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Speaker 1: So this is it.

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Speaker 2: We are here finally, and here's my question before we

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Speaker 2: even tell people what we're doing this week. How many

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Speaker 2: times have you seen this week's movie? If you had

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Speaker 2: to guess, not.

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Speaker 3: Very many, not very many. No, no, no, no, okay. So

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Speaker 3: it's not like you've watched this thing fifty times.

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Speaker 4: No.

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Speaker 3: I mean when the movie came out, I was probably

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Speaker 3: twenty two, twenty three, right, So I'm not gonna say

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Speaker 3: I wasn't a fan, because that would be an absolute lie.

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Speaker 3: But I wasn't like a fanatic like I probably watched

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Speaker 3: Brink and Johnny Tsunami, you know, any every single time

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Speaker 3: it was on the channel, you know what I mean?

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Speaker 4: Right, And so that wasn't.

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Speaker 3: This, But I I feel like I've watched it. I'd

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Speaker 3: say probably maybe four times. This is probably my fifth, okay,

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Speaker 3: fifth and six, because I watch them twice, you know.

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Speaker 2: So could you mouth along with all the songs? Did

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Speaker 2: you know, like all the words all the songs?

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Speaker 3: Not all of them, but yes, get you Ahead in

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Speaker 3: the Game has been a fave of mine.

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Speaker 4: So I just totally gave away the movie because you did.

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Speaker 1: You just gave away what we're doing this week. I

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Speaker 1: think everyone knows do.

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Speaker 4: You asked if I knew the words, and we.

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Speaker 1: Might as well just jump in, don't you think?

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Speaker 5: All right?

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Speaker 2: So welcome back to Magical rewind the show that makes

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Speaker 2: you want to grab your friends, your pjs and your

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Speaker 2: popcorn and go back to a time when all the

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Speaker 2: houses were smart, the wave tsunamis and the high schools

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Speaker 2: music call. Yes, it is the biggest day ever here

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Speaker 2: at Magical Rewinds, So get your head in the game.

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Speaker 2: We are now recapping the most successful franchise in dcom history,

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Speaker 2: and we're starting with the movie that kicked it all off,

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Speaker 2: the first HSM. That's right, and that's what the cool

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Speaker 2: kids call it, but it's actually if you pronounce it

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Speaker 2: the way the drama teacher, for some reason does in

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Speaker 2: this movie, High School MUSICALE.

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Speaker 1: This is obviously on Disney Plus.

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Speaker 2: It's actually one of the main titles they launched with,

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Speaker 2: So go and watch it there now, or just listen

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Speaker 2: because you probably remember everything by heart anyway from this movie.

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Speaker 4: You do not probably even need to watch Let's Be Real.

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Speaker 1: Let's All Be Real.

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Speaker 2: It is a song and dance story of identity and

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Speaker 2: perception that first aired on My.

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Speaker 6: Dad's birthday, January twentieth, two thousand and six, and the

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Speaker 6: concept was born from Disney executive brains who noticed the

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Speaker 6: outlandishly amazing success of standalone musicale I want to say

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Speaker 6: it every time now, musicale episodes, musical episode of Even

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Speaker 6: Stevens and Natso Raven and wanted to take it one

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Speaker 6: step further, and the premiere broadcast generated seven point seven

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Speaker 6: million viewers, breaking the then record for the largest original

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Speaker 6: cable audience in history.

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Speaker 1: Wow, eventually to be broken by the Cheetah Girls.

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Speaker 2: Yes, Sabrina, you broke the record.

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Speaker 4: Thank you, thank you.

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Speaker 1: Musical.

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Speaker 4: It was tough to beat, guys, you know it.

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Speaker 3: I mean, we really had to bush, but you did it.

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Speaker 1: It was the Cheetah chatter. It did it every time.

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Speaker 2: The movie soundtrack made it all the way to number

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Speaker 2: one on the US Billboard two hundred and sold over

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Speaker 2: four million copies. It was the best selling album of

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Speaker 2: two thousand and six. To call this film and the

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Speaker 2: enterprise that would follow a success would be such an understatement.

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Speaker 2: It became an institution, an absolute institution. This is amazing.

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Speaker 2: I love reading this. Every time I read this, I

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Speaker 2: was like, this can't be right. But it's true. Two

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Speaker 2: dcom sequels, a directed DVD spinoff, a reality show concept,

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Speaker 2: a meta reboot TV shows that's still airing and spawning

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Speaker 2: superstars at Disney, plus foreign adaptations, a reunion special, stage show, revivals,

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Speaker 2: best selling novelizations, six video games and comic books, live concerts,

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Speaker 2: Halloween costumes, and enough merchandise to fill a theme park.

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Speaker 2: This is a true with Disney pillar, and it started

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Speaker 2: with Today's movie with just a four point two million

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Speaker 2: dollar budget that turned into more than a billion dollars

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Speaker 2: I'll say that again, a billion with.

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Speaker 1: A B dollars rail I mean amazing.

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Speaker 2: This was the sixty third dcome ever, so like the

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Speaker 2: old saying, the sixty third tries of charm?

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Speaker 1: Is that what they say?

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Speaker 3: That?

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Speaker 1: Yeah? No, okay whatever. It was also.

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Speaker 2: Nominated for six Emmy Awards and one two in two

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Speaker 2: thousand and six. It won Outstanding Choreography and Outstanding Children's Programming,

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Speaker 2: but it was also up for Outstanding Casting, Outstanding Directing,

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Speaker 2: and had two songs in Outstanding Original Music and Lyrics.

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Speaker 2: And these unbelievably incredible results spoke for themselves as it

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Speaker 2: was replayed maybe hundreds of times, but the DVD once released,

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Speaker 2: sold eight million units, earning itself an operating income of

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Speaker 2: one hundred million dollars. This was truly the type of

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Speaker 2: project that single handedly moved disney stock price.

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Speaker 1: This changed the ballgame.

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Speaker 2: It was a juggernaut and just absolutely amazing. One of

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Speaker 2: the few, well, not to spoil it, but one of

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Speaker 2: the few dcoms I'd actually heard.

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Speaker 1: Of, Yes, going into this thing, that's how big it was.

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Speaker 5: I knew what it was.

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Speaker 1: That's how big it was. Yeah. It was shot in Ready, Utah,

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Speaker 1: one of the chances, and.

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Speaker 4: At school we have seen already.

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Speaker 1: It was the Mini Man's School, wasn't it? Yes, mess.

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Speaker 2: It has become such a milestone for the state that

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Speaker 2: there are tours available for the shooting locations, which include

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Speaker 2: Salt Lake Cities, Murray High School, and East High School,

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Speaker 2: which still has Sharpay's pink locker intact. They also shot

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Speaker 2: some scenes in nearby Salt Lake City and at home

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Speaker 2: in Los Angeles. Ten days of rehearsal and just twenty

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Speaker 2: four days to shoot, which is an amazingly tight schedule,

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Speaker 2: and it shows you how history can be made in

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Speaker 2: thirty four short days.

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Speaker 5: Because Wow, and.

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Speaker 2: Even with a somewhat jaded and media heavy generation. This

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Speaker 2: was a cultural moment.

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Speaker 1: It really was.

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Speaker 2: Everyone knew it existed, including myself. It was spoofed on SNL,

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Speaker 2: created numerous household names in the industry, and it was

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Speaker 2: all done with a very very family friendly, non ironic

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Speaker 2: sometimes and somewhat saccerin musical. It's optimistic and very clean,

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Speaker 2: even for a dcom. I mean, I don't think there's

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Speaker 2: even a double entendre in this entire movie. No, really incredible. Now,

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Speaker 2: I don't even have to ask you this. You've obviously

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Speaker 2: you heard of High School Musical, so I'm just gonna

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Speaker 2: ask you said you'd seen it four or five times.

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Speaker 2: But how big a deal was this one for you?

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Speaker 2: You said you liked it, but this was not Brinker

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Speaker 2: Johnny Tsunami for you, right right?

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Speaker 3: I mean I would So I mentioned this when we

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Speaker 3: were talking with Michael healy Is. This movie came out

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Speaker 3: and was happening while we were in Spain shooting the

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Speaker 3: second movie. So and we were with Kenny Ortega, the

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Speaker 3: same director, So we were getting so much of the

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Speaker 3: inside scoop of what was going on and the success

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Speaker 3: of it, that of course we had to figure out

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Speaker 3: a way to watch the movie and see they really

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Speaker 3: were able to take a lot of what I think

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Speaker 3: they learned going through The Cheetah Girls, right, because The

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Speaker 3: Cheetah Girls was the first like musical, right, and we

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Speaker 3: did end up doing a Christmas tour after that one,

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Speaker 3: and they were starting to realize how much these musicals

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Speaker 3: that they were not tapping into yet that they could

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Speaker 3: really take.

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Speaker 4: On the road. And you know so much.

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Speaker 3: And so we were right there with Kenny as he's

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Speaker 3: getting in all the information of these kids and what's

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Speaker 3: happening at these events that they're showing. I mean they

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Speaker 3: shut down Times Square at some point.

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Speaker 4: I mean it was giant.

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Speaker 3: So this movie was I mean, obviously I was a

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Speaker 3: fan and loved watching it, but it was so cool

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Speaker 3: to be in the wheelhouse of the Disney Channel and

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Speaker 3: hearing how awesome it was doing it was just phenomen

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Speaker 3: It just really isn't.

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Speaker 2: Wait to see the sequels of all these things, Cheetah

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Speaker 2: Girls and High School Musical and.

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Speaker 3: Descendants, because here's the Oh so we're not gonna get

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Speaker 3: into whether I like the movie or not right away.

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Speaker 1: We're gonna we're gonna get that. But I'm dying to

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Speaker 1: know you.

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Speaker 2: Could you could see that this was genesis in that, for.

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Speaker 1: Instance, Teen Beach movie.

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Speaker 2: To me, and I know very little about this stuff,

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Speaker 2: but it seemed the choreography was a little bit tighter.

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Speaker 2: It was I don't know, it seemed like they were

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Speaker 2: still trying with Cheatah Girls what. Like. That's why I

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Speaker 2: want to see how different Cheata Girls Too and High

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Speaker 2: School Musical two are because it seemed like they're trying

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Speaker 2: to they're still figuring it out at this point. Of of course,

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Speaker 2: they're still figuring out right the genre of their creating

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Speaker 2: the genre as they're going.

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Speaker 4: Yes, what what are they doing?

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Speaker 3: You know?

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Speaker 4: You see it in this movie that they bring in music.

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Speaker 3: Differently, like yes at the beginning, and we'll get into

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Speaker 3: how all of that kind of transforms and everything thing,

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Speaker 3: but okay, right, like the Cheetah Girls was not necessary.

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Speaker 3: We didn't really break out into song until our finale.

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Speaker 2: Right, And I have some questions about why they broke

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Speaker 2: into song.

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Speaker 1: Sometimes I have some.

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Speaker 4: I know you or I was, well, we get to

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Speaker 4: the first time they do it.

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Speaker 3: I'm like in my head, going buckle up, will, because

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Speaker 3: we're going on a ride.

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Speaker 4: This is it. Here we go. They are going to

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Speaker 4: break out into song. All over this movie.

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Speaker 2: All right, Well, let's just stick to the status quo

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Speaker 2: and start something new.

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Speaker 1: It's time for the synopsis.

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Speaker 2: So a popular high school athlete and an academically gifted

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Speaker 2: girl aspire to join the school MUSICALE I'll stop doing that,

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Speaker 2: the school musical, threatening the student body social order, and

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Speaker 2: falling for each other in the process.

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Speaker 1: So early thoughts, Sabrina, What did you think?

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Speaker 3: All Right? I, you know, it was really I haven't

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Speaker 3: seen this movie in a while, so very excited to

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Speaker 3: watch it again and kind of more so not necessarily

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Speaker 3: critique it, but kind of break it down.

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Speaker 4: Was hard for me.

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Speaker 3: I just I just kind of going, oh, crap, I'm

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Speaker 3: supposed to be doing Sabrina seat like I'm not. You know,

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Speaker 3: I really got lost in it this one, because it's

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Speaker 3: been a while since we've watched a movie that I

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Speaker 3: really liked, you know that I was really just fully

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Speaker 3: in and so it was really nice. The second time

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Speaker 3: is when I kind of got myself a little bit

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Speaker 3: more straight on what are the Sabrina funny things that

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Speaker 3: I kind of saw? I thought the characters they were

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Speaker 3: so perfectly cast. I mean, I don't think there's anyone

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Speaker 3: in the world. That could have done a better Sharpey

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Speaker 3: than Ashley Tisdale, Right, Corbin Blue. Obviously we all love

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Speaker 3: you know, Zach and.

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Speaker 4: And he was amazing. I just I loved it.

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Speaker 3: It just made me go, wow, this was just Disney

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Speaker 3: hit it out of the park with this one.

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Speaker 4: That's my early thoughts and what I'm gonna be saying.

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Speaker 1: So, I hope you're okay.

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Speaker 4: No, I hope you think Well, that's the better question.

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Speaker 4: We know how I feel about this movie. What did

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Speaker 4: you think about this music?

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Speaker 1: Now? Okay, overall I liked it. No, overall I liked it. Okay.

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Speaker 2: The cast is phenomenal. They're phenomenal. Exactly what you said.

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Speaker 2: You could not have picked better people to play the

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Speaker 2: roles in this film at all. That Zach and Vanessa

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Speaker 2: are have so much chemistry, They're both cute as hell.

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Speaker 2: Ashley Tisdale and our brother are funny and kind of ironic.

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Speaker 1: And the supporting cast, all that stuff is great.

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Speaker 2: I have some questions about certain ideas when it comes

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Speaker 2: to the singing. I thought, I and that's just me

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Speaker 2: figuring out the kind of I'm trying to figure out

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Speaker 2: I think while they're trying to also figure out how

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Speaker 2: to make this work, right, going from you know, they're

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Speaker 2: singing in a show, and he doesn't want to tell

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Speaker 2: all his friends that he wants to be a singer.

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Speaker 2: But all of his friends are then singing with him

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Speaker 2: on the basketball court, so is he imagining that?

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Speaker 4: But no, it's the it's this movie. It's like Greece.

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Speaker 3: It's there's a right they they're not necessarily supposed to

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Speaker 3: be singing. They're supposed to be talking to each other

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Speaker 3: through song. I know that they are. But they're talking

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Speaker 3: to each other.

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Speaker 1: Through song and dance, which is fine.

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Speaker 2: I get that, But then it becomes a little muddled

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Speaker 2: to me, where then the thing he's embarrassed about is

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Speaker 2: wanting to sing and dance, right.

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Speaker 4: I mean I.

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Speaker 1: So it's like I don't planatory. I know, I know,

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Speaker 1: I know, but this is where my head goes.

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Speaker 4: Right, I get it.

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Speaker 3: And again it goes along with whether or not you

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Speaker 3: like musicals, like if you're down for that singing next

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Speaker 3: to your locker and swooning around a railing.

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Speaker 1: Right, But here's the thing.

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Speaker 2: All the other musicals that are musicals will break into

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Speaker 2: song about whatever they're doing, grease, lightning, whatever, whatever it

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Speaker 2: is his hang up in the movie was that he

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Speaker 2: thought it was going to be embarrassing to sing and dance, right,

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Speaker 2: And he's explaining that to his friends who are singing

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Speaker 2: and dancing with.

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Speaker 1: Him next to him. So it's like, how do I

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Speaker 1: tell my friend I want to sing? And his friend's like,

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Speaker 1: you gotta tell me you can't want to sing, and

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Speaker 1: it's like, but you're singing. So that was the thing

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Speaker 1: for me.

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Speaker 3: I think it was more on a broader term of

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Speaker 3: not necessarily singing.

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Speaker 4: It's about being a part of the drama.

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Speaker 3: Group, which I get very separated from the you know,

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Speaker 3: the jocks.

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Speaker 1: That was that was it totally understand that.

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Speaker 2: So then I literally as the first and seconds as

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Speaker 2: the first song finished, and I'm like where they're both

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Speaker 2: like I don't know if I should get up there

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Speaker 2: and sing, and then they're both amazing singers. I was like,

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Speaker 2: oh god, I'm gonna be in for it. And then

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Speaker 2: I paused it. I literally pause it.

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Speaker 4: I'm like, but at least they were doing karaoke.

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Speaker 2: They were no, no, no, but wait, I paused it, and

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Speaker 2: I was like, stop, stop watching it like this and

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Speaker 2: watch it like you're supposed to watch it. Like you're

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Speaker 2: a thirteen year old or whatever, you've never seen something

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Speaker 2: like this before, watch it like that. And when I

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Speaker 2: got into that mindset, I really enjoyed it because it

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Speaker 2: was again the set.

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Speaker 1: Pieces of the dancing are amazing.

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Speaker 2: You've got entire gymnasiums of extras and actors and everybody

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Speaker 2: dancing and sync. You've got Ashley Tisdale who kills it

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Speaker 2: in this movie. She's funny and is just in character

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Speaker 2: the whole time.

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Speaker 1: It really works. It's very Disney.

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Speaker 2: At the same time, you've got a great little love

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Speaker 2: story going on between the two cutest characters in the world.

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Speaker 2: Once I got out of my own way, right, I

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Speaker 2: enjoyed it because but there was still plenty of things

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Speaker 2: where I was like, wait a second, hang on again,

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Speaker 2: and I will tell a little story about speaking to

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Speaker 2: a Disney executive a little bit later about how something

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Speaker 2: is very generational. But after I got out of my

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Speaker 2: own way, I didn't have a problem with it.

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Speaker 5: Again.

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Speaker 2: It was it is what it is this movie. But

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Speaker 2: it was also from the standpoint of filmmaking, it was

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Speaker 2: interesting to see how they were trying to figure out

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Speaker 2: the musical movie for Disney, right and see the growth

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Speaker 2: from Cheetah Girls to this to then. I can't wait

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Speaker 2: to see what the other sequels are going to do

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Speaker 2: because you can tell that there it's going to be

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Speaker 2: ratcheted up another notch and ratcheted up another notch.

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Speaker 1: So I'm excited to see that.

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Speaker 3: Well, because when we did The Cheetah Girls, it wasn't

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Speaker 3: written or necessarily made to be a musical. Like our

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Speaker 3: contracts didn't even include CD sales like music being sold

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Speaker 3: as an album.

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Speaker 4: It wasn't like that.

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Speaker 3: So they did definitely, I mean we although it did well,

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Speaker 3: it wasn't meant to be that way, so they did.

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Speaker 3: They went about this in a more direct version. Let's

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Speaker 3: give this generation their grease, right, yeah, you know, And

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Speaker 3: I just felt like, even though you can see a

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Speaker 3: little bit that they're still trying to figure things out.

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Speaker 3: I'm so glad that they had Kenny Ortega on this

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Speaker 3: movie because this is his wheelhouse.

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Speaker 2: You know.

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Speaker 3: He was the one that choreographed and helped direct a

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Speaker 3: lot of Michael Jackson, remember when he had these long

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Speaker 3: I think it was smooth Criminal was like fifteen minutes

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Speaker 3: or whatever, Newszi's.

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Speaker 4: He was the choreographer in Newzy's.

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Speaker 1: Oh Yeah, we're gonna to work. We're gonna be talking

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Speaker 1: a lot about him.

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Speaker 2: Yes, yeah, let's first get into the cast. The movie

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Speaker 2: stars Zach Effron, obviously as Troy Bolton, great name an

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Speaker 2: actor who became a Hollywood mainstay before HSM I like

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Speaker 2: to say it. He'd appears on shows like Firefly and

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Speaker 2: Er and starred on another program called Summerland alongside Lori

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Speaker 2: Laughlin and Jesse McCartney. Since High School Musical, he would

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Speaker 2: find massive success in comedies like Seventeen Again, Neighbors and

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Speaker 2: Mike and Dave Need Wedding Dates, and of course, the

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Speaker 2: musical The Greatest Showman. He would also return for the

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Speaker 2: musicale Hairspray, but last year he changed appears a little

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Speaker 2: bit and starred in the very intense wrestling drama Ironclaw,

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Speaker 2: and a lot of people think he was completely and

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Speaker 2: totally robbed at Award season.

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Speaker 1: He was great in that film.

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Speaker 2: His female co star is Vanessa Hudgens, who plays Gabriella Montes,

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Speaker 2: another Hollywood darling. She really only appeared in the movie

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Speaker 2: Thirteen and a few Disney episodes before getting cast in

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Speaker 2: High School Musical, and not only went on to become

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Speaker 2: the face of Nutrigina candies and apparently Coachella.

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Speaker 1: She'd also become a pop star. Soon after this movie.

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Speaker 2: She was cast in movies like Sucker Punch, Sprint Breakers,

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Speaker 2: Machete Kills, Grease Live, and she was just in the big,

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Speaker 2: huge summer hit Bad Boys Rider Die, which is the

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Speaker 2: first movie that's actually done well this year. She recently

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Speaker 2: married baseball player Cole Tucker and as soon to give

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Speaker 2: birth to their first child.

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Speaker 3: Congratulations baby, v I love that, so excited for you.

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Speaker 2: Small note after filming the movie, which again this shows

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Speaker 2: what a cultural phenomenon this was.

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Speaker 1: Even I knew this.

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Speaker 2: She and zach Efron were a big, real life power

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Speaker 2: couple and they were together for many years. That's how

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Speaker 2: you know it breaks through the cultural zeitgeist. When it's

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Speaker 2: what two thousand and six, there's no real social media.

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Speaker 2: I don't know who any of these people are.

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Speaker 1: And even I knew Zac Efron and Vanessa Hutchins were.

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Speaker 3: Dating, right, It was mega, mega They really were took

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Speaker 3: Disney Channel movies and everything to an entirely new level.

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Speaker 3: And I think they were together throughout the run of

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Speaker 3: the franchise.

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Speaker 1: I think so too. Yeah, together for years I think yes, Yeah.

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Speaker 2: Ashley Tisdale plays villain Sharpey Evans, a name right from

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Speaker 2: the Jackal Johnson playbook. She was a incredibly busy child

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Speaker 2: actress before high school musical, starring on MGM sing Along Tape,

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Speaker 2: then appearing on shows like Seventh Heaven, Smart Guy and

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Speaker 2: Still Standing.

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Speaker 1: She had the chops by the time she got to Disney.

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Speaker 2: She would also form a music career after this movie,

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Speaker 2: as well as a DVD spinoff for her character, and

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Speaker 2: she'd go on to appear in so many things like

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Speaker 2: to Bring It On sequel, Scary Movie, Five Sons of Anarchy,

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Speaker 2: and Hellcats. She was also one of the stars of

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Speaker 2: Disney Channel's Sweet Life of Zach and Cody, where she

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Speaker 2: played Mattie Fitzpatrick. Kind of a big show on the channel,

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Speaker 2: but her voice acting career has really been a bread

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Speaker 2: and butter as Candace on Phineas and Ferb Sabrina on

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Speaker 2: The Sabrina of the Teenage Which cartoon, and voices on Skylanders, Academy,

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Speaker 2: Ginger Snaps, Family Guy, and a little show called Kim Possble.

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Speaker 2: I worked with Ashley all the time and never met her.

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Speaker 4: Wow, that's so crazy about so nuts.

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Speaker 2: Corbin Blue played Chad dan Forth basketball player and Troy Powell.

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Speaker 2: He's another example of an actor who had a successful

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Speaker 2: music career after this movie, but also appeared in twenty

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Speaker 2: thirteen's Sugar Camp hide Out and has been on Broadway

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Speaker 2: for the musical in the Heights and Godspell, and is

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Speaker 2: a fellow Dancing with the Star our runner up, like

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Speaker 2: somebody Else to do here?

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Speaker 4: He killed it on Dancing with the Stars.

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Speaker 7: I didn't realize I've never seen a Dance with the

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Speaker 7: Stars of my life epic epic.

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Speaker 2: I would watch Dance with the Stars, but apparently, from

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Speaker 2: what I've been told, there's a lot of dancing. Yeah,

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Speaker 2: there are also so many great people in this movie.

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Speaker 2: Let's just run through some others. We've got Lucas Gray

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Speaker 2: Biale the scene stealer, as Sharpay's Fedora loving brother. Ryan

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Speaker 2: Monique Coleman is Taylor Gabriella's new decathlon friend, Bart Johnson

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Speaker 2: as basketball coach Jack Bolton, Troy's dad, And for listeners

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Speaker 2: of our show, we interviewed his wife, Robin Lively for

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Speaker 2: the greatest film ever made Fuzzbucket, Bucket, Buzz Bucket. We're

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Speaker 2: still waiting for fuzz Bucket too, this time at personal.

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Speaker 2: There are so many others in this movie, and we'll

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Speaker 2: get to some of them throughout the recap. The movie

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Speaker 2: runs ninety eight minutes, eight minutes above the Bullseye and

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Speaker 2: is directed, as Sabrina Said by the legendary Kenny Ortega,

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Speaker 2: who is a genuine Disney Hall of Famer. He was

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Speaker 2: originally a choreographer who worked with Michael Jackson on the

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Speaker 2: movie Xanadu, the Let's Get Physical music video for Livia

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Speaker 2: Newton john the Material Girl video, Madonna Pretty in Pink,

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Speaker 2: Dirty Dancing. It goes on and on and on. He

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Speaker 2: would quickly transition into directing, first for music videos, then

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Speaker 2: into movies like Newsi's Pocus Pocus and Cheetah Girls Too,

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Speaker 2: and since taking a success so many ways since the

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Speaker 2: High School Musical franchise, most importantly for this podcast, he

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Speaker 2: moved right into the Descendants franchise for Disney, so he

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Speaker 2: is still a Disney mainstay tent pole. You know you're

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Speaker 2: getting something good when Kenny Ortega directs it. There is

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Speaker 2: no way in the world this movie becomes as big

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Speaker 2: as it does without Kenny Ortega, who directed so many

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Speaker 2: elements of this movie. So as a resident expert because

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Speaker 2: you worked with him. How hands on is he with

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Speaker 2: everything going on in the film. What's it like working

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Speaker 2: with this guy?

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Speaker 3: Everything he I mean, he really is such an artist.

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Speaker 4: I mean it's he is so into the drama. The

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Speaker 4: what I really loved what he did with.

439
00:21:59,800 --> 00:22:05,280
Speaker 3: My character and really helped was to develop a progression.

440
00:22:05,640 --> 00:22:08,560
Speaker 3: He loved to since we were doing the second movie,

441
00:22:08,600 --> 00:22:11,359
Speaker 3: it was about where taking you know, what was the

442
00:22:11,359 --> 00:22:15,160
Speaker 3: first movie and where has this teenager young woman now

443
00:22:15,280 --> 00:22:20,080
Speaker 3: transitioned into. So he wanted to take my my my

444
00:22:20,240 --> 00:22:22,000
Speaker 3: character Derinda from being.

445
00:22:21,960 --> 00:22:25,719
Speaker 4: You know, sort of not kind of tomboy, she was rougher.

446
00:22:26,080 --> 00:22:28,679
Speaker 3: He wanted to really soften me because I was getting

447
00:22:28,920 --> 00:22:31,560
Speaker 3: I was, you know, about to have a love interest.

448
00:22:32,040 --> 00:22:33,880
Speaker 4: So I really loved that.

449
00:22:34,000 --> 00:22:36,480
Speaker 2: But Joe has a love interest in the second one.

450
00:22:36,520 --> 00:22:38,440
Speaker 2: Don't Ruin Anymore anymore?

451
00:22:39,400 --> 00:22:44,480
Speaker 4: Okay, Okay, I don't know where to go from there.

452
00:22:44,560 --> 00:22:48,040
Speaker 3: I'm sorry, but I will say And and we actually

453
00:22:48,080 --> 00:22:50,200
Speaker 3: talked about it during the Michael Healy interview.

454
00:22:50,600 --> 00:22:54,160
Speaker 4: Was there's a dance sequence that I had And yeah, we.

455
00:22:54,119 --> 00:22:57,639
Speaker 2: Talked about the is it that salsa but it's a

456
00:22:57,800 --> 00:22:59,120
Speaker 2: tango tango right right.

457
00:22:59,160 --> 00:23:03,679
Speaker 3: And the energy and I mean, can you imagine for

458
00:23:03,800 --> 00:23:09,119
Speaker 3: me dancer, huge fan of Kenny, everything, Michael Jackson, you know,

459
00:23:09,280 --> 00:23:11,959
Speaker 3: everything that he was, and then now I have this

460
00:23:12,000 --> 00:23:14,320
Speaker 3: where it wasn't me and the other Cheetah girls, it

461
00:23:14,359 --> 00:23:17,719
Speaker 3: was just my character with other dancers and it was

462
00:23:18,880 --> 00:23:21,560
Speaker 3: I mean, imagine how it was waking up that day

463
00:23:21,560 --> 00:23:25,560
Speaker 3: for me, amazing, I'm about to do this incredible scene

464
00:23:25,840 --> 00:23:28,560
Speaker 3: with Kenny Ortega. I mean that's just what I kept saying, like,

465
00:23:28,680 --> 00:23:31,119
Speaker 3: inch me somebody. It felt like a dream. It was

466
00:23:31,160 --> 00:23:33,880
Speaker 3: amazing he is and I just you could just feel

467
00:23:33,920 --> 00:23:36,240
Speaker 3: the energy. All of the people that were behind the

468
00:23:36,280 --> 00:23:38,720
Speaker 3: camera were just looking around, going this is And it

469
00:23:38,800 --> 00:23:41,280
Speaker 3: turned out so beautiful. It's one of my most proud

470
00:23:41,320 --> 00:23:44,720
Speaker 3: moments that's on film. I loved it, and he was

471
00:23:44,800 --> 00:23:46,920
Speaker 3: really amazing. He was over the top.

472
00:23:47,240 --> 00:23:47,600
Speaker 5: He was.

473
00:23:47,760 --> 00:23:50,200
Speaker 3: I mean he brought in all those kinds of fun

474
00:23:50,280 --> 00:23:53,000
Speaker 3: things too, I mean, everything was. He did this a

475
00:23:53,000 --> 00:23:55,760
Speaker 3: lot a lot during the movie. He wanted the panning,

476
00:23:55,840 --> 00:23:58,560
Speaker 3: so he would constantly because we were in Barcelona, so

477
00:23:58,600 --> 00:24:02,000
Speaker 3: he just the architect sure everywhere he wanted it panned down,

478
00:24:02,040 --> 00:24:05,080
Speaker 3: and so you just saw him looking for where he

479
00:24:05,160 --> 00:24:07,119
Speaker 3: wanted it, and I mean, I can't wait for you

480
00:24:07,160 --> 00:24:08,919
Speaker 3: to see the movie because it's just so.

481
00:24:08,800 --> 00:24:11,399
Speaker 2: Beautifulul okay, well, I can't wait to see it.

482
00:24:10,920 --> 00:24:11,760
Speaker 1: I see it now.

483
00:24:11,800 --> 00:24:13,399
Speaker 3: He was a dream to work with though, I mean,

484
00:24:13,400 --> 00:24:16,639
Speaker 3: he really was. Everything he brought was phenomenal.

485
00:24:16,920 --> 00:24:19,480
Speaker 1: What was What did you think of the dancing in

486
00:24:19,480 --> 00:24:21,320
Speaker 1: this movie? Was? It was the dancing good in this

487
00:24:21,359 --> 00:24:22,480
Speaker 1: movie in high school musical?

488
00:24:22,960 --> 00:24:25,320
Speaker 4: So you know, for my I ream.

489
00:24:25,400 --> 00:24:29,320
Speaker 3: Okay, so watching it back then and then now watching

490
00:24:29,359 --> 00:24:32,959
Speaker 3: it as more of an older, a you know, adult. Sure,

491
00:24:33,680 --> 00:24:37,199
Speaker 3: I remember watching it and going, I'm really glad that

492
00:24:37,200 --> 00:24:39,600
Speaker 3: that's not how we dance in ours because it was

493
00:24:39,840 --> 00:24:42,200
Speaker 3: less hip hop. And I loved that the Cheetah Girls

494
00:24:42,200 --> 00:24:45,000
Speaker 3: was more of like a hip hop style, right, And

495
00:24:45,040 --> 00:24:48,800
Speaker 3: then then I realized watching it back now, in the

496
00:24:48,840 --> 00:24:51,400
Speaker 3: second movie, we do do a lot of dancing. That's

497
00:24:51,400 --> 00:24:53,800
Speaker 3: more like that, you know, we are breaking out into

498
00:24:53,880 --> 00:24:56,760
Speaker 3: dance in the second movie a lot more. And his

499
00:24:56,960 --> 00:24:59,760
Speaker 3: lines and everything is just very big and he does

500
00:24:59,840 --> 00:25:02,320
Speaker 3: he just so right on the money.

501
00:25:02,480 --> 00:25:05,320
Speaker 4: And I loved them dancing. It's a little bit.

502
00:25:05,200 --> 00:25:11,040
Speaker 3: More Disney, you know, yeah, musical look like it was

503
00:25:11,040 --> 00:25:14,879
Speaker 3: more of like a musical theater. I Vibe Versus Ours

504
00:25:14,920 --> 00:25:17,399
Speaker 3: was very hip hop, so I remember not really loving

505
00:25:17,400 --> 00:25:20,679
Speaker 3: it back then, but watching it for this show, I

506
00:25:20,840 --> 00:25:21,560
Speaker 3: was like, what.

507
00:25:21,680 --> 00:25:24,359
Speaker 4: Was I I mean that, but those are they look great?

508
00:25:24,440 --> 00:25:25,040
Speaker 4: It's awesome.

509
00:25:25,080 --> 00:25:28,679
Speaker 2: It's nothing of dancing, Like, I know nothing of dancing,

510
00:25:28,800 --> 00:25:32,200
Speaker 2: and I I thought the dancing and Teen Beach movie

511
00:25:32,359 --> 00:25:32,800
Speaker 2: was better.

512
00:25:33,920 --> 00:25:37,719
Speaker 3: Teen Beach, I would say, if I was gonna compare it,

513
00:25:37,880 --> 00:25:42,280
Speaker 3: Team Beach was more of a like sort of kind

514
00:25:42,320 --> 00:25:45,440
Speaker 3: of fossy style like the style of Yah.

515
00:25:45,960 --> 00:25:47,960
Speaker 4: Team Beach was definitely more that.

516
00:25:48,119 --> 00:25:50,520
Speaker 2: It just were tighter and more professional in Teen Beach

517
00:25:50,720 --> 00:25:53,119
Speaker 2: kind of really okay. And again this is as somebody

518
00:25:53,119 --> 00:25:55,920
Speaker 2: who knows nothing of dancing, so you could be like, yeah,

519
00:25:55,960 --> 00:25:58,120
Speaker 2: you're wrong, that's not you're that's just incorrect.

520
00:25:58,280 --> 00:25:59,879
Speaker 4: No, I think I think it was great it.

521
00:26:00,280 --> 00:26:02,560
Speaker 3: Did you feel the vibe of Team Beach a little

522
00:26:02,560 --> 00:26:03,800
Speaker 3: bit with gets you ahead in the game where they

523
00:26:03,800 --> 00:26:04,760
Speaker 3: were using the basketball?

524
00:26:04,840 --> 00:26:06,640
Speaker 1: Yes, I did, of course. Of course that's.

525
00:26:06,480 --> 00:26:08,680
Speaker 4: Probably one of my favorite.

526
00:26:08,400 --> 00:26:14,000
Speaker 3: I think that's my favorite routine and performance aspect of

527
00:26:14,040 --> 00:26:15,600
Speaker 3: the movie of this one.

528
00:26:15,400 --> 00:26:15,800
Speaker 5: Of this one.

529
00:26:15,840 --> 00:26:18,680
Speaker 1: Okay, Yeah, I wouldn't disagree that that was very very good.

530
00:26:18,880 --> 00:26:20,400
Speaker 2: I like the last one at the end too, where

531
00:26:20,440 --> 00:26:23,320
Speaker 2: the whole everybody's dancing together is Yes.

532
00:26:23,560 --> 00:26:27,679
Speaker 3: Yeah, when we get to the pep Rowley, I'm really excited.

533
00:26:28,000 --> 00:26:29,560
Speaker 1: Yeah we will definitely.

534
00:26:31,440 --> 00:26:34,840
Speaker 2: Well yes, So obviously this movie would not have been

535
00:26:34,920 --> 00:26:37,400
Speaker 2: what it is without Kenny Ortega. It was written by

536
00:26:37,480 --> 00:26:40,359
Speaker 2: Peter and I'm hoping I get this name right Barsaccini,

537
00:26:40,840 --> 00:26:43,400
Speaker 2: who had written the nineteen ninety four Wesley Snipes movie

538
00:26:43,480 --> 00:26:46,520
Speaker 2: Drop Zone, which again we keep coming back to.

539
00:26:47,200 --> 00:26:48,240
Speaker 1: It's so strange, but.

540
00:26:48,200 --> 00:26:50,879
Speaker 2: We keep coming back to Koronemic, Koran Nemic, who was

541
00:26:50,920 --> 00:26:55,359
Speaker 2: in the Parker Lewis can't louse starting Drop Zone with Snipe,

542
00:26:55,400 --> 00:26:57,000
Speaker 2: So for some reason we have a korn Nemic thing

543
00:26:57,040 --> 00:27:00,000
Speaker 2: on this podcast. You know this guy he wrote Dropped

544
00:27:00,080 --> 00:27:02,600
Speaker 2: Zone and is now probably an ridiculously rich man who

545
00:27:02,640 --> 00:27:06,399
Speaker 2: wrote high school musical, dedicating it to his then daughter Gabriella,

546
00:27:06,440 --> 00:27:08,000
Speaker 2: who he named the main character after.

547
00:27:08,200 --> 00:27:10,520
Speaker 4: That is such a fun fact that I had no idea.

548
00:27:10,640 --> 00:27:14,240
Speaker 3: I mean, I'm sure are producers who are very excited

549
00:27:14,240 --> 00:27:17,159
Speaker 3: about this because they're all very big high school musical fans.

550
00:27:17,560 --> 00:27:19,600
Speaker 3: I wonder if they knew that because I love that

551
00:27:19,680 --> 00:27:22,520
Speaker 3: little It is cool, what a great Snapple.

552
00:27:22,200 --> 00:27:24,960
Speaker 2: Fact, isn't it, And honestly, you didn't need to know

553
00:27:25,160 --> 00:27:27,560
Speaker 2: any more of his contribution to TV. But in twenty

554
00:27:27,600 --> 00:27:30,480
Speaker 2: twenty one, he was credited writer on Vivo and animated

555
00:27:30,560 --> 00:27:34,360
Speaker 2: musical for Sony that included original songs from Lynn Manuel Miranda.

556
00:27:34,680 --> 00:27:36,080
Speaker 2: I already asked you how many songs you knew the

557
00:27:36,119 --> 00:27:37,800
Speaker 2: words too, but I did not ask you who your

558
00:27:37,800 --> 00:27:38,719
Speaker 2: favorite character was.

559
00:27:38,840 --> 00:27:40,560
Speaker 1: Who was your favorite character in the movie.

560
00:27:41,200 --> 00:27:46,320
Speaker 3: Oh, I mean, I know what You're gonna just roll

561
00:27:46,320 --> 00:27:49,600
Speaker 3: your eyes at me. I loved Troy. It's not just

562
00:27:49,640 --> 00:27:53,399
Speaker 3: because he's Zach Effrod and not because of all the

563
00:27:53,440 --> 00:27:55,360
Speaker 3: reasons that I know you're thinking.

564
00:27:55,080 --> 00:27:57,040
Speaker 1: It is, But it's mostly those reasons.

565
00:27:57,160 --> 00:27:59,520
Speaker 4: Virtually, I can't I can't you know, deny any of that.

566
00:27:59,600 --> 00:28:02,199
Speaker 3: But at the same time, I just love I just

567
00:28:02,240 --> 00:28:04,440
Speaker 3: felt like he was such a nice guy.

568
00:28:05,520 --> 00:28:09,320
Speaker 4: Is they set him up to be so likable?

569
00:28:09,560 --> 00:28:12,440
Speaker 3: I mean it's not even just you want a date,

570
00:28:12,480 --> 00:28:15,400
Speaker 3: you want your kid to date that kid like you.

571
00:28:15,600 --> 00:28:19,040
Speaker 3: I mean, he was such the moment he has with

572
00:28:19,200 --> 00:28:20,720
Speaker 3: her mom when he comes to the house.

573
00:28:20,760 --> 00:28:22,040
Speaker 4: I know I'm jumping.

574
00:28:21,800 --> 00:28:25,080
Speaker 3: Ahead, but what I mean if someone came to my

575
00:28:25,160 --> 00:28:28,399
Speaker 3: house and a guy or a girl came to my

576
00:28:28,440 --> 00:28:32,399
Speaker 3: house and was that polite. I would just you know what,

577
00:28:32,440 --> 00:28:35,120
Speaker 3: you just come on it. You guys need to sort

578
00:28:35,200 --> 00:28:38,160
Speaker 3: it out. Get in here, you cuty pie. Oh man,

579
00:28:38,840 --> 00:28:41,760
Speaker 3: I get. I also love Gorbin Blue in this. Yeah,

580
00:28:42,440 --> 00:28:46,240
Speaker 3: Ashley Tisdale, See it's tough because sharpay is this movie

581
00:28:46,280 --> 00:28:48,920
Speaker 3: would not be the movie without Sharpey because she's so.

582
00:28:48,880 --> 00:28:51,800
Speaker 2: Good and the girl who's the who's the actual like

583
00:28:51,920 --> 00:28:53,560
Speaker 2: helps him sing in the choreographer.

584
00:28:53,680 --> 00:28:54,200
Speaker 1: She was great too.

585
00:28:54,240 --> 00:28:55,600
Speaker 4: Okay, did you recognize her?

586
00:28:56,120 --> 00:28:57,760
Speaker 1: I thought, I did. What do I know her from?

587
00:28:58,360 --> 00:29:00,920
Speaker 3: She's the character that I said in the movie we

588
00:29:01,120 --> 00:29:03,200
Speaker 3: just did poof point I think she was one of

589
00:29:03,200 --> 00:29:03,960
Speaker 3: the little frends.

590
00:29:04,000 --> 00:29:05,520
Speaker 4: She's tiny, she's young.

591
00:29:06,160 --> 00:29:08,600
Speaker 1: I am almost she is?

592
00:29:08,680 --> 00:29:09,440
Speaker 5: That is her. Yep.

593
00:29:09,640 --> 00:29:11,800
Speaker 4: When I saw her, I was like, yeah, so this.

594
00:29:11,960 --> 00:29:14,680
Speaker 1: Was after she poof pointed. Okay, gotcha. Yeah, she had

595
00:29:14,720 --> 00:29:17,800
Speaker 1: been poof pointed and now she's here. She upgraded. Let

596
00:29:18,400 --> 00:29:20,000
Speaker 1: say they'll be exactly.

597
00:29:20,920 --> 00:29:23,560
Speaker 2: All these actors, by the way, are now seen essentially

598
00:29:23,600 --> 00:29:26,720
Speaker 2: as Disney Royalty, and they were making up to a

599
00:29:26,760 --> 00:29:30,440
Speaker 2: million dollars each for the sequels, which again, wow for

600
00:29:30,520 --> 00:29:33,080
Speaker 2: Disney paying is pretty amazing.

601
00:29:33,400 --> 00:29:43,600
Speaker 1: Wow. Wow, let's get into the.

602
00:29:43,520 --> 00:29:45,840
Speaker 2: Movie itself, because I know that listeners have been waiting

603
00:29:45,840 --> 00:29:47,640
Speaker 2: for this episode since we announced the podcast.

604
00:29:47,680 --> 00:29:48,720
Speaker 1: So here we go.

605
00:29:49,240 --> 00:29:51,800
Speaker 2: We open on New Year's Eve, and it's actually supposed

606
00:29:51,800 --> 00:29:54,479
Speaker 2: to be Utah's is very rare because they normally disguise

607
00:29:54,520 --> 00:29:56,600
Speaker 2: the state as something else, which they will do very soon.

608
00:29:56,640 --> 00:29:59,120
Speaker 2: But we're in a resort where things are popping off

609
00:29:59,160 --> 00:30:02,000
Speaker 2: for the countdown, except for the snow, which looks incredibly bad.

610
00:30:01,840 --> 00:30:03,959
Speaker 1: And is only snowing on one half of the screen.

611
00:30:04,360 --> 00:30:06,200
Speaker 2: I mean, if you notice that it is only snowing

612
00:30:06,200 --> 00:30:08,479
Speaker 2: on the left side, the right, no snow at all.

613
00:30:08,760 --> 00:30:12,320
Speaker 3: Very first, Sabrita Seas comes in right at that thirty

614
00:30:12,400 --> 00:30:16,560
Speaker 3: second mark. You're going, uh, back, did we did we

615
00:30:17,240 --> 00:30:18,560
Speaker 3: do we forget the left side?

616
00:30:18,600 --> 00:30:21,400
Speaker 2: No? Okay, already, somebody pay the guy to do a

617
00:30:21,400 --> 00:30:24,000
Speaker 2: little more snow because it's only snowing on the left

618
00:30:24,000 --> 00:30:24,640
Speaker 2: half of the screen.

619
00:30:24,760 --> 00:30:24,960
Speaker 6: Right.

620
00:30:26,080 --> 00:30:29,160
Speaker 2: So, Troy and his dad are too busy playing basketball

621
00:30:29,200 --> 00:30:31,960
Speaker 2: on a full sized basketball court at this resort to

622
00:30:32,000 --> 00:30:35,200
Speaker 2: actually go to the party. And it's another kind of

623
00:30:35,200 --> 00:30:37,760
Speaker 2: snow resort we have. We have snow resorts or some

624
00:30:37,800 --> 00:30:40,600
Speaker 2: type of resorts. A lot of Disney movies. Meanwhile, Vanessa

625
00:30:40,680 --> 00:30:43,719
Speaker 2: Hudgens Gabriella is also too focused in something other than

626
00:30:43,760 --> 00:30:45,440
Speaker 2: New Year's Eve, and that's reading.

627
00:30:45,600 --> 00:30:46,920
Speaker 1: She's definitely a real bookworm.

628
00:30:46,960 --> 00:30:49,000
Speaker 2: She's a school genius, and it seems like even a

629
00:30:49,080 --> 00:30:51,280
Speaker 2: vacation is stopping her from doing what she really loves,

630
00:30:51,320 --> 00:30:54,080
Speaker 2: which is learning. But they're both pressured by their families

631
00:30:54,080 --> 00:30:56,680
Speaker 2: into going to a kid party at the resort, which,

632
00:30:56,720 --> 00:31:00,040
Speaker 2: by the way, is a ridiculously huge.

633
00:30:59,720 --> 00:31:01,720
Speaker 1: Part that it's just popping off.

634
00:31:01,760 --> 00:31:03,720
Speaker 2: So it makes you wonder how many families are actually

635
00:31:03,800 --> 00:31:07,719
Speaker 2: at this resort and just see ten thousand people, And

636
00:31:07,760 --> 00:31:09,680
Speaker 2: even though they'd love to be anywhere, but they're they're

637
00:31:09,760 --> 00:31:12,920
Speaker 2: randomly selected as a pair to do karaoke, and what

638
00:31:13,040 --> 00:31:18,040
Speaker 2: are the chances? Despite all their anxiety, they both are

639
00:31:18,360 --> 00:31:24,640
Speaker 2: world class singers. Instantly, their voices meshed perfectly. It is

640
00:31:24,680 --> 00:31:26,560
Speaker 2: the world's greatest meet cute ever. And we get a

641
00:31:26,640 --> 00:31:28,920
Speaker 2: song called something New in the first three minutes. And

642
00:31:29,320 --> 00:31:31,000
Speaker 2: that's when I had to posit and get out of

643
00:31:31,000 --> 00:31:33,840
Speaker 2: my own head because I was like, Oh, I'm so nervous.

644
00:31:33,880 --> 00:31:36,120
Speaker 2: I can't get on stage. I'm nervous too, I can't

645
00:31:36,120 --> 00:31:36,840
Speaker 2: get on stage.

646
00:31:36,920 --> 00:31:40,560
Speaker 1: Wait, I'm a world class singer. So I was like,

647
00:31:40,640 --> 00:31:42,960
Speaker 1: this is a musical, dude, this is what's gonna happen.

648
00:31:43,000 --> 00:31:44,160
Speaker 1: Get out of your own damn well.

649
00:31:44,280 --> 00:31:48,200
Speaker 3: But I mean, first of all, seeing that obviously you've

650
00:31:48,200 --> 00:31:52,840
Speaker 3: seen them now as their adults, and you know, looking

651
00:31:52,880 --> 00:31:55,280
Speaker 3: at these two cuties that were so young.

652
00:31:55,520 --> 00:31:57,000
Speaker 1: Oh man, I just get going.

653
00:31:57,120 --> 00:32:01,720
Speaker 3: Look how young Vanessa is. She still has it like

654
00:32:02,280 --> 00:32:05,080
Speaker 3: you know, I you know, it was so cute. They

655
00:32:05,120 --> 00:32:09,960
Speaker 3: were kiddable, their little eyes, their chemistry right from the start.

656
00:32:10,000 --> 00:32:11,200
Speaker 1: He takes off his jacket.

657
00:32:11,280 --> 00:32:13,040
Speaker 2: But now this is where we need to acknowledge something,

658
00:32:13,080 --> 00:32:16,280
Speaker 2: because everyone in the movie is actually singing except for

659
00:32:16,400 --> 00:32:18,840
Speaker 2: zach Efron, and the first one is char was later dubbed,

660
00:32:19,200 --> 00:32:22,440
Speaker 2: allegedly without his real knowledge, by another Disney actor, someone

661
00:32:22,440 --> 00:32:24,400
Speaker 2: who would originally audition for the role, who we've talked

662
00:32:24,400 --> 00:32:28,240
Speaker 2: about before in this podcast, Drew Seely Seely. A few

663
00:32:28,320 --> 00:32:31,040
Speaker 2: lines in this whole movie were actually sung by zac Efron.

664
00:32:31,320 --> 00:32:33,360
Speaker 2: We've already run into the same thing in another movie,

665
00:32:33,440 --> 00:32:36,640
Speaker 2: but this one became a sort of folklore about this movie,

666
00:32:36,880 --> 00:32:38,640
Speaker 2: and some are very critical of it. But it was

667
00:32:38,680 --> 00:32:41,440
Speaker 2: never hidden or anything. Did you know this at the time?

668
00:32:41,560 --> 00:32:43,800
Speaker 2: That he wasn't singing. This was a big thing that

669
00:32:43,840 --> 00:32:44,080
Speaker 2: he was.

670
00:32:44,280 --> 00:32:49,320
Speaker 3: Yeah, yeah, I want to say the producer music producer,

671
00:32:49,400 --> 00:32:53,040
Speaker 3: Robbie Neville. I want to say, I can't remember which

672
00:32:53,120 --> 00:32:55,880
Speaker 3: one he was the one that told us about that,

673
00:32:56,160 --> 00:32:58,280
Speaker 3: one of the producers, because he was on the show

674
00:32:58,320 --> 00:33:02,440
Speaker 3: and he at some point the mixed voices together of

675
00:33:02,520 --> 00:33:05,560
Speaker 3: some sort like they sort of transition him into then

676
00:33:05,720 --> 00:33:08,400
Speaker 3: it only being Zach later on in the sequel.

677
00:33:08,160 --> 00:33:09,640
Speaker 1: Which I yeah, I was gonna say, which I find

678
00:33:09,720 --> 00:33:10,200
Speaker 1: very strange.

679
00:33:10,240 --> 00:33:13,200
Speaker 2: They did that same thing, uh in teen Beach Movie,

680
00:33:13,600 --> 00:33:16,040
Speaker 2: and then they let him sing for the second one,

681
00:33:16,080 --> 00:33:18,880
Speaker 2: so obviously they can sing. So it's very strange because yeah,

682
00:33:19,000 --> 00:33:21,080
Speaker 2: for those of you keeping score, as Zach Efron will

683
00:33:21,080 --> 00:33:23,480
Speaker 2: return for the next two sequels, and then he did

684
00:33:23,520 --> 00:33:25,840
Speaker 2: sing his part, right, so yeah, he's got a real

685
00:33:26,000 --> 00:33:28,920
Speaker 2: Justin Bieber look to him, and he can obviously sing

686
00:33:29,000 --> 00:33:31,040
Speaker 2: since he sang in the next two films.

687
00:33:31,080 --> 00:33:33,760
Speaker 4: I was one, How did you feel like he did?

688
00:33:33,920 --> 00:33:40,160
Speaker 3: As far as literal thinking, i'd yeah, I thought, there

689
00:33:40,240 --> 00:33:44,000
Speaker 3: is one part when he there's no music and he's singing,

690
00:33:44,080 --> 00:33:45,240
Speaker 3: and I'm going, wait.

691
00:33:45,560 --> 00:33:49,960
Speaker 1: He's actually singing. I think he's actually.

692
00:33:50,280 --> 00:33:52,480
Speaker 3: Had to have been, because it does not sound like

693
00:33:52,560 --> 00:33:55,800
Speaker 3: your typical voiceover when they pre record.

694
00:33:56,200 --> 00:33:58,440
Speaker 2: I think that's it's when he's getting ready for the

695
00:33:58,480 --> 00:34:01,280
Speaker 2: audition and and the singing, and Ryan comes by and

696
00:34:01,280 --> 00:34:04,040
Speaker 2: hears them. Yes, we're pretty sure that is actually zach Efron.

697
00:34:04,120 --> 00:34:06,840
Speaker 2: So he can sing. Makes you wonder what decision was

698
00:34:06,840 --> 00:34:09,719
Speaker 2: made at what level to dub him. So Troy and

699
00:34:09,760 --> 00:34:12,239
Speaker 2: Gabriella vocally hit it off and do the sparks fly.

700
00:34:12,360 --> 00:34:15,600
Speaker 2: Troy gets her number with his incredibly nostalgic flip phone,

701
00:34:16,000 --> 00:34:17,359
Speaker 2: so when he tries to get to know her better,

702
00:34:17,440 --> 00:34:19,680
Speaker 2: she's all of a sudden gone like a thief in

703
00:34:19,719 --> 00:34:22,720
Speaker 2: the night. And then we find ourselves at school. East

704
00:34:22,800 --> 00:34:25,200
Speaker 2: High in New Mexico is back in session and Troy

705
00:34:25,280 --> 00:34:27,800
Speaker 2: is getting off the bus to his best pal Chad

706
00:34:27,920 --> 00:34:30,760
Speaker 2: and well, frankly incredible fanfair. He's clearly the most popular

707
00:34:30,840 --> 00:34:33,640
Speaker 2: kid in school, if not the entire state. Apparently the

708
00:34:33,680 --> 00:34:37,680
Speaker 2: East High Wildcats basketball team is as important as it

709
00:34:37,719 --> 00:34:39,920
Speaker 2: is at Duke Right, And this is the start of

710
00:34:40,000 --> 00:34:42,040
Speaker 2: Kenny or Takes very impressive directing and why he was

711
00:34:42,080 --> 00:34:45,239
Speaker 2: nominated for an Emmy because there is so much background

712
00:34:45,320 --> 00:34:48,200
Speaker 2: in business and choreography. We travel throughout the school hallways,

713
00:34:48,239 --> 00:34:52,080
Speaker 2: meeting our characters Queen theater kid and her brother, Sharpey

714
00:34:52,120 --> 00:34:54,920
Speaker 2: and Ryan, the entire basketball team and cheerleaders, and the

715
00:34:55,000 --> 00:34:58,759
Speaker 2: smart scholarly crew judging them. And guess who all of

716
00:34:58,800 --> 00:35:01,799
Speaker 2: a sudden turns out to be a new student at

717
00:35:01,840 --> 00:35:06,960
Speaker 2: East High. Yup, it's Gabriella, who was bullied for being

718
00:35:07,040 --> 00:35:10,239
Speaker 2: too smart and too cute at her old school. And

719
00:35:10,280 --> 00:35:13,319
Speaker 2: she was, you know, in homeroom with Troy, of course,

720
00:35:13,360 --> 00:35:16,960
Speaker 2: which isn't homeroom done by alphabetical?

721
00:35:17,480 --> 00:35:19,520
Speaker 1: So I thought it was alphabetical. Maybe I'm wrong.

722
00:35:19,760 --> 00:35:22,920
Speaker 3: I think it depends on the teacher. Sometimes you'd have that.

723
00:35:23,160 --> 00:35:24,960
Speaker 3: Sometimes they let you pick your seat.

724
00:35:25,680 --> 00:35:28,880
Speaker 2: No, I meant alphabetical, like you're for whoever's in the

725
00:35:28,920 --> 00:35:32,280
Speaker 2: class for homeroom is alphabetical. So for that same class,

726
00:35:32,320 --> 00:35:35,040
Speaker 2: I thought they'd have the same alphabetical last or close

727
00:35:35,080 --> 00:35:35,319
Speaker 2: to it.

728
00:35:35,320 --> 00:35:35,960
Speaker 1: But I could be wrong.

729
00:35:36,040 --> 00:35:39,600
Speaker 2: Oh yeah, So we do have a question about the homeroom,

730
00:35:39,640 --> 00:35:42,560
Speaker 2: which is taught by the drama teacher with a large

731
00:35:42,640 --> 00:35:45,080
Speaker 2: couch seat, missus Darbis played by Alison Reid.

732
00:35:45,640 --> 00:35:47,160
Speaker 1: How long is homeroom?

733
00:35:47,200 --> 00:35:49,239
Speaker 2: Because it feels like she makes a few announcements, then

734
00:35:49,320 --> 00:35:50,600
Speaker 2: dismisses them ten minutes later.

735
00:35:50,640 --> 00:35:54,959
Speaker 4: So you right, that was the quickest class ever, very

736
00:35:55,160 --> 00:35:55,760
Speaker 4: very fast.

737
00:35:55,760 --> 00:35:56,239
Speaker 1: Home room.

738
00:35:56,760 --> 00:35:59,960
Speaker 4: Yeah, yeah, we didn't have a home room.

739
00:36:00,239 --> 00:36:02,920
Speaker 3: You just had first period and it was your It

740
00:36:02,920 --> 00:36:06,120
Speaker 3: could be your math class, it could be your English class,

741
00:36:06,160 --> 00:36:10,560
Speaker 3: social no, nothing, it was just the very first You

742
00:36:10,640 --> 00:36:14,200
Speaker 3: just go straight into your attendances taken out at first period.

743
00:36:14,360 --> 00:36:14,919
Speaker 1: Yeah, we went.

744
00:36:16,480 --> 00:36:19,759
Speaker 2: The school musicale is looking for sign ups, especially for

745
00:36:19,800 --> 00:36:23,560
Speaker 2: the leads, which has to be a pair because you

746
00:36:23,640 --> 00:36:26,719
Speaker 2: need to audition in pairs, which is not a thing

747
00:36:27,120 --> 00:36:30,640
Speaker 2: anywhere ever. Sorry, that was weird. That was a weird thing.

748
00:36:30,640 --> 00:36:33,640
Speaker 2: They could have rewritten that. It's just you don't audition

749
00:36:33,800 --> 00:36:36,759
Speaker 2: in pairs. No, it's get the best person you.

750
00:36:36,680 --> 00:36:38,600
Speaker 4: Can audition in a pair, and one of you can

751
00:36:38,600 --> 00:36:40,200
Speaker 4: make it and the other place you can't.

752
00:36:40,400 --> 00:36:42,200
Speaker 1: Or you mix and match and you put them together.

753
00:36:42,280 --> 00:36:43,799
Speaker 1: So lost me right there.

754
00:36:44,040 --> 00:36:48,680
Speaker 3: That's what callbacks are actually for, right, you mix math?

755
00:36:49,080 --> 00:36:51,640
Speaker 2: Then Troy calls Gabriella to make sure it's actually her

756
00:36:51,680 --> 00:36:54,160
Speaker 2: in class. The ringing phone gets almost the entire group

757
00:36:54,560 --> 00:37:00,160
Speaker 2: detention because you're not supposed to have phones in your school, right, Yes, Wait,

758
00:37:00,160 --> 00:37:02,359
Speaker 2: it's supposed to be. We've heard you, We've heard you

759
00:37:02,719 --> 00:37:06,200
Speaker 2: talk about your similar experiences.

760
00:37:05,719 --> 00:37:06,640
Speaker 4: Phone take it away.

761
00:37:06,719 --> 00:37:11,200
Speaker 3: With your phone taken every day and second period.

762
00:37:11,480 --> 00:37:14,319
Speaker 2: You would think eventually, Sabrina, you'd stop bringing your phone

763
00:37:14,320 --> 00:37:15,680
Speaker 2: to second period, right.

764
00:37:15,800 --> 00:37:16,200
Speaker 1: I mean?

765
00:37:16,480 --> 00:37:18,640
Speaker 3: Coach Bailey, who had to pick it up from every

766
00:37:18,719 --> 00:37:22,640
Speaker 3: day by the third or fourth month, was like, dude,

767
00:37:23,000 --> 00:37:24,839
Speaker 3: what is going on?

768
00:37:25,440 --> 00:37:25,680
Speaker 2: Yeah?

769
00:37:26,400 --> 00:37:26,760
Speaker 1: Anyway?

770
00:37:27,520 --> 00:37:31,360
Speaker 2: Yeah, So the Utah New Year's Eve couple is back together,

771
00:37:31,480 --> 00:37:33,440
Speaker 2: even though they didn't connect again at the lodger. Keep

772
00:37:33,440 --> 00:37:35,879
Speaker 2: in touch, but Troy is up, which makes you wonder

773
00:37:35,920 --> 00:37:38,400
Speaker 2: why didn't he actually call her? But Troy is already

774
00:37:38,400 --> 00:37:42,319
Speaker 2: nervous that his friends will find out he sang with

775
00:37:42,360 --> 00:37:45,160
Speaker 2: her what I can't let my friends know. I sung

776
00:37:45,200 --> 00:37:48,400
Speaker 2: a song with the perfect pitch and key because I

777
00:37:48,440 --> 00:37:52,600
Speaker 2: am a world class singer. And this is intensified when

778
00:37:52,600 --> 00:37:55,520
Speaker 2: they stumble on the pair's musical sign up and Sharpey,

779
00:37:55,680 --> 00:37:57,360
Speaker 2: who is of course being a mean girl to the

780
00:37:57,400 --> 00:38:00,640
Speaker 2: new transfer, and she appears to like the varsity star Troy.

781
00:38:01,480 --> 00:38:03,800
Speaker 2: We've talked about Astley Tisdelle. She's so good in this movie.

782
00:38:03,880 --> 00:38:07,720
Speaker 2: So Troy floats the idea to his basketball team about

783
00:38:07,719 --> 00:38:12,439
Speaker 2: the musical and of course is just shot down. This

784
00:38:12,480 --> 00:38:15,800
Speaker 2: is where I'm gonna throw in a very quick story

785
00:38:16,000 --> 00:38:19,680
Speaker 2: about Disney. So not too long ago, a couple of

786
00:38:19,760 --> 00:38:23,279
Speaker 2: years now, I had an idea for a dcom and

787
00:38:23,360 --> 00:38:25,520
Speaker 2: my friend and I as a producer writer, we came

788
00:38:25,600 --> 00:38:29,160
Speaker 2: up with this great pitch and we met with somebody

789
00:38:29,239 --> 00:38:31,279
Speaker 2: at Disney who was very high up in the dcom world.

790
00:38:31,320 --> 00:38:34,960
Speaker 2: I won't say who, and she very politely listened to

791
00:38:34,960 --> 00:38:36,600
Speaker 2: our pitch and then she stopped us and she went

792
00:38:36,800 --> 00:38:37,480
Speaker 2: not even close.

793
00:38:37,760 --> 00:38:40,560
Speaker 1: She said, the dcom is totally different. This is not

794
00:38:40,560 --> 00:38:41,080
Speaker 1: what it's like.

795
00:38:41,160 --> 00:38:43,799
Speaker 2: She said, to the point where this year, So this

796
00:38:43,840 --> 00:38:45,880
Speaker 2: is a couple of years ago, she said, we had

797
00:38:45,960 --> 00:38:47,920
Speaker 2: a group of one hundred kids that we sat down

798
00:38:47,960 --> 00:38:50,279
Speaker 2: and we showed them high school Musical, our biggest hit ever.

799
00:38:50,600 --> 00:38:54,439
Speaker 2: And to a person, they hated it. And she said,

800
00:38:54,480 --> 00:38:57,120
Speaker 2: the reason they hated it is because none.

801
00:38:56,840 --> 00:38:57,400
Speaker 1: Of them.

802
00:38:58,920 --> 00:39:00,560
Speaker 2: I don't want to do the double night it because

803
00:39:00,600 --> 00:39:02,520
Speaker 2: I'll put it this way, all of them now as

804
00:39:02,640 --> 00:39:10,439
Speaker 2: kids multitask, basketball, theater, karate, tennis, Oh, whatever you want

805
00:39:10,480 --> 00:39:13,440
Speaker 2: to do, that's what kids do. So they did not

806
00:39:13,640 --> 00:39:15,560
Speaker 2: get the idea where it's like you want to be

807
00:39:15,600 --> 00:39:17,520
Speaker 2: in theater and play basketball. Go be in theater and

808
00:39:17,560 --> 00:39:20,719
Speaker 2: play basketball. That's that's It's not one or the other.

809
00:39:21,400 --> 00:39:24,040
Speaker 2: And she was like, it was the most amazing eye

810
00:39:24,080 --> 00:39:26,920
Speaker 2: opening thing. She said, We had one hundred kids ranging

811
00:39:26,920 --> 00:39:29,879
Speaker 2: in age it was from like eight to fourteen. Every

812
00:39:29,880 --> 00:39:31,879
Speaker 2: single one of them hated high school musical because they

813
00:39:32,080 --> 00:39:34,680
Speaker 2: did not understand why the kid.

814
00:39:34,640 --> 00:39:35,960
Speaker 1: Just didn't go and do both.

815
00:39:36,520 --> 00:39:39,400
Speaker 2: So that as I think a generational thing where you

816
00:39:39,440 --> 00:39:43,120
Speaker 2: can just do both. But back then, that was it, right,

817
00:39:43,200 --> 00:39:44,399
Speaker 2: You're a theater kid, you were.

818
00:39:44,280 --> 00:39:46,759
Speaker 1: A jack kid. Yeah, that's you picked your crew and

819
00:39:46,800 --> 00:39:47,279
Speaker 1: that's what you.

820
00:39:47,239 --> 00:39:48,880
Speaker 4: Were right, you know.

821
00:39:49,000 --> 00:39:51,440
Speaker 3: And what is crazy on the to just kind of

822
00:39:51,520 --> 00:39:55,120
Speaker 3: comment on that generational situation that is happening right now

823
00:39:55,520 --> 00:39:58,560
Speaker 3: is I think they're setting kids up for a little

824
00:39:58,600 --> 00:40:02,160
Speaker 3: bit of failure because the reality of the world is

825
00:40:02,200 --> 00:40:05,279
Speaker 3: you can't you're sometimes you know what I mean, you

826
00:40:05,680 --> 00:40:08,520
Speaker 3: start spreading yourself too thin, and these kids are so

827
00:40:08,760 --> 00:40:13,080
Speaker 3: overwhelmed and overstimulated that they end up having a lot

828
00:40:13,120 --> 00:40:17,880
Speaker 3: of anxiety issues. That's what I've seen within different schools

829
00:40:17,880 --> 00:40:21,000
Speaker 3: that allow that. At some schools, you know, you can

830
00:40:21,040 --> 00:40:24,280
Speaker 3: do sports, but they have to be a fall sport,

831
00:40:24,400 --> 00:40:26,960
Speaker 3: a winter sport. You know, you can't do two winter

832
00:40:27,040 --> 00:40:30,240
Speaker 3: sports because it's just so hard on the kids.

833
00:40:30,440 --> 00:40:32,440
Speaker 4: You know, they're over tired.

834
00:40:32,760 --> 00:40:34,160
Speaker 1: You said, setting them up for failure.

835
00:40:34,239 --> 00:40:36,880
Speaker 2: I would be fine with that if they actually allowed

836
00:40:36,920 --> 00:40:39,880
Speaker 2: the kids to fail, because you need to learn how

837
00:40:39,880 --> 00:40:42,800
Speaker 2: to lose. That's a really important thing. So you coming

838
00:40:42,840 --> 00:40:45,120
Speaker 2: in ninth you don't get a trophy for striking out

839
00:40:45,120 --> 00:40:47,560
Speaker 2: and then running the third. Great, but that's how it

840
00:40:47,600 --> 00:40:50,400
Speaker 2: is now. So kids think they can do everything and

841
00:40:50,880 --> 00:40:53,759
Speaker 2: are succeeding at everything, where you've got to learn how

842
00:40:53,800 --> 00:40:54,160
Speaker 2: to lose.

843
00:40:54,200 --> 00:40:56,319
Speaker 1: It's so it's way more important than learning how to win.

844
00:40:56,480 --> 00:40:57,160
Speaker 1: Learning how to lose.

845
00:40:57,280 --> 00:40:57,640
Speaker 2: Yeah.

846
00:40:57,880 --> 00:41:00,439
Speaker 3: I tend to think that comes with a lot of media,

847
00:41:00,680 --> 00:41:03,120
Speaker 3: Like what is it jack of all trades.

848
00:41:02,840 --> 00:41:06,200
Speaker 4: Master of nothing, master of none? Right, that's like what

849
00:41:06,320 --> 00:41:07,319
Speaker 4: ends up happening something?

850
00:41:07,719 --> 00:41:07,959
Speaker 1: Yeah.

851
00:41:08,040 --> 00:41:11,279
Speaker 3: Instead, I would rather someone be very dedicated to one

852
00:41:11,400 --> 00:41:15,600
Speaker 3: or two things, not somewhat interested in and being a

853
00:41:15,600 --> 00:41:17,160
Speaker 3: part of seventeen teens.

854
00:41:17,280 --> 00:41:18,000
Speaker 1: That's yeah.

855
00:41:18,000 --> 00:41:19,560
Speaker 2: But that was the thing about this movie is that

856
00:41:19,560 --> 00:41:23,600
Speaker 2: it's it's now no longer lands with kids because kids

857
00:41:23,800 --> 00:41:25,760
Speaker 2: feel like they can do everything and they're.

858
00:41:25,560 --> 00:41:27,400
Speaker 3: All But do you think it is cool? That it

859
00:41:27,440 --> 00:41:30,279
Speaker 3: is okay for a jock to go do the music theater.

860
00:41:30,400 --> 00:41:32,839
Speaker 3: I love that it's a part of It's also good

861
00:41:32,840 --> 00:41:35,640
Speaker 3: in a way of you know, everyone's included.

862
00:41:35,920 --> 00:41:37,360
Speaker 1: Yeah, it's also in high school.

863
00:41:37,360 --> 00:41:39,120
Speaker 2: If you're trying to get into college, you want as

864
00:41:39,160 --> 00:41:41,440
Speaker 2: many things on your resume as possible. Hey, wow, you

865
00:41:41,440 --> 00:41:44,640
Speaker 2: were a star basketball player and on your audition for pairs.

866
00:41:44,760 --> 00:41:46,000
Speaker 2: But that's that's incredible.

867
00:41:46,239 --> 00:41:46,439
Speaker 1: Yeah.

868
00:41:46,480 --> 00:41:48,680
Speaker 2: And then during basketball practice, we learned there are only

869
00:41:48,719 --> 00:41:51,000
Speaker 2: two weeks left before the big game where scouts will

870
00:41:51,040 --> 00:41:53,480
Speaker 2: be so we get the very popular number in the

871
00:41:53,480 --> 00:41:55,120
Speaker 2: one I still can't get out of my head. Our

872
00:41:55,160 --> 00:41:58,600
Speaker 2: first upbeat tune, get your Head in the Game, which

873
00:41:58,680 --> 00:42:01,440
Speaker 2: kicks off from a beat made by basketball dribbling and

874
00:42:01,480 --> 00:42:05,959
Speaker 2: focuses on Troy sticky to sports. So this is him

875
00:42:06,080 --> 00:42:08,520
Speaker 2: singing with his friends about how he doesn't want his

876
00:42:08,520 --> 00:42:11,520
Speaker 2: friends to know he's singing. Also, zac Efron is very

877
00:42:11,560 --> 00:42:13,360
Speaker 2: good at basketball, but the whole team gets involved in

878
00:42:13,360 --> 00:42:15,440
Speaker 2: the singing and dancing, weaving in and out of practice,

879
00:42:15,680 --> 00:42:17,840
Speaker 2: making sure you get the rebound, shoot the outside, JA,

880
00:42:18,000 --> 00:42:18,959
Speaker 2: get my Head in the Game.

881
00:42:19,480 --> 00:42:20,840
Speaker 1: This was your favorite one, right.

882
00:42:21,040 --> 00:42:25,840
Speaker 3: Yes, And it's just a beat man. The beat is good.

883
00:42:26,320 --> 00:42:26,600
Speaker 3: It is.

884
00:42:27,440 --> 00:42:29,120
Speaker 4: I mean, it's so catchy.

885
00:42:29,640 --> 00:42:32,000
Speaker 3: Nobody can hear this song and say that it is

886
00:42:32,040 --> 00:42:33,239
Speaker 3: not stuck in their head.

887
00:42:33,520 --> 00:42:35,279
Speaker 1: This is the catchy one for me. This is the

888
00:42:35,320 --> 00:42:37,279
Speaker 1: one that made me go like, oh God, get out

889
00:42:37,280 --> 00:42:39,080
Speaker 1: of my head. Was this song?

890
00:42:39,560 --> 00:42:43,560
Speaker 4: It lasts forever and ever agreed. Oh, and then you

891
00:42:43,600 --> 00:42:45,520
Speaker 4: watch the movie again and it's right back.

892
00:42:45,840 --> 00:42:46,960
Speaker 1: It's right in your head.

893
00:42:47,960 --> 00:42:50,880
Speaker 2: Meanwhile, Gabriella continues to have issues with Sharpey, but she

894
00:42:50,920 --> 00:42:53,319
Speaker 2: does start to reveal herself as a true brainiac, even

895
00:42:53,360 --> 00:42:56,640
Speaker 2: correcting a teacher's equation when Sharpay finds out that she

896
00:42:56,760 --> 00:42:59,160
Speaker 2: was a competitive decathlete at her old school. In hopes

897
00:42:59,160 --> 00:43:01,960
Speaker 2: of keeping her way the musicale, she tips off the

898
00:43:02,000 --> 00:43:05,800
Speaker 2: East High's team to recruiter, and Troy continues to be

899
00:43:05,840 --> 00:43:07,719
Speaker 2: nervous about his friends and his dad finding out that

900
00:43:07,760 --> 00:43:09,840
Speaker 2: he has a musical flare, but it doesn't stop the

901
00:43:09,840 --> 00:43:12,600
Speaker 2: pair from sneaking into the audition separately and watching together,

902
00:43:13,080 --> 00:43:15,400
Speaker 2: though they can't commit to outing themselves, him as a

903
00:43:15,400 --> 00:43:18,200
Speaker 2: basketball star, her as a competitive smarty pants. And then

904
00:43:18,239 --> 00:43:20,200
Speaker 2: we meet the real star of the movie, the unsung

905
00:43:20,280 --> 00:43:23,480
Speaker 2: hero of the whole thing, Kelsey the piano playing composer

906
00:43:23,560 --> 00:43:26,600
Speaker 2: played by Olyssa Rulin. I feel like she's actually the

907
00:43:26,600 --> 00:43:29,000
Speaker 2: heart and soul of high school musical. She writes all

908
00:43:29,040 --> 00:43:31,560
Speaker 2: the music and shar Pei is a real well jerk

909
00:43:31,600 --> 00:43:34,279
Speaker 2: to her and so rude. I loved her and she

910
00:43:34,440 --> 00:43:37,120
Speaker 2: was one of my favorite characters of the entire thing. Yes,

911
00:43:37,480 --> 00:43:40,200
Speaker 2: so at the audition, Sharpei and her glitter cap brother

912
00:43:40,280 --> 00:43:42,239
Speaker 2: excel with their version of the song What I've been

913
00:43:42,280 --> 00:43:46,440
Speaker 2: looking for, which go back and listen to is just

914
00:43:46,640 --> 00:43:48,320
Speaker 2: the theme from Full House.

915
00:43:49,880 --> 00:43:51,799
Speaker 1: A what did you not notice this?

916
00:43:52,600 --> 00:43:55,560
Speaker 2: No, the lyrics are different, but the music is just

917
00:43:55,640 --> 00:43:58,799
Speaker 2: the theme from Full House. Go back and listen. It's

918
00:43:58,840 --> 00:44:02,200
Speaker 2: the theme from No, Yes, it is. The whole time,

919
00:44:02,200 --> 00:44:03,560
Speaker 2: I'm like, where do I know the song from?

920
00:44:03,600 --> 00:44:04,160
Speaker 1: Where do I know?

921
00:44:04,200 --> 00:44:04,359
Speaker 5: Oh?

922
00:44:04,400 --> 00:44:08,239
Speaker 2: My god, it's the theme from Full houseow. But then,

923
00:44:08,400 --> 00:44:10,920
Speaker 2: just when everyone leaves, Troy and Gabriella work with of

924
00:44:10,960 --> 00:44:13,000
Speaker 2: course Kelsey who's the best on her version of the

925
00:44:13,000 --> 00:44:16,880
Speaker 2: song and impress missus Darbis into a callback. But this

926
00:44:17,080 --> 00:44:20,480
Speaker 2: exposes the two as possible musical leads, throwing Sharpey, the

927
00:44:20,520 --> 00:44:23,839
Speaker 2: basketball team, and the decathletes into a thither. Don't these

928
00:44:23,840 --> 00:44:27,840
Speaker 2: people know their social roles, and then that, just like

929
00:44:27,880 --> 00:44:29,959
Speaker 2: we were talking about, don't they know their roles? Here

930
00:44:29,960 --> 00:44:33,160
Speaker 2: comes what is another standout song and dance stick to

931
00:44:33,239 --> 00:44:36,960
Speaker 2: the status quo, which is where the first time I

932
00:44:37,040 --> 00:44:42,440
Speaker 2: really saw the choreography at another scale. When you've got

933
00:44:42,440 --> 00:44:45,799
Speaker 2: the entire cafeteria, all the tables doing stuff. Forget about

934
00:44:45,800 --> 00:44:47,439
Speaker 2: the fact I don't know if this is Sabrina Caesar

935
00:44:47,480 --> 00:44:50,239
Speaker 2: or not, where no one has food in the.

936
00:44:50,640 --> 00:44:56,600
Speaker 4: One No, there's not a sandwich or a bag of chips.

937
00:44:56,719 --> 00:44:59,200
Speaker 2: Anyway, Vanessa walks out with the tray of food, and

938
00:44:59,200 --> 00:45:00,680
Speaker 2: I thought they were all going to just stomp on

939
00:45:00,719 --> 00:45:02,400
Speaker 2: her for food because they must be starving.

940
00:45:02,600 --> 00:45:05,239
Speaker 1: No one has food in the entire thing.

941
00:45:05,320 --> 00:45:07,520
Speaker 4: They needed those tables for danccene.

942
00:45:07,600 --> 00:45:10,680
Speaker 1: Okay, well they could have still danced in had some food.

943
00:45:11,000 --> 00:45:14,439
Speaker 2: But this is a cool song, a very disneyesque song,

944
00:45:14,600 --> 00:45:17,640
Speaker 2: a song that is great for kids to hear. It's

945
00:45:17,719 --> 00:45:20,839
Speaker 2: other kids kind of talking about exactly what their dreams are,

946
00:45:20,880 --> 00:45:24,080
Speaker 2: and then friends telling them, hey, man, don't let anybody do.

947
00:45:24,239 --> 00:45:28,560
Speaker 3: You see a range of different people like everyone it's

948
00:45:28,920 --> 00:45:33,759
Speaker 3: just yep, it's such an amazing Disney moment, you feel.

949
00:45:33,560 --> 00:45:34,960
Speaker 1: I agree, this is incredible.

950
00:45:35,080 --> 00:45:37,680
Speaker 2: One basketball player admits he likes to bake a white

951
00:45:37,680 --> 00:45:40,319
Speaker 2: girl on a roll, student loves hip hop popping and

952
00:45:40,360 --> 00:45:42,320
Speaker 2: lock in a skater boy wants to play the cello.

953
00:45:43,080 --> 00:45:46,000
Speaker 2: Huge extras dancing in the scene they fill the entire cafeteria.

954
00:45:46,080 --> 00:45:50,359
Speaker 2: It's incredibly impressive and it's kind of brackets the know

955
00:45:50,520 --> 00:45:54,040
Speaker 2: your role version right in this movie of what this

956
00:45:54,080 --> 00:45:58,920
Speaker 2: movie is about.

957
00:46:02,480 --> 00:46:05,080
Speaker 1: Is this the best scene in the movie, you think, I.

958
00:46:05,800 --> 00:46:09,759
Speaker 3: I think it's definitely a very I mean, it's up

959
00:46:09,760 --> 00:46:11,880
Speaker 3: there because the visual.

960
00:46:11,680 --> 00:46:12,279
Speaker 1: Is just.

961
00:46:14,160 --> 00:46:14,880
Speaker 4: So epic.

962
00:46:15,239 --> 00:46:19,799
Speaker 3: I mean, how did they even find this incredible cafeteria

963
00:46:19,840 --> 00:46:22,040
Speaker 3: that they have that was I mean, it's just.

964
00:46:24,640 --> 00:46:27,080
Speaker 2: One with the two floors we saw when we were

965
00:46:27,120 --> 00:46:30,680
Speaker 2: i mean talking to Jason Dolly, it's it's they this

966
00:46:30,680 --> 00:46:33,160
Speaker 2: this reason they shoot at these schools in Utah and that's.

967
00:46:33,040 --> 00:46:37,799
Speaker 3: School incredible, amazing, and I just it just gave for

968
00:46:37,960 --> 00:46:43,240
Speaker 3: so many opportunities of like what I could see Kenny

969
00:46:43,400 --> 00:46:46,960
Speaker 3: just envisioning it from the top to the bottom. Well

970
00:46:46,960 --> 00:46:50,760
Speaker 3: that's nothing when I no, no page was not turned.

971
00:46:50,880 --> 00:46:52,000
Speaker 3: He thought of it all.

972
00:46:52,200 --> 00:46:53,640
Speaker 1: He does layers.

973
00:46:53,920 --> 00:46:56,000
Speaker 2: Yes, you know, there's like like at the end, there's

974
00:46:56,120 --> 00:46:59,080
Speaker 2: kids on the bleachers, there's kids in the foreground, there's

975
00:46:59,120 --> 00:47:02,360
Speaker 2: kids halfway up the bleachers. I mean, he's he's leveling

976
00:47:02,520 --> 00:47:05,759
Speaker 2: every kind of dance. Where again, as somebody who not

977
00:47:05,840 --> 00:47:08,800
Speaker 2: a fan of dance, not a fan of singing, even

978
00:47:09,040 --> 00:47:12,399
Speaker 2: I noticed the complexity where it's like, damn, everybody's they're

979
00:47:12,400 --> 00:47:14,719
Speaker 2: on tables and they're doing this, and they're doing right

980
00:47:14,960 --> 00:47:15,959
Speaker 2: really impressively.

981
00:47:16,160 --> 00:47:19,000
Speaker 4: So I don't necessarily love like the beat of that.

982
00:47:19,160 --> 00:47:24,359
Speaker 3: This isn't my favorite catchy song, but the production and

983
00:47:24,560 --> 00:47:27,560
Speaker 3: the schiography and the scale of this routine is just

984
00:47:27,600 --> 00:47:29,960
Speaker 3: you can't not totally.

985
00:47:30,760 --> 00:47:34,040
Speaker 4: I appreciate everything that went into it, and I love

986
00:47:34,800 --> 00:47:35,720
Speaker 4: how it ends.

987
00:47:36,320 --> 00:47:42,600
Speaker 3: Ashley Tizil just getny literated by the by this food.

988
00:47:42,400 --> 00:47:47,520
Speaker 4: And her reaction is so good. She just nails this.

989
00:47:47,680 --> 00:47:49,319
Speaker 1: She was very good at this.

990
00:47:49,360 --> 00:47:51,520
Speaker 4: It's probably my favorite moment for her.

991
00:47:52,239 --> 00:47:53,400
Speaker 1: We've got to find a way to get her on

992
00:47:53,440 --> 00:47:53,920
Speaker 1: the podcast.

993
00:47:54,160 --> 00:47:55,640
Speaker 4: I know, she's so fun.

994
00:47:55,719 --> 00:47:57,560
Speaker 2: We'll tricker, we'll tell her it's something else we'll get,

995
00:47:57,560 --> 00:47:59,200
Speaker 2: we'll tell her we're giving in her warders.

996
00:47:59,040 --> 00:48:01,440
Speaker 3: Right, and she's death that kid to go back and

997
00:48:01,480 --> 00:48:03,640
Speaker 3: talk about. Like her resume, she was.

998
00:48:03,640 --> 00:48:06,440
Speaker 4: Probably I swear if it was a big role audition.

999
00:48:06,600 --> 00:48:07,360
Speaker 4: She was at every.

1000
00:48:07,239 --> 00:48:10,520
Speaker 3: Single one sort I remember walking in and going, damn it,

1001
00:48:10,640 --> 00:48:12,080
Speaker 3: she's here against Ashley.

1002
00:48:12,600 --> 00:48:14,520
Speaker 4: She is unbeatable, this girl.

1003
00:48:14,680 --> 00:48:17,640
Speaker 2: So apparently she is pregnant right now and hopefully we're

1004
00:48:17,640 --> 00:48:20,280
Speaker 2: hoping to get her for High School Musical two. So, Ashley,

1005
00:48:20,960 --> 00:48:22,719
Speaker 2: I don't know if you're ever to hear this, but

1006
00:48:22,880 --> 00:48:24,239
Speaker 2: we love you and we want to talk to you,

1007
00:48:24,320 --> 00:48:26,000
Speaker 2: and we got to talk him possible too, because we're

1008
00:48:26,000 --> 00:48:26,440
Speaker 2: supposed to.

1009
00:48:26,440 --> 00:48:26,839
Speaker 1: Know each other.

1010
00:48:26,920 --> 00:48:28,480
Speaker 4: Brilliant, brilliant, brilliant, brilliant.

1011
00:48:28,640 --> 00:48:31,120
Speaker 2: The song ends with Gabriella accidentally pouring nachos and a

1012
00:48:31,239 --> 00:48:34,359
Speaker 2: very angry and Jello Sharpey and Miss Darbus busting them up,

1013
00:48:35,080 --> 00:48:36,920
Speaker 2: and the new fear that the basketball team and the

1014
00:48:36,920 --> 00:48:39,160
Speaker 2: players also want to do other things when they should

1015
00:48:39,160 --> 00:48:40,839
Speaker 2: be getting ready for the big game. This also creates

1016
00:48:40,840 --> 00:48:43,520
Speaker 2: a bit of tension between Coach Bolton and Miss Darbus,

1017
00:48:43,800 --> 00:48:47,080
Speaker 2: a side story that really doesn't go anywhere, but you know,

1018
00:48:47,200 --> 00:48:49,680
Speaker 2: it worked, and I get where they were against each other.

1019
00:48:49,760 --> 00:48:52,680
Speaker 2: But then the story that really worked was the main

1020
00:48:52,760 --> 00:48:55,319
Speaker 2: love story. Troy and Gabriella want to talk about their

1021
00:48:55,360 --> 00:48:57,560
Speaker 2: auditioning dilemma, so they meet on the school's roof, which

1022
00:48:57,600 --> 00:49:01,360
Speaker 2: is also apparently a nursery. They make the decision to

1023
00:49:01,640 --> 00:49:04,000
Speaker 2: fully dive into the callback and study the song all

1024
00:49:04,040 --> 00:49:05,920
Speaker 2: over the school while avoiding their rivals, in a bit

1025
00:49:05,960 --> 00:49:08,399
Speaker 2: of a montage that leads to Troy coming very late

1026
00:49:08,400 --> 00:49:10,160
Speaker 2: to basketball practice and his dad having a bit of

1027
00:49:10,160 --> 00:49:12,440
Speaker 2: a standoff with him and Gabriella.

1028
00:49:12,560 --> 00:49:15,440
Speaker 1: The new friend is ruining his son, and the team is.

1029
00:49:15,480 --> 00:49:18,720
Speaker 2: Very scared, so scared that they approach that the cathlon

1030
00:49:18,800 --> 00:49:20,360
Speaker 2: members and come up with a plan to make the

1031
00:49:20,400 --> 00:49:24,040
Speaker 2: new couple dislike each other and leave the musicale behind.

1032
00:49:25,200 --> 00:49:28,239
Speaker 2: Did you think that this was a plan that that

1033
00:49:28,280 --> 00:49:31,000
Speaker 2: would keep them from doing it? It just seemed kind of

1034
00:49:31,960 --> 00:49:34,040
Speaker 2: tacked on to me. It was a bit poorly planned

1035
00:49:34,080 --> 00:49:35,719
Speaker 2: where it was like trying.

1036
00:49:35,480 --> 00:49:38,440
Speaker 1: To break them up. I mean, hey, he cheated on you.

1037
00:49:39,800 --> 00:49:42,440
Speaker 4: Yes, this was kind of convoluted to me.

1038
00:49:42,680 --> 00:49:46,439
Speaker 3: Yeah, it just kind of just I don't know, I mean,

1039
00:49:46,640 --> 00:49:48,600
Speaker 3: let's create some conflict.

1040
00:49:49,120 --> 00:49:50,400
Speaker 1: Okay, I do it better than that.

1041
00:49:50,680 --> 00:49:51,759
Speaker 4: Yeah, it should have been.

1042
00:49:52,040 --> 00:49:53,960
Speaker 1: You know, it was not a great plan for me, right,

1043
00:49:54,160 --> 00:49:54,560
Speaker 1: I thought.

1044
00:49:55,200 --> 00:49:59,160
Speaker 2: The basketball team creates a little pep talk, telling Troy

1045
00:49:59,200 --> 00:50:01,239
Speaker 2: about all the legends in the past, wildcat teams and

1046
00:50:01,239 --> 00:50:03,000
Speaker 2: telling them that they need him. And on the other

1047
00:50:03,000 --> 00:50:05,360
Speaker 2: side of the school, the decathletes explain that jocks and

1048
00:50:05,400 --> 00:50:08,319
Speaker 2: actors are the worst people ever and education is the.

1049
00:50:08,239 --> 00:50:11,000
Speaker 1: Future of America. So the results are a little confusing.

1050
00:50:11,000 --> 00:50:14,200
Speaker 2: Here, Troy goes with enthusiasm so much so he calls

1051
00:50:14,280 --> 00:50:17,600
Speaker 2: Gabriella just some girl he met. She's not important, and

1052
00:50:17,640 --> 00:50:19,319
Speaker 2: singing is just away for him to calm his nerves

1053
00:50:19,320 --> 00:50:20,799
Speaker 2: when he gets ready to give one hundred and ten

1054
00:50:20,840 --> 00:50:24,399
Speaker 2: percent at the basketball game. They're also, of course filming this,

1055
00:50:24,719 --> 00:50:26,839
Speaker 2: and they hide the camera not at all.

1056
00:50:26,920 --> 00:50:27,759
Speaker 1: I don't know if you saw that.

1057
00:50:27,800 --> 00:50:29,520
Speaker 2: It's like they might as well just be holding a

1058
00:50:29,520 --> 00:50:32,560
Speaker 2: camera in his face like this as they film it,

1059
00:50:32,640 --> 00:50:35,840
Speaker 2: at least a bit circumspect of putting the camera on

1060
00:50:35,920 --> 00:50:38,399
Speaker 2: the thing. I herew around it, like really, hey, I'm

1061
00:50:38,440 --> 00:50:39,360
Speaker 2: going to try to hide that.

1062
00:50:39,400 --> 00:50:41,040
Speaker 1: You're yeah, yeah.

1063
00:50:41,080 --> 00:50:43,640
Speaker 2: They show the footage to Gabriella. She cries, and now

1064
00:50:43,640 --> 00:50:46,800
Speaker 2: she calls the audition off. She's into maths. He's a baller,

1065
00:50:46,840 --> 00:50:50,000
Speaker 2: and Vanessa Hudgens gets her solo song when There was

1066
00:50:50,080 --> 00:50:52,279
Speaker 2: Me and You, and she's walking through the hallways very

1067
00:50:52,320 --> 00:50:53,200
Speaker 2: distraught and singing.

1068
00:50:53,280 --> 00:50:59,439
Speaker 3: This was for me a good representation of showing her

1069
00:51:00,440 --> 00:51:03,520
Speaker 3: to when she really found herself as a musical artist.

1070
00:51:04,320 --> 00:51:07,879
Speaker 3: She does not look comfortable doing the movement that has

1071
00:51:07,920 --> 00:51:11,120
Speaker 3: been given to her, and I felt for her because

1072
00:51:11,160 --> 00:51:13,440
Speaker 3: I know what that feels like when you're given movement

1073
00:51:13,480 --> 00:51:16,040
Speaker 3: and you're like, there's a song that I have, but

1074
00:51:16,160 --> 00:51:18,880
Speaker 3: I just can't watch because I can just tell, like I.

1075
00:51:18,800 --> 00:51:21,240
Speaker 4: Really wasn't in love with what I was doing and.

1076
00:51:21,520 --> 00:51:23,719
Speaker 2: It felt awkward, or in the second or third one,

1077
00:51:23,800 --> 00:51:26,560
Speaker 2: in the second or third it's the second one, Okay,

1078
00:51:26,680 --> 00:51:29,600
Speaker 2: don't tell me, don't tell me if I can pick

1079
00:51:29,600 --> 00:51:29,879
Speaker 2: it out.

1080
00:51:30,280 --> 00:51:32,560
Speaker 3: Yeah, I just you know, I felt for her because

1081
00:51:32,560 --> 00:51:36,360
Speaker 3: it just didn't feel and she does definitely progress and

1082
00:51:36,440 --> 00:51:39,319
Speaker 3: find her own way, and I'm sure I'm sure too.

1083
00:51:39,440 --> 00:51:41,680
Speaker 3: By the second and third movie, she was probably given

1084
00:51:41,719 --> 00:51:43,560
Speaker 3: a little bit more freedom to do stuff.

1085
00:51:43,280 --> 00:51:44,399
Speaker 4: That felt better for her.

1086
00:51:44,800 --> 00:51:46,959
Speaker 3: But this was hard for me to watch because she's

1087
00:51:47,040 --> 00:51:50,279
Speaker 3: such an incredible artist, she really is, and her voice

1088
00:51:50,360 --> 00:51:53,239
Speaker 3: is great, and so I could just tell that she

1089
00:51:53,600 --> 00:51:54,600
Speaker 3: just didn't.

1090
00:51:54,560 --> 00:51:55,960
Speaker 4: Yeah, it's not that she didn't commit.

1091
00:51:56,120 --> 00:51:58,400
Speaker 3: She didn't she fully commit, but you could tell she

1092
00:51:58,440 --> 00:51:59,600
Speaker 3: wasn't super comfortable.

1093
00:51:59,760 --> 00:52:02,560
Speaker 1: Yeah, it also wasn't my favorite song if I'm honest.

1094
00:52:02,719 --> 00:52:05,400
Speaker 4: Yeah, Yeah, There's just so many other great songs. This

1095
00:52:05,520 --> 00:52:06,480
Speaker 4: isn't the the one.

1096
00:52:06,800 --> 00:52:07,040
Speaker 1: Yeah.

1097
00:52:07,080 --> 00:52:09,200
Speaker 2: And then, in one of the quickest movie one eighty

1098
00:52:09,280 --> 00:52:11,399
Speaker 2: turnarounds of all time, the basketball team finds a very

1099
00:52:11,440 --> 00:52:14,560
Speaker 2: sad Troy back on the nursery roof and admits to

1100
00:52:14,680 --> 00:52:17,799
Speaker 2: their trickery. They don't want to stop his audition with manipulation,

1101
00:52:18,200 --> 00:52:20,840
Speaker 2: which is still debatable. At the same time, the decathletes

1102
00:52:20,840 --> 00:52:23,719
Speaker 2: admit their involvement to Gabriella and now the audition might

1103
00:52:23,800 --> 00:52:26,080
Speaker 2: be back on, especially when Troy shows up at her

1104
00:52:26,080 --> 00:52:29,920
Speaker 2: house your Favorite scene to apologize over a flip phone,

1105
00:52:29,960 --> 00:52:32,160
Speaker 2: then shows up on her second story patio to sing

1106
00:52:32,160 --> 00:52:37,960
Speaker 2: at her, FYI this is his real Okay, okay, and

1107
00:52:38,040 --> 00:52:40,360
Speaker 2: so we hear. We get another montage. Both Troy and

1108
00:52:40,360 --> 00:52:42,600
Speaker 2: Gabriella are still working hard in their respective feels, but

1109
00:52:42,840 --> 00:52:45,279
Speaker 2: also practicing for the audition again. Kids being able to

1110
00:52:45,320 --> 00:52:48,360
Speaker 2: do more than one thing you both, which is honestly

1111
00:52:48,360 --> 00:52:49,560
Speaker 2: something I was asking if they could do.

1112
00:52:49,520 --> 00:52:51,359
Speaker 1: Since the start of the movie. But there's one more

1113
00:52:51,440 --> 00:52:52,080
Speaker 1: hurdle of jump.

1114
00:52:52,080 --> 00:52:55,280
Speaker 2: In Act three, Sharpey and her brother convinced miss Darbus

1115
00:52:55,280 --> 00:52:56,840
Speaker 2: to make the callback at the same time as the

1116
00:52:56,840 --> 00:52:59,759
Speaker 2: basketball game and to cathalon meet, and they do it

1117
00:52:59,760 --> 00:53:04,520
Speaker 2: in a really tricky way. They asked her to which

1118
00:53:04,520 --> 00:53:06,640
Speaker 2: she does. Literally, that's all they say. They ask her,

1119
00:53:06,640 --> 00:53:07,920
Speaker 2: and she's so she's in on it.

1120
00:53:08,200 --> 00:53:11,960
Speaker 3: I this was confusing to me as far as a

1121
00:53:12,120 --> 00:53:17,200
Speaker 3: teacher goes. Why to change to do a schedule change

1122
00:53:17,280 --> 00:53:19,719
Speaker 3: is kind of a big deal, right, yeah, you know

1123
00:53:20,920 --> 00:53:23,960
Speaker 3: everyone would need to be notified and whatever, And it

1124
00:53:24,120 --> 00:53:27,279
Speaker 3: was strangely, was she trying to sabotage?

1125
00:53:27,560 --> 00:53:29,200
Speaker 2: Yes, I think that's what it is. I think they're

1126
00:53:29,239 --> 00:53:31,719
Speaker 2: showing I think what they were trying to do.

1127
00:53:31,840 --> 00:53:33,800
Speaker 3: Well, why did she let them try out to the beginning,

1128
00:53:33,880 --> 00:53:36,040
Speaker 3: because her original answer at first was no.

1129
00:53:36,080 --> 00:53:38,480
Speaker 1: You guys must then she heard them sing, and she

1130
00:53:38,560 --> 00:53:39,800
Speaker 1: heard them were so.

1131
00:53:39,640 --> 00:53:41,759
Speaker 4: Good that she's allowing it.

1132
00:53:42,440 --> 00:53:44,280
Speaker 2: I think they were trying to set it up where

1133
00:53:44,440 --> 00:53:46,080
Speaker 2: this is why they were trying to set up the

1134
00:53:46,120 --> 00:53:50,120
Speaker 2: conflict between her and his dad. Okay, I think to

1135
00:53:50,239 --> 00:53:52,200
Speaker 2: then it's like I'm going to get back and your

1136
00:53:52,280 --> 00:53:55,560
Speaker 2: dad kind of. But it didn't really work, particularly when

1137
00:53:55,560 --> 00:53:58,040
Speaker 2: it just made her super mean. She was already a

1138
00:53:58,040 --> 00:54:00,600
Speaker 2: weird character, but now she's a vindictive, weird.

1139
00:54:00,440 --> 00:54:04,440
Speaker 4: Character and a vindictive teacher. Yes to me, that is

1140
00:54:05,120 --> 00:54:05,759
Speaker 4: you know what.

1141
00:54:06,239 --> 00:54:08,040
Speaker 2: Well, it's like the principal for a minute. Man, you

1142
00:54:08,080 --> 00:54:09,400
Speaker 2: know it was like it's like you just want to

1143
00:54:09,400 --> 00:54:09,719
Speaker 2: see we.

1144
00:54:09,719 --> 00:54:11,200
Speaker 7: Can't go back to him. I'm not going to cat

1145
00:54:11,480 --> 00:54:13,919
Speaker 7: back there. We can forward, Sabrina, You're like, we got

1146
00:54:13,920 --> 00:54:18,120
Speaker 7: to look forward. Yes, So it was very strange. It

1147
00:54:18,360 --> 00:54:20,480
Speaker 7: also seems like, why wouldn't she want to find.

1148
00:54:20,560 --> 00:54:24,040
Speaker 2: The two the best people who have the chemistry, who

1149
00:54:24,120 --> 00:54:26,920
Speaker 2: are clearly phenomenal singers.

1150
00:54:26,640 --> 00:54:29,400
Speaker 3: Right, Why wouldn't she want to find the best for

1151
00:54:29,480 --> 00:54:33,440
Speaker 3: her production that does nothing but highlight you agree, positive

1152
00:54:33,840 --> 00:54:37,520
Speaker 3: successful way whatever, lady, you're out of your.

1153
00:54:37,440 --> 00:54:38,320
Speaker 1: Mind, agreed.

1154
00:54:38,600 --> 00:54:41,040
Speaker 2: But the basketball team and the decathletes and even his

1155
00:54:41,239 --> 00:54:43,680
Speaker 2: coach Dad aren't going to let this ruin their plans.

1156
00:54:43,719 --> 00:54:46,320
Speaker 2: They're going to work together now to make sure Troy

1157
00:54:46,440 --> 00:54:47,840
Speaker 2: and Gabrielle up make the callback.

1158
00:54:47,920 --> 00:54:48,640
Speaker 1: It's the big day.

1159
00:54:48,880 --> 00:54:51,040
Speaker 2: And while the callbacks have begun with Sharpay and Ryan

1160
00:54:51,080 --> 00:54:53,640
Speaker 2: singing Bop to the top, did the Kathleen tack into

1161
00:54:53,640 --> 00:54:55,840
Speaker 2: the gym power lines and shut everything down? This is

1162
00:54:55,840 --> 00:54:58,319
Speaker 2: where I love all the different groups working together. You

1163
00:54:58,360 --> 00:55:00,160
Speaker 2: get the nerds doing something. You get the beast ball

1164
00:55:00,200 --> 00:55:02,440
Speaker 2: team doing something. It was great, right, So they're gonna

1165
00:55:02,640 --> 00:55:05,080
Speaker 2: shut everything down, giving Troy a chance to run out

1166
00:55:05,080 --> 00:55:07,960
Speaker 2: mid game, while also letting one of their science experiments

1167
00:55:07,960 --> 00:55:10,120
Speaker 2: get out of hand and evacuate the room. And not

1168
00:55:10,160 --> 00:55:13,040
Speaker 2: only do Troy and Gabriella make the audition, but all

1169
00:55:13,080 --> 00:55:15,520
Speaker 2: of the audience members from both big events pile into

1170
00:55:15,560 --> 00:55:18,800
Speaker 2: the theater to watch them overcome nerves and sing break

1171
00:55:18,840 --> 00:55:21,960
Speaker 2: and Free, which is Kelsey's newest jam. A big moon

1172
00:55:22,040 --> 00:55:24,640
Speaker 2: even descends from the ceiling, which makes me ask is

1173
00:55:24,680 --> 00:55:28,040
Speaker 2: this the show or was this just for the callback? Yeah,

1174
00:55:28,560 --> 00:55:30,880
Speaker 2: but it's a great audition. The crowd goes nuts and

1175
00:55:30,920 --> 00:55:33,200
Speaker 2: they get the part. They get the part. This is great,

1176
00:55:33,200 --> 00:55:36,000
Speaker 2: you got the part, kid got it. Eventually, the basketball

1177
00:55:36,000 --> 00:55:38,080
Speaker 2: game restarts and Troy hits the buzzer beater to win

1178
00:55:38,120 --> 00:55:41,480
Speaker 2: an East Hide also wins the decathlon. We know that

1179
00:55:41,520 --> 00:55:44,479
Speaker 2: because Gabriella runs up and just says, we won too.

1180
00:55:44,880 --> 00:55:47,200
Speaker 1: We don't get to see the decathlon. Everyone has a

1181
00:55:47,280 --> 00:55:50,200
Speaker 1: very happy ending. Yeah I am too, I am too

1182
00:55:50,200 --> 00:55:50,800
Speaker 1: if I'm honest.

1183
00:55:51,160 --> 00:55:54,000
Speaker 2: Ever, because weird tocathletes, not a lot of rhymes with that.

1184
00:55:55,160 --> 00:55:56,279
Speaker 1: Everyone has a happy ending.

1185
00:55:56,360 --> 00:55:58,440
Speaker 2: A bunch of the students pair off into possible couples,

1186
00:55:58,680 --> 00:56:02,480
Speaker 2: and Sharpey even Earn honestly congratulates Gabriella, even.

1187
00:56:02,320 --> 00:56:04,480
Speaker 1: Though she will now be her understudy.

1188
00:56:04,800 --> 00:56:07,879
Speaker 2: By the way, break a leg in theater means good luck,

1189
00:56:08,200 --> 00:56:10,799
Speaker 2: which is a little unearned of a character change. But

1190
00:56:10,960 --> 00:56:13,400
Speaker 2: you gotta do the Haylar Russo great match at the

1191
00:56:13,440 --> 00:56:15,239
Speaker 2: end of Kriti Kit. You gotta do it to save

1192
00:56:15,280 --> 00:56:18,399
Speaker 2: the character a little bit. Yeah, Kelsey gets a nice

1193
00:56:18,400 --> 00:56:20,680
Speaker 2: acknowledgment as the brain's the whole thing. Then we get

1194
00:56:20,719 --> 00:56:24,040
Speaker 2: the big final number with everyone, and I mean everyone.

1195
00:56:24,080 --> 00:56:27,240
Speaker 2: They must have brought the entire state of Utah out

1196
00:56:27,600 --> 00:56:30,319
Speaker 2: for the whole jim filled singing and dancing too. We're

1197
00:56:30,360 --> 00:56:32,520
Speaker 2: all in this together, which is a pretty iconic scene

1198
00:56:32,560 --> 00:56:35,279
Speaker 2: that is used for most references in the movie. It's

1199
00:56:35,400 --> 00:56:38,440
Speaker 2: a pop culture phenomenon and that's kind of the end.

1200
00:56:38,480 --> 00:56:40,479
Speaker 2: We do get a post credit scene of Sharpay and Zeke,

1201
00:56:40,520 --> 00:56:42,840
Speaker 2: who are now love interests. She's obsessed with the cookies.

1202
00:56:42,840 --> 00:56:45,440
Speaker 2: He bakes a callback to his wish he had beyond

1203
00:56:45,440 --> 00:56:47,680
Speaker 2: basketball and she looks at the camera, which is the

1204
00:56:47,719 --> 00:56:49,640
Speaker 2: first fourth wall break.

1205
00:56:50,680 --> 00:56:53,520
Speaker 1: There was something else that. I had a question for.

1206
00:56:54,680 --> 00:57:00,920
Speaker 2: All of the extras that are also dancing, also mouthing

1207
00:57:00,960 --> 00:57:05,359
Speaker 2: along with the song when they pre record everything, did

1208
00:57:05,400 --> 00:57:08,040
Speaker 2: they have five hundred people really singing the song on

1209
00:57:08,080 --> 00:57:08,439
Speaker 2: the track?

1210
00:57:08,480 --> 00:57:09,240
Speaker 1: How did that work?

1211
00:57:10,000 --> 00:57:12,560
Speaker 3: So normally, so what you would do is you'd get

1212
00:57:13,280 --> 00:57:16,040
Speaker 3: I don't know how many they did, but you just double.

1213
00:57:15,760 --> 00:57:17,760
Speaker 1: The voices and you get ten people, and then you

1214
00:57:17,840 --> 00:57:18,800
Speaker 1: keep double them.

1215
00:57:18,880 --> 00:57:21,280
Speaker 3: Yeah, you just stack stack the tracks on couple of

1216
00:57:21,360 --> 00:57:23,000
Speaker 3: each other. It starts to sound like there's.

1217
00:57:23,000 --> 00:57:24,880
Speaker 2: Because you know, like the first one they did where

1218
00:57:24,880 --> 00:57:27,480
Speaker 2: everybody's trying I want to bake crem brule and then

1219
00:57:27,480 --> 00:57:29,560
Speaker 2: the people at the table were like, don't don't tell

1220
00:57:29,560 --> 00:57:32,360
Speaker 2: anybody that did each of those people who seem to

1221
00:57:32,360 --> 00:57:36,680
Speaker 2: be extras but were singing, did they record their own track?

1222
00:57:36,800 --> 00:57:36,960
Speaker 3: No?

1223
00:57:37,040 --> 00:57:40,520
Speaker 1: I doubt it. No, it was probably tempt stuff. Okay, yeah, yeah, gotcha.

1224
00:57:40,640 --> 00:57:43,320
Speaker 3: You know the producers that they have friends that they

1225
00:57:43,320 --> 00:57:46,680
Speaker 3: could pull in. You know, they've also like producers usually

1226
00:57:46,680 --> 00:57:51,400
Speaker 3: have demo singers, so you get you'll get you know,

1227
00:57:51,480 --> 00:57:54,600
Speaker 3: all these songs were demos that were submitted to Disney,

1228
00:57:54,960 --> 00:57:58,040
Speaker 3: and Disney picks the songs that make sense or write

1229
00:57:58,080 --> 00:58:02,000
Speaker 3: them and even if they're writing specifically for it, they'll

1230
00:58:02,040 --> 00:58:05,040
Speaker 3: have their demo, like they hire demo people to do it,

1231
00:58:05,080 --> 00:58:07,000
Speaker 3: So those there are probably more of like the demo

1232
00:58:07,080 --> 00:58:09,960
Speaker 3: singers that they know on that got paid to go

1233
00:58:09,960 --> 00:58:11,520
Speaker 3: ahead and do these little bits and bops.

1234
00:58:19,640 --> 00:58:21,000
Speaker 1: Can we do real reviews?

1235
00:58:21,440 --> 00:58:22,360
Speaker 4: Yes we can.

1236
00:58:23,600 --> 00:58:27,160
Speaker 3: This is a long review, guys, this five star, five

1237
00:58:27,200 --> 00:58:31,760
Speaker 3: star doing this person really really loves this movie, as

1238
00:58:31,920 --> 00:58:35,240
Speaker 3: so many do. You are not really a Disney person

1239
00:58:35,440 --> 00:58:37,080
Speaker 3: if you don't love high school musical.

1240
00:58:37,640 --> 00:58:39,920
Speaker 4: It's true. This is from Mela.

1241
00:58:40,440 --> 00:58:42,439
Speaker 3: One time in class we had to do this thing

1242
00:58:42,520 --> 00:58:46,200
Speaker 3: where you list your top three favorite movie characters, and

1243
00:58:46,280 --> 00:58:51,959
Speaker 3: I said Troy Bolton for every single spot. Then another time,

1244
00:58:52,080 --> 00:58:55,040
Speaker 3: our school was playing a city called Troy, and I

1245
00:58:55,040 --> 00:58:58,120
Speaker 3: looked at my bestie across the room in mouth Troy

1246
00:58:58,520 --> 00:59:03,200
Speaker 3: Bolton quote unquote. So like, everyone at my school knows

1247
00:59:03,280 --> 00:59:06,520
Speaker 3: I am literally in love with Troy Bolton, and so

1248
00:59:06,600 --> 00:59:10,200
Speaker 3: they tease me by saying, hey, Troy Bolton is behind you.

1249
00:59:10,680 --> 00:59:13,600
Speaker 3: And when I tell you, my head turns faster than

1250
00:59:13,680 --> 00:59:15,480
Speaker 3: you can say Troy Bolton.

1251
00:59:15,960 --> 00:59:17,960
Speaker 4: Believe me, Thank you, Mel.

1252
00:59:18,560 --> 00:59:19,120
Speaker 1: That's Mela.

1253
00:59:20,040 --> 00:59:22,720
Speaker 2: Does Mel really believe that Troy Bolton is behind her

1254
00:59:22,760 --> 00:59:24,960
Speaker 2: at school, not even zac Efron, It's Troy Bolton.

1255
00:59:25,080 --> 00:59:27,600
Speaker 4: Does she know that it's played by a guy named

1256
00:59:27,680 --> 00:59:28,320
Speaker 4: Zach Well.

1257
00:59:28,360 --> 00:59:30,520
Speaker 2: I love how she literally every time like my friends

1258
00:59:30,520 --> 00:59:32,320
Speaker 2: tell me that, and I turn around every time thinking

1259
00:59:32,320 --> 00:59:34,680
Speaker 2: this fictional character is really going to be standing behind me.

1260
00:59:35,200 --> 00:59:39,080
Speaker 3: Oh man, you know, I feel that in her heart

1261
00:59:39,400 --> 00:59:41,919
Speaker 3: it could happen, and I wish you's the best of luck.

1262
00:59:42,240 --> 00:59:46,000
Speaker 2: This is by far, everything about my one star review

1263
00:59:46,280 --> 00:59:48,080
Speaker 2: is the best thing I've ever read in my life.

1264
00:59:48,160 --> 00:59:50,960
Speaker 2: It's up there with Shakespeare and Chaucer. It is absolutely wonderful.

1265
00:59:51,240 --> 00:59:52,120
Speaker 1: Including the name.

1266
00:59:52,040 --> 00:59:53,000
Speaker 4: Starts with the name.

1267
00:59:53,640 --> 00:59:56,800
Speaker 2: So this is a one star review from Arnold the Dinosaur.

1268
00:59:57,880 --> 01:00:01,200
Speaker 2: And if I get loud, it's because it's in all caps. Okay,

1269
01:00:01,400 --> 01:00:04,960
Speaker 2: this movie is filled with lies. When this movie came out,

1270
01:00:05,040 --> 01:00:07,320
Speaker 2: I was so excited for high school breaking into song,

1271
01:00:07,440 --> 01:00:09,800
Speaker 2: the low key fire dance numbers and so on. But

1272
01:00:09,880 --> 01:00:12,760
Speaker 2: lo and behold, high School is nothing like that. There

1273
01:00:12,800 --> 01:00:15,520
Speaker 2: is no singing, no dancing, no breaking into song, and

1274
01:00:15,600 --> 01:00:19,080
Speaker 2: no low key fire dancing numbers. Dreams were crushed my

1275
01:00:19,200 --> 01:00:22,480
Speaker 2: first day when I started singing breaking Free, and I

1276
01:00:22,520 --> 01:00:24,360
Speaker 2: got sent to the hospital because they thought that I

1277
01:00:24,400 --> 01:00:26,840
Speaker 2: had some sort of illness. Needless to say, don't watch

1278
01:00:26,880 --> 01:00:29,480
Speaker 2: this movie and you unless you want a false perception

1279
01:00:29,680 --> 01:00:30,240
Speaker 2: of life.

1280
01:00:30,720 --> 01:00:36,120
Speaker 1: One star Arnold a dinosaur. It's brilliant, it's great.

1281
01:00:36,400 --> 01:00:37,560
Speaker 4: God get a grip.

1282
01:00:37,800 --> 01:00:39,960
Speaker 2: I love it, I love it, and it's all in

1283
01:00:40,080 --> 01:00:42,080
Speaker 2: capsy is filled.

1284
01:00:41,720 --> 01:00:47,960
Speaker 4: With parents have not done you justice.

1285
01:00:48,000 --> 01:00:50,360
Speaker 3: It has the idea that you would think that you

1286
01:00:50,360 --> 01:00:53,720
Speaker 3: would watch a movie that's how real.

1287
01:00:53,560 --> 01:00:55,200
Speaker 4: Life is one hundred percent going to be.

1288
01:00:55,400 --> 01:00:58,320
Speaker 2: You're hilarious, but mel A is okay thinking that a

1289
01:00:58,400 --> 01:01:01,760
Speaker 2: fictional character is behind us. Both these people need some help.

1290
01:01:02,840 --> 01:01:04,240
Speaker 2: We're going to play a new game this week, which

1291
01:01:04,240 --> 01:01:07,160
Speaker 2: I'm gonna be honest, I'm not entirely sure of. It's

1292
01:01:07,200 --> 01:01:10,480
Speaker 2: a feature called BAFO box Office. Since this week's episode

1293
01:01:10,560 --> 01:01:14,480
Speaker 2: is all about musicals, and while you are much closer

1294
01:01:14,520 --> 01:01:16,840
Speaker 2: than I am, neither of us are really musical experts,

1295
01:01:17,120 --> 01:01:20,800
Speaker 2: we will take turns guessing which musical theater productions are

1296
01:01:20,800 --> 01:01:24,720
Speaker 2: in the list of top ten highest grossing of all time. Wow,

1297
01:01:24,760 --> 01:01:27,680
Speaker 2: these are all classics. We've definitely heard of. Whoever can

1298
01:01:27,720 --> 01:01:32,840
Speaker 2: name the most in five chances each Wit and now

1299
01:01:33,040 --> 01:01:37,320
Speaker 2: producer Jensen. My question is, are these Broadway shows? Are

1300
01:01:37,360 --> 01:01:38,400
Speaker 2: these musical movies.

1301
01:01:38,480 --> 01:01:39,120
Speaker 1: What are these?

1302
01:01:39,280 --> 01:01:40,640
Speaker 4: We have to just spit them out.

1303
01:01:40,720 --> 01:01:43,920
Speaker 5: Well, they're musical productions. Yeah, you guys, they're musical plays.

1304
01:01:44,080 --> 01:01:47,200
Speaker 1: Okay there musical Okay, I think I've got them.

1305
01:01:47,240 --> 01:01:49,080
Speaker 5: Then I think I know you think about it, you'll

1306
01:01:49,080 --> 01:01:50,720
Speaker 5: be able to pull them. It just depends on how

1307
01:01:50,760 --> 01:01:53,720
Speaker 5: many of your five guesses you'll get, right, Okay, will

1308
01:01:53,760 --> 01:01:54,040
Speaker 5: you go.

1309
01:01:54,040 --> 01:01:57,960
Speaker 1: For I'll start. I'm going to start with Cats because

1310
01:01:58,040 --> 01:01:59,120
Speaker 1: Cats was around forever.

1311
01:02:00,000 --> 01:02:03,160
Speaker 5: Siously, Cats is like number thirteen does not make the

1312
01:02:03,200 --> 01:02:06,640
Speaker 5: top ten. Yeah, so we'll already with an X.

1313
01:02:07,640 --> 01:02:08,680
Speaker 1: That was it possible?

1314
01:02:09,080 --> 01:02:09,960
Speaker 4: Way to go.

1315
01:02:12,480 --> 01:02:16,880
Speaker 5: Already talking back not waiting there was like.

1316
01:02:19,360 --> 01:02:20,760
Speaker 4: Well I would start with Grease.

1317
01:02:22,000 --> 01:02:24,760
Speaker 5: Greece also not on the list. I feel like Greece

1318
01:02:24,800 --> 01:02:26,400
Speaker 5: not being on the list is actually that makes them

1319
01:02:26,520 --> 01:02:27,920
Speaker 5: the movie with the real success there.

1320
01:02:27,960 --> 01:02:30,560
Speaker 2: But go, okay, all right, so then my next guest

1321
01:02:30,680 --> 01:02:32,840
Speaker 2: is going to be wait, I get another guess.

1322
01:02:33,000 --> 01:02:37,880
Speaker 5: Yep, Hamilton. Hamilton is number four. That's your first?

1323
01:02:37,920 --> 01:02:38,240
Speaker 4: All right?

1324
01:02:38,720 --> 01:02:39,080
Speaker 5: That one?

1325
01:02:39,360 --> 01:02:39,760
Speaker 1: Okay?

1326
01:02:41,320 --> 01:02:41,440
Speaker 2: Uh?

1327
01:02:42,480 --> 01:02:44,360
Speaker 4: I almost guess something that's not even a movie.

1328
01:02:44,400 --> 01:02:46,920
Speaker 5: This is like it runs out to people here, I'm

1329
01:02:46,960 --> 01:02:48,880
Speaker 5: a white person, and then you can't come up with it.

1330
01:02:49,120 --> 01:02:49,640
Speaker 1: Exactly.

1331
01:02:49,960 --> 01:02:51,640
Speaker 5: Her spray is not on the list.

1332
01:02:52,200 --> 01:02:55,000
Speaker 4: You're kidding me right now, this is this is not true.

1333
01:02:55,360 --> 01:02:56,040
Speaker 1: I don't believe it.

1334
01:02:56,680 --> 01:02:58,080
Speaker 5: Jack List. You'll hear the list.

1335
01:02:58,240 --> 01:03:01,880
Speaker 1: Okay, okay, okay. My next guest then, is going to

1336
01:03:02,000 --> 01:03:03,400
Speaker 1: be Phantom of the Opera.

1337
01:03:03,720 --> 01:03:07,880
Speaker 5: Phantom of the Opera is number three, So Willows two sho, Sabrina,

1338
01:03:07,920 --> 01:03:09,040
Speaker 5: you gotta hit these, let's go.

1339
01:03:10,600 --> 01:03:12,480
Speaker 4: I cannot think of anything right now.

1340
01:03:12,720 --> 01:03:14,240
Speaker 5: This is the name of white person game.

1341
01:03:14,400 --> 01:03:15,600
Speaker 4: This is so hard.

1342
01:03:15,920 --> 01:03:18,240
Speaker 1: I got another one. I got another one. I've got

1343
01:03:18,240 --> 01:03:18,600
Speaker 1: two more.

1344
01:03:19,520 --> 01:03:21,080
Speaker 5: I mean, we'll can lock it down with two more.

1345
01:03:21,120 --> 01:03:22,240
Speaker 5: And he knows he's got him.

1346
01:03:22,240 --> 01:03:23,880
Speaker 1: Right when I say this to sabrinas can be like.

1347
01:03:23,920 --> 01:03:24,280
Speaker 5: Damn it.

1348
01:03:24,800 --> 01:03:28,920
Speaker 4: Yeah, hold on, no, I've got nothing.

1349
01:03:29,160 --> 01:03:30,320
Speaker 5: Name a white person, Sabriana.

1350
01:03:30,480 --> 01:03:33,600
Speaker 7: Okay, Jim Garrey.

1351
01:03:33,960 --> 01:03:37,120
Speaker 1: My my next guess is going to be Wicked.

1352
01:03:37,640 --> 01:03:39,600
Speaker 4: I was gonna say Wicked, but it's not a movie.

1353
01:03:39,840 --> 01:03:42,840
Speaker 5: It does not a movie. Oh, Wicked.

1354
01:03:43,760 --> 01:03:45,080
Speaker 1: Okay, Wicked's number two.

1355
01:03:45,120 --> 01:03:48,400
Speaker 4: Okay, yes, I was gonna say Wicked before you can

1356
01:03:48,440 --> 01:03:52,080
Speaker 4: you can redeem yourself here, So just Chicago.

1357
01:03:52,480 --> 01:03:53,600
Speaker 5: Chicago's number six.

1358
01:03:54,040 --> 01:03:54,880
Speaker 1: Oh what.

1359
01:03:56,360 --> 01:03:59,120
Speaker 5: Number six? All right? Will you you've already conquered this

1360
01:03:59,160 --> 01:04:01,000
Speaker 5: purely based on super and not fully understanding.

1361
01:04:01,040 --> 01:04:03,160
Speaker 1: It was just probably, which works well for me.

1362
01:04:03,480 --> 01:04:05,200
Speaker 5: Yeah, so this is one more to lock it down.

1363
01:04:05,240 --> 01:04:07,760
Speaker 4: I've got I've got one.

1364
01:04:06,760 --> 01:04:11,720
Speaker 5: One to lock it down to be Rent Rent actually

1365
01:04:11,760 --> 01:04:13,400
Speaker 5: not in the top ten, but I think it's because

1366
01:04:13,400 --> 01:04:18,120
Speaker 5: it wasn't like a very expensive ticket. Really, you can

1367
01:04:18,160 --> 01:04:20,640
Speaker 5: make it close at least with this last one. Lion

1368
01:04:20,720 --> 01:04:24,600
Speaker 5: King Lyon King is number one. Okay, prove she would

1369
01:04:24,640 --> 01:04:28,080
Speaker 5: have been much better. But the list goes yes, Wicked,

1370
01:04:28,120 --> 01:04:33,440
Speaker 5: Phantom of the Opera, Hamilton, Book of Mormon, Iago, Aladdin,

1371
01:04:33,640 --> 01:04:36,160
Speaker 5: Mama Mia, Jersey Boys Lay Miss Mamma Mia.

1372
01:04:37,160 --> 01:04:38,880
Speaker 4: Interesting, Wait what was the last one?

1373
01:04:39,080 --> 01:04:43,720
Speaker 1: La Miss Lay Miss miss Kay. Yeah?

1374
01:04:43,760 --> 01:04:46,560
Speaker 4: Wow, well well well.

1375
01:04:46,520 --> 01:04:48,000
Speaker 1: Bye, thank you, producer Jensen.

1376
01:04:48,840 --> 01:04:51,080
Speaker 2: I know far more about musical theater than I thought

1377
01:04:51,080 --> 01:04:52,640
Speaker 2: for somebody who doesn't like people who are just breaking

1378
01:04:52,720 --> 01:04:57,720
Speaker 2: the song strange, Oh man, is it.

1379
01:04:57,840 --> 01:04:59,800
Speaker 1: Possible that we could do so?

1380
01:05:00,880 --> 01:05:05,360
Speaker 2: Sees see, I'm breaking a song for no reasons.

1381
01:05:07,640 --> 01:05:13,240
Speaker 3: Okay, so right from the start I'm watching it again.

1382
01:05:13,440 --> 01:05:18,439
Speaker 3: I loved watching this now because we've seen especially Zach

1383
01:05:18,680 --> 01:05:26,280
Speaker 3: and Vanessa just just flourish, right, and they just so

1384
01:05:26,560 --> 01:05:29,240
Speaker 3: it was so fun to see them in something when

1385
01:05:29,240 --> 01:05:33,240
Speaker 3: they were so young and you know, fresh, fresh face

1386
01:05:33,440 --> 01:05:35,880
Speaker 3: and everything. So I had a question of in my

1387
01:05:35,960 --> 01:05:38,200
Speaker 3: head as soon as they did their first little duet.

1388
01:05:38,720 --> 01:05:40,960
Speaker 3: First of all, didn't you think when they were I

1389
01:05:40,960 --> 01:05:42,560
Speaker 3: thought they were going to kiss. I'm like, we're going

1390
01:05:42,640 --> 01:05:46,080
Speaker 3: to get a duet and a kiss right from the start.

1391
01:05:46,120 --> 01:05:46,560
Speaker 4: They didn't.

1392
01:05:46,680 --> 01:05:52,920
Speaker 3: Kissing right away happened to us so quickly. Oh my gosh,

1393
01:05:52,960 --> 01:05:56,120
Speaker 3: it was so funny. But I wondered how much for

1394
01:05:56,360 --> 01:05:58,960
Speaker 3: that little scene. Obviously they weren't going to need to

1395
01:05:59,080 --> 01:06:01,600
Speaker 3: rehearse that one very often, right, it was an easy,

1396
01:06:01,760 --> 01:06:02,200
Speaker 3: easy go.

1397
01:06:02,480 --> 01:06:03,720
Speaker 4: I wondered how much.

1398
01:06:03,600 --> 01:06:07,800
Speaker 3: Kenny had to give Zach because Zach was moving really well.

1399
01:06:07,760 --> 01:06:10,280
Speaker 1: And he takes his coat off, and yeah, yeah.

1400
01:06:10,080 --> 01:06:12,840
Speaker 4: I wanted to I was wondering I'd love again.

1401
01:06:12,920 --> 01:06:14,960
Speaker 3: Oh gosh, I would love to talk to Zach and

1402
01:06:15,040 --> 01:06:18,440
Speaker 3: Vanessa about the filming of this movie to see how much.

1403
01:06:18,320 --> 01:06:20,040
Speaker 1: Well you got to put a call into Kenny and

1404
01:06:20,040 --> 01:06:21,080
Speaker 1: get him on our podcast.

1405
01:06:21,360 --> 01:06:23,400
Speaker 3: I tried to reach out to Kenny too, and we

1406
01:06:23,440 --> 01:06:25,840
Speaker 3: haven't heard back yet. We will get Kenny. We will

1407
01:06:25,880 --> 01:06:28,320
Speaker 3: have to, Yes, we have to. And then I just

1408
01:06:28,360 --> 01:06:30,880
Speaker 3: had to write it down that giant Matt Hatter hat

1409
01:06:31,000 --> 01:06:32,240
Speaker 3: that was Solisippi.

1410
01:06:32,560 --> 01:06:35,880
Speaker 1: There was some strange hat choices in this entire movie.

1411
01:06:36,360 --> 01:06:38,440
Speaker 2: Can you tell me why the band at the end

1412
01:06:38,440 --> 01:06:41,640
Speaker 2: are all dressed like the Guardian Angels. Just everybody's in

1413
01:06:41,720 --> 01:06:44,520
Speaker 2: your red berets just wait to fight crime.

1414
01:06:45,120 --> 01:06:47,440
Speaker 3: And you did touch on my other My next thing

1415
01:06:47,640 --> 01:06:50,080
Speaker 3: was the cell phones in this movie really took you back.

1416
01:06:50,520 --> 01:06:54,560
Speaker 3: I had a pink sidekick that Sharpay has where it

1417
01:06:54,600 --> 01:06:57,360
Speaker 3: like flips up, flips down, flips up. I mean, if

1418
01:06:57,400 --> 01:07:00,200
Speaker 3: you talk to anyone that knew the Cheetah Girls while

1419
01:07:00,200 --> 01:07:03,440
Speaker 3: we were doing these movies, we were all about our sidekicks.

1420
01:07:03,520 --> 01:07:05,520
Speaker 3: So that took me back to a really good moment

1421
01:07:05,600 --> 01:07:09,200
Speaker 3: of the sidekicks. They were so fun and wow, they

1422
01:07:09,280 --> 01:07:10,880
Speaker 3: got to bring those back because those are so fun.

1423
01:07:10,960 --> 01:07:11,840
Speaker 1: They should loved it.

1424
01:07:12,240 --> 01:07:14,200
Speaker 3: And then the only other thing, like I said, I

1425
01:07:14,240 --> 01:07:17,480
Speaker 3: loved this movie. The only other thing was these random

1426
01:07:17,600 --> 01:07:20,479
Speaker 3: ass lights that they put in front of Gabriella's house,

1427
01:07:20,600 --> 01:07:25,480
Speaker 3: Like just the string of Christmas lights just on the pillars,

1428
01:07:25,520 --> 01:07:28,920
Speaker 3: so random, so not needed. House was cute, didn't need.

1429
01:07:28,960 --> 01:07:30,919
Speaker 3: Just someone need to do that, just throw up some lights.

1430
01:07:30,960 --> 01:07:31,520
Speaker 4: So that was it.

1431
01:07:31,600 --> 01:07:34,200
Speaker 3: Other than that everything was great. Loved it, love, love,

1432
01:07:34,240 --> 01:07:34,920
Speaker 3: love this movie.

1433
01:07:35,000 --> 01:07:38,280
Speaker 2: So that's it, Okay, and now's the time where we

1434
01:07:38,320 --> 01:07:41,439
Speaker 2: are going to rate this film one being bad, ten

1435
01:07:41,520 --> 01:07:43,840
Speaker 2: being amazing. Our options this week we're going to do

1436
01:07:43,880 --> 01:07:46,680
Speaker 2: one out of ten, drama teacher love seats, one out

1437
01:07:46,720 --> 01:07:50,000
Speaker 2: of ten, zach Efron dubbed singing voices, one out of ten,

1438
01:07:50,080 --> 01:07:53,560
Speaker 2: flip phones one out of ten, quick homeroom classes one

1439
01:07:53,560 --> 01:07:57,000
Speaker 2: and a ten sharpay brother Fedoras, or one out of

1440
01:07:57,080 --> 01:08:02,280
Speaker 2: ten fourth wall breaking end credit scenes. I'm also gonna

1441
01:08:02,280 --> 01:08:04,320
Speaker 2: add one out of ten. You want to hide the

1442
01:08:04,320 --> 01:08:05,880
Speaker 2: fact that you want to be a singer by singing

1443
01:08:05,920 --> 01:08:07,840
Speaker 2: with all your friends about it? So what do you

1444
01:08:07,880 --> 01:08:08,240
Speaker 2: want to use?

1445
01:08:08,320 --> 01:08:10,960
Speaker 4: Rina? You picked this week? I feel like I picked last.

1446
01:08:11,480 --> 01:08:15,960
Speaker 1: I'm picking this week. I'm gonna pick quick homeroom classes.

1447
01:08:16,240 --> 01:08:20,040
Speaker 2: Okay, I've how to change it to ridiculously quick home

1448
01:08:20,120 --> 01:08:20,719
Speaker 2: room classes.

1449
01:08:20,920 --> 01:08:23,080
Speaker 1: And I think, do I pick first? Do I go first?

1450
01:08:23,080 --> 01:08:23,479
Speaker 1: This week?

1451
01:08:23,800 --> 01:08:24,439
Speaker 4: You go first?

1452
01:08:24,720 --> 01:08:27,439
Speaker 2: All right, I'll go first this week. If I wasn't

1453
01:08:27,479 --> 01:08:29,960
Speaker 2: able to get out of my own way, I would

1454
01:08:30,040 --> 01:08:32,160
Speaker 2: not have rated this movie particularly high.

1455
01:08:32,360 --> 01:08:34,240
Speaker 1: This would have been a four or five for me.

1456
01:08:35,479 --> 01:08:37,680
Speaker 1: What are they thinking? What's going on.

1457
01:08:37,800 --> 01:08:41,400
Speaker 2: I couldn't believe it getting out of my own way

1458
01:08:42,320 --> 01:08:46,320
Speaker 2: and just sitting back and enjoying it and also realizing

1459
01:08:46,439 --> 01:08:50,559
Speaker 2: that it's genesis of these movies. What this ended up doing,

1460
01:08:50,880 --> 01:08:54,800
Speaker 2: the cast they put in there, the amount of choreography

1461
01:08:54,800 --> 01:08:55,880
Speaker 2: that went in the direction.

1462
01:08:56,920 --> 01:09:02,840
Speaker 1: I am giving this movie a solid nine. Wow it is.

1463
01:09:02,920 --> 01:09:06,000
Speaker 4: That's gotta be your besides the.

1464
01:09:06,120 --> 01:09:07,880
Speaker 1: Going to the Matt and color of Friends to the.

1465
01:09:07,880 --> 01:09:10,679
Speaker 4: Matt and Color of French. And it's your highest rating.

1466
01:09:10,960 --> 01:09:13,360
Speaker 2: It is because the cast is, like I said, the

1467
01:09:13,439 --> 01:09:16,599
Speaker 2: cast is phenomenal. Yes, I am not. I will never

1468
01:09:16,600 --> 01:09:18,640
Speaker 2: be a musical guy. I just don't like when people know.

1469
01:09:18,800 --> 01:09:20,280
Speaker 2: So I have to get out of my own way

1470
01:09:20,320 --> 01:09:24,160
Speaker 2: and realize what this movie is and for what this

1471
01:09:24,320 --> 01:09:27,599
Speaker 2: movie is, it's a great version of it.

1472
01:09:28,120 --> 01:09:30,720
Speaker 1: Yes, So I'm going to give this movie a nine.

1473
01:09:30,800 --> 01:09:31,519
Speaker 1: I really am.

1474
01:09:31,640 --> 01:09:35,400
Speaker 2: It started a billion dollar franchise and I can understand,

1475
01:09:35,520 --> 01:09:37,080
Speaker 2: so I'm giving it nine.

1476
01:09:37,360 --> 01:09:39,480
Speaker 1: Ridiculously quick homeroom classes.

1477
01:09:39,760 --> 01:09:42,160
Speaker 4: I'm going to match your nine.

1478
01:09:42,520 --> 01:09:45,799
Speaker 3: I honestly do not remember the second or third movies.

1479
01:09:45,920 --> 01:09:49,719
Speaker 3: I just know there's a pool in the second one,

1480
01:09:50,479 --> 01:09:54,040
Speaker 3: so I know that it gets better even you know

1481
01:09:54,040 --> 01:09:56,000
Speaker 3: what I mean? That the that it goes bigger and

1482
01:09:56,080 --> 01:09:59,080
Speaker 3: better every time. So I'm gonna go with the nine

1483
01:09:59,160 --> 01:10:02,800
Speaker 3: because I know we're in for some really great musical

1484
01:10:03,080 --> 01:10:06,640
Speaker 3: in the future. Nine quick homeroom classes.

1485
01:10:06,840 --> 01:10:09,360
Speaker 1: All that is amazing, Thank you, folks.

1486
01:10:09,360 --> 01:10:11,000
Speaker 2: And this week we can't believe it either, but we're

1487
01:10:11,000 --> 01:10:14,160
Speaker 2: talking more about high school musical with Chad.

1488
01:10:13,960 --> 01:10:15,400
Speaker 1: Himself Corbyn Blue.

1489
01:10:15,479 --> 01:10:20,720
Speaker 2: Yes, we'll be interview on our dedicated magical rewind feed.

1490
01:10:20,800 --> 01:10:22,439
Speaker 2: To make sure to follow us there in the meantime,

1491
01:10:22,439 --> 01:10:24,200
Speaker 2: here's a small snippet of that time.

1492
01:10:25,479 --> 01:10:28,200
Speaker 8: The audition price for musical came about because of Hannah Montana.

1493
01:10:28,880 --> 01:10:31,880
Speaker 3: Okay, that was how that all began because I I.

1494
01:10:33,200 --> 01:10:37,840
Speaker 8: Auditioned for Anna Montana booked that I was Miley's first

1495
01:10:38,040 --> 01:10:41,639
Speaker 8: love interest in the in the pilot episode get Out.

1496
01:10:41,960 --> 01:10:45,519
Speaker 8: Yeah that was That was that and then that of

1497
01:10:45,520 --> 01:10:48,680
Speaker 8: course that that began the relationship with Judy Taylor.

1498
01:10:50,120 --> 01:10:52,320
Speaker 5: In to read for for high School Musical.

1499
01:10:53,920 --> 01:10:56,200
Speaker 2: And that'll be on our magical rewind feed this week.

1500
01:10:56,280 --> 01:10:59,160
Speaker 2: It was so much fun to talk to him. Don't

1501
01:10:59,160 --> 01:11:03,760
Speaker 2: miss out. Well, there you go, everybody, high school Musical.

1502
01:11:03,960 --> 01:11:06,559
Speaker 1: We did it. I liked it. I had to get

1503
01:11:06,600 --> 01:11:09,280
Speaker 1: out of my own way when I enjoyed it, I know.

1504
01:11:09,400 --> 01:11:13,440
Speaker 2: Our next movie is the weirdly titled twenty eleven musical

1505
01:11:14,240 --> 01:11:15,200
Speaker 2: Lemonade Mouth.

1506
01:11:15,920 --> 01:11:19,599
Speaker 3: I had no idea what hell, but we have gotten

1507
01:11:19,800 --> 01:11:22,439
Speaker 3: and we proved to you guys that we hear you,

1508
01:11:22,560 --> 01:11:24,719
Speaker 3: We see your comments, we listen.

1509
01:11:25,160 --> 01:11:28,559
Speaker 4: We're watching it and doing to rewatch the Lemonade Mouth.

1510
01:11:28,600 --> 01:11:30,960
Speaker 2: It's on Disney Plus as well, So go and get

1511
01:11:31,000 --> 01:11:33,759
Speaker 2: it for whatever the hell that's gonna be. And remember

1512
01:11:33,800 --> 01:11:35,479
Speaker 2: to subscribe to our feed and you could follow us

1513
01:11:35,479 --> 01:11:39,280
Speaker 2: at the Magical rewind Pod on the Instagram Machine. Thank

1514
01:11:39,320 --> 01:11:41,880
Speaker 2: you for johning us and breaking in the song for

1515
01:11:41,960 --> 01:12:00,120
Speaker 2: no reason. Bye everybody, Bye m