WEBVTT - #58 Harry

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<v Speaker 1>Pushkin.

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<v Speaker 2>Hey, how are you?

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<v Speaker 1>I'm okay? How are you?

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<v Speaker 3>I I'm okay, I'm okay.

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<v Speaker 4>I find you one of our room money.

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<v Speaker 1>So you heard the news?

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<v Speaker 3>Did you?

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<v Speaker 1>Did you read the tweet that I sent you?

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<v Speaker 5>No?

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<v Speaker 1>Actually I haven't.

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<v Speaker 3>I've been working all day and I haven't had a

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<v Speaker 3>chance to bet.

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<v Speaker 1>I can I read you the tweet from the Heavyweight

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<v Speaker 1>account that we put out. Yeah, okay, it's a Heavyweight

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<v Speaker 1>as it exists under Spotify will be ending after this season.

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<v Speaker 1>We're so proud of everything we've made and we're hoping

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<v Speaker 1>the show finds a new home in the future. Till then,

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<v Speaker 1>stay tuned, stay subscribed, and thank you all so much

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<v Speaker 1>for your love and support. Oh no, things are going

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<v Speaker 1>to be okay. You know what, because it's it's it's

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<v Speaker 1>show business. You know that song from Bugs Bunny Overtures,

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<v Speaker 1>Turn the Lights, you know that song? This is it

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<v Speaker 1>the night of Nights. No more rehoising and nicing up parts.

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<v Speaker 1>We know every part by heart. It's about going on

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<v Speaker 1>with the show.

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<v Speaker 2>How are you going to go on with the show.

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<v Speaker 1>We're going to try to find a new place for it.

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<v Speaker 1>You know, we have an obligation to our listeners. Why

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<v Speaker 1>does that make you laugh? I have an obligation to

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<v Speaker 1>my listeners. Wait, let's let's just sit here together and

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<v Speaker 1>think about all the laughter through the years.

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<v Speaker 2>You're can I hang up?

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<v Speaker 1>Can I hang up now?

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<v Speaker 3>Okay?

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<v Speaker 1>And you know what I'm gonna be okay, and you

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<v Speaker 1>know you're gonna be okay. We're going to keep on

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<v Speaker 1>doing this. I wanted to go to it.

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<v Speaker 6>This is my this is my I'm signing off.

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<v Speaker 1>I don't think you are. I don't believe it. I

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<v Speaker 1>think you love doing this, am I right? Just admit

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<v Speaker 1>it and I'll let you go.

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<v Speaker 3>Goodbye?

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<v Speaker 1>Hey, Jackie, Jackie, Jackie, thank you for these past eight years.

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<v Speaker 2>Oh sure, off milking it.

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<v Speaker 1>I'm Jonathan Goldstein and this is Heavyweight Today's episode, Harry.

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<v Speaker 1>Right after the break, our story begins with two people,

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<v Speaker 1>Ted and Todd or is it Todd and Ted in

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<v Speaker 1>the plaid shirt. You are Ted, Yes, and you're Todd.

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<v Speaker 1>That's great, okay, Hi, nice to meet you. Both Ted

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<v Speaker 1>and Todd are identical twins, but not the Mary Kate

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<v Speaker 1>Nashley cutie pitituiti type. They're more the slappy, happy, punchy,

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<v Speaker 1>grumpy type.

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<v Speaker 3>If you hit me, one more time.

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<v Speaker 1>Case in point. That was the sound of Ted reacting

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<v Speaker 1>to Todd, who, for no apparent reason, just whacked his

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<v Speaker 1>brother in the arm. Is that a part of the

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<v Speaker 1>way that you guys communicate?

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<v Speaker 3>Yeah, uh huh.

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<v Speaker 1>But if I'm not here, I mean, you don't punch

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<v Speaker 1>each other?

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<v Speaker 3>Right? Not anymore? No, not anymore? No.

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<v Speaker 1>Ted and Todd are in their sixties. They both have

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<v Speaker 1>long white hair and the stoic, deadpan affect of hitmen

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<v Speaker 1>in a Cormac McCarthy novel. They grew up in South Dakota,

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<v Speaker 1>surrounded by literal cowboys. Before the interview, they asked if

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<v Speaker 1>there'd be cigarette breaks. They both smoke Pall Mall's, drink

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<v Speaker 1>Keystone Lights, and they both work as contractors. They tell

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<v Speaker 1>me they can't go into a home depot together without

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<v Speaker 1>being asked the same asinine question, are you guys twins?

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<v Speaker 1>In response, Ted and Todd stare back blankly. But the

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<v Speaker 1>story Ted and Todd are here to tell isn't actually

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<v Speaker 1>about their twinship. It's about their younger brother, Scott, who

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<v Speaker 1>died in two thousand. Do you want to start off

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<v Speaker 1>by maybe talking to me a little bit about Scott?

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<v Speaker 7>Well, just here's a little brother, and that's about it.

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<v Speaker 1>To spare you twenty odd minutes of coaxing and cajoling,

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<v Speaker 1>I'll fast forward a bit to let you know that

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<v Speaker 1>Scott was a year younger than Ted and Todd. He

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<v Speaker 1>was the baby of the family and they often ended

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<v Speaker 1>up taking care of him as older brothers. Ted and

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<v Speaker 1>Todd were measured and steady. Scott, on the other hand,

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<v Speaker 1>was fun and colorful.

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<v Speaker 7>Oh yeah, yeah, real bright personality. I mean he was

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<v Speaker 7>just definitely his own individual for sure. Yeah, he got

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<v Speaker 7>all the personality.

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<v Speaker 1>In school, Scott attracted attention, and not all of it good.

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<v Speaker 1>This because, in addition to his big personality, Scott was gay.

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<v Speaker 1>From a pretty young age, he was a target for bullying.

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<v Speaker 1>But Ted and Todd always kept an eye out.

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<v Speaker 8>You couldn't go after our little brother because then you're

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<v Speaker 8>gonna have to deal with that both of us. So

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<v Speaker 8>one offense you're going to have three events. It's not

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<v Speaker 8>because we liked it. We were protecting our family.

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<v Speaker 1>In spite of the haters, Scott remained a force to

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<v Speaker 1>be reckoned with As a teenager. He once got into

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<v Speaker 1>their dad's Lincoln Continental in the middle of the night

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<v Speaker 1>and drove it almost one thousand miles across state lines

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<v Speaker 1>at fifteen.

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<v Speaker 8>I mean that tells you how independent that he really was. Yeahad.

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<v Speaker 1>While Ted and Todd got married and settled down, Scott

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<v Speaker 1>maintained his impish spontaneity, doing things like buying Ted and

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<v Speaker 1>Todd's kids the candy they weren't allowed, or once, having

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<v Speaker 1>promised his seven year old nephew a trip to the

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<v Speaker 1>circus and then breaking his leg, made sure they could

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<v Speaker 1>still go by teaching his nephew how to pump the clutch.

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<v Speaker 1>Scott led a nomadic life. Every so often, Ted and

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<v Speaker 1>Todd would get a phone call. Scott was in Roanoke, Virginia,

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<v Speaker 1>living with friends. Scott was in Nebraska going to mortician school.

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<v Speaker 1>Scott had crashed his car in the desert outside of Phoenix.

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<v Speaker 1>But no matter where he went, and no matter how

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<v Speaker 1>old he got, if Scott was in trouble, Ted and

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<v Speaker 1>Todd's phones would ring. So one day in the fall

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<v Speaker 1>of nineteen eighty six, when Todd received a call from

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<v Speaker 1>Scott at three am, he wasn't all that surprised.

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<v Speaker 7>He wanted me to come down and get him now,

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<v Speaker 7>which was not unusual.

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<v Speaker 1>Scott told Todd. He was in the hospital. When Todd

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<v Speaker 1>got there, he was directed to a special ward.

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<v Speaker 7>And pretty obvious something was wrong. And I walked in

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<v Speaker 7>and there must have been six other beds in there.

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<v Speaker 7>Probably he was the youngest, and at that point he

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<v Speaker 7>would have been in his early twenties, and everybody had

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<v Speaker 7>gowns and masks and gloves and shields, and I mean,

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<v Speaker 7>it was really bizarre, what is happening? And they said

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<v Speaker 7>you weren't aware your brother's diagnosis. And then that's when

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<v Speaker 7>they said, your brother has AIDS.

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<v Speaker 1>Scott wanted to get out of the hospital as quickly

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<v Speaker 1>as possible, so Todd just put him in the car

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<v Speaker 1>and drove him home. Never did they talk about AIDS

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<v Speaker 1>or what it meant. They didn't talk much at all.

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<v Speaker 1>Ted and Todd would call to check on Scott as

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<v Speaker 1>often as they could. They'd ask if he was going

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<v Speaker 1>to the doctor taking his meds? Are you taking care

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<v Speaker 1>of it? They'd say, yeah, he'd say, And for the

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<v Speaker 1>next few years, this is how it went until the

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<v Speaker 1>day Harry arrived. Todd was on the phone checking in

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<v Speaker 1>on Scott like usual. When he first heard her voice, this.

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<v Speaker 7>Say in the background, It's like what is that.

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<v Speaker 1>That was Harriet aka Harry, a red and green parrot,

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<v Speaker 1>a three foot long macau to be exact. Ted and Todd,

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<v Speaker 1>of course had questions, questions like what the hell are

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<v Speaker 1>you thinking? Scott had always loved unusual pets as a kid,

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<v Speaker 1>He kept a squirrel in the house and even a bat,

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<v Speaker 1>But there was something particularly worrying about adopting a parrot.

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<v Speaker 1>It's longevity.

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<v Speaker 3>You have this disease.

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<v Speaker 8>We don't know how long you're going to live, and

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<v Speaker 8>you buy an analyst is going to last eighty five

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<v Speaker 8>to one hundred years.

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<v Speaker 1>Even for a healthy adult, such a purchase would mean

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<v Speaker 1>a commitment that lasts into old age. In Scott's case,

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<v Speaker 1>it felt like an act of denial.

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<v Speaker 3>What Scott did was what Scott always does.

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<v Speaker 7>Just I'm gonna do what i'm gonna do, and I

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<v Speaker 7>like it and I want it, and that's how it's

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<v Speaker 7>going to be, and it's gonna be fine.

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<v Speaker 1>And so Harry was suddenly a fact of their family's life.

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<v Speaker 1>Wherever Scott went, there was Harry, and in time she

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<v Speaker 1>won Ted and Todd over with her rowdy antics and

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<v Speaker 1>foul mouth turns of phrase.

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<v Speaker 7>You son of a bit, Scott come here, you know

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<v Speaker 7>what's for dinner.

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<v Speaker 1>Ted and Todd had five kids between them, all of

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<v Speaker 1>whom adored their cool uncle and his crazy bird. They

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<v Speaker 1>would take road trips together. Harry glued to Scott's shoulder.

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<v Speaker 1>When they went to get dinner and left Harry in

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<v Speaker 1>the hotel room, she'd scream, Scott, you fuck her. Annoyed

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<v Speaker 1>to be left out of the fun. Harry was loyal

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<v Speaker 1>to Scott and protective too. She'd nibble at the shunt

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<v Speaker 1>in Scott's chest like it was a splinter that needed removal.

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<v Speaker 1>As time went on, it became increasingly clear that Scott's

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<v Speaker 1>diagnosis was taking a toll. One day, when Ted and

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<v Speaker 1>Todd called to check in, something felt off.

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<v Speaker 7>He just devoided personality, just like, wait, whoa, whoa, I

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<v Speaker 7>want to talk to you. He goes, I'm just I'm

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<v Speaker 7>not feeling Todd.

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<v Speaker 8>And the last time I talked to him, he just said,

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<v Speaker 8>I said, what's going on with you? And he said

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<v Speaker 8>I'm done.

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<v Speaker 1>A few days later, Scott died. He was thirty eight

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<v Speaker 1>years old. Ted and Todd rushed out to California. Their mom,

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<v Speaker 1>who'd been living with Scott, was devastated.

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<v Speaker 7>Because obviously she lost her son and her babe, her

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<v Speaker 7>youngest at that and then you've got Harry that was

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<v Speaker 7>making my little brother's voice and you know, would call

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<v Speaker 7>mom mom.

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<v Speaker 1>Harry grew unmoored, getting aggressive with their mother and anyone

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<v Speaker 1>else who tried to handle her. The only people who

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<v Speaker 1>she'd let touch her, the only ones she felt safe with,

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<v Speaker 1>were the ones who most resembled Scott, that is, Scott's brothers.

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<v Speaker 3>She was fine with Ted and I.

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<v Speaker 7>When we would get there, she would just cock her

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<v Speaker 7>head and look as she say Scott.

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<v Speaker 1>In those moments, it felt like Ted, Todd, and Harry

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<v Speaker 1>all shared some understanding. That word Scott was like a

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<v Speaker 1>secret handshake. Before his death, Scott told Ted and Todd

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<v Speaker 1>he wanted to leave Harry to Todd's eldest son, who

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<v Speaker 1>was in junior high at the time, but Todd knew

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<v Speaker 1>that keeping her just wasn't realistic.

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<v Speaker 7>I had to tell my son, no, it just it

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<v Speaker 7>wouldn't be fair to Harry, It wouldn't be fair to you,

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<v Speaker 7>because tonam a caw. I don't think people fully understand.

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<v Speaker 7>I mean, they get angry, they can be destructive. You know,

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<v Speaker 7>if you ever see their claws or their beak. You

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<v Speaker 7>don't want any party business. End of those that she

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<v Speaker 7>was chewing into the ceiling, into the attic. I mean,

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<v Speaker 7>they're a wild animal.

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<v Speaker 1>And so they approached Harry's longtime glomer for help finding

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<v Speaker 1>her a home. She offered to bring Harry to a

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<v Speaker 1>nearby bird sanctuary or was it a pet store? Ted

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<v Speaker 1>and Todd were so overwhelmed by Scott's death that they

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<v Speaker 1>can't quite remember which they do remember though, the day

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<v Speaker 1>of her departure, how their kids watched in tears as Harry,

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<v Speaker 1>their beloved uncle's beloved pet, was taken away. Do you

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<v Speaker 1>remember how Harry seemed to understand what was happening, How

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<v Speaker 1>she howled.

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<v Speaker 8>Her wings were everywhere, and she was and she was

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<v Speaker 8>yelling at us. It was just it was panemonium. It

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<v Speaker 8>was heartbreaking.

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<v Speaker 3>Yeah, it was.

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<v Speaker 1>Tough at this point. Ted and Todd haven't seen Harry

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<v Speaker 1>in over twenty years. But they do know one thing.

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<v Speaker 3>This bird could still be out there.

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<v Speaker 1>And so Ted and Todd have come to me with

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<v Speaker 1>these questions, is she still out there? And if so,

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<v Speaker 1>did they do the right thing in giving her up?

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<v Speaker 1>Why do you think you're you're looking for for Harry?

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<v Speaker 8>Now, we always took care of our little brother, and

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<v Speaker 8>that's the one thing we didn't take care of.

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<v Speaker 1>Ted and Todd had taken care of their brothers since

0:13:28.850 --> 0:13:32.810
<v Speaker 1>they were children. Making sure Harry was provided for was

0:13:32.850 --> 0:13:35.730
<v Speaker 1>the last things got needed from them and it's the

0:13:35.770 --> 0:13:40.410
<v Speaker 1>only thing they couldn't do. Ted, do you feel guilt?

0:13:41.210 --> 0:13:41.770
<v Speaker 3>How about it?

0:13:42.570 --> 0:13:45.090
<v Speaker 8>Yeah?

0:13:45.410 --> 0:13:45.690
<v Speaker 3>Okay?

0:13:45.770 --> 0:13:50.530
<v Speaker 1>Can you say more about that? No, it's difficult to

0:13:50.530 --> 0:13:57.930
<v Speaker 1>talk about Yeah it is, yeah, okay, So knowing that,

0:13:59.170 --> 0:14:01.929
<v Speaker 1>knowing that Harry was okay, what would that What would

0:14:01.930 --> 0:14:03.010
<v Speaker 1>that bring to you?

0:14:04.410 --> 0:14:07.449
<v Speaker 8>We'd just be happy to know she's fine. And emotionally,

0:14:09.410 --> 0:14:10.330
<v Speaker 8>I don't really deal with that.

0:14:12.450 --> 0:14:14.130
<v Speaker 9>There's a part of them that doesn't want to talk

0:14:14.170 --> 0:14:14.850
<v Speaker 9>about it at all.

0:14:15.610 --> 0:14:18.970
<v Speaker 1>This is Hannah, Ted's daughter in law. Because Ted and

0:14:18.970 --> 0:14:21.650
<v Speaker 1>Todd are such a closed book, she's offered to help

0:14:21.690 --> 0:14:25.410
<v Speaker 1>translate them for me. Hannah tells me that through Harry,

0:14:25.770 --> 0:14:28.850
<v Speaker 1>Ted and Todd can broach a subject they wouldn't otherwise

0:14:28.930 --> 0:14:31.970
<v Speaker 1>know how to approach, and doing that might allow them

0:14:32.010 --> 0:14:33.090
<v Speaker 1>to forgive themselves.

0:14:33.730 --> 0:14:35.810
<v Speaker 9>So it's almost like they can talk about Harry in

0:14:35.850 --> 0:14:37.650
<v Speaker 9>a way that's easier than talking about Scott.

0:14:37.890 --> 0:14:40.450
<v Speaker 2>It's kind of like a surrogate. I think there's just

0:14:40.490 --> 0:14:42.570
<v Speaker 2>a lot of pain in the death of their brother.

0:14:43.410 --> 0:14:45.930
<v Speaker 9>Like, what I heard from Chase is that the one

0:14:45.970 --> 0:14:48.210
<v Speaker 9>time that they've seen their dad's craze when their brother died.

0:14:49.010 --> 0:14:52.850
<v Speaker 1>Yeah, this is Chase, Ted's son and Hannah's husband.

0:14:53.490 --> 0:14:55.250
<v Speaker 3>They had no control over it.

0:14:55.530 --> 0:14:57.930
<v Speaker 10>I'm sure they couldn't make him take his mediciner, do

0:14:58.010 --> 0:14:59.450
<v Speaker 10>the thing he was supposed to do as far as

0:14:59.450 --> 0:15:03.250
<v Speaker 10>getting rest or going to the doctors, and like they

0:15:03.250 --> 0:15:04.890
<v Speaker 10>couldn't go beat up aids.

0:15:05.570 --> 0:15:09.610
<v Speaker 1>When it came to their brother's death. Actions finally failed them.

0:15:09.770 --> 0:15:12.690
<v Speaker 1>In actions, Hannah and Chase say, are the language Ted

0:15:12.730 --> 0:15:16.290
<v Speaker 1>and Todd have for showing how they feel. Hannah says

0:15:16.290 --> 0:15:18.330
<v Speaker 1>she can always tell when Ted and Todd have stopped

0:15:18.330 --> 0:15:21.450
<v Speaker 1>by because some drywall will be sanded down, or she'll

0:15:21.490 --> 0:15:22.730
<v Speaker 1>notice a fresh coat of paint.

0:15:23.170 --> 0:15:25.970
<v Speaker 9>They also always unplug my toaster because they don't want

0:15:26.010 --> 0:15:26.530
<v Speaker 9>to catch fire.

0:15:26.810 --> 0:15:27.970
<v Speaker 1>Oh, I can always tell them.

0:15:27.850 --> 0:15:31.330
<v Speaker 9>They've been here because the toasters, they're always sort of

0:15:31.330 --> 0:15:33.770
<v Speaker 9>taking care of you. You just choked to your house

0:15:33.770 --> 0:15:36.090
<v Speaker 9>and realize, oh, they've been here, and they's like taking care.

0:15:35.930 --> 0:15:36.850
<v Speaker 2>Of some stuff.

0:15:37.970 --> 0:15:38.770
<v Speaker 1>Cowboy style.

0:15:39.130 --> 0:15:40.930
<v Speaker 2>Yeah, cowboy style, that's exactly it.

0:15:44.730 --> 0:15:47.610
<v Speaker 1>Hannah and Chase worry though that in cowboy style too,

0:15:48.130 --> 0:15:49.370
<v Speaker 1>they suffer in silence.

0:15:49.930 --> 0:15:54.370
<v Speaker 9>Because I love them. I hope for them that if

0:15:54.410 --> 0:15:57.330
<v Speaker 9>we found Harry it could they could heal more from

0:15:57.490 --> 0:15:58.210
<v Speaker 9>Scott's death.

0:15:59.010 --> 0:15:59.530
<v Speaker 3>Yeah.

0:16:00.010 --> 0:16:01.410
<v Speaker 1>I think it would just be nice to know that

0:16:01.450 --> 0:16:02.130
<v Speaker 1>she's doing.

0:16:01.930 --> 0:16:06.650
<v Speaker 11>Good, like she's like with people who'd let her cuss

0:16:06.690 --> 0:16:08.290
<v Speaker 11>and do whatever she wants.

0:16:08.370 --> 0:16:09.330
<v Speaker 1>Kind of like an outlaw.

0:16:09.570 --> 0:16:12.530
<v Speaker 7>Yeah, live in the life.

0:16:12.650 --> 0:16:13.850
<v Speaker 3>Yeah, that's exactly it.

0:16:17.650 --> 0:16:20.330
<v Speaker 1>All right, Well, I'm going to do my best here.

0:16:21.090 --> 0:16:31.810
<v Speaker 1>I'm going to try to find Harry. That would be good, Okay.

0:16:45.930 --> 0:16:49.050
<v Speaker 1>Armed with an old photograph of Harry, I set out

0:16:49.130 --> 0:16:52.890
<v Speaker 1>on my search. Since Ted and Todd don't quite remember

0:16:53.010 --> 0:16:56.410
<v Speaker 1>exactly where they surrendered Harry, I begin my quest to

0:16:56.490 --> 0:17:03.370
<v Speaker 1>find this bird of Paradise by phoning. Birds in Paradise

0:17:03.530 --> 0:17:06.330
<v Speaker 1>is a pet store in southern California, not far from

0:17:06.369 --> 0:17:10.129
<v Speaker 1>where Scott lived. The owner, Lorie, has had the store

0:17:10.170 --> 0:17:12.929
<v Speaker 1>for decades and is an active member of the Southern

0:17:12.970 --> 0:17:17.169
<v Speaker 1>California parrot community. If anyone would know how to find Harry,

0:17:17.490 --> 0:17:20.370
<v Speaker 1>it seems like it would be Lori, So I explained

0:17:20.409 --> 0:17:23.330
<v Speaker 1>to her the project to find a bright red toddler

0:17:23.409 --> 0:17:26.689
<v Speaker 1>sized parrot named Harry who curses like a French sailor.

0:17:27.250 --> 0:17:28.609
<v Speaker 5>It's completely impossible.

0:17:29.449 --> 0:17:33.969
<v Speaker 1>But like, isn't the Macaw community in the area small

0:17:34.090 --> 0:17:37.249
<v Speaker 1>enough that people would maybe through word of mouth, be

0:17:37.290 --> 0:17:38.809
<v Speaker 1>able to find Uh.

0:17:39.449 --> 0:17:43.489
<v Speaker 12>Now, there's thousands and thousands and thousands and thousands of

0:17:43.490 --> 0:17:44.050
<v Speaker 12>Macaus in.

0:17:43.970 --> 0:17:49.490
<v Speaker 1>The world, and it turns out it's difficult to tell

0:17:49.530 --> 0:17:52.769
<v Speaker 1>one Macaw from another, even for an expert like Laurie.

0:17:53.250 --> 0:17:56.129
<v Speaker 5>And you don't know if you know, something has happened

0:17:56.169 --> 0:17:57.850
<v Speaker 5>to the bird, if it's been rehomed again.

0:17:59.570 --> 0:18:03.330
<v Speaker 1>Is there is there any resources that that you can recommend?

0:18:03.810 --> 0:18:05.889
<v Speaker 5>I mean, that's what the Internet's about.

0:18:06.770 --> 0:18:10.929
<v Speaker 1>Do a Google search to explain to Laurie that that's

0:18:10.929 --> 0:18:14.090
<v Speaker 1>what the problem is. I have nothing to Google search for.

0:18:14.730 --> 0:18:18.449
<v Speaker 1>But Laurie is insistent it's just common sense. She says,

0:18:19.050 --> 0:18:22.249
<v Speaker 1>with the Internet, you can simply Google search for whatever

0:18:22.290 --> 0:18:24.369
<v Speaker 1>it is that you should be Google searching for.

0:18:25.050 --> 0:18:27.529
<v Speaker 5>With the Internet nowadays, it does make things a lot easier.

0:18:27.570 --> 0:18:30.609
<v Speaker 5>I mean, say I met a man and I was

0:18:30.770 --> 0:18:33.690
<v Speaker 5>possibly interested him. First thing I would do if I'd

0:18:33.770 --> 0:18:34.609
<v Speaker 5>do a search on him?

0:18:34.770 --> 0:18:36.409
<v Speaker 1>Okay, okay, I'll put it this way.

0:18:37.050 --> 0:18:39.409
<v Speaker 5>I met a man at Disneyland, a few months ago

0:18:40.290 --> 0:18:43.810
<v Speaker 5>and seemed like a really nice guy and gave me

0:18:43.850 --> 0:18:46.409
<v Speaker 5>a business card. He was a police officer, okay, And

0:18:46.530 --> 0:18:49.649
<v Speaker 5>I found out that police officer is married, oh my,

0:18:50.369 --> 0:18:53.570
<v Speaker 5>and so let him know that I knew he was married,

0:18:53.570 --> 0:18:55.249
<v Speaker 5>and I thought it was what he was doing. And

0:18:55.290 --> 0:18:56.369
<v Speaker 5>I never spoke to him again.

0:18:56.409 --> 0:18:58.809
<v Speaker 1>But you told him that you confronted him. Good for you.

0:18:59.090 --> 0:19:01.369
<v Speaker 5>That's the kind of person I am.

0:19:02.209 --> 0:19:04.889
<v Speaker 1>I tell Laurie that while I respect her slew thing,

0:19:05.129 --> 0:19:08.729
<v Speaker 1>her take no prisoner's style and the Internet as a whole,

0:19:09.330 --> 0:19:11.369
<v Speaker 1>I don't know that any of this will help Ted

0:19:11.409 --> 0:19:15.330
<v Speaker 1>and Todd. So Laurie offers one last glimmer of hope

0:19:15.810 --> 0:19:16.609
<v Speaker 1>they'll find out.

0:19:16.490 --> 0:19:18.369
<v Speaker 5>When they die one day and go to heaven if

0:19:18.409 --> 0:19:19.609
<v Speaker 5>anything happened to that bird.

0:19:19.929 --> 0:19:24.490
<v Speaker 1>That's beautiful. In the end, I do turn to the Internet,

0:19:24.929 --> 0:19:27.969
<v Speaker 1>using it like it's nineteen ninety five all over again.

0:19:28.169 --> 0:19:31.409
<v Speaker 1>And I just got an AOL complimentary cd ram in

0:19:31.449 --> 0:19:35.609
<v Speaker 1>the mail. I joined Facebook groups like the Parrot Posse

0:19:35.770 --> 0:19:39.889
<v Speaker 1>and Lost and found cockatiels and other bird companions. I

0:19:40.010 --> 0:19:43.330
<v Speaker 1>even bookmark a site called the Big List of National

0:19:43.449 --> 0:19:48.249
<v Speaker 1>and International Bird Clubs, but that all yields nothing. So

0:19:48.730 --> 0:19:52.650
<v Speaker 1>as if it's eighteen ninety five all over again. Ahoy HOI.

0:19:53.209 --> 0:19:54.610
<v Speaker 1>I turned to the telephone.

0:19:57.609 --> 0:20:00.050
<v Speaker 4>Thank you for calling Annie's mobile bird for me hi.

0:20:00.090 --> 0:20:03.730
<v Speaker 11>Yah and miss scale brad bird choice parent the landing's

0:20:03.770 --> 0:20:05.770
<v Speaker 11>on parrot sectuary gives the permanent home.

0:20:05.929 --> 0:20:06.810
<v Speaker 7>I only have one.

0:20:06.730 --> 0:20:08.609
<v Speaker 1>Macau is it read by any chance?

0:20:08.770 --> 0:20:10.090
<v Speaker 7>No blue and gold?

0:20:12.209 --> 0:20:15.010
<v Speaker 1>Of everyone I speak with, nobody has seen any trace

0:20:15.050 --> 0:20:18.289
<v Speaker 1>of Harry, and nobody believes I'll ever be able to

0:20:18.330 --> 0:20:29.289
<v Speaker 1>find her. To what do I owe the pleasure of

0:20:29.330 --> 0:20:33.050
<v Speaker 1>this invitation? But then one day my producer, Mona puts

0:20:33.050 --> 0:20:34.250
<v Speaker 1>a meeting on my calendar.

0:20:34.810 --> 0:20:37.729
<v Speaker 2>As you know, we've been trying to find this parrot.

0:20:37.810 --> 0:20:40.410
<v Speaker 1>Oh I know Harry, I do know that, and.

0:20:40.609 --> 0:20:44.249
<v Speaker 11>I've been casting a whiter and whiter net because I

0:20:44.250 --> 0:20:45.889
<v Speaker 11>feel like the feedback we've been getting is that like

0:20:45.929 --> 0:20:47.530
<v Speaker 11>it's just like a shot in the dark.

0:20:47.609 --> 0:20:50.850
<v Speaker 1>That's a very generous appraisal of what we've been getting,

0:20:50.889 --> 0:20:53.489
<v Speaker 1>because to me, it feels like it's been more like, no,

0:20:53.689 --> 0:20:57.090
<v Speaker 1>this is insane. You are not going to find this bird.

0:20:57.570 --> 0:20:59.090
<v Speaker 1>Stop trying to find this bird.

0:20:59.290 --> 0:20:59.609
<v Speaker 10>Sure.

0:21:00.409 --> 0:21:04.730
<v Speaker 1>Mona explains that she's been poking around on pet databases and.

0:21:05.290 --> 0:21:08.890
<v Speaker 11>I found some other parrots who kind of like had

0:21:08.889 --> 0:21:12.129
<v Speaker 11>some our stories and looked old. And there was this one.

0:21:12.250 --> 0:21:12.930
<v Speaker 11>What it came from?

0:21:12.929 --> 0:21:13.049
<v Speaker 3>This?

0:21:13.649 --> 0:21:15.649
<v Speaker 1>What makes a pair of look old? I think you

0:21:15.649 --> 0:21:17.490
<v Speaker 1>can tell you're getting too deep?

0:21:17.570 --> 0:21:18.369
<v Speaker 2>They look grizzled.

0:21:18.449 --> 0:21:23.449
<v Speaker 1>Should I be concerned? Okay, do with me, Mona tells

0:21:23.490 --> 0:21:26.249
<v Speaker 1>me her deep dive turned up a sanctuary we haven't

0:21:26.290 --> 0:21:26.889
<v Speaker 1>tried yet.

0:21:27.250 --> 0:21:28.330
<v Speaker 2>It's called Oasis.

0:21:29.250 --> 0:21:32.170
<v Speaker 1>On the Oasis website, each of the hundreds of birds

0:21:32.169 --> 0:21:35.930
<v Speaker 1>they house has its own profile page. Mona looked through

0:21:35.970 --> 0:21:37.050
<v Speaker 1>every single one.

0:21:37.490 --> 0:21:39.250
<v Speaker 2>And that is when I found this.

0:21:49.409 --> 0:21:59.810
<v Speaker 6>Oh man, uh god, wow, I I don't know what

0:21:59.889 --> 0:22:07.050
<v Speaker 6>to say.

0:22:11.730 --> 0:22:17.050
<v Speaker 1>So this is a red macaw named Harry.

0:22:17.850 --> 0:22:18.250
<v Speaker 2>Mm hmm.

0:22:19.649 --> 0:22:21.689
<v Speaker 1>Look at the right wing.

0:22:21.810 --> 0:22:22.050
<v Speaker 4>I know.

0:22:22.570 --> 0:22:25.289
<v Speaker 1>Oh, and look at the rings around the eye. Oh no,

0:22:25.570 --> 0:22:30.449
<v Speaker 1>even the beak is similarly. Oh, this is compelling. This

0:22:30.609 --> 0:22:33.609
<v Speaker 1>Harry looks identical to the photo of Harry that Ted

0:22:33.649 --> 0:22:36.289
<v Speaker 1>and Todd sent me. So you have not called the

0:22:36.330 --> 0:22:38.249
<v Speaker 1>Oasis sanctuary yet, I have not.

0:22:38.369 --> 0:22:40.650
<v Speaker 2>I was thinking maybe now.

0:22:44.409 --> 0:22:49.570
<v Speaker 1>The Oasis Sanctuary. This is Janet Trumbull, director of the Oasis.

0:22:49.770 --> 0:22:53.289
<v Speaker 1>I mean, with great excitement, I explained my quest and

0:22:53.449 --> 0:22:58.449
<v Speaker 1>his macaw was also named Harry. And so we begin

0:22:58.570 --> 0:23:02.209
<v Speaker 1>comparing Harry's the Harry who lives at the oasis, Janet

0:23:02.250 --> 0:23:04.529
<v Speaker 1>tells me arrived there as a Harry.

0:23:04.929 --> 0:23:06.810
<v Speaker 5>Yep, he even says his name Harry.

0:23:07.490 --> 0:23:11.130
<v Speaker 2>Really yeah, so I know when we walk up to Harry, he.

0:23:11.090 --> 0:23:14.529
<v Speaker 1>Always says, hi, Harry. Janet refers to Harry as a

0:23:14.570 --> 0:23:18.050
<v Speaker 1>he because she's done a DNA test. She says that

0:23:18.169 --> 0:23:22.290
<v Speaker 1>otherwise it's nearly impossible to determine a parent's biological sex,

0:23:22.730 --> 0:23:25.770
<v Speaker 1>so it would be understandable if Scott thought Harry or her.

0:23:27.209 --> 0:23:29.649
<v Speaker 1>I asked Janet, what else she can tell me about Harry.

0:23:30.490 --> 0:23:32.810
<v Speaker 12>So he came to us from California.

0:23:32.889 --> 0:23:38.129
<v Speaker 1>Oh, not just California, Janet says, but southern California, an

0:23:38.209 --> 0:23:40.769
<v Speaker 1>hour and a half away from Yucca Valley, where Scott

0:23:40.810 --> 0:23:44.369
<v Speaker 1>had lived. It seems Harry was taken in by a

0:23:44.369 --> 0:23:48.249
<v Speaker 1>family with young children who teased and harassed him. In

0:23:48.290 --> 0:23:51.730
<v Speaker 1>their care, he grew increasingly aggressive, and so they had

0:23:51.770 --> 0:23:53.969
<v Speaker 1>no choice but to surrender him to a woman in

0:23:54.010 --> 0:23:58.969
<v Speaker 1>the area who fostered difficult birds. Eventually she brought Harry

0:23:58.970 --> 0:24:00.210
<v Speaker 1>to the Oasis.

0:24:00.609 --> 0:24:03.449
<v Speaker 12>She guessed his age at twenty two. I don't know

0:24:03.449 --> 0:24:08.090
<v Speaker 12>how okay, okay, he arrived in twenty twenty.

0:24:09.330 --> 0:24:12.770
<v Speaker 1>Our Harry hatched in the late nineties, so twenty two

0:24:12.929 --> 0:24:20.889
<v Speaker 1>in twenty twenty lines up perfectly. Janet, that would be it. Yeah,

0:24:21.330 --> 0:24:26.930
<v Speaker 1>Oh my goodness, Well this is very unexpected.

0:24:27.409 --> 0:24:30.609
<v Speaker 8>Yeah, it's kind of cool.

0:24:30.929 --> 0:24:33.729
<v Speaker 1>We found a macaw whose name is Harry, who's the

0:24:33.810 --> 0:24:37.689
<v Speaker 1>right age and who's from the right place. So I

0:24:37.770 --> 0:24:40.210
<v Speaker 1>get back in touch with Ted, Todd and the rest

0:24:40.290 --> 0:24:44.449
<v Speaker 1>of the family. Hi High High, Hi, Hello, it's nice

0:24:44.449 --> 0:24:47.330
<v Speaker 1>to see you all. I tell them about everything I've

0:24:47.330 --> 0:24:50.250
<v Speaker 1>been up to over the last few months, the sanctuaries

0:24:50.250 --> 0:24:55.369
<v Speaker 1>and bird groomers, the pet stores, Lori's, Disneyland, Jigglow, and

0:24:55.409 --> 0:24:58.530
<v Speaker 1>finally I show them the photo of the Harry who

0:24:58.570 --> 0:25:03.929
<v Speaker 1>lives at Janet Sanctuary in Arizona. Do you believe that

0:25:04.010 --> 0:25:05.450
<v Speaker 1>this is Harry? Oh?

0:25:05.490 --> 0:25:10.010
<v Speaker 3>Yeah, yeah, I'm sure that's Harry. Yeah, that's firstly I thought.

0:25:10.169 --> 0:25:13.969
<v Speaker 1>Yeah, Ted and Todd are convinced this is Harry, But

0:25:14.050 --> 0:25:17.250
<v Speaker 1>as a freshly minted bird journalist, I can't yet make

0:25:17.250 --> 0:25:21.369
<v Speaker 1>the call. As Laurie told me, individual macaus are nearly

0:25:21.409 --> 0:25:26.490
<v Speaker 1>impossible for people to identify. They all look the same. Birds,

0:25:26.530 --> 0:25:29.529
<v Speaker 1>on the other hand, can tell humans apart just fine,

0:25:30.570 --> 0:25:33.889
<v Speaker 1>So to truly confirm that this Harry is our Harry,

0:25:34.330 --> 0:25:37.129
<v Speaker 1>we need to know whether he recognizes Ted and Todd.

0:25:37.970 --> 0:25:41.490
<v Speaker 1>And for that there's really only one thing to do.

0:25:43.090 --> 0:25:45.930
<v Speaker 1>I guess what I'm winding up to here is I've

0:25:46.010 --> 0:25:52.850
<v Speaker 1>Google mapped the Bird Sanctuary oasis from this studio. It's

0:25:52.889 --> 0:25:57.409
<v Speaker 1>a fourteen hour road trip. I'm not suggesting that you

0:25:57.970 --> 0:26:01.450
<v Speaker 1>leave right now and we hit the road like Muppet

0:26:01.449 --> 0:26:07.609
<v Speaker 1>movie style, but which you want to go there? Yeah,

0:26:07.770 --> 0:26:13.850
<v Speaker 1>jure Chase? Is this Ted and Todd When they're excited,

0:26:14.129 --> 0:26:16.289
<v Speaker 1>You're getting like pinata happiness here.

0:26:16.330 --> 0:26:17.369
<v Speaker 3>I think with these two.

0:26:18.490 --> 0:26:20.409
<v Speaker 8>It's hotter in hell in Arizona in July.

0:26:21.609 --> 0:26:26.409
<v Speaker 1>But yeah, after the break, eight hundred miles to see

0:26:26.490 --> 0:26:48.929
<v Speaker 1>about a bird, all right, we're here. Ultimately there was

0:26:48.970 --> 0:26:52.929
<v Speaker 1>no road trip. Instead, the family decided to fly to Arizona.

0:26:53.330 --> 0:26:55.210
<v Speaker 1>Ted and Todd said it was the first time they've

0:26:55.250 --> 0:26:58.249
<v Speaker 1>flown in nearly three decades. The last had been for

0:26:58.290 --> 0:27:03.490
<v Speaker 1>their father's funeral. Ted and Todd, Chase, Hannah, Todd's daughter Jessica,

0:27:03.570 --> 0:27:06.730
<v Speaker 1>and two grandkids all meet me in a Tucson Walmart

0:27:06.770 --> 0:27:07.770
<v Speaker 1>parking lot, and.

0:27:07.730 --> 0:27:09.649
<v Speaker 9>Then Ted and Todd jumped out because they We're anxious

0:27:09.649 --> 0:27:10.449
<v Speaker 9>to gather KRD smoke.

0:27:10.770 --> 0:27:11.609
<v Speaker 1>Where are they smoking?

0:27:12.010 --> 0:27:13.209
<v Speaker 2>Where by the propine takes?

0:27:13.850 --> 0:27:17.649
<v Speaker 1>Are you serious? By the pro paine takes? Hannah, as

0:27:17.649 --> 0:27:21.969
<v Speaker 1>it turns out, is serious. I find Ted and Todd

0:27:22.010 --> 0:27:26.330
<v Speaker 1>sucking down Paul Maul's indeed beside the propane tanks, which

0:27:26.649 --> 0:27:27.969
<v Speaker 1>thankfully are empty.

0:27:28.649 --> 0:27:32.770
<v Speaker 3>Ah humid, it's humid.

0:27:35.449 --> 0:27:38.409
<v Speaker 1>As people pass by, they can't help staring a little

0:27:38.409 --> 0:27:42.010
<v Speaker 1>too long at the two identical men, tall and slim

0:27:42.050 --> 0:27:45.369
<v Speaker 1>with long white hair. For Ted and Todd, who shy

0:27:45.449 --> 0:27:48.290
<v Speaker 1>away from the limelight in all of its forms, who

0:27:48.330 --> 0:27:51.090
<v Speaker 1>hate to be the focus of attention, To be so

0:27:51.250 --> 0:27:55.530
<v Speaker 1>notable must be a special kind of hell. The Rubbernecker's rubberneck.

0:27:55.609 --> 0:27:59.689
<v Speaker 1>While Ted and Todd flashed identical expressions on their identical faces,

0:28:00.570 --> 0:28:11.570
<v Speaker 1>a look of complete blankness. Cigarettes smoked, We all pile

0:28:11.609 --> 0:28:16.449
<v Speaker 1>into Ted and Todd's suv. From here, the Oasis and

0:28:16.530 --> 0:28:24.649
<v Speaker 1>Harry are about forty five minutes away.

0:28:24.850 --> 0:28:29.649
<v Speaker 12>Hi, nice to meet you, Ty Todd.

0:28:30.369 --> 0:28:32.850
<v Speaker 1>Janet greets us at the entrance of the sanctuary.

0:28:33.409 --> 0:28:35.170
<v Speaker 2>All right, well, let's go ahead and go inside.

0:28:35.570 --> 0:28:38.730
<v Speaker 1>So I'm thinking the Oasis is home to twenty two

0:28:38.770 --> 0:28:43.290
<v Speaker 1>separate aviaries housing hundreds of tropical birds, almost all of which,

0:28:43.370 --> 0:28:45.770
<v Speaker 1>amazingly Janet knows by name.

0:28:46.170 --> 0:28:48.850
<v Speaker 12>Bubbles that he's a Patagonian conyer.

0:28:49.770 --> 0:28:54.210
<v Speaker 1>There's Cosmo, Tutsi, Molly, Sammy, Toby, and Modene. There's Oscar,

0:28:54.490 --> 0:28:57.970
<v Speaker 1>a blue and gold macaw who Janet tells us recently

0:28:58.010 --> 0:29:01.249
<v Speaker 1>lost her mate, and Congo and Timmy, a pair of

0:29:01.290 --> 0:29:05.490
<v Speaker 1>African grays. There are two green wings, Tango and Cash,

0:29:05.610 --> 0:29:08.769
<v Speaker 1>named for the Sylvester Stallone Kurt Russell film about two

0:29:08.810 --> 0:29:13.130
<v Speaker 1>minus smashed lapd officers. But while that Tango and Cash

0:29:13.290 --> 0:29:16.410
<v Speaker 1>enjoy shooting off firearms and punching people in the face,

0:29:16.930 --> 0:29:21.690
<v Speaker 1>this Tango and Cash enjoy eating honeydew and philbirds. Somewhere

0:29:21.770 --> 0:29:26.370
<v Speaker 1>among all these birds is Harry. I was just.

0:29:26.330 --> 0:29:28.810
<v Speaker 12>Saying, when you guys pulled up, Harry was screaming.

0:29:29.730 --> 0:29:33.530
<v Speaker 1>Do you think there is a chance that Harry will

0:29:33.610 --> 0:29:34.969
<v Speaker 1>recognize these guys.

0:29:35.370 --> 0:29:36.410
<v Speaker 2>It's very possible.

0:29:37.250 --> 0:29:40.130
<v Speaker 12>It's hard to say, and because he's not a cuddly bird,

0:29:40.170 --> 0:29:44.090
<v Speaker 12>you know, I'll have to kind of read his body language.

0:29:45.730 --> 0:29:48.930
<v Speaker 1>As we get closer to Harry's enclosure, we suddenly hear

0:29:50.050 --> 0:29:53.330
<v Speaker 1>kill Harry, Harry, Hi.

0:29:53.290 --> 0:30:01.249
<v Speaker 12>Harry, Yes, Hi Harry, And there he is shuffling around

0:30:01.290 --> 0:30:02.209
<v Speaker 12>on a tree branch.

0:30:03.610 --> 0:30:06.130
<v Speaker 1>Throughout this whole quest, with all the phone calls and

0:30:06.170 --> 0:30:10.650
<v Speaker 1>Internet searching, I'd forgotten how beautiful these birds are. Harry's

0:30:10.650 --> 0:30:13.370
<v Speaker 1>feathers are so vivid, he makes the world around him

0:30:13.410 --> 0:30:17.370
<v Speaker 1>seem black and white. Harry looks like Saturday Morning cartoons,

0:30:17.650 --> 0:30:21.810
<v Speaker 1>ten thousand crayons, a sunset, and a room full of gogains,

0:30:22.050 --> 0:30:25.850
<v Speaker 1>all set on fire. Looking at him, it makes sense

0:30:25.930 --> 0:30:29.370
<v Speaker 1>that the most colorful brother, which choose a most colorful pet,

0:30:30.410 --> 0:30:34.130
<v Speaker 1>but seated right beside Harry, almost wing to wing, is

0:30:34.170 --> 0:30:37.850
<v Speaker 1>another very similar looking bird. It turns out that this

0:30:37.930 --> 0:30:42.290
<v Speaker 1>is Harry's mate, Valentina. Harry met Valentina eight years ago

0:30:42.450 --> 0:30:45.690
<v Speaker 1>at the Refuge for Difficult Birds. They came to the

0:30:45.690 --> 0:30:50.490
<v Speaker 1>Oasis together, and Janet says, Harry and Valentina are inseparable.

0:30:50.890 --> 0:30:53.969
<v Speaker 12>Yep, They're always like that, right together, and you can

0:30:54.010 --> 0:30:59.210
<v Speaker 12>see he's being very protective of her. They have bonded,

0:31:00.970 --> 0:31:04.209
<v Speaker 12>very strong bonds, so we won't ever separate those two.

0:31:04.890 --> 0:31:08.170
<v Speaker 1>Harry sidles up to Valentina, and as he draws closer,

0:31:08.490 --> 0:31:11.050
<v Speaker 1>I can see that that while Harry is indeed beautiful,

0:31:11.410 --> 0:31:14.850
<v Speaker 1>his feathers are ruffled and patchy, and his tail is shredded.

0:31:15.730 --> 0:31:18.290
<v Speaker 1>Janet says the loss of feathers is something he's done

0:31:18.330 --> 0:31:21.450
<v Speaker 1>to himself. It's a behavior called plucking.

0:31:21.650 --> 0:31:24.650
<v Speaker 12>It's very common for parrots in captivity to pluck.

0:31:25.730 --> 0:31:26.170
<v Speaker 3>She says.

0:31:26.170 --> 0:31:30.810
<v Speaker 1>Plucking can start when birds are stressed or frustrated or grieving.

0:31:31.130 --> 0:31:34.330
<v Speaker 12>They do definitely grieve, Yeah, because their bonds are very deep.

0:31:36.209 --> 0:31:37.930
<v Speaker 2>Yeah.

0:31:39.250 --> 0:31:41.690
<v Speaker 1>It's hard to tell how Janet's words are affecting Ted

0:31:41.730 --> 0:31:44.170
<v Speaker 1>and Todd, but I suspect it might be adding to

0:31:44.209 --> 0:31:48.009
<v Speaker 1>their guilt, exacerbating their own tendency to pluck. That the

0:31:48.010 --> 0:31:49.850
<v Speaker 1>many should haves and could haves.

0:31:52.850 --> 0:31:53.450
<v Speaker 4>Talk to him.

0:31:55.010 --> 0:31:59.210
<v Speaker 1>He remembers, you we all step back and allow Ted

0:31:59.250 --> 0:32:03.290
<v Speaker 1>and Todd's space to approach. All eyes are on them,

0:32:03.370 --> 0:32:06.010
<v Speaker 1>and with all the self consciousness of two self conscious

0:32:06.050 --> 0:32:08.529
<v Speaker 1>men who must address a bird before a crowd of

0:32:08.570 --> 0:32:09.969
<v Speaker 1>family and near strangers.

0:32:10.490 --> 0:32:24.090
<v Speaker 10>They begin, Hi, Harry, Hello, Harry, how are you see Yah?

0:32:24.209 --> 0:32:25.210
<v Speaker 2>She's responding.

0:32:26.650 --> 0:32:30.050
<v Speaker 1>Harry's body language shifts. He leans towards Ted and Todd.

0:32:30.650 --> 0:32:36.170
<v Speaker 1>See how he's sitting forward. It's okay, look at ams

0:32:36.330 --> 0:32:37.330
<v Speaker 1>just looking at him?

0:32:37.970 --> 0:32:39.930
<v Speaker 3>You're okay?

0:32:41.490 --> 0:32:43.210
<v Speaker 2>So I see some recognition there.

0:32:45.090 --> 0:32:51.010
<v Speaker 1>It looks like we found our bird. Harry starts to

0:32:51.050 --> 0:32:54.130
<v Speaker 1>come closer, but Valentina reaches forward with her beak and

0:32:54.170 --> 0:32:55.170
<v Speaker 1>tugs on his feathers.

0:32:55.890 --> 0:32:59.529
<v Speaker 12>It looks like Valentina's keeps pulling him back, is what

0:32:59.610 --> 0:33:02.850
<v Speaker 12>I'm seeing. Like he does want to engage, but then

0:33:02.890 --> 0:33:05.730
<v Speaker 12>she says no and gives him a little little nip.

0:33:07.610 --> 0:33:09.209
<v Speaker 3>Yeah, she looks like, you get upset it.

0:33:10.410 --> 0:33:15.130
<v Speaker 7>We can leave you alone, we can let you be buddy.

0:33:16.410 --> 0:33:19.410
<v Speaker 1>Ted and Todd are reluctant to be a nuisance. They

0:33:19.450 --> 0:33:22.130
<v Speaker 1>decide to leave the enclosure, and we all file out

0:33:22.130 --> 0:33:34.969
<v Speaker 1>behind them. At last, Ted and Todd have found Harry,

0:33:35.650 --> 0:33:39.729
<v Speaker 1>and although worse for where, he's okay. Still Ted and

0:33:39.770 --> 0:33:41.210
<v Speaker 1>Todd don't seem satisfied.

0:33:41.810 --> 0:33:45.050
<v Speaker 7>I think I just felt like, you know, you're.

0:33:46.570 --> 0:33:47.810
<v Speaker 3>It's just disappointing.

0:33:50.170 --> 0:33:53.490
<v Speaker 1>It's like they were hoping for something more, something closer

0:33:53.610 --> 0:33:57.370
<v Speaker 1>to forgiveness. But what does forgiveness from a bird even?

0:33:57.410 --> 0:34:02.290
<v Speaker 3>Look like? Let's go ahead and get out of here. Yeah,

0:34:02.290 --> 0:34:07.890
<v Speaker 3>I hate everybody watching. I hated everybody watching.

0:34:10.810 --> 0:34:11.890
<v Speaker 4>Well shall we go on?

0:34:13.490 --> 0:34:17.610
<v Speaker 1>Half heartedly? Ted and Todd acquiesce and Janet continues the tour.

0:34:18.690 --> 0:34:21.450
<v Speaker 1>She shows us the monk parakeets who look nothing like

0:34:21.490 --> 0:34:22.850
<v Speaker 1>Tony Shaloub.

0:34:22.650 --> 0:34:25.570
<v Speaker 12>Smaller species Kanyer's Quakers.

0:34:26.130 --> 0:34:28.810
<v Speaker 1>She shows us the lovebirds, of whom I consider asking

0:34:28.890 --> 0:34:31.970
<v Speaker 1>Janet if she's ever caught making whoopie bloodbirds can be

0:34:32.050 --> 0:34:37.010
<v Speaker 1>extremely aggressive, but reconsider, and she shows us a rose

0:34:37.050 --> 0:34:41.450
<v Speaker 1>breasted cockatoo, the Samantha Jones of the aviary Good bad

0:34:41.690 --> 0:34:46.730
<v Speaker 1>men a love. While I'm having the time of my

0:34:46.850 --> 0:34:51.010
<v Speaker 1>life watching Nature's drones all throughout the tour, Ted and

0:34:51.050 --> 0:34:54.810
<v Speaker 1>Todd LaGG behind. It's only while engrossed by a parrot

0:34:54.890 --> 0:34:59.050
<v Speaker 1>named Lady Gray and her ability to repeat the word cracker.

0:34:59.810 --> 0:35:00.330
<v Speaker 1>Did you hear that?

0:35:00.770 --> 0:35:01.250
<v Speaker 4>Cracker?

0:35:02.370 --> 0:35:05.370
<v Speaker 1>Cracker, that I look around and see that Ted and

0:35:05.410 --> 0:35:09.690
<v Speaker 1>Todd have disappeared. It's only later on, when reviewing the

0:35:09.730 --> 0:35:12.450
<v Speaker 1>tape that I realized where they disappeared too.

0:35:13.450 --> 0:35:18.410
<v Speaker 3>Oh, welcome to see Harry one last time? Yeah about

0:35:18.410 --> 0:35:20.610
<v Speaker 3>the hord? Mmm without the hord.

0:35:22.370 --> 0:35:25.530
<v Speaker 1>Ted and Todd had doubled back to see Harry without

0:35:25.570 --> 0:35:26.050
<v Speaker 1>the horde.

0:35:27.130 --> 0:35:32.330
<v Speaker 7>Hi, guys, Hello Harry, Hi Harry.

0:35:31.770 --> 0:35:37.250
<v Speaker 3>Where does go friend? Though he's.

0:35:37.170 --> 0:35:39.410
<v Speaker 1>This time? When Ted and Todd show up, just the

0:35:39.450 --> 0:35:42.650
<v Speaker 1>two of them, Valentina stands back and Harry makes his

0:35:42.690 --> 0:35:47.850
<v Speaker 1>way down the branch. He seems to feel safe. Yeah,

0:35:47.890 --> 0:35:51.010
<v Speaker 1>and Ted and Todd seemed to feel safe too. Without

0:35:51.050 --> 0:35:53.530
<v Speaker 1>the expectant eyes of the group upon them, they can

0:35:53.570 --> 0:35:56.490
<v Speaker 1>finally ask the question they really want to ask, that

0:35:56.530 --> 0:35:58.050
<v Speaker 1>they've flown across the country for.

0:35:59.450 --> 0:36:03.810
<v Speaker 3>Do you remember Scott? You remember Scott?

0:36:06.330 --> 0:36:06.730
<v Speaker 13>To that.

0:36:08.250 --> 0:36:08.970
<v Speaker 3>He's watching.

0:36:10.930 --> 0:36:15.050
<v Speaker 1>Harry doesn't respond, but then Todd has an idea.

0:36:15.370 --> 0:36:16.529
<v Speaker 7>Harry, son of a bitch.

0:36:17.210 --> 0:36:20.090
<v Speaker 1>He starts cursing like a constipated French sailor.

0:36:21.450 --> 0:36:25.450
<v Speaker 7>God damn it, Harry, God damn it, Harry. Come here, Harry,

0:36:25.490 --> 0:36:25.850
<v Speaker 7>Come here.

0:36:28.890 --> 0:36:31.970
<v Speaker 1>Harry takes a couple more Leary steps down his branch.

0:36:34.450 --> 0:36:37.050
<v Speaker 3>Yeah, sound like Scott.

0:36:39.450 --> 0:36:44.130
<v Speaker 1>It sounded like Scott, says Ted. Now at this point,

0:36:44.370 --> 0:36:49.730
<v Speaker 1>I've listened back to this tape hundreds of times. I'm

0:36:49.730 --> 0:36:53.890
<v Speaker 1>not sure what I hear. It does kind of sound

0:36:53.970 --> 0:36:57.290
<v Speaker 1>like he's saying Scott, sort of. But I guess it

0:36:57.290 --> 0:37:00.730
<v Speaker 1>doesn't matter what I hear. What matters is what Ted

0:37:00.770 --> 0:37:04.330
<v Speaker 1>and Todd hear. And it seems like they hear forgiveness.

0:37:07.170 --> 0:37:13.610
<v Speaker 7>I'm glad you're okay, Hey, leave them alone?

0:37:14.810 --> 0:37:15.970
<v Speaker 3>Yeah, probably.

0:37:17.130 --> 0:37:20.050
<v Speaker 7>Bye, Harry, say bye.

0:37:21.490 --> 0:37:23.130
<v Speaker 3>Bye.

0:37:24.090 --> 0:37:27.170
<v Speaker 1>The two near identical men wave goodbye to the two

0:37:27.330 --> 0:37:28.650
<v Speaker 1>near identical birds.

0:37:30.610 --> 0:37:33.370
<v Speaker 3>I'm glad he's going all right. Yeah, that's.

0:37:34.970 --> 0:37:37.370
<v Speaker 1>And with that, Ted and Todd go back to the group,

0:37:37.730 --> 0:37:40.850
<v Speaker 1>and Harry and Valentina go back to living that outlaw life.

0:37:42.130 --> 0:37:45.410
<v Speaker 1>In the end, Harry has something neither Ted nor Todd

0:37:45.570 --> 0:37:48.770
<v Speaker 1>nor any human could have given him. He's paired in

0:37:48.770 --> 0:37:52.330
<v Speaker 1>this world with one of his own. Of all people,

0:37:52.890 --> 0:38:01.610
<v Speaker 1>Ted and Todd should be able to appreciate that. And

0:38:01.730 --> 0:38:05.049
<v Speaker 1>so with this last deed for their brother Don, there's

0:38:05.090 --> 0:38:07.170
<v Speaker 1>only one last deed to do.

0:38:07.170 --> 0:38:10.930
<v Speaker 7>Do you have a sagarette with you? Let's go back

0:38:10.930 --> 0:38:15.130
<v Speaker 7>over here. They're gonna give us so much of ship

0:38:15.170 --> 0:38:20.610
<v Speaker 7>about it. I don't know to deal with these shirts,

0:38:20.610 --> 0:38:23.730
<v Speaker 7>no fucking hockets, No this, honey, mad youre always go everything.

0:38:23.770 --> 0:38:25.210
<v Speaker 7>I gotta mature in the market.

0:39:09.210 --> 0:39:13.770
<v Speaker 13>That the furnitures returning.

0:39:12.810 --> 0:39:20.690
<v Speaker 4>To its goodwill home. Now that the last month's rent

0:39:20.770 --> 0:39:25.370
<v Speaker 4>is scheme with the damage to pros, take this moment

0:39:25.490 --> 0:39:30.970
<v Speaker 4>to do so, if we meant it, if we talk

0:39:33.250 --> 0:39:38.730
<v Speaker 4>were felt around for five from things Good.

0:39:38.810 --> 0:39:47.650
<v Speaker 1>Accidentally, this episode of Heavyweight was produced by Phoebe Flanagan,

0:39:47.730 --> 0:39:51.610
<v Speaker 1>Mohemy mcgouger, and me Jonathan Goldstein. Our Senior producer is

0:39:51.690 --> 0:39:55.569
<v Speaker 1>Khaleila holt Our, Supervising Producer is Stevie Lane. Special thanks

0:39:55.570 --> 0:39:59.250
<v Speaker 1>to mime O'Donnell, Lauren Silverman and Catherine Brewer. And special

0:39:59.290 --> 0:40:02.450
<v Speaker 1>thanks as always to the one and only Jackie Cohen.

0:40:02.970 --> 0:40:06.410
<v Speaker 1>Editorial guidance from Emily Condon. Bobby Lord mixed the episode

0:40:06.410 --> 0:40:09.410
<v Speaker 1>with original music by Christine Fellows, John K. Sampson, Blue

0:40:09.410 --> 0:40:12.650
<v Speaker 1>Dot Sessions, and Bobby Lord. Additional music credits can be

0:40:12.650 --> 0:40:16.170
<v Speaker 1>found on our website Gimbletmedia dot com slash Heavyweight. Our

0:40:16.210 --> 0:40:19.170
<v Speaker 1>theme song is by The Weaker Thans courtesy of Epitaph Records.

0:40:19.490 --> 0:40:22.370
<v Speaker 1>Follow us on Twitter at Heavyweight or on Instagram at

0:40:22.410 --> 0:40:26.850
<v Speaker 1>Heavyweight Podcast, and we have a new email address, Heavyweightshow

0:40:26.930 --> 0:40:31.250
<v Speaker 1>at gmail dot com. As you may have heard, this

0:40:31.450 --> 0:40:34.969
<v Speaker 1>is our last episode as a show with Spotify. It's

0:40:35.010 --> 0:40:39.410
<v Speaker 1>been eight years. I can't believe it, but we're looking

0:40:39.410 --> 0:40:41.090
<v Speaker 1>for a new home and I have a feeling we're

0:40:41.090 --> 0:40:44.850
<v Speaker 1>going to be back soon. So please stay tuned, stay subscribed,

0:40:45.810 --> 0:40:49.569
<v Speaker 1>and truly thank you for all the great years. Play

0:40:49.610 --> 0:40:49.930
<v Speaker 1>us out.

0:40:49.970 --> 0:40:56.210
<v Speaker 13>Weaker Thans sign in an empty.

0:41:12.770 --> 0:41:16.090
<v Speaker 4>So take a minute.

0:41:16.170 --> 0:41:25.290
<v Speaker 13>Sadaze by ninety million long Lean Miles, watch a shadow

0:41:25.330 --> 0:41:28.330
<v Speaker 13>across you.

0:41:28.970 --> 0:41:50.250
<v Speaker 4>We don't live here anymore.

0:42:28.170 --> 0:42:31.050
<v Speaker 7>The entirely shocked of the scene it ever airs. If

0:42:31.050 --> 0:42:34.450
<v Speaker 7>what if this scene ever airs? Oh yeah, I wouldn't

0:42:34.450 --> 0:42:34.690
<v Speaker 7>think so.