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Speaker 1: It's with Jenny Garth and Tori Spelling. Okay, you guys,

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Speaker 1: I am super excited because this is the episode Welcome

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Speaker 1: to first of all, Welcome to nine O one, omg, hi,

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Speaker 1: it's us. This is the episode that we've been telling

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Speaker 1: Jen about for three seasons now. We've been like, yes,

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Speaker 1: is it? This is wow iconic? This is an iconic

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Speaker 1: is the moment? In my opinion? You guys kidding me

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Speaker 1: right now? I know this episode left me feeling let down.

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Speaker 1: Oh what Okay, I there's certain storylines that I don't

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Speaker 1: I'm like, okay, but I mean this is the iconic moment.

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Speaker 1: It's the threesome of them all ye at the very end,

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Speaker 1: like it's so we'll get there, but from the pool,

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Speaker 1: from the pool to the door knock to the w

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Speaker 1: from there on, you're just like, I'm in Well, why

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Speaker 1: don't we just talk about it? Then? Season three, episode nineteen,

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Speaker 1: Back in the High Life Again, aired on January. Synopsis.

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Speaker 1: Dylan's father, jack is finally released from prison to enjoy

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Speaker 1: his son's company and sets eyes on his trust fund.

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Speaker 1: David doesn't know where he will live after his father

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Speaker 1: moves out of Jackie's house. Meanwhile, Brandon's addiction to gambling

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Speaker 1: intensifies when he starts using his own college money. Donna

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Speaker 1: helped Andrea with a makeover. Drum roll, please that was

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Speaker 1: my drum roll? Give me a drum roll. I don't

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Speaker 1: know how. Second, Dylan finally chooses Kelly over Brenda. She

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Speaker 1: is furious when they break the news to Brenda about

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Speaker 1: their summer and written by Steve Wasserman and Jessica Klein chills.

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Speaker 1: I don't know if they needed to tell her. I

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Speaker 1: don't know either, But in all honesty, you were having

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Speaker 1: moments where you were like, I don't feel like what

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Speaker 1: Kelly's doing is right. She does the right thing, she

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Speaker 1: does the noble thing here, what do you mean telling

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Speaker 1: the truth? Telling the truth sometimes the truth hurts. So

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Speaker 1: it's like, I'm all for Kelly and Dylan. I love them. Really,

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Speaker 1: nobody knew. I don't know if they needed to tell her,

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Speaker 1: they needed to tell her that they were together. I

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Speaker 1: don't know that it did anything but hurt her to

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Speaker 1: tell them about the summer, to tell her about the summer.

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Speaker 1: But imagine, like, let's fast forward, they stay friends for years,

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Speaker 1: Dylan and Kelly get married. I'm just saying what if

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Speaker 1: and then like thirty years from then, like all of

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Speaker 1: a sudden, they're like, Wow, we have this deep, dark

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Speaker 1: secret we never told our friend, Like how do you

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Speaker 1: live with that? Like it's a big one. Mm hmm, yeah,

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Speaker 1: I don't know either. I might be with Amy that

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Speaker 1: like why tell her the nitty gritty details of it?

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Speaker 1: All right? So it's like why why you guys? I

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Speaker 1: am shocked kick someone while they're down. You know, I

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Speaker 1: believe in the truth. I believe in telling the truth.

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Speaker 1: I cannot lie. But in this situation, I don't know.

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Speaker 1: I just because of the way it hurt her so badly.

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Speaker 1: Of course it was going to hurt her, but like

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Speaker 1: they didn't sleep together that that that they're saying, cut

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Speaker 1: and dry, I didn't have and they told her that.

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Speaker 1: But there's a shot of friendship too. There's a shot

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Speaker 1: at friendship if they didn't tell her that last part.

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Speaker 1: You think, m hmm. Maybe maybe because the girls were like,

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Speaker 1: I know, just maybe this, we'll do this together and

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Speaker 1: he'll decide between the two of us. Like for me,

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Speaker 1: the whole I missed that in the beginning of the episode,

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Speaker 1: like I the lead up to um Dylan, the party,

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Speaker 1: the pool scene there, I was missing something for me,

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Speaker 1: Like I missed the build up. I missed like the

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Speaker 1: girls kind of having what they've had for the past

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Speaker 1: few episodes of that, like camaraderie and friendship and we're

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Speaker 1: going to get through this together. Whatever happens happens, Like

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Speaker 1: I didn't get that in the beginning of this episode,

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Speaker 1: and I really wanted that to set it up a

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Speaker 1: little bit better. Did you think it was so weird

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Speaker 1: when Kelly says to Dylan, did you pick me because

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Speaker 1: I came to the party And he said maybe, uh yeah,

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Speaker 1: but you're jumping ahead. But she does that all the time.

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Speaker 1: I know, I know. I just want to get to

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Speaker 1: that scene onward anyway, forgetting keep going. I want to

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Speaker 1: know how you both are feeling, like really feeling about

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Speaker 1: this episode. Yeah, I just felt like it was I

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Speaker 1: felt let down. I felt like which which parts the

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Speaker 1: lead up? I felt let down by the lead up

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Speaker 1: and then like and then the pool seemed a dialogue

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Speaker 1: in the pool seemed just exactly what Amy's talking about,

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Speaker 1: Like there was no decision before Kelly gets in the

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Speaker 1: pool with him, and it just felt like convenient and

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Speaker 1: like default, like a choice by I don't know. It

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Speaker 1: just didn't feel like I wanted it to feel for

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Speaker 1: some reason. And then yeah that he said maybe he's

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Speaker 1: such a jerk sometimes Yeah gosh, but I loved like

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Speaker 1: I'm not gonna lie like I just like as a girl,

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Speaker 1: I was like, oh my gosh, when you know, I

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Speaker 1: don't say if you don't mean it, I mean it right,

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Speaker 1: like you're in trouble and any dunks here and just

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Speaker 1: like that was so beautiful and your hair went back

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Speaker 1: so perfect as you popped out, and I was like, oh,

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Speaker 1: this feels like splash. You were like a mermaid and

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Speaker 1: like um, and then I don't know, I just love

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Speaker 1: your read on that when you're like you're in trouble,

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Speaker 1: because I know that side of you so well, because

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Speaker 1: that is a little side of you, a little flirty,

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Speaker 1: like a little girl, like kind of said. When I

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Speaker 1: heard that, I was like, I don't know, just yeah,

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Speaker 1: that's a really cute, charming, iconic scene. In my mind,

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Speaker 1: I just remember him picking Kelly more clearly, like when

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Speaker 1: he said that, I was shocked. I was like, wait

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Speaker 1: that happens like that. Yeah, it felt like it was

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Speaker 1: like wow, like do we think on to say I

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Speaker 1: want you. I've always want to eat you. I changed you,

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Speaker 1: Like he's clearly pointing out, like I wanted more out

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Speaker 1: of that moment. I'm not gonna lie. I wanted more

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Speaker 1: from Dylan right there. Okay, well there you go, right there.

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Speaker 1: It's Dylan, though, Yeah, it is like he's not capable

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Speaker 1: of giving more. If Brenda went to the party, would

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Speaker 1: things be different? Do you think if if Brenda went

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Speaker 1: to the party, it would have been different? Yeah, because

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Speaker 1: Brenda would have been there, and they wouldn't have been

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Speaker 1: in the pool. He wouldn't. That wouldn't a moment, would

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Speaker 1: have never happened. I think it would have prolonged it

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Speaker 1: a bit. But I think this was inevitable. This was

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Speaker 1: the way you think he went into the party and

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Speaker 1: the pool already already decided. So I I mean, well,

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Speaker 1: I guess I have to go with that in my

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Speaker 1: heart because I want to believe like this is the

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Speaker 1: right thing and like he's being honest and it's not

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Speaker 1: just like he's not just a guy that's like, oh

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Speaker 1: this convenient, cool, I'll go with blonde, she's here like

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Speaker 1: that breaks my heart, Like and it's Dylan, you know,

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Speaker 1: the lines blur for us so for me, I guess

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Speaker 1: I stick up because I'm like, it's not just Dylan,

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Speaker 1: it's Luke. Like he would never do that. So it's like, ah, um, no,

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Speaker 1: I think in his heart it's Kelly. We know it's Kelly.

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Speaker 1: He didn't want to be with Brenda anymore. Even when

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Speaker 1: you had a summer fling. He really didn't write, you know,

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Speaker 1: And I think he it's a hard time, like deciding,

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Speaker 1: but I don't. I think he had decided already. He

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Speaker 1: decided that summer. He probably decided when he was in

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Speaker 1: seventh grade. Like I want to believe you were always

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Speaker 1: in the back of his mind. And don't you think

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Speaker 1: it's significant that she does go? She is the one

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Speaker 1: that's there for him, Like, if we're really going to

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Speaker 1: dig into it, it's like she was there for him,

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Speaker 1: but Brenda couldn't because Jim wouldn't let her go. Okay,

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Speaker 1: Brenda has defied Jim so many times. She went to Mexico,

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Speaker 1: she went, she does things all the time, so like

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Speaker 1: for this, this is the time that stops her because

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Speaker 1: he says, no, I didn't remember that for a moment,

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Speaker 1: and I was like, oh, she's gonna sneak out, like

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Speaker 1: Brenda always does, like and then when she went back

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Speaker 1: up the stairs after talking to Brandon, and I was like, oh, really,

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Speaker 1: she's not leaving me. I think she Here's here's what

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Speaker 1: I think. I don't know that she cared about going

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Speaker 1: to the party or not or supporting Dylan. It's like

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Speaker 1: she just wanted to go because she knew if she

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Speaker 1: didn't that that she was going to lose. We're gonna

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Speaker 1: get slammed by brand of fans. But I agree with you,

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Speaker 1: but that's true. I agree with you. She wanted to go,

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Speaker 1: not to support him and to be there for him,

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Speaker 1: but that's why she was like so talking to Brandon

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Speaker 1: about it, like it was more about him picking Kelly

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Speaker 1: talk about the she's worried about Dylan and the finances

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Speaker 1: and the dad and that he's going to take the

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Speaker 1: like what about that part? Do you do? You think

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Speaker 1: that's true too? And and that Dylan needs friends, she

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Speaker 1: says to Kelly at school, Like, I'm not saying she

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Speaker 1: doesn't care about him, but it's understandable. She's a teenage girl.

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Speaker 1: She's going to go with her emotions over like the

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Speaker 1: it happens, Like I don't fault her for it. But

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Speaker 1: in the moment, I think she was jealous and was like, oh, yikes,

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Speaker 1: I should get myself there. There might be a little

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Speaker 1: bit more pick me, pick me, rather than I need

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Speaker 1: to be with him because it's true love. And I

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Speaker 1: did love that in the midst of everything going on

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Speaker 1: with Kelly, when Dylan calls and talk to her about it.

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Speaker 1: I love that you immediately said yes, like you didn't

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Speaker 1: even hesitate with everything you have going on, Like I

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Speaker 1: feel like, I don't know. That made me think, like

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Speaker 1: that's how much she cares about him. Jack McCay is

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Speaker 1: such an asshole. Oh my god, he's so sexy though

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Speaker 1: he really is, but he's doing he's he's got plans

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Speaker 1: to take the trust fund money back and use it

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Speaker 1: for himself. That is wrong. As Jim says, it's a

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Speaker 1: major bad guy. Yeah, he's a major bad guy. He

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Speaker 1: could be a major bad guy. That is so that's

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Speaker 1: it's rough. Like in this episode, you really feel for

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Speaker 1: Dylan in so many ways. Do you think that he's

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Speaker 1: got this ass of a dad, poor guy, he's just

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Speaker 1: getting jerked around and the only thing he has now

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Speaker 1: is this is Kelly, this new relationship, and and that

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Speaker 1: at the end, you're like, wait, what's going to happen?

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Speaker 1: It's they don't like it's not like, yeah, they're running

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Speaker 1: off into the sunset together and they're so happy in

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Speaker 1: this moment. That's also too was a letdown for me

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Speaker 1: that the moment was like squished, like they didn't get

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Speaker 1: to be happy about being together. I didn't feel like

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Speaker 1: I didn't see enough of that. Can you imagine being

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Speaker 1: Brenda and those two come to the door. I felt

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Speaker 1: so bad for her. I just watching it, her little

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Speaker 1: just her a little face, and the way she answered

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Speaker 1: the door, and the way she went over and got

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Speaker 1: her jacket and then she was like, okay, let's go,

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Speaker 1: and just she knew she knew it was coming, and

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Speaker 1: she was but she had to be brave and go,

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Speaker 1: and I just my heart was aching for her. They

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Speaker 1: do jump a little bit from the door, and then

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Speaker 1: all of a sudden they're walking What what do you

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Speaker 1: think the dialogue was on the way there? Mm hmm,

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Speaker 1: like small talk because no, they they cut to the

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Speaker 1: scene and she's coming in hot. They've already told her, yeah,

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Speaker 1: just hadn't told her about the summer fleeing yet. That's

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Speaker 1: well that said, then I wish we would have seen that. Yeah,

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Speaker 1: like that kind of major to be like, I don't know.

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Speaker 1: I felt bad too. I was like, they're doing the

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Speaker 1: right thing, They're doing the right thing. Well, Dylan's like,

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Speaker 1: let's tell her in the middle of school, like her

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Speaker 1: next class. I was like, oh my gosh, poor thing.

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Speaker 1: Imagine Brenda, why are you crying in Mandarin class? What

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Speaker 1: language does she take? Intense? I would have been upset,

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Speaker 1: I guess if that was to be me. If that

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Speaker 1: was me, I feel like I would have wanted want

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Speaker 1: of them to tell me, like it's just too much

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Speaker 1: all at once, both of them, so I don't have

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Speaker 1: to they don't have to see me crying or something

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Speaker 1: with you Tori, yes, going to the door and like

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Speaker 1: being the couple and then being like sorry, you're out.

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Speaker 1: And even in that conversation, Dylan was kind of a

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Speaker 1: jerk to her there. He was so insensitive to her

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Speaker 1: feelings or anyone's feelings in that moment. But Dylan's a

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Speaker 1: little insensitive. He should have told her alone. But he's

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Speaker 1: a product of you know, yeah, he should have told

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Speaker 1: her alone. I was just going to ask you, guys,

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Speaker 1: should what would have been better for Brenda if Dylan

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Speaker 1: told her or Kelly told her Dyl because it was

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Speaker 1: his choice, let him do some of the heavy lifting

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Speaker 1: for a hot second, like let him deal with the consequences,

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Speaker 1: like face to face, straight on, no hiding by anybody else.

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Speaker 1: I let he would have blurted it out at the

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Speaker 1: lockers or something like. He wouldn't have handled it right

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Speaker 1: if he was Lowe. I love Dylan, but I do

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Speaker 1: not care for the pick me, pick me. It reminds

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Speaker 1: me of like The Bachelor, Just pick me, pick me

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Speaker 1: all everybody all about this one dude. I love him,

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Speaker 1: He's worth it, but like, yeah, that part is a

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Speaker 1: little yucky. Mm hmmm what I've been saying people, But

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Speaker 1: it's not untrue what happens. I mean I had things

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Speaker 1: like that in high school. You had to pick Yeah,

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Speaker 1: I remember, I told you I was like dating this

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Speaker 1: guy in high school, Like I went to all girls school.

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Speaker 1: He was at our brothers school, which is now they've

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Speaker 1: merged in it's Harvard Westlake, but at the time it

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Speaker 1: was all girls and that there was like the hottest guy.

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Speaker 1: He was a surfer and he literally would like go

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Speaker 1: through all of us and like he would go out

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Speaker 1: with you one week and like he also took he

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Speaker 1: took me on one day and went to get tacos

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Speaker 1: and I stood there like nervous because he drove already

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Speaker 1: and then he like bought himself a taco and then

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Speaker 1: he's like, are you gonna get anything paid for? And

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Speaker 1: bought it and came and like you're gonna go get anything?

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Speaker 1: And I was like, oh, this isn't right, um, And

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Speaker 1: all I did was kiss him. But yeah, you wait

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Speaker 1: next week you kissed him after the taco? I did

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Speaker 1: you dreamy? Did he have taco? I don't remember, Like

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Speaker 1: he had a car, and like you know, I I

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Speaker 1: think I was fifteen, he was sixteen, Like I didn't

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Speaker 1: have my license yet. And he was like literally the

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Speaker 1: coolest guy. And he took me to watch him surf

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Speaker 1: one day, like he was all about himself. Um. And

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Speaker 1: he lived in and he lived in the Palisades by

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Speaker 1: the way and had parties for me, that's where my

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Speaker 1: dad got that. Um. But Dylan does behave as a

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Speaker 1: high schoo old boy would behave like a forty year

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Speaker 1: old dude handling this right. But that's when the next weekend,

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Speaker 1: I was sick, so I couldn't go to the party

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Speaker 1: in the Palisades and my best friend went and she

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Speaker 1: told me in science class on Monday that she kissed

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Speaker 1: him and he liked her now and it was literally

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Speaker 1: pick me. Oh my god, it happens you guys high school.

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Speaker 1: Remember back in the day when when when it was

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Speaker 1: you guys just kissed and then that was it. Like,

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Speaker 1: I feel like things have gotten so much more, much

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Speaker 1: more progressive now when it's not just a kiss anymore,

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Speaker 1: when a guy's like makes a move on a girl,

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Speaker 1: it's all. I feel like it's going back to the

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Speaker 1: just kiss. As we're older, we have but for us

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Speaker 1: are for the kids more like a high five? Do

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Speaker 1: you want hug? I don't know. Yeah, too much going on? Okay, cool?

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Speaker 1: Oh my god, it's exhausting. Can you even imagine in

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Speaker 1: real life being in this situation now? It would be

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Speaker 1: so exhausting. Well, nobody, nobody got time for that? Like,

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Speaker 1: who can heal that these days? Can you imagine like

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Speaker 1: competing with your best friend for a guy. That would

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Speaker 1: never happen now though at our age, Like, no, it

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Speaker 1: would not and it wouldn't happen. I don't feel like

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Speaker 1: it would happen with girls young girls anymore either, I mean,

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Speaker 1: does it still happen with young girls, like because it

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Speaker 1: just feels like there's so much more girls supporting girls

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Speaker 1: energy out there and like standing united. I don't know,

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Speaker 1: maybe I'm not really question, but I can't imagine my

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Speaker 1: daughter being in that situation. And I guess she might

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Speaker 1: say one thing but feel and want and do another thing,

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Speaker 1: and my be that Yeah, that is a good question.

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Speaker 1: I don't know, And we would hope they would be like,

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Speaker 1: you know, we've come so far and like women are

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Speaker 1: so empowered and girls have everybody's backs, but like, you

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Speaker 1: don't know how you might feel with one of boys,

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Speaker 1: Like boys are tricky, especially young boys when you're a

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Speaker 1: young girl, Like they're just like they mess with your mind.

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Speaker 1: They definitely are boys who like having multiple ladies girls women, Yeah,

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Speaker 1: giving that attention. Meles Silver is one of them. I

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Speaker 1: mean two major male dad not role models, Jack McKay

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Speaker 1: Mels Silver, and they're doing it both in the same episode.

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Speaker 1: It's kind of like what you guys were saying last week, like, oh,

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Speaker 1: the storyline it's all about like who's cheating, who's cheating?

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Speaker 1: In this week it's like whoa Jim Walsh is really

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Speaker 1: worse like Jack or Mel. They're both such pigs, legal

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Speaker 1: but criminal. I feel like Mel is worse when he says,

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Speaker 1: uh that line, I'm gonna just like women. Okay, I

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Speaker 1: can't help myself. It takes no responsibility for just being

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Speaker 1: a total cheater, cheater, pumpkin eater. So I'm what does

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Speaker 1: he say, So I'm a bastard? Yeah, he's so, like

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Speaker 1: this is how I am. No, technically, you're not a bastard,

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Speaker 1: because a bastard is when you're you don't have a

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Speaker 1: mom or something. Isn't that like the definition of a

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Speaker 1: bastard technically, So, uh, you're a douchebag. I like how

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Speaker 1: they wrote Jackie though she really rose to the crappy occasion,

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Speaker 1: you know what I'm saying, Like, she's not going off

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Speaker 1: the rails. She's being a good mom. She's including David.

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Speaker 1: She's seeing things clearly, poor David. Oh my gosh, David,

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Speaker 1: Like that broke my heart because he's like what happens

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Speaker 1: to me? And I guess those are the things you

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Speaker 1: don't think about. Like he's happy, he has a real

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Speaker 1: shot at it, like a cohesive family. His two sisters

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Speaker 1: is a house he loves, you know, it's a real

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Speaker 1: family unit that he hasn't had in a long time

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Speaker 1: or maybe ever. We don't know a full backstory well yet,

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Speaker 1: but um yeah, how about when Kelly says, we're the kids,

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Speaker 1: will do what we're told? WHOA pretty much thumbed it up. Yeah,

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Speaker 1: do you think that always? I don't know. I feel

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Speaker 1: like now, like we give our kids so much power.

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Speaker 1: That's I mean, if I were in a situation like that,

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Speaker 1: I'd be like, what do you guys want? But that's

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Speaker 1: just me that were to everything about you know, we

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Speaker 1: are family, like our kids come first over our sons.

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Speaker 1: Don't put ourselves first. Yeah, so yeah, but that would

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Speaker 1: we didn't need to put to put that that weight

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Speaker 1: of the that decision on them. So I'm so I'm

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Speaker 1: exactly in the same boat with you, Like I give

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Speaker 1: my kids way too much power and too much, too much,

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Speaker 1: like too many choices. And their dad is so great

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Speaker 1: at like reeling me in and saying we're the parents,

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Speaker 1: We're gonna do what we're gonna do, and they're gonna

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Speaker 1: be okay because we love them. And I'm like, Okay,

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Speaker 1: that hurts, but I'll try it. I'll do what you say. Yeah,

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Speaker 1: and it does end up the right move because they

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Speaker 1: do want that, they don't know what to do. They

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Speaker 1: don't know either, so somebody's got to take the lead.

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Speaker 1: It's so interesting because you're watching this show and uh,

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Speaker 1: thank you to whoever wrote in that Jim was thirty seven. Well,

355
00:22:01,080 --> 00:22:08,760
Speaker 1: James eck House and the actress we are older than them. Wow.

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Speaker 1: And so you really are seeing I mean when you

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Speaker 1: did it thirty years ago where I watched it, we

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Speaker 1: would have never been like, oh, the parents are really

359
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Speaker 1: handling those well, like we would have never said that,

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Speaker 1: And now we're watching it like in a totally different way.

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Speaker 1: And Chad, we're older than Jim and Cindy. I can't

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Speaker 1: wrap my head around that. Nope, way older. Even when

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Speaker 1: I watch it, I'm like, I feel like he's the dad.

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Speaker 1: I feel so much young, says your dad, Dad, You're

365
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Speaker 1: just thinking he's your daddy. Oh see, I wrapped my

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Speaker 1: head around it very quickly when you said it, and

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Speaker 1: I was like, you're saying we look good. I mean,

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Speaker 1: still got it. Wow. I feel like I'm still remember

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Speaker 1: thinking anything significant of mel when this storyline, Like when

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Speaker 1: I watched it, I think I started didn't care. Yeah,

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Speaker 1: I was like, you're like, and now I'm like, Mel,

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Speaker 1: what the hell? Yeah? And I think the same of Jack,

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Speaker 1: other than him sort of being Dylan's dad. Like when

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Speaker 1: I watched it, it it was like I've never gotten the

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Speaker 1: weeds of like what a total ass he is, and

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Speaker 1: like he's just total criminal. He's like money launder ring

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Speaker 1: and tax evasion and this and this and stealing his

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Speaker 1: kid's money. And I don't remember it like landing on

379
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Speaker 1: me then like it does now where I'm like, oh,

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Speaker 1: there's something amazing something later on though, he turns into

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Speaker 1: a good guy, right, yeah, I think so something where

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Speaker 1: deeming happens. I know, well, yeah he looks. But Mel,

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Speaker 1: how can he come back from this? I think he

384
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Speaker 1: does what he doesn't know? I think they get back together,

385
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Speaker 1: don't I think so? I now, I just want to

386
00:24:04,720 --> 00:24:08,280
Speaker 1: keep that family together. Though Darnett, maybe he could go

387
00:24:08,320 --> 00:24:12,160
Speaker 1: to like sex rehab or something. Yeah, that's what would happen.

388
00:24:12,400 --> 00:24:16,320
Speaker 1: He's essentially saying he's a sex sex addict, which really,

389
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Speaker 1: like I don't know something about that, like having had

390
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Speaker 1: addicts in the past in my life, Like I guess

391
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Speaker 1: that's the thing. But like he doesn't have any like okay,

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Speaker 1: find it triggers to me too, because I'm just like,

393
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Speaker 1: I don't know, is he or is he just using

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Speaker 1: that as an excuse and the people are like, oh,

395
00:24:36,720 --> 00:24:40,400
Speaker 1: or he's he has a problem. It's a problem. He's

396
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Speaker 1: an addict. He can't help himself, Like, is that where

397
00:24:42,560 --> 00:24:45,920
Speaker 1: he's going and cheats and cheats? When the thing that

398
00:24:45,960 --> 00:24:49,920
Speaker 1: you could go to sex addiction rehab for what what?

399
00:24:49,960 --> 00:24:52,480
Speaker 1: I'd like to know what your people are like? That

400
00:24:52,560 --> 00:24:54,960
Speaker 1: seems like the night the two thousand's that I don't know.

401
00:24:55,040 --> 00:24:57,399
Speaker 1: I know I've read in tabloids like people, is it

402
00:24:57,440 --> 00:24:59,280
Speaker 1: not real? Is that not a real thing? But it

403
00:24:59,280 --> 00:25:02,280
Speaker 1: doesn't seem like and David the company went to was

404
00:25:02,280 --> 00:25:06,320
Speaker 1: a sex That's the one I read about. I love

405
00:25:06,440 --> 00:25:11,000
Speaker 1: him by the one so much? I love so Okay,

406
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Speaker 1: a couple of things. Can we talk about the Bellage,

407
00:25:15,440 --> 00:25:19,040
Speaker 1: the significance of the Bellage. Just spent some time at

408
00:25:19,080 --> 00:25:22,920
Speaker 1: the old Bellage, didn't we? Did you shoot at the Bellage?

409
00:25:22,960 --> 00:25:25,720
Speaker 1: I mean they showed the exteriors a lot. Yeah, and

410
00:25:25,760 --> 00:25:29,800
Speaker 1: it is at the pool. Yeah, that's their pool. A

411
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Speaker 1: little note, I can't remember if I said this, but again,

412
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Speaker 1: thank you to the she's seen in a sense or

413
00:25:34,960 --> 00:25:37,280
Speaker 1: stage or something. You guys, it's not like, yeah, you

414
00:25:37,280 --> 00:25:39,680
Speaker 1: couldn't tell what that was from the bottom of the freight.

415
00:25:40,480 --> 00:25:45,199
Speaker 1: The Mana Seto look from last week, You're like, the

416
00:25:45,280 --> 00:25:49,920
Speaker 1: Mona Seto is the Santa Monica Lowe's hotel secrete the

417
00:25:49,960 --> 00:25:53,720
Speaker 1: Monito from last week? Yes, which does Wait it's the

418
00:25:53,760 --> 00:25:58,879
Speaker 1: what hotel? The Santa Monica Lowees Hotel on Ocean seems

419
00:25:58,920 --> 00:26:01,520
Speaker 1: to be like did they read do what? I hope? Yes,

420
00:26:01,680 --> 00:26:04,760
Speaker 1: it's had major renovations, like it's great now. It's a

421
00:26:04,800 --> 00:26:08,720
Speaker 1: pretty cool spot. It is, but all right, so we

422
00:26:08,840 --> 00:26:11,280
Speaker 1: also there was some very like in the beginning of

423
00:26:11,280 --> 00:26:14,080
Speaker 1: this episode, some really cool Beverly Hills shots that we

424
00:26:14,119 --> 00:26:17,800
Speaker 1: don't always gets hotel shot, which made me think, like

425
00:26:17,800 --> 00:26:19,679
Speaker 1: I didn't remember, and I was like, oh, wait, I

426
00:26:19,680 --> 00:26:22,119
Speaker 1: don't think they've shown the actual hotel, Like is that me?

427
00:26:22,200 --> 00:26:23,960
Speaker 1: We're going to be at the Beverly Hills Hotel. It

428
00:26:24,000 --> 00:26:25,520
Speaker 1: was super weird they showed them. Then he went to

429
00:26:25,520 --> 00:26:28,800
Speaker 1: the bellage like what that's weird. I guess they wanted

430
00:26:28,800 --> 00:26:31,719
Speaker 1: it to look like the iconic Beverly Hills hotel. They

431
00:26:31,720 --> 00:26:34,720
Speaker 1: wanted everybody think, I wish we could have gone there.

432
00:26:35,200 --> 00:26:39,840
Speaker 1: Jack being so famous, like I didn't remember the parazzi

433
00:26:40,560 --> 00:26:42,760
Speaker 1: ye had like news cruise and he's like, I'm going

434
00:26:42,800 --> 00:26:45,840
Speaker 1: to Disneyland. It was like, I didn't remember that your

435
00:26:45,880 --> 00:26:49,560
Speaker 1: news last week? Like they do seem to follow him,

436
00:26:49,640 --> 00:26:52,600
Speaker 1: like I don't know why, just because he's wealthy, like

437
00:26:52,680 --> 00:27:00,480
Speaker 1: what Bernie made off for that dude kind of type,

438
00:27:01,119 --> 00:27:06,760
Speaker 1: like he was that famous about his activity here. Yeah,

439
00:27:07,680 --> 00:27:10,320
Speaker 1: but I every time I go to the Bellage Hotel

440
00:27:10,359 --> 00:27:12,760
Speaker 1: now like I have, it just puts me right back

441
00:27:12,800 --> 00:27:15,320
Speaker 1: into do you always think of it same? I mean,

442
00:27:15,320 --> 00:27:18,119
Speaker 1: it's the London now, but like it's walking like parking,

443
00:27:19,400 --> 00:27:21,119
Speaker 1: and then you walk in and it's like, oh my gosh,

444
00:27:21,119 --> 00:27:24,159
Speaker 1: all I see is color me bad standing out the

445
00:27:24,240 --> 00:27:26,840
Speaker 1: fake rain, Like, oh my god, are you out here?

446
00:27:26,920 --> 00:27:28,600
Speaker 1: Like that's what I think of when I valet park

447
00:27:28,760 --> 00:27:32,720
Speaker 1: the lobby. It's all just comes back back back. Oh man,

448
00:27:33,280 --> 00:27:43,520
Speaker 1: the storyline bugging in his hair? His hair? Why why? Why?

449
00:27:43,520 --> 00:27:47,679
Speaker 1: Why would they had to give her something to do?

450
00:27:48,480 --> 00:27:51,840
Speaker 1: Maybe she just I just remember like my dad was

451
00:27:51,840 --> 00:27:55,480
Speaker 1: a big stickler about hair. Like if you ever yeah,

452
00:27:55,800 --> 00:27:58,119
Speaker 1: have you ever made any change? No one else would

453
00:27:58,119 --> 00:28:00,359
Speaker 1: like care or notice, but they always put a line

454
00:28:00,359 --> 00:28:02,880
Speaker 1: in afterwards like oh your hair looks great. You gotta done.

455
00:28:02,880 --> 00:28:04,840
Speaker 1: You're like, ok, thanks, Like when I went to Redd,

456
00:28:05,200 --> 00:28:07,520
Speaker 1: do you remember, like it was always just like, yeah,

457
00:28:08,320 --> 00:28:10,600
Speaker 1: it was your mission. If you didn't get like, if

458
00:28:10,600 --> 00:28:12,280
Speaker 1: you didn't get it signed off on, like a hair

459
00:28:12,320 --> 00:28:16,320
Speaker 1: color change or a haircut change, then you would have

460
00:28:16,520 --> 00:28:20,479
Speaker 1: some trouble. Yeah, what came first for for Kelly? Like

461
00:28:20,560 --> 00:28:27,000
Speaker 1: did you want the short hair mission? I'll put a

462
00:28:27,000 --> 00:28:31,440
Speaker 1: pin in that that God, because you're triggering me right

463
00:28:31,440 --> 00:28:34,280
Speaker 1: now and I don't want to stir off so far.

464
00:28:34,440 --> 00:28:38,240
Speaker 1: You can't talk about your notes? Did you guys? See

465
00:28:38,280 --> 00:28:41,320
Speaker 1: the old timey TV in the Walsh kitchen on the

466
00:28:41,480 --> 00:28:45,800
Speaker 1: counter and then Jim's like, where are you going young lady?

467
00:28:46,120 --> 00:28:48,600
Speaker 1: Like that was a little How many times do you

468
00:28:48,640 --> 00:28:52,320
Speaker 1: think in ten years Cindy had to answer the phone

469
00:28:52,440 --> 00:28:54,680
Speaker 1: And did she mix up her hellos? Was she always

470
00:28:54,680 --> 00:28:59,520
Speaker 1: like hello, hello, like different reads? I feel like she didn't.

471
00:29:00,040 --> 00:29:02,760
Speaker 1: There was always a different hello here was how about?

472
00:29:02,760 --> 00:29:06,160
Speaker 1: I kept thinking when she answered the phone was Okay,

473
00:29:06,320 --> 00:29:09,880
Speaker 1: there's a really long chord on that phone. Go walk

474
00:29:09,920 --> 00:29:12,480
Speaker 1: your ass over to Jim and hand it to him, like,

475
00:29:12,520 --> 00:29:14,800
Speaker 1: why do you make him come to you? It's not

476
00:29:14,880 --> 00:29:18,720
Speaker 1: like it's right, it's the cord is so long, you

477
00:29:18,720 --> 00:29:21,680
Speaker 1: could go anywhere. That Jack calling Jim, and they called

478
00:29:21,680 --> 00:29:26,600
Speaker 1: each other Mr Walsh, Mr McKay until he didn't until

479
00:29:26,640 --> 00:29:29,960
Speaker 1: he was like, how do you feel about that, Jim? Yeah,

480
00:29:30,000 --> 00:29:37,560
Speaker 1: I'll take my money. Yeah. The gambling thing, I mean,

481
00:29:37,560 --> 00:29:40,640
Speaker 1: obviously we're that's going to become more and more. And

482
00:29:40,720 --> 00:29:43,160
Speaker 1: I really admire Nat being like I don't want to

483
00:29:43,160 --> 00:29:45,920
Speaker 1: give you this guy's number because I'll let I'll place

484
00:29:45,960 --> 00:29:47,600
Speaker 1: your bets, but I can keep my eye on you.

485
00:29:47,960 --> 00:29:51,000
Speaker 1: Like Nat is sort of a father figure. He really is,

486
00:29:52,080 --> 00:29:54,360
Speaker 1: Like Jim is really strict, and that's kind of like

487
00:29:54,400 --> 00:29:59,320
Speaker 1: the cooler father figure. He's like he's like the uncle. Yeah,

488
00:29:59,440 --> 00:30:03,680
Speaker 1: the phone, you're right. Wait, going back to the beginning,

489
00:30:03,800 --> 00:30:06,720
Speaker 1: that the hall, the limo pulling up stuff, like all

490
00:30:06,760 --> 00:30:10,960
Speaker 1: the limo driving that boxy limo reminds me of your father.

491
00:30:12,480 --> 00:30:15,000
Speaker 1: Like when I see a limo that's like that, like

492
00:30:15,080 --> 00:30:17,640
Speaker 1: squared off like that, I just think of your dad.

493
00:30:17,680 --> 00:30:20,600
Speaker 1: Did your dad drive in a limo? You guys, I'm

494
00:30:20,640 --> 00:30:22,680
Speaker 1: not kidding. When I saw the limo and I saw

495
00:30:22,880 --> 00:30:26,440
Speaker 1: the decanters, the crystal the three crystal decanters. I was like,

496
00:30:26,520 --> 00:30:28,640
Speaker 1: oh my god, they used our lemo. What I thought

497
00:30:29,200 --> 00:30:31,880
Speaker 1: it was white? It was square outside was white on there,

498
00:30:31,880 --> 00:30:36,080
Speaker 1: so this was black? Okay? Did you have at your

499
00:30:36,120 --> 00:30:39,120
Speaker 1: head a white And it was exactly that model like

500
00:30:39,120 --> 00:30:41,520
Speaker 1: it had the decanters. It was so fashion. It was

501
00:30:41,560 --> 00:30:45,080
Speaker 1: square long like eighties limo. Did the driver live at

502
00:30:45,160 --> 00:30:47,880
Speaker 1: your house? Like? How did the drive to come over?

503
00:30:47,920 --> 00:30:51,080
Speaker 1: We didn't live at the house. He was there every day.

504
00:30:51,240 --> 00:30:53,239
Speaker 1: He drove my dad to work. Every day. My dad

505
00:30:53,320 --> 00:30:55,400
Speaker 1: went in his limo. Did you go to school in

506
00:30:55,400 --> 00:30:59,600
Speaker 1: a limo? I didn't go now because my like I

507
00:30:59,640 --> 00:31:01,640
Speaker 1: had an Annie, she would drive me in the family

508
00:31:01,720 --> 00:31:06,320
Speaker 1: station wagon. But the limo was always a sticking point

509
00:31:06,360 --> 00:31:08,680
Speaker 1: for me because whenever my parents would come to school

510
00:31:08,680 --> 00:31:11,480
Speaker 1: events and I would have to arrive with them, I'd

511
00:31:11,520 --> 00:31:13,239
Speaker 1: be like, drought me a block away and I'll just

512
00:31:13,280 --> 00:31:15,400
Speaker 1: like walk up, which they wouldn't do. But they dropped

513
00:31:15,400 --> 00:31:19,200
Speaker 1: me at the top of the school like, because I

514
00:31:19,240 --> 00:31:21,120
Speaker 1: was like, I am not driving through that school line

515
00:31:21,120 --> 00:31:23,000
Speaker 1: and getting out of a limo. The kids will never

516
00:31:23,120 --> 00:31:27,000
Speaker 1: let me live in. Did your dad drive now? Could

517
00:31:27,000 --> 00:31:33,200
Speaker 1: he drive gosh. I I don't think I ever saw

518
00:31:33,440 --> 00:31:37,960
Speaker 1: my dad. My mom like had a driver and would drive,

519
00:31:38,000 --> 00:31:42,080
Speaker 1: but she would actually drive to like I don't think

520
00:31:42,080 --> 00:31:43,840
Speaker 1: I ever saw my dad drives to get carsick. I

521
00:31:43,880 --> 00:31:50,520
Speaker 1: don't like limos very yeah, they're very nausey. Whoa, they're kind.

522
00:31:52,080 --> 00:31:53,840
Speaker 1: I have so many kids now, I think about getting

523
00:31:53,880 --> 00:31:56,960
Speaker 1: like an old like and refurbishing it like an old Limo,

524
00:31:57,040 --> 00:31:58,480
Speaker 1: But then it would just stick out so far you

525
00:31:58,440 --> 00:32:02,600
Speaker 1: wouldn't fee for all had a limo. They had a limo, yeah,

526
00:32:02,680 --> 00:32:04,880
Speaker 1: but it didn't like always stay at their house like yours.

527
00:32:05,040 --> 00:32:07,720
Speaker 1: It was like they just would like if you were

528
00:32:07,720 --> 00:32:12,520
Speaker 1: going to like a concert or something rich, god you were.

529
00:32:12,840 --> 00:32:15,800
Speaker 1: I never had a limo. Those were the days. Do

530
00:32:15,840 --> 00:32:18,240
Speaker 1: you guys remember what you drove? Like? What did you drive? Back?

531
00:32:18,320 --> 00:32:23,880
Speaker 1: Then to set? So I know what Tory drove? What

532
00:32:24,000 --> 00:32:31,080
Speaker 1: did you Basically it was like I had the Champagne

533
00:32:31,120 --> 00:32:38,240
Speaker 1: convertible BMW Yes that yeah, and then they made Donna's

534
00:32:38,280 --> 00:32:42,600
Speaker 1: car the exact same. I was like, I had a

535
00:32:42,600 --> 00:32:44,560
Speaker 1: lot of cars. I'm very fickle with my cars. I

536
00:32:44,560 --> 00:32:46,200
Speaker 1: only keep a car for like two or three years

537
00:32:46,240 --> 00:32:48,760
Speaker 1: and then I get sick of it. Kind of like

538
00:32:48,800 --> 00:32:50,680
Speaker 1: the houses that I live in. I move all the time,

539
00:32:51,040 --> 00:32:53,360
Speaker 1: different car all the time, a lot of husbands. You know,

540
00:32:54,080 --> 00:32:57,360
Speaker 1: I gotta keep things moving, chicken changing, I get bored,

541
00:32:59,600 --> 00:33:16,960
Speaker 1: want of like getting getting some are alike, aren't we, Jenny,

542
00:33:16,960 --> 00:33:19,120
Speaker 1: Do you remember getting some money and like buying a

543
00:33:19,120 --> 00:33:22,400
Speaker 1: car and driving it to set? I imagine those boys

544
00:33:22,480 --> 00:33:26,640
Speaker 1: drove fancy cars. We all had SUVs at one point.

545
00:33:27,640 --> 00:33:29,480
Speaker 1: Should we talk about the fact that we all saw

546
00:33:29,480 --> 00:33:34,440
Speaker 1: each other and saw Ian Yes this weekend? Yeah, we did.

547
00:33:34,680 --> 00:33:37,920
Speaker 1: We all saw each other at a concert and it

548
00:33:38,000 --> 00:33:40,880
Speaker 1: wasn't just a concert. It was the I Heart Wango

549
00:33:41,000 --> 00:33:45,760
Speaker 1: Tango Show. Oh my god. And I think that's my

550
00:33:45,800 --> 00:33:49,640
Speaker 1: first time in a music festival. That was That was wait,

551
00:33:49,960 --> 00:33:54,520
Speaker 1: is that a music festival? Like technically technically when I

552
00:33:54,560 --> 00:33:57,240
Speaker 1: look it up online, it says Wango Tango Music Festival

553
00:33:57,280 --> 00:34:01,120
Speaker 1: because it's like more than one act. They all share stage, rotating,

554
00:34:01,160 --> 00:34:03,400
Speaker 1: and it was really cool my first time. I always

555
00:34:03,400 --> 00:34:08,240
Speaker 1: into it. I was cute, I acted normal. Amy Okay,

556
00:34:08,320 --> 00:34:11,319
Speaker 1: Iron came and Amy was there and she was a

557
00:34:11,320 --> 00:34:15,920
Speaker 1: little excited, but she hit it really well, even good.

558
00:34:17,880 --> 00:34:23,279
Speaker 1: Oh and she moment Amy was with Iron kiss on

559
00:34:23,320 --> 00:34:26,759
Speaker 1: the cheek I didn't even think about that. I'm not like,

560
00:34:27,200 --> 00:34:31,960
Speaker 1: I don't like cuckoo inside. You see so many st

561
00:34:32,040 --> 00:34:34,839
Speaker 1: I don't like I have to like I can't just

562
00:34:34,880 --> 00:34:36,600
Speaker 1: like act like I act with you guys. Do you

563
00:34:36,640 --> 00:34:40,960
Speaker 1: know what I mean? Like silly and dark out. I

564
00:34:41,000 --> 00:34:44,840
Speaker 1: have to be thought. He looked cute, like he was

565
00:34:44,880 --> 00:34:47,479
Speaker 1: all like dressed down. He had like a hoodie on

566
00:34:47,920 --> 00:34:51,120
Speaker 1: his sweatshirn like he was just casual and like, do

567
00:34:51,200 --> 00:34:58,880
Speaker 1: you think not trying Camilla Cabello fan? He went had

568
00:34:58,920 --> 00:35:01,960
Speaker 1: the pit I think we you know what's funny? A

569
00:35:02,040 --> 00:35:03,840
Speaker 1: couple of people, So we're at this concert, So a

570
00:35:03,880 --> 00:35:05,560
Speaker 1: couple of people are like, we do I know that guy?

571
00:35:05,560 --> 00:35:07,800
Speaker 1: How do I know that guy? Do you guys get

572
00:35:07,840 --> 00:35:11,279
Speaker 1: mostly like I know you? Or do they know who

573
00:35:11,360 --> 00:35:14,600
Speaker 1: you are? Do you know what I'm saying? Like when

574
00:35:14,600 --> 00:35:17,760
Speaker 1: I was talking to someone from the office and she's like, wait,

575
00:35:18,000 --> 00:35:19,560
Speaker 1: I know that guy, and I'm like it's Ion's earring

576
00:35:19,719 --> 00:35:22,279
Speaker 1: and she's like, oh yeah, Like do most people go like,

577
00:35:22,440 --> 00:35:24,840
Speaker 1: oh Tori spelling or do they go like did we

578
00:35:24,880 --> 00:35:27,040
Speaker 1: go to high school to girl? Most people know who

579
00:35:27,080 --> 00:35:32,400
Speaker 1: we are. I'm not saying that occasion. Occasionally there's somebody

580
00:35:32,440 --> 00:35:34,440
Speaker 1: that's like, I feel like I know you? How do

581
00:35:34,480 --> 00:35:36,439
Speaker 1: I Where do I know her? And then I feel

582
00:35:36,440 --> 00:35:38,840
Speaker 1: bad and like I was on TV here let me

583
00:35:38,840 --> 00:35:41,400
Speaker 1: help you out. And then y'all went on stage with

584
00:35:41,520 --> 00:35:43,759
Speaker 1: Ryan c same. I've ben't done the same, like I'm

585
00:35:43,800 --> 00:35:49,239
Speaker 1: an I'm an actress, and they're like, oh, but um,

586
00:35:49,560 --> 00:35:51,880
Speaker 1: there was I mean, we talked about that woman because

587
00:35:52,200 --> 00:35:55,320
Speaker 1: clearly she still made a big impression on my soul.

588
00:35:57,800 --> 00:36:01,960
Speaker 1: Wait what happened? You know you had the story? I

589
00:36:01,960 --> 00:36:07,279
Speaker 1: don't know. This is the school. Okay, we're standing waiting

590
00:36:07,520 --> 00:36:10,399
Speaker 1: for like five seconds of summer or something to get

591
00:36:10,440 --> 00:36:13,760
Speaker 1: done on the pink carpet, which is okay, okay, okay,

592
00:36:13,960 --> 00:36:16,600
Speaker 1: and we can go. Yeah, we're supposed to go up

593
00:36:16,640 --> 00:36:18,960
Speaker 1: there together because as like we need a two shot

594
00:36:19,000 --> 00:36:23,160
Speaker 1: at you girls. We would have a shot with the

595
00:36:23,200 --> 00:36:26,960
Speaker 1: three of you, but didn't happen. Um, And and this

596
00:36:27,000 --> 00:36:30,000
Speaker 1: woman comes up to us like hot she was. She

597
00:36:30,080 --> 00:36:34,760
Speaker 1: came in tight, close, ready to rumble, red crop tank

598
00:36:35,000 --> 00:36:41,480
Speaker 1: drinking drink drink, super nice. But she leads with right

599
00:36:41,520 --> 00:36:43,920
Speaker 1: as we're ready to go on, and you know, I

600
00:36:43,960 --> 00:36:45,359
Speaker 1: was just looking at Jen. I was like, you look

601
00:36:45,400 --> 00:36:47,959
Speaker 1: so great. She's like, you look like you know, here's

602
00:36:48,000 --> 00:36:50,960
Speaker 1: the thing Wango Tango, and our minds were moms were like, oh,

603
00:36:51,000 --> 00:36:53,759
Speaker 1: it's for the young people. Were a little out place, Yeah,

604
00:36:53,800 --> 00:36:57,239
Speaker 1: like feeling uncomfortable. And my manager might have said three

605
00:36:57,239 --> 00:36:59,360
Speaker 1: times like this is great for you to do because

606
00:36:59,360 --> 00:37:01,760
Speaker 1: of what you back in the space with the young people.

607
00:37:03,719 --> 00:37:05,680
Speaker 1: Pad said that, So that was already in my head.

608
00:37:06,640 --> 00:37:10,680
Speaker 1: I love him, but I'm just just saying, and so

609
00:37:10,719 --> 00:37:12,319
Speaker 1: what did this lady say? I think I know who

610
00:37:12,320 --> 00:37:15,440
Speaker 1: it was, but what did she say? She leads with

611
00:37:17,400 --> 00:37:19,799
Speaker 1: I was just there and all the no one over there,

612
00:37:19,960 --> 00:37:23,320
Speaker 1: no one knows who you guys are, but I do

613
00:37:23,920 --> 00:37:27,120
Speaker 1: because we're in our forties and I know you. And

614
00:37:27,160 --> 00:37:29,160
Speaker 1: she was trying to say that she was a fan,

615
00:37:29,360 --> 00:37:33,399
Speaker 1: like she didn't mean anything by it. It literally came

616
00:37:33,400 --> 00:37:36,040
Speaker 1: out like nobody knows who you are, but there's one

617
00:37:36,080 --> 00:37:40,959
Speaker 1: person here that doesn't. It's me because I'm yeah, that's

618
00:37:40,960 --> 00:37:48,040
Speaker 1: it basically the subtitles many words. Yes. We literally I

619
00:37:48,080 --> 00:37:50,640
Speaker 1: looked at to her and I was like, did you

620
00:37:50,960 --> 00:37:54,359
Speaker 1: just hear what I heard? And we did. We didn't

621
00:37:54,360 --> 00:37:57,759
Speaker 1: know what to say, like we were like, Okay, it's

622
00:37:57,800 --> 00:38:00,440
Speaker 1: so fitting for our friendship like that. It's just story

623
00:38:00,640 --> 00:38:03,359
Speaker 1: of our lives. I mean, like, partially why we wanted

624
00:38:03,360 --> 00:38:05,160
Speaker 1: to do bh and I don't know is because we

625
00:38:05,200 --> 00:38:09,080
Speaker 1: had so many funny, behind the scenes things that people

626
00:38:09,120 --> 00:38:12,560
Speaker 1: wouldn't believe like that just really happens. Of course it did.

627
00:38:13,040 --> 00:38:15,319
Speaker 1: But yeah, and then what did you say to her?

628
00:38:16,280 --> 00:38:18,040
Speaker 1: What did I say to I don't have no idea

629
00:38:18,200 --> 00:38:21,080
Speaker 1: I was. I don't even remember what I said. I said,

630
00:38:21,120 --> 00:38:23,399
Speaker 1: you know me, I'm nice to everyone everyone. I can't

631
00:38:23,480 --> 00:38:26,000
Speaker 1: hide my emotions, so I'm sure I look like you

632
00:38:27,760 --> 00:38:31,920
Speaker 1: weren't you actually weren't. It's like we traded. We traded

633
00:38:32,040 --> 00:38:35,239
Speaker 1: people personas at that point, and I turned, I, oh, well,

634
00:38:35,239 --> 00:38:37,080
Speaker 1: if no one knows this, Jen, I guess we better leave.

635
00:38:38,320 --> 00:38:41,000
Speaker 1: That's just me being passive aggressive. And then I was like,

636
00:38:41,160 --> 00:38:47,040
Speaker 1: but hi, I love you, like like feeling really what

637
00:38:47,080 --> 00:38:49,400
Speaker 1: we mean is feeling really good to walk onto that

638
00:38:49,440 --> 00:38:51,600
Speaker 1: red carpet with all those young people that don't know

639
00:38:51,600 --> 00:38:56,080
Speaker 1: who we are. Yea, let's see carpet. The worst thing

640
00:38:56,120 --> 00:38:59,440
Speaker 1: of like a person has ever said like that. That

641
00:38:59,520 --> 00:39:05,160
Speaker 1: might be its two, but I love it that it

642
00:39:05,239 --> 00:39:07,160
Speaker 1: happened to both of us at the same time. So

643
00:39:07,360 --> 00:39:10,319
Speaker 1: we could have this. Like we had a moment and

644
00:39:10,360 --> 00:39:15,239
Speaker 1: we just we had to laugh. We left. But but

645
00:39:15,320 --> 00:39:19,000
Speaker 1: after but aside from that moment, it was so much

646
00:39:19,120 --> 00:39:24,280
Speaker 1: fun and it was so went on stage to interview Ryan.

647
00:39:24,400 --> 00:39:27,240
Speaker 1: We've never met Tanya in person? Like that was so awesome.

648
00:39:27,840 --> 00:39:29,520
Speaker 1: Oh my god, how have you guys never met Tanya?

649
00:39:29,600 --> 00:39:34,760
Speaker 1: I don't know, I can't remember. But did you notice

650
00:39:34,760 --> 00:39:37,080
Speaker 1: when we went out, they didn't give us. First of all,

651
00:39:37,120 --> 00:39:40,160
Speaker 1: they just handed you a hot mic. They handed me

652
00:39:40,280 --> 00:39:43,720
Speaker 1: the microphone, which is a big mistake. And they didn't

653
00:39:43,719 --> 00:39:47,000
Speaker 1: tell us anything like go out, stand here, do this nothing.

654
00:39:47,080 --> 00:39:49,160
Speaker 1: They're just tear like. And then when they pushed here

655
00:39:49,160 --> 00:39:51,440
Speaker 1: and you're like, oh, I guess we're going and I

656
00:39:51,560 --> 00:39:53,840
Speaker 1: go out and then you are like way behind me.

657
00:39:53,880 --> 00:39:55,640
Speaker 1: But we're supposed to be together because we're supposed to

658
00:39:55,680 --> 00:39:59,680
Speaker 1: share a microphone and so I but I panicked more

659
00:39:59,760 --> 00:40:02,839
Speaker 1: be because like she's my safe zone, like you know,

660
00:40:02,920 --> 00:40:05,680
Speaker 1: like I saw it was more than that she can

661
00:40:05,719 --> 00:40:08,160
Speaker 1: go out and talk. But I literally like I can't.

662
00:40:08,160 --> 00:40:10,319
Speaker 1: I'm not I'm not standing, so I can't show you guys.

663
00:40:10,360 --> 00:40:14,040
Speaker 1: But like I like walked out going like this, like

664
00:40:14,160 --> 00:40:17,040
Speaker 1: reaching for her hand just to myself like, okay, you

665
00:40:17,120 --> 00:40:20,440
Speaker 1: got this. Just pretend you're squeezing hand because we always

666
00:40:20,440 --> 00:40:22,480
Speaker 1: walk out together holding hands like that's our thing and

667
00:40:22,520 --> 00:40:25,319
Speaker 1: it makes us feel good. But it was over in

668
00:40:25,360 --> 00:40:29,200
Speaker 1: two seconds and swooped you up. But I forgot to

669
00:40:29,200 --> 00:40:31,640
Speaker 1: put the microphone in front of your mouth when it

670
00:40:31,719 --> 00:40:34,480
Speaker 1: was your turn to talk. And then as you're talking,

671
00:40:34,520 --> 00:40:36,319
Speaker 1: I was like, oh crap, I'm supposed to be the

672
00:40:36,360 --> 00:40:38,719
Speaker 1: microphone person. And I put the mic up to you

673
00:40:38,880 --> 00:40:41,120
Speaker 1: like midst and I wasn't thinking, so I just started

674
00:40:41,120 --> 00:40:42,759
Speaker 1: to save my line and then I was like, oh

675
00:40:42,880 --> 00:40:45,839
Speaker 1: right right she So luckily do you mind, just because

676
00:40:45,960 --> 00:40:48,759
Speaker 1: it's a very fun story, which if we tell the

677
00:40:48,840 --> 00:40:54,000
Speaker 1: last time we presented by the way present and introduced

678
00:40:54,120 --> 00:41:00,520
Speaker 1: like introduced, we introduced, Yeah, what was it? The v okay?

679
00:41:00,520 --> 00:41:04,319
Speaker 1: So it was at the Teen Choice. It was at

680
00:41:04,320 --> 00:41:06,640
Speaker 1: the Teen Choice. And this is when we were doing

681
00:41:06,680 --> 00:41:14,520
Speaker 1: b H. No. No, this was and we were filming

682
00:41:14,800 --> 00:41:18,719
Speaker 1: b H in Vancouver when we both simultaneously across we're

683
00:41:18,800 --> 00:41:21,720
Speaker 1: filming with everybody the group. We got the text saying

684
00:41:21,960 --> 00:41:25,480
Speaker 1: the email saying they want the two of you to

685
00:41:25,520 --> 00:41:30,160
Speaker 1: introduce and present at Teen Choice, and I get it.

686
00:41:30,200 --> 00:41:32,319
Speaker 1: I was like, oh, yes, this is going to be

687
00:41:32,360 --> 00:41:34,759
Speaker 1: great for us, and I knew the reaction. So I

688
00:41:34,920 --> 00:41:38,080
Speaker 1: looked across the bar and she's like I was like,

689
00:41:38,920 --> 00:41:42,440
Speaker 1: no way, because I knew, and she was like, no,

690
00:41:42,600 --> 00:41:44,160
Speaker 1: these are all young people. I knew what she was

691
00:41:44,160 --> 00:41:46,839
Speaker 1: gonna say, So young people. I'm like, no, we're gonna

692
00:41:46,840 --> 00:41:49,279
Speaker 1: look hot. This is gonna be great. It's great because

693
00:41:49,280 --> 00:41:51,560
Speaker 1: we have b h N two premiering, like we're gonna

694
00:41:51,600 --> 00:41:56,319
Speaker 1: do this. So we did look great. You a dressed us.

695
00:41:56,520 --> 00:42:01,120
Speaker 1: You had a plan in your mind, and when a

696
00:42:01,160 --> 00:42:04,680
Speaker 1: plan comes together, a fashion plan. So she had this

697
00:42:05,080 --> 00:42:09,239
Speaker 1: very cool blazer dress, hot pink, and I wanted to

698
00:42:09,280 --> 00:42:12,280
Speaker 1: do a nod, like a modernized nod to our characters

699
00:42:12,280 --> 00:42:14,120
Speaker 1: of what we would have worned thirty years ago, but

700
00:42:14,280 --> 00:42:18,120
Speaker 1: modern ice for two thousand nineteen. So she looks so cool,

701
00:42:18,320 --> 00:42:23,760
Speaker 1: had this blazer on. I had like a sunflower, like

702
00:42:23,760 --> 00:42:28,120
Speaker 1: like I'm a dress. It was like it was very

703
00:42:28,239 --> 00:42:30,759
Speaker 1: in at the moment and like we looked great until

704
00:42:30,800 --> 00:42:32,520
Speaker 1: they like shoot us off the red carpet because he

705
00:42:32,640 --> 00:42:37,480
Speaker 1: was coming. Like they always say her name wrong. I

706
00:42:37,480 --> 00:42:41,279
Speaker 1: thought it was Taylor Swift. Oh her to her too? Yeah,

707
00:42:41,760 --> 00:42:44,719
Speaker 1: all the long legged people came and trompled us right

708
00:42:44,760 --> 00:42:46,799
Speaker 1: off the red carpet, and that that's always a good

709
00:42:46,800 --> 00:42:50,200
Speaker 1: feeling too. So here's number two in our books. They're like,

710
00:42:50,239 --> 00:42:52,919
Speaker 1: get out of here, John Tory, and they don't say

711
00:42:52,960 --> 00:42:54,879
Speaker 1: like oh thanks or anything. They just go. They see

712
00:42:54,920 --> 00:42:59,640
Speaker 1: someone bigger, younger, and they go. When you're still standing

713
00:42:59,640 --> 00:43:02,520
Speaker 1: there with no character, like, oh, I guess we're done,

714
00:43:02,960 --> 00:43:09,440
Speaker 1: walk behind. But then the horrible This is another instance

715
00:43:09,520 --> 00:43:13,080
Speaker 1: of like no one tells celebrities just so people out there. No,

716
00:43:13,480 --> 00:43:15,279
Speaker 1: they don't rehearse with you. They don't tell you what

717
00:43:15,320 --> 00:43:17,680
Speaker 1: you're going to be doing, and you're you're nervous because

718
00:43:17,680 --> 00:43:19,200
Speaker 1: you want to do a good job. It's on TV,

719
00:43:19,280 --> 00:43:21,000
Speaker 1: and you're and you're like where do I go? What

720
00:43:21,040 --> 00:43:24,839
Speaker 1: do I do? So we're backstage and we've gone over

721
00:43:24,880 --> 00:43:27,279
Speaker 1: our lines and we've like rehearsed in our like lamb

722
00:43:27,360 --> 00:43:30,080
Speaker 1: tent right before, and we go out and we see

723
00:43:30,080 --> 00:43:33,040
Speaker 1: everybody coming right onto the main stage to present big,

724
00:43:33,080 --> 00:43:36,080
Speaker 1: beautiful standing there, so like Jenny Tory, and we're like okay,

725
00:43:36,080 --> 00:43:37,920
Speaker 1: so we just go and fall in line and then

726
00:43:37,960 --> 00:43:42,040
Speaker 1: they're like no, like like thirty seconds before we had

727
00:43:42,080 --> 00:43:45,440
Speaker 1: to go out there, like all the way up these

728
00:43:45,480 --> 00:43:47,680
Speaker 1: stairs go behind because it was all the audience was

729
00:43:47,719 --> 00:43:51,520
Speaker 1: all on rafters, like rapchers, bleechers, bleechers. What are rafters?

730
00:43:51,600 --> 00:43:55,920
Speaker 1: I think that's in the ceiling. Yeah, all the way

731
00:43:56,000 --> 00:43:57,439
Speaker 1: up and it was like a hike. So we would

732
00:43:57,440 --> 00:44:00,160
Speaker 1: get there, Yeah and no, no, we gotta go. We're

733
00:44:00,200 --> 00:44:02,600
Speaker 1: sweating by the time we got up the stairs. We

734
00:44:02,719 --> 00:44:05,560
Speaker 1: get up there and the camera goes on us quickly

735
00:44:06,000 --> 00:44:08,080
Speaker 1: and someone there to flag down and all of a

736
00:44:08,120 --> 00:44:11,160
Speaker 1: sudden they're like, we see a look a panic and

737
00:44:11,200 --> 00:44:13,160
Speaker 1: we see them go like this and they're doing something,

738
00:44:13,440 --> 00:44:14,880
Speaker 1: and all of a sudden because someone comes in with

739
00:44:14,920 --> 00:44:20,319
Speaker 1: big lights. They had big lights to have to get

740
00:44:20,520 --> 00:44:24,800
Speaker 1: they need filtering and lighting bringing the big lights, so

741
00:44:24,800 --> 00:44:28,799
Speaker 1: so we're on razzled and then they flip it on

742
00:44:29,000 --> 00:44:32,719
Speaker 1: and all of a sudden, the the what's it called,

743
00:44:32,760 --> 00:44:35,480
Speaker 1: like the teleprompter thing comes up. They have a tiny

744
00:44:35,480 --> 00:44:37,200
Speaker 1: one right there right in front of us with the lights.

745
00:44:37,239 --> 00:44:39,919
Speaker 1: You can't see that, don't my glasses on. So that's

746
00:44:39,920 --> 00:44:44,480
Speaker 1: a problem. Yeah, and think, I don't know, we were

747
00:44:44,480 --> 00:44:51,440
Speaker 1: supposed to be introducing um the soccer Mia. No. I

748
00:44:51,520 --> 00:44:54,200
Speaker 1: was praying you would remember her name because I feel

749
00:44:54,200 --> 00:44:55,920
Speaker 1: like goes me a hammer with somebody like me a

750
00:44:55,960 --> 00:44:58,640
Speaker 1: ham mish, and it was like for an icon of

751
00:44:58,680 --> 00:45:03,040
Speaker 1: war or something. We I don't know what happened, but

752
00:45:03,080 --> 00:45:06,160
Speaker 1: my I went Brady. I went Cindy Brady, like I

753
00:45:06,320 --> 00:45:10,600
Speaker 1: flat lined. I all of a sudden, I just started

754
00:45:10,640 --> 00:45:13,640
Speaker 1: speaking gibberish when it was my turn to talk on

755
00:45:13,719 --> 00:45:19,239
Speaker 1: live television. Yeah, gibberish. I need to find this find it.

756
00:45:19,440 --> 00:45:22,960
Speaker 1: Here's the thing. She always thinks it's worse obviously than

757
00:45:23,000 --> 00:45:25,200
Speaker 1: it really is. Like when you watch it back, it's

758
00:45:25,280 --> 00:45:28,400
Speaker 1: not as bad, and even in the moment, but standing

759
00:45:28,400 --> 00:45:31,120
Speaker 1: next to her and I'm looking like we just instinctually

760
00:45:31,200 --> 00:45:33,680
Speaker 1: know each other so well that I was like, oh,

761
00:45:33,680 --> 00:45:35,480
Speaker 1: she's got we call it going up on your lines.

762
00:45:35,520 --> 00:45:37,520
Speaker 1: Like I was like, okay, she's going up. And I

763
00:45:37,560 --> 00:45:39,440
Speaker 1: was like can she recover? No, she can't recover. I

764
00:45:39,440 --> 00:45:42,239
Speaker 1: was supposed to lead you in with my wounds and

765
00:45:42,560 --> 00:45:45,040
Speaker 1: then what you said made sense, but I said nothing

766
00:45:45,080 --> 00:45:47,200
Speaker 1: that made sense. And all I said was said one thing.

767
00:45:47,400 --> 00:45:52,040
Speaker 1: Very last line of the intro was Superstar. So I

768
00:45:52,040 --> 00:45:56,239
Speaker 1: said blue Superstar. And I looked at Tori with a

769
00:45:56,280 --> 00:45:59,560
Speaker 1: look of panic in my eyes, like please do something,

770
00:46:00,000 --> 00:46:03,520
Speaker 1: and then I just looked at her. We had that

771
00:46:03,600 --> 00:46:06,600
Speaker 1: moment and went right into the next line like nothing happened,

772
00:46:06,719 --> 00:46:10,680
Speaker 1: and I don't think people noticed, um, but all I

773
00:46:10,680 --> 00:46:13,080
Speaker 1: could think of And at that moment, I just wanted

774
00:46:13,120 --> 00:46:16,719
Speaker 1: to laugh really loud because she said Superstar, and all

775
00:46:16,760 --> 00:46:20,520
Speaker 1: I could think of is Molly Shannon Superstar on Saturday

776
00:46:20,600 --> 00:46:25,640
Speaker 1: Night Live. And I was like, oh mg, But so

777
00:46:25,680 --> 00:46:28,640
Speaker 1: that was our last time presenting in front of an

778
00:46:28,640 --> 00:46:32,840
Speaker 1: audience because the pandemic happens. Find you in the flower

779
00:46:33,080 --> 00:46:36,920
Speaker 1: dress tory the clips on there somewhere, I'll have to

780
00:46:37,000 --> 00:46:41,000
Speaker 1: dig around there. So I had a moment when I

781
00:46:41,080 --> 00:46:42,640
Speaker 1: was like coming on stage and I was like, oh

782
00:46:42,640 --> 00:46:44,200
Speaker 1: my gosh, Superstar. But I was like, I'm not going

783
00:46:44,280 --> 00:46:47,040
Speaker 1: to remind her of it because that will make and

784
00:46:47,080 --> 00:46:53,840
Speaker 1: then time now wait before Superstars a question? Oh sorry,

785
00:46:54,719 --> 00:46:56,920
Speaker 1: is there anything you can remember about the pool scene?

786
00:46:57,320 --> 00:46:58,719
Speaker 1: I feel like that was only just want to keep

787
00:46:58,719 --> 00:47:03,839
Speaker 1: talking wango tango. I know we'll continue that later, but

788
00:47:03,840 --> 00:47:05,960
Speaker 1: I do remember was that it looked like it was

789
00:47:06,000 --> 00:47:09,400
Speaker 1: steamy and warm, but it was cold as heck. And

790
00:47:09,520 --> 00:47:14,239
Speaker 1: was that whole underneath thing choreographed like that? Okay, that

791
00:47:14,280 --> 00:47:16,319
Speaker 1: was back in the day when the technology was not

792
00:47:16,400 --> 00:47:20,400
Speaker 1: like what it is now. So an under underwater shot

793
00:47:20,560 --> 00:47:23,200
Speaker 1: took a long time for them to set up and

794
00:47:23,239 --> 00:47:26,040
Speaker 1: it was really super technical and you could get electrocuted.

795
00:47:26,120 --> 00:47:29,960
Speaker 1: Like there was a lot of crazy preparations going on

796
00:47:30,120 --> 00:47:33,160
Speaker 1: and it took forever. Yeah, because they put lights under

797
00:47:33,200 --> 00:47:35,919
Speaker 1: the water, but they were like, no, these are special lights,

798
00:47:35,920 --> 00:47:38,839
Speaker 1: and you're like, are they really? But because back then

799
00:47:39,040 --> 00:47:41,279
Speaker 1: that they didn't do that, and so yeah, I was

800
00:47:41,320 --> 00:47:44,320
Speaker 1: really nervous. And that was just like one quick little

801
00:47:44,719 --> 00:47:50,200
Speaker 1: shot of the underwater thing that shot cut because he

802
00:47:50,280 --> 00:47:53,560
Speaker 1: kind of grabs you under but it was collected around him.

803
00:47:53,640 --> 00:47:56,440
Speaker 1: Your body looks so beautiful, like I love them, and

804
00:47:56,480 --> 00:47:59,080
Speaker 1: it was nice, So you must have been shooting all night.

805
00:47:59,200 --> 00:48:02,640
Speaker 1: It was nice. And we were so cold, and I

806
00:48:02,680 --> 00:48:06,359
Speaker 1: remember Luke's lips were blue, and you know how when

807
00:48:06,400 --> 00:48:09,600
Speaker 1: you get cold you can't really move your mouth and lips,

808
00:48:09,600 --> 00:48:13,000
Speaker 1: and so kissing was really like this is weird, where

809
00:48:13,000 --> 00:48:17,400
Speaker 1: our mouths were frozen, and I just remember that we

810
00:48:17,480 --> 00:48:19,920
Speaker 1: kept joking with the crew and being like we have

811
00:48:20,040 --> 00:48:21,879
Speaker 1: to be in here. You guys get naked and come

812
00:48:21,880 --> 00:48:24,480
Speaker 1: into Like we kept trying to get the crew to

813
00:48:24,560 --> 00:48:26,600
Speaker 1: come in the water with us, but I think only

814
00:48:26,719 --> 00:48:29,319
Speaker 1: maybe Blake did. I think Blake took his pants off?

815
00:48:30,440 --> 00:48:35,360
Speaker 1: No Blake, No, sorry, the sun what's his name? Robo Robo? Yeah, Robo,

816
00:48:35,440 --> 00:48:39,200
Speaker 1: the boom guy came in. Oh my god, good memory,

817
00:48:39,320 --> 00:48:42,400
Speaker 1: Jenny shocking. Remember. But we did have like the cameraman

818
00:48:42,600 --> 00:48:45,399
Speaker 1: with us, and the and the camera operator guy were

819
00:48:45,520 --> 00:48:48,399
Speaker 1: with us. Remember they like scuba suits. Yeah, they were

820
00:48:48,560 --> 00:48:53,480
Speaker 1: in scuba suits and weird s. Yeah, of course they did.

821
00:48:53,560 --> 00:48:57,680
Speaker 1: He did. It just was really cold and you had

822
00:48:57,680 --> 00:49:00,800
Speaker 1: to be like half out of it, like a dirty

823
00:49:00,880 --> 00:49:05,040
Speaker 1: and kissy. And is how great you guys are because

824
00:49:05,080 --> 00:49:06,880
Speaker 1: you would never know. You would have thought it was

825
00:49:06,920 --> 00:49:12,280
Speaker 1: a hundred degrees out January, January, so you probably shot

826
00:49:12,280 --> 00:49:17,200
Speaker 1: it in what December? So what was kind of no? No, no, no, November?

827
00:49:17,320 --> 00:49:20,799
Speaker 1: Earlier November. We didn't have that quick a turnaround them

828
00:49:20,960 --> 00:49:24,600
Speaker 1: back then. Yeah. It was great though, that was scene

829
00:49:24,640 --> 00:49:26,120
Speaker 1: was I know, Luke and I had a lot of

830
00:49:26,120 --> 00:49:29,520
Speaker 1: fun with that scene. Yeah, it's iconic, it really is.

831
00:49:29,560 --> 00:49:32,680
Speaker 1: It's iconic. So much more to talk about with this episode.

832
00:49:32,680 --> 00:49:35,000
Speaker 1: We didn't get too but we just rattled on and

833
00:49:35,040 --> 00:49:38,400
Speaker 1: on about things today. Sorry, I guess that's good stuff.

834
00:49:38,680 --> 00:49:43,360
Speaker 1: So next week we have episode twenty of season three.

835
00:49:43,680 --> 00:49:50,520
Speaker 1: Parental guidance recommended. Oh sounds naughty, Amy, Do you know

836
00:49:50,560 --> 00:49:55,920
Speaker 1: what's going to happen? I don't remember. I feel like

837
00:49:55,920 --> 00:49:58,960
Speaker 1: it's coming to a head with Brandon's gambling. Oh yeah, yeah, yeah,

838
00:49:58,960 --> 00:50:02,759
Speaker 1: it's coming. And Jack. I'm sure there's gonna be some

839
00:50:02,840 --> 00:50:06,560
Speaker 1: Jack drama. Well we're here for it. I hope you

840
00:50:06,600 --> 00:50:09,880
Speaker 1: guys have a great week. I love you guys, and

841
00:50:09,920 --> 00:50:12,600
Speaker 1: I love you Superstar, Superstar,