WEBVTT - Gilbert King presents: Bone Valley Season 3 | Graves County

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<v Speaker 1>Hey, it's Gilbert King, host of Bone Valley, and today

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<v Speaker 1>we're bringing you something new, an introduction to Lava for

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<v Speaker 1>Good's newest investigative series. It's called Graves County and it

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<v Speaker 1>will be released right here in the Bone Valley Feed.

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<v Speaker 1>You'll see it shown here as Bone Valley Season three.

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<v Speaker 1>And while there are many familiar themes, this is an

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<v Speaker 1>entirely new show told by a different host, Maggie Freeling,

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<v Speaker 1>Pulitzer Prize winning journalist and one of the hosts of

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<v Speaker 1>Lava for Goods Wrongful Conviction. The story is about the

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<v Speaker 1>murder of a young mother, Jessica Curran, in the small

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<v Speaker 1>Kentucky town she lived in a place where it seems

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<v Speaker 1>like everyone has a connection to this case. After four

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<v Speaker 1>years of grossly mismanaged police investigation, a citizen sleuth named

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<v Speaker 1>Susan Goalbrath stepped in and took the case in a

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<v Speaker 1>new direction. She concocted a wildly complicated story, and the

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<v Speaker 1>police decided to go along with it. Susan's version of

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<v Speaker 1>events eventually led to at least eight different people being

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<v Speaker 1>charged with Jessica's murder. Most of them have maintained their

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<v Speaker 1>innocence from the beginning, and one of them, Quincy Cross,

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<v Speaker 1>is still fighting for his freedom from behind bars. Graves

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<v Speaker 1>County is a gripping, impeccably reported story of injustice that

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<v Speaker 1>must be heard to be believed. Maggie Freeling brings urgency, compassion,

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<v Speaker 1>and relentless journalism to a case that will stay with

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<v Speaker 1>you long after the final episode. The first two episodes

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<v Speaker 1>of Graves County will be out on July thirtieth, right

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<v Speaker 1>here in the Bone Valley Feed. Subscribers to Lava for

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<v Speaker 1>Good plus on Apple Podcasts will be able to listen

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<v Speaker 1>to the entire series the same day. As an introduction

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<v Speaker 1>to the new series, I sat down with Maggie for

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<v Speaker 1>a Q and A about her experience of reporting this

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<v Speaker 1>show for over two years and what she learned along

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<v Speaker 1>the way. Maggie, is so great to see you, so

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<v Speaker 1>great to speak with you again. I've been listening to

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<v Speaker 1>Graves County. I'm like four episodes in it. I am hooked,

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<v Speaker 1>and you've been working so hard on this. This is

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<v Speaker 1>a huge investigation for you. I just can't wait to

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<v Speaker 1>ask you a million questions about this.

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<v Speaker 2>Ask away. I love talking about it.

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<v Speaker 1>I can just walk us through the case, just to

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<v Speaker 1>give us a general sense of what this case is

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<v Speaker 1>really about.

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<v Speaker 3>Yes, So, in the summer two thousand, Jessica Kern is

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<v Speaker 3>an eighteen year old mom.

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<v Speaker 2>She just had her baby, Zion, and she is found.

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<v Speaker 3>Brutally murdered and burned, half dressed outside the Mayfield Middle School.

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<v Speaker 3>And Susan Golbreath was just a woman in the town.

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<v Speaker 3>Her life was not going great at the time. She

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<v Speaker 3>needed purpose, and her purpose was I'm going to solve

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<v Speaker 3>this case. That was around two thousand and four. After

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<v Speaker 3>the police had initially bungled the case, they hired a

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<v Speaker 3>rookie detective. They made some initial arrests and it went

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<v Speaker 3>no So by two thousand and four, the citizen sluth

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<v Speaker 3>gets involved. She involves a BBC reporter and they go

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<v Speaker 3>on a hunt to solve the case. And what transpires

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<v Speaker 3>is some of the craziest case solving techniques I've ever seen,

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<v Speaker 3>the craziest quote journalism I've ever seen, and just some

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<v Speaker 3>of the craziest investigating and policing I've ever seen. And

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<v Speaker 3>it's all on tape and documented in emails and so

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<v Speaker 3>it was it was pretty incredible to make this story

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<v Speaker 3>and like have everyone's follies just right there, just documented

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<v Speaker 3>so well.

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<v Speaker 1>So Maggie, I just was really curious about Susan Goalbreth

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<v Speaker 1>and she's, you know, the amateur sleuth who helped solve

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<v Speaker 1>the eight year old murder of a teenage mom. But

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<v Speaker 1>what drives an everyday citizen to get involved in a

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<v Speaker 1>murder case like this? And obviously I think she passed

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<v Speaker 1>away before you got to meet her, but you've obviously

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<v Speaker 1>been studying her. Can you just talk about Susan and

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<v Speaker 1>what motivated her to get involved in this case.

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<v Speaker 3>Yeah, Susan is fascinating when people hear this. I mean,

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<v Speaker 3>she's a true character. She's you know, said that she

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<v Speaker 3>was compelled by God to solve this murder. She was

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<v Speaker 3>down the street eating lunch and she heard in this

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<v Speaker 3>small town that they found a body and she went

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<v Speaker 3>right to the scene and said God called her to

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<v Speaker 3>solve this. What I think happened is so often we

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<v Speaker 3>do see that when there is a void when police

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<v Speaker 3>in this case, they bungled it, or they bungle it,

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<v Speaker 3>or if they can't solve it, there is a void

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<v Speaker 3>left and citizens, louths get involved. I mean we see

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<v Speaker 3>it now on Reddit and all these crime pages. It's

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<v Speaker 3>it's something that happens, and she was like a OG one.

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<v Speaker 3>It was it was back in four she's an OG sleuth.

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<v Speaker 1>How did like police law enforcement treat her like? What

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<v Speaker 1>was their relationship like with her? They?

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<v Speaker 3>I think they they found her annoying based on these

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<v Speaker 3>phone calls. I think they just wanted her to go away. However,

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<v Speaker 3>you'll see as a story goes on, they really legitimized her.

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<v Speaker 3>They took tips and leads, and ultimately her theory of

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<v Speaker 3>what happened is the theory that the prosecution went with.

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<v Speaker 1>And she did have some tangential connections to people involved.

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<v Speaker 1>Can you just talk about how she interacted with them

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<v Speaker 1>and maybe used them as sources.

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<v Speaker 3>So, Susan, she's a self described busybody, and she knew

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<v Speaker 3>a lot of people in town.

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<v Speaker 2>She had been there a while.

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<v Speaker 3>She's originally from Chicago, but she had been in Mayfield,

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<v Speaker 3>small small town for a long time.

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<v Speaker 2>So she knew a lot of.

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<v Speaker 3>The people involved in this case, these young folks, because

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<v Speaker 3>she was friends with one of their moms, and she

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<v Speaker 3>just she was friends with a few of these kids'

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<v Speaker 3>moms that were involved. She used her relationships with these

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<v Speaker 3>people to get information, and that came at a cost.

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<v Speaker 3>I think these people eventually realized that she was taking

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<v Speaker 3>advantage of them.

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<v Speaker 1>Well, you've spent years, you know, covering the criminal justice system,

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<v Speaker 1>and probably from all different parts of the country. I'm

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<v Speaker 1>just curious, what about this case that stands out to you?

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<v Speaker 1>What makes it different than a lot that you've seen.

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<v Speaker 3>So when this case came to me, it came from

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<v Speaker 3>Jason Flomm, and when it was presented to me, I

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<v Speaker 3>was basically told cop corruption.

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<v Speaker 2>I hear that all the time. You know what stood

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<v Speaker 2>out was.

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<v Speaker 3>The police legitimizing a citizen investigator, really using her, like

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<v Speaker 3>wiring her.

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<v Speaker 2>You'll hear that in the podcast. So that was fascinating

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<v Speaker 2>to me.

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<v Speaker 3>That was the first time I had really heard something

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<v Speaker 3>like that where a citizen, someone who has no background

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<v Speaker 3>in law enforcement, is wiring themselves up and giving police tape,

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<v Speaker 3>giving police leads, giving them full theories, and they're running

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<v Speaker 3>with it. And the other thing was how many people

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<v Speaker 3>were wrapped up in this story and how many people

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<v Speaker 3>were eventually convicted of this one murder. When you think

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<v Speaker 3>of Okham's razor, it was certainly not the story that

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<v Speaker 3>makes the most sense. It was just this wild story

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<v Speaker 3>that implicated eight or nine people, and I mean more

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<v Speaker 3>does it implicated countless people, but the amount of people

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<v Speaker 3>abound to being convicted. I had not seen before five

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<v Speaker 3>people we talk about in this story that were convicted

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<v Speaker 3>of it.

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<v Speaker 1>There's just like one mind blowing thing after another. I

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<v Speaker 1>just heard that. You know, you talk to the lead

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<v Speaker 1>investigator who basically says I didn't know what I was doing,

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<v Speaker 1>telling everybody that I don't know what I'm doing, my

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<v Speaker 1>tail in my head. I've never seen anything like that before. Like,

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<v Speaker 1>what does that tell you when you.

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<v Speaker 3>Yeah, So that was one of the things that you

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<v Speaker 3>know when they mentioned like this cop corruption. Okay, I'm interested,

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<v Speaker 3>not unique, but that was unique about it was why

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<v Speaker 3>did the assistant chief of police assign this case to

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<v Speaker 3>a rookie? It seemed almost like you wanted this to

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<v Speaker 3>be investigated poorly from the beginning if you're going to

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<v Speaker 3>assign a rookie and not some of your best, which

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<v Speaker 3>in retrospect to looking back, I don't know if Mayfield

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<v Speaker 3>Police at some of their best. They were really embroiled

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<v Speaker 3>with scandals and corruption. And you know that assistant chief

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<v Speaker 3>of police. You'll hear in the podcast was pretty dirty.

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<v Speaker 1>I want to go back to journalists because you do

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<v Speaker 1>have this international presence, but you also have the local presence.

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<v Speaker 1>And I'm just wondering if you can just talk about

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<v Speaker 1>like the role that journalism plays in a wrongful conviction

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<v Speaker 1>and what you know noticed in this part of Kentucky.

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<v Speaker 3>Yeah, so it is so interesting getting to travel and

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<v Speaker 3>tell so many different stories. I know you really specialize

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<v Speaker 3>in Florida, which is so cool. I'm sure the amount

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<v Speaker 3>of connections in Florida are amazing. This was my first

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<v Speaker 3>time in Kentucky and I don't as a journalist, I

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<v Speaker 3>don't like to just parachute in and then leave. So

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<v Speaker 3>I've really been working the story for two and a

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<v Speaker 3>half years, getting to know people, done multiple multiple trips there,

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<v Speaker 3>and Kentucky is just a wild place. The lead prosecutor

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<v Speaker 3>that convicted Quincy Cross in this case and the five

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<v Speaker 3>other people she's been in office since the early eighties,

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<v Speaker 3>I mean that is crazy to me. And now we're

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<v Speaker 3>talking about five wrongful convictions from just this one case

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<v Speaker 3>and you've been in office since the eighties. How many

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<v Speaker 3>other people have you railroaded? So to me, that's just like, what,

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<v Speaker 3>how is that, Okay, how is that possible?

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<v Speaker 2>That is the context of this story.

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<v Speaker 3>And that is so important to understand in order to

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<v Speaker 3>understand Quincy and what happened.

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<v Speaker 1>I mean, did you ever feel any resentment about there?

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<v Speaker 1>Because you're down there? Obviously you don't have a deadline

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<v Speaker 1>of tomorrow and then maybe the case you don't write

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<v Speaker 1>it about it again, or maybe the cover of the

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<v Speaker 1>trial in another year or something like that. You're actually

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<v Speaker 1>doing like long points of time studying this case, investigating

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<v Speaker 1>this case. One of the things I noticed is that

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<v Speaker 1>sometimes the local press they're friends with the prosecutors. Those

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<v Speaker 1>are the people that are given them the stories, given

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<v Speaker 1>them access, and the journalism has kind of tainted. Did

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<v Speaker 1>you find the same thing in.

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<v Speaker 2>That part of Absolutely?

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<v Speaker 3>I find that it's all tainted because in these small

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<v Speaker 3>towns everyone knows each other. It is just like a

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<v Speaker 3>spider web of people who know each other, people protecting

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<v Speaker 3>each other. You know, all these shows about small, small

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<v Speaker 3>southern town to talk about that, and it is so real.

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<v Speaker 3>It's very different from being in New York, where yes,

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<v Speaker 3>people they know each other. Of course there's quid quote pros,

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<v Speaker 3>but it's a different kind of thing. It's not my

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<v Speaker 3>family grew up with your family kind of situation, and

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<v Speaker 3>I'm sure that exists, but the small town mentality, it

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<v Speaker 3>really fosters an environment of secrecy.

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<v Speaker 1>Yeah. I was thinking about that a lot while I

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<v Speaker 1>was listening to this, and I was just curious, like,

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<v Speaker 1>when you look at this whole Graves County story, do

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<v Speaker 1>you see it as like a tragedy, a conspiracy, a

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<v Speaker 1>cautionary how do you look at Graves County?

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<v Speaker 2>I think it's I think it's all three.

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<v Speaker 3>I think it's a tragedy, a conspiracy, and what was

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<v Speaker 3>the other one?

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<v Speaker 1>Cautionary tale?

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<v Speaker 2>Cautionary tale?

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<v Speaker 1>You know.

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<v Speaker 3>I think it's a tragedy because if you think of

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<v Speaker 3>these five people whose lives were ruined that were convicted

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<v Speaker 3>of this, each of those five people have family, Some

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<v Speaker 3>of these people had kids, some of these people were kids,

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<v Speaker 3>So just alone there, it's it's devastating.

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<v Speaker 2>Definitely a conspiracy.

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<v Speaker 3>There's some wacky stuff going on that you'll hear about.

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<v Speaker 3>And I think it's a cautionary tale because it all

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<v Speaker 3>started with just believing what we're told, you know, this

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<v Speaker 3>like confirmation bias, and I think that is so much

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<v Speaker 3>what happened in this Quincy was arrested and said he

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<v Speaker 3>was an evil man, and from there on it was believed.

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<v Speaker 3>And I think one of the things is that we

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<v Speaker 3>see is an eighteen year old mother was murdered and

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<v Speaker 3>people wanted justice, and it really was a cautionary tale

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<v Speaker 3>of how.

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<v Speaker 2>Far will we go to get that justice?

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<v Speaker 3>How many people can we throw under the bus and

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<v Speaker 3>railroad to close this one case? And we see that

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<v Speaker 3>all the time in wrongful convictions.

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<v Speaker 1>You know what I really love about it so far

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<v Speaker 1>is You've made Graves County a character in the story,

0:12:58.920 --> 0:13:00.880
<v Speaker 1>and I just love the way comes to life. You know,

0:13:02.240 --> 0:13:06.080
<v Speaker 1>there's definitely colorful people and accents, of course, but you

0:13:06.200 --> 0:13:07.800
<v Speaker 1>just you start to get a sense of the county.

0:13:07.920 --> 0:13:10.520
<v Speaker 1>And it made me think, I wonder, like, do you

0:13:10.559 --> 0:13:13.000
<v Speaker 1>think that this story would have looked the same if

0:13:13.040 --> 0:13:16.920
<v Speaker 1>it was somewhere in like New England. What is it

0:13:16.960 --> 0:13:20.040
<v Speaker 1>about Graves County that made this kind of story possible?

0:13:20.520 --> 0:13:23.120
<v Speaker 3>I mean, Graves County is if you google it, it is.

0:13:24.600 --> 0:13:25.000
<v Speaker 2>The heart.

0:13:25.120 --> 0:13:27.840
<v Speaker 3>It is the almost the dead center of this country.

0:13:28.080 --> 0:13:29.559
<v Speaker 3>When I was like looking at a map, I was

0:13:29.559 --> 0:13:31.360
<v Speaker 3>trying to figure out, like where's the center of this country?

0:13:31.400 --> 0:13:36.400
<v Speaker 3>And Graves County is really right there. It's kind of

0:13:36.440 --> 0:13:39.880
<v Speaker 3>the middle of nowhere, and so secrets like that can

0:13:40.000 --> 0:13:46.680
<v Speaker 3>really be kept closed, they really stay there. It was

0:13:46.720 --> 0:13:49.960
<v Speaker 3>so surprising to know people in this state didn't even

0:13:50.000 --> 0:13:53.240
<v Speaker 3>know about this case. I mean it and the fact

0:13:53.280 --> 0:13:55.600
<v Speaker 3>that it wasn't as high profile as I thought it

0:13:55.600 --> 0:13:59.079
<v Speaker 3>should be. There's maybe like two TV shows on it,

0:13:59.200 --> 0:14:01.520
<v Speaker 3>and both of them again and just repeat the Quincy's

0:14:01.559 --> 0:14:04.920
<v Speaker 3>a disgusting, horrible man, repeat the story that the police

0:14:04.920 --> 0:14:08.040
<v Speaker 3>and prosecutors have been telling for years, despite the fact

0:14:08.120 --> 0:14:08.520
<v Speaker 3>that he.

0:14:08.440 --> 0:14:09.720
<v Speaker 2>Has innocence claims in.

0:14:11.520 --> 0:14:13.680
<v Speaker 3>So no, I think it would have been different, but

0:14:13.720 --> 0:14:15.160
<v Speaker 3>who knows, for better or for worse.

0:14:16.240 --> 0:14:17.880
<v Speaker 1>One of the things that's happened when I'm listening to

0:14:17.920 --> 0:14:20.440
<v Speaker 1>this is like it seems like every episode my jaw dropped,

0:14:20.480 --> 0:14:22.600
<v Speaker 1>kind of drops, like I've never heard recordings of grand

0:14:22.640 --> 0:14:26.680
<v Speaker 1>jury testimony before like played out and then this Susan

0:14:26.680 --> 0:14:30.240
<v Speaker 1>Goberth's character, Like every every there's always some moment. I'm

0:14:30.240 --> 0:14:33.160
<v Speaker 1>just wondering, for you, having studied this case and investigated,

0:14:33.480 --> 0:14:36.040
<v Speaker 1>was there anything that made your jaw drop having seen

0:14:36.440 --> 0:14:37.680
<v Speaker 1>everything involved in this case?

0:14:37.760 --> 0:14:40.800
<v Speaker 2>Or you know, I think.

0:14:43.240 --> 0:14:45.680
<v Speaker 3>I think this case for me, it was like a

0:14:45.800 --> 0:14:49.400
<v Speaker 3>very clear how do you wrongful? Convictions happened? Because I

0:14:49.440 --> 0:14:53.600
<v Speaker 3>lived this case for so long and watched every piece

0:14:53.840 --> 0:14:58.480
<v Speaker 3>of tape, which was the most incredible thing to have

0:15:00.840 --> 0:15:04.240
<v Speaker 3>every police interview. Let me say not every because we've

0:15:04.240 --> 0:15:10.120
<v Speaker 3>discovered that some are quote missing can't be found, but

0:15:10.560 --> 0:15:16.360
<v Speaker 3>most of the tape, and watch the stories change, Watch

0:15:16.360 --> 0:15:18.040
<v Speaker 3>how they're doing the interrogations.

0:15:18.680 --> 0:15:19.720
<v Speaker 2>They are like the.

0:15:19.760 --> 0:15:25.760
<v Speaker 3>Ultimate super villains. My jaw dropped every time they spoke,

0:15:26.160 --> 0:15:27.640
<v Speaker 3>just every time they asked a question.

0:15:28.240 --> 0:15:28.960
<v Speaker 2>It wasn't a question.

0:15:29.000 --> 0:15:32.680
<v Speaker 3>It was just like threats and interrogations and just really

0:15:32.720 --> 0:15:45.600
<v Speaker 3>inappropriate things.

0:15:47.040 --> 0:15:49.240
<v Speaker 1>Is there anything that happened that sort of change your

0:15:49.400 --> 0:15:52.160
<v Speaker 1>outlook or your opinion of anything involved in the case

0:15:52.440 --> 0:15:53.760
<v Speaker 1>as you dug deeper into it.

0:15:54.440 --> 0:15:58.440
<v Speaker 3>Well, I think just exploring this idea of what is

0:15:59.000 --> 0:16:03.080
<v Speaker 3>our role as journals and how do we tell these stories?

0:16:05.160 --> 0:16:05.600
<v Speaker 2>It made me.

0:16:05.760 --> 0:16:09.520
<v Speaker 3>You know, in episode one, I mentioned the one time

0:16:09.640 --> 0:16:13.360
<v Speaker 3>when I very strongly believed in someone's innocence and got

0:16:13.400 --> 0:16:15.440
<v Speaker 3>it wrong and I had to grapple with that, And

0:16:16.320 --> 0:16:20.040
<v Speaker 3>I think as journalists we need to think about what

0:16:20.120 --> 0:16:24.440
<v Speaker 3>we do. Part of our job when we become journalists

0:16:24.560 --> 0:16:27.440
<v Speaker 3>is to do no harm. That's part of our rules

0:16:27.440 --> 0:16:33.840
<v Speaker 3>and ethics guidelines do no harm. So it really put

0:16:33.880 --> 0:16:37.200
<v Speaker 3>the light on myself and thinking about my reporting and

0:16:37.240 --> 0:16:41.240
<v Speaker 3>that time I did do harm, not necessarily to the

0:16:41.280 --> 0:16:45.800
<v Speaker 3>man that wound up being guilty, but to the victim

0:16:45.920 --> 0:16:48.960
<v Speaker 3>because I brought that story up again. So that is

0:16:49.000 --> 0:16:51.440
<v Speaker 3>something to think about when we do cover these cases

0:16:51.600 --> 0:16:56.320
<v Speaker 3>of wrongful convictions. There are victims and victims families, and

0:16:56.440 --> 0:17:00.720
<v Speaker 3>so I think it really helped me process this role

0:17:00.800 --> 0:17:05.159
<v Speaker 3>of a journalist, especially when we do use emotion and

0:17:05.200 --> 0:17:09.399
<v Speaker 3>empathy as a tool, and how we present that and

0:17:10.000 --> 0:17:13.520
<v Speaker 3>use that in a way that is ethical.

0:17:14.880 --> 0:17:16.800
<v Speaker 1>You know, that's interesting. I was listening to some of

0:17:16.840 --> 0:17:18.480
<v Speaker 1>your you know, obviously there's people who didn't want to

0:17:18.480 --> 0:17:20.679
<v Speaker 1>talk to you, and did you feel the presence of

0:17:20.720 --> 0:17:23.720
<v Speaker 1>like being an outsider and like you couldn't penetrate.

0:17:23.320 --> 0:17:25.760
<v Speaker 3>Because well, one of the things that we heard right

0:17:25.800 --> 0:17:29.120
<v Speaker 3>away is, you know, this is a very rural southern town.

0:17:29.200 --> 0:17:33.639
<v Speaker 3>It not necessarily segregated, but people often whites stay with

0:17:33.680 --> 0:17:36.240
<v Speaker 3>the whites and they talk about it like that. And

0:17:36.240 --> 0:17:39.440
<v Speaker 3>when we came in, instantly it was you're a white person,

0:17:39.520 --> 0:17:42.760
<v Speaker 3>no one's going to talk to you. That is how

0:17:42.800 --> 0:17:45.119
<v Speaker 3>that town is. I mean, so I really had to

0:17:45.520 --> 0:17:50.440
<v Speaker 3>build relationships and make myself trustworthy. And these are people

0:17:50.480 --> 0:17:52.560
<v Speaker 3>who have had the worst of the worst happen to them,

0:17:52.640 --> 0:17:58.080
<v Speaker 3>be convicted of crimes, a horrible rape and murder and

0:17:58.200 --> 0:18:01.080
<v Speaker 3>burning of a teenage girl.

0:18:01.359 --> 0:18:03.760
<v Speaker 2>So yeah, I was. I was very much an outsider,

0:18:04.000 --> 0:18:04.520
<v Speaker 2>very much.

0:18:05.680 --> 0:18:07.679
<v Speaker 1>Some people ask me about this, you know, when it

0:18:07.680 --> 0:18:10.560
<v Speaker 1>comes to like Florida, you know, do you think this

0:18:10.640 --> 0:18:12.840
<v Speaker 1>story will matter to people outside of Florida? And I

0:18:12.880 --> 0:18:14.439
<v Speaker 1>have an answer for that, but I'm just curious what

0:18:14.480 --> 0:18:18.000
<v Speaker 1>your answer. People who don't know Mayfield, Kentucky, why would

0:18:18.000 --> 0:18:20.200
<v Speaker 1>they be interested in this? And can you explain?

0:18:20.600 --> 0:18:22.920
<v Speaker 3>I think the thing that we loved the most when

0:18:22.960 --> 0:18:26.480
<v Speaker 3>we first when Rebecca and I my producer Rebecca, were

0:18:26.480 --> 0:18:28.960
<v Speaker 3>first talking about this. To us, it reminded us of

0:18:29.080 --> 0:18:32.040
<v Speaker 3>like I never watched gossip Girl, but just the title

0:18:32.119 --> 0:18:35.920
<v Speaker 3>gossip Girl. It was like all these teenage girls gossiping

0:18:36.359 --> 0:18:42.240
<v Speaker 3>about what happened to their friend, and those rumors turned

0:18:42.240 --> 0:18:47.439
<v Speaker 3>into this conviction. And that can happen anywhere when people

0:18:47.560 --> 0:18:53.280
<v Speaker 3>start telling stories and spinning tales and gossiping. That can

0:18:53.359 --> 0:18:58.920
<v Speaker 3>happen anywhere, not just small town Mayfield Kentucky, So I think, yes,

0:18:58.960 --> 0:19:01.960
<v Speaker 3>it happened in a real small town, but it's emblematic

0:19:02.040 --> 0:19:06.000
<v Speaker 3>of wrongful convictions everywhere.

0:19:06.280 --> 0:19:09.520
<v Speaker 2>Really, people making up.

0:19:09.440 --> 0:19:14.040
<v Speaker 3>Lies and blaming people, pointing the finger because we need answers.

0:19:14.240 --> 0:19:16.560
<v Speaker 3>It's just like a human we need to blame someone,

0:19:16.640 --> 0:19:20.159
<v Speaker 3>and the blame here everyone was just pointing fingers at

0:19:20.200 --> 0:19:24.800
<v Speaker 3>each other. And that is why Susan came in, because

0:19:24.800 --> 0:19:25.600
<v Speaker 3>there was a void.

0:19:25.800 --> 0:19:26.240
<v Speaker 2>It was.

0:19:26.920 --> 0:19:32.080
<v Speaker 3>It was a prime situation to go wrong because the

0:19:32.160 --> 0:19:34.560
<v Speaker 3>police got it wrong from the beginning. They bungled it,

0:19:34.600 --> 0:19:37.320
<v Speaker 3>they messed it up from the beginning, so from there

0:19:37.400 --> 0:19:37.800
<v Speaker 3>it was.

0:19:38.000 --> 0:19:39.120
<v Speaker 2>Just a free for all.

0:19:39.400 --> 0:19:42.040
<v Speaker 1>One of the other things I felt really moving was

0:19:42.720 --> 0:19:46.800
<v Speaker 1>I'm just hearing from Jessica's father, and I'm just curious,

0:19:46.800 --> 0:19:49.159
<v Speaker 1>like what your take on him was, because it just

0:19:49.160 --> 0:19:52.959
<v Speaker 1>seemed like I could really relate to him as you know,

0:19:53.080 --> 0:19:55.760
<v Speaker 1>a father and just what that would do to you.

0:19:55.920 --> 0:19:58.439
<v Speaker 1>And I just found him very moving in the story.

0:19:59.760 --> 0:20:01.480
<v Speaker 2>Current is a moving character.

0:20:01.720 --> 0:20:06.720
<v Speaker 3>I mean, he grew up in the Jim Crow South.

0:20:07.640 --> 0:20:10.120
<v Speaker 2>From a lot of his life, the only black guy.

0:20:10.200 --> 0:20:13.040
<v Speaker 3>He grew up in this world of white people, and

0:20:13.160 --> 0:20:16.040
<v Speaker 3>he did well in that world. In the Jim Crow

0:20:16.080 --> 0:20:19.159
<v Speaker 3>South and then in segregation and Reese. He did well.

0:20:19.280 --> 0:20:21.520
<v Speaker 3>He was a pillar in this town. And when his

0:20:21.640 --> 0:20:24.439
<v Speaker 3>daughter was murdered, he thought all these people that he

0:20:24.480 --> 0:20:27.840
<v Speaker 3>did good for and helped and was around and would

0:20:27.880 --> 0:20:28.720
<v Speaker 3>do right by him.

0:20:29.760 --> 0:20:33.760
<v Speaker 2>And they didn't. They absolutely didn't. They failed.

0:20:33.800 --> 0:20:36.600
<v Speaker 3>Joe Kerran in every way possible. And I think that's

0:20:36.640 --> 0:20:38.800
<v Speaker 3>what was so sad about it. It was a guy

0:20:38.840 --> 0:20:43.560
<v Speaker 3>who did everything right and persevered through everything and then

0:20:43.720 --> 0:20:50.159
<v Speaker 3>was just let down so badly. And I think you know,

0:20:51.280 --> 0:20:53.600
<v Speaker 3>he knows he might never get those because with a

0:20:53.760 --> 0:20:56.520
<v Speaker 3>story like this, where there is just so much bullshit,

0:20:57.119 --> 0:20:58.399
<v Speaker 3>it might be lost.

0:20:59.080 --> 0:21:00.639
<v Speaker 2>It might very well be lost.

0:21:01.400 --> 0:21:03.160
<v Speaker 1>I'm just curious. Is he like one of the people

0:21:03.160 --> 0:21:05.080
<v Speaker 1>that you think about when you're trying to dig into

0:21:05.160 --> 0:21:08.680
<v Speaker 1>this story, Like I just want to make him have answers,

0:21:08.880 --> 0:21:11.159
<v Speaker 1>Like I would feel so motivated by the way he spoke.

0:21:12.000 --> 0:21:16.560
<v Speaker 3>It's him and David, and I got closer with David

0:21:17.920 --> 0:21:20.359
<v Speaker 3>because Joe dealt with another tragedy. One of his sons

0:21:20.359 --> 0:21:23.200
<v Speaker 3>died while we were reporting this. I mean, the currents

0:21:23.320 --> 0:21:26.360
<v Speaker 3>have just had loss after a lot, like we couldn't

0:21:26.640 --> 0:21:32.879
<v Speaker 3>believe another son died, or son died, two kids so

0:21:33.119 --> 0:21:35.119
<v Speaker 3>you know, I didn't get to build as close of

0:21:35.119 --> 0:21:38.600
<v Speaker 3>a relationship with Joe that I did with David. But

0:21:38.680 --> 0:21:42.040
<v Speaker 3>what it was so beautiful to me about Joe is

0:21:42.080 --> 0:21:46.040
<v Speaker 3>that he was willing to listen to David and sit

0:21:46.160 --> 0:21:50.600
<v Speaker 3>down with him, the man whose son is convicted of

0:21:50.680 --> 0:21:54.480
<v Speaker 3>murdering your daughter. It's very like Jeremy Leo. He was like,

0:21:55.400 --> 0:21:58.200
<v Speaker 3>I'll sit down and listen to your information. That brings

0:21:58.240 --> 0:22:00.960
<v Speaker 3>up stuff for him, like looking at your daughter case file,

0:22:01.520 --> 0:22:03.240
<v Speaker 3>looking at what was done to her.

0:22:05.480 --> 0:22:08.000
<v Speaker 2>He suffered through all of that just to get answers

0:22:08.520 --> 0:22:10.359
<v Speaker 2>he is. He's an incredible person.

0:22:10.880 --> 0:22:14.080
<v Speaker 1>Yeah, it really comes across and I just the empathy

0:22:14.119 --> 0:22:17.080
<v Speaker 1>and just I remember there's one like very casual comment,

0:22:17.080 --> 0:22:19.000
<v Speaker 1>like a waitress says to him, like you look like

0:22:19.040 --> 0:22:21.679
<v Speaker 1>you just lost your best friend something like that, and

0:22:21.840 --> 0:22:24.240
<v Speaker 1>realizes what it's about. And I just found that so

0:22:24.359 --> 0:22:25.639
<v Speaker 1>profound in the story.

0:22:26.359 --> 0:22:31.399
<v Speaker 3>And he still he really does. Joe feels like he

0:22:31.520 --> 0:22:33.200
<v Speaker 3>is carrying the weight of the world. You know what,

0:22:33.320 --> 0:22:38.240
<v Speaker 3>We've met with a lot of victims families, and he

0:22:38.359 --> 0:22:41.199
<v Speaker 3>is not someone that I that I can say, you know,

0:22:41.640 --> 0:22:45.840
<v Speaker 3>is just moving on, like he really this destroyed him.

0:22:46.280 --> 0:22:49.000
<v Speaker 3>You know, his wife wasn't there. She can't even talk

0:22:49.040 --> 0:22:51.520
<v Speaker 3>about it, so I never met her, talked to her.

0:22:52.160 --> 0:22:54.920
<v Speaker 3>She doesn't want anything to do with this kind of stuff, and.

0:22:55.000 --> 0:22:56.240
<v Speaker 2>It's just too hard.

0:22:57.119 --> 0:22:59.719
<v Speaker 3>It's too hard, and so for Joe to be out

0:22:59.720 --> 0:23:03.160
<v Speaker 3>there been doing this, We've been wondering like, is Joe

0:23:03.160 --> 0:23:04.840
<v Speaker 3>going to listen to this? Because the whole time, it's like,

0:23:04.880 --> 0:23:08.879
<v Speaker 3>we want to make sure, you know, the father of

0:23:08.960 --> 0:23:11.080
<v Speaker 3>Jessica is able to listen to this. We thought about

0:23:11.160 --> 0:23:13.840
<v Speaker 3>him and we kind of were like, me, he might

0:23:13.880 --> 0:23:15.000
<v Speaker 3>not really listen to this.

0:23:15.680 --> 0:23:24.120
<v Speaker 2>That is just how could you? It's so hard.

0:23:31.960 --> 0:23:34.960
<v Speaker 1>Sometimes people ask me like has this case changed you?

0:23:35.440 --> 0:23:38.200
<v Speaker 1>And I'm just curious, like, going through this process, it's

0:23:38.240 --> 0:23:44.280
<v Speaker 1>obviously very labor intensive, investigatively intensive. Did it affect you differently?

0:23:44.280 --> 0:23:46.880
<v Speaker 1>Did you come away from this differently? Yeah?

0:23:46.920 --> 0:23:49.640
<v Speaker 3>I mean as a journalist, it really made me look

0:23:49.880 --> 0:23:53.480
<v Speaker 3>inwards because when we wanted to be reporting on all

0:23:53.520 --> 0:23:59.240
<v Speaker 3>of these allegations against the police, we set out to

0:23:59.280 --> 0:24:02.560
<v Speaker 3>do that, right, we were making an episode all about

0:24:02.560 --> 0:24:04.960
<v Speaker 3>these allegations about the police, and then we thought, wait

0:24:04.960 --> 0:24:07.240
<v Speaker 3>a second, but that's what Susan did, what the police did,

0:24:08.520 --> 0:24:11.760
<v Speaker 3>and we looked at ourselves as journalists and storytellers and reporters,

0:24:11.800 --> 0:24:14.520
<v Speaker 3>and said, what good would that do to report these

0:24:14.560 --> 0:24:18.320
<v Speaker 3>allegations and potentially ruin people's names, drag their names for

0:24:18.400 --> 0:24:21.680
<v Speaker 3>the mud if this isn't true, if we can't fundamentally

0:24:21.720 --> 0:24:24.440
<v Speaker 3>confirm this, And so.

0:24:24.359 --> 0:24:27.240
<v Speaker 2>That's what it did. It really just made me look again.

0:24:27.200 --> 0:24:31.080
<v Speaker 3>At my role as a storyteller and a journalist and

0:24:32.600 --> 0:24:37.240
<v Speaker 3>what we choose to present Again, do no harm. And

0:24:37.320 --> 0:24:39.440
<v Speaker 3>even though I think a lot of these officers are

0:24:39.840 --> 0:24:41.919
<v Speaker 3>the worst of the worst people things that we have

0:24:41.920 --> 0:24:44.640
<v Speaker 3>found out about them, it's still my job to do

0:24:44.720 --> 0:24:46.919
<v Speaker 3>no harm to everyone I report on.

0:24:47.480 --> 0:24:50.080
<v Speaker 1>And just I'm curious what you like about this format

0:24:50.280 --> 0:24:53.360
<v Speaker 1>telling stories through audio. I'm just curious. You know, you've

0:24:53.359 --> 0:24:56.119
<v Speaker 1>come in from a print background, like just about everybody.

0:24:56.880 --> 0:24:58.720
<v Speaker 1>What do you like and what do you see some

0:24:58.760 --> 0:25:00.800
<v Speaker 1>of the limitations of it your storytelling?

0:25:01.040 --> 0:25:04.359
<v Speaker 3>Yeah, so I've been into audio since two thousand and nine.

0:25:04.480 --> 0:25:07.480
<v Speaker 3>I took a podcasting class on garage band in undergrad.

0:25:08.119 --> 0:25:11.439
<v Speaker 3>So I've always loved it because I just find it

0:25:11.520 --> 0:25:16.320
<v Speaker 3>so intimate. And for example, with season two when your

0:25:16.359 --> 0:25:21.720
<v Speaker 3>season Bone Valley, when Gosh, who was reading the letter

0:25:23.800 --> 0:25:26.840
<v Speaker 3>Jeremy was reading one of Justin's letters or vice versa,

0:25:26.920 --> 0:25:31.320
<v Speaker 3>but it was very beautifully layered on top Justin playing

0:25:31.320 --> 0:25:33.800
<v Speaker 3>with his kid in the background as the letters being read.

0:25:34.720 --> 0:25:35.879
<v Speaker 2>And at first I was like, is that in my

0:25:35.920 --> 0:25:37.640
<v Speaker 2>hotel room? Like where do I hear kids playing?

0:25:37.640 --> 0:25:39.600
<v Speaker 3>Because it was so subtle, But then it was just

0:25:39.640 --> 0:25:44.160
<v Speaker 3>this beautiful moment of like one of them talking about

0:25:44.160 --> 0:25:46.040
<v Speaker 3>how well he's doing with his son, and then you can.

0:25:45.920 --> 0:25:47.080
<v Speaker 2>Hear it at the same time.

0:25:47.840 --> 0:25:49.960
<v Speaker 3>And that would have been visual in a TV show,

0:25:50.040 --> 0:25:52.800
<v Speaker 3>but I like that I could imagine it myself because

0:25:52.800 --> 0:25:54.640
<v Speaker 3>what I was imagining was the playing with the letter

0:25:54.680 --> 0:25:58.040
<v Speaker 3>being and it was just so intimate and beautiful, and

0:25:58.080 --> 0:26:00.679
<v Speaker 3>I think a visual would have taken away from that intimacy.

0:26:01.520 --> 0:26:05.800
<v Speaker 1>That's a really great point. Yeah, there is something about

0:26:05.840 --> 0:26:08.520
<v Speaker 1>just listening to a voice in your ear with headphones

0:26:08.840 --> 0:26:10.719
<v Speaker 1>when you know that microphone's.

0:26:10.200 --> 0:26:11.560
<v Speaker 2>Really close, because you know what it is.

0:26:12.720 --> 0:26:16.600
<v Speaker 3>I find visuals very distracting in a way. I'm a

0:26:16.640 --> 0:26:18.800
<v Speaker 3>visual learner, so I do like visuals, But in terms

0:26:18.800 --> 0:26:22.119
<v Speaker 3>of storytelling, I find it works when you have, you know,

0:26:23.440 --> 0:26:26.959
<v Speaker 3>visually wild characters, but I like to imagine what they

0:26:27.000 --> 0:26:30.160
<v Speaker 3>look like. I you know, some people fixate on things

0:26:30.160 --> 0:26:32.480
<v Speaker 3>about someone and instantly go, I can't look at that person,

0:26:32.520 --> 0:26:34.639
<v Speaker 3>or I can't look what they're doing, or like Susan

0:26:34.680 --> 0:26:36.560
<v Speaker 3>Gallbroth on the stand, I mean, if she was a

0:26:36.640 --> 0:26:39.399
<v Speaker 3>character in a TV show, I would probably be fixated

0:26:39.440 --> 0:26:42.520
<v Speaker 3>on her just gum chewing and maybe not even hearing

0:26:42.560 --> 0:26:46.280
<v Speaker 3>what she's saying. So I just find that listening to

0:26:46.320 --> 0:26:50.840
<v Speaker 3>it too, it's without the distractions. It takes away one

0:26:50.920 --> 0:26:53.480
<v Speaker 3>level of distraction. Right then you're just thinking about what

0:26:53.520 --> 0:26:54.720
<v Speaker 3>audio is distracting.

0:26:55.200 --> 0:26:57.280
<v Speaker 1>Right. That's a really a good point because I noticed that, like,

0:26:57.640 --> 0:26:59.640
<v Speaker 1>you know, when they did the twenty twenty piece on Leo,

0:26:59.760 --> 0:27:02.040
<v Speaker 1>like the host has to ask the question did you

0:27:02.119 --> 0:27:05.160
<v Speaker 1>kill your wife? And you know he says no, obviously,

0:27:05.359 --> 0:27:08.359
<v Speaker 1>uh huh. But like I've had people concerns saying, you know,

0:27:08.400 --> 0:27:09.840
<v Speaker 1>he kind of looked to the left and that's kind

0:27:09.840 --> 0:27:11.919
<v Speaker 1>of something that guilty people do. And like it's just

0:27:12.400 --> 0:27:13.400
<v Speaker 1>the visual part, like.

0:27:13.600 --> 0:27:16.359
<v Speaker 2>It's all the context anything, I believe.

0:27:16.400 --> 0:27:19.600
<v Speaker 1>So, and so I just think there's something about audio

0:27:19.680 --> 0:27:21.800
<v Speaker 1>that's just almost more truthful in a way.

0:27:22.000 --> 0:27:25.600
<v Speaker 3>I know, I think that visuals can be an you know,

0:27:25.600 --> 0:27:28.919
<v Speaker 3>when we talk about this in you know, when I

0:27:28.960 --> 0:27:30.320
<v Speaker 3>do stories as a journalist.

0:27:30.560 --> 0:27:32.640
<v Speaker 2>Music can manipulate people's feelings too.

0:27:32.840 --> 0:27:36.280
<v Speaker 3>We discuss what kind of music like, and there's just

0:27:36.359 --> 0:27:39.760
<v Speaker 3>another layer to that with visuals. So I just it's

0:27:39.800 --> 0:27:42.920
<v Speaker 3>like even more to get wrong, and it's I liked

0:27:43.080 --> 0:27:47.200
<v Speaker 3>the simplicity of audio, yeah, yeah, and like conveying points

0:27:47.200 --> 0:27:51.200
<v Speaker 3>that I want to in a very simple, easy, packaged,

0:27:51.359 --> 0:27:52.080
<v Speaker 3>intimate way.

0:27:52.680 --> 0:27:54.440
<v Speaker 1>I agree. I was just curious what you're thought. And

0:27:54.760 --> 0:27:56.679
<v Speaker 1>really you started in two thousand and nine, though, that's amazing.

0:27:56.680 --> 0:27:58.600
<v Speaker 3>Well, I was an undergrad and I took a podcasting

0:27:58.600 --> 0:28:01.200
<v Speaker 3>class and garage band, which I I don't even know

0:28:01.200 --> 0:28:03.320
<v Speaker 3>if garage band exists anymore, Like I don't think people

0:28:03.320 --> 0:28:05.600
<v Speaker 3>will even use that. But yeah, it was a podcasting

0:28:05.600 --> 0:28:08.840
<v Speaker 3>class and garage band, and then yeah, I started audio

0:28:08.920 --> 0:28:09.760
<v Speaker 3>right in grad school.

0:28:10.160 --> 0:28:12.360
<v Speaker 2>I've been doing it for a very long time.

0:28:13.040 --> 0:28:14.760
<v Speaker 1>Do you remember a lot of the mistakes you made,

0:28:14.920 --> 0:28:17.119
<v Speaker 1>like doing audio trying to figure out how do we

0:28:17.160 --> 0:28:17.399
<v Speaker 1>do this?

0:28:17.960 --> 0:28:19.320
<v Speaker 3>Yeah, and I think some of a lot of the

0:28:19.359 --> 0:28:22.400
<v Speaker 3>mistakes are just like to like overdoing the sound and

0:28:22.440 --> 0:28:26.119
<v Speaker 3>like music. Like again, it was really learning like how

0:28:28.359 --> 0:28:31.920
<v Speaker 3>music can manipulate someone's emotions, so like just being really

0:28:32.000 --> 0:28:34.720
<v Speaker 3>careful with that, because if you're trying to tell a

0:28:34.720 --> 0:28:37.240
<v Speaker 3>truthful story and you put in some music to make

0:28:37.280 --> 0:28:39.040
<v Speaker 3>someone feel something, you are manipulat.

0:28:39.120 --> 0:28:40.480
<v Speaker 2>You're telling them what to feel.

0:28:41.120 --> 0:28:44.920
<v Speaker 1>So yeah, yeah, my big was mistake was I just

0:28:44.960 --> 0:28:46.680
<v Speaker 1>couldn't shut up when people were talking to I just

0:28:46.760 --> 0:28:47.880
<v Speaker 1>keep going yeah huh.

0:28:47.760 --> 0:28:49.880
<v Speaker 2>Yeah, I still didn't know. Yeah, I still do that.

0:28:49.840 --> 0:28:53.320
<v Speaker 1>That's a nightmare for the editors. Can you just give

0:28:53.400 --> 0:28:54.719
<v Speaker 1>us an update on Quincy Cross?

0:28:55.240 --> 0:29:02.120
<v Speaker 3>Yeah, so his case is moving. Quincy's just really hopeful.

0:29:02.160 --> 0:29:05.640
<v Speaker 3>He's glad his story's out there. I mean, it's when

0:29:05.720 --> 0:29:09.280
<v Speaker 3>you're put away in prison, you're meant to be forgotten about.

0:29:10.360 --> 0:29:13.440
<v Speaker 3>They want you to be forgotten about. They don't want

0:29:13.480 --> 0:29:16.640
<v Speaker 3>these stories coming out there, so they have to acknowledge

0:29:16.640 --> 0:29:18.720
<v Speaker 3>what has happened, what they did wrong.

0:29:19.360 --> 0:29:21.240
<v Speaker 2>So he's just really happy.

0:29:21.000 --> 0:29:23.680
<v Speaker 3>That people got to hear his truth of the matter,

0:29:23.840 --> 0:29:29.920
<v Speaker 3>that he's not a disgusting, savage, rapist, burner man, He's

0:29:30.000 --> 0:29:31.960
<v Speaker 3>just he's a nice guy.

0:29:32.040 --> 0:29:35.680
<v Speaker 2>You know. I hope that Quincy gets out.

0:29:36.880 --> 0:29:38.440
<v Speaker 1>Does he have hope? Do you feel like you can

0:29:38.480 --> 0:29:40.880
<v Speaker 1>feel it? Yeah?

0:29:41.200 --> 0:29:46.160
<v Speaker 3>I cried so much during this, but especially when David

0:29:46.720 --> 0:29:49.080
<v Speaker 3>looked at us in the eyes and said, I'm.

0:29:48.960 --> 0:29:53.240
<v Speaker 2>Afraid I'll die before he gets out of prison. They're

0:29:53.280 --> 0:29:56.200
<v Speaker 2>both old. David's old, Joe is old.

0:29:56.840 --> 0:30:01.000
<v Speaker 3>They're old men, and they both the same thing, and

0:30:01.240 --> 0:30:07.480
<v Speaker 3>it's really sad that the law in Kentucky's denying these

0:30:07.520 --> 0:30:09.080
<v Speaker 3>two men those answers.

0:30:10.840 --> 0:30:12.600
<v Speaker 1>Well, Maggie, I just it's been a pleasure to talk

0:30:12.640 --> 0:30:14.479
<v Speaker 1>to you. I cannot wait to hear the rest of

0:30:14.800 --> 0:30:17.800
<v Speaker 1>Graves County. And I just really want to commend you

0:30:17.840 --> 0:30:19.960
<v Speaker 1>on the work, because it's very hard to loop me

0:30:19.960 --> 0:30:21.800
<v Speaker 1>in on these stories, but this one is just grabbed

0:30:21.800 --> 0:30:24.040
<v Speaker 1>me from the start, and as I said, a lot

0:30:24.080 --> 0:30:27.120
<v Speaker 1>of jaw dropping moments which must have been so much fun.

0:30:26.960 --> 0:30:30.000
<v Speaker 2>For you to report on exactly. Thank you. It's always

0:30:30.000 --> 0:30:33.040
<v Speaker 2>great talking with you. And maybe we'll get a drink.

0:30:32.800 --> 0:30:48.160
<v Speaker 1>After that sounds good. The first two episodes of Graves

0:30:48.200 --> 0:30:51.760
<v Speaker 1>County will be out on July thirtieth, right here in

0:30:51.800 --> 0:30:55.880
<v Speaker 1>the Bone Valley Feed. Subscribers to Lava for Good plus

0:30:55.960 --> 0:30:58.719
<v Speaker 1>on Apple Podcasts will be able to listen to the

0:30:58.880 --> 0:31:00.400
<v Speaker 1>entire series the same in day