1 00:00:00,080 --> 00:00:02,720 Speaker 1: Unpacking the Toolbox is a production of Shondaland Audio in 2 00:00:02,759 --> 00:00:22,720 Speaker 1: partnership with Higheart Radios. 3 00:00:26,200 --> 00:00:34,440 Speaker 2: Katie at the Spa, I love this place. 4 00:00:34,920 --> 00:00:38,120 Speaker 3: They also have the best Korean food there, oh really 5 00:00:39,080 --> 00:00:42,199 Speaker 3: care about. Like I would spend all there and then 6 00:00:42,280 --> 00:00:45,720 Speaker 3: go upstairs and you just order like like bowls of 7 00:00:45,760 --> 00:00:48,320 Speaker 3: like brown rice and kim chi and. 8 00:00:48,680 --> 00:00:51,560 Speaker 1: So delicious healthy, like super. 9 00:00:51,280 --> 00:00:55,800 Speaker 3: Healthy, delicious healthy, Like I can't even get it. And 10 00:00:55,840 --> 00:00:58,160 Speaker 3: a woman was like, does everyone ever tell you look 11 00:00:58,240 --> 00:00:59,360 Speaker 3: like Quinn Perkins? 12 00:00:59,360 --> 00:01:00,320 Speaker 1: Oh Jesus curse. 13 00:01:00,400 --> 00:01:03,320 Speaker 3: And I was like, oh, I get that all the time. 14 00:01:03,680 --> 00:01:06,199 Speaker 3: And she was like, whatever, You're way prettier than that girl. 15 00:01:06,959 --> 00:01:12,760 Speaker 1: No. I used to in the beginning. I used to 16 00:01:12,800 --> 00:01:16,760 Speaker 1: be like, bitch, bitch, I don't know, I don't see it. 17 00:01:17,560 --> 00:01:20,440 Speaker 1: I used to in the beginning be like that's me, Yeah, 18 00:01:20,600 --> 00:01:23,760 Speaker 1: I'm huck And then and then as the you know, 19 00:01:23,800 --> 00:01:27,480 Speaker 1: the seasons would go on, I'd be like yeah, yeah, yeah, people, yeah, 20 00:01:27,560 --> 00:01:30,440 Speaker 1: people tell me that, yeah, thanks, yeah, And then I'm 21 00:01:30,600 --> 00:01:33,639 Speaker 1: just like I don't even engage. Yeah, and I've stopped 22 00:01:33,640 --> 00:01:36,280 Speaker 1: doing yeah, I stopped doing the whole like what have 23 00:01:36,400 --> 00:01:38,640 Speaker 1: I seen you in? Because I used to be like, well, 24 00:01:38,760 --> 00:01:41,120 Speaker 1: a show called Scandal. I was on Weak and they'd 25 00:01:41,120 --> 00:01:43,640 Speaker 1: be like no, no, no. 26 00:01:43,640 --> 00:01:46,440 Speaker 2: And then I was like your resume, Oh my god. 27 00:01:46,760 --> 00:01:48,559 Speaker 1: And then you feel dumb because they're like, no, that's 28 00:01:48,600 --> 00:01:51,600 Speaker 1: not it, and I'm like, now I don't do that anymore. 29 00:01:51,600 --> 00:01:53,160 Speaker 1: I'm just like I don't know stuff, you know. 30 00:01:53,840 --> 00:01:57,000 Speaker 3: I always got to saying like, no, you were at 31 00:01:57,280 --> 00:02:01,040 Speaker 3: Beamon Park on a playdate, like I met you like 32 00:02:01,120 --> 00:02:05,680 Speaker 3: in the sandbox, and I'm like, no, they can't put 33 00:02:05,720 --> 00:02:08,760 Speaker 3: it together where they've seen me. But I look like 34 00:02:08,880 --> 00:02:12,040 Speaker 3: such dogshit that there's no way that I could be 35 00:02:12,160 --> 00:02:15,800 Speaker 3: like a Hollywood actor. It's like, no, you're that dumpy 36 00:02:15,919 --> 00:02:20,040 Speaker 3: mom I saw. Oh my god. I feel like so 37 00:02:20,160 --> 00:02:22,399 Speaker 3: much fucking happens in this episode. I can't even deal 38 00:02:22,440 --> 00:02:24,160 Speaker 3: with it. But you know you probably feel that way 39 00:02:24,160 --> 00:02:26,160 Speaker 3: because Huck wasn't in it, Munch and Quinn wasn't in 40 00:02:26,240 --> 00:02:27,600 Speaker 3: it at all. 41 00:02:27,680 --> 00:02:32,160 Speaker 1: Right, this is the first episode that we don't see Quinn. 42 00:02:32,040 --> 00:02:33,080 Speaker 2: Right, Quinn is not in it. 43 00:02:33,120 --> 00:02:36,040 Speaker 3: I remember getting a call, well, yeah, I remember getting 44 00:02:36,040 --> 00:02:37,799 Speaker 3: a call from Shondas and I'm like. 45 00:02:37,720 --> 00:02:40,760 Speaker 2: Oh my god, every I'm getting fired. It's done. We're over. 46 00:02:41,400 --> 00:02:42,720 Speaker 2: They figured it out. 47 00:02:42,760 --> 00:02:43,840 Speaker 1: You guys, I. 48 00:02:43,760 --> 00:02:48,120 Speaker 3: Suck, get me out of here, like like what the fuck? 49 00:02:49,280 --> 00:02:50,600 Speaker 3: And she just was like, I just want to let 50 00:02:50,639 --> 00:02:52,560 Speaker 3: you know, like you're not in next week's episode, but 51 00:02:52,600 --> 00:02:56,120 Speaker 3: it's not. It's only because this it's mostly a you know, 52 00:02:56,400 --> 00:02:59,919 Speaker 3: a flashback episode, and Quinn wasn't anywhere you know, you 53 00:03:00,160 --> 00:03:03,480 Speaker 3: were in like fucking high school or whatever, like you know, 54 00:03:03,520 --> 00:03:04,880 Speaker 3: you were in law school and no one gave a. 55 00:03:04,840 --> 00:03:05,280 Speaker 2: Shit about you. 56 00:03:05,320 --> 00:03:06,720 Speaker 1: Yeah, yeah, yeah, yeah, I. 57 00:03:06,639 --> 00:03:09,720 Speaker 3: Remember being like wildly upset. Like of course, as an 58 00:03:09,720 --> 00:03:11,160 Speaker 3: insecure actor, you're like, what. 59 00:03:11,160 --> 00:03:14,840 Speaker 2: Did I do in the war? Yeah, they don't want 60 00:03:14,840 --> 00:03:16,000 Speaker 2: me to be on there shoes. 61 00:03:16,240 --> 00:03:18,160 Speaker 1: They're starting to weed me out, Like. 62 00:03:18,919 --> 00:03:22,240 Speaker 3: I actually even like kind of remember like coming to 63 00:03:22,280 --> 00:03:25,200 Speaker 3: the trailers anyway maybe and like lying like I needed 64 00:03:25,200 --> 00:03:28,640 Speaker 3: to pick something up just to be like what's happening 65 00:03:30,000 --> 00:03:34,079 Speaker 3: because I felt so out of the loop. But then 66 00:03:34,320 --> 00:03:36,320 Speaker 3: cut to like my jaded ass now, which I'd be. 67 00:03:36,240 --> 00:03:38,200 Speaker 2: Like, what the fuck that means? You're you're paid for 68 00:03:38,200 --> 00:03:39,560 Speaker 2: a whole episode even week? 69 00:03:39,840 --> 00:03:41,200 Speaker 1: Yes, what a dream? 70 00:03:41,360 --> 00:03:48,200 Speaker 3: Yeah yeah, as we're talking about episode two eleven, called 71 00:03:48,280 --> 00:03:51,440 Speaker 3: a Criminal, a Whore, an Idiot, and a Liar. It 72 00:03:51,480 --> 00:03:54,880 Speaker 3: aired on January seventeenth of twenty thirteen, and. 73 00:03:54,760 --> 00:03:59,120 Speaker 1: It was written by Mark Fish and directed by Stephen Cragg. 74 00:03:59,280 --> 00:04:03,400 Speaker 3: Guest starring Vita Patil as President's doctor, Denorah Wilcott as reporter, 75 00:04:03,520 --> 00:04:07,480 Speaker 3: Carol Reese Rio says reporter, Peter Joe Holt as Secretary 76 00:04:07,520 --> 00:04:08,520 Speaker 3: of Defense. 77 00:04:08,840 --> 00:04:12,600 Speaker 1: And Virginia Louise Smith as Secretary of State. Barry Bosswick, 78 00:04:13,040 --> 00:04:17,599 Speaker 1: Barry Bosswick, you guys as Jerry Grants, Come on, Wick, 79 00:04:17,960 --> 00:04:19,480 Speaker 1: most of my notes are about Barry Bobs. 80 00:04:19,600 --> 00:04:20,120 Speaker 2: I can't wait. 81 00:04:20,160 --> 00:04:24,640 Speaker 1: And then we have Jeannette Brocks as Rona, the polling analysts. 82 00:04:24,320 --> 00:04:27,320 Speaker 3: And then wow, Germo, you would be right because this 83 00:04:27,480 --> 00:04:30,600 Speaker 3: synopsis on this prep sheet is real short, so I 84 00:04:30,680 --> 00:04:33,000 Speaker 3: don't super sure why I have notes on this. 85 00:04:33,800 --> 00:04:37,000 Speaker 1: Yeah, yeah, yeah, I'll just read like the last two seconds. 86 00:04:37,120 --> 00:04:41,359 Speaker 3: Ready, here we go, just to jog all you gladiator's memories. 87 00:04:41,400 --> 00:04:43,560 Speaker 3: Although you're such fucking o g gladiators. I'm sure you've 88 00:04:43,560 --> 00:04:46,560 Speaker 3: watched episode two eleven a million times because it's fucking awesome. 89 00:04:46,600 --> 00:04:48,640 Speaker 3: But let me tell you about it. The White House 90 00:04:48,720 --> 00:04:53,240 Speaker 3: is rocked by more changes. It fits, going back to one, 91 00:04:53,400 --> 00:04:56,000 Speaker 3: going back to one, going back to one, to one, 92 00:04:56,040 --> 00:04:57,360 Speaker 3: back to one, back to one. The White House is 93 00:04:57,400 --> 00:04:59,960 Speaker 3: rocked by more changes. As Fits returns to office, flash 94 00:05:00,160 --> 00:05:02,680 Speaker 3: Backs reveal more about the rigged election conspiracy, along with 95 00:05:02,680 --> 00:05:04,279 Speaker 3: Fitz's relationship with his father. 96 00:05:06,400 --> 00:05:09,839 Speaker 1: Edison makes a shocking accusation against Olivia, and Fitz makes 97 00:05:09,839 --> 00:05:13,200 Speaker 1: a surprising decision about his future with Melly, as does Edison. 98 00:05:13,320 --> 00:05:16,520 Speaker 2: With Olivia, Olivia has to make a few hard choices. 99 00:05:17,360 --> 00:05:19,240 Speaker 2: Yes this fucking episode. 100 00:05:19,320 --> 00:05:23,200 Speaker 3: I honestly sat there the entire time and thought, how 101 00:05:23,240 --> 00:05:25,960 Speaker 3: did Carrie Washington not win an Emmy for this part? 102 00:05:26,360 --> 00:05:29,359 Speaker 1: She is so good in this episode. 103 00:05:29,040 --> 00:05:34,960 Speaker 3: Fucking believable, Like I can't her emotions because this is 104 00:05:35,000 --> 00:05:38,719 Speaker 3: the episode where she makes the decision to say, yes, 105 00:05:38,880 --> 00:05:41,039 Speaker 3: I'm all in, I want to rig the election with 106 00:05:41,680 --> 00:05:44,560 Speaker 3: Verna and Hollis Doyle and Cyrus and Melli. But it's 107 00:05:44,760 --> 00:05:48,720 Speaker 3: you watch her fall in love with the man. You 108 00:05:48,839 --> 00:05:51,840 Speaker 3: watch her believe in the possibility of him being the 109 00:05:51,880 --> 00:05:55,400 Speaker 3: greatest president that may ever happen, and her justify why 110 00:05:55,440 --> 00:05:57,920 Speaker 3: she's going to say yes, let's rig the election. 111 00:05:57,760 --> 00:06:01,599 Speaker 1: And also yes, and struggling with that, she. 112 00:06:01,560 --> 00:06:05,640 Speaker 3: Like gives up everything she on the other hand, believes in, 113 00:06:05,720 --> 00:06:08,200 Speaker 3: which is we the people get to decide who the 114 00:06:08,240 --> 00:06:10,880 Speaker 3: fucking leader of the free world is it is. 115 00:06:12,160 --> 00:06:16,599 Speaker 1: She's unbelievable and her her her stellar acting starts off 116 00:06:16,720 --> 00:06:19,440 Speaker 1: like right at the top of this episode, at the right, 117 00:06:19,560 --> 00:06:20,800 Speaker 1: like right at the top. 118 00:06:20,680 --> 00:06:24,680 Speaker 3: It's unbelievable. Olivia walks into her apartment. Edison is fucking 119 00:06:24,720 --> 00:06:26,720 Speaker 3: waiting for her, and he's like, I know who your 120 00:06:26,760 --> 00:06:29,359 Speaker 3: boyfriend was the last few years, bitch, it's the president. 121 00:06:29,480 --> 00:06:33,200 Speaker 3: And she's like in all of her classic Olivia like 122 00:06:33,200 --> 00:06:37,760 Speaker 3: like head fucking shitch to the side, arms cross. 123 00:06:37,600 --> 00:06:43,600 Speaker 4: Pointing at him, pointing like like and she, you know, 124 00:06:43,760 --> 00:06:45,840 Speaker 4: is like acting like I don't know what the fuck 125 00:06:45,839 --> 00:06:48,400 Speaker 4: you're talking about, you idiot, And then she has this 126 00:06:49,040 --> 00:06:50,359 Speaker 4: who the fuck wrote this episode? 127 00:06:50,520 --> 00:06:51,280 Speaker 2: Mark Fish? 128 00:06:51,400 --> 00:06:53,000 Speaker 1: Mark Fish? Of course he did. 129 00:06:53,640 --> 00:06:56,280 Speaker 3: Mark Fish was one of the solid dudes with us 130 00:06:56,320 --> 00:06:59,560 Speaker 3: till the very end. And also I think almost was 131 00:06:59,560 --> 00:07:01,920 Speaker 3: like I think he was like headhead head writer seasons 132 00:07:02,400 --> 00:07:05,440 Speaker 3: maybe six and second. He's amazing and such a nice guy. 133 00:07:06,000 --> 00:07:09,240 Speaker 3: But she goes through these numbers like five, this is 134 00:07:09,279 --> 00:07:11,280 Speaker 3: why I won't be with you, four, this is why 135 00:07:11,280 --> 00:07:13,520 Speaker 3: you're a dick. Three this is why I won't be 136 00:07:13,560 --> 00:07:15,920 Speaker 3: with you. Two did you hear me? And one in 137 00:07:15,960 --> 00:07:17,600 Speaker 3: a matter of three minutes, you've called me a criminal, 138 00:07:17,640 --> 00:07:19,760 Speaker 3: a whore, an idiot, and a liar, and so now 139 00:07:19,880 --> 00:07:20,480 Speaker 3: good days. 140 00:07:21,520 --> 00:07:24,720 Speaker 1: Yes, and there's the title of the episode she throws 141 00:07:24,760 --> 00:07:25,360 Speaker 1: that shit out. 142 00:07:25,680 --> 00:07:29,000 Speaker 3: So and also the whole time, I was thinking, how 143 00:07:29,040 --> 00:07:31,000 Speaker 3: the fuck did she memorize this shit? 144 00:07:32,040 --> 00:07:37,480 Speaker 1: H listen most of the time on set and if 145 00:07:37,520 --> 00:07:41,440 Speaker 1: I was around Carrie, she was with her assistant going 146 00:07:41,480 --> 00:07:44,400 Speaker 1: over lines. I mean it was constantly, even when we 147 00:07:44,440 --> 00:07:46,520 Speaker 1: had downtime, when they were setting up in the hair 148 00:07:46,560 --> 00:07:50,280 Speaker 1: and makeup trailer, I mean it was constantly, constantly, constantly 149 00:07:50,360 --> 00:07:52,560 Speaker 1: she was going over lines. She had to, I mean 150 00:07:52,800 --> 00:07:55,600 Speaker 1: because she had this monologue and this is just one 151 00:07:55,800 --> 00:08:00,760 Speaker 1: out of like eight, you know what I mean? Yes, yes, 152 00:08:01,000 --> 00:08:03,840 Speaker 1: And sometimes they would there were there were days where 153 00:08:03,880 --> 00:08:06,440 Speaker 1: we had monologues where they would change them the day of, 154 00:08:06,760 --> 00:08:09,080 Speaker 1: like change stuff in the monologue the day of. 155 00:08:09,160 --> 00:08:10,960 Speaker 3: Yeah, and to paint a picture for you guys, Like 156 00:08:11,520 --> 00:08:14,720 Speaker 3: she would be called in to get her wig on 157 00:08:15,560 --> 00:08:18,800 Speaker 3: at like four thirty in the morning, and so before 158 00:08:18,840 --> 00:08:22,680 Speaker 3: any of us would get there, her lovely assistant, which 159 00:08:22,800 --> 00:08:26,160 Speaker 3: changed over the years, would sit in the fucking hair 160 00:08:26,320 --> 00:08:29,760 Speaker 3: chair next to her, drilling lines until we got there. 161 00:08:29,840 --> 00:08:32,160 Speaker 3: And then she'd be like, yes, it would be maybe 162 00:08:32,200 --> 00:08:33,679 Speaker 3: six am. She'd be like, guys, you would have run it, 163 00:08:33,720 --> 00:08:36,640 Speaker 3: and then we would run. And then when we would 164 00:08:36,640 --> 00:08:38,280 Speaker 3: be shooting the scene. 165 00:08:38,400 --> 00:08:40,120 Speaker 1: An assistant episode, wh can we run. 166 00:08:40,000 --> 00:08:42,240 Speaker 3: The next one? Let me get for the next time. Yes, 167 00:08:42,360 --> 00:08:43,440 Speaker 3: you'd be like a scene that. 168 00:08:43,800 --> 00:08:47,439 Speaker 1: Running the next scene. Yes, yes, yes, yes. 169 00:08:47,920 --> 00:08:50,800 Speaker 3: The work ethic, I mean she was an Olympic athlete. 170 00:08:50,840 --> 00:08:53,920 Speaker 3: She was literally an Olympic athlete. That's how hard she 171 00:08:54,000 --> 00:08:54,640 Speaker 3: trained in working. 172 00:08:54,760 --> 00:08:57,480 Speaker 1: Yeah, and with Josie on her lap. Carrie used to 173 00:08:57,520 --> 00:09:02,280 Speaker 1: have this little, beautiful little it's a little dog name 174 00:09:02,880 --> 00:09:07,040 Speaker 1: Josie Josephine Baker who loved to eat bacon. Carrie would 175 00:09:07,040 --> 00:09:08,320 Speaker 1: give her bacon in the mornings. 176 00:09:08,360 --> 00:09:11,640 Speaker 2: Remember that that dog. Oh you were Oh my god, 177 00:09:11,640 --> 00:09:14,480 Speaker 2: because I saw her, Like, the little ones always freak 178 00:09:14,600 --> 00:09:15,160 Speaker 2: me out. 179 00:09:14,960 --> 00:09:17,880 Speaker 1: Because they will your face off, like nip. 180 00:09:17,720 --> 00:09:19,360 Speaker 3: Your fucking face and then all of a sudden you're 181 00:09:19,360 --> 00:09:21,520 Speaker 3: getting stitches and you have a scar for the rest 182 00:09:21,520 --> 00:09:25,959 Speaker 3: of your life. Like I loved her. Rip Josie rip 183 00:09:26,480 --> 00:09:27,200 Speaker 3: she does. 184 00:09:27,040 --> 00:09:29,120 Speaker 1: Yeah, yeah, yeah, but she was. 185 00:09:29,080 --> 00:09:32,280 Speaker 2: Like our set mascot. She was there for everything. She 186 00:09:32,480 --> 00:09:35,719 Speaker 2: was so God. Carrie was such a good or. 187 00:09:35,800 --> 00:09:39,360 Speaker 3: She was a mom because yes, that dog was independent 188 00:09:39,400 --> 00:09:41,920 Speaker 3: and would just never on a leash, would follow her around, 189 00:09:42,120 --> 00:09:44,200 Speaker 3: but also like do her own like she was so 190 00:09:44,480 --> 00:09:48,400 Speaker 3: independently her own personality, but also listen to whatever Carrie 191 00:09:48,440 --> 00:09:49,240 Speaker 3: needed her to do. 192 00:09:49,400 --> 00:09:52,000 Speaker 1: And love to also love to be on Carrie's lap 193 00:09:52,080 --> 00:09:53,760 Speaker 1: or in her arm, you know what I mean. 194 00:09:54,080 --> 00:09:55,120 Speaker 2: Her holding bacon. 195 00:09:55,840 --> 00:09:57,880 Speaker 1: She ate bacon. Yeah, every morning she would give her 196 00:09:57,880 --> 00:09:58,360 Speaker 1: some bacon. 197 00:09:58,960 --> 00:10:00,640 Speaker 2: Is the cutest I've ever heard. 198 00:10:00,840 --> 00:10:01,960 Speaker 1: We'll be right back, guys. 199 00:10:06,320 --> 00:10:09,720 Speaker 3: Okay, So Edison leaves the room after we they're like 200 00:10:09,760 --> 00:10:11,760 Speaker 3: broken up, and she's like, get the fuck out of here, 201 00:10:12,080 --> 00:10:14,000 Speaker 3: and she calls Cyrus and she's like, holy shit, we 202 00:10:14,040 --> 00:10:16,120 Speaker 3: have a problem. Edicine just told me that tomorrow Sally 203 00:10:16,160 --> 00:10:18,360 Speaker 3: Langston is going to go public and saying that Fits 204 00:10:18,480 --> 00:10:21,360 Speaker 3: is not capable of leading right now, like he is 205 00:10:21,440 --> 00:10:25,320 Speaker 3: not fully recovered from the gunshot wound. And then we 206 00:10:25,400 --> 00:10:27,960 Speaker 3: do this whole episode where like we're going back and 207 00:10:28,000 --> 00:10:32,080 Speaker 3: forth between like back in time and to present time. Yes, 208 00:10:33,120 --> 00:10:35,959 Speaker 3: and we the big part of this episode is that 209 00:10:36,040 --> 00:10:39,200 Speaker 3: Mellie suggests that you know, Fits is down too many points, 210 00:10:39,200 --> 00:10:42,080 Speaker 3: there's no way he's going to beat Governor Restin, and 211 00:10:42,320 --> 00:10:46,880 Speaker 3: everyone's like bringing Papa Grant played Jerry Grant. 212 00:10:46,960 --> 00:10:50,679 Speaker 1: Jerry was a former politician, right, super successful. 213 00:10:50,360 --> 00:10:55,439 Speaker 2: America's fucking darling dickhead. Yes now, yes, tell me about 214 00:10:55,480 --> 00:10:56,679 Speaker 2: Barry Wick. 215 00:10:57,040 --> 00:11:01,280 Speaker 1: You guys, It's played by Barry Bosswick. I mean listen. 216 00:11:01,600 --> 00:11:05,400 Speaker 1: Barry boss Wick is a theater icon, Carrie, I mean, 217 00:11:05,600 --> 00:11:09,800 Speaker 1: kaye carry, I just called you ing icon. First of all, 218 00:11:09,880 --> 00:11:14,120 Speaker 1: he he was nominated for a Tony He originated originated 219 00:11:14,120 --> 00:11:17,720 Speaker 1: the role of Danny Zuko in Greece, Guys, which is 220 00:11:17,760 --> 00:11:19,320 Speaker 1: for k News, and he was nominated. 221 00:11:19,480 --> 00:11:20,560 Speaker 2: Let it be known that Grease. 222 00:11:20,640 --> 00:11:24,120 Speaker 3: As much as Gearmo and I sang rent on the 223 00:11:24,160 --> 00:11:28,560 Speaker 3: scandal set, Grease was also saying quite a lot because 224 00:11:28,600 --> 00:11:33,920 Speaker 3: Tom Verica, our producing director, played Kinicki all over Pensylvania Jersey. 225 00:11:34,040 --> 00:11:36,680 Speaker 3: Oh yeah, Katie, I didn't know that he played Kiniki 226 00:11:37,120 --> 00:11:39,520 Speaker 3: all over touring companies. 227 00:11:39,720 --> 00:11:41,200 Speaker 1: Oh my god. 228 00:11:41,400 --> 00:11:44,760 Speaker 3: But yeah, when Tom Verica was like nineteen to twenty one, 229 00:11:44,960 --> 00:11:48,240 Speaker 3: like he made his living equity, like going around playing 230 00:11:48,360 --> 00:11:52,280 Speaker 3: kiki Is at different places, you know, and he always 231 00:11:52,280 --> 00:11:56,720 Speaker 3: had that that was like, oh no, was that some world? 232 00:11:56,800 --> 00:11:58,959 Speaker 3: Did she put up a fight like that? Music was 233 00:11:59,000 --> 00:11:59,400 Speaker 3: not okay? 234 00:11:59,440 --> 00:12:02,839 Speaker 2: That musical you can't say. I know it's not cool. 235 00:12:03,360 --> 00:12:08,120 Speaker 1: I know, but Tom is fucking hot. Tom is a 236 00:12:08,160 --> 00:12:10,480 Speaker 1: really good looking guy, Like I could totally see him 237 00:12:10,520 --> 00:12:13,120 Speaker 1: in Greece Playicky. 238 00:12:12,400 --> 00:12:14,760 Speaker 2: And then Fully would also. 239 00:12:14,840 --> 00:12:17,440 Speaker 1: I think was Fully Grease too. 240 00:12:17,840 --> 00:12:20,720 Speaker 2: I think I don't know if Fully had done Grease. 241 00:12:20,840 --> 00:12:23,880 Speaker 3: But I just have so many visuals coming into my 242 00:12:23,880 --> 00:12:27,480 Speaker 3: head right now, like me Verica wow fully singing Greece 243 00:12:27,640 --> 00:12:29,880 Speaker 3: like a lot on set for whatever reason. 244 00:12:29,960 --> 00:12:33,760 Speaker 1: I just watched Greece the other day. Greece was I 245 00:12:33,880 --> 00:12:38,800 Speaker 1: used to pull little scenes, little monologues from Greece and 246 00:12:38,880 --> 00:12:43,040 Speaker 1: use them at auditions, like the scene between Kimmicky and Zuko. 247 00:12:43,840 --> 00:12:46,040 Speaker 1: Oh god, there's no I don't have that brain that 248 00:12:46,120 --> 00:12:48,559 Speaker 1: you have. We've talked about this before. Katie could do 249 00:12:48,600 --> 00:12:52,120 Speaker 1: a fucking soliloquy from Shakespeare right now, word for word. 250 00:12:52,120 --> 00:12:54,199 Speaker 1: I don't even remember what the fuck it is. But 251 00:12:54,360 --> 00:12:57,040 Speaker 1: Greece was my jam, Like I I'll put it on 252 00:12:57,120 --> 00:12:59,160 Speaker 1: like to this day just to have in the background 253 00:12:59,240 --> 00:13:00,000 Speaker 1: because it's so good. 254 00:13:00,120 --> 00:13:00,920 Speaker 2: It's incredible. 255 00:13:01,600 --> 00:13:03,480 Speaker 1: But wait, and just recently, what you. 256 00:13:03,800 --> 00:13:06,160 Speaker 2: Audition would you have where you would pull that? 257 00:13:07,120 --> 00:13:10,520 Speaker 1: It was h it was a couple of scenes, it 258 00:13:10,559 --> 00:13:13,319 Speaker 1: was I remember one scene specifically, And I was actually 259 00:13:13,360 --> 00:13:16,559 Speaker 1: auditioning for a manager and I did it with a 260 00:13:16,720 --> 00:13:18,880 Speaker 1: with a friend with someone else. So we did a 261 00:13:18,960 --> 00:13:22,440 Speaker 1: scene the scene with with Kaniki and and and Danny 262 00:13:22,480 --> 00:13:24,480 Speaker 1: where he gets hit in the head and he's like, 263 00:13:24,520 --> 00:13:26,480 Speaker 1: you're gonna have to drive for me, like you're you're 264 00:13:26,520 --> 00:13:31,600 Speaker 1: my second, you know all this stuff, that whole thing. Yeah, yeah, yeah, 265 00:13:31,600 --> 00:13:33,400 Speaker 1: And I did that audition. I did it a couple 266 00:13:33,440 --> 00:13:39,720 Speaker 1: of times. I used that, isn't that funny? I did that. 267 00:13:39,880 --> 00:13:41,280 Speaker 1: I did the breakfast club. 268 00:13:41,679 --> 00:13:42,760 Speaker 2: It's a good idea. 269 00:13:43,120 --> 00:13:46,679 Speaker 1: Yeah, I did stand by me that monologue when when 270 00:13:46,679 --> 00:13:48,760 Speaker 1: he's telling the story about the kid that vomits on 271 00:13:48,800 --> 00:13:51,160 Speaker 1: the audience and all that stuff. I did that as a. 272 00:13:51,080 --> 00:13:54,520 Speaker 2: Model Adam for a monologue. Adam didn't either. You never 273 00:13:54,559 --> 00:13:56,000 Speaker 2: went to like seeing. 274 00:13:55,760 --> 00:13:58,800 Speaker 1: Somebody or watch movies. 275 00:13:59,000 --> 00:14:00,320 Speaker 2: Yeah, saying with Adam. 276 00:14:00,320 --> 00:14:02,360 Speaker 3: So when Adam had an audition at University of Maryland, 277 00:14:02,400 --> 00:14:06,680 Speaker 3: he's like a sophomore. He's a polypide major. He wants 278 00:14:06,720 --> 00:14:09,600 Speaker 3: to be a lobbyist in DC. He has no thoughts 279 00:14:09,720 --> 00:14:11,600 Speaker 3: or dreams or aspirations of being an actor. 280 00:14:11,640 --> 00:14:12,120 Speaker 2: And someone's like, you. 281 00:14:12,120 --> 00:14:14,040 Speaker 3: Should really know, and someone's like you should join this 282 00:14:14,120 --> 00:14:17,200 Speaker 3: sketch comedy Troupe at Maryland because you're fucking funny, and 283 00:14:17,240 --> 00:14:20,680 Speaker 3: he joins the sketch troupe, which is just like like SNL, 284 00:14:20,840 --> 00:14:23,200 Speaker 3: you know, and he's doing sketches and he's having the 285 00:14:23,200 --> 00:14:26,120 Speaker 3: best time, sold out audiences on campus, and then they're like, 286 00:14:26,160 --> 00:14:29,280 Speaker 3: you should switch your major to drama. But you had 287 00:14:29,280 --> 00:14:32,880 Speaker 3: to audition to get into the theater department. He didn't 288 00:14:32,880 --> 00:14:36,440 Speaker 3: get in three times, and he didn't know what to 289 00:14:36,440 --> 00:14:41,560 Speaker 3: do either, so he just transcribed the opening monologue to Goodfellas. 290 00:14:42,440 --> 00:14:42,800 Speaker 4: No. 291 00:14:45,200 --> 00:14:48,960 Speaker 3: It was like I always knew I wanted to my 292 00:14:49,040 --> 00:14:51,640 Speaker 3: whole life, I've been a gangster some shit like that, 293 00:14:51,720 --> 00:14:57,280 Speaker 3: and like this little skinny, fucking fifty pound jew Pennsylvania 294 00:14:57,360 --> 00:15:01,360 Speaker 3: is doing this like Italian gangster mafia monologue didn't get 295 00:15:01,440 --> 00:15:02,760 Speaker 3: did did he? 296 00:15:02,840 --> 00:15:05,000 Speaker 1: Did he do the same monologue all three times? Or 297 00:15:05,000 --> 00:15:06,600 Speaker 1: would he change it up? You would change it? 298 00:15:06,760 --> 00:15:07,560 Speaker 2: I remember the second time. 299 00:15:07,600 --> 00:15:11,920 Speaker 3: Then the third time he begged the guy who officiated 300 00:15:11,920 --> 00:15:15,560 Speaker 3: our wedding. Scott Reese is amazing drama professor who's like 301 00:15:15,640 --> 00:15:18,880 Speaker 3: super cool, looks like Obama, like such a tall, handsome, 302 00:15:19,000 --> 00:15:22,960 Speaker 3: like bi racial dude. And Adam is like I'm going 303 00:15:22,960 --> 00:15:25,360 Speaker 3: to be a senior. I want to graduate with a 304 00:15:25,400 --> 00:15:27,680 Speaker 3: theater degree and I can't get in and I don't 305 00:15:27,680 --> 00:15:30,320 Speaker 3: know what to do. And the guy was like, here's 306 00:15:30,360 --> 00:15:33,160 Speaker 3: a Neil Simon monologue. 307 00:15:33,360 --> 00:15:36,000 Speaker 1: He's like, you got to use an actual flight yeah 308 00:15:36,160 --> 00:15:37,440 Speaker 1: play monologue. 309 00:15:37,760 --> 00:15:39,600 Speaker 3: And by the way, when he auditioned, all the kids 310 00:15:39,640 --> 00:15:41,640 Speaker 3: are getting up and saying like, you know, this is 311 00:15:41,640 --> 00:15:44,120 Speaker 3: my monologue from name the play and name the playwright, 312 00:15:44,160 --> 00:15:45,480 Speaker 3: and Adam had to get up and he was like. 313 00:15:45,840 --> 00:15:49,400 Speaker 2: This is what's his name? No, he's no. 314 00:15:49,480 --> 00:15:52,520 Speaker 3: When his first he was like, this is this is 315 00:15:52,640 --> 00:15:56,160 Speaker 3: uh whatever? From Goodfellas, like written by Martin score season. 316 00:15:57,120 --> 00:15:59,320 Speaker 1: Oh my god, how precious. 317 00:15:59,360 --> 00:16:02,320 Speaker 3: They were probably okay, all of this in a roundabout 318 00:16:02,360 --> 00:16:06,920 Speaker 3: story to Grease. Barry Bostwick, you you love Grease. He 319 00:16:07,000 --> 00:16:09,640 Speaker 3: was the original fucking Danny Zuko. 320 00:16:09,720 --> 00:16:12,520 Speaker 1: But also he's he's one of the leads and one 321 00:16:12,520 --> 00:16:17,480 Speaker 1: of my favorite fucking horror thriller sci fi musicals ever 322 00:16:17,840 --> 00:16:21,720 Speaker 1: called The Rocky Horror Picture Show. He was Brad Major's asshole, 323 00:16:22,640 --> 00:16:23,360 Speaker 1: the Shadow Cast. 324 00:16:23,440 --> 00:16:24,960 Speaker 2: It's all the best. 325 00:16:25,160 --> 00:16:28,400 Speaker 3: It's the best movie I and the guy is a 326 00:16:28,520 --> 00:16:29,440 Speaker 3: He's a legend. 327 00:16:29,640 --> 00:16:32,160 Speaker 2: He is a legend. 328 00:16:32,280 --> 00:16:36,080 Speaker 3: Changed the game in theater and TV and film alike. 329 00:16:36,440 --> 00:16:39,480 Speaker 1: Yeah, and he won the Tony for a show, a 330 00:16:39,520 --> 00:16:43,320 Speaker 1: show called The Robber Bridegroom in nineteen seventy seven. 331 00:16:43,600 --> 00:16:44,320 Speaker 2: I don't know that. 332 00:16:45,040 --> 00:16:47,360 Speaker 1: Yes, yes, I don't know that one either. But also 333 00:16:48,600 --> 00:16:50,520 Speaker 1: Barry Bosswick, all I wanted to do when he was 334 00:16:50,560 --> 00:16:55,920 Speaker 1: on set was talk about rocky horror. Yeah and no, no, 335 00:16:55,960 --> 00:16:58,760 Speaker 1: I barely had scenes with him. I was fucking hagrid huck. 336 00:16:58,840 --> 00:17:00,880 Speaker 1: I was like, what am I gonna look like? Being like, hey, 337 00:17:00,880 --> 00:17:04,000 Speaker 1: Mary Mouth's working as a fucking I'm homeless. He's probably like, 338 00:17:04,040 --> 00:17:07,200 Speaker 1: who the fuck is this? But I remember talking to 339 00:17:07,240 --> 00:17:09,640 Speaker 1: Bellamy about it, and Bellamy was in awe and loved 340 00:17:09,720 --> 00:17:11,960 Speaker 1: him as well, because you know, she's a big theater persons. 341 00:17:12,359 --> 00:17:14,560 Speaker 1: Scenes with him, Yeah, she had a lot of scenes 342 00:17:14,600 --> 00:17:14,760 Speaker 1: with he. 343 00:17:14,840 --> 00:17:17,240 Speaker 3: He's incredible in this episode, and we go there's a 344 00:17:17,280 --> 00:17:20,880 Speaker 3: lot of scenes where like, well we'll get into that, 345 00:17:20,920 --> 00:17:24,560 Speaker 3: but we flashback. They they suggest bringing in Fitz's dad 346 00:17:24,640 --> 00:17:26,960 Speaker 3: to help the campaign to sort of split some of 347 00:17:27,000 --> 00:17:30,080 Speaker 3: the campaign stops on the trail, to get like some 348 00:17:30,200 --> 00:17:34,000 Speaker 3: of the you know, approval ratings up, and then oh 349 00:17:34,040 --> 00:17:37,240 Speaker 3: my god, the fits is like, no, no, we're. 350 00:17:37,040 --> 00:17:38,080 Speaker 2: Not bringing my dad. 351 00:17:38,119 --> 00:17:40,080 Speaker 3: I'm not doing this, Like, no way, I said I 352 00:17:40,119 --> 00:17:41,960 Speaker 3: would do this on my own. I don't need his help. 353 00:17:41,960 --> 00:17:44,720 Speaker 3: I'm not my father's son. And then Olivia and Fitz 354 00:17:44,760 --> 00:17:47,280 Speaker 3: go to Olivia's room to discuss it, and they just 355 00:17:47,440 --> 00:17:48,600 Speaker 3: fucking hook up. 356 00:17:48,680 --> 00:17:53,400 Speaker 1: And it's oh, man, yeah, he starts to slide down her. 357 00:17:53,680 --> 00:17:57,119 Speaker 1: Oh my god, and and and Carrie makes that face 358 00:17:57,640 --> 00:17:59,000 Speaker 1: of like ooh this feels good. 359 00:17:59,160 --> 00:17:59,360 Speaker 2: Yeah. 360 00:17:59,400 --> 00:18:02,080 Speaker 3: And then also so Tony's gear, I mean, what's his name? 361 00:18:02,119 --> 00:18:03,280 Speaker 3: Oh god, see, I'm getting all. 362 00:18:03,160 --> 00:18:04,840 Speaker 2: Flustered because it was such a fucking hot scene. 363 00:18:05,000 --> 00:18:05,280 Speaker 1: I know. 364 00:18:05,840 --> 00:18:08,520 Speaker 3: No, He's like, if fine, I'll let my dad come 365 00:18:08,560 --> 00:18:09,720 Speaker 3: and be a part of this, as long as you 366 00:18:09,720 --> 00:18:11,359 Speaker 3: don't talk about it for the next twenty minutes. 367 00:18:11,359 --> 00:18:14,800 Speaker 4: And I'm like, oh, oh, twenty minute, for twenty minutes, 368 00:18:15,880 --> 00:18:17,600 Speaker 4: for twenty minutes down. 369 00:18:17,520 --> 00:18:20,080 Speaker 2: Okay, okay. 370 00:18:20,119 --> 00:18:23,159 Speaker 3: Back in the present day hospital, a doctor is briefing 371 00:18:23,200 --> 00:18:27,359 Speaker 3: fits in Melly. I'm like, how like how bad this 372 00:18:27,480 --> 00:18:28,480 Speaker 3: gunshot wound? 373 00:18:28,560 --> 00:18:28,679 Speaker 1: Is? 374 00:18:28,760 --> 00:18:30,679 Speaker 3: Like, They're like, you might lose speech, you might not 375 00:18:30,680 --> 00:18:32,560 Speaker 3: be able to connect your brain to your friends, you 376 00:18:32,640 --> 00:18:34,560 Speaker 3: might not be able to walk, which essentially is like, 377 00:18:35,080 --> 00:18:37,399 Speaker 3: can he be president of the United states like, what 378 00:18:37,480 --> 00:18:39,199 Speaker 3: the hell? 379 00:18:39,320 --> 00:18:44,560 Speaker 2: Okay, Jerry shows up, and Jerry is amazing. 380 00:18:44,600 --> 00:18:47,560 Speaker 3: He called he's such an old fashioned piece of. 381 00:18:47,520 --> 00:18:52,240 Speaker 1: Shit, so wonderful. His energy in this episode just drives 382 00:18:52,280 --> 00:18:55,879 Speaker 1: the episode. So he's so Jerry Grant, like he just 383 00:18:56,520 --> 00:18:59,920 Speaker 1: melded into the role so well, like I can't imagine anyone, 384 00:19:00,440 --> 00:19:03,720 Speaker 1: anyone else playing Jerry Grant. And he walks in, yeah, 385 00:19:04,000 --> 00:19:05,679 Speaker 1: and he's like, no, no, pay no attention to me. 386 00:19:05,720 --> 00:19:09,280 Speaker 1: I'm furniture. I'm just gonna sit here. And then Fitz 387 00:19:09,320 --> 00:19:11,919 Speaker 1: starts to rehearse like his you know what he's going 388 00:19:12,000 --> 00:19:14,960 Speaker 1: to say during the debate, and and of course Mary 389 00:19:14,960 --> 00:19:17,720 Speaker 1: boss Wick, Mary Bosswick, Jerry Grant stops him right away, 390 00:19:17,720 --> 00:19:19,880 Speaker 1: and he's like, what are you knowing? You know you're 391 00:19:19,920 --> 00:19:22,000 Speaker 1: good looking, use your personality and. 392 00:19:23,720 --> 00:19:26,800 Speaker 3: Calls Olivia's sweetheart, and he's just like, yes, he's very 393 00:19:26,840 --> 00:19:29,040 Speaker 3: old fashioned in a pig and you could tell he's 394 00:19:29,080 --> 00:19:31,040 Speaker 3: one of those dudes who cheated on his wife forever 395 00:19:31,320 --> 00:19:33,280 Speaker 3: and is like fucking sexist. 396 00:19:33,040 --> 00:19:36,080 Speaker 1: Yes, but also charming as fuck, charming. 397 00:19:36,200 --> 00:19:39,760 Speaker 3: As hem yes, yes, and you could see why America 398 00:19:39,880 --> 00:19:43,440 Speaker 3: is such a big fan. So Fitz gets drunk as 399 00:19:43,440 --> 00:19:46,560 Speaker 3: ship at like a big the night that Jerry is 400 00:19:46,560 --> 00:19:48,720 Speaker 3: there and they have a big dinner and Fits gets 401 00:19:48,720 --> 00:19:50,800 Speaker 3: so wasted because he's so triggered. 402 00:19:50,400 --> 00:19:51,080 Speaker 2: By his dad. 403 00:19:51,200 --> 00:19:54,719 Speaker 3: And then after the dinner, they're in an elevator and 404 00:19:54,760 --> 00:19:57,840 Speaker 3: Olivia is going up to her room and Fits kind of. 405 00:19:57,800 --> 00:20:02,840 Speaker 2: Tries to elevator that ship just the tip in, just like. 406 00:20:02,800 --> 00:20:03,480 Speaker 1: A little bit. 407 00:20:07,040 --> 00:20:10,840 Speaker 3: Olivia pushes him away the exact moment that the elevator 408 00:20:10,840 --> 00:20:14,600 Speaker 3: door opens and Mellie catches it. And it's such a 409 00:20:15,119 --> 00:20:18,280 Speaker 3: scene as Mellie's like, I'm so sorry, I'm so sorry, 410 00:20:18,280 --> 00:20:21,000 Speaker 3: and you could tell from Carrie's face, her beautiful acting, 411 00:20:21,080 --> 00:20:23,880 Speaker 3: She's like, I can't believe the guy that I'm sleeping 412 00:20:23,920 --> 00:20:26,879 Speaker 3: with his wife is apologizing. 413 00:20:26,040 --> 00:20:29,399 Speaker 1: To apologizing to me. Yes, And did you see in 414 00:20:29,400 --> 00:20:32,919 Speaker 1: that scene when Mellie first comes anything and and Tony 415 00:20:33,040 --> 00:20:35,400 Speaker 1: backs up, he bangs his head on that light fixture 416 00:20:35,800 --> 00:20:40,320 Speaker 1: in the elevator and Tony's like, oh, like that really happened. 417 00:20:40,480 --> 00:20:42,879 Speaker 1: It was, It's so it's so great. It's it's just 418 00:20:42,960 --> 00:20:44,160 Speaker 1: I mean, it's just added. 419 00:20:43,920 --> 00:20:45,200 Speaker 2: To grace acting. 420 00:20:45,560 --> 00:20:48,960 Speaker 3: You know, they say a lot of times like you know, 421 00:20:49,960 --> 00:20:54,320 Speaker 3: mistakes or things can be your greatest gift because it makes. 422 00:20:54,080 --> 00:20:56,240 Speaker 2: It real and it makes you in the present moment 423 00:20:56,400 --> 00:20:57,000 Speaker 2: and whatever. 424 00:20:58,160 --> 00:21:00,840 Speaker 3: Okay, and then they're getting into the big fight because 425 00:21:00,920 --> 00:21:03,960 Speaker 3: Jerry wants to run a dirty campaign and Fits really 426 00:21:04,119 --> 00:21:06,520 Speaker 3: wants to stay above board and do things the right way. 427 00:21:06,560 --> 00:21:08,159 Speaker 2: But what's cool about Jerry. 428 00:21:07,880 --> 00:21:10,760 Speaker 3: Wanting to run a dirty campaign is that in order 429 00:21:10,800 --> 00:21:15,480 Speaker 3: to run the dirty campaign, Olivia calls in the first 430 00:21:16,040 --> 00:21:17,960 Speaker 3: like Olivia popean associates. 431 00:21:19,119 --> 00:21:25,600 Speaker 5: She really forms like you see the origin story of 432 00:21:26,840 --> 00:21:31,560 Speaker 5: Abby Hawk and Harrison all meeting for like kind of 433 00:21:31,600 --> 00:21:33,760 Speaker 5: the first time to sort of work on digging up 434 00:21:33,840 --> 00:21:35,320 Speaker 5: shit on Governor rest In. 435 00:21:35,960 --> 00:21:38,119 Speaker 3: God Darby kills me you like walk and she's like, 436 00:21:38,119 --> 00:21:40,040 Speaker 3: oh god, oh no, is he coming over here? 437 00:21:40,119 --> 00:21:42,160 Speaker 1: You and I because. 438 00:21:46,400 --> 00:21:49,000 Speaker 3: There's a way that would have been like that, but 439 00:21:49,240 --> 00:21:53,600 Speaker 3: you know, TV creative license, creative license. 440 00:21:53,920 --> 00:21:55,439 Speaker 2: So the dream team is together. 441 00:21:55,880 --> 00:21:58,119 Speaker 1: There's a lot of back and forth in this episode. 442 00:21:57,760 --> 00:22:01,560 Speaker 3: Which is exciting and very well done. We will be 443 00:22:01,640 --> 00:22:09,760 Speaker 3: back with more after the break. The thing that the. 444 00:22:11,320 --> 00:22:13,640 Speaker 1: Thing about this episode, about. 445 00:22:13,359 --> 00:22:17,520 Speaker 3: This episode is that the OPA dream team. The one 446 00:22:17,560 --> 00:22:19,280 Speaker 3: thing they dig up on rest In is that he's 447 00:22:19,280 --> 00:22:20,320 Speaker 3: on antidepressants. 448 00:22:20,400 --> 00:22:23,359 Speaker 2: It's like, I was like, what he gives a shit 449 00:22:23,480 --> 00:22:24,120 Speaker 2: who is it? 450 00:22:24,240 --> 00:22:26,840 Speaker 1: Right? Like I thought the same thing. I was like, 451 00:22:26,960 --> 00:22:28,840 Speaker 1: this is the big Fine, this is the. 452 00:22:28,880 --> 00:22:32,600 Speaker 3: Big This is the Zach who cares Fitz has got 453 00:22:32,600 --> 00:22:34,320 Speaker 3: the information. And they throw him out there into a 454 00:22:34,440 --> 00:22:36,760 Speaker 3: debate and the dad, Jerry Dickhead, is. 455 00:22:36,720 --> 00:22:38,040 Speaker 2: Like, you gotta use this ship. 456 00:22:38,160 --> 00:22:41,280 Speaker 3: You gotta just seal the deal, make sure America knows 457 00:22:41,320 --> 00:22:45,480 Speaker 3: that he's mentally unstable or whatever the hell. And before that, 458 00:22:45,760 --> 00:22:50,280 Speaker 3: another amazing scene Fits is being a little bitch baby. 459 00:22:50,400 --> 00:22:53,040 Speaker 3: He walks into prep for the debate and like the 460 00:22:53,040 --> 00:22:55,800 Speaker 3: they're having technological difficulties and he's like you, why. 461 00:22:55,680 --> 00:22:59,960 Speaker 2: Is this happening? Get out of here. Yeah, and Carrie's like, okay, great, thanks, 462 00:23:00,000 --> 00:23:01,920 Speaker 2: thanks for the night. Everyone go home. 463 00:23:02,840 --> 00:23:05,560 Speaker 1: Yeah, And she just sees people are working hard for you, dude, 464 00:23:05,600 --> 00:23:08,000 Speaker 1: like they're working for you, Like you got to calm down, Yeah, 465 00:23:08,000 --> 00:23:08,679 Speaker 1: what's your problem? 466 00:23:08,720 --> 00:23:10,280 Speaker 3: And she says, you know what your problem is? Oh 467 00:23:10,359 --> 00:23:12,520 Speaker 3: my god, I didn't see it before. And this is 468 00:23:12,520 --> 00:23:14,560 Speaker 3: when she's getting all that finger shaking straight up in 469 00:23:14,600 --> 00:23:16,280 Speaker 3: his face again, Edison. 470 00:23:16,920 --> 00:23:18,240 Speaker 2: Now she's shaking a finger in his face. 471 00:23:18,560 --> 00:23:21,040 Speaker 3: Oh my god, if I hadn't been And then the 472 00:23:21,080 --> 00:23:22,879 Speaker 3: sentence cuts out, but she was like, if I hadn't 473 00:23:22,920 --> 00:23:24,600 Speaker 3: fallen in love with you, is really what she wanted 474 00:23:24,600 --> 00:23:25,919 Speaker 3: to say, then I wouldn't have missed it. But what 475 00:23:25,960 --> 00:23:29,000 Speaker 3: I missed is America doesn't know who you are. Why 476 00:23:29,040 --> 00:23:29,840 Speaker 3: do you want this? 477 00:23:30,040 --> 00:23:31,480 Speaker 1: Why do you want to be president? 478 00:23:31,840 --> 00:23:32,080 Speaker 4: Yes? 479 00:23:32,400 --> 00:23:35,000 Speaker 3: Yes, yes, this is why America doesn't trust you. This 480 00:23:35,080 --> 00:23:38,720 Speaker 3: is why you're losing because you yourself don't know why 481 00:23:38,760 --> 00:23:39,480 Speaker 3: you want this. 482 00:23:40,480 --> 00:23:43,399 Speaker 1: Yeah, it's such a good scene. And his face in 483 00:23:43,480 --> 00:23:48,560 Speaker 1: this scene, he's like super emotional. He's like about to cry. Oh, 484 00:23:48,600 --> 00:23:50,920 Speaker 1: it's so good. They're both so so good in this scene. 485 00:23:51,040 --> 00:23:52,679 Speaker 2: My god, it's so good. 486 00:23:52,840 --> 00:23:56,760 Speaker 3: And so instead of him using the antidepressant thing, he 487 00:23:56,840 --> 00:23:59,560 Speaker 3: has a great debate moment talking to like one of 488 00:23:59,560 --> 00:24:01,560 Speaker 3: the women in the audience about her son about to 489 00:24:01,560 --> 00:24:03,959 Speaker 3: go off to war to fight for him, and and 490 00:24:04,000 --> 00:24:06,040 Speaker 3: he has like a real moment of like letting people 491 00:24:06,040 --> 00:24:08,680 Speaker 3: in and seeing how he's vulnerable and he's also afraid and. 492 00:24:08,600 --> 00:24:11,560 Speaker 2: It really they're like, yeah, he kicked out. 493 00:24:11,400 --> 00:24:15,120 Speaker 1: Of this debate totally, was so and and and still 494 00:24:15,359 --> 00:24:17,680 Speaker 1: he did so well. He knocked that shit out the park. 495 00:24:17,720 --> 00:24:21,520 Speaker 1: And still his dad is like, uh, you you wimped out, 496 00:24:21,560 --> 00:24:24,040 Speaker 1: didn't You should have used it you're gonna lose this election, 497 00:24:24,480 --> 00:24:26,840 Speaker 1: like he's still being super negative, and it's like, dude, 498 00:24:26,880 --> 00:24:29,000 Speaker 1: he did amazing in this debate, like come. 499 00:24:28,880 --> 00:24:30,679 Speaker 2: On, and then his dad dies. 500 00:24:31,400 --> 00:24:34,080 Speaker 1: And then his dad fucking dies dead and then fits 501 00:24:34,160 --> 00:24:38,239 Speaker 1: chops wood, which which I thought, Okay, this is like 502 00:24:38,280 --> 00:24:41,439 Speaker 1: the second time we see Tony Goldwen chopping wood, because 503 00:24:42,240 --> 00:24:45,520 Speaker 1: he told Shonda that he's really good at chopping wood, and. 504 00:24:45,800 --> 00:24:46,840 Speaker 2: He is good. 505 00:24:47,000 --> 00:24:49,240 Speaker 1: He's really good, and he looks hot doing it. And 506 00:24:49,240 --> 00:24:52,280 Speaker 1: then I thought, why did they always have me eating 507 00:24:52,400 --> 00:24:54,520 Speaker 1: in scenes? And I thought because I eat really good 508 00:24:54,560 --> 00:24:57,520 Speaker 1: because I liked to eat. I was like, Okay, I 509 00:24:57,520 --> 00:24:58,199 Speaker 1: did nothing. 510 00:24:59,040 --> 00:25:02,159 Speaker 3: I mean, I truly did nothing. So I guess that's 511 00:25:02,240 --> 00:25:03,840 Speaker 3: what I don't have, like a thing. I mean, I 512 00:25:03,840 --> 00:25:07,600 Speaker 3: guess it was like a hacker. But nope, no, Quinn 513 00:25:07,600 --> 00:25:09,760 Speaker 3: at the beginning took a lot of notes to the glob. 514 00:25:10,080 --> 00:25:12,040 Speaker 1: You did take notes, which, by the. 515 00:25:11,960 --> 00:25:14,840 Speaker 2: Way, like a hacker would never write notes. 516 00:25:15,600 --> 00:25:19,119 Speaker 1: Right, I mean, listen, I wrote so many notes. But 517 00:25:19,200 --> 00:25:21,480 Speaker 1: I'm also like, you know, sixty. 518 00:25:21,080 --> 00:25:23,840 Speaker 3: Three, so you know what, I used to hide up 519 00:25:23,880 --> 00:25:25,920 Speaker 3: my notes all over the set. 520 00:25:26,440 --> 00:25:28,240 Speaker 1: Gum, right, that's right. 521 00:25:28,560 --> 00:25:29,320 Speaker 2: Oh my god. 522 00:25:29,400 --> 00:25:32,879 Speaker 1: It was so disgusting, Katie. I remember that. I remember 523 00:25:32,960 --> 00:25:35,479 Speaker 1: opening that shit up sometimes and being like, this is 524 00:25:35,640 --> 00:25:38,840 Speaker 1: so nasty, just globs of gum, like dried up gum. 525 00:25:39,560 --> 00:25:43,399 Speaker 3: Direct your gum issue where is like if I'm around gum, 526 00:25:44,040 --> 00:25:45,800 Speaker 3: I have to chew it, and I have to chew 527 00:25:45,800 --> 00:25:46,360 Speaker 3: a lot of it. 528 00:25:46,440 --> 00:25:48,600 Speaker 2: Like it's like an oral fixation thing. I don't understand. 529 00:25:48,640 --> 00:25:50,199 Speaker 3: Like I don't even buy gum or have it in 530 00:25:50,200 --> 00:25:51,639 Speaker 3: near my house because if I do, it's not like 531 00:25:51,680 --> 00:25:54,000 Speaker 3: I have a piece it, just like it's like no, no. 532 00:25:53,680 --> 00:25:55,879 Speaker 2: Like I'll eat, it'll be gone in an hour. The 533 00:25:55,960 --> 00:25:56,760 Speaker 2: whole thing. 534 00:25:57,119 --> 00:25:59,440 Speaker 1: I do that with the cinnamon gum, with the big 535 00:25:59,440 --> 00:26:02,479 Speaker 1: red like I have to put like five six pieces 536 00:26:02,520 --> 00:26:05,200 Speaker 1: down and get Once the flavor's gone, I spit it 537 00:26:05,240 --> 00:26:06,600 Speaker 1: out and then throw five more in. 538 00:26:06,720 --> 00:26:08,280 Speaker 3: But I had two gum on set to be sure 539 00:26:08,280 --> 00:26:11,600 Speaker 3: that I had super fresh breath for my fellow actors, 540 00:26:11,680 --> 00:26:13,120 Speaker 3: and then they would call action and then I would 541 00:26:13,119 --> 00:26:15,359 Speaker 3: just roll up the wad of gum and stick it 542 00:26:15,400 --> 00:26:19,000 Speaker 3: in the corner of one of our legal notepads. And 543 00:26:19,040 --> 00:26:21,479 Speaker 3: so most of our notepads around set just had a 544 00:26:21,560 --> 00:26:23,119 Speaker 3: shitload of wads of gum in it. 545 00:26:23,200 --> 00:26:29,080 Speaker 2: Thanks to me. So he's chopping wood and they him 546 00:26:29,119 --> 00:26:30,879 Speaker 2: and Olivia are talking about something that I can't remember. 547 00:26:30,920 --> 00:26:32,960 Speaker 3: But the scene sort of ends and he's down on 548 00:26:33,000 --> 00:26:36,080 Speaker 3: his knees and she's hugging him, and he's finally like crying, 549 00:26:36,280 --> 00:26:40,840 Speaker 3: like crying for crying for their relationship, crying for all 550 00:26:40,920 --> 00:26:44,639 Speaker 3: of it. Like he just has this like big emotional release. 551 00:26:44,600 --> 00:26:47,280 Speaker 1: And crying because he found himself. He found who he is, 552 00:26:47,600 --> 00:26:50,600 Speaker 1: you know, his authenticity. And he did great in that debate. Yeah, 553 00:26:51,240 --> 00:26:53,800 Speaker 1: in that crying scene, I thought, oh this. I know 554 00:26:53,880 --> 00:26:55,880 Speaker 1: he didn't use no tearstick for this one because he's 555 00:26:55,880 --> 00:27:00,119 Speaker 1: crying into the other actor, which is very convenient. And 556 00:27:00,200 --> 00:27:02,560 Speaker 1: sometimes when you're like, oh, I gotta fucking cry, I'm 557 00:27:02,560 --> 00:27:05,680 Speaker 1: gonna cry into my hands and cover my full face. 558 00:27:05,880 --> 00:27:09,520 Speaker 2: Absolutely deceased. I am absolutely deceased. 559 00:27:09,560 --> 00:27:11,080 Speaker 3: That the one time you really don't need a tearstake 560 00:27:11,200 --> 00:27:13,439 Speaker 3: is if you could make some sort of blocking choice 561 00:27:13,760 --> 00:27:16,760 Speaker 3: where when you cry, you fall into the other person 562 00:27:17,000 --> 00:27:19,440 Speaker 3: and never separate so that the camera can catch me. 563 00:27:19,520 --> 00:27:24,679 Speaker 1: It's all bullshit, correct, correct, But he did it brilliantly, 564 00:27:24,720 --> 00:27:27,760 Speaker 1: and you could hear him sobbing in Carrie's mic, you know, 565 00:27:27,760 --> 00:27:31,760 Speaker 1: because usually our microphones are like on our chests somewhere, 566 00:27:31,800 --> 00:27:37,240 Speaker 1: and the sound was beautiful. That is so funny, beautiful. 567 00:27:37,280 --> 00:27:41,600 Speaker 3: We cut you in the present moment where Edison proposes 568 00:27:42,840 --> 00:27:46,720 Speaker 3: to Olivia, Yo, what are you saying about? 569 00:27:47,400 --> 00:27:50,160 Speaker 1: You can't take no for an answer? Like get the 570 00:27:50,160 --> 00:27:55,200 Speaker 1: fuck out of here? Ready? Bye? 571 00:27:59,000 --> 00:28:02,440 Speaker 2: Yeah? 572 00:27:59,520 --> 00:28:04,920 Speaker 1: God? So true? Tho her like what are you still 573 00:28:04,960 --> 00:28:07,199 Speaker 1: doing around? And he has her to marry him, like 574 00:28:07,960 --> 00:28:11,000 Speaker 1: read the room, dude, feel that she's. 575 00:28:12,840 --> 00:28:15,560 Speaker 3: Like and also when was the last time you guys boned? 576 00:28:15,760 --> 00:28:18,280 Speaker 3: Like I feel like your relationship is a fucking nightmare. 577 00:28:18,320 --> 00:28:19,920 Speaker 3: And this is the starting point. 578 00:28:21,359 --> 00:28:22,800 Speaker 2: We just doesn't. 579 00:28:24,200 --> 00:28:27,400 Speaker 3: Bad, it's very bad. And he proposes, saying to her 580 00:28:27,520 --> 00:28:31,080 Speaker 3: like I know you. I'm the only one that gets you. 581 00:28:32,200 --> 00:28:35,359 Speaker 3: And then she says what does she say? 582 00:28:36,280 --> 00:28:38,320 Speaker 1: We don't. We don't get an answer. 583 00:28:38,480 --> 00:28:39,760 Speaker 2: We do not get an answer. 584 00:28:39,800 --> 00:28:42,200 Speaker 3: But what we do get an answer about, and how 585 00:28:42,200 --> 00:28:46,160 Speaker 3: the episode ends is we get an We get the 586 00:28:46,280 --> 00:28:52,240 Speaker 3: answer that Olivia decides yes, break the election, and she's 587 00:28:52,600 --> 00:28:56,960 Speaker 3: around the table in the private Grant plane and. 588 00:28:57,360 --> 00:29:01,120 Speaker 1: She's wreck and she's emotionally that she's saying yes. 589 00:29:01,560 --> 00:29:04,200 Speaker 3: Believable, and they the way it's shot, it's so beautiful. 590 00:29:04,240 --> 00:29:07,280 Speaker 3: They cut to like Cyrus's, they cut to Hollis just 591 00:29:07,320 --> 00:29:09,960 Speaker 3: made the call, like he's he picks up the phone, 592 00:29:09,960 --> 00:29:13,560 Speaker 3: obviously calling Jesse played by the wonderful Adam Spiro, but 593 00:29:14,200 --> 00:29:17,240 Speaker 3: the sexy, wonderful, greatest gift to my life Adam Shapiro, 594 00:29:17,720 --> 00:29:22,080 Speaker 3: and he calls him and says it's a go, and 595 00:29:22,080 --> 00:29:29,160 Speaker 3: then they cut to the goons, every goon's face, Mellie, Cyrus, Hollis, Verna, 596 00:29:29,240 --> 00:29:35,840 Speaker 3: and then alb and Olivia just cries and puts her 597 00:29:35,880 --> 00:29:41,160 Speaker 3: hands over her mouth and she's just like, m I've 598 00:29:41,280 --> 00:29:43,480 Speaker 3: signed a deal with the devil, I think. 599 00:29:43,560 --> 00:29:47,200 Speaker 1: Yeah. And this is early on in Scandal, so it's 600 00:29:47,200 --> 00:29:49,640 Speaker 1: it's one of the first times, right that you think, 601 00:29:50,320 --> 00:29:53,520 Speaker 1: oh man, nothing is as it seems right. Like she's 602 00:29:53,560 --> 00:29:55,840 Speaker 1: supposed to be the one that's wearing the white hat, 603 00:29:56,160 --> 00:29:58,600 Speaker 1: the one that's supposed to fix everything and be you know, 604 00:29:58,760 --> 00:30:02,640 Speaker 1: moral compass, the good yes, and here she is agreeing 605 00:30:02,800 --> 00:30:07,440 Speaker 1: to rig the election. Like that's that's like that's other level, 606 00:30:08,160 --> 00:30:12,920 Speaker 1: you know what I mean? Yeah level do that yeah, yeah. 607 00:30:12,800 --> 00:30:16,200 Speaker 2: Yeah yeah. The fun fact. 608 00:30:16,960 --> 00:30:21,560 Speaker 3: This is the third flashback episode of season two and 609 00:30:21,600 --> 00:30:24,960 Speaker 3: the fourth flashback episode all overall. 610 00:30:25,120 --> 00:30:26,400 Speaker 2: So like, oh, this is. 611 00:30:26,360 --> 00:30:29,120 Speaker 3: Episode eleven, and we did we did seven in the 612 00:30:29,160 --> 00:30:33,000 Speaker 3: first so already eighteen episodes and four of them have 613 00:30:33,080 --> 00:30:37,480 Speaker 3: been flashback episodes. So like that became a real thing 614 00:30:37,680 --> 00:30:41,160 Speaker 3: that that scandal did, you know, like like play with 615 00:30:41,280 --> 00:30:42,360 Speaker 3: time and sort of. 616 00:30:42,600 --> 00:30:44,240 Speaker 2: Yeah, go back and forth like that. 617 00:30:44,400 --> 00:30:47,840 Speaker 3: Yeah, do we have any tweet tweet tweet to tweet 618 00:30:47,840 --> 00:30:48,600 Speaker 3: tweet tweets at. 619 00:30:48,480 --> 00:30:49,640 Speaker 1: The time tweets? 620 00:30:50,320 --> 00:30:54,240 Speaker 5: We got some tweet to tweet tweets. 621 00:30:53,720 --> 00:30:59,320 Speaker 1: These tweets were some of my favorites. Yes, And some 622 00:30:59,400 --> 00:31:01,120 Speaker 1: of them don't even have to do with the show. 623 00:31:01,240 --> 00:31:04,400 Speaker 1: And that's why I love them, because they're just crazy 624 00:31:04,440 --> 00:31:05,280 Speaker 1: and so good. 625 00:31:05,800 --> 00:31:11,200 Speaker 3: Like the middle of season two is when people started 626 00:31:11,240 --> 00:31:13,040 Speaker 3: to give a shit about this show. 627 00:31:13,080 --> 00:31:15,080 Speaker 1: They were like, this is my jam, Like, this is 628 00:31:15,200 --> 00:31:16,920 Speaker 1: my show. I got to watch it every week. 629 00:31:17,120 --> 00:31:19,520 Speaker 3: Yes, so I think we can see it in the 630 00:31:19,560 --> 00:31:23,479 Speaker 3: tweet tweet tweet tweet tweets at the time time because 631 00:31:23,480 --> 00:31:27,960 Speaker 3: they're getting crazier and crazier and and so, what are. 632 00:31:27,880 --> 00:31:29,360 Speaker 2: Some of your favorite tweets at the time? 633 00:31:29,520 --> 00:31:34,120 Speaker 1: Gee yo, One of my one of my favorites is uh, 634 00:31:34,160 --> 00:31:36,960 Speaker 1: Tricia at Tricia Matthew says, I'm pretty sure I just 635 00:31:37,000 --> 00:31:39,960 Speaker 1: saw Edison in a sialis ad. I guess things would 636 00:31:39,960 --> 00:31:42,520 Speaker 1: Olivia are really over hashtag scandal. 637 00:31:43,480 --> 00:31:44,920 Speaker 2: Wait, what's the alice again? 638 00:31:46,000 --> 00:31:48,760 Speaker 1: Is like a rectile dysfunction, like pill, like. 639 00:31:50,000 --> 00:31:54,840 Speaker 3: Right down, da, that's fucking hilarious. They're like, this dude 640 00:31:54,920 --> 00:31:55,600 Speaker 3: needs a job. 641 00:31:55,720 --> 00:31:59,760 Speaker 1: He's out, Yeah, he's out. He's in this commercial. Yeah. 642 00:31:59,800 --> 00:32:03,920 Speaker 1: Some one at Alpha dre Bt tweeted, the President's wife 643 00:32:03,960 --> 00:32:06,560 Speaker 1: is a nasty bitch hashtag scandal. 644 00:32:09,120 --> 00:32:16,479 Speaker 3: So good at Goddess Tings says, the motherfucking cable went out. Mom, 645 00:32:16,680 --> 00:32:19,200 Speaker 3: she's about to spaz if she don't see scandal. 646 00:32:19,320 --> 00:32:23,640 Speaker 1: Oh shitar her mother. This girl's mother said, the motherfucking 647 00:32:23,640 --> 00:32:26,200 Speaker 1: cable went out because she was about to watch the show, 648 00:32:26,240 --> 00:32:27,360 Speaker 1: and now she's flipping out. 649 00:32:28,440 --> 00:32:33,520 Speaker 3: And this was the time where like this was appointment viewing. 650 00:32:34,680 --> 00:32:38,120 Speaker 3: Like streaming has made it so people just really watch 651 00:32:38,320 --> 00:32:41,720 Speaker 3: entire series in their own time and place, But at 652 00:32:41,760 --> 00:32:44,800 Speaker 3: this point, people were showing up Thursdays to see this show. 653 00:32:44,840 --> 00:32:47,080 Speaker 3: So Fridays, if you went into work and didn't know 654 00:32:47,360 --> 00:32:50,560 Speaker 3: the plot of Scandal, someone was gonna blow it. Yes, 655 00:32:50,600 --> 00:32:53,120 Speaker 3: So your motherfucking cable going out was a problem. 656 00:32:53,680 --> 00:32:58,600 Speaker 1: That's a big deal. Let's see. Dave the Gauge tweeted 657 00:32:59,120 --> 00:33:02,760 Speaker 1: just heard subways foot longs are eleven inches in some locations. 658 00:33:03,000 --> 00:33:10,080 Speaker 1: Hashtag scandal, hashtag protest, hashtag boycott subway my favorite also 659 00:33:10,120 --> 00:33:11,880 Speaker 1: because it has nothing to do with our show, but 660 00:33:11,960 --> 00:33:15,080 Speaker 1: also how much do Katie and I love subway sandwiches? 661 00:33:15,120 --> 00:33:19,280 Speaker 1: But our sandwich choices are very specific, Like I love 662 00:33:19,320 --> 00:33:22,600 Speaker 1: a veggie delight on whole week with extra vinegar, all 663 00:33:22,640 --> 00:33:27,400 Speaker 1: the vegetables, cheese, a ton of holopenos, yellow peppers, hot. 664 00:33:27,200 --> 00:33:29,200 Speaker 2: Sauce is watering. 665 00:33:29,320 --> 00:33:33,520 Speaker 1: I love, yes, Katie, what is yours? Yours is? 666 00:33:33,560 --> 00:33:36,480 Speaker 2: I like a foot long on Italian white. 667 00:33:37,000 --> 00:33:41,520 Speaker 3: I like extra provolone cheese, I like it toasted, and 668 00:33:41,520 --> 00:33:47,000 Speaker 3: then I like extra extra lettuce, extra olives, extra banana peppers, 669 00:33:47,160 --> 00:33:51,560 Speaker 3: extra halapanos, extra vinegar, extra olive oil, extra. 670 00:33:51,280 --> 00:33:51,960 Speaker 2: Salt and pepper. 671 00:33:52,000 --> 00:33:57,160 Speaker 3: And it's just a fucking cheese lettuce bread. 672 00:33:59,440 --> 00:34:02,520 Speaker 1: Maybe I'm gonna go grab that shit after we finished taping. 673 00:34:02,840 --> 00:34:05,960 Speaker 3: YO, love a veggie delight and I love I don't 674 00:34:05,960 --> 00:34:07,920 Speaker 3: know what mine's called. I got introduced to it in 675 00:34:08,000 --> 00:34:10,640 Speaker 3: high school by some vegetarian, and I wasn't really vegetaring, 676 00:34:10,680 --> 00:34:15,280 Speaker 3: but I loved it, but wait, Okay, thank you everybody 677 00:34:15,280 --> 00:34:17,920 Speaker 3: for listening to the scandal rewatch. Thank you guys unpacking 678 00:34:18,000 --> 00:34:21,719 Speaker 3: the toolbox. We can't wait to hear more and talk more. 679 00:34:21,800 --> 00:34:28,520 Speaker 3: Next week's episode is called Truth or Consequences. I can't 680 00:34:28,520 --> 00:34:31,120 Speaker 3: remember what it's about. Do you remember what it's about? 681 00:34:31,160 --> 00:34:32,200 Speaker 2: And I do not? 682 00:34:32,440 --> 00:34:33,800 Speaker 1: Okay to twelve? 683 00:34:33,880 --> 00:34:36,879 Speaker 3: Right to twelve Truth or Consequences. We may or may 684 00:34:36,920 --> 00:34:39,360 Speaker 3: not be having a super fucking awesome guest, but you 685 00:34:39,400 --> 00:34:43,040 Speaker 3: should tune in anyway always and tell your friends, like subscribe, 686 00:34:43,840 --> 00:34:46,480 Speaker 3: do all the things, listen to us, we love you. 687 00:34:47,239 --> 00:34:50,800 Speaker 1: Hit us up on social media. I'm at Geirmo diaz 688 00:34:50,840 --> 00:34:54,000 Speaker 1: Reel on Instagram, Germo diaz Yo on Twitter. 689 00:34:54,160 --> 00:34:57,239 Speaker 2: And I'm at KTQ Low's at Instagram. What are you 690 00:34:57,280 --> 00:34:57,680 Speaker 2: on Twitter? 691 00:34:57,719 --> 00:35:00,239 Speaker 1: G Geirmo diaz Yo, Oh. 692 00:35:00,160 --> 00:35:05,040 Speaker 2: Yeah, I love I forgot you were at Garmo Diaz Yo. 693 00:35:06,480 --> 00:35:09,399 Speaker 1: Yeah. But no one's on Twitter anymore. Like I don't 694 00:35:09,400 --> 00:35:13,400 Speaker 1: see you on Twitter anymore. Like everybody's like, we're taking 695 00:35:13,440 --> 00:35:15,399 Speaker 1: a break from Twitter, which I want. 696 00:35:16,160 --> 00:35:18,360 Speaker 3: It became a little bit of a cesspool during the 697 00:35:18,440 --> 00:35:22,319 Speaker 3: Trump era. We know these tweet The tweeting was a 698 00:35:22,400 --> 00:35:24,200 Speaker 3: much classier bag. 699 00:35:24,600 --> 00:35:28,839 Speaker 2: During the sand in the day. Correct, but we love 700 00:35:28,840 --> 00:35:30,600 Speaker 2: you all. Come along for the ride. 701 00:35:30,719 --> 00:35:33,359 Speaker 3: So much more scandal to talk about, so many more 702 00:35:33,360 --> 00:35:36,520 Speaker 3: people to talk to. We love you, Gladiators, og and 703 00:35:36,640 --> 00:35:38,560 Speaker 3: new Till next time. 704 00:35:38,960 --> 00:35:47,759 Speaker 1: Peace on Unpacking the Toolbox night. Thank you guys for 705 00:35:47,880 --> 00:35:51,640 Speaker 1: joining us on Unpacking the Toolbox. If you enjoyed the show, 706 00:35:51,640 --> 00:35:54,799 Speaker 1: please subscribe, share with your friends, rate, or leave us 707 00:35:54,840 --> 00:35:55,240 Speaker 1: a review. 708 00:35:55,440 --> 00:35:59,360 Speaker 3: Scandal is executive produced by Sandy Bailey, alex Alce, Lauren Homan, 709 00:35:59,640 --> 00:36:03,440 Speaker 3: Tyler Klang, and Gabrielle Collins. Our producer and editor is 710 00:36:03,520 --> 00:36:06,280 Speaker 3: Vince de Johnny, with music by Chad Fisher. 711 00:36:06,520 --> 00:36:09,480 Speaker 1: Scandal is a production of ABC Signature, and you can 712 00:36:09,480 --> 00:36:11,720 Speaker 1: follow along by rewatching Scandal on Hulu. 713 00:36:11,920 --> 00:36:14,360 Speaker 3: Unpacking the Toolbox is a production of Shondaland Audio in 714 00:36:14,400 --> 00:36:18,719 Speaker 3: partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit 715 00:36:18,760 --> 00:36:30,960 Speaker 3: the iHeartRadio app or anywhere you subscribe to your favorite shows.