agree. I agree. So

528
00:28:10,200 --> 00:28:12,920
Speaker 1: it's timblind, but I actually feel like I actually feel

529
00:28:12,920 --> 00:28:16,000
Speaker 1: like Timberland if you think about the Range. I don't

530
00:28:16,000 --> 00:28:18,760
Speaker 1: know if anyone's fucking with Timberland now. My personal favorite

531
00:28:18,760 --> 00:28:21,200
Speaker 1: ever is just Blaze, Like he's my personal favorite. I

532
00:28:21,240 --> 00:28:23,200
Speaker 1: know he's not the best, but he's my personal number one.

533
00:28:23,560 --> 00:28:26,760
Speaker 1: But Timberland to me is like the Range if you

534
00:28:26,760 --> 00:28:32,040
Speaker 1: think about justin, Timberlake was my favorite, was my favorite producer,

535
00:28:32,080 --> 00:28:33,880
Speaker 1: and I actually just met him for the first time

536
00:28:33,960 --> 00:28:37,120
Speaker 1: maybe like three weeks ago, there was like a bubb

537
00:28:37,160 --> 00:28:42,800
Speaker 1: A Sparks album called Deliverance that it's crazy. No one

538
00:28:42,800 --> 00:28:45,120
Speaker 1: talks about that album. I'm like, y'all understand this motherfucker

539
00:28:45,160 --> 00:28:47,360
Speaker 1: did a whole country rap album that was like flawless.

540
00:28:48,480 --> 00:28:50,880
Speaker 1: I haven't heard that album. Deliverance is crazy, don't listen

541
00:28:50,920 --> 00:28:52,400
Speaker 1: to The first album is like the mom but Ugly,

542
00:28:52,440 --> 00:28:54,880
Speaker 1: which is a great record, But the second one is

543
00:28:54,880 --> 00:28:57,000
Speaker 1: the one we sampling all kinds of like folk, country

544
00:28:57,040 --> 00:29:00,000
Speaker 1: and ship. Yeah. Timberland's that guy man. So we're getting

545
00:29:00,080 --> 00:29:03,480
Speaker 1: album in the next couple of months. Yeah, videos dope.

546
00:29:04,360 --> 00:29:06,560
Speaker 1: I saw that Joe Biden was a little critical of

547
00:29:06,600 --> 00:29:08,760
Speaker 1: this record. He's a fan of you guys obviously, But

548
00:29:09,880 --> 00:29:11,760
Speaker 1: was that just coming with having Mal in the video?

549
00:29:11,960 --> 00:29:15,160
Speaker 1: I mean, I think definitely mall played a part in that.

550
00:29:15,240 --> 00:29:17,160
Speaker 1: I think we knew once Mal was in the video.

551
00:29:17,880 --> 00:29:21,480
Speaker 1: I mean, it's crazy because I wasn't thinking about it

552
00:29:21,520 --> 00:29:23,480
Speaker 1: at all, and then I it hit me. I was like, oh,

553
00:29:23,520 --> 00:29:26,480
Speaker 1: you know what, Joe, my Je's gonna probably have something

554
00:29:26,520 --> 00:29:29,000
Speaker 1: to say because he said, you guys talk right, you know,

555
00:29:29,040 --> 00:29:31,160
Speaker 1: we DM and hearing he's an R and B fan,

556
00:29:31,320 --> 00:29:32,800
Speaker 1: Like he talks about R and B a lot. Yeah,

557
00:29:32,840 --> 00:29:36,280
Speaker 1: he you know, he's he's good for saying a lot

558
00:29:36,280 --> 00:29:40,000
Speaker 1: of real things, but he's also good for just kind

559
00:29:40,000 --> 00:29:43,240
Speaker 1: of just saying things sometimes. So it is what it is,

560
00:29:43,280 --> 00:29:45,640
Speaker 1: you know, he's he I think he said we dropped

561
00:29:45,640 --> 00:29:48,840
Speaker 1: an album in twenty sixteen, then another one in twenty nineteen,

562
00:29:49,440 --> 00:29:51,040
Speaker 1: and so we don't drop enough for him. And I

563
00:29:51,080 --> 00:29:54,680
Speaker 1: was like, that is not our album. That's not accurate

564
00:29:55,040 --> 00:29:57,320
Speaker 1: at all. But shout out to Joe. You know, whatever,

565
00:29:57,360 --> 00:29:59,239
Speaker 1: it is, what it is. She just can't. He's just

566
00:29:59,240 --> 00:30:02,160
Speaker 1: not the division wikipedia he thinks he is. And sometimes

567
00:30:02,200 --> 00:30:06,280
Speaker 1: he's just wrong on records. Wrong. Great, this one's already

568
00:30:06,280 --> 00:30:08,840
Speaker 1: proven that he's went out, and you know, he said

569
00:30:08,880 --> 00:30:11,200
Speaker 1: what he said, and then you know, I think the same.

570
00:30:12,280 --> 00:30:14,160
Speaker 1: Maybe like a few days later, we heard the most

571
00:30:14,240 --> 00:30:17,680
Speaker 1: number one added song to urban radio. You know, so

572
00:30:18,640 --> 00:30:22,040
Speaker 1: you're wrong. I think it's like I think I watched

573
00:30:22,080 --> 00:30:26,520
Speaker 1: that clip and I think I think he's probably Like

574
00:30:27,360 --> 00:30:29,440
Speaker 1: it's kind of like if you're like a really big

575
00:30:29,440 --> 00:30:32,720
Speaker 1: fan of like an underground rapper, right, and then they

576
00:30:32,800 --> 00:30:36,720
Speaker 1: put out like a song with Drake or some crazy

577
00:30:36,800 --> 00:30:39,160
Speaker 1: and you're just like you didn't have to, you know,

578
00:30:39,200 --> 00:30:40,560
Speaker 1: what I mean. I feel like that that was more

579
00:30:40,600 --> 00:30:42,239
Speaker 1: his perspective. I don't agree with it because I love

580
00:30:42,280 --> 00:30:43,680
Speaker 1: this fucking song. I think the song is great, But

581
00:30:43,720 --> 00:30:46,160
Speaker 1: I think that, like I feel like, you know, everybody

582
00:30:46,160 --> 00:30:49,959
Speaker 1: who most fans who are with you from the beginning

583
00:30:50,000 --> 00:30:53,080
Speaker 1: when you have that first real big splash, and they're

584
00:30:53,160 --> 00:30:55,240
Speaker 1: kind of like, hmm, you know what I mean. So

585
00:30:55,280 --> 00:30:57,640
Speaker 1: maybe he was just speaking from that perspective. Maybe, you know.

586
00:30:57,880 --> 00:30:59,960
Speaker 1: And one thing about this song that I have noticed,

587
00:31:00,080 --> 00:31:02,960
Speaker 1: whether it's you know, a critic or just like a

588
00:31:04,000 --> 00:31:10,080
Speaker 1: casual listener, a fan, even is it's it sticks with

589
00:31:10,160 --> 00:31:12,040
Speaker 1: you in a way that's different. So I think that

590
00:31:12,760 --> 00:31:15,000
Speaker 1: even if on first listen you don't want to like it,

591
00:31:15,760 --> 00:31:17,880
Speaker 1: on second listen you realize that you kind of do

592
00:31:18,000 --> 00:31:19,320
Speaker 1: what you might not want to say. Even if you

593
00:31:19,320 --> 00:31:21,400
Speaker 1: don't like it, it's going to be in your you

594
00:31:21,440 --> 00:31:23,720
Speaker 1: can't get it out of you. So it's just it's

595
00:31:23,760 --> 00:31:25,720
Speaker 1: just that kind of song, which is cool. Would you

596
00:31:25,720 --> 00:31:28,280
Speaker 1: guys do a remix to this record if the if

597
00:31:28,320 --> 00:31:30,640
Speaker 1: the right idea came to mind, for sure, why not?

598
00:31:31,400 --> 00:31:33,120
Speaker 1: I feel like when the record gets this big, it's

599
00:31:33,120 --> 00:31:36,960
Speaker 1: like people are going to remix it themselves. Yeah, you'd

600
00:31:37,000 --> 00:31:42,040
Speaker 1: almost rather yeah, have like control the recontrol. Yeah. We've

601
00:31:42,080 --> 00:31:45,000
Speaker 1: seen some girls start to make their clap backs, which

602
00:31:45,000 --> 00:31:46,840
Speaker 1: I think is crazy. I think it's I haven't seen

603
00:31:46,840 --> 00:31:51,440
Speaker 1: any of these any good ones to Baby Tait, Baby Tait,

604
00:31:51,480 --> 00:31:58,160
Speaker 1: who's label mate? Yeah, okay, so no, she her, HER's

605
00:31:58,160 --> 00:32:01,400
Speaker 1: the fire. But you know, a bag of girls have

606
00:32:01,480 --> 00:32:03,680
Speaker 1: started to do it. And there's a bag of girls,

607
00:32:03,720 --> 00:32:06,680
Speaker 1: a group like a no, you know, a bunch of women.

608
00:32:13,080 --> 00:32:14,320
Speaker 1: You know, a bunch of a bunch of girls have

609
00:32:14,360 --> 00:32:16,920
Speaker 1: done it. And what I think is very interesting and

610
00:32:17,000 --> 00:32:19,000
Speaker 1: I think we knew was going to happen to besides

611
00:32:19,720 --> 00:32:24,040
Speaker 1: this song, bring this conversation about relationship and setting up

612
00:32:24,040 --> 00:32:26,840
Speaker 1: the story of the album. Blah blah blah. It's going

613
00:32:26,880 --> 00:32:28,600
Speaker 1: to show some some sides of people are showing a

614
00:32:28,600 --> 00:32:31,400
Speaker 1: lot of double standards and men. It's showing a lot

615
00:32:31,400 --> 00:32:34,160
Speaker 1: of even hipocrisy, though sometimes of women, because these women

616
00:32:34,200 --> 00:32:38,960
Speaker 1: are now making super over the top toxic clapbacks and

617
00:32:39,080 --> 00:32:42,440
Speaker 1: girls are now cheering it on like yes, man, talk

618
00:32:42,560 --> 00:32:45,160
Speaker 1: that ship, you know, and they're happy about it. Now.

619
00:32:45,720 --> 00:32:48,000
Speaker 1: I love this so many of those I love this.

620
00:32:48,120 --> 00:32:50,080
Speaker 1: Women have so many of them, so many What do

621
00:32:50,120 --> 00:32:53,160
Speaker 1: you mean we get so many insert R and insert

622
00:32:53,240 --> 00:32:59,000
Speaker 1: Keishah's discography here. Everything we've been enough, Somber Walker, Jesus

623
00:32:59,040 --> 00:33:02,160
Speaker 1: Simon Walker, everybody going and shout out to all that.

624
00:33:02,760 --> 00:33:06,440
Speaker 1: Of course, the great records that you know we got,

625
00:33:06,040 --> 00:33:08,040
Speaker 1: we haven't had. I feel like we haven't had some

626
00:33:08,040 --> 00:33:11,680
Speaker 1: ship like this since Confessions. It's been a while. Yeah,

627
00:33:11,840 --> 00:33:14,880
Speaker 1: have you guys? Confession's toxic. It wasn't toxic, but it

628
00:33:14,920 --> 00:33:17,479
Speaker 1: was definitely like, oh wow, he's like rapping about like

629
00:33:17,600 --> 00:33:20,120
Speaker 1: cheating and like sucking up a relationship and like, so,

630
00:33:20,120 --> 00:33:22,600
Speaker 1: why don't people take this the same way? I think

631
00:33:22,600 --> 00:33:27,920
Speaker 1: it's a little more blatant and we're fighting. It's an anthem.

632
00:33:28,000 --> 00:33:31,400
Speaker 1: It's a very anthem, like like you said, you guys

633
00:33:31,400 --> 00:33:35,320
Speaker 1: did the like male like, like everyone's chanting and let's

634
00:33:35,360 --> 00:33:39,480
Speaker 1: be honest, it's twenty twenty two. Motherfuckers are pussy out here.

635
00:33:41,240 --> 00:33:44,160
Speaker 1: I like that. Wow, nobody's used to men talking like

636
00:33:44,160 --> 00:33:46,080
Speaker 1: that shit on records, especially R and B. They're like,

637
00:33:46,120 --> 00:33:49,800
Speaker 1: oh my god, ruffel feathers. Yeah, you guys, mind fucking

638
00:33:49,800 --> 00:33:51,760
Speaker 1: When I got canceled in a few like group chats,

639
00:33:51,760 --> 00:33:53,120
Speaker 1: you know what I'm saying. You don't know for sure

640
00:33:55,240 --> 00:33:59,160
Speaker 1: but yeah it worked because the shock is, you know,

641
00:33:59,320 --> 00:34:02,120
Speaker 1: starting to wear. Often people are like, but I like

642
00:34:02,160 --> 00:34:03,400
Speaker 1: the song, Well there it is