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Speaker 1: So at this point, everyone's crying and very scared, and

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Speaker 1: I'm practically begging Christian Finnegan to take off this sort

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Speaker 1: of Egyptian headdress things because it makes.

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Speaker 2: Him look like a cobra, like a human cobra.

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Speaker 1: And I'm just going, please, Christian, please take it off.

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Speaker 2: And we're crying, and Greg Grunberg's crying.

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Speaker 1: And everyone is just losing it, and I yes, and

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Speaker 1: it's too scary to do it because it's like what

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Speaker 1: Cleopatra wore, never teedy or you know, and it's on,

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Speaker 1: and it makes you look like you have the hood

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Speaker 1: of the vicious, poisonous cobra. And and he's moving, oh,

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Speaker 1: by the asp and trying to defend itself, moving and

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Speaker 1: starts moving his back around.

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Speaker 2: Why he just moves normally.

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Speaker 3: Yeah, yes, he's very live.

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Speaker 1: And as he goes to spin around and spook someone

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Speaker 1: who he thinks is behind him, and to our great amusement,

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Speaker 1: wouldn't you know who's walking in behind him except four

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Speaker 1: in the flesh, the very wonderful and silver tongued and

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Speaker 1: smooth crooning John Legend in sort of a shiny jumpsuit,

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Speaker 1: and the shine captures Christian Finnegan's reflection and he see

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Speaker 1: himself as the human snake and scare him.

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Speaker 2: Hi, welcome to Hollywood. And had book his just desserts his.

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Speaker 1: And so that's why you don't and you don't not

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Speaker 1: have the golden rule be something that you are following book.

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Speaker 2: And insider skuyde to kicking button, dropping names in the

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Speaker 2: red carpet lineback hallways of this industry we call show business.

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Speaker 2: What up?

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Speaker 3: What?

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Speaker 2: I didn't mean to shush. I'm not trying to shush. No,

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Speaker 2: you know you shouldn't be talking as much. Yes, we

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Speaker 2: just have some stuff we need to take care of

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Speaker 2: so hot I can't even think and that, uh, there's

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Speaker 2: a great segue into kind of spring cleaning hot season. Yeah,

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Speaker 2: it's like.

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Speaker 1: And we put off spring cleaning till late summer. It's

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Speaker 1: always we're always too busy during spring making the shows.

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Speaker 2: It's just housekeeping where you just go through your day

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Speaker 2: and you have all these things that little things that

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Speaker 2: you just sort of need to take care of that

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Speaker 2: you keep putting off and putting off and putting because

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Speaker 2: it's like little stuff. And then there's this thing that

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Speaker 2: happens when you run your phone over well where you

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Speaker 2: lose a lot of your contacts in your calendars and stuff.

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Speaker 3: I got a badass strike.

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Speaker 1: It is one of these ones free big wheels, and

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Speaker 1: you can take that bitch down the railroad tracks and

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Speaker 1: just jump on and off like over each side.

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Speaker 2: Yeah, you have to get up and because it kind

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Speaker 2: of attaches itself to the tracks, so you have to

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Speaker 2: get up and pick the bike up off the tracks.

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Speaker 2: But you can do that in a cool way.

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Speaker 1: Like yeah, like the bike is you know, you look

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Speaker 1: like a freaking hulk monster and you lift it and

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Speaker 1: go like take thirsh and you shove the bike off

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Speaker 1: and kind of tumbles down into a little ditch with

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Speaker 1: some dirty water and you start it up and drive again,

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Speaker 1: and you don't care getting mud on you. So we're

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Speaker 1: driving that thing and I don't know when the phone

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Speaker 1: came out of Hayes's pocket, And I don't know why

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Speaker 1: I thought I could throw my phone at it to

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Speaker 1: make it come back.

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Speaker 2: Well, it was like your phone was gonna save my phone.

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Speaker 1: Or to remember where it was, Like, oh, well that's

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Speaker 1: where yours is, So I'll just put mine here and

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Speaker 1: then we'll call my phone and wherever it rings.

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Speaker 2: Yeah, then we'll what I remember was we had set

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Speaker 2: up my phone standing up in front of your tray. Yeah,

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Speaker 2: and then you're you were gonna be like coming at it,

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Speaker 2: and then your phone was gonna be like look o no,

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Speaker 2: and like throw into my phone, yes, save them.

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Speaker 1: Uh huh. Yes, So my phone's sort of a hero.

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Speaker 1: Your phone's sort of damsel in distry.

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Speaker 2: Now maybe you know those phones are maybe our phones

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Speaker 2: could be in love.

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Speaker 1: Yeah, phone sex. And so we and.

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Speaker 2: They l So they end up both going onto the

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Speaker 2: railroad tracks under the train.

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Speaker 1: Yes, they both got run over by a train. And

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Speaker 1: and when at one point, actually my wife was facetiming

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Speaker 1: with the bottom of a train.

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Speaker 2: So let's circle back to we have people whose contact

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Speaker 2: information we've lost that we need to take care of,

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Speaker 2: just like the housekeeping little things. But they listened to

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Speaker 2: the show. They listened to the show, and so we

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Speaker 2: just want to communicate with some of those people to

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Speaker 2: take care of a few things that, you know, just

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Speaker 2: sprink cleaning, just spring cleaning, where you go. Please cleaning

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Speaker 2: is actually a great segue housekeeping. Need to speak to

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Speaker 2: my housekeeping er. Her name is Broomhilda. I named her

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Speaker 2: that because the comic strip and because she used broom

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Speaker 2: take down spider webs and stuff. Yes, her real name

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Speaker 2: is Muspicia or something.

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Speaker 1: But.

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Speaker 2: She so I'll just say directly to Brumhilda's you're putting

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Speaker 2: the wrong trash cans in the wrong rooms. You know,

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Speaker 2: when you go wash out the trash can, when you

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Speaker 2: put them back in the you have to make sure

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Speaker 2: that the right ones are in the right rooms. Because

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Speaker 2: you're putting the mesh one in my office, which is

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Speaker 2: for dishes. It's for dishes and drinks. Yeah, And so

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Speaker 2: I don't look. I don't want to like have to

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Speaker 2: look be like, oh, is this the right trash can

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Speaker 2: that I'm like putting my drink into. And so I

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Speaker 2: put my drink in the mesh trash can, and now

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Speaker 2: my drink is on the floor. And I see why

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Speaker 2: she's doing it, because she wants to like save time

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Speaker 2: and just put the mesh trash can under the sink

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Speaker 2: and wash all the dishes in the dish trash so

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Speaker 2: the water just goes right out. I understand why for

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Speaker 2: her that makes sense, yeah, But for me, my drinks

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Speaker 2: get all over the.

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Speaker 1: Floor and bugs come to drink them.

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Speaker 2: So we need closed trash can. Yeah. Uh, in the office.

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Speaker 2: The mesh trash can is for the bathroom trash. Uh,

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Speaker 2: because you're not supposed to flush anything. Yeah, you know,

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Speaker 2: you're not supposed to put paper in the toilet, so

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Speaker 2: you have to throw it away. Nothing goes in the toilet.

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Speaker 2: Now we're in a drought, and so that needs to

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Speaker 2: be in a mesh trash can so it can breathe

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Speaker 2: that doesn't get all closed off and sort of form

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Speaker 2: its own ecosystem. So this is, you know, for Myspecia.

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Speaker 2: So yes, I hope you're listening. Broomhelda well.

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Speaker 1: I also have lost contact info is a phone incident,

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Speaker 1: and so I do need to talk to someone, and

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Speaker 1: it's not a conversation I would necessarily normally have on

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Speaker 1: on a podcast.

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Speaker 2: Yeah, but is this or nothing at all? Yeah?

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Speaker 1: So, uh, this is for my doctor. He is an

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Speaker 1: asshole doctor. He's a specialist who cleans that part of

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Speaker 1: your body that you can't always get all the way

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Speaker 1: clean without tubes and machines.

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Speaker 2: And what I when you say it, or initially I

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Speaker 2: think like like House or like if Backstrom were a doctor,

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Speaker 2: I think is a better example.

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Speaker 1: Yeah, that he is, uh, and both those guys are

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Speaker 1: almost special agents. Posing as doctors. Backstrom would be and

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Speaker 1: houses uh sort of doesn't play by the rules, and

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Speaker 1: he's able to go places most people won't go and

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Speaker 1: do the hard work.

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Speaker 2: But you that some people might call them asshole before

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Speaker 2: they realized that's part of how they do their job.

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Speaker 1: No, okay, oh, I'm sorry. You see he's a difficult guy. Okay, No,

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Speaker 1: it's this dude specialize in keeping the asshole part of

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Speaker 1: the body clean with tubes and machines. And what I

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Speaker 1: want to say to him is, you left the machine

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Speaker 1: at my house. It's huge, and it's allowed, and I

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Speaker 1: try to use it myself and I couldn't turn it off.

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Speaker 1: And now I think something is wrong or something is closed.

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Speaker 2: It should be open, because I went over there and

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Speaker 2: it is. It's on wheels and you can't catch it anymore.

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Speaker 1: No, And so when I tried to use it, it

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Speaker 1: somehow got stronger the machine, and I am much weaker

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Speaker 1: and I'm feeling very bad, and I need you to

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Speaker 1: come back. I need you to call your machine or

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Speaker 1: something and bring another one that's stronger that can beat it.

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Speaker 1: And then I need you to get back in and

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Speaker 1: fix whatever has gone wrong. And it's gonna be a

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Speaker 1: long time. It's gonna take you need a whole day

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Speaker 1: or more, and it's not gonna be fun for any

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Speaker 1: of us. And I'm in a bad mood and the

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Speaker 1: machine is getting smarter. It hides it knows things.

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Speaker 2: About me that it maybe took from inside me, and

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Speaker 2: it's information.

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Speaker 1: Yes, I don't know how else, because it was answering

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Speaker 1: my phone without me hearing it ring.

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Speaker 2: And then I picked up.

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Speaker 1: The line call out at one point, and this is

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Speaker 1: my voice, your.

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Speaker 2: Home phone, just so people don't say, oh.

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00:11:06,200 --> 00:11:09,800
Speaker 1: No, my landline. Yeah, I picked up my landline. Instead

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Speaker 1: of hearing a ring tone. I heard my voice, but

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Speaker 1: it wasn't coming from me, And it was this machine

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Speaker 1: talking to relatives of mine and telling them secrets.

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Speaker 2: What kind of stuff I mean, if it's already out

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Speaker 2: there now.

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Speaker 1: Well, okay, uh, secrets of what I have as plans

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Speaker 1: for some of my relatives to get their stuff in

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Speaker 1: my name for after they die, because some of them

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Speaker 1: are I'm hoping, going to become mentally weak and I

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Speaker 1: can manipulate them. And the machine knew that. And it's

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Speaker 1: not something I necessarily like to admit. That's not an

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Speaker 1: attractive quality, but at the same time, we do what

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Speaker 1: we have to do, and it's who else deserves that

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Speaker 1: money that you know from my auntie. So that's to

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Speaker 1: the doctor.

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Speaker 2: Can I Can I send out a message to somebody? Yeah,

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Speaker 2: this is for the pizza man. I would like to

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Speaker 2: have a pizza. I want you to bring it to me. God,

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Speaker 2: when you listen to this, it's gonna be Tuesday. I'm

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Speaker 2: gonna be on a hike, so I will be hungry.

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Speaker 2: But what kind of pizza do I want?

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Speaker 1: I like a lot of meat after a hike. Yeah,

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Speaker 1: I hike and then I meet up.

195
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Speaker 2: Let's do the sausage. I want a flat pepperoni shaped

196
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Speaker 2: sausage crust on the bottom.

197
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Speaker 1: Oh, get something vegetable for me, too, vegetable for me

198
00:13:01,080 --> 00:13:03,920
Speaker 1: because I'm not going on a hike. Oh yes, one

199
00:13:04,040 --> 00:13:07,640
Speaker 1: long carrot. And I just have one more message. And

200
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Speaker 1: it's so quick, and this is for police. Please come

201
00:13:12,160 --> 00:13:13,280
Speaker 1: shoot this machine.

202
00:13:14,280 --> 00:13:14,480
Speaker 2: Now.

203
00:13:15,360 --> 00:13:18,400
Speaker 1: I've tried calling you from my home phone and it

204
00:13:18,440 --> 00:13:21,200
Speaker 1: doesn't appear that I can route a call to you

205
00:13:21,240 --> 00:13:25,520
Speaker 1: because the machine is has the phone and owns it.

206
00:13:26,200 --> 00:13:30,680
Speaker 1: So come shoot it. And it's so and also there's

207
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Speaker 1: someone who's been so loud outside my window at night.

208
00:13:34,800 --> 00:13:38,040
Speaker 1: And I don't know if it's someone friends with the

209
00:13:38,080 --> 00:13:44,520
Speaker 1: machine or if it is a hologram created by it,

210
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Speaker 1: but it can't be unrelated.

211
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Speaker 2: If you shoot it, it has to be. There's a

212
00:13:49,120 --> 00:13:53,200
Speaker 2: glowing yellow spot on the back. Do not shoot that spot. Yes,

213
00:13:54,400 --> 00:13:57,079
Speaker 2: that spot will make it unshootable. It looks like you're

214
00:13:57,120 --> 00:13:59,880
Speaker 2: supposed to shoot it, but that's actually the only spot.

215
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Speaker 1: Just what it wants. You shoot that spot, and then

216
00:14:03,760 --> 00:14:07,080
Speaker 1: you will What that spot is doing is illuminating the

217
00:14:07,120 --> 00:14:10,000
Speaker 1: one spot you can shoot, which is not glowing, and

218
00:14:10,040 --> 00:14:14,200
Speaker 1: it looks metal like the rest. But I know I

219
00:14:14,360 --> 00:14:17,960
Speaker 1: have gotten the sort of machine blueprints. I don't know

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Speaker 1: what you call him, but there is a spot, and

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Speaker 1: if we can hit it, we have a fighting chance,

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Speaker 1: because if this thing gets any stronger, baby, we're gonna

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Speaker 1: be in trouble. And I can't eat any of my

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Speaker 1: food because machine's friends with refrigerator now, so bring something,

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Speaker 1: bring croissant or something.

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Speaker 2: Coming right up. Paul Rudd on Hollywood Handbook.

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Speaker 1: So I'm playing darts with the guy who played Vinnie

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Speaker 1: Delpino on Dougie Haser. Just the guy, Yeah, the guy

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Speaker 1: who played Niepino and Dougie haserd So you only have

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Speaker 1: to say the guy and I know what you're playing

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Speaker 1: with the guy. And I was trying, and I said,

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Speaker 1: you know, you are so great, You're so great.

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Speaker 2: It's been a dol Pino.

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Speaker 1: Remember the one episode where you broke up with your

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Speaker 1: girlfriend and then you were playing scrabble with them and

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Speaker 1: you kept spelling depressing words because that's sort of where

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Speaker 1: you were at mentally, but also shortly after you were

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Speaker 1: kind of looking to get late and get Dougie late

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Speaker 1: as well, because he's a bit of a hornball and

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Speaker 1: uh and he was like, okay, thanks, and I fucking

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Speaker 1: hit him with the dart, dork. I fucking threw the

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Speaker 1: dart at him right right, yeah, right right in his

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Speaker 1: Adam's apple.

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Speaker 2: Which is where the base of your tongue is. Yeah,

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Speaker 2: people don't know about.

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Speaker 1: Yeah, your tongue goes all the way back. Oh, getting

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Speaker 1: a little feet's touched and they can't see it at home,

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Speaker 1: but me and our guest Paul Rudd I had to

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Speaker 1: readjust because our feets have a intersected Paul Paul Paul

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Speaker 1: is here. Yeah, the road you in school.

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Speaker 3: Of Paul Paul Rodriguez Okay.

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Speaker 2: Okay, okay, So you know, let's just do let's just

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Speaker 2: do normal. Paul Russ's guest on the shows.

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Speaker 3: He's here, what a friend and a man now?

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Speaker 2: And you were on the show a long time ago.

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Speaker 2: And we've been doing a lot of guests coming back.

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Speaker 2: And that's not because the well is dry.

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Speaker 1: No, we know more people and we have more funny,

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Speaker 1: famous friends. But what we don't have is any other

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Speaker 1: way to get you to believe that you need to

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Speaker 1: get howel our episodes are trapped inside the howl and

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Speaker 1: the only way to get them out is for you

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Speaker 1: to pay money to listen to what used to be

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Speaker 1: free this service. I can't tell you, it's unbelievable. The

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Speaker 1: old system was you had to search in some menu

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Speaker 1: on iTunes and then find the episode you wanted. But

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Speaker 1: now howel you just pay for the service. It's got

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Speaker 1: this easy searchable menu with only some of the shows

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Speaker 1: from iTunes, and it's here now.

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Speaker 2: And it used to be that you can use it

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Speaker 2: on every phone, and it's like, what am I gonna

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Speaker 2: do with all these phones? So now you can only

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Speaker 2: use it on some phones, not most of them mm hmm.

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Speaker 1: And it's and we're getting rid of the kinks. So

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Speaker 1: please get in there and listen to the first Paul

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Speaker 1: Rust episode. We're gonna be referencing it a lot, and

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Speaker 1: you won't get this episode if you haven't heard that one.

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Speaker 2: Paul.

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Speaker 3: Now, I'm back, Yeah back baby, Now.

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Speaker 2: Who what's that movie from?

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Speaker 1: I'll be back, Yeah, I'll be back, baby, Yes, I'll

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Speaker 1: be back, baby, Hey.

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Speaker 3: Baby, I'll be back, baby.

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Speaker 2: Name name it Hayes. Hey's so bad at these name it? No,

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Speaker 2: I know this. He's so bad at it? No I

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Speaker 2: name it? No, no, stop, just because when you talk,

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Speaker 2: it's making it harder for me to think of the movie.

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Speaker 1: No, he's so bad, Joe, name it New York Jets. Now,

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Speaker 1: go ahead and do it tough acting to enacting.

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Speaker 2: I don't even remember what the original thing was.

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Speaker 3: Hey back, baababy, I'm going to be back. You know that? Baby?

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Speaker 2: Uh a baby, baby genius.

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Speaker 1: Yes, baby genius, baby genius. And it's and he's coming back, baby.

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Speaker 2: So we want to talk about podcast. That's a see

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Speaker 2: you like I know about that. It's this podcast. What

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Speaker 2: if you could hold it in your hand? Yeah, it

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Speaker 2: came in the mail every time. M hm. So we

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Speaker 2: are having.

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Speaker 1: A big company now because it was Wolf Cool, which

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Speaker 1: is part of Calvin and Hobbes, our production company.

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Speaker 2: That's a podcast shingle, and.

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Speaker 1: The shingle is wolf Cool and now sort of inspired

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Speaker 1: by that.

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Speaker 2: There's a plank of that that's a publishing.

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Speaker 3: There's a shingle on the plank.

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Speaker 2: Yes, the plank is actually on the shingle. That plank

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Speaker 2: is the publishing company, which is Movies Books.

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Speaker 1: The Wolf Cool publishing companies called movies books because we

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Speaker 1: love movies and that's sort of what inspired us to

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Speaker 1: want of course. Yeah, so I mean I think that's

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Speaker 1: what we're all your So what Yes, well, why you're

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Speaker 1: here specifically, Paul, and I think you know this as

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Speaker 1: the head editor in chief, the he editor in chief

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Speaker 1: is we're finally launching movies books magazines.

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Speaker 3: That's right, yes, And uh well I could just be

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Speaker 3: part of one third of that. Not books, no, not movies,

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Speaker 3: but magazines.

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Speaker 1: Not just the name of it.

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Speaker 2: It doesn't it's not movies or only to the extent

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Speaker 2: that magazines are floppy, shiny books.

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Speaker 1: So, yeah, you talk about your passion for magazines, Well,

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Speaker 1: you know, I think it started like it does with

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Speaker 1: all of us, you know, at a young age. We

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Speaker 1: remember when our parents would take us, you know, to

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Speaker 1: the magazine rack and you just stand there and you

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Speaker 1: look at all the different covers porn and titles porno

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Speaker 1: and the porno, yeah, and fucking cars.

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Speaker 3: And I would go. I remember, I'd say, Papa, what's

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Speaker 3: that on the top shelf? Pop? Uh yeah, and he

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Speaker 3: would lift me up. He would take his left hand

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Speaker 3: and his right hand on each side of my hips,

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Speaker 3: and he would sort of lift me up, and then

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Speaker 3: I would be able to yeah, grab mouth. He's kind

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Speaker 3: of squeezing my hips tight, and you know, I'm eight

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Speaker 3: years old, so.

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Speaker 1: You're at arm's length or you're clutched against his bosom.

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Speaker 3: I he would often as he pulled me up, I

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Speaker 3: would kind of be my the back of my body

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Speaker 3: would be tight up against his front, flush to his front.

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Speaker 1: Yeah, yeah, yeah.

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Speaker 3: And a lot of times, you know, my back would

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Speaker 3: kind of catch on his belt buckle. But whatever, you know,

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Speaker 3: I was so excited about getting the magazine.

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Speaker 1: Basically under his belt. Now he's holding you, he's got

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Speaker 1: in his hands, but his pants fall down.

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Speaker 2: He's you're undoing his belt with your butt.

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Speaker 3: I guess, yes, yeah, yes. And then usually when I

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Speaker 3: was grabbing my third or fourth magazine, his pants would

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Speaker 3: drop and then well, you guys know, my dad doesn't

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Speaker 3: wear underwear, so a lot of times he would just

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Speaker 3: be standing there sort of with them, but he would

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Speaker 3: wear a long like kind of night shirt so it

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Speaker 3: would cover stuff up.

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Speaker 1: You know. Yeah. Homie Bugs, Yeah, Homie Bugs, the long

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Speaker 1: shirt Bugs being a homie back, right, yeah, the jersey

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Speaker 1: that yeah yeah yeah yeah.

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Speaker 2: Uh Now I know what when you said homie Bugs.

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Speaker 3: Homie tas Bugs is homie Bugs, yeah, Taz. Yeah, I

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Speaker 3: didn't know Bugs and Taz were friends until that.

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Speaker 2: Their frenemies.

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Speaker 1: And it's a topic we've talked about before where I

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Speaker 1: think they have a lot of competition with one another, uh,

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Speaker 1: and it's a tenuous friendship. But at the same time,

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Speaker 1: they don't just know that many people. Their world's kind

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Speaker 1: of small.

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Speaker 3: It's like, you know, Lennon and McCartney.

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Speaker 2: Yeah, when it's just the two of them, it's, uh,

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Speaker 2: it can be a little ten They're not that kind

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Speaker 2: of friends, you know, just the two of them hanging out,

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Speaker 2: going to like eat together or something. But in like

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Speaker 2: a big group they are. Yeah, they're cool, they are

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Speaker 2: they are friends.

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Speaker 1: Yeah, yeah.

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Speaker 3: So anyway, you know, from a very young age, I

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Speaker 3: loved magazine.

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Speaker 1: So you have those people who you see at a party, Paul,

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Speaker 1: and you go like, well, in the while, I would

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Speaker 1: never call this person on the phone, but I'm glad

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Speaker 1: they're here because I don't know anyone else.

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Speaker 2: Yes, And all of a sudden, it's like, I guess

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Speaker 2: I am friends with you?

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Speaker 3: Yeah, yeah, yeah, suddenly you're my bff. Now yeah yeah,

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Speaker 3: did we Yeah?

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Speaker 2: But who's that? Fuck? I interrupted? You shit, do your thing?

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Speaker 3: Oh no, no, no, Sean, It's okay.

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Speaker 2: Damn it.

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Speaker 1: Well I promised myself i'd be more respectful.

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Speaker 3: Well, I mean what should I talk about? Should I

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Speaker 3: talk about the person who had a party you're just

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Speaker 3: happy to see because you can talk to them, or

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Speaker 3: should I talk about the magazine? Yeah?

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Speaker 2: What did you want to talk about? Hayes?

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Speaker 1: I guess we have to get to the magazine stuff.

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Speaker 2: Sam has a hard out, but.

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Speaker 1: It could be a feature in the magazine that you

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Speaker 1: it's people at a party.

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Speaker 2: You know what types? Right, Well, you did your magazine

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Speaker 2: and so we have the galleys, which is.

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Speaker 1: Like, Sam, I know you have a heart out engineer. Sam,

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Speaker 1: I know you have a heart out.

401
00:23:14,400 --> 00:23:17,040
Speaker 2: What is it you have to get to actually picking

402
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Speaker 2: up a new motorcycle?

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Speaker 1: Oh wow, okay, I think I left my phone out

404
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Speaker 1: in the main area.

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Speaker 2: Can you go get it? Sure?

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Speaker 1: Okay, So we did the galleys of the magazine.

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Speaker 3: Hey, yeah, you were you guys able to look them over?

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Speaker 2: You know, we were just gonna do it now and yeah, okay,

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Speaker 2: it's about let the audience experience it with us.

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Speaker 3: Okay, just know that like it does it is a magazine,

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Speaker 3: but it does tell a story. So you know, if

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Speaker 3: stuff isn't necessarily making sense on page five of the magazine,

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Speaker 3: stick with it to page thirty. Page I think it

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Speaker 3: goes up to about one hundred and eighty pages.

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Speaker 2: Oh yeah, I was about to ask.

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Speaker 3: Most of it's advertised. But you know, when you have

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Speaker 3: a what we imagine will be a very sort of

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00:24:05,240 --> 00:24:10,919
Speaker 3: intellectual demographic, lots of money, we'll be spending lots of money,

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00:24:10,960 --> 00:24:13,399
Speaker 3: you know, ad revenue coming. You know, it's like when

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Speaker 3: you pick up a vanity fair. Most of it is

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Speaker 3: ads for jewels.

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Speaker 2: Clone je. What is the name of it magazine that is.

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Speaker 3: Yeah, it's it's called Gramins.

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Speaker 2: Okay the Chinese people.

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Speaker 3: Yeah, yeah, but we don't. I want to stress because

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Speaker 3: this has been a lot, there's been a lot of confusion.

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00:24:42,280 --> 00:24:45,320
Speaker 3: The readership doesn't have to be primarily Chinese. We would

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Speaker 3: like it if it was the majority of our readers

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Speaker 3: were Chinese, but it's not. Grammans is more like a

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Speaker 3: little kind of sly tip of the hat to old

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Speaker 3: Hollywood because it is kind of a lifestyle magazine for

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Speaker 3: the young man or a woman, but mainly men in

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Speaker 3: Hollywood and the entertainment trying to I want to choose

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Speaker 3: the right word industry.

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Speaker 1: I love the magazine and I have the name, and

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Speaker 1: I love it and I don't even know that theater

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Speaker 1: or go to it at all. And I'll tell you why.

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Speaker 1: And it's not about the Chinese. Spider Man and SpongeBob

439
00:25:21,640 --> 00:25:25,360
Speaker 1: are not friends, right, but if you are on that street,

440
00:25:25,480 --> 00:25:28,000
Speaker 1: you would be led to believe that the two of

441
00:25:28,040 --> 00:25:35,720
Speaker 1: them are experiencing things together and doing the same dance moves. No,

442
00:25:36,600 --> 00:25:39,920
Speaker 1: so I like that you can bring the Grammins to

443
00:25:40,080 --> 00:25:42,919
Speaker 1: me without me having new wade through.

444
00:25:42,720 --> 00:25:47,040
Speaker 2: The riff rack. SpongeBob isn't even supposed to be on land,

445
00:25:47,680 --> 00:25:51,119
Speaker 2: oh no, and Spider Man if if if for some

446
00:25:51,200 --> 00:25:54,520
Speaker 2: reason this universe is supposed to be like under the sea.

447
00:25:54,680 --> 00:25:56,320
Speaker 2: Spider Man's not supposed to be under there.

448
00:25:56,480 --> 00:26:00,280
Speaker 3: He should be in the air, an Air Force sky

449
00:26:00,280 --> 00:26:02,720
Speaker 3: hanging out with a Navy guy. You would never see that.

450
00:26:03,000 --> 00:26:07,240
Speaker 2: Yes, it's supposed to be. It goes down from Darth

451
00:26:07,280 --> 00:26:09,159
Speaker 2: Vader and space. Spider Man is supposed to be in

452
00:26:09,200 --> 00:26:13,960
Speaker 2: the air. Shrek is on land, Jack Captain Zack Jacks

453
00:26:13,960 --> 00:26:16,840
Speaker 2: Sparry supposed to be on top of the ocean SpongeBob

454
00:26:16,840 --> 00:26:17,600
Speaker 2: Bomb of the ocean.

455
00:26:18,880 --> 00:26:22,600
Speaker 3: And then before beneath the ocean floor Darth Vader again,

456
00:26:22,880 --> 00:26:25,040
Speaker 3: that's right, it's a circle.

457
00:26:24,760 --> 00:26:27,800
Speaker 1: Yes, And then at the Earth's core is Aaron Eckert.

458
00:26:28,840 --> 00:26:31,920
Speaker 2: So all these guys in a drill car, all these

459
00:26:31,920 --> 00:26:36,480
Speaker 2: guys playing Aaron deck Cart outside of Grouman's Chinese theater

460
00:26:37,200 --> 00:26:39,560
Speaker 2: at least, why are there so many that some of

461
00:26:39,560 --> 00:26:41,760
Speaker 2: them are black? Well?

462
00:26:41,840 --> 00:26:47,200
Speaker 1: And also, don't do that be him, because I really

463
00:26:47,200 --> 00:26:49,400
Speaker 1: want to talk to him and thank him for finally

464
00:26:49,440 --> 00:26:51,560
Speaker 1: making Franking Stein handsome again.

465
00:26:53,880 --> 00:26:55,040
Speaker 2: Everyone always wants.

466
00:26:54,920 --> 00:27:00,679
Speaker 1: Him to be scary, bolt necked buffoon, yeah, when honestly

467
00:27:00,960 --> 00:27:03,640
Speaker 1: the concept behind him doesn't have to be so frightening.

468
00:27:03,880 --> 00:27:05,560
Speaker 1: There is a handsome version of him.

469
00:27:05,640 --> 00:27:10,240
Speaker 2: Yes, yeah, precisely.

470
00:27:10,920 --> 00:27:13,000
Speaker 1: Uh, tell me more about this magazine.

471
00:27:14,760 --> 00:27:19,680
Speaker 3: Well, it's called and has no association with the Chinese theater.

472
00:27:19,760 --> 00:27:22,199
Speaker 3: I have to say that legally that was sort of

473
00:27:22,200 --> 00:27:26,800
Speaker 3: a and it's gras Men's M E and apostrophe S.

474
00:27:26,840 --> 00:27:31,280
Speaker 2: That's g R O M M E n apostrophe S

475
00:27:31,640 --> 00:27:33,400
Speaker 2: apostrophe like Wallace and Grahman.

476
00:27:34,920 --> 00:27:40,080
Speaker 3: Yeah, and we we actually had well I shouldn't talk

477
00:27:40,080 --> 00:27:41,520
Speaker 3: about it in order to get into it, but Grammat

478
00:27:41,760 --> 00:27:44,680
Speaker 3: was an editor in chief for a while, Clay Dog,

479
00:27:45,280 --> 00:27:48,800
Speaker 3: Clay Dog, and you know, he's he's very creative, he's

480
00:27:48,880 --> 00:27:54,560
Speaker 3: very passionate. We had differences of opinion about issues.

481
00:27:54,600 --> 00:27:56,280
Speaker 1: I imagine, well, he's.

482
00:27:56,200 --> 00:27:58,439
Speaker 3: Yes, he's a silent dog. And it was just like

483
00:27:58,520 --> 00:28:02,920
Speaker 3: the time of having the come in and make him move,

484
00:28:03,040 --> 00:28:06,920
Speaker 3: it was just like, it's so wasteful of time to just.

485
00:28:06,880 --> 00:28:09,119
Speaker 1: Wag his tail in front of a particular article to

486
00:28:09,160 --> 00:28:11,040
Speaker 1: know that it was ready to go or whatever.

487
00:28:11,520 --> 00:28:13,239
Speaker 3: And it was like I could have known if this

488
00:28:13,280 --> 00:28:16,639
Speaker 3: had been a human being who wasn't being created by animators.

489
00:28:16,640 --> 00:28:19,439
Speaker 3: I could have known this twenty five minutes ago that

490
00:28:19,520 --> 00:28:20,040
Speaker 3: you liked it.

491
00:28:20,320 --> 00:28:21,399
Speaker 2: And that's too bad.

492
00:28:21,760 --> 00:28:25,199
Speaker 3: But we have different articles, you know, just sort of

493
00:28:25,200 --> 00:28:28,200
Speaker 3: what would interest the young man or a woman.

494
00:28:28,400 --> 00:28:30,840
Speaker 1: I'm opening the front page, just getting to look at

495
00:28:30,840 --> 00:28:32,160
Speaker 1: this table of content.

496
00:28:32,680 --> 00:28:35,840
Speaker 3: Careful, the pages are sharp, so I don't want you to.

497
00:28:35,920 --> 00:28:38,040
Speaker 1: And I have found that out the hard way. And

498
00:28:38,600 --> 00:28:43,400
Speaker 1: I yes, and I wish that I had not had

499
00:28:43,400 --> 00:28:46,320
Speaker 1: it situated in my lap the way that it was.

500
00:28:47,080 --> 00:28:50,200
Speaker 1: And I because I've cut the inside of my thigh

501
00:28:50,560 --> 00:28:56,640
Speaker 1: and a place I have a wound, bloody wound, and

502
00:28:56,760 --> 00:29:02,040
Speaker 1: the crotch of my pants and my genitals are fine, good,

503
00:29:02,440 --> 00:29:05,840
Speaker 1: there's nothing wrong there, okay, but the cut inside my

504
00:29:05,960 --> 00:29:10,959
Speaker 1: thigh is going to make it look like I have

505
00:29:11,200 --> 00:29:13,320
Speaker 1: bloody peepee or something like.

506
00:29:13,400 --> 00:29:16,280
Speaker 2: And I don't know. I'm not trying to gross anyone out.

507
00:29:16,480 --> 00:29:20,480
Speaker 2: And people are frankly going to try and kiss it better. Yeah,

508
00:29:20,920 --> 00:29:23,080
Speaker 2: I mean, this is what just is going to happen,

509
00:29:24,000 --> 00:29:26,440
Speaker 2: and that's going to create all kinds of situations for

510
00:29:26,520 --> 00:29:29,400
Speaker 2: you ribbled than otherwise.

511
00:29:30,000 --> 00:29:32,600
Speaker 1: It's just chaucer all over again.

512
00:29:33,040 --> 00:29:40,200
Speaker 2: But so take us take us through the table of contents.

513
00:29:40,400 --> 00:29:41,560
Speaker 2: Well that's the first page.

514
00:29:41,880 --> 00:29:45,840
Speaker 3: It's the table of contents that's after the there's about

515
00:29:45,840 --> 00:29:49,280
Speaker 3: twenty six pages of ads. Omega watch you gets you

516
00:29:49,400 --> 00:29:51,920
Speaker 3: there a lot of the Mega watch Omiga. I'm sorry,

517
00:29:51,960 --> 00:29:52,960
Speaker 3: what did you say?

518
00:29:53,440 --> 00:29:58,320
Speaker 2: Oh? I didn't even where I was speaking. I didn't

519
00:29:58,320 --> 00:29:59,400
Speaker 2: even know I was speaking.

520
00:29:59,440 --> 00:30:00,880
Speaker 3: Oh, it's just weird because I thought it sounded like

521
00:30:00,920 --> 00:30:01,600
Speaker 3: you said Omega.

522
00:30:01,680 --> 00:30:04,240
Speaker 1: No, it's a Mega. I wouldn't have done that. Now,

523
00:30:04,920 --> 00:30:08,120
Speaker 1: look like it's Simon Baker in the ads.

524
00:30:08,600 --> 00:30:11,120
Speaker 3: As a Baker, which was his idea. He was like,

525
00:30:11,200 --> 00:30:13,080
Speaker 3: I always get you know, can I say ship?

526
00:30:14,120 --> 00:30:15,640
Speaker 2: Yeah, like I always got crap.

527
00:30:16,200 --> 00:30:18,720
Speaker 3: I always get crap about my last name being Baker.

528
00:30:19,600 --> 00:30:21,800
Speaker 3: Can I can I be? Can I play with?

529
00:30:21,960 --> 00:30:23,440
Speaker 1: Take ownership of it? Yeah?

530
00:30:24,200 --> 00:30:29,320
Speaker 3: Yeah. We were able to get some chef hats. We

531
00:30:29,320 --> 00:30:32,080
Speaker 3: we had been doing a shoot with some of the

532
00:30:32,080 --> 00:30:34,640
Speaker 3: Cinnamon Too's crunch chefs. They were there earlier that day,

533
00:30:34,720 --> 00:30:37,200
Speaker 3: so we had one of the Baker hats laying around

534
00:30:37,200 --> 00:30:43,720
Speaker 3: and two thirds are cool, Yeah, one third not h

535
00:30:44,320 --> 00:30:47,440
Speaker 3: Let's just say his name rhymes with Schmendel.

536
00:30:47,920 --> 00:30:52,120
Speaker 1: Yeah, you don't like him because of that.

537
00:30:55,160 --> 00:30:56,760
Speaker 2: It's not a Grendel, is it.

538
00:30:57,600 --> 00:30:59,600
Speaker 3: No, it's not Grendel. That's he's a good.

539
00:30:59,440 --> 00:31:02,240
Speaker 1: Cross over against Grendall's mom is the bad one.

540
00:31:02,880 --> 00:31:08,280
Speaker 3: So we had Sion Baker and.

541
00:31:07,360 --> 00:31:10,880
Speaker 2: He's pulling out a cake shape like a big fancy.

542
00:31:10,560 --> 00:31:16,040
Speaker 3: Watch, the the Omega watch, which is how it's pronounced.

543
00:31:16,080 --> 00:31:18,920
Speaker 3: What did you say? Huh did you say, Omiga?

544
00:31:19,880 --> 00:31:21,840
Speaker 1: Oh? Well, I was on a phone call talking to

545
00:31:21,880 --> 00:31:25,560
Speaker 1: my friend Omiga. Yeah, why are you talking about watches? Yeah,

546
00:31:25,560 --> 00:31:28,680
Speaker 1: it's pronounced omega. So we had Simon Baker come in

547
00:31:28,720 --> 00:31:31,800
Speaker 1: and do these man hanging up the phone now and

548
00:31:31,960 --> 00:31:32,960
Speaker 1: I'm ready to talk.

549
00:31:33,840 --> 00:31:34,640
Speaker 3: Who are you talking to?

550
00:31:35,560 --> 00:31:38,920
Speaker 1: I was talking to Omiga and telling her that I

551
00:31:39,040 --> 00:31:44,280
Speaker 1: was on the phone with her. So you so the

552
00:31:44,320 --> 00:31:46,600
Speaker 1: watches are one thing, but the table of contents is

553
00:31:46,640 --> 00:31:51,160
Speaker 1: another thing. Entirely. We've got to talk about this. Some

554
00:31:51,240 --> 00:31:53,959
Speaker 1: of the features and the titles. I can't believe.

555
00:31:55,360 --> 00:31:59,800
Speaker 3: Oh yes, well, first we wanted to jump into probably

556
00:31:59,840 --> 00:32:04,720
Speaker 3: my biggest passion, passion, fashion fashion passion. That's the name

557
00:32:04,760 --> 00:32:08,680
Speaker 3: of the article, fashion passion. And you know, guys, just

558
00:32:08,720 --> 00:32:12,120
Speaker 3: because we're dudes, it doesn't mean we have to dress

559
00:32:12,480 --> 00:32:15,920
Speaker 3: like slobs. Okay, what do you mean? I like to

560
00:32:16,000 --> 00:32:20,960
Speaker 3: dress nice, I like to look good. Yeah maybe RMANI?

561
00:32:22,400 --> 00:32:24,840
Speaker 2: Sorry what you how did you pronounce it?

562
00:32:26,320 --> 00:32:35,880
Speaker 3: Armani? Armyies armenis Well, it's like a an Armenian man's.

563
00:32:35,920 --> 00:32:41,760
Speaker 2: Fashion Armenions like that from the movie Minions.

564
00:32:42,040 --> 00:32:48,400
Speaker 1: Oh yes there, yes, if you it's a little show

565
00:32:48,440 --> 00:32:51,440
Speaker 1: bis termed Armnions, and it's like the rated R because

566
00:32:51,520 --> 00:32:54,760
Speaker 1: the Minions there's there's all kinds of footage of them

567
00:32:54,800 --> 00:32:56,959
Speaker 1: doing some very R rated stuff.

568
00:32:57,320 --> 00:32:59,840
Speaker 3: Well they're like the Munchkins from Wizard of Oz. You know,

569
00:32:59,840 --> 00:33:01,960
Speaker 3: you hear about all those crazy parties.

570
00:33:02,560 --> 00:33:05,520
Speaker 1: Yeah, well even I mean they're up to no good

571
00:33:05,600 --> 00:33:08,440
Speaker 1: in the films, even for kids, where maybe one of

572
00:33:08,480 --> 00:33:10,760
Speaker 1: them thinks of fire Hydrant as a lady, so it

573
00:33:10,800 --> 00:33:13,360
Speaker 1: takes her into the hot tub with him, but they

574
00:33:13,400 --> 00:33:17,400
Speaker 1: cut out of the scene before you see him, you know,

575
00:33:17,640 --> 00:33:20,760
Speaker 1: reveal his sort of minion Genitalia.

576
00:33:20,920 --> 00:33:23,200
Speaker 2: A lot of people probably yes, wondering at this point

577
00:33:23,200 --> 00:33:26,640
Speaker 2: if we're going to get into the Armenian genocide. It's

578
00:33:26,720 --> 00:33:30,720
Speaker 2: not it's not clear whether or not it actually happened,

579
00:33:30,720 --> 00:33:33,160
Speaker 2: and it's not something that we that's not the time.

580
00:33:33,240 --> 00:33:35,480
Speaker 1: As with all genocides, I'm in a way two hundred

581
00:33:35,520 --> 00:33:37,840
Speaker 1: years to decide whether it's real, and even then I'm

582
00:33:37,880 --> 00:33:39,720
Speaker 1: probably going to take a week or two to sit

583
00:33:39,760 --> 00:33:46,680
Speaker 1: on and think about it. Now, the passion fashion articles

584
00:33:46,720 --> 00:33:48,840
Speaker 1: are always so helpful, and you've given me a lot

585
00:33:48,880 --> 00:33:52,240
Speaker 1: of great advice about whether a bolo tie should be

586
00:33:52,360 --> 00:33:57,160
Speaker 1: longer than my shirt or should it just come right

587
00:33:57,200 --> 00:33:58,120
Speaker 1: to the base of it.

588
00:33:58,400 --> 00:34:00,880
Speaker 3: Well, it changes, you know how they say, you know,

589
00:34:01,000 --> 00:34:03,840
Speaker 3: back the stock market as it rises in false So

590
00:34:03,920 --> 00:34:09,799
Speaker 3: do hemlines women's headlines right right now. Bolo ties are

591
00:34:09,800 --> 00:34:13,239
Speaker 3: supposed to be worn very very long. So if the

592
00:34:13,239 --> 00:34:15,760
Speaker 3: bottom of your bow tie, I want to say, reaches

593
00:34:16,040 --> 00:34:24,120
Speaker 3: your ankles, that's the best look and obviously is always good. Yeah,

594
00:34:24,280 --> 00:34:29,040
Speaker 3: if you're kicking the bottom of your bolo tie with

595
00:34:29,080 --> 00:34:33,640
Speaker 3: your cowboy boots, I assume, uh yeah, that's a then you've,

596
00:34:34,400 --> 00:34:37,640
Speaker 3: as we say in the magazine, made the right choice.

597
00:34:37,760 --> 00:34:38,720
Speaker 3: That's sort of our.

598
00:34:39,239 --> 00:34:42,439
Speaker 1: The which is like gonna catch on.

599
00:34:43,600 --> 00:34:49,560
Speaker 2: This article says it's by Happy Birthday. Yes, that's the

600
00:34:49,560 --> 00:34:50,279
Speaker 2: guy's name.

601
00:34:51,440 --> 00:34:54,000
Speaker 3: Yeah, and a lot of people think it's a pen name,

602
00:34:54,280 --> 00:34:56,719
Speaker 3: but that was his Christian name.

603
00:34:56,800 --> 00:34:58,480
Speaker 2: Okay, and he loves fashion.

604
00:34:59,440 --> 00:35:02,280
Speaker 3: Mm hmm, yeah, it's well, I think it has something

605
00:35:02,280 --> 00:35:04,000
Speaker 3: to do. He tried to explain it to me once.

606
00:35:04,000 --> 00:35:09,480
Speaker 3: It was something like your birthday suit. I do clothes,

607
00:35:09,520 --> 00:35:11,960
Speaker 3: and I'm like, but your birthday suit is like your naked.

608
00:35:11,840 --> 00:35:12,520
Speaker 1: No it doesn't.

609
00:35:12,760 --> 00:35:20,080
Speaker 3: Yeah, yeah, I think he's very dumb and he's he's

610
00:35:20,160 --> 00:35:21,759
Speaker 3: nine years old, so.

611
00:35:21,800 --> 00:35:24,640
Speaker 1: Okay, nine years old, but very big.

612
00:35:25,320 --> 00:35:27,920
Speaker 3: Yes, it has the body shape of a forty five

613
00:35:28,000 --> 00:35:31,760
Speaker 3: year old man and the stature and the voice dad bod.

614
00:35:33,360 --> 00:35:34,840
Speaker 2: And let's get into that article.

615
00:35:35,040 --> 00:35:39,319
Speaker 3: Yeah, we did a sixty five page breakdown of the

616
00:35:39,400 --> 00:35:41,000
Speaker 3: history of the dad bod.

617
00:35:42,400 --> 00:35:44,520
Speaker 2: And starting with Julius Caesar.

618
00:35:45,280 --> 00:35:48,960
Speaker 3: Julius Caesar had the first dad bod. That's what we

619
00:35:49,040 --> 00:35:53,359
Speaker 3: did our homework, and we looked into it and we

620
00:35:53,400 --> 00:35:57,680
Speaker 3: had we have a team of interns that we got

621
00:35:57,719 --> 00:36:01,480
Speaker 3: from Fat Jew. He let us. He loaded some of

622
00:36:01,520 --> 00:36:08,920
Speaker 3: his interns and they scoured through many libraries and bibliotecas well.

623
00:36:08,960 --> 00:36:11,920
Speaker 1: That's some of what I love about this magazine as

624
00:36:11,960 --> 00:36:15,359
Speaker 1: I'm leafing through it, is it's really aggregated a lot

625
00:36:15,440 --> 00:36:18,200
Speaker 1: of the things I like from other magazines where I

626
00:36:18,200 --> 00:36:20,600
Speaker 1: don't have time to necessarily read every blog.

627
00:36:20,960 --> 00:36:21,160
Speaker 2: Yeah.

628
00:36:21,680 --> 00:36:24,400
Speaker 1: Unfortunately, I wish I was made of time, but I'm not.

629
00:36:24,480 --> 00:36:29,120
Speaker 1: I'm made of carbon or something, flesh, bone, plenty of

630
00:36:29,120 --> 00:36:36,120
Speaker 1: blood that's getting on my legs. But I'm also made

631
00:36:36,120 --> 00:36:42,080
Speaker 1: of curiosity, aren't I? And sometimes these aggrevated articles I

632
00:36:42,120 --> 00:36:44,359
Speaker 1: can hold in my hand and read them when I'm

633
00:36:44,800 --> 00:36:47,839
Speaker 1: in the car or on the toilet, and I can

634
00:36:48,000 --> 00:36:51,799
Speaker 1: then yes at the same time yes.

635
00:36:51,600 --> 00:36:54,440
Speaker 2: And you pull different things. You have the buzz Beamer

636
00:36:54,560 --> 00:36:57,400
Speaker 2: cartoons from Sports Illustrated for.

637
00:36:57,520 --> 00:37:00,279
Speaker 3: Kids, those were hard to get. That was a lot

638
00:37:00,280 --> 00:37:03,520
Speaker 3: of legal wrangling we had to do, and eventually they

639
00:37:03,640 --> 00:37:06,239
Speaker 3: told us you can't use it, and we just said, well,

640
00:37:06,320 --> 00:37:10,400
Speaker 3: let's yeah, see you know, if we have to, we'll

641
00:37:10,480 --> 00:37:11,000
Speaker 3: lawyer up.

642
00:37:11,040 --> 00:37:13,440
Speaker 2: Well, it's not for them, and I could see your friends,

643
00:37:13,440 --> 00:37:15,160
Speaker 2: I guess I could see now you've changed his name

644
00:37:15,200 --> 00:37:18,719
Speaker 2: to buzz Beefer, which is technically a different.

645
00:37:18,480 --> 00:37:20,000
Speaker 3: That was how we got around it, and he had

646
00:37:20,000 --> 00:37:22,719
Speaker 3: to be if you look closely in his hands, we've

647
00:37:22,760 --> 00:37:27,000
Speaker 3: added he's holding sort of handfuls of beef to help

648
00:37:27,080 --> 00:37:28,560
Speaker 3: explain why his day is different.

649
00:37:28,840 --> 00:37:29,799
Speaker 1: Oh that's what.

650
00:37:30,000 --> 00:37:38,479
Speaker 3: Yeah. Oh you thought it was dirt at fort mud

651
00:37:38,520 --> 00:37:40,040
Speaker 3: and dirt. We get that. A lot of people are like,

652
00:37:40,040 --> 00:37:41,520
Speaker 3: why is he holding mud?

653
00:37:41,880 --> 00:37:44,920
Speaker 2: Ground? Would like a steak would make would just be

654
00:37:44,960 --> 00:37:47,760
Speaker 2: able to easier to represent visually than ground beef.

655
00:37:48,160 --> 00:37:50,760
Speaker 3: Well, I think that was the problem, I said, ground beef,

656
00:37:51,160 --> 00:37:54,480
Speaker 3: and then somebody thought I said ground, So they made

657
00:37:54,520 --> 00:37:55,319
Speaker 3: it look more like.

658
00:37:55,520 --> 00:37:58,600
Speaker 1: So there is, because there's pieces of grass in it, right,

659
00:37:58,920 --> 00:38:01,759
Speaker 1: and you're going to say grass, that'd be but I

660
00:38:01,840 --> 00:38:04,319
Speaker 1: but it was ground. And then you've just sort of

661
00:38:04,320 --> 00:38:07,200
Speaker 1: tried to meet up what was initially just a drawing.

662
00:38:07,000 --> 00:38:09,720
Speaker 3: Of exactly Yeah, yeah, exactly.

663
00:38:09,560 --> 00:38:13,400
Speaker 2: Okay, and the cover is uh, you got that, I

664
00:38:13,440 --> 00:38:14,759
Speaker 2: guess from Stuff magazine.

665
00:38:15,680 --> 00:38:18,520
Speaker 3: Yeah, yeah, because it's his stuff on it. But we

666
00:38:18,520 --> 00:38:20,960
Speaker 3: were able to because a lot of the letters in

667
00:38:21,160 --> 00:38:24,920
Speaker 3: Stuff Stuff are the same letters that are used in grammins.

668
00:38:25,080 --> 00:38:25,319
Speaker 2: Yeah.

669
00:38:26,719 --> 00:38:29,680
Speaker 3: I think all of them get used one or another.

670
00:38:30,680 --> 00:38:32,880
Speaker 3: We were able to kind of like just you know,

671
00:38:32,960 --> 00:38:37,120
Speaker 3: add some letters in there and cross out others and

672
00:38:37,120 --> 00:38:39,920
Speaker 3: and you know, it was really inspired by you know,

673
00:38:40,000 --> 00:38:44,160
Speaker 3: John F. Kennedy Junior's magazine George. Yeah, that was sort

674
00:38:44,160 --> 00:38:46,360
Speaker 3: of like an upscale George McFly.

675
00:38:48,600 --> 00:38:48,759
Speaker 2: Yeah.

676
00:38:48,800 --> 00:38:52,520
Speaker 3: They would do an interview with Crispin Glover and the

677
00:38:52,600 --> 00:38:55,640
Speaker 3: character of George McFly every issue.

678
00:38:55,640 --> 00:38:58,560
Speaker 2: So the guy who in the second movie they got

679
00:38:58,680 --> 00:39:01,160
Speaker 2: to pretend to beris Glover. Yeah.

680
00:39:01,160 --> 00:39:03,480
Speaker 3: They couldn't obviously, sorry, they couldn't get Crispin Glover, so

681
00:39:03,480 --> 00:39:04,960
Speaker 3: they got the guy who.

682
00:39:04,880 --> 00:39:07,200
Speaker 2: And they had to hang him upside down in the magazine,

683
00:39:07,239 --> 00:39:07,440
Speaker 2: so he.

684
00:39:07,440 --> 00:39:08,760
Speaker 3: Wouldn't be able to notice.

685
00:39:09,120 --> 00:39:12,319
Speaker 1: Yeah, so many magazines are just one magazine, and it's

686
00:39:12,360 --> 00:39:15,000
Speaker 1: so frustrating to me. The fact that this is a

687
00:39:15,040 --> 00:39:17,000
Speaker 1: bunch just makes so much better.

688
00:39:17,640 --> 00:39:17,839
Speaker 2: Yeah.

689
00:39:17,920 --> 00:39:19,400
Speaker 3: We like to think of it as like if you

690
00:39:19,440 --> 00:39:22,200
Speaker 3: went and bought twelve different magazines and had them under

691
00:39:22,200 --> 00:39:24,919
Speaker 3: your arm, and then maybe a big gust of wind

692
00:39:24,960 --> 00:39:28,040
Speaker 3: came by and blew all the pages out, and then

693
00:39:28,400 --> 00:39:32,400
Speaker 3: and then they kind of swirled into a box and

694
00:39:32,440 --> 00:39:33,920
Speaker 3: then got stapled quickly.

695
00:39:34,080 --> 00:39:37,080
Speaker 2: Yeah, you made a staple in the stapler in a

696
00:39:37,120 --> 00:39:40,120
Speaker 2: beginning machine, and so can staple anything.

697
00:39:40,920 --> 00:39:45,240
Speaker 1: Uh. Now you are famous for your three word movie reviews.

698
00:39:45,400 --> 00:39:47,799
Speaker 1: Please go back and listen to the old episode only

699
00:39:47,840 --> 00:39:48,880
Speaker 1: available on a howl.

700
00:39:49,000 --> 00:39:49,720
Speaker 2: They hear those.

701
00:39:51,120 --> 00:39:53,640
Speaker 1: You obviously had to do it as a feature in

702
00:39:53,680 --> 00:39:55,280
Speaker 1: this Yeah.

703
00:39:55,160 --> 00:39:57,800
Speaker 3: I don't want to, but the publisher demanded it because

704
00:39:57,800 --> 00:40:01,799
Speaker 3: they're like, that's you know, that's us Yeah, uh and

705
00:40:02,239 --> 00:40:03,120
Speaker 3: sense have hitted it.

706
00:40:03,239 --> 00:40:07,680
Speaker 1: Yes, and so as a little peak, just give us

707
00:40:07,680 --> 00:40:10,600
Speaker 1: one of these three word movie reviews for one of

708
00:40:10,640 --> 00:40:12,719
Speaker 1: your favorite movies that came out this past year.

709
00:40:12,960 --> 00:40:16,000
Speaker 3: When you say little peak e E K or p

710
00:40:16,719 --> 00:40:20,160
Speaker 3: E A okay, like a little like a little mountain.

711
00:40:21,600 --> 00:40:23,439
Speaker 2: Give us a little piece of a peak energy bar.

712
00:40:23,480 --> 00:40:24,680
Speaker 1: Here, yes, ju.

713
00:40:28,320 --> 00:40:30,640
Speaker 3: Thank you, grabbing your mouths open so I could toss

714
00:40:30,640 --> 00:40:31,040
Speaker 3: it in there.

715
00:40:31,239 --> 00:40:33,200
Speaker 1: Oh, it's fine, It's always like that.

716
00:40:35,280 --> 00:40:37,960
Speaker 3: The uh yes, Well, you.

717
00:40:37,920 --> 00:40:42,560
Speaker 2: Know, I was going to have a little, a little taste.

718
00:40:44,120 --> 00:40:48,080
Speaker 3: And you would to wet your tongue and get all

719
00:40:48,280 --> 00:40:50,439
Speaker 3: off any other tastes off it so you can really

720
00:40:50,440 --> 00:40:51,400
Speaker 3: taste the peak.

721
00:40:56,880 --> 00:40:59,000
Speaker 2: You leave. If you leave the peak in your mouth,

722
00:40:59,320 --> 00:41:02,600
Speaker 2: when it mixes with the water, it becomes this delightful

723
00:41:02,680 --> 00:41:06,600
Speaker 2: slurry mush.

724
00:41:06,719 --> 00:41:19,759
Speaker 3: Do you like it? Do you like it?

725
00:41:19,880 --> 00:41:20,920
Speaker 2: Yeah? Yes?

726
00:41:22,880 --> 00:41:24,440
Speaker 1: Now who's the dummy? So?

727
00:41:24,760 --> 00:41:29,319
Speaker 3: Uh yeah, I do three words? Now, who's the dummy? Now?

728
00:41:29,400 --> 00:41:31,960
Speaker 2: Who's now? Who's the dune? Him?

729
00:41:34,800 --> 00:41:39,160
Speaker 3: That was Jeff, Jeff and Lina Dunham finally came together

730
00:41:39,520 --> 00:41:41,600
Speaker 3: and did that two person show we've been waiting.

731
00:41:42,000 --> 00:41:47,040
Speaker 1: She sits on his lap like, now, who's the Dunham? Now?

732
00:41:50,960 --> 00:41:55,160
Speaker 3: I'm so happy you guys pushed that through because it

733
00:41:55,160 --> 00:41:56,799
Speaker 3: didn't seem like it was gonna get made. And then

734
00:41:56,840 --> 00:41:59,080
Speaker 3: you guys put your necks on the line, yeah, to

735
00:41:59,120 --> 00:42:01,239
Speaker 3: get it out there, and I appreciate it.

736
00:42:01,239 --> 00:42:01,680
Speaker 2: It was weird.

737
00:42:01,719 --> 00:42:03,040
Speaker 3: I thought it was weird that it was a live

738
00:42:03,200 --> 00:42:06,279
Speaker 3: concert show and there was no audience. I thought that

739
00:42:06,360 --> 00:42:14,040
Speaker 3: was an interesting choice. Uh well, uh fuck you?

740
00:42:14,400 --> 00:42:17,160
Speaker 2: I mean, like what that doesn't sound nice to me

741
00:42:17,360 --> 00:42:21,239
Speaker 2: either the way you say it interesting. It sounds like

742
00:42:21,280 --> 00:42:21,680
Speaker 2: you didn't.

743
00:42:22,480 --> 00:42:24,320
Speaker 1: If you're coming at me, call me out on my

744
00:42:24,400 --> 00:42:25,959
Speaker 1: show trying to take food out of my mouth.

745
00:42:26,080 --> 00:42:27,719
Speaker 2: I made this big magazine for you.

746
00:42:27,960 --> 00:42:29,239
Speaker 3: I put food in your mouth.

747
00:42:29,480 --> 00:42:34,440
Speaker 1: Okay, well, old and stale.

748
00:42:34,640 --> 00:42:38,359
Speaker 2: If it's on TV and there's an audience, then you're

749
00:42:38,400 --> 00:42:42,040
Speaker 2: at home and you're like, then, who am I? Right?

750
00:42:42,680 --> 00:42:45,000
Speaker 2: If they're watching it, what am I doing?

751
00:42:45,360 --> 00:42:47,799
Speaker 1: Yeah? He shook up.

752
00:42:49,560 --> 00:42:51,560
Speaker 3: I'm supposed to be audi.

753
00:42:53,600 --> 00:42:56,600
Speaker 2: And if you hear laughter and you're laughing at the

754
00:42:56,640 --> 00:43:00,879
Speaker 2: same time, like is that all me? That's so it's

755
00:43:00,960 --> 00:43:05,080
Speaker 2: so many doing it.

756
00:43:05,080 --> 00:43:06,919
Speaker 3: It's hard for me to a lot of times watch

757
00:43:06,960 --> 00:43:10,640
Speaker 3: a multiicam sitcom because when I hear the people laugh, like,

758
00:43:11,040 --> 00:43:13,680
Speaker 3: how am I there? Why does my laugh sound like

759
00:43:13,760 --> 00:43:14,560
Speaker 3: multiple people?

760
00:43:15,280 --> 00:43:20,239
Speaker 4: It's disconcerting for people who don't know the terms multicam

761
00:43:20,320 --> 00:43:27,759
Speaker 4: for single camp multicam sitcom has it's old and it

762
00:43:27,800 --> 00:43:31,000
Speaker 4: has a big joke and a single cam.

763
00:43:31,040 --> 00:43:33,720
Speaker 1: It's cool and you can't and it's hard to find

764
00:43:33,719 --> 00:43:34,120
Speaker 1: a joke.

765
00:43:34,480 --> 00:43:37,719
Speaker 3: Yeah, I mean both are bad. Yeah yeah, yeah, neither

766
00:43:37,760 --> 00:43:39,840
Speaker 3: are good options. No, no, no.

767
00:43:40,160 --> 00:43:43,000
Speaker 1: The only the way to really do it, I think,

768
00:43:43,200 --> 00:43:46,400
Speaker 1: and the future is going to be floor cam floor

769
00:43:46,480 --> 00:43:49,680
Speaker 1: cam all upskirt, upskirt.

770
00:43:51,000 --> 00:43:52,359
Speaker 3: I'd like to say, I wish they had that back

771
00:43:52,360 --> 00:43:55,120
Speaker 3: in the Facts of Life days. Oh, to see all

772
00:43:55,160 --> 00:44:02,080
Speaker 3: those ladies bushes. I guess I don't know. I don't

773
00:44:02,080 --> 00:44:03,640
Speaker 3: know what the style was at the time.

774
00:44:04,200 --> 00:44:07,799
Speaker 2: Because they weren't there, There were no cams. Is there

775
00:44:07,800 --> 00:44:09,720
Speaker 2: a way to tell if it was Bush's.

776
00:44:09,360 --> 00:44:12,160
Speaker 3: Or I misunderstood? I thought maltey cam was that the

777
00:44:12,280 --> 00:44:15,839
Speaker 3: characters on the show are holding cameras?

778
00:44:16,120 --> 00:44:16,359
Speaker 1: Is that?

779
00:44:16,560 --> 00:44:19,480
Speaker 3: Was that a misunderstanding of my part? And a single

780
00:44:19,520 --> 00:44:22,640
Speaker 3: cam is that the character one character is holding one camp.

781
00:44:23,560 --> 00:44:27,319
Speaker 1: Oh, as I think about it, I don't know.

782
00:44:31,600 --> 00:44:34,279
Speaker 2: Now what did you want to do a movie review of?

783
00:44:34,400 --> 00:44:38,040
Speaker 2: But it's being only just limiting.

784
00:44:38,160 --> 00:44:41,040
Speaker 3: Yes, well, you know, we try to do the latest

785
00:44:41,360 --> 00:44:47,879
Speaker 3: contemporary hits but also some of the old classic classics.

786
00:44:47,960 --> 00:44:53,040
Speaker 3: M so really the the ranges anywhere any movie. I

787
00:44:53,080 --> 00:44:56,920
Speaker 3: think the way this magazine works is it's a little

788
00:44:56,960 --> 00:44:59,480
Speaker 3: futuristic but if you say the title, it appears on

789
00:44:59,520 --> 00:45:00,680
Speaker 3: the page before you.

790
00:45:01,040 --> 00:45:02,640
Speaker 2: Okay, so should we try it?

791
00:45:02,920 --> 00:45:04,440
Speaker 3: Sure? Okay, I don't read it out.

792
00:45:04,440 --> 00:45:07,120
Speaker 2: The reader says a movie, and then it appears on

793
00:45:07,160 --> 00:45:10,440
Speaker 2: the page and you, the editor, read it out loud.

794
00:45:10,480 --> 00:45:11,719
Speaker 3: My voice reads it out loud.

795
00:45:12,400 --> 00:45:15,279
Speaker 2: Okay. So this is the magazine that's gonna be saying this.

796
00:45:15,400 --> 00:45:20,440
Speaker 2: It's not you, not me. Okay, Hollywood Homicide.

797
00:45:21,239 --> 00:45:24,760
Speaker 3: Heart knett Ford there.

798
00:45:26,280 --> 00:45:27,680
Speaker 2: Wow, that's amazing.

799
00:45:29,400 --> 00:45:38,600
Speaker 1: Contraband, do take this?

800
00:45:41,360 --> 00:45:44,759
Speaker 3: Mm hmmm, because contraband, sometimes you don't want to take

801
00:45:44,800 --> 00:45:52,880
Speaker 3: you shouldn't take like take this movie out like, okay,

802
00:45:54,000 --> 00:45:56,760
Speaker 3: take it, watch, take it and put it in your VCR.

803
00:45:56,920 --> 00:46:00,279
Speaker 2: That's what it means. Oh, do take this?

804
00:46:00,360 --> 00:46:01,040
Speaker 3: Do take this?

805
00:46:01,120 --> 00:46:05,160
Speaker 1: A lot of them say do or don't take this?

806
00:46:06,200 --> 00:46:11,239
Speaker 1: That's I think. Do take this or don't take this?

807
00:46:11,640 --> 00:46:14,160
Speaker 1: Which is helpful. Hey, is what time is it? Sam

808
00:46:14,200 --> 00:46:15,000
Speaker 1: has a heart out?

809
00:46:19,080 --> 00:46:22,000
Speaker 2: Get a new motorcycle. That's I mean very time.

810
00:46:22,080 --> 00:46:24,600
Speaker 1: So that sounds the motorcycle go away.

811
00:46:25,520 --> 00:46:29,000
Speaker 3: I just be cared about, ma'am. I bought a motorcycle

812
00:46:29,360 --> 00:46:33,080
Speaker 3: last weekend and I didn't check it before I got it.

813
00:46:33,680 --> 00:46:36,960
Speaker 3: But the thing only runs in reverse. So here I

814
00:46:37,000 --> 00:46:39,640
Speaker 3: am the last week just driving around town going in

815
00:46:39,760 --> 00:46:42,480
Speaker 3: reverse down the street. Yeah, it's embarrassed.

816
00:46:42,480 --> 00:46:45,080
Speaker 2: Do you end up farther away from your sweeties house?

817
00:46:45,200 --> 00:46:45,399
Speaker 1: Yeah?

818
00:46:45,480 --> 00:46:47,960
Speaker 3: Now I have to work it out where I I

819
00:46:48,040 --> 00:46:50,680
Speaker 3: go in the the op you know, quote unquote opposite

820
00:46:50,680 --> 00:46:54,120
Speaker 3: direction of my my sweetie, my goomba, my goomba's house,

821
00:46:54,120 --> 00:46:55,759
Speaker 3: and then eventually I wind up there.

822
00:46:56,000 --> 00:46:58,080
Speaker 2: Sorry, sweetie, I'm gonna be late again.

823
00:46:58,200 --> 00:47:01,839
Speaker 1: The motorcycle only goes back words, and I'm on the

824
00:47:01,880 --> 00:47:07,719
Speaker 1: opposite So it's really One thing about the magazine I

825
00:47:07,840 --> 00:47:11,200
Speaker 1: love is thank you. It has that greeting card feature

826
00:47:11,239 --> 00:47:14,360
Speaker 1: where when you open up a certain page, it plays

827
00:47:14,360 --> 00:47:14,840
Speaker 1: a song.

828
00:47:16,400 --> 00:47:19,200
Speaker 3: We found out that a lot of words with X

829
00:47:19,880 --> 00:47:23,680
Speaker 3: are difficult to be to be said by a robot. Boys,

830
00:47:23,719 --> 00:47:27,720
Speaker 3: the X the X sound is very tough. So which

831
00:47:27,760 --> 00:47:33,440
Speaker 3: one twis? We wanted to use the word twix up

832
00:47:33,480 --> 00:47:36,600
Speaker 3: and down in this magazine, and then the our boys

833
00:47:36,640 --> 00:47:40,600
Speaker 3: and the two bars, I think that they said that

834
00:47:40,680 --> 00:47:45,000
Speaker 3: was part of the problem, was that because it's two kids,

835
00:47:50,800 --> 00:47:51,080
Speaker 3: if you.

836
00:47:51,080 --> 00:47:56,040
Speaker 2: Cross them, it makes an X. Why a robot would

837
00:47:56,040 --> 00:47:59,880
Speaker 2: have a problem with that? Remember cookies and cream twigs?

838
00:48:01,480 --> 00:48:03,000
Speaker 2: I think that was kit Cat burs.

839
00:48:04,000 --> 00:48:06,640
Speaker 3: Oh, it definitely was twigs.

840
00:48:07,960 --> 00:48:09,880
Speaker 2: Let's talk about love. I would eat it.

841
00:48:09,840 --> 00:48:14,440
Speaker 1: While I watched my Disney afternoon shows. I love just reminiscing.

842
00:48:14,480 --> 00:48:16,920
Speaker 1: Remember Rescue Rangers. Wait, one of them thatt a fly

843
00:48:17,080 --> 00:48:17,640
Speaker 1: as a pet?

844
00:48:18,880 --> 00:48:19,760
Speaker 2: No for real?

845
00:48:20,320 --> 00:48:22,480
Speaker 3: And it's that's a dog to a mouse?

846
00:48:22,680 --> 00:48:23,080
Speaker 2: Is a fly?

847
00:48:24,320 --> 00:48:28,920
Speaker 3: Think about it? Yeah? I like remembering things.

848
00:48:29,280 --> 00:48:33,719
Speaker 1: Yes, yeah, it's so funny that it happened and we

849
00:48:33,800 --> 00:48:34,560
Speaker 1: experienced it.

850
00:48:34,719 --> 00:48:36,520
Speaker 2: You say, remember that happened.

851
00:48:36,680 --> 00:48:40,920
Speaker 3: Remember Laurel and Hardy when we come from school and

852
00:48:40,960 --> 00:48:44,120
Speaker 3: put on a Laurel just turned on the TV and

853
00:48:44,239 --> 00:48:46,719
Speaker 3: every channel was showing an old Laurel and hard.

854
00:48:46,680 --> 00:48:51,160
Speaker 1: Grabbing a box of cookies and cream twigs okay, okay,

855
00:48:51,280 --> 00:48:56,520
Speaker 1: and then throw on some Laurel and Hardy laugh fell down.

856
00:48:56,760 --> 00:49:00,400
Speaker 2: Laurel's using Hardy as a well, growing him so he

857
00:49:00,400 --> 00:49:01,560
Speaker 2: doesn't go down the waterfall.

858
00:49:02,120 --> 00:49:06,440
Speaker 3: M yep, yep. Twigs falling out, just twigs after twigs

859
00:49:06,480 --> 00:49:07,840
Speaker 3: coming off Hardy's body.

860
00:49:08,360 --> 00:49:15,359
Speaker 1: Hardy puts his foot through laurel stomach, straight through. They

861
00:49:15,440 --> 00:49:20,120
Speaker 1: can't pull it back out when he does, it's it's

862
00:49:20,200 --> 00:49:21,120
Speaker 1: part of the show.

863
00:49:21,560 --> 00:49:23,320
Speaker 3: I thought it was weird whenever they would have blood

864
00:49:23,320 --> 00:49:26,120
Speaker 3: on there that they would colorize it like the Little

865
00:49:26,120 --> 00:49:28,759
Speaker 3: Girl's Jacket and Shindler's List, so everything would be black

866
00:49:28,800 --> 00:49:34,920
Speaker 3: and white. But then just a profound red wood.

867
00:49:35,280 --> 00:49:36,200
Speaker 1: Was she was?

868
00:49:36,280 --> 00:49:41,480
Speaker 2: She was Schindler's List? Pleasant Ville? Was it part of Pleasantville?

869
00:49:41,600 --> 00:49:43,320
Speaker 3: I think she had just had sex?

870
00:49:45,200 --> 00:49:49,760
Speaker 2: Is that what they the girl just had sex?

871
00:49:50,640 --> 00:49:54,400
Speaker 1: Well, she's hot, I mean right, Like that's part of

872
00:49:54,440 --> 00:50:00,640
Speaker 1: the point. Like that chick was a fucking s mok show.

873
00:50:00,800 --> 00:50:04,520
Speaker 2: But they never say if it's part of the Pleasantville universe.

874
00:50:04,719 --> 00:50:07,440
Speaker 1: You know what I wish that they would do. I

875
00:50:07,600 --> 00:50:10,879
Speaker 1: was there too with her and just have that explained.

876
00:50:11,200 --> 00:50:15,840
Speaker 1: And the red Coat, yes, uh and the red Coat's

877
00:50:16,320 --> 00:50:16,920
Speaker 1: there too?

878
00:50:18,360 --> 00:50:22,359
Speaker 2: Was there too? So Sam has a heart out. Let's

879
00:50:22,400 --> 00:50:27,359
Speaker 2: talk about Uh, I want to talk about your show love.

880
00:50:28,600 --> 00:50:32,200
Speaker 2: Uh is disease.

881
00:50:34,000 --> 00:50:37,400
Speaker 1: Doing? Like? How involved is he in the writing? I

882
00:50:37,480 --> 00:50:38,480
Speaker 1: know he's the star of it.

883
00:50:39,480 --> 00:50:42,200
Speaker 3: Uh yeah, well you know a disease is the star

884
00:50:42,360 --> 00:50:43,960
Speaker 3: of a of a show on Netflix?

885
00:50:44,520 --> 00:50:44,960
Speaker 2: Uh?

886
00:50:45,400 --> 00:50:49,359
Speaker 1: Modern Love and Modern Love Book. Yeah, he can't online date.

887
00:50:49,400 --> 00:50:54,680
Speaker 1: But here's why maybe you would or shouldn't. It's an

888
00:50:54,680 --> 00:50:57,040
Speaker 1: experts here. It started off as kind of a lark.

889
00:50:57,600 --> 00:51:00,480
Speaker 3: Yeah, he was gonna I would help him with his

890
00:51:00,719 --> 00:51:02,360
Speaker 3: and he would help we kind of do a switch

891
00:51:02,440 --> 00:51:07,040
Speaker 3: time it switch time. We would go switch time, and

892
00:51:07,080 --> 00:51:12,799
Speaker 3: then we would switch and switch sticky, switch time, switch time.

893
00:51:12,920 --> 00:51:18,160
Speaker 1: Let's switch switch got to show hold on twitch here,

894
00:51:18,840 --> 00:51:21,640
Speaker 1: switch time, twitch and you go.

895
00:51:21,760 --> 00:51:23,400
Speaker 3: And a lot of times it would just end up

896
00:51:23,520 --> 00:51:29,040
Speaker 3: us reading the Time magazine review of Switch with Ellen Barkin.

897
00:51:32,800 --> 00:51:34,839
Speaker 2: What does that make you think of that you do

898
00:51:35,120 --> 00:51:36,960
Speaker 2: such a deep breath breath.

899
00:51:37,040 --> 00:51:41,000
Speaker 3: Yes, it's a good movie, so I was just reminiscing

900
00:51:41,040 --> 00:51:41,520
Speaker 3: about that.

901
00:51:41,760 --> 00:51:45,520
Speaker 2: But then you work with Leslie Arvin, right, Yes, it's

902
00:51:45,640 --> 00:51:48,560
Speaker 2: very similar Delay and Barkin. It's like what dogs are doing.

903
00:51:49,360 --> 00:51:56,160
Speaker 3: Yes, uh, I once. I don't know if I told you.

904
00:51:56,200 --> 00:51:58,239
Speaker 3: I first met Leslie Arvin and she was in the

905
00:51:58,280 --> 00:52:01,160
Speaker 3: same room as Ellen Bark in it, and I walked

906
00:52:01,160 --> 00:52:04,640
Speaker 3: in and I was like, can you guys keep these

907
00:52:04,680 --> 00:52:06,279
Speaker 3: dogs down? Can you keep it down?

908
00:52:06,360 --> 00:52:06,760
Speaker 2: Dogs?

909
00:52:07,160 --> 00:52:12,960
Speaker 3: There's just so much barking and growling. And then they said, no, no, no,

910
00:52:13,000 --> 00:52:15,680
Speaker 3: it's just your last name. It's just JK growling.

911
00:52:15,760 --> 00:52:16,080
Speaker 1: Was there?

912
00:52:18,040 --> 00:52:20,880
Speaker 3: Hairy tail Potter? I think it's her.

913
00:52:22,239 --> 00:52:24,080
Speaker 2: Like a Doug's hairy tail.

914
00:52:24,400 --> 00:52:29,840
Speaker 3: Yep, yep, yep, it was hers. Its JK Growling's crazy

915
00:52:30,000 --> 00:52:30,359
Speaker 3: not mine.

916
00:52:30,400 --> 00:52:34,000
Speaker 2: Well, it show sounds really fun. Yeah, you gotta check

917
00:52:34,040 --> 00:52:34,439
Speaker 2: it out.

918
00:52:35,480 --> 00:52:41,960
Speaker 1: I got one more ins Mark Ruffalo So, uh.

919
00:52:41,480 --> 00:52:42,319
Speaker 2: Sam is a heard out.

920
00:52:42,560 --> 00:52:47,680
Speaker 1: Oh, Sam's got a hard out. So watch Modern Love.

921
00:52:47,800 --> 00:52:51,600
Speaker 1: It's in a book and it's great. Uh. You can

922
00:52:51,640 --> 00:52:54,279
Speaker 1: subscribe to it on Netflix, which is kind of like

923
00:52:54,760 --> 00:53:01,839
Speaker 1: Howl for movies. I'm trying to think of what else. Oh,

924
00:53:02,000 --> 00:53:07,600
Speaker 1: buy the magazine Grammins. Uh, it's gonna be available where.

925
00:53:07,080 --> 00:53:10,040
Speaker 3: Paul Oh, uh no, nowhere.

926
00:53:10,400 --> 00:53:14,680
Speaker 1: Yes, you can't have it, so we're and we and it's.

927
00:53:14,640 --> 00:53:17,920
Speaker 3: It's impossible to find, impossible to buy. You can't read it.

928
00:53:19,040 --> 00:53:19,400
Speaker 1: M M.

929
00:53:19,760 --> 00:53:20,560
Speaker 2: It's upside down.

930
00:53:21,040 --> 00:53:23,799
Speaker 3: Yeah, you have to, like if you want to read it,

931
00:53:23,800 --> 00:53:26,040
Speaker 3: it's printed upside down, so you have to like put

932
00:53:26,080 --> 00:53:27,560
Speaker 3: your legs over a branch of a tree.

933
00:53:27,600 --> 00:53:32,000
Speaker 2: It's designed for you to put porno mags inside, but

934
00:53:32,080 --> 00:53:34,399
Speaker 2: people will know. You want people to know that you're

935
00:53:34,440 --> 00:53:37,920
Speaker 2: secretly reading a porno mag because the outside mag exactly

936
00:53:38,080 --> 00:53:38,879
Speaker 2: is always And.

937
00:53:38,800 --> 00:53:41,200
Speaker 3: We have a little sort of paper sleeve that you

938
00:53:41,239 --> 00:53:45,680
Speaker 3: can slide your chubby into. So if you're like looking

939
00:53:45,719 --> 00:53:48,080
Speaker 3: at it and you're getting excited, you want to hide that.

940
00:53:48,200 --> 00:53:50,800
Speaker 3: You need a place to put your ub yeah, your

941
00:53:50,840 --> 00:53:51,879
Speaker 3: little chubby.

942
00:53:53,680 --> 00:54:03,040
Speaker 2: And download iTunes. Bye.

943
00:54:05,920 --> 00:54:07,520
Speaker 1: This has been an Earwolf Media production.

944
00:54:07,760 --> 00:54:09,920
Speaker 3: Executive producers Jeff Ulrick and Scott Ackerman.

945
00:54:10,040 --> 00:54:17,960
Speaker 2: For more information, visit earwolf dot com, ear Warf Radio,

946
00:54:18,320 --> 00:54:19,400
Speaker 2: Boom dot

947
00:54:19,440 --> 00:54:27,400
Speaker 3: Com, The Worf Dead