WEBVTT - The Angels, The Stones and The Dead

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<v Speaker 1>Pushkin.

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<v Speaker 2>The nineteen sixties are mythologized as a decade of peace

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<v Speaker 2>and love. But peace and love definitely wasn't the vibe

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<v Speaker 2>outside the beatles London offices. The genteel calm of savile

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<v Speaker 2>row was shattered by the unfamiliar rumble of powerful motorcycle

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<v Speaker 2>engines and sitting astride. These souped up Hardy Davidson's are

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<v Speaker 2>a dozen American Hells Angels pulling up at the Apple

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<v Speaker 2>Records Building well in time for the beatles nineteen sixty

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<v Speaker 2>eight Christmas party. George Harrison had met the bikers in

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<v Speaker 2>la Despite their fearsome reputation for violence, these angels seemed

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<v Speaker 2>cordial enough, and since they were planning a European jaunt,

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<v Speaker 2>Harrison offered to put them up in the Beatles' offices.

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<v Speaker 2>In a stern memo to staff, the Beatles said, they

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<v Speaker 2>may look.

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<v Speaker 3>As though they are going to do you in, but

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<v Speaker 3>don't fear them or uptight them. Try to assist them

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<v Speaker 3>without neglecting your Apple business and without letting them take control.

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<v Speaker 2>By the time the guests assembled for the Christmas party,

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<v Speaker 2>the bikers were fully ensconced in the building and very

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<v Speaker 2>much in control. George Harrison wasn't there, but the other

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<v Speaker 2>Beatles had brought their children along to enjoy magic shows

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<v Speaker 2>and a ventriloquist act. What they got were Hell's angels,

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<v Speaker 2>said to be drunk and stoned and high out of

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<v Speaker 2>their minds. One guest lost his three year old son

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<v Speaker 2>and the confusion. The child was located not on the

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<v Speaker 2>knee of Santa Claus, but in the lap of an

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<v Speaker 2>angel who was giving him gulps of beer. The bikers

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<v Speaker 2>were less agreeable with the adult party goers and quite

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<v Speaker 2>prepared to do them in.

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<v Speaker 1>What the fuck is going on in this place?

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<v Speaker 2>Screamed an angel called Frisco Pete at John Lennon, we

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<v Speaker 2>want to eat. Aggrieved by a delay in serving food,

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<v Speaker 2>the bikers became surly and aggressive, souring the holiday mood.

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<v Speaker 2>The guest com pleaded for calm was punched. Luckily for

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<v Speaker 2>John Lennon, a forty three pound turkey, reputedly the largest

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<v Speaker 2>available in all of Britain, was suddenly carried into the room.

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<v Speaker 2>They ripped the turkey to pieces, said a witness, trampling

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<v Speaker 2>young children under to get to it.

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<v Speaker 1>I've never seen anything like it.

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<v Speaker 2>The Beatles had had their fill of these greasy guests

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<v Speaker 2>and summoned George Harrison to evict them. His initial attempts

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<v Speaker 2>to encourage their departure were perhaps too subtle.

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<v Speaker 3>Do you dig us, but don't you?

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<v Speaker 2>They asked Harrison, Confused, the so called quiet Beetle again

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<v Speaker 2>couched his request that they depart in soothing, spiritual terms,

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<v Speaker 2>to the continued bafflement of the bikers. Exasperated, Harrison changed tack.

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<v Speaker 1>You know, booger off.

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<v Speaker 2>The Apple employees in the room drew breath and waited

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<v Speaker 2>for the fists to fly. I'm Tim, Hart offered, and

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<v Speaker 2>you're listening to another cautionary tale. Just to be clear,

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<v Speaker 2>in Britain, bugger off isn't the politest way to ask

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<v Speaker 2>guests to leave. But perhaps the quaintness of this Britishism,

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<v Speaker 2>or George Harrison's soft liver publician accent disarmed the Hell's Angels.

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<v Speaker 3>Well, if you put it that way, George.

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<v Speaker 2>Said the angels, and away they roared up, savle row.

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<v Speaker 2>The Beatles had gotten off lightly, but they weren't alone

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<v Speaker 2>in mistaking the Hell's a Angels for harmless, lovable rogues.

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<v Speaker 2>Many leading figures in the sixties counterculture writers, actors, rock stars,

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<v Speaker 2>courted the Angels, thinking them allies in the war against.

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<v Speaker 1>The square world.

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<v Speaker 2>Of all the cheerleaders in the music community for the

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<v Speaker 2>Hell's Angels, none were more influential than the Grateful Dead,

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<v Speaker 2>those demigods of the San Francisco hippie scene. The Dead

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<v Speaker 2>had played at a Hell's Angels party back in sixty seven,

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<v Speaker 2>and the Bikers somewhat adopted the band, and the power

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<v Speaker 2>mysteriously failed at a subsequent gig, the Angels stepped in

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<v Speaker 2>to guard the generators and cabling, so on a trip

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<v Speaker 2>to London, the Grateful Dead's manager waxed lyrical about the

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<v Speaker 2>Angels to none other than the Rolling Stones. How the

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<v Speaker 2>bikers were a cost of and crucially cool alternative for

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<v Speaker 2>policing concerts.

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<v Speaker 3>He trusted those cats, man.

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<v Speaker 2>Remarked the Stones guitarist Keith Richards. It certainly planted an

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<v Speaker 2>idea with the self styled bad boys of rock. The

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<v Speaker 2>Beatles and the Stones were firm friends. The two bands

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<v Speaker 2>socialized together, appeared on each other's records, and were even

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<v Speaker 2>considering merging their back office operations. It's rather odd than

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<v Speaker 2>that the debarcle of the Beatles Christmas Party hadn't made

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<v Speaker 2>a bigger impression on Mick Jagger and his bandmates, warning

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<v Speaker 2>them to steer well clear of the likes of Frisco Pete.

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<v Speaker 3>You never saw a police force like.

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<v Speaker 2>It, said The Stones bass player Bill Wyman.

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<v Speaker 3>Black leather suits studded to the eyeballs, Nazi helmets, swastikas

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<v Speaker 3>and crosses everywhere.

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<v Speaker 2>It's a sweltering July day in London's Leafy Hyde Park. Indeed,

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<v Speaker 2>it's so hot that the roads can't keep the band's

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<v Speaker 2>guitars in tune, and fans gathering for that afternoon's free

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<v Speaker 2>giga diving into the park's lake a Serpentine.

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<v Speaker 1>To cool off.

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<v Speaker 2>At least a quarter of a million young people are

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<v Speaker 2>expected to swarm the venue, so fifty British Hell's Angels

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<v Speaker 2>have been recruited to act as what Wyman described as

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<v Speaker 2>heavy men. They arrive dressed like some greasy contingent of

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<v Speaker 2>Himmler's SS.

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<v Speaker 3>The swastiku is out before the Nazis was even.

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<v Speaker 2>Four of, said ron biker, defending his choice of attire,

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<v Speaker 2>and it was a sign a piece. No one is

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<v Speaker 2>truly buying the peaceful intentions of these toughs, though, and

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<v Speaker 2>the Stones head of security reads them the ry attacked.

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<v Speaker 2>If any of the bikers have come for a brawl,

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<v Speaker 2>he'll see them after the concert, and he'll be armed

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<v Speaker 2>with a shotgun. Despite the menacing appearance of this so

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<v Speaker 2>called leather militia, the event begins without a hitch. The

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<v Speaker 2>bikers content themselves with guarding the stones many girlfriends and groupes,

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<v Speaker 2>and occasionally aiding fans who've wilted in the heat. There

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<v Speaker 2>are some hiccups, of course, but the Stones plan to

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<v Speaker 2>release thousands of white butterflies to memorialize the loss of

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<v Speaker 2>Brian Jones, a founder member of the band, who drowned

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<v Speaker 2>in his pool just days earlier. Legend has it that

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<v Speaker 2>a drunken biker fell on a box of these butterflies,

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<v Speaker 2>crushing the poor creatures inside. The Rolling Stones, by their

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<v Speaker 2>own admission, had played badly, out of tune and out

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<v Speaker 2>of tempo, but the gig was still deemed a success.

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<v Speaker 2>Mick Jagger, whose singing had been hobbled both by laryngitis

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<v Speaker 2>and hay fever, said fans weren't that bothered by the

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<v Speaker 2>quality of his performance anyway.

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<v Speaker 3>It's an excuse as well as a groove for them

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<v Speaker 3>to all come together to join hands and embrace each.

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<v Speaker 2>Other, and things had indeed passed off peacefully, very peacefully.

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<v Speaker 2>There were virtually no arrests, and afterwards fans had enthusiastically

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<v Speaker 2>gathered up their trash, having been promised free records for

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<v Speaker 2>every three bags they collected. How much of this serenity

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<v Speaker 2>was down to the Hell's Angels is debatable. London's parks

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<v Speaker 2>have their own police force. These bobbies were monitoring the

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<v Speaker 2>crowd closely, ready to move in at the first sign

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<v Speaker 2>of trouble. The black clad Angels might have been fitting

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<v Speaker 2>stage props to burnish the Rolling Stones bad boy image,

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<v Speaker 2>but they certainly weren't replacing the actual cops. To their credit,

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<v Speaker 2>the bikers hadn't started any trouble of their own, which,

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<v Speaker 2>given the fearsome reputation of this outlaw motorcycle club, might

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<v Speaker 2>surprise you. That's because the heavy men enlisted by the

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<v Speaker 2>Rolling Stones weren't really Hell's Angels. The fifty bikers at

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<v Speaker 2>Hyde Park were ursats Hell's Angels, cose players in leather

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<v Speaker 2>and Nazi style helms, a pale imitation of the Angels

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<v Speaker 2>in America. Indeed, when Frisco Pete and his friends had

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<v Speaker 2>ridden through London the previous winter. They'd been shocked to

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<v Speaker 2>see locals with no affiliation to the club sporting Hell's

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<v Speaker 2>Angels badges. They decided to stamp out these fitters by

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<v Speaker 2>establishing official Angel chapters and recruiting only bikers who met

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<v Speaker 2>their particular standards of deportment. And what were these behavioral norms?

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<v Speaker 2>As the Rolling Stones would soon find out Cautionary tales

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<v Speaker 2>will return in a moment. The origins of the Hell's

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<v Speaker 2>Angels motorcycle club are disputed, but it's broadly accepted the

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<v Speaker 2>seeds were sown in California by returning World War II veterans,

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<v Speaker 2>often riding army surplus. Harley Davidson's groups of riders formed

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<v Speaker 2>and amalgamated, with chapters of the Hell's Angels gradually being

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<v Speaker 2>established across America. By the mid nineteen sixties, the Angels

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<v Speaker 2>were attracting national attention, and for all all the wrong reasons.

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<v Speaker 2>Bill Ray, a photojournalist with the magazine Life, hitched a

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<v Speaker 2>ride with them.

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<v Speaker 3>They always had plenty of money for gas and beer.

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<v Speaker 3>Their money had to come from somewhere, but none of

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<v Speaker 3>them ever worked.

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<v Speaker 2>The FBI was pretty sure these rebels funded their lifestyle

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<v Speaker 2>through drug dealing, extortion, and a raft of other nefarious activities.

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<v Speaker 2>Then there was their propensity for violence. Ray saw the

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<v Speaker 2>Angels he had befriended beat the holy hell out of

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<v Speaker 2>a rival gang. He said, the uncompromising message to outsiders.

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<v Speaker 3>Get out of the way, or got a hell.

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<v Speaker 2>Since the Angels enthusiastically embraced drugs and just as enthusiastically

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<v Speaker 2>rejected middle class morez, the beatnicks, heads and hippies of

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<v Speaker 2>the burgeoning nineteen sixties counterculture assumed these bikers were kindred spirits.

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<v Speaker 2>The celebrities of the Bee world, poet Alan Ginsburg, writer

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<v Speaker 2>Ken Kesey, and LSD advocate Timothy Leary even broke bread

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<v Speaker 2>with the Angels, dropping acid with them, smoking dope, and

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<v Speaker 2>listening to the Stones on a high Fi together. In fact,

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<v Speaker 2>there's a lyric from the Rolling Stones hit Sympathy for

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<v Speaker 2>the Devil, which neatly articulates the belief that such outlaws

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<v Speaker 2>were actually heroes standing up against the corruption and hypocrisy

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<v Speaker 2>of mainstream society. Just as every cop is a criminal

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<v Speaker 2>begins one verse, and all the sinners saints. When fifteen

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<v Speaker 2>thousand anti war demonstrators streamed down Berkeley's Telegraph Avenue. They

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<v Speaker 2>reasonably thought the authorities would be their sole adversaries. The

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<v Speaker 2>march was supposed to end at the Oakland Army Terminal,

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<v Speaker 2>where men and materiel were being shipped off to the

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<v Speaker 2>unpopular war in Vietnam, but the activists were halted by

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<v Speaker 2>a phalanx of riot police. The leaders of the march

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<v Speaker 2>went forward to confer with the police chief when out

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<v Speaker 2>of nowhere, a dozen or more Hell's Angels assaulted them.

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<v Speaker 2>Writers communists yelled the bikers, followed by more punches and

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<v Speaker 2>shouts of America, first America, for Americans. The police sprang

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<v Speaker 2>to the defense of the bewildered protesters, arresting several angels

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<v Speaker 2>clicking their wounds. The activists simply couldn't comprehend what had

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<v Speaker 2>just gone down. The writer Hunter S. Thompson was at

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<v Speaker 2>the demo working on a book all about the Angels.

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<v Speaker 2>He witnessed the incredulity of the marchers. Surely the bikers

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<v Speaker 2>should be on our side. The angels had to be

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<v Speaker 2>over went their logic, so Alan Ginsburg was sent to

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<v Speaker 2>open the talks. According to Thompson, the swastikas worn by

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<v Speaker 2>the bikers were a worrying sign of their real allegiance.

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<v Speaker 4>The Angel's collective viewpoint has always been for sistic. They

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<v Speaker 4>had the same kind of retrograde patriotism that motivates the

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<v Speaker 4>klucos Klan and the American Nazi Party.

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<v Speaker 2>The Angels weren't just supportive of the war in Vietnam,

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<v Speaker 2>they were willing to enter the fray. Sonny Barger, the

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<v Speaker 2>deve facto leader of the Bikers, sent a telegram to

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<v Speaker 2>President Johnson suggesting his gang be dropped behind enemy lines

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<v Speaker 2>to terrorize the viet Cong. So Ginsburg's peace mission went

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<v Speaker 2>about as badly as you'd expect. At one point, the

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<v Speaker 2>poet even told the Biker chieftain that he loved him.

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<v Speaker 2>Sonny didn't know what the hell to say after fellow Angel.

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<v Speaker 2>The Angels weren't one over to support the peace protesters,

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<v Speaker 2>but nor did they stage any more violent counter demos.

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<v Speaker 2>Sonny Barger said cracking the skulls of the Unamerican marchers.

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<v Speaker 4>Would only produce sympathy for this mob of traders.

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<v Speaker 2>That's a pretty clear declaration of the Angel's position.

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<v Speaker 1>But Hunter S.

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<v Speaker 2>Thompson said some in the counterculture still saw this as

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<v Speaker 2>a sign that the angels were gradually coming round to

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<v Speaker 2>the hippie point of view. We often find it hard

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<v Speaker 2>to distinguish between what is true and what we wish

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<v Speaker 2>were true, and it can have a decidedly detrimental effect

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<v Speaker 2>on our lives. Colloquially we call it wishful thinking, but

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<v Speaker 2>really it's a bias, the desirability bias, and it's been

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<v Speaker 2>measured in several studies. The behavioral economist Guy Meyraus once

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<v Speaker 2>recruited a bunch of ordinary people and randomly assigned them

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<v Speaker 2>to imagine themselves to be farmers or bakers. They were

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<v Speaker 2>shown a graph and told it was the historical fluctuations

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<v Speaker 2>of wheat prices. Then they were asked to predict the

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<v Speaker 2>future price of wheat, would it go up or would

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<v Speaker 2>it go down. They'd be rewarded if their predictions came true,

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<v Speaker 2>and in addition, the so called farmers would get extra

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<v Speaker 2>payment if wheat prices went up, while the bakers got

0:17:41.810 --> 0:17:46.810
<v Speaker 2>extra cash if wheat prices fell. In this experiment, the

0:17:46.890 --> 0:17:49.570
<v Speaker 2>incentive is to make the most accurate prediction that you

0:17:49.730 --> 0:17:53.250
<v Speaker 2>can and meanwhile hope that the wheat price moves up.

0:17:53.290 --> 0:17:56.370
<v Speaker 2>If you're playing a farmer and down if you're playing

0:17:56.370 --> 0:18:01.690
<v Speaker 2>a baker, and yet from exactly the same data, the

0:18:01.810 --> 0:18:05.090
<v Speaker 2>pretend bakers predicted a dip in the cost of wheat

0:18:05.650 --> 0:18:11.210
<v Speaker 2>and the pretend farmers forecast a rise. Both sides predicted

0:18:11.450 --> 0:18:17.290
<v Speaker 2>what they wanted to happen, wishful thinking in its purest form.

0:18:17.730 --> 0:18:22.330
<v Speaker 2>The desirability bias appears in politics too, of course. In

0:18:22.410 --> 0:18:27.450
<v Speaker 2>twenty sixteen, a team of psychologists studied groups of American voters.

0:18:27.490 --> 0:18:31.410
<v Speaker 2>Some were Trump supporters who doubted their man would actually win,

0:18:32.130 --> 0:18:36.410
<v Speaker 2>while others backed Hillary Clinton but also thought sheered lose.

0:18:38.170 --> 0:18:42.170
<v Speaker 2>These voters were then shown polling data that indeed had

0:18:42.290 --> 0:18:46.930
<v Speaker 2>bad news about their candidate's chances, but also some indications

0:18:46.970 --> 0:18:50.570
<v Speaker 2>that they might win. The psychologists found that the Clinton

0:18:50.650 --> 0:18:54.370
<v Speaker 2>voters suddenly felt Hillary was more likely to take the

0:18:54.370 --> 0:18:57.890
<v Speaker 2>White House. Of course, on the same data, the Trump

0:18:57.930 --> 0:19:01.170
<v Speaker 2>supporters were now convinced that he would claim victory two.

0:19:02.090 --> 0:19:05.290
<v Speaker 2>Both groups had assimilated the good news into their new

0:19:05.370 --> 0:19:12.690
<v Speaker 2>prediction of the election their favored outcome, but ignored the bad.

0:19:15.770 --> 0:19:19.210
<v Speaker 2>In nineteen sixty nine, the stones and the dead were

0:19:19.330 --> 0:19:23.850
<v Speaker 2>also ignoring the bad news about the Hell's angels, and

0:19:23.890 --> 0:19:28.010
<v Speaker 2>there was plenty of it. Perhaps they didn't believe the

0:19:28.050 --> 0:19:34.290
<v Speaker 2>corporate newspapers and their square reporters. Of course, mainstream society

0:19:34.410 --> 0:19:39.130
<v Speaker 2>would demonize the Angels because the Angels, just like the counterculture,

0:19:39.410 --> 0:19:43.650
<v Speaker 2>rejected the mainstream. But what of the violence at the

0:19:43.690 --> 0:19:47.730
<v Speaker 2>Berkeley Walmarch? And Hunter S. Thompson's book setting out the

0:19:47.730 --> 0:19:52.850
<v Speaker 2>biker's troubling politics and behavior. Its publication had made Thompson

0:19:52.930 --> 0:19:56.970
<v Speaker 2>a national celebrity, and he went on numerous TV shows

0:19:57.010 --> 0:20:00.570
<v Speaker 2>to talk frankly about his two years living with the Angels.

0:20:01.530 --> 0:20:04.690
<v Speaker 2>The PostScript to that book alone should have given anyone

0:20:04.850 --> 0:20:06.970
<v Speaker 2>pause for thought about the biker gang.

0:20:08.330 --> 0:20:11.210
<v Speaker 4>I push my luck a little too far and got

0:20:11.250 --> 0:20:15.610
<v Speaker 4>badly stopped by four or five Angels?

0:20:16.530 --> 0:20:19.610
<v Speaker 2>Are these really the sort of people that the Grateful

0:20:19.690 --> 0:20:23.770
<v Speaker 2>Dead and the Rolling Stones wanted doing their concert security?

0:20:24.810 --> 0:20:30.770
<v Speaker 2>Seems a sure fire recipe for indiscriminate violence. The Dead's

0:20:31.010 --> 0:20:37.730
<v Speaker 2>Jerry Garcia was especially fond of the Angels, praising their straightforwardness.

0:20:37.530 --> 0:20:42.210
<v Speaker 3>Their brutal But their brutality is really only honesty.

0:20:43.010 --> 0:20:45.930
<v Speaker 2>I'm reminded of a viral tweet from twenty to fifteen

0:20:46.090 --> 0:20:51.250
<v Speaker 2>by author Adrian Bott. It goes, I never thought leopards

0:20:51.290 --> 0:20:54.970
<v Speaker 2>would eat my face sobs woman who voted for the

0:20:55.290 --> 0:21:03.770
<v Speaker 2>Leopards Eating People's Faces party. The Rolling Stones US tour

0:21:03.890 --> 0:21:08.610
<v Speaker 2>of late nineteen sixty nine was a roaring success, not

0:21:08.730 --> 0:21:12.490
<v Speaker 2>to mention money Spinner. Audiences were pleased to see the band,

0:21:12.570 --> 0:21:17.410
<v Speaker 2>who hadn't played America in years, but reporters repeatedly grumbled

0:21:17.410 --> 0:21:22.530
<v Speaker 2>about the steep ticket prices. Perhaps stung by these insinuations

0:21:22.530 --> 0:21:26.250
<v Speaker 2>of greed, but also motivated by a regret that they

0:21:26.290 --> 0:21:30.490
<v Speaker 2>had not played Woodstock that summer, The Stones were plotting

0:21:30.530 --> 0:21:35.130
<v Speaker 2>a free show a Woodstock of the West to end

0:21:35.250 --> 0:21:39.010
<v Speaker 2>their time in America. The Grateful Dead would be on

0:21:39.090 --> 0:21:43.570
<v Speaker 2>the bill, and they suggested the venue b San Francisco's

0:21:43.650 --> 0:21:49.210
<v Speaker 2>Golden Gate Park. Unfortunately, the Dead announced the concert without

0:21:49.290 --> 0:21:53.330
<v Speaker 2>asking the city authorities nor checking if any other events

0:21:53.490 --> 0:21:57.970
<v Speaker 2>clashed with the proposed gig. They did, a big football

0:21:58.010 --> 0:22:02.170
<v Speaker 2>game was scheduled, so Golden Gate Park, with its amenities,

0:22:02.330 --> 0:22:11.610
<v Speaker 2>police department and transport links, was off the table. With

0:22:11.730 --> 0:22:15.370
<v Speaker 2>time ticking, a racing circuit a few miles north of

0:22:15.410 --> 0:22:19.930
<v Speaker 2>the city was booked and the Stones roadies began hurriedly

0:22:19.970 --> 0:22:24.530
<v Speaker 2>constructing a stage. But even as they hammered away the

0:22:24.650 --> 0:22:29.370
<v Speaker 2>deal with the track's owners was falling apart, with some

0:22:29.530 --> 0:22:33.490
<v Speaker 2>concert goers already en route to the free show. The

0:22:33.530 --> 0:22:37.570
<v Speaker 2>price for using the raceway was suddenly jacked up, so

0:22:37.730 --> 0:22:42.690
<v Speaker 2>a frantic search began for a replacement. Hearing of the

0:22:42.730 --> 0:22:46.850
<v Speaker 2>stone's predicament, the proprietor of another race circuit called with

0:22:46.890 --> 0:22:50.890
<v Speaker 2>an offer. He'd happily host the festival. The publicity would

0:22:50.890 --> 0:22:56.050
<v Speaker 2>benefit his venue, and the Altamont Speedway definitely needed some

0:22:56.170 --> 0:23:00.570
<v Speaker 2>good press. Though only an hour or so inland from

0:23:00.610 --> 0:23:04.890
<v Speaker 2>San Francisco, it was a world away. While San Francisco

0:23:05.090 --> 0:23:10.090
<v Speaker 2>was lush and picturesque, Altamont was dry and barren. While

0:23:10.130 --> 0:23:14.650
<v Speaker 2>the city was humming with hippie good vibes, Altamont was

0:23:14.690 --> 0:23:21.770
<v Speaker 2>a rural and conservative backwater. There were no decent transport links,

0:23:22.090 --> 0:23:26.850
<v Speaker 2>too few parking spaces, and certainly not enough bathrooms for

0:23:26.930 --> 0:23:31.690
<v Speaker 2>three hundred thousand music fans. But still, the road is

0:23:31.890 --> 0:23:36.210
<v Speaker 2>tore up their original stage and trucked it to Altamont.

0:23:40.610 --> 0:23:44.050
<v Speaker 2>As they assembled it again, a new problem presented itself.

0:23:44.930 --> 0:23:47.530
<v Speaker 2>At the first racetrack, this stage had been at the

0:23:47.570 --> 0:23:51.130
<v Speaker 2>top of a slope. At Altamont, they had to build

0:23:51.130 --> 0:23:54.570
<v Speaker 2>it at the foot of an incline. A general rule

0:23:54.690 --> 0:23:59.210
<v Speaker 2>is that this is unwise, since gravity pushes crowds downhill

0:23:59.490 --> 0:24:02.770
<v Speaker 2>and hard up against the stage. If you have no

0:24:02.970 --> 0:24:06.930
<v Speaker 2>other choice, then a high stage helps prevent fans invading

0:24:06.970 --> 0:24:10.370
<v Speaker 2>the performance space. But the age they'd brought with them

0:24:10.530 --> 0:24:14.650
<v Speaker 2>was just three feet high. None of this was ideal,

0:24:15.370 --> 0:24:18.850
<v Speaker 2>but geography was acting against the stones in a farm

0:24:19.010 --> 0:24:23.210
<v Speaker 2>or sinister way. At the suggestion of the Grateful Dead,

0:24:23.610 --> 0:24:27.210
<v Speaker 2>thet agreed to have the Hell's Angels act as security

0:24:28.290 --> 0:24:31.610
<v Speaker 2>at the other proposed venues. These angels would have been

0:24:31.610 --> 0:24:35.410
<v Speaker 2>recruited from chapters well known to the dead and trusted

0:24:35.450 --> 0:24:39.810
<v Speaker 2>by them. That Altamont was in the East Bay, and

0:24:39.890 --> 0:24:42.690
<v Speaker 2>the East Bay was very much the territory of the

0:24:42.730 --> 0:24:49.610
<v Speaker 2>Hell's Angels, ruled by one Sunny Barger Cautionary tales will

0:24:49.650 --> 0:24:51.010
<v Speaker 2>be back in a moment.

0:25:00.050 --> 0:25:00.970
<v Speaker 1>With the aid of.

0:25:00.970 --> 0:25:05.530
<v Speaker 2>Some chemical stimulation, the road is finished. The Altamont stage

0:25:05.570 --> 0:25:09.930
<v Speaker 2>as December sixth dawn a sound s and was also

0:25:10.050 --> 0:25:12.970
<v Speaker 2>rigged together, using bits and bobs from each of the

0:25:13.010 --> 0:25:20.690
<v Speaker 2>acts appearing. It wasn't great, but it worked. Just Volunteers

0:25:20.690 --> 0:25:25.850
<v Speaker 2>had been frantically tied dyeing great banners to decorate the stage,

0:25:26.530 --> 0:25:29.290
<v Speaker 2>but nothing could bring much color or cheer to the

0:25:29.370 --> 0:25:34.090
<v Speaker 2>dismal raceway. If attendees were hoping for a repeat of

0:25:34.170 --> 0:25:38.250
<v Speaker 2>the good vibes and togetherness of that summer's Woodstock, they

0:25:38.250 --> 0:25:44.050
<v Speaker 2>were in for a rude awakening. It was only after

0:25:44.330 --> 0:25:48.090
<v Speaker 2>most of the other concertgoers had assembled that around one

0:25:48.250 --> 0:25:52.690
<v Speaker 2>hundred Hells Angels rode in. They drove through the throng

0:25:53.370 --> 0:25:57.370
<v Speaker 2>and parked their bikes in front of the low stage.

0:25:57.530 --> 0:26:02.650
<v Speaker 2>This crowded real estate would become a flashpoint as fans

0:26:02.770 --> 0:26:06.530
<v Speaker 2>flowed down the slope, jostling to hear and see better.

0:26:07.850 --> 0:26:12.250
<v Speaker 2>They'd swamp this air, banging into and knocking over the

0:26:12.370 --> 0:26:18.450
<v Speaker 2>prized Harley Davidson's of the Angels. There remains much dispute

0:26:18.490 --> 0:26:22.570
<v Speaker 2>about the actual deal broken with Sonny Barger and his bikers.

0:26:23.570 --> 0:26:26.650
<v Speaker 2>The accepted story is that they were offered five hundred

0:26:26.730 --> 0:26:29.850
<v Speaker 2>dollars worth of beer to guard the stage, the equipment,

0:26:29.890 --> 0:26:33.690
<v Speaker 2>and the performers. The bikers said they merely agreed to

0:26:33.730 --> 0:26:37.810
<v Speaker 2>sit on the stage, drink beer and look menacing and

0:26:37.850 --> 0:26:40.650
<v Speaker 2>spat on the idea that they were there to police

0:26:40.970 --> 0:26:46.570
<v Speaker 2>anyone but Grace Slick, whose band Jefferson Airplane were playing

0:26:47.290 --> 0:26:49.410
<v Speaker 2>was clear what she expected of the bikers.

0:26:50.530 --> 0:26:53.730
<v Speaker 4>People get weird and you need people like the Angels

0:26:53.770 --> 0:26:54.730
<v Speaker 4>to keep them in line.

0:26:56.330 --> 0:27:01.530
<v Speaker 2>And people got weird, very weird, almost as soon as

0:27:01.570 --> 0:27:05.170
<v Speaker 2>the music began. Keith Richards had been at the site

0:27:05.210 --> 0:27:09.770
<v Speaker 2>all night, going ahead of his fellow Rolling Stones him

0:27:10.210 --> 0:27:13.930
<v Speaker 2>Altamont resembled Dante's vision of Hell.

0:27:14.650 --> 0:27:18.610
<v Speaker 3>It was a descent to cave men level thanks to

0:27:18.770 --> 0:27:23.890
<v Speaker 3>sunny Barja in his lot and bad red wine and

0:27:24.010 --> 0:27:25.130
<v Speaker 3>bad acid.

0:27:29.050 --> 0:27:33.250
<v Speaker 2>Out of their minds. Some hippies striped naked and clambered

0:27:33.290 --> 0:27:38.330
<v Speaker 2>over the stage the Angels and their bikes. Santana was

0:27:38.370 --> 0:27:42.890
<v Speaker 2>the first band to play, and knives were drawn and

0:27:43.010 --> 0:27:50.810
<v Speaker 2>blood spilled before their opening song was done. Jefferson Airplane followed,

0:27:51.330 --> 0:27:54.250
<v Speaker 2>and now the Hell's Angels flailed up the crowd with

0:27:54.330 --> 0:28:01.210
<v Speaker 2>the fat ends of pool cues cracking skulls. Marty Balin

0:28:01.370 --> 0:28:07.170
<v Speaker 2>of Jefferson Airplane had had enough of the unfolding savagery.

0:28:07.330 --> 0:28:12.330
<v Speaker 2>Seeing Angels assaulting yet another music fan, Bailin threw his

0:28:12.530 --> 0:28:18.610
<v Speaker 2>tambourine at the attackers. A biker known as Animal punched Baby,

0:28:19.130 --> 0:28:19.850
<v Speaker 2>knocking him out.

0:28:21.290 --> 0:28:22.010
<v Speaker 1>Coming to his.

0:28:22.010 --> 0:28:26.490
<v Speaker 2>Senses, Baileen leapt down from the stage to intervene once again.

0:28:26.530 --> 0:28:30.890
<v Speaker 2>In the brawling, fists and pool cues were flying. Grace

0:28:30.930 --> 0:28:33.290
<v Speaker 2>Slick pleaded into her microphone.

0:28:33.930 --> 0:28:41.650
<v Speaker 1>No, now, stop it, Please be kind, Please be kind.

0:28:44.170 --> 0:28:47.770
<v Speaker 2>Grace didn't have her contact lensers in, so to her,

0:28:48.330 --> 0:28:51.330
<v Speaker 2>the violent melee in the front row was just a

0:28:51.490 --> 0:28:52.610
<v Speaker 2>nightmarish blur.

0:28:54.290 --> 0:28:58.050
<v Speaker 1>You've got to keep your bodies on each other unless you.

0:28:58.130 --> 0:29:02.410
<v Speaker 2>Intend love, she told the brawlers, as one by one

0:29:02.610 --> 0:29:06.850
<v Speaker 2>her bandmate stopped playing and took refuge behind the drum kit.

0:29:09.370 --> 0:29:15.290
<v Speaker 2>Animal approached Marty Bayalin, apologizing for punching him but recommending

0:29:15.330 --> 0:29:17.250
<v Speaker 2>his show The Hell's Angels more.

0:29:17.050 --> 0:29:18.290
<v Speaker 1>Respect in future.

0:29:19.170 --> 0:29:23.730
<v Speaker 2>Fuck you, replied the musician, Animal knocked down and out again.

0:29:26.890 --> 0:29:31.850
<v Speaker 2>The Flying Burrito Brothers came next, then Crosby, Stills, Nash

0:29:31.850 --> 0:29:36.490
<v Speaker 2>and Young. During their set, Stephen Stills was stabbed in

0:29:36.570 --> 0:29:40.130
<v Speaker 2>the leg by an angel armed with a sharpened wheelspoke.

0:29:40.890 --> 0:29:46.130
<v Speaker 2>Still's bandmate David Crosby was unsurprised by this turn of events.

0:29:46.890 --> 0:29:52.330
<v Speaker 2>Unlike his fellow musicians, Crosby seemed clear eyed about the bikers.

0:29:53.410 --> 0:29:55.850
<v Speaker 4>If you don't want the tiger to eat your lunch guests,

0:29:56.290 --> 0:29:58.210
<v Speaker 4>don't invite the fucking Tiger to lunch.

0:30:03.330 --> 0:30:07.290
<v Speaker 2>But where were the people who suggested inviting the tiger?

0:30:08.050 --> 0:30:13.010
<v Speaker 2>The Grateful Dead had just helicoptered in and crossing the site,

0:30:13.370 --> 0:30:19.170
<v Speaker 2>they'd noticed many unfamiliar, unfriendly faces among the Hell's angels.

0:30:20.010 --> 0:30:24.490
<v Speaker 2>Hearing of the unfolding violence and noting the sour mood,

0:30:25.130 --> 0:30:29.290
<v Speaker 2>they agreed this isn't a place for us and scurried

0:30:29.370 --> 0:30:36.250
<v Speaker 2>back to the helipad. This left a gap in the schedule.

0:30:37.330 --> 0:30:40.850
<v Speaker 2>Most of the Rolling Stones had flown in, with Mick

0:30:40.930 --> 0:30:44.850
<v Speaker 2>Jagger taking a punch from a drugged up giggoer moments

0:30:45.090 --> 0:30:48.770
<v Speaker 2>after their arrival, but Bill Wyman had missed the flight,

0:30:49.570 --> 0:30:54.690
<v Speaker 2>so Altamont endured an increasingly tense hiatus until he arrived.

0:30:55.770 --> 0:30:59.650
<v Speaker 2>It was cold and inkly black when the Stones is

0:30:59.730 --> 0:31:06.570
<v Speaker 2>set finally began under blood red stage lights. Jumpin Jack

0:31:06.650 --> 0:31:11.050
<v Speaker 2>Flash was followed by Carol, then sympathy for the Devil,

0:31:11.730 --> 0:31:17.450
<v Speaker 2>but scuffles that had started even before their show began intensified.

0:31:18.290 --> 0:31:21.930
<v Speaker 2>Jagger stopped singing, Brothers.

0:31:21.490 --> 0:31:23.770
<v Speaker 3>And Sisters, why.

0:31:25.130 --> 0:31:26.170
<v Speaker 1>We don't want to fight?

0:31:26.450 --> 0:31:26.730
<v Speaker 4>Come on?

0:31:28.650 --> 0:31:33.410
<v Speaker 2>The singer then encouraged the steadily encroaching fans to instead

0:31:33.730 --> 0:31:39.010
<v Speaker 2>sit down, Thinking h had calmed the tensions. The song resumed,

0:31:39.890 --> 0:31:44.650
<v Speaker 2>The stage still bristled with angels who crisscrossed in front

0:31:44.690 --> 0:31:48.010
<v Speaker 2>of Jagger at will, jumping into the crowd as the

0:31:48.090 --> 0:31:53.290
<v Speaker 2>mood took them to dole out more beatings. Then during

0:31:53.490 --> 0:31:58.450
<v Speaker 2>under My Thumb, a disturbance erupted to Jagger's left. In

0:31:58.490 --> 0:32:01.690
<v Speaker 2>a section of the crowd illuminated by the stage lights,

0:32:02.490 --> 0:32:07.210
<v Speaker 2>a thin, rangy teenager in a lime green suit is

0:32:07.250 --> 0:32:12.850
<v Speaker 2>surrounded by bikers. A revolver glints in his hand the

0:32:12.890 --> 0:32:16.050
<v Speaker 2>blade of a large knife in the hand of an angel.

0:32:17.370 --> 0:32:21.170
<v Speaker 2>The eighteen year old Meredith Hunter came off worse in

0:32:21.250 --> 0:32:25.370
<v Speaker 2>the encounter. The knife plunged into his neck and back

0:32:25.690 --> 0:32:30.290
<v Speaker 2>five times before his crumpled body was stomped on by

0:32:30.410 --> 0:32:34.770
<v Speaker 2>more bikers. He died before a chopper taking him to

0:32:34.850 --> 0:32:41.530
<v Speaker 2>hospital could take off. Keith Richards vowed that the Stones

0:32:41.570 --> 0:32:43.330
<v Speaker 2>would split if.

0:32:43.250 --> 0:32:46.410
<v Speaker 3>Those cats don't stop beating everyone in sight.

0:32:46.970 --> 0:32:51.530
<v Speaker 2>But the show went on under the increasingly hostile glares

0:32:51.610 --> 0:32:58.210
<v Speaker 2>of Sunny Bargera and his men. Finally, a helicopter pilot

0:32:58.290 --> 0:33:02.490
<v Speaker 2>approached bassist Bill Wyman. His was the last flight out,

0:33:02.890 --> 0:33:06.530
<v Speaker 2>he explained, and the Stones better get aboard now if

0:33:06.570 --> 0:33:11.450
<v Speaker 2>they wanted to escape. Seen reminiscent of the Vietnam War,

0:33:11.850 --> 0:33:14.450
<v Speaker 2>the Stones and let entourage played.

0:33:17.770 --> 0:33:20.610
<v Speaker 3>We piled in on top of each other. It couldn't

0:33:20.650 --> 0:33:31.290
<v Speaker 3>even lift off, that's how full it was. Back in

0:33:31.330 --> 0:33:34.930
<v Speaker 3>their hotel, the enormity of what had just occurred was

0:33:35.050 --> 0:33:38.250
<v Speaker 3>dawning on the band. Mick Jagger was said to be

0:33:38.290 --> 0:33:42.050
<v Speaker 3>blaming himself and even suggested quitting rock and roll altogether.

0:33:42.930 --> 0:33:46.930
<v Speaker 3>Keith Richards wasn't so sure. The dead should have known,

0:33:47.290 --> 0:33:49.730
<v Speaker 3>the angels shouldn't have been asked to do the job.

0:33:50.930 --> 0:33:54.370
<v Speaker 2>But Richards thought the fans at Altamont shared the blame too.

0:33:55.450 --> 0:34:00.170
<v Speaker 3>People were just asking for it, All those new fat

0:34:00.250 --> 0:34:02.490
<v Speaker 3>people just asking for it.

0:34:03.650 --> 0:34:07.210
<v Speaker 2>But the music press knew who to blame and was

0:34:07.250 --> 0:34:13.410
<v Speaker 2>excoriating Rolling Stone, A magazine named in honor of the band,

0:34:13.930 --> 0:34:20.810
<v Speaker 2>said Altamont had been the product of diabolical egotism, ineptitude,

0:34:21.450 --> 0:34:26.810
<v Speaker 2>and a fundamental lack of concern for humanity. The magazine

0:34:26.850 --> 0:34:31.290
<v Speaker 2>said of the Stones, a man died before their eyes.

0:34:32.810 --> 0:34:37.050
<v Speaker 2>Do they give a shit? But Mick and the boys

0:34:37.130 --> 0:34:41.410
<v Speaker 2>had more to worry about than their reputation. Sonny Barger

0:34:41.770 --> 0:34:46.250
<v Speaker 2>was deeply unhappy with them too. He called a radio

0:34:46.250 --> 0:34:48.970
<v Speaker 2>phone in show, an angrily ranted.

0:34:49.010 --> 0:34:52.050
<v Speaker 4>McJagger put it on on us. He used us for

0:34:52.210 --> 0:34:52.890
<v Speaker 4>dupes men.

0:34:54.290 --> 0:34:57.890
<v Speaker 2>One Angel was arrested for the murder of Meredith Hunter,

0:34:58.450 --> 0:35:03.730
<v Speaker 2>but was controversially cleared by a jury. The White Angel

0:35:03.850 --> 0:35:08.170
<v Speaker 2>had acted in self defense, they decided. When confronted by

0:35:08.210 --> 0:35:13.970
<v Speaker 2>the armed teen Sonny Barger and his bikers felt that,

0:35:14.010 --> 0:35:18.650
<v Speaker 2>what with legal fees and reputational damage, Mick Jagger owed

0:35:18.690 --> 0:35:22.570
<v Speaker 2>them fifty thousand dollars, and rumors.

0:35:22.090 --> 0:35:24.290
<v Speaker 1>Swirled that until this debt.

0:35:24.210 --> 0:35:30.730
<v Speaker 2>Was paid, a contract was out on Jagger's life. Unsurprisingly,

0:35:31.290 --> 0:35:37.450
<v Speaker 2>the Stones began to look over their shoulders. Backstage, Rhodies

0:35:37.530 --> 0:35:41.090
<v Speaker 2>carried their union cards so no assassin could slip in

0:35:41.170 --> 0:35:46.090
<v Speaker 2>amongst them. The band also shunned hotel room service for

0:35:46.170 --> 0:35:50.170
<v Speaker 2>fear of poisoning, and they checked in under assumed names.

0:35:51.010 --> 0:35:58.850
<v Speaker 2>Keith Richards liked the alias Count Ziganpus. Sonny Barger, who

0:35:58.970 --> 0:36:03.050
<v Speaker 2>incidentally spent thirteen years in prison for various crimes but

0:36:03.410 --> 0:36:07.170
<v Speaker 2>beat a murder rap, was more coy about the feud.

0:36:07.850 --> 0:36:10.690
<v Speaker 4>If there was a contract out mc jagger, then he'd

0:36:10.690 --> 0:36:14.210
<v Speaker 4>be dead. It's that simple. He wouldn't still be.

0:36:14.210 --> 0:36:23.970
<v Speaker 2>Singing flying home to London. Keith Richards tried to tamp

0:36:24.050 --> 0:36:28.210
<v Speaker 2>down the criticism over Altamont, telling reporters the gig had

0:36:28.250 --> 0:36:29.610
<v Speaker 2>been well organized, but.

0:36:30.170 --> 0:36:32.490
<v Speaker 3>A few tempers got frayed.

0:36:34.570 --> 0:36:37.250
<v Speaker 2>Coming as it did in the dying days of the

0:36:37.330 --> 0:36:42.090
<v Speaker 2>nineteen sixties, Altamont is often portrayed as the death knell

0:36:42.250 --> 0:36:47.050
<v Speaker 2>of the decade. Altamont was the end of Rock's innocence,

0:36:47.570 --> 0:36:52.810
<v Speaker 2>said one San Francisco paper. It's certainly an argument, and

0:36:52.850 --> 0:36:59.170
<v Speaker 2>one still hotly disputed, but Altamont definitely changed the Stones.

0:37:00.530 --> 0:37:03.490
<v Speaker 2>Mick Jagger and the band had a rocky relationship with

0:37:03.530 --> 0:37:07.330
<v Speaker 2>the police. Prior to Altamont. The singer had even faced

0:37:07.370 --> 0:37:11.010
<v Speaker 2>the prospect of a prison center on trumped up drugs charges.

0:37:11.850 --> 0:37:15.330
<v Speaker 2>This might well explain his interest in having the Angels

0:37:15.370 --> 0:37:19.650
<v Speaker 2>police his gigs, but the killing at Altamont changed that.

0:37:20.810 --> 0:37:34.690
<v Speaker 2>He moodily said, I'd rather have had the cops. Key

0:37:34.770 --> 0:37:39.050
<v Speaker 2>sources for this episode include Hell's Angels by Hunter S. Thompson,

0:37:39.410 --> 0:37:42.770
<v Speaker 2>Keith richards On Keith Richards, edited by Sean Egan, and

0:37:42.810 --> 0:37:47.330
<v Speaker 2>The Stones Memoirs Life by Keith Richards and Stone Alone

0:37:47.610 --> 0:37:50.890
<v Speaker 2>by Bill Wyman. For a fullness of our sources, visit

0:37:50.930 --> 0:37:56.210
<v Speaker 2>Timharford dot com. Cautionary Tales is written by me Tim

0:37:56.290 --> 0:38:00.250
<v Speaker 2>Harford with Andrew Wright, Alice Fines and Ryan Dilly. It's

0:38:00.330 --> 0:38:04.290
<v Speaker 2>produced by Georgia Mills and Marilyn Rust. The sound design

0:38:04.410 --> 0:38:07.610
<v Speaker 2>and original music are the work of Pascal Wise, but

0:38:07.690 --> 0:38:12.090
<v Speaker 2>additional sound design is by Carlos san Juan at Brain Audio.

0:38:12.450 --> 0:38:16.530
<v Speaker 2>Bend A Dafhaffrey edited the scripts. The show features the

0:38:16.610 --> 0:38:22.450
<v Speaker 2>voice talents of Genevieve Gaunt, Melanie Guttridge, Stella Harford, Oliver Hembrough,

0:38:22.690 --> 0:38:27.810
<v Speaker 2>Sarah Jupp, the Saamonroe, Jamal Westman and Rufus Wright. The

0:38:27.850 --> 0:38:30.650
<v Speaker 2>show also wouldn't have been possible without the work of

0:38:30.770 --> 0:38:35.450
<v Speaker 2>Jacob Weisberg, Greta Cohene, Sarah Nix, Eric Sandler, Carrie Brody,

0:38:35.730 --> 0:38:40.850
<v Speaker 2>Christina Sullivan, Kira Posey and Owen Miller. Cautionary Tales is

0:38:40.890 --> 0:38:45.370
<v Speaker 2>a production of Pushkin Industries. It's recorded at Wardall Studios

0:38:45.370 --> 0:38:49.130
<v Speaker 2>in London by Noria Barr and Lucy Rowe. If you

0:38:49.290 --> 0:38:52.530
<v Speaker 2>like the show, please remember to share, rate and review.

0:38:52.610 --> 0:38:54.370
<v Speaker 2>It really makes a difference to us and if you

0:38:54.370 --> 0:38:57.090
<v Speaker 2>want to hear the show ad free, sign up to

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<v Speaker 2>Pushkin Plus on the show page. On Apple Podcasts or

0:39:00.450 --> 0:39:16.490
<v Speaker 2>at pushkin dot Fm, Slash plus, oh