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Speaker 1: Misspelling with Tori Spelling and iHeartRadio Podcast. Okay, okay, woo,

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Speaker 1: I just got to tell you Eastern Allen. Okay, everyone,

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Speaker 1: welcome to Misstepping. We are recapping Dancing with the Stars

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Speaker 1: last night, the semi finals. It was Prince night. So

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Speaker 1: you know how I've been so sick lately, Like my

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Speaker 1: house just keeps all my kids keep getting sick. Yes,

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Speaker 1: it's a thing, five kids. But okay, so I had

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Speaker 1: like the I mean, I can't say this to you

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Speaker 1: because you always have the longest workdays, but I had

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Speaker 1: my longest work day yesterday started at four am with

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Speaker 1: all day and then I was like just to be like,

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Speaker 1: whatever I can do it prove a point to myself.

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Speaker 1: I don't know what I was doing. I should have

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Speaker 1: ordered in. I decided to cook dinner for the kids.

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Speaker 2: Wow.

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Speaker 1: Yeah, it's like I just like want to sabotage myself,

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Speaker 1: Like I don't know what it is. So then Bo's

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Speaker 1: sick in bed, so we decide we're going to watch

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Speaker 1: Dancing with the Stars after dinner. We're in bed. He's

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Speaker 1: not going to school today because he's sick, and I'm like, okay,

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Speaker 1: you know what, We're going to watch Dancing with the Stars,

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Speaker 1: get in bed to no da. I take nichol because

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Speaker 1: I'm sick. Wow, it's a whole different experience on Nichel.

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Speaker 2: And is this how it should be viewed? Is that

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Speaker 2: what you're telling people?

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Speaker 1: Okay? So what I am saying is because of me

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Speaker 1: and how my brain works. I was up early this morning.

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Speaker 1: I could have gone back and watched it, but as

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Speaker 1: the shock talk, I am, oh my god, did I

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Speaker 1: just coin that shock talk tee? I decided no, I

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Speaker 1: will not go back and rewatch it. I did look

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Speaker 1: at clips online. I'm going to give you my opinion

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Speaker 1: as it came out. Everyone does a Dancing with the

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Speaker 1: Star's recap, so this one, this it could be a

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Speaker 1: fun one, right, I'm excited a little spice to it,

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Speaker 1: and it's not that exciting. But I do have to

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Speaker 1: tell you one other thing. This morning, I was looking

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Speaker 1: through my closet. I don't wear purple, but I was like,

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Speaker 1: I kind of want to find purple and put it on.

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Speaker 1: So I'm still sick and like deliriously sick. So I

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Speaker 1: put on this purple one purple T shirt that I

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Speaker 1: find in my closet, which I'm wearing right now, which

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Speaker 1: some of you, well, it's not a video, but it's

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Speaker 1: Do you see it's pink? I do, Okay, So I

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Speaker 1: put it on and it starts to turn pink, and

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Speaker 1: I'm looking and I'm like rubbing my eyes. I'm like,

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Speaker 1: oh my god, wait, I took nicol last night, Like,

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Speaker 1: what's happening? Why am I like? Why is it turning pink?

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Speaker 1: Am I seeing things? Then? I remember? Do you remember

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Speaker 1: a company in the nineties called Gecko. Oh, it's like

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Speaker 1: the mood rings. It's the color changing clothing.

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Speaker 2: Gecko's back.

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Speaker 1: It's back.

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Speaker 2: Yeah.

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Speaker 1: They gave me some T shirts. I didn't realize. I

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Speaker 1: put it on. It started to turn pink, and I

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Speaker 1: thought it was just me. So here we are, my friend.

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Speaker 2: Wow, it was like thermal thermo color or something like

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Speaker 2: that changes with like heat, with body heat.

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Speaker 1: Wow, that's cool exactly. So I think I have a fever.

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Speaker 2: But let's go well, well, doc, I don't know my temperature,

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Speaker 2: but let me show you my Gecko shirt. It's changing colors. Okay,

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Speaker 2: isn't that enough? Free? Uh? Well, you know, purple would

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Speaker 2: have been great because it is Prince Knight on Dancing

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Speaker 2: with the Stars in Week ten, we're in the semi finals. Here,

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Speaker 2: we're down to the nitty gritty, down to the wire.

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Speaker 2: It's really really heating up. What a uh so Prince Knight.

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Speaker 2: Going into it, I was a little I'm not that

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Speaker 2: big of a Prince fan.

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Speaker 3: I I'm not, yes see on I like the hits,

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Speaker 3: but I was like why, I don't know, coming off

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Speaker 3: the twentieth Anniversary Week two, I was like, why is

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Speaker 3: it Prince Knight?

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Speaker 2: I just didn't understand.

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Speaker 1: Uh.

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Speaker 2: And then there was a very clunky plug about halfway

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Speaker 2: through the show that kind of made sense to me.

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Speaker 1: They were not off with my nicol that way. I

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Speaker 1: didn't say that.

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Speaker 2: Was at one point Alfonso has to do this like

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Speaker 2: really this mouthful of like a and the twentieth Anniversary

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Speaker 2: two discs special edition is available now of like his

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Speaker 2: greatest hits or something like that. Oh so that made

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Speaker 2: me realize. I mean that's what I think the reason

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Speaker 2: for it being printed.

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Speaker 1: A lot of product and placement things this season, yes,

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Speaker 1: like the milkshay can Dylan Evron right, yes, like what

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Speaker 1: was that? Yeah?

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Speaker 2: Wicked and Rock Roll Hall of Fame was a big

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Speaker 2: pluggy one. But h So I went into this with apprehension,

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Speaker 2: but I really enjoyed it, and I was like, oh man,

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Speaker 2: this was a lot of really good friends songs.

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Speaker 1: So I love Prince. I mean, it just like brought

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Speaker 1: out all my like eighties and vibes, and I was

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Speaker 1: really excited. Like I felt the same way. I was like,

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Speaker 1: I don't know, and then once I heard all the songs,

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Speaker 1: I was like, oh, yeah, right back there. So I

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Speaker 1: was I was pumped. Wait did I tell you I

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Speaker 1: used to be friends with Apollonia?

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Speaker 2: No?

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Speaker 1: Wow, so a friends not friends. I was friends with

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Speaker 1: Carmen Electra, who did date Prince, and she had the

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Speaker 1: loveliest things to say about him that he was a

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Speaker 1: really special, creative, amazing human. But Apollonia, in the eighties,

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Speaker 1: I used to go to Chasin's with my parents with

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Speaker 1: my dad Aaron Spelling, And do you like how I

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Speaker 1: felt the need to say that because people don't know

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Speaker 1: who my dad is. Oh what, I'm not kidding. All

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Speaker 1: the time people come out to me, You're like, I

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Speaker 1: loved your dad. Spielberg like Spelling, both geniuses all the time,

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Speaker 1: Tory Spielberg. Nope, nope, anyway, no, So in the eighties,

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Speaker 1: so for some reason we were at some like big

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Speaker 1: party at Chasin's, and Appollonia was there. It was right

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Speaker 1: when the movie when Purple Rain came out, and I

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Speaker 1: was super psyched, and she ended up hanging out with

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Speaker 1: me all night. I'll find the picture somewhere I had

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Speaker 1: me and Apollonia from the eighties. I was little. I

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Speaker 1: was like eight or ten, I don't know. Not I

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Speaker 1: shouldn't have been watching Purple Rain. Okay, well, good digress.

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Speaker 2: We had a great opening number, lots of FaceTime from

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Speaker 2: Pasha in the opening, which I appreciated. I got to

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Speaker 2: see a lot of him and a lot of his emoting,

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Speaker 2: which was really fun.

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Speaker 1: You got to shine.

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Speaker 2: He really shined.

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Speaker 1: And here's a rock star.

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Speaker 2: So this week, the couples are dancing twice, which sounds

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Speaker 2: so exhausting, and I feel so bad for them. There's

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Speaker 2: two dances per night or it's crazy. So we'll we'll

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Speaker 2: go through. We'll go through in order as the dances happened.

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Speaker 1: I like that.

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Speaker 2: Yeah, And so you know we're gonna be revisiting the

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Speaker 2: couples twice. We're starting off with Elaine Hendricks.

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Speaker 1: I feel like, in general though, that they did the

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Speaker 1: choreography kind of condense it a little bit so because

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Speaker 1: they had to do two different dances, it wasn't as

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Speaker 1: spectacular as their dances usually are.

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Speaker 2: I did feel that way. And there was also like

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Speaker 2: less like sets I noticed on the dances this week,

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Speaker 2: Like there wasn't as much like props, and it was

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Speaker 2: mostly like a lot of screens and fog and stuff

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Speaker 2: like that. And I wonder if it's.

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Speaker 1: Because all their money went to whoever has the rights

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Speaker 1: to all the prince stuff. Yes, exactly right, Okay.

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Speaker 2: Yeah, no, I did notice that. So Elaine Hendricks now

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Speaker 2: in versus and they kick off the show dancing a

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Speaker 2: foxtrot to I Want to Be Your Lover, And so

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Speaker 2: they're in the rehearsal package they're talking, you know, the shoulders.

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Speaker 2: Elaine's talking about bringing the shoulders down. That's something they're

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Speaker 2: working on everybody. Not everybody, but like most of the

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Speaker 2: dancers seem to have an issue with that. But I

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Speaker 2: thought this first dance was very smooth, really big arm

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Speaker 2: moves like me too, exploring the space. I thought that

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Speaker 2: was really fun.

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Speaker 1: I don't see the shoulder thing. I didn't Yeah, I

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Speaker 1: don't know.

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Speaker 2: I didn't see it either.

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Speaker 1: Maybe at this point they're like we have to really

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Speaker 1: critique things.

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Speaker 2: Oh yes, and more left Carrie Anne makes that so

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Speaker 2: apparent throughout the entire episode. She is like, we are

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Speaker 2: in the semi finals. The gloves are off. We need

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Speaker 2: to look for what is wrong here because we need

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Speaker 2: to thin the herd. And right out the gate, I

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Speaker 2: haven't heard that so long. Right out the gate, carry

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Speaker 2: Anne is like getting booed and just like breaking tough

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Speaker 2: news to these dancers I like, and for for Elane,

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Speaker 2: she said like, there's nothing wrong with the dance. I

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Speaker 2: just want to see you push a little more and

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Speaker 2: like something else she said that I was so confused,

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Speaker 2: or she says it's to Alex actually in the next dance,

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Speaker 2: but like she says this, like she kind of goes

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Speaker 2: back and forth between like I wanted to look effortless,

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Speaker 2: and then she says like I want to see your effort.

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Speaker 2: I want to see you trying. And I'm like, Okay,

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Speaker 2: there's a lot of flip flopping and carry on in

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Speaker 2: this episode and I'm going to point it out every time.

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Speaker 2: It's driving me crazy. But you know, they got pretty

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Speaker 2: good scores for this one, straight nines across. Yeah, and

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Speaker 2: uh yeah, you know they each had some notes, but

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Speaker 2: but a pretty good dance overall.

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Speaker 1: And we're so like, how I'm not completely critiquing it

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Speaker 1: because I cannot remember it, like thinking really hard, and

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Speaker 1: I'm like, God, her costume, wardrobe on point, hair, great dance.

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Speaker 1: I agree, effortless, put more effort in. I remember this.

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Speaker 2: Next this one's rough. It's rough because they dance twice,

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Speaker 2: so it's like I I even I get confused, and

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Speaker 2: I have so many notes in here, but it's it's confusing.

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Speaker 2: So we're moving on to Alex Earl and Vaalashmorkowski. Their

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Speaker 2: first dance. They danced and Argentine tango to a little

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Speaker 2: red Corvette. Man, it's such a good s it's so good.

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Speaker 2: I was not really into alex Earle before Dancing with

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Speaker 2: the Stars.

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Speaker 1: Uh, since same, You know, I confess I didn't even

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Speaker 1: know who she was.

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Speaker 2: Yeah, I think I think I've shown this before, but

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Speaker 2: like I bought We've talked about her light, right, that

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Speaker 2: Alex Earle light shoot.

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Speaker 1: You told me that last week and I still didn't

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Speaker 1: buy it.

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Speaker 2: Yeah, I guess. I like, I'm so sorry. I since

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Speaker 2: we've spoken, I learned that someone brought this light to

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Speaker 2: Dancing with the Stars and she signed it for them,

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Speaker 2: and I thought that was such a fun idea. And

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Speaker 2: if I ever get to meet cool, if I ever

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Speaker 2: get to meet alex Earle, she'll be signing this very light.

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Speaker 2: Uh yeah. I I like alex Earle. I especially like

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Speaker 2: her on this show. I think she's trying so hard.

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Speaker 2: She's putting so much effort into this. She is so

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Speaker 2: locked in, especially in this dance, and you know, okay,

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Speaker 2: this this is not great, but uh, there's every time

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Speaker 2: there's Dancing with the Stars, every time there's a season,

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Speaker 2: there's always like, oh, is there gonna be a romance

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Speaker 2: or something between the between the pro and the and

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Speaker 2: the star because it's such an intimate thing. For some reason,

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Speaker 2: this episode, there was like several times where I really

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Speaker 2: wanted them to kiss. Platonically. I wanted the like I

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Speaker 2: don't want alex Earl and Volstrukowski to date. I know

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Speaker 2: Vala is married.

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Speaker 1: No, I wanted.

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Speaker 2: Them to kiss.

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Speaker 1: The dance I just had I just had chills because

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Speaker 1: this is wild. At certain points, like when they were

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Speaker 1: up with Julianne and like I kept just looking like

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Speaker 1: at his hands and stuff, and then I look at

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Speaker 1: Jenna in the background, like, is she okay with that?

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Speaker 1: Is she okay with that? And I'm like, god, I

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Speaker 1: guess they have to be okay with that because that's

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Speaker 1: part of it. But I felt something too okay. And

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Speaker 1: I know Jenna and I know Val and I love

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Speaker 1: them together and they have a beautiful son. But yeah,

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Speaker 1: you get it's a show romance. It's like when you're

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Speaker 1: watching a rom com. You just it's okay, the characters ish,

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Speaker 1: and you want them to kind of in your world.

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Speaker 2: Be together exactly. I mean I don't actually want them

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Speaker 2: to kiss, but I kind of do.

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Speaker 1: Uh.

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Speaker 2: Bruno summed it up perfectly. I thought he told Alex, uh,

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Speaker 2: you're a jem that gets brighter and brighter. And I

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Speaker 2: have to agree with Bruno there.

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Speaker 1: I agree. So but when I hm, I feel like

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Speaker 1: her face though there's something and she has all the moves,

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Speaker 1: but her face she's so I feel like she seems

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Speaker 1: I don't know her, but seems so kind and sweet

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Speaker 1: that I can't see she can't make like a tough face.

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Speaker 2: Yeah that makes sense. It does make sense.

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Speaker 1: There's moments where she's doing the leading, but I look

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Speaker 1: at her face and I'm like, no, she still looks

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Speaker 1: sweet but she's not an actress, you guys.

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Speaker 2: So, yeah, she does get Ready with Me videos. She

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Speaker 2: doesn't even he dances on TikTok. Yeah, so she They

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Speaker 2: got a ten from Derek who didn't like it. He

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Speaker 2: loved it, and a nine from Bruna and a nine

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Speaker 2: from carry Anne. That was very fun. Next up Whitney

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Speaker 2: Levitt and Mark Ballast. We have to discuss what's going on, uh,

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Speaker 2: you know, behind the scenes of this dance of these dancers.

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Speaker 2: Since read just before this week, so like on I

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Speaker 2: think it was on Friday. The new season of The

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Speaker 2: Secret Lives of Mormon Wives has released. All the episodes

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Speaker 2: are out. This was filmed earlier in the year, and

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Speaker 2: in the season there is a lot of Dancing with

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Speaker 2: the Stars stuff. There's a lot of dancing with the

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Speaker 2: Stars talk because so Whitney was not part of the

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Speaker 2: show in the beginning of the season. They said there

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Speaker 2: was contract negotiation stuff. Whitney wanted tickets to the auscar

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Speaker 2: Whitney said for Secret Lives and Mormon Wives, Whitney said,

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Speaker 2: I would not I will not come back unless I

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Speaker 2: get tickets to the Oscars and a role in a

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Speaker 2: scripted show. That's what she wanted myth.

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Speaker 1: It is like back in the day when Jaylo like

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Speaker 1: no one could look her in mine. She had to

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Speaker 1: have diet coke on set, Like these are rumors, Like

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Speaker 1: what do you mean?

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Speaker 2: This is what they said? The girls say this on

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Speaker 2: the show to camera and Whitney does not deny it.

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Speaker 2: What so she is not there? At my heart, I so, okay,

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Speaker 2: I'm gonna explain to you why this is good. This

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Speaker 2: is why this made me like Whitney. She is not

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Speaker 2: getting a lot of love. I am definitely the minority here.

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Speaker 2: But same she is not in the first part of

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Speaker 2: the show because all the other girls are like, oh,

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Speaker 2: she wanted tickets to the Oscars and she wanted a

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Speaker 2: scripted role and she clearly didn't get it because she's

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Speaker 2: not here. And then probably halfway through the season, they

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Speaker 2: start interviewing Whitney and she says, I hear that part

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Speaker 2: of the show this year is going to be an

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Speaker 2: audition for Dancing with the Stars. They're going to pick

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Speaker 2: one or two of the girls from Mormon Wives to

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Speaker 2: be on the show. And this is something I've wanted

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Speaker 2: since I was a little kid. I want to do that.

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Speaker 2: I will come back to the show if I to

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Speaker 2: be on Dancing with the Stars. And she does come

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Speaker 2: back to the show and she meets with the executive producer,

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Speaker 2: Tina Cat Dina Cats, She's in the show, and so

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Speaker 2: Whitney kind of makes it clear like I am only

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Speaker 2: doing the secualizer Mormon wise because I want to be

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Speaker 2: on Dancing with the Stars. I personally do not see

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Speaker 2: an issue with that, Like I don't know.

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Speaker 1: You're okay. First of all, right, before we started, so

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Speaker 1: you guys, Mormon Wives has become like the first two seasons,

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Speaker 1: like it was my like anthem like everything, like I

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Speaker 1: would leave it on in the background, watch it over

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Speaker 1: and over. It became my new I used to so

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Speaker 1: I keep the TV on while I sleep. It's just

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Speaker 1: something I've done since childhood. And my dad did it.

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Speaker 1: Don't judge me, judge me fine. And it was the Netflix,

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Speaker 1: just the Netflix like.

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Speaker 2: Like menu menu, yeah.

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Speaker 1: Yeah, So I was good. I got from I used

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Speaker 1: to have sound on. Now I have no sound on.

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Speaker 1: I have that. But then Mormon Wives I got obsessed

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Speaker 1: with and that became like very low but on in

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Speaker 1: the background. For some reason, maybe because I've been in

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Speaker 1: the sick bubble and working like I did not know

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Speaker 1: the third season is out. I just told me this

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Speaker 1: before the show.

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Speaker 2: It's it's good.

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Speaker 1: It's you know what, I'm binging all night. Yeah, even

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Speaker 1: know you're spoiling it right now.

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Speaker 2: You'll see that in the news. There's there's so much turns. Yeah,

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Speaker 2: you're you're gonna love it. You're gonna love it. So

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Speaker 2: she's gonna be So.

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Speaker 1: You agree with this, You're like, yeah, I wouldn't. Why though, hmm,

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Speaker 1: I mean, I don't know. I'm trying to put myself

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Speaker 1: in her shoes. Like imagine back in the day, if

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Speaker 1: I was like, I will only come back to nine

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Speaker 1: oh two and oh if I get that's a big crap.

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Speaker 2: Shoot, yeah it is.

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Speaker 1: What if they're like bye, no, sorry.

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Speaker 2: And I mean I think that's that's kind of what

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Speaker 2: happened initially, because she was like I want to be

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Speaker 2: on a show and they're like no, thank you, No, no,

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Speaker 2: that's not happening. She's like, okay, well I'm not coming

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Speaker 2: back then, and then she but.

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Speaker 1: Halsey, wow, very for even more now good for Okay.

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Speaker 2: I need to And I think that she's playing this

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Speaker 2: whole villain thing up just to get to get attention.

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Speaker 2: And to stand out, and it's working because she is

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Speaker 2: like the quote unquote villain of the show, and she

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Speaker 2: people talk about her like, I'm sorry, people to talk

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Speaker 2: about Miranda the same way from Mormon Wives. Do you

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Speaker 2: know who Miranda?

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Speaker 1: Oh my god?

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Speaker 2: Nope, okay, exactly, she's like one of the main people.

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Speaker 2: But like she doesn't get talked about the same way

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Speaker 2: as Whitney because Whitney is a polarizing figure.

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Speaker 1: And do you and you think in some form it's strategic.

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Speaker 2: I think it's entirely stow.

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Speaker 1: Yes, I mean I am a little upset with Whitney

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Speaker 1: right now, okay because I DM her. Oh she probably

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Speaker 1: gets so many people sliding into her DMS. She to respond.

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Speaker 1: I told her what a big fan I am. But

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Speaker 1: that's fine because sometimes public figures, like when you have

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Speaker 1: the verified And I know this because I missed dms

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Speaker 1: from other celebrity friends for years, they don't get it.

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Speaker 1: So I'm not really mad at her.

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Speaker 2: I just there's a one of my favorite stories, is

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Speaker 2: you know t Pain He yes, he didn't. There's like

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Speaker 2: a second folder or something in your DMS and he

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Speaker 2: didn't know about that folder and he missed, like he said,

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Speaker 2: this he missed like years of like crazy big artists

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Speaker 2: trying to collaborate with him, like all o, my god,

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Speaker 2: like you know, and it was just it's funny to

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Speaker 2: think about it.

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Speaker 1: Yeah you miss it, you don't little known fact. So

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Speaker 1: mass singer I was in the first season. He won,

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Speaker 1: but you don't know who everyone is. And was it

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Speaker 1: the first show or second show? It was like a

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Speaker 1: battle off and I won against.

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Speaker 2: Wow quite the feather in your cat. Yeah, it's taken

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Speaker 2: on t pain. So anyway back into the ballroom, Whitney

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Speaker 2: and Mark, the pressure is on. I mean they've been

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Speaker 2: my like the entire season. I've just been saying it's

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Speaker 2: between Whitney and Robert, those are the two I think

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Speaker 2: are going to win.

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Speaker 1: Uh.

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Speaker 2: And this this first dance they dance at Chatcha to

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Speaker 2: nineteen ninety nine by Prince because it's Prince name. It's

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Speaker 2: such a good song. They're all good songs. They're also good.

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Speaker 1: Yeah.

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Speaker 2: Yeah, so this dance was good, but to me it

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Speaker 2: felt really like tiktokie. I think this dance like there's

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Speaker 2: a lot of like of Whitney looking like directly into

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Speaker 2: the camera doing a funny face and then there's a

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Speaker 2: lot of like embellishments, like a lot of like, you know,

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Speaker 2: doing the like I don't know what you call it,

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Speaker 2: but like you lick your finger and then press your

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Speaker 2: bottom like it's hot, you know, and then like yeah.

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Speaker 1: Fair guitars, mark chorey craft and more whitney craft in

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Speaker 1: some way.

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Speaker 2: Yes, yes, which is cool to have a star taking

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Speaker 2: on that role. But also I was like, is this

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Speaker 2: what they want here? I don't know if this is

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Speaker 2: what we're going for. And then at the end she

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Speaker 2: does these like these splits and she kind of bounced

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Speaker 2: a little bit, and I don't think that was intentional,

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Speaker 2: and I feel like the judges were not going to

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Speaker 2: like that. But I was wrong because she almost got

399
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Speaker 2: a perfect score. Carrie Anne gave her a bump, and

400
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Speaker 2: Bruno got really mad at Carrie Anne for that. He

401
00:20:26,400 --> 00:20:28,040
Speaker 2: says that she was out of her mind and the

402
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Speaker 2: dance was literal perfection. So maybe I was wrong about

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Speaker 2: that bump on the on the splits, But what.

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Speaker 1: Was it she said, I have to mark you down?

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Speaker 1: She said, I have to right off the bat. Yeah,

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Speaker 1: what was it for exactly?

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Speaker 2: It is for the like did she see a mistake

408
00:20:46,119 --> 00:20:49,040
Speaker 2: halfway through she wants her to focus more on technique.

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Speaker 1: Mistakes are okay, it was something that she has to

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Speaker 1: mark down because it's like illegal in the dance.

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Speaker 2: Yes, yeah, yeah yeah, something like that. Yeah yeah yeah.

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Speaker 2: But you know you pointed this out. I think it's

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Speaker 2: no surprise it. We'll just say it right now. I mean,

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00:21:06,520 --> 00:21:09,880
Speaker 2: like Whitney, Whitney goes home. We can say that now.

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Speaker 2: And I think when you watch this, you can kind

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Speaker 2: she I think she's expecting it throughout the entire episode,

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Speaker 2: like she's like kind of preparing.

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Speaker 1: I got chills. I felt it too the whole time.

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Speaker 1: You know, I love her just as much as you do.

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Speaker 1: And it was Mark Dallas' big return. I wanted them

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Speaker 1: to go all the way.

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Speaker 2: I really didn't, and I really think that the whole show.

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Speaker 1: I'm like, they're going home.

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Speaker 2: This this episode. I watched it in an interesting way

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Speaker 2: because normally I watch it later in the night. I

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Speaker 2: just watch it like on Disney Plus after the after

427
00:21:45,119 --> 00:21:47,720
Speaker 2: it's aired, you know, But this one I try to

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Speaker 2: watch it live. But I was I got home late,

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Speaker 2: so I started in the middle and I watched it

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Speaker 2: live from the middle to the end, and I went

431
00:21:53,800 --> 00:21:56,320
Speaker 2: back and watched the beginning, so at this point I

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Speaker 2: like knew the ending and everything, and I was watching

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Speaker 2: Whitney and Mark. I'm like, oh, happier times during this

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Speaker 2: first dance.

435
00:22:03,720 --> 00:22:06,840
Speaker 1: Oh my gosh. I know I do that all the time,

436
00:22:06,840 --> 00:22:09,960
Speaker 1: but I don't watch that ending except then if I

437
00:22:09,960 --> 00:22:13,280
Speaker 1: go on Instagram. Yes, like we all do fifty million

438
00:22:13,320 --> 00:22:16,240
Speaker 1: times a day, I'm like, oh, someone just told me,

439
00:22:16,600 --> 00:22:21,680
Speaker 1: damn it. Yeah. No, so you watched it a different way,

440
00:22:22,520 --> 00:22:24,879
Speaker 1: which to me was like when I saw the Blair

441
00:22:24,920 --> 00:22:29,239
Speaker 1: Witch Project or when I saw The Sixth Sense. I

442
00:22:29,320 --> 00:22:32,160
Speaker 1: already knew. So I watched it a different way because

443
00:22:32,160 --> 00:22:34,200
Speaker 1: the ending changes everything.

444
00:22:34,600 --> 00:22:35,800
Speaker 2: It's true.

445
00:22:36,320 --> 00:22:43,119
Speaker 1: Random callback. Sorry.

446
00:22:45,240 --> 00:22:49,080
Speaker 2: Dylan Efron and Daniellea Cara Gosh. Another couple to watch

447
00:22:49,680 --> 00:22:52,880
Speaker 2: their first dance was a Tango too. I would die

448
00:22:52,960 --> 00:22:57,880
Speaker 2: for you. Zach is here. Zach Efron has entered the ballroom.

449
00:22:57,920 --> 00:22:59,920
Speaker 2: He is here. They do not want us to forget

450
00:23:00,080 --> 00:23:02,880
Speaker 2: about it. He gets shown so much of the entire episode,

451
00:23:02,920 --> 00:23:06,920
Speaker 2: and I feel so bad for him. He is on

452
00:23:07,000 --> 00:23:08,360
Speaker 2: camera every two seconds.

453
00:23:09,560 --> 00:23:11,200
Speaker 1: He knew what he was signing up for.

454
00:23:11,480 --> 00:23:15,560
Speaker 2: Yeah, I know, but also like, this is probably why

455
00:23:15,560 --> 00:23:17,399
Speaker 2: he waited so long to go, because he knew this

456
00:23:17,480 --> 00:23:19,240
Speaker 2: was going to happen, and I got the vibe he

457
00:23:19,280 --> 00:23:20,879
Speaker 2: just wanted to sit there and watch his brother, you know,

458
00:23:21,000 --> 00:23:23,000
Speaker 2: but he was on camera every.

459
00:23:22,960 --> 00:23:26,159
Speaker 1: See I thought. I was like, okay, he's what he's

460
00:23:26,320 --> 00:23:31,080
Speaker 1: He hasn't gone this entire time. Was this strategic? And

461
00:23:31,119 --> 00:23:33,679
Speaker 1: they're like, okay, you know what, it's a semi finals.

462
00:23:33,800 --> 00:23:36,440
Speaker 1: He might not make it next week, Like we got

463
00:23:36,440 --> 00:23:38,520
Speaker 1: to put him here to get him to the finals,

464
00:23:38,880 --> 00:23:41,000
Speaker 1: or we got to put him here because he has

465
00:23:41,040 --> 00:23:42,200
Speaker 1: to see him before he home.

466
00:23:42,400 --> 00:23:47,320
Speaker 2: Yeah, yeah, that's that makes sense. That's true. So Dylan's

467
00:23:47,320 --> 00:23:51,040
Speaker 2: biggest challenge is keeping his butt under control, keeping his

468
00:23:51,080 --> 00:23:53,359
Speaker 2: butt in. There's a lot of butt talk in this

469
00:23:53,400 --> 00:23:57,639
Speaker 2: first dance, and I thought he did a great dance.

470
00:23:59,200 --> 00:24:01,280
Speaker 2: Danielle is so much fun to watch. She is just

471
00:24:01,600 --> 00:24:05,199
Speaker 2: she might be my favorite pro. I really love watching

472
00:24:05,200 --> 00:24:05,640
Speaker 2: her dance.

473
00:24:05,680 --> 00:24:07,600
Speaker 1: She's she do agree.

474
00:24:07,720 --> 00:24:09,600
Speaker 2: She does this move in this first dance where she

475
00:24:09,680 --> 00:24:12,600
Speaker 2: like whips her leg like really high in the air,

476
00:24:12,720 --> 00:24:17,960
Speaker 2: really fast. It's just the physicality is so incredible from

477
00:24:18,040 --> 00:24:19,000
Speaker 2: Daniella Kara Gosh.

478
00:24:19,640 --> 00:24:24,280
Speaker 1: Well, every season she comes up with something that goes

479
00:24:24,359 --> 00:24:28,440
Speaker 1: viral online, people trying it. Yes, like her swimming things. Yes,

480
00:24:28,520 --> 00:24:31,520
Speaker 1: last week with Dylan, like everybody's doing it. Have you

481
00:24:31,560 --> 00:24:32,040
Speaker 1: tried it yet?

482
00:24:32,040 --> 00:24:35,840
Speaker 2: Without I have not tried that yet. I'm afraid to try,

483
00:24:35,880 --> 00:24:39,760
Speaker 2: but maybe we will this WEEKENDU.

484
00:24:42,359 --> 00:24:43,879
Speaker 1: Wait, did you see what went viral?

485
00:24:44,000 --> 00:24:44,320
Speaker 2: Though?

486
00:24:44,400 --> 00:24:51,200
Speaker 1: Because they filmed like behind the scenes and okay and

487
00:24:51,200 --> 00:24:55,600
Speaker 1: and Dylan, And there was like a moment where they

488
00:24:55,640 --> 00:24:57,720
Speaker 1: line them up at the very end to see who's

489
00:24:57,760 --> 00:24:59,840
Speaker 1: going home and they know what placement they're going to be,

490
00:25:00,040 --> 00:25:04,479
Speaker 1: and it was like before during commercial and she walks

491
00:25:04,640 --> 00:25:06,960
Speaker 1: towards him and he puts his arms out the hugger

492
00:25:07,000 --> 00:25:11,520
Speaker 1: and she keeps going backstage. So everybody started putting like, oh,

493
00:25:11,600 --> 00:25:14,440
Speaker 1: is something wrong? What happened? Yeah? And she's like, let

494
00:25:14,440 --> 00:25:17,080
Speaker 1: me clear this up. This is so embarrassing. I was

495
00:25:17,119 --> 00:25:21,440
Speaker 1: going backstage to pick my wedgie. I was like, God,

496
00:25:21,480 --> 00:25:22,560
Speaker 1: bless I love your friend.

497
00:25:24,119 --> 00:25:26,240
Speaker 2: The honesty of Danielle Carrey.

498
00:25:26,240 --> 00:25:28,760
Speaker 1: Would you believe that? You don't believe that? I?

499
00:25:29,040 --> 00:25:31,919
Speaker 2: Oh, I know, I believe it. I believe it. At

500
00:25:31,960 --> 00:25:32,680
Speaker 2: a recent.

501
00:25:34,720 --> 00:25:37,119
Speaker 1: Then I went down the rabbit hole. Sorry, we're skipping ahead.

502
00:25:37,800 --> 00:25:41,119
Speaker 1: Afterwards when they're like we're going to the finals, I

503
00:25:41,200 --> 00:25:45,520
Speaker 1: watched them do a video TikTok right or whatever in

504
00:25:46,560 --> 00:25:50,439
Speaker 1: his trailer, and they have their burgers and everything, and

505
00:25:50,480 --> 00:25:52,679
Speaker 1: I was like looking for so maybe that's why I

506
00:25:52,720 --> 00:25:55,680
Speaker 1: saw it, But I felt like their body language was.

507
00:25:55,640 --> 00:25:59,440
Speaker 2: Off interesting, interesting.

508
00:26:00,720 --> 00:26:03,480
Speaker 1: I don't know, I'm just trying to stir up trouble

509
00:26:03,560 --> 00:26:03,880
Speaker 1: right now.

510
00:26:04,760 --> 00:26:08,240
Speaker 2: Well, Dylan's butt was beautifully under control, according to Bruno.

511
00:26:09,440 --> 00:26:12,320
Speaker 2: This was another great dance. I was watching his feet

512
00:26:12,359 --> 00:26:14,840
Speaker 2: a lot, and I didn't notice this, but Karrian had

513
00:26:14,880 --> 00:26:18,640
Speaker 2: a problem with his footwork. So his butt is beautifully

514
00:26:18,720 --> 00:26:21,080
Speaker 2: under control according to Bruno. But Carrie Anne had an

515
00:26:21,119 --> 00:26:23,960
Speaker 2: issue with his footwork. I personally, I was watching the

516
00:26:23,960 --> 00:26:26,280
Speaker 2: footwork on this tango and I didn't notice this, but

517
00:26:26,720 --> 00:26:28,159
Speaker 2: Carri was.

518
00:26:29,280 --> 00:26:29,520
Speaker 1: Yeah.

519
00:26:29,520 --> 00:26:32,080
Speaker 2: I thought it was great too, but not enough to

520
00:26:32,119 --> 00:26:36,199
Speaker 2: get a perfect score. He got straight nines across the

521
00:26:36,240 --> 00:26:41,840
Speaker 2: board for this Tango's We're Moving Along here. Jordan Chiles

522
00:26:41,880 --> 00:26:46,000
Speaker 2: and ezras So their first dance of Prince Night Dancing

523
00:26:46,000 --> 00:26:49,359
Speaker 2: a give to Raspberry Beret. Such a good song, another

524
00:26:49,440 --> 00:26:51,639
Speaker 2: like classic Prince song. I mean, we got all the

525
00:26:51,720 --> 00:26:55,040
Speaker 2: hits here, we got all the hits. Jordan said she's

526
00:26:55,080 --> 00:26:58,440
Speaker 2: never had a perfect score as a gymnast, which was surprising.

527
00:26:58,440 --> 00:27:01,159
Speaker 2: To me because I just assumed that. Yeah. I was like,

528
00:27:01,359 --> 00:27:05,760
Speaker 2: she's so skilled and so talented, but she's feeling very

529
00:27:05,760 --> 00:27:10,760
Speaker 2: confident about this dance tonight and her timing is really good.

530
00:27:10,800 --> 00:27:12,840
Speaker 2: But also I was watching this and I'm like, I

531
00:27:12,880 --> 00:27:16,359
Speaker 2: think this is one of her weakest dances. I was

532
00:27:16,359 --> 00:27:18,120
Speaker 2: not feeling I'm like, oh, Jordan love it.

533
00:27:18,840 --> 00:27:21,280
Speaker 1: I was like she was nervous or like, I don't

534
00:27:21,320 --> 00:27:22,800
Speaker 1: know the pressure. I don't know.

535
00:27:22,960 --> 00:27:24,639
Speaker 2: Yeah I do, I do, I think. And they point

536
00:27:24,640 --> 00:27:27,200
Speaker 2: this out in the judging that like she is as

537
00:27:27,200 --> 00:27:30,200
Speaker 2: an athlete, she's very obsessed with being the top, being

538
00:27:30,280 --> 00:27:34,120
Speaker 2: number one, beating at least herself, if not everybody else.

539
00:27:34,440 --> 00:27:36,720
Speaker 2: From the last week, I think that's gotten getting in

540
00:27:36,760 --> 00:27:40,120
Speaker 2: her head. I was like, oh, Jordan's going home, She's

541
00:27:40,160 --> 00:27:41,960
Speaker 2: she's done for I really thought that one.

542
00:27:43,560 --> 00:27:46,800
Speaker 1: Yeah, well, except we knew, like in our hearts, we

543
00:27:46,840 --> 00:27:50,520
Speaker 1: were like, Whitney's going home, but we were like kind

544
00:27:50,560 --> 00:27:51,560
Speaker 1: of like Jordan should go.

545
00:27:51,800 --> 00:27:56,200
Speaker 2: Yes, Yeah, I've thought so. If this was like reverse

546
00:27:56,320 --> 00:27:58,400
Speaker 2: voting where you vote who goes home, I probably would

547
00:27:58,400 --> 00:28:00,280
Speaker 2: have voted Jordan like all the.

548
00:28:00,200 --> 00:28:05,440
Speaker 1: Island you love a love Island reference, yes.

549
00:28:05,640 --> 00:28:08,040
Speaker 2: Or survivor either one oh.

550
00:28:07,880 --> 00:28:10,360
Speaker 1: Or survivor you know watch that one either?

551
00:28:10,920 --> 00:28:15,000
Speaker 2: More contemporary from toy spelling straight nines across the board

552
00:28:15,080 --> 00:28:18,800
Speaker 2: for everybody on, for Jordan and Azra on their first dance,

553
00:28:19,160 --> 00:28:23,280
Speaker 2: and closing out this first round of dances, Robert Irwin

554
00:28:23,320 --> 00:28:27,040
Speaker 2: and Whitney Carson dancing a jive to Baby I'm a Star.

555
00:28:27,880 --> 00:28:29,639
Speaker 1: And can jump in for one second?

556
00:28:29,720 --> 00:28:30,080
Speaker 2: Please?

557
00:28:30,840 --> 00:28:33,400
Speaker 1: Do you think Robert Irwin hates me? I got slammed

558
00:28:33,480 --> 00:28:37,920
Speaker 1: last week, you guys in the press. I mean for

559
00:28:38,040 --> 00:28:39,520
Speaker 1: what I said on our show misstepping.

560
00:28:40,400 --> 00:28:43,160
Speaker 2: Hey, if you can't be honest here, then what's the

561
00:28:43,200 --> 00:28:43,960
Speaker 2: point of doing this?

562
00:28:47,720 --> 00:28:51,239
Speaker 1: You're right, You're right. And anyway I did say, I

563
00:28:51,280 --> 00:28:54,960
Speaker 1: was like, do you think it's fair that Bindy got

564
00:28:55,000 --> 00:28:57,880
Speaker 1: to come into the dance at the end last week?

565
00:28:58,320 --> 00:28:58,560
Speaker 2: Yeah?

566
00:28:58,600 --> 00:29:02,320
Speaker 1: Anyway, I thought, I try again to read bad comments.

567
00:29:02,400 --> 00:29:07,160
Speaker 1: People were very angry with me. We should I reach

568
00:29:07,200 --> 00:29:09,880
Speaker 1: out to Robert Erwin? Oh my god, I mean why not?

569
00:29:10,520 --> 00:29:11,520
Speaker 2: I love to talk about.

570
00:29:13,440 --> 00:29:15,680
Speaker 1: You guys. I love that guy. I was just calling

571
00:29:15,720 --> 00:29:20,560
Speaker 1: it like, I don't know, we're critiquing a competition show, right, Yes,

572
00:29:20,720 --> 00:29:22,000
Speaker 1: isn't this what I'm supposed to be doing?

573
00:29:22,120 --> 00:29:25,280
Speaker 2: Yes? Exactly, And they played that clip again in this package,

574
00:29:25,280 --> 00:29:27,080
Speaker 2: and I thought about what you said, and I agreed

575
00:29:27,200 --> 00:29:30,000
Speaker 2: again that I was like, okay, this doesn't feel fair.

576
00:29:30,240 --> 00:29:32,840
Speaker 2: Was no one coming out for you then, because I

577
00:29:32,920 --> 00:29:34,880
Speaker 2: wasn't on Beverly Hills nine or two and o and

578
00:29:35,280 --> 00:29:38,280
Speaker 2: true Beverly Hills. I don't have those credits behind my name.

579
00:29:38,720 --> 00:29:39,480
Speaker 2: I'm safe here.

580
00:29:40,280 --> 00:29:40,920
Speaker 1: I'm safe.

581
00:29:41,520 --> 00:29:44,760
Speaker 2: I guess say whatever I want. How about this, everybody.

582
00:29:44,800 --> 00:29:46,040
Speaker 2: I was the one who told to me to say

583
00:29:46,080 --> 00:29:48,680
Speaker 2: that last week. It was my idea.

584
00:29:49,200 --> 00:29:50,240
Speaker 1: This is not true.

585
00:29:50,880 --> 00:29:54,320
Speaker 2: Yeah, but I don't know. We've we've kind of floated

586
00:29:54,360 --> 00:29:56,560
Speaker 2: this idea since the beginning. Not that he's like a

587
00:29:56,600 --> 00:29:59,080
Speaker 2: plant or anything, but there's just a lot of other

588
00:29:59,200 --> 00:30:04,800
Speaker 2: factors at play here. He's like too good, he's he

589
00:30:04,840 --> 00:30:06,960
Speaker 2: has a lot of advantages. He seems like a very

590
00:30:06,960 --> 00:30:10,120
Speaker 2: sweet young man. I'm really touched by everything he does

591
00:30:10,160 --> 00:30:13,640
Speaker 2: with his family. I really think he's a great guy.

592
00:30:13,960 --> 00:30:15,360
Speaker 1: Do you think he and Seldi you're together?

593
00:30:16,080 --> 00:30:21,240
Speaker 2: I don't. I heard that too. I don't know. I'm

594
00:30:21,320 --> 00:30:24,120
Speaker 2: not sure. Cute, it would be very cute. I love

595
00:30:24,160 --> 00:30:27,440
Speaker 2: that idea, and we could potentially have two Mirror Ball

596
00:30:27,600 --> 00:30:28,680
Speaker 2: winners in a company.

597
00:30:28,800 --> 00:30:31,680
Speaker 1: So wait, you know how like you, we've now created

598
00:30:31,720 --> 00:30:34,800
Speaker 1: a character, so it's a showman's but it's not real

599
00:30:34,880 --> 00:30:37,120
Speaker 1: you guys. We know they have partners in real life,

600
00:30:37,160 --> 00:30:39,880
Speaker 1: of course, but we're in the rom com world here.

601
00:30:40,840 --> 00:30:43,720
Speaker 1: There are moments where I'm like, oh, my gosh, Whitney

602
00:30:43,840 --> 00:30:48,920
Speaker 1: and she is married, has a lovely family. But I'm like, oh,

603
00:30:49,040 --> 00:30:52,280
Speaker 1: wouldn't that show man's if we're just watching it from

604
00:30:52,320 --> 00:30:56,000
Speaker 1: this perspective, like she's the cougar and he's like the

605
00:30:56,080 --> 00:30:58,760
Speaker 1: young like right eyed, bushy tail.

606
00:30:59,600 --> 00:31:01,760
Speaker 2: I love it too. I think I wrote in their

607
00:31:01,840 --> 00:31:05,840
Speaker 2: second dance or no, no, it was this first one

608
00:31:05,880 --> 00:31:07,760
Speaker 2: I wanted. This is another one where I really wanted

609
00:31:07,760 --> 00:31:08,400
Speaker 2: them to kiss.

610
00:31:08,800 --> 00:31:11,640
Speaker 1: Okay, fine, fine, okay, I'm so glad you're saying it,

611
00:31:11,920 --> 00:31:12,959
Speaker 1: even though I'll take the heat here.

612
00:31:15,280 --> 00:31:18,640
Speaker 2: So this dance was amazing. I mean, they got perfect

613
00:31:18,640 --> 00:31:21,680
Speaker 2: tense and they deserved it was. There wasn't a single misstep.

614
00:31:22,560 --> 00:31:24,360
Speaker 2: Watching this, I'm like, oh, he's winning the whole thing.

615
00:31:24,880 --> 00:31:27,960
Speaker 2: We've been saying this whole time. I'm even more convinced

616
00:31:28,000 --> 00:31:31,600
Speaker 2: now he's taking the whole thing home. My favorite part

617
00:31:31,600 --> 00:31:33,800
Speaker 2: of the judging was Derek starts listing off all these

618
00:31:33,800 --> 00:31:36,000
Speaker 2: details of a jive that I did not know and

619
00:31:36,040 --> 00:31:38,360
Speaker 2: I've never heard before. Like he talks about a sugar

620
00:31:38,400 --> 00:31:42,840
Speaker 2: push whatever that is. I thought that was. I thought

621
00:31:43,000 --> 00:31:44,960
Speaker 2: there's another part where he talks about New Yorker's. I

622
00:31:44,960 --> 00:31:47,000
Speaker 2: think that's in a different dance, but oh yeah, that's

623
00:31:47,280 --> 00:31:50,120
Speaker 2: later on with Dylan and Daniel's second dance. But there's

624
00:31:50,120 --> 00:31:52,840
Speaker 2: all these other details of dances I'm learning tonight that

625
00:31:52,880 --> 00:31:53,680
Speaker 2: I really enjoyed.

626
00:31:54,280 --> 00:31:57,440
Speaker 1: It's so interesting. I picked that up as well, and

627
00:31:57,760 --> 00:32:00,240
Speaker 1: part of me was like, I don't care, move on,

628
00:32:00,280 --> 00:32:01,240
Speaker 1: I just want to see it. In part of me

629
00:32:01,320 --> 00:32:04,280
Speaker 1: was like Derek Huff for the win here. Wow, there

630
00:32:04,320 --> 00:32:08,920
Speaker 1: was something very sexy about him. No, obviously he knows

631
00:32:08,920 --> 00:32:12,800
Speaker 1: all this, he's grow but like spouting that information even

632
00:32:12,800 --> 00:32:15,600
Speaker 1: though I didn't understand it, I was like, oh, say more,

633
00:32:16,680 --> 00:32:17,840
Speaker 1: keep talking, Derek Kuff.

634
00:32:18,360 --> 00:32:20,360
Speaker 2: Once I dance was over, Alison and I both looked

635
00:32:20,360 --> 00:32:22,720
Speaker 2: at the TV and just said, accept your tens. Take

636
00:32:22,720 --> 00:32:25,320
Speaker 2: those tens here, you're going to get them. And they

637
00:32:25,320 --> 00:32:29,080
Speaker 2: did get them. Now we're going back to the top

638
00:32:29,120 --> 00:32:30,800
Speaker 2: of the batting order. We are going on for the

639
00:32:30,840 --> 00:32:33,560
Speaker 2: second dance of the night. The first couple to do

640
00:32:33,600 --> 00:32:36,240
Speaker 2: his second dances, Elaine Hendrix and Allen Burst in Part two,

641
00:32:37,200 --> 00:32:42,840
Speaker 2: dancing up Hostable to When Doves Cry. We're talking about

642
00:32:43,080 --> 00:32:46,479
Speaker 2: not favoritism, but like Elaine has an advantage with the

643
00:32:46,600 --> 00:32:50,120
Speaker 2: music I think lately, like when if I think if

644
00:32:50,160 --> 00:32:52,800
Speaker 2: you pull a random person, if you pull a random

645
00:32:52,840 --> 00:32:55,000
Speaker 2: person on the street, just if I went outside and

646
00:32:55,040 --> 00:32:57,680
Speaker 2: just grabbed someone and said name a print song, I

647
00:32:57,720 --> 00:32:59,440
Speaker 2: think nine times out of ten they will say when

648
00:32:59,480 --> 00:33:02,840
Speaker 2: Doves Cry. I think it's either that or Purple Rain?

649
00:33:04,040 --> 00:33:06,240
Speaker 1: And did you look this up? Did you ask chat

650
00:33:06,280 --> 00:33:09,080
Speaker 1: GPT or you're just going ball to the wall and claiming.

651
00:33:08,880 --> 00:33:11,920
Speaker 2: I'm just claiming this. I'm this just from my personal experience.

652
00:33:12,040 --> 00:33:14,760
Speaker 2: I think Windove's Cry is the most popular Prince song,

653
00:33:14,840 --> 00:33:18,520
Speaker 2: if not one of and Elaine got it. And I

654
00:33:18,560 --> 00:33:22,040
Speaker 2: was thinking about Wicked Night, when Elaine got Defying Gravity

655
00:33:22,120 --> 00:33:26,760
Speaker 2: the most popular Wicked slum. I'm not saying this isn't

656
00:33:26,760 --> 00:33:28,240
Speaker 2: one way or another, you know, because I think that's

657
00:33:28,280 --> 00:33:31,280
Speaker 2: equally a lot of a lot of pressure to get

658
00:33:31,280 --> 00:33:35,440
Speaker 2: like the biggest song, right right right. So she danced

659
00:33:35,440 --> 00:33:40,480
Speaker 2: to win Doves Cry, and it was great. It was

660
00:33:40,520 --> 00:33:43,960
Speaker 2: a great dance because it motivated Carrie and to run

661
00:33:43,960 --> 00:33:47,040
Speaker 2: out from behind the judges table saying it was an

662
00:33:47,080 --> 00:33:50,160
Speaker 2: authentic positive lay. I still do not know what that means.

663
00:33:50,200 --> 00:33:54,040
Speaker 2: I can't pick out an authentic possibility from an inauthentic one.

664
00:33:55,680 --> 00:33:58,400
Speaker 1: You know, Elaine's my new bestI now, of course pat

665
00:33:58,440 --> 00:34:00,640
Speaker 1: her on the spelling it, and I like love her

666
00:34:01,840 --> 00:34:06,360
Speaker 1: and I championed her through this whole thing. But again,

667
00:34:06,400 --> 00:34:07,880
Speaker 1: I'm gonna go and this has nothing to do with her.

668
00:34:08,040 --> 00:34:11,480
Speaker 1: I do not think that's fair that the judge runs

669
00:34:11,560 --> 00:34:16,840
Speaker 1: out and tackles a celebrity like I'm just saying it's

670
00:34:17,000 --> 00:34:22,440
Speaker 1: I agree, it's happening, and I so on my Niqwell,

671
00:34:22,560 --> 00:34:24,600
Speaker 1: I was like my eyes. First of all, I didn't

672
00:34:24,600 --> 00:34:26,319
Speaker 1: have my contacts and so I couldn't see the TV

673
00:34:26,600 --> 00:34:29,000
Speaker 1: on nikewel and I'm watching and when it happened, I

674
00:34:29,040 --> 00:34:32,480
Speaker 1: was so taken aback. I was like, who's coming at her?

675
00:34:32,520 --> 00:34:34,080
Speaker 1: I didn't know who it was. I was like, is

676
00:34:34,080 --> 00:34:36,680
Speaker 1: Bendi Irwin coming out of somewhere and grabbing her like

677
00:34:37,000 --> 00:34:38,919
Speaker 1: I didn't know who was coming onto the dance floor,

678
00:34:39,320 --> 00:34:42,239
Speaker 1: and then it was Carrie in that was a joke,

679
00:34:43,400 --> 00:34:46,320
Speaker 1: thank you, okay.

680
00:34:46,160 --> 00:34:49,399
Speaker 2: Yeah, yeah, it was good after seeing this.

681
00:34:49,680 --> 00:34:51,760
Speaker 1: Because that is going to influence votes.

682
00:34:51,840 --> 00:34:55,600
Speaker 2: Correct, yes, yes, it is, it very much is U?

683
00:34:56,480 --> 00:35:00,279
Speaker 2: After this? Uh? Perfect ten? I started to think, what

684
00:35:00,440 --> 00:35:03,640
Speaker 2: is the confetti budget for this television program? There's so

685
00:35:03,880 --> 00:35:06,520
Speaker 2: much confetti. I know that is part of the game,

686
00:35:06,680 --> 00:35:07,640
Speaker 2: but oh.

687
00:35:07,520 --> 00:35:09,680
Speaker 1: My god, recycle confetti.

688
00:35:10,080 --> 00:35:12,720
Speaker 2: I was wondering that, like they I know, during commercial

689
00:35:12,719 --> 00:35:14,880
Speaker 2: bakes they sweep it up, but like, can you just

690
00:35:14,920 --> 00:35:17,239
Speaker 2: put it back in the cannons? How does that work?

691
00:35:17,719 --> 00:35:19,799
Speaker 2: Is it different confetti for each answer? I don't know.

692
00:35:19,840 --> 00:35:21,799
Speaker 2: I want to talk to the confetti coordinator over there.

693
00:35:21,880 --> 00:35:22,920
Speaker 2: I have so many questions.

694
00:35:24,040 --> 00:35:28,080
Speaker 1: Oh oh oh oh, I can answer that. Oh no, no, no, no,

695
00:35:28,200 --> 00:35:30,000
Speaker 1: it was all consistently the same color, right it was

696
00:35:30,040 --> 00:35:30,359
Speaker 1: the gold.

697
00:35:30,719 --> 00:35:33,680
Speaker 2: Oh yeah, yeah, that's right. No.

698
00:35:33,800 --> 00:35:36,520
Speaker 1: I just wondered, like afterwards, like where does it go?

699
00:35:36,840 --> 00:35:40,479
Speaker 1: Can you break that down? Confetti? I was thinking about

700
00:35:40,480 --> 00:35:40,880
Speaker 1: the earth?

701
00:35:41,320 --> 00:35:44,040
Speaker 2: Oh of course, yes. I mean it's mostly it's paper

702
00:35:44,120 --> 00:35:46,799
Speaker 2: or tissue, right, so to be able to you know,

703
00:35:46,800 --> 00:35:48,560
Speaker 2: I can compact that they really.

704
00:35:48,280 --> 00:35:50,759
Speaker 1: Do use it week after week, which is another that

705
00:35:50,760 --> 00:35:56,160
Speaker 1: that's very not sanitary. Possibly, and this is just a theory,

706
00:35:57,200 --> 00:35:59,400
Speaker 1: but like, do you know when you go to restaurants

707
00:35:59,440 --> 00:36:02,400
Speaker 1: and they tell you never to take the mints. They're

708
00:36:02,600 --> 00:36:06,240
Speaker 1: on the host host stand because they have fecal party.

709
00:36:06,760 --> 00:36:07,719
Speaker 1: Did you know what I'm talking about?

710
00:36:07,880 --> 00:36:12,080
Speaker 2: Fecal particles most like just like the salt and pepper shakers.

711
00:36:12,120 --> 00:36:16,200
Speaker 2: That's another thing. Like, yeah, covered in soy sauce at.

712
00:36:16,120 --> 00:36:19,480
Speaker 1: A Japanese restaurant because people like put their hands.

713
00:36:19,239 --> 00:36:21,160
Speaker 2: And they never get cleaned. People put their hands on

714
00:36:21,200 --> 00:36:22,080
Speaker 2: and yeah.

715
00:36:22,040 --> 00:36:26,440
Speaker 1: So this confetti is touching everybody and then retouching everybody.

716
00:36:26,760 --> 00:36:28,840
Speaker 1: There's I mean, this is more than swap and spit.

717
00:36:28,920 --> 00:36:31,719
Speaker 1: Your like swap and sweat anyway, So.

718
00:36:32,360 --> 00:36:34,240
Speaker 2: We're moved on to our our next dance.

719
00:36:34,640 --> 00:36:36,520
Speaker 1: This is they could sell it on eBay for a

720
00:36:36,520 --> 00:36:38,440
Speaker 1: lot of money. I'm just saying I'd buy it. I

721
00:36:38,440 --> 00:36:39,359
Speaker 1: would buy it me too.

722
00:36:40,040 --> 00:36:42,920
Speaker 2: Alex Earl and velschmrokoffs. He's second dance. They dance a

723
00:36:43,000 --> 00:36:46,960
Speaker 2: Vienni's Waltz to Purple Rain, another huge print song. I

724
00:36:46,960 --> 00:36:52,319
Speaker 2: would argue up there with with windows cry uh and uh.

725
00:36:53,480 --> 00:36:56,560
Speaker 2: Alex is she's ready to be voted off in this

726
00:36:56,680 --> 00:36:59,600
Speaker 2: in this particular package. I think she's like preparing herself

727
00:36:59,600 --> 00:37:02,000
Speaker 2: mentally to go home, which made me kind of sad.

728
00:37:03,080 --> 00:37:05,960
Speaker 2: But the dance had such fluidity in it. That's something

729
00:37:05,960 --> 00:37:09,360
Speaker 2: that I noticed. And Val did this cool movee. He

730
00:37:09,440 --> 00:37:11,120
Speaker 2: like pulled her by her leg. I don't want to

731
00:37:11,160 --> 00:37:13,279
Speaker 2: say he dragged her like a caveman, be like kind

732
00:37:13,280 --> 00:37:16,759
Speaker 2: of guided her with her leg with those long legs.

733
00:37:16,760 --> 00:37:17,800
Speaker 2: We would love to talk about.

734
00:37:18,160 --> 00:37:20,040
Speaker 1: Yes, even though she's only five.

735
00:37:20,000 --> 00:37:22,480
Speaker 2: Six, she's only five six, but she seems so tall.

736
00:37:22,600 --> 00:37:27,440
Speaker 2: She's got so tall energy. And Carrie Anne loved this.

737
00:37:27,840 --> 00:37:29,680
Speaker 2: She was saying, a performance like this will go down

738
00:37:29,680 --> 00:37:32,000
Speaker 2: in history, and it made me.

739
00:37:32,080 --> 00:37:34,319
Speaker 1: It made me for a season. She's never seen anything

740
00:37:34,360 --> 00:37:35,359
Speaker 1: like that. Isn't that what she said?

741
00:37:35,560 --> 00:37:37,160
Speaker 2: Yes, yeah, it's crazy.

742
00:37:37,600 --> 00:37:41,960
Speaker 1: What do you find that true?

743
00:37:42,080 --> 00:37:43,360
Speaker 2: I don't know. I see it.

744
00:37:43,560 --> 00:37:46,920
Speaker 1: I loved it, But then when she goes in and

745
00:37:46,960 --> 00:37:50,080
Speaker 1: says something like that, it makes me not love it.

746
00:37:50,080 --> 00:37:52,880
Speaker 1: It's like too much hype. And now I'm getting stubborn,

747
00:37:52,880 --> 00:37:54,640
Speaker 1: and I'm like, I love that. And when she says

748
00:37:54,640 --> 00:37:57,400
Speaker 1: that this will go down history, I'm like, no, Now

749
00:37:57,440 --> 00:37:58,439
Speaker 1: I don't think it says good.

750
00:37:59,080 --> 00:38:02,800
Speaker 2: I agree, and I think that what she's doing, especially

751
00:38:02,880 --> 00:38:07,239
Speaker 2: on this particular night, she's reacting to what she said

752
00:38:07,280 --> 00:38:10,400
Speaker 2: the previous round, like she's like she'll give someone a

753
00:38:10,440 --> 00:38:12,000
Speaker 2: critique and be like, it's the semi final, it's I

754
00:38:12,000 --> 00:38:13,440
Speaker 2: gotta be hard, and then she'll get booted. And then

755
00:38:13,440 --> 00:38:15,479
Speaker 2: the next one be like that is the best dance

756
00:38:15,520 --> 00:38:18,920
Speaker 2: that has ever been in the history of all time. Like, okay, Carriyan,

757
00:38:19,080 --> 00:38:21,440
Speaker 2: we we gotta figure something out here. We got to

758
00:38:21,480 --> 00:38:26,120
Speaker 2: pick a Laine. It's it's wild.

759
00:38:26,200 --> 00:38:27,160
Speaker 1: It's fun to watch that.

760
00:38:27,239 --> 00:38:29,799
Speaker 2: I gotta say, Okay, yes, it is fun to watch.

761
00:38:30,120 --> 00:38:32,960
Speaker 2: So yeah, I mean they got a perfect score. Now

762
00:38:32,960 --> 00:38:36,320
Speaker 2: we have a Dylan and Daniella's second dance. It was

763
00:38:36,360 --> 00:38:41,239
Speaker 2: a chot shot to Kiss by Prince and uh, he

764
00:38:41,360 --> 00:38:45,359
Speaker 2: you know, Danielle tells Dylan in the rehearsal part that

765
00:38:45,840 --> 00:38:48,120
Speaker 2: he's doing everything a champion does, and that was I

766
00:38:48,120 --> 00:38:51,160
Speaker 2: thought that was so inspiring. I loved hearing that. And uh,

767
00:38:51,719 --> 00:38:54,000
Speaker 2: they keep using this metaphor like it's a marathon, it's

768
00:38:54,000 --> 00:38:56,279
Speaker 2: a marathon, and now she says it's a sprint. We

769
00:38:56,320 --> 00:38:59,120
Speaker 2: have we have reached the end of the metaphor of

770
00:38:58,880 --> 00:39:01,480
Speaker 2: the marathon. It is a it is a sprint. Here

771
00:39:02,719 --> 00:39:05,120
Speaker 2: this was a cool dance. I thought the air guitar

772
00:39:05,239 --> 00:39:08,120
Speaker 2: was really fun to watch. More Zach Effron and the

773
00:39:08,160 --> 00:39:12,760
Speaker 2: audience and uh, we got we got in. During the judgment,

774
00:39:12,800 --> 00:39:15,719
Speaker 2: we get to see more like specific dance moves from

775
00:39:15,760 --> 00:39:18,080
Speaker 2: Derek Cuff. That was the New Yorker's line. I don't

776
00:39:18,080 --> 00:39:19,960
Speaker 2: know what that is exactly, but I loved hearing it.

777
00:39:21,160 --> 00:39:21,919
Speaker 2: I loved it.

778
00:39:22,120 --> 00:39:26,239
Speaker 1: I am such a huge fan and Danielle's choreography, but

779
00:39:26,920 --> 00:39:28,799
Speaker 1: I don't know. There was a little his chaw shaw

780
00:39:28,920 --> 00:39:30,479
Speaker 1: arms I didn't love.

781
00:39:31,000 --> 00:39:34,239
Speaker 2: I agree, and uh, you know attend from Bruno nine

782
00:39:34,360 --> 00:39:45,200
Speaker 2: from everybody else. Second appearance from Whitney Love and Mark Dallas,

783
00:39:45,640 --> 00:39:50,520
Speaker 2: Uh lots. So she's they're dancing a Viennie Waltz to

784
00:39:50,680 --> 00:39:53,280
Speaker 2: Slow Love and a big part of it is keeping

785
00:39:53,320 --> 00:39:56,719
Speaker 2: her back arched in a very specific way. And there

786
00:39:56,800 --> 00:39:58,920
Speaker 2: she's talking about how hard it is to do and

787
00:39:59,000 --> 00:40:00,880
Speaker 2: I know it started. I can barely do it now.

788
00:40:00,880 --> 00:40:02,600
Speaker 2: I'm doing just a little bit of it here as

789
00:40:02,640 --> 00:40:05,880
Speaker 2: we record this, and you can see she's so focused

790
00:40:05,920 --> 00:40:07,440
Speaker 2: on in the dance, and I think she did a

791
00:40:07,440 --> 00:40:10,160
Speaker 2: good job. Her back was perfectly arch but like, what

792
00:40:10,280 --> 00:40:12,439
Speaker 2: a challenging thing to have to think about on top

793
00:40:12,440 --> 00:40:14,040
Speaker 2: of all the moves and where your arms are going

794
00:40:14,120 --> 00:40:16,560
Speaker 2: to be and how your face looks, and it's all

795
00:40:16,800 --> 00:40:18,960
Speaker 2: so much physicality with these kind of things.

796
00:40:19,360 --> 00:40:21,640
Speaker 1: It is I mean I went down the rabbit hole

797
00:40:21,680 --> 00:40:25,239
Speaker 1: afterwards of looking at all the pictures on Instagram and

798
00:40:25,719 --> 00:40:30,880
Speaker 1: to see the progress of all of their bodies. Oh yeah, physically,

799
00:40:31,000 --> 00:40:35,960
Speaker 1: I mean because it's grueling, it is wild. And the

800
00:40:36,040 --> 00:40:40,359
Speaker 1: pros even say like from for their bodies physically from

801
00:40:40,400 --> 00:40:43,040
Speaker 1: beginning to end to the finals, like it's like a

802
00:40:43,080 --> 00:40:46,360
Speaker 1: whole transformation. And I was just looking at what like

803
00:40:46,520 --> 00:40:51,640
Speaker 1: her strength and her muscles and fluidity like wow.

804
00:40:52,160 --> 00:40:55,440
Speaker 2: In the during the judges segment, Derek says something that

805
00:40:55,480 --> 00:40:57,920
Speaker 2: I think is in direct response to what is happening

806
00:40:57,960 --> 00:40:59,680
Speaker 2: in the Secret Lives and Mormon Wives that is on

807
00:40:59,719 --> 00:41:05,480
Speaker 2: everyone's mind, especially the viewers. He says to her, I uh, this, uh,

808
00:41:06,719 --> 00:41:09,040
Speaker 2: this dance was so you and I think you're so

809
00:41:09,160 --> 00:41:12,239
Speaker 2: courageous for sharing your ambition and your dreams. And I

810
00:41:12,280 --> 00:41:15,200
Speaker 2: appreciated that because she's getting a lot of heat for

811
00:41:15,320 --> 00:41:19,120
Speaker 2: doing just that. And we tell people, especially women, like

812
00:41:19,719 --> 00:41:22,160
Speaker 2: you know you need to you shouldn't be afraid of

813
00:41:22,160 --> 00:41:24,279
Speaker 2: what you want in life. But then when someone does

814
00:41:24,280 --> 00:41:25,759
Speaker 2: that on TV, then she all of a sudden she's

815
00:41:25,800 --> 00:41:27,920
Speaker 2: a villain because she didn't want to go on the

816
00:41:27,960 --> 00:41:29,759
Speaker 2: TV show to just hang out with her friends. She

817
00:41:29,840 --> 00:41:34,200
Speaker 2: had like goals in mind for her, for her greater accomplishments.

818
00:41:34,400 --> 00:41:36,279
Speaker 1: Oh my gosh, don't get me started. We got to

819
00:41:36,320 --> 00:41:39,440
Speaker 1: wrap up soon. Like, it is a very like archaic

820
00:41:39,800 --> 00:41:43,399
Speaker 1: notion that what is the old saying if a man

821
00:41:43,520 --> 00:41:46,640
Speaker 1: were to make these requests act like this, he's strong,

822
00:41:46,760 --> 00:41:51,319
Speaker 1: he's going for his dreams. As gold women historically, if

823
00:41:51,360 --> 00:41:56,200
Speaker 1: they act that way, they are quote unquote a bitch. Right, yes, yes,

824
00:41:57,080 --> 00:41:59,640
Speaker 1: And now you know in the new era, no one

825
00:41:59,640 --> 00:42:01,920
Speaker 1: says that it's the villain era, so they're the villain.

826
00:42:03,000 --> 00:42:06,759
Speaker 1: But yeah, you're right, she's a strong woman anyway.

827
00:42:06,800 --> 00:42:08,520
Speaker 2: Which actually makes it kind of hard. You know, we're

828
00:42:08,600 --> 00:42:10,480
Speaker 2: ragging on Carrie Anne a little bit here, which makes

829
00:42:10,520 --> 00:42:12,799
Speaker 2: it she's the only woman on that judges panel, and

830
00:42:13,400 --> 00:42:15,480
Speaker 2: she gets a lot of heat for like saying the

831
00:42:15,600 --> 00:42:18,840
Speaker 2: unpopular thing. And I tried, you know, I like to

832
00:42:18,840 --> 00:42:21,680
Speaker 2: become an involved man. But also I'm like, is she

833
00:42:21,719 --> 00:42:23,960
Speaker 2: allowed as a like, she's allowed as a woman to

834
00:42:24,000 --> 00:42:26,160
Speaker 2: speak her she's speaking her mind here. You know, she's

835
00:42:26,200 --> 00:42:28,279
Speaker 2: not saying something popular, but she's allowed to do that,

836
00:42:30,280 --> 00:42:33,360
Speaker 2: you know, I don't know. I feel she's an interesting

837
00:42:33,440 --> 00:42:34,920
Speaker 2: tough spot carry.

838
00:42:35,120 --> 00:42:39,360
Speaker 1: I don't know if she gets booed, because ever gender

839
00:42:39,760 --> 00:42:43,040
Speaker 1: speaking out, they would all get booed. But she's taking

840
00:42:43,160 --> 00:42:44,640
Speaker 1: chances that the two men won't.

841
00:42:45,000 --> 00:42:50,200
Speaker 2: That's true. Yeah, Carrie Anne was actually the only one

842
00:42:50,200 --> 00:42:52,759
Speaker 2: to not give them a ten for this one. She

843
00:42:53,320 --> 00:42:56,880
Speaker 2: but she had great things to say. Jordan, Chiles and

844
00:42:56,880 --> 00:42:59,640
Speaker 2: Azraso said their second dance of the night in Argentine tangota.

845
00:42:59,680 --> 00:43:05,160
Speaker 2: You got the look, and Ezra points out in the

846
00:43:05,280 --> 00:43:07,600
Speaker 2: pre in the rehearsal package, he's like pointing out a

847
00:43:07,640 --> 00:43:09,880
Speaker 2: step from the Argentine tango that He's like, the audience

848
00:43:09,920 --> 00:43:13,400
Speaker 2: will know. And Jordan's having a problem with this iconic.

849
00:43:13,480 --> 00:43:16,400
Speaker 1: He says, this is an iconic. The pros do this

850
00:43:16,600 --> 00:43:19,600
Speaker 1: a lot like Pasha did this with me. We have

851
00:43:19,640 --> 00:43:23,120
Speaker 1: to do this move. It's an iconic for this dance.

852
00:43:22,960 --> 00:43:25,759
Speaker 2: In the ballroom, and this one it's like a it's

853
00:43:25,800 --> 00:43:27,960
Speaker 2: a I don't know how to describe it, because when

854
00:43:27,960 --> 00:43:29,279
Speaker 2: you said the audience is going to know it, I

855
00:43:29,320 --> 00:43:30,680
Speaker 2: was like, oh God, I'm not going to know this,

856
00:43:30,760 --> 00:43:33,200
Speaker 2: but I knew what to look for once he kind

857
00:43:33,200 --> 00:43:36,200
Speaker 2: of pointed it out. It's like a her her leg

858
00:43:36,280 --> 00:43:39,359
Speaker 2: is like being kicking up around his it's like kind

859
00:43:39,360 --> 00:43:40,040
Speaker 2: of shuffling back.

860
00:43:40,080 --> 00:43:41,920
Speaker 1: And we can see your hands right now. It's like

861
00:43:41,920 --> 00:43:42,919
Speaker 1: you're playing a hang man.

862
00:43:43,200 --> 00:43:49,400
Speaker 2: Yeah, I'm doing a really specific and intricate representation of

863
00:43:49,400 --> 00:43:52,239
Speaker 2: the dance with my fingers. And she kicks Ezra so

864
00:43:52,360 --> 00:43:54,439
Speaker 2: much in rehearsal, kicking him in the shin. I felt

865
00:43:54,440 --> 00:43:56,680
Speaker 2: so bad for him, But that's the that's the game, baby.

866
00:43:56,760 --> 00:44:00,920
Speaker 2: You know, you got no pain, no gain. But so

867
00:44:01,040 --> 00:44:03,920
Speaker 2: because that during the dance, I watch her feet so

868
00:44:04,080 --> 00:44:06,160
Speaker 2: closely as almost all I watch, and I think she

869
00:44:06,239 --> 00:44:08,960
Speaker 2: nailed it. It was really an incredible improvement from the

870
00:44:08,960 --> 00:44:12,840
Speaker 2: first dance I thought, which I was not a fan of,

871
00:44:13,000 --> 00:44:15,400
Speaker 2: you know, and they got they got perfect tens. She

872
00:44:15,440 --> 00:44:18,319
Speaker 2: got a perfect score tens across the board for this one.

873
00:44:19,120 --> 00:44:22,400
Speaker 1: Again, back to your point, though it's a live show,

874
00:44:22,719 --> 00:44:27,719
Speaker 1: the packages are already planned, the scores. I don't know,

875
00:44:27,800 --> 00:44:31,280
Speaker 1: she's never gotten a ten before and now she gets tens.

876
00:44:31,360 --> 00:44:34,120
Speaker 1: But they saved it first second dance exactly definitely deserved

877
00:44:34,120 --> 00:44:35,160
Speaker 1: it over her first dance.

878
00:44:37,280 --> 00:44:40,120
Speaker 2: It's very interesting. They're making a show. They're making a

879
00:44:40,400 --> 00:44:41,560
Speaker 2: show for entertainment, you know.

880
00:44:41,760 --> 00:44:44,600
Speaker 1: And I love it because we are talking. It's a

881
00:44:44,640 --> 00:44:47,719
Speaker 1: conversation story about different things and theories. I love this.

882
00:44:48,000 --> 00:44:51,560
Speaker 2: I love it. It's so fun. It's uh yeah. And now

883
00:44:51,560 --> 00:44:55,200
Speaker 2: our final dance of the night. And we should note

884
00:44:55,239 --> 00:44:57,600
Speaker 2: that in all these packages for the second dance, they

885
00:44:57,680 --> 00:45:00,640
Speaker 2: keep saying like, this is your final dance before the finals,

886
00:45:00,680 --> 00:45:02,719
Speaker 2: this is the final, this is your last shot to

887
00:45:02,800 --> 00:45:05,720
Speaker 2: like get into the finals. Yeah, so much extra pressure

888
00:45:05,719 --> 00:45:09,080
Speaker 2: for the second dance. My god, Robert I Win and

889
00:45:09,080 --> 00:45:15,120
Speaker 2: Whitney Carson dancing Aavini's Waltz to Wow by Prince So yeah,

890
00:45:15,160 --> 00:45:17,560
Speaker 2: every contestant for the second dance, and then they just

891
00:45:17,560 --> 00:45:20,440
Speaker 2: get definitely serious. It's like, Okay, no screwing around here.

892
00:45:20,440 --> 00:45:22,080
Speaker 2: We're not laughing, we're not having fun.

893
00:45:22,760 --> 00:45:23,200
Speaker 1: Uh.

894
00:45:23,400 --> 00:45:26,160
Speaker 2: Robert has to be passionate and intense with Whitney in

895
00:45:26,280 --> 00:45:28,640
Speaker 2: this dance, and he is not comfortable doing that. So

896
00:45:28,680 --> 00:45:30,719
Speaker 2: it's kind of fun seeing him step out of his

897
00:45:30,760 --> 00:45:33,360
Speaker 2: comfort zone. This guy where everything seems to come easily

898
00:45:33,360 --> 00:45:37,600
Speaker 2: to him. Crazy control on this dance that I thought,

899
00:45:38,840 --> 00:45:40,000
Speaker 2: and a great finishing question.

900
00:45:40,440 --> 00:45:43,000
Speaker 1: I didn't completely remember this song.

901
00:45:44,440 --> 00:45:47,759
Speaker 2: This one I did not know either. Okay.

902
00:45:46,800 --> 00:45:51,319
Speaker 1: Yeah, so I typidly went into that. I didn't know

903
00:45:51,360 --> 00:45:54,680
Speaker 1: the song at all. Let's be fair. Yeah, I'm gonna yeah.

904
00:45:55,000 --> 00:45:56,919
Speaker 1: I was like, and that bummed me out. I don't

905
00:45:56,920 --> 00:45:59,399
Speaker 1: know it was the closing dance of the Prince Night anyway.

906
00:45:59,400 --> 00:46:01,920
Speaker 2: It's it's the first track on his thirty sixth album,

907
00:46:03,239 --> 00:46:11,600
Speaker 2: Plectrum Electrum. Yeah, from a twenty fourteen wow okay, a

908
00:46:11,600 --> 00:46:16,200
Speaker 2: newer Prince song. Yeah so, but despite not having a

909
00:46:16,400 --> 00:46:18,680
Speaker 2: relationship with the song, I thought it was a good dance.

910
00:46:19,520 --> 00:46:21,320
Speaker 1: Was that one of his last songs?

911
00:46:22,200 --> 00:46:24,279
Speaker 2: It may have it may have binks he died in

912
00:46:24,320 --> 00:46:31,120
Speaker 2: what twenty fifteen I believe, Oh my goodness, Yeah yeah,

913
00:46:31,560 --> 00:46:34,239
Speaker 2: one of his one of his final tracks, rest in

914
00:46:34,280 --> 00:46:39,400
Speaker 2: peace of the legendary Prince. This was like an awesome

915
00:46:39,920 --> 00:46:45,160
Speaker 2: finishing move here. It was like top gun mode. But

916
00:46:45,640 --> 00:46:49,400
Speaker 2: he got dinged on the framing from from Derek. The

917
00:46:49,440 --> 00:46:52,920
Speaker 2: framing wasn't perfect, you know, but and that was that

918
00:46:53,000 --> 00:46:56,000
Speaker 2: was enough to knock off one point. Other than that,

919
00:46:56,040 --> 00:46:59,399
Speaker 2: he got almost a perfect score. Robert Irwin really going

920
00:46:59,400 --> 00:47:04,719
Speaker 2: into this, these finals, these finals so strong and now

921
00:47:04,840 --> 00:47:08,719
Speaker 2: we're down to the elimination so intense. I mean, there's

922
00:47:08,719 --> 00:47:10,480
Speaker 2: only one week left. This is like I was on

923
00:47:10,480 --> 00:47:13,520
Speaker 2: the edge of my seat watching this. It was I.

924
00:47:13,440 --> 00:47:15,880
Speaker 1: Forgot, even though I was literally on it last season.

925
00:47:15,920 --> 00:47:18,720
Speaker 1: I was like, wait, how is next week the finals?

926
00:47:18,719 --> 00:47:21,960
Speaker 1: And there's so many people moving on, but I forgot

927
00:47:22,440 --> 00:47:24,840
Speaker 1: in the very first part of the finals. Next week

928
00:47:25,320 --> 00:47:26,120
Speaker 1: some will go home.

929
00:47:26,760 --> 00:47:29,480
Speaker 2: Oh wow, next it's a three hour finale.

930
00:47:29,680 --> 00:47:32,399
Speaker 1: I mean that's just kidding. Not the very first part

931
00:47:32,400 --> 00:47:34,840
Speaker 1: and maybe at the end of the first yeah, throughout

932
00:47:34,840 --> 00:47:37,840
Speaker 1: the show on dance again, but then three hours.

933
00:47:38,080 --> 00:47:42,120
Speaker 2: Yeah, it's three They're taking over all of ABC primetime.

934
00:47:42,400 --> 00:47:46,600
Speaker 2: They teased, so they announced who is safe and something

935
00:47:46,680 --> 00:47:50,839
Speaker 2: that I thought was I mean, I don't know why

936
00:47:50,840 --> 00:47:53,200
Speaker 2: I thought this was funny, but the way they announced

937
00:47:53,200 --> 00:47:56,800
Speaker 2: that Elaine was safe, I think a Fonza said it.

938
00:47:56,800 --> 00:47:59,640
Speaker 2: It was like, she's fifty four, she's injured, and she's

939
00:47:59,680 --> 00:48:04,600
Speaker 2: going to the finals. And I was like, she's an

940
00:48:04,600 --> 00:48:06,800
Speaker 2: incredible dancer. I know she has a lot of challenges,

941
00:48:06,840 --> 00:48:08,759
Speaker 2: but like, can we just say, like, you're going to

942
00:48:08,760 --> 00:48:11,080
Speaker 2: the finals, we have to go down this laundry list

943
00:48:11,120 --> 00:48:14,760
Speaker 2: of like maladies she's facing being not that being fifty

944
00:48:14,760 --> 00:48:17,680
Speaker 2: four is a is a challenge or something, but like

945
00:48:17,800 --> 00:48:20,360
Speaker 2: she's the oldest person there at this point.

946
00:48:21,120 --> 00:48:23,680
Speaker 1: It's funny you say that because like when she says

947
00:48:23,800 --> 00:48:26,719
Speaker 1: I'm fifty four, I'm like, earlier in the season, I'm

948
00:48:26,760 --> 00:48:29,960
Speaker 1: like cool. But when he says it, I'm like no, no, no, no, no, no,

949
00:48:30,000 --> 00:48:33,440
Speaker 1: you don't get to say it about her, yes, like

950
00:48:33,520 --> 00:48:33,839
Speaker 1: I would.

951
00:48:35,320 --> 00:48:37,360
Speaker 2: It just like reminded me, like I picture her like

952
00:48:37,360 --> 00:48:39,600
Speaker 2: walking a runway, like you know, and it's like she's

953
00:48:39,640 --> 00:48:42,880
Speaker 2: fifty four, she's injured, and she's going to the finals.

954
00:48:43,239 --> 00:48:47,560
Speaker 2: It just felt like a weird thing to say. Regardless,

955
00:48:47,600 --> 00:48:48,680
Speaker 2: I am happy for Alane.

956
00:48:48,760 --> 00:48:50,520
Speaker 1: She is Moniker. Yeah.

957
00:48:50,600 --> 00:48:52,360
Speaker 2: Yeah, It's like, can't she just to be a good dancer.

958
00:48:53,120 --> 00:48:56,560
Speaker 2: Elaine Hendricks going to the finals and we get down

959
00:48:56,640 --> 00:49:03,920
Speaker 2: to the bottom two Whitney Lovet with Mark Ballace and

960
00:49:04,000 --> 00:49:05,359
Speaker 2: Jordan Chiles and Ezrasosa.

961
00:49:05,520 --> 00:49:08,200
Speaker 1: I was first. I mean, you guys all know what happened.

962
00:49:08,239 --> 00:49:12,879
Speaker 1: But it was between the three, so it's Jordan, it's

963
00:49:12,960 --> 00:49:13,839
Speaker 1: Whitney and.

964
00:49:14,080 --> 00:49:18,000
Speaker 2: Dylan, which is who I kind of thought was going

965
00:49:18,040 --> 00:49:19,920
Speaker 2: to be down. Yeah, I thought that was going to

966
00:49:19,960 --> 00:49:23,080
Speaker 2: be the bottom three. Like at the end, I'm like,

967
00:49:23,120 --> 00:49:25,279
Speaker 2: oh yeah, I was like, I bet they're going to

968
00:49:25,320 --> 00:49:28,080
Speaker 2: put me in there for dramatic effect. But it's going

969
00:49:28,120 --> 00:49:30,560
Speaker 2: to be really between Dylan and Jordan, and Jordan's going

970
00:49:30,640 --> 00:49:31,920
Speaker 2: to go. That was pridition.

971
00:49:32,120 --> 00:49:32,919
Speaker 1: That's what I thought too.

972
00:49:33,080 --> 00:49:36,600
Speaker 2: Yeah. Uh. And then and then they announced that Dylan

973
00:49:36,680 --> 00:49:38,160
Speaker 2: is safe and I was kind of blown away by that,

974
00:49:38,200 --> 00:49:39,560
Speaker 2: and I was like, oh my god, is this really

975
00:49:39,600 --> 00:49:40,839
Speaker 2: the night Whitney goes home?

976
00:49:41,360 --> 00:49:45,080
Speaker 1: Same and that's when we really knew ye and I

977
00:49:45,320 --> 00:49:46,520
Speaker 1: deal was sealed.

978
00:49:46,960 --> 00:49:50,120
Speaker 2: And and and Whitney gets eliminated. Whitney love it and

979
00:49:50,120 --> 00:49:52,640
Speaker 2: Mark Ballace go home. They were very gracious, They're very uh,

980
00:49:53,239 --> 00:49:55,920
Speaker 2: you know, thankful for the experience. I really liked what

981
00:49:55,960 --> 00:49:58,400
Speaker 2: Mark had to say, like thanked all the crew and

982
00:49:58,440 --> 00:50:01,960
Speaker 2: the and the agree the band and everything. I just thought,

983
00:50:02,760 --> 00:50:05,720
Speaker 2: you know, not didn't seem upset or bit or anything,

984
00:50:05,760 --> 00:50:07,520
Speaker 2: just kind of like this is Hey, this is the game.

985
00:50:07,520 --> 00:50:08,680
Speaker 2: We made it very very far.

986
00:50:10,200 --> 00:50:14,919
Speaker 1: I feel like, though, when there's an award show and

987
00:50:15,600 --> 00:50:17,799
Speaker 1: some will come up and like be like, oh my god,

988
00:50:17,840 --> 00:50:20,359
Speaker 1: I really didn't expect to win, and you can tell

989
00:50:20,400 --> 00:50:22,400
Speaker 1: they really didn't, so they didn't prepare a speech.

990
00:50:22,760 --> 00:50:23,160
Speaker 2: Yeah.

991
00:50:23,280 --> 00:50:26,920
Speaker 1: I felt like Whitney and Mark both had thought like,

992
00:50:27,040 --> 00:50:29,120
Speaker 1: if we go to night. Here's what we will say.

993
00:50:30,000 --> 00:50:34,239
Speaker 2: Yeah, I think so. They seemed very prepared for that,

994
00:50:35,840 --> 00:50:37,839
Speaker 2: and it was and they came off great, and I

995
00:50:37,840 --> 00:50:38,879
Speaker 2: really appreciated them.

996
00:50:39,320 --> 00:50:43,280
Speaker 1: Yeah, I loved what they said. Ezra dropped his Neyes

997
00:50:43,400 --> 00:50:44,680
Speaker 1: is his first final.

998
00:50:45,080 --> 00:50:48,920
Speaker 2: Yeah, I'm so happy for I mean it happy. I

999
00:50:48,920 --> 00:50:51,000
Speaker 2: don't think he's going to win, but I'm so excited

1000
00:50:51,000 --> 00:50:52,759
Speaker 2: he gets this experience of going to the finals. This

1001
00:50:52,800 --> 00:50:56,080
Speaker 2: is so fun, so exciting, and what a finals it's

1002
00:50:56,120 --> 00:50:58,080
Speaker 2: gonna be. I can't wait. It's going to be three

1003
00:50:58,120 --> 00:51:02,120
Speaker 2: hours long. My god, uh, kicking over all prime time,

1004
00:51:02,960 --> 00:51:06,799
Speaker 2: so much dancing and anything could happen. I I just

1005
00:51:06,800 --> 00:51:10,239
Speaker 2: don't know what's what's in store for me, for us,

1006
00:51:10,239 --> 00:51:11,560
Speaker 2: for all of us, for us.

1007
00:51:12,239 --> 00:51:14,760
Speaker 1: Well, it's gonna be a fun three.

1008
00:51:14,600 --> 00:51:17,120
Speaker 2: Hours, that's right and well, And I promise.

1009
00:51:16,920 --> 00:51:18,319
Speaker 1: Not to drink niquil. I will.

1010
00:51:19,320 --> 00:51:21,400
Speaker 2: I will drink niquil. How about that. I'll get blasted

1011
00:51:21,440 --> 00:51:22,719
Speaker 2: off an quil and I'll watch this fever.

1012
00:51:23,000 --> 00:51:26,600
Speaker 1: Okay to switch rolls, all right, Freaky Friday, let's do it. Okay,

1013
00:51:26,600 --> 00:51:27,719
Speaker 1: ready to misstep out of here.

1014
00:51:27,920 --> 00:51:34,200
Speaker 2: I'm ready