1 00:00:00,480 --> 00:00:02,560 Speaker 1: Wake that ass up in the morning. 2 00:00:02,880 --> 00:00:08,600 Speaker 2: Breakfast Club Morning, everybody's stej n v jess Hilari charlamage 3 00:00:08,600 --> 00:00:08,840 Speaker 2: the guy. 4 00:00:08,880 --> 00:00:10,920 Speaker 1: We are the Breakfast Club. We got a special guest. 5 00:00:10,760 --> 00:00:13,239 Speaker 3: In the building, Big motherfucking tank Tink is here. 6 00:00:13,360 --> 00:00:14,080 Speaker 1: Welcome Tink. 7 00:00:14,280 --> 00:00:15,000 Speaker 4: Good morning. 8 00:00:15,200 --> 00:00:15,920 Speaker 1: How are you feeling. 9 00:00:16,600 --> 00:00:19,000 Speaker 4: I'm feeling good, y'all. I'm feeling refreshed. 10 00:00:19,239 --> 00:00:21,640 Speaker 5: Why are you dropping winters diaries fives in the summer 11 00:00:21,640 --> 00:00:23,200 Speaker 5: for people to cry to all summer long. 12 00:00:23,200 --> 00:00:25,480 Speaker 3: They need supposed to be outside having a good time. 13 00:00:25,600 --> 00:00:29,280 Speaker 4: Yes, yes, my ladies needed Listen, my ladies need it. 14 00:00:29,600 --> 00:00:31,840 Speaker 4: You know when this diary can drop in the spring, 15 00:00:31,880 --> 00:00:35,600 Speaker 4: the summer, the winter, you know when it comes. It's 16 00:00:35,680 --> 00:00:37,720 Speaker 4: just that, it's just that type of music. It can 17 00:00:37,800 --> 00:00:38,440 Speaker 4: drop anytime. 18 00:00:38,560 --> 00:00:40,120 Speaker 3: Absolutely, How are you first. 19 00:00:39,840 --> 00:00:40,320 Speaker 1: To ball them? 20 00:00:40,800 --> 00:00:43,080 Speaker 4: I'm well, Charlae Magne, thank you for asking. 21 00:00:44,080 --> 00:00:44,760 Speaker 1: Still on the road. 22 00:00:45,200 --> 00:00:48,600 Speaker 4: Still on the Roadko, Yes, I'm excited, y'all. I'm on 23 00:00:48,640 --> 00:00:52,519 Speaker 4: tour right now with Eko the Magic Our Tour, and 24 00:00:52,560 --> 00:00:55,040 Speaker 4: that's been such a vibe, such a blessing to be 25 00:00:55,120 --> 00:01:00,960 Speaker 4: opening for my favorite artists. Of course, of course R 26 00:01:01,000 --> 00:01:04,280 Speaker 4: and B Girls, No Janey is the blueprint, but this 27 00:01:04,360 --> 00:01:06,720 Speaker 4: is an Arena tour. So this is so big for 28 00:01:06,800 --> 00:01:07,560 Speaker 4: me and my fans. 29 00:01:07,600 --> 00:01:09,720 Speaker 1: It sells my daughter. She loved it. 30 00:01:09,800 --> 00:01:15,640 Speaker 2: She went to the Barclay show Yes Okay you Coila, 31 00:01:15,720 --> 00:01:17,559 Speaker 2: Ray and Janney, and she said it was just dope. 32 00:01:17,600 --> 00:01:20,280 Speaker 2: She said it was just like a huge women empowerment show. 33 00:01:20,360 --> 00:01:22,560 Speaker 2: It was just it was just a vibe the whole night. 34 00:01:22,600 --> 00:01:23,440 Speaker 2: She said, she loved it. 35 00:01:23,560 --> 00:01:25,600 Speaker 4: Yes, I feel like all my ladies were getting our 36 00:01:25,640 --> 00:01:28,319 Speaker 4: life every night on tour and we're releasing all that 37 00:01:28,440 --> 00:01:32,440 Speaker 4: toxic energy. You know, we were just feeling the vibe. 38 00:01:32,720 --> 00:01:34,119 Speaker 5: I need you to break some nothing you just said 39 00:01:34,760 --> 00:01:36,320 Speaker 5: is the blueprint for the R and B ladies. I 40 00:01:36,400 --> 00:01:37,640 Speaker 5: never heard that. 41 00:01:38,040 --> 00:01:41,800 Speaker 4: Yes, I grew up listening to Jenne Ego back in 42 00:01:41,880 --> 00:01:45,360 Speaker 4: her like mixtape days. This is before albums on YouTube 43 00:01:45,440 --> 00:01:49,480 Speaker 4: or albums on Apple Music. Janet paved a lot of 44 00:01:49,840 --> 00:01:51,200 Speaker 4: the way for a lot of girls. 45 00:01:51,320 --> 00:01:51,639 Speaker 3: Wow. 46 00:01:52,040 --> 00:01:55,560 Speaker 4: Yeah the sound content was it sound? I also think 47 00:01:55,720 --> 00:01:58,280 Speaker 4: just the content, you know, the way she was approaching 48 00:01:58,320 --> 00:02:01,800 Speaker 4: her music stuff she was talking about out. Her first 49 00:02:01,840 --> 00:02:04,080 Speaker 4: record was called Wait No More. That kind of took 50 00:02:04,120 --> 00:02:07,840 Speaker 4: me over. But yeah, Janee, honestly she does it for 51 00:02:07,880 --> 00:02:08,400 Speaker 4: the girls. 52 00:02:08,440 --> 00:02:08,720 Speaker 3: Wow. 53 00:02:09,520 --> 00:02:10,799 Speaker 1: I didn't know Tick was on the show, because I 54 00:02:10,800 --> 00:02:11,959 Speaker 1: would have called she was on the show. 55 00:02:12,120 --> 00:02:13,760 Speaker 2: I would have called Tack for tickets because I needed 56 00:02:13,800 --> 00:02:15,520 Speaker 2: my daughter wanted to go and I had to get tickets. 57 00:02:15,720 --> 00:02:17,800 Speaker 1: I was like, damn, I don't know anybody on the show. 58 00:02:17,639 --> 00:02:20,680 Speaker 2: But I heard the show was I heard the show 59 00:02:20,800 --> 00:02:23,000 Speaker 2: was amazing. Now we got to talk about you knew 60 00:02:23,360 --> 00:02:24,960 Speaker 2: mixtape whin it's Diary five. 61 00:02:25,080 --> 00:02:26,920 Speaker 5: I don't even like to call when the Diary mixtapes. 62 00:02:26,960 --> 00:02:28,560 Speaker 5: He used to be like albums. The used to be 63 00:02:28,600 --> 00:02:30,840 Speaker 5: like soundtracks to these young ladies lives. 64 00:02:30,919 --> 00:02:32,080 Speaker 1: There's a lot of pain in that. 65 00:02:32,360 --> 00:02:35,160 Speaker 4: Yes, this is the first album of Winn's Diary. It 66 00:02:35,200 --> 00:02:39,040 Speaker 4: started as a mixtape back in twenty twelve, so you 67 00:02:39,080 --> 00:02:42,040 Speaker 4: can imagine just how long it's been since I've released 68 00:02:42,040 --> 00:02:44,799 Speaker 4: the Winnes's Diary. My last one was in twenty sixteen. 69 00:02:45,919 --> 00:02:48,880 Speaker 4: So this is the fifth edition of Winnes's Diary. The 70 00:02:48,919 --> 00:02:50,480 Speaker 4: girls did know me from treat me. 71 00:02:50,440 --> 00:02:53,200 Speaker 3: Like somebody somebody that was one of Diary one, the. 72 00:02:53,200 --> 00:02:57,200 Speaker 4: Original authentic days, like I say, mixtape days. I feel 73 00:02:57,200 --> 00:03:00,240 Speaker 4: like that's why my fan base really grew. So it's 74 00:03:00,240 --> 00:03:02,520 Speaker 4: just very special to my day one. 75 00:03:03,360 --> 00:03:05,359 Speaker 2: Are you still going through the pain now because we 76 00:03:05,400 --> 00:03:07,839 Speaker 2: heard a lot of pain in what fifteen sixteen songs 77 00:03:07,880 --> 00:03:08,440 Speaker 2: you put out there. 78 00:03:08,440 --> 00:03:10,839 Speaker 4: Absolutely, and that's what it is. It's a diary, y'all. 79 00:03:10,919 --> 00:03:15,119 Speaker 4: So this album is much different than the others. There's 80 00:03:15,160 --> 00:03:17,400 Speaker 4: a lot of pain. There's a lot of story telling 81 00:03:17,639 --> 00:03:20,640 Speaker 4: and honesty, things that I don't like to talk about 82 00:03:20,720 --> 00:03:23,600 Speaker 4: all the time, and that's what makes it special. It's 83 00:03:23,600 --> 00:03:26,920 Speaker 4: just raw and uncut. But I'm in a much better space. 84 00:03:27,400 --> 00:03:29,919 Speaker 4: I wanted to wait to drop this album till now, 85 00:03:30,040 --> 00:03:30,919 Speaker 4: till I. 86 00:03:30,639 --> 00:03:32,760 Speaker 1: Could really until you got in that space. 87 00:03:32,880 --> 00:03:35,360 Speaker 4: Exactly, y'all. Till I was in that space, had to 88 00:03:35,360 --> 00:03:39,680 Speaker 4: do some healing, had to do some like I say, 89 00:03:39,800 --> 00:03:43,680 Speaker 4: refreshing of myself. And I feel so much better now 90 00:03:43,760 --> 00:03:45,400 Speaker 4: that I'm able to drop it in a space where 91 00:03:45,440 --> 00:03:48,080 Speaker 4: I'm not just angry and upset. It's more so like 92 00:03:48,120 --> 00:03:52,200 Speaker 4: reflecting and I'm teaching and I'm trying to tell my 93 00:03:52,240 --> 00:03:54,640 Speaker 4: girls what to do and not to do. 94 00:03:54,800 --> 00:03:56,960 Speaker 2: And that was it a bunch of relationships or just 95 00:03:57,080 --> 00:04:00,200 Speaker 2: one relationship? Because you said it since twenty sixteen? Was 96 00:04:00,240 --> 00:04:02,520 Speaker 2: it a bunch of messed up relationships? 97 00:04:02,600 --> 00:04:06,280 Speaker 4: Yeah? I pulled from everything, y'all. I poured from old relationships, 98 00:04:06,320 --> 00:04:09,240 Speaker 4: new relationships, things I'm going through and sitting in at 99 00:04:09,240 --> 00:04:15,160 Speaker 4: the moment. But this album, honestly was I feel like 100 00:04:15,520 --> 00:04:18,880 Speaker 4: just me revealing what happened to me in the past year. 101 00:04:19,680 --> 00:04:21,760 Speaker 4: So a lot of a lot of the stories are fresh, 102 00:04:22,360 --> 00:04:25,200 Speaker 4: and that's why it's just it's just so it's just 103 00:04:25,240 --> 00:04:27,760 Speaker 4: so triggering, and I think, you know, we need that 104 00:04:27,839 --> 00:04:31,200 Speaker 4: in R and B. I'm not trying to sugar coat anything. 105 00:04:31,520 --> 00:04:31,640 Speaker 3: Oh. 106 00:04:31,680 --> 00:04:33,719 Speaker 5: I put you in the same boat tank as Mary J. 107 00:04:33,800 --> 00:04:35,080 Speaker 5: Blige and Keisha. 108 00:04:34,839 --> 00:04:36,159 Speaker 4: Cole and that's movie. 109 00:04:36,240 --> 00:04:38,839 Speaker 3: Thank you trying to make Sadly you make the best 110 00:04:38,920 --> 00:04:39,839 Speaker 3: music that you're going. 111 00:04:39,680 --> 00:04:40,640 Speaker 4: Through Sadly is great. 112 00:04:41,440 --> 00:04:45,279 Speaker 5: That's crazy crazy, it's sad that when you heard you 113 00:04:45,360 --> 00:04:46,800 Speaker 5: make some powerful music. 114 00:04:46,920 --> 00:04:49,560 Speaker 4: Absolutely, the best music to me comes from my pain 115 00:04:49,839 --> 00:04:52,760 Speaker 4: and I appreciate that that market for me. I think 116 00:04:52,800 --> 00:04:55,640 Speaker 4: the girls we relate to it, you know what I mean. 117 00:04:55,720 --> 00:04:58,320 Speaker 4: I'm not the artist that's trying to be bubblegum. And 118 00:04:58,960 --> 00:05:01,160 Speaker 4: you know, I'm not a pop artist. I come from Chicago, 119 00:05:01,200 --> 00:05:02,159 Speaker 4: the streets of Chicago. 120 00:05:03,440 --> 00:05:05,200 Speaker 3: Quean a Chicago, do you herb. We'll just called you, 121 00:05:05,400 --> 00:05:05,920 Speaker 3: thank you. 122 00:05:05,960 --> 00:05:10,120 Speaker 4: My brother. Yeah, my perspective is different, and that's why 123 00:05:10,120 --> 00:05:12,440 Speaker 4: this album important, y'all. You know, I know it's girls 124 00:05:12,440 --> 00:05:14,320 Speaker 4: in the trenches that's going through the same things that 125 00:05:14,560 --> 00:05:18,440 Speaker 4: I've dealt with, and every day ain't sunny. So when 126 00:05:18,480 --> 00:05:20,800 Speaker 4: this diary is for my real. 127 00:05:20,600 --> 00:05:23,800 Speaker 5: Ones, I need to know what the studio session for 128 00:05:24,360 --> 00:05:27,360 Speaker 5: Songs about You was like, with you and somewher together 129 00:05:27,480 --> 00:05:29,839 Speaker 5: drunk off the killer, venting about dudes, like what was 130 00:05:29,880 --> 00:05:30,400 Speaker 5: that about? 131 00:05:30,520 --> 00:05:32,800 Speaker 4: You know what? I wish I wish we were. I 132 00:05:32,880 --> 00:05:35,800 Speaker 4: actually sent her a couple of songs. Summer has a 133 00:05:35,839 --> 00:05:38,760 Speaker 4: crazy schedule. I love my girl, Summer Walker. She is 134 00:05:38,839 --> 00:05:41,279 Speaker 4: a mom, you know what I mean. She's also an 135 00:05:41,360 --> 00:05:44,400 Speaker 4: R and B artist, working, putting in work. So a 136 00:05:44,400 --> 00:05:46,520 Speaker 4: lot of times artists we have to send records through 137 00:05:46,520 --> 00:05:48,240 Speaker 4: the email and we get on the phone and chop 138 00:05:48,279 --> 00:05:52,760 Speaker 4: it up. So I recorded that record. I had two records. 139 00:05:52,800 --> 00:05:55,880 Speaker 4: I sent her Stressing and songs about You. She really 140 00:05:55,960 --> 00:06:00,719 Speaker 4: liked Songs about You, and like I said, say, she 141 00:06:00,880 --> 00:06:03,359 Speaker 4: sent it back. It was a very easy process for Summer. 142 00:06:03,400 --> 00:06:06,240 Speaker 4: She's a girl's girl, so I just appreciate her. A 143 00:06:06,240 --> 00:06:08,600 Speaker 4: lot of people try to pin us, you know, they 144 00:06:08,640 --> 00:06:11,600 Speaker 4: try to compare us a lot our music and our styles. 145 00:06:11,680 --> 00:06:14,560 Speaker 4: So it was really really dope to come together. 146 00:06:15,000 --> 00:06:17,039 Speaker 3: So what was the what was the inspiration for that song? 147 00:06:17,160 --> 00:06:17,400 Speaker 4: Was it. 148 00:06:18,880 --> 00:06:20,919 Speaker 3: Argument with somebody? Were you mad? Like did you go 149 00:06:21,000 --> 00:06:22,960 Speaker 3: straight to the studio? Did you let it simmer for 150 00:06:23,000 --> 00:06:23,280 Speaker 3: a minute? 151 00:06:23,520 --> 00:06:26,159 Speaker 4: Oh yeah, it has the summer you know. The song 152 00:06:26,279 --> 00:06:28,320 Speaker 4: is really about when you're in the club or wherever 153 00:06:28,360 --> 00:06:30,520 Speaker 4: you are, and you get in your bag, you have 154 00:06:30,560 --> 00:06:34,880 Speaker 4: a drink and you start thinking about one person and 155 00:06:34,920 --> 00:06:37,080 Speaker 4: it's always you know, sometimes it's the toxic one, but 156 00:06:37,120 --> 00:06:39,919 Speaker 4: it's always one person you call. And that's why that 157 00:06:39,960 --> 00:06:43,280 Speaker 4: song really hits home because it's summertime, we outside, our 158 00:06:43,880 --> 00:06:46,760 Speaker 4: having our vibes, and it's always one person you want 159 00:06:46,800 --> 00:06:49,120 Speaker 4: to go home with, you know what I mean? 160 00:06:49,680 --> 00:06:52,640 Speaker 5: Tell me what was the her record about? Like what 161 00:06:52,800 --> 00:06:55,520 Speaker 5: I want to know? What huh inspired that record? 162 00:06:55,720 --> 00:06:58,920 Speaker 3: What did you say? What did you. 163 00:06:58,880 --> 00:07:02,080 Speaker 5: Say to the brother that he goes hell? 164 00:07:02,240 --> 00:07:09,800 Speaker 4: No? Really triggering for me, it's not laughing too hard, 165 00:07:12,400 --> 00:07:15,360 Speaker 4: But my ladies understand, you know these day and age 166 00:07:15,680 --> 00:07:17,520 Speaker 4: men are quick too, you know. 167 00:07:18,280 --> 00:07:21,160 Speaker 1: Huh what was the handy? Did you ask Hi where 168 00:07:21,160 --> 00:07:22,520 Speaker 1: he was? Or let me see your friend? 169 00:07:22,560 --> 00:07:27,120 Speaker 4: You can hear you can get here, you know. I 170 00:07:27,200 --> 00:07:28,800 Speaker 4: like to I like to be real in my music. 171 00:07:28,880 --> 00:07:31,440 Speaker 4: That's that's what does it for me when it's honest 172 00:07:31,600 --> 00:07:33,320 Speaker 4: and I was going through a period of time I'm 173 00:07:33,440 --> 00:07:36,360 Speaker 4: asking questions, what's going on, what we're doing? Where you 174 00:07:36,600 --> 00:07:42,840 Speaker 4: with it? And yeah playing this is hunh damn. So yeah, 175 00:07:42,880 --> 00:07:45,600 Speaker 4: that day is home for a lot of women relationships. 176 00:07:45,800 --> 00:07:48,240 Speaker 4: I feel like me and you know, it's very hard 177 00:07:48,240 --> 00:07:52,120 Speaker 4: for y'all to be honest out here. So huh is 178 00:07:52,160 --> 00:07:53,920 Speaker 4: a lot of times the response. 179 00:07:53,800 --> 00:07:56,280 Speaker 3: When you think about Hans sometimes I really might not 180 00:07:56,280 --> 00:07:56,720 Speaker 3: have heard you. 181 00:07:56,800 --> 00:07:57,320 Speaker 1: That's a lie. 182 00:07:58,720 --> 00:07:59,200 Speaker 3: That's a lie. 183 00:08:00,080 --> 00:08:01,600 Speaker 1: Second to think about what your aunts are gonna be. 184 00:08:01,680 --> 00:08:03,120 Speaker 1: So that home gives you that little second. 185 00:08:03,160 --> 00:08:05,560 Speaker 4: Please exactly envy, That's that's what it is. 186 00:08:05,720 --> 00:08:08,360 Speaker 1: You you who changed black man. 187 00:08:08,880 --> 00:08:10,000 Speaker 3: Change were supposed to be teaching. 188 00:08:10,520 --> 00:08:11,920 Speaker 1: We done did that in our twenties. 189 00:08:12,200 --> 00:08:14,080 Speaker 4: He's right, a lot of times you're thinking about what 190 00:08:14,120 --> 00:08:20,280 Speaker 4: you want to say. Yeah, hurt me, so let me ask. 191 00:08:20,320 --> 00:08:22,640 Speaker 1: So I got to ask. So when it comes to 192 00:08:22,880 --> 00:08:27,240 Speaker 1: all us, how what kind of man is tink looking for? 193 00:08:27,400 --> 00:08:27,600 Speaker 3: Right? 194 00:08:28,240 --> 00:08:30,280 Speaker 1: Because you get sexy in here and you tell about 195 00:08:30,320 --> 00:08:31,800 Speaker 1: you tell you know what you what you want a 196 00:08:31,840 --> 00:08:33,800 Speaker 1: man to do to you sexually, But you also talk 197 00:08:33,840 --> 00:08:36,360 Speaker 1: about all these toxic relationship it seems like you're looking 198 00:08:36,400 --> 00:08:37,079 Speaker 1: for the toxic. 199 00:08:37,559 --> 00:08:40,600 Speaker 4: No. Never, we're running from the toxic this year, y'all. 200 00:08:41,120 --> 00:08:43,760 Speaker 4: For me, it's it's really about being honest and true. 201 00:08:44,440 --> 00:08:47,640 Speaker 4: I think in twenty twenty four, man are such liars. 202 00:08:47,920 --> 00:08:52,200 Speaker 4: Come on, man, man are so quick to lie. So uh, 203 00:08:52,320 --> 00:08:55,560 Speaker 4: it's then boiled down to being honest. You know. I 204 00:08:55,640 --> 00:08:59,240 Speaker 4: like man and securing himself knows what he wants, isn't 205 00:08:59,240 --> 00:09:05,240 Speaker 4: afraid to vocalize that in the beginning. And for me, 206 00:09:05,280 --> 00:09:07,720 Speaker 4: I'm from Chicago. I like a man that has, uh, 207 00:09:09,280 --> 00:09:11,880 Speaker 4: you know, just a strong demeanor. I love a stand 208 00:09:11,920 --> 00:09:14,760 Speaker 4: up guy and like I say, y'all will be honest. 209 00:09:14,800 --> 00:09:16,560 Speaker 4: A lot of girls just on somebody that's gonna be 210 00:09:16,600 --> 00:09:19,479 Speaker 4: real to them and not not play with their feelings. 211 00:09:19,760 --> 00:09:21,280 Speaker 5: I feel like you've been searching for love for a 212 00:09:21,280 --> 00:09:24,080 Speaker 5: long time. When I think about Whening Diary one wait. 213 00:09:24,000 --> 00:09:25,520 Speaker 4: A minute, a minute. 214 00:09:26,360 --> 00:09:28,520 Speaker 3: It feels like the whole series is human. 215 00:09:28,559 --> 00:09:31,080 Speaker 4: King all my life. I think I need to say 216 00:09:31,120 --> 00:09:33,200 Speaker 4: that too. It's so hard to find love when you're 217 00:09:33,240 --> 00:09:38,320 Speaker 4: really passionate in your career. So it may seem like 218 00:09:38,320 --> 00:09:41,160 Speaker 4: I'm looking for love, but Honestly, I'm just so grounded 219 00:09:41,240 --> 00:09:44,200 Speaker 4: in my music. I don't have time to date, and 220 00:09:44,280 --> 00:09:47,240 Speaker 4: I wish I did, so I just want to say that, 221 00:09:47,320 --> 00:09:50,800 Speaker 4: like I'm not looking for anything, but but you are. 222 00:09:51,640 --> 00:09:55,480 Speaker 4: I'm a lover, but I'm so focused on making it 223 00:09:55,559 --> 00:09:59,640 Speaker 4: and succeeding. You know. So a lot of times love 224 00:09:59,760 --> 00:10:02,400 Speaker 4: just as to the wayside for me, and people don't 225 00:10:02,400 --> 00:10:05,040 Speaker 4: know that. Like my music is very it can be 226 00:10:05,160 --> 00:10:10,440 Speaker 4: very sappy sometimes, but in real life, emotion does not 227 00:10:10,520 --> 00:10:10,880 Speaker 4: run me. 228 00:10:11,280 --> 00:10:13,840 Speaker 3: I run my business, thinks say I'm a whole thug. 229 00:10:14,559 --> 00:10:17,120 Speaker 4: Yeah, at times I have to be yeah, yeah, you 230 00:10:17,160 --> 00:10:19,560 Speaker 4: know how this industry can be. I have a tough 231 00:10:19,600 --> 00:10:22,960 Speaker 4: skin on me, So it may seem like that, like 232 00:10:23,000 --> 00:10:25,920 Speaker 4: I'm yearning for love, but a lot of times, y'all, 233 00:10:26,000 --> 00:10:28,880 Speaker 4: I am so focused on my next bag. 234 00:10:29,400 --> 00:10:31,280 Speaker 5: So why is that such a recurring theme? And just 235 00:10:31,559 --> 00:10:33,480 Speaker 5: the yearning for love throughout the mistakes? 236 00:10:33,720 --> 00:10:35,800 Speaker 4: And now I feel like I know what women want 237 00:10:35,800 --> 00:10:39,600 Speaker 4: to hear. And in the past my music has touched 238 00:10:39,600 --> 00:10:41,640 Speaker 4: a lot of souls, so I got a cater to that. 239 00:10:42,080 --> 00:10:45,080 Speaker 4: You know, I can't leave my women hanging. My music 240 00:10:45,120 --> 00:10:48,280 Speaker 4: isn't about flashing money and jewelry and chains. It's about 241 00:10:48,320 --> 00:10:52,120 Speaker 4: what they need, and I make sure that I remember 242 00:10:52,160 --> 00:10:54,400 Speaker 4: that when I'm writing now with relationships? 243 00:10:54,440 --> 00:10:56,480 Speaker 1: Is it both of you, guys, because it takes two 244 00:10:56,559 --> 00:10:58,120 Speaker 1: to tago, right? Is it just? 245 00:10:58,520 --> 00:11:01,040 Speaker 2: Are you kind of toxic too? Are you part of 246 00:11:01,080 --> 00:11:03,600 Speaker 2: the problem? 247 00:11:03,640 --> 00:11:07,760 Speaker 4: Well, I think in general everybody is capable of being toxic. 248 00:11:07,840 --> 00:11:12,920 Speaker 4: We have days. But I'm I'm such a person that 249 00:11:13,120 --> 00:11:16,120 Speaker 4: gives grace and I'm trying to do the right thing. 250 00:11:16,160 --> 00:11:18,920 Speaker 4: I'm a very positive person. I'm peaceful, you know what 251 00:11:19,000 --> 00:11:23,720 Speaker 4: I mean. Like I love to I love cood vibrations. 252 00:11:23,840 --> 00:11:26,000 Speaker 4: So I may have a day. I think we all 253 00:11:26,040 --> 00:11:28,360 Speaker 4: have our days. We all have a moment, but that 254 00:11:28,520 --> 00:11:31,559 Speaker 4: is not how I answer a relationship, or that's not 255 00:11:31,600 --> 00:11:35,560 Speaker 4: how I move in general. You know, for me, I 256 00:11:35,640 --> 00:11:38,400 Speaker 4: want peace, y'all. I've been through so much in this industry, 257 00:11:38,480 --> 00:11:41,480 Speaker 4: and if you know my story, you know I've just 258 00:11:41,520 --> 00:11:45,200 Speaker 4: been through a lot of hardships. So absolutely not. I 259 00:11:45,240 --> 00:11:47,320 Speaker 4: want somebody to bring me some peace. I have enough 260 00:11:47,760 --> 00:11:50,600 Speaker 4: to struggle and deal with in life. 261 00:11:50,840 --> 00:11:54,880 Speaker 5: So I like the record Insane because it shows the 262 00:11:54,960 --> 00:11:59,240 Speaker 5: contrast between like physical and emotional detachment after a breakup 263 00:11:59,400 --> 00:12:00,760 Speaker 5: and you say I'm in love with the nigga that 264 00:12:00,800 --> 00:12:03,880 Speaker 5: won't change. Can't promise that I'm all because because if 265 00:12:03,880 --> 00:12:06,079 Speaker 5: he if he come calling, I'm already on my way. 266 00:12:06,120 --> 00:12:08,720 Speaker 5: And it's like insanity is doing the same thing over 267 00:12:08,760 --> 00:12:12,559 Speaker 5: and over and expecting different results. Why did it feels? 268 00:12:12,559 --> 00:12:14,280 Speaker 5: Why was it necessary for you to talk about that 269 00:12:14,400 --> 00:12:15,040 Speaker 5: aspect of it? 270 00:12:16,080 --> 00:12:20,000 Speaker 4: To me, I was just giving people both perspectives, you 271 00:12:20,040 --> 00:12:22,680 Speaker 4: know what I mean? Like, like I say, it's a diary, 272 00:12:22,760 --> 00:12:25,319 Speaker 4: so I have to be honest with myself and a 273 00:12:25,400 --> 00:12:27,920 Speaker 4: lot of a lot of these songs are stories, and 274 00:12:28,000 --> 00:12:30,440 Speaker 4: there was a point in time where I was stuck 275 00:12:30,480 --> 00:12:32,800 Speaker 4: to a person, and I think a lot of women 276 00:12:32,840 --> 00:12:35,319 Speaker 4: have been there, especially when we're young, you know what 277 00:12:35,400 --> 00:12:39,240 Speaker 4: I mean. We're comfortable, it feels good at the moment 278 00:12:39,320 --> 00:12:41,600 Speaker 4: and you don't realize until you step back, like, oh, 279 00:12:43,240 --> 00:12:45,720 Speaker 4: I was really in something something I shouldn't have been in. 280 00:12:47,240 --> 00:12:49,400 Speaker 4: So that was me reflecting, you know what I mean. 281 00:12:49,440 --> 00:12:53,000 Speaker 4: And I think, honestly, that's probably the best song that 282 00:12:53,000 --> 00:12:56,280 Speaker 4: people really love on the album because it's just honesty. 283 00:12:56,720 --> 00:12:59,960 Speaker 5: You know, do you think guys be intentionally trying to 284 00:13:00,040 --> 00:13:03,040 Speaker 5: fuck women over or do you think that listen, it's guys. 285 00:13:03,520 --> 00:13:06,200 Speaker 5: I might have the best intentions. I really like this woman, 286 00:13:06,240 --> 00:13:10,640 Speaker 5: but then you know, sometimes I just make irrational decisions. 287 00:13:10,760 --> 00:13:12,719 Speaker 1: Sorry you can say poor choice. 288 00:13:12,640 --> 00:13:15,840 Speaker 5: Poor choices, you know, because like I'm not trying to 289 00:13:15,840 --> 00:13:16,760 Speaker 5: break your heart. 290 00:13:17,000 --> 00:13:18,679 Speaker 4: I think it's a bit of both. I think at 291 00:13:18,679 --> 00:13:21,360 Speaker 4: a certain age, you know what you're doing. You know, 292 00:13:21,520 --> 00:13:24,120 Speaker 4: at a certain point in your life. You know, we're 293 00:13:24,160 --> 00:13:27,199 Speaker 4: not in high school or grammar school, So everything is 294 00:13:27,240 --> 00:13:30,679 Speaker 4: a choice, you know what I mean. And for me 295 00:13:30,720 --> 00:13:34,400 Speaker 4: in twenty twenty four, it's just a toxic era, you 296 00:13:34,440 --> 00:13:35,720 Speaker 4: know what I'm saying, a lot of it has to 297 00:13:35,760 --> 00:13:38,520 Speaker 4: do with our influences and what we're listening to, what 298 00:13:38,559 --> 00:13:40,760 Speaker 4: we're seeing on Instagram, and what we think is flat 299 00:13:40,800 --> 00:13:43,080 Speaker 4: and cool to do. A lot of men, you know, 300 00:13:43,120 --> 00:13:45,319 Speaker 4: they'll hurt a woman just because that's that's what the 301 00:13:45,440 --> 00:13:47,840 Speaker 4: guys is doing, or that's really you know what I'm saying. 302 00:13:47,840 --> 00:13:50,959 Speaker 4: They feeding off of what everybody else is on. So 303 00:13:51,000 --> 00:13:55,360 Speaker 4: it's a choice. It's a choice. I don't think, you know, 304 00:13:55,559 --> 00:13:56,880 Speaker 4: like I said, guys know what they're doing. 305 00:13:57,520 --> 00:13:59,160 Speaker 5: I agree with that whole heartedly, because you know, I 306 00:13:59,160 --> 00:14:01,800 Speaker 5: think that sometimes these dudes treat their homeboys better than 307 00:14:01,840 --> 00:14:04,480 Speaker 5: they treat their girls. Like the lady that you laying 308 00:14:04,520 --> 00:14:06,560 Speaker 5: down with every night, Like you'll be more loyal to 309 00:14:06,559 --> 00:14:08,520 Speaker 5: your dudes. You don't want to lie to your dudes. 310 00:14:08,520 --> 00:14:10,480 Speaker 5: You don't want to do your dude dirty, but you 311 00:14:10,480 --> 00:14:12,440 Speaker 5: don't got no problem doing that to me. 312 00:14:12,480 --> 00:14:14,839 Speaker 4: And know how to be loyal, and that is that's 313 00:14:14,840 --> 00:14:16,400 Speaker 4: why I say it's a choice. Men know how to 314 00:14:16,440 --> 00:14:19,040 Speaker 4: be loyal. They loyal to their members, They loyal to 315 00:14:19,080 --> 00:14:26,120 Speaker 4: they guys, they're loyal to they dog. Hello, y'all know 316 00:14:26,160 --> 00:14:27,640 Speaker 4: how to be loyal and y'all know how to stick 317 00:14:27,640 --> 00:14:30,600 Speaker 4: to one person. So hey, it's a choice. 318 00:14:30,920 --> 00:14:31,360 Speaker 1: I agree. 319 00:14:31,480 --> 00:14:34,080 Speaker 2: Do you think it's also hard dating somebody or being 320 00:14:34,080 --> 00:14:35,240 Speaker 2: with somebody in the industry? 321 00:14:36,000 --> 00:14:36,120 Speaker 4: Oh? 322 00:14:36,200 --> 00:14:38,280 Speaker 2: Yes, because that's it's it's a total difference. It's not 323 00:14:38,480 --> 00:14:40,400 Speaker 2: it's not an average life. It's it's more of a 324 00:14:40,440 --> 00:14:42,960 Speaker 2: difficult life. And if you don't understand that, your insecurities 325 00:14:43,040 --> 00:14:43,520 Speaker 2: take over. 326 00:14:44,080 --> 00:14:45,880 Speaker 1: That has a lot to do with on both sides. 327 00:14:45,600 --> 00:14:49,160 Speaker 4: It's a lot harder. Like you say, you have to 328 00:14:49,200 --> 00:14:53,120 Speaker 4: be secure, and it's so much temptation in this industry. 329 00:14:53,560 --> 00:14:55,680 Speaker 4: You know, guys, guys that are in the industry, they 330 00:14:55,680 --> 00:14:58,000 Speaker 4: have a lot, a lot more to offer, So it's 331 00:14:58,040 --> 00:15:01,680 Speaker 4: more women, and it's more DM I'm saying. It's more 332 00:15:02,600 --> 00:15:06,640 Speaker 4: like I say, distractions and everybody is accessible in the industry. 333 00:15:06,720 --> 00:15:10,640 Speaker 4: So absolutely it's ten times hotter. But that's why I 334 00:15:10,640 --> 00:15:15,000 Speaker 4: say I wouldn't mind. I wouldn't mind dating a regular guy. 335 00:15:15,200 --> 00:15:16,760 Speaker 3: You would date a nice, hard working. 336 00:15:18,200 --> 00:15:19,400 Speaker 4: The hardworking, honest man. 337 00:15:19,600 --> 00:15:21,120 Speaker 1: Okay, would you date a guy in the industry? 338 00:15:21,120 --> 00:15:25,440 Speaker 4: Again, I'm not against it, but I'm open to everything 339 00:15:25,600 --> 00:15:29,080 Speaker 4: I think. I think the industry, like I said, it 340 00:15:29,080 --> 00:15:32,680 Speaker 4: plays a part. Uh, the industry just plays a part, 341 00:15:32,720 --> 00:15:38,040 Speaker 4: like the distractions. So I would totally date honest working man. 342 00:15:38,400 --> 00:15:39,800 Speaker 3: Okay. Now let's get to it. Which one of these 343 00:15:39,800 --> 00:15:41,200 Speaker 3: songs about hit Maker? Is it huh? 344 00:15:41,800 --> 00:15:44,400 Speaker 5: Is it stressing? Is it blessed Me? Don't Scratch Me? 345 00:15:44,480 --> 00:15:45,520 Speaker 5: Is it lows and highs? 346 00:15:45,560 --> 00:15:45,920 Speaker 3: Which hit? 347 00:15:46,120 --> 00:15:46,720 Speaker 1: Is it hit and lick? 348 00:15:46,840 --> 00:15:47,840 Speaker 3: Does it make it make sense? 349 00:15:47,960 --> 00:15:53,240 Speaker 4: Which the main listen? I feel like the entire album 350 00:15:53,480 --> 00:15:57,200 Speaker 4: is could relate to him or say any man, you 351 00:15:57,240 --> 00:15:59,840 Speaker 4: know what I mean. I purposely waited to drop this 352 00:16:00,320 --> 00:16:05,480 Speaker 4: so that it wasn't fourteen songs about one person. But 353 00:16:05,600 --> 00:16:08,280 Speaker 4: in this situation, you know, if you know our history, 354 00:16:08,360 --> 00:16:11,880 Speaker 4: we went through a lot of turmoil, so there's a 355 00:16:11,920 --> 00:16:14,040 Speaker 4: bit of him and a lot of these a lot 356 00:16:14,080 --> 00:16:16,960 Speaker 4: of these records, and he knows that we worked on 357 00:16:17,000 --> 00:16:17,720 Speaker 4: an album together. 358 00:16:18,000 --> 00:16:18,560 Speaker 1: How was that? 359 00:16:18,800 --> 00:16:23,560 Speaker 4: And that process was different for me. It took a 360 00:16:23,600 --> 00:16:26,080 Speaker 4: lot of maturity for me to get in that booth 361 00:16:26,280 --> 00:16:29,720 Speaker 4: and for us to come to agreement on these songs. 362 00:16:29,800 --> 00:16:31,640 Speaker 4: We had hard days where he had to walk out, 363 00:16:31,720 --> 00:16:35,120 Speaker 4: and that's just what it is. I couldn't. I couldn't. 364 00:16:35,880 --> 00:16:38,280 Speaker 2: Did y'all have to have a conversation before, because I mean, 365 00:16:38,440 --> 00:16:41,360 Speaker 2: y'all were together, Like you said, it was a toxic 366 00:16:41,400 --> 00:16:44,040 Speaker 2: at times, but y'all made great music with each other. 367 00:16:44,360 --> 00:16:46,680 Speaker 2: Most people would have been like, fat, I ain't working 368 00:16:46,720 --> 00:16:49,080 Speaker 2: with him, you know. Most women probably would have been like, 369 00:16:49,120 --> 00:16:51,680 Speaker 2: I can't see him again. But y'all were able to 370 00:16:52,040 --> 00:16:54,360 Speaker 2: How was that conversation? And who put that together? Where 371 00:16:54,440 --> 00:16:56,280 Speaker 2: y'all said, you know, let's squash this out and do 372 00:16:56,400 --> 00:16:56,840 Speaker 2: this together. 373 00:16:57,600 --> 00:17:00,360 Speaker 4: Yeah, I had to take take the emotion out of it. 374 00:17:00,720 --> 00:17:06,640 Speaker 4: And we were already in a contract, so there were obligations. 375 00:17:07,119 --> 00:17:09,159 Speaker 4: And that's what I think the world doesn't know. You know, 376 00:17:09,240 --> 00:17:14,080 Speaker 4: we already had ties and things were already in motion. So, 377 00:17:14,200 --> 00:17:16,680 Speaker 4: like I say, it took a lot of maturity to say, Hey, 378 00:17:17,080 --> 00:17:19,440 Speaker 4: I'm gonna go in this booth, I'm gonna do I'm 379 00:17:19,440 --> 00:17:21,680 Speaker 4: gonna do my best today. You know what I'm saying. 380 00:17:21,680 --> 00:17:25,399 Speaker 4: Whatever I can give, If it's ten, that's the best 381 00:17:25,440 --> 00:17:28,320 Speaker 4: I can give. And you know that. That's also why 382 00:17:28,320 --> 00:17:30,920 Speaker 4: it did take some time, because I needed time away 383 00:17:30,960 --> 00:17:33,359 Speaker 4: to get my mind together. I can't look at you today. 384 00:17:33,400 --> 00:17:35,639 Speaker 4: I can't you know, I can't be around you listening 385 00:17:35,640 --> 00:17:38,399 Speaker 4: to what you want to say right now. So I 386 00:17:38,520 --> 00:17:41,560 Speaker 4: give God a lot of credit, y'all. Like it took 387 00:17:41,600 --> 00:17:43,680 Speaker 4: a lot for me to put this album out. 388 00:17:43,800 --> 00:17:45,280 Speaker 1: When did that happen? When did you make that. 389 00:17:45,240 --> 00:17:47,119 Speaker 2: Call to be like, look, let's put the bullshit to 390 00:17:47,160 --> 00:17:50,040 Speaker 2: the side and you f me, let's just make this album. 391 00:17:50,160 --> 00:17:51,680 Speaker 1: How did that happen? And what was that call? 392 00:17:51,800 --> 00:17:51,879 Speaker 3: Like? 393 00:17:51,960 --> 00:17:54,160 Speaker 1: Did he call you? Did you call him? Was it management? 394 00:17:54,280 --> 00:17:55,760 Speaker 1: Was it the label? 395 00:17:55,960 --> 00:17:59,800 Speaker 4: Yeah, he actually reached out to me, and it took 396 00:17:59,840 --> 00:18:02,439 Speaker 4: for to sit down and really have a just a 397 00:18:02,640 --> 00:18:09,119 Speaker 4: long conversation. I'm talking hours of talking, and it took maturity, 398 00:18:09,400 --> 00:18:11,160 Speaker 4: you know, like most people would have through the twel 399 00:18:11,240 --> 00:18:13,800 Speaker 4: I can't I'm not speaking to you again. But I 400 00:18:13,840 --> 00:18:15,760 Speaker 4: had to think about my career. I had to think about. 401 00:18:16,840 --> 00:18:19,280 Speaker 4: Like I said, I was in a contract already, so 402 00:18:19,960 --> 00:18:22,919 Speaker 4: I had to put on put on my my poker 403 00:18:22,960 --> 00:18:26,520 Speaker 4: face and get in the field and you know, do 404 00:18:26,600 --> 00:18:29,920 Speaker 4: what wasn't popular at the time. It wasn't cool to say, Hey, 405 00:18:29,920 --> 00:18:32,600 Speaker 4: I'm going to the studio with hit Maker today. So 406 00:18:32,760 --> 00:18:35,800 Speaker 4: you know, I took a lot of I took a 407 00:18:35,840 --> 00:18:38,400 Speaker 4: lot of I had a lot of people dropping opinions 408 00:18:38,440 --> 00:18:40,600 Speaker 4: in my ear, and I had to kind of just 409 00:18:40,680 --> 00:18:43,440 Speaker 4: tunnel vision and focus on the end goal. I want 410 00:18:43,480 --> 00:18:46,760 Speaker 4: my album out. I want to have an album that 411 00:18:46,880 --> 00:18:51,239 Speaker 4: feels elevated. And for that reason, I went ahead and 412 00:18:51,320 --> 00:18:52,240 Speaker 4: we worked. 413 00:18:53,160 --> 00:18:54,600 Speaker 5: Is it true that he asked you for two million 414 00:18:54,640 --> 00:18:57,320 Speaker 5: dollars because he was mad that you wanted to go 415 00:18:57,359 --> 00:18:58,440 Speaker 5: to a project independently. 416 00:18:59,080 --> 00:19:03,600 Speaker 4: Well, I will say that we did have a contract 417 00:19:03,600 --> 00:19:08,160 Speaker 4: in place. The details of the contract are really personal, 418 00:19:08,200 --> 00:19:10,320 Speaker 4: and that's that's where I was at faut at. You know, 419 00:19:10,400 --> 00:19:13,520 Speaker 4: sometimes it's best to just lay low about details and 420 00:19:13,560 --> 00:19:17,679 Speaker 4: things like that. But hit Maker was paid, and I 421 00:19:17,720 --> 00:19:20,680 Speaker 4: think that's fair to say he knows it. And that's 422 00:19:20,680 --> 00:19:23,399 Speaker 4: the reason I went forward. Because if I'm putting my 423 00:19:23,480 --> 00:19:27,520 Speaker 4: money and I'm investing into something I need all of 424 00:19:27,560 --> 00:19:28,919 Speaker 4: mine in return. 425 00:19:29,320 --> 00:19:32,440 Speaker 2: I was gonna ask I was doing the album because 426 00:19:32,440 --> 00:19:34,400 Speaker 2: you had a lot of sexual songs. 427 00:19:34,040 --> 00:19:35,600 Speaker 1: Right, Oh yeah, there's a lot. 428 00:19:35,480 --> 00:19:39,480 Speaker 2: Of songs that very intimate, very sexy gives you put 429 00:19:39,520 --> 00:19:41,560 Speaker 2: you in that diary. Did y'all get to a point 430 00:19:41,560 --> 00:19:44,960 Speaker 2: where it rekindled anything after going through all that at all? 431 00:19:45,200 --> 00:19:47,120 Speaker 4: No, I haven't been in that space for hit Maker 432 00:19:47,200 --> 00:19:50,720 Speaker 4: for a long time. And that's the that's the gag 433 00:19:50,800 --> 00:19:54,639 Speaker 4: that everybody doesn't know. Like I've been so focused on 434 00:19:54,680 --> 00:19:57,119 Speaker 4: the music, I don't have time to really even entertain 435 00:19:57,240 --> 00:19:59,360 Speaker 4: him or or vice versa. You know, I think it's 436 00:19:59,400 --> 00:20:04,040 Speaker 4: best that we can keep things business and the pleasure 437 00:20:04,119 --> 00:20:07,960 Speaker 4: is what I think made left because. 438 00:20:07,720 --> 00:20:09,480 Speaker 1: It's always that I want that old thing back on 439 00:20:09,560 --> 00:20:10,159 Speaker 1: both sides. 440 00:20:10,280 --> 00:20:13,280 Speaker 4: Absolutely, But I had to learn. That was a learning 441 00:20:13,359 --> 00:20:16,440 Speaker 4: lesson and I think for me that's the biggest gift. 442 00:20:16,560 --> 00:20:20,280 Speaker 4: Like every album, every year, I'm getting smarter, like, hey, 443 00:20:20,480 --> 00:20:22,920 Speaker 4: I know my next venture, I know what to look 444 00:20:22,920 --> 00:20:26,639 Speaker 4: out for. I know when to say no or I 445 00:20:26,720 --> 00:20:30,359 Speaker 4: know when to hold back. So I needed to go 446 00:20:30,440 --> 00:20:32,480 Speaker 4: through that. You know, I want other women to watch 447 00:20:32,520 --> 00:20:34,720 Speaker 4: me and and and learn from my mistakes, you know, 448 00:20:34,960 --> 00:20:37,320 Speaker 4: I'm here to be a lesson and a blessing, So 449 00:20:38,400 --> 00:20:41,880 Speaker 4: I don't have any regrets. What happened happened. I'm stronger, 450 00:20:41,960 --> 00:20:46,919 Speaker 4: I'm smarter. I feel like now I know just how 451 00:20:46,960 --> 00:20:47,359 Speaker 4: to play. 452 00:20:47,440 --> 00:20:49,600 Speaker 2: Would you put your your next relationship on the ground 453 00:20:49,680 --> 00:20:52,000 Speaker 2: like like this, because you guys. 454 00:20:52,240 --> 00:20:53,240 Speaker 3: Thank you would just. 455 00:20:55,600 --> 00:20:58,120 Speaker 5: Return when you get this nice ups guy right when 456 00:20:58,119 --> 00:20:59,879 Speaker 5: you're not gonna put that on the. 457 00:21:00,720 --> 00:21:08,080 Speaker 4: Nota post his arm, the back of his head or 458 00:21:08,760 --> 00:21:11,800 Speaker 4: you know. I think privacy is so good. Privacy helps 459 00:21:11,840 --> 00:21:14,240 Speaker 4: so much, y'all. When the world knows it's it's it's 460 00:21:14,240 --> 00:21:19,120 Speaker 4: an extra weight. So to my ladies, y'all, please save 461 00:21:19,160 --> 00:21:22,320 Speaker 4: it for you, keep it, keep it private. It's it's 462 00:21:22,359 --> 00:21:24,320 Speaker 4: so much peace in privacy. 463 00:21:24,600 --> 00:21:27,200 Speaker 5: So when you said on Instagram that you were fighting 464 00:21:27,240 --> 00:21:29,240 Speaker 5: so hard to release this album, was that the fight? 465 00:21:30,359 --> 00:21:31,200 Speaker 3: Was that the only. 466 00:21:32,680 --> 00:21:36,399 Speaker 4: Absolutely? Uh, just the just the battle with with you know, 467 00:21:36,440 --> 00:21:39,000 Speaker 4: people on the outside, you know what I'm saying, giving 468 00:21:39,040 --> 00:21:41,480 Speaker 4: me their advice and you shouldn't be working with him, 469 00:21:41,600 --> 00:21:43,840 Speaker 4: or you know what I'm saying, just scrap the album 470 00:21:43,920 --> 00:21:46,280 Speaker 4: start over. I had a lot of dark thoughts about 471 00:21:46,280 --> 00:21:49,119 Speaker 4: the album that sometimes I had to you know, I 472 00:21:49,160 --> 00:21:51,600 Speaker 4: second guessed it and hey, y'all, should we just go 473 00:21:51,720 --> 00:21:54,520 Speaker 4: another route or you know? That's what I mean when 474 00:21:54,520 --> 00:21:56,040 Speaker 4: I say I had to fight. I had to push 475 00:21:56,080 --> 00:21:59,119 Speaker 4: through those you know, those moments where you're you're not sure, 476 00:21:59,840 --> 00:22:03,359 Speaker 4: and like I say, I really have to stand tall 477 00:22:03,400 --> 00:22:05,960 Speaker 4: and just be strong and confident, even though the world 478 00:22:06,040 --> 00:22:08,600 Speaker 4: you might have had a different feeling at the time, 479 00:22:08,760 --> 00:22:09,600 Speaker 4: I had to push through. 480 00:22:09,600 --> 00:22:11,840 Speaker 5: That was I don't want to say embarrassing, but what 481 00:22:11,880 --> 00:22:14,080 Speaker 5: was the thing that came out that you weren't most 482 00:22:14,080 --> 00:22:14,439 Speaker 5: proud of? 483 00:22:14,640 --> 00:22:16,520 Speaker 3: I remember they said you put hands on him. 484 00:22:17,160 --> 00:22:20,760 Speaker 4: Of course, that honestly was the peak for me. If 485 00:22:20,800 --> 00:22:24,200 Speaker 4: anybody knows me, y'all know, I'm not even the internet 486 00:22:24,440 --> 00:22:27,040 Speaker 4: type of person. I go live maybe twice a year, 487 00:22:28,080 --> 00:22:31,159 Speaker 4: so to be live doing that it did strike a 488 00:22:31,200 --> 00:22:34,119 Speaker 4: nerve in me because who I am as a person 489 00:22:34,240 --> 00:22:37,520 Speaker 4: is so much better than that. And I'm very private, 490 00:22:38,080 --> 00:22:41,800 Speaker 4: so it came as a shock. But I'm a real 491 00:22:42,400 --> 00:22:46,480 Speaker 4: woman and I want people to know that life is. 492 00:22:47,359 --> 00:22:49,680 Speaker 3: Full of ups and downs, lows and high. 493 00:22:49,640 --> 00:22:52,000 Speaker 4: Lows and highs. Thank you, Charla Mane, thank you. That 494 00:22:52,080 --> 00:22:55,160 Speaker 4: was perfect. But yeah, life is full of loads and highs, 495 00:22:55,200 --> 00:22:59,520 Speaker 4: and I think it gave people just an insight of, 496 00:23:00,080 --> 00:23:03,280 Speaker 4: you know, my reality. I'm not just a perfect person. 497 00:23:03,800 --> 00:23:07,639 Speaker 4: I never want to come across like I'm perfect. So 498 00:23:07,720 --> 00:23:09,800 Speaker 4: I don't regret it. But that was like a peak 499 00:23:09,880 --> 00:23:12,040 Speaker 4: moment that I look back and I say, I'm gonna 500 00:23:12,080 --> 00:23:13,200 Speaker 4: learn from that and do better. 501 00:23:13,680 --> 00:23:15,639 Speaker 2: Last question about that, I just before you move on 502 00:23:17,240 --> 00:23:18,560 Speaker 2: the time of y'all, I think you were out the 503 00:23:18,600 --> 00:23:21,560 Speaker 2: country and ran into each other. Were y'all recording at 504 00:23:21,560 --> 00:23:23,439 Speaker 2: that time, or y'all would just just happened to just 505 00:23:23,480 --> 00:23:25,840 Speaker 2: it just you're out the country, just happened to see 506 00:23:25,840 --> 00:23:27,160 Speaker 2: each other, just like happenstance. 507 00:23:27,840 --> 00:23:29,560 Speaker 4: No, we just happened to see each other. I was 508 00:23:29,680 --> 00:23:33,760 Speaker 4: there for my friend's birthday, so I had no idea 509 00:23:33,840 --> 00:23:36,760 Speaker 4: he was in the same country as me. We had 510 00:23:36,800 --> 00:23:39,080 Speaker 4: no clue, and we it was just ironic. 511 00:23:40,520 --> 00:23:42,320 Speaker 5: Did you look at that for a moment and be like, damn, 512 00:23:42,320 --> 00:23:46,480 Speaker 5: this is divine. Maybe it's meant to be for a second, 513 00:23:47,240 --> 00:23:48,400 Speaker 5: let's pit a second. 514 00:23:49,400 --> 00:23:51,840 Speaker 4: I mean, I guess so, I mean it had to 515 00:23:51,920 --> 00:23:54,280 Speaker 4: happen for me to learn, So maybe God was trying 516 00:23:54,280 --> 00:23:57,359 Speaker 4: to pivot me. So, like I said, it might have 517 00:23:57,440 --> 00:23:59,680 Speaker 4: been divine timing. So that I could see what was 518 00:23:59,720 --> 00:24:01,600 Speaker 4: really happening in the streets. 519 00:24:01,640 --> 00:24:03,960 Speaker 2: Well, y'all still talking at that time, y'all still trying 520 00:24:03,960 --> 00:24:06,320 Speaker 2: to work it out, and he just happy with another girl. 521 00:24:07,840 --> 00:24:10,159 Speaker 3: Enough. I can see her visibly upset. 522 00:24:11,280 --> 00:24:15,159 Speaker 4: Yeah, it's triggering, y'all. Like love it hard. I love hard, 523 00:24:15,400 --> 00:24:18,240 Speaker 4: and people, you know, when you when you're really invested 524 00:24:18,280 --> 00:24:21,560 Speaker 4: in somebody, you expect them to love the way that 525 00:24:21,640 --> 00:24:25,919 Speaker 4: you love them. So it's it's a triggering situation. And 526 00:24:26,000 --> 00:24:28,679 Speaker 4: I'm just glad that I'm in this space now. Like 527 00:24:28,760 --> 00:24:31,680 Speaker 4: I say, y'all, I've grown so much. It's it's really 528 00:24:31,720 --> 00:24:34,640 Speaker 4: I want to put it behind me. And it's sad, 529 00:24:34,680 --> 00:24:37,520 Speaker 4: like when you attach yourself to somebody, everything comes back up. 530 00:24:37,600 --> 00:24:39,960 Speaker 4: Every every interview is going to be a question. So 531 00:24:40,480 --> 00:24:42,720 Speaker 4: I'm trying to move forward in the most peaceful way. 532 00:24:43,320 --> 00:24:46,119 Speaker 4: I really do wish him the best. I hope he is, 533 00:24:46,600 --> 00:24:51,400 Speaker 4: you know, I hope he's well. And I'm moving forward. 534 00:24:51,800 --> 00:24:53,800 Speaker 5: When you when you talk about the song, loads and highs, 535 00:24:53,840 --> 00:24:56,359 Speaker 5: have you healed from the things you you say in 536 00:24:56,400 --> 00:24:58,040 Speaker 5: that record, because you say still up on my grind, 537 00:24:58,040 --> 00:25:00,000 Speaker 5: can't get caught up in new feelings, trying to move forward, 538 00:25:00,119 --> 00:25:02,280 Speaker 5: but my heart's still healing for real, but you've been 539 00:25:02,280 --> 00:25:04,000 Speaker 5: getting colder by the days. 540 00:25:04,040 --> 00:25:06,879 Speaker 3: POPA thirty for the pain. Are you out of that space? 541 00:25:09,400 --> 00:25:13,000 Speaker 4: I think anybody that goes through something traumatic you can 542 00:25:13,000 --> 00:25:14,919 Speaker 4: be out of a space. But there's moments where you 543 00:25:15,080 --> 00:25:19,439 Speaker 4: have your days. So I'm healed, but hey, you know, 544 00:25:19,600 --> 00:25:22,800 Speaker 4: tomorrow something I might read something or I might see 545 00:25:22,800 --> 00:25:26,199 Speaker 4: something that triggers me. I am so human, y'all. I 546 00:25:26,240 --> 00:25:30,719 Speaker 4: don't have a filter on me, so I'm still healing. 547 00:25:30,960 --> 00:25:31,920 Speaker 4: I'm in the process. 548 00:25:32,080 --> 00:25:34,960 Speaker 2: What putins in a happy space? What makes you happy? 549 00:25:34,960 --> 00:25:37,120 Speaker 2: What makes you calm and relax? 550 00:25:37,200 --> 00:25:40,360 Speaker 4: And you know it makes me happy seeing my fans 551 00:25:40,480 --> 00:25:43,720 Speaker 4: and actually touching my fans when I'm on the road. 552 00:25:44,400 --> 00:25:48,800 Speaker 4: I'm the most commonest, nicest. It gives me so much joy, y'all. 553 00:25:48,840 --> 00:25:51,119 Speaker 4: Like when people relate to your music come up to 554 00:25:51,160 --> 00:25:53,679 Speaker 4: you and say thank you, I needed that song. It 555 00:25:53,760 --> 00:25:58,200 Speaker 4: makes everything worth it. And also just seeing my music elevate, y'all. 556 00:25:58,200 --> 00:26:00,720 Speaker 4: This is my first time I hitting number one gradually. 557 00:26:00,760 --> 00:26:02,199 Speaker 4: You know what I mean that that takes a lot 558 00:26:02,240 --> 00:26:04,320 Speaker 4: for me. I'm an independent artist. I don't have a 559 00:26:04,520 --> 00:26:08,240 Speaker 4: crazy backing force behind me. Everything is done with my 560 00:26:08,280 --> 00:26:11,800 Speaker 4: team and that means the most to me when you 561 00:26:11,880 --> 00:26:14,760 Speaker 4: kind of see your work being paid off, because we 562 00:26:14,800 --> 00:26:18,320 Speaker 4: work hard as women. We work so hard, and I 563 00:26:18,320 --> 00:26:20,240 Speaker 4: don't want to say harder than guys, but I'm gonna 564 00:26:20,240 --> 00:26:23,440 Speaker 4: say it. We work ten times harder than the guys 565 00:26:23,560 --> 00:26:27,080 Speaker 4: just for a little piece of respect. So when you 566 00:26:27,080 --> 00:26:31,320 Speaker 4: see your work being paid off is the ultimate, the ultimate, 567 00:26:31,480 --> 00:26:32,159 Speaker 4: you know, joy. 568 00:26:32,560 --> 00:26:34,640 Speaker 3: I also think people don't realize how successful you are. 569 00:26:35,359 --> 00:26:38,680 Speaker 5: Like you a gold artist, you got gold plax, you're 570 00:26:38,760 --> 00:26:42,199 Speaker 5: right for mad people, Like you're on tour, you just 571 00:26:42,240 --> 00:26:45,560 Speaker 5: got a number one, like you got a very successful career. 572 00:26:45,560 --> 00:26:47,320 Speaker 4: I think, No, I'm so blessed. 573 00:26:47,640 --> 00:26:49,439 Speaker 3: Oh yeah you too, thank you. 574 00:26:49,640 --> 00:26:52,960 Speaker 4: I'm so blessed. And it's just because I'm not super 575 00:26:53,119 --> 00:26:55,760 Speaker 4: super flashy or I'm not on the grim trying to 576 00:26:55,840 --> 00:27:00,720 Speaker 4: put it in their face every day. Yeah, I'm blessed, 577 00:27:00,720 --> 00:27:02,560 Speaker 4: and I want I want people to know, like it's 578 00:27:02,560 --> 00:27:05,679 Speaker 4: cool to be humble. Everybody don't need to know, you 579 00:27:05,760 --> 00:27:08,399 Speaker 4: know what I'm saying, your bank account, like I like 580 00:27:08,440 --> 00:27:12,399 Speaker 4: to appeal to the trenches. And for me, you know, 581 00:27:12,440 --> 00:27:15,040 Speaker 4: I want to be relatable forever. I don't want nobody 582 00:27:15,119 --> 00:27:18,160 Speaker 4: to think like hoin you on your level. I'm with you, 583 00:27:18,160 --> 00:27:20,560 Speaker 4: you know what I'm saying, So I'm humble with it. 584 00:27:20,920 --> 00:27:22,760 Speaker 5: I wonder how that works for you though in this era, 585 00:27:22,880 --> 00:27:25,320 Speaker 5: because we are in an era where everybody cares about 586 00:27:25,359 --> 00:27:26,480 Speaker 5: everything except for the music. 587 00:27:26,480 --> 00:27:28,560 Speaker 3: Even though you're super successful just because of your music, 588 00:27:29,040 --> 00:27:30,640 Speaker 3: they do want you to be live. They do want 589 00:27:30,640 --> 00:27:31,560 Speaker 3: you to be posting. 590 00:27:31,280 --> 00:27:34,359 Speaker 4: Pics like it's the gift and the curse. For me, 591 00:27:34,400 --> 00:27:36,679 Speaker 4: I'm not distracted by that, like y'all, I get my 592 00:27:36,800 --> 00:27:39,800 Speaker 4: joy from from other other things. Instagram does not run 593 00:27:39,840 --> 00:27:44,880 Speaker 4: my life. And honestly, putting your business out on Instagram 594 00:27:44,880 --> 00:27:47,960 Speaker 4: every day isn't even smart anymore. People are pocket watchers, 595 00:27:47,960 --> 00:27:51,000 Speaker 4: they're envious, their haters. You have a lot of people 596 00:27:51,000 --> 00:27:54,160 Speaker 4: that will try to come around you for the wrong reasons. 597 00:27:54,280 --> 00:27:58,480 Speaker 4: And I want everything genuine, so I don't I don't 598 00:27:58,520 --> 00:28:01,639 Speaker 4: mind playing, you know, And the humble route is working 599 00:28:01,680 --> 00:28:05,760 Speaker 4: for me. Like I say, I'm blessed, and that's what 600 00:28:05,840 --> 00:28:08,800 Speaker 4: it is. You know, I don't need approval from nobody. 601 00:28:09,040 --> 00:28:11,560 Speaker 2: Do you feel like people don't see the work that 602 00:28:11,600 --> 00:28:14,040 Speaker 2: you put in or look past you, right, because the 603 00:28:14,080 --> 00:28:17,240 Speaker 2: way you came in the game you came is so strong, right, Yeah, 604 00:28:17,280 --> 00:28:20,280 Speaker 2: And it was like, I mean you you didn't did 605 00:28:20,400 --> 00:28:22,240 Speaker 2: damn it? Everything you didn't work with every artist you 606 00:28:22,240 --> 00:28:24,320 Speaker 2: wanted to work with, you probably didn't rooting for every 607 00:28:24,400 --> 00:28:28,439 Speaker 2: artist you you platinum, your your gold, You're on tours, 608 00:28:28,440 --> 00:28:29,879 Speaker 2: sold out a readers, by the way, and this is 609 00:28:29,920 --> 00:28:31,879 Speaker 2: and when we say sold out, they say, we just 610 00:28:31,880 --> 00:28:34,200 Speaker 2: put the tarp on the third right on a third level. 611 00:28:34,280 --> 00:28:36,280 Speaker 2: I mean sold out, sold out. So do you feel 612 00:28:36,320 --> 00:28:38,000 Speaker 2: like people look past you at times? 613 00:28:38,440 --> 00:28:41,280 Speaker 4: I do. I do. I won't lie and be like nah, 614 00:28:41,400 --> 00:28:43,320 Speaker 4: I feel like I'm getting all my j just too. 615 00:28:44,040 --> 00:28:45,760 Speaker 4: There are a lot of days where I want to 616 00:28:45,800 --> 00:28:50,480 Speaker 4: be included in a conversation. And for me, that is 617 00:28:50,520 --> 00:28:54,480 Speaker 4: what keeps me working. Like I'm not satisfied yet. I'm 618 00:28:54,520 --> 00:28:56,720 Speaker 4: not throwing in a towel yet. I still got work 619 00:28:56,760 --> 00:29:01,080 Speaker 4: to do. But in the last few years, y'all, honestly, 620 00:29:01,160 --> 00:29:04,520 Speaker 4: I feel like the attention is there. My audience is 621 00:29:04,560 --> 00:29:08,640 Speaker 4: growing the flowers I'm being given, so I don't mind 622 00:29:08,640 --> 00:29:11,080 Speaker 4: taking the stairs, you know what I'm saying. The hard 623 00:29:11,080 --> 00:29:14,840 Speaker 4: work is giving me so much discipline. So when when 624 00:29:14,840 --> 00:29:17,720 Speaker 4: you do see me getting that Grammy or getting that award, 625 00:29:18,520 --> 00:29:21,320 Speaker 4: you'll know it's really hard. Work. Nobody paid nobody to 626 00:29:21,360 --> 00:29:24,600 Speaker 4: do this, you know what I mean. Nobody's spoon fed 627 00:29:24,640 --> 00:29:27,720 Speaker 4: me this. I really worked my ass off to make 628 00:29:27,760 --> 00:29:30,280 Speaker 4: it here, So I don't mind it. A lot of 629 00:29:30,280 --> 00:29:33,680 Speaker 4: people come up, and it's just as quick as they 630 00:29:33,720 --> 00:29:38,280 Speaker 4: come up, you know, they can come down. So I'm 631 00:29:38,320 --> 00:29:42,440 Speaker 4: not mad at my process. Every artist is different, you know. 632 00:29:42,520 --> 00:29:44,680 Speaker 4: I'm a motivation for the girls just like me that 633 00:29:44,800 --> 00:29:47,360 Speaker 4: ain't running around trying to make it in one day. 634 00:29:47,920 --> 00:29:49,800 Speaker 4: You know, like, let's part severe, y'all, let's put the 635 00:29:49,840 --> 00:29:51,160 Speaker 4: work in. I don't mind. 636 00:29:51,360 --> 00:29:53,320 Speaker 5: That's why I was trivial when you said that about Jenaico, 637 00:29:53,360 --> 00:29:54,920 Speaker 5: because I slew to Geniago. 638 00:29:54,960 --> 00:29:56,040 Speaker 3: I just never heard anybody say that. 639 00:29:56,080 --> 00:29:59,160 Speaker 5: But I know a generation of girls who look at 640 00:29:59,200 --> 00:30:01,400 Speaker 5: you like that, Like you see all of these girls, 641 00:30:01,400 --> 00:30:04,280 Speaker 5: they'd be like, tank that deal, Tank that deal. And 642 00:30:04,480 --> 00:30:07,840 Speaker 5: it's not even just you know, fans, it's actual stars 643 00:30:07,880 --> 00:30:09,520 Speaker 5: like I see Scissors say that. 644 00:30:09,600 --> 00:30:12,040 Speaker 3: I've seen Cardy say that. I've seen a bunch of 645 00:30:12,040 --> 00:30:13,000 Speaker 3: people just give it up. 646 00:30:12,920 --> 00:30:15,720 Speaker 4: To you so much love. But Jane was that for 647 00:30:15,840 --> 00:30:19,320 Speaker 4: me early early in the game. When Janey was you know, 648 00:30:19,400 --> 00:30:21,760 Speaker 4: first drop in music. It's not like she was just 649 00:30:22,200 --> 00:30:27,080 Speaker 4: everywhere on every radio station, but her music resonated. So 650 00:30:27,760 --> 00:30:29,880 Speaker 4: that's how I feel about my music. It's it's not 651 00:30:29,920 --> 00:30:33,480 Speaker 4: about a look an image. It's about what touches you 652 00:30:33,520 --> 00:30:37,160 Speaker 4: and reaches you. So that's why she's to me like 653 00:30:37,280 --> 00:30:39,880 Speaker 4: the blueprint for me because she never had to sell us, 654 00:30:39,880 --> 00:30:44,360 Speaker 4: so she never had to, you know, step out of 655 00:30:44,360 --> 00:30:48,080 Speaker 4: her boundaries to get to where she at. So yeah, Janey, 656 00:30:48,640 --> 00:30:49,760 Speaker 4: she owes the flag for me. 657 00:30:50,760 --> 00:30:51,320 Speaker 3: All I think about. 658 00:30:51,320 --> 00:30:53,280 Speaker 5: I mean, I love Jenne, but one of the biggest 659 00:30:53,280 --> 00:30:55,160 Speaker 5: lines that got to eat the booty like groceries, that's all. 660 00:30:55,160 --> 00:30:56,720 Speaker 3: You know. It's kind of like she made that like 661 00:30:56,880 --> 00:30:58,920 Speaker 3: ass he can go up big in the community, you 662 00:30:58,960 --> 00:30:59,560 Speaker 3: know what I mean. 663 00:31:00,040 --> 00:31:04,640 Speaker 4: Lawrence, And that's what it's about, y'all. Influence, it can 664 00:31:04,680 --> 00:31:05,640 Speaker 4: come in different ways. 665 00:31:06,240 --> 00:31:07,960 Speaker 2: Do you feel like the comparisons help for her, right, 666 00:31:07,960 --> 00:31:10,640 Speaker 2: because I think a lot of times we compare compare artists, 667 00:31:10,640 --> 00:31:12,760 Speaker 2: and I think it hurts them, like because I remember 668 00:31:13,240 --> 00:31:15,080 Speaker 2: when you first came out, they were like, she's the 669 00:31:15,080 --> 00:31:17,640 Speaker 2: next Lauren Hill, but she's the female jay Z And 670 00:31:17,640 --> 00:31:19,719 Speaker 2: it was like, why do we put those comparisons? 671 00:31:20,040 --> 00:31:20,400 Speaker 1: Is tink? 672 00:31:20,600 --> 00:31:24,200 Speaker 4: She's absolutely you know, it was too early first of all, 673 00:31:24,240 --> 00:31:26,520 Speaker 4: to even say something like that, I think it was 674 00:31:26,560 --> 00:31:30,360 Speaker 4: a statement about Aliyah, and like you said, Lauren, and 675 00:31:30,360 --> 00:31:31,719 Speaker 4: when you have a lot of work to do it, 676 00:31:31,800 --> 00:31:34,000 Speaker 4: you know people are gonna jump on that attack that. 677 00:31:34,840 --> 00:31:38,600 Speaker 4: So let the artists be an artist. Everybody is different. 678 00:31:38,920 --> 00:31:41,160 Speaker 4: I'm trying to be who God made me to be. 679 00:31:42,840 --> 00:31:46,320 Speaker 4: Although I do take I do get influence from them, 680 00:31:46,520 --> 00:31:48,960 Speaker 4: I am certainly not the next alia I am. I 681 00:31:49,000 --> 00:31:53,920 Speaker 4: am Tink. So yeah, that can. That can definitely, you know, 682 00:31:54,560 --> 00:31:57,480 Speaker 4: hurt a person's growth because people are then compare their 683 00:31:57,480 --> 00:32:00,320 Speaker 4: stats and their numbers and it's like, okay, okay, well 684 00:32:00,320 --> 00:32:02,880 Speaker 4: she ain't making no progress, but in reality, you're doing 685 00:32:02,920 --> 00:32:03,720 Speaker 4: it on your own terms. 686 00:32:03,840 --> 00:32:04,280 Speaker 3: I agree. 687 00:32:05,120 --> 00:32:07,840 Speaker 5: More importantly is the feeling, right, like if somebody says 688 00:32:07,840 --> 00:32:11,000 Speaker 5: she's the next Laurence Hill or she's like a Leyah. 689 00:32:11,760 --> 00:32:14,640 Speaker 5: We know how we felt when we heard those records. 690 00:32:15,040 --> 00:32:16,640 Speaker 5: So it's like, now I'm looking for that feeling. So 691 00:32:16,640 --> 00:32:18,240 Speaker 5: the music might be good, but if you don't give 692 00:32:18,240 --> 00:32:20,480 Speaker 5: me that feeling, I'm gonna feel let down. But it 693 00:32:20,520 --> 00:32:22,000 Speaker 5: can never give you that feeling because you was at 694 00:32:22,000 --> 00:32:23,480 Speaker 5: a whole different time in your life. 695 00:32:23,280 --> 00:32:25,240 Speaker 1: When you was on a lead. 696 00:32:25,320 --> 00:32:29,080 Speaker 3: This is tink right right, that's it. Why do you 697 00:32:29,160 --> 00:32:30,880 Speaker 3: keep the pencil writing in it? That Like that's like 698 00:32:30,920 --> 00:32:32,080 Speaker 3: your little waye light of flick. 699 00:32:32,520 --> 00:32:35,920 Speaker 4: I love that, Yeah, it actually is. It's like the 700 00:32:35,920 --> 00:32:38,680 Speaker 4: the brand for Winnes's Diary, my first mixtape. I came 701 00:32:38,720 --> 00:32:41,239 Speaker 4: in with the pencil, so you know, as soon as 702 00:32:41,240 --> 00:32:42,840 Speaker 4: you hit a pencil, you know it's a bachelor. It's 703 00:32:42,840 --> 00:32:43,400 Speaker 4: about to get. 704 00:32:43,320 --> 00:32:45,880 Speaker 3: Real, pretty girls. 705 00:32:46,120 --> 00:32:49,880 Speaker 5: That feels like an affirmation song, encouraging women to prioritize, 706 00:32:49,920 --> 00:32:51,920 Speaker 5: prioritize themselves and self love. 707 00:32:52,480 --> 00:32:56,280 Speaker 4: Toxic relationships absolutely, that's why it's the last song I 708 00:32:56,280 --> 00:33:00,560 Speaker 4: wanted to leave my girls with uplifting message after all 709 00:33:00,600 --> 00:33:04,080 Speaker 4: the toxicity and the album. It's like, never forget who 710 00:33:04,120 --> 00:33:07,360 Speaker 4: you are and don't settle for less. And you know 711 00:33:07,360 --> 00:33:09,760 Speaker 4: what I mean, if a man doesn't see your worth, 712 00:33:09,840 --> 00:33:12,360 Speaker 4: he gotta he gotta go in. I feel like that 713 00:33:12,440 --> 00:33:16,080 Speaker 4: song resonates because as black women, we want to be 714 00:33:16,120 --> 00:33:18,440 Speaker 4: told we pretty and we want to hear that we 715 00:33:18,560 --> 00:33:24,120 Speaker 4: worth you know, we worth something. So yes, pretty girls, 716 00:33:24,360 --> 00:33:27,560 Speaker 4: pretty girls. We don't settle, We don't slip, we don't trip. 717 00:33:27,640 --> 00:33:29,800 Speaker 3: And you don't you don't you don't get on social 718 00:33:29,920 --> 00:33:30,240 Speaker 3: a lot. 719 00:33:30,280 --> 00:33:32,720 Speaker 5: But you clearly pay attention because you got a lot 720 00:33:32,760 --> 00:33:36,200 Speaker 5: of TikTok TikTok TikTokers on the album. 721 00:33:36,280 --> 00:33:39,760 Speaker 4: Yes, absolutely, I know the era we're in, social media 722 00:33:39,800 --> 00:33:42,040 Speaker 4: is running the world right now, so I made sure 723 00:33:42,080 --> 00:33:45,560 Speaker 4: to include some some voice notes that I felt were impactful. 724 00:33:46,760 --> 00:33:50,040 Speaker 4: But absolutely, I think TikTok however, I can reach you. 725 00:33:50,200 --> 00:33:52,160 Speaker 4: I'm gonna reach you if I gotta go to TikTok 726 00:33:52,240 --> 00:33:54,560 Speaker 4: route if I have to, you know, if I have 727 00:33:54,600 --> 00:33:58,560 Speaker 4: to come see you on tour in person. You know, however, 728 00:33:58,600 --> 00:34:00,400 Speaker 4: I can reach my girls. I'm a get there. 729 00:34:00,960 --> 00:34:03,360 Speaker 5: And you asked on Instagram, you ask people which one 730 00:34:03,400 --> 00:34:05,440 Speaker 5: the winner's diary was their favorite. 731 00:34:05,760 --> 00:34:07,080 Speaker 1: Yes, so people. 732 00:34:06,920 --> 00:34:08,520 Speaker 3: Got to ask you which one is your favorite? Which 733 00:34:08,520 --> 00:34:09,279 Speaker 3: one resonates with you? 734 00:34:09,560 --> 00:34:12,360 Speaker 4: Oh, y'all to five? The number five. I feel like 735 00:34:12,400 --> 00:34:16,400 Speaker 4: this is such progression. You know, my early mixtapes I 736 00:34:16,480 --> 00:34:19,160 Speaker 4: was in the basement, audio was clipped, It was a 737 00:34:19,200 --> 00:34:21,880 Speaker 4: lot of static. I think this album is so polished 738 00:34:22,440 --> 00:34:26,120 Speaker 4: and it's so raw, you know. I tried to make 739 00:34:26,120 --> 00:34:28,800 Speaker 4: sure that I made an album about all my phases, 740 00:34:28,960 --> 00:34:32,560 Speaker 4: you know what I'm saying. The downs, there's the highs, 741 00:34:32,680 --> 00:34:35,200 Speaker 4: there's the record player for my girls they like to get. Wow, 742 00:34:36,040 --> 00:34:40,040 Speaker 4: it's such a you know, just a well cultivated album. 743 00:34:40,280 --> 00:34:42,319 Speaker 4: I touched on everything in this one, so that's why 744 00:34:42,360 --> 00:34:43,400 Speaker 4: it's going to be my favorite. 745 00:34:43,600 --> 00:34:45,640 Speaker 3: This is the last one. 746 00:34:45,880 --> 00:34:49,160 Speaker 4: Never Oh Okay, I feel like I still have more 747 00:34:49,200 --> 00:34:51,839 Speaker 4: to say. You know, they really been pressing me for 748 00:34:51,880 --> 00:34:54,319 Speaker 4: a deluxe, so I got some more work to do. 749 00:34:55,520 --> 00:34:57,279 Speaker 4: But it's never done for me, and my story will 750 00:34:57,320 --> 00:35:00,000 Speaker 4: never be done. I'm gonna take this to the grave, y'all. 751 00:35:00,200 --> 00:35:02,560 Speaker 4: Like I'm one of those artists. I feel like I'm 752 00:35:02,600 --> 00:35:05,360 Speaker 4: I'm I got so much more in me. I'm just 753 00:35:05,480 --> 00:35:08,520 Speaker 4: now touching that surface. So I'm excited, y'all. This is 754 00:35:08,560 --> 00:35:09,760 Speaker 4: not my last one of Diary. 755 00:35:09,960 --> 00:35:14,799 Speaker 3: So if you find love, what you will absolutely will 756 00:35:14,800 --> 00:35:15,480 Speaker 3: the pin change. 757 00:35:15,520 --> 00:35:18,680 Speaker 5: Will those songs be about? Will they be like the 758 00:35:18,719 --> 00:35:20,400 Speaker 5: greatest love songs we ever heard? 759 00:35:20,560 --> 00:35:22,600 Speaker 4: Yeah, the pencil is still going to be there. Okay, 760 00:35:23,520 --> 00:35:26,160 Speaker 4: But I love to make love songs. My earlier win 761 00:35:26,200 --> 00:35:28,800 Speaker 4: is Diaries. There was so many love songs. H two O. 762 00:35:29,719 --> 00:35:34,520 Speaker 4: I like that'll always be so yes, they on the way. 763 00:35:34,600 --> 00:35:37,840 Speaker 4: I just need some motivation, so somebody put me in that, 764 00:35:38,040 --> 00:35:41,239 Speaker 4: put me in that field, put me in that you 765 00:35:41,280 --> 00:35:42,400 Speaker 4: know that space. 766 00:35:42,560 --> 00:35:43,440 Speaker 3: Do you ever feel pressure? 767 00:35:43,480 --> 00:35:45,160 Speaker 5: Because I ask guys this all the time, like when 768 00:35:45,200 --> 00:35:47,359 Speaker 5: guys make all these love making records and they talk 769 00:35:47,400 --> 00:35:49,000 Speaker 5: all this shit about what they're gonna. 770 00:35:48,760 --> 00:35:49,840 Speaker 3: Do and they getting the better of that. 771 00:35:50,040 --> 00:35:52,040 Speaker 5: When you writing grip Tight and H two oh and 772 00:35:52,080 --> 00:35:54,400 Speaker 5: all that, are you, do you feel the pressure to 773 00:35:54,480 --> 00:35:56,600 Speaker 5: live up to that m I. 774 00:35:56,520 --> 00:35:59,680 Speaker 4: Don't feel any pressure, but I will say, you know, 775 00:35:59,719 --> 00:36:02,640 Speaker 4: it's the definitely it gives people like something to look 776 00:36:02,680 --> 00:36:05,920 Speaker 4: forward to, you know, because there are some some songs 777 00:36:05,920 --> 00:36:09,719 Speaker 4: on that that are freakingki. So I think it's just, uh, 778 00:36:10,440 --> 00:36:13,799 Speaker 4: it's excites you know whoever I'm with. Not pressure for me, 779 00:36:13,880 --> 00:36:15,960 Speaker 4: but I guess pressure for them to live up. 780 00:36:17,640 --> 00:36:21,440 Speaker 3: How often? How often has the pressure busted the pipe? Fast? 781 00:36:22,520 --> 00:36:22,719 Speaker 4: Yeh? 782 00:36:26,560 --> 00:36:29,359 Speaker 1: Tink new mixtape? When the Diary five is out? 783 00:36:29,440 --> 00:36:29,600 Speaker 4: Right? 784 00:36:29,600 --> 00:36:30,680 Speaker 1: Now, what's song you want to. 785 00:36:30,640 --> 00:36:33,840 Speaker 4: Get right now? I want to hear my new single 786 00:36:33,960 --> 00:36:36,240 Speaker 4: songs about You Featuringer. 787 00:36:37,239 --> 00:36:39,760 Speaker 2: I will get that on and I think we should 788 00:36:39,760 --> 00:36:46,480 Speaker 2: get hurt on too, OHNs Fire Fire much much love 789 00:36:46,560 --> 00:36:48,479 Speaker 2: to Tink always man, you know think I'm a fan 790 00:36:48,520 --> 00:36:50,439 Speaker 2: for a long, long, long long time. 791 00:36:50,640 --> 00:36:54,759 Speaker 4: Absolutely. I must say Charlemagne has always been as much 792 00:36:55,080 --> 00:36:57,600 Speaker 4: ship people talk about Charlamagne. He is a good brother 793 00:36:57,680 --> 00:36:59,440 Speaker 4: to me. Thank you, and I really want to come 794 00:36:59,440 --> 00:37:01,360 Speaker 4: in you for all checking in on me outside of 795 00:37:01,520 --> 00:37:05,520 Speaker 4: radio music. I just appreciate that it's not a lot 796 00:37:05,520 --> 00:37:09,000 Speaker 4: of people in the industry that you know on a 797 00:37:09,000 --> 00:37:11,600 Speaker 4: personal level care. So I appreciate you. 798 00:37:12,120 --> 00:37:14,960 Speaker 1: Thank you, Tink all right, But it's the Breakfast Club, Tank, 799 00:37:15,040 --> 00:37:15,520 Speaker 1: thank you so. 800 00:37:15,560 --> 00:37:16,839 Speaker 4: Much, thank you all. I love y'all. 801 00:37:16,840 --> 00:37:17,560 Speaker 3: It's the Breakfast Club. 802 00:37:17,560 --> 00:37:20,440 Speaker 1: Good morning, wake that ass up here in the morning. 803 00:37:20,560 --> 00:37:21,600 Speaker 3: The Breakfast Club