1 00:00:04,280 --> 00:00:07,640 Speaker 1: Alright. Visiting us today is one of the greatest musicians 2 00:00:07,720 --> 00:00:11,520 Speaker 1: to have ever lived, sold out concerts across the globe, 3 00:00:11,840 --> 00:00:16,720 Speaker 1: over twenty five platinum albums and fourteen Grammys. Please welcome 4 00:00:17,079 --> 00:00:21,640 Speaker 1: the one and only Solomon Ocampo. Well, thank you for 5 00:00:21,680 --> 00:00:25,200 Speaker 1: having me, brother. It's truly an honor. Hey, honor is 6 00:00:25,239 --> 00:00:30,920 Speaker 1: all ours. Believe us. It's quite an impressive list of accomplishments. Well, 7 00:00:31,160 --> 00:00:34,720 Speaker 1: thank you, But to tell you the truth, I feel 8 00:00:34,760 --> 00:00:39,760 Speaker 1: like I'm just getting started. Amazing, amazing. Now You've been 9 00:00:39,800 --> 00:00:44,680 Speaker 1: called the Guido Master. That seems fitting. Yeah, well, I've 10 00:00:45,000 --> 00:00:49,000 Speaker 1: never called myself this. I've been playing all my life 11 00:00:49,720 --> 00:00:52,920 Speaker 1: and I still feel that I'm learning to this day. 12 00:00:53,400 --> 00:00:56,480 Speaker 1: You never want to stop learning, you know, because that's 13 00:00:56,520 --> 00:01:02,040 Speaker 1: when a species itself will die. Wow, that is deep. 14 00:01:02,280 --> 00:01:05,920 Speaker 1: That is deep. You know. I choose to stay humble, 15 00:01:07,160 --> 00:01:11,080 Speaker 1: but I also love to try new things. And and 16 00:01:11,160 --> 00:01:14,800 Speaker 1: that's why you're here with us. Uh, you're promoting your 17 00:01:14,840 --> 00:01:17,280 Speaker 1: new album, which I guess she can say is one 18 00:01:17,319 --> 00:01:23,640 Speaker 1: of those new things. Finally, your first solo unplugged acoustic album. 19 00:01:23,760 --> 00:01:29,520 Speaker 1: This is very very exciting, entitled Placidad el Fuego, yes Man, 20 00:01:30,040 --> 00:01:34,440 Speaker 1: City of Fire and and what what was the inspiration 21 00:01:35,120 --> 00:01:39,039 Speaker 1: behind all this? Well, the heart of it comes from 22 00:01:39,160 --> 00:01:42,480 Speaker 1: what I's been happening in the inter cities. You know, 23 00:01:42,560 --> 00:01:47,120 Speaker 1: you feel it, the energy that neglect, the suffering. You know. 24 00:01:47,200 --> 00:01:50,080 Speaker 1: I like to listen to people, not just with my ears, 25 00:01:50,480 --> 00:01:54,520 Speaker 1: but with my heart. They feel like they aren't being heard. 26 00:01:55,080 --> 00:01:58,600 Speaker 1: So this album, I do what I do best, and 27 00:01:58,600 --> 00:02:04,800 Speaker 1: that's to give the people a voice, right and can 28 00:02:04,840 --> 00:02:08,639 Speaker 1: you give us a little taste of the album. That's 29 00:02:08,639 --> 00:02:12,240 Speaker 1: why I'm here, brother, all right. Solomon Ocampo will be 30 00:02:12,240 --> 00:02:16,720 Speaker 1: playing excerpts from his new solo acoustic Guido album entitled 31 00:02:17,080 --> 00:02:22,400 Speaker 1: Last Dad in eltwego take it away? Okay. This first 32 00:02:22,440 --> 00:02:26,480 Speaker 1: tune will be my single from the album. I wrote 33 00:02:26,520 --> 00:02:30,200 Speaker 1: it during the Little Homie Riots two years ago. It's 34 00:02:30,240 --> 00:02:36,280 Speaker 1: about picking up the pieces. It's called big Heart, Little Hands. 35 00:03:00,040 --> 00:03:47,880 Speaker 1: M h m hm. Oh, oh my god. That's that 36 00:03:49,000 --> 00:03:53,120 Speaker 1: was straight fire, straight up fire. Thank you for coming, Solomon, Well, 37 00:03:53,160 --> 00:03:55,000 Speaker 1: thank you for having your brother and give me this 38 00:03:55,120 --> 00:04:05,040 Speaker 1: platform to share the voice of the people. We got 39 00:04:05,080 --> 00:04:07,880 Speaker 1: that laughter for your soul and now tuned into the 40 00:04:07,920 --> 00:04:13,800 Speaker 1: Frankie on this show. Thank you. Know. One time, it 41 00:04:13,840 --> 00:04:18,520 Speaker 1: isn't relationships. They always what they aim. You gotta be 42 00:04:18,600 --> 00:04:21,320 Speaker 1: on the same page to fulfill the dream. Talking it 43 00:04:21,440 --> 00:04:23,720 Speaker 1: out will help you realize things you didn't see. That's 44 00:04:23,720 --> 00:04:32,359 Speaker 1: why it's time to call it for advice with j D. Hello, 45 00:04:32,480 --> 00:04:40,400 Speaker 1: colored he what's up girl? Are you doing? I'm okay, 46 00:04:41,040 --> 00:04:43,800 Speaker 1: something's in probably mean a little bit lately. Oh well, 47 00:04:43,800 --> 00:04:47,240 Speaker 1: what's up? Tell me what's on your mind? So I'm 48 00:04:47,279 --> 00:04:51,080 Speaker 1: just wondering if you have any tips for how to 49 00:04:51,520 --> 00:04:55,479 Speaker 1: handle it. My boyfriend wants to invite another partner in 50 00:04:55,480 --> 00:04:59,720 Speaker 1: the bedroom and I'm open to it, and he told me, 51 00:05:00,600 --> 00:05:03,880 Speaker 1: but I'm just worried that, you know, he's asking because 52 00:05:03,880 --> 00:05:06,800 Speaker 1: he's bored with me, especially if this is gonna be 53 00:05:06,920 --> 00:05:12,240 Speaker 1: like a regular thing. Oh wow, what can I ask? 54 00:05:12,400 --> 00:05:16,880 Speaker 1: Does he mean any part of her? Woman? I mussulmi, Yes, 55 00:05:17,040 --> 00:05:20,080 Speaker 1: a woman? Okay, So you want to invite another Hinda 56 00:05:20,440 --> 00:05:25,120 Speaker 1: for a playtime in the bedroom? Yeah, okay. Well how 57 00:05:25,120 --> 00:05:27,120 Speaker 1: do you feel about this? Do you are you attracted 58 00:05:27,160 --> 00:05:31,039 Speaker 1: to women that I mean? Or is it more to 59 00:05:31,160 --> 00:05:36,760 Speaker 1: please him? I see, and I can always appreciate a woman. 60 00:05:36,960 --> 00:05:39,600 Speaker 1: You know, I've never hooked up the phone before, but 61 00:05:40,440 --> 00:05:42,760 Speaker 1: I think it would be kind of an interesting thing. 62 00:05:42,800 --> 00:05:48,080 Speaker 1: I'm open to expairment with him. Okay, that's nice. Okay, 63 00:05:48,160 --> 00:05:51,839 Speaker 1: let me ask you, how is the current sexual relationship 64 00:05:51,920 --> 00:05:53,960 Speaker 1: with you and your man? Like, how many times a 65 00:05:54,000 --> 00:05:58,320 Speaker 1: week are you? Remy? Oh, it's good. We're pretty steady. 66 00:05:58,720 --> 00:06:06,440 Speaker 1: We ran regularly. Well what's regularly? Um? Well, I would 67 00:06:06,440 --> 00:06:11,359 Speaker 1: say usually at least like four or five times a week. 68 00:06:11,880 --> 00:06:16,040 Speaker 1: I got on. Not congratulation. That's a healthy sexual relationship, 69 00:06:17,720 --> 00:06:20,640 Speaker 1: thank you. But you know, j C, we used to 70 00:06:20,720 --> 00:06:26,039 Speaker 1: ram every day. Oh well, I mean four or five 71 00:06:26,080 --> 00:06:30,400 Speaker 1: times a week is pretty close to every day, you know. Um, 72 00:06:30,400 --> 00:06:33,200 Speaker 1: I mean it's close, but we used to do it more. 73 00:06:34,200 --> 00:06:37,479 Speaker 1: I more. Dang. It sounds like both of you have 74 00:06:37,520 --> 00:06:43,320 Speaker 1: a strong sexual appetite, you know. Dang. It's like, yeah, 75 00:06:43,400 --> 00:06:47,560 Speaker 1: you can eat right there any time. I damn yeah, 76 00:06:48,360 --> 00:06:53,039 Speaker 1: sometimes multiple times a day. I got on, not dang. Um. 77 00:06:53,080 --> 00:06:57,520 Speaker 1: So let me ask you. So, if you invite that 78 00:06:57,680 --> 00:07:01,159 Speaker 1: sin into the bed, then you know it's gonna have 79 00:07:01,240 --> 00:07:04,800 Speaker 1: to be important to you, like that you trust her 80 00:07:05,320 --> 00:07:07,320 Speaker 1: and that you're attracted to her. You can just let 81 00:07:07,360 --> 00:07:10,320 Speaker 1: that out on and this is the one I want 82 00:07:10,320 --> 00:07:12,800 Speaker 1: to bring and whatever you need to be in control 83 00:07:12,800 --> 00:07:17,360 Speaker 1: of the bedroom. Okay, Okay, So you need to let 84 00:07:17,480 --> 00:07:19,720 Speaker 1: him know that out on a we can do this, 85 00:07:19,800 --> 00:07:22,440 Speaker 1: but on my terms, and the same for when she 86 00:07:22,640 --> 00:07:26,480 Speaker 1: gets brought into that situation, like you're right here and 87 00:07:26,520 --> 00:07:33,320 Speaker 1: are sanctuary, so you need to follow these rules. Okay, Okay, 88 00:07:33,480 --> 00:07:36,400 Speaker 1: I see what you're saying. So I just need to 89 00:07:36,520 --> 00:07:42,720 Speaker 1: understand and have some some some ground roles. Man. Absolutely, girl, absolutely, 90 00:07:43,880 --> 00:07:46,880 Speaker 1: you know, And because it sounds like you both have 91 00:07:46,960 --> 00:07:49,400 Speaker 1: so much sexual energy and you're just like, like, what 92 00:07:49,440 --> 00:07:51,840 Speaker 1: else can we do? You know, let's get crazier and 93 00:07:51,880 --> 00:07:54,760 Speaker 1: expand our horizons and that's all good and everything. I'm 94 00:07:54,760 --> 00:07:56,800 Speaker 1: not judging. I think that you should do that. If 95 00:07:56,840 --> 00:08:00,160 Speaker 1: that's what you want, you know, you know what me, 96 00:08:00,280 --> 00:08:03,520 Speaker 1: be careful and make sure that that Hannah doesn't come 97 00:08:03,560 --> 00:08:05,960 Speaker 1: in like, oh I want to get involved emotionally and 98 00:08:06,000 --> 00:08:08,240 Speaker 1: listen that and I want to get his parlow on 99 00:08:08,280 --> 00:08:11,560 Speaker 1: the side to me in. You know, that's your polo, okay, 100 00:08:11,600 --> 00:08:14,520 Speaker 1: and you need to let her know that. Okay, you 101 00:08:14,640 --> 00:08:17,760 Speaker 1: control that pollo. Okay. You can have her texting him 102 00:08:17,800 --> 00:08:21,400 Speaker 1: on theciety ay, and you know listen that. No, that's 103 00:08:21,400 --> 00:08:23,600 Speaker 1: when it's gonna get ugly, that's when there's red flags. 104 00:08:23,600 --> 00:08:28,840 Speaker 1: Govern Okay, Okay, okay, that makes sense. I think we 105 00:08:28,880 --> 00:08:30,960 Speaker 1: can do that. We're pretty open and let her know. 106 00:08:31,280 --> 00:08:33,559 Speaker 1: And one of the movie that's that you can do 107 00:08:33,679 --> 00:08:35,800 Speaker 1: to let her know that you're in control is a 108 00:08:35,960 --> 00:08:38,000 Speaker 1: when you get on naked in the bed, grab the 109 00:08:38,080 --> 00:08:40,839 Speaker 1: cover by the back of the head and boom, shove 110 00:08:40,880 --> 00:08:44,040 Speaker 1: her face into your panel, because your panel what's in 111 00:08:44,120 --> 00:08:48,560 Speaker 1: control and running a situation. Okay, and and really get 112 00:08:48,600 --> 00:08:51,160 Speaker 1: it in there and told she almost has trouble catching 113 00:08:51,160 --> 00:08:54,600 Speaker 1: her next breath, illuego let her up for air, and 114 00:08:54,640 --> 00:08:57,080 Speaker 1: just and look her in the eyes like, okay, you're 115 00:08:57,120 --> 00:08:59,760 Speaker 1: you're here in our sanctuary, in my bed. Okay, and 116 00:08:59,800 --> 00:09:03,800 Speaker 1: this is my and and and your pana holds supreme 117 00:09:03,840 --> 00:09:07,320 Speaker 1: power and you'll know that because she'll be stufficating inside 118 00:09:07,320 --> 00:09:12,720 Speaker 1: of there. Okay, okay, thanks, okay girl, thanks for calling. 119 00:09:13,200 --> 00:09:20,440 Speaker 1: M m mmmmmm mmmm. We got that laughter for your soul. 120 00:09:20,760 --> 00:09:23,439 Speaker 1: And now too. Then to the Frankie on this show, 121 00:09:29,320 --> 00:09:37,959 Speaker 1: a doctor creeper, A doctor creeper. He so, how long 122 00:09:37,960 --> 00:09:42,000 Speaker 1: you've been having these stomach pains? Like, I'm sorry, you're 123 00:09:42,040 --> 00:09:45,360 Speaker 1: the doctor. Yeah, help me? What it says? My diplomas 124 00:09:45,440 --> 00:09:47,040 Speaker 1: right there? All right? I don't want to get on 125 00:09:47,160 --> 00:09:49,040 Speaker 1: technical all right, on me and everything, because we got 126 00:09:49,080 --> 00:09:51,240 Speaker 1: a situation to deal with. All right, so let me 127 00:09:51,280 --> 00:09:53,480 Speaker 1: ask you something on me. Have you had a regular 128 00:09:53,600 --> 00:09:58,920 Speaker 1: bow movements? Excuse me? Yes? Yeah, I told you I 129 00:09:58,960 --> 00:10:01,319 Speaker 1: don't want to get on technical. You don't understand. Okay, 130 00:10:01,320 --> 00:10:03,800 Speaker 1: So about a moment, holmeie, have you taken a massa? 131 00:10:04,200 --> 00:10:06,760 Speaker 1: Have you ship lead? Yeah? I know I know what 132 00:10:06,800 --> 00:10:11,959 Speaker 1: that means. Yes, yes, of course. All right. Well, I 133 00:10:12,000 --> 00:10:14,280 Speaker 1: don't know how to tell you to say, but you know, 134 00:10:14,360 --> 00:10:17,880 Speaker 1: your ponta is pretty solid, so like, you know, if 135 00:10:17,880 --> 00:10:22,160 Speaker 1: you're regularly making massas on me, then that means probably 136 00:10:22,200 --> 00:10:24,160 Speaker 1: like food is getting stuck in there, so you probably 137 00:10:24,200 --> 00:10:28,600 Speaker 1: got some formida in some tubes and some crevices and uh, 138 00:10:28,720 --> 00:10:30,520 Speaker 1: you know you're gonna have to tear that out on me. 139 00:10:30,720 --> 00:10:35,560 Speaker 1: All right. Look, listen to this, hey, listen to this. Good. Look. 140 00:10:36,040 --> 00:10:40,400 Speaker 1: I might be a little overweight, but the pain the 141 00:10:40,440 --> 00:10:45,000 Speaker 1: doctor feels different than indigestion. Oh, day trip out, So 142 00:10:45,080 --> 00:10:48,440 Speaker 1: you know medical terms to how homey? Alright, sols a? 143 00:10:48,440 --> 00:10:52,280 Speaker 1: All right, we'll tell me if this hurts? No, okay, 144 00:10:52,280 --> 00:10:57,000 Speaker 1: what about right here? No, it's pretty good? All right? 145 00:10:57,040 --> 00:11:01,959 Speaker 1: What about right here? Oh? Oh oh damn on me 146 00:11:02,360 --> 00:11:05,640 Speaker 1: all right, I think I know what it is. It's 147 00:11:05,679 --> 00:11:10,920 Speaker 1: your appendicles on me? What what? What? What? What? Yeah? 148 00:11:10,960 --> 00:11:13,240 Speaker 1: See you don't know if time my technical terms your 149 00:11:13,240 --> 00:11:16,600 Speaker 1: appendicles a uh so we got to remove that right away, 150 00:11:16,640 --> 00:11:18,839 Speaker 1: HOMEI because it's probably filled up. But you know, like 151 00:11:19,000 --> 00:11:22,880 Speaker 1: potato salad and beef jerkys and slim jims against you 152 00:11:22,880 --> 00:11:26,800 Speaker 1: know all that better? I think you mean appendix and 153 00:11:27,280 --> 00:11:30,600 Speaker 1: uh no offense, doc, But I'd like a second opinion, 154 00:11:31,440 --> 00:11:34,400 Speaker 1: second opinions, so it's like that or what? Okay? Then 155 00:11:35,040 --> 00:11:37,160 Speaker 1: all right you when we get the other doctor, hey, doctor, 156 00:11:37,200 --> 00:11:44,240 Speaker 1: come here, she's a doctor. Yeah against I'm my doctor 157 00:11:44,280 --> 00:11:47,120 Speaker 1: covering on? Okay, are you stupid or what? So? What 158 00:11:47,280 --> 00:11:52,920 Speaker 1: the import creeper hunt being ugly cover on? He he 159 00:11:52,960 --> 00:11:55,520 Speaker 1: said he wants a second opinion, all right, So I 160 00:11:55,559 --> 00:11:58,040 Speaker 1: told him that, hey, we're gonna have to do emergency surgery. 161 00:11:58,080 --> 00:12:02,800 Speaker 1: But he's right here with the second opinion talking. Oh yeah, okay, 162 00:12:02,840 --> 00:12:05,839 Speaker 1: well let me see look at covering on here? Does 163 00:12:05,880 --> 00:12:12,920 Speaker 1: this third okay? Well how about like that stop stop 164 00:12:13,000 --> 00:12:16,280 Speaker 1: stop stop stop. That's what you get for making me 165 00:12:16,360 --> 00:12:18,840 Speaker 1: come here not believing Dr Creeper. All right, I got 166 00:12:18,880 --> 00:12:20,960 Speaker 1: other things to do, covered on other lives to save. 167 00:12:21,000 --> 00:12:24,600 Speaker 1: It's not all about you. Yeah, so yeah, when we're 168 00:12:24,600 --> 00:12:27,079 Speaker 1: gonna have to cut you open, eh, let me get 169 00:12:27,080 --> 00:12:31,840 Speaker 1: the nurse, a nurse, get this battle prayer for surgery. 170 00:12:31,840 --> 00:12:37,199 Speaker 1: Oh dang food. Okay, Dr Creeper, I'm right on it. Um. 171 00:12:37,240 --> 00:12:38,679 Speaker 1: You know what a fool I'm at the shaver your 172 00:12:38,679 --> 00:12:41,920 Speaker 1: stomach because, to be honest, it's really hairy food. And 173 00:12:41,920 --> 00:12:44,200 Speaker 1: I don't want to get the scalpels and the tools 174 00:12:44,720 --> 00:12:48,800 Speaker 1: entangled in there, uh, because we've had too many entanglements later, 175 00:12:49,160 --> 00:12:51,199 Speaker 1: all right, And to be honest with you, it's kind 176 00:12:51,200 --> 00:12:53,240 Speaker 1: of making me a little bit like queasy food because 177 00:12:53,240 --> 00:12:57,480 Speaker 1: you're so hairy on the stomach. Yeah, and shaves back 178 00:12:57,520 --> 00:12:59,120 Speaker 1: to that cover on. Look at it looks like he's 179 00:12:59,120 --> 00:13:02,880 Speaker 1: wearing a sweater bed Doane is back? Come on? This 180 00:13:03,000 --> 00:13:07,000 Speaker 1: is is this necessary? And finally, Homie, we need to 181 00:13:07,040 --> 00:13:16,160 Speaker 1: bring out your nysteologies Vado Any stology is alogists? Yes, yes, anything. 182 00:13:16,160 --> 00:13:21,520 Speaker 1: You're a smart assom. You're trying to help you no 183 00:13:21,920 --> 00:13:26,520 Speaker 1: kind of hospital? All right? Hey, where's that any ste easy? Provato? 184 00:13:27,679 --> 00:13:31,280 Speaker 1: You god kid? Okay, Brom you're bro Okay, let me 185 00:13:31,320 --> 00:13:36,840 Speaker 1: find vain Bro Okay, clinch and Bro to make Fishbro. Okay, 186 00:13:36,840 --> 00:13:39,960 Speaker 1: Oh there it is Bro. There's vein Bro main vein 187 00:13:40,040 --> 00:13:45,880 Speaker 1: Bro Okay now insert bro boom for party. What what 188 00:13:46,040 --> 00:13:48,440 Speaker 1: is that? What are you? What are you bringing me? Oh, 189 00:13:48,640 --> 00:13:54,720 Speaker 1: don't worry, Bro, Okay, it's my own mixture. Okayvan to 190 00:13:54,800 --> 00:13:58,559 Speaker 1: make you go sleep Bro Okay. I also held Molly Sassafras, 191 00:13:58,640 --> 00:14:02,640 Speaker 1: mescal indoor Dash Bro Sativa in the hybrid Happy Traios Bro, 192 00:14:03,280 --> 00:14:06,560 Speaker 1: birn Mini Bannies Bro for party. Okay, no bullshit, Bro, 193 00:14:07,120 --> 00:14:09,560 Speaker 1: other hospitals. Bro, they don't know how to knock you out. Bro. 194 00:14:09,960 --> 00:14:12,240 Speaker 1: They don't know how to knock you out. Bro. It's 195 00:14:12,280 --> 00:14:15,600 Speaker 1: so take this little bill give twenty minutes. Bullshit, Bro, 196 00:14:15,840 --> 00:14:19,080 Speaker 1: I knocked you out right now, Bro for party. I 197 00:14:19,160 --> 00:14:23,760 Speaker 1: called my mother every day Bro okay ninety night. Bro. 198 00:14:28,000 --> 00:14:30,800 Speaker 1: Oh dang hold me. Hey, let's jam Junior. Come on, 199 00:14:30,880 --> 00:14:33,400 Speaker 1: let's Jamie all right, so let's go, let's go orry 200 00:14:34,440 --> 00:14:36,920 Speaker 1: this bro are on his way out. Bro. Elsie is 201 00:14:36,920 --> 00:14:45,280 Speaker 1: feeling good. Bro. M m m m m h. We 202 00:14:45,440 --> 00:14:48,160 Speaker 1: got that latter for your soul. And now to then 203 00:14:48,280 --> 00:14:59,080 Speaker 1: that the frankicking your show all right and We're back. 204 00:15:00,440 --> 00:15:03,080 Speaker 1: We're back once again and in studio is the one 205 00:15:03,120 --> 00:15:09,800 Speaker 1: and only Solomon oh Compa. Thank you again for having me. 206 00:15:10,000 --> 00:15:14,680 Speaker 1: James one of the most incredible UH musicians out there 207 00:15:14,720 --> 00:15:22,360 Speaker 1: today almost for five decades of making music. UM, so 208 00:15:22,480 --> 00:15:27,240 Speaker 1: many awards, so many accolades, um, and one is his 209 00:15:27,440 --> 00:15:30,960 Speaker 1: album dropped? When when is the new album come out? Well, 210 00:15:31,480 --> 00:15:35,040 Speaker 1: it looks it's looking like a late August as there's 211 00:15:35,080 --> 00:15:38,920 Speaker 1: a lot of post production, mixing and mastering as this 212 00:15:39,200 --> 00:15:41,840 Speaker 1: is uh understandably going to take some time as it 213 00:15:42,000 --> 00:15:47,680 Speaker 1: is my first acoustic album. Incredible, incredible, and I can't wait. 214 00:15:47,800 --> 00:15:51,720 Speaker 1: I can't wait. UM. I would like to ask if 215 00:15:51,800 --> 00:15:55,880 Speaker 1: it's no big problem for you, UM, since we have 216 00:15:56,040 --> 00:16:01,680 Speaker 1: you here, do you mind playing us out for James, 217 00:16:02,040 --> 00:16:05,920 Speaker 1: spreading my love, spreading my music is what in my 218 00:16:06,480 --> 00:16:12,600 Speaker 1: is what I would call very far from a problem. Yes, um, okay, 219 00:16:12,760 --> 00:16:16,960 Speaker 1: I will take you on a journey. As we know, 220 00:16:17,400 --> 00:16:21,160 Speaker 1: a lot of molecular structure of every atom in our 221 00:16:21,320 --> 00:16:26,680 Speaker 1: universe tends to gravitate towards each other. So with this one, 222 00:16:26,880 --> 00:16:29,880 Speaker 1: I would like to, um, how do you say, uh 223 00:16:30,880 --> 00:16:37,680 Speaker 1: translate how the molecular structure of atoms of life? Uh 224 00:16:37,960 --> 00:16:42,360 Speaker 1: speak to me, okay. Uh. With that being said, I 225 00:16:42,400 --> 00:16:45,680 Speaker 1: would like to play this song. It's an ode two 226 00:16:45,760 --> 00:16:49,560 Speaker 1: molecules into nature. It's called when the Wind blows where 227 00:16:49,600 --> 00:17:00,360 Speaker 1: the balls lie? Right, all right, take it away, h 228 00:17:02,440 --> 00:17:36,720 Speaker 1: uh right, all right, right right up up his arms. 229 00:17:37,240 --> 00:17:40,520 Speaker 1: He's about your arts, arts and scorp your rops arms 230 00:17:40,560 --> 00:18:24,680 Speaker 1: started huck stock stock stock stock stock stock stock stock 231 00:18:24,720 --> 00:18:42,280 Speaker 1: stock stock stock stock. Oh yah again, thank you, thank you, 232 00:18:42,400 --> 00:18:44,960 Speaker 1: ladies and gentlemen, thank you so much, really, thank you. 233 00:18:48,560 --> 00:18:53,399 Speaker 1: We're going this food. Hey, welcome back, homies to friends 234 00:18:53,440 --> 00:18:57,479 Speaker 1: and familia with Frankie. Uh. Today we have a special 235 00:18:57,560 --> 00:19:01,679 Speaker 1: guest man. Uh real cool home me. Actually met him 236 00:19:01,680 --> 00:19:04,480 Speaker 1: at the mall. Dang, how long has it been. He's 237 00:19:04,800 --> 00:19:08,800 Speaker 1: been about between three years. It's been that long. H yeah, 238 00:19:08,920 --> 00:19:10,960 Speaker 1: so yeah, he was working at a Chaos at the 239 00:19:11,000 --> 00:19:14,320 Speaker 1: mall actually, and I just thought he was an interesting dude, man, 240 00:19:14,400 --> 00:19:18,639 Speaker 1: interesting vato and yeah man, so please everybody welcome Junior. 241 00:19:20,119 --> 00:19:24,040 Speaker 1: What's tough food and it's Junior. Yeah. I love your 242 00:19:24,040 --> 00:19:26,800 Speaker 1: buying home. We always have you know, So how you doing, Junior? 243 00:19:27,000 --> 00:19:29,040 Speaker 1: I'm doing pretty good food, you know, just putting out 244 00:19:29,040 --> 00:19:31,800 Speaker 1: the vibes and doing my my nonprofits. It was a trip. 245 00:19:31,880 --> 00:19:34,520 Speaker 1: So you know, I was able to reconnect with you 246 00:19:34,640 --> 00:19:38,120 Speaker 1: because I saw you started that nonprofit where you actually 247 00:19:38,240 --> 00:19:41,680 Speaker 1: go find cars that have you know, not so clean 248 00:19:41,800 --> 00:19:45,240 Speaker 1: rims or just stock rims or whatever, and you and 249 00:19:45,280 --> 00:19:49,840 Speaker 1: you actually install uh you met rims on them. Yeah. Food. 250 00:19:49,960 --> 00:19:53,840 Speaker 1: So sometimes um, like you know, you see foods that 251 00:19:53,920 --> 00:19:56,440 Speaker 1: they have stock rims or the rims are all arrusted. 252 00:19:57,400 --> 00:20:00,200 Speaker 1: And so I'll go food and I'll just like I'll 253 00:20:00,320 --> 00:20:02,920 Speaker 1: try to like scope out parking lots mostly, and I 254 00:20:03,000 --> 00:20:05,400 Speaker 1: see them going to like wherever they're going, and I'll 255 00:20:05,920 --> 00:20:08,080 Speaker 1: come in with my crew food will put feedman rims 256 00:20:08,160 --> 00:20:10,359 Speaker 1: on and it makes their life a lot better, you know. 257 00:20:11,359 --> 00:20:13,600 Speaker 1: And yeah, and so they'll even show up places and 258 00:20:13,840 --> 00:20:17,280 Speaker 1: schools recognized their aura, you know. Yeah, yeah, because it's 259 00:20:17,280 --> 00:20:20,520 Speaker 1: all because the vibe. That's a great thing you're doing 260 00:20:20,560 --> 00:20:23,480 Speaker 1: for the community. Man, much love and thanks for that. 261 00:20:24,000 --> 00:20:26,879 Speaker 1: Yeah food. Yeah, man, So I guess I don't know, 262 00:20:26,880 --> 00:20:28,320 Speaker 1: I just want to find out what's more life. I 263 00:20:28,400 --> 00:20:30,480 Speaker 1: know you, I know you worked at that that kiosk 264 00:20:30,560 --> 00:20:31,960 Speaker 1: in the Mark and talk us a little about a 265 00:20:32,000 --> 00:20:34,600 Speaker 1: little bit about how that experience was. Yeah, Foo actually 266 00:20:34,640 --> 00:20:37,160 Speaker 1: applied at Kinney shoes food because that's where he caught 267 00:20:37,200 --> 00:20:40,160 Speaker 1: my shoes for school dances or kintanelle as an everything. 268 00:20:40,640 --> 00:20:42,760 Speaker 1: But I ended up playing at this kiosk food and 269 00:20:42,880 --> 00:20:45,879 Speaker 1: at the time food they were selling bonsae trees at 270 00:20:46,520 --> 00:20:48,399 Speaker 1: yeah okay, oh yeah, yeah. I think when I when 271 00:20:48,440 --> 00:20:51,159 Speaker 1: I met you, it was bonsai trees. Yeah. Food, But 272 00:20:51,320 --> 00:20:54,040 Speaker 1: then the bonsae trees food, they were like not doing 273 00:20:54,119 --> 00:20:56,560 Speaker 1: so good food because bonsai trees they need like direct 274 00:20:56,680 --> 00:21:00,600 Speaker 1: sunlight and they need to be watered every day or anything. 275 00:21:00,720 --> 00:21:03,560 Speaker 1: So at the kiosk in them like they were dying food. 276 00:21:03,680 --> 00:21:05,879 Speaker 1: But I felt bad because I sold a couple of 277 00:21:05,960 --> 00:21:08,480 Speaker 1: dying ones to like to like old people food, you know. 278 00:21:09,080 --> 00:21:10,520 Speaker 1: But then I was just like, no, it's just a 279 00:21:10,680 --> 00:21:13,480 Speaker 1: vibele bit and old people have a lot of wisdom food, 280 00:21:13,560 --> 00:21:15,440 Speaker 1: so many they'll bring it back to life, you know. 281 00:21:16,720 --> 00:21:19,520 Speaker 1: But I have felt bad food, you know, but I'm 282 00:21:19,560 --> 00:21:22,159 Speaker 1: sure it's all good, yeah, white man, well food and 283 00:21:22,800 --> 00:21:25,159 Speaker 1: old people they need something to do anyway. Food, So 284 00:21:25,320 --> 00:21:28,080 Speaker 1: hopefully they pried it back to life. But some came back, 285 00:21:29,119 --> 00:21:30,960 Speaker 1: but they were by that time they came back, we 286 00:21:31,040 --> 00:21:33,800 Speaker 1: had already switched to cell phone covers. Food at the run, 287 00:21:34,480 --> 00:21:38,280 Speaker 1: so hopefully that they need you know, hopefully in the 288 00:21:38,400 --> 00:21:40,240 Speaker 1: end you met well man, and you have a job 289 00:21:40,320 --> 00:21:42,199 Speaker 1: to do. You know that. You know it's not it's 290 00:21:42,240 --> 00:21:44,280 Speaker 1: the owner's job and keep those plants alive and all that. 291 00:21:44,440 --> 00:21:47,440 Speaker 1: But yeah, blue, so some cell phone covers and not 292 00:21:47,600 --> 00:21:49,920 Speaker 1: really fool and only sold like three and like three 293 00:21:50,000 --> 00:21:53,320 Speaker 1: months or so. Okay, then yeah, well let me ask 294 00:21:53,359 --> 00:21:54,840 Speaker 1: you this man, now that you you know, you got 295 00:21:54,880 --> 00:21:59,240 Speaker 1: your successful nonprofit. Um, is there any uh ladies in 296 00:21:59,520 --> 00:22:01,680 Speaker 1: your life? For well, you have food. I'm happy to 297 00:22:01,760 --> 00:22:04,440 Speaker 1: save food that I've been blessed with the sid food 298 00:22:04,480 --> 00:22:07,120 Speaker 1: and my dreams. Oh wow, yeah, she has the voice 299 00:22:07,160 --> 00:22:09,119 Speaker 1: of an angel. Food. We just look kicking it with 300 00:22:09,200 --> 00:22:12,520 Speaker 1: each other eating together. Congratulations on me, that's what sup 301 00:22:12,600 --> 00:22:14,680 Speaker 1: right there? Yeah, fool, she's just a blessing, you know, 302 00:22:14,760 --> 00:22:16,480 Speaker 1: a voice of an angel. Oh she's actually called it 303 00:22:16,600 --> 00:22:19,800 Speaker 1: right now. Oh, let's say, what's up? What's up? I'm 304 00:22:19,840 --> 00:22:25,320 Speaker 1: talking to Frankie. I don't care. Get your all right, girl? Yeah, 305 00:22:25,480 --> 00:22:28,560 Speaker 1: we always watch your videos. Food. Yeah right now you 306 00:22:28,640 --> 00:22:31,520 Speaker 1: need to come got yourself a good man? Yes, I 307 00:22:31,640 --> 00:22:37,480 Speaker 1: do shut up, general, I'm talking okay, sorry, go to man. Alright, 308 00:22:37,560 --> 00:22:40,920 Speaker 1: that good from you. Yeah. So she she's my little 309 00:22:40,960 --> 00:22:44,480 Speaker 1: angel food. I'm so blessed. Yeah man, yeah, I guess 310 00:22:44,800 --> 00:22:46,760 Speaker 1: you're if you feel like you're blessed and yeah, and 311 00:22:47,119 --> 00:22:50,439 Speaker 1: then you're blessed, I guess, and definitely blessed food, especially 312 00:22:50,480 --> 00:22:52,320 Speaker 1: you know, I'm a little homie food. She accepts me 313 00:22:52,400 --> 00:22:54,960 Speaker 1: and loves me and you know, and she's just an 314 00:22:55,000 --> 00:22:58,160 Speaker 1: angel fool of blessing. But I got a jiant food 315 00:22:58,160 --> 00:23:01,240 Speaker 1: because she's calling. All right, man, Hey Jr. Thanks so 316 00:23:01,359 --> 00:23:04,399 Speaker 1: much for stopping by, Matt. I appreciate it, and uh, 317 00:23:05,040 --> 00:23:06,560 Speaker 1: you know, thanks for doing what you do with your 318 00:23:06,600 --> 00:23:11,440 Speaker 1: nonprofit and blessing the community. Uh that's in need of 319 00:23:11,520 --> 00:23:13,520 Speaker 1: some feedomale Rims on me because you're right, you met. 320 00:23:13,640 --> 00:23:16,240 Speaker 1: Rims do bring a whole vibe and the energy and 321 00:23:16,240 --> 00:23:18,480 Speaker 1: to be very uplifting for not only the owner of 322 00:23:18,520 --> 00:23:20,880 Speaker 1: the Rims, but for people that get to to see 323 00:23:20,920 --> 00:23:24,160 Speaker 1: them in the neighborhood. So that's what's up. Man, Thank 324 00:23:24,200 --> 00:23:28,280 Speaker 1: you for thanks for having me to all right, homies aid, 325 00:23:28,400 --> 00:23:31,520 Speaker 1: thanks everybody for tuning in. Uh yeah yeah, we'll catch 326 00:23:31,520 --> 00:23:34,000 Speaker 1: you on the next interview with Friends and Familia with Frankie. 327 00:23:34,320 --> 00:23:37,000 Speaker 1: Shout out to our special guests Junior got Lavis, So 328 00:23:37,160 --> 00:23:39,640 Speaker 1: keep your representing out there, keep doing your thing. Much 329 00:23:39,720 --> 00:23:47,200 Speaker 1: love from your Homie, frankie 's what sure for tuning 330 00:23:47,240 --> 00:23:50,040 Speaker 1: into another episode and im Frankie in your Net show 331 00:23:50,200 --> 00:23:53,679 Speaker 1: presentded by Will Ferrell's Big Money Players Network. Shout out 332 00:23:53,720 --> 00:23:57,280 Speaker 1: to the homies time So Olivia, the Homie earn Dog 333 00:23:57,359 --> 00:24:01,040 Speaker 1: here in the studio, James Frids, Kevin me A, Bobby, 334 00:24:01,200 --> 00:24:05,240 Speaker 1: DJ Buzz, the legendary soul assassins by me. You know 335 00:24:05,359 --> 00:24:07,440 Speaker 1: how we do, Homie. Thank you for giving it. That's 336 00:24:07,520 --> 00:24:09,960 Speaker 1: an opportunity on the get down and if you get 337 00:24:09,960 --> 00:24:11,840 Speaker 1: a chance, told me it's going and rank and review 338 00:24:11,920 --> 00:24:15,119 Speaker 1: the podcast or continue living your life. We'll see you 339 00:24:15,200 --> 00:24:18,200 Speaker 1: on the next episode of The Frankie on that show. 340 00:24:18,320 --> 00:24:19,600 Speaker 1: That's what's soft right there.