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Speaker 1: Hey you United Kingdomonians, blokes and blokettes. This is Rory

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Speaker 1: and Maul and we are coming to London's Earth Theater

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Speaker 1: November fifth.

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Speaker 2: Yes, first time across the pond from me. I'm excited.

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Speaker 1: Yes, I'm excited to not first time across the pond,

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Speaker 1: first time going across the pond and people were actually

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Speaker 1: waiting to see me.

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Speaker 2: Yes, first time with the work visa.

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Speaker 1: Yes, we will be at the Earth Theater November fifth

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Speaker 1: and London, looking forward to it. Hope to see you

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Speaker 1: all soon. Get your tickets now. If not, it's gonna

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Speaker 1: be a fucking pissfest when we get there.

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Speaker 2: Going nuts, Chair Law, Chair Law.

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Speaker 3: It's been a cold world, nigga.

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Speaker 4: I've been busy like a shepherd Thanksgiving case degree.

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Speaker 1: Of still grinding like it's a five.

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Speaker 2: I don't think say I've been on five recently. Tell

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Speaker 2: Lake the Holla morning La. Has been a rocky road, nigga.

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Speaker 1: I've been busy like the shep on Wendy Heels at

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Speaker 1: the popping dose, still grinding like it's pots and those

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Speaker 1: a monthly coast still solo hit my line when the

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Speaker 1: deal is closed. Yes, Welcome to a new episode of

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Speaker 1: the new roryal Mall podcast.

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Speaker 2: I am all, I'm all as well, and we are back.

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Speaker 1: To the smooth tunes of Gez the snow Man.

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Speaker 2: Nothing about that was smooth featuring.

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Speaker 1: DJ Drama Snowfall.

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Speaker 2: How you feeling, Rory, I feel good and I feel

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Speaker 2: good that that Drama made Jez go find the ems

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Speaker 2: that he hit in.

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Speaker 1: His listen, man, we could just we could get right

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Speaker 1: to that.

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Speaker 2: I don't know what Drama said, what type of pep

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Speaker 2: talk he gave Gez, but it was.

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Speaker 1: Needlet listen, man. I purposely did not want to talk

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Speaker 1: about this, uh, this album early in the week. I

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Speaker 1: wanted to kind of live with it for a few days,

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Speaker 1: just to make sure I wasn't tripping. Yeah, uh, this

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Speaker 1: might have in a kitchen. See if you still got

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Speaker 1: oh man, listen to pires dirty Pyrexes. Everywhere right now.

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Speaker 2: No one ever talks about in rat versus how boring

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Speaker 2: backing up is or how it is Yeah, your fingers starts,

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Speaker 2: oh man, Jesus, there's any of like the Kingpins that

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Speaker 2: are still alive, like have arthritis in their fingers if.

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Speaker 1: They're still alive. Arthritis is the last concern, that's still

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Speaker 1: last concern.

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Speaker 2: Like, now that there's this whole YouTube community of just

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Speaker 2: talking about crimes, I just want to know if any

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Speaker 2: of like these mobsters and gangsters will be like, yeah,

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Speaker 2: we're on our way to do it hit, but I

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Speaker 2: had a high blood pressure, so we had to stop by.

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Speaker 1: To take my medicine. Gotta take my high blood pressure.

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Speaker 2: Never get into the effects outside of jail with that lifestyle.

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Speaker 1: So yeah, man, the drama Jezi tape came out snowfall.

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Speaker 1: If you haven't heard it, I don't know what you're

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Speaker 1: listening to, but this is easily for me, one of

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Speaker 1: my favorite albums of the year.

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Speaker 2: Yeah, definitely condemned for rap album of the Year. I

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Speaker 2: was pleasantly surprised.

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Speaker 1: I was surprised.

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Speaker 2: We love JZ, but we see where jez is in life.

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Speaker 1: Yeah, and I was scared. I was like, jez is

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Speaker 1: so far removed. Yeah, he's going to sound old, out

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Speaker 1: of shape, like he doesn't still got it. I was

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Speaker 1: completely wrong. I was completely wrong about this. I love

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Speaker 1: the approach. He's still talking street shit, but just from

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Speaker 1: a more businessman, older, older, older guy, more mature.

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Speaker 2: When your wife has on the view, it's more. Yeah,

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Speaker 2: it's a little different I.

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Speaker 1: Love how you said I'm still into bricks. It's just

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Speaker 1: real estate. Now love that. That That sums up the

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Speaker 1: entire UH tape, the entire album is. It's just the

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Speaker 1: features were great for to.

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Speaker 2: Doug, imagine GZ being your landlord.

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Speaker 1: I would love that. I know you, I would love

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Speaker 1: I would if Jez was my landlord, I would we

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Speaker 1: would have the greatest relationship. Like, come on, man, I'm

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Speaker 1: a little late, but you know what it is.

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Speaker 2: But that's the first is coming.

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Speaker 1: You can talk to you like, I know I'm late,

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Speaker 1: but come on, man, the first is coming. You don't

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Speaker 1: about to get busy, don't worry about it. I got

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Speaker 1: your money.

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Speaker 2: Two changes in the real estate. There's a lot of

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Speaker 2: rappers I feel like from Atlanta were the first on

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Speaker 2: that wave.

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Speaker 1: You should you should be in the real estate if

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Speaker 1: you have the money to do it and and and

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Speaker 1: buy some land and living in Atlanta and living in Atlanta,

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Speaker 1: you should absolutely be into real estate. But this tape

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Speaker 1: top to bottom flawless. The production is amazing, dramas talking

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Speaker 1: big ship on this UH. The features E s TG

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Speaker 1: for two. Doug. Yeah, it just I'm just I'm I'm

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Speaker 1: really surprised that this, this tape, this album is as

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Speaker 1: good as it is. I'm gonna be honest, I would

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Speaker 1: have loved to see Gibbs on here since they recently

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Speaker 1: said that they don't have issues with each other. I

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Speaker 1: don't know if that means that they're like friends or

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Speaker 1: working issue, but that would have been cool to hear

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Speaker 1: Gibbs and Gezi back together. What did you think about

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Speaker 1: the line, uh have more records with Hove than Biggie Small's.

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Speaker 1: Well one, let's start with it is a fact number one.

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Speaker 1: Unfortunately Biggie's life was cut short, so you know, his

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Speaker 1: his artistry was cut short. But I mean I think

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Speaker 1: that was more so just Geez's way of saying, like

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Speaker 1: Hove looks at me as one of those guys that

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Speaker 1: he respects.

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Speaker 2: No, I thought the bar was cool, and then my

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Speaker 2: immature brain just started thinking about all the other rappers

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Speaker 2: that could also get that line off, and it didn't

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Speaker 2: hit the same, Like a mill could wrap that right.

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Speaker 1: Now, Yeah, that will not hit the same. But I

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Speaker 1: understand what Jeezi was doing, and yeah, this this tape is.

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Speaker 2: You could wrap that line.

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Speaker 1: I could actually, yes, I could wrap that line. And

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Speaker 1: I think that this tape solidifies my you know, campaign

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Speaker 1: for what I've been saying all along. Snowfall is better

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Speaker 1: than the wire. It's not called the wires snowfall. I

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Speaker 1: mean he called it snowfall. Gez was a snowman, Yeah,

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Speaker 1: but he called it snowfall. He didn't have to name

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Speaker 1: his hour snow he was falling off, but he wasn't.

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Speaker 1: It's just the snow I see went over your head.

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Speaker 1: I get it.

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Speaker 2: I love the snowed in California.

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Speaker 1: The artwork is amazing, well in l.

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Speaker 2: A at least.

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Speaker 1: Yeah, so yeah, drama, geezy, great job. Snowfall for me,

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Speaker 1: definitely contender full rap album of the Year. The artwork

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Speaker 1: is crazy. Yeah.

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Speaker 2: Are I are my legs offensive to the YouTube viewers?

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Speaker 1: You think we're talking about snowfall? So yes, my legs

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Speaker 1: cover you're up to your knees in the snow.

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Speaker 2: I'll go back to pants. I just you know we

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Speaker 2: had we're about to record. I was like, all right,

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Speaker 2: I get some in shorts today.

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Speaker 1: No, it's so good.

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Speaker 2: I apologize for any glare of white balance. You need

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Speaker 2: to adjust fix. Can we turn his lights off?

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Speaker 1: The lights off? It's your legs that's doing this right

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Speaker 1: now to the cameras.

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Speaker 2: Yes, very pasty and we're getting to the pastier time

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Speaker 2: of the year.

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Speaker 1: Let's keep it on music. So we got a tweet

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Speaker 1: last night from uh the Ovo Champagne Poppy himself.

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Speaker 2: Is that where you referred to a mass? Huh, that's

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Speaker 2: what you refer to a mass?

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Speaker 1: Well, no, I mean that's his.

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Speaker 2: I prefer Drake's Instagram handle Champagne Poppy. No, I just

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Speaker 2: say Drake's Instagram. Oh you don't say Champagne Poppy, and

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Speaker 2: I say drake Instagram handle.

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Speaker 1: Okay, Drake's Instagram handle. So he posted a message letting

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Speaker 1: us know that the anticipated album her Loss with him

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Speaker 1: in twenty one Savage, will not be dropping today or tonight.

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Speaker 1: I don't know when you're listening to this, and we

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Speaker 1: were we kind of joked about it in the group

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Speaker 1: text a little bit.

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Speaker 2: Uh.

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Speaker 1: He says that Ovio forty has has come down with COVID,

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Speaker 1: so he wasn't able to work and mix the records,

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Speaker 1: so they had to kind of push it back to

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Speaker 1: November fourth.

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Speaker 2: I mean, I understand forty would be at high risk

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Speaker 2: with the most pull scrolls this, I can't pronounce things ms, yes,

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Speaker 2: so I understand COVID is very serious when it comes

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Speaker 2: to him. But if that's not the case, getting off

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Speaker 2: a COVID excuse in October of twenty twenty two, is

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Speaker 2: it's some boss, take some balls.

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Speaker 1: I mean, you can't argue it number one, right, you

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Speaker 1: can't prove that forty doesn't have COVID.

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Speaker 2: Of course not exactly. And now you're looking sensitive when

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Speaker 2: someone that is at high risk has COVID, because then

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Speaker 2: you can't make the joke. Well, I didn't need to

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Speaker 2: outside to mix the album. What a perfect thing to

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Speaker 2: do when you have to stay inside. Yeah, but you

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Speaker 2: can't lose his taste, smell and hearing.

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Speaker 1: Well, you know they say when you catch COVID you

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Speaker 1: can lose your hearing.

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Speaker 2: No, they don't, you can.

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Speaker 1: They've never said that you can lose They said a lot,

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Speaker 1: just go back and look at it.

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Speaker 2: Me and Fauci was like this, for ye, you never

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Speaker 2: said anything about it.

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Speaker 1: I think they did. I think they I think I

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Speaker 1: do remember them saying that you lose your taste. So

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Speaker 1: maybe his taste in the records probably would change. So

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Speaker 1: you know that that affects the music.

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Speaker 2: And sometimes when certain drums say you got to make

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Speaker 2: that face like you just smell something crazy. You can't

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Speaker 2: do that.

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Speaker 1: They think he was and can't smell with the rockets cooking,

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Speaker 1: so they had to push it back and forth.

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Speaker 2: But jokes aside. I know COVID can bring the type

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Speaker 2: of body aches that someone with MS could really affect them. Yeah,

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Speaker 2: so I really hope forty is okay.

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Speaker 1: Prayers to forty. We hope you're feeling better, and we'll

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Speaker 1: get the tape when we get it.

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Speaker 2: Man, I did see people saying that he was sugar Rihanna.

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Speaker 2: That's why, well, Rihanna's dropped.

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Speaker 1: Well, if you listen to this, Rihanna dropped the song

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Speaker 1: for the for the Waconda Forever soundtrack.

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Speaker 2: Which I believe was co written by Thames. So I'm

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Speaker 2: kind of excited.

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Speaker 1: For the tame as a record coming tonight too as well.

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Speaker 2: Right, I saw that I would have loved to hear

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Speaker 2: some vocals from Tams on this, but it appeared with

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Speaker 2: the report that she just wrote it. But you guys

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Speaker 2: have heard it by the time you're hearing this, so

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Speaker 2: it doesn't really matter. I'm excited for it. I don't

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Speaker 2: think Drake and twenty one would push their album because

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Speaker 2: of a Rihanna single.

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Speaker 5: But you know, well, Taylor Swift did release her album

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Speaker 5: and she's going to be number one for a while

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Speaker 5: because it's Taylor Swift. So if you're aiming for a

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Speaker 5: number one album, I wouldn't release a week after Tailor's with.

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Speaker 2: I mean, I guess you don't.

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Speaker 1: Drake would have had a number one album.

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Speaker 2: No, I think next to Taylor Sweat. Taylor's second or

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Speaker 2: third week numbers whatever they're at now would definitely surpass

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Speaker 2: Drake in twenty one surprise album. Okay, I'm mad, I

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Speaker 2: really think so.

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Speaker 1: I'm not mad at that, baby D. How you feeling.

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Speaker 2: I know the fans missed your voice street saying he

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Speaker 2: was gone.

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Speaker 1: They thought you left us fired me. We would never fire.

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Speaker 1: But let me tell you something. I love baby D.

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Speaker 1: I would never fire baby D. Baby D. Even if

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Speaker 1: we stop podcasting, you can come back up for me.

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Speaker 5: I always gotta that was disrespectful.

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Speaker 1: How's that disrespectful? If I give you forty off of

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Speaker 1: each pack when Ron could beat that?

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Speaker 6: Mmmm, it's a really good offer.

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Speaker 2: I get what you get for a break to talk

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Speaker 2: greasy what you're talking about? It like, it's just that's

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Speaker 2: what podcasts.

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Speaker 1: But the grease like mekn those you heard, come on, man,

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Speaker 1: let's get to this money. Baby D.

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Speaker 2: But no, no, baby D wasn't gone. She just tracked

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Speaker 2: the Indian dance to bring all rain back.

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Speaker 1: You know what I'm saying.

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Speaker 5: They gotta stop. They got We're fired. Can we can

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Speaker 5: we take that out?

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Speaker 2: Why did the Native Americans canceled Kanye sooner?

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Speaker 1: Jesus Christ, No baby did we We We love to

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Speaker 1: hear your voice. The people thought that you left us

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Speaker 1: and went on the greener pastors.

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Speaker 5: And damn, I die.

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Speaker 1: Well, no, not die.

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Speaker 5: But that's what when you say you he went on

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Speaker 5: a greener pastor.

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Speaker 1: I was saying in the terms of like you found

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Speaker 1: something better to do than to sit and work with us.

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Speaker 2: So I think there's a lot I think she could

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Speaker 2: find it better than this. But it's cool. I see

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Speaker 2: what you tried to do with the quarter fay Yankee

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Speaker 2: at Match with the Blues.

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Speaker 1: I see you.

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Speaker 2: I know it's all inspired.

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Speaker 1: So yeah, I don't know her loss November fourth, but

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Speaker 1: we do have division coming tonight right, well, it's already

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Speaker 1: if you're hearing this, Division is out now working on

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Speaker 1: my carma. Damn, you're funny for that title, but working

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Speaker 1: on my car available now. Support Support the Guy, Support Division.

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Speaker 1: Shout out to Beecock, shout out to Jermaine Duprix, and.

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Speaker 2: Shout out to you being part of the rollout. And

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Speaker 2: I was shocked you weren't at the listening party last

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Speaker 2: night in Atlanta. I thought you know that I was

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Speaker 2: gonna fly to Atlanta for the listeners you were gonna host.

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Speaker 2: I thought it was a little walk through that you

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Speaker 2: would do off the strength of friendship.

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Speaker 1: No no, no, no no no. But shout out to

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Speaker 1: shout out the Division. I can't wait till we're recording

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Speaker 1: this Thursday, so I'm listening to the album.

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Speaker 2: Is it over for the walkthrough? Is that dead? H?

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Speaker 2: I see less of it on club flyers where it's

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Speaker 2: hosted by somebody from love and hip hop.

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Speaker 1: Yeah, I don't. I think the war rapper. I think

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Speaker 1: the walkthrough is kind of dead, only because I feel

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Speaker 1: like people see people enough on social media and things

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Speaker 1: like that they don't need to go to the club

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Speaker 1: just because that person is hosting anymore. Yeah, so I

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Speaker 1: think the walkthrough game is not as It's definitely not

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Speaker 1: what it used to be. It's probably just a few

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Speaker 1: offers for people out there.

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Speaker 2: I think promoters looked at the p and l Yeah,

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Speaker 2: like they was paying all this money and no one

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Speaker 2: was like super excited that Jocelyn was doing the weekend

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Speaker 2: at their club, right, So yeah, that's not think it

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Speaker 2: makes sense.

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Speaker 1: But the Rihanna single is a tribute to Chadwick Boseman.

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Speaker 6: Correct, Julian, Yes, it is lift me Up, so it

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Speaker 6: sounds like it could be you know, uplifting positive.

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Speaker 2: Yeah, it's just excited to hear from Okay, Well, we'll

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Speaker 2: rest in peace to chadd rest recu Chadwick Boseman, and

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Speaker 2: I think he deserves and reci peace to Paul Walker.

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Speaker 2: But we know how amazing that record was with Wiz

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Speaker 2: and uh who's on the hook? I can't remember, thank you.

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Speaker 2: So I think Chadwick needs his his movie soundtrack tribute

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Speaker 2: as well.

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Speaker 1: Absolutely, and I love that. I'm looking forward to seeing

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Speaker 1: this movie. I think it's gonna be it might it

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Speaker 1: may be better than the first one. I feel like

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Speaker 1: that they went all out on this one.

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Speaker 2: I'm not gonna comment because I said that it wasn't

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Speaker 2: going to outsell any of the other Marvel movies or whatever.

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Speaker 1: This one definitely and.

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Speaker 2: I was completely wrong, So I'm gonna shut the fuck

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Speaker 2: up about anything Black Panther related.

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Speaker 1: Yeah, I feel like this, like this Black Panther will surpassed,

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Speaker 1: uh the first Oh wait, let me take that back,

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Speaker 1: because now it's different. Right now? Is it going to

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Speaker 1: be streaming as well?

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Speaker 3: I think this is going to be in the box

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Speaker 3: office first, and then.

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Speaker 1: Of course it's in the box office first. You have

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Speaker 1: to put movies in the box office to be considered

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Speaker 1: for any awards.

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Speaker 2: But I feel like I switched that though. Now it

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Speaker 2: just has to be in a certain amount of box.

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Speaker 1: Offices for a certain amount of time.

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Speaker 2: Correct, I guess let's look that up.

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Speaker 1: But because I know what the Irishman it was in

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Speaker 1: theaters for, I mean that was still kind of sort

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Speaker 1: of COVID pandemic time, but I know it was in

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Speaker 1: theaters first for a couple of weeks and then it

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Speaker 1: was available on Netflix and streaming platforms.

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Speaker 2: I don't think it won anything though.

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Speaker 1: I don't think it did either. It should have. That's

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Speaker 1: a great movie.

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Speaker 2: I mean, if you think about it, it's really they're

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Speaker 2: just trying to bring down Irish people. But that's a

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Speaker 2: case for another day. I mean, it's cool, it's fine,

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Speaker 2: it's fine. I saw it was gonna shut up.

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Speaker 1: I saw Kanye was back on social media last night.

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Speaker 2: Oh, I don't know why you segued from that. I

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Speaker 2: was just suggesting that maybe Irish people were No, I

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Speaker 2: get it.

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Speaker 1: I just thought it was I thought you was sitting there.

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Speaker 1: So I just came off with the screen shooting.

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Speaker 2: No, no, no, screen. I'm cool on everything related. I'm

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Speaker 2: not dying on that hill. No, no, no, no. What I think is.

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Speaker 1: Worry about it. You know who built a hill? Kanye

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Speaker 1: got dropped by Adidas.

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Speaker 2: God built a hill.

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Speaker 1: Blentciaga. Since we've recorded a didas Balenciaga. Yeah.

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Speaker 2: Uh.

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Speaker 1: Sketchers walked him out of the building. They said, listen, man,

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Speaker 1: we're not giving you no free sketches.

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Speaker 2: And his defense sketchers looked like Valenciaga, so maybe he

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Speaker 2: thought he was going into his form room.

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Speaker 1: And then Kanye's defense getting kicked out of the sketches building.

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Speaker 1: It has to kind of be an insult.

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Speaker 2: Pretty funny.

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Speaker 1: I'm here to help y'all. Nobody is wearing your shoes.

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Speaker 1: I'm here to help y'all. He got kicked out, so.

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Speaker 2: Adidas is cut to Also, all the people that buy

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Speaker 2: Sketchers are in the middle of the country and have

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Speaker 2: never met a Jewish person in their life at all.

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Speaker 1: Uh So, since we recorded, Adidas is cut.

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Speaker 2: Talk y'all funny to me.

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Speaker 1: Balinciaga, Vogan, Anna Wintour have cut ties. He's been dropped

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Speaker 1: by his talent agency CAAA. He's been dropped by his lawyer.

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Speaker 1: His stream sales and airplay have plummeted. Restricted from Instagram

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Speaker 1: into a stadium, shows, canceled documentary show listen. I feel like, wait,

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Speaker 1: which documentary show?

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Speaker 2: The one he's been doing quietly. I think he even had

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Speaker 2: cameras at the oh.

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Speaker 1: I thought the one that came out Genius showed that

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Speaker 1: we all saw it.

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Speaker 2: Right now, he's been shooting the same way when he

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Speaker 2: was like showing. I don't know if it was the

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Speaker 2: Data's employees that was from that. Okay, it's so funny

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Speaker 2: that Beas has been an angel for the last three

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Speaker 2: weeks and Demeris comes and now she's back on her bullshit.

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Speaker 1: Stay cooking and she shut the file alarm off, so.

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Speaker 6: Just pick her up.

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Speaker 1: Yeah, it doesn't like that. She doesn't like that Damarus

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Speaker 1: came in here. And caused a frucus.

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Speaker 2: Well, listen, I feel like all of this broke right

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Speaker 2: after we recorded our last episode, and I feel like

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Speaker 2: everyone has gotten their rants off, and in these day

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Speaker 2: and ages, I think this is old news. So I'm

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Speaker 2: really just gonna joke about it and say, artists, pay

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Speaker 2: attention if you ever want to get out of your

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Speaker 2: record deal. Kanye West. Finally, I wouldn't suggest that. I

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Speaker 2: suggest that out of all the ways that these artists

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Speaker 2: have said I cannot get off my major, what the fuck?

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Speaker 2: It's never gonna happen. He's giving you a way to

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Speaker 2: do it.

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Speaker 3: There's a technique.

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Speaker 1: Yeah, I don't know if you want to take that

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Speaker 1: way though.

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Speaker 3: That's a bad technique.

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Speaker 1: That's the road. Let's travel.

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Speaker 7: Uh.

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Speaker 1: Kanye is back on Instagram and his first post he says,

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Speaker 1: are manual, I lost two billion dollars in one day

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Speaker 1: and I'm still alive. This is love speech. I still

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Speaker 1: love you, God still loves you. The money is not

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Speaker 1: who I am. The people is who I am. Love

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00:16:09,560 --> 00:16:12,040
Speaker 1: speech was his caption, and then he went on to

401
00:16:12,080 --> 00:16:15,520
Speaker 1: say I haven't had sex with a supermodel in almost

402
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Speaker 1: a month. Please and help, saying I've never had not

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Speaker 1: had sex with a supermodel and over my lifetime, so.

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00:16:24,320 --> 00:16:29,520
Speaker 2: So my must be in disarray if saying send help

405
00:16:29,520 --> 00:16:31,320
Speaker 2: because it's been a month, it's been thirty two years

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00:16:31,320 --> 00:16:33,640
Speaker 2: for me. Yeah, I need a straight jacket.

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00:16:34,440 --> 00:16:36,880
Speaker 1: This is his way of coming back into Instagram, and

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Speaker 1: everyone seems to be running with this cut ties meme.

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Speaker 1: Is this support or is this like some way of

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Speaker 1: just kind of like trying to get involved with the

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Speaker 1: Kanye train.

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Speaker 3: It's ridiculed.

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00:16:50,280 --> 00:16:53,720
Speaker 2: It's I think it's just being added on the way

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00:16:53,800 --> 00:16:56,480
Speaker 2: everything with social media is how do I get involved

415
00:16:56,520 --> 00:16:59,400
Speaker 2: with the memes? How do I get some retweets?

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Speaker 1: Fifty the Curtis Jackson has reportedly cut ties with fifty

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Speaker 1: cent Uh.

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Speaker 6: Kanye screenshot at this and reposted it on his Instagram.

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Speaker 2: Well, Kanye had said that. Originally he said Kanye West

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Speaker 2: cut or Ye cuts ties with Kanye West or some

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Speaker 2: shit like that.

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Speaker 1: Yeah, and then all everybody started to follow suit.

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Speaker 6: Where do you guys think Kanye goes from here? With fashion?

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Speaker 6: I'm not so much the music stuff, but with his company,

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Speaker 6: with his brand in particular, because Adidas owns the name,

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Speaker 6: Adidas owns the designs.

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Speaker 2: Well, he did post something on his Instagram.

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Speaker 1: He a lawyer, Kanye owns the name Yeezy and the trademark.

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Speaker 2: Well, all right, he screenshotted some guy we don't know

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Speaker 2: and put on Instagram, so that's to be true Julian, Yeah,

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Speaker 2: which he's then deleted. I I don't know. I have

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Speaker 2: no prediction off this, this Kanye.

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Speaker 1: I believe Kanye is a number one, smart enough, uh

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Speaker 1: number two. I think he has still has enough relationships

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Speaker 1: where he will be able to pivot out of this

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Speaker 1: and eventually continue to create, whether it's music, fashion, in

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Speaker 1: some sort. I don't know when that will be, but

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Speaker 1: I do believe that at some point he'll be fine

439
00:18:11,680 --> 00:18:14,120
Speaker 1: and he will create and be able to put out

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Speaker 1: his art again. I don't know when that will be.

441
00:18:16,200 --> 00:18:20,359
Speaker 6: But when he starts Sunday Service again and starts asking

442
00:18:20,400 --> 00:18:23,680
Speaker 6: for black support, where do you think we've all fall

443
00:18:23,880 --> 00:18:24,280
Speaker 6: on that?

444
00:18:24,400 --> 00:18:26,760
Speaker 1: Well, Kanye came out and said slavery, who's a choice,

445
00:18:26,760 --> 00:18:27,880
Speaker 1: and we still supported him.

446
00:18:27,880 --> 00:18:30,760
Speaker 6: Oh, everyone champion that. Yeah, so it's not with him.

447
00:18:31,320 --> 00:18:33,520
Speaker 1: Yeah, it's not, it's not. I don't think that. I

448
00:18:33,520 --> 00:18:37,159
Speaker 1: think that Kanye has you know, he's obviously ruffled some

449
00:18:37,200 --> 00:18:41,720
Speaker 1: feathers and made some remarks that people took offense to.

450
00:18:43,960 --> 00:18:45,240
Speaker 2: You were you were, in fact at one of the

451
00:18:45,240 --> 00:18:46,159
Speaker 2: Sunday services.

452
00:18:46,440 --> 00:18:48,280
Speaker 1: I was at a Sunday service, was one of the

453
00:18:48,280 --> 00:18:52,840
Speaker 1: earlier ones, and again, you know, there was a lot

454
00:18:52,880 --> 00:18:55,959
Speaker 1: of different people, different walks of life, different religions, different

455
00:18:56,000 --> 00:18:58,600
Speaker 1: ethnicities in that room. So I do know that Kanye

456
00:18:58,680 --> 00:19:01,120
Speaker 1: has support from a lot of people from you know,

457
00:19:01,240 --> 00:19:04,840
Speaker 1: all over the world. But obviously, his his his remarks

458
00:19:04,880 --> 00:19:08,560
Speaker 1: in his interviews over the last couple of weeks have again,

459
00:19:08,600 --> 00:19:11,320
Speaker 1: you know, ruffle some feathers, So I don't know. I

460
00:19:11,320 --> 00:19:15,919
Speaker 1: think that time obviously hells. I believe that Kanye behind

461
00:19:15,960 --> 00:19:18,800
Speaker 1: the scenes still has a lot of people supporting him.

462
00:19:19,320 --> 00:19:21,280
Speaker 1: So again, he'll I'm sure he'll be He'll be able

463
00:19:21,359 --> 00:19:24,480
Speaker 1: to create what that looks like without having the Adidas

464
00:19:24,560 --> 00:19:29,480
Speaker 1: uh you know, infrastructure and the Adidas distribution next to him.

465
00:19:29,840 --> 00:19:32,560
Speaker 1: I don't know what those sneakers look like. Obviously he

466
00:19:32,600 --> 00:19:35,120
Speaker 1: went to Sketchers trying to have a meeting with them

467
00:19:35,160 --> 00:19:37,320
Speaker 1: and trying to you know, pivot that way, and that

468
00:19:37,359 --> 00:19:40,720
Speaker 1: he was reportedly kicked out of the building, So I

469
00:19:40,720 --> 00:19:42,440
Speaker 1: don't know what it looks like. I do think that

470
00:19:42,520 --> 00:19:47,879
Speaker 1: Kanye has enough relationships and financial capital to still create

471
00:19:47,920 --> 00:19:50,560
Speaker 1: at a high level. But it's obviously gonna look a

472
00:19:50,600 --> 00:19:51,200
Speaker 1: bit different.

473
00:19:52,000 --> 00:19:55,200
Speaker 2: I mean, does I feel like he has a choice here?

474
00:19:55,280 --> 00:19:58,600
Speaker 2: Does he just go all the way with it or

475
00:19:58,960 --> 00:20:00,000
Speaker 2: just completely apologized?

476
00:20:01,200 --> 00:20:01,640
Speaker 1: I don't think.

477
00:20:02,000 --> 00:20:03,760
Speaker 2: Is he to end up doing a pod with progressor

478
00:20:04,040 --> 00:20:06,399
Speaker 2: Professor Griff or does he just be like, Yo, I

479
00:20:06,440 --> 00:20:08,000
Speaker 2: really made a mistake. I apologize.

480
00:20:08,040 --> 00:20:10,600
Speaker 3: There was a claim that he might be collaborating with

481
00:20:10,640 --> 00:20:12,720
Speaker 3: Andrew Tate. With who Andrew Tate?

482
00:20:12,880 --> 00:20:14,560
Speaker 2: Andrew Tate? What would be.

483
00:20:14,520 --> 00:20:17,480
Speaker 6: The collab podcast?

484
00:20:17,960 --> 00:20:21,480
Speaker 3: Yes, so I don't know what's to freely put his

485
00:20:21,560 --> 00:20:21,960
Speaker 3: mind out.

486
00:20:22,040 --> 00:20:24,200
Speaker 1: Well, listen, Nick Cannon right not to bring Nick Cannon

487
00:20:24,240 --> 00:20:26,000
Speaker 1: into this, but he made some comments.

488
00:20:25,840 --> 00:20:27,879
Speaker 2: Not too long ago, very similar to very similar.

489
00:20:28,920 --> 00:20:31,040
Speaker 1: I might, I think a little worse honestly than what

490
00:20:31,119 --> 00:20:31,760
Speaker 1: Kanye said.

491
00:20:32,359 --> 00:20:32,479
Speaker 8: Hm.

492
00:20:32,560 --> 00:20:35,399
Speaker 2: Hm, it's weird. There's only one person in common between

493
00:20:35,400 --> 00:20:37,520
Speaker 2: the two of them that may have given this ideology

494
00:20:37,600 --> 00:20:38,160
Speaker 2: to both them.

495
00:20:42,119 --> 00:20:43,359
Speaker 1: Yeah, I don't, I don't. I don't know.

496
00:20:43,520 --> 00:20:44,840
Speaker 2: My only one wants to have a little bit of

497
00:20:44,840 --> 00:20:46,679
Speaker 2: fun with this because I feel like everyone got their

498
00:20:46,760 --> 00:20:49,600
Speaker 2: important political rants off for the past. I've heard on

499
00:20:49,640 --> 00:20:51,760
Speaker 2: every side. I'm indifferent with everything.

500
00:20:51,840 --> 00:20:52,080
Speaker 1: Listen.

501
00:20:52,200 --> 00:20:54,760
Speaker 2: I want to love I want everyone to love each other.

502
00:20:55,280 --> 00:20:56,480
Speaker 1: I want to have a lot of fun with it.

503
00:20:56,480 --> 00:20:57,560
Speaker 1: I want to have a lot of fun with it.

504
00:20:57,600 --> 00:21:01,439
Speaker 1: But I do remember Nick Cannon's thing, and again, if

505
00:21:01,480 --> 00:21:04,080
Speaker 1: I'm hearing correctly, what I remember Nick Cannon saying, I

506
00:21:04,119 --> 00:21:08,240
Speaker 1: think was a little more you know, disrespectful and a

507
00:21:08,240 --> 00:21:13,280
Speaker 1: little more blatant than what Kanye said. If I recall correctly,

508
00:21:13,280 --> 00:21:16,399
Speaker 1: and Nick Cannon was, you know, obviously in some trouble

509
00:21:16,440 --> 00:21:18,840
Speaker 1: with that, and he sat down with he sat down

510
00:21:18,880 --> 00:21:21,240
Speaker 1: with a rabbi I believe, right, and they had a

511
00:21:21,280 --> 00:21:26,159
Speaker 1: conversation on this platform. I think so again, it's you know,

512
00:21:26,720 --> 00:21:28,720
Speaker 1: I think Kanye will be able to pivot out of this.

513
00:21:28,800 --> 00:21:30,800
Speaker 1: He's gonna have to sit down and talk with some people,

514
00:21:31,480 --> 00:21:35,679
Speaker 1: and again he may apologize. He has apologized already for

515
00:21:36,640 --> 00:21:39,480
Speaker 1: the people that he may have offended and hurt. But

516
00:21:39,520 --> 00:21:40,760
Speaker 1: I feel like he will have to sit down with

517
00:21:40,800 --> 00:21:43,800
Speaker 1: more people just to kind of, you know, have that

518
00:21:43,840 --> 00:21:47,800
Speaker 1: conversation and apologize and things like that. But I think

519
00:21:47,800 --> 00:21:49,520
Speaker 1: that Kanye will be able to create again at a

520
00:21:49,560 --> 00:21:51,960
Speaker 1: high level. I just think right now is you know,

521
00:21:52,680 --> 00:21:54,159
Speaker 1: I don't know what his plan is I'm sure he

522
00:21:54,240 --> 00:21:57,240
Speaker 1: has one. I don't know what that what that is,

523
00:21:57,280 --> 00:22:01,160
Speaker 1: what it looks like, but you know, hopefully he has

524
00:22:01,560 --> 00:22:03,919
Speaker 1: a good plan and is able to come out of

525
00:22:03,920 --> 00:22:06,399
Speaker 1: this without offending anybody any further.

526
00:22:06,520 --> 00:22:10,120
Speaker 3: Do you guys think that this is past Kanye West

527
00:22:10,440 --> 00:22:13,600
Speaker 3: trying to grab at any sense of attention and solid

528
00:22:13,640 --> 00:22:15,639
Speaker 3: anything anymore? Is it past this?

529
00:22:15,920 --> 00:22:18,840
Speaker 1: I don't think it's about him trying to get attention.

530
00:22:20,400 --> 00:22:22,440
Speaker 1: I think he feels the way he feels. I think

531
00:22:22,440 --> 00:22:25,440
Speaker 1: he truly feels that way. And looking at a lot

532
00:22:25,440 --> 00:22:28,320
Speaker 1: of the interviews, again, I don't you know, I'm not

533
00:22:29,359 --> 00:22:31,840
Speaker 1: in that world. I don't know exactly what people were

534
00:22:31,840 --> 00:22:35,160
Speaker 1: totally offended at. I know he did say some things

535
00:22:35,160 --> 00:22:38,040
Speaker 1: that may have again shook the cages and kind of

536
00:22:38,080 --> 00:22:42,080
Speaker 1: like made people upset. Yeah, but it's like, uh, he

537
00:22:42,119 --> 00:22:44,239
Speaker 1: said he's all for attention, though you think it's all

538
00:22:44,280 --> 00:22:44,760
Speaker 1: for attention.

539
00:22:44,960 --> 00:22:48,400
Speaker 2: I think everything Kanye West does, positive and negative, is

540
00:22:48,440 --> 00:22:49,120
Speaker 2: for attention.

541
00:22:49,480 --> 00:22:50,480
Speaker 3: That's what I think.

542
00:22:50,520 --> 00:22:53,040
Speaker 2: And here's the thing. This is not in any defense

543
00:22:53,119 --> 00:22:56,840
Speaker 2: of Kanye, but entertainers. I've always found it very odd

544
00:22:57,480 --> 00:22:59,639
Speaker 2: in the entertainment world when people comment they're doing this

545
00:22:59,640 --> 00:23:03,080
Speaker 2: for a time. It's entertainment. Yes, there's bad versions of

546
00:23:03,080 --> 00:23:06,080
Speaker 2: someone just doing shit for attention, but every every entertainer

547
00:23:06,119 --> 00:23:08,360
Speaker 2: wants attention. That's why they get into the business.

548
00:23:08,359 --> 00:23:09,800
Speaker 1: You can capitalize attention.

549
00:23:10,119 --> 00:23:12,440
Speaker 2: You can complain on what type of attention you want, cool,

550
00:23:12,440 --> 00:23:13,960
Speaker 2: this and that, what it comes with, what it doesn't

551
00:23:13,960 --> 00:23:15,760
Speaker 2: come with. At the end of the day, people in

552
00:23:15,960 --> 00:23:20,840
Speaker 2: entertainment and in marketing and selling things want attention. Yeah,

553
00:23:21,080 --> 00:23:25,080
Speaker 2: we had that attention conversation a few episodes ago when

554
00:23:25,119 --> 00:23:26,960
Speaker 2: it comes to like our personal feelings about attention. But

555
00:23:26,960 --> 00:23:29,000
Speaker 2: at the end of the day, we are doing a podcast.

556
00:23:29,160 --> 00:23:30,800
Speaker 2: So when someone says, do you want attention, yeah, I

557
00:23:30,840 --> 00:23:33,119
Speaker 2: want people to hear our podcast. People just have a

558
00:23:33,160 --> 00:23:36,800
Speaker 2: negative connotation to the word attention based off how you

559
00:23:36,840 --> 00:23:39,920
Speaker 2: get it and what your intentions are for it. That's

560
00:23:39,960 --> 00:23:43,119
Speaker 2: where things get split with Kanye because sometimes if we

561
00:23:43,200 --> 00:23:46,600
Speaker 2: agree with what he's saying, do it like the telethon

562
00:23:46,640 --> 00:23:49,159
Speaker 2: with George Bush doesn't care about black people. That's a

563
00:23:49,200 --> 00:23:52,280
Speaker 2: beautiful way at that time to want to get attention.

564
00:23:52,320 --> 00:23:53,199
Speaker 2: I think Kanye wanted to.

565
00:23:53,160 --> 00:23:56,960
Speaker 1: Get you, so yes, he used that attention to get his.

566
00:23:56,920 --> 00:23:58,240
Speaker 2: Ship with Austin Powers.

567
00:23:58,280 --> 00:24:02,000
Speaker 6: Just chilling in the world. Yeah, panning over to him, and.

568
00:24:01,920 --> 00:24:05,960
Speaker 2: He's just at the end of the day, everyone wants attention.

569
00:24:06,080 --> 00:24:09,440
Speaker 2: It's just whether we agree or disagree with what they're

570
00:24:09,480 --> 00:24:11,920
Speaker 2: saying to get the attention. Is when we're like, well

571
00:24:11,960 --> 00:24:14,720
Speaker 2: that's you're just doing that to get attention, Yeah, well

572
00:24:14,760 --> 00:24:16,359
Speaker 2: it's because we don't agree with what he's saying.

573
00:24:16,640 --> 00:24:18,440
Speaker 1: Hey, Kanye, you can come sit on this couch and

574
00:24:18,480 --> 00:24:21,720
Speaker 1: talk to us, man, I mean we will have a conversation.

575
00:24:22,359 --> 00:24:22,639
Speaker 7: Uh.

576
00:24:22,880 --> 00:24:26,120
Speaker 1: You know, people say I live here, Yeah, yeah, what's

577
00:24:26,160 --> 00:24:26,480
Speaker 1: wrong with you?

578
00:24:26,960 --> 00:24:29,440
Speaker 6: You want his boots all over your carpet?

579
00:24:29,480 --> 00:24:31,800
Speaker 3: And if I want nice couch, I don't know.

580
00:24:31,800 --> 00:24:33,680
Speaker 2: With everyone attacking ye right now, if I want them

581
00:24:34,920 --> 00:24:37,399
Speaker 2: to follow you to my house, may we find like

582
00:24:37,400 --> 00:24:38,840
Speaker 2: a discrete location.

583
00:24:38,960 --> 00:24:42,919
Speaker 1: Body's attacking him right now, but we'll go to They

584
00:24:43,000 --> 00:24:45,560
Speaker 1: just couldn't. They're just cutting ties with him. But again,

585
00:24:45,680 --> 00:24:48,120
Speaker 1: you know, if he's even if he feels the way

586
00:24:48,119 --> 00:24:50,600
Speaker 1: he feels and he's saying these things, you know, I

587
00:24:51,200 --> 00:24:53,880
Speaker 1: do think that people should give him the spacing opportunity

588
00:24:53,920 --> 00:24:57,520
Speaker 1: to one kind of like explain why he feels this way.

589
00:24:58,040 --> 00:24:59,760
Speaker 1: I don't think that you just cut ties with him

590
00:24:59,800 --> 00:25:02,160
Speaker 1: and just mute him and things like that. If he's

591
00:25:02,160 --> 00:25:05,120
Speaker 1: saying something wrong, then they have somebody seen that. I say, Kanye,

592
00:25:05,240 --> 00:25:06,080
Speaker 1: you're saying this is wrong.

593
00:25:06,119 --> 00:25:07,840
Speaker 6: I think that's been happening, though I.

594
00:25:07,760 --> 00:25:09,960
Speaker 1: Don't think it has been. It happened with uh with

595
00:25:10,160 --> 00:25:14,080
Speaker 1: uh Cuomo on CNN. He tried, he tried to have

596
00:25:14,160 --> 00:25:17,639
Speaker 1: that that that didn't get, That didn't go, and then

597
00:25:17,680 --> 00:25:19,640
Speaker 1: he sat down with the who's the scientist he sat

598
00:25:19,640 --> 00:25:22,040
Speaker 1: down with that That interview was really good.

599
00:25:22,080 --> 00:25:25,000
Speaker 2: The one when he wanted to abolish steps, No, it was.

600
00:25:25,040 --> 00:25:26,800
Speaker 6: The sign the recent one.

601
00:25:26,920 --> 00:25:28,679
Speaker 1: No, it was the more recently that. That interview was

602
00:25:28,680 --> 00:25:30,879
Speaker 1: really good. I don't remember the scientists name, if we

603
00:25:30,880 --> 00:25:34,760
Speaker 1: can find it, Lex Freeman, Lex Lex uh Freeman, Lex Friedman.

604
00:25:35,119 --> 00:25:36,240
Speaker 1: That interview was really good.

605
00:25:36,280 --> 00:25:36,639
Speaker 2: I don't know.

606
00:25:36,600 --> 00:25:39,119
Speaker 1: I don't know if y'all saw that. That conversation was

607
00:25:39,160 --> 00:25:43,080
Speaker 1: really good. Lex you know, offered some pushback and was

608
00:25:43,119 --> 00:25:45,400
Speaker 1: combative and was saying why this is wrong and things

609
00:25:45,440 --> 00:25:47,200
Speaker 1: like that. I thought that conversation was really good. I

610
00:25:47,240 --> 00:25:50,800
Speaker 1: don't know how many people saw that. But again, people

611
00:25:50,840 --> 00:25:53,040
Speaker 1: can say things and and and get things wrong and

612
00:25:53,119 --> 00:25:55,399
Speaker 1: miss the mark on things. But I think it's important

613
00:25:55,440 --> 00:25:57,080
Speaker 1: to sit down and talk to him and tell him

614
00:25:57,080 --> 00:26:00,160
Speaker 1: why and then try to come to an understanding all

615
00:26:00,160 --> 00:26:03,560
Speaker 1: of this, you know, canceled and and things like that.

616
00:26:03,640 --> 00:26:05,560
Speaker 1: I don't know how progressive that is. I don't know

617
00:26:05,600 --> 00:26:08,359
Speaker 1: how much that helps the situation. I think that you

618
00:26:08,359 --> 00:26:11,119
Speaker 1: tell people hate that's wrong. Yea, your ideas are wrong,

619
00:26:11,440 --> 00:26:13,399
Speaker 1: that message is wrong, and this is why that message

620
00:26:13,480 --> 00:26:13,720
Speaker 1: is wrong.

621
00:26:13,800 --> 00:26:15,800
Speaker 2: Okay, I agree with you, but I'm going to give

622
00:26:15,880 --> 00:26:19,119
Speaker 2: some pushback on that. Yeah, at what point do you

623
00:26:19,160 --> 00:26:22,480
Speaker 2: not do that? When you're clearly speaking to somebody that

624
00:26:22,600 --> 00:26:26,320
Speaker 2: has no interest in learning the information that you're trying

625
00:26:26,320 --> 00:26:26,720
Speaker 2: to give.

626
00:26:26,600 --> 00:26:28,400
Speaker 1: Them, Well, then that's when you offer.

627
00:26:28,560 --> 00:26:31,160
Speaker 2: Everyone is entitled to their opinion. But if you're viewing

628
00:26:31,200 --> 00:26:34,480
Speaker 2: hate speech and this is not Kanye specific, and it's

629
00:26:34,520 --> 00:26:36,840
Speaker 2: clear that you have no interest in hearing the other

630
00:26:36,920 --> 00:26:39,439
Speaker 2: side or having an actual conversation, you just want to

631
00:26:39,480 --> 00:26:41,520
Speaker 2: have a debate and wait to talk and just get

632
00:26:41,520 --> 00:26:43,480
Speaker 2: your shit off, then at that point it's like, we

633
00:26:43,560 --> 00:26:46,199
Speaker 2: maybe need to shut up some hate speech here, Like

634
00:26:46,240 --> 00:26:47,760
Speaker 2: this shit you're saying is bullshit. Now, if you really

635
00:26:47,760 --> 00:26:50,760
Speaker 2: want to have a conversation and learn and like really

636
00:26:51,119 --> 00:26:54,600
Speaker 2: take in what someone else's point of view, is cool,

637
00:26:54,680 --> 00:26:57,720
Speaker 2: I think that's important I think there is chance for

638
00:26:57,920 --> 00:27:00,879
Speaker 2: reconciliation there and figuring things out and coming to some

639
00:27:01,040 --> 00:27:03,199
Speaker 2: middle ground at some point, because all of us are

640
00:27:03,280 --> 00:27:04,800
Speaker 2: not going to agree. But if we can agree to

641
00:27:04,800 --> 00:27:08,080
Speaker 2: actually listen to each other, cool. But there's also cases

642
00:27:08,119 --> 00:27:11,120
Speaker 2: where you watch Cuomo and Kanye argue with each other

643
00:27:11,200 --> 00:27:13,360
Speaker 2: like fucking children and scream at that point, Now, it's

644
00:27:13,359 --> 00:27:15,520
Speaker 2: not a dialogue. Y'all are just waiting to yell your

645
00:27:15,560 --> 00:27:16,639
Speaker 2: point and no one's listening.

646
00:27:16,760 --> 00:27:19,000
Speaker 1: Yeah, that's why I said constructive conversations.

647
00:27:19,080 --> 00:27:21,840
Speaker 2: Everyone wants to look how amazing they are or look

648
00:27:21,880 --> 00:27:24,040
Speaker 2: how smart I am. It's not to have a conversation

649
00:27:24,320 --> 00:27:26,800
Speaker 2: or try to retain new information or learn anything new

650
00:27:27,080 --> 00:27:30,080
Speaker 2: about maybe some bullshit you said. I've been guilty of

651
00:27:30,080 --> 00:27:30,480
Speaker 2: it before.

652
00:27:30,760 --> 00:27:31,240
Speaker 1: I'm not real.

653
00:27:32,000 --> 00:27:34,080
Speaker 2: But that's where I think you draw the line with

654
00:27:34,320 --> 00:27:37,439
Speaker 2: the quote unquote cancel culture shit. Can people make mistakes

655
00:27:37,480 --> 00:27:40,680
Speaker 2: and shouldn't ruin their lives over it? One hundred percent?

656
00:27:40,720 --> 00:27:42,600
Speaker 2: That's just corning me talk about it all the time. But

657
00:27:42,640 --> 00:27:45,119
Speaker 2: there is people that literally think this way and have

658
00:27:45,280 --> 00:27:48,320
Speaker 2: no interest in hearing the other side of what they're saying.

659
00:27:48,600 --> 00:27:50,120
Speaker 2: And at that point, yeah, maybe you should just shut

660
00:27:50,119 --> 00:27:52,520
Speaker 2: the fuck up and I'm not supporting the things you're selling.

661
00:27:53,119 --> 00:27:56,240
Speaker 2: And again, not Kanye's specific here, just an example of

662
00:27:56,880 --> 00:28:01,960
Speaker 2: where cancel culture has existed from twenty eighteen to now.

663
00:28:02,520 --> 00:28:05,399
Speaker 1: I think that Kanye needs to have also with sitting

664
00:28:05,440 --> 00:28:08,119
Speaker 1: down on platforms. I think he needs to have a

665
00:28:08,160 --> 00:28:12,440
Speaker 1: lot of conversations behind the scenes with people the Jewish community.

666
00:28:13,760 --> 00:28:15,960
Speaker 1: You know from a lot of these businesses that he's

667
00:28:15,960 --> 00:28:18,199
Speaker 1: been involved with, a lot of these CEOs, I think

668
00:28:18,200 --> 00:28:20,359
Speaker 1: they all need to sit down and talk behind the scenes.

669
00:28:20,920 --> 00:28:23,000
Speaker 1: Don't make it, try to make it an entertainment piece

670
00:28:23,080 --> 00:28:24,679
Speaker 1: anything like that for clicks and views.

671
00:28:24,840 --> 00:28:27,000
Speaker 2: But then and again, we're all hypocrites at the end

672
00:28:27,040 --> 00:28:30,240
Speaker 2: of the day. But specific to this Kanye thing, he's

673
00:28:30,240 --> 00:28:33,119
Speaker 2: saying now that he's quote unquote canceled by everyone, the

674
00:28:33,160 --> 00:28:35,400
Speaker 2: money is not me, the people are me, and that's

675
00:28:35,400 --> 00:28:37,720
Speaker 2: not the most important shit, the material stuff. But then

676
00:28:37,760 --> 00:28:41,520
Speaker 2: he's screaming at Pierce Morgan and Cuomo, I'm rich. I

677
00:28:41,560 --> 00:28:42,880
Speaker 2: don't need to listen to a fucking thing. You have

678
00:28:42,920 --> 00:28:44,640
Speaker 2: to say, I have more money than you. And then

679
00:28:44,760 --> 00:28:47,000
Speaker 2: I'm like, at that point, this person has no interest

680
00:28:47,040 --> 00:28:50,240
Speaker 2: in hearing another side or another opinion. And now that

681
00:28:50,320 --> 00:28:52,720
Speaker 2: you don't have all the money you had now it's

682
00:28:52,760 --> 00:28:53,840
Speaker 2: like the money doesn't make me.

683
00:28:54,640 --> 00:28:56,560
Speaker 1: Yeah, you go to that now and the people who.

684
00:28:56,640 --> 00:28:58,600
Speaker 2: It's like, we've all seen the rapper that bragged about

685
00:28:58,720 --> 00:29:01,360
Speaker 2: numbers for their first two albums and then the third

686
00:29:01,400 --> 00:29:03,120
Speaker 2: doesn't come in. It's like, I'm not even like focused

687
00:29:03,120 --> 00:29:08,440
Speaker 2: on the number, Like y'all still on numbers. Yeah, it's like, yeah,

688
00:29:08,680 --> 00:29:10,960
Speaker 2: you just can't go about it that way. And then

689
00:29:11,160 --> 00:29:13,640
Speaker 2: then people look at your whe not stupid. The consumer

690
00:29:13,720 --> 00:29:15,680
Speaker 2: is the smartest they've ever been. We can see through

691
00:29:15,720 --> 00:29:19,440
Speaker 2: the bullshit more than we ever have before. We remember

692
00:29:19,480 --> 00:29:21,760
Speaker 2: what you said five days ago. You were richer than

693
00:29:21,800 --> 00:29:23,760
Speaker 2: all of us. You don't have to listen to us.

694
00:29:24,720 --> 00:29:27,040
Speaker 2: We should be listening to you. And now it's hey,

695
00:29:26,840 --> 00:29:29,479
Speaker 2: the money is not me, the people are. It's just

696
00:29:29,560 --> 00:29:30,640
Speaker 2: you're not listening to the people.

697
00:29:30,640 --> 00:29:30,840
Speaker 1: Though.

698
00:29:31,040 --> 00:29:33,200
Speaker 2: Yeah, it's just here's Morgan is the people.

699
00:29:33,200 --> 00:29:39,160
Speaker 1: But no, no, no, it's just a lot of people

700
00:29:39,200 --> 00:29:40,920
Speaker 1: will point to the fact that Kanye said what you

701
00:29:40,920 --> 00:29:43,720
Speaker 1: said about slavery years ago, and none of these brands

702
00:29:43,800 --> 00:29:47,800
Speaker 1: or companies cut ties with them, you know. But after

703
00:29:47,840 --> 00:29:52,320
Speaker 1: this hit, this past two weeks of interviews and conversations,

704
00:29:52,600 --> 00:29:55,640
Speaker 1: all of these brands cut ties with them. It's just interesting.

705
00:29:55,720 --> 00:30:00,120
Speaker 2: I think it's an extremely valid, valid point. H I

706
00:30:00,200 --> 00:30:06,200
Speaker 2: was listening to Hot ninety seven's morning show today about

707
00:30:06,240 --> 00:30:09,720
Speaker 2: their response to that. Obviously, Peter being Jewish and Ebro

708
00:30:09,840 --> 00:30:12,800
Speaker 2: being half Jewish, I was curious to see what their

709
00:30:12,840 --> 00:30:15,560
Speaker 2: opinion on that specific topic was. Yeah, because I did

710
00:30:15,640 --> 00:30:17,080
Speaker 2: see a lot of black people saying that. I think

711
00:30:17,120 --> 00:30:20,520
Speaker 2: that's an incredible fucking point that is obvious, and to

712
00:30:20,520 --> 00:30:25,720
Speaker 2: some degree Kanye's point. To some degree, they had brought

713
00:30:25,760 --> 00:30:28,360
Speaker 2: up the point that if these companies that were not

714
00:30:28,520 --> 00:30:33,120
Speaker 2: black owned went and canceled Kanye after he said slavery

715
00:30:33,160 --> 00:30:36,840
Speaker 2: was a choice, they would get backlash that they are

716
00:30:36,880 --> 00:30:42,040
Speaker 2: making decisions about the black community and about slavery. And

717
00:30:42,480 --> 00:30:45,600
Speaker 2: it's not exactly what Ebro and Rosenberg were saying. I

718
00:30:45,600 --> 00:30:47,920
Speaker 2: don't want to directly quote them, but that's what I

719
00:30:47,960 --> 00:30:51,960
Speaker 2: captured from their point on it that had Adidas or

720
00:30:52,160 --> 00:30:54,680
Speaker 2: some of these other companies cut ties with Kanye after that,

721
00:30:55,160 --> 00:30:57,280
Speaker 2: they would have gotten pushed back from the black community

722
00:30:57,520 --> 00:31:01,800
Speaker 2: because they are now making decisions about a slavery topic,

723
00:31:02,000 --> 00:31:04,800
Speaker 2: or about a black man making a comment about his

724
00:31:04,840 --> 00:31:08,480
Speaker 2: own community. That was their point. I'm just here to

725
00:31:08,480 --> 00:31:09,040
Speaker 2: relate the news.

726
00:31:09,200 --> 00:31:11,320
Speaker 6: And there's also when you come from the community, you

727
00:31:11,360 --> 00:31:13,880
Speaker 6: can comment on that community. So Kanye as a black

728
00:31:13,920 --> 00:31:16,360
Speaker 6: man can say those things and even though it is

729
00:31:16,720 --> 00:31:18,920
Speaker 6: a horrible thing to say, you can still say it

730
00:31:18,960 --> 00:31:23,080
Speaker 6: because he's black, but he's not Jewish. So when you

731
00:31:23,120 --> 00:31:26,040
Speaker 6: say things against an ethnicity or a group of people

732
00:31:26,120 --> 00:31:30,160
Speaker 6: that you inherently have nothing, you're not from them, from

733
00:31:30,200 --> 00:31:30,680
Speaker 6: that like.

734
00:31:30,720 --> 00:31:33,480
Speaker 2: Blood, yeah, it's yeah.

735
00:31:33,520 --> 00:31:36,200
Speaker 6: So if you say anti Semitic shit but you're not Jewish,

736
00:31:36,720 --> 00:31:39,800
Speaker 6: it doesn't like it's like when white people use down word.

737
00:31:39,840 --> 00:31:42,360
Speaker 6: It's like you can't. You don't have that in you.

738
00:31:42,360 --> 00:31:44,160
Speaker 6: You're not a part of that community. You don't have

739
00:31:44,200 --> 00:31:45,160
Speaker 6: the past to do that.

740
00:31:45,600 --> 00:31:48,520
Speaker 2: I think that which I thought was again, I have

741
00:31:48,560 --> 00:31:50,760
Speaker 2: this entire week of just I've just been listening to

742
00:31:50,760 --> 00:31:53,440
Speaker 2: people's point of views on it. I'm in no way

743
00:31:53,960 --> 00:31:57,920
Speaker 2: I'm done rushing to any points I have in my head,

744
00:31:58,040 --> 00:32:00,760
Speaker 2: especially when it comes to shit that has with communities

745
00:32:01,080 --> 00:32:02,760
Speaker 2: that have nothing to do with me, because I am

746
00:32:02,840 --> 00:32:05,840
Speaker 2: not black. If you can see by my thighs and

747
00:32:06,000 --> 00:32:10,760
Speaker 2: I'm not Jewish, well I'm three percent. These are Sean

748
00:32:10,840 --> 00:32:14,840
Speaker 2: King thoughts, why did you do that? How does Lenny

749
00:32:14,880 --> 00:32:20,959
Speaker 2: Kravitz feel? So I've just I've been listening to other

750
00:32:21,000 --> 00:32:25,320
Speaker 2: people's points and I did somewhat understand what Ebro and

751
00:32:25,480 --> 00:32:27,120
Speaker 2: Peter were saying. But at the end of the day,

752
00:32:27,360 --> 00:32:30,280
Speaker 2: sometimes that does get into semantics with me, and I

753
00:32:30,360 --> 00:32:32,200
Speaker 2: just go with the point. And the point is, yes,

754
00:32:32,320 --> 00:32:35,640
Speaker 2: Kanye said terrible things about the black community and nothing happened,

755
00:32:35,680 --> 00:32:39,280
Speaker 2: and then kind of said some stuff about the Jewish

756
00:32:39,320 --> 00:32:43,080
Speaker 2: community and lost everything he's ever had in the past

757
00:32:43,160 --> 00:32:47,560
Speaker 2: fifteen years. So that sometimes like stop with the gray area.

758
00:32:48,040 --> 00:32:51,000
Speaker 1: I feel you lack is black and white at that point,

759
00:32:51,280 --> 00:32:55,080
Speaker 1: I think that you know it. You know ours, religion, religion,

760
00:32:55,200 --> 00:32:58,040
Speaker 1: religion aside. I think that you know people. They are

761
00:32:58,080 --> 00:33:00,560
Speaker 1: good people and bad people and all walks life holding

762
00:33:00,600 --> 00:33:04,160
Speaker 1: all types of positions and the corporations and things like that.

763
00:33:05,600 --> 00:33:07,480
Speaker 1: But again I think that, you know, Kanye needs to

764
00:33:07,480 --> 00:33:10,720
Speaker 1: sit down with these people behind the scenes and have

765
00:33:10,800 --> 00:33:15,240
Speaker 1: like real conversations, productive conversations. Listen, don't be so quick

766
00:33:15,280 --> 00:33:17,400
Speaker 1: to just talk and get your point across. Listen to

767
00:33:18,000 --> 00:33:20,680
Speaker 1: their side of it, Listen to their how they feel

768
00:33:20,680 --> 00:33:24,000
Speaker 1: and their emotions, and try to you know, do things

769
00:33:24,040 --> 00:33:27,120
Speaker 1: to make this right and move forward, because I don't know.

770
00:33:27,560 --> 00:33:30,080
Speaker 1: Like I said, Kanye probably has a plan with all

771
00:33:30,080 --> 00:33:31,400
Speaker 1: of this. I don't know what that plan is. I

772
00:33:31,440 --> 00:33:32,280
Speaker 1: don't know what it looks like.

773
00:33:32,360 --> 00:33:35,000
Speaker 2: I don't think there's a plan here, but I really don't.

774
00:33:35,360 --> 00:33:36,480
Speaker 2: I don't think it's whatever it is.

775
00:33:37,720 --> 00:33:38,000
Speaker 1: I don't.

776
00:33:38,560 --> 00:33:40,560
Speaker 2: I didn't think I think he went on a microphone

777
00:33:40,600 --> 00:33:43,600
Speaker 2: and just started talking leading.

778
00:33:43,320 --> 00:33:45,320
Speaker 1: If that was the case. If that was the case,

779
00:33:45,360 --> 00:33:46,560
Speaker 1: then that's you know, unfortunate.

780
00:33:46,800 --> 00:33:50,960
Speaker 2: I think he had some Candice owned talking points from

781
00:33:50,960 --> 00:33:52,920
Speaker 2: the car ride there and just started talking.

782
00:33:54,040 --> 00:33:57,360
Speaker 1: Well, whatever he had, he needs to have some conversations

783
00:33:57,360 --> 00:34:00,600
Speaker 1: away from the microphones and the cameras with these people

784
00:34:00,720 --> 00:34:03,400
Speaker 1: and try to make things right.

785
00:34:03,560 --> 00:34:06,080
Speaker 5: You think these people are willing to talk to him.

786
00:34:06,320 --> 00:34:08,839
Speaker 1: Yeah, I mean they've done they've been in a they've

787
00:34:08,880 --> 00:34:12,000
Speaker 1: been in a relationship, they have had a relationship with him, obviously,

788
00:34:12,000 --> 00:34:15,399
Speaker 1: they've been in business for some years. So I think

789
00:34:15,480 --> 00:34:19,200
Speaker 1: right now they're just you know, he's having a moment

790
00:34:19,239 --> 00:34:21,160
Speaker 1: where he's saying things that they don't agree with and

791
00:34:21,200 --> 00:34:24,400
Speaker 1: they don't like, and that's offensive to them. But I

792
00:34:24,440 --> 00:34:26,560
Speaker 1: think that if he reaches out and he's willing to

793
00:34:26,600 --> 00:34:28,719
Speaker 1: sit down behind the scenes and talk to them. I

794
00:34:28,719 --> 00:34:32,160
Speaker 1: think they'll do that, because if it's one thing everybody loves,

795
00:34:32,200 --> 00:34:33,720
Speaker 1: just that everyone loves making money.

796
00:34:33,920 --> 00:34:36,239
Speaker 2: Okay, but let's say he Let's say they have an

797
00:34:36,280 --> 00:34:38,920
Speaker 2: amazing behind the scenes meeting and Kanye fully understands where

798
00:34:38,960 --> 00:34:42,360
Speaker 2: he was wrong, and he's educated on the Jewish community

799
00:34:42,480 --> 00:34:46,200
Speaker 2: and the actual case of the George Floyd shit, not

800
00:34:46,320 --> 00:34:50,120
Speaker 2: from daily wire, but from the fucking corner. Like maybe

801
00:34:50,239 --> 00:34:52,800
Speaker 2: let's say Kanye finally comes to realization on that the

802
00:34:52,920 --> 00:34:56,640
Speaker 2: end of the day, he's still the biggest liability billionaire

803
00:34:57,120 --> 00:34:59,640
Speaker 2: that we're aware of when it comes to the public.

804
00:35:00,920 --> 00:35:04,160
Speaker 2: So his behavior is not his point of view has changed,

805
00:35:04,719 --> 00:35:06,600
Speaker 2: you know, between the old Kanye and the new Kanye shit,

806
00:35:07,760 --> 00:35:10,839
Speaker 2: his behavior has not changed at all, just his point

807
00:35:10,880 --> 00:35:13,600
Speaker 2: of view. So it's not like Kanye's changing about how

808
00:35:13,640 --> 00:35:16,279
Speaker 2: he goes about doing things. He just wasn't that bad

809
00:35:16,280 --> 00:35:18,400
Speaker 2: of a liability before because we agreed with what he

810
00:35:18,480 --> 00:35:22,319
Speaker 2: was saying. Now he's just a fucking liability, Like what

811
00:35:22,320 --> 00:35:25,759
Speaker 2: would be You can become a billionaire with someone else

812
00:35:25,800 --> 00:35:27,919
Speaker 2: besides Kanye West when you're in the position that these

813
00:35:27,920 --> 00:35:29,239
Speaker 2: corporations are already.

814
00:35:28,920 --> 00:35:32,400
Speaker 1: In Yeah, but Kanye Kanye again, I don't think that

815
00:35:32,440 --> 00:35:37,160
Speaker 1: he's a mean spirited, evil spirited person.

816
00:35:37,200 --> 00:35:37,880
Speaker 2: I don't think that at all.

817
00:35:38,040 --> 00:35:39,399
Speaker 1: And I don't think I think they know that because

818
00:35:39,400 --> 00:35:40,799
Speaker 1: they've known him for some years and they've been in

819
00:35:40,800 --> 00:35:43,439
Speaker 1: business with him. But I think that again, he's having

820
00:35:43,440 --> 00:35:46,040
Speaker 1: a moment where he's just saying these things, and it's like,

821
00:35:46,120 --> 00:35:48,239
Speaker 1: you know, I think that people need to understand why,

822
00:35:48,280 --> 00:35:50,839
Speaker 1: like why are you saying these things? Like why now

823
00:35:50,880 --> 00:35:53,200
Speaker 1: do you feel like this? Why now did you decide

824
00:35:53,200 --> 00:35:55,920
Speaker 1: to go on these platforms and say these things and

825
00:35:55,960 --> 00:35:59,640
Speaker 1: have these type of conversations. What happened? What caused it? Yeah,

826
00:35:59,680 --> 00:36:01,680
Speaker 1: I think that's the conversation that needs to happen behind

827
00:36:01,719 --> 00:36:02,120
Speaker 1: the scenes.

828
00:36:02,239 --> 00:36:03,480
Speaker 2: I mean, I just wish I would have went to

829
00:36:03,480 --> 00:36:06,840
Speaker 2: Donna School and got a summer vacation for the remainder

830
00:36:06,880 --> 00:36:08,480
Speaker 2: of the next two years.

831
00:36:08,480 --> 00:36:10,799
Speaker 5: Why are you gonna be repeating the past grades you

832
00:36:10,800 --> 00:36:11,759
Speaker 5: were in when you were in that.

833
00:36:11,719 --> 00:36:16,080
Speaker 2: School, Nah, try to go anywhere else. I got Donda,

834
00:36:17,640 --> 00:36:22,480
Speaker 2: I got the Donda degree. Well, speaking of I guess

835
00:36:22,520 --> 00:36:26,759
Speaker 2: I rate musicians in the headlines. I don't think it's

836
00:36:26,760 --> 00:36:30,239
Speaker 2: this way. I actually agreed with with Steve Lacy, but

837
00:36:32,080 --> 00:36:34,960
Speaker 2: musicians is doing some shit. Sometimes I feel like smashing

838
00:36:34,960 --> 00:36:37,839
Speaker 2: the camera on my stage since you guys will only

839
00:36:37,840 --> 00:36:38,759
Speaker 2: know my TikTok song.

840
00:36:40,160 --> 00:36:40,440
Speaker 7: I mean.

841
00:36:41,719 --> 00:36:44,239
Speaker 1: So he smashed the camera because they threw it at him.

842
00:36:44,440 --> 00:36:47,680
Speaker 2: Yes, which don't throw ship at So they threw the

843
00:36:47,760 --> 00:36:48,640
Speaker 2: camera at him.

844
00:36:48,760 --> 00:36:51,479
Speaker 3: It hit his leg. He said, don't no shit in here,

845
00:36:51,800 --> 00:36:54,239
Speaker 3: and then he asked to get the camera. He went

846
00:36:54,480 --> 00:36:55,520
Speaker 3: and smashed on the round.

847
00:36:55,680 --> 00:36:58,239
Speaker 1: Okay, as someone with there's probably some great photos on

848
00:36:58,280 --> 00:36:58,680
Speaker 1: that camera.

849
00:36:58,760 --> 00:37:01,120
Speaker 5: Okay, but let's let's be honest because when people throw

850
00:37:01,160 --> 00:37:04,719
Speaker 5: cameras up at our rappers and people like that, they

851
00:37:04,760 --> 00:37:07,400
Speaker 5: turn the camera around and take the selfie of the crowd,

852
00:37:07,440 --> 00:37:09,520
Speaker 5: which is what the crowd is looking for, is.

853
00:37:09,480 --> 00:37:11,320
Speaker 6: A disposable camera exactly.

854
00:37:11,360 --> 00:37:13,160
Speaker 5: They're throwing it up for you to take a for

855
00:37:13,239 --> 00:37:14,840
Speaker 5: you to take a picture. They're not just throwing a

856
00:37:14,840 --> 00:37:15,319
Speaker 5: camera at you.

857
00:37:15,560 --> 00:37:17,560
Speaker 6: You're not a zoo animal, don't Yeah.

858
00:37:17,480 --> 00:37:19,239
Speaker 2: And I don't even know what you're throwing. Oh it's

859
00:37:19,280 --> 00:37:21,240
Speaker 2: a camera coming out. I don't know that. Yeah, someone's

860
00:37:21,239 --> 00:37:23,920
Speaker 2: throwing at me. And I know you guys are all

861
00:37:24,000 --> 00:37:26,200
Speaker 2: amazing and have no temper issues. You guys are just

862
00:37:26,239 --> 00:37:29,280
Speaker 2: all even killed and amazing and beautiful spirits and everything.

863
00:37:29,480 --> 00:37:33,279
Speaker 2: But as someone that has a temper, sometimes shit builds up,

864
00:37:33,760 --> 00:37:36,200
Speaker 2: especially if you're on the road doing a bunch of shows.

865
00:37:36,840 --> 00:37:40,839
Speaker 2: Sometimes it takes just to to let all that shit out,

866
00:37:41,320 --> 00:37:43,680
Speaker 2: you throw if I'm already on edge about this tour.

867
00:37:43,719 --> 00:37:45,120
Speaker 2: And I don't know if that's what the case with

868
00:37:45,120 --> 00:37:47,719
Speaker 2: Steve Lacy, but I can identify when shit is building up,

869
00:37:47,920 --> 00:37:51,480
Speaker 2: as it does with work. They night after night doing

870
00:37:51,480 --> 00:37:53,800
Speaker 2: this shit. You already have an issue with the crowd

871
00:37:53,960 --> 00:37:55,520
Speaker 2: at most shows because there's a bunch of kids, and

872
00:37:55,560 --> 00:37:57,799
Speaker 2: you're a real musician, you're not a TikTok star, and

873
00:37:57,840 --> 00:38:01,000
Speaker 2: you've been in the headlines as TikTok artist Steve Lacy.

874
00:38:01,160 --> 00:38:03,520
Speaker 2: And then someone throws a fucking disposable camera at me

875
00:38:03,719 --> 00:38:05,440
Speaker 2: when you're too young to even know what the fuck

876
00:38:05,520 --> 00:38:07,680
Speaker 2: that is. It's just trendy again. I'm gonna smash it.

877
00:38:09,000 --> 00:38:12,560
Speaker 6: Yeah, I agree. I think he's at an interesting point

878
00:38:12,680 --> 00:38:14,719
Speaker 6: when we were talking about a little bit before we

879
00:38:14,760 --> 00:38:18,640
Speaker 6: started recording. He doesn't identify with his fans. I think

880
00:38:18,680 --> 00:38:21,960
Speaker 6: he's looking in the crowd and saying, I don't like

881
00:38:22,120 --> 00:38:24,440
Speaker 6: these people that are listening to my music. I'm not

882
00:38:24,480 --> 00:38:25,759
Speaker 6: a TikTok artist.

883
00:38:26,160 --> 00:38:29,040
Speaker 2: And I was, I was. I was late to this

884
00:38:29,200 --> 00:38:30,720
Speaker 2: because I've had.

885
00:38:30,600 --> 00:38:32,640
Speaker 1: I don't care how fans find me if they buy

886
00:38:32,680 --> 00:38:35,320
Speaker 1: tickets to our live show. Tickets available now new roymaul

887
00:38:35,360 --> 00:38:37,359
Speaker 1: dot com. So I don't think a where they found yet.

888
00:38:38,680 --> 00:38:40,319
Speaker 2: I think I think you disagree with I.

889
00:38:40,280 --> 00:38:42,439
Speaker 1: Would love listen, let's have fun.

890
00:38:42,480 --> 00:38:43,800
Speaker 6: You would not want a TikTok crowd?

891
00:38:43,840 --> 00:38:44,120
Speaker 1: Why not?

892
00:38:44,280 --> 00:38:45,400
Speaker 3: But they bought tickets.

893
00:38:45,840 --> 00:38:48,839
Speaker 1: Why what's the difference between a TikTok If you go

894
00:38:48,920 --> 00:38:52,200
Speaker 1: to the Mary Jay concert at Barclay's, I'm pretty sure

895
00:38:52,480 --> 00:38:55,959
Speaker 1: half of those people in there on TikTok. It doesn't matter, terrible.

896
00:38:57,800 --> 00:39:02,719
Speaker 5: Everybody wants that that Summer Walker London moment where she

897
00:39:02,840 --> 00:39:06,520
Speaker 5: can stop singing in the entire crowd sings every lyric

898
00:39:06,680 --> 00:39:08,080
Speaker 5: for the rest of this which.

899
00:39:08,200 --> 00:39:11,120
Speaker 2: Steve Lacy is a is a real musician, has been

900
00:39:11,120 --> 00:39:13,359
Speaker 2: putting in work for a very long time as a

901
00:39:13,400 --> 00:39:15,400
Speaker 2: real artist right there, absolutely so.

902
00:39:16,239 --> 00:39:18,839
Speaker 1: But when he takes his shows audience, what does that

903
00:39:18,880 --> 00:39:19,600
Speaker 1: mean they pay.

904
00:39:19,520 --> 00:39:20,399
Speaker 2: All that they don't know.

905
00:39:21,840 --> 00:39:22,359
Speaker 6: One song?

906
00:39:22,440 --> 00:39:24,440
Speaker 5: Yes, background, and I just put a whole tour.

907
00:39:24,520 --> 00:39:27,359
Speaker 1: Okay, okay, But now you as a real musician. Now,

908
00:39:27,560 --> 00:39:29,080
Speaker 1: as a real musician, you're gonna hear the rest of

909
00:39:29,120 --> 00:39:31,440
Speaker 1: my set, and you may fall in love with other

910
00:39:31,480 --> 00:39:32,319
Speaker 1: records that I know.

911
00:39:32,440 --> 00:39:35,600
Speaker 2: They're fucking twelve years old. They're sitting there waiting to

912
00:39:35,600 --> 00:39:37,480
Speaker 2: put their phone up for fifteen second.

913
00:39:39,640 --> 00:39:41,880
Speaker 1: Oh right, but now, but again, they're in the building,

914
00:39:42,000 --> 00:39:43,680
Speaker 1: so now they have an opportunity to hear the rest

915
00:39:43,719 --> 00:39:46,719
Speaker 1: of my fucking catalog, and they might fall in love

916
00:39:46,719 --> 00:39:48,080
Speaker 1: with the rest of my catalog.

917
00:39:48,160 --> 00:39:51,040
Speaker 2: Steve Lacy already had a great fan and so.

918
00:39:50,960 --> 00:39:53,360
Speaker 1: There's you know, there's shizaming as I'm recording.

919
00:39:53,239 --> 00:39:55,719
Speaker 2: Here's that. But they're not the style of music that

920
00:39:55,719 --> 00:39:58,799
Speaker 2: Steve Lacy makes, and the genius of his music is

921
00:39:59,160 --> 00:40:02,120
Speaker 2: not specifically in that fifteen second hook. It's a good hook,

922
00:40:02,160 --> 00:40:05,600
Speaker 2: I get it, but that's not representation of his catalog

923
00:40:05,760 --> 00:40:08,680
Speaker 2: at all, and he's not to the integrity of the artist.

924
00:40:08,680 --> 00:40:11,960
Speaker 2: He is about to just lean into the fifteen year

925
00:40:12,000 --> 00:40:14,960
Speaker 2: old crowd to do the TikTok shit, and it's so

926
00:40:15,040 --> 00:40:16,600
Speaker 2: hard to get a ticket to his show. His real

927
00:40:16,640 --> 00:40:17,839
Speaker 2: fans can't fucking get them.

928
00:40:17,920 --> 00:40:19,879
Speaker 3: Okay, So okay, that's where I feel like it's a natural.

929
00:40:20,000 --> 00:40:22,120
Speaker 2: So he already had a great fan his fan base

930
00:40:22,280 --> 00:40:25,960
Speaker 2: can't get the fucking tickets. I had two women reach

931
00:40:26,000 --> 00:40:29,320
Speaker 2: out to me with kids. One she's I think twelve,

932
00:40:29,360 --> 00:40:30,440
Speaker 2: the other ones in high school.

933
00:40:31,560 --> 00:40:32,800
Speaker 3: I was happy.

934
00:40:32,800 --> 00:40:34,160
Speaker 2: I was like felt warmed, but I was like, Oh,

935
00:40:34,600 --> 00:40:36,399
Speaker 2: this new generation, we're gonna be all right. They're into

936
00:40:36,400 --> 00:40:38,879
Speaker 2: state Steve Lacey. Like I used to shit on these

937
00:40:39,280 --> 00:40:41,160
Speaker 2: really really young kids in their music taste. They love

938
00:40:41,160 --> 00:40:42,680
Speaker 2: Steve Lacy. Then I found out it was because of

939
00:40:42,719 --> 00:40:44,200
Speaker 2: a TikTok song, and then I got kind of pissed.

940
00:40:45,320 --> 00:40:49,040
Speaker 2: All the shows, no one can get fucking tickets because

941
00:40:49,239 --> 00:40:52,160
Speaker 2: they're just being swept up by the TikTok crowd's parents.

942
00:40:52,760 --> 00:40:55,120
Speaker 2: So yeah, I could be I understand Steve Lacy, like

943
00:40:55,200 --> 00:40:57,760
Speaker 2: all success sometimes isn't good success in that way.

944
00:40:58,000 --> 00:41:00,399
Speaker 6: And they're saying he's not like kid friendly artist. There's

945
00:41:00,440 --> 00:41:04,440
Speaker 6: all these things narratives starting about him because he's showing

946
00:41:04,480 --> 00:41:08,600
Speaker 6: frustration on stage, and they're saying, this isn't nice to

947
00:41:08,640 --> 00:41:11,280
Speaker 6: the children that are in the crowd camera.

948
00:41:11,920 --> 00:41:15,040
Speaker 2: He's not really a kid from he's not Go to

949
00:41:15,120 --> 00:41:19,200
Speaker 2: his catalog, go to his video. He talks about fucking right.

950
00:41:19,880 --> 00:41:23,560
Speaker 1: Okay, I get that, but my thing is they still

951
00:41:23,600 --> 00:41:25,360
Speaker 1: put the tickets in, they're in the building.

952
00:41:25,440 --> 00:41:28,680
Speaker 2: But that's short that's short sighted though for for where

953
00:41:28,719 --> 00:41:30,640
Speaker 2: his I think his career, he.

954
00:41:30,680 --> 00:41:32,839
Speaker 1: Used to start booking bigger venues so his real fans

955
00:41:32,880 --> 00:41:35,239
Speaker 1: can get tickets to Is that is that the problem?

956
00:41:35,520 --> 00:41:36,920
Speaker 1: I mean, that's just like a problem.

957
00:41:36,960 --> 00:41:40,719
Speaker 2: This this tour was booked. I'm sure right before that

958
00:41:40,760 --> 00:41:44,759
Speaker 2: whole TikTok ship really took off. So he was doing

959
00:41:44,840 --> 00:41:46,160
Speaker 2: the side what I'm saying, he was doing the size

960
00:41:46,239 --> 00:41:48,280
Speaker 2: venues that he thought he could probably do without TikTok.

961
00:41:49,160 --> 00:41:53,000
Speaker 2: That's what I'm saying. So, and especially an artists like

962
00:41:53,040 --> 00:41:54,840
Speaker 2: Steve Lacy at the point in his career, because this

963
00:41:54,880 --> 00:41:57,640
Speaker 2: is what his second actual album. That's a big tour

964
00:41:57,760 --> 00:42:00,319
Speaker 2: foreign artist, especially to build a real fan. And these

965
00:42:00,360 --> 00:42:01,880
Speaker 2: kids are going to move on to the next TikTok song.

966
00:42:01,920 --> 00:42:03,440
Speaker 2: They're not going to move on to the Steve Lacy

967
00:42:03,480 --> 00:42:05,200
Speaker 2: show listen unless he keeps.

968
00:42:05,040 --> 00:42:07,960
Speaker 1: Making I've been going to concerts for a long time

969
00:42:08,000 --> 00:42:10,239
Speaker 1: and I've never seen the artist get mad that his

970
00:42:10,360 --> 00:42:11,840
Speaker 1: venue was sold out and say, no, these are the

971
00:42:11,840 --> 00:42:13,000
Speaker 1: wrong people that are in here.

972
00:42:13,560 --> 00:42:16,040
Speaker 2: I just what I saw Justin I saw Justin Bieber

973
00:42:16,120 --> 00:42:18,839
Speaker 2: scream at his audience when they couldn't clap on beat.

974
00:42:20,000 --> 00:42:22,880
Speaker 1: They're white, and he was pissed. You're talking about he

975
00:42:23,480 --> 00:42:23,920
Speaker 1: was pissed.

976
00:42:24,200 --> 00:42:28,040
Speaker 2: Uh no name sold out great venues, said, I'm tired

977
00:42:28,080 --> 00:42:30,040
Speaker 2: of fucking rappings these white people. I'm not doing this

978
00:42:30,080 --> 00:42:32,160
Speaker 2: shit anymore. I've seen plenty of artists get mad at

979
00:42:32,160 --> 00:42:33,520
Speaker 2: the crowd that they bring in and not want to

980
00:42:33,560 --> 00:42:34,040
Speaker 2: do it anymore.

981
00:42:34,560 --> 00:42:36,640
Speaker 1: They doing so go through a show in the fucking hood,

982
00:42:36,680 --> 00:42:39,680
Speaker 1: Go to fucking Morningside Park, build a stage.

983
00:42:39,719 --> 00:42:41,040
Speaker 2: I'm not in the middle of I'm just giving you

984
00:42:41,080 --> 00:42:43,600
Speaker 2: an example, and the hood like I don't. I'm sure

985
00:42:43,640 --> 00:42:45,200
Speaker 2: Prince has been pissed at his crowd before.

986
00:42:45,320 --> 00:42:48,279
Speaker 5: This is Listen. I understand where you're coming from. I

987
00:42:48,360 --> 00:42:50,759
Speaker 5: understand where he's coming from. But I feel like the

988
00:42:50,880 --> 00:42:55,040
Speaker 5: issue is if I spend my money fucking recession that

989
00:42:55,040 --> 00:42:58,399
Speaker 5: nobody's calling a recession on your tickets or my parents' money.

990
00:42:58,440 --> 00:43:01,640
Speaker 5: Who is ever money? I feel like I should get

991
00:43:01,640 --> 00:43:04,600
Speaker 5: the best of you, and I don't. Everybody has bad days,

992
00:43:04,640 --> 00:43:06,600
Speaker 5: but you up there miserable because you didn't attract the

993
00:43:06,719 --> 00:43:09,439
Speaker 5: right kind of fan base. That's first world problems. Ooh,

994
00:43:09,440 --> 00:43:12,799
Speaker 5: you're viral on TikTok. Oh, your souls are your soul.

995
00:43:13,520 --> 00:43:15,880
Speaker 5: If you want to do with all that artist integrity ship,

996
00:43:15,960 --> 00:43:18,480
Speaker 5: you shouldn't even let your song get on TikTok whatever anyway.

997
00:43:18,560 --> 00:43:21,880
Speaker 2: Right, that's not fair because everything music related in America

998
00:43:22,000 --> 00:43:25,000
Speaker 2: is first world problems. And we talk about musicians and

999
00:43:25,000 --> 00:43:27,120
Speaker 2: their issues all the time. That's all first world problems.

1000
00:43:27,400 --> 00:43:30,000
Speaker 5: Yes, yes, I'm not having.

1001
00:43:29,800 --> 00:43:33,319
Speaker 2: Towels on stage. I just tell them you're mad.

1002
00:43:33,360 --> 00:43:34,880
Speaker 5: Somebody threw a disposable camera up.

1003
00:43:35,040 --> 00:43:37,400
Speaker 1: Now I understand that something hits you. I can understand

1004
00:43:37,400 --> 00:43:37,960
Speaker 1: you being mad.

1005
00:43:37,840 --> 00:43:38,440
Speaker 2: At that clips.

1006
00:43:38,480 --> 00:43:40,840
Speaker 5: I see of artists who just pick up the camera,

1007
00:43:41,400 --> 00:43:43,479
Speaker 5: take a picture, or you kick it out the way

1008
00:43:43,640 --> 00:43:46,399
Speaker 5: you kick the camera, stop it and do all that

1009
00:43:46,520 --> 00:43:49,880
Speaker 5: extra special, do all that extra jazz club ship if

1010
00:43:49,920 --> 00:43:50,319
Speaker 5: you want to.

1011
00:43:50,239 --> 00:43:52,440
Speaker 2: Do jazz club ship for real, Like that's extra.

1012
00:43:54,280 --> 00:43:55,160
Speaker 5: Yeah, like that's extra.

1013
00:43:55,280 --> 00:43:58,200
Speaker 1: Listen, listen, listen. There's a there's a there's another side

1014
00:43:58,239 --> 00:44:00,160
Speaker 1: to this as well. So now you can you know,

1015
00:44:00,239 --> 00:44:02,600
Speaker 1: you book a venue and have you know, have a

1016
00:44:02,680 --> 00:44:05,840
Speaker 1: two thousand capacity and you only sell three hundred tickets

1017
00:44:06,400 --> 00:44:08,520
Speaker 1: and have your real fans there, like, will Steve Lacy

1018
00:44:08,520 --> 00:44:11,279
Speaker 1: be happier? With that, I don't know.

1019
00:44:11,520 --> 00:44:12,680
Speaker 2: I'm not gonna see it.

1020
00:44:12,280 --> 00:44:14,040
Speaker 5: For it signed to someone because they won't.

1021
00:44:14,080 --> 00:44:16,360
Speaker 1: But any anytime you have a sold out venue and

1022
00:44:16,360 --> 00:44:18,399
Speaker 1: you have a packed venue, I don't care how these

1023
00:44:18,440 --> 00:44:21,680
Speaker 1: fans found you, whether it's TikTok or whatever, you still

1024
00:44:21,719 --> 00:44:24,200
Speaker 1: have an opportunity for these people to learn the rest

1025
00:44:24,239 --> 00:44:26,319
Speaker 1: of your catalog, fall in love with another record, fall

1026
00:44:26,360 --> 00:44:28,719
Speaker 1: in love with you as your person your personality. They

1027
00:44:28,760 --> 00:44:30,759
Speaker 1: get to see you on stage, how you engage with

1028
00:44:30,760 --> 00:44:33,680
Speaker 1: the audience. It's still an opportunity to gain new fans.

1029
00:44:33,719 --> 00:44:35,640
Speaker 1: I don't see what the problem is. Now, throw in

1030
00:44:35,680 --> 00:44:38,440
Speaker 1: shit on stage you should never do get I agree

1031
00:44:38,440 --> 00:44:40,320
Speaker 1: with that. That could have hit Steve in his face

1032
00:44:40,480 --> 00:44:43,319
Speaker 1: whatever you know, broke his nose, whatever, anything could happen.

1033
00:44:43,360 --> 00:44:45,600
Speaker 1: I understand that part of it. But to be upset

1034
00:44:45,600 --> 00:44:47,440
Speaker 1: because you feel like you're looking at the audience and

1035
00:44:47,480 --> 00:44:51,279
Speaker 1: these are all kids and TikTokers or whatever. The thing is.

1036
00:44:51,320 --> 00:44:54,040
Speaker 1: They still paid a ticket and bought a ticket to

1037
00:44:54,080 --> 00:44:56,600
Speaker 1: come see you, come see you perform however they love you,

1038
00:44:56,640 --> 00:44:59,279
Speaker 1: whatever song they love you for, they still paid and

1039
00:44:59,320 --> 00:45:00,160
Speaker 1: came to see you.

1040
00:45:00,320 --> 00:45:02,640
Speaker 2: And I think that's good for this year. But to

1041
00:45:02,760 --> 00:45:05,200
Speaker 2: the trajectory of what a Steve Lacy career could be

1042
00:45:05,239 --> 00:45:07,960
Speaker 2: and the type of work he's put in so far.

1043
00:45:08,239 --> 00:45:11,400
Speaker 2: It's not like he was some artist in his bedroom

1044
00:45:11,440 --> 00:45:13,840
Speaker 2: that caught a lick real quick and caught a record

1045
00:45:13,840 --> 00:45:15,399
Speaker 2: and it's like, well, fuck, I'm happy to be here.

1046
00:45:15,520 --> 00:45:18,160
Speaker 2: He's been doing this strategically all the time, and we've

1047
00:45:18,200 --> 00:45:19,960
Speaker 2: seen the Catch twenty two of what happens when you

1048
00:45:20,000 --> 00:45:23,399
Speaker 2: get a smash record. Sometimes it just defines you when

1049
00:45:23,400 --> 00:45:25,480
Speaker 2: you can't get out of that ship, and it ruins

1050
00:45:25,600 --> 00:45:28,560
Speaker 2: you actually building a real fan base, because your fan

1051
00:45:28,600 --> 00:45:31,080
Speaker 2: base is just the moment. So I think Steve's real

1052
00:45:31,160 --> 00:45:34,160
Speaker 2: fan base has not been able to be part of

1053
00:45:34,200 --> 00:45:36,359
Speaker 2: this tour, and I think the crowd that is there

1054
00:45:36,960 --> 00:45:39,399
Speaker 2: isn't particularly even in the mind state yet of the

1055
00:45:39,400 --> 00:45:41,920
Speaker 2: age they are to be like, oh I like this

1056
00:45:41,960 --> 00:45:44,479
Speaker 2: other music and I'm going to be a lifelong fan.

1057
00:45:45,160 --> 00:45:47,680
Speaker 2: So I get the frustration of it now. Financially, of course,

1058
00:45:47,719 --> 00:45:49,400
Speaker 2: who's ever gonna be mad that they sold out Terminal

1059
00:45:49,440 --> 00:45:50,359
Speaker 2: five three nights in a row.

1060
00:45:50,440 --> 00:45:53,080
Speaker 3: You're Steve Lacy, how do you vet that you make?

1061
00:45:53,400 --> 00:45:55,239
Speaker 1: You make every fan before they buy tickets, right, so

1062
00:45:55,360 --> 00:45:58,759
Speaker 1: you same song perform three on my b sides go

1063
00:46:00,040 --> 00:46:02,000
Speaker 1: think that's funny, impossible.

1064
00:46:03,080 --> 00:46:04,759
Speaker 2: I hope, and I could be I could be being

1065
00:46:04,960 --> 00:46:07,840
Speaker 2: pessimistic here. Maybe he is getting a whole new, younger

1066
00:46:07,880 --> 00:46:10,600
Speaker 2: fan base that will be around forever because they're fifteen.

1067
00:46:11,480 --> 00:46:13,680
Speaker 2: I just don't see it with why those kids are there.

1068
00:46:13,680 --> 00:46:17,719
Speaker 2: They're there for a fifteen second loop yep. And I

1069
00:46:17,719 --> 00:46:19,400
Speaker 2: also think that's they don't even know the verses of

1070
00:46:19,440 --> 00:46:19,799
Speaker 2: the song.

1071
00:46:19,920 --> 00:46:21,839
Speaker 5: I don't think that's as big as a percentage as

1072
00:46:21,840 --> 00:46:23,279
Speaker 5: we're making it out to be. I think that that's

1073
00:46:23,280 --> 00:46:25,920
Speaker 5: probably a small percentage. I think he has a lot

1074
00:46:25,920 --> 00:46:29,080
Speaker 5: of people that are fans of like maybe not lifelong

1075
00:46:29,120 --> 00:46:31,160
Speaker 5: fans that he's had, but people who have heard a

1076
00:46:31,160 --> 00:46:33,440
Speaker 5: couple of songs with his past album and they're like, oh,

1077
00:46:33,480 --> 00:46:34,839
Speaker 5: I want to hear more of this. I don't think

1078
00:46:34,880 --> 00:46:37,440
Speaker 5: it's just all TikTok people, because I'm not going to

1079
00:46:37,480 --> 00:46:39,799
Speaker 5: see a viral a show of somebody of a song

1080
00:46:39,800 --> 00:46:41,080
Speaker 5: that went viral. I'm not going to do it.

1081
00:46:41,080 --> 00:46:42,840
Speaker 2: But you're not that age or not that world.

1082
00:46:43,080 --> 00:46:44,799
Speaker 1: It sounds like the show is that they go this

1083
00:46:44,880 --> 00:46:46,759
Speaker 1: sounds like a lot of ego attached to it as well.

1084
00:46:47,320 --> 00:46:47,440
Speaker 8: Well.

1085
00:46:47,480 --> 00:46:51,520
Speaker 1: I mean prohabicians like and one thing and one thing

1086
00:46:51,520 --> 00:46:53,720
Speaker 1: we all know and we all can attest to. Sometimes

1087
00:46:53,719 --> 00:46:55,600
Speaker 1: that ego comes back to bite you in your ass.

1088
00:46:56,400 --> 00:46:58,680
Speaker 1: So Steve, I mean I understand it. Maybe maybe that

1089
00:46:58,719 --> 00:47:01,319
Speaker 1: we just talked about exactly, So Steve, I you know,

1090
00:47:01,560 --> 00:47:03,000
Speaker 1: I get it. Maybe you want to look out there

1091
00:47:03,040 --> 00:47:05,359
Speaker 1: and see more fans that know more B sides and

1092
00:47:05,760 --> 00:47:08,399
Speaker 1: you know, things like that. But you know, you got

1093
00:47:08,440 --> 00:47:10,600
Speaker 1: to always humble yourself and just always look at it

1094
00:47:10,640 --> 00:47:12,799
Speaker 1: the fact that these people still paid money to come

1095
00:47:12,840 --> 00:47:15,200
Speaker 1: see me, no matter how they found you, no matter

1096
00:47:15,200 --> 00:47:17,200
Speaker 1: how they fell in love with your art, it's still

1097
00:47:17,239 --> 00:47:19,600
Speaker 1: an opportunity for them to learn more about who Steve

1098
00:47:19,680 --> 00:47:23,080
Speaker 1: Lacy is the songs that Steve Lacy writes and produces.

1099
00:47:23,920 --> 00:47:25,640
Speaker 1: But I do understand him getting mad at the camera,

1100
00:47:25,719 --> 00:47:26,399
Speaker 1: hitt him in his head.

1101
00:47:26,400 --> 00:47:28,400
Speaker 2: Don't don't throw shit that well, I don't think it

1102
00:47:28,480 --> 00:47:31,120
Speaker 2: only hit him his headless some more. Still still just

1103
00:47:31,120 --> 00:47:33,280
Speaker 2: don't throw don't There's more into TikTok.

1104
00:47:33,280 --> 00:47:35,640
Speaker 5: How do you guys think that people take those viral

1105
00:47:35,719 --> 00:47:39,440
Speaker 5: songs and turn it into something positive for their career,

1106
00:47:39,600 --> 00:47:42,000
Speaker 5: not just a moment thing like because this is a

1107
00:47:42,040 --> 00:47:43,920
Speaker 5: new thing we have to acknowledge TikTok. We have to

1108
00:47:43,920 --> 00:47:47,120
Speaker 5: acknowledge the impact it has on the music industry. Where

1109
00:47:47,120 --> 00:47:48,200
Speaker 5: do we go from here?

1110
00:47:48,320 --> 00:47:48,360
Speaker 2: Is?

1111
00:47:48,400 --> 00:47:51,760
Speaker 5: Okay? I had the fifteen seconds go viral. Everybody's flipping

1112
00:47:51,800 --> 00:47:54,480
Speaker 5: in hoodies to Billie Eilish, What do I do next?

1113
00:47:54,719 --> 00:47:58,760
Speaker 1: It's before every song, before every bridge and hook. I said, Okay, okay, kids,

1114
00:47:59,000 --> 00:48:02,239
Speaker 1: this is another viral moment loop. This one gets your

1115
00:48:02,239 --> 00:48:05,319
Speaker 1: phones ready. Get your phones ready and can do it? Yeah, yeah,

1116
00:48:05,320 --> 00:48:06,960
Speaker 1: I create a dance. Come on stage and create a

1117
00:48:07,000 --> 00:48:08,800
Speaker 1: dance to this one. You gotta lean into it. I

1118
00:48:08,920 --> 00:48:09,640
Speaker 1: was the world we're living.

1119
00:48:09,680 --> 00:48:12,360
Speaker 2: I would focus group it and part of the segment

1120
00:48:12,400 --> 00:48:14,200
Speaker 2: with the Steve Lacy record would be all right, I'm

1121
00:48:14,200 --> 00:48:15,640
Speaker 2: gonna play a song that you haven't heard because you

1122
00:48:15,640 --> 00:48:18,040
Speaker 2: actually didn't listen to my album. You young fuck make

1123
00:48:18,120 --> 00:48:19,080
Speaker 2: up a dance to this one.

1124
00:48:19,320 --> 00:48:21,800
Speaker 1: Yeah. Yeah, you gotta just have seven kids on stage.

1125
00:48:21,800 --> 00:48:23,920
Speaker 1: You can't fight against that and become mad and upset

1126
00:48:24,000 --> 00:48:25,799
Speaker 1: about that. You have to lean into that. You have

1127
00:48:25,840 --> 00:48:27,839
Speaker 1: to find a way to say, Okay, obviously these young

1128
00:48:27,920 --> 00:48:30,000
Speaker 1: kids found the record, they love it, they love this loop.

1129
00:48:30,640 --> 00:48:32,600
Speaker 1: How do I lean into that? How do I you know,

1130
00:48:32,760 --> 00:48:36,480
Speaker 1: like get these kids and these uh, these TikTokers to

1131
00:48:36,520 --> 00:48:38,640
Speaker 1: listen to other songs and find other loops that they

1132
00:48:38,640 --> 00:48:40,480
Speaker 1: want to maybe have fun with on TikTok. No, I mean,

1133
00:48:40,640 --> 00:48:42,880
Speaker 1: you don't get upset and and start slamming sh it

1134
00:48:42,920 --> 00:48:45,680
Speaker 1: and go backstays like there's fucking TikTokers out there, Like

1135
00:48:45,760 --> 00:48:47,440
Speaker 1: I don't. I don't think that's the answer.

1136
00:48:47,480 --> 00:48:50,920
Speaker 2: I mean, but to the mass question, I think you

1137
00:48:51,040 --> 00:48:54,480
Speaker 2: use it as a commercial Like, of course there's way

1138
00:48:54,520 --> 00:48:56,560
Speaker 2: with sync and everything to make a lot of money

1139
00:48:56,560 --> 00:49:00,080
Speaker 2: off TikTok and your record doing well financially, but you

1140
00:49:00,120 --> 00:49:02,279
Speaker 2: just have to you have to pivot from it and

1141
00:49:02,320 --> 00:49:04,160
Speaker 2: not be defined by it. Yeah, because then you're just

1142
00:49:04,160 --> 00:49:06,919
Speaker 2: gonna be trying to make more tiktoks and that's never even.

1143
00:49:06,840 --> 00:49:08,960
Speaker 1: Gonna No, no, don't try to make a TikTok. But you

1144
00:49:09,080 --> 00:49:13,000
Speaker 1: just again, Steve Lacy is an amazing artist, writer, producer.

1145
00:49:14,200 --> 00:49:16,399
Speaker 1: But you can't, you know, you can't get upset because

1146
00:49:16,400 --> 00:49:18,360
Speaker 1: at the end of the day, there's still fans in

1147
00:49:18,400 --> 00:49:21,439
Speaker 1: here that that paid money to come see you. And again,

1148
00:49:21,480 --> 00:49:22,960
Speaker 1: you got to find a way to find that middle

1149
00:49:22,960 --> 00:49:25,160
Speaker 1: ground and you know, and make it, make it a

1150
00:49:25,200 --> 00:49:26,600
Speaker 1: great experience for everyone.

1151
00:49:26,320 --> 00:49:28,640
Speaker 2: And I think, yes, he should take this moment to

1152
00:49:28,680 --> 00:49:31,399
Speaker 2: put on an amazing show, even if these kids only

1153
00:49:31,440 --> 00:49:39,120
Speaker 2: know that, because you could end up catching a few rory.

1154
00:49:39,200 --> 00:49:41,200
Speaker 1: I think that I made women want to fuck you.

1155
00:49:41,239 --> 00:49:42,160
Speaker 2: Excuse me what.

1156
00:49:43,640 --> 00:49:44,440
Speaker 1: I think I am the wait?

1157
00:49:44,480 --> 00:49:45,120
Speaker 2: What did you just say?

1158
00:49:45,320 --> 00:49:45,560
Speaker 1: Nothing?

1159
00:49:46,520 --> 00:49:46,719
Speaker 7: Again?

1160
00:49:47,120 --> 00:49:48,759
Speaker 2: This was the sickest punch and I wasn't ready to

1161
00:49:48,760 --> 00:49:50,239
Speaker 2: hear that. And now I don't know how to feel.

1162
00:49:50,880 --> 00:49:52,480
Speaker 1: I think I'm the reason why women want to.

1163
00:49:52,520 --> 00:49:54,680
Speaker 2: You think anytime a woman has said, hey, I want

1164
00:49:54,680 --> 00:49:57,000
Speaker 2: to see that guy, it's because I think he knows

1165
00:49:57,000 --> 00:50:00,839
Speaker 2: more prove me wrong. I'm not gonna try it. That's

1166
00:50:00,880 --> 00:50:02,799
Speaker 2: where that's full for. There's no way I'm gonna find

1167
00:50:02,800 --> 00:50:04,719
Speaker 2: out if that's true enough because I'm never gonna ask

1168
00:50:04,760 --> 00:50:05,279
Speaker 2: oh Man.

1169
00:50:05,400 --> 00:50:09,439
Speaker 1: So Ashanti sat down with the legendary Angie Martinez Yes

1170
00:50:10,040 --> 00:50:13,960
Speaker 1: for what was what would be her response to the

1171
00:50:14,120 --> 00:50:19,239
Speaker 1: uh the airtime that IRV got he had leading up

1172
00:50:19,280 --> 00:50:23,840
Speaker 1: to the documentary of the Murder Ink Story and uh.

1173
00:50:24,360 --> 00:50:27,640
Speaker 1: She had some interesting things to say about IRV and

1174
00:50:27,760 --> 00:50:31,200
Speaker 1: her time at Murder Inc. And she basically said IRV

1175
00:50:31,480 --> 00:50:34,240
Speaker 1: was lying about a lot of things. They were never together,

1176
00:50:34,560 --> 00:50:38,640
Speaker 1: they were never a couple. She called IRV a fat

1177
00:50:38,640 --> 00:50:39,200
Speaker 1: piece of shit.

1178
00:50:40,120 --> 00:50:44,719
Speaker 2: Damn. I will say though, getting fat, getting fat on

1179
00:50:44,880 --> 00:50:47,879
Speaker 2: ecstasy is like new limits. So she's I think she's

1180
00:50:47,880 --> 00:50:49,319
Speaker 2: allowed to say that. IRV I think is in better

1181
00:50:49,320 --> 00:50:52,479
Speaker 2: shape now. But yeah, the fact he got fat while

1182
00:50:52,520 --> 00:50:53,120
Speaker 2: taking X.

1183
00:50:53,400 --> 00:50:56,919
Speaker 1: Yeah, and that's what happens when you run into someone

1184
00:50:56,960 --> 00:50:59,239
Speaker 1: that means you eating for rial. You know how that

1185
00:50:59,280 --> 00:51:02,320
Speaker 1: shit goes. So she sat down and broke her silence

1186
00:51:02,360 --> 00:51:05,359
Speaker 1: on IRV. Gotti brother. She's selling a book, yeah, says

1187
00:51:05,360 --> 00:51:06,439
Speaker 1: he has a lot about a lot.

1188
00:51:06,520 --> 00:51:09,040
Speaker 2: She's also, of course, say what you want to say,

1189
00:51:09,040 --> 00:51:10,279
Speaker 2: because IRV went up there when he was trying to

1190
00:51:10,280 --> 00:51:12,080
Speaker 2: sell some ship into your business. So get your shit

1191
00:51:12,080 --> 00:51:14,200
Speaker 2: off a shanty. I'm not I'm just saying, let's call

1192
00:51:14,239 --> 00:51:16,480
Speaker 2: what both of them are doing, which is selling something.

1193
00:51:16,520 --> 00:51:18,560
Speaker 1: I just love the fact that we can monetize all

1194
00:51:18,600 --> 00:51:21,319
Speaker 1: of these things now these responses, Yeah, well ANGI can. Yeah.

1195
00:51:21,360 --> 00:51:23,719
Speaker 1: Well when I say we meet us in uh, this

1196
00:51:23,800 --> 00:51:27,680
Speaker 1: is media culture culture us in culture right right, Julian

1197
00:51:27,800 --> 00:51:28,280
Speaker 1: is culture.

1198
00:51:28,880 --> 00:51:29,879
Speaker 6: Someone would say that.

1199
00:51:30,040 --> 00:51:34,920
Speaker 1: Look him. So In this interview, Ashanti basically says that

1200
00:51:34,960 --> 00:51:38,959
Speaker 1: she was manipulated and taking advantage of by irv and

1201
00:51:39,000 --> 00:51:42,720
Speaker 1: By and feared that if she didn't fuck that ogre.

1202
00:51:44,200 --> 00:51:45,240
Speaker 2: Wait did she say ogre?

1203
00:51:45,440 --> 00:51:47,479
Speaker 1: She didn't say that. This is I'm reading the caption

1204
00:51:47,560 --> 00:51:50,920
Speaker 1: of the video. If she didn't fuck that Ogre, he

1205
00:51:50,960 --> 00:51:54,160
Speaker 1: wouldn't let her record. He groomed and coursed her, and

1206
00:51:54,239 --> 00:51:57,000
Speaker 1: we all know what that means. We kind of felt

1207
00:51:57,040 --> 00:51:59,720
Speaker 1: like that because Ashanti was so young at the time

1208
00:52:00,280 --> 00:52:03,680
Speaker 1: when the documentary came out. You know, we even said, like, whoa,

1209
00:52:03,800 --> 00:52:06,439
Speaker 1: Like she seems like she was so young and earth

1210
00:52:06,560 --> 00:52:08,200
Speaker 1: kind of like just had her around the studio and

1211
00:52:08,280 --> 00:52:09,920
Speaker 1: kind of had his eye on her. Yeah, you know,

1212
00:52:09,960 --> 00:52:13,359
Speaker 1: we kind of felt like that just looking back at

1213
00:52:13,360 --> 00:52:17,920
Speaker 1: those moments in the documentary and listening to his story

1214
00:52:18,400 --> 00:52:22,320
Speaker 1: about how they became intimate. But she sat down on Angie,

1215
00:52:22,400 --> 00:52:26,080
Speaker 1: she spoke her piece, and you know, I mean, it

1216
00:52:26,120 --> 00:52:28,920
Speaker 1: is what it is. I mean, she's entitled to speak

1217
00:52:28,960 --> 00:52:31,200
Speaker 1: her part of the story, and that's exactly what she did.

1218
00:52:31,200 --> 00:52:34,600
Speaker 1: She didn't hold anything back. She let out a lot

1219
00:52:34,600 --> 00:52:37,399
Speaker 1: of feelings I guess she had kept inside. I don't

1220
00:52:37,440 --> 00:52:39,919
Speaker 1: think we've ever seen Ashanti speak like this. I don't

1221
00:52:39,960 --> 00:52:42,359
Speaker 1: ever recall seeing Ashanti curse as much.

1222
00:52:42,560 --> 00:52:44,960
Speaker 2: Well, Shanti's always been very well. She comes from that

1223
00:52:45,360 --> 00:52:49,279
Speaker 2: PR artist developments, not the way herb PR. That's not

1224
00:52:49,320 --> 00:52:51,839
Speaker 2: that type of artist development there is being suggested here,

1225
00:52:52,120 --> 00:52:56,440
Speaker 2: But she comes from that school where artists knew what

1226
00:52:56,480 --> 00:52:58,919
Speaker 2: to do I press. As far as how to answer shit,

1227
00:52:59,040 --> 00:53:01,359
Speaker 2: we never really got a full answer of who they

1228
00:53:01,360 --> 00:53:05,000
Speaker 2: are what she that's yes, exactly, she's from that era.

1229
00:53:05,080 --> 00:53:07,880
Speaker 2: So she's very good at that. But she's still, you know,

1230
00:53:08,200 --> 00:53:09,560
Speaker 2: chick from Long Island at the end of the day.

1231
00:53:09,600 --> 00:53:12,280
Speaker 2: So it's nice when she opens up in this record.

1232
00:53:12,320 --> 00:53:14,440
Speaker 1: It's just amazing that she was, you know, in her

1233
00:53:14,480 --> 00:53:17,600
Speaker 1: sitting down with Carson Daily, in her sitting and he's

1234
00:53:17,600 --> 00:53:18,600
Speaker 1: two different women.

1235
00:53:18,760 --> 00:53:20,799
Speaker 2: Two totally different You think Carson Dally is a woman?

1236
00:53:21,080 --> 00:53:21,720
Speaker 1: No, I mean.

1237
00:53:24,160 --> 00:53:26,759
Speaker 2: I thought you were saying two different women that she's

1238
00:53:26,760 --> 00:53:28,719
Speaker 2: sitting with Carson Daily and.

1239
00:53:28,560 --> 00:53:31,080
Speaker 1: Her sitting now with Carson. The tone and the language

1240
00:53:31,080 --> 00:53:33,360
Speaker 1: she used with Carson Daily and then the tone in

1241
00:53:33,440 --> 00:53:35,760
Speaker 1: language and Martinez was totally different.

1242
00:53:36,360 --> 00:53:40,400
Speaker 2: Uh, the FCC allowed it all.

1243
00:53:40,480 --> 00:53:41,359
Speaker 1: Tr forget it.

1244
00:53:43,200 --> 00:53:45,200
Speaker 2: But yeah, I mean, I'm glad Ashanti's saying her piece

1245
00:53:45,200 --> 00:53:46,440
Speaker 2: on this. I saw she went on a few other

1246
00:53:46,760 --> 00:53:49,120
Speaker 2: platforms for it, but IRV saying I made you fuckable

1247
00:53:49,200 --> 00:53:51,360
Speaker 2: is one of the weirdest and craziest things I've.

1248
00:53:51,280 --> 00:53:53,959
Speaker 1: Heard listened that if you didn't alone, if you did

1249
00:53:54,000 --> 00:53:56,200
Speaker 1: say that, Earth, I'm not going to say you did,

1250
00:53:56,280 --> 00:53:57,840
Speaker 1: it's just you know, it's her shot of the story.

1251
00:53:58,280 --> 00:54:00,160
Speaker 1: But if you did say that, that is some the

1252
00:54:00,200 --> 00:54:03,920
Speaker 1: most insecure, craziest shit I've ever heard in my life.

1253
00:54:04,360 --> 00:54:05,920
Speaker 1: I made you fuckable?

1254
00:54:07,560 --> 00:54:11,600
Speaker 2: And well, IRV, I believe Earth said that.

1255
00:54:11,680 --> 00:54:13,640
Speaker 1: I think God made I mean, she went through puberty.

1256
00:54:14,800 --> 00:54:17,120
Speaker 1: God did, Yeah, God did. It wasn't you, IRV?

1257
00:54:17,400 --> 00:54:19,360
Speaker 2: And I again, I was young in that era, but

1258
00:54:19,400 --> 00:54:21,640
Speaker 2: I could imagine if I was like really outside in

1259
00:54:21,680 --> 00:54:23,480
Speaker 2: their age, I wouldn't have been.

1260
00:54:23,360 --> 00:54:23,719
Speaker 1: Like it was.

1261
00:54:24,640 --> 00:54:25,400
Speaker 2: Is that who Irv's with?

1262
00:54:25,960 --> 00:54:26,120
Speaker 1: Yeah?

1263
00:54:26,160 --> 00:54:28,440
Speaker 2: I think I think I want to funk now.

1264
00:54:28,680 --> 00:54:32,359
Speaker 1: Yeah, Yeah, I don't know, man, It's just I think

1265
00:54:32,400 --> 00:54:34,520
Speaker 1: that was EV's way of trying to manipulate and control,

1266
00:54:34,600 --> 00:54:38,120
Speaker 1: and you know, unfortunately, you know, men do that with

1267
00:54:38,320 --> 00:54:40,120
Speaker 1: women a lot, and they try to make them feel

1268
00:54:40,160 --> 00:54:42,719
Speaker 1: like they're not beautiful and they're not nobody else wants them.

1269
00:54:42,719 --> 00:54:44,400
Speaker 1: And if they do want you, just because I have

1270
00:54:44,520 --> 00:54:46,560
Speaker 1: you or they see you with me. Type of shit

1271
00:54:46,640 --> 00:54:48,120
Speaker 1: it's insecurity at its finest.

1272
00:54:48,600 --> 00:54:52,760
Speaker 2: Fam men, and this is nothing in regards to the shot.

1273
00:54:52,840 --> 00:54:55,919
Speaker 2: Men will fuck a hole in the wall. No man

1274
00:54:55,960 --> 00:54:57,919
Speaker 2: has ever made a woman fuckable in their life.

1275
00:54:58,040 --> 00:55:00,000
Speaker 1: Well speak for yourself, worry, I'm not putting my dick

1276
00:55:00,040 --> 00:55:00,680
Speaker 1: in a hole in the wall.

1277
00:55:00,800 --> 00:55:04,200
Speaker 2: Percentage base if you go through, uh, the consensus of

1278
00:55:04,760 --> 00:55:07,279
Speaker 2: battles men will fuck a hole in the wall. Not

1279
00:55:07,400 --> 00:55:10,360
Speaker 2: you personally or personally, but just men. Men in general

1280
00:55:10,400 --> 00:55:11,560
Speaker 2: absolutely would fuck a hole.

1281
00:55:11,680 --> 00:55:13,000
Speaker 6: Both of you holes.

1282
00:55:13,840 --> 00:55:15,080
Speaker 2: I'm not going down this path before I have to

1283
00:55:15,080 --> 00:55:16,000
Speaker 2: apologize to another person.

1284
00:55:16,480 --> 00:55:18,560
Speaker 1: I don't know what Julia's talked about, but are you

1285
00:55:18,560 --> 00:55:21,640
Speaker 1: referring to a vagina? Yes, I love vagina in the wall. No,

1286
00:55:21,680 --> 00:55:23,880
Speaker 1: not in the wall on the bed like a fucking

1287
00:55:23,920 --> 00:55:24,399
Speaker 1: human being.

1288
00:55:24,440 --> 00:55:26,759
Speaker 2: Has a man ever made a woman fuckable to you

1289
00:55:26,800 --> 00:55:27,640
Speaker 2: besides her father?

1290
00:55:28,880 --> 00:55:32,160
Speaker 1: No, I've never looked at a woman that said, well.

1291
00:55:32,040 --> 00:55:34,200
Speaker 2: Maybe IRV because Earth does right. And maybe he was

1292
00:55:34,239 --> 00:55:35,959
Speaker 2: trying to do like some metaphor. Shit. Was he trying

1293
00:55:35,960 --> 00:55:37,280
Speaker 2: to say like you are my child?

1294
00:55:37,560 --> 00:55:40,360
Speaker 1: No, he was trying to say like I'm hot, I'm popular,

1295
00:55:40,360 --> 00:55:41,480
Speaker 1: I'm famous, I have money.

1296
00:55:41,680 --> 00:55:43,320
Speaker 2: That's not why, that's not why we want to.

1297
00:55:43,920 --> 00:55:46,600
Speaker 1: It's definitely not like I don't care if she sings

1298
00:55:46,640 --> 00:55:47,959
Speaker 1: it not. Ashanti looks good.

1299
00:55:48,400 --> 00:55:50,439
Speaker 2: She could have stayed in Glen Cove and never say.

1300
00:55:50,640 --> 00:55:52,920
Speaker 1: You know, we would have wanted to be. Ashanti could

1301
00:55:52,920 --> 00:55:54,600
Speaker 1: have been working at a Kiosk trying to sell me

1302
00:55:54,680 --> 00:55:57,520
Speaker 1: iPhone covers. I would have saw her and been like, Yo,

1303
00:55:57,600 --> 00:55:59,880
Speaker 1: what time are you all She Yo, what time do

1304
00:55:59,880 --> 00:56:01,200
Speaker 1: you get off? I'm coming back.

1305
00:56:02,200 --> 00:56:05,359
Speaker 2: Well, yeah, that this entire thing from Earth's bath has

1306
00:56:05,400 --> 00:56:08,600
Speaker 2: has reaked of insecurity. Yeah, let's tell your truth. But

1307
00:56:09,800 --> 00:56:10,520
Speaker 2: truth was insecure.

1308
00:56:10,640 --> 00:56:17,000
Speaker 1: He started the interview with Ashanti bought me this birthday

1309
00:56:17,040 --> 00:56:20,719
Speaker 1: Earth Like she was being nice to the CEO for labels, saying, hey,

1310
00:56:20,760 --> 00:56:25,920
Speaker 1: happy birthday. Well yeah it was your money. But yeah,

1311
00:56:25,960 --> 00:56:28,080
Speaker 1: watched the interview if you haven't seen it, what Angie Martinez.

1312
00:56:28,080 --> 00:56:30,520
Speaker 1: It was a good sit down, good conversation. I laughed.

1313
00:56:31,520 --> 00:56:33,319
Speaker 1: And it's just always fun to watch two women just

1314
00:56:34,360 --> 00:56:38,680
Speaker 1: tear tearment apart for sure. And I love Angie's podcast.

1315
00:56:38,840 --> 00:56:41,040
Speaker 1: That's that's one of the podcasts that I mean, Angie

1316
00:56:41,239 --> 00:56:42,759
Speaker 1: just the let just the voice of New York, real

1317
00:56:42,840 --> 00:56:43,480
Speaker 1: voice in New York.

1318
00:56:43,560 --> 00:56:47,040
Speaker 2: But it's even like we loved when Angie was able

1319
00:56:47,520 --> 00:56:49,719
Speaker 2: to do the longer form content even when she was

1320
00:56:49,760 --> 00:56:52,399
Speaker 2: at hot or just doing interviews for magazines and shit.

1321
00:56:52,680 --> 00:56:55,760
Speaker 2: This is like podcasting is perfect for Angie Martina.

1322
00:56:55,920 --> 00:56:56,080
Speaker 1: Yeah.

1323
00:56:56,200 --> 00:56:59,040
Speaker 2: Like, if there's one person on earth that it's made for,

1324
00:56:59,080 --> 00:56:59,520
Speaker 2: it's Angie.

1325
00:56:59,520 --> 00:57:01,520
Speaker 1: Mar Angie talks to you like she's your aunt. Yes,

1326
00:57:01,760 --> 00:57:05,440
Speaker 1: why did you do that? Why talk to me? It's

1327
00:57:05,480 --> 00:57:07,319
Speaker 1: like you can't tell your mom or your dad, but

1328
00:57:07,360 --> 00:57:08,799
Speaker 1: you can tell your aunt. Yeah, you know what I mean.

1329
00:57:08,880 --> 00:57:10,279
Speaker 1: That's that's what Angemaltina is.

1330
00:57:10,320 --> 00:57:12,239
Speaker 2: And she'll tell you did some dumb shit in like

1331
00:57:12,360 --> 00:57:14,880
Speaker 2: such an amazing way that doesn't make you feel judged,

1332
00:57:14,960 --> 00:57:17,160
Speaker 2: but wants me to tell you more about the dumb

1333
00:57:17,200 --> 00:57:18,400
Speaker 2: shit anyway.

1334
00:57:18,440 --> 00:57:20,800
Speaker 1: You're better than that. Yeah, you know better than that.

1335
00:57:20,920 --> 00:57:22,840
Speaker 2: No, I don't, and sometime to tell you.

1336
00:57:22,960 --> 00:57:24,959
Speaker 1: This is why I'm sitting in front of you, because

1337
00:57:24,960 --> 00:57:25,400
Speaker 1: I don't know.

1338
00:57:25,440 --> 00:57:26,600
Speaker 2: We need you to clean it up for me.

1339
00:57:26,680 --> 00:57:28,080
Speaker 1: I can't keep my dick out of my head. And

1340
00:57:29,320 --> 00:57:35,400
Speaker 1: speaking of murder, inc u jy Roue's business partner Billy

1341
00:57:35,440 --> 00:57:38,320
Speaker 1: mcfalland is at it again. Uh, the man behind the

1342
00:57:38,400 --> 00:57:41,320
Speaker 1: infamous Fire Festival, has a new project on the Horizon

1343
00:57:41,440 --> 00:57:42,840
Speaker 1: ed and I know you can't wait because you want

1344
00:57:42,840 --> 00:57:45,040
Speaker 1: to try to DJ this one see and it might

1345
00:57:45,040 --> 00:57:46,680
Speaker 1: be similar to what got him in so much trouble

1346
00:57:46,720 --> 00:57:50,560
Speaker 1: in the first place. Billy mcfalland posted a video on

1347
00:57:50,640 --> 00:57:54,360
Speaker 1: TikTok Monday festing up to his wrongs and the last festival,

1348
00:57:54,440 --> 00:57:58,360
Speaker 1: before hinting at what's next he had something coming. He

1349
00:57:58,400 --> 00:57:59,760
Speaker 1: put a number up at the end of the video.

1350
00:58:00,480 --> 00:58:03,840
Speaker 1: Eddin has screenshoted that and has dialed that number.

1351
00:58:04,640 --> 00:58:07,160
Speaker 2: You guys watched the Firefest doc right after the Netflix

1352
00:58:07,280 --> 00:58:10,120
Speaker 2: both of them specific to the Netflix one. Once he

1353
00:58:10,320 --> 00:58:14,640
Speaker 2: was arrested, but on bail, he then started that new

1354
00:58:14,640 --> 00:58:18,000
Speaker 2: company which was, uh, what was it, Hollywood Unlocked. I'm sorry,

1355
00:58:18,040 --> 00:58:20,400
Speaker 2: my bad, Jason Lee. I really didn't mean it wasn't

1356
00:58:20,440 --> 00:58:25,080
Speaker 2: what it was called Hollywood Unlimited, VIP unlimited. It was

1357
00:58:25,120 --> 00:58:27,960
Speaker 2: something one of those types of things. And I want

1358
00:58:28,000 --> 00:58:29,760
Speaker 2: no smoke with Jason Lee, So I just want to

1359
00:58:29,760 --> 00:58:34,040
Speaker 2: make that very clear. It was like vip unlimited whatever.

1360
00:58:34,840 --> 00:58:37,960
Speaker 2: He took all the data from the people that bought

1361
00:58:37,960 --> 00:58:40,600
Speaker 2: Firefest tickets and then added them to this mailing list

1362
00:58:40,600 --> 00:58:43,720
Speaker 2: that was also fraud. So the fact that Billy McFarlane

1363
00:58:44,520 --> 00:58:48,240
Speaker 2: just put out a new trailer with the end a

1364
00:58:48,400 --> 00:58:50,720
Speaker 2: number that you text to find out what it is.

1365
00:58:51,080 --> 00:58:54,200
Speaker 2: Is quite possibly the funniest fucking thing and should not

1366
00:58:54,240 --> 00:58:56,400
Speaker 2: be legal to do on parole because he's just doing

1367
00:58:56,440 --> 00:58:57,080
Speaker 2: the same crime.

1368
00:58:57,680 --> 00:59:00,160
Speaker 1: Yeah, but this time he's going to make that if

1369
00:59:00,160 --> 00:59:01,400
Speaker 1: it really happened the text.

1370
00:59:01,440 --> 00:59:04,800
Speaker 2: Anyone that gives Billy McFarland their their data and their

1371
00:59:04,880 --> 00:59:07,520
Speaker 2: number deserves whatever they're about.

1372
00:59:07,360 --> 00:59:08,200
Speaker 1: To get number right now.

1373
00:59:08,240 --> 00:59:10,760
Speaker 6: The text prompt. The text prompt is fishing for your

1374
00:59:10,800 --> 00:59:14,120
Speaker 6: contact information, which has been his scheme from the beginning,

1375
00:59:14,200 --> 00:59:15,400
Speaker 6: what he should do and what he.

1376
00:59:15,520 --> 00:59:17,240
Speaker 1: So that's what it is. Welcome to the treasure hunt.

1377
00:59:17,320 --> 00:59:19,040
Speaker 1: Drop your contact info to come on board.

1378
00:59:19,120 --> 00:59:21,360
Speaker 6: Yes, and then you click and once you.

1379
00:59:21,320 --> 00:59:22,720
Speaker 1: Add yourself you get the first clue.

1380
00:59:22,760 --> 00:59:25,200
Speaker 6: It's a superphone link. So you punch in your information

1381
00:59:25,280 --> 00:59:28,680
Speaker 6: and you're subscribed to this number. Honestly, what he is

1382
00:59:28,760 --> 00:59:30,800
Speaker 6: doing and what makes Google and YouTube and all these

1383
00:59:30,800 --> 00:59:34,520
Speaker 6: other companies so valuables. He's harvesting personal information and data.

1384
00:59:34,640 --> 00:59:36,560
Speaker 6: He should just take all this ship and sell it

1385
00:59:36,600 --> 00:59:39,640
Speaker 6: to one of those companies instead of pretending like there's

1386
00:59:39,640 --> 00:59:42,240
Speaker 6: a party, pretending there's a festival. He's really good at

1387
00:59:42,240 --> 00:59:46,720
Speaker 6: fishing people's personal data. Just get three hundred thousand emails, names, contacts,

1388
00:59:46,720 --> 00:59:49,480
Speaker 6: and addresses, and off forbid it to the highest bidder

1389
00:59:49,560 --> 00:59:50,280
Speaker 6: here Google.

1390
00:59:50,440 --> 00:59:52,720
Speaker 1: But what if he actually puts together a festival?

1391
00:59:52,800 --> 00:59:53,320
Speaker 6: He won't.

1392
00:59:53,720 --> 00:59:54,400
Speaker 1: But what if he does.

1393
00:59:54,480 --> 00:59:57,840
Speaker 6: He's not an event organized he's never done what lit though?

1394
00:59:57,880 --> 01:00:00,200
Speaker 1: But yeah, I about to say now to and you

1395
01:00:00,200 --> 01:00:00,680
Speaker 1: put it like that.

1396
01:00:00,880 --> 01:00:03,400
Speaker 2: Of people, I'm not bad. I should have said that.

1397
01:00:03,400 --> 01:00:04,760
Speaker 1: I forgot it was a lot of people know who

1398
01:00:04,800 --> 01:00:08,000
Speaker 1: Billy mcfalland is and is aware with other story. You

1399
01:00:08,040 --> 01:00:09,360
Speaker 1: know the world we live in. You don't think that

1400
01:00:09,680 --> 01:00:12,120
Speaker 1: there are people behind him as saying, listen, like you said,

1401
01:00:12,160 --> 01:00:15,480
Speaker 1: you're great at fishing people's information, the great people getting

1402
01:00:15,480 --> 01:00:17,320
Speaker 1: We're gonna be behind you. We're going to actually make

1403
01:00:17,360 --> 01:00:20,280
Speaker 1: sure the event happens. Because last time he was trying

1404
01:00:20,280 --> 01:00:22,600
Speaker 1: to do it by hisself, he was it blew up.

1405
01:00:22,600 --> 01:00:24,439
Speaker 1: He didn't. He didn't. He wasn't expecting to doing shit

1406
01:00:24,480 --> 01:00:26,640
Speaker 1: on the fly. Yeah, this time he may really have

1407
01:00:26,680 --> 01:00:28,800
Speaker 1: people behind him that are this is what they do,

1408
01:00:28,840 --> 01:00:29,920
Speaker 1: They put events together.

1409
01:00:30,280 --> 01:00:32,600
Speaker 6: You think that that's the case. He spent four of

1410
01:00:32,680 --> 01:00:35,800
Speaker 6: his six years sentence he just got out. You think

1411
01:00:35,840 --> 01:00:37,960
Speaker 6: in those four years two was locked up, he found

1412
01:00:38,080 --> 01:00:40,400
Speaker 6: he built a team to put together an actual festival.

1413
01:00:40,480 --> 01:00:44,320
Speaker 2: No, and I think knowing the scheme opportunity is I'm

1414
01:00:44,400 --> 01:00:47,680
Speaker 2: kind of not mad at what he just did here.

1415
01:00:47,840 --> 01:00:49,040
Speaker 6: This is all he knows what to do.

1416
01:00:49,080 --> 01:00:50,840
Speaker 2: Because if people are just gonna at this point, if

1417
01:00:50,840 --> 01:00:53,160
Speaker 2: you don't know not to text that number, you kind

1418
01:00:53,160 --> 01:00:55,480
Speaker 2: of deserve what you're getting. So I think this is

1419
01:00:55,520 --> 01:00:58,320
Speaker 2: also hilarious and a beautiful way to come out of prison.

1420
01:00:58,560 --> 01:00:59,920
Speaker 6: But quite the role.

1421
01:01:00,480 --> 01:01:02,720
Speaker 2: Yeah, can you imagine what was ah who did the

1422
01:01:03,160 --> 01:01:07,760
Speaker 2: Ponzi scheme? Like the number one Ponzi schemer? What's his name,

1423
01:01:07,920 --> 01:01:11,000
Speaker 2: Joel Austin. No, well he's he's still still at large,

1424
01:01:11,040 --> 01:01:12,720
Speaker 2: still at large.

1425
01:01:12,880 --> 01:01:13,760
Speaker 1: They know where he is.

1426
01:01:13,880 --> 01:01:17,480
Speaker 2: I know Robert DeNiro played him in the HBO.

1427
01:01:17,280 --> 01:01:21,440
Speaker 1: Shit Uh Bernard Lawrence Bernie made off Bernie Madoff.

1428
01:01:21,520 --> 01:01:24,920
Speaker 2: That would be like imagine if Bernie Madoff had actually

1429
01:01:24,960 --> 01:01:27,840
Speaker 2: gotten parole and got out of prison and then did

1430
01:01:27,840 --> 01:01:31,480
Speaker 2: a video on TikTok that said, hey, do you have

1431
01:01:31,520 --> 01:01:33,360
Speaker 2: retirement money invested with me?

1432
01:01:34,520 --> 01:01:34,920
Speaker 1: M hmm.

1433
01:01:35,920 --> 01:01:38,320
Speaker 2: Yeah, that's the exact same thing that he's doing right now.

1434
01:01:38,520 --> 01:01:41,720
Speaker 2: And any old person that invested their retirement money with

1435
01:01:41,840 --> 01:01:45,040
Speaker 2: him now, I would say, deserves to lose all that

1436
01:01:45,080 --> 01:01:45,640
Speaker 2: they've worked for.

1437
01:01:46,000 --> 01:01:47,560
Speaker 1: I'm one the other end of this. I think Billy

1438
01:01:47,640 --> 01:01:49,480
Speaker 1: is going to put together a real festival this time.

1439
01:01:49,560 --> 01:01:50,840
Speaker 1: I think so too, and I think it's going to

1440
01:01:50,880 --> 01:01:53,560
Speaker 1: be amazing. Really, I just know how these things work.

1441
01:01:53,680 --> 01:01:56,840
Speaker 1: Like he had such a a documentary was huge. Everybody

1442
01:01:56,880 --> 01:01:59,000
Speaker 1: saw it, and I think now with more information and

1443
01:01:59,040 --> 01:02:01,880
Speaker 1: more resources and more tech analogy, people definitely reached out

1444
01:02:01,880 --> 01:02:04,320
Speaker 1: to Billy and say, listen, we're going to really make

1445
01:02:04,360 --> 01:02:07,680
Speaker 1: it happen this time. I think, and now one hundred

1446
01:02:07,680 --> 01:02:10,160
Speaker 1: percent think is gonna happen. Would you help? Would I help?

1447
01:02:10,280 --> 01:02:13,560
Speaker 2: No? No, but you said it's for I think these

1448
01:02:13,560 --> 01:02:14,200
Speaker 2: companies helped.

1449
01:02:15,040 --> 01:02:15,919
Speaker 1: I think it's going to happen.

1450
01:02:15,960 --> 01:02:17,760
Speaker 2: I think the companies that have the capital and the

1451
01:02:17,760 --> 01:02:21,840
Speaker 2: resources to actually pull off festivals like that are only

1452
01:02:21,880 --> 01:02:24,240
Speaker 2: looking for people that know how to draw attention to

1453
01:02:24,280 --> 01:02:27,120
Speaker 2: their festival, and who better to do that than Billy.

1454
01:02:27,240 --> 01:02:29,720
Speaker 2: So I'm with Maul on this. I think morally they

1455
01:02:29,720 --> 01:02:32,160
Speaker 2: don't give a fuck what Billy has done. They know

1456
01:02:32,320 --> 01:02:35,440
Speaker 2: that he can do something like this, a low res

1457
01:02:35,760 --> 01:02:38,640
Speaker 2: TikTok video with a number, and we're all going to

1458
01:02:38,680 --> 01:02:40,439
Speaker 2: be interested, and that's all the fuck they care about.

1459
01:02:40,440 --> 01:02:42,120
Speaker 2: So I'm with Mall on this. He really might put

1460
01:02:42,160 --> 01:02:43,640
Speaker 2: together a legitimate festival.

1461
01:02:43,680 --> 01:02:43,880
Speaker 8: I think.

1462
01:02:43,920 --> 01:02:46,640
Speaker 6: So this is the equivalent of here's this new game

1463
01:02:46,680 --> 01:02:48,720
Speaker 6: that I developed. If you hack it, this is what

1464
01:02:48,760 --> 01:02:51,320
Speaker 6: the companies do, will hire the young hacker because he's

1465
01:02:51,360 --> 01:02:53,400
Speaker 6: so talented of what he does. This could be a

1466
01:02:53,480 --> 01:02:55,960
Speaker 6: version of that where Billy's so good at getting this

1467
01:02:56,040 --> 01:02:56,560
Speaker 6: much attention.

1468
01:02:56,680 --> 01:02:59,160
Speaker 2: Fund could be back to attention. It could be negative attention,

1469
01:02:59,200 --> 01:03:00,920
Speaker 2: but it's attention at the Rolling Loud.

1470
01:03:01,040 --> 01:03:03,280
Speaker 1: Yeah, exactly. I think that's what's gonna happen. This is

1471
01:03:03,280 --> 01:03:05,280
Speaker 1: gonna be Billy's Rolling Loud. I think this fire Festival

1472
01:03:05,360 --> 01:03:08,040
Speaker 1: is gonna happen. I think that we're gonna get it documented.

1473
01:03:08,360 --> 01:03:10,880
Speaker 1: Of course, they're going to document it actually coming together

1474
01:03:10,920 --> 01:03:13,280
Speaker 1: and really happening this time, and I think this may

1475
01:03:13,280 --> 01:03:15,160
Speaker 1: be the start of something annual.

1476
01:03:15,480 --> 01:03:20,600
Speaker 2: And you have to think how Firefest was destroyed. It's

1477
01:03:20,640 --> 01:03:23,840
Speaker 2: probably why it would maybe succeed now because everyone the

1478
01:03:23,920 --> 01:03:27,240
Speaker 2: kids that this even ties into Steve Lacy and having

1479
01:03:27,280 --> 01:03:29,760
Speaker 2: your phone at the show to get the content, because

1480
01:03:29,800 --> 01:03:31,720
Speaker 2: you live off that these kids are gonna want to

1481
01:03:31,800 --> 01:03:34,880
Speaker 2: run to Firefest to be able to say they were

1482
01:03:34,880 --> 01:03:37,680
Speaker 2: there and like look, look, oh my god. Yeah, or

1483
01:03:37,840 --> 01:03:41,800
Speaker 2: let's see if it's bullshit, like Billy might put Rolling

1484
01:03:41,840 --> 01:03:43,760
Speaker 2: Loud out of business if he does this shit.

1485
01:03:43,640 --> 01:03:45,479
Speaker 1: Right, That's what I'm saying. I think this is gonna

1486
01:03:45,480 --> 01:03:49,320
Speaker 1: really work. Even let job perform, like that's what Job's

1487
01:03:49,320 --> 01:03:52,800
Speaker 1: definitely performing. Oh my god, is he?

1488
01:03:53,200 --> 01:03:56,520
Speaker 2: I want to murder inc reunion with Ashanti Jah or

1489
01:03:56,880 --> 01:03:58,840
Speaker 2: Cadillac everybody.

1490
01:03:58,360 --> 01:04:00,320
Speaker 1: At the Firefest. Yeah.

1491
01:04:01,080 --> 01:04:02,480
Speaker 2: As a matter of fact, I want fifty in Joe

1492
01:04:02,600 --> 01:04:05,440
Speaker 2: to squash the beef at Firefest.

1493
01:04:05,960 --> 01:04:07,120
Speaker 1: I feel like Billy could do that.

1494
01:04:07,360 --> 01:04:08,800
Speaker 2: I think Billy probably is the one.

1495
01:04:08,920 --> 01:04:10,280
Speaker 6: You definitely at least promise it.

1496
01:04:11,680 --> 01:04:13,360
Speaker 1: Uh so we'll have to wait and see about the.

1497
01:04:13,640 --> 01:04:16,960
Speaker 2: Chazz couldn't do it, but Billy McFarlane. And look how

1498
01:04:16,960 --> 01:04:18,960
Speaker 2: the world works, right the fifty.

1499
01:04:20,200 --> 01:04:23,120
Speaker 1: Some funny shit that happened. Uh, Drake got tired of

1500
01:04:23,160 --> 01:04:26,160
Speaker 1: fake Drake acting like real Drake and h sent Fake

1501
01:04:26,240 --> 01:04:27,240
Speaker 1: Drake a season desist.

1502
01:04:27,360 --> 01:04:27,800
Speaker 2: Is this real?

1503
01:04:28,560 --> 01:04:30,960
Speaker 1: I think it's real. I also thought it was real.

1504
01:04:31,320 --> 01:04:33,960
Speaker 1: I think it's real. I think Drake is like, yo, fam,

1505
01:04:34,040 --> 01:04:36,080
Speaker 1: all right, listen, it was funny for a second, but

1506
01:04:36,200 --> 01:04:38,920
Speaker 1: you are here really trying to like make money at

1507
01:04:39,000 --> 01:04:41,960
Speaker 1: being me book that booking fucking walk through?

1508
01:04:42,400 --> 01:04:44,160
Speaker 2: Are they really this back to the walk through? Shiit

1509
01:04:44,240 --> 01:04:45,080
Speaker 2: was he really getting paid?

1510
01:04:45,080 --> 01:04:45,720
Speaker 3: That's what I'm saying.

1511
01:04:45,760 --> 01:04:48,960
Speaker 2: Like this what promoter, and I know promoters for the

1512
01:04:49,000 --> 01:04:52,640
Speaker 2: most part can be very dumb. What promoter saw that

1513
01:04:52,680 --> 01:04:54,360
Speaker 2: and was like, I'm definitely gonna get people to come

1514
01:04:54,400 --> 01:04:56,840
Speaker 2: to my club because the fake Drake that doesn't even

1515
01:04:56,840 --> 01:04:59,680
Speaker 2: look like Drake is coming.

1516
01:05:00,120 --> 01:05:01,320
Speaker 1: His name is is he Drake?

1517
01:05:01,920 --> 01:05:02,200
Speaker 2: Oh no?

1518
01:05:02,240 --> 01:05:05,439
Speaker 3: He had to take that page down because of that.

1519
01:05:05,880 --> 01:05:07,919
Speaker 1: I mean, I think it's real.

1520
01:05:08,160 --> 01:05:10,240
Speaker 2: I think that the number one thing to take out

1521
01:05:10,240 --> 01:05:14,280
Speaker 2: of this this entire thing is father your sons. Yeah,

1522
01:05:15,120 --> 01:05:17,439
Speaker 2: that's really all I have. So because father, your father, your.

1523
01:05:17,360 --> 01:05:19,720
Speaker 1: Children, it's okay to for people to say, yo, you

1524
01:05:19,720 --> 01:05:22,560
Speaker 1: look like Drake. Right, fine, it can't help that you

1525
01:05:22,600 --> 01:05:23,920
Speaker 1: look like Drake whatever. I think.

1526
01:05:23,960 --> 01:05:26,480
Speaker 2: If Julian did the right he had a hair cut,

1527
01:05:27,200 --> 01:05:28,240
Speaker 2: he could probably get it off.

1528
01:05:28,840 --> 01:05:31,600
Speaker 6: My brother looks more like Drake than I did. Here

1529
01:05:31,760 --> 01:05:34,480
Speaker 6: he was making up to ten bands for club appearances.

1530
01:05:34,520 --> 01:05:35,880
Speaker 3: But as in person, you know that.

1531
01:05:37,720 --> 01:05:38,480
Speaker 2: Double said it?

1532
01:05:39,040 --> 01:05:42,520
Speaker 6: Sorry, yeah yeah, but five k for walkthroughs.

1533
01:05:42,680 --> 01:05:47,040
Speaker 3: He's wrong for impersonation though, Yeah, I just think it's corny.

1534
01:05:47,120 --> 01:05:49,680
Speaker 6: Even if you any different than someone that impersonates Michael Jackson.

1535
01:05:49,760 --> 01:05:53,720
Speaker 2: Imagine getting a CND for being corny. I mean, this

1536
01:05:53,760 --> 01:05:55,080
Speaker 2: is what can you imagine that?

1537
01:05:55,600 --> 01:05:58,720
Speaker 1: Like, Yo, man's stop being corny, You're not me.

1538
01:05:59,040 --> 01:06:00,280
Speaker 3: I think that's what they care about more.

1539
01:06:00,920 --> 01:06:03,640
Speaker 1: No, and not only that, it's it's just the brand

1540
01:06:03,680 --> 01:06:05,520
Speaker 1: running around with it.

1541
01:06:05,600 --> 01:06:07,120
Speaker 3: Well, he does have like o Vo merch on it

1542
01:06:07,120 --> 01:06:07,720
Speaker 3: and something.

1543
01:06:07,760 --> 01:06:09,320
Speaker 1: What if you go to the club and get into

1544
01:06:09,360 --> 01:06:11,720
Speaker 1: something and you know, as me get into a brawl

1545
01:06:11,720 --> 01:06:15,480
Speaker 1: of fight, somebody gets seriously hurt. It's like, I'm you know,

1546
01:06:15,520 --> 01:06:17,040
Speaker 1: my my brand is attached to that.

1547
01:06:17,560 --> 01:06:21,040
Speaker 2: And when you do the Michael Jackson impersonators and like

1548
01:06:21,160 --> 01:06:24,920
Speaker 2: Elvis ones that say else really had moves. But at

1549
01:06:25,000 --> 01:06:27,840
Speaker 2: least and I still don't even like that type of ship,

1550
01:06:27,880 --> 01:06:30,640
Speaker 2: but at least the Michael Jackson impersonators like have to

1551
01:06:30,640 --> 01:06:33,240
Speaker 2: go learn the moonwalk and like there's some art to it.

1552
01:06:33,320 --> 01:06:35,480
Speaker 2: This guy with he just people in Vegas at least

1553
01:06:35,520 --> 01:06:37,920
Speaker 2: for sure, go to Vegas or Times Square. They don't

1554
01:06:37,920 --> 01:06:40,120
Speaker 2: make any money in Time Square at all.

1555
01:06:40,240 --> 01:06:41,080
Speaker 1: He was in Houston.

1556
01:06:42,480 --> 01:06:45,439
Speaker 2: No, he was just going outside with a heart cut

1557
01:06:45,440 --> 01:06:49,000
Speaker 2: into his head and be like, yeah, Drake, he's just yell.

1558
01:06:50,280 --> 01:06:52,000
Speaker 1: Well, you sound like your sinus is a congestion.

1559
01:06:52,120 --> 01:06:54,760
Speaker 2: It's at one point in Drake's career sounded like yeh, Jake,

1560
01:06:56,960 --> 01:06:58,240
Speaker 2: you trying to get his way shit off.

1561
01:06:58,440 --> 01:07:01,040
Speaker 1: Recently, Fake Drake announced that he's signed with Celebrity Boxing

1562
01:07:01,120 --> 01:07:04,280
Speaker 1: and challenge the real Drake to a million dollar boxing event.

1563
01:07:04,480 --> 01:07:06,840
Speaker 1: Oh that's why, Drake said. The seasoned decision called for

1564
01:07:06,920 --> 01:07:09,840
Speaker 1: him to sleep In two seconds, set for August twenty seventh.

1565
01:07:10,000 --> 01:07:12,439
Speaker 1: Drake and Post agreed to stop impersonating the sixth God

1566
01:07:12,720 --> 01:07:15,480
Speaker 1: if he loses the fight. All right, Yeah, I would

1567
01:07:15,520 --> 01:07:16,760
Speaker 1: have sent a season decision. You can't.

1568
01:07:17,480 --> 01:07:20,360
Speaker 2: It's just the proof of the corniness being one. Nothing's

1569
01:07:20,400 --> 01:07:23,160
Speaker 2: going to change if you continue to impersonate me in

1570
01:07:23,200 --> 01:07:25,600
Speaker 2: my nothing's gonna change. So I'm not gonna fight you

1571
01:07:25,680 --> 01:07:27,959
Speaker 2: to stop something that's going to change. Nothing to Drake

1572
01:07:28,080 --> 01:07:30,600
Speaker 2: is never fighting for a million dollars. There's got to

1573
01:07:30,600 --> 01:07:33,720
Speaker 2: be a be next to that. Yeah, three, I'm taking Drake.

1574
01:07:35,520 --> 01:07:37,520
Speaker 2: I probably put what I have on my in the

1575
01:07:37,840 --> 01:07:40,040
Speaker 2: liquid in my bank account on Drake knocking this kid

1576
01:07:40,080 --> 01:07:41,720
Speaker 2: out in the sleep.

1577
01:07:41,520 --> 01:07:44,919
Speaker 1: In thirty session. Bro it's not even. It's nothing even.

1578
01:07:44,960 --> 01:07:50,560
Speaker 1: Watch all right, cool, baby D feels different. Okay, well

1579
01:07:50,560 --> 01:07:52,040
Speaker 1: they heard you, baby D. They heard you.

1580
01:07:52,040 --> 01:07:53,840
Speaker 2: You ain't hear about when Drake not D do it

1581
01:07:53,880 --> 01:07:54,800
Speaker 2: out at the fourth.

1582
01:07:54,760 --> 01:07:58,320
Speaker 6: You think this corny loser who impersonates Drake and gets

1583
01:07:58,320 --> 01:08:00,200
Speaker 6: a heart in his head on a weekly baby is

1584
01:08:00,240 --> 01:08:05,760
Speaker 6: and probably just smokes hookahs.

1585
01:08:03,960 --> 01:08:05,560
Speaker 2: Just for the video he calls.

1586
01:08:07,680 --> 01:08:08,760
Speaker 6: He's gonna challenge Drake.

1587
01:08:08,800 --> 01:08:10,920
Speaker 2: C definitely did the hookah and then a cut cut.

1588
01:08:10,880 --> 01:08:13,880
Speaker 6: PULLD gym in his house and a professional personal trainer.

1589
01:08:14,680 --> 01:08:17,560
Speaker 6: You think he has a shot against Drake. No, this

1590
01:08:17,680 --> 01:08:20,600
Speaker 6: guy's getting put to sleep in two seconds. He's so unimportant.

1591
01:08:20,600 --> 01:08:21,720
Speaker 6: No one knows his real name.

1592
01:08:22,600 --> 01:08:25,280
Speaker 5: What would be un important? Mean that you couldn't fight.

1593
01:08:25,479 --> 01:08:26,439
Speaker 1: He can't fight.

1594
01:08:26,720 --> 01:08:28,360
Speaker 6: Look at him.

1595
01:08:28,520 --> 01:08:30,280
Speaker 5: I mean you look at Drake and said, I think

1596
01:08:30,320 --> 01:08:30,880
Speaker 5: he got hand.

1597
01:08:30,920 --> 01:08:33,360
Speaker 2: I will go in and someone can teach you.

1598
01:08:33,400 --> 01:08:35,360
Speaker 1: I think Drake is in shape. I think Drake works out.

1599
01:08:35,400 --> 01:08:37,519
Speaker 6: I'll knock this dude the fuck out for twenty dollars.

1600
01:08:37,840 --> 01:08:39,400
Speaker 2: There you go, is he is?

1601
01:08:39,439 --> 01:08:39,479
Speaker 8: He?

1602
01:08:39,520 --> 01:08:42,040
Speaker 1: We got your fight right here. Julie said, he'll put

1603
01:08:42,080 --> 01:08:46,960
Speaker 1: you to fucking sleep. Twenty put twenty hots.

1604
01:08:47,320 --> 01:08:49,719
Speaker 6: Pull up we'll put it on Patreon.

1605
01:08:49,800 --> 01:08:54,200
Speaker 2: I'll match your twenty dollars. It's forty now, persons going up.

1606
01:08:55,680 --> 01:08:57,840
Speaker 1: Cod he can't mix. I'll get what you did.

1607
01:08:57,680 --> 01:09:00,960
Speaker 2: With I could wait, I impersonate forty.

1608
01:09:01,040 --> 01:09:01,519
Speaker 1: Yeah you can.

1609
01:09:02,400 --> 01:09:08,080
Speaker 2: I could be thirty nine fake forty.

1610
01:09:08,360 --> 01:09:09,960
Speaker 1: Rory's been a great episode.

1611
01:09:11,280 --> 01:09:11,640
Speaker 7: No, we have.

1612
01:09:11,680 --> 01:09:13,160
Speaker 2: We have our great, great friend coming on.

1613
01:09:13,400 --> 01:09:15,479
Speaker 1: Before we leave, though, we do want to say, you know,

1614
01:09:16,439 --> 01:09:20,240
Speaker 1: continue prayers and is he Drake No? Well, which is

1615
01:09:20,240 --> 01:09:23,160
Speaker 1: the Brittany Grinder lost her appeal and went now begin

1616
01:09:23,240 --> 01:09:28,040
Speaker 1: to serve her nine year sentence in Russian Russian jail.

1617
01:09:28,280 --> 01:09:29,559
Speaker 1: You know, I see a lot of people saying she's

1618
01:09:29,560 --> 01:09:33,280
Speaker 1: wrongly detained. She's not wrongly detained. She was caught with

1619
01:09:33,720 --> 01:09:37,400
Speaker 1: an illegal contraband substance whatever you want to call it,

1620
01:09:37,439 --> 01:09:39,800
Speaker 1: in a foreign country. I knew. I do realize that

1621
01:09:39,840 --> 01:09:42,360
Speaker 1: in America if she was caught with this, it wouldn't

1622
01:09:42,360 --> 01:09:46,479
Speaker 1: be a big deal. But she wasn't, so unfortunately, you know,

1623
01:09:46,600 --> 01:09:49,679
Speaker 1: she's being held. I do think the sentence is way

1624
01:09:49,720 --> 01:09:52,439
Speaker 1: too harsh though, yeah, I do agree with that, but

1625
01:09:52,479 --> 01:09:55,720
Speaker 1: the laws of the land are the laws of the land. Unfortunately,

1626
01:09:56,120 --> 01:09:58,599
Speaker 1: and she was caught with that in a foreign country,

1627
01:09:59,160 --> 01:10:02,479
Speaker 1: so they did not appeal. But we are praying that

1628
01:10:02,680 --> 01:10:04,719
Speaker 1: uh you know, she will not have to serve anywhere

1629
01:10:04,760 --> 01:10:08,400
Speaker 1: near nine years for this, uh for this, for this

1630
01:10:08,560 --> 01:10:13,200
Speaker 1: crime that she committed. So prayers and well wish is

1631
01:10:13,240 --> 01:10:17,360
Speaker 1: to Britney Grinder and hopefully you are returned home soon.

1632
01:10:18,479 --> 01:10:23,519
Speaker 1: And prayers to Leslie Jordan and his family. Actor uh

1633
01:10:24,240 --> 01:10:31,120
Speaker 1: comedian uh you know Instagram social media sensation Sensation who

1634
01:10:31,120 --> 01:10:34,040
Speaker 1: we loved during the pandemic. His videos was amazing and

1635
01:10:34,080 --> 01:10:38,280
Speaker 1: funny favorite, So prayers. Leslie Jordan passed away the other

1636
01:10:38,320 --> 01:10:42,080
Speaker 1: day in California in a car accident. They believed that

1637
01:10:42,120 --> 01:10:45,640
Speaker 1: he had some type of medical situation and may have

1638
01:10:46,120 --> 01:10:47,920
Speaker 1: passed out behind the wheel or something like that which

1639
01:10:47,960 --> 01:10:52,200
Speaker 1: caused him to crash into a building. So rest in

1640
01:10:52,280 --> 01:10:57,599
Speaker 1: peace and prayers to the family of Leslie Jordan. And yeah, man,

1641
01:10:58,120 --> 01:11:00,479
Speaker 1: we got a friend of ours coming through before we do.

1642
01:11:00,520 --> 01:11:02,599
Speaker 1: We have a uh, we have a gift from our

1643
01:11:02,760 --> 01:11:04,000
Speaker 1: side chick, Britney Renner.

1644
01:11:04,600 --> 01:11:06,000
Speaker 2: She's not our side check, she's.

1645
01:11:05,840 --> 01:11:06,559
Speaker 1: My side chick.

1646
01:11:06,880 --> 01:11:08,120
Speaker 6: She's America side check.

1647
01:11:08,160 --> 01:11:11,160
Speaker 1: She's my side chick today because you guys are.

1648
01:11:11,040 --> 01:11:12,960
Speaker 2: Not being an America's side chick and see what vegan

1649
01:11:13,000 --> 01:11:15,240
Speaker 2: gets you. Matter of fact, you should gift from Britney

1650
01:11:15,400 --> 01:11:17,160
Speaker 2: should copy right that because she should take that. She

1651
01:11:17,160 --> 01:11:19,040
Speaker 2: should take she should say I'm America side checks.

1652
01:11:19,080 --> 01:11:22,080
Speaker 1: She is America's side chick, but she's mine today. So

1653
01:11:22,439 --> 01:11:26,080
Speaker 1: now I was addressed both of Crystal, Crystal, the the

1654
01:11:26,360 --> 01:11:29,080
Speaker 1: what is it a fast food brand? Yeah, it's vegan

1655
01:11:29,120 --> 01:11:31,200
Speaker 1: fast food, right, vegan? She's not vegan.

1656
01:11:31,800 --> 01:11:33,439
Speaker 2: Okay, so Crystal, where you got vegan?

1657
01:11:33,439 --> 01:11:36,360
Speaker 1: From understanding? I'm just focused on Britney sending us a gift.

1658
01:11:36,920 --> 01:11:39,679
Speaker 1: So this is Brittany sent the box to us and says,

1659
01:11:39,800 --> 01:11:41,160
Speaker 1: let's keep our little secret.

1660
01:11:41,640 --> 01:11:44,240
Speaker 2: Okay, that's very big lettering for keeping a secret.

1661
01:11:44,360 --> 01:11:48,280
Speaker 1: The new Crystal side Chick. Baby, do you see Brittany

1662
01:11:48,280 --> 01:11:50,880
Speaker 1: Renner sent me? You're jealous? You don't send me nothing

1663
01:11:51,400 --> 01:11:51,920
Speaker 1: fucked up?

1664
01:11:52,080 --> 01:11:54,040
Speaker 5: Please, let's not you don't ship.

1665
01:11:54,160 --> 01:11:55,400
Speaker 2: I just think it's cool that mal is doing an

1666
01:11:55,479 --> 01:11:56,240
Speaker 2: unboxing video.

1667
01:11:56,640 --> 01:12:01,240
Speaker 1: Yeah, don't let your maid chick find out about your

1668
01:12:01,320 --> 01:12:02,479
Speaker 1: new side chick, Rory.

1669
01:12:02,800 --> 01:12:05,160
Speaker 2: Maybe don't put side Chicken huge letters on the box.

1670
01:12:05,960 --> 01:12:08,720
Speaker 1: Don't say who's from. Look, you got a main thing

1671
01:12:08,840 --> 01:12:12,080
Speaker 1: and number one a go to chicken sandwich. That's cool,

1672
01:12:12,080 --> 01:12:13,880
Speaker 1: with us. We just want to be a side chick.

1673
01:12:14,120 --> 01:12:16,640
Speaker 1: These tempting little chicken sandwiches are available all day and

1674
01:12:16,680 --> 01:12:19,040
Speaker 1: all night. I know some chicken sandwiches that are available.

1675
01:12:19,080 --> 01:12:20,759
Speaker 2: I think the sweet chick should just buy this company.

1676
01:12:21,000 --> 01:12:23,960
Speaker 1: And if you're worried about your main chick, Rory finding out, don't.

1677
01:12:24,080 --> 01:12:26,559
Speaker 1: We created a side chick cover up spray that smells

1678
01:12:26,600 --> 01:12:29,000
Speaker 1: like your go to chicken sandwich that they'll never have

1679
01:12:29,080 --> 01:12:31,240
Speaker 1: to know. Keep your main thing the main thing if

1680
01:12:31,240 --> 01:12:33,400
Speaker 1: you want, but scan the cold to learn more. Just

1681
01:12:33,439 --> 01:12:34,960
Speaker 1: in case, you just scan that cold if you want

1682
01:12:34,960 --> 01:12:37,160
Speaker 1: to know how to cheat Rory.

1683
01:12:37,840 --> 01:12:39,240
Speaker 6: Is it a perfumes?

1684
01:12:39,800 --> 01:12:42,240
Speaker 1: So it says to Rory. Mal Crystal and two chains

1685
01:12:42,280 --> 01:12:44,720
Speaker 1: are unveiling the new side chick chicken sandwich with the

1686
01:12:44,720 --> 01:12:47,680
Speaker 1: help of Britney Renter. This is as easy as it

1687
01:12:47,720 --> 01:12:50,720
Speaker 1: is delicious. Don't ditch your main chicken sandwich. Krystal just

1688
01:12:50,760 --> 01:12:52,760
Speaker 1: wants to add a side chick. But what if my

1689
01:12:52,800 --> 01:12:55,040
Speaker 1: main chick finds out? Don't worry. Just use the cover

1690
01:12:55,080 --> 01:12:57,439
Speaker 1: up spray that smells like other chicken sandwiches, so the

1691
01:12:57,439 --> 01:12:58,920
Speaker 1: next time you go through the drive through, your main

1692
01:12:59,000 --> 01:13:02,439
Speaker 1: chick won't suspect the thing. So if they got some

1693
01:13:02,960 --> 01:13:09,360
Speaker 1: chicken spray in here, I'm gonna vomit, all right, cover

1694
01:13:09,439 --> 01:13:11,640
Speaker 1: up spray, Sunday's best.

1695
01:13:11,479 --> 01:13:13,639
Speaker 2: Cover up straight. So what does it? Just kill? Whatever

1696
01:13:13,640 --> 01:13:14,280
Speaker 2: smell is on you?

1697
01:13:14,720 --> 01:13:15,479
Speaker 6: Like fried chicken?

1698
01:13:15,920 --> 01:13:18,799
Speaker 2: Wait, I want a chicken. They didn't send us sliders.

1699
01:13:18,840 --> 01:13:24,080
Speaker 1: This definitely smells like chicken. This smells like chicken.

1700
01:13:25,640 --> 01:13:27,639
Speaker 2: No, this is like greasy ass fried chicken.

1701
01:13:27,640 --> 01:13:29,479
Speaker 1: That's the crazies. Shit I've ever smelled.

1702
01:13:30,120 --> 01:13:32,519
Speaker 5: Oh my god, it's.

1703
01:13:34,200 --> 01:13:34,400
Speaker 2: Yeah.

1704
01:13:34,439 --> 01:13:36,599
Speaker 3: No, it's like no, don't bring the chicken perfume.

1705
01:13:37,920 --> 01:13:40,280
Speaker 2: Yeah, no, greasy fried chicken.

1706
01:13:40,360 --> 01:13:42,519
Speaker 1: They sent one bottle, so rory that is all yours.

1707
01:13:45,280 --> 01:13:50,200
Speaker 2: Hey, this is sick, or I have a new strategy

1708
01:13:50,200 --> 01:13:53,840
Speaker 2: that is sick. This could be for white people to

1709
01:13:53,880 --> 01:13:55,600
Speaker 2: spray in their house to make it seem like we

1710
01:13:55,680 --> 01:13:58,719
Speaker 2: know how to make fried chicken. It's giving good fried

1711
01:13:58,800 --> 01:14:01,679
Speaker 2: chicken smells gonna spray like, oh sorry, just was frying

1712
01:14:01,720 --> 01:14:02,200
Speaker 2: up some chicken.

1713
01:14:02,280 --> 01:14:03,240
Speaker 1: Do one spray doing that?

1714
01:14:03,280 --> 01:14:08,240
Speaker 2: Spreadship my house. Hell's fucking crazy, side chick dog, Do

1715
01:14:08,400 --> 01:14:12,400
Speaker 2: not spray fried chicken oil in my living on your wrist.

1716
01:14:12,160 --> 01:14:14,040
Speaker 3: And do this.

1717
01:14:15,000 --> 01:14:16,560
Speaker 1: Do it's little last lap with that.

1718
01:14:17,520 --> 01:14:19,839
Speaker 2: I'm taking this away from it. You are not spraying

1719
01:14:19,920 --> 01:14:21,280
Speaker 2: chicken oil in my living room.

1720
01:14:21,520 --> 01:14:25,160
Speaker 1: Crystal, thank you for this. Uh two chains, Brittany Ranna,

1721
01:14:25,200 --> 01:14:27,759
Speaker 1: thank you for that. But we will not look.

1722
01:14:27,600 --> 01:14:31,680
Speaker 2: At Bee's notes. He's going nuts.

1723
01:14:32,200 --> 01:14:33,759
Speaker 6: Oh yeah that toy.

1724
01:14:33,920 --> 01:14:37,160
Speaker 2: Oh yeah, if I did this my Colonne, she wouldn't

1725
01:14:37,160 --> 01:14:37,559
Speaker 2: even get up.

1726
01:14:38,280 --> 01:14:40,080
Speaker 1: She smelled that chicken. You know what time it is.

1727
01:14:40,080 --> 01:14:40,840
Speaker 1: That's a side chick.

1728
01:14:41,320 --> 01:14:41,639
Speaker 2: Uh.

1729
01:14:42,120 --> 01:14:45,400
Speaker 1: Thank you the Crystal for this lovely bottle of a

1730
01:14:45,960 --> 01:14:47,200
Speaker 1: grease that they just sent this.

1731
01:14:48,720 --> 01:14:50,960
Speaker 2: Maybe he's looking at me like now I smell like it.

1732
01:14:51,080 --> 01:14:53,200
Speaker 1: Yeah, maybe we'll give it to our friend that's coming

1733
01:14:53,200 --> 01:14:55,720
Speaker 1: through in a few pulling up. We got our friend

1734
01:14:55,800 --> 01:14:57,639
Speaker 1: Joyce Rice coming through, pulling up to kick it with us.

1735
01:14:57,840 --> 01:15:01,360
Speaker 2: Yes, we get into get had some real life relationship

1736
01:15:01,520 --> 01:15:04,080
Speaker 2: type talk that it didn't feel was a very cliche.

1737
01:15:04,400 --> 01:15:06,519
Speaker 1: Yeah, let's let's let's let Joyce get a ship off.

1738
01:15:07,360 --> 01:15:12,200
Speaker 1: Let's see what O dating. Download Joyce's uh new EP

1739
01:15:12,360 --> 01:15:17,040
Speaker 1: as well. Yes, amazing, amazing, amazing EP. She got some

1740
01:15:17,040 --> 01:15:19,200
Speaker 1: ship on there. Look at Gezi just assons I have

1741
01:15:19,240 --> 01:15:20,400
Speaker 1: to open my Phone's.

1742
01:15:20,080 --> 01:15:21,439
Speaker 2: Cheezy there, try to get to Joyce.

1743
01:15:21,439 --> 01:15:25,280
Speaker 1: Got to Jesus motive the EP Joyce Rice available now.

1744
01:15:26,360 --> 01:15:28,599
Speaker 1: So yeah, we're gonna kick it with Joyce and then

1745
01:15:28,600 --> 01:15:30,240
Speaker 1: we're gonna get out of here because we have things

1746
01:15:30,240 --> 01:15:32,679
Speaker 1: to do and we have chicken spray to spray, Yes

1747
01:15:32,720 --> 01:15:33,639
Speaker 1: across the country.

1748
01:15:34,160 --> 01:15:34,640
Speaker 2: Let's do it.

1749
01:15:35,120 --> 01:15:36,639
Speaker 1: So we'll talk to you on a second.

1750
01:15:41,720 --> 01:15:44,200
Speaker 2: When was your last fight since your Buddhist fight?

1751
01:15:44,400 --> 01:15:44,719
Speaker 1: Yes?

1752
01:15:45,200 --> 01:15:47,519
Speaker 2: When was the last time? You just know, there's just

1753
01:15:47,560 --> 01:15:50,200
Speaker 2: a little, a little chin check, nothing crazy. I'm very little.

1754
01:15:51,120 --> 01:15:52,800
Speaker 7: I mean, I.

1755
01:15:54,360 --> 01:15:58,400
Speaker 2: Know someone that's full of ship just pushed me.

1756
01:15:58,479 --> 01:16:00,160
Speaker 1: I just had to tag a bitch last week. You

1757
01:16:00,160 --> 01:16:06,120
Speaker 1: guys started talking crazy. No, I had to throw hands

1758
01:16:06,120 --> 01:16:06,559
Speaker 1: in Japan.

1759
01:16:06,840 --> 01:16:10,479
Speaker 4: I remember when I would go to people wouldn't know

1760
01:16:10,520 --> 01:16:13,240
Speaker 4: I spoke Japanese and they would talk ship about me,

1761
01:16:13,560 --> 01:16:16,799
Speaker 4: and I would be quick with the yeah, yeah, speaking

1762
01:16:16,880 --> 01:16:18,320
Speaker 4: Japanese just to let you know, like.

1763
01:16:18,760 --> 01:16:25,080
Speaker 2: Way of life of course, well you know, and careful.

1764
01:16:25,240 --> 01:16:28,280
Speaker 7: Yes, I'm keeping the peace by keeping you in place.

1765
01:16:29,040 --> 01:16:31,439
Speaker 1: I like that, like that, right, yeah, I like that.

1766
01:16:31,880 --> 01:16:34,040
Speaker 1: There's a lot of niggas I here that kept in place.

1767
01:16:34,120 --> 01:16:36,880
Speaker 2: That's somebody that's not full of piece says something.

1768
01:16:37,000 --> 01:16:39,360
Speaker 1: That's somebody that has a flip shot that they'd rather

1769
01:16:39,439 --> 01:16:40,760
Speaker 1: not tap into. Where they would come.

1770
01:16:41,040 --> 01:16:44,200
Speaker 7: I hope I don't have to tap into I'm the same.

1771
01:16:44,479 --> 01:16:46,240
Speaker 2: When was the last time you did tap into it?

1772
01:16:47,360 --> 01:16:47,519
Speaker 7: When?

1773
01:16:47,960 --> 01:16:48,639
Speaker 2: What was his name?

1774
01:16:52,520 --> 01:16:52,680
Speaker 8: Oh?

1775
01:16:52,760 --> 01:16:54,799
Speaker 2: My god? Thought it was immediately coming.

1776
01:16:55,760 --> 01:16:56,639
Speaker 7: No, I mean.

1777
01:16:58,240 --> 01:17:00,880
Speaker 4: I was very proud of myself because this year I

1778
01:17:00,960 --> 01:17:04,400
Speaker 4: was able to cut something off at a good amount

1779
01:17:04,400 --> 01:17:07,880
Speaker 4: of time, when sometimes I have a tendency to let

1780
01:17:07,920 --> 01:17:12,960
Speaker 4: things drag on because I'm like hopeful, or maybe I

1781
01:17:13,040 --> 01:17:16,320
Speaker 4: want someone to change, you know, but.

1782
01:17:16,960 --> 01:17:18,160
Speaker 2: Or you're just comfortable with misery.

1783
01:17:18,160 --> 01:17:20,840
Speaker 7: It's cool, which I don't want to live that life. Yeah,

1784
01:17:20,960 --> 01:17:24,960
Speaker 7: I don't live in that life anymore. No, Yeah, I

1785
01:17:25,000 --> 01:17:26,200
Speaker 7: don't want to know Joe.

1786
01:17:26,240 --> 01:17:28,120
Speaker 2: I've listened to Blurred Lines. It's one of my favorite songs.

1787
01:17:28,160 --> 01:17:28,920
Speaker 2: You don't need a lot of me.

1788
01:17:29,160 --> 01:17:29,720
Speaker 1: What that was?

1789
01:17:29,760 --> 01:17:32,080
Speaker 5: How many years ago? Growth?

1790
01:17:32,280 --> 01:17:32,719
Speaker 7: Growth?

1791
01:17:33,160 --> 01:17:33,800
Speaker 1: How are you still?

1792
01:17:34,520 --> 01:17:36,679
Speaker 7: We don't have to talk about it. You don't ask

1793
01:17:36,720 --> 01:17:38,040
Speaker 7: a woman her age.

1794
01:17:38,040 --> 01:17:45,479
Speaker 1: No, you have to these days? Why judge? Okay, I asked.

1795
01:17:45,520 --> 01:17:46,240
Speaker 1: I don't give a fuck.

1796
01:17:46,400 --> 01:17:47,040
Speaker 2: He was a gentleman.

1797
01:17:48,400 --> 01:17:50,160
Speaker 1: Gentleman, but I'm gonna ask because I'm not gonna be

1798
01:17:50,200 --> 01:17:51,639
Speaker 1: in front of a judge like you're honor. I didn't

1799
01:17:51,640 --> 01:17:55,120
Speaker 1: know I'm old enough you know, Okay, I was just

1800
01:17:55,120 --> 01:17:57,439
Speaker 1: trying to figure out how much growth happened in the years,

1801
01:17:57,520 --> 01:17:58,439
Speaker 1: like you know, that's all.

1802
01:17:58,439 --> 01:18:00,360
Speaker 2: We were trying to We were discussing earlier what my

1803
01:18:00,400 --> 01:18:02,360
Speaker 2: industry age would be. I mean, I've I've been up

1804
01:18:02,360 --> 01:18:03,880
Speaker 2: front with my age, but I feel like I'm getting

1805
01:18:03,880 --> 01:18:05,000
Speaker 2: to the point that I could lie.

1806
01:18:05,000 --> 01:18:06,240
Speaker 1: Now, what's your industry age?

1807
01:18:06,880 --> 01:18:07,120
Speaker 5: Twenty?

1808
01:18:07,400 --> 01:18:09,519
Speaker 2: I could get a twenty eight off. I think I'm

1809
01:18:09,560 --> 01:18:13,519
Speaker 2: thirty two, actually have it? Like, no, everyone knows my

1810
01:18:13,560 --> 01:18:16,720
Speaker 2: actual birthday. It's May fourth, nineteen ninety. You've never hit that.

1811
01:18:16,800 --> 01:18:20,040
Speaker 2: But I'm thinking maybe little rebrand twenty twenty three. Maybe

1812
01:18:20,040 --> 01:18:22,960
Speaker 2: I'm just twenty seven going into twenty eight, you know,

1813
01:18:23,080 --> 01:18:24,679
Speaker 2: trying to finish off my twenties, right.

1814
01:18:24,680 --> 01:18:27,000
Speaker 1: Yeah, step into your thirty strong.

1815
01:18:27,200 --> 01:18:29,120
Speaker 5: I was thinking, like twenty eight hit in the thirty nine,

1816
01:18:29,439 --> 01:18:30,280
Speaker 5: twenty seven.

1817
01:18:30,560 --> 01:18:32,120
Speaker 2: I can't do twenty seven into twenty eighth.

1818
01:18:32,200 --> 01:18:35,760
Speaker 5: Year you have, you've it's a compliment. You've accomplished a lot,

1819
01:18:36,040 --> 01:18:36,519
Speaker 5: you told me.

1820
01:18:36,720 --> 01:18:38,439
Speaker 2: But that's what I've accomplished a lot?

1821
01:18:38,520 --> 01:18:38,840
Speaker 1: Is sick.

1822
01:18:38,920 --> 01:18:40,639
Speaker 2: Let me hold, But that's what I was gonna pull

1823
01:18:40,800 --> 01:18:41,800
Speaker 2: somebody that age.

1824
01:18:41,840 --> 01:18:43,720
Speaker 1: Now you look like you accomplished a lot. Like, that's

1825
01:18:43,760 --> 01:18:45,160
Speaker 1: not that's a nice way.

1826
01:18:45,040 --> 01:18:48,200
Speaker 2: To know your agent. Look, you should be happy about success,

1827
01:18:48,439 --> 01:18:49,120
Speaker 2: not your face.

1828
01:18:49,400 --> 01:18:51,599
Speaker 5: But if I go on a date and I'm like, oh,

1829
01:18:51,640 --> 01:18:53,760
Speaker 5: you're twenty seven, Oh okay, you have this going on,

1830
01:18:53,840 --> 01:18:55,920
Speaker 5: this going on, this going on, You're really young to have.

1831
01:18:55,840 --> 01:18:56,160
Speaker 7: All of this.

1832
01:18:57,439 --> 01:18:58,960
Speaker 1: Believe you, I feel you.

1833
01:18:59,000 --> 01:19:00,679
Speaker 5: So I think, okay, twenty nine.

1834
01:19:01,439 --> 01:19:03,760
Speaker 2: I'm saying I was already at twenty seven because you

1835
01:19:03,840 --> 01:19:05,679
Speaker 2: knew me at twenty seven.

1836
01:19:05,760 --> 01:19:08,879
Speaker 1: Grow, you've grown, You've matured, You've elevated.

1837
01:19:08,880 --> 01:19:10,559
Speaker 2: I've mature. I've grown for sure. I don't think I

1838
01:19:10,880 --> 01:19:11,400
Speaker 2: I think mature.

1839
01:19:11,800 --> 01:19:14,040
Speaker 1: Sure, Say, Rory is definitely matured.

1840
01:19:16,040 --> 01:19:17,960
Speaker 2: Joyce has known me since I was probably twenty seven,

1841
01:19:18,040 --> 01:19:20,240
Speaker 2: twenty eight. Think we got about five four or five

1842
01:19:20,320 --> 01:19:23,439
Speaker 2: years and right, but I have jazz no better, I haven't.

1843
01:19:23,520 --> 01:19:27,000
Speaker 7: Yeah, like I haven't really hung out with you enough

1844
01:19:27,000 --> 01:19:28,559
Speaker 7: to know if you've matured.

1845
01:19:28,600 --> 01:19:32,040
Speaker 2: Yeah, you've seen the surface like representative of who I

1846
01:19:32,120 --> 01:19:34,400
Speaker 2: really am. Like you don't know me like Maul knows me.

1847
01:19:34,920 --> 01:19:36,240
Speaker 1: Rory has definitely matured.

1848
01:19:36,439 --> 01:19:37,000
Speaker 7: Yeah, I don't know.

1849
01:19:37,160 --> 01:19:37,640
Speaker 2: I don't know.

1850
01:19:38,120 --> 01:19:38,640
Speaker 1: Definitely.

1851
01:19:39,040 --> 01:19:41,600
Speaker 7: When I first met you, you were so quiet and standoffish.

1852
01:19:41,720 --> 01:19:44,519
Speaker 2: I still am, No, I have not that has not changed,

1853
01:19:44,840 --> 01:19:48,439
Speaker 2: that has not changed each other. You're more friendly, and

1854
01:19:48,479 --> 01:19:50,080
Speaker 2: I think it was maybe because you passed on like

1855
01:19:50,120 --> 01:19:51,880
Speaker 2: four beats I had. And then I was like, all right,

1856
01:19:51,920 --> 01:19:52,320
Speaker 2: fuck her.

1857
01:19:52,439 --> 01:19:57,320
Speaker 7: You just wanted all out, do you know what?

1858
01:19:57,520 --> 01:19:57,640
Speaker 1: You know?

1859
01:19:57,720 --> 01:20:00,280
Speaker 2: What's funny? We were all here, here we go hanging

1860
01:20:00,280 --> 01:20:02,360
Speaker 2: out as friends. When was that a month ago? Two

1861
01:20:02,360 --> 01:20:02,760
Speaker 2: months ago?

1862
01:20:03,400 --> 01:20:03,599
Speaker 1: Eight?

1863
01:20:03,720 --> 01:20:03,920
Speaker 4: Oh?

1864
01:20:03,960 --> 01:20:07,000
Speaker 7: No, that was a while ago. I was after the tour.

1865
01:20:07,160 --> 01:20:07,840
Speaker 2: Yeah that when you.

1866
01:20:07,840 --> 01:20:10,360
Speaker 1: Live in life like it just goes by the last

1867
01:20:10,439 --> 01:20:11,000
Speaker 1: day April.

1868
01:20:11,040 --> 01:20:12,559
Speaker 2: I was twenty seven late at the time.

1869
01:20:12,640 --> 01:20:14,880
Speaker 1: Yeah, yeah, I get it.

1870
01:20:15,520 --> 01:20:18,000
Speaker 2: I played the record that's out now with Drama Alex Eisley,

1871
01:20:18,000 --> 01:20:19,599
Speaker 2: and Joyce was like, oh I love this, this is dope.

1872
01:20:19,600 --> 01:20:21,599
Speaker 2: I was like, I played you this beat like five years.

1873
01:20:21,439 --> 01:20:26,160
Speaker 1: Ago, but it sounds better you know years, you know

1874
01:20:26,240 --> 01:20:29,800
Speaker 1: sonically things. Yeah, I get it. Yeah, you were head

1875
01:20:29,800 --> 01:20:30,120
Speaker 1: and her.

1876
01:20:30,040 --> 01:20:31,360
Speaker 2: Defense she tried to write to it, and then I

1877
01:20:31,360 --> 01:20:32,879
Speaker 2: think I think she was just trying to be nice.

1878
01:20:32,720 --> 01:20:34,920
Speaker 7: Which one yeah, I can't remember.

1879
01:20:35,600 --> 01:20:39,080
Speaker 2: It doesn't matter. But what does Nick Cannon mean to

1880
01:20:39,120 --> 01:20:39,679
Speaker 2: San Diego?

1881
01:20:40,360 --> 01:20:40,960
Speaker 7: Nick Cannon?

1882
01:20:42,080 --> 01:20:45,360
Speaker 4: Oh gosh, I only care so much about Nick Cannon

1883
01:20:45,360 --> 01:20:47,080
Speaker 4: because I love Maryan Carrey. I don't know if that

1884
01:20:47,080 --> 01:20:50,280
Speaker 4: says anything, but I don't know much about Nick Nick Cannon.

1885
01:20:50,320 --> 01:20:51,599
Speaker 2: He's not a staple in San Diego.

1886
01:20:52,200 --> 01:20:53,959
Speaker 1: I mean a staple.

1887
01:20:55,040 --> 01:20:57,200
Speaker 2: I feel like it's Shambo, Navy Seals and Nick can

1888
01:20:57,240 --> 01:20:57,679
Speaker 2: Nick Cannon.

1889
01:20:57,760 --> 01:20:58,960
Speaker 5: Nick Cann's from San Diego.

1890
01:20:59,040 --> 01:21:02,439
Speaker 2: He is so is and now Joyce.

1891
01:21:02,560 --> 01:21:04,000
Speaker 7: That's yeah great.

1892
01:21:04,600 --> 01:21:05,400
Speaker 2: That's the list.

1893
01:21:05,160 --> 01:21:10,720
Speaker 1: Of San diego Ins and diego Ins, Sandy san Diegans, Sandyegans.

1894
01:21:12,000 --> 01:21:15,160
Speaker 7: But I'm not a Sandy Egans. You know, I'm a

1895
01:21:15,240 --> 01:21:15,959
Speaker 7: San Diegan.

1896
01:21:16,720 --> 01:21:17,080
Speaker 1: Okay.

1897
01:21:17,400 --> 01:21:19,320
Speaker 2: What was the difference in LA when you moved?

1898
01:21:19,400 --> 01:21:23,519
Speaker 1: I like San Diego a lot, just the city, like

1899
01:21:23,600 --> 01:21:26,160
Speaker 1: just the landscape. I think it's it's a pretty city

1900
01:21:26,200 --> 01:21:26,840
Speaker 1: like Ao.

1901
01:21:27,760 --> 01:21:29,920
Speaker 2: Yeah, it's very pretty, very pretty.

1902
01:21:30,080 --> 01:21:30,920
Speaker 1: I like San die Yeah.

1903
01:21:31,160 --> 01:21:34,320
Speaker 2: What you're doing San Diego? Yeah, I don't know the landscape.

1904
01:21:34,920 --> 01:21:37,120
Speaker 1: I do like I think San Diego is a pretty

1905
01:21:37,120 --> 01:21:39,640
Speaker 1: city like l A is l A obviously, but like

1906
01:21:39,720 --> 01:21:42,960
Speaker 1: San Diego is more laid back is but it's still pretty.

1907
01:21:43,080 --> 01:21:44,120
Speaker 2: He was out, he's out there for work.

1908
01:21:44,200 --> 01:21:45,639
Speaker 1: Like, what were we doing san Diego?

1909
01:21:45,760 --> 01:21:45,960
Speaker 8: Yeah?

1910
01:21:46,479 --> 01:21:48,080
Speaker 1: No, we went out there, like when we was in

1911
01:21:48,200 --> 01:21:50,040
Speaker 1: l A one week and we just went to San Diego.

1912
01:21:49,800 --> 01:21:53,360
Speaker 2: Just real quick, trying to turn it?

1913
01:21:54,280 --> 01:21:55,960
Speaker 1: Are you trying to turn it into something crazy?

1914
01:21:55,960 --> 01:21:56,080
Speaker 8: Now?

1915
01:21:56,080 --> 01:22:00,040
Speaker 2: I'm just wondering, like, that's all what you make it

1916
01:22:00,080 --> 01:22:01,920
Speaker 2: sound like? Oh we ended up in Soho that No.

1917
01:22:01,840 --> 01:22:04,080
Speaker 1: We just I mean San Diego in LA. That's it's

1918
01:22:04,080 --> 01:22:05,840
Speaker 1: a quick little road trip. It's nice little road trips.

1919
01:22:06,880 --> 01:22:08,160
Speaker 2: Got you stayed the night?

1920
01:22:08,400 --> 01:22:11,519
Speaker 1: No, I didn't drive, We stayed you were or what

1921
01:22:11,720 --> 01:22:12,920
Speaker 1: was me and a few of my homeboys. We all

1922
01:22:13,000 --> 01:22:13,439
Speaker 1: just got you.

1923
01:22:13,600 --> 01:22:15,400
Speaker 2: That was my first time we rented the house.

1924
01:22:15,400 --> 01:22:17,439
Speaker 1: They're like, well, what, yeah, we had the house. We

1925
01:22:17,479 --> 01:22:20,559
Speaker 1: had the crab by the beach, not by the beach,

1926
01:22:20,600 --> 01:22:22,479
Speaker 1: but beach wasn't far. We could see it from.

1927
01:22:22,600 --> 01:22:26,200
Speaker 2: Gotch had a good time, you know, just to figure

1928
01:22:26,200 --> 01:22:26,639
Speaker 2: everything out.

1929
01:22:26,960 --> 01:22:27,880
Speaker 1: Weekn in San Diego.

1930
01:22:28,400 --> 01:22:29,960
Speaker 5: We know it's so much better than La. Like they

1931
01:22:29,960 --> 01:22:31,160
Speaker 5: have better food than l A.

1932
01:22:31,760 --> 01:22:34,280
Speaker 1: I'm not gonna say better have better food. I don't

1933
01:22:34,320 --> 01:22:34,519
Speaker 1: do that.

1934
01:22:34,560 --> 01:22:36,439
Speaker 2: I'm not mad to sneak off to San Diego every

1935
01:22:36,439 --> 01:22:39,599
Speaker 2: other fucking week. You got something in San Diego? Why

1936
01:22:39,640 --> 01:22:40,439
Speaker 2: that's her spot.

1937
01:22:40,200 --> 01:22:42,200
Speaker 1: Where you're sitting and laughing at it? Yes?

1938
01:22:42,439 --> 01:22:43,840
Speaker 2: Really, Jamars ends up.

1939
01:22:43,920 --> 01:22:45,200
Speaker 7: Who is in San Diego?

1940
01:22:45,360 --> 01:22:45,880
Speaker 1: Particularly?

1941
01:22:46,040 --> 01:22:46,679
Speaker 5: I have friends.

1942
01:22:47,360 --> 01:22:50,519
Speaker 1: I have friends. That sounds like a song. I have

1943
01:22:50,600 --> 01:22:54,000
Speaker 1: friends in San Diego. Should it'd be.

1944
01:22:53,960 --> 01:22:56,679
Speaker 2: Funny if you guys knew a singer from San Diego.

1945
01:22:58,120 --> 01:22:59,599
Speaker 7: I need to know more about this.

1946
01:23:00,600 --> 01:23:02,080
Speaker 1: You might pass on the beat.

1947
01:23:03,520 --> 01:23:04,400
Speaker 2: Don't let me produce it.

1948
01:23:05,720 --> 01:23:07,720
Speaker 1: Pass it now and five years we'll get the record.

1949
01:23:07,720 --> 01:23:08,439
Speaker 1: Don't worry about it.

1950
01:23:08,640 --> 01:23:10,360
Speaker 7: I'm dead, all right.

1951
01:23:10,400 --> 01:23:13,800
Speaker 1: So you was in Japan, you're back. A new album

1952
01:23:13,840 --> 01:23:14,280
Speaker 1: coming soon?

1953
01:23:15,080 --> 01:23:16,000
Speaker 5: Motive is out now?

1954
01:23:16,200 --> 01:23:17,400
Speaker 7: Yes, come on.

1955
01:23:17,360 --> 01:23:19,160
Speaker 1: I'm sorry. Listen.

1956
01:23:19,280 --> 01:23:22,360
Speaker 2: Ma's defense. They didn't send the press release form in time.

1957
01:23:23,240 --> 01:23:25,080
Speaker 1: No, I don't do press release forms. Don't send me.

1958
01:23:25,439 --> 01:23:28,800
Speaker 2: I would never send you would just sit down and.

1959
01:23:28,720 --> 01:23:30,439
Speaker 1: Talk to me. Yeah, I don't give a fuck about

1960
01:23:30,439 --> 01:23:30,880
Speaker 1: a press form.

1961
01:23:30,880 --> 01:23:32,200
Speaker 7: Well, I'll talk to you about my EP.

1962
01:23:32,560 --> 01:23:36,240
Speaker 1: Motive Motive, Okay, what was the motive behind motive? Or

1963
01:23:36,280 --> 01:23:37,920
Speaker 1: who was the motive behind motives?

1964
01:23:38,120 --> 01:23:40,160
Speaker 7: What was the motive?

1965
01:23:40,160 --> 01:23:40,400
Speaker 1: Motive?

1966
01:23:40,439 --> 01:23:40,599
Speaker 2: Who?

1967
01:23:41,320 --> 01:23:42,280
Speaker 7: What was the motive?

1968
01:23:43,680 --> 01:23:48,519
Speaker 4: I'm single, and you know, you see when artists are singing,

1969
01:23:48,520 --> 01:23:53,559
Speaker 4: when you lead with that, it's it's some energy behind.

1970
01:23:53,600 --> 01:23:56,120
Speaker 1: It's like, okay, we'll we're talking about motive.

1971
01:23:56,439 --> 01:23:59,680
Speaker 7: It's just fun, flirty.

1972
01:24:00,000 --> 01:24:01,840
Speaker 1: Why do y'all start flirting when y'all get single again.

1973
01:24:02,840 --> 01:24:05,160
Speaker 7: I mean, naturally, I am a flirtatious person.

1974
01:24:05,360 --> 01:24:08,840
Speaker 4: Okay, but you mean why do we Why do we

1975
01:24:08,880 --> 01:24:11,360
Speaker 4: get flirting when we're single? I mean we don't got

1976
01:24:11,439 --> 01:24:13,719
Speaker 4: we don't have to worry about anybody else.

1977
01:24:13,920 --> 01:24:15,720
Speaker 2: Oh, he was worried you wanted to flirt, that's what

1978
01:24:15,720 --> 01:24:17,640
Speaker 2: you're saying. Well, no, I guess it feels like you

1979
01:24:17,640 --> 01:24:18,760
Speaker 2: wanted to flirt when he was in a relation.

1980
01:24:18,800 --> 01:24:24,080
Speaker 7: She was holding you back from getting.

1981
01:24:21,320 --> 01:24:25,040
Speaker 1: He was restricting your flirts. Don't have restriction.

1982
01:24:25,160 --> 01:24:28,080
Speaker 7: No one restricts. No one restricts me from doing anything.

1983
01:24:28,600 --> 01:24:30,320
Speaker 2: So faithful in relationship is what you're saying.

1984
01:24:30,479 --> 01:24:35,479
Speaker 1: Oh, my flord, listen, I appreciate an unfaith woman At times,

1985
01:24:36,080 --> 01:24:37,840
Speaker 1: you do have to appreciate it shows a different type

1986
01:24:37,880 --> 01:24:40,479
Speaker 1: of honesty, Like, yeah, you know I flirted, It's okay.

1987
01:24:40,800 --> 01:24:43,439
Speaker 1: Now cheating I don't know if I consider flirting cheating,

1988
01:24:43,479 --> 01:24:46,280
Speaker 1: though flirting is different.

1989
01:24:47,360 --> 01:24:50,840
Speaker 4: To be honest, it seems like everyone needs to just

1990
01:24:50,880 --> 01:24:54,760
Speaker 4: define what cheating means for them, and then whoever you're

1991
01:24:54,800 --> 01:24:58,040
Speaker 4: in a relationship with, y'all just respect those boundaries.

1992
01:24:58,120 --> 01:24:59,840
Speaker 2: I feel like if you have like brothers or like

1993
01:25:00,080 --> 01:25:02,640
Speaker 2: male family members, that's like that's cheating to me, Like

1994
01:25:02,640 --> 01:25:06,960
Speaker 2: why are you talking to them? Yeah? Like why come on?

1995
01:25:07,200 --> 01:25:08,840
Speaker 1: Listen? What you like? What you need to talk to

1996
01:25:08,880 --> 01:25:10,719
Speaker 1: his thoughts and his thoughts only, Like.

1997
01:25:10,640 --> 01:25:13,320
Speaker 7: Flirting for you is not cheating. You're saying I would

1998
01:25:13,360 --> 01:25:16,479
Speaker 7: be uncomfortable if my man, what's flirt? Flirting with another?

1999
01:25:16,960 --> 01:25:19,479
Speaker 2: But flirting is so subjective that it's unfair that I

2000
01:25:19,479 --> 01:25:22,000
Speaker 2: could not be flirting. But to you, that's your definition

2001
01:25:22,040 --> 01:25:22,479
Speaker 2: of flirting.

2002
01:25:22,560 --> 01:25:26,080
Speaker 1: Okay, So now I see what's your definition of flirting?

2003
01:25:26,479 --> 01:25:30,280
Speaker 2: Existing, breathing, breathing, blinking, yes.

2004
01:25:30,479 --> 01:25:30,559
Speaker 6: No.

2005
01:25:30,920 --> 01:25:32,439
Speaker 2: For me, it's really just like.

2006
01:25:32,439 --> 01:25:35,640
Speaker 4: Are you comfortable doing that in front of me? I

2007
01:25:35,640 --> 01:25:36,680
Speaker 4: guess that's the biggest thing.

2008
01:25:36,760 --> 01:25:40,320
Speaker 2: I'm not mad at that, Okay, but I could be

2009
01:25:40,320 --> 01:25:42,640
Speaker 2: a dirt bag and do anything in front of you.

2010
01:25:43,120 --> 01:25:43,759
Speaker 7: That's nothing.

2011
01:25:46,240 --> 01:25:46,599
Speaker 1: Okay.

2012
01:25:47,200 --> 01:25:52,720
Speaker 4: Are you comfortable having a conversation it's fine? Yeah, if

2013
01:25:52,720 --> 01:25:56,000
Speaker 4: you're If you have you know, you're going out to whatever.

2014
01:25:56,160 --> 01:25:58,479
Speaker 2: If I'm uncomfortable doing things in front of you because

2015
01:25:58,520 --> 01:26:01,320
Speaker 2: you're psychotic, even if it's innocent, I'm not going to

2016
01:26:01,400 --> 01:26:03,320
Speaker 2: do it because I know you're nuts.

2017
01:26:03,040 --> 01:26:04,519
Speaker 7: Well, then don't be with that woman.

2018
01:26:05,720 --> 01:26:07,920
Speaker 4: I guess if you know something that's going to make

2019
01:26:07,960 --> 01:26:09,640
Speaker 4: me feel uncomfortable, you know.

2020
01:26:10,240 --> 01:26:15,680
Speaker 7: So what would make disrespectful? Hm hmm?

2021
01:26:17,600 --> 01:26:21,880
Speaker 2: For example, what he did before the EP came out,

2022
01:26:22,280 --> 01:26:23,880
Speaker 2: not you know the example.

2023
01:26:23,520 --> 01:26:25,800
Speaker 5: It's what the bittersweet good eyes do, like he do.

2024
01:26:26,800 --> 01:26:27,720
Speaker 5: I need to know what he.

2025
01:26:27,720 --> 01:26:31,400
Speaker 2: Did, and it's self security number.

2026
01:26:31,560 --> 01:26:32,800
Speaker 7: I guess what.

2027
01:26:32,760 --> 01:26:33,200
Speaker 1: Would make me?

2028
01:26:33,520 --> 01:26:36,000
Speaker 7: For example, I mean, this.

2029
01:26:36,000 --> 01:26:38,880
Speaker 2: Didn't bother me, but like, oh, it definitely bothered you.

2030
01:26:38,960 --> 01:26:40,720
Speaker 7: I know right when you start with that, that is

2031
01:26:40,760 --> 01:26:46,559
Speaker 7: true when someone's like no offense, like you're you're being.

2032
01:26:48,280 --> 01:26:48,479
Speaker 2: Well.

2033
01:26:48,640 --> 01:26:54,320
Speaker 7: For example, like this kind of bothered me. But if

2034
01:26:54,320 --> 01:26:55,160
Speaker 7: I want to make.

2035
01:26:55,160 --> 01:26:59,920
Speaker 4: Plans with someone but they say they're busy, but then

2036
01:27:00,200 --> 01:27:01,760
Speaker 4: I see I end up.

2037
01:27:01,680 --> 01:27:02,200
Speaker 7: Going to.

2038
01:27:04,680 --> 01:27:07,760
Speaker 4: The spot the spot, Yeah, let me say the spot,

2039
01:27:08,000 --> 01:27:10,240
Speaker 4: and you end up showing up there with another woman,

2040
01:27:10,840 --> 01:27:13,320
Speaker 4: Like that makes me feel a little uncomfortable.

2041
01:27:13,760 --> 01:27:15,200
Speaker 2: In his defense, he said he was busy.

2042
01:27:15,240 --> 01:27:18,200
Speaker 4: Oh exactly, And that's why I'm like, I can't I

2043
01:27:18,240 --> 01:27:19,240
Speaker 4: can't be mad.

2044
01:27:20,120 --> 01:27:21,960
Speaker 5: Who is this person?

2045
01:27:22,680 --> 01:27:26,479
Speaker 7: Who is the person? That's what I'm saying, Homie, Maybe

2046
01:27:27,320 --> 01:27:30,320
Speaker 7: you know this happened.

2047
01:27:30,000 --> 01:27:31,000
Speaker 2: And it's definitely a highlight.

2048
01:27:31,040 --> 01:27:32,559
Speaker 7: Did this happen to me twice? Light?

2049
01:27:33,040 --> 01:27:33,479
Speaker 6: Stupid?

2050
01:27:35,560 --> 01:27:38,599
Speaker 4: Yeah, Okay, once it feels like I don't know why,

2051
01:27:38,600 --> 01:27:44,280
Speaker 4: it felt like that had happened to me before. No,

2052
01:27:44,400 --> 01:27:47,599
Speaker 4: but somebody I thought, I thought someone, Yes, this has

2053
01:27:47,600 --> 01:27:49,680
Speaker 4: happened to me twice, and is.

2054
01:27:49,680 --> 01:27:53,040
Speaker 2: This a dating thing or is this across.

2055
01:27:52,720 --> 01:27:55,400
Speaker 4: The com Well no, I mean also, these are like

2056
01:27:55,520 --> 01:27:58,040
Speaker 4: mixy spots. But the first time it happened to me,

2057
01:27:58,200 --> 01:28:01,920
Speaker 4: I wasn't dating that person, like, we weren't talk like.

2058
01:28:01,920 --> 01:28:05,759
Speaker 7: You know, I just like and unfortunately he's.

2059
01:28:05,640 --> 01:28:09,280
Speaker 4: Just showing up with a bunch of okay people, he's entertaining.

2060
01:28:09,520 --> 01:28:12,800
Speaker 7: Okay, I mean that's not that's different. But the other thing, Yes,

2061
01:28:12,840 --> 01:28:15,200
Speaker 7: that made me uncomfortable then showed up.

2062
01:28:15,880 --> 01:28:16,640
Speaker 1: I can understand that.

2063
01:28:16,680 --> 01:28:18,479
Speaker 5: Well, did he tell you what he was doing?

2064
01:28:18,640 --> 01:28:18,840
Speaker 7: No?

2065
01:28:20,640 --> 01:28:22,360
Speaker 2: What if he was honest? What if he was straight

2066
01:28:22,400 --> 01:28:25,840
Speaker 2: up honest and was like, yeah, I'm Lincoln with a friend.

2067
01:28:26,080 --> 01:28:27,599
Speaker 2: That's a girl, we go into the spot.

2068
01:28:27,640 --> 01:28:30,360
Speaker 7: I don't mind. I love that. I like that honesty.

2069
01:28:30,960 --> 01:28:32,479
Speaker 2: I do women know like honesty.

2070
01:28:32,600 --> 01:28:33,559
Speaker 5: No, I'd be like cool.

2071
01:28:34,240 --> 01:28:35,080
Speaker 2: In hindsight, they.

2072
01:28:35,040 --> 01:28:38,840
Speaker 4: Liked you, then if you're fucking around with her, that's

2073
01:28:38,920 --> 01:28:39,439
Speaker 4: you're about it.

2074
01:28:39,439 --> 01:28:40,400
Speaker 7: It'll come out eventually.

2075
01:28:40,479 --> 01:28:41,479
Speaker 2: Would you still like him?

2076
01:28:41,520 --> 01:28:43,040
Speaker 1: You don't want that honesty though.

2077
01:28:43,439 --> 01:28:45,840
Speaker 7: I would appreciate that honesty. But you're right.

2078
01:28:45,960 --> 01:28:50,360
Speaker 4: Sometimes I've been in positions where I've wanted honesty and

2079
01:28:50,400 --> 01:28:52,679
Speaker 4: I regret I regret it, so I've learned.

2080
01:28:52,479 --> 01:28:55,320
Speaker 7: From that, but in that situation, I would have wanted it.

2081
01:28:55,360 --> 01:28:56,360
Speaker 2: Sometimes it's a lot of me I'm.

2082
01:28:56,240 --> 01:28:59,519
Speaker 1: Gonna be from from a male perspective, Like we lie

2083
01:28:59,560 --> 01:29:01,479
Speaker 1: about shit like that a lot when we like, really

2084
01:29:01,479 --> 01:29:04,400
Speaker 1: genuinely like the girl, I know, you know what I'm saying, Like,

2085
01:29:04,400 --> 01:29:06,120
Speaker 1: we don't want it as much as you say you

2086
01:29:06,160 --> 01:29:09,160
Speaker 1: want that honesty. It's like, you know, because that's going

2087
01:29:09,200 --> 01:29:12,559
Speaker 1: to turn into something else, whole another conversation. So it's

2088
01:29:12,600 --> 01:29:14,559
Speaker 1: like we got to kind of withhold some of the

2089
01:29:14,600 --> 01:29:16,599
Speaker 1: truth when it's like damn, I like her, I don't

2090
01:29:16,600 --> 01:29:18,360
Speaker 1: want to tell her I'm going with another girl to

2091
01:29:18,400 --> 01:29:18,840
Speaker 1: this spot.

2092
01:29:19,080 --> 01:29:19,240
Speaker 7: No.

2093
01:29:19,400 --> 01:29:22,840
Speaker 4: It's different though, because if you have nothing to hide,

2094
01:29:23,000 --> 01:29:25,320
Speaker 4: then just be honest about it.

2095
01:29:25,400 --> 01:29:25,920
Speaker 7: I don't care.

2096
01:29:26,640 --> 01:29:30,080
Speaker 2: I'm not the type you're hiding perception to some degree

2097
01:29:30,200 --> 01:29:31,800
Speaker 2: because it could just flat out but I'm going out

2098
01:29:31,840 --> 01:29:32,479
Speaker 2: with my homegirl.

2099
01:29:32,800 --> 01:29:32,960
Speaker 1: Yeah.

2100
01:29:32,960 --> 01:29:35,880
Speaker 2: Ever, but we're in a talking stage where I don't

2101
01:29:35,920 --> 01:29:37,519
Speaker 2: know if it would be weird to even give you

2102
01:29:37,520 --> 01:29:39,240
Speaker 2: that type of honesty yet or if you feel a

2103
01:29:39,240 --> 01:29:41,720
Speaker 2: way if I did, or if you don't at all,

2104
01:29:41,760 --> 01:29:43,800
Speaker 2: then I look crazy being like you're right, hey, or

2105
01:29:43,840 --> 01:29:45,160
Speaker 2: do you mind if I go with my homegirl and

2106
01:29:45,160 --> 01:29:46,880
Speaker 2: she's just like if we're in the talking.

2107
01:29:46,560 --> 01:29:52,360
Speaker 7: Stage, but if we're in a relationship, it's different. Yeah, lationship.

2108
01:29:52,360 --> 01:29:55,000
Speaker 5: I should know the girl. Yeah, yeah, I might not

2109
01:29:55,040 --> 01:29:58,200
Speaker 5: have met her in person, but I should know who.

2110
01:29:58,600 --> 01:30:01,240
Speaker 7: Yeah, I feel you and her I g handle. But

2111
01:30:01,280 --> 01:30:03,759
Speaker 7: talking about I guess I get what you're saying.

2112
01:30:05,160 --> 01:30:08,360
Speaker 4: You got to pick and choose your battles, but I

2113
01:30:08,720 --> 01:30:12,640
Speaker 4: would prefer okay, especially if you told me no, no.

2114
01:30:13,120 --> 01:30:15,639
Speaker 7: I guess we saw each other and that wasn't planned.

2115
01:30:15,680 --> 01:30:17,600
Speaker 2: So oh well, I want to know once once you

2116
01:30:17,600 --> 01:30:20,320
Speaker 2: guys made eye contact, what was his facial expression? Number one?

2117
01:30:20,960 --> 01:30:24,360
Speaker 2: What did you do as the first reaction? And then

2118
01:30:24,400 --> 01:30:25,840
Speaker 2: what did your group chat tell you to do?

2119
01:30:26,800 --> 01:30:26,920
Speaker 8: Well?

2120
01:30:26,960 --> 01:30:28,760
Speaker 7: Actually, my managers were there.

2121
01:30:29,320 --> 01:30:30,080
Speaker 5: What did Jazz tell you?

2122
01:30:32,360 --> 01:30:37,519
Speaker 4: She she yeah, she was like, Hi, like just you know,

2123
01:30:37,600 --> 01:30:39,160
Speaker 4: the fake handshake.

2124
01:30:39,880 --> 01:30:40,799
Speaker 2: Just like Jazz.

2125
01:30:42,160 --> 01:30:45,280
Speaker 1: Hands in my life. Yes, I was.

2126
01:30:45,360 --> 01:30:49,240
Speaker 7: I was definitely like, you know, just it hurt.

2127
01:30:49,800 --> 01:30:52,880
Speaker 2: Yet dropped a little bit before you answer that did

2128
01:30:52,920 --> 01:30:54,719
Speaker 2: you tell him you was going on the spot? No,

2129
01:30:55,439 --> 01:30:56,920
Speaker 2: so cancels each other.

2130
01:30:57,200 --> 01:30:59,960
Speaker 7: It was for work. I was meeting, I was meeting.

2131
01:31:00,040 --> 01:31:00,880
Speaker 2: He was there for work too.

2132
01:31:01,600 --> 01:31:07,760
Speaker 4: Sure, okay, either way, either way is a week cut

2133
01:31:07,760 --> 01:31:08,400
Speaker 4: that ship out.

2134
01:31:08,920 --> 01:31:09,519
Speaker 5: I'll call out.

2135
01:31:09,560 --> 01:31:13,160
Speaker 2: We work. We were Oh you work here too, like Joyce.

2136
01:31:13,160 --> 01:31:16,400
Speaker 1: I didn't even know my office is right here. I

2137
01:31:16,400 --> 01:31:16,880
Speaker 1: got this sick.

2138
01:31:16,920 --> 01:31:19,240
Speaker 2: I'm the bathroom attendant. I got to give out gum.

2139
01:31:20,280 --> 01:31:20,760
Speaker 1: So we work.

2140
01:31:20,800 --> 01:31:22,639
Speaker 7: We oh, we we all work.

2141
01:31:23,160 --> 01:31:25,320
Speaker 5: The pain question that everyone wants to know is Okay,

2142
01:31:25,320 --> 01:31:27,760
Speaker 5: you're single, but are you looking? Because we can go

2143
01:31:27,800 --> 01:31:28,519
Speaker 5: outside tonight.

2144
01:31:29,280 --> 01:31:32,240
Speaker 7: You know, I think we should. I look cute, saying

2145
01:31:32,439 --> 01:31:32,960
Speaker 7: we should.

2146
01:31:33,640 --> 01:31:36,720
Speaker 2: Well, who's outfit are you wearing? Because you've changed three times?

2147
01:31:36,320 --> 01:31:41,759
Speaker 2: That No, if you need to pick from the closet,

2148
01:31:42,000 --> 01:31:43,120
Speaker 2: have a bleasse, ahead.

2149
01:31:42,840 --> 01:31:43,280
Speaker 1: Have a bleass.

2150
01:31:43,360 --> 01:31:45,080
Speaker 7: It's just a little hot in here for what.

2151
01:31:45,760 --> 01:31:47,200
Speaker 2: You came in with a f I understand you.

2152
01:31:47,360 --> 01:31:50,200
Speaker 1: No, no, no, you know look though it was a.

2153
01:31:50,120 --> 01:31:53,280
Speaker 4: Look thank you anyways.

2154
01:31:53,920 --> 01:31:56,800
Speaker 2: No, we're not going with your dating life in La though.

2155
01:31:57,320 --> 01:32:00,200
Speaker 7: Oh l A is so tough to date. Just wait,

2156
01:32:00,200 --> 01:32:02,360
Speaker 7: what did you ask all my friends? Are you looking?

2157
01:32:02,920 --> 01:32:06,960
Speaker 7: You know? I'm I'm open. I'm I I would love

2158
01:32:07,120 --> 01:32:10,880
Speaker 7: to have romance in my life. I would say that

2159
01:32:11,960 --> 01:32:15,679
Speaker 7: I don't have the energy a little bit with my career,

2160
01:32:16,560 --> 01:32:20,000
Speaker 7: but if you can catch my attention, I can entertain it.

2161
01:32:20,120 --> 01:32:21,920
Speaker 1: See That's what I was trying to tell him. Do

2162
01:32:22,000 --> 01:32:23,920
Speaker 1: you It just don't sound the same, like you know

2163
01:32:23,880 --> 01:32:24,120
Speaker 1: what I mean?

2164
01:32:24,200 --> 01:32:24,439
Speaker 2: I don't.

2165
01:32:24,479 --> 01:32:31,400
Speaker 1: I don't word it that way for years quickly, I'm busy. Yeah,

2166
01:32:31,560 --> 01:32:34,600
Speaker 1: I want to roll this ship like I'm going to

2167
01:32:34,640 --> 01:32:35,439
Speaker 1: London next yay.

2168
01:32:36,400 --> 01:32:37,840
Speaker 2: She is just crazy, like the.

2169
01:32:37,720 --> 01:32:39,640
Speaker 1: Time that it takes to really invest ino and they

2170
01:32:39,680 --> 01:32:42,200
Speaker 1: really have this healthy like foundation. I ain't really got that,

2171
01:32:42,240 --> 01:32:43,799
Speaker 1: but I'm gonna hit you when I'm in your city.

2172
01:32:44,640 --> 01:32:46,880
Speaker 2: As a man. Gotten that line off to you, Like, Yo,

2173
01:32:47,040 --> 01:32:49,759
Speaker 2: she is just sh is weird right now? She is crazy,

2174
01:32:49,840 --> 01:32:51,720
Speaker 2: Like it's hard to even explain. I don't even I

2175
01:32:51,760 --> 01:32:53,960
Speaker 2: don't even want to put you on like and get

2176
01:32:54,000 --> 01:32:55,040
Speaker 2: you involved everything.

2177
01:32:55,400 --> 01:32:56,880
Speaker 1: His girlfriend hasn't moved out yet.

2178
01:32:57,240 --> 01:32:58,000
Speaker 7: Who is He said?

2179
01:32:58,000 --> 01:33:00,400
Speaker 5: Shit is crazy right now? His girlfriend is still halfway.

2180
01:33:00,840 --> 01:33:04,760
Speaker 2: That sounds very personal to actually took a big gulp

2181
01:33:04,800 --> 01:33:06,240
Speaker 2: of that white wine she's drinking.

2182
01:33:06,280 --> 01:33:08,280
Speaker 1: That was very personal. That wasn't her soul?

2183
01:33:09,240 --> 01:33:11,040
Speaker 5: No, I'm the girlfriend that has a quite moved on

2184
01:33:11,120 --> 01:33:12,160
Speaker 5: the way out yet.

2185
01:33:14,120 --> 01:33:16,080
Speaker 2: So she checked his phone and he said, yoh is

2186
01:33:16,080 --> 01:33:18,080
Speaker 2: crazy to all the other chicks.

2187
01:33:18,560 --> 01:33:21,640
Speaker 1: Yo, it's difficult right now. It's a lot going on,

2188
01:33:22,000 --> 01:33:25,040
Speaker 1: all right. So you took that that night in highlight room.

2189
01:33:25,040 --> 01:33:26,080
Speaker 1: I don't know if that's where it was, but we're

2190
01:33:26,080 --> 01:33:26,960
Speaker 1: gonna say that's where it was.

2191
01:33:27,800 --> 01:33:31,920
Speaker 2: Definitely. We're going to or town next door. Yeah, it

2192
01:33:31,920 --> 01:33:32,920
Speaker 2: was definitely within that block.

2193
01:33:33,040 --> 01:33:34,479
Speaker 1: And you wrote a beautiful love.

2194
01:33:34,320 --> 01:33:38,559
Speaker 4: Song, which you're talking about motive. Motive is not about

2195
01:33:39,040 --> 01:33:43,320
Speaker 4: I mean bittersweakerdbyes. Yes, is about I don't want to

2196
01:33:43,400 --> 01:33:45,639
Speaker 4: let the ship go, but you don't have your ship together.

2197
01:33:45,760 --> 01:33:47,639
Speaker 7: So we're just gonna move on from that.

2198
01:33:47,720 --> 01:33:48,880
Speaker 2: What ship didn't he have together?

2199
01:33:49,040 --> 01:33:53,080
Speaker 4: Hypothetically hypothetical I think complicated the situation broke he just

2200
01:33:53,120 --> 01:33:54,280
Speaker 4: had now she has.

2201
01:33:54,360 --> 01:33:57,080
Speaker 7: I think he has a good amount of money. Not

2202
01:33:57,320 --> 01:34:00,639
Speaker 7: I don't know about too many bitches. But I think he.

2203
01:34:00,600 --> 01:34:05,240
Speaker 4: Just was insecure, overthinking everything and secure about.

2204
01:34:05,080 --> 01:34:07,960
Speaker 1: What dating a beautiful woman and her being a song stretch,

2205
01:34:09,800 --> 01:34:11,320
Speaker 1: beautiful voice successful.

2206
01:34:11,840 --> 01:34:14,760
Speaker 2: What traits made you think he thought that of you? Like,

2207
01:34:15,680 --> 01:34:20,320
Speaker 2: I'm too insecure because you're so amazing. No, it just

2208
01:34:20,439 --> 01:34:22,400
Speaker 2: was because I think you're amazing. I'm saying it's more

2209
01:34:22,560 --> 01:34:25,160
Speaker 2: hypothetical when women say that like I just couldn't handle me,

2210
01:34:25,240 --> 01:34:27,400
Speaker 2: Like I was just too much. Like what gives you

2211
01:34:27,479 --> 01:34:30,000
Speaker 2: the thought that he's just like she's so great. I

2212
01:34:30,040 --> 01:34:30,560
Speaker 2: can't do it.

2213
01:34:30,600 --> 01:34:31,200
Speaker 1: I can't handle it.

2214
01:34:31,360 --> 01:34:32,120
Speaker 7: No, I think too.

2215
01:34:33,280 --> 01:34:36,639
Speaker 4: I'm really about my work. So if I can't see

2216
01:34:36,680 --> 01:34:41,439
Speaker 4: you Monday through Friday, I just can't see you. And

2217
01:34:41,520 --> 01:34:45,040
Speaker 4: I guess some people really want you to make the time.

2218
01:34:47,120 --> 01:34:49,920
Speaker 2: Oh I see love. Languages only matter to women when

2219
01:34:49,960 --> 01:34:51,519
Speaker 2: it benefits them. That's what you're saying.

2220
01:34:54,840 --> 01:34:55,759
Speaker 7: That is not true.

2221
01:34:55,840 --> 01:34:57,200
Speaker 5: Don't let him get shit off.

2222
01:34:58,760 --> 01:35:03,799
Speaker 7: Because I I was. I was just like, yeah, I can't.

2223
01:35:03,600 --> 01:35:04,439
Speaker 2: See you these days.

2224
01:35:04,439 --> 01:35:07,559
Speaker 7: And I guess he just took it. I get it,

2225
01:35:07,720 --> 01:35:08,519
Speaker 7: took offense to it.

2226
01:35:08,560 --> 01:35:12,479
Speaker 1: Do you think it's because he knows that you're.

2227
01:35:11,280 --> 01:35:13,120
Speaker 7: Talking about this for right now? Huh?

2228
01:35:13,200 --> 01:35:14,920
Speaker 1: Do you think it's because he knows that you're a

2229
01:35:14,920 --> 01:35:15,800
Speaker 1: flirtatious person.

2230
01:35:15,960 --> 01:35:19,200
Speaker 4: I think some people don't know. I'm very loyal, Like

2231
01:35:19,320 --> 01:35:23,600
Speaker 4: I'm really not. Yeah, I'm not sneaking around.

2232
01:35:23,560 --> 01:35:25,559
Speaker 1: But I were not doing I'm not letting the marry

2233
01:35:25,600 --> 01:35:26,760
Speaker 1: you snuck the highlight room, Imber.

2234
01:35:27,200 --> 01:35:29,240
Speaker 2: Yeah, I was sneaking the same past, so we were

2235
01:35:29,600 --> 01:35:31,599
Speaker 2: we were no.

2236
01:35:31,720 --> 01:35:34,559
Speaker 4: But I think I feel like he was insecure. He

2237
01:35:34,640 --> 01:35:37,479
Speaker 4: thought I might be playing him and I wasn't at all.

2238
01:35:38,240 --> 01:35:40,479
Speaker 5: I really That's what it was, just because he knew

2239
01:35:40,520 --> 01:35:42,240
Speaker 5: deep down that he didn't deserve you, so he was

2240
01:35:42,280 --> 01:35:43,479
Speaker 5: insecure about brother.

2241
01:35:44,280 --> 01:35:48,280
Speaker 2: Thank you, Okay, accountability was do you think thank you?

2242
01:35:49,160 --> 01:35:49,439
Speaker 1: Thank you?

2243
01:35:49,520 --> 01:35:52,800
Speaker 2: Yes, thank you for there any signs in hindsight that

2244
01:35:52,920 --> 01:35:56,920
Speaker 2: maybe you gave that could have a man think maybe

2245
01:35:56,960 --> 01:35:57,360
Speaker 2: you were.

2246
01:36:00,600 --> 01:36:02,400
Speaker 7: I don't know, Like, for example, this is funny.

2247
01:36:02,400 --> 01:36:04,120
Speaker 4: I'm just gonna say it, but like I'm on tour

2248
01:36:04,160 --> 01:36:07,440
Speaker 4: with Lucky Day and you see a video.

2249
01:36:09,240 --> 01:36:11,400
Speaker 7: Like and you see a video of me and Lucky performing,

2250
01:36:11,439 --> 01:36:11,880
Speaker 7: and we're.

2251
01:36:11,800 --> 01:36:14,800
Speaker 1: Like, you see what I'm saying, She's just one.

2252
01:36:15,360 --> 01:36:17,920
Speaker 7: Yeah, Like I think I.

2253
01:36:17,840 --> 01:36:20,160
Speaker 4: Think maybe some men would He got his shirt off

2254
01:36:20,160 --> 01:36:21,760
Speaker 4: and ship care about that?

2255
01:36:21,800 --> 01:36:25,720
Speaker 1: Possibly? Yeah, this nigga got on this ship and what

2256
01:36:25,760 --> 01:36:28,880
Speaker 1: type of nigga put grease on? He ain't even lotion,

2257
01:36:29,040 --> 01:36:32,240
Speaker 1: he got grease on. It says grease on the job.

2258
01:36:35,080 --> 01:36:37,280
Speaker 1: You know, I need candles, I need pineapple juice, and

2259
01:36:37,320 --> 01:36:39,840
Speaker 1: I need grease. Like a sick ass rider.

2260
01:36:40,000 --> 01:36:42,479
Speaker 2: I mean, I don't think I wouldn't find any of

2261
01:36:42,520 --> 01:36:42,840
Speaker 2: that weird?

2262
01:36:43,360 --> 01:36:44,759
Speaker 1: What grease?

2263
01:36:45,600 --> 01:36:46,479
Speaker 2: If it's part of the show.

2264
01:36:46,880 --> 01:36:49,000
Speaker 7: It was baby Oil. It was baby Oil.

2265
01:36:49,160 --> 01:36:52,280
Speaker 2: Okay, he's an R and B singer. It's part of

2266
01:36:52,320 --> 01:36:52,599
Speaker 2: the show.

2267
01:36:53,439 --> 01:36:54,600
Speaker 1: Okay, I know, I know.

2268
01:36:54,640 --> 01:36:56,880
Speaker 2: I get killed for being secure and what do they

2269
01:36:56,880 --> 01:36:59,360
Speaker 2: call it? I'm pushing the women agenda. Yeah, when I'm

2270
01:36:59,360 --> 01:37:00,360
Speaker 2: secure with him myself.

2271
01:37:00,400 --> 01:37:03,559
Speaker 7: Yeah, if that is, that's crazy.

2272
01:37:04,360 --> 01:37:06,120
Speaker 2: If my girl is on tour with Lucky Day, it's

2273
01:37:06,120 --> 01:37:06,599
Speaker 2: part of the show.

2274
01:37:06,720 --> 01:37:08,599
Speaker 7: Have a bless Yes, thank you.

2275
01:37:08,840 --> 01:37:10,240
Speaker 2: Lucky You got to know I'll knock you the funk

2276
01:37:10,240 --> 01:37:12,760
Speaker 2: out if you try anything else can cool? But like

2277
01:37:13,240 --> 01:37:13,839
Speaker 2: my brother.

2278
01:37:13,800 --> 01:37:18,280
Speaker 1: Aside singing and performing, like, was there anything going down?

2279
01:37:18,840 --> 01:37:19,880
Speaker 7: No, not not.

2280
01:37:19,760 --> 01:37:23,320
Speaker 1: Going down, but like, what does the performance look like? Like?

2281
01:37:24,240 --> 01:37:27,559
Speaker 4: Is it like people singing on stage dancing together?

2282
01:37:28,120 --> 01:37:30,160
Speaker 2: Yeah, but like dance such a whole behavior.

2283
01:37:30,520 --> 01:37:31,840
Speaker 1: What is it like line dancing?

2284
01:37:32,200 --> 01:37:32,400
Speaker 5: No?

2285
01:37:32,800 --> 01:37:35,560
Speaker 2: Dancing? Well, we both been a Lucky Day show. Do

2286
01:37:35,600 --> 01:37:36,519
Speaker 2: you think it was line dancing?

2287
01:37:37,120 --> 01:37:37,840
Speaker 1: I'm just trying to ask.

2288
01:37:38,439 --> 01:37:43,240
Speaker 4: No, Like, it's just we're just performing, you know, havn't

2289
01:37:43,280 --> 01:37:44,080
Speaker 4: you I don't know?

2290
01:37:44,520 --> 01:37:46,280
Speaker 2: Yeah, what are you like?

2291
01:37:47,240 --> 01:37:47,920
Speaker 1: No, I get it.

2292
01:37:48,200 --> 01:37:49,720
Speaker 7: I'm just harmless.

2293
01:37:49,800 --> 01:37:51,360
Speaker 1: But it's trying to think like if I was dating

2294
01:37:51,360 --> 01:37:54,160
Speaker 1: a woman that was a performer and an artist, like, how

2295
01:37:54,200 --> 01:37:56,360
Speaker 1: would that make me feel? And I got to and

2296
01:37:56,439 --> 01:37:57,280
Speaker 1: you understand it.

2297
01:37:57,360 --> 01:37:59,640
Speaker 7: Yeah, you should reflect on that before you decide to

2298
01:37:59,640 --> 01:38:03,120
Speaker 7: be with someone who is. But if your girl's farmer, you're.

2299
01:38:03,040 --> 01:38:05,519
Speaker 5: Lucky day, you're not worried about Lucky Day. If you're insecure,

2300
01:38:05,560 --> 01:38:07,719
Speaker 5: you're worried about all right, But his manager is around

2301
01:38:07,760 --> 01:38:11,120
Speaker 5: and his other friends with money or celebrities or really.

2302
01:38:11,000 --> 01:38:13,000
Speaker 1: I'm worried about the nigga with the grease on.

2303
01:38:14,280 --> 01:38:16,360
Speaker 5: You don't think he would be worried about Lucky I

2304
01:38:16,400 --> 01:38:18,160
Speaker 5: think yeah, But I feel like at some.

2305
01:38:18,120 --> 01:38:21,160
Speaker 2: Point you're arguing against your point right now by the

2306
01:38:21,160 --> 01:38:22,880
Speaker 2: way you say he shouldn't be worried about Lucky, he

2307
01:38:22,880 --> 01:38:26,639
Speaker 2: should be worried about Lucky. I'm just the point.

2308
01:38:26,760 --> 01:38:29,200
Speaker 5: No, I'm just shocked because if you have common sense,

2309
01:38:29,240 --> 01:38:31,640
Speaker 5: you know that obviously she's not going to sleep with

2310
01:38:31,680 --> 01:38:34,559
Speaker 5: the headliner of the tour she's on. That would be stupid,

2311
01:38:34,600 --> 01:38:35,639
Speaker 5: That would be super stupid.

2312
01:38:35,920 --> 01:38:40,559
Speaker 4: I guess nobody's ever done that, But it's more likely

2313
01:38:40,600 --> 01:38:42,120
Speaker 4: for her to.

2314
01:38:41,760 --> 01:38:43,559
Speaker 2: That's why eighties R and B was what's the way

2315
01:38:43,600 --> 01:38:44,759
Speaker 2: it was going to be around?

2316
01:38:44,760 --> 01:38:47,679
Speaker 5: Maybe he has a friend. Maybe yes, I'm just exposed

2317
01:38:47,720 --> 01:38:48,599
Speaker 5: to a lot of truth.

2318
01:38:48,680 --> 01:38:51,519
Speaker 1: No, I'm focused on a nigga with the good voice

2319
01:38:51,520 --> 01:38:53,559
Speaker 1: and the grease on. That's who I'm like, Yo, fan

2320
01:38:53,600 --> 01:38:55,760
Speaker 1: will he how many? How many nights y'all got left

2321
01:38:55,760 --> 01:38:57,599
Speaker 1: on this tour? But that's why I'm at.

2322
01:38:57,640 --> 01:38:58,559
Speaker 2: Are you going on the tour?

2323
01:39:00,560 --> 01:39:01,960
Speaker 7: I'm not bringing you on the tour.

2324
01:39:02,040 --> 01:39:02,720
Speaker 1: I'm definitely not.

2325
01:39:02,680 --> 01:39:05,040
Speaker 2: Doing what hypothetically you all are dating. You're on tour.

2326
01:39:05,080 --> 01:39:06,760
Speaker 2: We're lucky. He feels like he needs to be on

2327
01:39:06,800 --> 01:39:08,280
Speaker 2: the tour, but he's like, Yo, Roy has to come

2328
01:39:08,320 --> 01:39:10,559
Speaker 2: to because we have to pod. So the green room

2329
01:39:10,640 --> 01:39:13,479
Speaker 2: is just me and Maul just making sure you and

2330
01:39:13,600 --> 01:39:19,040
Speaker 2: Luck is luck and he look relax.

2331
01:39:19,280 --> 01:39:20,920
Speaker 7: No, No, I don't know.

2332
01:39:20,960 --> 01:39:22,479
Speaker 1: I'm not I'm not that guy. I don't need We're

2333
01:39:22,520 --> 01:39:24,280
Speaker 1: definitely I would never ever try.

2334
01:39:24,439 --> 01:39:28,240
Speaker 4: You couldn't be with a perform like a singer or

2335
01:39:28,240 --> 01:39:30,400
Speaker 4: a performer touring artists, Oh you could.

2336
01:39:31,240 --> 01:39:32,160
Speaker 7: You were just saying this.

2337
01:39:32,160 --> 01:39:36,080
Speaker 5: Spot to the next level, any single like song stress

2338
01:39:36,080 --> 01:39:37,840
Speaker 5: friends for mall.

2339
01:39:38,280 --> 01:39:41,640
Speaker 2: Yeah, Azalea Exilia Banks is the number one candidate right

2340
01:39:41,640 --> 01:39:42,439
Speaker 2: now for mall.

2341
01:39:42,560 --> 01:39:44,280
Speaker 1: That's my that's my home. I love you.

2342
01:39:44,400 --> 01:39:45,720
Speaker 2: Well, you have to start out as friends and then

2343
01:39:45,720 --> 01:39:46,280
Speaker 2: you become lovers.

2344
01:39:46,320 --> 01:39:48,799
Speaker 1: Yeah that's how it starts. Yeah, but no, that's family.

2345
01:39:48,920 --> 01:39:50,360
Speaker 5: But just the case, just we need to back up

2346
01:39:50,400 --> 01:39:52,080
Speaker 5: single throw any names out there.

2347
01:39:52,200 --> 01:39:56,760
Speaker 2: You can text me for me. Yeah, actually thinking about it,

2348
01:39:56,880 --> 01:39:59,240
Speaker 2: Zula is probably the safest one because she beats with

2349
01:39:59,280 --> 01:40:00,840
Speaker 2: everyone in the industry. She's not going to do a

2350
01:40:00,880 --> 01:40:02,720
Speaker 2: joint tour. It's going to be a solovie.

2351
01:40:02,920 --> 01:40:07,040
Speaker 1: Yeah, it's definitely a Zilia by herself. She's not nobody.

2352
01:40:07,040 --> 01:40:08,080
Speaker 2: Ma, you're the opener.

2353
01:40:09,920 --> 01:40:12,479
Speaker 1: Me open it up for Azi. You know how crazy

2354
01:40:12,520 --> 01:40:12,840
Speaker 1: that is.

2355
01:40:13,320 --> 01:40:13,960
Speaker 2: It's on brand.

2356
01:40:14,120 --> 01:40:16,000
Speaker 1: No, it does not make sense, Yes it does. Have

2357
01:40:16,040 --> 01:40:19,360
Speaker 1: you ever been to a Zilia conser? Yeah?

2358
01:40:19,400 --> 01:40:20,920
Speaker 2: They're great shows. And I think.

2359
01:40:22,360 --> 01:40:24,280
Speaker 7: To her or like, is she performing recently?

2360
01:40:24,560 --> 01:40:25,400
Speaker 2: I think she had a show.

2361
01:40:25,800 --> 01:40:26,479
Speaker 1: I think she had a show.

2362
01:40:27,840 --> 01:40:28,559
Speaker 2: Live show is great?

2363
01:40:28,640 --> 01:40:30,519
Speaker 1: Oh wow, she has a record that that's doing.

2364
01:40:30,520 --> 01:40:32,880
Speaker 2: She doesn't sacrifice cats or anything like. It's a really,

2365
01:40:33,120 --> 01:40:35,759
Speaker 2: I'm telling you, it's a good it's a good fucking show.

2366
01:40:35,880 --> 01:40:38,600
Speaker 1: No, Azilia is amazing. She's dope, super super dope. No,

2367
01:40:38,680 --> 01:40:40,639
Speaker 1: she's dope, says a new record that's doing well too.

2368
01:40:40,920 --> 01:40:45,479
Speaker 2: So do we think Maul Azilia? That's probably that's the one.

2369
01:40:45,560 --> 01:40:48,040
Speaker 1: Azilia's family, bro. I don't know why y'all keep that's

2370
01:40:48,320 --> 01:40:48,840
Speaker 1: that's no.

2371
01:40:48,920 --> 01:40:51,000
Speaker 2: I think that's important that you guys should be family.

2372
01:40:51,040 --> 01:40:53,040
Speaker 1: You know we should be. We're going to stay there.

2373
01:40:53,479 --> 01:40:55,839
Speaker 1: It's family. She all love it. I love Azilia.

2374
01:40:56,720 --> 01:40:58,720
Speaker 2: Who ended it with him? With the guy that was

2375
01:40:58,800 --> 01:41:00,000
Speaker 2: jealous of the Lucky Day?

2376
01:41:00,120 --> 01:41:00,360
Speaker 1: To her?

2377
01:41:00,640 --> 01:41:01,720
Speaker 2: What was the last time?

2378
01:41:01,960 --> 01:41:07,280
Speaker 4: I don't and I I don't know if he was,

2379
01:41:07,360 --> 01:41:09,560
Speaker 4: but I'm just that could be speculating.

2380
01:41:09,680 --> 01:41:13,040
Speaker 7: Possibly who ended it? I did?

2381
01:41:13,760 --> 01:41:14,599
Speaker 2: How did you end it?

2382
01:41:15,479 --> 01:41:18,920
Speaker 1: She was like, yeah, no, you know they're going to

2383
01:41:18,960 --> 01:41:22,040
Speaker 1: the yeah off the Yeah?

2384
01:41:22,400 --> 01:41:25,720
Speaker 4: No, I know, No, I said, I don't feel desired.

2385
01:41:26,000 --> 01:41:31,639
Speaker 4: I don't feel wanted. I did I desire?

2386
01:41:31,800 --> 01:41:32,920
Speaker 7: Yes? I was like, I don't.

2387
01:41:33,320 --> 01:41:36,040
Speaker 1: You can't bounce back from that exactly when you you

2388
01:41:36,040 --> 01:41:37,640
Speaker 1: she don't feel desired.

2389
01:41:37,160 --> 01:41:39,760
Speaker 4: You are doing something wrong and you need to know

2390
01:41:40,120 --> 01:41:41,800
Speaker 4: and you need your ego needs.

2391
01:41:42,400 --> 01:41:44,120
Speaker 2: Okay, were you desiring?

2392
01:41:44,400 --> 01:41:44,479
Speaker 5: Like?

2393
01:41:44,560 --> 01:41:45,920
Speaker 2: Were you doing that to him?

2394
01:41:46,040 --> 01:41:46,599
Speaker 7: I was?

2395
01:41:47,160 --> 01:41:48,759
Speaker 2: I feel like he felt desired.

2396
01:41:49,680 --> 01:41:53,240
Speaker 4: I mean, I'm pretty sure.

2397
01:41:53,960 --> 01:41:55,639
Speaker 2: I'm pretty sure. Can you put us in a group

2398
01:41:55,720 --> 01:41:56,759
Speaker 2: chet Sure.

2399
01:41:58,479 --> 01:42:01,840
Speaker 4: I'm definitely in that situation. Towards the end of it,

2400
01:42:01,880 --> 01:42:03,880
Speaker 4: I'm like, do I like this person more than he's

2401
01:42:03,920 --> 01:42:05,840
Speaker 4: into me? That's what it started to feel like.

2402
01:42:06,160 --> 01:42:06,559
Speaker 2: I get you?

2403
01:42:06,720 --> 01:42:16,920
Speaker 8: So uh oh five months no relationships?

2404
01:42:16,920 --> 01:42:20,160
Speaker 1: Oh yes, that's like the grace period. You got to

2405
01:42:20,200 --> 01:42:21,720
Speaker 1: give me five months to change you.

2406
01:42:21,920 --> 01:42:25,000
Speaker 2: I thought she was going years months to desire.

2407
01:42:25,080 --> 01:42:27,679
Speaker 7: We were just talking. Yeah, no, nothing got.

2408
01:42:28,960 --> 01:42:30,639
Speaker 1: Five muchs and you didn't feel desired.

2409
01:42:31,640 --> 01:42:31,840
Speaker 2: No.

2410
01:42:31,920 --> 01:42:36,439
Speaker 4: And also it's like long distance, so that's rough.

2411
01:42:36,560 --> 01:42:39,200
Speaker 1: Okay, Okay, that's yes, Okay, that's different.

2412
01:42:39,240 --> 01:42:43,400
Speaker 2: Did he feel a way that Kyle Dion convinced you

2413
01:42:43,800 --> 01:42:48,000
Speaker 2: to cuddle with him in bed during a visualizer? You?

2414
01:42:48,080 --> 01:42:52,080
Speaker 7: No, I that was after, but that was to get

2415
01:42:52,240 --> 01:42:53,320
Speaker 7: back my god.

2416
01:42:53,600 --> 01:42:57,000
Speaker 4: Yes, yes, this is inside Kyle Lucky. I don't be

2417
01:42:57,040 --> 01:42:59,840
Speaker 4: doing that with just any artists, anybody.

2418
01:43:00,080 --> 01:43:03,000
Speaker 2: So he's harmless, is he?

2419
01:43:03,040 --> 01:43:05,920
Speaker 4: Because I had to tame his ass trying to spoon

2420
01:43:06,000 --> 01:43:06,360
Speaker 4: and ship.

2421
01:43:06,680 --> 01:43:09,160
Speaker 5: We drunk called like you enjoyce one night with Kyle

2422
01:43:10,479 --> 01:43:12,760
Speaker 5: me Rory Kyle, and we like.

2423
01:43:12,880 --> 01:43:14,599
Speaker 7: Remember did I I didn't answer?

2424
01:43:14,640 --> 01:43:15,120
Speaker 2: We were drunk.

2425
01:43:15,880 --> 01:43:17,360
Speaker 7: I didn't answer. I don't think.

2426
01:43:22,600 --> 01:43:23,120
Speaker 1: I like her.

2427
01:43:23,640 --> 01:43:29,120
Speaker 2: I declined his calls anytime. Anytime I get a call

2428
01:43:29,120 --> 01:43:31,760
Speaker 2: from Jasmine at three a m. I know Kyle has

2429
01:43:31,760 --> 01:43:36,479
Speaker 2: her phone. It's not just really, it's always Kyle s.

2430
01:43:38,960 --> 01:43:39,280
Speaker 1: All right.

2431
01:43:39,320 --> 01:43:43,800
Speaker 2: Well, speaking of dating, I was on Twitter earlier and

2432
01:43:44,040 --> 01:43:48,439
Speaker 2: a woman said, this is not a safe space this man.

2433
01:43:48,840 --> 01:43:49,559
Speaker 1: The door is locked.

2434
01:43:49,640 --> 01:43:52,920
Speaker 2: You know anytime a woman starts with men instead of

2435
01:43:52,960 --> 01:43:53,519
Speaker 2: the usual.

2436
01:43:54,680 --> 01:43:55,360
Speaker 1: W y D.

2437
01:43:56,320 --> 01:43:57,400
Speaker 7: I hate w I D.

2438
01:43:57,880 --> 01:43:59,280
Speaker 2: These are some questions you can.

2439
01:43:59,360 --> 01:44:01,000
Speaker 4: What if I really want to know what you're doing though,

2440
01:44:02,360 --> 01:44:05,679
Speaker 4: just acknowledge me. Just put a little more effort, Okay,

2441
01:44:06,040 --> 01:44:09,280
Speaker 4: w I D. I hate that there's one artist who

2442
01:44:09,320 --> 01:44:10,240
Speaker 4: always texts me.

2443
01:44:10,479 --> 01:44:11,000
Speaker 1: W I D.

2444
01:44:11,360 --> 01:44:13,840
Speaker 7: I'm just like I have stopped responding at this point.

2445
01:44:14,360 --> 01:44:17,280
Speaker 1: I mean, he's a good writer, obviously not is he

2446
01:44:17,320 --> 01:44:17,840
Speaker 1: a good writer?

2447
01:44:18,360 --> 01:44:19,240
Speaker 7: He is a good writer.

2448
01:44:19,960 --> 01:44:24,920
Speaker 2: Are we suggesting maybe he has a ghostwriter if he

2449
01:44:25,000 --> 01:44:26,439
Speaker 2: can't type of actual text?

2450
01:44:26,880 --> 01:44:28,040
Speaker 7: No, he doesn't have a ghost writer.

2451
01:44:28,160 --> 01:44:30,559
Speaker 4: I think he's just lazy and he just it works

2452
01:44:30,560 --> 01:44:32,880
Speaker 4: for something he wants to try that morning.

2453
01:44:32,880 --> 01:44:34,759
Speaker 1: Well, I did the son kiss you enough this morning?

2454
01:44:34,880 --> 01:44:37,240
Speaker 2: No? No, this is this is what Because I don't

2455
01:44:37,280 --> 01:44:40,040
Speaker 2: mind when women shout on us as long as they

2456
01:44:40,080 --> 01:44:40,719
Speaker 2: come with a solution.

2457
01:44:41,040 --> 01:44:44,920
Speaker 5: All right, poetry if we don't respond to this, and

2458
01:44:44,920 --> 01:44:46,040
Speaker 5: I think it's corny.

2459
01:44:45,760 --> 01:44:48,800
Speaker 2: Okay, So again, I don't mind women telling us we

2460
01:44:48,800 --> 01:44:50,880
Speaker 2: ain't shit, just come with a solution. So this woman

2461
01:44:50,920 --> 01:44:54,160
Speaker 2: came with a solution which I appreciated, And I'm going

2462
01:44:54,240 --> 01:44:57,040
Speaker 2: to read off some of the questions she thinks should

2463
01:44:57,080 --> 01:45:01,040
Speaker 2: substitute a what are you doing? Text? And I want

2464
01:45:01,120 --> 01:45:05,560
Speaker 2: you to talk to her boyfriend to reply. Let's hypothetically

2465
01:45:05,600 --> 01:45:09,880
Speaker 2: say adding this gentleman. Here, you guys hit it off

2466
01:45:09,960 --> 01:45:12,000
Speaker 2: at the bars, like, oh, let's let's get in contact,

2467
01:45:12,080 --> 01:45:14,600
Speaker 2: you know, maybe we'll go on a date sometime. And

2468
01:45:14,600 --> 01:45:18,040
Speaker 2: then there's that weird text ship in between. But you

2469
01:45:18,040 --> 01:45:20,679
Speaker 2: don't want him to say what you're doing. This woman

2470
01:45:20,760 --> 01:45:24,400
Speaker 2: says you should start out with does your life have meaning?

2471
01:45:27,600 --> 01:45:30,000
Speaker 2: What you're doing? What you're doing? Like, come on, nobody

2472
01:45:30,000 --> 01:45:30,360
Speaker 2: wants that.

2473
01:45:32,280 --> 01:45:33,840
Speaker 1: These are the questions that God should ask.

2474
01:45:34,560 --> 01:45:35,759
Speaker 7: Does your life have meaning?

2475
01:45:36,120 --> 01:45:37,880
Speaker 1: Does yours?

2476
01:45:41,280 --> 01:45:41,360
Speaker 8: No?

2477
01:45:41,479 --> 01:45:43,000
Speaker 2: This is better than what you're doing. This is what

2478
01:45:43,040 --> 01:45:43,400
Speaker 2: you want?

2479
01:45:43,680 --> 01:45:44,920
Speaker 7: Does your life have meaning?

2480
01:45:47,040 --> 01:45:52,559
Speaker 5: If he texted me not on the wrong, I'm.

2481
01:45:50,439 --> 01:45:52,760
Speaker 2: Just like the next one is something you regret. And

2482
01:45:52,800 --> 01:45:55,559
Speaker 2: I was going to say this entire text, does.

2483
01:45:55,400 --> 01:45:57,599
Speaker 7: Your life have meaning? What do you? What are we doing?

2484
01:45:57,960 --> 01:45:59,800
Speaker 2: Okay? All right, that one didn't work for Let's go

2485
01:45:59,840 --> 01:46:02,000
Speaker 2: back down this list that women should tell us how

2486
01:46:02,000 --> 01:46:03,400
Speaker 2: we should be favored and flirting with.

2487
01:46:03,479 --> 01:46:05,719
Speaker 7: I don't agree with all women.

2488
01:46:06,000 --> 01:46:08,280
Speaker 1: I definitely don't agree with this woman. I can tell

2489
01:46:08,280 --> 01:46:09,639
Speaker 1: you that now those questions are sick.

2490
01:46:09,880 --> 01:46:11,600
Speaker 2: Okay, So instead of what you're doing, I'm going to

2491
01:46:11,680 --> 01:46:14,040
Speaker 2: text you when was the last time you felt loved?

2492
01:46:15,080 --> 01:46:17,439
Speaker 5: I Am going to literally jump off a bridge if.

2493
01:46:17,360 --> 01:46:19,519
Speaker 7: You text me yeah, I'm good, I'm good.

2494
01:46:19,720 --> 01:46:22,440
Speaker 2: Please do so you're not you're not replying at this point.

2495
01:46:22,640 --> 01:46:25,439
Speaker 7: It's not that this is corny for me.

2496
01:46:26,920 --> 01:46:31,160
Speaker 2: What's the favorite physical quality of me that you like

2497
01:46:31,240 --> 01:46:31,639
Speaker 2: the most?

2498
01:46:32,320 --> 01:46:34,320
Speaker 7: No, do not ask me that.

2499
01:46:34,360 --> 01:46:36,920
Speaker 2: So you're suggesting that women are telling us how to flirt,

2500
01:46:37,080 --> 01:46:37,800
Speaker 2: but don't know.

2501
01:46:38,000 --> 01:46:42,040
Speaker 4: I'm not suggesting that's one girl. Yeah, and W just

2502
01:46:42,479 --> 01:46:43,960
Speaker 4: w I D is lazy?

2503
01:46:44,080 --> 01:46:45,080
Speaker 5: What are you up tello?

2504
01:46:45,320 --> 01:46:46,720
Speaker 7: How are you? Yeah? What are you up to?

2505
01:46:46,840 --> 01:46:47,479
Speaker 5: How are you feeling?

2506
01:46:47,640 --> 01:46:48,559
Speaker 7: How are you feeling today?

2507
01:46:48,800 --> 01:46:50,680
Speaker 1: That's fair, I'm not mad at that.

2508
01:46:50,880 --> 01:46:53,920
Speaker 2: What is something your childhood shaped you into the person

2509
01:46:53,920 --> 01:46:54,719
Speaker 2: that you are today?

2510
01:46:54,880 --> 01:46:57,920
Speaker 5: I'm done. We could close that yeah, I'm in the

2511
01:46:57,920 --> 01:46:58,879
Speaker 5: bathtuble slippers.

2512
01:46:59,120 --> 01:46:59,680
Speaker 7: Who is this?

2513
01:47:00,000 --> 01:47:03,160
Speaker 2: I can't say some girl and somebody that says ten

2514
01:47:03,200 --> 01:47:05,479
Speaker 2: thousand I'm sorry, eighteen thousand retweets.

2515
01:47:05,640 --> 01:47:06,519
Speaker 7: A lot of people like it.

2516
01:47:07,120 --> 01:47:09,160
Speaker 2: Yeah, this is what y'all want.

2517
01:47:09,479 --> 01:47:10,960
Speaker 7: Absolutely, I don't need that.

2518
01:47:11,160 --> 01:47:12,920
Speaker 1: Please do ask just how are you doing?

2519
01:47:13,000 --> 01:47:13,120
Speaker 2: How?

2520
01:47:13,600 --> 01:47:14,160
Speaker 7: Chill? Yeah?

2521
01:47:14,479 --> 01:47:15,920
Speaker 2: Okay, keep a chill.

2522
01:47:15,960 --> 01:47:17,880
Speaker 5: Okay, when you're first starting to get to know somebody,

2523
01:47:18,160 --> 01:47:19,880
Speaker 5: not official twenty one questions.

2524
01:47:19,520 --> 01:47:21,559
Speaker 2: But like do you yeah, that's the twenty one questions,

2525
01:47:21,560 --> 01:47:22,439
Speaker 2: we're doing that.

2526
01:47:22,600 --> 01:47:25,519
Speaker 5: Then those questions makes no, they don't know, they don't.

2527
01:47:26,080 --> 01:47:29,040
Speaker 1: I'm not still yet asking a woman does her life

2528
01:47:29,040 --> 01:47:29,479
Speaker 1: have meaning?

2529
01:47:30,280 --> 01:47:32,920
Speaker 5: I'm not asking after me that then, Oh, what's your

2530
01:47:32,960 --> 01:47:33,559
Speaker 5: favorite color?

2531
01:47:33,600 --> 01:47:36,719
Speaker 2: Who's your okay? Number thirty six? What trigger what triggers

2532
01:47:36,720 --> 01:47:38,400
Speaker 2: you to cry? Is that in your twenty one question

2533
01:47:38,439 --> 01:47:41,160
Speaker 2: bag to Mars, Oh yes it is. Why would you

2534
01:47:41,240 --> 01:47:43,360
Speaker 2: sick like I would?

2535
01:47:43,600 --> 01:47:45,800
Speaker 5: I would to keep Yes, I would like to know

2536
01:47:45,840 --> 01:47:48,040
Speaker 5: that for I like, yeah, what.

2537
01:47:48,080 --> 01:47:50,920
Speaker 7: Is that card game? We are not strangers? Have you

2538
01:47:50,920 --> 01:47:53,640
Speaker 7: guys played it? Or we're not really strangers? That's a

2539
01:47:53,680 --> 01:47:56,960
Speaker 7: good game. It's it's it's similar to this.

2540
01:47:57,040 --> 01:47:59,960
Speaker 4: It asks you deep questions it's good for your day

2541
01:48:00,400 --> 01:48:02,280
Speaker 4: or making new friends.

2542
01:48:02,560 --> 01:48:05,439
Speaker 2: Yeah, but I went on a date girl making new friends.

2543
01:48:05,560 --> 01:48:06,160
Speaker 2: I'm not ready to.

2544
01:48:06,120 --> 01:48:07,559
Speaker 7: Get to at the table.

2545
01:48:08,000 --> 01:48:11,680
Speaker 4: That's extra of course, the first game, I mean the

2546
01:48:11,720 --> 01:48:15,960
Speaker 4: first night, what was your That's fine.

2547
01:48:15,960 --> 01:48:18,880
Speaker 2: Well, then why didn't y'll play it when you met?

2548
01:48:19,800 --> 01:48:21,160
Speaker 2: If you knew each other for a while, she starts

2549
01:48:21,160 --> 01:48:22,080
Speaker 2: to play a game with you.

2550
01:48:22,200 --> 01:48:24,000
Speaker 1: Well, because we were kind of like reconnecting.

2551
01:48:24,760 --> 01:48:26,280
Speaker 2: Okay, we had because you were a new person who

2552
01:48:27,120 --> 01:48:29,599
Speaker 2: in a few years, we're not really We're like, we're like,

2553
01:48:29,720 --> 01:48:31,760
Speaker 2: we're like new strangers. Well, how would you feel if

2554
01:48:31,800 --> 01:48:33,760
Speaker 2: you just met someone for the first that's the first

2555
01:48:33,800 --> 01:48:36,840
Speaker 2: date and they bring that game. It's screen it's a

2556
01:48:36,840 --> 01:48:38,000
Speaker 2: bit serial killer.

2557
01:48:38,320 --> 01:48:39,320
Speaker 7: It's much for me.

2558
01:48:39,560 --> 01:48:42,600
Speaker 5: Yeah, but let me pretend.

2559
01:48:42,920 --> 01:48:46,640
Speaker 2: All right above her bed right, because I feel like

2560
01:48:46,680 --> 01:48:48,679
Speaker 2: overly deep people are the most surface people on earth.

2561
01:48:49,160 --> 01:48:50,360
Speaker 2: So leave that game at home.

2562
01:48:50,800 --> 01:48:53,360
Speaker 4: Yeah, I feel like we can put like a little

2563
01:48:53,360 --> 01:48:55,000
Speaker 4: more towards knowing each other.

2564
01:48:55,400 --> 01:48:58,160
Speaker 7: I don't need that the first date, Okay, third date,

2565
01:48:58,160 --> 01:48:59,080
Speaker 7: I don't even know. I don't know.

2566
01:48:59,520 --> 01:49:01,280
Speaker 5: My parents don't know the answer to some of those questions.

2567
01:49:01,280 --> 01:49:02,080
Speaker 5: I don't want you to I.

2568
01:49:02,040 --> 01:49:04,760
Speaker 2: Don't know the answer to those questions, we know, what's

2569
01:49:04,760 --> 01:49:05,439
Speaker 2: the best date.

2570
01:49:05,360 --> 01:49:05,960
Speaker 1: You ever went on?

2571
01:49:06,479 --> 01:49:11,720
Speaker 7: The best date that I've been on? Mm hmmm, I'm

2572
01:49:11,720 --> 01:49:12,320
Speaker 7: trying to think.

2573
01:49:14,200 --> 01:49:17,680
Speaker 4: Probably the Hollywood Bull so far, I like going to

2574
01:49:17,720 --> 01:49:23,839
Speaker 4: the Hollywood performing Kelsey Lou. I think Salon. Oh no, actually,

2575
01:49:23,840 --> 01:49:28,800
Speaker 4: I'm sorry, Rewind. It was a James Brown tribute. Okay, yeah,

2576
01:49:28,920 --> 01:49:33,120
Speaker 4: that sounds that one was great. Okay, yeah, the.

2577
01:49:33,160 --> 01:49:42,280
Speaker 2: Lyrics he James, he liked. At least.

2578
01:49:42,360 --> 01:49:43,760
Speaker 1: You just know the energy of James. You don't know,

2579
01:49:43,800 --> 01:49:51,200
Speaker 1: you don't know what James is saying. Absolutely definitely, Dan,

2580
01:49:51,280 --> 01:49:51,479
Speaker 1: What was.

2581
01:49:51,479 --> 01:49:53,240
Speaker 2: The question I was just about to ask off that

2582
01:49:53,280 --> 01:49:53,880
Speaker 2: first date one?

2583
01:49:54,000 --> 01:49:55,280
Speaker 7: I am sharing it wasn't.

2584
01:49:57,040 --> 01:49:58,600
Speaker 5: On the most amazing date you've been on? Did that

2585
01:49:59,240 --> 01:50:00,960
Speaker 5: fester into something like?

2586
01:50:01,160 --> 01:50:01,360
Speaker 1: Was it?

2587
01:50:02,160 --> 01:50:02,240
Speaker 2: No?

2588
01:50:02,400 --> 01:50:07,679
Speaker 7: That one is complicated? It's not. It's not even turned

2589
01:50:07,680 --> 01:50:12,439
Speaker 7: into a relationship. I think it's you couldn't even call it.

2590
01:50:13,880 --> 01:50:16,480
Speaker 7: Maybe we were dating. It's kind of complicated.

2591
01:50:16,680 --> 01:50:20,280
Speaker 5: Probably the love of your life, though, is he Yeah,

2592
01:50:19,600 --> 01:50:22,439
Speaker 5: that's the way, What is it?

2593
01:50:22,880 --> 01:50:24,160
Speaker 1: What is it that's complicated?

2594
01:50:24,240 --> 01:50:26,439
Speaker 2: He was never jealous when he was on that's the one.

2595
01:50:26,439 --> 01:50:30,920
Speaker 2: I know that champion, He was like, do that ship?

2596
01:50:31,360 --> 01:50:37,200
Speaker 2: I'm uh huh is that his name in a group chat? Yeah,

2597
01:50:37,200 --> 01:50:38,800
Speaker 2: that's how you're identified.

2598
01:50:40,160 --> 01:50:40,439
Speaker 8: Julian.

2599
01:50:41,880 --> 01:50:45,479
Speaker 7: Yes, oh, how do you know the Okay, no, she

2600
01:50:45,560 --> 01:50:51,479
Speaker 7: manages no, because there's been Yeah, that's why. Yeah, you know,

2601
01:50:51,520 --> 01:50:52,360
Speaker 7: that's what I'm talking about.

2602
01:50:52,520 --> 01:50:56,040
Speaker 1: There's been a few. Wait wait, wait, you just that's.

2603
01:50:55,840 --> 01:50:56,599
Speaker 2: Just where you be at.

2604
01:50:58,760 --> 01:51:01,679
Speaker 7: It's a great venue. Have you I'm sure? What did

2605
01:51:01,680 --> 01:51:02,000
Speaker 7: you say?

2606
01:51:02,040 --> 01:51:04,160
Speaker 1: It's a nice Oh so amazing.

2607
01:51:04,200 --> 01:51:07,120
Speaker 2: Have you taken a young woman on a date? Whatever

2608
01:51:07,600 --> 01:51:09,479
Speaker 2: one identified a date?

2609
01:51:09,680 --> 01:51:11,000
Speaker 1: I've never been on a date to Hollywood?

2610
01:51:11,000 --> 01:51:13,759
Speaker 2: Okay, what are you? Did you ask?

2611
01:51:14,760 --> 01:51:15,240
Speaker 7: I wanted?

2612
01:51:15,479 --> 01:51:18,040
Speaker 2: I did dude ask the third time you went on

2613
01:51:18,080 --> 01:51:20,320
Speaker 2: a Hollywood Bowl date? Did he ask? Have you been

2614
01:51:20,320 --> 01:51:21,080
Speaker 2: here before.

2615
01:51:21,680 --> 01:51:22,360
Speaker 7: The third time?

2616
01:51:22,360 --> 01:51:27,200
Speaker 2: I went yeah, And did you answer truthfully? You're not

2617
01:51:27,200 --> 01:51:27,559
Speaker 2: doing anything?

2618
01:51:28,040 --> 01:51:30,920
Speaker 7: Ask me? None of them asked me. No, smart man. Yeah.

2619
01:51:31,000 --> 01:51:37,040
Speaker 7: The first one was the best. The second one it

2620
01:51:37,240 --> 01:51:42,000
Speaker 7: was cool. I got too drunk and I was wheelchaired out.

2621
01:51:43,200 --> 01:51:44,080
Speaker 1: That's his worst date?

2622
01:51:44,880 --> 01:51:50,000
Speaker 7: Who you threw up? I threw up my worst nightmare

2623
01:51:51,040 --> 01:51:54,080
Speaker 7: in my friend's car. What were you drinking? I had

2624
01:51:54,560 --> 01:51:55,160
Speaker 7: white wine?

2625
01:51:55,240 --> 01:51:57,040
Speaker 4: I think we had like two bottles of white wine

2626
01:51:57,040 --> 01:52:01,000
Speaker 4: and some nasty ass pizza.

2627
01:52:00,520 --> 01:52:02,400
Speaker 7: It was just not a good mix.

2628
01:52:02,560 --> 01:52:05,599
Speaker 4: But luckily my friend worked at the Hollywood Bowl and

2629
01:52:05,640 --> 01:52:09,200
Speaker 4: she recognized me and she put me in a wheelchair

2630
01:52:09,240 --> 01:52:11,240
Speaker 4: before anything else could go down.

2631
01:52:11,479 --> 01:52:13,760
Speaker 7: But that was the second date, okay, well what was.

2632
01:52:13,680 --> 01:52:16,559
Speaker 2: The next day? Via text? Would do just like well, actually,

2633
01:52:16,600 --> 01:52:18,000
Speaker 2: hey sorry.

2634
01:52:18,439 --> 01:52:20,439
Speaker 7: That wasn't the first date. But I stayed the night

2635
01:52:20,520 --> 01:52:22,080
Speaker 7: at his home, he took care of her.

2636
01:52:23,000 --> 01:52:25,280
Speaker 2: I wasna a right, not a first date.

2637
01:52:25,560 --> 01:52:27,519
Speaker 7: And then we we ended up dating for like a year.

2638
01:52:28,320 --> 01:52:33,240
Speaker 7: Thank god, he's he's really sweet. It didn't work out,

2639
01:52:33,280 --> 01:52:34,280
Speaker 7: but I I love him to.

2640
01:52:34,400 --> 01:52:36,040
Speaker 5: You had a chance to make other memories with him,

2641
01:52:36,040 --> 01:52:40,160
Speaker 5: like that just be the last date, Like that's no, no, you.

2642
01:52:40,120 --> 01:52:41,960
Speaker 2: Had chances to make more memories with him.

2643
01:52:42,080 --> 01:52:44,680
Speaker 5: Yeah, like when he reminded her as the girl who

2644
01:52:44,680 --> 01:52:47,479
Speaker 5: threw no he knows me forgot throws up on you

2645
01:52:47,520 --> 01:52:51,400
Speaker 5: on the first date, Like that would never even happen

2646
01:52:51,439 --> 01:52:53,479
Speaker 5: to me. Like I'm not even on that type of

2647
01:52:53,479 --> 01:52:54,080
Speaker 5: time at all.

2648
01:52:54,280 --> 01:52:55,559
Speaker 1: We mean, I'm not.

2649
01:52:57,400 --> 01:52:59,800
Speaker 5: Up on I've been I've been lit my whole life.

2650
01:52:59,800 --> 01:53:04,320
Speaker 1: I drunk. People want to I've lit my whole life

2651
01:53:04,479 --> 01:53:06,559
Speaker 1: when I up been lit my whole life, Like I

2652
01:53:06,560 --> 01:53:11,439
Speaker 1: could tell when somebody I know the signs, Yeah.

2653
01:53:10,040 --> 01:53:12,720
Speaker 2: Do you write slash make better music when you're in

2654
01:53:12,720 --> 01:53:14,000
Speaker 2: a relationship or out of one?

2655
01:53:14,479 --> 01:53:15,160
Speaker 7: Out of one?

2656
01:53:15,400 --> 01:53:16,000
Speaker 1: Why is that?

2657
01:53:16,240 --> 01:53:19,519
Speaker 7: I know, I don't know. I don't know afraid.

2658
01:53:19,680 --> 01:53:23,040
Speaker 4: And there's an saying, you know, saying, of course, saying

2659
01:53:23,560 --> 01:53:26,599
Speaker 4: I think I was in a relationship when I met

2660
01:53:26,640 --> 01:53:29,080
Speaker 4: Sane and he was just like, you need to get

2661
01:53:29,120 --> 01:53:31,080
Speaker 4: out of that because we need good sat I would

2662
01:53:31,120 --> 01:53:35,120
Speaker 4: never say that, saying says the worst shit ever, but

2663
01:53:35,360 --> 01:53:37,560
Speaker 4: he seems to be right sometimes.

2664
01:53:38,120 --> 01:53:40,759
Speaker 7: But yeah, I don't know why that is.

2665
01:53:41,080 --> 01:53:43,120
Speaker 2: Well jokes aside, is that in the back of your

2666
01:53:43,160 --> 01:53:45,960
Speaker 2: mind when you live your personal life like a fuck,

2667
01:53:46,000 --> 01:53:49,519
Speaker 2: I can't really love someone could fuck my career up.

2668
01:53:49,760 --> 01:53:54,759
Speaker 7: I've thought about that really even Yeah, like I think

2669
01:53:55,479 --> 01:53:59,479
Speaker 7: when I was talking to this one dude, you know

2670
01:53:59,520 --> 01:54:00,320
Speaker 7: what's crazy deep.

2671
01:54:00,880 --> 01:54:05,200
Speaker 4: I'll be there's times where I'm talking to somebody and

2672
01:54:05,280 --> 01:54:07,879
Speaker 4: I think that I'm interested in them, but then I'm

2673
01:54:08,200 --> 01:54:10,760
Speaker 4: hearing the music that I'm making, and the music I'm

2674
01:54:10,800 --> 01:54:12,640
Speaker 4: making is me not sure if I should be in

2675
01:54:12,640 --> 01:54:13,240
Speaker 4: this situation.

2676
01:54:15,000 --> 01:54:17,599
Speaker 2: This really great thing in our last I don't consider

2677
01:54:17,640 --> 01:54:21,200
Speaker 2: this an interview, but we interviewed Sahi two weeks ago,

2678
01:54:21,960 --> 01:54:25,720
Speaker 2: and Maul just started saying names to say hi, and

2679
01:54:25,760 --> 01:54:27,800
Speaker 2: I thought that was a really cool segment, and I

2680
01:54:27,800 --> 01:54:28,559
Speaker 2: thought we could do that.

2681
01:54:28,520 --> 01:54:31,280
Speaker 7: With you, okay, saying name, just just a name, and.

2682
01:54:31,240 --> 01:54:33,560
Speaker 2: Then what your reaction is and anything.

2683
01:54:33,600 --> 01:54:33,840
Speaker 3: I help.

2684
01:54:33,960 --> 01:54:39,920
Speaker 7: I know these people. Oh, I love Kate Shanada. Do

2685
01:54:39,960 --> 01:54:42,520
Speaker 7: y'all like Khanda? What's your favorite song?

2686
01:54:44,320 --> 01:54:46,880
Speaker 2: I think the Alex Eisley remix he did to the

2687
01:54:46,960 --> 01:54:50,760
Speaker 2: Robert glasper joint. Ooh, you got deep deep that.

2688
01:54:50,920 --> 01:54:52,720
Speaker 7: I'm I expect that from all right?

2689
01:54:52,880 --> 01:54:53,920
Speaker 2: Love? I love.

2690
01:54:55,520 --> 01:54:57,320
Speaker 1: Doing they did.

2691
01:54:56,840 --> 01:55:00,480
Speaker 2: Uh oh oh, the correct David joint is probably my favorite.

2692
01:55:00,560 --> 01:55:03,320
Speaker 1: K that was dope.

2693
01:55:03,520 --> 01:55:06,440
Speaker 2: Uh yeah. The Craig David one is probably my favorite.

2694
01:55:07,200 --> 01:55:09,120
Speaker 7: You'd be dropping money bags on Meida.

2695
01:55:10,000 --> 01:55:12,200
Speaker 2: I've just he's a fan. I was just a fan.

2696
01:55:12,280 --> 01:55:12,400
Speaker 7: You know.

2697
01:55:12,400 --> 01:55:13,160
Speaker 1: I love the music.

2698
01:55:13,720 --> 01:55:15,640
Speaker 2: He has an eclectic taste and listened.

2699
01:55:15,680 --> 01:55:17,920
Speaker 1: I love I love the music. What do you want

2700
01:55:17,960 --> 01:55:18,360
Speaker 1: me to do?

2701
01:55:18,480 --> 01:55:18,560
Speaker 2: Like?

2702
01:55:18,600 --> 01:55:19,320
Speaker 1: It's good music?

2703
01:55:19,800 --> 01:55:25,240
Speaker 2: That's great? Y? Wait, that's it for k you want.

2704
01:55:25,040 --> 01:55:27,560
Speaker 4: To I'm sorry, Yes, I'm going to keep going. But

2705
01:55:27,680 --> 01:55:30,680
Speaker 4: you said you like the Craig David song.

2706
01:55:30,760 --> 01:55:32,960
Speaker 7: I love that one. I love that one.

2707
01:55:33,080 --> 01:55:36,320
Speaker 2: Wow, it was so like tour.

2708
01:55:36,480 --> 01:55:37,800
Speaker 7: What We did three shows in.

2709
01:55:37,800 --> 01:55:41,919
Speaker 2: New York after midnight. It was it was very difficult.

2710
01:55:42,760 --> 01:55:44,840
Speaker 7: Yes, oh yeah, you went to two or one?

2711
01:55:45,240 --> 01:55:47,880
Speaker 2: I went to two Yes, one that Q Tip was

2712
01:55:47,920 --> 01:55:50,640
Speaker 2: at Yes, And it was the one time I was

2713
01:55:50,680 --> 01:55:52,280
Speaker 2: ever nervous to talk to somebody.

2714
01:55:53,000 --> 01:55:57,120
Speaker 7: You got to talk to him. I wish I got

2715
01:55:57,120 --> 01:56:00,920
Speaker 7: to meet them, but I saw them from the stage. No,

2716
01:56:01,120 --> 01:56:02,200
Speaker 7: the shows were amazing.

2717
01:56:02,520 --> 01:56:07,480
Speaker 4: I would say the stage was meant for a DJ

2718
01:56:07,720 --> 01:56:12,440
Speaker 4: and not for someone who does choreography, and he likes

2719
01:56:12,480 --> 01:56:16,040
Speaker 4: to move around, so it was interesting for me to

2720
01:56:16,160 --> 01:56:19,120
Speaker 4: just kind of have to run back and forth and

2721
01:56:19,160 --> 01:56:22,040
Speaker 4: like try to please everybody. I was nervous about falling

2722
01:56:22,040 --> 01:56:26,200
Speaker 4: off stage, for sure, but I did. I did great,

2723
01:56:25,840 --> 01:56:30,720
Speaker 4: and I'm proud of myself. I got a bit like,

2724
01:56:30,800 --> 01:56:33,959
Speaker 4: I celebrated and I got pretty drunk at the last.

2725
01:56:33,800 --> 01:56:36,520
Speaker 7: Night I did.

2726
01:56:36,920 --> 01:56:38,520
Speaker 2: I thought you got it on the first night, but

2727
01:56:40,800 --> 01:56:41,920
Speaker 2: it was six am I left.

2728
01:56:41,960 --> 01:56:46,200
Speaker 7: Oh my gosh. So yeah, it was. It was fun.

2729
01:56:46,240 --> 01:56:48,440
Speaker 4: I love Ka Trianana and I'm happy that we were

2730
01:56:48,480 --> 01:56:50,440
Speaker 4: able to do more songs on this new EP.

2731
01:56:50,640 --> 01:56:59,400
Speaker 2: Motive Okay, uh, let's go easy, Eric Abadu oh Ericliche

2732
01:56:59,520 --> 01:57:00,800
Speaker 2: she is I know she's a queen.

2733
01:57:00,840 --> 01:57:02,880
Speaker 4: We know, I know, I want to say she is

2734
01:57:02,920 --> 01:57:07,440
Speaker 4: an anomaly because I don't know, I'm even thinking about

2735
01:57:07,800 --> 01:57:12,120
Speaker 4: artists these days, and I guess, yeah, I'm gonna say

2736
01:57:12,120 --> 01:57:15,720
Speaker 4: what everyone else says. But just so iconic, like just so.

2737
01:57:16,200 --> 01:57:19,200
Speaker 7: Unique, and I even was I don't know why I

2738
01:57:19,200 --> 01:57:19,839
Speaker 7: went down.

2739
01:57:19,680 --> 01:57:23,760
Speaker 4: Like this outcast rabbit hole one day and just her

2740
01:57:24,000 --> 01:57:29,960
Speaker 4: and Andre three thousand and their history and like how

2741
01:57:30,040 --> 01:57:32,160
Speaker 4: I guess a lot of the dudes that she's with

2742
01:57:32,480 --> 01:57:35,880
Speaker 4: they change every time they're with her or whatever. But basically, yeah,

2743
01:57:36,000 --> 01:57:39,040
Speaker 4: I don't know. I just feel like she's someone that

2744
01:57:42,120 --> 01:57:44,120
Speaker 4: I don't know, we'll never have another artist like that.

2745
01:57:44,560 --> 01:57:47,960
Speaker 2: I agree her her.

2746
01:57:48,120 --> 01:57:51,920
Speaker 4: I got to open for her for her lights On Fest.

2747
01:57:52,400 --> 01:57:55,680
Speaker 4: That was my first festival that I ever did, And

2748
01:57:55,960 --> 01:58:01,600
Speaker 4: unfortunately that was the festival where I got so excited

2749
01:58:01,720 --> 01:58:04,520
Speaker 4: the first song, I was like running out of breath

2750
01:58:04,720 --> 01:58:06,920
Speaker 4: and I had to end up like dancing the entire

2751
01:58:07,000 --> 01:58:09,280
Speaker 4: set because I couldn't continue singing.

2752
01:58:10,280 --> 01:58:11,560
Speaker 7: It was so embarrassing.

2753
01:58:11,960 --> 01:58:15,960
Speaker 2: That's funny, that's dope that when shit, I was so happy.

2754
01:58:16,120 --> 01:58:19,080
Speaker 2: That's audible on stage, Like that's a talent, that's a

2755
01:58:19,120 --> 01:58:19,760
Speaker 2: real talent that.

2756
01:58:19,680 --> 01:58:21,040
Speaker 7: People don't, but I just learned.

2757
01:58:21,080 --> 01:58:24,200
Speaker 4: I'm like, okay, you got to pace yourself, you got

2758
01:58:24,200 --> 01:58:27,120
Speaker 4: to come in cool and then you know, give a

2759
01:58:27,120 --> 01:58:29,960
Speaker 4: little bit. So after that, I did like a boot

2760
01:58:30,000 --> 01:58:33,640
Speaker 4: camp and I was like exercising like crazy, working with

2761
01:58:33,680 --> 01:58:37,240
Speaker 4: this vocal coach Stevie Mackie. So shout out to her

2762
01:58:37,280 --> 01:58:39,680
Speaker 4: for giving me that opportunity to realize that I need

2763
01:58:39,720 --> 01:58:40,720
Speaker 4: to be a better performer.

2764
01:58:41,280 --> 01:58:45,120
Speaker 2: Uh, dope, D Miles, I don't know what y'all refer

2765
01:58:45,200 --> 01:58:47,920
Speaker 2: to him as D Mile. Yeah, D Mile.

2766
01:58:49,160 --> 01:58:50,240
Speaker 7: Shout out to D Mile.

2767
01:58:50,760 --> 01:58:54,640
Speaker 4: I like owe my life to him because I feel

2768
01:58:54,640 --> 01:58:57,840
Speaker 4: like he changed my life with my debut album, Overgrown.

2769
01:58:58,440 --> 01:59:01,520
Speaker 7: He executive produced it and took.

2770
01:59:01,320 --> 01:59:05,480
Speaker 4: A chance on me, an independent artist who is falling

2771
01:59:05,520 --> 01:59:06,120
Speaker 4: on a budget.

2772
01:59:07,360 --> 01:59:11,800
Speaker 2: So it was really I know, his back end was crazy.

2773
01:59:12,640 --> 01:59:15,440
Speaker 2: I know he took a lot of that Master with

2774
01:59:15,560 --> 01:59:19,120
Speaker 2: you just keep going bad.

2775
01:59:24,040 --> 01:59:27,040
Speaker 7: It was really like me, so let's work.

2776
01:59:27,080 --> 01:59:32,280
Speaker 4: I said, No, it was a blessing to get in

2777
01:59:32,400 --> 01:59:37,560
Speaker 4: with him before he started working with Silk Sonic and

2778
01:59:37,680 --> 01:59:40,760
Speaker 4: all these big people. Because now it's like I could.

2779
01:59:40,560 --> 01:59:43,320
Speaker 2: Barely get in this because he's such a low key dude.

2780
01:59:43,360 --> 01:59:46,600
Speaker 2: He right now to me, is is cardiac. I think

2781
01:59:46,640 --> 01:59:48,920
Speaker 2: gets his just do as he should because the stuff

2782
01:59:48,920 --> 01:59:50,640
Speaker 2: he's done with her. But Demail right now to me

2783
01:59:50,720 --> 01:59:53,840
Speaker 2: is my favorite producer and Arby like by far, his

2784
01:59:53,920 --> 01:59:55,360
Speaker 2: name needs to be out there more. He's a good

2785
01:59:55,400 --> 01:59:58,200
Speaker 2: dude as well. Like Demon, he's far. Yeah, so I

2786
01:59:58,200 --> 02:00:00,600
Speaker 2: want him to get his flowers. I'm not saying he

2787
02:00:00,600 --> 02:00:02,040
Speaker 2: took too much your master's I'm joking.

2788
02:00:02,160 --> 02:00:06,720
Speaker 7: No, it's fine. I'm you know, it is what it is.

2789
02:00:07,320 --> 02:00:11,120
Speaker 7: I'm fair like, I'm yeah, like, now that's important. Yeah,

2790
02:00:11,160 --> 02:00:14,920
Speaker 7: you just had to be fair like. I'm gonna win regardless.

2791
02:00:15,160 --> 02:00:18,400
Speaker 7: The money will come, so it's all good. I can't be,

2792
02:00:18,600 --> 02:00:19,320
Speaker 7: you know, I can't be.

2793
02:00:19,800 --> 02:00:24,760
Speaker 1: Make sure you get their accounting though, that's how you

2794
02:00:24,760 --> 02:00:26,640
Speaker 1: want the money to tell thank you with ma, thank

2795
02:00:26,720 --> 02:00:29,000
Speaker 1: you the numbers.

2796
02:00:29,840 --> 02:00:32,280
Speaker 4: Jasmine Sullivan since we brought her up, Oh my god,

2797
02:00:32,920 --> 02:00:37,960
Speaker 4: my favorite one of my favorite vocalists right now singers.

2798
02:00:39,040 --> 02:00:43,800
Speaker 7: Yeah. I've been a fan of hers for a long time.

2799
02:00:44,600 --> 02:00:47,400
Speaker 4: I think it's very inspiring to see someone like her

2800
02:00:48,240 --> 02:00:54,960
Speaker 4: finally get the recognition that she's that she deserves, knowing

2801
02:00:55,000 --> 02:00:57,440
Speaker 4: that she started off when she was like a team

2802
02:00:57,600 --> 02:01:00,840
Speaker 4: maybe even be I don't know, I think sixteen, maybe

2803
02:01:00,840 --> 02:01:04,800
Speaker 4: even younger label wise, but then to be in her

2804
02:01:04,800 --> 02:01:09,840
Speaker 4: mid thirties winning her first Grammy and just incredible winning, Like, Yeah,

2805
02:01:09,960 --> 02:01:12,280
Speaker 4: I'm inspired by her and she's someone I look up to.

2806
02:01:12,600 --> 02:01:14,920
Speaker 2: Coiler Ray, Coiler Ray.

2807
02:01:15,000 --> 02:01:16,880
Speaker 7: I need to learn how to t work like her.

2808
02:01:18,080 --> 02:01:20,360
Speaker 2: She I'm sorry.

2809
02:01:21,280 --> 02:01:24,320
Speaker 4: I mean I love her overall, like I love her,

2810
02:01:24,360 --> 02:01:27,360
Speaker 4: but I just keep seeing these incredible videos of her

2811
02:01:27,520 --> 02:01:33,320
Speaker 4: dancing despite how tiny she is, makes me feel like

2812
02:01:33,360 --> 02:01:34,600
Speaker 4: I have no excuse.

2813
02:01:35,120 --> 02:01:35,600
Speaker 1: Get out there.

2814
02:01:36,160 --> 02:01:38,800
Speaker 2: Yes, a favorite female rapper right.

2815
02:01:38,720 --> 02:01:42,320
Speaker 7: Now, favorite female rapper.

2816
02:01:42,360 --> 02:01:45,120
Speaker 2: Doci Okay, dope, Yeah, she's dope.

2817
02:01:45,320 --> 02:01:48,920
Speaker 4: I fucking love Doci. She has I think an event tonight,

2818
02:01:49,280 --> 02:01:52,400
Speaker 4: which we're not at, but I love her. I think,

2819
02:01:52,440 --> 02:01:54,760
Speaker 4: so yeah, my friend is work. I think my friend's working.

2820
02:01:55,000 --> 02:01:56,440
Speaker 7: It's Live Nation, I think.

2821
02:01:56,800 --> 02:02:05,120
Speaker 2: But I get right, I don't yo. But now if

2822
02:02:05,120 --> 02:02:06,520
Speaker 2: I go change, I'm gonna go to sleep.

2823
02:02:08,880 --> 02:02:09,200
Speaker 1: To go out there.

2824
02:02:09,360 --> 02:02:11,880
Speaker 2: Either we out now or I'm not going that type

2825
02:02:11,880 --> 02:02:14,840
Speaker 2: of thing. Westside Gun Griselda as a whole.

2826
02:02:15,240 --> 02:02:21,240
Speaker 4: I love west Side Gun is one of the most

2827
02:02:21,640 --> 02:02:26,360
Speaker 4: respectful and most kind artists that I've worked with. Like

2828
02:02:26,800 --> 02:02:32,520
Speaker 4: as a rapper, I have so much like terrible experiences

2829
02:02:33,160 --> 02:02:38,280
Speaker 4: but he was super kind and we worked. We've done

2830
02:02:38,360 --> 02:02:41,840
Speaker 4: like three songs together, and he's always down and shows

2831
02:02:41,840 --> 02:02:43,080
Speaker 4: so much love and support.

2832
02:02:43,360 --> 02:02:45,000
Speaker 2: How did that end up on? Because I was on

2833
02:02:45,760 --> 02:02:47,040
Speaker 2: not Anderson's album.

2834
02:02:47,080 --> 02:02:50,760
Speaker 7: That was it was on Free National album that I remember.

2835
02:02:51,720 --> 02:02:55,400
Speaker 4: The main producer of Free Nationals.

2836
02:02:55,640 --> 02:02:57,280
Speaker 7: He reached out to me years ago.

2837
02:02:58,560 --> 02:03:02,920
Speaker 4: Basically to sing this hook for them, and I never

2838
02:03:03,720 --> 02:03:05,680
Speaker 4: years after, I never knew what was going to happen

2839
02:03:05,720 --> 02:03:07,520
Speaker 4: with it, which is common in me.

2840
02:03:07,760 --> 02:03:08,680
Speaker 5: Like uh.

2841
02:03:09,120 --> 02:03:12,360
Speaker 7: And then he's he was like, hey, we finally are

2842
02:03:12,400 --> 02:03:15,080
Speaker 7: putting an album out. This is the song that you

2843
02:03:15,120 --> 02:03:15,480
Speaker 7: were on.

2844
02:03:15,840 --> 02:03:18,480
Speaker 4: And when I listened to it, initially I thought it

2845
02:03:18,520 --> 02:03:21,440
Speaker 4: was like ghost Face killing Action Bronson or something.

2846
02:03:21,840 --> 02:03:22,760
Speaker 2: He sounds like both.

2847
02:03:23,000 --> 02:03:26,200
Speaker 4: Yeah, So I'm like, oh, cool, you know I love

2848
02:03:26,440 --> 02:03:27,800
Speaker 4: I love these artists.

2849
02:03:27,960 --> 02:03:31,880
Speaker 7: Yeah, I'm so excited to be on a record. Yeah.

2850
02:03:31,920 --> 02:03:34,440
Speaker 4: And then he corrected me real quick and said it

2851
02:03:34,560 --> 02:03:39,320
Speaker 4: was Westside Gun and Conway's on that Conway yes, And

2852
02:03:39,360 --> 02:03:43,360
Speaker 4: then I thought that was even more dope because new artists,

2853
02:03:43,360 --> 02:03:45,560
Speaker 4: new rappers that I could get to know.

2854
02:03:46,320 --> 02:03:49,400
Speaker 2: I know, you don't you have to stay neutral, but

2855
02:03:50,040 --> 02:03:52,960
Speaker 2: you fuck with Griselda, oh, and you fuck with Freddy Gibbs.

2856
02:03:53,000 --> 02:03:53,760
Speaker 1: She said, all the ship.

2857
02:03:53,880 --> 02:03:56,000
Speaker 2: Yeah, I'm like, fuck and I feel like you're the

2858
02:03:56,040 --> 02:03:59,000
Speaker 2: only common denominator besides Maul and I when it comes

2859
02:03:59,040 --> 02:04:01,360
Speaker 2: to those two camps. So where do we stand in

2860
02:04:01,400 --> 02:04:02,320
Speaker 2: the beef between the two?

2861
02:04:02,480 --> 02:04:06,080
Speaker 7: I'm very sad just hear and see that that be

2862
02:04:06,440 --> 02:04:06,880
Speaker 7: we were.

2863
02:04:06,760 --> 02:04:11,280
Speaker 1: To we we spoke to Benny about it and Freddie personally,

2864
02:04:12,920 --> 02:04:15,880
Speaker 1: they say, it's just all a bunch of you know,

2865
02:04:16,360 --> 02:04:19,280
Speaker 1: just rapper ship man and it's for TikTok. It's just,

2866
02:04:20,120 --> 02:04:24,080
Speaker 1: you know, it's it's sad to see it, but you know,

2867
02:04:25,000 --> 02:04:27,840
Speaker 1: hopefully to get resolved. I mean Freddy about it, and

2868
02:04:27,960 --> 02:04:31,000
Speaker 1: you know, it's it's just it's unfortunate because I really

2869
02:04:31,000 --> 02:04:34,560
Speaker 1: I really with both of those and they were really

2870
02:04:34,720 --> 02:04:36,680
Speaker 1: what I thought were really cool and close at one

2871
02:04:36,680 --> 02:04:37,880
Speaker 1: point they won't tour together.

2872
02:04:38,040 --> 02:04:40,760
Speaker 7: Yeah, I think Jenny opened for Freddie.

2873
02:04:40,800 --> 02:04:42,840
Speaker 1: Right, Yeah, So to see where it's at now, it's

2874
02:04:42,920 --> 02:04:44,560
Speaker 1: just like it's unfortunately, it is.

2875
02:04:44,600 --> 02:04:48,040
Speaker 7: Unfortunate, but I love them all. I can't I'm not

2876
02:04:48,080 --> 02:04:51,280
Speaker 7: going to pick. I couldn't do that. Stay neutral.

2877
02:04:52,160 --> 02:04:52,920
Speaker 2: I think it's okay.

2878
02:04:52,960 --> 02:04:56,680
Speaker 7: For how did I meet Rory through Johnson? And then

2879
02:04:57,040 --> 02:05:00,160
Speaker 7: what party were we were at like a our c.

2880
02:05:00,200 --> 02:05:04,040
Speaker 2: A ton G probably I think.

2881
02:05:04,160 --> 02:05:07,240
Speaker 7: Yeah, Freddy was there. Freddie and Lambeau were there. I

2882
02:05:07,240 --> 02:05:09,880
Speaker 7: don't remember what event it.

2883
02:05:09,800 --> 02:05:13,960
Speaker 4: Was, but I officially met years there. Yeah, and again

2884
02:05:14,080 --> 02:05:17,720
Speaker 4: he was quiet as hell's kind of standoffish.

2885
02:05:17,960 --> 02:05:19,360
Speaker 5: I didn't want to be anywhere else.

2886
02:05:19,360 --> 02:05:21,560
Speaker 7: But yeah, it looked look looking like he didn't want

2887
02:05:21,560 --> 02:05:26,000
Speaker 7: to be there. Yeah, I'm like, this is no fun.

2888
02:05:26,360 --> 02:05:30,880
Speaker 2: No, it wasn't.

2889
02:05:31,760 --> 02:05:33,360
Speaker 7: I enjoyed the party though, but.

2890
02:05:33,440 --> 02:05:35,720
Speaker 2: I don't remember. This is in l A or New York?

2891
02:05:35,920 --> 02:05:39,840
Speaker 7: In l A, I believe, or was that New York? No,

2892
02:05:39,920 --> 02:05:40,360
Speaker 7: I think it was.

2893
02:05:40,600 --> 02:05:41,680
Speaker 2: You're supposed to be the historian.

2894
02:05:42,080 --> 02:05:45,680
Speaker 4: Was it l A or New York? When I met Yeah,

2895
02:05:46,080 --> 02:05:49,000
Speaker 4: it was at an RCA party. Eddie had left his

2896
02:05:49,040 --> 02:05:50,320
Speaker 4: friend out outside.

2897
02:05:53,480 --> 02:05:57,640
Speaker 7: Oh well, there we go. What's Oh? There we go?

2898
02:05:57,840 --> 02:06:00,400
Speaker 7: There we go. This is why I have.

2899
02:06:02,760 --> 02:06:04,000
Speaker 5: Rory was hosting good.

2900
02:06:04,920 --> 02:06:06,200
Speaker 2: I'm not an industry I just want to make that.

2901
02:06:06,240 --> 02:06:08,120
Speaker 7: But you're there, clearly you are.

2902
02:06:09,480 --> 02:06:09,680
Speaker 1: Yeah.

2903
02:06:09,880 --> 02:06:14,080
Speaker 4: He and I'm like, yeah, he did not look like

2904
02:06:14,080 --> 02:06:14,600
Speaker 4: you wanted.

2905
02:06:14,440 --> 02:06:16,200
Speaker 1: To be there, but he wanted.

2906
02:06:16,320 --> 02:06:19,040
Speaker 4: I know because I'm like, you're there, clearly, you're there.

2907
02:06:19,160 --> 02:06:22,600
Speaker 1: Yeah, this is so much Oh my god, nobody's talking

2908
02:06:22,600 --> 02:06:23,200
Speaker 1: to I don't.

2909
02:06:23,200 --> 02:06:24,760
Speaker 2: Do that ship when I go somewhere I want to go,

2910
02:06:25,080 --> 02:06:26,280
Speaker 2: I just look like I don't want.

2911
02:06:26,120 --> 02:06:26,480
Speaker 1: To be there.

2912
02:06:26,560 --> 02:06:28,560
Speaker 2: I can't control my face. I don't know my face.

2913
02:06:28,640 --> 02:06:30,520
Speaker 1: Just does that you can control your face?

2914
02:06:30,720 --> 02:06:32,200
Speaker 2: No, I can control my body. I didn't want to

2915
02:06:32,200 --> 02:06:34,000
Speaker 2: be there. I would have left so I wanted to

2916
02:06:34,040 --> 02:06:35,520
Speaker 2: be there. I just don't look like I want to

2917
02:06:35,520 --> 02:06:38,680
Speaker 2: be there. That's all. Yeah, you did, never mind, you

2918
02:06:38,920 --> 02:06:41,600
Speaker 2: want to be there. I didn't want to be there.

2919
02:06:43,080 --> 02:06:48,240
Speaker 4: I mean yeah, oh yeah, La is different. But ever

2920
02:06:48,280 --> 02:06:52,600
Speaker 4: since then, Roy has been really really supportive. He showed

2921
02:06:52,640 --> 02:06:54,760
Speaker 4: love for my song good that.

2922
02:06:54,760 --> 02:06:58,480
Speaker 7: Was so cute. That was so cute.

2923
02:06:59,480 --> 02:07:02,880
Speaker 1: I can't use it. Was a word for that. We

2924
02:07:02,920 --> 02:07:08,120
Speaker 1: can't use it anymore. And I didn't say anything.

2925
02:07:09,640 --> 02:07:10,120
Speaker 2: Genuine.

2926
02:07:12,440 --> 02:07:13,280
Speaker 7: That was cute.

2927
02:07:14,720 --> 02:07:16,720
Speaker 2: I always.

2928
02:07:18,080 --> 02:07:19,320
Speaker 7: I know little.

2929
02:07:23,040 --> 02:07:24,920
Speaker 2: I love being a little. You do know, Kyle?

2930
02:07:25,640 --> 02:07:26,800
Speaker 7: That's Kyle Dion.

2931
02:07:29,600 --> 02:07:33,200
Speaker 2: Anyways, last question, where do you find fulfillment outside of

2932
02:07:33,280 --> 02:07:34,080
Speaker 2: work and family?

2933
02:07:35,640 --> 02:07:42,760
Speaker 7: Oh? Man, mm hmmm. I like I like to eat.

2934
02:07:43,360 --> 02:07:44,400
Speaker 7: I like to go out and eat.

2935
02:07:44,800 --> 02:07:46,040
Speaker 1: Survive woman, what woman does?

2936
02:07:47,840 --> 02:07:51,480
Speaker 7: I've been really I love Nigerian food. Recently so a

2937
02:07:51,520 --> 02:07:56,040
Speaker 7: lot of pepper soup, you can get that in pepper soup. Yeah,

2938
02:07:56,080 --> 02:08:00,360
Speaker 7: there's a really I'm gonna the Pepper go What his.

2939
02:08:00,320 --> 02:08:02,680
Speaker 2: Name the one that puts you on that put.

2940
02:08:02,480 --> 02:08:05,720
Speaker 7: Me onto the restaurant? Her name my dancer.

2941
02:08:05,880 --> 02:08:10,120
Speaker 2: F Oh yeah, I told you you said it, but

2942
02:08:11,480 --> 02:08:12,200
Speaker 2: trying to back you up.

2943
02:08:12,240 --> 02:08:14,840
Speaker 4: I don't know, but there is my friend fam wants

2944
02:08:14,880 --> 02:08:17,760
Speaker 4: to take I guess take.

2945
02:08:17,560 --> 02:08:21,520
Speaker 7: The the what do you call it? Sometimes?

2946
02:08:21,840 --> 02:08:22,040
Speaker 2: Yeah?

2947
02:08:22,120 --> 02:08:23,680
Speaker 7: Thanks, my English should be off.

2948
02:08:23,760 --> 02:08:25,720
Speaker 2: Sometimes you don't fuck you up.

2949
02:08:26,200 --> 02:08:27,480
Speaker 1: Joeys, So we had struggling with Sair.

2950
02:08:27,560 --> 02:08:30,600
Speaker 4: She's like, what is it called take the credit for

2951
02:08:30,720 --> 02:08:32,600
Speaker 4: like putting me onto all the Nigerian spots?

2952
02:08:32,640 --> 02:08:35,880
Speaker 7: But f ma, my dancer put me onto the spot.

2953
02:08:35,960 --> 02:08:37,080
Speaker 7: It's called the pepper Goat.

2954
02:08:37,320 --> 02:08:41,920
Speaker 4: They just opened up. It's delivery and take out, but

2955
02:08:41,960 --> 02:08:45,880
Speaker 4: they're going to do sit down in downtown. But it's

2956
02:08:46,280 --> 02:08:49,080
Speaker 4: really bombed Nigerian food and I've been going there, so

2957
02:08:49,160 --> 02:08:51,600
Speaker 4: y'all have to go there show them love.

2958
02:08:52,520 --> 02:08:54,960
Speaker 7: But I love to eat. Yeah, going out to eat.

2959
02:08:55,000 --> 02:08:56,680
Speaker 7: I guess a lot of us women like to do that.

2960
02:08:56,800 --> 02:08:57,640
Speaker 1: Women love to eat.

2961
02:08:57,840 --> 02:08:59,640
Speaker 5: So you've been saying I heard a couple of drunk

2962
02:08:59,680 --> 02:09:02,680
Speaker 5: stories in this conversation you got had with the guys,

2963
02:09:02,960 --> 02:09:04,120
Speaker 5: So you begin lit.

2964
02:09:04,560 --> 02:09:05,240
Speaker 7: I used to.

2965
02:09:06,680 --> 02:09:07,320
Speaker 2: We all used to.

2966
02:09:07,720 --> 02:09:10,560
Speaker 7: And also I feel like, you know, you have to

2967
02:09:10,640 --> 02:09:16,680
Speaker 7: eat before you decide to and during those and during

2968
02:09:17,160 --> 02:09:20,080
Speaker 7: but during those times, I was not.

2969
02:09:20,000 --> 02:09:25,280
Speaker 2: Being Instead of making a bad decision, I was irresponsible.

2970
02:09:25,320 --> 02:09:28,840
Speaker 7: And that's how those situations played out. But now I

2971
02:09:28,840 --> 02:09:32,120
Speaker 7: don't even really drink much. Even when we were here

2972
02:09:32,200 --> 02:09:33,040
Speaker 7: at your house.

2973
02:09:33,120 --> 02:09:35,360
Speaker 4: That is true, I didn't get to be a part

2974
02:09:35,360 --> 02:09:39,680
Speaker 4: of Yeah you were being bashful. Yes, yeah, I'm just

2975
02:09:39,840 --> 02:09:43,880
Speaker 4: protecting my voice, my moneymaker from the alcohol.

2976
02:09:44,400 --> 02:09:45,560
Speaker 7: Yeah, it dehydrates you.

2977
02:09:45,840 --> 02:09:48,080
Speaker 5: Yeah, so you got to take a shot of water

2978
02:09:48,080 --> 02:09:49,440
Speaker 5: for every shot of tequila you take.

2979
02:09:50,360 --> 02:09:51,000
Speaker 1: Don't listen to it.

2980
02:09:51,040 --> 02:09:52,200
Speaker 2: I mean, we can cut some of this. Does that

2981
02:09:52,240 --> 02:09:54,600
Speaker 2: not make Chris Brown the fucking goat? All he does

2982
02:09:54,640 --> 02:09:56,160
Speaker 2: is drink and do coke and has the greatest ic

2983
02:09:56,800 --> 02:10:01,160
Speaker 2: I know? But is that he's smoking weed resets every day?

2984
02:10:01,240 --> 02:10:03,400
Speaker 2: That is just voices angel.

2985
02:10:03,200 --> 02:10:06,720
Speaker 7: Like certain people, certain people thrive.

2986
02:10:07,280 --> 02:10:08,680
Speaker 2: Is he not the greatest human being?

2987
02:10:10,240 --> 02:10:13,080
Speaker 7: But I'm is that his live real vocals?

2988
02:10:15,120 --> 02:10:16,480
Speaker 1: I mean he has an effect on it.

2989
02:10:16,520 --> 02:10:19,000
Speaker 2: I'm sure there's definitely an effect. But I think Chris is.

2990
02:10:19,680 --> 02:10:22,120
Speaker 7: Yes, I mean usher and that tiny desk.

2991
02:10:22,160 --> 02:10:25,400
Speaker 2: That was crazy, insane. That was I don't think Sure

2992
02:10:25,440 --> 02:10:27,640
Speaker 2: does the amount of coke and smokes the amount of

2993
02:10:27,680 --> 02:10:36,040
Speaker 2: weat and cigarettes that Chris Brown does. Bruno Mars Bruno,

2994
02:10:37,120 --> 02:10:38,680
Speaker 2: Bruno is the plug.

2995
02:10:41,080 --> 02:10:42,800
Speaker 1: He has the whole, he has the whole brick in

2996
02:10:42,840 --> 02:10:43,520
Speaker 1: the dressing room.

2997
02:10:44,040 --> 02:10:46,560
Speaker 2: I'm waiting for the Anderson followup ran off on the plug.

2998
02:10:50,160 --> 02:10:53,440
Speaker 7: Oh my goodness. I don't know how people do it.

2999
02:10:53,640 --> 02:10:56,640
Speaker 7: I wish I could do that, like I sometimes I'm

3000
02:10:56,720 --> 02:10:57,480
Speaker 7: like I.

3001
02:10:57,600 --> 02:11:00,320
Speaker 2: T y'all smoke twice in my life and hated it

3002
02:11:00,360 --> 02:11:03,600
Speaker 2: both times. I'm good, Yeah, I'm good. I don't understand

3003
02:11:03,600 --> 02:11:04,360
Speaker 2: how people function.

3004
02:11:04,200 --> 02:11:04,560
Speaker 1: Off the ship.

3005
02:11:05,320 --> 02:11:08,800
Speaker 7: I like the shrooms and what was your last room?

3006
02:11:08,840 --> 02:11:09,120
Speaker 1: True?

3007
02:11:10,880 --> 02:11:13,040
Speaker 2: Not the micro dose like the last like you took

3008
02:11:13,080 --> 02:11:14,920
Speaker 2: a little too many of the chocolate things.

3009
02:11:15,400 --> 02:11:17,760
Speaker 7: I haven't really went that far.

3010
02:11:17,680 --> 02:11:20,520
Speaker 2: Deep in yet. I think you should.

3011
02:11:20,680 --> 02:11:23,040
Speaker 7: I want to. I need to find the time.

3012
02:11:25,520 --> 02:11:27,840
Speaker 2: Well, are you going to tour this project? Right? I'd

3013
02:11:27,880 --> 02:11:28,120
Speaker 2: like to.

3014
02:11:28,360 --> 02:11:31,080
Speaker 4: I would ideally I want to open for a big

3015
02:11:31,160 --> 02:11:33,080
Speaker 4: ass artists, and.

3016
02:11:33,120 --> 02:11:37,680
Speaker 2: I mean you've done that, a big ass artist. I

3017
02:11:37,680 --> 02:11:38,520
Speaker 2: think is there?

3018
02:11:38,920 --> 02:11:43,200
Speaker 7: Yes, I think it's there, yes, yes, I.

3019
02:11:43,200 --> 02:11:46,560
Speaker 4: Feel like, you know, maybe a doja cat or maybe

3020
02:11:47,320 --> 02:11:50,440
Speaker 4: you know someone to that caliber.

3021
02:11:50,800 --> 02:11:51,800
Speaker 7: I think could be fun.

3022
02:11:52,680 --> 02:11:56,120
Speaker 2: And this is a you and jazz question and there's

3023
02:11:56,160 --> 02:11:59,720
Speaker 2: no real answer. At what point do you stop doing

3024
02:11:59,760 --> 02:12:03,280
Speaker 2: the opening act thing, no matter who the artist is,

3025
02:12:03,440 --> 02:12:05,320
Speaker 2: and just say fuck it, I'm going to the city

3026
02:12:05,360 --> 02:12:06,200
Speaker 2: to get my tickets.

3027
02:12:06,320 --> 02:12:06,840
Speaker 7: I feel you.

3028
02:12:07,600 --> 02:12:10,320
Speaker 4: I mean, I would love to do I think for now,

3029
02:12:10,400 --> 02:12:16,600
Speaker 4: like headline certain major cities New York, LA, bigger cities.

3030
02:12:16,880 --> 02:12:18,960
Speaker 7: That I feel like I did.

3031
02:12:18,800 --> 02:12:21,680
Speaker 4: Well on tour with Lucky, But overall, I think I

3032
02:12:21,720 --> 02:12:23,120
Speaker 4: still need exposure.

3033
02:12:23,600 --> 02:12:25,760
Speaker 2: I feel that I've noticed.

3034
02:12:27,800 --> 02:12:30,400
Speaker 7: Other cities we just don't do as well as I

3035
02:12:30,440 --> 02:12:30,840
Speaker 7: would like to.

3036
02:12:31,160 --> 02:12:33,440
Speaker 2: Well, we're in the worst tickets sales.

3037
02:12:33,560 --> 02:12:36,240
Speaker 7: That's true as well. That is true.

3038
02:12:36,840 --> 02:12:38,720
Speaker 2: I wouldn't compare that. That's the market right now.

3039
02:12:38,800 --> 02:12:39,800
Speaker 7: Yeah, that is true. Thanks.

3040
02:12:39,840 --> 02:12:41,880
Speaker 2: So yeah, I mean I guess the support act right

3041
02:12:41,880 --> 02:12:42,920
Speaker 2: now probably is helpful.

3042
02:12:43,000 --> 02:12:44,800
Speaker 7: So you're telling me just go headline.

3043
02:12:45,280 --> 02:12:47,520
Speaker 2: Yeah, oh thank you, I'm saying.

3044
02:12:47,600 --> 02:12:52,600
Speaker 7: Look at no, yeah, yeah, we we.

3045
02:12:52,680 --> 02:12:58,880
Speaker 2: Have I trust me. I'm aware. But when you can

3046
02:12:58,960 --> 02:13:04,280
Speaker 2: do major markets, hit babies all right, real quick. No,

3047
02:13:04,360 --> 02:13:06,880
Speaker 2: you're missing my point. I'm not saying, of course, you

3048
02:13:06,920 --> 02:13:09,280
Speaker 2: can do more than babies, all right, but to feed

3049
02:13:09,280 --> 02:13:11,760
Speaker 2: a core fan base and just keep them to want

3050
02:13:11,760 --> 02:13:13,760
Speaker 2: to buy the next one. Yeah, let's go hit, let's

3051
02:13:13,760 --> 02:13:16,240
Speaker 2: do two weeks before babies. All right, let's go. Ye,

3052
02:13:18,600 --> 02:13:20,480
Speaker 2: you're right, You're right, I'm just doing ship, make the

3053
02:13:20,520 --> 02:13:21,120
Speaker 2: ship free.

3054
02:13:21,160 --> 02:13:21,560
Speaker 7: You're right.

3055
02:13:21,680 --> 02:13:22,720
Speaker 2: Go in the red for a time.

3056
02:13:22,840 --> 02:13:23,920
Speaker 7: That's true.

3057
02:13:24,880 --> 02:13:25,360
Speaker 3: All the time.

3058
02:13:25,840 --> 02:13:27,080
Speaker 1: No, all the time.

3059
02:13:27,160 --> 02:13:28,080
Speaker 5: We go on the red one.

3060
02:13:28,640 --> 02:13:31,920
Speaker 2: Yes, yes, it's not just my hair color. I live

3061
02:13:31,920 --> 02:13:33,200
Speaker 2: in the rest.

3062
02:13:37,120 --> 02:13:40,880
Speaker 7: Yeah, but I feel you on like.

3063
02:13:42,440 --> 02:13:47,880
Speaker 4: Leaving room for excitement and curious, like mysteriousness.

3064
02:13:46,320 --> 02:13:48,720
Speaker 7: By doing smaller shows where people can be.

3065
02:13:48,880 --> 02:13:52,560
Speaker 4: I mean, I did the Echo last year and that

3066
02:13:52,640 --> 02:13:55,320
Speaker 4: was like three hundred capacity, so.

3067
02:13:55,240 --> 02:13:59,360
Speaker 2: That was good fire. Yes, three hundred tickets solo is amazing.

3068
02:13:59,560 --> 02:14:03,800
Speaker 2: Oh thank you Jazz Jazz. Want to do Barclays now

3069
02:14:04,080 --> 02:14:04,520
Speaker 2: we do?

3070
02:14:04,720 --> 02:14:07,160
Speaker 7: That would be nice, But Joyce.

3071
02:14:08,760 --> 02:14:09,640
Speaker 1: Never seen you love.

3072
02:14:13,240 --> 02:14:13,560
Speaker 5: Music?

3073
02:14:15,800 --> 02:14:17,720
Speaker 1: Both really good good venues.

3074
02:14:20,800 --> 02:14:23,640
Speaker 7: Oh yeah, so then we'll do those. So will you

3075
02:14:23,680 --> 02:14:25,440
Speaker 7: all come to the New York show or the l

3076
02:14:25,480 --> 02:14:27,720
Speaker 7: A show either.

3077
02:14:28,240 --> 02:14:30,600
Speaker 1: If I'm if it's if I'm in New York and

3078
02:14:30,640 --> 02:14:33,840
Speaker 1: you're here, I'm gonna come out or LA either. I

3079
02:14:33,840 --> 02:14:35,440
Speaker 1: gotta see, I gotta see you live. I gotta see

3080
02:14:35,480 --> 02:14:35,840
Speaker 1: what this is?

3081
02:14:35,840 --> 02:14:36,280
Speaker 7: You need too?

3082
02:14:37,120 --> 02:14:39,280
Speaker 2: She with the choreography, she'd be kicking the heels off.

3083
02:14:40,440 --> 02:14:42,600
Speaker 2: Oh like she'd be dancing, dancing.

3084
02:14:43,920 --> 02:14:48,720
Speaker 1: Okay, I gotta see that is Joe. Are you happy?

3085
02:14:49,360 --> 02:14:53,240
Speaker 7: Very happy? Genuinely very happy?

3086
02:14:54,040 --> 02:15:00,360
Speaker 4: And yeah, I'm I feel like I'm hot, the happiest

3087
02:15:00,400 --> 02:15:01,000
Speaker 4: I've ever been.

3088
02:15:01,440 --> 02:15:03,160
Speaker 2: Wow, Yes, I'm happy for you.

3089
02:15:03,280 --> 02:15:04,200
Speaker 5: That made me happy.

3090
02:15:05,160 --> 02:15:09,200
Speaker 2: I'm happy too, I'm so happy you're acting.

3091
02:15:09,680 --> 02:15:10,720
Speaker 7: Are you happy me?

3092
02:15:11,200 --> 02:15:15,879
Speaker 1: I'm depressed every day, I think. No, I'm happy. I'm good, genuinely,

3093
02:15:16,120 --> 02:15:18,280
Speaker 1: genuinely happy. Yes, I'm genuinely.

3094
02:15:18,440 --> 02:15:21,800
Speaker 7: You're looking dead in my eyes too, he's happy. What

3095
02:15:21,840 --> 02:15:24,000
Speaker 7: about you, Rory, I know you're very happy.

3096
02:15:24,120 --> 02:15:29,160
Speaker 2: I exist, I know you're No, I am happy. I am.

3097
02:15:29,560 --> 02:15:32,160
Speaker 2: I'm very much like I'm happy to Demerius.

3098
02:15:32,200 --> 02:15:32,920
Speaker 5: What about you?

3099
02:15:33,680 --> 02:15:35,880
Speaker 1: Her whole world's on fire, that's why she got the

3100
02:15:35,920 --> 02:15:39,160
Speaker 1: red hair. Now, the red hair the phoenix, you know,

3101
02:15:39,200 --> 02:15:40,960
Speaker 1: the you gotta come from the ashes and raise to

3102
02:15:41,040 --> 02:15:41,400
Speaker 1: be born?

3103
02:15:41,440 --> 02:15:42,560
Speaker 5: And did you just happy to see?

3104
02:15:42,560 --> 02:15:42,600
Speaker 8: You?

3105
02:15:42,840 --> 02:15:43,919
Speaker 2: Call her hair a metaphor?

3106
02:15:45,560 --> 02:15:46,760
Speaker 1: You know thatice how you can tell what women are

3107
02:15:46,800 --> 02:15:49,080
Speaker 1: going through? They starting the hairs like what he did?

3108
02:15:51,600 --> 02:15:54,480
Speaker 1: What you're going through? What's up? See there you go.

3109
02:15:54,760 --> 02:15:56,640
Speaker 2: Those are tamaris. Did he compliment your hair and just

3110
02:15:56,640 --> 02:15:58,160
Speaker 2: say hey, I see you changed your hair?

3111
02:15:58,320 --> 02:15:59,040
Speaker 5: There is no key.

3112
02:15:59,480 --> 02:16:03,200
Speaker 1: Okay, all right, this has been another episode. Jesus Christ.

3113
02:16:03,240 --> 02:16:09,600
Speaker 1: The marriages came here. I mean, no, you're going out

3114
02:16:09,640 --> 02:16:10,920
Speaker 1: just because you like to go out. That don't mean

3115
02:16:10,920 --> 02:16:12,040
Speaker 1: you man.

3116
02:16:13,400 --> 02:16:16,520
Speaker 2: Okay is a sprinter that y'all brought the first time

3117
02:16:16,560 --> 02:16:18,760
Speaker 2: I saw Who's Droving?

3118
02:16:21,280 --> 02:16:23,000
Speaker 7: Thank you guys on.

3119
02:16:22,920 --> 02:16:25,480
Speaker 1: Your show, Thank you stopping by.

3120
02:16:25,760 --> 02:16:27,000
Speaker 2: This was this was fun.

3121
02:16:27,480 --> 02:16:28,880
Speaker 1: This was fun. It wasn't too painful.

3122
02:16:29,160 --> 02:16:31,800
Speaker 7: No, That's why I'm like, no, no, no.

3123
02:16:31,960 --> 02:16:33,200
Speaker 2: This is what do you think it was going to be.

3124
02:16:33,440 --> 02:16:35,920
Speaker 7: I don't know because I watched some of the episodes

3125
02:16:35,959 --> 02:16:36,520
Speaker 7: and I'm like.

3126
02:16:38,120 --> 02:16:41,840
Speaker 1: Well, it's different. You have a personal attachment, personal relationship

3127
02:16:41,840 --> 02:16:42,560
Speaker 1: here with Rory.

3128
02:16:43,800 --> 02:16:47,080
Speaker 2: I didn't like the tone. You didn't like this with Rory.

3129
02:16:47,760 --> 02:16:48,520
Speaker 1: No, no, no, no, no, no.

3130
02:16:50,320 --> 02:16:52,360
Speaker 2: Like who do I who I know? Who do I know? Here?

3131
02:16:54,080 --> 02:16:56,640
Speaker 7: I was just trying to understand what you meant by that.

3132
02:16:56,760 --> 02:16:57,600
Speaker 1: Yeah, it was different.

3133
02:16:57,680 --> 02:17:00,560
Speaker 2: Thank you guys, Yeah, thank you. And we'll make this

3134
02:17:00,600 --> 02:17:02,400
Speaker 2: a reoccurring thing. Jazz has to get on the microphone.

3135
02:17:02,440 --> 02:17:05,560
Speaker 7: Yes, jazz needs to be jazz what did I.

3136
02:17:05,480 --> 02:17:07,560
Speaker 2: Say when we were texting podcasts?

3137
02:17:07,680 --> 02:17:11,560
Speaker 4: Worried that the men on the show will eat her up?

3138
02:17:12,000 --> 02:17:16,520
Speaker 1: So what them niggas they got long toenails and ship

3139
02:17:16,600 --> 02:17:19,240
Speaker 1: them niggas don't matter. That's all you gotta do is nigga,

3140
02:17:19,240 --> 02:17:20,680
Speaker 1: start talking like you only clip is told.

3141
02:17:20,760 --> 02:17:22,280
Speaker 2: Don't wry about that, nigga.

3142
02:17:22,760 --> 02:17:25,400
Speaker 1: I want to say, that's all right. That makes it great.

3143
02:17:25,440 --> 02:17:26,480
Speaker 1: That means you're gonna be great.

3144
02:17:26,879 --> 02:17:31,240
Speaker 7: They get behind the screens.

3145
02:17:31,400 --> 02:17:35,400
Speaker 1: Yeah, it's okay, so good, all right, y'all take a

3146
02:17:35,400 --> 02:17:36,800
Speaker 1: shot so we can get out of here.

3147
02:17:37,040 --> 02:17:38,440
Speaker 2: Shot. I'm gonna take it.

3148
02:17:38,480 --> 02:17:39,279
Speaker 5: Sip happiness.

3149
02:17:39,520 --> 02:17:40,040
Speaker 1: I don't drink.

3150
02:17:40,440 --> 02:17:44,160
Speaker 7: You don't drink. I don't okay, I will.

3151
02:17:43,959 --> 02:17:49,600
Speaker 2: Take this podcast crazy? You did you did drink? Motive? Motive, Motive.

3152
02:17:50,280 --> 02:17:51,800
Speaker 7: You're gonna listen to Motive after this?

3153
02:17:52,400 --> 02:17:53,320
Speaker 1: I'm gon how downloaded?

3154
02:17:53,360 --> 02:17:54,920
Speaker 7: Right now?

3155
02:17:56,200 --> 02:18:00,400
Speaker 1: Hey you United Kingdoemonians, Blokes and Blokettes. This is Rory

3156
02:18:00,760 --> 02:18:04,280
Speaker 1: and Maul and we are coming to London's Earth Theater

3157
02:18:04,520 --> 02:18:05,720
Speaker 1: November fifth.

3158
02:18:05,879 --> 02:18:08,600
Speaker 2: Yes, first time across the pond from me, I'm excited.

3159
02:18:09,080 --> 02:18:11,440
Speaker 1: Yes, I'm excited to not first time across the pond,

3160
02:18:11,480 --> 02:18:13,320
Speaker 1: first time going across the Pond and people were actually

3161
02:18:13,360 --> 02:18:14,400
Speaker 1: waiting to see me.

3162
02:18:14,440 --> 02:18:16,560
Speaker 2: Yes first time with the work visa, Yes ectly.

3163
02:18:17,400 --> 02:18:20,240
Speaker 1: We will be at the Earth Theater November fifth and London,

3164
02:18:20,280 --> 02:18:22,039
Speaker 1: looking forward to it. Hope to see you all soon.

3165
02:18:22,080 --> 02:18:24,640
Speaker 1: Get your tickets now. If not, it's gonna be a

3166
02:18:24,640 --> 02:18:26,879
Speaker 1: fucking pissfest when we get there, going nuts.