1
00:00:00,160 --> 00:00:03,320
Speaker 1: Year wrapper our podcast, Elliott Wilson, speed out, beat out,

2
00:00:03,320 --> 00:00:03,960
Speaker 1: what's up baby?

3
00:00:04,360 --> 00:00:05,440
Speaker 2: Great man? How you doing?

4
00:00:05,640 --> 00:00:07,680
Speaker 1: I'm good man. I'm a little jealousy you man. Why

5
00:00:08,080 --> 00:00:08,559
Speaker 1: you this morning?

6
00:00:08,600 --> 00:00:10,680
Speaker 3: I'm waking up this the more than jealousy, you man,

7
00:00:10,800 --> 00:00:13,120
Speaker 3: Why because you're not dark and handsome.

8
00:00:18,120 --> 00:00:18,600
Speaker 2: Is a problem.

9
00:00:18,680 --> 00:00:21,280
Speaker 1: I'm not dark and handsome. I won't give you that now.

10
00:00:21,320 --> 00:00:23,640
Speaker 1: I'm more so talking about the excitement around you took

11
00:00:23,640 --> 00:00:24,320
Speaker 1: over Brooklyn.

12
00:00:24,320 --> 00:00:25,079
Speaker 2: Man, this book a.

13
00:00:25,120 --> 00:00:29,040
Speaker 1: Hole, this exhibit in Brooklyn. He was everywhere. Man, Yeah,

14
00:00:29,040 --> 00:00:31,320
Speaker 1: there wasn't. Man, it looked great on the ground. The

15
00:00:31,400 --> 00:00:33,479
Speaker 1: Queen's Guys was in Brooklyn last night. It was It

16
00:00:33,520 --> 00:00:34,480
Speaker 1: was definitely a vibe.

17
00:00:34,479 --> 00:00:34,639
Speaker 2: Man.

18
00:00:34,680 --> 00:00:35,320
Speaker 3: It was a time.

19
00:00:35,400 --> 00:00:37,919
Speaker 1: As the kids would say, now you appreciate you, You

20
00:00:37,960 --> 00:00:40,040
Speaker 1: appreciate that collection and stuff like that. So you gotta

21
00:00:40,080 --> 00:00:40,839
Speaker 1: tell me, like, is.

22
00:00:40,800 --> 00:00:42,960
Speaker 3: This shit the real deal? Yeah, it's the real deal.

23
00:00:43,040 --> 00:00:45,400
Speaker 3: Like it's weird because Jay said it was a surprise.

24
00:00:45,440 --> 00:00:46,800
Speaker 3: He didn't know about it. But it's like, how can

25
00:00:46,800 --> 00:00:49,000
Speaker 3: you keep a surprise on the internet these days when

26
00:00:49,320 --> 00:00:51,760
Speaker 3: your lyrics are plaster on the Brooklyn Library. But I

27
00:00:51,800 --> 00:00:53,840
Speaker 3: guess you didn't know. But when you walk inside, it's

28
00:00:53,880 --> 00:00:56,800
Speaker 3: like all of his artifacts there, like from his Grammys,

29
00:00:56,880 --> 00:01:01,280
Speaker 3: his Awards, magazine covers, it felt like his plaques. It

30
00:01:01,360 --> 00:01:04,800
Speaker 3: felt like he just you know, let them all on loan.

31
00:01:05,280 --> 00:01:07,679
Speaker 3: So it was like, not know, but man, it's definitely

32
00:01:07,720 --> 00:01:10,720
Speaker 3: an amazing exhibit. I encourage everyone to check it out.

33
00:01:10,920 --> 00:01:11,120
Speaker 2: Yeah.

34
00:01:11,120 --> 00:01:13,440
Speaker 1: I mean my connection with it was Death had called

35
00:01:13,560 --> 00:01:16,120
Speaker 1: me like months ago, and I got shook. You know,

36
00:01:16,160 --> 00:01:18,600
Speaker 1: you get to call from dev like no warning. I

37
00:01:18,640 --> 00:01:20,200
Speaker 1: was like, if I go to a home, I'm like, yo.

38
00:01:20,240 --> 00:01:22,640
Speaker 1: Dez called me like, is everything cool? Is everything cool?

39
00:01:23,319 --> 00:01:25,000
Speaker 1: He's like, no, no, I don't worry about it. I'll

40
00:01:25,040 --> 00:01:26,160
Speaker 1: talk to her. I'll talk to her. So then he

41
00:01:26,200 --> 00:01:28,040
Speaker 1: talked to her back, and then when I got in

42
00:01:28,080 --> 00:01:29,840
Speaker 1: the poll with her later, she was just like, Elliott,

43
00:01:29,959 --> 00:01:31,959
Speaker 1: the fuck is wrong with you? Why did you tell Jay?

44
00:01:32,080 --> 00:01:32,440
Speaker 2: I was.

45
00:01:32,440 --> 00:01:34,440
Speaker 1: I wanted to call you. But that was the beginning

46
00:01:34,440 --> 00:01:36,840
Speaker 1: of the process of this thing earlier in the process.

47
00:01:36,920 --> 00:01:39,640
Speaker 1: So I think Dez really did it put it all together.

48
00:01:39,840 --> 00:01:41,600
Speaker 1: She had an amazing team as far as I know,

49
00:01:42,080 --> 00:01:44,080
Speaker 1: and I think that he kind of knew something was coming,

50
00:01:44,120 --> 00:01:45,880
Speaker 1: but he had no idea of what he was going

51
00:01:45,920 --> 00:01:47,920
Speaker 1: into or seeing, you know. I think all of it

52
00:01:47,960 --> 00:01:50,520
Speaker 1: was done as far as I know, without his knowledge

53
00:01:50,680 --> 00:01:52,680
Speaker 1: of how it's being together, Like I'm sure he didn't know,

54
00:01:52,920 --> 00:01:54,960
Speaker 1: or they're going to make bait put Baseline back together

55
00:01:55,040 --> 00:01:57,280
Speaker 1: and shit like that, you know what I mean. Like so,

56
00:01:57,280 --> 00:01:58,880
Speaker 1: so it was dope and shout to Dez and an

57
00:01:58,880 --> 00:02:01,960
Speaker 1: amazing team she had. Then they envied me once for it,

58
00:02:02,040 --> 00:02:04,320
Speaker 1: just to get some insight on some talking points, I guess,

59
00:02:04,360 --> 00:02:06,840
Speaker 1: And yeah, I was bummed I couldn't get out there

60
00:02:06,840 --> 00:02:08,560
Speaker 1: in time to see it, but it looked amazing and

61
00:02:08,600 --> 00:02:11,200
Speaker 1: just seeing everybody, it seems so well done.

62
00:02:11,240 --> 00:02:13,200
Speaker 3: You know, Yeah, it was really well done. And you know,

63
00:02:13,400 --> 00:02:16,200
Speaker 3: Star studied be Honestly, you came through. Blue was there,

64
00:02:16,560 --> 00:02:17,160
Speaker 3: Fat Joe.

65
00:02:17,840 --> 00:02:19,639
Speaker 1: I saw you with the God Rock Kim, Rock Kim

66
00:02:19,680 --> 00:02:20,000
Speaker 1: a lot.

67
00:02:20,160 --> 00:02:22,760
Speaker 3: Rock Kim was there. You know, Charlemagne, the God was there.

68
00:02:22,760 --> 00:02:25,720
Speaker 3: He never comes out. You got the goddess charm without

69
00:02:25,760 --> 00:02:28,519
Speaker 3: sign or it was just it was like a woes

70
00:02:28,520 --> 00:02:30,560
Speaker 3: who were you know hip hop there? But honestly, that

71
00:02:31,120 --> 00:02:34,079
Speaker 3: just to have your career in that space, it just

72
00:02:34,160 --> 00:02:36,040
Speaker 3: felt like a mic drop, Like I think there is

73
00:02:36,120 --> 00:02:38,519
Speaker 3: no debate about who is the greatest to ever do it,

74
00:02:38,639 --> 00:02:41,520
Speaker 3: Like it's really amazing you saw.

75
00:02:41,560 --> 00:02:43,239
Speaker 1: I saw a lot of the magazine cover. I touched

76
00:02:43,280 --> 00:02:44,880
Speaker 1: a lot of those, man a lot of magazines and

77
00:02:44,960 --> 00:02:48,079
Speaker 1: that that exhibit, a lot of magazines, a lot of lamne,

78
00:02:48,720 --> 00:02:50,440
Speaker 1: a lot of plaques, a lot of pictures.

79
00:02:50,560 --> 00:02:51,640
Speaker 2: It was just amazing.

80
00:02:51,720 --> 00:02:54,040
Speaker 1: It's it's a really great exhibit for if you're a

81
00:02:54,120 --> 00:02:56,880
Speaker 1: Jay fan or if you're not, just to appreciate the culture.

82
00:02:57,320 --> 00:02:59,480
Speaker 1: So you're saying that without the VIP experience that you

83
00:02:59,560 --> 00:03:02,040
Speaker 1: had last night, people could still enjoy this if they

84
00:03:02,120 --> 00:03:04,440
Speaker 1: go see it, and we know, do we know how

85
00:03:04,480 --> 00:03:06,280
Speaker 1: long it's open to the public or how it's gonna work.

86
00:03:06,320 --> 00:03:06,959
Speaker 1: I'm still working.

87
00:03:06,960 --> 00:03:09,120
Speaker 3: I'm still looking that up my notes open to the

88
00:03:09,120 --> 00:03:12,560
Speaker 3: public by the time the series the next day. But

89
00:03:12,760 --> 00:03:15,639
Speaker 3: uh yeah, I just encourage you to run, to go

90
00:03:16,040 --> 00:03:17,959
Speaker 3: run and go there. And afterwards we had a really

91
00:03:18,000 --> 00:03:21,280
Speaker 3: good it was an after party. Okay, it's a little dinner.

92
00:03:21,280 --> 00:03:23,640
Speaker 3: And that's why I had him signed my uh uh

93
00:03:23,680 --> 00:03:26,359
Speaker 3: my program, he said. He said, I was the only

94
00:03:26,480 --> 00:03:28,120
Speaker 3: person until I saw letdy Yes.

95
00:03:28,040 --> 00:03:29,560
Speaker 1: Pop up with one. So I don't know how that

96
00:03:29,680 --> 00:03:30,520
Speaker 1: worked thout.

97
00:03:30,560 --> 00:03:33,920
Speaker 3: You and Leady a valid or yo. Leady was talking

98
00:03:33,960 --> 00:03:36,280
Speaker 3: this ship to way, so what he said yours now.

99
00:03:36,360 --> 00:03:38,720
Speaker 3: He said, you know, peace to the young legend or

100
00:03:38,840 --> 00:03:40,800
Speaker 3: young guy whatever he said, young beat eye.

101
00:03:41,040 --> 00:03:43,960
Speaker 1: You know, peace and love. So it was cool, great night.

102
00:03:44,920 --> 00:03:46,560
Speaker 1: Trying to say humbley was at the after party. You

103
00:03:46,560 --> 00:03:49,240
Speaker 1: know what I'm saying, some Italian having some Italian. I

104
00:03:49,320 --> 00:03:51,600
Speaker 1: believe it's some Italian e gotta come back to the

105
00:03:51,680 --> 00:03:55,360
Speaker 1: East Coast. Man, yoh man, he ain't he ain't my

106
00:03:55,440 --> 00:03:58,920
Speaker 1: posta be that he told about posta down Man still

107
00:03:59,000 --> 00:03:59,880
Speaker 1: by game up Man.

108
00:04:00,040 --> 00:04:01,040
Speaker 2: World Up. It's crazy.

109
00:04:01,080 --> 00:04:02,640
Speaker 1: It's crazy, man, but I'm glad you had to can

110
00:04:02,880 --> 00:04:04,280
Speaker 1: What was it like? You can read rock Kim mean

111
00:04:04,320 --> 00:04:05,240
Speaker 1: to god, it was cool.

112
00:04:05,320 --> 00:04:07,400
Speaker 3: At first, I didn't know if it was him, right,

113
00:04:07,520 --> 00:04:10,640
Speaker 3: because I'm like, whoever else is wearing times in like

114
00:04:10,800 --> 00:04:11,920
Speaker 3: eighty degree weather.

115
00:04:13,640 --> 00:04:16,160
Speaker 1: Like Kim, a law man and a backyard ensemble.

116
00:04:16,200 --> 00:04:18,560
Speaker 2: I got to close. This is that rock Kim said, Yo,

117
00:04:18,800 --> 00:04:19,320
Speaker 2: suck man.

118
00:04:19,880 --> 00:04:23,479
Speaker 1: Nobody's smiling. You know, I'm like, Okay, Kim is here.

119
00:04:23,600 --> 00:04:23,800
Speaker 2: Man.

120
00:04:25,200 --> 00:04:27,280
Speaker 3: You know I'm a big payd fool guy. You know,

121
00:04:27,480 --> 00:04:29,760
Speaker 3: so of course I love the album. Man, you know,

122
00:04:29,839 --> 00:04:30,720
Speaker 3: it's just good to see him.

123
00:04:31,480 --> 00:04:32,719
Speaker 1: That salad rock Kim alive.

124
00:04:32,800 --> 00:04:32,960
Speaker 2: Man.

125
00:04:34,400 --> 00:04:36,760
Speaker 1: But let's get focused to that now. Man, we beat

126
00:04:36,839 --> 00:04:38,760
Speaker 1: us always admant that we know we respect the legends

127
00:04:38,800 --> 00:04:40,000
Speaker 1: like rock Kim, but we got to make sure we

128
00:04:40,040 --> 00:04:42,719
Speaker 1: connect to this new generation. This guy, man, he's been

129
00:04:42,760 --> 00:04:45,320
Speaker 1: on top of the every body's year end list with

130
00:04:45,440 --> 00:04:48,160
Speaker 1: his with his album earlier this year, Man Memphis is own.

131
00:04:49,360 --> 00:04:52,440
Speaker 3: Yeah, yeah, man, he's becoming like a regional legend in

132
00:04:52,520 --> 00:04:54,880
Speaker 3: his own right, you know what I mean. Like Glacomba too,

133
00:04:55,120 --> 00:04:56,920
Speaker 3: definitely one of the best albums this ship. For sure,

134
00:04:57,520 --> 00:04:59,920
Speaker 3: that work record is making noise. It's funny, like he's young,

135
00:05:00,240 --> 00:05:02,080
Speaker 3: he was young the recipes young Dolph. He was a cousin,

136
00:05:02,200 --> 00:05:04,240
Speaker 3: right cousin of Young Dolph, yep, And like you look

137
00:05:04,240 --> 00:05:04,800
Speaker 3: at what look.

138
00:05:04,640 --> 00:05:06,599
Speaker 1: At what Dolph put in, and it seems like even

139
00:05:06,640 --> 00:05:09,640
Speaker 1: with you know, unfortunately with the passing, Glocus has kept

140
00:05:09,680 --> 00:05:11,880
Speaker 1: it going for paper Route and really is carving like

141
00:05:11,960 --> 00:05:14,440
Speaker 1: his only like you said, it's like a young Southern

142
00:05:14,560 --> 00:05:16,920
Speaker 1: legend and building his mark in the game on a

143
00:05:17,000 --> 00:05:17,560
Speaker 1: heavy level.

144
00:05:17,640 --> 00:05:20,120
Speaker 3: Man. Yeah, absolutely, Like he's definitely carrying the flag and

145
00:05:20,200 --> 00:05:22,480
Speaker 3: you know, yeah as also artists on the label that

146
00:05:22,520 --> 00:05:24,480
Speaker 3: he's cultivating as well. So I love to see his

147
00:05:24,560 --> 00:05:27,240
Speaker 3: trajectory and like you say he re released the Glockom

148
00:05:27,360 --> 00:05:30,040
Speaker 3: two and yeah, that's right. One of the standouts to

149
00:05:30,160 --> 00:05:31,960
Speaker 3: me on that re release is Penny, which we talked

150
00:05:31,960 --> 00:05:35,120
Speaker 3: about to in the episode. So cumber Man, Yo, we

151
00:05:35,320 --> 00:05:37,320
Speaker 3: we tore it down May Brother's posse. Man, we took

152
00:05:37,360 --> 00:05:37,880
Speaker 3: over a house.

153
00:05:37,960 --> 00:05:38,080
Speaker 2: Man.

154
00:05:38,120 --> 00:05:39,000
Speaker 1: We had a good time.

155
00:05:39,440 --> 00:05:39,560
Speaker 2: Yo.

156
00:05:40,440 --> 00:05:43,240
Speaker 1: He rolls deep, He rolls deep, man, Key Clock rolls deep,

157
00:05:43,320 --> 00:05:46,360
Speaker 1: baby yo. Key Glock brought the entire city of Memphis

158
00:05:46,440 --> 00:05:46,800
Speaker 1: with him.

159
00:05:46,839 --> 00:05:52,039
Speaker 4: Man, but like nineteen ninety six and it all seemed

160
00:05:52,040 --> 00:05:53,800
Speaker 4: like friendly gentlemen. But you know, there was a lot

161
00:05:53,839 --> 00:05:56,480
Speaker 4: of them, so you know, I have to look out.

162
00:05:57,520 --> 00:05:59,760
Speaker 4: I know if that was paper Rout or the Grizzlies. Yeah,

163
00:06:01,080 --> 00:06:04,000
Speaker 4: we want the whole franchise. The game wore it up.

164
00:06:04,520 --> 00:06:06,400
Speaker 1: No, it's sad shout out and producer Lord man, she

165
00:06:06,480 --> 00:06:09,000
Speaker 1: gets these incredible locales. I think you would be excited

166
00:06:09,040 --> 00:06:10,960
Speaker 1: when they, like see when we take things. So it's

167
00:06:11,000 --> 00:06:12,240
Speaker 1: like they don't want to leave and they want to

168
00:06:12,320 --> 00:06:14,280
Speaker 1: kick it, they want to hang out, and yeah, you

169
00:06:14,360 --> 00:06:15,960
Speaker 1: know sometimes they just go a little bit a little

170
00:06:15,960 --> 00:06:18,160
Speaker 1: stressful after that, you know, getting people out of the

171
00:06:18,240 --> 00:06:20,080
Speaker 1: building and all that. But you know, we worked you

172
00:06:20,160 --> 00:06:21,760
Speaker 1: with you never know whe're going to be at man

173
00:06:23,080 --> 00:06:25,159
Speaker 1: right here saying all these you gott to pop up today,

174
00:06:25,200 --> 00:06:26,479
Speaker 1: own man, we pull up everywhere.

175
00:06:26,560 --> 00:06:26,680
Speaker 2: Man.

176
00:06:26,720 --> 00:06:29,200
Speaker 1: We set our on grounds. Man, we set our own rules.

177
00:06:29,240 --> 00:06:29,800
Speaker 2: That's a fact.

178
00:06:29,960 --> 00:06:34,400
Speaker 1: Well, sit in and settle in for this episode. Man, Yes, yes, yes, yes,

179
00:06:34,640 --> 00:06:39,080
Speaker 1: key block man. You wrap rate on podcasts, Yeah, year,

180
00:06:39,160 --> 00:06:41,680
Speaker 1: wrap rate up podcast Elliott Wilson's beat out. You know

181
00:06:41,760 --> 00:06:44,159
Speaker 1: what's up? Baby doing great sack of California.

182
00:06:44,240 --> 00:06:45,080
Speaker 3: Man, yes, sir.

183
00:06:45,440 --> 00:06:47,560
Speaker 1: And this guy man, he's on fire right now. Man,

184
00:06:48,160 --> 00:06:51,240
Speaker 1: I mean list, I see so far the year, best

185
00:06:51,279 --> 00:06:54,560
Speaker 1: albums of the year, all these periodicals, all these publications.

186
00:06:55,400 --> 00:07:00,159
Speaker 1: I see that glock Homa two on there. Man, Yes, sir, mister,

187
00:07:01,480 --> 00:07:06,160
Speaker 1: show some respect. Congrass key clock man. And now we

188
00:07:06,279 --> 00:07:08,200
Speaker 1: just got and the time is impeccable for us, be

189
00:07:08,320 --> 00:07:10,320
Speaker 1: that the deluxe just dropped at the time with Sitting

190
00:07:10,360 --> 00:07:11,440
Speaker 1: Down Glaucoma two.

191
00:07:12,240 --> 00:07:14,200
Speaker 3: Was it always your plan to re release Gloacoma two?

192
00:07:15,600 --> 00:07:17,640
Speaker 2: Yeah, it kind of was, but I just didn't know

193
00:07:18,000 --> 00:07:19,320
Speaker 2: like when I wanted to do it.

194
00:07:19,920 --> 00:07:22,080
Speaker 3: Yeah, but you're a fan of the sequels. You have

195
00:07:22,120 --> 00:07:25,840
Speaker 3: the Yellow Tape two, Dumb and Dumber two, Like, is

196
00:07:25,920 --> 00:07:30,679
Speaker 3: that you know it's the only two sequels. I really

197
00:07:31,480 --> 00:07:35,680
Speaker 3: ain't too big on like sequels and trios, but who knows, you.

198
00:07:35,720 --> 00:07:38,200
Speaker 1: Know, we might have got it's got coma to your

199
00:07:38,240 --> 00:07:38,760
Speaker 1: best album.

200
00:07:39,040 --> 00:07:40,760
Speaker 2: You can't ask me, I say all of them.

201
00:07:42,640 --> 00:07:44,840
Speaker 1: I mean, you got some classic yellow tape that's gold

202
00:07:44,920 --> 00:07:49,120
Speaker 1: right for sure? Lacoma one is gold. But something about

203
00:07:49,160 --> 00:07:51,080
Speaker 1: this Glacoma two, like have you seen it? Like I said,

204
00:07:51,120 --> 00:07:54,080
Speaker 1: like it seems like that's really like you know, maybe

205
00:07:54,120 --> 00:07:57,160
Speaker 1: also because your first real your first official release post

206
00:07:57,200 --> 00:07:59,560
Speaker 1: to passing of Dolph, you know, the attention so much

207
00:07:59,600 --> 00:08:01,600
Speaker 1: on you. I just feel like you sort of like

208
00:08:01,720 --> 00:08:03,040
Speaker 1: rose to the occasion, you know what I mean?

209
00:08:03,040 --> 00:08:05,320
Speaker 2: In many ways? Do you feel that way everything happened

210
00:08:05,360 --> 00:08:07,960
Speaker 2: for a reason and like what's meant to happen is

211
00:08:08,240 --> 00:08:10,920
Speaker 2: going to happen anyway? Like, yeah, I'm get here to

212
00:08:11,000 --> 00:08:12,560
Speaker 2: do my job, you know what I'm saying, do what

213
00:08:12,600 --> 00:08:14,400
Speaker 2: I supposed to do and keep holding it down.

214
00:08:15,200 --> 00:08:16,280
Speaker 1: Was this processing any different?

215
00:08:16,320 --> 00:08:16,440
Speaker 2: You know?

216
00:08:16,560 --> 00:08:18,520
Speaker 1: Sometimes you get input from your peoples to like which

217
00:08:18,600 --> 00:08:21,000
Speaker 1: songs you pick and stuff like that. Like you talk

218
00:08:21,040 --> 00:08:22,600
Speaker 1: a little bit about what you feel like the making

219
00:08:22,640 --> 00:08:24,160
Speaker 1: of Lacoma too, How did that come together?

220
00:08:24,240 --> 00:08:28,640
Speaker 2: In your mind. It really came from like my boys,

221
00:08:28,800 --> 00:08:30,840
Speaker 2: like it really was their idea more than the man.

222
00:08:31,080 --> 00:08:34,240
Speaker 2: So I actually let them pick out like the track

223
00:08:34,320 --> 00:08:36,959
Speaker 2: list and everything. Yeah, like I put it in order,

224
00:08:37,040 --> 00:08:39,559
Speaker 2: but like I let them like go through my fous

225
00:08:39,600 --> 00:08:40,560
Speaker 2: and pick the songs up.

226
00:08:41,440 --> 00:08:43,719
Speaker 1: So does anybody, particularly in your circle that you really like,

227
00:08:44,120 --> 00:08:47,280
Speaker 1: value their opinion like that at all of them?

228
00:08:48,640 --> 00:08:51,840
Speaker 2: It's a reason they're around, is that what? Yeah? For sure?

229
00:08:52,200 --> 00:08:54,920
Speaker 3: It's five hundred songs, right that you had and you

230
00:08:55,040 --> 00:08:57,960
Speaker 3: narrowed it down to just eight for the deluxe Yeah. Nah,

231
00:08:58,040 --> 00:09:00,360
Speaker 3: it was for really the whole thing, okay, but yeah,

232
00:09:00,400 --> 00:09:03,760
Speaker 3: including the looks too. Oh man, for sure, five hundred

233
00:09:03,800 --> 00:09:07,600
Speaker 3: songs you recorded like that, I record every day all day.

234
00:09:08,240 --> 00:09:10,160
Speaker 1: So your boys get critical about it, be like, nah,

235
00:09:10,160 --> 00:09:10,680
Speaker 1: I don't like that.

236
00:09:10,760 --> 00:09:13,480
Speaker 2: Do you do? Yeah? For sure? Do you get That's

237
00:09:13,480 --> 00:09:16,360
Speaker 2: why I need them around, Like, don't don't sugar coat

238
00:09:16,400 --> 00:09:17,920
Speaker 2: it just because you're my boy, Like, let me know

239
00:09:18,000 --> 00:09:19,800
Speaker 2: if you don't like it, And that's what we do,

240
00:09:20,400 --> 00:09:22,040
Speaker 2: like we do it with each other. Right. And some

241
00:09:22,160 --> 00:09:24,640
Speaker 2: of these songs are old too though, right, Yeah, someone

242
00:09:24,800 --> 00:09:27,880
Speaker 2: like two years old? Wow? For sure? Which was are

243
00:09:27,920 --> 00:09:31,400
Speaker 2: some of the older ones remember from the bottom it

244
00:09:31,559 --> 00:09:37,240
Speaker 2: was like two years old. Key Ricks like a year old.

245
00:09:38,280 --> 00:09:40,719
Speaker 2: In and out like in and out of town like

246
00:09:40,760 --> 00:09:41,560
Speaker 2: a year and a half.

247
00:09:43,400 --> 00:09:45,959
Speaker 3: I love Penny Man, you've premiered that on stage too.

248
00:09:46,600 --> 00:09:50,920
Speaker 2: I recorded Penny on tour. Okay, wow, Penny like Penny

249
00:09:51,080 --> 00:09:56,080
Speaker 2: was another reason that the LOOKX came because they're like, man,

250
00:09:56,160 --> 00:09:58,840
Speaker 2: you need you to drop don't just drop Penny Man,

251
00:09:58,880 --> 00:10:01,880
Speaker 2: you need to dropped the looks. I wasn't too big

252
00:10:02,000 --> 00:10:04,280
Speaker 2: on the looks I went. It was never my plan

253
00:10:04,480 --> 00:10:07,720
Speaker 2: like to drop the the looks. Yeah, so they put

254
00:10:07,760 --> 00:10:08,520
Speaker 2: the motivation in.

255
00:10:08,679 --> 00:10:11,320
Speaker 3: Because when you tested out on stage, were like apprehensive

256
00:10:11,360 --> 00:10:13,599
Speaker 3: to see how the response was. But people acted like

257
00:10:13,600 --> 00:10:14,640
Speaker 3: as if they knew it already.

258
00:10:15,400 --> 00:10:20,240
Speaker 2: Yeah, exactly. So there's another reason why I did it.

259
00:10:20,320 --> 00:10:23,839
Speaker 2: I was like, yeah, they I see the energy and

260
00:10:23,920 --> 00:10:25,839
Speaker 2: feedback I'm getting from the fans and they don't even

261
00:10:25,920 --> 00:10:29,240
Speaker 2: know the words. It's just the energies. It just all

262
00:10:29,320 --> 00:10:29,839
Speaker 2: flow together.

263
00:10:30,320 --> 00:10:31,839
Speaker 3: Do you usually do that on stage, like do you

264
00:10:32,000 --> 00:10:33,599
Speaker 3: test out some records or you just kind of like

265
00:10:33,640 --> 00:10:34,520
Speaker 3: stick to your set list.

266
00:10:34,880 --> 00:10:39,160
Speaker 2: I really don't even getta like a final set list

267
00:10:39,280 --> 00:10:42,280
Speaker 2: like every other show. I switched it up, but now

268
00:10:42,360 --> 00:10:44,840
Speaker 2: I don't ever play like unreleased music. I just started

269
00:10:44,960 --> 00:10:47,960
Speaker 2: down on this tour just trying something new, app because

270
00:10:47,960 --> 00:10:48,320
Speaker 2: soon as.

271
00:10:48,200 --> 00:10:50,360
Speaker 1: You dropped the album, soon as you dropped the original album,

272
00:10:50,400 --> 00:10:52,800
Speaker 1: you went on like a dirty two city tour. They

273
00:10:52,840 --> 00:10:54,680
Speaker 1: talk about that, what was your experience, Like, was any

274
00:10:54,720 --> 00:10:57,000
Speaker 1: particular highlights to sit out to you? A certain cities

275
00:10:57,080 --> 00:10:59,640
Speaker 1: that you know really resonated And.

276
00:11:00,160 --> 00:11:03,080
Speaker 2: I enjoyed it all every city like like it wasn't

277
00:11:03,760 --> 00:11:08,400
Speaker 2: no like, no damn falls, no, nothing like any negativity,

278
00:11:08,520 --> 00:11:11,760
Speaker 2: no nothing, Yeah, Like it's just it's just all big

279
00:11:11,880 --> 00:11:12,440
Speaker 2: and all love.

280
00:11:13,040 --> 00:11:14,400
Speaker 1: They city to sit out to you.

281
00:11:14,679 --> 00:11:18,000
Speaker 2: Everybody look like I can't even just say city, but

282
00:11:18,200 --> 00:11:22,240
Speaker 2: like the whole state of Texas, Yeah, Texas, whole down

283
00:11:22,360 --> 00:11:25,760
Speaker 2: South New York, New York, Yeah for sure.

284
00:11:25,920 --> 00:11:28,160
Speaker 3: And before he embarked on this tour though, Big Scar

285
00:11:28,640 --> 00:11:30,360
Speaker 3: was supposed to come on the road with you, right right,

286
00:11:30,520 --> 00:11:32,720
Speaker 3: how were you affected by his passion.

287
00:11:33,720 --> 00:11:36,440
Speaker 2: And stuff like they have been like it's not made

288
00:11:36,480 --> 00:11:39,719
Speaker 2: for us to understand, Like I can't qustion God, but

289
00:11:40,040 --> 00:11:41,959
Speaker 2: like you want to know why, but like you just

290
00:11:42,000 --> 00:11:48,679
Speaker 2: gotta you just gotta keep pushing, like it's life, Bro's life, man.

291
00:11:49,160 --> 00:11:50,960
Speaker 1: But back to the tour part of it, like one

292
00:11:51,000 --> 00:11:52,559
Speaker 1: thing to sit out with you from jump. It's like,

293
00:11:53,040 --> 00:11:55,000
Speaker 1: you know, we'll talk about like people like a club arsist,

294
00:11:55,000 --> 00:11:57,040
Speaker 1: but some people they call like hard ticket artists, like

295
00:11:57,080 --> 00:11:59,280
Speaker 1: you're a heard ticket artist, Like you speak a little

296
00:11:59,280 --> 00:12:02,040
Speaker 1: bit about how that developed that people pay to see

297
00:12:02,120 --> 00:12:02,800
Speaker 1: Key Clock.

298
00:12:02,640 --> 00:12:05,559
Speaker 2: Do his thing. Really, I didn't. I didn't even understand it,

299
00:12:05,800 --> 00:12:09,559
Speaker 2: like when I first came in the game, because I

300
00:12:09,679 --> 00:12:13,080
Speaker 2: was like I was doing all like club like clubs

301
00:12:13,440 --> 00:12:17,880
Speaker 2: like bags for sure, But then again I had to learn.

302
00:12:18,800 --> 00:12:21,679
Speaker 2: I had to learn the business side of the tickets

303
00:12:21,720 --> 00:12:24,880
Speaker 2: and like the venues because it's like it benefits more

304
00:12:25,040 --> 00:12:28,480
Speaker 2: like the clubs and the streets. It's gonna it ain't

305
00:12:28,520 --> 00:12:31,200
Speaker 2: going nowhere. I always always be here.

306
00:12:31,280 --> 00:12:33,920
Speaker 1: You got a catalog already for that audio like this.

307
00:12:34,080 --> 00:12:37,640
Speaker 2: Stamp, so why not getting this lane? Even if I

308
00:12:37,720 --> 00:12:39,719
Speaker 2: gotta take a pay cut or you know what I'm

309
00:12:39,720 --> 00:12:43,040
Speaker 2: saying or whatever, Like you just gotta take chances. It's busy.

310
00:12:43,720 --> 00:12:46,640
Speaker 3: Yeah, even when you're going on tour overseas, it seems

311
00:12:46,679 --> 00:12:47,720
Speaker 3: like they're loving you as well.

312
00:12:48,000 --> 00:12:49,920
Speaker 2: Now for sure, everybody live.

313
00:12:52,400 --> 00:12:54,800
Speaker 1: What's some of your favorite joints to perform though?

314
00:12:55,559 --> 00:13:01,400
Speaker 2: Rush and cream we'd on the street came from doing

315
00:13:02,960 --> 00:13:05,680
Speaker 2: like really anything? Yeah anything?

316
00:13:06,080 --> 00:13:07,920
Speaker 3: Is it shocking to you when you all overseas and

317
00:13:08,360 --> 00:13:10,559
Speaker 3: those guys are resigning your your lyrics like that?

318
00:13:11,760 --> 00:13:16,720
Speaker 2: Nah, it's really shocking, Like it really like do something

319
00:13:16,880 --> 00:13:18,719
Speaker 2: like triggered something in my mind and let me know,

320
00:13:18,880 --> 00:13:21,920
Speaker 2: like you really you know what I'm saying, came from

321
00:13:21,960 --> 00:13:25,080
Speaker 2: this place, but you always over here in this place

322
00:13:25,120 --> 00:13:27,880
Speaker 2: and these folks barely even know English, but they know

323
00:13:28,000 --> 00:13:28,400
Speaker 2: your ship.

324
00:13:28,679 --> 00:13:28,800
Speaker 3: Right.

325
00:13:29,240 --> 00:13:32,760
Speaker 1: Yeah, so Russian Cream, that was the first one that

326
00:13:32,880 --> 00:13:33,599
Speaker 1: really brought you.

327
00:13:35,000 --> 00:13:39,679
Speaker 2: No, it was oh my Soul, Oh yeah, okay from

328
00:13:39,720 --> 00:13:42,959
Speaker 2: Glax My Soul, My Soul, And when did.

329
00:13:42,920 --> 00:13:45,120
Speaker 1: You realize like that's a hit, Like what was that film?

330
00:13:45,200 --> 00:13:47,480
Speaker 2: Like I didn't even like the song for a while.

331
00:13:48,080 --> 00:13:51,400
Speaker 2: Like sometimes it's like that, like my team picked this song,

332
00:13:51,920 --> 00:13:55,959
Speaker 2: like they ain't fans, but like they fans, like in

333
00:13:56,040 --> 00:13:58,960
Speaker 2: their opinion matter to me, So I'd rather trust they

334
00:13:59,160 --> 00:14:01,480
Speaker 2: been my own. Yeah, like you know what I'm saying.

335
00:14:01,559 --> 00:14:03,280
Speaker 2: So that's how they came about.

336
00:14:03,880 --> 00:14:06,360
Speaker 1: But who credit to somebody who out the crew really

337
00:14:06,640 --> 00:14:07,320
Speaker 1: stands out to you.

338
00:14:07,400 --> 00:14:10,840
Speaker 2: That like you really respect that person's opinion. Really, everybody

339
00:14:11,200 --> 00:14:15,160
Speaker 2: like you don't know, like I know them, like they

340
00:14:15,559 --> 00:14:19,120
Speaker 2: like a majority, like hands up like that, like like

341
00:14:19,200 --> 00:14:24,520
Speaker 2: it'll get into a tussle, like motherfuckers disagree, so so hard,

342
00:14:25,040 --> 00:14:26,600
Speaker 2: like yeah, but it's our love though.

343
00:14:26,600 --> 00:14:29,040
Speaker 1: Ye Do you like that that your boys fighting over

344
00:14:29,080 --> 00:14:30,560
Speaker 1: your son your content? Yeah?

345
00:14:30,600 --> 00:14:33,160
Speaker 2: I don't just I'm just telling me, Yeah, it's hard

346
00:14:33,200 --> 00:14:36,360
Speaker 2: because you're my boy and you're around me like like this,

347
00:14:36,520 --> 00:14:38,000
Speaker 2: how your ship really get weak?

348
00:14:38,480 --> 00:14:40,800
Speaker 1: So do you like, yes, man, you don't live yourself

349
00:14:40,840 --> 00:14:42,680
Speaker 1: to kind of get attached too much of songs, I

350
00:14:42,720 --> 00:14:44,680
Speaker 1: guess and a certain extent, like you feel like.

351
00:14:44,680 --> 00:14:47,880
Speaker 2: You could just I know what what songs be? Whitch?

352
00:14:48,000 --> 00:14:52,400
Speaker 2: But then again, I still like listen to their opinion. Yeah, yeah,

353
00:14:52,440 --> 00:14:53,640
Speaker 2: for sure, for sure.

354
00:14:54,760 --> 00:14:56,800
Speaker 1: The one particular example that stands out to you where

355
00:14:56,880 --> 00:14:59,440
Speaker 1: maybe you know, we said on my soul, I guess

356
00:14:59,440 --> 00:15:01,240
Speaker 1: that's the very but you didn't believe in that to

357
00:15:01,320 --> 00:15:02,960
Speaker 1: the same level they did and ended up being your

358
00:15:03,000 --> 00:15:05,640
Speaker 1: first hit. So did that make it feel even more like, well,

359
00:15:05,640 --> 00:15:10,920
Speaker 1: I gotta I gotta trust these people like but Russian

360
00:15:10,960 --> 00:15:12,840
Speaker 1: Cream though that took off in kind of a different way.

361
00:15:12,680 --> 00:15:14,480
Speaker 2: Too, though that was that was a year later.

362
00:15:14,720 --> 00:15:16,080
Speaker 1: I didn't even know I didn't even know where Russian

363
00:15:16,080 --> 00:15:21,320
Speaker 1: Cream was. It's a backwood, yeah exactly. Yeah, were surprised

364
00:15:21,360 --> 00:15:22,840
Speaker 1: that took off the way the way it did.

365
00:15:23,400 --> 00:15:26,600
Speaker 2: I did, but I didn't. I did, like I knew

366
00:15:27,000 --> 00:15:28,520
Speaker 2: the song was gonna do what it was gonna do,

367
00:15:28,640 --> 00:15:31,000
Speaker 2: but I didn't know like how fans it was gonna

368
00:15:31,040 --> 00:15:33,320
Speaker 2: expand basically, And is.

369
00:15:33,320 --> 00:15:35,080
Speaker 1: That the song where you try to do a remix

370
00:15:35,160 --> 00:15:36,880
Speaker 1: and get a feature and the feature didn't work out?

371
00:15:36,920 --> 00:15:41,800
Speaker 1: So now you're like, fuck a feature? Exactly exactly why

372
00:15:41,880 --> 00:15:43,080
Speaker 1: such a hard stairs.

373
00:15:44,680 --> 00:15:45,480
Speaker 2: Platinum? Right now?

374
00:15:46,720 --> 00:15:48,080
Speaker 1: You took that ship literally you know.

375
00:15:49,160 --> 00:15:52,040
Speaker 3: Joke that Jakogo's platinum with no features, but you really

376
00:15:52,280 --> 00:15:53,800
Speaker 3: don't fuck no features.

377
00:15:56,440 --> 00:15:56,800
Speaker 2: Never did.

378
00:15:57,360 --> 00:15:58,960
Speaker 1: You just didn't like that experience. I think you had

379
00:15:58,960 --> 00:16:01,640
Speaker 1: told you, bro, like I was trying to somebody a bag, right,

380
00:16:01,880 --> 00:16:04,000
Speaker 1: doff sell, let's do it, and it just didn't work out.

381
00:16:04,040 --> 00:16:06,560
Speaker 1: But like, did that forever like change your view of

382
00:16:06,680 --> 00:16:08,520
Speaker 1: how that, how I can go, how that should go down?

383
00:16:08,640 --> 00:16:11,320
Speaker 2: Yeah? Because I was young, like I'm still young, but

384
00:16:11,440 --> 00:16:15,760
Speaker 2: I was like like nineteen twenty and I just didn't

385
00:16:15,840 --> 00:16:21,480
Speaker 2: understand it, like, yeah, this person like now I'm offering money.

386
00:16:21,520 --> 00:16:25,080
Speaker 2: It ain't like that they do this for free, like like,

387
00:16:25,480 --> 00:16:28,360
Speaker 2: what's going on? So I don't know?

388
00:16:28,600 --> 00:16:30,600
Speaker 3: And plus on ev you said you don't like doing features.

389
00:16:30,600 --> 00:16:33,720
Speaker 3: You don't like meeting new niggas, So it's pretty on brain, right.

390
00:16:34,480 --> 00:16:36,920
Speaker 1: No, you selected with your features like I was doing today,

391
00:16:37,000 --> 00:16:39,320
Speaker 1: like the Young Nuty joint you dropped up with this project.

392
00:16:39,360 --> 00:16:41,440
Speaker 2: That's that point. It's hard you and Nudy like you're

393
00:16:41,520 --> 00:16:44,400
Speaker 2: very select as a person, not even music.

394
00:16:44,680 --> 00:16:47,000
Speaker 1: Yeah, sure, because you select with your stuff. You don't

395
00:16:47,000 --> 00:16:49,280
Speaker 1: even you wouldn't charge for a feature on your.

396
00:16:49,200 --> 00:16:52,120
Speaker 2: Stuff, right, Like as far as my own songs, I

397
00:16:52,160 --> 00:16:55,240
Speaker 2: don't do features, like and a lot of folks beginning

398
00:16:55,320 --> 00:16:57,360
Speaker 2: confused when I say I don't do features, they think

399
00:16:58,000 --> 00:17:00,560
Speaker 2: I wouldn't do a feature for them, right, So that's why,

400
00:17:00,800 --> 00:17:03,360
Speaker 2: like you know what I'm saying. Yeah, So that's how

401
00:17:03,400 --> 00:17:07,240
Speaker 2: I really did commotion be coming about. But it really

402
00:17:07,280 --> 00:17:10,080
Speaker 2: ain't even liked it. Like I'm open to work with

403
00:17:10,240 --> 00:17:13,200
Speaker 2: you know what I'm saying, certain people, but I just

404
00:17:13,280 --> 00:17:15,880
Speaker 2: got a thing with putting people on my songs.

405
00:17:15,600 --> 00:17:19,800
Speaker 1: Now from that experience, Yeah, yeah exactly. So you never

406
00:17:19,880 --> 00:17:21,480
Speaker 1: hear a song that you'd be like, yo, so and

407
00:17:21,640 --> 00:17:22,520
Speaker 1: so would sound.

408
00:17:22,840 --> 00:17:26,359
Speaker 2: Rather I'd rather make it a collapse than make it

409
00:17:26,400 --> 00:17:28,920
Speaker 2: a feature. I'd rather share this song with the person.

410
00:17:28,960 --> 00:17:29,600
Speaker 2: You know what I'm saying.

411
00:17:30,200 --> 00:17:30,920
Speaker 3: Yeah that makes sense.

412
00:17:31,080 --> 00:17:31,280
Speaker 2: Yeah.

413
00:17:31,400 --> 00:17:33,640
Speaker 3: Remember last year you said that you've been recording songs

414
00:17:33,680 --> 00:17:35,680
Speaker 3: with like a chip on your shoulder. So why do

415
00:17:35,720 --> 00:17:36,360
Speaker 3: you feel that way.

416
00:17:36,520 --> 00:17:38,719
Speaker 2: I've just been having a different type of energy, bro

417
00:17:39,280 --> 00:17:43,320
Speaker 2: Like different type of energy, Like I got a bigger

418
00:17:43,359 --> 00:17:46,120
Speaker 2: battery in my back. I just been on go. Yeah,

419
00:17:46,160 --> 00:17:46,879
Speaker 2: I just been don't go.

420
00:17:47,520 --> 00:17:49,399
Speaker 3: Why do you feel like that, even despite your success,

421
00:17:49,480 --> 00:17:50,879
Speaker 3: you feel like you still have something to prove in

422
00:17:50,920 --> 00:17:51,200
Speaker 3: the game.

423
00:17:52,080 --> 00:17:55,679
Speaker 2: Yeah, it's it's always more like I ain't never satisfied,

424
00:17:55,840 --> 00:17:59,280
Speaker 2: ain't it ain't never too much? Never too much.

425
00:18:01,400 --> 00:18:03,879
Speaker 1: You're very clear and records like dirt and fuck that

426
00:18:03,960 --> 00:18:06,280
Speaker 1: Ship that you like really against like the idea that

427
00:18:06,640 --> 00:18:08,320
Speaker 1: you know, money and fame changes you, you know what

428
00:18:08,359 --> 00:18:10,000
Speaker 1: I mean. Like it seems like you're very step fast

429
00:18:10,080 --> 00:18:12,320
Speaker 1: to say like, nah, I don't, I don't. I'm not

430
00:18:12,400 --> 00:18:14,120
Speaker 1: going to go that way. Like what is it about

431
00:18:14,240 --> 00:18:16,040
Speaker 1: fame that like what do you like about it? And

432
00:18:16,119 --> 00:18:17,800
Speaker 1: what don't you like about it? Like this new attention

433
00:18:17,920 --> 00:18:20,560
Speaker 1: that you've gotten and how you've grown in the spotlight.

434
00:18:20,560 --> 00:18:24,840
Speaker 2: Fame, it ain't good for all people like it in

435
00:18:25,000 --> 00:18:27,320
Speaker 2: all fame ain't good fame like you you know what

436
00:18:27,359 --> 00:18:31,520
Speaker 2: I'm saying. It's just I don't know. I'm ridly I'm

437
00:18:31,520 --> 00:18:35,800
Speaker 2: a real like laid backing private person, but I know

438
00:18:35,960 --> 00:18:38,760
Speaker 2: it comes with like my career, my job. Yeah, and

439
00:18:38,920 --> 00:18:41,560
Speaker 2: I just gotta keep working on getting used to that.

440
00:18:42,280 --> 00:18:45,320
Speaker 2: But yeah, like the fame, they ain't They really ain't

441
00:18:45,400 --> 00:18:48,200
Speaker 2: what them here for. I know it's gonna come with

442
00:18:48,320 --> 00:18:53,400
Speaker 2: the money, but they can keep it, yeah for sure.

443
00:18:54,560 --> 00:18:56,200
Speaker 3: I mean, you've been famous for a while. It seems

444
00:18:56,240 --> 00:18:56,600
Speaker 3: like it's a.

445
00:18:58,400 --> 00:19:00,520
Speaker 1: Good running six's running out the gate.

446
00:19:01,359 --> 00:19:01,560
Speaker 2: Yeah.

447
00:19:02,000 --> 00:19:03,280
Speaker 1: Is that different though, too, because like a lot of

448
00:19:03,359 --> 00:19:05,240
Speaker 1: artists still go through that period where like, you know,

449
00:19:05,359 --> 00:19:07,399
Speaker 1: they struggle and then they finally pop off. It seems

450
00:19:07,440 --> 00:19:11,200
Speaker 1: like you went from senior high school to like draft

451
00:19:11,240 --> 00:19:12,080
Speaker 1: pick then.

452
00:19:12,440 --> 00:19:14,600
Speaker 2: Yeah, there's a lot of rappels Like there was it

453
00:19:16,240 --> 00:19:17,720
Speaker 2: at the top of the you know what I'm saying

454
00:19:18,160 --> 00:19:20,080
Speaker 2: career around the time when I came in, But now

455
00:19:20,119 --> 00:19:25,200
Speaker 2: it's like they just slowly faded away for what I

456
00:19:25,240 --> 00:19:29,399
Speaker 2: don't know, it just happened like that, right, Yeah, So.

457
00:19:29,440 --> 00:19:31,240
Speaker 3: Why have you been able to like rise above the

458
00:19:31,320 --> 00:19:32,920
Speaker 3: fray because.

459
00:19:32,720 --> 00:19:35,120
Speaker 2: I just beat me. And you know what I'm saying,

460
00:19:35,119 --> 00:19:38,360
Speaker 2: I stay in my own lane. You know what I'm saying.

461
00:19:38,680 --> 00:19:40,680
Speaker 2: I don't link with too many people, like I just

462
00:19:41,160 --> 00:19:46,760
Speaker 2: literally just beat me. Yeah, are you still living in Memphis? Nah?

463
00:19:47,400 --> 00:19:49,720
Speaker 2: I ain't lived in Memphis since I was in the

464
00:19:49,800 --> 00:19:53,880
Speaker 2: high school. Yeah, since I since I graduated, I've been there.

465
00:19:55,119 --> 00:19:56,639
Speaker 1: What's your view of the city now, Like, do you

466
00:19:56,720 --> 00:19:59,440
Speaker 1: know what's going on out there? Like the temperature out there?

467
00:20:00,000 --> 00:20:04,760
Speaker 2: He was going to always be Memphis, it's just the jungle.

468
00:20:05,520 --> 00:20:08,720
Speaker 1: Yeah, sight up, it's South Meshis South Memphis specific to you?

469
00:20:08,880 --> 00:20:09,000
Speaker 3: Right?

470
00:20:09,080 --> 00:20:11,600
Speaker 2: Like talk a little bit about that, Oh Memphis. It

471
00:20:11,720 --> 00:20:15,399
Speaker 2: ain't even just South Memphis no more like South Memphis

472
00:20:15,480 --> 00:20:19,000
Speaker 2: got like the biggest impact, but it's just the whole city,

473
00:20:19,040 --> 00:20:24,800
Speaker 2: even the suburbs. Now it's like he's getting ruggish shot there. Yeah.

474
00:20:24,960 --> 00:20:26,800
Speaker 3: Yeah, we've seen first forty eight.

475
00:20:28,080 --> 00:20:31,800
Speaker 2: Had the most episodes, right now, what is it that?

476
00:20:32,359 --> 00:20:34,280
Speaker 1: But obviously you take pride from being there, like what

477
00:20:34,440 --> 00:20:36,240
Speaker 1: is what is some things like you love about the city,

478
00:20:36,280 --> 00:20:38,600
Speaker 1: but somethings you wish you could change about it.

479
00:20:39,680 --> 00:20:43,439
Speaker 2: Really, I'm I'm really so glad. I'm like, I'm proud

480
00:20:44,840 --> 00:20:48,080
Speaker 2: bliss to be from Memphis because like we don't think

481
00:20:48,280 --> 00:20:50,520
Speaker 2: like a lot of people think, like a lot of cities,

482
00:20:50,680 --> 00:20:57,879
Speaker 2: like like we do so much stuff like like people

483
00:20:58,200 --> 00:21:02,240
Speaker 2: like called cool now like we literally don't condone like

484
00:21:02,760 --> 00:21:06,359
Speaker 2: the opposite like far as like tricking, like me and

485
00:21:06,440 --> 00:21:08,840
Speaker 2: a girl on the first day and give them up

486
00:21:08,880 --> 00:21:11,119
Speaker 2: ten thousand and stuff like it's the other way around,

487
00:21:12,080 --> 00:21:15,680
Speaker 2: like she might get me five or ten thousand, Like

488
00:21:15,760 --> 00:21:19,119
Speaker 2: you get what I'm saying. Like it's just I don't know, bro,

489
00:21:19,280 --> 00:21:20,679
Speaker 2: It's just we're just.

490
00:21:20,760 --> 00:21:24,960
Speaker 3: Different, like for real, making easy moneys and style style.

491
00:21:27,040 --> 00:21:31,000
Speaker 2: Style you knows, so real.

492
00:21:31,520 --> 00:21:33,280
Speaker 1: But what would you changed, like more like kind of

493
00:21:33,320 --> 00:21:36,280
Speaker 1: the violent aspect of it a little bit out of hand.

494
00:21:36,400 --> 00:21:40,760
Speaker 2: Ain't nobody changed, And like it is what it is

495
00:21:40,880 --> 00:21:43,880
Speaker 2: down there, Like it it's too late. Can't nobody say

496
00:21:44,400 --> 00:21:47,560
Speaker 2: say the city but god, you know what I'm saying,

497
00:21:47,600 --> 00:21:50,879
Speaker 2: but the Lord himself, So it ain't no nobody can

498
00:21:50,960 --> 00:21:55,080
Speaker 2: say come march or protests or nothing down there, Like

499
00:21:55,200 --> 00:21:57,280
Speaker 2: it's it's old, it's too far gone.

500
00:21:57,760 --> 00:21:59,920
Speaker 3: Yeah, But musically it seems like you guys had like

501
00:22:00,040 --> 00:22:01,880
Speaker 3: a little resurgence in the last couple of years.

502
00:22:01,920 --> 00:22:04,960
Speaker 2: What are your thoughts on that man has always had motion.

503
00:22:05,119 --> 00:22:08,439
Speaker 2: I just I just think it's just more attention now

504
00:22:08,600 --> 00:22:13,000
Speaker 2: because because of more younger artists, you know what I'm saying,

505
00:22:14,160 --> 00:22:16,840
Speaker 2: like a new generation. Yeah, exactly, exactly.

506
00:22:17,320 --> 00:22:19,560
Speaker 3: Yeah, what's your family still down in memphr stuff?

507
00:22:20,080 --> 00:22:23,040
Speaker 2: I got family everywhere, gotcha? Yeah, you have family all

508
00:22:23,080 --> 00:22:23,720
Speaker 2: over the states.

509
00:22:24,560 --> 00:22:26,920
Speaker 3: But you were really close with your grandma and you know,

510
00:22:27,160 --> 00:22:30,760
Speaker 3: yeah for sure growing up rarely seeing your pappy. Talk

511
00:22:30,800 --> 00:22:33,000
Speaker 3: about your relationship, you know, I know, she's.

512
00:22:35,359 --> 00:22:40,280
Speaker 2: My grandmother. Be turned out, my grandma, my grandma and

513
00:22:40,359 --> 00:22:44,080
Speaker 2: her sex. She like she'd be turned through, living like

514
00:22:44,200 --> 00:22:46,720
Speaker 2: she in her late twenties and early thirties. Yeah, she's

515
00:22:46,800 --> 00:22:48,600
Speaker 2: just she just always had.

516
00:22:48,720 --> 00:22:50,840
Speaker 3: You talk about like you shoot dice with other casino.

517
00:22:51,480 --> 00:22:54,000
Speaker 3: Yeah that was in the song yet it Yeah, for sure,

518
00:22:54,560 --> 00:22:57,159
Speaker 3: So your grandma go to the crap table, just not

519
00:22:57,400 --> 00:22:59,879
Speaker 3: that fast because she really more of a slot player.

520
00:23:02,480 --> 00:23:06,879
Speaker 2: She master slot. But if I'm with her, she'll do

521
00:23:06,960 --> 00:23:09,160
Speaker 2: it just because I asked her to. Yeah.

522
00:23:10,040 --> 00:23:12,520
Speaker 3: You also mentioned your dad throughout some of your music,

523
00:23:12,640 --> 00:23:14,520
Speaker 3: you know, like, what's your relationship like now with him?

524
00:23:15,359 --> 00:23:18,760
Speaker 2: My father passed, but we ain't just really have no no, no,

525
00:23:19,000 --> 00:23:22,160
Speaker 2: uh really close relationship or nothing like that though, yeah,

526
00:23:22,359 --> 00:23:24,879
Speaker 2: like we knew each other, but when we knew of

527
00:23:25,000 --> 00:23:26,960
Speaker 2: each other, but we ain't actually know each other and

528
00:23:27,119 --> 00:23:27,600
Speaker 2: put it like that.

529
00:23:28,240 --> 00:23:30,440
Speaker 3: Yeah, Grandmas, you say you just like him, like you

530
00:23:30,520 --> 00:23:33,040
Speaker 3: see a lot of personality traits.

531
00:23:35,400 --> 00:23:38,800
Speaker 2: I can't. I can't really say more. They said, I

532
00:23:38,920 --> 00:23:41,960
Speaker 2: act more like my mother really though. Okay, yeah, be.

533
00:23:42,119 --> 00:23:43,680
Speaker 1: Close with your mom and like you know, she was

534
00:23:43,720 --> 00:23:45,560
Speaker 1: incarcerated for so much of your life, Like how was

535
00:23:45,600 --> 00:23:47,800
Speaker 1: you able to like maintain that bond?

536
00:23:48,720 --> 00:23:51,600
Speaker 2: It was really all because of my grandma. My grandma

537
00:23:51,680 --> 00:23:55,680
Speaker 2: made sure. Really she was the one, like like because

538
00:23:55,720 --> 00:23:58,800
Speaker 2: I used to kind my grandmama mother like more until

539
00:23:58,840 --> 00:24:03,399
Speaker 2: I got to a certain age to understand, like damn

540
00:24:03,680 --> 00:24:07,880
Speaker 2: this my mom. Like I never understood like what Jill

541
00:24:08,160 --> 00:24:09,880
Speaker 2: was or nothing, like when I used to go visit

542
00:24:09,920 --> 00:24:12,399
Speaker 2: her and all that, Like I never understood until I

543
00:24:12,440 --> 00:24:17,600
Speaker 2: got older, like to like say, probably like twelve, like

544
00:24:17,720 --> 00:24:20,960
Speaker 2: eleven twelve. Yeah, but you would consistently see her, yeah,

545
00:24:21,000 --> 00:24:25,320
Speaker 2: for sure, ever since ever since I was born, Like yeah,

546
00:24:25,320 --> 00:24:28,200
Speaker 2: because every year she was constrated. Yeah, they made sure

547
00:24:28,200 --> 00:24:30,399
Speaker 2: I seen her no matter what state she was in.

548
00:24:30,840 --> 00:24:33,399
Speaker 1: Yeah, because she was from two years old to your

549
00:24:33,440 --> 00:24:36,119
Speaker 1: senior year in high school, right, and then once she

550
00:24:36,240 --> 00:24:38,760
Speaker 1: got home, that's when your career kind of took off.

551
00:24:38,800 --> 00:24:42,160
Speaker 2: At the same time, you find that she was the reason.

552
00:24:42,280 --> 00:24:46,560
Speaker 2: She was my blessed. Yeah, every damn for a reason.

553
00:24:46,680 --> 00:24:46,840
Speaker 3: Bron.

554
00:24:48,080 --> 00:24:52,480
Speaker 2: I think like I'd be thinking like so so crazy,

555
00:24:52,560 --> 00:24:55,840
Speaker 2: like I was, like my mama probably didn't even go in.

556
00:24:55,920 --> 00:24:59,080
Speaker 2: I probably wouldn't even been thinking about rebind like, you know,

557
00:24:59,240 --> 00:25:00,920
Speaker 2: telling her what I'd be doing, Like I wouldn't have

558
00:25:01,119 --> 00:25:04,720
Speaker 2: no draft to probably even do nothing, like like I

559
00:25:04,840 --> 00:25:08,080
Speaker 2: was so stuck in the streets already. Like yeah, yeah,

560
00:25:09,000 --> 00:25:10,720
Speaker 2: the only child too, right for sure?

561
00:25:11,000 --> 00:25:13,879
Speaker 3: Still, what do you think of all the success that

562
00:25:14,280 --> 00:25:14,680
Speaker 3: you've had.

563
00:25:15,960 --> 00:25:19,359
Speaker 2: She loved me whatever. I'm with how people be saying

564
00:25:19,400 --> 00:25:22,040
Speaker 2: this it's my twin. It's like it's my real twin.

565
00:25:22,920 --> 00:25:25,639
Speaker 2: Like she's a female version of me. Bring it to

566
00:25:25,680 --> 00:25:29,880
Speaker 2: the shows too, Yeah, she she brings herself to this show.

567
00:25:29,960 --> 00:25:37,879
Speaker 2: I tell you, she still pop up for whatever she

568
00:25:38,000 --> 00:25:42,920
Speaker 2: wants exactly. She's more important than me to make sure

569
00:25:43,000 --> 00:25:46,520
Speaker 2: she's great. And I don't even worry about me, right, Yeah.

570
00:25:46,960 --> 00:25:48,920
Speaker 3: That's what's up. I gotta you gotta go to a

571
00:25:48,960 --> 00:25:52,159
Speaker 3: glock show man got to Well, I think people were

572
00:25:52,200 --> 00:25:53,919
Speaker 3: disappoint though. We didn't get to see your dream real

573
00:25:54,000 --> 00:25:59,280
Speaker 3: fast this year. Blame it on Delta Delta, Yes, like

574
00:25:59,560 --> 00:26:00,320
Speaker 3: Domester that way.

575
00:26:00,320 --> 00:26:02,680
Speaker 2: What happened. I don't know the story. What happened. I

576
00:26:02,760 --> 00:26:07,040
Speaker 2: got de layed two hours. I stayed. I'm trying to

577
00:26:07,040 --> 00:26:09,200
Speaker 2: you know what I'm saying, trying to make it right.

578
00:26:10,040 --> 00:26:13,440
Speaker 2: They laid another two hours. Damn. So by the time

579
00:26:13,520 --> 00:26:16,000
Speaker 2: I got there, everybody would have been leaving. So it

580
00:26:16,160 --> 00:26:18,359
Speaker 2: was like it just didn't make sense.

581
00:26:19,200 --> 00:26:21,200
Speaker 3: Yeah, damn, we got to make it up on the

582
00:26:21,280 --> 00:26:25,720
Speaker 3: next go around. He's going up, Yeah, going up most

583
00:26:25,760 --> 00:26:29,080
Speaker 3: of the coach, the settlers, the professional wrestler. Ready or

584
00:26:29,240 --> 00:26:31,000
Speaker 3: does he help you with your setless clock?

585
00:26:32,320 --> 00:26:35,840
Speaker 2: Help me with my said list? When I went to Texas?

586
00:26:36,080 --> 00:26:38,920
Speaker 2: Really yeah, ready? Or helped you with the because I

587
00:26:39,000 --> 00:26:42,280
Speaker 2: asked him where I asked my Twitter what song do

588
00:26:42,359 --> 00:26:45,840
Speaker 2: I need to come out to? Yeah? Like he said them, Well,

589
00:26:45,880 --> 00:26:48,760
Speaker 2: he didn't say it. He just put the mojy up. Yeah.

590
00:26:49,440 --> 00:26:53,040
Speaker 3: I knew what it was. Fans knew what it was. Yeah,

591
00:26:53,680 --> 00:26:55,600
Speaker 3: So did the song come after that? You need the

592
00:26:55,640 --> 00:26:56,320
Speaker 3: song after him.

593
00:26:56,400 --> 00:27:00,760
Speaker 2: Was after he I askeally today as soon as I

594
00:27:00,800 --> 00:27:03,640
Speaker 2: got done recording. Oh wow, yeah, I just like naming

595
00:27:03,720 --> 00:27:08,320
Speaker 2: my song like different catcher titles and ship. Yeah.

596
00:27:08,760 --> 00:27:10,720
Speaker 3: But speaking the songs, man, one of the songs that

597
00:27:10,800 --> 00:27:12,200
Speaker 3: you said that you wanted to clear it was a

598
00:27:12,240 --> 00:27:15,040
Speaker 3: Tupac record. You had a sample. What was that for?

599
00:27:15,119 --> 00:27:16,800
Speaker 3: A glock home to the Deluxe State?

600
00:27:17,040 --> 00:27:21,320
Speaker 2: Man? That was before I even thought of block coming too. Okay, yeah,

601
00:27:21,400 --> 00:27:24,040
Speaker 2: this song been recorded before I even went on tour.

602
00:27:25,240 --> 00:27:27,080
Speaker 2: Said something going on with this state?

603
00:27:27,200 --> 00:27:28,520
Speaker 3: So what Tupac song was it?

604
00:27:29,440 --> 00:27:30,680
Speaker 2: Hell May Hell Mary.

605
00:27:31,440 --> 00:27:32,120
Speaker 3: It's a tough one.

606
00:27:32,560 --> 00:27:42,280
Speaker 2: Yeah, man, mind tough too, tough leg you got you

607
00:27:43,160 --> 00:27:45,720
Speaker 2: growing up with you a Tupac fan like that too? Yeah?

608
00:27:45,760 --> 00:27:48,280
Speaker 2: Because that was my mama favorite artist. Oh okay, yeah

609
00:27:48,520 --> 00:27:50,520
Speaker 2: for sure. That's how I found out about.

610
00:27:52,200 --> 00:27:53,640
Speaker 3: I mean, even though your mom was a car straight,

611
00:27:53,720 --> 00:27:56,200
Speaker 3: did she put you onto a lot of music or what?

612
00:27:56,359 --> 00:27:57,440
Speaker 3: Did you get your exposure from?

613
00:27:58,440 --> 00:28:04,840
Speaker 2: Really? Her? And I got kind of like blues related

614
00:28:04,960 --> 00:28:08,200
Speaker 2: like sounds and stuff like from my grandma, Like I

615
00:28:08,280 --> 00:28:11,240
Speaker 2: got Project Pat and Wayne and Gucci him, like from

616
00:28:11,280 --> 00:28:13,960
Speaker 2: my cousin. Y'all saw something.

617
00:28:13,960 --> 00:28:15,840
Speaker 1: I think it was Kevin He was saying, like he

618
00:28:15,960 --> 00:28:18,320
Speaker 1: was crediting you feel like your ear for beats, you

619
00:28:18,400 --> 00:28:20,200
Speaker 1: get credit to your grandma, But he didn't really follow

620
00:28:20,280 --> 00:28:21,879
Speaker 1: up and ask you, like what do you mean your grandma?

621
00:28:22,000 --> 00:28:23,679
Speaker 1: Like why do you credit your grandma with? Like why

622
00:28:23,760 --> 00:28:25,600
Speaker 1: you pick great tracks and your ear for beats?

623
00:28:26,000 --> 00:28:29,840
Speaker 2: Like like she real big on blues, but she don't

624
00:28:30,000 --> 00:28:34,080
Speaker 2: like rap music. And like when I was young, like

625
00:28:34,440 --> 00:28:37,120
Speaker 2: she used to play blues so much, like I used

626
00:28:37,119 --> 00:28:43,080
Speaker 2: to hide her CDs, hide her Tyrone Davis, Johnny Taylor,

627
00:28:43,280 --> 00:28:45,400
Speaker 2: Like you know what I'm saying, Luther, I used to

628
00:28:45,480 --> 00:28:47,280
Speaker 2: have them because she used to play it so much,

629
00:28:47,800 --> 00:28:51,920
Speaker 2: to the point like I didn't even like have to

630
00:28:52,000 --> 00:28:53,800
Speaker 2: play the song on my own. I just hear so

631
00:28:53,920 --> 00:28:57,200
Speaker 2: much over time that I know the song. Like yeah,

632
00:28:57,440 --> 00:29:00,000
Speaker 2: but it's like there's certain instruments that used to use

633
00:29:00,160 --> 00:29:04,280
Speaker 2: was in the blues Jones back then. It's just just

634
00:29:04,360 --> 00:29:05,360
Speaker 2: be catching to me now.

635
00:29:06,040 --> 00:29:09,160
Speaker 1: Yeah, use that helps adopt your ear today kind of

636
00:29:09,200 --> 00:29:12,479
Speaker 1: like it for sure because a lot of the beats

637
00:29:12,880 --> 00:29:15,360
Speaker 1: have that kind of bluesy rhythm to it.

638
00:29:15,400 --> 00:29:17,120
Speaker 2: You know, Yeah, yeah, for sure.

639
00:29:17,480 --> 00:29:19,560
Speaker 1: Also speaking of the beats, you know you and take

640
00:29:19,640 --> 00:29:21,800
Speaker 1: Keith have great chemistry you know, we got the presidential

641
00:29:21,880 --> 00:29:24,080
Speaker 1: role right now. Like I guess you guys want to.

642
00:29:24,280 --> 00:29:25,880
Speaker 1: It's a deep history with y'all. You went to high

643
00:29:25,880 --> 00:29:26,640
Speaker 1: school together.

644
00:29:26,400 --> 00:29:29,800
Speaker 2: And yeah for sure, Yeah it's crazy take you host

645
00:29:29,880 --> 00:29:33,880
Speaker 2: to produce my first mixtape too, Yeah for sure.

646
00:29:34,600 --> 00:29:36,360
Speaker 1: What's it like to see his emergency? And what do

647
00:29:36,440 --> 00:29:38,400
Speaker 1: you like about his production? Why do you think he's

648
00:29:38,440 --> 00:29:40,640
Speaker 1: been able to kind of grow in this business?

649
00:29:40,680 --> 00:29:45,800
Speaker 2: Also he is always like just just being in himself,

650
00:29:46,040 --> 00:29:50,760
Speaker 2: like and always on the computer, you know what I'm saying, Like, bro,

651
00:29:51,080 --> 00:29:53,960
Speaker 2: like Bridget is perfected his crawd, Like you really learned

652
00:29:54,000 --> 00:29:56,720
Speaker 2: how to perfect his crowd with it. Yeah.

653
00:29:56,840 --> 00:29:59,400
Speaker 3: Yeah, but you also got your own guy band play.

654
00:30:00,160 --> 00:30:02,040
Speaker 1: You know, they be putting band play to work, man,

655
00:30:02,720 --> 00:30:07,640
Speaker 1: go to So that's the the cheap in house producer.

656
00:30:07,280 --> 00:30:12,680
Speaker 2: For the crew band house ain't cheap boy, you gotta

657
00:30:12,760 --> 00:30:16,320
Speaker 2: going on right, Yeah, producing producer for a lot of

658
00:30:16,360 --> 00:30:19,440
Speaker 2: other people now, yeah, being working.

659
00:30:20,040 --> 00:30:22,120
Speaker 3: You're working too, man. I saw that you said on

660
00:30:22,200 --> 00:30:24,600
Speaker 3: Twitter you felt like people slept on the son of

661
00:30:24,640 --> 00:30:27,680
Speaker 3: a gun tape. Man, Yeah, why do you feel that way?

662
00:30:28,600 --> 00:30:32,160
Speaker 2: It really was my fault. That was a good tape, No,

663
00:30:32,400 --> 00:30:35,959
Speaker 2: I know, but like far as business like I was Russian.

664
00:30:36,480 --> 00:30:36,840
Speaker 3: Mm hmm.

665
00:30:37,360 --> 00:30:40,800
Speaker 2: I was Russian and I ain't like I ain't put

666
00:30:41,000 --> 00:30:43,920
Speaker 2: enough you know what I'm saying behind it, But like

667
00:30:44,000 --> 00:30:47,880
Speaker 2: I said, that was my fault. I was Russian being young, right. Yeah.

668
00:30:48,600 --> 00:30:51,320
Speaker 3: Do you feel like the response from the fans is

669
00:30:51,400 --> 00:30:53,280
Speaker 3: like at the same level as like the Yellow tapes

670
00:30:53,280 --> 00:30:54,440
Speaker 3: and the Glock Almost.

671
00:30:54,360 --> 00:30:58,160
Speaker 2: Every tape I dropped, like they see the growth and

672
00:30:58,280 --> 00:31:01,160
Speaker 2: they like they appreciate me more and more, like yeah,

673
00:31:01,680 --> 00:31:03,680
Speaker 2: feedbaches be bigger and bigger every time.

674
00:31:03,880 --> 00:31:06,560
Speaker 3: Yeah, I feel like you hit another gear with mister Glock,

675
00:31:06,840 --> 00:31:11,600
Speaker 3: like that went super viral, Like how did you what

676
00:31:11,760 --> 00:31:12,520
Speaker 3: was your response to that?

677
00:31:12,640 --> 00:31:15,920
Speaker 2: Like when that happened, Like when I seen it, I

678
00:31:16,040 --> 00:31:18,920
Speaker 2: kind of already knew, like I was numb to and

679
00:31:19,040 --> 00:31:22,120
Speaker 2: I was like like, this ain't nothing, Like they just

680
00:31:22,160 --> 00:31:24,720
Speaker 2: don't know what I'm gonna drop Nicks and this when

681
00:31:25,920 --> 00:31:28,080
Speaker 2: ambition for cash, you know what I'm saying, Yellow take

682
00:31:28,160 --> 00:31:29,840
Speaker 2: too and all, it kind of came.

683
00:31:30,160 --> 00:31:33,479
Speaker 3: Ambition for Cash and mister Glock they sound similar almost

684
00:31:34,440 --> 00:31:36,200
Speaker 3: or is that just to my untrained.

685
00:31:35,760 --> 00:31:38,480
Speaker 2: Here, Yeah, you think it's gonna try.

686
00:31:44,240 --> 00:31:47,120
Speaker 1: Yeah, I know they both go to platinum, right, both

687
00:31:48,240 --> 00:31:49,960
Speaker 1: both platinum, both platinum.

688
00:31:50,000 --> 00:31:51,520
Speaker 3: But did you know mister Glock was going to take

689
00:31:51,560 --> 00:31:51,960
Speaker 3: off like that?

690
00:31:52,400 --> 00:31:55,720
Speaker 2: I did. Yeah, I knew Ambition was gonna take out

691
00:31:55,800 --> 00:31:59,640
Speaker 2: like this too. Like me and me and Doug was

692
00:31:59,680 --> 00:32:03,160
Speaker 2: going back and forth like about this song being my single,

693
00:32:04,200 --> 00:32:07,680
Speaker 2: like we said, we like we're a team. We tranced

694
00:32:07,680 --> 00:32:08,440
Speaker 2: each other's a pin.

695
00:32:09,240 --> 00:32:12,520
Speaker 1: I think you said, like your aunt married Dolph's uncle.

696
00:32:12,880 --> 00:32:15,280
Speaker 1: That's the connection. And like then he reached out to you,

697
00:32:15,440 --> 00:32:17,360
Speaker 1: like you know, what was that like? And like why

698
00:32:17,400 --> 00:32:18,760
Speaker 1: did he reach out to you initially? And then what

699
00:32:18,840 --> 00:32:20,920
Speaker 1: do you think it was? That why you guys clicked

700
00:32:21,000 --> 00:32:21,760
Speaker 1: so quickly, like.

701
00:32:23,440 --> 00:32:25,560
Speaker 2: Like got intun we like we've been in touch, Like

702
00:32:25,880 --> 00:32:30,000
Speaker 2: it just was never like no music thing. But I

703
00:32:30,160 --> 00:32:35,480
Speaker 2: was just young, dumb getting and getting in trouble. Everybody

704
00:32:35,640 --> 00:32:38,160
Speaker 2: just knew I had, you know what I'm saying, good

705
00:32:38,200 --> 00:32:40,240
Speaker 2: at what I was doing at the time far as rapping.

706
00:32:40,400 --> 00:32:44,800
Speaker 2: So that's how they have basically just trying to keep

707
00:32:44,840 --> 00:32:45,840
Speaker 2: me out the street. Wow.

708
00:32:45,920 --> 00:32:47,760
Speaker 1: So it got to that point you think if you

709
00:32:47,840 --> 00:32:50,120
Speaker 1: look back at it, that it came at the right

710
00:32:50,200 --> 00:32:51,080
Speaker 1: time because it could.

711
00:32:50,880 --> 00:32:55,280
Speaker 2: Have, like like I said earlier, like God, send my

712
00:32:55,360 --> 00:32:57,640
Speaker 2: mama back to me. You know what I'm saying. That

713
00:32:57,760 --> 00:33:00,400
Speaker 2: was my blazing Like same way off.

714
00:33:02,240 --> 00:33:04,320
Speaker 1: The thing with Dolph. I mean, obviously he's so he's

715
00:33:04,360 --> 00:33:06,280
Speaker 1: so well loved. From your perspective, though, when you look

716
00:33:06,280 --> 00:33:08,240
Speaker 1: at him as an artist, right, Like what do you

717
00:33:08,280 --> 00:33:09,960
Speaker 1: think it was that made him so special? How do

718
00:33:10,000 --> 00:33:12,080
Speaker 1: you how do you personally view his musical legacy.

719
00:33:14,400 --> 00:33:16,920
Speaker 2: I don't even look at him as an artist. He

720
00:33:17,000 --> 00:33:20,280
Speaker 2: ain't even he ain't even about the music, Like dude,

721
00:33:20,440 --> 00:33:23,240
Speaker 2: just a genuine you know what I'm saying, the person, energy,

722
00:33:23,400 --> 00:33:26,800
Speaker 2: good hearted person like you can't you can't. You can't

723
00:33:26,840 --> 00:33:28,720
Speaker 2: beat that, you can't fake it, like you know what

724
00:33:28,760 --> 00:33:29,160
Speaker 2: I'm saying.

725
00:33:29,720 --> 00:33:32,160
Speaker 1: So yeah, So getting to know him, getting to know

726
00:33:32,240 --> 00:33:34,040
Speaker 1: your cousin even more, you just kind of drawn to

727
00:33:34,160 --> 00:33:37,080
Speaker 1: like this guy's characters as such a at a high level.

728
00:33:37,560 --> 00:33:41,640
Speaker 2: He been like this ever since day one I met him. Yeah,

729
00:33:42,080 --> 00:33:42,760
Speaker 2: he's been like that.

730
00:33:47,000 --> 00:33:48,800
Speaker 3: I remember your tweeted you said you're sitting back thinking

731
00:33:48,880 --> 00:33:49,480
Speaker 3: what would Dolph?

732
00:33:49,560 --> 00:33:49,600
Speaker 2: Do?

733
00:33:50,000 --> 00:33:52,160
Speaker 3: You know? Like are there moments where you think about

734
00:33:52,240 --> 00:33:54,640
Speaker 3: that throughout the day where it's in business.

735
00:33:54,480 --> 00:33:57,280
Speaker 2: Or just yeah, for sure, smartest here you know what

736
00:33:57,400 --> 00:34:01,640
Speaker 2: to do, Like like if it's someone will know or

737
00:34:01,760 --> 00:34:05,920
Speaker 2: understand like about beingess like if it's I go to

738
00:34:06,080 --> 00:34:10,600
Speaker 2: doll or my mom or daddy or God like just

739
00:34:10,680 --> 00:34:12,280
Speaker 2: straight up with his passion.

740
00:34:12,360 --> 00:34:15,160
Speaker 1: Did you feel extra like responsibility to like you know,

741
00:34:15,320 --> 00:34:18,759
Speaker 1: keep paper Route Empire and everything moving as well as

742
00:34:18,760 --> 00:34:20,040
Speaker 1: it can not?

743
00:34:21,120 --> 00:34:24,680
Speaker 2: It ain't no me, because it's gonna grow with without me,

744
00:34:25,000 --> 00:34:30,000
Speaker 2: Like like dude, I already stamped it already plan you see,

745
00:34:30,280 --> 00:34:34,719
Speaker 2: Like yeah she's gonna fail, girl, Yeah yeah, with U without.

746
00:34:34,520 --> 00:34:38,359
Speaker 3: Me because you got Roster's button, you got Kenny money,

747
00:34:38,719 --> 00:34:41,840
Speaker 3: got band, played snoop bands and j fizzle.

748
00:34:41,680 --> 00:34:45,480
Speaker 2: Right right, and not even just music. It's just bringing

749
00:34:45,600 --> 00:34:50,560
Speaker 2: paper rout like period, Like it's deeper than WRAP like

750
00:34:50,719 --> 00:34:51,280
Speaker 2: for real.

751
00:34:51,640 --> 00:34:53,080
Speaker 1: I was gonna say, what do you think makes you

752
00:34:53,160 --> 00:34:56,479
Speaker 1: guys distinctive and different from these other movements or WRAP

753
00:34:56,600 --> 00:34:58,880
Speaker 1: crews or labels.

754
00:34:58,520 --> 00:35:02,640
Speaker 2: Like like I told was you earl like GM were

755
00:35:02,719 --> 00:35:06,560
Speaker 2: just real like like just straight up like we ain't

756
00:35:07,560 --> 00:35:10,080
Speaker 2: too much caught up in the thing, like we family men, bro,

757
00:35:10,360 --> 00:35:14,440
Speaker 2: like more than anything like first like for real, like

758
00:35:15,320 --> 00:35:17,000
Speaker 2: like BRO said, we just we just go get the

759
00:35:17,080 --> 00:35:21,000
Speaker 2: money to the family, like I don't care about too

760
00:35:21,080 --> 00:35:21,600
Speaker 2: much other shit.

761
00:35:23,520 --> 00:35:25,479
Speaker 3: Were you still like in the morning, because I feel

762
00:35:25,480 --> 00:35:28,759
Speaker 3: like people were surprised, Like you know, BT Awards last year,

763
00:35:28,880 --> 00:35:30,040
Speaker 3: they thought that you were going to do like a

764
00:35:30,120 --> 00:35:32,920
Speaker 3: tribute on stage, and you said you didn't want to

765
00:35:33,000 --> 00:35:33,880
Speaker 3: do that, Like was it just.

766
00:35:35,719 --> 00:35:37,840
Speaker 2: Not not even just that. I'm gonna be honest, I

767
00:35:37,880 --> 00:35:40,400
Speaker 2: really I ain't even I didn't feel it either, like

768
00:35:40,480 --> 00:35:45,600
Speaker 2: I didn't. I didn't feel it was genuine, like could

769
00:35:45,640 --> 00:35:47,799
Speaker 2: have did something bro when he was here. I don't,

770
00:35:48,200 --> 00:35:49,680
Speaker 2: don't you know what I'm saying. I don't wait till

771
00:35:49,680 --> 00:35:53,520
Speaker 2: something happened then reach out. You know, I ain't nothing

772
00:35:53,520 --> 00:35:56,040
Speaker 2: against it or not. It's just I just didn't feel

773
00:35:56,080 --> 00:35:59,719
Speaker 2: it was genie. You know I didn't. I didn't. I

774
00:35:59,719 --> 00:36:01,000
Speaker 2: didn't want no parts.

775
00:36:00,800 --> 00:36:04,080
Speaker 1: Up and you stayed fiercely independent. Man, you said, just

776
00:36:04,160 --> 00:36:06,520
Speaker 1: turn the deal down. What the fuck is ten mil.

777
00:36:09,080 --> 00:36:09,239
Speaker 2: Oh?

778
00:36:17,120 --> 00:36:18,440
Speaker 1: I felt like there's one of the lines and the

779
00:36:18,520 --> 00:36:20,200
Speaker 1: other album. You said it with your chest. You said,

780
00:36:20,200 --> 00:36:23,200
Speaker 1: I'm shipping on the industry. Can't crop me out the picture.

781
00:36:23,800 --> 00:36:26,280
Speaker 1: I feel like you met that ship, Like what inspired

782
00:36:26,400 --> 00:36:26,839
Speaker 1: that line?

783
00:36:28,040 --> 00:36:30,479
Speaker 2: I just be saying that a little little funny ship

784
00:36:30,680 --> 00:36:33,160
Speaker 2: on it just motivated me. Though I don't take nothing

785
00:36:33,239 --> 00:36:35,799
Speaker 2: to the hard offensive. I just I just let every

786
00:36:35,840 --> 00:36:37,239
Speaker 2: thing motivate me and laugh it out.

787
00:36:37,719 --> 00:36:39,359
Speaker 1: But do you take pride? It seems like you've you've

788
00:36:39,440 --> 00:36:42,120
Speaker 1: done it with you know, following Dolph's direction, Like you

789
00:36:42,200 --> 00:36:44,520
Speaker 1: guys have kind of done it your own way, right,

790
00:36:44,600 --> 00:36:47,560
Speaker 1: like it carved your own path. For sure you take

791
00:36:47,840 --> 00:36:48,279
Speaker 1: pride in that?

792
00:36:48,480 --> 00:36:51,960
Speaker 2: No, for sure? Why not? Who wouldn't want this position?

793
00:36:52,520 --> 00:36:54,279
Speaker 2: Who wouldn't want to you know what I'm saying, the

794
00:36:54,440 --> 00:36:56,800
Speaker 2: masters and drop when they want to drop? You know

795
00:36:56,880 --> 00:37:00,719
Speaker 2: what I'm saying, Like for real, right I can cause

796
00:37:01,040 --> 00:37:03,520
Speaker 2: right now eight I want to drop the song they

797
00:37:03,600 --> 00:37:05,840
Speaker 2: went on the de looks I need to drop it Monday,

798
00:37:06,480 --> 00:37:11,279
Speaker 2: All right, don't get done. You can't do that.

799
00:37:11,840 --> 00:37:13,640
Speaker 1: Did you ever do like the rounds back of the day,

800
00:37:13,719 --> 00:37:16,160
Speaker 1: like the bad meetings with the labels and like I

801
00:37:16,239 --> 00:37:19,680
Speaker 1: feel like they don't really understand what I'm about or

802
00:37:19,760 --> 00:37:23,280
Speaker 1: the vision, or you ever go through the industry passage

803
00:37:23,320 --> 00:37:25,640
Speaker 1: of like trying to get a deal traditionally.

804
00:37:25,280 --> 00:37:30,839
Speaker 2: Or nah nah, yeah, not really. I never reached out

805
00:37:30,880 --> 00:37:34,160
Speaker 2: to man like even when they reached out to me.

806
00:37:34,320 --> 00:37:37,279
Speaker 2: I just nah because I know I know my worth

807
00:37:37,320 --> 00:37:40,040
Speaker 2: and I know what I can do with what we

808
00:37:40,160 --> 00:37:42,160
Speaker 2: can do on our own.

809
00:37:42,880 --> 00:37:45,680
Speaker 3: Yeah, I thought was interested. Like on Gucci and Dolf

810
00:37:46,080 --> 00:37:48,920
Speaker 3: on the yellow tape, you said, the couple round with

811
00:37:48,960 --> 00:37:50,279
Speaker 3: the right amount, you'll break the pen.

812
00:37:50,600 --> 00:37:55,040
Speaker 2: Damn right. I ain't got nothing to prove. I'm twenty five.

813
00:37:56,440 --> 00:37:56,919
Speaker 2: It's great.

814
00:37:57,040 --> 00:37:58,640
Speaker 3: What's that number look like, though, Like, what's the.

815
00:38:00,440 --> 00:38:01,600
Speaker 1: He said ten millions.

816
00:38:03,320 --> 00:38:07,040
Speaker 2: A year ago. That's a dusty record for this as

817
00:38:07,160 --> 00:38:07,879
Speaker 2: from a year ago.

818
00:38:08,280 --> 00:38:15,120
Speaker 3: Right, But even with the independent success, the office is

819
00:38:15,160 --> 00:38:18,600
Speaker 3: still coming in wanting you to do businessman.

820
00:38:18,160 --> 00:38:20,799
Speaker 2: Who don't want go out like you said, hear them

821
00:38:21,080 --> 00:38:24,120
Speaker 2: first round drafting. Yeah, career, that's what it.

822
00:38:24,680 --> 00:38:29,480
Speaker 3: Wars or one thing on your bucket list. You say

823
00:38:29,480 --> 00:38:32,680
Speaker 3: you want to be richest Bill Gates. Right, have you

824
00:38:32,719 --> 00:38:34,839
Speaker 3: had anything lately to that bucket list?

825
00:38:34,960 --> 00:38:37,759
Speaker 2: I added anything? Yeah, I really, I ain't even I

826
00:38:37,800 --> 00:38:39,480
Speaker 2: don't even think about like stuff like that.

827
00:38:41,680 --> 00:38:42,520
Speaker 3: Yeah nothing yet.

828
00:38:42,920 --> 00:38:48,160
Speaker 2: Okay, ain't playing in no water none of that. Nah,

829
00:38:48,200 --> 00:38:49,320
Speaker 2: I ain't got no buckets.

830
00:38:49,600 --> 00:38:53,000
Speaker 1: Okay on the serious SnO called lean habits man, like

831
00:38:53,719 --> 00:38:55,960
Speaker 1: you know, you've been very proud about the usage of it, Like,

832
00:38:56,160 --> 00:38:56,880
Speaker 1: is the point now?

833
00:38:57,000 --> 00:38:59,359
Speaker 2: Is it something that it's concerning it all?

834
00:38:59,440 --> 00:39:01,600
Speaker 1: You just feel like you're still like in good control

835
00:39:01,680 --> 00:39:03,080
Speaker 1: of it, and like what made you decide to make

836
00:39:03,120 --> 00:39:04,480
Speaker 1: a whole record kind of addressing it.

837
00:39:05,040 --> 00:39:07,279
Speaker 2: It's just the mood I was in and what was

838
00:39:07,360 --> 00:39:11,200
Speaker 2: going on to day. So yeah, like it just came

839
00:39:11,280 --> 00:39:11,719
Speaker 2: out like that.

840
00:39:13,719 --> 00:39:16,680
Speaker 1: But you feel comfortable sharing that like that to the world.

841
00:39:17,920 --> 00:39:22,080
Speaker 2: Yeah, because like you don't, like you don't got a

842
00:39:22,160 --> 00:39:23,840
Speaker 2: hold of me. I got a hold of it. You

843
00:39:23,840 --> 00:39:25,719
Speaker 2: don't control me. Like you know what I'm saying. I

844
00:39:25,760 --> 00:39:27,680
Speaker 2: can I can go without it. I don't guess to

845
00:39:27,800 --> 00:39:30,880
Speaker 2: have it. I don't need it. I want it, like

846
00:39:30,960 --> 00:39:33,160
Speaker 2: you know what I'm saying. Yeah, I know my limit.

847
00:39:33,280 --> 00:39:34,759
Speaker 2: I know you know what I'm saying. I know what's

848
00:39:34,800 --> 00:39:35,000
Speaker 2: to me.

849
00:39:35,600 --> 00:39:37,480
Speaker 3: But you need do you need it? To like record?

850
00:39:37,719 --> 00:39:40,839
Speaker 2: I don't need it, y'all. I don't need it at all.

851
00:39:40,880 --> 00:39:44,600
Speaker 2: And I know that I see I want it, yeah,

852
00:39:44,680 --> 00:39:48,520
Speaker 2: and I get it, so I respect it wants and needs.

853
00:39:51,320 --> 00:39:53,520
Speaker 1: That's all little fun as you were cruelly and stuff.

854
00:39:53,520 --> 00:39:55,359
Speaker 2: You just do the crossover, man, y'all, A little game,

855
00:39:55,560 --> 00:40:01,440
Speaker 2: little basketball. Sure fun. I ain't. I probably ain't ran

856
00:40:03,800 --> 00:40:08,640
Speaker 2: two three months prior to their game, like stretched or nothing.

857
00:40:11,280 --> 00:40:14,439
Speaker 2: Warm up. He just jumped in there. Yeah, I ain't

858
00:40:14,480 --> 00:40:16,480
Speaker 2: doing like no jogging, no, none of that. I just,

859
00:40:16,640 --> 00:40:20,040
Speaker 2: like you said, just jumped in there the next day

860
00:40:20,040 --> 00:40:22,399
Speaker 2: a little bit, you know, like I saw that day.

861
00:40:30,239 --> 00:40:31,799
Speaker 1: You want to shout some of these rappers out here

862
00:40:31,840 --> 00:40:34,000
Speaker 1: better think they could play back. You may't take anybody

863
00:40:34,080 --> 00:40:34,520
Speaker 1: one on one.

864
00:40:35,200 --> 00:40:38,960
Speaker 2: I take anybody. She had nobody, But I just I'm

865
00:40:39,080 --> 00:40:41,359
Speaker 2: just ain't in shape. That was my problem. I ain't.

866
00:40:41,480 --> 00:40:42,360
Speaker 2: I wasn't in shape.

867
00:40:43,040 --> 00:40:45,200
Speaker 3: I would think so because you're like on tour a lot,

868
00:40:45,320 --> 00:40:48,280
Speaker 3: and you know that's good cardiovascular.

869
00:40:48,160 --> 00:40:52,640
Speaker 2: Stage different, okay, stage different, you know what. I'm stage different.

870
00:40:52,719 --> 00:40:55,839
Speaker 2: I know how to control my breath way better because

871
00:40:55,840 --> 00:40:58,520
Speaker 2: I ain't running on the stage. I ain't jumping and

872
00:40:58,960 --> 00:41:00,760
Speaker 2: out it right, going.

873
00:41:00,640 --> 00:41:02,040
Speaker 1: Back to doctor, I wanted to give you your prop.

874
00:41:02,080 --> 00:41:04,640
Speaker 1: So I feel like proud, you know, I hope you're

875
00:41:04,680 --> 00:41:06,520
Speaker 1: proud of proud, because I feel like that really is

876
00:41:06,560 --> 00:41:08,760
Speaker 1: like one of the best, like hip hop tribute records,

877
00:41:08,840 --> 00:41:11,080
Speaker 1: Like you speak a little bit about that, you know,

878
00:41:11,360 --> 00:41:12,720
Speaker 1: making that record, that process.

879
00:41:13,480 --> 00:41:16,600
Speaker 2: It's just it's just certain feelings that was in me

880
00:41:16,719 --> 00:41:20,279
Speaker 2: that I had to get out there. I couldn't know

881
00:41:20,360 --> 00:41:23,320
Speaker 2: what I'm saying, get out no other way other than music,

882
00:41:23,440 --> 00:41:26,080
Speaker 2: you know, what I'm saying. Yeah, I still didn't even

883
00:41:26,560 --> 00:41:28,640
Speaker 2: get everything out, but like still to this day, like

884
00:41:28,719 --> 00:41:30,880
Speaker 2: I don't even I don't even play this song. I

885
00:41:30,960 --> 00:41:33,359
Speaker 2: don't even like to hear it. Yeah, I don't even

886
00:41:34,680 --> 00:41:36,560
Speaker 2: I just just did it, you know what I'm saying.

887
00:41:36,600 --> 00:41:38,680
Speaker 2: I just let it out and let it be, like

888
00:41:38,800 --> 00:41:40,840
Speaker 2: I don't even like to hear it. No more performed

889
00:41:40,920 --> 00:41:43,839
Speaker 2: than that. So it just kind of stands on a song.

890
00:41:43,920 --> 00:41:46,399
Speaker 1: But but it's fair to say you are literally proud

891
00:41:46,440 --> 00:41:48,320
Speaker 1: of it, and it to me it is it should

892
00:41:48,360 --> 00:41:50,160
Speaker 1: be viewed as, like, you know, one of the one

893
00:41:50,200 --> 00:41:51,760
Speaker 1: of the greatest tribute records.

894
00:41:51,800 --> 00:41:56,640
Speaker 2: To some it's not even really like a tribute. It's

895
00:41:56,760 --> 00:42:01,279
Speaker 2: just like just expressing my feelings, like yeah, for sure.

896
00:42:02,200 --> 00:42:05,000
Speaker 3: You also talked about your aunt, who I passed away

897
00:42:05,040 --> 00:42:07,080
Speaker 3: in her sleep, like you guys really close.

898
00:42:08,200 --> 00:42:11,560
Speaker 2: Yeah she was like that really was like my mother

899
00:42:11,719 --> 00:42:16,840
Speaker 2: other than my grandmother, Like like she was doing like

900
00:42:16,960 --> 00:42:20,359
Speaker 2: I can't even express it or going to detail too much,

901
00:42:20,880 --> 00:42:25,759
Speaker 2: like she meant the world too. Like, yeah, she meant

902
00:42:25,800 --> 00:42:26,279
Speaker 2: the world too.

903
00:42:27,239 --> 00:42:28,840
Speaker 3: Is it hard being that vulnerable on a lot of

904
00:42:28,880 --> 00:42:31,840
Speaker 3: these records when we talk about like grandmother, your father, Dolph,

905
00:42:32,200 --> 00:42:32,600
Speaker 3: your aunt.

906
00:42:33,920 --> 00:42:37,000
Speaker 2: Yeah, because I can't. I can't just keep holding in

907
00:42:37,360 --> 00:42:39,440
Speaker 2: and let it. You know what I'm saying, beat me up,

908
00:42:40,000 --> 00:42:42,319
Speaker 2: like I gotta get it out some type of way.

909
00:42:42,360 --> 00:42:44,920
Speaker 2: I don't talk to nobody about it. So I just

910
00:42:45,120 --> 00:42:47,160
Speaker 2: talked to the beat. Just speak it out.

911
00:42:47,960 --> 00:42:50,840
Speaker 1: Yeah, have you played your mother? Mama said yet she

912
00:42:50,920 --> 00:42:52,960
Speaker 1: heard that joint share for anybody.

913
00:42:54,840 --> 00:42:57,760
Speaker 2: I did this. I did this song in twenty one, okay,

914
00:42:58,360 --> 00:43:00,560
Speaker 2: so two years old. You mess with this?

915
00:43:01,000 --> 00:43:06,719
Speaker 1: A review of it, Mama told me, get up, masks

916
00:43:06,760 --> 00:43:07,799
Speaker 1: and get on my ship and.

917
00:43:07,920 --> 00:43:09,720
Speaker 2: Ship right up. You need.

918
00:43:11,080 --> 00:43:13,560
Speaker 3: Another record. I Love as Well is a work that's

919
00:43:13,560 --> 00:43:14,840
Speaker 3: a very motivational record.

920
00:43:14,920 --> 00:43:16,799
Speaker 2: Man, you know that was gonna be one of those

921
00:43:18,200 --> 00:43:20,840
Speaker 2: I kind of did. I kind of did, Yeah, I

922
00:43:20,960 --> 00:43:21,359
Speaker 2: kind of did.

923
00:43:22,160 --> 00:43:24,279
Speaker 3: What's about that record? You think that resonates so well

924
00:43:24,320 --> 00:43:24,720
Speaker 3: with people?

925
00:43:25,320 --> 00:43:28,719
Speaker 2: Things I'm talking about? And you can work in all

926
00:43:28,880 --> 00:43:32,200
Speaker 2: type of fields no matter what's your career. What's your job, like,

927
00:43:32,960 --> 00:43:35,200
Speaker 2: you got to work even if you're in the gym,

928
00:43:35,400 --> 00:43:40,799
Speaker 2: the office, studio, football field, like, well, you you got

929
00:43:40,960 --> 00:43:43,200
Speaker 2: to work. That's my joint.

930
00:43:43,200 --> 00:43:45,000
Speaker 3: When I'm trying to get that last setting.

931
00:43:47,400 --> 00:43:51,640
Speaker 1: Get you batter that right, like I'll say you say,

932
00:43:51,640 --> 00:43:53,359
Speaker 1: you tweeted out you said, I got a love hate

933
00:43:53,400 --> 00:43:54,560
Speaker 1: relationship with the casito.

934
00:43:55,360 --> 00:43:58,719
Speaker 2: What's going on? Man? You in the casito? Man, it's

935
00:43:58,840 --> 00:44:01,480
Speaker 2: like it's something bad. I aint I ain't figured it out,

936
00:44:01,600 --> 00:44:04,719
Speaker 2: but I'm on it. Like I'm figuring the casino out

937
00:44:04,800 --> 00:44:10,120
Speaker 2: to a science. They beatable to a certain extent. You

938
00:44:10,200 --> 00:44:13,440
Speaker 2: know what I'm saying. What's your game of choice? Craps

939
00:44:13,960 --> 00:44:15,840
Speaker 2: Mick Aran Roulette, m M.

940
00:44:17,360 --> 00:44:19,840
Speaker 3: Healked about you going with Granny to the to the

941
00:44:19,880 --> 00:44:21,480
Speaker 3: casino that did she ever win big?

942
00:44:21,920 --> 00:44:24,080
Speaker 2: See the way she is she do, you wouldn't know

943
00:44:25,800 --> 00:44:31,040
Speaker 2: old school Dan, she ain't feeling Yeah, she's smooth, she's right,

944
00:44:31,520 --> 00:44:33,759
Speaker 2: like we'll yeah, we'll know once we get back home,

945
00:44:34,760 --> 00:44:36,279
Speaker 2: but like not why we're actually there.

946
00:44:36,400 --> 00:44:38,200
Speaker 3: Okay, yeah, that's.

947
00:44:38,080 --> 00:44:38,520
Speaker 2: What it is.

948
00:44:39,200 --> 00:44:40,920
Speaker 1: What do you making the old This whole jam Mo

949
00:44:41,040 --> 00:44:43,600
Speaker 1: rant craziness going on again speaks to the kind of

950
00:44:43,680 --> 00:44:46,680
Speaker 1: the city of Memphis, right, Like how crazy things can get.

951
00:44:47,040 --> 00:44:49,840
Speaker 2: It's crazy because like they're trying to blame mythics and

952
00:44:50,239 --> 00:44:54,520
Speaker 2: he's not even doing those things. And yeah, like whatever

953
00:44:54,640 --> 00:44:58,200
Speaker 2: he doing, whatever they accused him was, It's not like

954
00:44:58,400 --> 00:45:03,960
Speaker 2: the situations ain't happening any gotcha. I don't know. They

955
00:45:04,040 --> 00:45:06,839
Speaker 2: gotta figure they gotta figure out. They gotta figure something

956
00:45:07,560 --> 00:45:08,560
Speaker 2: because it ain't the city.

957
00:45:09,000 --> 00:45:11,320
Speaker 1: Yeah, I saw something crazy like his rookie card against

958
00:45:11,360 --> 00:45:13,000
Speaker 1: It's a shot of you and Dolph in the back.

959
00:45:13,120 --> 00:45:18,040
Speaker 2: Like, yeah, I'm a collective because of that. Yeah, for sure,

960
00:45:18,320 --> 00:45:18,800
Speaker 2: that's crazy.

961
00:45:18,880 --> 00:45:19,520
Speaker 3: You're on that card.

962
00:45:19,960 --> 00:45:22,920
Speaker 2: Man. I got plenty of them. Card my fans make

963
00:45:23,000 --> 00:45:27,799
Speaker 2: me sign a card my own car. I got them.

964
00:45:28,800 --> 00:45:31,000
Speaker 1: And you said, like the age, you know, you see

965
00:45:31,080 --> 00:45:33,000
Speaker 1: some of the artists with the with the ball players

966
00:45:33,080 --> 00:45:35,480
Speaker 1: and exchanging jersey and stuff. You have said you don't

967
00:45:35,520 --> 00:45:37,480
Speaker 1: really hang with basketball. No disrespect, but you don't really

968
00:45:37,520 --> 00:45:40,880
Speaker 1: hang with basketball players like that, right, not not to not.

969
00:45:41,160 --> 00:45:44,319
Speaker 2: I was just saying, like athletes, yeah at all, Like yeah,

970
00:45:44,440 --> 00:45:48,680
Speaker 2: it's all I'm glad you hang out with us, right up,

971
00:45:48,960 --> 00:45:49,440
Speaker 2: straight up.

972
00:45:49,800 --> 00:45:50,440
Speaker 1: What's the rest of it?

973
00:45:50,480 --> 00:45:51,520
Speaker 2: You look like, what what?

974
00:45:51,680 --> 00:45:51,719
Speaker 3: What?

975
00:45:51,840 --> 00:45:52,200
Speaker 2: What's what?

976
00:45:52,520 --> 00:45:53,640
Speaker 1: You're gonna drop another album?

977
00:45:53,719 --> 00:45:54,319
Speaker 2: Independent? Man?

978
00:45:54,320 --> 00:45:54,960
Speaker 1: We gotta watch you.

979
00:45:55,040 --> 00:45:55,160
Speaker 2: Man.

980
00:45:55,200 --> 00:45:55,920
Speaker 1: You can do anything.

981
00:45:56,040 --> 00:45:58,319
Speaker 2: Man, When I was just want to say, I might

982
00:45:58,480 --> 00:46:03,440
Speaker 2: do anything. I might put out a I might put

983
00:46:03,480 --> 00:46:07,400
Speaker 2: out a gospel rap album. I can do whatever, or

984
00:46:07,480 --> 00:46:12,640
Speaker 2: blues one red Man so Sol album, something right, but

985
00:46:12,800 --> 00:46:16,640
Speaker 2: yeah for thrilled, I'm I ain't got it just figured

986
00:46:16,680 --> 00:46:18,759
Speaker 2: out yet. Yeah, I'm still you know what I'm saying.

987
00:46:18,800 --> 00:46:22,839
Speaker 2: I'm still just analyzing and trying to make my plays right.

988
00:46:22,960 --> 00:46:25,960
Speaker 2: My next move, my bitch move. You don't like rushing, nothing,

989
00:46:26,000 --> 00:46:27,320
Speaker 2: no forcing that, But it's.

990
00:46:27,160 --> 00:46:29,480
Speaker 1: Gotta feel good because it feels like your career, like

991
00:46:29,520 --> 00:46:30,960
Speaker 1: you said, you've seen a lot of Cassi even when

992
00:46:30,960 --> 00:46:33,120
Speaker 1: you first popped off was and it makes it just

993
00:46:33,160 --> 00:46:36,080
Speaker 1: seems like your career keeps going up and up each level,

994
00:46:36,160 --> 00:46:37,399
Speaker 1: like keeps going to another level.

995
00:46:37,520 --> 00:46:40,320
Speaker 2: Right, Like I said, I don't like forcing and rushing.

996
00:46:40,560 --> 00:46:43,040
Speaker 2: Like a first when I came in, I used to

997
00:46:43,120 --> 00:46:47,759
Speaker 2: always want to like drop music like read it more

998
00:46:47,840 --> 00:46:49,239
Speaker 2: than enough, Like you know what I'm saying, but I

999
00:46:49,320 --> 00:46:52,800
Speaker 2: didn't understand it, Like how I understanding now, Like timing

1000
00:46:52,880 --> 00:46:55,319
Speaker 2: and anticipation is everything. Yeah.

1001
00:46:56,120 --> 00:46:57,880
Speaker 1: Also, like a lot of times artists come out and

1002
00:46:57,920 --> 00:46:59,640
Speaker 1: then be like put an album out, you know, like

1003
00:47:00,000 --> 00:47:02,080
Speaker 1: Foma came out you know, earlier in the year, right,

1004
00:47:02,600 --> 00:47:05,400
Speaker 1: but still even before the deluxe it's stayed in people's rotation.

1005
00:47:05,560 --> 00:47:07,279
Speaker 1: Like what you think it's about your music that, like

1006
00:47:07,719 --> 00:47:09,239
Speaker 1: I would say now, like a lot of artists, Like

1007
00:47:09,280 --> 00:47:10,800
Speaker 1: you said, they come in they want to gain attention,

1008
00:47:10,920 --> 00:47:13,239
Speaker 1: but how do you like retain attention? Like people still

1009
00:47:13,280 --> 00:47:14,799
Speaker 1: care about you? Like what are you thinking is about

1010
00:47:15,200 --> 00:47:17,320
Speaker 1: when they get a Glock album? Like they're still bumping

1011
00:47:17,360 --> 00:47:19,640
Speaker 1: at a month later, two months later, three months.

1012
00:47:19,520 --> 00:47:24,000
Speaker 2: Later, because because like I said earlier, I just like

1013
00:47:24,239 --> 00:47:26,839
Speaker 2: I just be being me, Like you know what I'm saying.

1014
00:47:26,840 --> 00:47:31,160
Speaker 2: I don't sound like nobody. I don't think nobody sound

1015
00:47:31,280 --> 00:47:33,840
Speaker 2: like me, like you know what I'm saying. So I

1016
00:47:33,880 --> 00:47:36,480
Speaker 2: think they just they just keep me like stuck out

1017
00:47:36,800 --> 00:47:40,319
Speaker 2: away from me back. Yeah, plus you learn the game

1018
00:47:40,360 --> 00:47:47,080
Speaker 2: from Dolph straight up, keep going on, Glock. We appreciate you,

1019
00:47:47,160 --> 00:47:48,520
Speaker 2: but I appreciate you.

1020
00:47:50,800 --> 00:47:52,840
Speaker 1: That Glack coma two Deluxe for now.

1021
00:47:53,200 --> 00:48:04,000
Speaker 3: Yeah right on podcasts, Podcasts, rap radar as. The Interval

1022
00:48:04,040 --> 00:48:07,360
Speaker 3: presents original production from hyper House, produced by Laura Wasser,

1023
00:48:07,760 --> 00:48:10,440
Speaker 3: Hosts and producers Elliott Wilson and Brian b. Dot Miller.

1024
00:48:10,800 --> 00:48:15,080
Speaker 3: From Interval Presents executive producers Alan Coy and Jake Kleinberg,

1025
00:48:15,560 --> 00:48:19,480
Speaker 3: Executive producer Paul Rosenberg, editing his sound design by Dylan

1026
00:48:19,520 --> 00:48:25,000
Speaker 3: Alexander Freeman, recording engineer Jeremy Ogletree. Special thanks to Charatte Jenkins,

1027
00:48:25,280 --> 00:48:29,440
Speaker 3: Tammy Kim, and Jasmine Sanchez, Operations Lead Sarah Yu, business

1028
00:48:29,440 --> 00:48:33,200
Speaker 3: development Lead Cheffie Allen Swag and Marketing Lead Samara Still.

1029
00:48:33,480 --> 00:48:36,680
Speaker 3: Make sure to follow rap rator or listen on Apple Podcasts, Spotify,

1030
00:48:36,840 --> 00:48:38,760
Speaker 3: Amazon Music, or wherever you get your podcasts