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Speaker 1: Y'all, no song.

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Speaker 2: Every time I saw he was advocating when we weren't together.

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Speaker 1: Nelly, every time I steal a kiss Nelly, My god,

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Speaker 1: how you been? Yeah? Yeah, that's great? What dude? Yeah? Year?

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Speaker 3: What up?

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Speaker 1: Yards? Joe cracked the daunt your boy, Jada? You know

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Speaker 1: what it is? Did Joe and Jada show?

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Speaker 3: First things first, we like to welcome our guests, Ashanti

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Speaker 3: and Nelly.

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Speaker 4: Make some noise.

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Speaker 1: Just make it before we even get in any questions.

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Speaker 1: Your cracked.

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Speaker 3: I think they're trying to steal a little bit of

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Speaker 3: your percentage of something. You know.

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Speaker 1: Let misca.

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Speaker 2: First of all, I ain't even say nothing. Never came

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Speaker 2: right in with like, yo, crack, You're trying to take

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Speaker 2: the credit. It's the fucking truth. Why I gotta why

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Speaker 2: I'm always getting scolded.

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Speaker 1: I was trying to protect you, champ. Don't protect. Don't protect?

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Speaker 1: You know what's up? I'm trying to protect you.

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Speaker 2: No, you know what's up? Don't I'm not lying. I

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Speaker 2: was there when you was there. You was on my phone.

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Speaker 2: You're listen. They announced how you doing? Brother, and listen

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Speaker 2: they announced the verses My first yo, I'm not even

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Speaker 2: gonna lie to you. Come on, it was like viral.

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Speaker 2: I'm not gonna it wasn't viral. It was viral for

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Speaker 2: your call because it came so fast. I just said,

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Speaker 2: your brother, you leave me there. I didn't know I

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Speaker 2: was in for the fix, right, Like, Yo, you know

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Speaker 2: what you guys just did the verses. You actually fucked

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Speaker 2: me up because your verses was so hood and so ghetto.

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Speaker 1: They was no.

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Speaker 2: No, I'm just saying they shooting dice. No, I love it.

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Speaker 2: It's the greatest It's the greatest moment of hip hop

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Speaker 2: I've seen in my lifetime recent. Right, I'm just keeping

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Speaker 2: it real with you. But they definitely was. You wasn't

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Speaker 2: at the bathroom. They were shooting dice and smoking bloods

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Speaker 2: at the girls had to walk over dice games.

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Speaker 1: This ship was sent seventy dollar.

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Speaker 2: No, so you had me thinking I was the next

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Speaker 2: versus that it was going to be ghetto. You know

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Speaker 2: what's something I'm thinking about all these underground sauce he

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Speaker 2: called me. I said, man, Nelly might be too big

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Speaker 2: for this because, by the way, Nelly Dine sold thirty

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Speaker 2: forty million records. Way too dad, So I said, yo,

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Speaker 2: you know why you might want to fall back right,

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Speaker 2: and then I'm going through it and I'm said, man,

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Speaker 2: we better dirty. But I didn't know you were setting

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Speaker 2: me up the whole time. So I go, I call

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Speaker 2: you back. He was like, I'm there, you're my brother.

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Speaker 2: One thing I can say, you know you might this.

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Speaker 2: You know that's why this is my siss on another level.

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Speaker 2: So I don't think people really understand that when we

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Speaker 2: call brother and sister, that's a different type of talk.

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Speaker 2: So it's like it's a different type of talk. It's like, yo,

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Speaker 2: that's my sister. We have friends, associates, people, but when

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Speaker 2: were in that lane, it's a different type of lane.

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Speaker 2: And so I don't think nothing of it.

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Speaker 1: Man, And you came out there sleepwalking. You seen it?

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Speaker 1: You was like, you walk across the whole ship. I

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Speaker 1: see you. I've been duped, I've been taken for a ride.

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Speaker 2: Check.

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Speaker 1: Had nothing to do with you. Do you think he

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Speaker 1: was in the way, this guy so much? You think

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Speaker 1: you care about coming to versus this guy? Come over

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Speaker 1: here of this guy?

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Speaker 2: You lie?

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Speaker 5: Man, listen, and you caught a burning and a baby

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Speaker 5: control with the ship never never.

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Speaker 6: Burning the baby is amazing.

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Speaker 1: But the scenario was a little bit different. Okay, right,

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Speaker 1: I did. I saw the verse of What's Name, and

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Speaker 1: I knew what was going on. I didn't.

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Speaker 2: I was gonna just so happened. I was up in

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Speaker 2: New York. I was gonna be there for something a

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Speaker 2: little bit different.

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Speaker 1: You was there early, took super early.

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Speaker 2: So when it was like that, I was just letting

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Speaker 2: you know, Yo, I'm up here. You gonna need I'm

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Speaker 2: gonna be up there if you need me to by by.

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Speaker 2: I was just letting you know because I knew what

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Speaker 2: versus was going. It was different from the time I

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Speaker 2: did it. This should had been this ship is went

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Speaker 2: to Madison Square. God, hold on, this is different. You

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Speaker 2: added to the delusion, like you came in my room

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Speaker 2: early and was like.

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Speaker 1: You got this. He can't mess with you.

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Speaker 2: I'm like, yah, yeah, I'm like this guy got a

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Speaker 2: thousand hits.

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Speaker 1: I told you. I told you to recognize me. Wired.

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Speaker 2: I recognized that wasn't That wasn't me. That was your

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Speaker 2: other sister. Had you get had you pumped and red?

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Speaker 2: She had she had you ready to go, But I

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Speaker 2: definitely said no, you gotta do you You you got this

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Speaker 2: because you're him.

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Speaker 1: You were pacing it was on your mind. You knew

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Speaker 1: what you were in for.

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Speaker 2: Oh that's that's what you knew what you're in for.

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Speaker 2: You were like, yeah, it's a different company.

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Speaker 1: She got a thousand heads. Mo, this guy's got it.

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Speaker 2: I said, don't worry about you know you got let

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Speaker 2: me explain you got this and then you got.

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Speaker 1: Versus is the closest thing to a boxing match. Yeah.

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Speaker 2: So when I came down, I said to Uncle Davi's

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Speaker 2: house in Jersey. When I came downstairs, the doorman was.

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Speaker 1: Like, get him, joke. I get in the car. I

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Speaker 1: swear to god, I get in the car.

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Speaker 2: The FedEx man was like, get him cracked everywhere you

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Speaker 2: got old lady.

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Speaker 1: Cross in the street, get him, Joe, drag him. I

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Speaker 1: was like, yeo. I was like love with something.

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Speaker 2: I was like and then, just like a boxing match,

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Speaker 2: when it got to like that thirteen, fourteenth and fifteenth,

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Speaker 2: I just kept feeling body blow body blow, and I said,

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Speaker 2: oh my god, this guy he's swinging for the fences. Now,

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Speaker 2: you guys, how are you feeling that?

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Speaker 6: Because you was in the oh man, I felt like

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Speaker 6: the tennis match, you know what I'm saying. I was

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Speaker 6: like this, okay, Joe Joe going back and forth. But

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Speaker 6: you know I love both of y'all. You know what

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Speaker 6: I'm saying. So I was definitely going to be there.

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Speaker 6: But you know when I spoke to you after, why

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Speaker 6: you ain't telling me this?

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Speaker 1: He was gonna be Why you ain't tell me?

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Speaker 7: Joe is just as guilty as Dirty.

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Speaker 5: Said.

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Speaker 2: I'm gonna be this woman for nobody. His facts factual.

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Speaker 2: I don't go against him for nobody. Brother, I don't

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Speaker 2: go against him.

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Speaker 1: Right. This guy lined me up? Why did you think.

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Speaker 2: About it till he came out and started sleepwalking through

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Speaker 2: the yo. They got video of it. When I came

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Speaker 2: upstairs at the rehearsal, Rim had him in there like

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Speaker 2: custom model Entyson.

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Speaker 8: You know you gotta yet, you gotta just left right left.

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Speaker 8: I was like crackling, looked like you was in there.

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Speaker 1: You announced not only that she got pregnant behind.

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Speaker 9: This thing like man Shan he never got pregnant.

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Speaker 4: We heard you say that that Nelly set you up.

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Speaker 4: We heard Shany say you set her. I was also

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Speaker 4: a guest on that version to do New York.

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Speaker 3: With y'all did and being in this in the crowd

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Speaker 3: or being in the cut where I was at watching

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Speaker 3: the show before I went on. God is My Witness.

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Speaker 3: When you saw it, if we got the footage, it

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Speaker 3: was like a kid with the bike.

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Speaker 1: They put PlayStation the bike.

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Speaker 2: Everything you were talking about. No you that was at

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Speaker 2: the end of the show.

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Speaker 7: You had a different glow.

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Speaker 5: That was.

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Speaker 2: A hit record called Mezma rides Me. No, she got

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Speaker 2: it now, we love you. You're dirty? Tell you something, Ship.

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Speaker 2: This eyes was looking all right.

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Speaker 1: She was on fire.

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Speaker 2: No, no, hold on, You're a handsome guy, pulls whatever

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Speaker 2: they want to say. You've always been a handsome guy.

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Speaker 2: The ladies love you. This woman around that she was

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Speaker 2: on fire. You've seen all them bathing.

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Speaker 1: She was in too much. I'm ain't going up. I'm calling.

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Speaker 2: Bahamas and Cako then everywhere bathing suit ship. I'm like,

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Speaker 2: She's like, she looks more beautiful than when she was younger.

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Speaker 1: This is you.

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Speaker 2: Was looking at them bitches on the I g correct, Joe,

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Speaker 2: did I I don't want to do.

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Speaker 1: I don't want to do this. You know it? On

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Speaker 1: your show? Was I by myself? What do you mean?

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Speaker 1: I had somebody with me? I didn't come there for that.

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Speaker 6: And when I walked in your room, it.

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Speaker 1: Was somebody with me. I didn't even notice.

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Speaker 2: I know when I walked in your room, it was

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Speaker 2: somebody with me.

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Speaker 1: I did not come there.

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Speaker 2: I thought it was Jermaine Dupree that.

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Speaker 1: That's the only guy. I said it with you, Jamaine.

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Speaker 2: No, no, I'm telling me because here's the thing. I

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Speaker 2: did not want to cause no friction. I did not

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Speaker 2: YouTube brother, you know, you know doing what you was doing.

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Speaker 2: And I was like, Yo, this is a beautiful situation.

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Speaker 1: You know me. I'm gonna keep it pee all right.

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Speaker 2: I'm you know me yo, and you know me. Jordians

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Speaker 2: kind of know me for thirty years, but they don't

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Speaker 2: really know me, know me and some of the ship

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Speaker 2: I say, sound crazy, but I need ten percent.

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Speaker 1: This Brad Pitt, this.

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Speaker 2: Kid Muhammad al le gonna make. I'm in this management

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Speaker 2: contract for something. This guy looked like Muhammad.

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Speaker 1: When he was born.

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Speaker 2: Yeah, have y'all showed him yet? Know he's gonna be

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Speaker 2: on him yet not even in the show. I'm leaving

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Speaker 2: that to her for every birthday.

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Speaker 6: Yes, birthday, nine months.

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Speaker 2: I was there, a good baby man. She locked out, Yes, anyways, laughing.

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Speaker 2: He doesn't cry.

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Speaker 1: Beautiful as any man. Shot. Yeah, great energy, great energy.

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Speaker 1: I told everybody, I said, like this, I'm on the

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Speaker 1: red carpet. It was like, did you see it? Shanty

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Speaker 1: and Nellie's baby, the most beautiful this man was born.

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Speaker 1: So this man was born with a full seting.

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Speaker 2: He got that again. I'm not exaggerating. I'm sorry, y'all

202
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Speaker 2: don't see him. Man, But this guy's a start, and

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Speaker 2: I know I got at least to get some type

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Speaker 2: of paper. We got you, me and you both because

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Speaker 2: he a half a MILLI in the hole because I

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Speaker 2: was on tour when he decided to come out two

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Speaker 2: weeks early, so he kind.

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Speaker 1: Of cost me too, shorts.

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Speaker 2: No, he cost me two shows in a party, and

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Speaker 2: I need my money.

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Speaker 1: He started half.

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Speaker 6: You know, we're gonna make that up. We're gonna make

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Speaker 6: that up. Don't worry about it.

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Speaker 1: We gotta he gonna need the birth of a legend. Yeah, appreciate.

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Speaker 3: You.

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Speaker 2: Love, Yes, Love all over powers hate over powers every

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Speaker 2: other thing. You know, sometimes hearts miss each other. It

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Speaker 2: ain't always guaranteed to hit each other and find the

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Speaker 2: right thing. And so you guys definitely spun the block

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Speaker 2: and came back and your hearts joined together. And there's

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Speaker 2: nothing like that. For you guys to.

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Speaker 1: Make a TV show called We Even Long Together? This

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Speaker 1: is like and.

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Speaker 2: I mean what I mean, I know what it's like.

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Speaker 2: I'm just asking you. You're both more mature. You'll figured out.

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Speaker 2: Damn man, that was my guy. You figured out that

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Speaker 2: was my girl. We both well off in life.

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Speaker 1: Thank god. I think that's basically it.

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Speaker 4: Man.

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Speaker 1: We had a chance to see And I hate using

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Speaker 1: that example, but it is. I mean, I mean it's in.

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Speaker 2: A way not to minimize it, but it's like getting

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Speaker 2: a chance to test drive a vehicle. Then you low like, Yo,

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Speaker 2: that's the one that's that's that's the one. You know

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Speaker 2: what I'm say saying, it's like, well maybe it ain't

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Speaker 2: so nah, it's all that and there's something so it's

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Speaker 2: just like, yo, this is the one that you feel

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Speaker 2: you want to ride off till.

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Speaker 1: I'm listening. This is a male driven the ladies to

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Speaker 1: speak up that she ain't talking.

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Speaker 6: I mean, I agree, you know, I said, I feel

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Speaker 6: like what's meant to be will be. You know, we

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Speaker 6: were together off and off for eleven years. We broke

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Speaker 6: up for almost ten years, and I didn't know what

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Speaker 6: was gonna happen. You know, the next time I saw him.

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Speaker 6: We hadn't seen each other until that night. So you know,

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Speaker 6: when the when the breakup first happened, it's like when

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Speaker 6: you see him, I'm like.

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Speaker 1: Oh, I'm a bunch of hones, you know what I mean?

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Speaker 6: I hate him. I'm just you know. It was one

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Speaker 6: of those so being at so much time went by,

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Speaker 6: that was the first night in almost a decade that

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Speaker 6: we saw each other talk to each other anything. So

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Speaker 6: for it to happen like that, it was just like, oh,

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Speaker 6: ship was gone.

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Speaker 1: She got the baby. The baby.

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Speaker 6: Don't blame me, she got the ringing.

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Speaker 2: No, she said, she says to me, she says, I

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Speaker 2: don't know. She asked me, what, yo, bro, why you

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Speaker 2: know why it ain't working out for me?

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Speaker 1: Like that? Right?

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Speaker 2: And I was like, your sister, you know, when a

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Speaker 2: guy take you on a date. You got a mom's

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Speaker 2: ten cousins, J and yore on the day with a

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Speaker 2: whole twelve clip. Now you take the girl, y'all. I

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Speaker 2: like you, let's go on the date.

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Speaker 1: It's the whole fam.

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Speaker 2: I said, your sister, maybe if you cut off some

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Speaker 2: of the autorage on the date. She was like, you

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Speaker 2: think so, I said, yo, I tell you But the

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Speaker 2: moral to the story is this woman has managed to

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Speaker 2: have the cleanest reputation in this business because she and

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Speaker 2: her mother and her family and her thing.

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Speaker 1: You ain't. You ain't with no.

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Speaker 2: Washed up stories and all that, you got a prime

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Speaker 2: time right And so no, no, I mean, I'm telling you.

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Speaker 2: I attribute that to you, of course, but I attribute

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Speaker 2: that to your mother and your family for being there.

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Speaker 2: Because the biggest problem, even in my projects when I

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Speaker 2: grew up, is women being influenced by other women. Women

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Speaker 2: got dirt on her. She definitely want a friend to

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Speaker 2: get dirt.

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Speaker 1: On her, y'all, but talk to him.

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Speaker 2: But this, y'all, yeah, right, and so she ain't got

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Speaker 2: a dirt on her face clean, And so I love

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Speaker 2: that for y'all too. Now, this man right here, I

287
00:16:46,760 --> 00:16:48,360
Speaker 2: don't know if he knows. He took me on my

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Speaker 2: first real tour and Keisha Cole used to open up

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Speaker 2: for us, and she was singing What's Love?

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Speaker 1: Who be behind the curtains, singing What's live Live?

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Speaker 2: And we went all around the country, and you and

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Speaker 2: your entire crew, right, just all of y'all treated me

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Speaker 2: with so much love over the years. You guys, every

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Speaker 2: time I see you guys, you bring a smile on

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Speaker 2: my face. I mean all of your guys, all of

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Speaker 2: your guys are amazing. And this is this, this this,

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Speaker 2: this is a beautiful day.

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Speaker 1: You know what I'm saying. And has this slown up

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Speaker 1: your schedule or y'all still.

300
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Speaker 2: Nah?

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Speaker 1: We're still pure, pure, definitely.

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Speaker 2: I mean with her obviously with the baby, she's trying

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Speaker 2: to less as possible.

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Speaker 1: But I'm doing the rest of the tour. The rest

305
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Speaker 1: of the year.

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Speaker 2: We did Australia, Canada, and Europe. She was actually with

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Speaker 2: me for a majority of Europe. And then now we

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Speaker 2: start back here in the States and the end of

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00:17:51,160 --> 00:17:54,360
Speaker 2: this month towards so we do something like that.

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Speaker 1: So thank god I'm still twenty six years later. It's

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Speaker 1: going down on Friday, July eleventh.

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Speaker 2: Netflix and Most Valuable Promotions are bringing the fight of

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Speaker 2: a century the whole world's.

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Speaker 1: Been waiting for.

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Speaker 2: It's Serrano Taylor. This is the trilogy is crazy. The

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00:18:13,640 --> 00:18:16,359
Speaker 2: first two fights was legendary. We're gonna see who the

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Speaker 2: true winner is. Katie Taylor is chasing ultimate glory, a

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Speaker 2: man that Serrano is fighting for.

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Speaker 1: Redemption and revenge. Body Qua.

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Speaker 2: This is more than a fight it's the first ever

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Speaker 2: woman's boxing trilogy, and the world is watching trilogy is crazy.

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Speaker 2: That means we want to see Redemption live from the

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Speaker 2: iconic Madison Square Garden in New York City. Another thing, yo,

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Speaker 2: these girls is fighting in MSG. It's Taylor versus Serrano

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Speaker 2: one last time. It's about to get personal. You don't

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Speaker 2: want to miss the smoke, the stakes, sky high, the rivalry,

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Speaker 2: the legendary who will win?

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Speaker 4: I like Saranos.

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Speaker 1: I like her to.

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Speaker 2: If you are not tapped into this fight, you missing

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Speaker 2: everything in the world. Watch Katie Taylor versus Amanda Serrano Friday,

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Speaker 2: July eleventh and eight pm Eastern, five pm Specific live

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Speaker 2: only on Netflix.

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Speaker 1: That's that Netflix. Boy, that's gonna be going down on Netflix.

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Speaker 1: Don't leave the crib.

336
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Speaker 2: If you ain't got a ticket to that Madison Square Garden,

337
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Speaker 2: tune into that Netflix.

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Speaker 1: Taylor Toronto, July eleventh, Netflix.

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Speaker 2: Tell us about you actually live on the road like

340
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Speaker 2: we were called, yeah about the show this show.

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Speaker 1: That well, you know I did.

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Speaker 2: I did a reality show so to speak, because I

343
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Speaker 2: was before Nellyville.

344
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Speaker 1: But I wanted to show us fathers single fallows at

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Speaker 1: that time.

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Speaker 2: You know what I'm saying, And I just thought it

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00:19:55,600 --> 00:19:58,159
Speaker 2: was a great way to show show the rest of

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Speaker 2: the world that you could still be in here and

349
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Speaker 2: still what we're doing.

350
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Speaker 1: You know, you got your baby girl with you.

351
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Speaker 2: You always keep your babies with you and things like that,

352
00:20:05,800 --> 00:20:07,680
Speaker 2: and I thought that that would be a dope process.

353
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Speaker 2: But doing this right here, I just wanted people to

354
00:20:10,119 --> 00:20:12,840
Speaker 2: get a chance to see exactly the things that you

355
00:20:13,000 --> 00:20:15,720
Speaker 2: talked about in the qualities of this young lady right here.

356
00:20:15,840 --> 00:20:18,080
Speaker 2: You know, they don't get a chance to see her charisma,

357
00:20:18,119 --> 00:20:21,400
Speaker 2: how funny she is and everything from that standpoint. And

358
00:20:21,520 --> 00:20:23,359
Speaker 2: you know, it's twenty twenty five, so you're looking for

359
00:20:23,400 --> 00:20:26,640
Speaker 2: different avenues as well. You know, we gotta think business

360
00:20:26,680 --> 00:20:29,480
Speaker 2: at all times, you see what I'm saying. So she

361
00:20:30,280 --> 00:20:32,720
Speaker 2: gets to think about everything else for me, and that's

362
00:20:32,760 --> 00:20:35,399
Speaker 2: a blessing. But I got to think about, you know

363
00:20:35,400 --> 00:20:38,600
Speaker 2: what I'm saying, moving this shit forward and keeping the platform.

364
00:20:38,600 --> 00:20:43,879
Speaker 2: What's it like for you, your movie star number one singer,

365
00:20:44,119 --> 00:20:48,120
Speaker 2: you weldy above, what's it like being on TV with

366
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Speaker 2: cameras around your family?

367
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Speaker 6: I mean it's a lot. It was different, you know,

368
00:20:53,119 --> 00:20:55,879
Speaker 6: because I'm a lot more private, and I just felt

369
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Speaker 6: like when we spoke about it, obviously this was his idea,

370
00:20:59,160 --> 00:21:01,960
Speaker 6: and at first I was kind of like, but then,

371
00:21:02,160 --> 00:21:04,159
Speaker 6: you know, we're married, so I'm a team player, so

372
00:21:04,240 --> 00:21:06,320
Speaker 6: I was down, you know what I mean. And it's

373
00:21:06,400 --> 00:21:09,880
Speaker 6: like us just having real lives and careers and traveling.

374
00:21:09,960 --> 00:21:12,120
Speaker 6: We just got married, I had a baby. That's a lot,

375
00:21:12,240 --> 00:21:14,080
Speaker 6: so it's kind of like we had to find time

376
00:21:14,160 --> 00:21:16,120
Speaker 6: for the cameras, you know what I'm saying, to kind

377
00:21:16,119 --> 00:21:19,200
Speaker 6: of capture everything. So it was it's a little bit

378
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Speaker 6: of a lot, but it's worth it.

379
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Speaker 2: She got so many other great ideas that she wants

380
00:21:25,080 --> 00:21:27,080
Speaker 2: to get off the ground, and my business was, you

381
00:21:27,080 --> 00:21:30,360
Speaker 2: know what I'm saying, you gotta have avenues, outlets, platforms

382
00:21:30,400 --> 00:21:32,360
Speaker 2: and things to get those out.

383
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Speaker 1: You know what I'm saying.

384
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Speaker 2: You can have great ideas all day, but if you

385
00:21:35,400 --> 00:21:37,120
Speaker 2: ain't got nowhere to put them, if you ain't got

386
00:21:37,119 --> 00:21:38,960
Speaker 2: no where to push them, or if you don't you

387
00:21:39,359 --> 00:21:42,760
Speaker 2: just sitting in the crib. Is you ain't got no

388
00:21:42,840 --> 00:21:44,840
Speaker 2: block or no workers, You just sitting in the house

389
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Speaker 2: with a bunch of I knew an artist who was

390
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Speaker 2: for the time being, he made nothing but hit records,

391
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Speaker 2: and I would check on him in the studio and

392
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Speaker 2: he would y'all made this and this ship be fire

393
00:22:01,440 --> 00:22:03,520
Speaker 2: and everybody go crazy. In the studio, he would go,

394
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Speaker 2: it just sain't right, and he would he would erase

395
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Speaker 2: the song.

396
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Speaker 1: Every night I were here, hit after hit after hit.

397
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Speaker 2: When it was just like that, met the man Redman,

398
00:22:13,880 --> 00:22:15,399
Speaker 2: think he'd be like, let me play you this, and

399
00:22:15,440 --> 00:22:15,840
Speaker 2: I'd be.

400
00:22:15,760 --> 00:22:19,640
Speaker 1: Like, yo, not quite ready.

401
00:22:20,960 --> 00:22:24,639
Speaker 2: The guy never came out and never became a superstar, right,

402
00:22:25,359 --> 00:22:27,480
Speaker 2: And so the problem is a lot of people they

403
00:22:27,560 --> 00:22:30,760
Speaker 2: procrastinate to the point that you talk out, you talk

404
00:22:30,840 --> 00:22:33,480
Speaker 2: yourself out of the ideas, you know.

405
00:22:33,840 --> 00:22:37,200
Speaker 1: And so in this age, you know.

406
00:22:37,160 --> 00:22:41,040
Speaker 2: We had Jim Jones up in here and he bought

407
00:22:41,040 --> 00:22:43,200
Speaker 2: a little film studio in the Bronx.

408
00:22:43,280 --> 00:22:45,000
Speaker 1: He got them doing podcasting there.

409
00:22:45,280 --> 00:22:47,840
Speaker 2: We need to take matters in our own hands exactly

410
00:22:48,200 --> 00:22:54,440
Speaker 2: and follow through with the ideas. I'm with Shanty h

411
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Speaker 2: We at the Beacon Theater, and I never forget what

412
00:23:00,080 --> 00:23:01,280
Speaker 2: we could go into everything.

413
00:23:01,320 --> 00:23:04,080
Speaker 1: But I never forget when we got that phone.

414
00:23:03,800 --> 00:23:07,640
Speaker 2: Call Mama that she sold over five hundred thousand her

415
00:23:07,680 --> 00:23:10,840
Speaker 2: first week her first album. We jumping up and down

416
00:23:10,880 --> 00:23:14,680
Speaker 2: like the Wizard of Oz. That Guinness Book Guinnis book.

417
00:23:15,720 --> 00:23:18,240
Speaker 2: We jumping up and down in the middle of the street,

418
00:23:18,920 --> 00:23:24,200
Speaker 2: like you know, the Wicked with just Dad because I

419
00:23:24,240 --> 00:23:26,879
Speaker 2: don't know if you remember how intense that was was,

420
00:23:26,920 --> 00:23:27,640
Speaker 2: like what is it?

421
00:23:27,920 --> 00:23:30,399
Speaker 1: What's it up? I remember what's going on? And we

422
00:23:30,440 --> 00:23:31,600
Speaker 1: started running around.

423
00:23:31,880 --> 00:23:33,840
Speaker 2: How does it feel to be on a Guinness book

424
00:23:33,960 --> 00:23:38,239
Speaker 2: and beat one of the biggest female superstars with the

425
00:23:38,280 --> 00:23:42,600
Speaker 2: most longevity and relevancy in the game.

426
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Speaker 6: I mean, honestly, it's a blessing. I'm super super humbled,

427
00:23:46,440 --> 00:23:48,760
Speaker 6: And it's funny when you talk about that. Remember I

428
00:23:48,760 --> 00:23:50,520
Speaker 6: didn't know what none of that meant. You know what

429
00:23:50,520 --> 00:23:51,600
Speaker 6: I'm saying, I'm.

430
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Speaker 1: A new for you.

431
00:23:53,400 --> 00:23:56,639
Speaker 6: Yes, everybody's happy, and I'm looking at like, well, is

432
00:23:56,640 --> 00:23:57,120
Speaker 6: that good?

433
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Speaker 1: Five hundred thousand? Is that a good number?

434
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Speaker 6: You know what I'm saying. I'm you only had no

435
00:24:00,800 --> 00:24:09,960
Speaker 6: idea the good numbers. So I was just like super

436
00:24:10,040 --> 00:24:13,239
Speaker 6: appreciative and to be able to be here today and

437
00:24:13,320 --> 00:24:16,800
Speaker 6: still as we both were in an arena in London

438
00:24:17,040 --> 00:24:19,639
Speaker 6: to a sold out twenty thousand seed the holding a

439
00:24:19,680 --> 00:24:23,280
Speaker 6: mic out, allowing people to sing on records is a blessing,

440
00:24:23,440 --> 00:24:25,280
Speaker 6: you know what I'm saying. So I'm just so happy.

441
00:24:25,320 --> 00:24:26,040
Speaker 6: I'm grateful.

442
00:24:26,400 --> 00:24:30,200
Speaker 2: You know, you know, we very competitive in our house

443
00:24:31,359 --> 00:24:34,480
Speaker 2: because you know we didn't the baby all last the

444
00:24:34,640 --> 00:24:37,639
Speaker 2: day ago that she throws like my debut, did that.

445
00:24:39,440 --> 00:24:39,760
Speaker 1: You did?

446
00:24:45,880 --> 00:24:59,280
Speaker 10: If you did, I should say to visit.

447
00:24:59,600 --> 00:25:04,800
Speaker 2: Yeah, okay, thirty three, Hold up, Jada, that wasn't twenty

448
00:25:04,880 --> 00:25:08,920
Speaker 2: six thirty. That wasn't up, Jada, that video come out.

449
00:25:09,040 --> 00:25:14,159
Speaker 2: That was not a week. I was freaking the numbers

450
00:25:14,160 --> 00:25:21,280
Speaker 2: of ten million solely that you wasn't the week. Not

451
00:25:21,359 --> 00:25:22,720
Speaker 2: talking about the week.

452
00:25:22,960 --> 00:25:27,080
Speaker 7: Let listen, let me run down the hardware that they got.

453
00:25:27,440 --> 00:25:31,240
Speaker 11: There's a lot of hardware.

454
00:25:31,920 --> 00:25:33,200
Speaker 1: Listen, ladies and gentlemen.

455
00:25:34,400 --> 00:25:41,679
Speaker 7: Nelly three Grammys, four American Music Awards, two BT Awards,

456
00:25:42,160 --> 00:25:46,880
Speaker 7: nine Billboard Awards. Nelly has sold over twenty one million

457
00:25:46,960 --> 00:25:50,119
Speaker 7: hours in the United States. One of the best selling

458
00:25:50,240 --> 00:25:55,360
Speaker 7: rap artists in American history. Country Grandma Diamond ten million,

459
00:25:55,640 --> 00:26:01,960
Speaker 7: Shelleyville Diamond Plus won eleven million, Shoty one Grammy, two

460
00:26:02,040 --> 00:26:07,800
Speaker 7: American Music Awards, six ash CAP Awards, eight Billboard Awards.

461
00:26:08,160 --> 00:26:12,159
Speaker 7: First Debut Album five hundred Plot five hundred thousand, The

462
00:26:12,240 --> 00:26:18,720
Speaker 7: First Week Triple Platinum, Chapter two Platinum, Concrete Roads Platinum,

463
00:26:20,359 --> 00:26:21,240
Speaker 7: hard Where.

464
00:26:21,160 --> 00:26:21,399
Speaker 3: Is the.

465
00:26:23,400 --> 00:26:27,760
Speaker 2: Thirty six Christmas Movies Lifetime favorite.

466
00:26:30,640 --> 00:26:33,879
Speaker 1: I have a Christmas Treams and Berry just.

467
00:26:37,440 --> 00:26:41,040
Speaker 2: I've been calling your money forever.

468
00:26:44,840 --> 00:26:50,320
Speaker 1: It's competitive in a star, in a star start can't

469
00:26:50,320 --> 00:26:53,600
Speaker 1: even get the start. I can't forget the start. Yeah,

470
00:26:54,480 --> 00:26:57,160
Speaker 1: it gets real and that we love that though, Yeah,

471
00:26:57,359 --> 00:26:59,440
Speaker 1: why we love that? That's beautiful.

472
00:27:00,160 --> 00:27:02,800
Speaker 2: I met a shan to put that under. We take something.

473
00:27:02,800 --> 00:27:03,720
Speaker 2: I met a Shati.

474
00:27:04,000 --> 00:27:06,840
Speaker 1: It's a blessing. Could we can I talk about that?

475
00:27:07,040 --> 00:27:07,679
Speaker 1: Talk about it?

476
00:27:07,760 --> 00:27:13,919
Speaker 2: But I Shanty was like the studio we would just

477
00:27:13,960 --> 00:27:14,959
Speaker 2: a studio body.

478
00:27:15,119 --> 00:27:17,080
Speaker 6: You could call it a studio rat. That's what they

479
00:27:17,160 --> 00:27:17,640
Speaker 6: used to say.

480
00:27:17,840 --> 00:27:19,919
Speaker 2: That's what they I'm not saying that, but I'm just

481
00:27:19,920 --> 00:27:22,040
Speaker 2: saying that man, studio body.

482
00:27:22,880 --> 00:27:23,640
Speaker 1: She up in there.

483
00:27:24,640 --> 00:27:27,560
Speaker 2: And the first day I met her, she was so

484
00:27:27,800 --> 00:27:31,480
Speaker 2: upset because they broke into her car and stole her radio.

485
00:27:32,720 --> 00:27:37,000
Speaker 2: This woman was ready to foul charges to the moon

486
00:27:37,160 --> 00:27:38,680
Speaker 2: and back whatever.

487
00:27:39,000 --> 00:27:42,800
Speaker 1: They're just stole my radio, crackhead broke them. I mean

488
00:27:42,840 --> 00:27:46,920
Speaker 1: it was like somebody made it. Somebody that ship.

489
00:27:46,920 --> 00:27:50,680
Speaker 2: I'm like, they stole the radio with the fnzy bot,

490
00:27:52,160 --> 00:27:55,840
Speaker 2: you take the b it was they stole her ship,

491
00:27:56,119 --> 00:27:59,000
Speaker 2: and she was like radio but you know, I would

492
00:27:59,040 --> 00:28:01,000
Speaker 2: see her in the studio and then one day I

493
00:28:01,040 --> 00:28:03,639
Speaker 2: asked him, I said, Yo, what does the girl do right?

494
00:28:03,680 --> 00:28:07,960
Speaker 2: Because they was like gangster rappers, right something. She sings

495
00:28:08,080 --> 00:28:11,160
Speaker 2: R and B right, and then she did the Big pun.

496
00:28:11,920 --> 00:28:13,200
Speaker 2: I said, you want to write a hook for the

497
00:28:13,240 --> 00:28:16,640
Speaker 2: big punt thing? And she killed it, smoke that. She

498
00:28:16,720 --> 00:28:19,320
Speaker 2: smoke that joint and then we did the West Love

499
00:28:20,440 --> 00:28:23,200
Speaker 2: and then after that it was the Princess of.

500
00:28:26,680 --> 00:28:30,320
Speaker 1: And she Yo, no talk every time I say.

501
00:28:30,160 --> 00:28:34,920
Speaker 3: This, He was advocating when we weren't together, Nelly, what

502
00:28:34,960 --> 00:28:35,800
Speaker 3: are you doing?

503
00:28:38,960 --> 00:28:41,800
Speaker 1: Every time I see her? Kiss Nelly? My god, how

504
00:28:41,840 --> 00:28:52,480
Speaker 1: you been? Yeah, that's great? What you know telling me?

505
00:28:52,480 --> 00:28:54,040
Speaker 1: At first he thought I was bugging out.

506
00:28:54,160 --> 00:28:58,480
Speaker 2: Now I used to be like Joe, it's crazy, right

507
00:28:58,520 --> 00:29:02,240
Speaker 2: because I also think of one situation. Not to bring

508
00:29:02,320 --> 00:29:05,480
Speaker 2: up anything negative because we just But I remember the

509
00:29:05,560 --> 00:29:08,360
Speaker 2: time I got into it with fifty cent who y'r

510
00:29:08,440 --> 00:29:09,160
Speaker 2: fifth was up?

511
00:29:09,200 --> 00:29:11,160
Speaker 1: We performed in Germany in two days.

512
00:29:11,560 --> 00:29:13,840
Speaker 2: But I remember the time when I got into it

513
00:29:14,040 --> 00:29:17,120
Speaker 2: with him at the MTV Awards. You know, it's business

514
00:29:17,200 --> 00:29:19,880
Speaker 2: is really crazy, right, because you think everybody your man,

515
00:29:20,000 --> 00:29:23,200
Speaker 2: everybody this and this and that well, you was the

516
00:29:23,240 --> 00:29:26,880
Speaker 2: only person and all the rappers that I knew that

517
00:29:27,000 --> 00:29:30,200
Speaker 2: I seen get up and you. You was telling me

518
00:29:30,280 --> 00:29:33,360
Speaker 2: y'all got you like I'm holding you down in that

519
00:29:33,480 --> 00:29:35,440
Speaker 2: set when I was like, y'all, fifty sent this and

520
00:29:35,480 --> 00:29:36,640
Speaker 2: then he came back and dis me.

521
00:29:37,240 --> 00:29:41,040
Speaker 1: But you had my back. Well, I knew five five.

522
00:29:41,360 --> 00:29:42,640
Speaker 1: Me and five always had.

523
00:29:42,480 --> 00:29:46,160
Speaker 2: A great relationship, and that kind of distorted that.

524
00:29:46,320 --> 00:29:51,240
Speaker 1: Well, no, because and just to tell, where was we.

525
00:29:51,240 --> 00:29:54,000
Speaker 6: At MTV Awards. That's why I thought he was going.

526
00:29:54,120 --> 00:29:56,720
Speaker 2: We were at the MTV Awards and they were sitting

527
00:29:57,080 --> 00:29:59,400
Speaker 2: like a table right behind us.

528
00:29:59,560 --> 00:30:02,960
Speaker 1: Now had too much to drink. I'm hype. This is

529
00:30:03,040 --> 00:30:09,640
Speaker 1: right before Kid Rock and slept. He set the ship

530
00:30:09,640 --> 00:30:13,160
Speaker 1: out of Tommy Lee. There was something before Chris Rock

531
00:30:13,400 --> 00:30:15,600
Speaker 1: was sitting right right that.

532
00:30:16,680 --> 00:30:19,600
Speaker 2: Kid Rock is sitting with us, and Tommy Lee is

533
00:30:19,600 --> 00:30:23,600
Speaker 2: like a table over and.

534
00:30:22,800 --> 00:30:25,440
Speaker 1: My cat, Kid Rock, that's my cat too. He hot,

535
00:30:25,880 --> 00:30:28,120
Speaker 1: he hot his fish grease. He's sitting right there. He's

536
00:30:28,160 --> 00:30:35,200
Speaker 1: like cool and I'm gassing. He's not going to go. Well,

537
00:30:35,280 --> 00:30:37,520
Speaker 1: I'm not not gassing. You know what I'm saying.

538
00:30:37,560 --> 00:30:43,400
Speaker 2: I'm like, you know what I'm saying. So he does

539
00:30:43,440 --> 00:30:49,880
Speaker 2: what he does what he's smack because hey Lee, MTV

540
00:30:49,960 --> 00:30:50,840
Speaker 2: Awards out.

541
00:30:50,640 --> 00:30:52,840
Speaker 6: And man, we were sing right.

542
00:30:52,680 --> 00:30:55,440
Speaker 1: Next to them, We're sitting at the table. But but

543
00:30:55,600 --> 00:30:59,320
Speaker 1: five was right. So I'm hype. I didn't got hype.

544
00:30:59,320 --> 00:31:06,160
Speaker 1: I didn't got I said, babe, f I make that

545
00:31:06,520 --> 00:31:09,760
Speaker 1: you want me to go over there? Don't look you.

546
00:31:09,720 --> 00:31:12,560
Speaker 2: Want me to go make She was not no way

547
00:31:12,640 --> 00:31:14,360
Speaker 2: in my heart that I'm thinking she gonna tell me

548
00:31:14,360 --> 00:31:24,680
Speaker 2: to go over there. She's like, yeah, baby, yep yep,

549
00:31:22,480 --> 00:31:28,880
Speaker 2: said so I'm like, I'm going. When I turned around,

550
00:31:28,920 --> 00:31:31,640
Speaker 2: she can't see my face. I'm walking towards five, like

551
00:31:33,840 --> 00:31:37,240
Speaker 2: let me you know, table full of g units.

552
00:31:37,520 --> 00:31:41,480
Speaker 1: You know what I'm saying. I'm like, oh god, this right,

553
00:31:41,560 --> 00:31:42,840
Speaker 1: this is not gonna go there.

554
00:31:43,400 --> 00:31:46,440
Speaker 2: You know what I'm saying. And I started laughing. Come

555
00:31:46,520 --> 00:31:49,960
Speaker 2: and he cracked. He cracked a smile, and I was like, fine, man, man,

556
00:31:50,960 --> 00:31:53,680
Speaker 2: do me a favor, Do me a favor. When you

557
00:31:54,280 --> 00:31:56,800
Speaker 2: old lady, man, do me a favor. Man, apologize for it.

558
00:31:56,920 --> 00:31:59,280
Speaker 1: Man, I'm shot to you.

559
00:31:59,360 --> 00:32:05,440
Speaker 6: I'm so sad, he said the whole crowd, And.

560
00:32:06,560 --> 00:32:11,440
Speaker 1: I was like, I about her.

561
00:32:14,040 --> 00:32:19,400
Speaker 2: Talking about by the way I had personally that twenty meetings.

562
00:32:18,760 --> 00:32:21,400
Speaker 1: With him over her. Oh my god.

563
00:32:21,600 --> 00:32:25,040
Speaker 2: Yes, even knowing I didn't have sat down with him

564
00:32:25,400 --> 00:32:28,080
Speaker 2: twenty different times. It was like, yo, bro, she got

565
00:32:28,120 --> 00:32:30,480
Speaker 2: nothing like you know, that's my sister, you bugging out

566
00:32:30,520 --> 00:32:34,760
Speaker 2: this this this twenty Yeah. Even told me to mo,

567
00:32:35,600 --> 00:32:37,040
Speaker 2: I know she got nothing to do with the mob,

568
00:32:37,080 --> 00:32:39,680
Speaker 2: but what you want me to do is war man.

569
00:32:39,800 --> 00:32:44,280
Speaker 1: I was like, I was hot, Yeah, you was hot

570
00:32:44,480 --> 00:32:45,880
Speaker 1: over that, right, Yeah.

571
00:32:45,720 --> 00:32:47,760
Speaker 6: I ain't have nothing to do with it. And then

572
00:32:47,800 --> 00:32:51,960
Speaker 6: when he after he said he signs like yeah yeah,

573
00:32:52,120 --> 00:32:54,000
Speaker 6: I was like, okay, thank you.

574
00:32:54,880 --> 00:32:56,600
Speaker 2: I thought that she was gonna go left. I swear

575
00:32:56,640 --> 00:32:59,960
Speaker 2: to god, I thought that was sure. And with those guys,

576
00:33:00,440 --> 00:33:03,440
Speaker 2: they love it. Yeah, you know what I'm saying. Those

577
00:33:03,560 --> 00:33:06,080
Speaker 2: guys love it well. Fortunately enough, when we came in

578
00:33:06,120 --> 00:33:08,760
Speaker 2: the game, we've always had a great relationship with everybody

579
00:33:08,800 --> 00:33:11,880
Speaker 2: I've We've been fortunate enough to stay out of a

580
00:33:11,920 --> 00:33:14,520
Speaker 2: lot of different scenarios. Even when you came down to

581
00:33:14,560 --> 00:33:15,960
Speaker 2: one of my first birthday.

582
00:33:15,600 --> 00:33:22,280
Speaker 1: Parties, whoa hotel was that it was the downtown I.

583
00:33:22,440 --> 00:33:28,240
Speaker 3: Forgot it was a Millennium one of the birthday parties,

584
00:33:29,120 --> 00:33:33,800
Speaker 3: and it was the craziest birthday party I ever been

585
00:33:35,000 --> 00:33:38,800
Speaker 3: I can't even say one of this crazy. Yeah he

586
00:33:38,960 --> 00:33:44,520
Speaker 3: was in the hotel, Yeah, DJ, he had anything you

587
00:33:44,560 --> 00:33:45,640
Speaker 3: could think of St.

588
00:33:45,680 --> 00:33:46,120
Speaker 1: Louis.

589
00:33:46,240 --> 00:33:52,080
Speaker 12: His room was one shot at the hotel. I'm kind

590
00:33:52,120 --> 00:33:57,720
Speaker 12: of floor now this week. One whole shot was his rule.

591
00:33:59,480 --> 00:34:03,720
Speaker 12: It was it big ballroom, it was, it was greaty,

592
00:34:03,840 --> 00:34:04,120
Speaker 12: it was.

593
00:34:04,160 --> 00:34:06,440
Speaker 1: It was definitely big for our city and things like that.

594
00:34:06,480 --> 00:34:08,800
Speaker 2: Man, they come, you know, because we was huge locks,

595
00:34:09,080 --> 00:34:12,759
Speaker 2: huge locks fans. You know you were spitting, you were spitting,

596
00:34:13,400 --> 00:34:16,880
Speaker 2: and he never really gave you credit for your lyrics

597
00:34:17,120 --> 00:34:17,800
Speaker 2: and spitting.

598
00:34:17,880 --> 00:34:24,440
Speaker 1: But look at you as you so big. No, no, no, I'm.

599
00:34:24,280 --> 00:34:28,400
Speaker 2: Just saying as An MC as a spit up, he's

600
00:34:29,000 --> 00:34:30,000
Speaker 2: he was spitting.

601
00:34:30,120 --> 00:34:32,000
Speaker 1: I take the bag. You listen to ship.

602
00:34:32,080 --> 00:34:36,360
Speaker 2: He was spitting, and it never really gave you credit lyrically.

603
00:34:36,480 --> 00:34:40,680
Speaker 2: But you know what, it always felt a little different

604
00:34:40,719 --> 00:34:43,760
Speaker 2: because I try to find my my place and everything

605
00:34:43,760 --> 00:34:46,359
Speaker 2: in life. You find my place. You see what I'm saying,

606
00:34:46,400 --> 00:34:48,960
Speaker 2: It don't matter what I'm in, find my place. And

607
00:34:48,960 --> 00:34:51,359
Speaker 2: and I hate to tell people to stay in their

608
00:34:51,360 --> 00:34:52,759
Speaker 2: place because I don't want it to be like you

609
00:34:52,800 --> 00:34:53,319
Speaker 2: can't grow.

610
00:34:53,520 --> 00:34:55,120
Speaker 1: But if I find my place, I'm gonna stay in

611
00:34:55,200 --> 00:34:58,360
Speaker 1: my place. You know what I mean? And I found

612
00:34:58,400 --> 00:34:58,960
Speaker 1: my place.

613
00:34:59,000 --> 00:35:00,840
Speaker 2: And it's not about I tell you, give me my

614
00:35:00,960 --> 00:35:04,000
Speaker 2: bag now, bring my flowers to the grave. I don't

615
00:35:04,000 --> 00:35:06,560
Speaker 2: give shit. But none of that could flowers die? You

616
00:35:06,560 --> 00:35:08,680
Speaker 2: know what I'm saying. Can I need my bag now?

617
00:35:08,840 --> 00:35:09,960
Speaker 1: So if you bring me my.

618
00:35:09,920 --> 00:35:12,399
Speaker 2: Shit now, I worry about everything else. I ain't never

619
00:35:12,440 --> 00:35:15,239
Speaker 2: really worried about credit because all the people that I

620
00:35:15,320 --> 00:35:18,720
Speaker 2: fucked with, I fucked with, like just knowing that y'all

621
00:35:18,760 --> 00:35:21,479
Speaker 2: good people, we good people, knowing I got this woman

622
00:35:21,560 --> 00:35:24,040
Speaker 2: right here and everything else underneath the table, I ain't

623
00:35:24,080 --> 00:35:25,360
Speaker 2: worried about it on the surface.

624
00:35:25,640 --> 00:35:28,799
Speaker 1: Like this man said twenty one million, but that was

625
00:35:28,800 --> 00:35:30,200
Speaker 1: in two albums. They don't even.

626
00:35:31,880 --> 00:35:37,640
Speaker 2: Country songs. You was country before country two thousand and three.

627
00:35:37,960 --> 00:35:40,160
Speaker 2: What's that song with the country song.

628
00:35:41,800 --> 00:35:43,200
Speaker 1: Over of your favorite?

629
00:35:46,520 --> 00:35:48,320
Speaker 2: And that was in O three or Old four? And

630
00:35:48,760 --> 00:35:51,880
Speaker 2: Universal told me I was told me I was crazy.

631
00:35:51,960 --> 00:35:54,560
Speaker 2: I was coming off for Nellyville. They had just cut

632
00:35:54,640 --> 00:35:58,319
Speaker 2: me a thirteen million dollar check and I said, yo,

633
00:35:58,400 --> 00:36:02,120
Speaker 2: I want to do a country They passed the funk out.

634
00:36:02,880 --> 00:36:05,040
Speaker 1: Why you're coming off of Nellyville?

635
00:36:05,120 --> 00:36:08,279
Speaker 2: You just ad dilemma hot near Now you want to

636
00:36:08,320 --> 00:36:11,719
Speaker 2: do country, Yes, because I'm lining up my avenues. I

637
00:36:11,960 --> 00:36:15,160
Speaker 2: know if I land all of these different avenues, doors

638
00:36:15,200 --> 00:36:17,960
Speaker 2: are going to start closing. And if this door is closed,

639
00:36:18,000 --> 00:36:20,239
Speaker 2: this door is open. If this door's closed, this door

640
00:36:20,320 --> 00:36:22,960
Speaker 2: is open. I got all those number one singles, and

641
00:36:23,000 --> 00:36:25,720
Speaker 2: they all on every different format.

642
00:36:26,200 --> 00:36:36,799
Speaker 13: Country, rhythmic, top love that when you heard Nelly, Yeah, Nelly, Nelly.

643
00:36:42,440 --> 00:36:42,600
Speaker 11: Nah.

644
00:36:42,800 --> 00:36:46,359
Speaker 6: That was a little before my time, yes, and there

645
00:36:46,520 --> 00:36:48,399
Speaker 6: was where did dilemma come out?

646
00:36:48,920 --> 00:36:52,879
Speaker 1: When dilemma come out? Okay, yeah, that was before.

647
00:36:53,960 --> 00:36:56,160
Speaker 2: So you were just watching the video like, oh, I

648
00:36:56,320 --> 00:37:07,000
Speaker 2: need this guy, this guy, and what's the story when?

649
00:37:07,239 --> 00:37:09,560
Speaker 2: Because I want the real story because I've never heard

650
00:37:10,160 --> 00:37:14,880
Speaker 2: you explain this right, the fabulous record, I hear it

651
00:37:14,960 --> 00:37:16,799
Speaker 2: every day of my life with to me, if there's

652
00:37:16,880 --> 00:37:21,440
Speaker 2: one record I hear every single day of my life.

653
00:37:21,680 --> 00:37:24,600
Speaker 2: But maybe I listen to the old school stations. I

654
00:37:24,680 --> 00:37:28,920
Speaker 2: don't know, but the joint with to me, I can't escape.

655
00:37:30,239 --> 00:37:31,120
Speaker 1: What happened you.

656
00:37:31,600 --> 00:37:34,600
Speaker 6: So this is what happened me and fab did the

657
00:37:34,719 --> 00:37:35,640
Speaker 6: record right?

658
00:37:35,760 --> 00:37:37,120
Speaker 1: Oh so you did it first with him?

659
00:37:37,320 --> 00:37:40,160
Speaker 6: No, yes, I did it first with him. They got

660
00:37:40,200 --> 00:37:42,440
Speaker 6: the clearance. I'm assuming from to me to do to

661
00:37:42,560 --> 00:37:45,359
Speaker 6: redo it because it was originally her song. So when

662
00:37:45,440 --> 00:37:48,120
Speaker 6: she was her song, so he asked me to do

663
00:37:48,280 --> 00:37:51,239
Speaker 6: the hook. We went and did the hook. He wanted

664
00:37:51,280 --> 00:37:54,440
Speaker 6: to shoot a video. I don't mean to talk about

665
00:37:54,840 --> 00:37:55,759
Speaker 6: the past, but.

666
00:37:57,480 --> 00:37:58,439
Speaker 1: He didn't want to clear.

667
00:37:58,520 --> 00:38:01,920
Speaker 6: He did not want to clear me being in the video.

668
00:38:02,320 --> 00:38:04,359
Speaker 6: So they was like, Yo, what sense does it make

669
00:38:04,719 --> 00:38:07,480
Speaker 6: to go with this single and we can't shoot a

670
00:38:07,600 --> 00:38:11,600
Speaker 6: video right, So they went back to Samita and asked

671
00:38:11,800 --> 00:38:14,120
Speaker 6: if she would do the video, and then they put

672
00:38:14,200 --> 00:38:17,320
Speaker 6: two versions out, so mine was on a radio and then.

673
00:38:17,200 --> 00:38:19,920
Speaker 1: They had I go all around the World with.

674
00:38:20,000 --> 00:38:22,200
Speaker 2: You and I watched you perform that record, and I

675
00:38:22,320 --> 00:38:27,520
Speaker 2: said this must have been her record because you ain't

676
00:38:27,520 --> 00:38:30,920
Speaker 2: singing nobody else's records and you sing that song so passionate,

677
00:38:32,000 --> 00:38:32,520
Speaker 2: and I'd be like.

678
00:38:32,880 --> 00:38:35,719
Speaker 1: Did they stealing ship? Right?

679
00:38:36,520 --> 00:38:39,480
Speaker 2: Like I knew there was a story behind this one

680
00:38:39,640 --> 00:38:44,239
Speaker 2: record because you're show and I'm like, I tell Lorenda too.

681
00:38:44,320 --> 00:38:46,360
Speaker 2: I was like, yo, man, I think Ashanti that was

682
00:38:46,440 --> 00:38:49,239
Speaker 2: her record. They took it from a you know, I've

683
00:38:49,239 --> 00:38:52,480
Speaker 2: seen some crazy shit about what's the j loo.

684
00:38:52,600 --> 00:38:54,839
Speaker 1: I've just seen it. It's one of them internet where

685
00:38:54,880 --> 00:39:01,640
Speaker 1: you say, oh you got me on my own.

686
00:39:07,160 --> 00:39:12,040
Speaker 2: It was all Chantay Moore's record, and Roddie Jurgens produced

687
00:39:12,080 --> 00:39:13,640
Speaker 2: it for her, but he told to make it the

688
00:39:13,760 --> 00:39:16,759
Speaker 2: number one the first single. She didn't go with it

689
00:39:16,880 --> 00:39:18,680
Speaker 2: at the first single, and he gave it to j

690
00:39:19,320 --> 00:39:23,560
Speaker 2: J took off with that. Sh Wow, that's like them story.

691
00:39:23,800 --> 00:39:27,200
Speaker 6: Yeah, that's almost like always on time. You know that

692
00:39:27,520 --> 00:39:31,600
Speaker 6: Brandy was supposed to do that. Yeah, Brandy was supposed

693
00:39:31,600 --> 00:39:34,640
Speaker 6: to do it. I happened to be in the studio, Pa,

694
00:39:35,200 --> 00:39:35,880
Speaker 6: see what happens.

695
00:39:36,920 --> 00:39:40,160
Speaker 2: Shanty always sounds good at that. You know, Jaylo was

696
00:39:40,160 --> 00:39:41,279
Speaker 2: supposed to be What's Love?

697
00:39:41,640 --> 00:39:43,840
Speaker 6: Yes, I remember when you told me that that was

698
00:39:43,960 --> 00:39:46,000
Speaker 6: back in like we was on It was not a

699
00:39:46,080 --> 00:39:48,360
Speaker 6: zoom U Street. We was on something and I didn't

700
00:39:48,440 --> 00:39:51,640
Speaker 6: know that. Remember we went to I didn't.

701
00:39:51,360 --> 00:39:54,840
Speaker 2: Know that first of all. Uh, let's just say recipes.

702
00:39:54,920 --> 00:39:56,879
Speaker 2: Her God was supposed to be we all the will

703
00:40:08,000 --> 00:40:14,640
Speaker 2: I was supposed to do Bruce stein Park. He's telling

704
00:40:14,680 --> 00:40:15,759
Speaker 2: you it was a toss up.

705
00:40:15,840 --> 00:40:19,279
Speaker 1: They took Bruce. I'm telling you what happened, right. So

706
00:40:19,640 --> 00:40:22,400
Speaker 1: I get to that, they call me her guardian jar U.

707
00:40:22,560 --> 00:40:23,360
Speaker 1: Three in the morning.

708
00:40:23,840 --> 00:40:28,200
Speaker 2: I go to the studio in this this this, this

709
00:40:28,320 --> 00:40:30,520
Speaker 2: studio was out of my pay grade too. It was

710
00:40:30,560 --> 00:40:33,520
Speaker 2: one of the big ships with the big like the

711
00:40:33,840 --> 00:40:34,560
Speaker 2: hit factory.

712
00:40:34,640 --> 00:40:39,880
Speaker 1: To speak it like I've been recording the bummy studios

713
00:40:39,960 --> 00:40:41,600
Speaker 1: my whole life. I get up in there like this.

714
00:40:41,719 --> 00:40:44,080
Speaker 2: So they pressed the things and then and then and

715
00:40:44,120 --> 00:40:48,000
Speaker 2: then it was right, She's on it. He's like the

716
00:40:48,200 --> 00:40:52,440
Speaker 2: Latino Connection, you and your sister j Lo.

717
00:40:53,160 --> 00:40:54,720
Speaker 1: This will be life changing.

718
00:40:55,200 --> 00:40:58,440
Speaker 2: This is He's telling me all this ship and I'm like, yo,

719
00:40:58,800 --> 00:41:01,840
Speaker 2: what's up with the girl on the She sounds perfection?

720
00:41:02,400 --> 00:41:04,680
Speaker 2: So I be having this thing called like demo, whitest

721
00:41:05,920 --> 00:41:10,520
Speaker 2: ain't don't play with it, don't change the ship just

722
00:41:11,000 --> 00:41:14,399
Speaker 2: like that, like that, like that, you know what I'm saying.

723
00:41:14,440 --> 00:41:17,440
Speaker 2: I ain't gonna lie. We did lean back. Scott starts

724
00:41:17,480 --> 00:41:20,480
Speaker 2: sending the mix. He added bells to it, and all ship.

725
00:41:20,520 --> 00:41:29,279
Speaker 2: I was like, oh, I want the demo. I said,

726
00:41:29,320 --> 00:41:33,320
Speaker 2: we leave her and it was the best fire I

727
00:41:33,680 --> 00:41:34,000
Speaker 2: did that.

728
00:41:34,239 --> 00:41:35,840
Speaker 1: I cannot didn't have a name for it.

729
00:41:36,239 --> 00:41:36,719
Speaker 3: What it is.

730
00:41:37,680 --> 00:41:37,960
Speaker 5: It is.

731
00:41:39,239 --> 00:41:41,279
Speaker 1: You know what you're doing, you like it the way

732
00:41:41,320 --> 00:41:41,719
Speaker 1: you like this?

733
00:41:41,840 --> 00:41:45,520
Speaker 3: Is it any word feeling in the world than when

734
00:41:45,560 --> 00:41:49,120
Speaker 3: they send it back and nothing like the original.

735
00:41:49,680 --> 00:41:52,800
Speaker 2: I'm not gonna say this guy, the lean back sounded

736
00:41:52,880 --> 00:41:55,520
Speaker 2: nothing like the original. He just added like cole Bells

737
00:41:55,600 --> 00:41:56,879
Speaker 2: and ship, and I was like, yo, bro.

738
00:41:57,560 --> 00:41:59,000
Speaker 1: You know, knock yourself out.

739
00:41:59,160 --> 00:42:02,880
Speaker 3: The one that the head ain't the one that I

740
00:42:03,000 --> 00:42:06,200
Speaker 3: went to Virginia and sat with Pharrell and did he

741
00:42:06,400 --> 00:42:08,200
Speaker 3: changed to be the whole ship?

742
00:42:08,400 --> 00:42:11,799
Speaker 1: Oh yeah, no pig no, no not, it's the whole

743
00:42:11,880 --> 00:42:17,839
Speaker 1: I know about post production. This was r whole song.

744
00:42:21,239 --> 00:42:24,080
Speaker 3: I just picked rest in Peace, shout out the Forrell.

745
00:42:24,960 --> 00:42:30,839
Speaker 3: They like, trust me, I'm like, no, it's a whole nuther.

746
00:42:32,239 --> 00:42:32,920
Speaker 1: It still.

747
00:42:34,200 --> 00:42:35,959
Speaker 2: A lot of times you gotta go with your gut,

748
00:42:36,080 --> 00:42:40,640
Speaker 2: but sometimes sometimes it pays to somebody out there.

749
00:42:42,200 --> 00:42:42,760
Speaker 1: It depends.

750
00:42:43,239 --> 00:42:46,680
Speaker 2: It depends on who it is, because you could trust

751
00:42:46,719 --> 00:42:50,479
Speaker 2: some people. Some people got they know what they're doing,

752
00:42:51,040 --> 00:42:52,919
Speaker 2: you know what I mean. But a lot of times,

753
00:42:53,000 --> 00:42:54,719
Speaker 2: you know, you try, you gotta go with your gut.

754
00:42:55,120 --> 00:42:58,080
Speaker 2: I had things switched up again Ship my first single

755
00:42:58,160 --> 00:42:59,760
Speaker 2: country grandmar Again.

756
00:42:59,840 --> 00:43:02,240
Speaker 1: I never heard the radio version, never.

757
00:43:02,200 --> 00:43:07,880
Speaker 2: Heard boom boom the course going down down street sweeper

758
00:43:08,080 --> 00:43:11,080
Speaker 2: going down down your street and the range Rover street

759
00:43:11,120 --> 00:43:12,840
Speaker 2: sweeper cocked ready to let it go.

760
00:43:13,280 --> 00:43:16,520
Speaker 1: Show me, smy coco what listen to it. Pou light

761
00:43:16,600 --> 00:43:18,400
Speaker 1: it up and take a puff. Pass it to me.

762
00:43:18,520 --> 00:43:25,799
Speaker 1: Now never in my life heard boom boom, down, boom boom,

763
00:43:28,920 --> 00:43:29,400
Speaker 1: never heard it.

764
00:43:29,480 --> 00:43:35,880
Speaker 2: I cried, cried, they are trying to ruin me. I

765
00:43:36,040 --> 00:43:38,879
Speaker 2: knew it, and I ain't gonna even lie. Boy, Listen,

766
00:43:38,920 --> 00:43:44,120
Speaker 2: I blamed it on New York. No, I swear to God.

767
00:43:44,400 --> 00:43:47,560
Speaker 2: I swear to God. I New York embraced you. And

768
00:43:47,640 --> 00:43:51,080
Speaker 2: there's always a big lie, Right, there's a big lie.

769
00:43:51,120 --> 00:43:54,520
Speaker 2: And I'll say no, no, there's a big no.

770
00:43:55,000 --> 00:43:57,320
Speaker 1: No. You got this thing that all our guess is

771
00:43:57,360 --> 00:44:01,080
Speaker 1: from the Bronx. Anybody she shut She shot.

772
00:44:00,880 --> 00:44:04,520
Speaker 2: The video to What's Love in the Bronx for the university.

773
00:44:05,120 --> 00:44:09,120
Speaker 2: Don't do that to yourself. Listen, let me tell you

774
00:44:09,120 --> 00:44:12,279
Speaker 2: you fucked up what I was gonna say, you did it.

775
00:44:12,320 --> 00:44:13,279
Speaker 1: But let me tell you something.

776
00:44:13,320 --> 00:44:16,880
Speaker 2: He goes up. So I'm scared to fly. At the

777
00:44:17,000 --> 00:44:20,640
Speaker 2: time I get on the tour bus, I go from Vegas,

778
00:44:20,719 --> 00:44:23,040
Speaker 2: I drive all the way down the can coon got

779
00:44:23,120 --> 00:44:27,360
Speaker 2: stuck up about six seven times, all by cops, the

780
00:44:27,800 --> 00:44:28,600
Speaker 2: Mexican dudes.

781
00:44:28,640 --> 00:44:29,520
Speaker 1: This small.

782
00:44:31,080 --> 00:44:33,560
Speaker 2: Comes as stall as these lights in the middle of

783
00:44:33,680 --> 00:44:37,440
Speaker 2: nowhere that for your pay yo. By the seventh time,

784
00:44:37,520 --> 00:44:41,920
Speaker 2: I was I had to grab the Bible. No no,

785
00:44:42,320 --> 00:44:45,560
Speaker 2: I had to grab the Bible and open it up

786
00:44:45,640 --> 00:44:48,839
Speaker 2: and be like God, please, I can't get robbed no more.

787
00:44:48,880 --> 00:44:51,760
Speaker 1: It wasn't even for it was my my fucking sanity.

788
00:44:51,880 --> 00:44:54,680
Speaker 2: I was like, Yo, they's sticking us up every hour,

789
00:44:54,960 --> 00:44:57,279
Speaker 2: some guys, some cop is pulling us off, getting us

790
00:44:57,280 --> 00:44:59,239
Speaker 2: for a hundred dollars each other.

791
00:45:00,239 --> 00:45:04,680
Speaker 1: Stay on the way, get him listen, so I get

792
00:45:04,800 --> 00:45:06,560
Speaker 1: the can kum right.

793
00:45:07,239 --> 00:45:10,560
Speaker 2: And at that point we're performing for spring break. So

794
00:45:10,719 --> 00:45:13,279
Speaker 2: my album is only selling five thousand a week at

795
00:45:13,360 --> 00:45:16,960
Speaker 2: the top. So I said, yo, I gotta kill this.

796
00:45:17,120 --> 00:45:19,880
Speaker 2: I tell Lorena. I sayyo, Lorena, I gotta do something crazy.

797
00:45:20,000 --> 00:45:27,080
Speaker 2: She said, go topless. Uhh, I said what, Go topless?

798
00:45:27,880 --> 00:45:30,320
Speaker 2: And no big guy ever come out there and have

799
00:45:30,520 --> 00:45:33,200
Speaker 2: his shit all open. Just throw a little towel on you.

800
00:45:33,920 --> 00:45:38,839
Speaker 1: We went topless, Me and the Shanti that it ain't

801
00:45:38,880 --> 00:45:39,840
Speaker 1: looked bad since.

802
00:45:41,160 --> 00:45:42,880
Speaker 2: It felt bad for you now when I look at it.

803
00:45:42,920 --> 00:45:44,839
Speaker 2: Because I was a big I never stunk in my life,

804
00:45:44,880 --> 00:45:46,880
Speaker 2: but I was a big boy sweat.

805
00:45:46,640 --> 00:45:48,279
Speaker 1: And I said, damn shot. He must have been like

806
00:45:48,400 --> 00:45:53,120
Speaker 1: this fat, like fuck wrong with him?

807
00:45:54,560 --> 00:45:57,560
Speaker 2: And let me tell you something, the white people discovered

808
00:45:57,600 --> 00:46:00,800
Speaker 2: Fat Joe wants What's love came on? I never performed

809
00:46:00,840 --> 00:46:03,000
Speaker 2: for blacks and Spanish people for the first two years.

810
00:46:03,040 --> 00:46:06,560
Speaker 2: I was bar Mitzi's rumbyos all type of shit like

811
00:46:07,000 --> 00:46:08,279
Speaker 2: I'm getting the bag bag.

812
00:46:08,360 --> 00:46:10,480
Speaker 1: I'd like, Yo, what we're gonna perform for black people?

813
00:46:10,640 --> 00:46:14,239
Speaker 1: Like what's going on this ship? That means you you

814
00:46:14,400 --> 00:46:15,480
Speaker 1: getting the bag right?

815
00:46:16,480 --> 00:46:19,480
Speaker 2: And so the ship kept After we did that performance,

816
00:46:20,440 --> 00:46:24,960
Speaker 2: all the white shows like Soap Talk, uh, Saturday Night Live,

817
00:46:25,040 --> 00:46:27,640
Speaker 2: they was like, this guy is called Joey Crack and then.

818
00:46:27,560 --> 00:46:32,919
Speaker 1: You had at my butt cracked. Ain't no white people

819
00:46:33,160 --> 00:46:33,560
Speaker 1: loved it.

820
00:46:34,040 --> 00:46:36,840
Speaker 2: This ship went up ten thousand a week, twenty thousand

821
00:46:36,880 --> 00:46:38,680
Speaker 2: a week. This ship went on fire. We sold two

822
00:46:38,719 --> 00:46:43,479
Speaker 2: million records. And it's really because that one performance turned

823
00:46:43,560 --> 00:46:46,200
Speaker 2: that ship up on fire because they were making fun

824
00:46:46,280 --> 00:46:47,920
Speaker 2: of me. But I guess it was like by the

825
00:46:48,000 --> 00:46:52,239
Speaker 2: moment I had a time, but it was confidence. They

826
00:46:52,280 --> 00:46:55,280
Speaker 2: can make fun, but you they were in that moment,

827
00:46:55,400 --> 00:46:56,040
Speaker 2: got the red.

828
00:46:56,120 --> 00:46:58,359
Speaker 6: That's the moment, man, that's history right there.

829
00:46:58,640 --> 00:47:02,360
Speaker 2: No, No, we got big his biggest, got the biggest.

830
00:47:02,880 --> 00:47:06,560
Speaker 2: That peacock, right, peacock is where we find that show.

831
00:47:07,320 --> 00:47:09,399
Speaker 1: Where can they check the show out? Peacock check out

832
00:47:09,520 --> 00:47:10,279
Speaker 1: come out this week?

833
00:47:10,560 --> 00:47:14,239
Speaker 6: Yes, the twenty six Thursday. That's what you were giving

834
00:47:14,320 --> 00:47:18,839
Speaker 6: y'all all eight episodes at once. Get your session, watch

835
00:47:18,920 --> 00:47:19,520
Speaker 6: the poll.

836
00:47:19,400 --> 00:47:21,920
Speaker 3: Come out, crushing the game because you know you get Thursday,

837
00:47:21,960 --> 00:47:23,040
Speaker 3: you see one episode.

838
00:47:23,880 --> 00:47:25,560
Speaker 1: They're giving you all eight at once.

839
00:47:25,719 --> 00:47:28,560
Speaker 3: Make sure y'all check that out on Peacock, it's called

840
00:47:28,640 --> 00:47:29,800
Speaker 3: we Belong Together.

841
00:47:30,239 --> 00:47:37,480
Speaker 1: Yeah, they belonged again, Nelly. That sean to the at L.

842
00:47:37,560 --> 00:47:40,880
Speaker 1: How did that come about? Shut up, man, shut up.

843
00:47:41,200 --> 00:47:42,560
Speaker 1: Social Death family.

844
00:47:42,480 --> 00:47:45,239
Speaker 2: Been going to Atlanta for a long for a long time, man,

845
00:47:45,440 --> 00:47:49,399
Speaker 2: and I mean Atlanta huge influence on Nelly.

846
00:47:49,480 --> 00:47:49,840
Speaker 1: Obviously.

847
00:47:49,960 --> 00:47:55,600
Speaker 2: I'm a huge Dungeon family. Dungeon go away, goodie, my

848
00:47:55,840 --> 00:48:01,000
Speaker 2: rested piece, Rico U goodie mine. There is no Nelly

849
00:48:01,080 --> 00:48:03,960
Speaker 2: without Selo Green. You see what I'm saying, Like just

850
00:48:04,160 --> 00:48:09,040
Speaker 2: understanding that Big Gil and then out cast, you know

851
00:48:09,080 --> 00:48:11,480
Speaker 2: what I mean, Like our cast changed the whole way

852
00:48:11,560 --> 00:48:15,200
Speaker 2: I was doing music hearing them brothers, you know so.

853
00:48:16,400 --> 00:48:17,640
Speaker 1: And then met up with JD.

854
00:48:17,920 --> 00:48:21,799
Speaker 2: My man big Bob, who was security for JD at

855
00:48:21,840 --> 00:48:25,200
Speaker 2: the time for a long time and still is.

856
00:48:25,280 --> 00:48:30,520
Speaker 1: He's just helping me out. Like but yeah, man, and JD.

857
00:48:30,719 --> 00:48:32,360
Speaker 1: That's that's part of the why me and JD is

858
00:48:32,400 --> 00:48:33,799
Speaker 1: so close and a lot of people.

859
00:48:33,920 --> 00:48:38,560
Speaker 2: JD did have an opportunity to sign me. I tell

860
00:48:38,600 --> 00:48:41,920
Speaker 2: that story all the time, but me not knowing the business,

861
00:48:42,000 --> 00:48:44,040
Speaker 2: I was a little bit upset with JD at the time.

862
00:48:44,480 --> 00:48:47,520
Speaker 2: But knowing the business, I found out, you know, at

863
00:48:47,560 --> 00:48:49,879
Speaker 2: that time, he had just signed what just signed Mace

864
00:48:49,960 --> 00:48:54,160
Speaker 2: hallm World. It's at the same time he had just

865
00:48:54,280 --> 00:48:58,839
Speaker 2: signed Mace Harlem World, and I and the homie Mace

866
00:48:59,040 --> 00:49:00,840
Speaker 2: you know, was going through here his life and whatever

867
00:49:00,920 --> 00:49:03,239
Speaker 2: he was going through and had to step away for

868
00:49:03,360 --> 00:49:06,440
Speaker 2: a minute. So you know, those dominoes falling a lot

869
00:49:06,480 --> 00:49:09,160
Speaker 2: of different people at the time, and I was trying

870
00:49:09,160 --> 00:49:11,239
Speaker 2: to come out right then and right there. But the

871
00:49:11,440 --> 00:49:15,239
Speaker 2: thing about it is JD always kept a friendship with

872
00:49:15,360 --> 00:49:17,840
Speaker 2: me as far as yo, I can't sign you, but

873
00:49:18,120 --> 00:49:19,160
Speaker 2: you a cool motherfucker.

874
00:49:19,600 --> 00:49:21,560
Speaker 1: And I was like, ship, this guy ain't gotta let

875
00:49:21,600 --> 00:49:24,279
Speaker 1: me hang with him, and you know what I mean.

876
00:49:24,520 --> 00:49:27,000
Speaker 1: And then he was still keeping it, keeping it peak.

877
00:49:27,440 --> 00:49:30,120
Speaker 1: So that's like a big brother to me. Man. And

878
00:49:30,160 --> 00:49:32,680
Speaker 1: I've always been a social Death fan and Tip and

879
00:49:32,760 --> 00:49:35,040
Speaker 1: everybody else. I don't know. Man. STL.

880
00:49:35,120 --> 00:49:37,920
Speaker 2: The atl got strong ties anyway, like a lot of

881
00:49:37,960 --> 00:49:40,560
Speaker 2: people from STL in Atlanta.

882
00:49:40,680 --> 00:49:42,400
Speaker 1: You know here to New York. A lot of they

883
00:49:42,480 --> 00:49:45,600
Speaker 1: even got a Bronx day in Atlanta. They got.

884
00:49:48,360 --> 00:49:50,400
Speaker 2: They never wanted to pay me to do Bronx that

885
00:49:50,600 --> 00:49:52,239
Speaker 2: they never want to be. They got to Bronx that

886
00:49:52,400 --> 00:49:53,120
Speaker 2: you don't get fat.

887
00:49:53,200 --> 00:49:56,280
Speaker 1: You gotta go do that. This is bad. You gotta

888
00:49:57,800 --> 00:49:59,640
Speaker 1: they have a Bronxe that I'll be wanting to go

889
00:49:59,800 --> 00:50:02,200
Speaker 1: for free teams Bronx. You gotta.

890
00:50:05,280 --> 00:50:07,800
Speaker 6: Joe got to be there to make it show.

891
00:50:07,640 --> 00:50:08,360
Speaker 1: With these people.

892
00:50:08,520 --> 00:50:12,680
Speaker 2: Man like this son is the biggest disrespect in the world.

893
00:50:12,800 --> 00:50:15,560
Speaker 2: I'm gonna tell you an ill story. Right, I'm at

894
00:50:15,600 --> 00:50:19,120
Speaker 2: a show with Nelly. I think we was in Nashville, right,

895
00:50:19,960 --> 00:50:23,000
Speaker 2: and the next day was like the Grammys or something.

896
00:50:23,640 --> 00:50:26,120
Speaker 2: And you asked me before the show, you say, yo,

897
00:50:26,200 --> 00:50:28,040
Speaker 2: you you're going to the Grammys. I said, yeah, I'm

898
00:50:28,080 --> 00:50:29,160
Speaker 2: going to the Grammy's tomorrow.

899
00:50:29,239 --> 00:50:31,440
Speaker 1: This and this and that. It's like, yo, come with us.

900
00:50:31,880 --> 00:50:37,120
Speaker 1: Show up. We go to the private airport, everything laid out.

901
00:50:37,520 --> 00:50:38,400
Speaker 1: We go inside.

902
00:50:38,640 --> 00:50:42,200
Speaker 2: This guy he could really he ain't scared of planes.

903
00:50:42,320 --> 00:50:45,719
Speaker 2: He knocked out so fast. That's my way of not

904
00:50:45,840 --> 00:50:48,239
Speaker 2: being scared back of the time. It's just like, yo,

905
00:50:48,480 --> 00:50:50,560
Speaker 2: just go to sleep. Whatever gonna happen is gonna happen.

906
00:50:50,680 --> 00:50:50,799
Speaker 1: Yo.

907
00:50:50,920 --> 00:50:53,440
Speaker 2: I can't go out of my hands, bro, I cannot

908
00:50:53,560 --> 00:50:55,239
Speaker 2: go to sleep if I don't take a bill like

909
00:50:55,320 --> 00:50:57,920
Speaker 2: I'm going overseas or something like that, I can't go

910
00:50:58,040 --> 00:50:58,440
Speaker 2: to sleep.

911
00:50:59,000 --> 00:50:59,200
Speaker 1: Show.

912
00:51:00,520 --> 00:51:04,200
Speaker 2: What I'm trying to say is the plane lands. When

913
00:51:04,239 --> 00:51:07,280
Speaker 2: it lands, there's a Bentley a Rose Royce right outside

914
00:51:07,320 --> 00:51:10,560
Speaker 2: with the driver. Nelly gets out, goes down the stairs.

915
00:51:10,920 --> 00:51:13,520
Speaker 2: They opened the door, they close the door, and he leaves.

916
00:51:14,760 --> 00:51:19,680
Speaker 1: I said, this, motherfucker, rich this listen. He ain't take

917
00:51:19,760 --> 00:51:20,400
Speaker 1: a picture. You know.

918
00:51:20,560 --> 00:51:22,640
Speaker 2: You know, people getting a private they start yo the

919
00:51:22,719 --> 00:51:26,240
Speaker 2: picture in the private, knocked on birthday parties in the private.

920
00:51:26,800 --> 00:51:29,839
Speaker 1: This guy look like he do this for breakfast. I see.

921
00:51:30,320 --> 00:51:32,879
Speaker 2: I swear to God, No, no, I swear to God.

922
00:51:33,239 --> 00:51:35,480
Speaker 2: He walked right in the Rose Royce in l A.

923
00:51:36,160 --> 00:51:39,720
Speaker 2: And he drove and I was like, did I really

924
00:51:40,000 --> 00:51:41,840
Speaker 2: fly over here with Nelly?

925
00:51:47,320 --> 00:51:51,799
Speaker 1: You took the Rose race? I mean, you know, come on, bro,

926
00:51:52,600 --> 00:51:55,839
Speaker 1: how you doing since you're real happy in life? I'm amazing.

927
00:51:55,960 --> 00:51:59,879
Speaker 2: I've been watching your interviews, you've been hinting towards another baby. Yeah,

928
00:52:00,760 --> 00:52:01,920
Speaker 2: so you want another one.

929
00:52:01,920 --> 00:52:02,560
Speaker 6: I definitely do.

930
00:52:02,680 --> 00:52:08,000
Speaker 1: I love my son one. The other one is gonna

931
00:52:08,000 --> 00:52:10,120
Speaker 1: be not as nice as this one.

932
00:52:12,360 --> 00:52:17,080
Speaker 2: It's just telling you the truth. Why if one come

933
00:52:17,239 --> 00:52:22,640
Speaker 2: like an ain'tel holy ship that him step Long Island.

934
00:52:23,200 --> 00:52:26,400
Speaker 2: He's coming out like, yo, you know what I mean?

935
00:52:26,440 --> 00:52:29,680
Speaker 2: Oh my god, I didn't know that this thing. You

936
00:52:29,800 --> 00:52:33,480
Speaker 2: got the nice one? Yeah, rip you you changed same thing.

937
00:52:33,640 --> 00:52:34,719
Speaker 1: What you think?

938
00:52:34,760 --> 00:52:37,719
Speaker 2: It's a game, because when you got the baby of

939
00:52:37,840 --> 00:52:41,120
Speaker 2: the the nicest one, you get the other one. I

940
00:52:41,200 --> 00:52:43,680
Speaker 2: mean you know he might throw some building blocks at

941
00:52:43,760 --> 00:52:46,239
Speaker 2: you and ship like that. You know you might get

942
00:52:46,239 --> 00:52:46,600
Speaker 2: a girl.

943
00:52:46,719 --> 00:52:51,960
Speaker 1: Now the women. Yeah, the girl's the hardest thing I know.

944
00:52:52,200 --> 00:52:56,200
Speaker 1: I know, you know, you know it's crazy. Man. Now,

945
00:52:56,280 --> 00:52:59,160
Speaker 1: I won't go there, mama butt shout out to your sister.

946
00:53:01,239 --> 00:53:06,120
Speaker 2: But you know, my whole life, I watched as he

947
00:53:06,200 --> 00:53:09,800
Speaker 2: and Lorena argue about from four to three years old outfits.

948
00:53:09,840 --> 00:53:10,600
Speaker 1: I'm not wearing that.

949
00:53:11,239 --> 00:53:12,120
Speaker 2: Stop my style.

950
00:53:12,600 --> 00:53:13,640
Speaker 1: That ain't my swag.

951
00:53:14,040 --> 00:53:15,960
Speaker 2: To this day, they'd be like, I'd be like, yo,

952
00:53:16,040 --> 00:53:18,960
Speaker 2: you know your mom's got swagged. Like she's trying to

953
00:53:19,000 --> 00:53:21,160
Speaker 2: help you. I don't care that this ain't mine.

954
00:53:21,560 --> 00:53:25,040
Speaker 1: It's what I want. I'm not it's but that's what

955
00:53:25,160 --> 00:53:25,920
Speaker 1: the girl gives you.

956
00:53:26,239 --> 00:53:29,120
Speaker 6: Yeah, I want a girl though, bounce it out. I

957
00:53:29,239 --> 00:53:31,960
Speaker 6: got my boy, you know, I want my la.

958
00:53:32,320 --> 00:53:35,200
Speaker 1: You here a boy that we still we're still out

959
00:53:35,239 --> 00:53:41,279
Speaker 1: there working. We may have we may have time. I

960
00:53:41,400 --> 00:53:43,160
Speaker 1: think now you can get one more time.

961
00:53:43,680 --> 00:53:46,000
Speaker 2: I'm not messing with God, but I think now you

962
00:53:46,080 --> 00:53:49,720
Speaker 2: can get like the injection and picked if your baby wants.

963
00:53:49,600 --> 00:53:52,520
Speaker 6: Blue eyes like this ship like a building man, baby

964
00:53:53,320 --> 00:53:55,680
Speaker 6: like a car right now, like a building man.

965
00:53:55,880 --> 00:53:59,680
Speaker 2: Yeah, I'm telling you some people that have a baby

966
00:53:59,760 --> 00:54:02,200
Speaker 2: in the baby I've never even seen the girl pregnant.

967
00:54:02,560 --> 00:54:05,000
Speaker 2: And then she got a baby. The baby got blue eyes.

968
00:54:05,480 --> 00:54:08,520
Speaker 2: They yo, my baby's here. You're like, yo, what the like?

969
00:54:08,880 --> 00:54:14,720
Speaker 1: Nobody got blue eyes in the family. They got shipped

970
00:54:14,840 --> 00:54:18,120
Speaker 1: like that. But she says she wants another baby. We

971
00:54:18,280 --> 00:54:21,440
Speaker 1: got minutes. She won't long as we as many nannies

972
00:54:21,440 --> 00:54:21,680
Speaker 1: as we.

973
00:54:21,760 --> 00:54:27,000
Speaker 2: Need, can't chase Tyler's at fifty. Man, that's rough, Joe.

974
00:54:27,080 --> 00:54:31,160
Speaker 2: That's a workout, Joe. You work out every day though

975
00:54:31,800 --> 00:54:35,160
Speaker 2: you no, not as much as I used to. I

976
00:54:35,239 --> 00:54:37,680
Speaker 2: gotta get back in there. But I mean, I'm just

977
00:54:37,760 --> 00:54:39,560
Speaker 2: saying she's learning now because he's.

978
00:54:39,400 --> 00:54:46,680
Speaker 1: Active footagey'all seen a nephew, he got a lot of it. Yeah.

979
00:54:46,880 --> 00:54:49,120
Speaker 1: He picking them up, putting them down in a minute too.

980
00:54:49,280 --> 00:54:52,000
Speaker 2: He trying to walk and all of that. And he's

981
00:54:52,080 --> 00:54:55,839
Speaker 2: getting closed. So and he's rough, very rough.

982
00:54:56,320 --> 00:54:59,239
Speaker 1: He's rough, bro like he ain't scared of ship. That's

983
00:54:59,320 --> 00:55:01,000
Speaker 1: you know what I'm saying. Like you can bring him up,

984
00:55:01,040 --> 00:55:11,000
Speaker 1: throw them up there, laughing on the way down. Let

985
00:55:11,080 --> 00:55:13,799
Speaker 1: me ask you a question, right, and you don't want

986
00:55:13,800 --> 00:55:17,239
Speaker 1: to answer it. We don't answer it all. We throw it.

987
00:55:17,360 --> 00:55:20,919
Speaker 2: I'm just gotta keep no, I gotta keep it real

988
00:55:21,040 --> 00:55:24,480
Speaker 2: right or throw it out. You tell me throw it out?

989
00:55:24,600 --> 00:55:24,840
Speaker 1: Come on.

990
00:55:26,600 --> 00:55:29,640
Speaker 2: When I see this stuff like seeing lunatics suing you

991
00:55:29,760 --> 00:55:32,759
Speaker 2: and ship like that, Yeah, but how do you feel

992
00:55:32,800 --> 00:55:38,359
Speaker 2: about that? I think for the most part, they had

993
00:55:39,040 --> 00:55:40,600
Speaker 2: no no.

994
00:55:40,760 --> 00:55:43,520
Speaker 1: No no, no, no no, no talking about family. Have

995
00:55:43,640 --> 00:55:46,080
Speaker 1: no problem what I'm talking about.

996
00:55:45,920 --> 00:55:50,080
Speaker 2: Family, No problem with answering with answering this. I think

997
00:55:50,440 --> 00:55:55,840
Speaker 2: people were misinformed when we started the Lunatics.

998
00:55:56,000 --> 00:55:58,680
Speaker 1: First of all, Murphy Lee was a.

999
00:55:58,800 --> 00:56:03,600
Speaker 2: Year out of high school, bare miss stage my brother Kiwan,

1000
00:56:04,080 --> 00:56:07,000
Speaker 2: and then once we got the deal, City Spud went

1001
00:56:07,040 --> 00:56:12,120
Speaker 2: to jail, right, So me and the oldest one, we

1002
00:56:12,280 --> 00:56:16,400
Speaker 2: were the ones more engaged on the business side of

1003
00:56:16,520 --> 00:56:19,520
Speaker 2: things and how things were transpiring. I think everybody else

1004
00:56:19,680 --> 00:56:22,160
Speaker 2: was just happy to be there. So you know what

1005
00:56:22,200 --> 00:56:23,840
Speaker 2: it's like if you're in a group. You got some

1006
00:56:23,960 --> 00:56:26,360
Speaker 2: people that's going to the meetings, some people that's on

1007
00:56:26,520 --> 00:56:29,520
Speaker 2: the phone call, some people that are in those rooms

1008
00:56:29,920 --> 00:56:33,520
Speaker 2: when certain situations are being discussed and how they go,

1009
00:56:33,760 --> 00:56:35,759
Speaker 2: and you got other people that's nah, just leave that

1010
00:56:35,800 --> 00:56:36,160
Speaker 2: to y'all.

1011
00:56:36,400 --> 00:56:38,040
Speaker 1: Now, I just lead that to y'all. I lead that

1012
00:56:38,080 --> 00:56:38,479
Speaker 1: to y'all.

1013
00:56:39,000 --> 00:56:44,719
Speaker 2: So when the thing came up of how everything got

1014
00:56:44,840 --> 00:56:46,560
Speaker 2: broken down in the beginning.

1015
00:56:46,400 --> 00:56:48,200
Speaker 1: We had a fucked up deal in the beginning.

1016
00:56:49,000 --> 00:56:52,279
Speaker 2: So the way things got spread it out was that

1017
00:56:53,160 --> 00:56:57,080
Speaker 2: the oldest member of the group, the manager is his

1018
00:56:57,239 --> 00:57:01,080
Speaker 2: best friend, our business manager is his best friend, and

1019
00:57:01,200 --> 00:57:02,959
Speaker 2: our road manager is his best friend.

1020
00:57:03,760 --> 00:57:06,440
Speaker 1: So they negotiated everything.

1021
00:57:07,520 --> 00:57:11,600
Speaker 2: They put everything into perspectives and you see what I'm saying,

1022
00:57:11,640 --> 00:57:16,080
Speaker 2: and I'm trying to because they still got other things,

1023
00:57:16,200 --> 00:57:19,080
Speaker 2: but they were influencing the other one. So when the

1024
00:57:19,280 --> 00:57:22,200
Speaker 2: ones that did not know what happened found out what

1025
00:57:22,360 --> 00:57:25,280
Speaker 2: happened now you see us back on tour except for

1026
00:57:25,360 --> 00:57:30,320
Speaker 2: one because long story short, the truth just need to

1027
00:57:30,360 --> 00:57:33,360
Speaker 2: be told and people needed to find out not just

1028
00:57:34,720 --> 00:57:36,880
Speaker 2: why there it is, but how it is. And when

1029
00:57:36,920 --> 00:57:41,400
Speaker 2: you found out how it was, you understood, they understood you.

1030
00:57:41,840 --> 00:57:45,400
Speaker 2: I've never seen nobody keep it more real with their crew.

1031
00:57:45,960 --> 00:57:48,240
Speaker 1: Thank you. And I want you to know.

1032
00:57:48,400 --> 00:57:50,680
Speaker 2: If I'm sating in New York and I see this ship,

1033
00:57:51,440 --> 00:57:54,200
Speaker 2: it's like a sledgehammer hit me and bust my head

1034
00:57:54,280 --> 00:57:55,880
Speaker 2: open like a fucking watermelon.

1035
00:57:56,040 --> 00:57:58,760
Speaker 1: You know, they with you. They say you don't want to,

1036
00:58:00,040 --> 00:58:00,640
Speaker 1: but they say, you.

1037
00:58:00,640 --> 00:58:03,080
Speaker 2: Don't understand who you were with until you go through

1038
00:58:03,160 --> 00:58:07,520
Speaker 2: something negative. That was our first time ever going through anything.

1039
00:58:07,240 --> 00:58:09,320
Speaker 1: That wasn't positive.

1040
00:58:09,320 --> 00:58:11,560
Speaker 2: Because you know, we were very very fortunate, very very

1041
00:58:11,640 --> 00:58:14,760
Speaker 2: blessed that when we first came out, we were rocket shipping,

1042
00:58:15,080 --> 00:58:16,720
Speaker 2: you know what I'm saying. So when it got to

1043
00:58:16,880 --> 00:58:21,280
Speaker 2: a point to where, okay, now everybody needs to everybody's

1044
00:58:21,280 --> 00:58:23,480
Speaker 2: trying to pay attention to something they should have been

1045
00:58:23,520 --> 00:58:25,960
Speaker 2: paying attention to since day one. But here's the thing,

1046
00:58:26,080 --> 00:58:28,760
Speaker 2: bro Ever, since this group been informed, I've always had

1047
00:58:28,800 --> 00:58:31,800
Speaker 2: the most money from the time we came into this crew.

1048
00:58:31,880 --> 00:58:34,400
Speaker 2: I came into this crew with two cars, my own apartment,

1049
00:58:34,760 --> 00:58:35,920
Speaker 2: and everything else that was.

1050
00:58:36,080 --> 00:58:36,800
Speaker 1: You see what I'm saying.

1051
00:58:36,800 --> 00:58:39,600
Speaker 2: I've always paid my own way and other people's way

1052
00:58:40,040 --> 00:58:44,960
Speaker 2: to get through certain things. So I've never not paid

1053
00:58:44,960 --> 00:58:48,200
Speaker 2: attention to business. You know what I'm saying, Never not

1054
00:58:48,320 --> 00:58:51,480
Speaker 2: paid attention to business. Used to insist people pay attention

1055
00:58:51,600 --> 00:58:54,520
Speaker 2: to business. Used to ask people, you know what's going on?

1056
00:58:54,640 --> 00:58:58,640
Speaker 2: You know what these these you know? But like you said,

1057
00:58:58,640 --> 00:59:01,439
Speaker 2: when the money is coming in, nobody wants to say nothing.

1058
00:59:01,520 --> 00:59:04,240
Speaker 2: And then obviously they look up on the day that

1059
00:59:04,560 --> 00:59:06,200
Speaker 2: the money is not what they think it should be

1060
00:59:06,760 --> 00:59:08,560
Speaker 2: and then wonder why they don't have it like that.

1061
00:59:08,720 --> 00:59:11,520
Speaker 2: But we all go through trials, tribulations you know how

1062
00:59:11,680 --> 00:59:12,760
Speaker 2: mow times in hip hop.

1063
00:59:12,920 --> 00:59:15,920
Speaker 1: Yeah, you put that well, brother, No, I appreciate it.

1064
00:59:16,200 --> 00:59:18,840
Speaker 2: I know you can understand it, because I'm telling you

1065
00:59:19,040 --> 00:59:22,680
Speaker 2: you gotta reflect. I've been in this game thirty years.

1066
00:59:22,720 --> 00:59:24,960
Speaker 2: I've been around so many crews. We love the Locks

1067
00:59:25,040 --> 00:59:30,160
Speaker 2: because their brotherhood cannot be they they don't even know that.

1068
00:59:30,320 --> 00:59:33,560
Speaker 2: That's why they together like this. You know what I'm

1069
00:59:33,600 --> 00:59:37,520
Speaker 2: saying the Locks is I think their whole dynamic to

1070
00:59:37,640 --> 00:59:40,360
Speaker 2: me is that they never let nobody break them up.

1071
00:59:40,400 --> 00:59:42,800
Speaker 1: They together that I think that's what the streets love.

1072
00:59:43,520 --> 00:59:46,520
Speaker 2: So when I just evaluate the whole hip hop game

1073
00:59:46,560 --> 00:59:48,800
Speaker 2: and I've been around everybody, I never seen nobody keep

1074
00:59:48,840 --> 00:59:49,600
Speaker 2: it more real than you.

1075
00:59:50,000 --> 00:59:52,280
Speaker 1: And I love everybody, so I'm letting them. No I'm not,

1076
00:59:52,760 --> 00:59:55,000
Speaker 1: but I never see nobody take care of their crew

1077
00:59:55,080 --> 00:59:55,520
Speaker 1: more than you.

1078
00:59:56,080 --> 00:59:59,720
Speaker 2: So it was shocking to me, just you know, sitting back,

1079
01:00:00,240 --> 01:00:03,280
Speaker 2: you know, and sometimes you don't know you can have

1080
01:00:03,400 --> 01:00:04,800
Speaker 2: that effect on somebody else.

1081
01:00:04,920 --> 01:00:07,720
Speaker 1: But I was just like, you know what I'm saying. No,

1082
01:00:07,840 --> 01:00:12,720
Speaker 1: but I've always I've always the same, you know. You

1083
01:00:12,840 --> 01:00:15,640
Speaker 1: know that's your sister, you know, she's like, what the

1084
01:00:15,840 --> 01:00:16,440
Speaker 1: fuck do you.

1085
01:00:19,080 --> 01:00:19,120
Speaker 2: Know?

1086
01:00:19,200 --> 01:00:21,000
Speaker 1: Because she can read certain ship.

1087
01:00:20,960 --> 01:00:25,040
Speaker 6: Like yeah, And I said, he's the most generous person

1088
01:00:25,840 --> 01:00:29,040
Speaker 6: I've ever met. When it came to that, the family

1089
01:00:29,200 --> 01:00:31,840
Speaker 6: and that group and the percentages, and I was like,

1090
01:00:31,880 --> 01:00:32,520
Speaker 6: you've given.

1091
01:00:32,400 --> 01:00:32,680
Speaker 5: Out what.

1092
01:00:34,360 --> 01:00:37,840
Speaker 2: In beginning coming off tour. I come, we come off

1093
01:00:37,920 --> 01:00:41,080
Speaker 2: the Nelly tour, I split it down the middle. I

1094
01:00:41,240 --> 01:00:43,920
Speaker 2: take half and I give them a. So if we

1095
01:00:44,040 --> 01:00:46,640
Speaker 2: come off a tour with twenty million dollars, I take ten,

1096
01:00:47,200 --> 01:00:50,960
Speaker 2: the group get no, but they ten.

1097
01:00:50,880 --> 01:00:54,000
Speaker 1: And go home. I take my ten and I pay commissions,

1098
01:00:56,040 --> 01:00:57,080
Speaker 1: I pay everything else.

1099
01:00:57,200 --> 01:00:59,640
Speaker 2: Everybody else get to go take their money and go

1100
01:00:59,800 --> 01:01:02,760
Speaker 2: and go sideways, you know what I mean? Like, so

1101
01:01:03,120 --> 01:01:07,000
Speaker 2: you know, betrayal, man, You can't. You can't build the

1102
01:01:07,080 --> 01:01:10,680
Speaker 2: wall high enough that shit have jumped right onto the wall.

1103
01:01:10,800 --> 01:01:12,920
Speaker 2: That shit hurts you know what that might be.

1104
01:01:14,040 --> 01:01:16,560
Speaker 3: I think it's the only thing that might be closer

1105
01:01:16,880 --> 01:01:18,520
Speaker 3: similarly worse than death.

1106
01:01:18,600 --> 01:01:21,200
Speaker 2: It hurts you that much, Yeah, because it all it's

1107
01:01:21,320 --> 01:01:26,200
Speaker 2: always from somebody who trust that you love, that you

1108
01:01:26,360 --> 01:01:29,600
Speaker 2: trust at that time to show himself. You know what

1109
01:01:29,640 --> 01:01:31,560
Speaker 2: I'm saying. Because can't nobody you don't know or don't

1110
01:01:31,600 --> 01:01:34,040
Speaker 2: care about, hurt you like that. You know what I'm saying,

1111
01:01:34,120 --> 01:01:34,760
Speaker 2: because you either.

1112
01:01:34,640 --> 01:01:35,640
Speaker 1: It's always somebody you know.

1113
01:01:35,880 --> 01:01:37,640
Speaker 2: They say it's the ones closest to you, but it's

1114
01:01:37,640 --> 01:01:40,720
Speaker 2: always somebody you know that can really really hurt you.

1115
01:01:41,040 --> 01:01:45,080
Speaker 2: And then you be like, man, I'm just speaking about

1116
01:01:45,120 --> 01:01:47,720
Speaker 2: me now, you know, I'm just saying how many times

1117
01:01:47,760 --> 01:01:50,040
Speaker 2: I looked out for this person, how many times I

1118
01:01:50,120 --> 01:01:52,520
Speaker 2: gave them a chance, how many times people.

1119
01:01:52,400 --> 01:01:54,080
Speaker 1: Told me, yo, don't have them around you.

1120
01:01:54,480 --> 01:01:56,520
Speaker 2: How many times this and this and that, and then

1121
01:01:56,560 --> 01:01:58,640
Speaker 2: you still went all out and then they wind up

1122
01:01:59,360 --> 01:02:03,960
Speaker 2: doing the imagine fame believer. Everything happens for a reason

1123
01:02:04,080 --> 01:02:06,560
Speaker 2: to a certain degree, and and a lot of times

1124
01:02:06,640 --> 01:02:09,920
Speaker 2: what I tell you know, I talked to my.

1125
01:02:11,840 --> 01:02:15,520
Speaker 1: My nephew JT, Jason Tatum and shout out to JT.

1126
01:02:15,880 --> 01:02:22,000
Speaker 1: You know he had you know, but I was telling them, Yo,

1127
01:02:22,160 --> 01:02:24,120
Speaker 1: don't look at it like that. This is this is

1128
01:02:24,240 --> 01:02:28,360
Speaker 1: for something. But here's the tricky part. It's not always

1129
01:02:28,480 --> 01:02:30,040
Speaker 1: in what you think it is. It may not be

1130
01:02:30,200 --> 01:02:30,720
Speaker 1: for music.

1131
01:02:31,280 --> 01:02:33,520
Speaker 2: You see what I'm saying, Like, what's happening to you

1132
01:02:33,680 --> 01:02:36,959
Speaker 2: here may may be needing you to look somewhere else.

1133
01:02:37,320 --> 01:02:39,800
Speaker 1: It may be time. Like I was talking to JT.

1134
01:02:39,880 --> 01:02:42,760
Speaker 2: I said, Yo, it may not be about basketball, I said,

1135
01:02:42,800 --> 01:02:45,440
Speaker 2: because you're him in basketball. It may be you need

1136
01:02:45,480 --> 01:02:48,040
Speaker 2: to spend this time with your son. It may be

1137
01:02:48,320 --> 01:02:51,000
Speaker 2: something you need to spend this time with mom. You

1138
01:02:51,120 --> 01:02:53,280
Speaker 2: may need to go back home and do something. It

1139
01:02:53,360 --> 01:02:56,040
Speaker 2: may not have nothing to do with basketball. So when

1140
01:02:56,120 --> 01:02:59,360
Speaker 2: something affects you that deep, take a full three sixty

1141
01:02:59,440 --> 01:03:01,920
Speaker 2: look at it, Take a full three sixty look at

1142
01:03:02,040 --> 01:03:06,040
Speaker 2: everything that's going on around you. Because just because that's

1143
01:03:06,120 --> 01:03:08,280
Speaker 2: what put the brakes on It don't mean that that's

1144
01:03:08,880 --> 01:03:11,760
Speaker 2: the problem. It just means that you needed to stop

1145
01:03:11,920 --> 01:03:15,120
Speaker 2: for something and you have to pay attention to what

1146
01:03:15,240 --> 01:03:18,160
Speaker 2: it is. But that's the only way you're gonna grow period.

1147
01:03:18,320 --> 01:03:20,720
Speaker 2: Now you can get mad, say fuck that, that motherfucker wrong,

1148
01:03:20,760 --> 01:03:23,880
Speaker 2: and keep going. But something else gonna happen. I'm telling

1149
01:03:23,880 --> 01:03:26,280
Speaker 2: you something else gonna happen because you never you never

1150
01:03:26,360 --> 01:03:28,880
Speaker 2: fixed it. You can put a band aid on the shit.

1151
01:03:29,200 --> 01:03:31,600
Speaker 2: You never fucking addressed it, you know what I mean,

1152
01:03:31,760 --> 01:03:34,960
Speaker 2: And not to bring it back full circle. But that's

1153
01:03:35,000 --> 01:03:37,880
Speaker 2: why I think me and her sitting here to this day,

1154
01:03:38,040 --> 01:03:40,840
Speaker 2: because it was always about a full circle. Look, it

1155
01:03:41,000 --> 01:03:44,560
Speaker 2: was never about you know, does this person bring more

1156
01:03:44,640 --> 01:03:46,880
Speaker 2: positivity than your life than negative? I don't give a

1157
01:03:46,880 --> 01:03:48,560
Speaker 2: fuck who they are, Joe, I don't give fuck who

1158
01:03:48,560 --> 01:03:50,680
Speaker 2: they all kissed. It could be your mama, your daddy,

1159
01:03:50,760 --> 01:03:52,880
Speaker 2: your auntie, your uncle, it could be your fucking kids.

1160
01:03:53,360 --> 01:03:57,160
Speaker 2: Does that person bring more positivity to your life than negative?

1161
01:03:57,280 --> 01:03:58,680
Speaker 2: And if it's not, then you need to get the

1162
01:03:58,720 --> 01:04:00,880
Speaker 2: fuck away from them. And so sometimes, like you said,

1163
01:04:01,000 --> 01:04:02,920
Speaker 2: family would be the first ones that'll do it to you.

1164
01:04:03,240 --> 01:04:07,120
Speaker 2: But your family should always bring more positivity than negatives

1165
01:04:07,120 --> 01:04:10,480
Speaker 2: shouldn't even be close. But if it is, then you know,

1166
01:04:10,720 --> 01:04:14,720
Speaker 2: God damn well anybody else around, man just stay.

1167
01:04:18,360 --> 01:04:21,240
Speaker 1: Hell yeah, to be talking to some ship the boot

1168
01:04:21,280 --> 01:04:24,600
Speaker 1: on that motherfucker call. Guys know we love you, guys.

1169
01:04:24,720 --> 01:04:30,760
Speaker 3: Man, you know y'all promo the show you not to me?

1170
01:04:31,720 --> 01:04:35,680
Speaker 3: What's that you ain't get it onto this frewinded time? Man, Yeah,

1171
01:04:36,040 --> 01:04:43,320
Speaker 3: kiss cafe, no grades.

1172
01:04:43,840 --> 01:04:44,760
Speaker 1: No, I don't want that.

1173
01:04:45,440 --> 01:04:48,919
Speaker 2: I don't want that for you. I'm not I don't

1174
01:04:48,920 --> 01:04:57,520
Speaker 2: want that for you. Listen, Tyson back, we got wet.

1175
01:04:58,120 --> 01:05:00,640
Speaker 2: Why look Philly three when you could be forty three,

1176
01:05:01,160 --> 01:05:05,600
Speaker 2: forty three thirty now, I don't want to tell you

1177
01:05:05,760 --> 01:05:08,480
Speaker 2: I never want against her and then him since got

1178
01:05:08,560 --> 01:05:12,280
Speaker 2: a glam squad? Did she tell you she like you

1179
01:05:12,400 --> 01:05:13,360
Speaker 2: with that great ship?

1180
01:05:14,160 --> 01:05:20,120
Speaker 1: She lying, bro, trying to keep you great wing? Got it?

1181
01:05:20,720 --> 01:05:27,640
Speaker 1: That's cool. I'm saying when you when I don't want to,

1182
01:05:28,160 --> 01:05:29,120
Speaker 1: I'm getting this one.

1183
01:05:29,280 --> 01:05:29,760
Speaker 5: That one.

1184
01:05:31,200 --> 01:05:36,400
Speaker 1: Not got you. I'm not knocking, no knocking at all.

1185
01:05:37,360 --> 01:05:44,920
Speaker 2: We got Joe trying to force it, Joon, I'm holding

1186
01:05:45,280 --> 01:05:46,280
Speaker 2: even me a deal.

1187
01:05:46,360 --> 01:05:50,120
Speaker 1: I want to refuse.

1188
01:05:51,720 --> 01:05:57,320
Speaker 11: Say the time that ain't this, that ain't this, ain't

1189
01:06:00,120 --> 01:06:02,280
Speaker 11: got yes it's shay Nally to come.

1190
01:06:02,160 --> 01:06:04,440
Speaker 1: And n and Joe and show you I love you.

1191
01:06:08,080 --> 01:06:08,680
Speaker 5: The volume

1192
01:06:11,720 --> 01:06:11,760
Speaker 2: H