WEBVTT - Listener Mail: The Serpent's Golden Apple

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<v Speaker 1>Welcome to stot to Blow your Mind production of My

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<v Speaker 1>Heart radiobum. Hey, welcome is stuck to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 1>today we're bringing you some listener mail. Now, our trusty

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<v Speaker 1>mail bot Carney has gone through a brilliant transformation where

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<v Speaker 1>he has become a naggle bot, a nail faring bot,

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<v Speaker 1>or wait no, not nail faring a a office floor

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<v Speaker 1>faring bot made of the nails of the dead. Yeah,

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<v Speaker 1>at least the exo skeleton anyway, I think everything underneath

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<v Speaker 1>is you know, it still has to be made of

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<v Speaker 1>the same material. But on the outside he is now

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<v Speaker 1>a finger and toe nail based uh automaton and he

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<v Speaker 1>belongs to mu spell. Uh should we jump right in

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<v Speaker 1>with emails about our episodes on the Tomato? Yeah? Why not? Uh,

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<v Speaker 1>let's go right from from nails to tomatoes here. Um,

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<v Speaker 1>as always, Carney is delivering the listener mail that you,

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<v Speaker 1>the listener, have lovingly um sent in to us. Do

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<v Speaker 1>you want to start with this one? From Ian? Here?

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<v Speaker 1>Are you okay? If I read this one? Go for it? Okay?

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<v Speaker 1>Ian says hi, Robert and Joe, still in partial lockdown

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<v Speaker 1>here in the UK and eternally grateful for your rich

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<v Speaker 1>back catalog of rabbit holes to keep me occupied. I

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<v Speaker 1>think I can offer some insight into the tomacco plant.

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<v Speaker 1>Grafting tomatoes isn't that uncommon and used to be more popular.

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<v Speaker 1>The usual reason to do it is improved hardiness and

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<v Speaker 1>soil type tolerance. The one I've read most about is

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<v Speaker 1>dat toura as a root stock, which is supposed to

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<v Speaker 1>make the tomato much more cold resistant and tolerant of

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<v Speaker 1>alkaline soil, but has been known to lead to toxic tomatoes.

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<v Speaker 1>I read some speculation that it depends on exactly how

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<v Speaker 1>much of the datura above of ground parts remain, and

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<v Speaker 1>it's probably better to just not go there. And in fact,

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<v Speaker 1>we're gonna have another email about this in just a moment,

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<v Speaker 1>but Ian continues. One I've tried to do myself and failed,

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<v Speaker 1>but is available as a novelty plant in the UK

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<v Speaker 1>is the tomtato with potato roots on the bottom. I

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<v Speaker 1>know a horticulturist who's played around with this. You don't

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<v Speaker 1>get a great yield of either crop, but if you

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<v Speaker 1>don't have much space. He also tried it the other

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<v Speaker 1>way around, which led to potato stems growing small green

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<v Speaker 1>tubers at the bottom leaf nodes. Interesting but pointless. Uh.

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<v Speaker 1>And then Ian shares a link. I've tried wild tomatoes.

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<v Speaker 1>I got seeds from a botanist colleague. The plants were leggy,

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<v Speaker 1>sprawling vines that made small, orange ish berries. The flesh

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<v Speaker 1>was meally vaguely sweet and sharp. Not great, but if

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<v Speaker 1>you were foraging, I could see them being an important

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<v Speaker 1>food source. They for the amazing content. Ian. Wow, I

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<v Speaker 1>am jealous Ian that you've gotten to try like a

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<v Speaker 1>traditional ancestral wild tomato plant. I have no idea what

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<v Speaker 1>that would be like. Uh, it's it's crazy. He reminds

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<v Speaker 1>me of something that I should have thought of in

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<v Speaker 1>the episode as we were recording it. But if you play,

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<v Speaker 1>if you've played any of the Fallout games, I'm not

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<v Speaker 1>sure at what point this first shows up, but certainly

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<v Speaker 1>in Fallout four, and definitely in Fallout seventy six, which

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<v Speaker 1>I I played from time to time still to this day. Um,

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<v Speaker 1>you can you can raise a garden? You you know

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<v Speaker 1>you're crafting instead. A lot of survival of mechanics bound

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<v Speaker 1>up in the game, but one of the plants you

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<v Speaker 1>grow is something called a potato and um, you know

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<v Speaker 1>it looks like a like a tomato on a vine,

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<v Speaker 1>but it is supposed to be a mutated hybrid of

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<v Speaker 1>the tomato and the potato plant. Yeah, so basically, I

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<v Speaker 1>mean it's or at least very similar to what we're

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<v Speaker 1>talking about here. Uh, with the novelty plant one can

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<v Speaker 1>obtain in the UK. Very interesting. Yeah, I would like

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<v Speaker 1>to see one of those plants. Yeah, well, come come

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<v Speaker 1>to my camp and fall Out seventy six, Joe, and

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<v Speaker 1>you will find several of them growing. Okay, you're doing

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<v Speaker 1>a lot of agriculture there, well, you know, just enough

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<v Speaker 1>for crafting purposes. Yes, I recall some funny dynamics in

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<v Speaker 1>in the followed games where you could you could essentially,

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<v Speaker 1>you know, you'd have a problem where you weren't generating

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<v Speaker 1>enough food for your settlement and you could solve that

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<v Speaker 1>just by just by growing watermelons exclusively. So you know, well,

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<v Speaker 1>ye know its supposed to apocalyptic days, so you know,

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<v Speaker 1>you get what you get and you don't pitch a fit, right,

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<v Speaker 1>I guess. So. Our next message comes from long time

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<v Speaker 1>correspondent Jim in New Jersey, who has something to add

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<v Speaker 1>on basically the same topic that that ian raised here,

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<v Speaker 1>but goes into more mysterious detail. Yeah, so, Jim rights.

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<v Speaker 1>Your tomato podcast reminded me of something a little unusual

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<v Speaker 1>from The Medical Detectives, which is an anthology of true

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<v Speaker 1>medical mystery articles originally published in The New Yorker. Spoiler alert,

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<v Speaker 1>I'm going to reveal the main details of the story,

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<v Speaker 1>but since the article was published fifty five years ago,

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<v Speaker 1>I think it's okay to root. The article tells the

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<v Speaker 1>story of a family living on a tobacco farm in

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<v Speaker 1>Tennessee who became extremely ill after a meal in late

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<v Speaker 1>October nineteen. The meal consisted of split peace soup, spaghetti

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<v Speaker 1>with meat sauce, sliced tomatoes, sweetbread, and corn bread. Their

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<v Speaker 1>symptoms were so bad that they sought medical help. They

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<v Speaker 1>were flailing their limbs and hallucinating the e er. Doctors

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<v Speaker 1>ruled out tobacco voicing just from handling it in the barns.

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<v Speaker 1>They suspected batchel um, but their symptoms were more severe

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<v Speaker 1>than bacheli is um. Toxicology reports were normal. The article

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<v Speaker 1>then spends a pator to describing Jimson weed, which is

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<v Speaker 1>also in the nightshade family. Along the tomatoes and tobacco.

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<v Speaker 1>Jimson weed causes the symptoms they were experiencing, but they

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<v Speaker 1>didn't eat any gimpson weed. The mystery continues. Jimson weed

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<v Speaker 1>is hardy, and it and withstand the first several frosts

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<v Speaker 1>of fall. The husband had grafted a tomato plant onto

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<v Speaker 1>a jimson weed to extend his tomato season. They had

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<v Speaker 1>eaten the first tomato of that graft in late October.

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<v Speaker 1>When asked how he came up with the idea, he

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<v Speaker 1>said a neighbor had been doing it for years. The neighbor,

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<v Speaker 1>who had not gotten nil grafted his tomato plants on

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<v Speaker 1>the base of the jimson lead. The man who had

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<v Speaker 1>gotten sick grafted his on the branches of the jimson weed.

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<v Speaker 1>The article isn't definitive, but it suggests that the graft

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<v Speaker 1>with more jimson weed produced more toxins that found their

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<v Speaker 1>way into the tomatoes than the graft with less jimson weed.

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<v Speaker 1>The other farmer could have been more tolerant to the toxins, too,

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<v Speaker 1>so this is interesting. Oh. One thing that's worth noting,

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<v Speaker 1>I guess we didn't say this is that Jimson weed

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<v Speaker 1>is an example of or I guess it's the same

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<v Speaker 1>thing as to toura, the plant mentioned by Ian in

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<v Speaker 1>the last article, and that so that you can graft

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<v Speaker 1>them together and grow tomatoes that are edible. But it

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<v Speaker 1>apparently depends on like where you grafted how much of

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<v Speaker 1>the gymsum plant you use, so that could be the

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<v Speaker 1>case with the tobacco tomato graft as well, but I

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<v Speaker 1>guess we don't know for sure. By the way, I

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<v Speaker 1>don't think we heard any heard from anybody about this,

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<v Speaker 1>but just doing a quick search around, it looks like

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<v Speaker 1>you could. Of course makes sense given the night shade family,

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<v Speaker 1>but it looks like grafting can also take place between

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<v Speaker 1>eggplants and tomatoes. O okay, eggmatoes or if you go

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<v Speaker 1>with their more elegant name, all burmatoes either want to work. Yeah, alright,

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<v Speaker 1>but that one all we we heard from a lot

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<v Speaker 1>of people about tomatoes. Yeah, we also got a short

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<v Speaker 1>message from June. June says, Hi, Robert and Joe, just

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<v Speaker 1>listen to your Tomato part one episode. I love your

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<v Speaker 1>show and completely agree with you about the superiority of

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<v Speaker 1>fresh tomatoes over store bought tomatoes. But I had to

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<v Speaker 1>write in in defense of the tomato horn worm. I

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<v Speaker 1>know it's a crop pest, but it's also just a cute,

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<v Speaker 1>chunky caterpillar and doesn't deserve its historic reputation as some

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<v Speaker 1>kind grosser, poisonous worm. I still remember finding one on

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<v Speaker 1>our tomato plants as a kid and being fascinated by

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<v Speaker 1>seeing a caterpillar that big. Maybe this is my biologist

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<v Speaker 1>side outweighing my gardener side, but I think they're pretty cool.

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<v Speaker 1>Looking forward to part two, best June, Well, June, I

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<v Speaker 1>hope you liked part two. I don't recall us really

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<v Speaker 1>slandering the tobacco hornworm, except to note that what was

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<v Speaker 1>historically said about it, right right, right? Um? I think

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<v Speaker 1>we just said that to look kind of interesting and

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<v Speaker 1>had kind of a gnarly looking horn. But yeah, it

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<v Speaker 1>was the historical accounts that really there was one in particular,

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<v Speaker 1>and I believe that was outlined in that that main

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<v Speaker 1>tomato book that we were referring to, that that people

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<v Speaker 1>were just so horrified by it that they considered just

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<v Speaker 1>never eating tomatoes again, just abandoning their tomato garden and

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<v Speaker 1>just surrendering it to these, uh, the these hordes, of

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<v Speaker 1>weird creatures. I mean, it was enough to kind of

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<v Speaker 1>make you wonder are they talking about the same organism

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<v Speaker 1>or or perhaps they were dealing with just an excessive

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<v Speaker 1>amount of them, because certainly one can see how one

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<v Speaker 1>of these caterpillars might be interesting, whereas a whole writhing

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<v Speaker 1>swarm of them might be enough to to to turn

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<v Speaker 1>one's stomach. I don't know, all right. Here's another bit

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<v Speaker 1>of a Tomato listener mail. This one comes to us

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<v Speaker 1>from Kegan, Hi, Robert and Joe. It's been a bit

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<v Speaker 1>since I've sent in some fan mail, but after hearing

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<v Speaker 1>you two talk about how most kitchen knowledge is strange, hearsay,

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<v Speaker 1>I simply had to write in, you may be interested

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<v Speaker 1>in a cookbook that a friend of mine got for

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<v Speaker 1>me recently. They may provide some illumination on the myths

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<v Speaker 1>and misinformation that pervade typical kitchen knowledge. You actually mentioned

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<v Speaker 1>the author In part two of the Tomato Tomato Episodes two,

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<v Speaker 1>The Food Lab by j kim Ji Lopez alt Uh.

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<v Speaker 1>He goes into full detail of how to prepare a

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<v Speaker 1>lot of different meals, how to store food, and how

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<v Speaker 1>to do basic kitchen tests, all enhanced by science He's

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<v Speaker 1>done hundreds of tests on dozens of recipes and goes

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<v Speaker 1>through a full explanation of the how and why as

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<v Speaker 1>someone who wanted to learn cooking but also wanted to

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<v Speaker 1>understand why I was doing the things I was doing

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<v Speaker 1>so I could apply it to more than recipe. It's

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<v Speaker 1>a lovely cookbook. Hope y'all are doing well, and I'm

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<v Speaker 1>glad to hear Joe has jumped onto the D and

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<v Speaker 1>D train recently. Sincerely, Kegan, Well, Keegan, I've got some

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<v Speaker 1>news that may not be surprising. I actually owned this book,

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<v Speaker 1>The Food Lab by j Ken g Lopez Alt. I've

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<v Speaker 1>actually been following Kinji's recipes and and writing for years.

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<v Speaker 1>He used to do a lot of writing for the

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<v Speaker 1>website Serious Eats, and I love his approach. But yeah,

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<v Speaker 1>because he does exactly what you're talking about. He doesn't

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<v Speaker 1>just give you a recipe or tell you a technique

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<v Speaker 1>to use. He explains why you do it, and and

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<v Speaker 1>the why is actually informed by empirical testing, not just

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<v Speaker 1>by you know, sort of received knowledge passed down from

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<v Speaker 1>from cook to cook or chef to chef over the years. Because,

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<v Speaker 1>as we said in the episode, that kind of received

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<v Speaker 1>knowledge in fact, contains a lot of misinformation and stuff

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<v Speaker 1>that isn't actually based on on anything empirical. It's just

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<v Speaker 1>something somebody said at some point and now it's uh, now,

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<v Speaker 1>it's just how you do it. A lot of a

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<v Speaker 1>lot of times you don't have to do it that way.

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<v Speaker 1>H Well, my approach is more, uh, mine is not

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<v Speaker 1>to question Martha why mine is about to do and die.

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<v Speaker 1>I just I just do what Martha says, and it

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<v Speaker 1>tends to work out pretty well. Well. I think he

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<v Speaker 1>can points out a very important reason though, to learn why,

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<v Speaker 1>which is that learning the why of of things you

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<v Speaker 1>do in the kitchen makes you a more versatile cooks.

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<v Speaker 1>It makes you less shackled to individual recipes because once

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<v Speaker 1>you understand the reason for doing something, you understand now,

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<v Speaker 1>oh okay, this technique can be applied to this other

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<v Speaker 1>type of dish or this other type of preparation, or

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<v Speaker 1>that it can't and why. Yeah, this is true. And

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<v Speaker 1>I I kid, I do. I do love some robust

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<v Speaker 1>instructions that I can follow to the letter. But I

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<v Speaker 1>I have gotten to the point where, yeah, I I

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<v Speaker 1>understand some of the things enough to where I can

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<v Speaker 1>I can be a little bit flexible, Like if I

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<v Speaker 1>want to cut a little time off, I can realize, oh,

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<v Speaker 1>I could do this instead, or I can bust out,

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<v Speaker 1>you know, I can bust out the insta pot here

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<v Speaker 1>because I'm doing the same thing that that she's asking

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<v Speaker 1>me to do, et cetera. Now you've inspired a question

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<v Speaker 1>that has nothing to do with any of what we

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<v Speaker 1>were just talking about. But it's that you call it

0:12:18.800 --> 0:12:21.800
<v Speaker 1>an insta pot. I call it an insta pot. Everybody

0:12:21.840 --> 0:12:23.720
<v Speaker 1>I know calls it an insta pot. But it's not

0:12:23.800 --> 0:12:27.520
<v Speaker 1>called an insta pot. It's an instant pot. And nobody

0:12:27.559 --> 0:12:29.800
<v Speaker 1>says the T at the end of the first word,

0:12:30.160 --> 0:12:32.680
<v Speaker 1>why is that? Is it Instagram or something like? That?

0:12:32.760 --> 0:12:35.280
<v Speaker 1>Is just like causing us to leap over that letter.

0:12:35.800 --> 0:12:38.199
<v Speaker 1>Oh really is it not called it is? Cause, yeah,

0:12:38.240 --> 0:12:40.400
<v Speaker 1>you're right, it's an instant pot, not an insta pot.

0:12:40.559 --> 0:12:43.760
<v Speaker 1>I don't know who the heck says instant pot. Nobody

0:12:43.800 --> 0:12:48.840
<v Speaker 1>says that it's the Instagram of pots the world cross huh,

0:12:49.240 --> 0:12:52.800
<v Speaker 1>surely they've they've copyrighted insta pot as well. Just realizing

0:12:52.880 --> 0:12:55.400
<v Speaker 1>that's what everybody calls it is. It's a strange case

0:12:55.440 --> 0:12:58.320
<v Speaker 1>because a lot of times you see people using the

0:12:58.640 --> 0:13:02.960
<v Speaker 1>specific brand name for something as the generic name. But

0:13:03.000 --> 0:13:05.559
<v Speaker 1>in this case, everybody's referring to it as a thing

0:13:05.559 --> 0:13:09.840
<v Speaker 1>that as if this is the the specific product name.

0:13:10.040 --> 0:13:12.720
<v Speaker 1>But it's not, like I don't think I've realized it.

0:13:12.760 --> 0:13:15.800
<v Speaker 1>They'll just now. It's as if the generic term for

0:13:16.000 --> 0:13:21.440
<v Speaker 1>bandages had become band aid or the generic term for

0:13:21.480 --> 0:13:25.200
<v Speaker 1>tissues had become clear X. Yeah, I can't think of

0:13:25.240 --> 0:13:30.520
<v Speaker 1>another case exactly like this. This is interesting. All right, Well,

0:13:30.559 --> 0:13:33.520
<v Speaker 1>I guess we're gonna jump onto email that we got

0:13:33.559 --> 0:13:37.040
<v Speaker 1>in response to the horned helm episodes. Now, the context

0:13:37.240 --> 0:13:39.719
<v Speaker 1>that this email I think is responding to specifically was

0:13:39.760 --> 0:13:42.840
<v Speaker 1>a biological portion where we were looking for examples of

0:13:42.960 --> 0:13:46.880
<v Speaker 1>animals that build some form of helmet or horned helmet.

0:13:47.160 --> 0:13:50.400
<v Speaker 1>One was a type of caterpillar that would stack old

0:13:50.440 --> 0:13:54.079
<v Speaker 1>parts of its exoskeleton on top of its head and

0:13:54.360 --> 0:13:56.960
<v Speaker 1>so form a little hat there. But we also talked

0:13:56.960 --> 0:14:01.400
<v Speaker 1>about catas flies. Catasflies aren't or is fly larvae to

0:14:01.440 --> 0:14:05.040
<v Speaker 1>be specific. Uh, the cats fly isn't a perfect example

0:14:05.080 --> 0:14:06.880
<v Speaker 1>because it doesn't really seem to be a helmet that

0:14:06.920 --> 0:14:09.360
<v Speaker 1>goes on its head, but it does create a hard

0:14:10.000 --> 0:14:12.360
<v Speaker 1>surface that it lives inside. It's really more of a

0:14:12.480 --> 0:14:15.960
<v Speaker 1>kind of a rock diaper than a helmet. I guess

0:14:16.000 --> 0:14:19.360
<v Speaker 1>not even necessarily rock, just materials from its environment reinforced

0:14:19.360 --> 0:14:23.280
<v Speaker 1>with silk. But anyway, Taylor writes in and says, hey,

0:14:23.360 --> 0:14:27.560
<v Speaker 1>Robert and Joe Taylor again, longtime fan and now frequent correspondent.

0:14:28.080 --> 0:14:30.640
<v Speaker 1>I was listening to part one of your horned Helm

0:14:30.720 --> 0:14:33.600
<v Speaker 1>duo today and took a fence on behalf of Catis

0:14:33.600 --> 0:14:37.240
<v Speaker 1>fly larvae everywhere when Robert expressed that they look a

0:14:37.320 --> 0:14:41.600
<v Speaker 1>little trashy. Robert, I usually respect your instincts, but after

0:14:41.640 --> 0:14:45.440
<v Speaker 1>spending several months last year netting cats fly larvae out

0:14:45.440 --> 0:14:48.800
<v Speaker 1>of local creeks for entomological study, I have to see

0:14:48.800 --> 0:14:52.520
<v Speaker 1>if I can change your mind. Cats Flies aren't picky architects.

0:14:52.760 --> 0:14:55.400
<v Speaker 1>They work with the materials available to them, and it's

0:14:55.400 --> 0:14:58.040
<v Speaker 1>true that the cases they make out of mud sticks

0:14:58.040 --> 0:15:01.320
<v Speaker 1>and plant awful aren't much to look at. But if

0:15:01.320 --> 0:15:05.000
<v Speaker 1>provided with the proper materials, the catisfly larva is an

0:15:05.040 --> 0:15:08.880
<v Speaker 1>absolute artist. When catisflies spawn in clear rivers with a

0:15:08.880 --> 0:15:11.960
<v Speaker 1>lot of minuscule rocks, the cases they make look like

0:15:12.080 --> 0:15:15.680
<v Speaker 1>mosaics carried on their backs, and with the right patron

0:15:15.880 --> 0:15:19.880
<v Speaker 1>the catisfly can really shine. There are artisans who rear

0:15:20.000 --> 0:15:24.080
<v Speaker 1>catisfly larvae in pools they've littered with gyms, pearls, and

0:15:24.200 --> 0:15:28.280
<v Speaker 1>gold shavings to make jewelry. The catisflies do as their

0:15:28.320 --> 0:15:32.440
<v Speaker 1>want to do and spin beautiful cases from their sponsors materials.

0:15:32.800 --> 0:15:36.560
<v Speaker 1>When the catisflyes mature, they abandoned these bejeweled cases for

0:15:36.560 --> 0:15:40.440
<v Speaker 1>the artist to collect. The abandoned catosfly cases are then

0:15:40.480 --> 0:15:44.040
<v Speaker 1>sealed with resin and sold as ear rings or necklace pendants.

0:15:44.600 --> 0:15:47.560
<v Speaker 1>Depending on the materials used. This jewelry can sell for

0:15:47.680 --> 0:15:51.240
<v Speaker 1>hundreds or even thousands of dollars. I've included a few

0:15:51.280 --> 0:15:53.480
<v Speaker 1>images here for you to check out and describe to

0:15:53.480 --> 0:15:56.040
<v Speaker 1>your listeners if you'd like. The first is of a

0:15:56.080 --> 0:15:59.320
<v Speaker 1>catasfly collected from the wild, and the second of one

0:15:59.440 --> 0:16:03.480
<v Speaker 1>reared by jeweler. If you search for cattisfly jewelry online,

0:16:03.520 --> 0:16:06.440
<v Speaker 1>you can find hundreds of designs people have collaborated on

0:16:06.560 --> 0:16:10.320
<v Speaker 1>with these tiny trichopterans. As always, I love your show

0:16:10.320 --> 0:16:13.000
<v Speaker 1>and I'm immensely grateful for the weird and wonderful content

0:16:13.040 --> 0:16:15.880
<v Speaker 1>you continue to entertain and educate me with. I've been

0:16:15.920 --> 0:16:18.600
<v Speaker 1>pretty isolated during this pandemic, and it's nice to have

0:16:18.640 --> 0:16:21.200
<v Speaker 1>your voices in my ears as I'm painting or doing

0:16:21.280 --> 0:16:24.680
<v Speaker 1>any number of more monotonous things throughout the day. Thanks again,

0:16:24.840 --> 0:16:28.480
<v Speaker 1>and I hope I've changed your minds about the catasifly well,

0:16:28.480 --> 0:16:31.320
<v Speaker 1>thank you, Taylor. Yeah, I would say my mind is

0:16:31.520 --> 0:16:35.120
<v Speaker 1>is definitely changed on these guys. I'm looking I looked

0:16:35.120 --> 0:16:37.960
<v Speaker 1>at the images that that they sent in. I'm also

0:16:38.040 --> 0:16:41.960
<v Speaker 1>looking at an article on this is Colossal dot com

0:16:42.080 --> 0:16:46.760
<v Speaker 1>um from two thousand fourteen titled artist Hubert Dupratt collaborates

0:16:46.760 --> 0:16:49.600
<v Speaker 1>with Cattis fly larvae as they build aquatic cocoons from

0:16:49.640 --> 0:16:52.680
<v Speaker 1>golden pearls. And this is a really cool article. Is

0:16:52.720 --> 0:16:56.440
<v Speaker 1>some nice high quality images and even um an animated

0:16:56.800 --> 0:17:00.920
<v Speaker 1>jeff of of the catisified building the cocoon of bits

0:17:00.920 --> 0:17:04.200
<v Speaker 1>of gold leaf. And yeah, the results are really impressive.

0:17:04.200 --> 0:17:06.639
<v Speaker 1>It's a it's a it's an fascinating idea for a

0:17:06.640 --> 0:17:11.600
<v Speaker 1>collaboration between larva and artist. And the results do have

0:17:11.720 --> 0:17:17.960
<v Speaker 1>this weird, yeah, this is very weird organic quality to

0:17:18.080 --> 0:17:20.879
<v Speaker 1>them while still being made out of these um you know,

0:17:20.920 --> 0:17:24.480
<v Speaker 1>these materials that humans consider precious. I can just imagine

0:17:24.520 --> 0:17:27.680
<v Speaker 1>some high society function where you're admiring someone's ear rings

0:17:27.760 --> 0:17:29.800
<v Speaker 1>and they're like, ah, yes, this was a butt sack

0:17:29.920 --> 0:17:32.399
<v Speaker 1>made by the larvae of an insect. You know what

0:17:32.480 --> 0:17:36.919
<v Speaker 1>it reminds me of as well is the the the

0:17:36.960 --> 0:17:41.679
<v Speaker 1>golden scales of small the dragon from the Hobbit. You know,

0:17:42.040 --> 0:17:44.879
<v Speaker 1>he's supposed to have all the gold that's become embedded

0:17:45.400 --> 0:17:50.000
<v Speaker 1>uh in his otherwise vulnerable belly. Uh. This this kind

0:17:50.000 --> 0:17:51.960
<v Speaker 1>of has that kind of feel to it right here.

0:17:52.359 --> 0:17:55.960
<v Speaker 1>All right, now, let's get to the nail based content.

0:17:56.359 --> 0:17:59.440
<v Speaker 1>Man Carney is shaking with delight. There are just nails

0:17:59.480 --> 0:18:04.760
<v Speaker 1>pouring off of him onto the floor. All right. This

0:18:04.840 --> 0:18:08.080
<v Speaker 1>one comes to us from Ryan. Hello. I was compelled

0:18:08.160 --> 0:18:10.880
<v Speaker 1>to write to you after listening to your podcast about fingernails,

0:18:10.880 --> 0:18:13.800
<v Speaker 1>specifically about how to stop biting them. I'm in my

0:18:13.880 --> 0:18:16.880
<v Speaker 1>late twenties and I have always bitten my nails, sometimes

0:18:16.880 --> 0:18:19.959
<v Speaker 1>to the point where I get hangnails or have ingrown

0:18:20.240 --> 0:18:22.680
<v Speaker 1>nails as well. Last year I got married and wanted

0:18:22.720 --> 0:18:25.239
<v Speaker 1>to make sure my fingernails looked nice in case there

0:18:25.280 --> 0:18:27.880
<v Speaker 1>were close up photos of my hands for the ring.

0:18:28.320 --> 0:18:30.480
<v Speaker 1>This may not work for everyone, but it worked for me.

0:18:30.680 --> 0:18:32.359
<v Speaker 1>I did a bit of research and I think I

0:18:32.440 --> 0:18:35.919
<v Speaker 1>ended up using something similar to CBT. The nail biting

0:18:36.080 --> 0:18:38.760
<v Speaker 1>was a habit, something I did without thinking, so I

0:18:38.800 --> 0:18:41.280
<v Speaker 1>had to make myself think about it. What worked for

0:18:41.320 --> 0:18:44.560
<v Speaker 1>me was apologizing to my nails every time I caught

0:18:44.600 --> 0:18:48.359
<v Speaker 1>myself chewing them. This trained me to interrupt the automatic action,

0:18:48.680 --> 0:18:52.119
<v Speaker 1>and it was surprisingly effective. Of course, as stress was

0:18:52.200 --> 0:18:54.320
<v Speaker 1>one of my triggers. The end of the world as

0:18:54.320 --> 0:18:57.800
<v Speaker 1>we know it in has caused me to relapse, But

0:18:57.960 --> 0:19:00.359
<v Speaker 1>at least I know that when I have the mental

0:19:00.440 --> 0:19:02.960
<v Speaker 1>energy to conquer this habit again, I know it's doable.

0:19:03.320 --> 0:19:05.840
<v Speaker 1>As a side note, I was also intrigued about the

0:19:05.880 --> 0:19:08.760
<v Speaker 1>notion that usage of a finger makes the nail grow faster.

0:19:08.880 --> 0:19:12.080
<v Speaker 1>I noticed that once I stopped chewing and started trimming

0:19:12.080 --> 0:19:15.360
<v Speaker 1>my nails, I seem to need to trim them fairly frequently,

0:19:15.440 --> 0:19:17.720
<v Speaker 1>more so than my partner did. I wonder if the

0:19:17.760 --> 0:19:21.560
<v Speaker 1>additional war of decades of chewing encourage faster than average

0:19:21.640 --> 0:19:24.920
<v Speaker 1>nail growth. In any case, thank you for the many

0:19:24.960 --> 0:19:28.000
<v Speaker 1>episodes of thoughtful and insightful discussion. I always enjoy seeing

0:19:28.000 --> 0:19:30.840
<v Speaker 1>this podcast pop up in my feed with thanks Ryan

0:19:31.119 --> 0:19:33.959
<v Speaker 1>M Well, thanks for getting in touch Ryan. I actually

0:19:34.000 --> 0:19:38.760
<v Speaker 1>I don't know if the terminal trauma explanation for the

0:19:38.880 --> 0:19:41.760
<v Speaker 1>rate of finger nail growth would have lingering effects, like

0:19:41.800 --> 0:19:45.439
<v Speaker 1>after the terminal trauma has stopped, even if you know,

0:19:45.720 --> 0:19:47.800
<v Speaker 1>even if you've been doing it for years. The stuff

0:19:47.840 --> 0:19:50.919
<v Speaker 1>I was reading was about, like, what's happening to your

0:19:50.960 --> 0:19:54.520
<v Speaker 1>fingers while the nail is growing so concurrent with the growth.

0:19:54.560 --> 0:20:00.840
<v Speaker 1>But uh, it's possible. I don't know. That's an interesting question. Okay,

0:20:00.920 --> 0:20:03.280
<v Speaker 1>question should we read this one from Brittany or will

0:20:03.320 --> 0:20:05.680
<v Speaker 1>this make people stop listening to the episode? And maybe

0:20:05.680 --> 0:20:09.720
<v Speaker 1>we we will give a quick warning, give us, give

0:20:09.800 --> 0:20:12.480
<v Speaker 1>us a minute to read this and discuss it. But

0:20:12.600 --> 0:20:15.720
<v Speaker 1>if you don't want to hear anything about nail trauma um,

0:20:15.880 --> 0:20:18.000
<v Speaker 1>then you can just have just skip over this next

0:20:18.080 --> 0:20:20.280
<v Speaker 1>bit of listener mail and come back in on the

0:20:20.320 --> 0:20:23.920
<v Speaker 1>next topic. Okay, this is from Brittany. Brittany says, Dear

0:20:24.040 --> 0:20:26.240
<v Speaker 1>Robert and Joe. When I was twelve, I managed to

0:20:26.280 --> 0:20:28.600
<v Speaker 1>get a fairly big piece of wood stuck under the

0:20:28.680 --> 0:20:31.360
<v Speaker 1>nail of my left middle finger. I remember it being

0:20:31.560 --> 0:20:35.080
<v Speaker 1>very painful, it felt like my entire heart was beating

0:20:35.200 --> 0:20:38.760
<v Speaker 1>in that one spot, but also very interesting to look at.

0:20:39.280 --> 0:20:42.080
<v Speaker 1>The school nurse didn't have tweezers, so she used nail

0:20:42.119 --> 0:20:45.000
<v Speaker 1>clippers to fish it out. It took a good while

0:20:45.040 --> 0:20:47.840
<v Speaker 1>to heal, and whenever any kind of torture involving something

0:20:47.920 --> 0:20:50.760
<v Speaker 1>being shoved under the nail is mentioned, I can only

0:20:50.800 --> 0:20:54.000
<v Speaker 1>feel the greatest sympathy having experienced a small taste of

0:20:54.040 --> 0:20:57.760
<v Speaker 1>it myself. Thanks for the great show, Brittany. Uh. The

0:20:57.840 --> 0:20:59.760
<v Speaker 1>thing that really stuck out to me about this was

0:20:59.840 --> 0:21:02.960
<v Speaker 1>the sensation of having your entire heart beating in that

0:21:03.000 --> 0:21:06.679
<v Speaker 1>one spot. It's like a throbbing that becomes a whole

0:21:06.720 --> 0:21:11.440
<v Speaker 1>body sensation. That's oh man, that's powerful. No that um,

0:21:11.480 --> 0:21:15.280
<v Speaker 1>I can definitely relate to that from not identical nail trauma,

0:21:15.359 --> 0:21:19.320
<v Speaker 1>but some nail issues I had, you know, a decade

0:21:19.400 --> 0:21:22.520
<v Speaker 1>or so ago, where like you, the the the amount

0:21:22.560 --> 0:21:26.080
<v Speaker 1>of sensation that you feel like um in an ingrown

0:21:26.119 --> 0:21:30.640
<v Speaker 1>toenail can be such that it does feel like all

0:21:30.720 --> 0:21:33.679
<v Speaker 1>of your nerves are centered on that one spot. You

0:21:33.720 --> 0:21:36.680
<v Speaker 1>know that this is the epicenter of all nervous activity

0:21:36.720 --> 0:21:38.280
<v Speaker 1>in your body, and I guess to a certain extent

0:21:38.320 --> 0:21:40.200
<v Speaker 1>it is at that point. Okay, should we put the

0:21:40.240 --> 0:21:43.520
<v Speaker 1>nail nightmares behind us? Yes? We should, and as a

0:21:43.520 --> 0:21:46.000
<v Speaker 1>as a kind of palate cleanser. We're gonna take a

0:21:46.040 --> 0:21:47.880
<v Speaker 1>quick break, but when we come back, we have all

0:21:47.960 --> 0:21:50.320
<v Speaker 1>new listener mail to listen to on a variety of

0:21:50.320 --> 0:21:57.000
<v Speaker 1>different topics. Alright, we're back. Oh. It seems during the

0:21:57.040 --> 0:22:01.080
<v Speaker 1>break Carney has undergone a transformation. What is happening here?

0:22:01.640 --> 0:22:03.719
<v Speaker 1>It appears, And I'm no expert on this sort of thing.

0:22:03.720 --> 0:22:05.760
<v Speaker 1>I didn't follow him around, but I think he fell

0:22:06.040 --> 0:22:10.000
<v Speaker 1>into a pit of snakes and has emerged with us,

0:22:10.200 --> 0:22:15.200
<v Speaker 1>with snakes sleeping through the winter inside him, uh, using

0:22:15.320 --> 0:22:20.280
<v Speaker 1>his his body as a broommation chamber. So um, he's

0:22:20.320 --> 0:22:22.359
<v Speaker 1>quite a site to behold. So what was once a

0:22:22.400 --> 0:22:25.320
<v Speaker 1>creature of nails is now a creature of snakes. Welcome back,

0:22:25.359 --> 0:22:33.440
<v Speaker 1>snake bought. Okay, So this first message comes to us

0:22:33.520 --> 0:22:36.600
<v Speaker 1>from David. It was about our episode on pie crete.

0:22:36.600 --> 0:22:39.880
<v Speaker 1>We actually got to hear from a structural engineer. That's right.

0:22:40.400 --> 0:22:43.040
<v Speaker 1>David writes in and says, hello, guys, I listened with

0:22:43.080 --> 0:22:46.240
<v Speaker 1>interest to your recent episode on pie crete. The description

0:22:46.280 --> 0:22:49.119
<v Speaker 1>of reinforced ice made me think of the more recent

0:22:49.119 --> 0:22:53.880
<v Speaker 1>practice of fiber reinforced concrete with either steel or plastic

0:22:53.920 --> 0:22:57.480
<v Speaker 1>fibers as a structural engineer. The description of the properties

0:22:57.480 --> 0:23:01.480
<v Speaker 1>of ice, including creep, mirrors those of concrete. I wonder

0:23:01.520 --> 0:23:04.240
<v Speaker 1>whether the experiments with pike crete was a precursor to

0:23:04.320 --> 0:23:08.399
<v Speaker 1>concrete fiber technology and to some extent, uh similar fiber

0:23:08.440 --> 0:23:13.399
<v Speaker 1>reinforcements such as fiberglass and f RP plastic. So in

0:23:13.520 --> 0:23:16.280
<v Speaker 1>that way, could we say that Jeffrey Pike was a

0:23:16.320 --> 0:23:20.879
<v Speaker 1>pioneer of fiber reinforcement technology and engineering. David, that's a

0:23:20.880 --> 0:23:24.320
<v Speaker 1>good question, though. I don't think the innovation of putting

0:23:24.320 --> 0:23:27.840
<v Speaker 1>the wood pulp inside the ice came from Pike himself.

0:23:27.960 --> 0:23:30.800
<v Speaker 1>That came from I believe some researchers in the Eastern

0:23:30.920 --> 0:23:35.040
<v Speaker 1>United States out of was it Brooklyn, Brooklyn Polytechnic. It

0:23:35.119 --> 0:23:39.080
<v Speaker 1>was something like that. But anyway, Pike had the idea

0:23:39.160 --> 0:23:41.720
<v Speaker 1>brought to him and then he picked up on it.

0:23:41.800 --> 0:23:45.760
<v Speaker 1>But uh, yeah, good enough, close enough, right, Yeah, Now

0:23:45.760 --> 0:23:48.360
<v Speaker 1>it does make me wonder, Okay, if we're talking about

0:23:48.359 --> 0:23:52.919
<v Speaker 1>this sort of composite material, then you know where do

0:23:53.000 --> 0:23:57.800
<v Speaker 1>we rank various paper innovations. Uh, not not nearly paper itself,

0:23:57.800 --> 0:24:01.080
<v Speaker 1>but take for instance, paper mache, which is, you know,

0:24:01.320 --> 0:24:06.120
<v Speaker 1>a composite material that has paper pieces or pulp sometimes

0:24:06.160 --> 0:24:10.040
<v Speaker 1>textiles bound up with an adhesive. And and this of

0:24:10.119 --> 0:24:12.080
<v Speaker 1>course has been around for quite some time. I believe that,

0:24:12.200 --> 0:24:15.320
<v Speaker 1>you know, we've discussed some very old versions of this

0:24:15.600 --> 0:24:20.640
<v Speaker 1>um in UM what uh mezzo and uh South America.

0:24:21.600 --> 0:24:23.840
<v Speaker 1>I think it dates back to you to use in

0:24:23.960 --> 0:24:28.919
<v Speaker 1>ancient Egypt and in China as well. UM So I

0:24:28.960 --> 0:24:31.440
<v Speaker 1>would I guess I would be hesitant to give Pipe

0:24:31.480 --> 0:24:35.600
<v Speaker 1>too much credit in terms of just overall composite material engineering.

0:24:36.000 --> 0:24:38.879
<v Speaker 1>But you absolutely got to give him outside the box thinker.

0:24:39.280 --> 0:24:42.600
<v Speaker 1>Oh yeah, yeah, still a fascinating individual who came up

0:24:42.640 --> 0:24:50.119
<v Speaker 1>with some pretty interesting ideas. All right. We got some

0:24:50.280 --> 0:24:53.120
<v Speaker 1>messages in response to a Vault episode that aired recently,

0:24:53.200 --> 0:24:56.280
<v Speaker 1>the one about school dreams, you know, the recurring dream

0:24:56.320 --> 0:24:58.000
<v Speaker 1>where you have to go back and take the Russian

0:24:58.040 --> 0:25:01.480
<v Speaker 1>calculus test. Some of the messages were in response to

0:25:01.520 --> 0:25:03.520
<v Speaker 1>a question we asked at the end of the episode

0:25:03.560 --> 0:25:07.280
<v Speaker 1>about um whether people still have school dreams if they

0:25:07.480 --> 0:25:12.760
<v Speaker 1>had experiences other than just going up graduating from high

0:25:12.760 --> 0:25:14.920
<v Speaker 1>school and then maybe going on to college. If people

0:25:14.960 --> 0:25:17.679
<v Speaker 1>had dropped out of school at an earlier age, or

0:25:17.720 --> 0:25:19.960
<v Speaker 1>had something else going on in their lives at that time,

0:25:20.000 --> 0:25:22.560
<v Speaker 1>if they were home schooled. How did that affect their

0:25:22.560 --> 0:25:26.119
<v Speaker 1>propensity for school dreams? And so k log gets in

0:25:26.160 --> 0:25:29.280
<v Speaker 1>touch with us to say Hi, Joe and Robert. I

0:25:29.320 --> 0:25:31.720
<v Speaker 1>missed the school dreams episode the first time around and

0:25:31.840 --> 0:25:34.359
<v Speaker 1>was really intrigued to see it pop up. I knew

0:25:34.359 --> 0:25:37.520
<v Speaker 1>that many people experienced school dreams, but I assumed mine

0:25:37.520 --> 0:25:41.320
<v Speaker 1>were unusual because of my background. Due to homelessness and

0:25:41.359 --> 0:25:43.720
<v Speaker 1>a number of family issues, I dropped out of high

0:25:43.760 --> 0:25:46.560
<v Speaker 1>school during my freshman year and got my g E D.

0:25:47.240 --> 0:25:50.120
<v Speaker 1>I only ever went to high school classes sporadically over

0:25:50.160 --> 0:25:52.879
<v Speaker 1>a period of a few months. I had the added

0:25:52.920 --> 0:25:56.159
<v Speaker 1>misfortune of having to change schools three times in this

0:25:56.240 --> 0:25:59.920
<v Speaker 1>short period. I'm thirty now, putting my high school experience

0:26:00.080 --> 0:26:04.520
<v Speaker 1>fifteen years ago. I didn't start having school dreams until

0:26:04.520 --> 0:26:07.639
<v Speaker 1>my mid twenties, when I started having them all the time.

0:26:08.119 --> 0:26:10.480
<v Speaker 1>I was surprised to find that the basic premise of

0:26:10.480 --> 0:26:14.199
<v Speaker 1>my dreams was so common. I find myself at my

0:26:14.320 --> 0:26:17.280
<v Speaker 1>first high school on the last day of the school year.

0:26:17.600 --> 0:26:21.000
<v Speaker 1>I panic, realizing there's a class I haven't attended all year.

0:26:21.560 --> 0:26:23.919
<v Speaker 1>I remember that I couldn't find the classroom on my

0:26:24.000 --> 0:26:27.080
<v Speaker 1>first day and was too afraid to ask anyone. I

0:26:27.119 --> 0:26:30.199
<v Speaker 1>wander through a maze of high school frantically searching for

0:26:30.240 --> 0:26:33.080
<v Speaker 1>this class. It occurs to me that the teacher had

0:26:33.119 --> 0:26:35.240
<v Speaker 1>gone out of their way to give a second chance

0:26:35.280 --> 0:26:38.919
<v Speaker 1>to finish school, making me feel extremely guilty for letting

0:26:38.920 --> 0:26:42.479
<v Speaker 1>them down. These dreams almost always end with me finding

0:26:42.520 --> 0:26:46.000
<v Speaker 1>a huge glass door and leaving the building, trying to

0:26:46.040 --> 0:26:49.200
<v Speaker 1>get away without being noticed. I'm on the fence about

0:26:49.280 --> 0:26:52.440
<v Speaker 1>dream interpretation, but it's so interesting how these things can

0:26:52.480 --> 0:26:56.280
<v Speaker 1>tie folks of all different backgrounds together. I associate these

0:26:56.359 --> 0:26:59.639
<v Speaker 1>dreams most closely with my general feelings of anxiety and

0:26:59.680 --> 0:27:02.560
<v Speaker 1>how it affected my life at different times. It's worth

0:27:02.640 --> 0:27:05.680
<v Speaker 1>mentioning that I generally don't regret or feel bad about

0:27:05.720 --> 0:27:08.439
<v Speaker 1>having dropped out. I went down a different path, but

0:27:08.520 --> 0:27:10.560
<v Speaker 1>it worked for me and I have a great life

0:27:10.640 --> 0:27:13.320
<v Speaker 1>now with a family and career. I just wanted to

0:27:13.320 --> 0:27:16.600
<v Speaker 1>share to hopefully answer some of those questions. Love the podcast,

0:27:16.720 --> 0:27:21.280
<v Speaker 1>Please keep quality dream related content coming, Kayla, Oh, that's interesting.

0:27:22.440 --> 0:27:26.119
<v Speaker 1>As a side note, I recently had a school dream again,

0:27:26.520 --> 0:27:29.960
<v Speaker 1>and one of the amusing things about it is that

0:27:30.080 --> 0:27:33.560
<v Speaker 1>in the school dream, it had been updated for the

0:27:34.000 --> 0:27:37.359
<v Speaker 1>COVID era because I was I was it had to

0:27:37.400 --> 0:27:41.359
<v Speaker 1>do with stress over um dialing into my classes, into

0:27:41.400 --> 0:27:44.960
<v Speaker 1>my college classes and attending them virtually, and I forget

0:27:45.000 --> 0:27:46.879
<v Speaker 1>I've already forgotten the details of it, if I was

0:27:46.920 --> 0:27:50.360
<v Speaker 1>having trouble connecting or or if I had forgotten the class,

0:27:50.400 --> 0:27:53.480
<v Speaker 1>you know, that old trope. But but still it was

0:27:53.520 --> 0:27:56.600
<v Speaker 1>it was amusing that that had been updated for like

0:27:56.720 --> 0:28:00.880
<v Speaker 1>COVID error class anxiety, despite that having obviously never been

0:28:00.880 --> 0:28:03.600
<v Speaker 1>my experience going to school in the past. I don't

0:28:03.600 --> 0:28:07.159
<v Speaker 1>know if it was like a combination of like my

0:28:07.560 --> 0:28:13.080
<v Speaker 1>son's experiences right now zooming into classes combined with my own,

0:28:13.280 --> 0:28:18.240
<v Speaker 1>uh you know, college error anxiety about missing the classes.

0:28:18.280 --> 0:28:20.920
<v Speaker 1>I don't know, but it was. It was. It was amusing,

0:28:20.960 --> 0:28:23.240
<v Speaker 1>but also yeah, also I guess kind of frustrating to

0:28:23.240 --> 0:28:25.600
<v Speaker 1>where you're like, come on, dream world, is is there

0:28:25.600 --> 0:28:29.200
<v Speaker 1>nothing better we can have than just a timely updated

0:28:29.320 --> 0:28:33.200
<v Speaker 1>version of the tired old school dream. Uh? Yeah, that

0:28:33.359 --> 0:28:35.399
<v Speaker 1>that seems like a kind of thing that normally happens,

0:28:35.400 --> 0:28:38.520
<v Speaker 1>where a lot of times people bring current relationships and

0:28:38.600 --> 0:28:40.960
<v Speaker 1>drama to their school dreams. So it's like I was

0:28:41.000 --> 0:28:44.560
<v Speaker 1>at school, I was missing a you know, I hadn't

0:28:44.560 --> 0:28:47.320
<v Speaker 1>prepared for a test, but also my current co workers

0:28:47.440 --> 0:28:49.600
<v Speaker 1>were there with me, and whatever kind of drama you've

0:28:49.640 --> 0:28:52.360
<v Speaker 1>got going on with them was the background of it.

0:28:52.840 --> 0:28:56.880
<v Speaker 1>But life, life changes, but the school dreams there there forever.

0:29:01.400 --> 0:29:04.480
<v Speaker 1>But this next message has a very interesting variation, Robert,

0:29:04.480 --> 0:29:07.600
<v Speaker 1>you want to read this one from James. Yeah, James writes,

0:29:07.840 --> 0:29:10.120
<v Speaker 1>I think I have an interesting perspective on the idea

0:29:10.160 --> 0:29:12.760
<v Speaker 1>of dreams, not from any research perspective. I'm a high

0:29:12.760 --> 0:29:15.719
<v Speaker 1>school and college graduate and my main job is a

0:29:15.760 --> 0:29:18.840
<v Speaker 1>fireman and a paramedic. I did start this job in

0:29:18.880 --> 0:29:21.640
<v Speaker 1>my early twenties, so I can't speak to dreams coming

0:29:21.680 --> 0:29:25.040
<v Speaker 1>from your twenties memory bias. That being said, I never

0:29:25.160 --> 0:29:28.200
<v Speaker 1>have school dreams, at least none that I can remember.

0:29:28.480 --> 0:29:31.760
<v Speaker 1>I do have work dreams relatively often. All of these

0:29:31.760 --> 0:29:35.520
<v Speaker 1>are ridiculous, as ridiculous as Russian calculus, but they're all that.

0:29:35.560 --> 0:29:38.840
<v Speaker 1>They are related to just how often things can go

0:29:38.960 --> 0:29:42.160
<v Speaker 1>wrong on the job. For example, just last night, I,

0:29:42.320 --> 0:29:46.760
<v Speaker 1>by serendipity remember a dream about VTAC. I'm not going

0:29:46.800 --> 0:29:49.720
<v Speaker 1>to get into the totality of the dream. However, the

0:29:49.720 --> 0:29:52.560
<v Speaker 1>biggest point that stuck with me was that I occluded

0:29:52.560 --> 0:29:55.840
<v Speaker 1>an I v this if you're unfamiliar is a process

0:29:55.880 --> 0:29:59.000
<v Speaker 1>of stopping blood from flowing out of an ivy prior

0:29:59.080 --> 0:30:03.240
<v Speaker 1>to the tubing uh being attached to the hub Um.

0:30:03.280 --> 0:30:05.080
<v Speaker 1>I don't know what you're talking about, but I'll let

0:30:05.120 --> 0:30:07.560
<v Speaker 1>you care you h. It is also something I was

0:30:07.640 --> 0:30:11.760
<v Speaker 1>initially bad at during my training. Anecdotally, I would argue,

0:30:11.800 --> 0:30:14.440
<v Speaker 1>because my job is high stress and intensely chaotic, this

0:30:14.560 --> 0:30:17.320
<v Speaker 1>outweighs the stress I would have felt in college or

0:30:17.400 --> 0:30:20.600
<v Speaker 1>high school, neither of which I remember as particularly stressful.

0:30:20.920 --> 0:30:24.320
<v Speaker 1>So I dream of fire and emergency medical calls gone wrong,

0:30:24.480 --> 0:30:27.480
<v Speaker 1>or just being off kilter, rather than giving speeches in

0:30:27.520 --> 0:30:31.200
<v Speaker 1>my underwear. Sincerely, James, Yeah, that's interesting. I mean it

0:30:31.280 --> 0:30:34.360
<v Speaker 1>does sound very much like the school dream dynamic, except

0:30:34.360 --> 0:30:36.680
<v Speaker 1>it's not about school. It's about this other kind of

0:30:36.720 --> 0:30:41.080
<v Speaker 1>institutional challenge that you're repeatedly facing day after day in

0:30:41.080 --> 0:30:44.000
<v Speaker 1>your early adulthood. But that's not all. James also had

0:30:44.040 --> 0:30:48.080
<v Speaker 1>something to contribute to our discussion of snakes. Would you

0:30:48.080 --> 0:30:50.960
<v Speaker 1>like to take this next part? Joe? Sure. James adds

0:30:51.000 --> 0:30:53.440
<v Speaker 1>thoughts about the snake Pit episodes and a separate email,

0:30:53.520 --> 0:30:56.880
<v Speaker 1>and this was regarding the liver fascination. Remember in the

0:30:56.920 --> 0:31:00.320
<v Speaker 1>episode we talked about all the different myths where the

0:31:00.360 --> 0:31:03.040
<v Speaker 1>people would be attacked by snakes, and then it would say,

0:31:03.040 --> 0:31:06.280
<v Speaker 1>and the snake was eating his liver, or the snake

0:31:06.440 --> 0:31:09.480
<v Speaker 1>was biting him right on the liver. And then we

0:31:09.520 --> 0:31:13.920
<v Speaker 1>related this to other strange stories of monsters attacking people

0:31:14.040 --> 0:31:18.560
<v Speaker 1>in the liver, the eagle attacking Prometheus's liver, the Kappa

0:31:18.640 --> 0:31:22.120
<v Speaker 1>trying to pull out your liver through your anus. What's

0:31:22.120 --> 0:31:25.280
<v Speaker 1>going on here? James has a thought. James says, if

0:31:25.320 --> 0:31:28.360
<v Speaker 1>you look at most predators eating, their initial attack is

0:31:28.440 --> 0:31:31.720
<v Speaker 1>normally towards the stomach or abdomen. I'm now, I'm not

0:31:31.800 --> 0:31:34.560
<v Speaker 1>saying these animals are first going after the liver, if

0:31:34.600 --> 0:31:38.520
<v Speaker 1>I remember correctly, thereafter the guts to obtain plant nutrients

0:31:38.560 --> 0:31:42.360
<v Speaker 1>while it's still freshen the gut. However, from an observation

0:31:42.400 --> 0:31:45.360
<v Speaker 1>deduction mindset, I would feel it's easy for an ancient

0:31:45.400 --> 0:31:47.960
<v Speaker 1>observer to think that the animal is after the liver,

0:31:48.120 --> 0:31:51.320
<v Speaker 1>being the liver is the largest and most prominent abdominal

0:31:51.480 --> 0:31:55.000
<v Speaker 1>organ as. Always keep up the good work, sincerely, James.

0:31:55.640 --> 0:31:57.680
<v Speaker 1>I don't know if I'd ever heard that rationale for

0:31:57.880 --> 0:32:01.560
<v Speaker 1>why predators very often attack the abdomen first. I think

0:32:01.560 --> 0:32:04.680
<v Speaker 1>that is true that after a predator is made to kill,

0:32:04.760 --> 0:32:07.120
<v Speaker 1>they start eating at the abdomen. But but I've never

0:32:07.160 --> 0:32:10.720
<v Speaker 1>heard that it was to obtain plant nutrients from the

0:32:10.760 --> 0:32:13.600
<v Speaker 1>prey animals digestive system. I'll have to look into that,

0:32:13.640 --> 0:32:20.800
<v Speaker 1>but that does sound plausible at least. All right, well,

0:32:20.800 --> 0:32:23.680
<v Speaker 1>we're we're we're wading into the snakes now. We're about

0:32:24.640 --> 0:32:27.480
<v Speaker 1>an ankle deep at least, so we're going to continue.

0:32:27.800 --> 0:32:30.520
<v Speaker 1>Here is another bit of listener mail. This came to

0:32:30.640 --> 0:32:34.680
<v Speaker 1>us from Matt. Hey, guys, a longtime listener, first time writer.

0:32:35.400 --> 0:32:38.400
<v Speaker 1>Just finished the Snake pin I mean Din episode, and

0:32:38.400 --> 0:32:41.400
<v Speaker 1>I loved hearing you talk about narciss I live in Manitoba,

0:32:41.520 --> 0:32:45.240
<v Speaker 1>just north of Winnipeg and east of narciss but I

0:32:45.320 --> 0:32:47.920
<v Speaker 1>took a road trip there a few years ago. It

0:32:47.960 --> 0:32:50.840
<v Speaker 1>was early in the season, so the snakes weren't super crazy,

0:32:50.960 --> 0:32:53.960
<v Speaker 1>but what a cool experience kids running around catching snakes,

0:32:54.280 --> 0:32:57.760
<v Speaker 1>writhing balls of snakes in the dens. Uh. Their their

0:32:57.760 --> 0:33:00.440
<v Speaker 1>color is such that at first glance you don't think

0:33:00.600 --> 0:33:02.520
<v Speaker 1>there's that many in the pit, but then your eyes

0:33:02.560 --> 0:33:05.800
<v Speaker 1>start picking out more and more areas of movement. The

0:33:05.920 --> 0:33:10.800
<v Speaker 1>sound description is accurate at Persistent Wrestling. My photos suck,

0:33:11.000 --> 0:33:13.800
<v Speaker 1>as everything is just all earth colors. But here's a

0:33:13.800 --> 0:33:17.400
<v Speaker 1>photo of a statue in Narciss. Uh right, you're right

0:33:17.760 --> 0:33:20.520
<v Speaker 1>that the town is really just a few houses, and

0:33:20.560 --> 0:33:24.000
<v Speaker 1>he includes this image of this um this really fabulous

0:33:24.200 --> 0:33:27.480
<v Speaker 1>fulsa doom esque sculpture that they have there of these

0:33:27.600 --> 0:33:32.160
<v Speaker 1>uh kind of writhing arching like what gold and green

0:33:32.280 --> 0:33:34.640
<v Speaker 1>snakes on top of a rock pile. I guess they're

0:33:34.640 --> 0:33:37.320
<v Speaker 1>supposed to be the garter snakes that that gather there

0:33:37.320 --> 0:33:39.600
<v Speaker 1>at the dens, but you know, obviously they're a little

0:33:39.600 --> 0:33:42.800
<v Speaker 1>bit bigger. And what I think is funny is that

0:33:42.880 --> 0:33:46.840
<v Speaker 1>this statue has inverted the dynamic the snakes come to

0:33:47.160 --> 0:33:51.600
<v Speaker 1>the Narciss area because there are sinkholes and pits and

0:33:51.600 --> 0:33:54.280
<v Speaker 1>and you know, holes in the limestone that are good

0:33:54.280 --> 0:33:57.080
<v Speaker 1>for them to to broomate in. But this puts them

0:33:57.160 --> 0:34:00.000
<v Speaker 1>atop a mountain of stone. It's a total of vertical

0:34:00.160 --> 0:34:04.560
<v Speaker 1>inversion of the snake dynamic. Yeah, absolutely, but and I

0:34:04.560 --> 0:34:06.880
<v Speaker 1>do say it does sort of demand worship as well.

0:34:07.120 --> 0:34:14.280
<v Speaker 1>What is the answer to the riddle of snakes? Also,

0:34:14.480 --> 0:34:17.480
<v Speaker 1>Matt was not the only Manitoba listener we heard from.

0:34:17.480 --> 0:34:19.520
<v Speaker 1>Becca got In touch, and I just want to read

0:34:19.560 --> 0:34:23.719
<v Speaker 1>an excerpt from her email. Here, she says that she

0:34:23.800 --> 0:34:26.040
<v Speaker 1>loved that we mentioned that Manitoba snake pits are the

0:34:26.120 --> 0:34:28.560
<v Speaker 1>largest in the world, and she goes on, I don't

0:34:28.560 --> 0:34:31.080
<v Speaker 1>know how that's possible, but how excited I was to

0:34:31.120 --> 0:34:34.080
<v Speaker 1>hear that you have no idea. Finally I have something

0:34:34.120 --> 0:34:37.600
<v Speaker 1>I can contribute to. It really is a nice Mother's

0:34:37.680 --> 0:34:41.920
<v Speaker 1>day activity. It's a really small circular hike, approximately the

0:34:41.960 --> 0:34:44.799
<v Speaker 1>size of a football field. I guess the pits are

0:34:44.800 --> 0:34:48.000
<v Speaker 1>guarded by a fence, but the snakes often slither across

0:34:48.040 --> 0:34:51.000
<v Speaker 1>the track, so you have to walk slow. They are

0:34:51.120 --> 0:34:54.040
<v Speaker 1>very docile and in my experiences, don't seem to mind

0:34:54.160 --> 0:34:58.760
<v Speaker 1>being picked up. It really is like a huge writhing swarm.

0:34:59.040 --> 0:35:00.680
<v Speaker 1>I don't know if I've ever are picked up on

0:35:00.760 --> 0:35:03.560
<v Speaker 1>the noise, but there is usually a lot of background

0:35:03.600 --> 0:35:07.360
<v Speaker 1>noise going around. When I saw the movie Annihilation and

0:35:07.400 --> 0:35:11.560
<v Speaker 1>saw the intestine scene, my first thought was, that's like

0:35:11.680 --> 0:35:16.360
<v Speaker 1>the snake pits. Um and Becca attaches some photos for

0:35:16.440 --> 0:35:19.360
<v Speaker 1>us to look at, So yeah, thanks for getting in touch, Becca.

0:35:19.640 --> 0:35:21.239
<v Speaker 1>All right, on that note, we're going to take one

0:35:21.280 --> 0:35:24.120
<v Speaker 1>more break, but when we come back more Listener mail,

0:35:25.440 --> 0:35:29.160
<v Speaker 1>thank thank you, thank you. All right, we're back now.

0:35:29.160 --> 0:35:31.799
<v Speaker 1>A number of listeners wrote in on our episode on

0:35:31.880 --> 0:35:35.440
<v Speaker 1>the spotlight effect. Remember the effect that essentially finds that

0:35:35.520 --> 0:35:39.040
<v Speaker 1>people think other people are paying more attention to them

0:35:39.120 --> 0:35:46.239
<v Speaker 1>and noticing more about them than they actually are. So

0:35:46.280 --> 0:35:49.120
<v Speaker 1>it's quite ironic that the next bit of listener mail

0:35:49.239 --> 0:35:53.040
<v Speaker 1>is another one from Jim in New Jersey. So, so, Jim,

0:35:53.520 --> 0:35:57.040
<v Speaker 1>please don't make we hope we're not encouraging spotlight effect

0:35:57.600 --> 0:35:59.759
<v Speaker 1>by reading a nun another one of your emails, or

0:35:59.840 --> 0:36:02.400
<v Speaker 1>that we're not getting into it by thinking that Jim

0:36:02.480 --> 0:36:04.719
<v Speaker 1>only thinks about our show and right there all the time.

0:36:04.880 --> 0:36:07.880
<v Speaker 1>I mean, Jim is prolific. What can you do? So,

0:36:08.000 --> 0:36:11.360
<v Speaker 1>Jim says Robert and Joe, I think the spotlight effect

0:36:11.360 --> 0:36:13.480
<v Speaker 1>can be summed up in this quote for which I

0:36:13.520 --> 0:36:16.879
<v Speaker 1>can't find the source. Everyone is the star of their

0:36:16.880 --> 0:36:20.520
<v Speaker 1>own movie. Yeah. I think that's about right, Jim. Uh So,

0:36:20.840 --> 0:36:23.480
<v Speaker 1>he says, I don't think it's unreasonable for children and

0:36:23.520 --> 0:36:26.879
<v Speaker 1>young adults to be subjected to the spotlight effect through

0:36:26.920 --> 0:36:29.600
<v Speaker 1>the first twenty or so years of their lives. There's

0:36:29.640 --> 0:36:32.719
<v Speaker 1>almost always a set of adults watching much of what

0:36:32.840 --> 0:36:37.440
<v Speaker 1>children do. Whether it's parents, family members, friends, teachers, etcetera.

0:36:37.880 --> 0:36:40.759
<v Speaker 1>Why wouldn't they think they're the center of attention? They

0:36:40.800 --> 0:36:44.480
<v Speaker 1>often are. Now, this is very interesting because some of

0:36:44.480 --> 0:36:46.800
<v Speaker 1>the psychologists that we were talking about in an episode

0:36:47.080 --> 0:36:50.759
<v Speaker 1>highlighted the fact that the spotlight effect is especially pronounced

0:36:50.800 --> 0:36:55.480
<v Speaker 1>among you know, teenagers, And Yeah, it makes me wonder

0:36:55.600 --> 0:36:59.279
<v Speaker 1>is is that something natural about the brain as it develops.

0:36:59.360 --> 0:37:01.640
<v Speaker 1>Would would it be that way no matter what was

0:37:01.680 --> 0:37:04.160
<v Speaker 1>going on in the culture around them? Or is it

0:37:04.200 --> 0:37:07.279
<v Speaker 1>because you know, by teenage years, you are used to

0:37:07.440 --> 0:37:10.160
<v Speaker 1>actually being the center of attention for so much of

0:37:10.200 --> 0:37:12.600
<v Speaker 1>your life. Yeah, I don't know, you know. It also

0:37:12.680 --> 0:37:16.040
<v Speaker 1>reminds me of something that came up recently about the podcast.

0:37:16.080 --> 0:37:17.680
<v Speaker 1>On the podcast, but I don't know if it was

0:37:17.719 --> 0:37:22.680
<v Speaker 1>in this episode where we we briefly discussed the the

0:37:22.800 --> 0:37:26.759
<v Speaker 1>idea that was certainly written about by iliad A, but

0:37:26.880 --> 0:37:30.279
<v Speaker 1>the the idea that that that, especially older cultures, that

0:37:30.520 --> 0:37:34.440
<v Speaker 1>anything you did was only meaningful insomuch as it um

0:37:34.480 --> 0:37:39.840
<v Speaker 1>you know, went through the paces of some mythic trope. Uh,

0:37:39.880 --> 0:37:42.000
<v Speaker 1>and you could you could sort of explain that as

0:37:42.040 --> 0:37:45.400
<v Speaker 1>well as as being a statement of of the things

0:37:45.440 --> 0:37:48.960
<v Speaker 1>I do are only important if they are doing the

0:37:49.000 --> 0:37:52.640
<v Speaker 1>sort of things that that central characters and other stories

0:37:52.680 --> 0:37:55.160
<v Speaker 1>do you know, Uh so I could see that kind

0:37:55.160 --> 0:38:00.840
<v Speaker 1>of um process playing into uh this. Everyone is a

0:38:00.840 --> 0:38:03.399
<v Speaker 1>star in their own moody or in their own narrative thing.

0:38:03.920 --> 0:38:08.080
<v Speaker 1>Jim goes on, I noticed the spotlight effect in US politics,

0:38:08.160 --> 0:38:10.680
<v Speaker 1>but I'm sure it applies to other countries politics as well.

0:38:10.800 --> 0:38:15.240
<v Speaker 1>It's very prominent during congressional hearings when members of Congress

0:38:15.280 --> 0:38:18.640
<v Speaker 1>interrogate those who have been called in. From what I've seen,

0:38:18.960 --> 0:38:22.839
<v Speaker 1>they are there to present more than to listen. Yeah,

0:38:22.880 --> 0:38:24.920
<v Speaker 1>I do think that's often the case. You see what

0:38:25.320 --> 0:38:28.360
<v Speaker 1>is ostensibly supposed to be you know, the member of

0:38:28.360 --> 0:38:31.960
<v Speaker 1>Congress is supposed to be acting like a prosecutor, acquiring

0:38:32.040 --> 0:38:35.359
<v Speaker 1>information or listening testimony from the witness. Very often they're

0:38:35.360 --> 0:38:39.319
<v Speaker 1>clearly just performing to to create an impression about themselves.

0:38:39.960 --> 0:38:42.960
<v Speaker 1>As for feeling less self conscious about something, I think

0:38:42.960 --> 0:38:46.200
<v Speaker 1>a new hairstyle is a good example. My wife's stylist

0:38:46.280 --> 0:38:48.880
<v Speaker 1>might cut her hair much shorter than my wife desired.

0:38:49.160 --> 0:38:51.960
<v Speaker 1>She often feels very self conscious about it, but in

0:38:52.000 --> 0:38:54.600
<v Speaker 1>a day or two she doesn't even notice it. I

0:38:54.640 --> 0:38:57.160
<v Speaker 1>don't have bad hair days myself, since I support the

0:38:57.200 --> 0:39:00.920
<v Speaker 1>same head style as Jonathan Strickland. Uh, that's our that's

0:39:00.960 --> 0:39:03.440
<v Speaker 1>our colleague on tech stuff. That means not having hair.

0:39:04.160 --> 0:39:06.680
<v Speaker 1>And then Jim finally finishes with the PostScript, saying, I

0:39:06.760 --> 0:39:09.600
<v Speaker 1>just subscribed to Netflix about two months ago during COVID,

0:39:09.840 --> 0:39:12.919
<v Speaker 1>and I'm working my way through Black Mirror. Jim, take

0:39:12.960 --> 0:39:15.080
<v Speaker 1>it slow, don't don't get too down in the dumps.

0:39:15.360 --> 0:39:17.200
<v Speaker 1>It's it's it's it's a tough time for that kind

0:39:17.239 --> 0:39:20.240
<v Speaker 1>of a. Yeah, totally, we're living in a Black Mirror

0:39:20.280 --> 0:39:24.960
<v Speaker 1>episode already. But but Jim says, uh, finally, I saw

0:39:25.120 --> 0:39:28.000
<v Speaker 1>metal Head last week, so I knew the tree climbing

0:39:28.120 --> 0:39:31.440
<v Speaker 1>robot dogs reference. I don't remember when we reference that,

0:39:31.520 --> 0:39:34.360
<v Speaker 1>but but good on you, Jim. Yeah, yeah, that's a that.

0:39:34.360 --> 0:39:37.040
<v Speaker 1>That is a terrifying episode, but probably probably one of

0:39:37.040 --> 0:39:43.680
<v Speaker 1>my favorites. All Right, we have another one here. This

0:39:43.719 --> 0:39:46.319
<v Speaker 1>one comes to us from Matt Hi, Robert and Joe.

0:39:46.400 --> 0:39:48.720
<v Speaker 1>Glad you're both able to stay safe and produce amazing

0:39:48.760 --> 0:39:52.480
<v Speaker 1>content from the comfort of your respective bunkers. In your

0:39:52.560 --> 0:39:55.719
<v Speaker 1>recent episode about the spotlight effect, you mentioned playing d

0:39:55.800 --> 0:39:58.640
<v Speaker 1>and d over zoom and it being exhausting. I may

0:39:58.680 --> 0:40:02.560
<v Speaker 1>have a few suggestions to hell. Number one, it's possible

0:40:02.560 --> 0:40:05.319
<v Speaker 1>to hide the self view on Zoom. It's in the

0:40:05.360 --> 0:40:08.040
<v Speaker 1>menu that appears after clicking on the three little dots

0:40:08.480 --> 0:40:11.320
<v Speaker 1>when you hover over your portrait. I find it helps.

0:40:11.960 --> 0:40:14.200
<v Speaker 1>Number two, A D and D campaign seems like a

0:40:14.239 --> 0:40:17.560
<v Speaker 1>perfect opportunity to have the players use their character avatars.

0:40:18.040 --> 0:40:21.160
<v Speaker 1>Under settings, you can select a virtual background to use

0:40:21.239 --> 0:40:25.000
<v Speaker 1>for the call, but if you cover your webcam, you disappear.

0:40:25.080 --> 0:40:27.960
<v Speaker 1>But the background doesn't have each player put a picture

0:40:27.960 --> 0:40:31.680
<v Speaker 1>of their character or reasonable facts. Simile as the vertue

0:40:31.719 --> 0:40:35.120
<v Speaker 1>their virtual background and then close the webcam, then nobody

0:40:35.160 --> 0:40:37.840
<v Speaker 1>has to feel like they are in the spotlight. Maybe

0:40:37.840 --> 0:40:40.080
<v Speaker 1>the d M has an image of a formless evil

0:40:40.120 --> 0:40:43.439
<v Speaker 1>presence or something. Now the question becomes, will you still

0:40:43.480 --> 0:40:45.879
<v Speaker 1>be tempted to stare at your avatar or will you

0:40:45.920 --> 0:40:49.799
<v Speaker 1>need to hide that as well? Stay safe, Matt, Well,

0:40:49.840 --> 0:40:53.400
<v Speaker 1>I think these are some of these are some great tricks. Uh.

0:40:53.400 --> 0:40:56.759
<v Speaker 1>You know, this email came in I think before my

0:40:56.840 --> 0:40:59.680
<v Speaker 1>most recent session, and I tried to do some of

0:40:59.680 --> 0:41:01.760
<v Speaker 1>these things, but then I realized, oh, we don't actually

0:41:01.880 --> 0:41:05.200
<v Speaker 1>use Zoom for this, We use um, Google meat or

0:41:05.239 --> 0:41:08.440
<v Speaker 1>something like that. And I'm even less sure how to

0:41:08.840 --> 0:41:11.880
<v Speaker 1>pull the different various bells and whistles on that one. Um,

0:41:11.920 --> 0:41:15.080
<v Speaker 1>but I I like the idea, yeah, of making myself

0:41:15.200 --> 0:41:18.359
<v Speaker 1>go away and replacing it with my character's image, as

0:41:18.440 --> 0:41:21.319
<v Speaker 1>that would be more immersive because when we're playing, I

0:41:21.320 --> 0:41:24.680
<v Speaker 1>don't know. I I'm at the point with with with

0:41:24.800 --> 0:41:27.880
<v Speaker 1>the doing remote d n D where a lot of

0:41:27.920 --> 0:41:30.920
<v Speaker 1>the things that are difficult about it are really starting

0:41:30.960 --> 0:41:36.080
<v Speaker 1>to to grind me down. I'm really missing the the

0:41:36.280 --> 0:41:40.480
<v Speaker 1>physical hangout aspect of playing. And the part that I

0:41:40.560 --> 0:41:44.720
<v Speaker 1>enjoy the most is, you know, getting immersive and being

0:41:44.760 --> 0:41:49.239
<v Speaker 1>a character, um, being my character through the through the

0:41:49.239 --> 0:41:52.279
<v Speaker 1>interface and something like that sounds like it would be

0:41:52.320 --> 0:41:59.200
<v Speaker 1>a good tool to use. I think this is about

0:41:59.200 --> 0:42:03.600
<v Speaker 1>a shattering on TV that pre dates Terminator too. Yeah,

0:42:03.640 --> 0:42:06.319
<v Speaker 1>this is exciting this because this because my part of

0:42:06.360 --> 0:42:08.719
<v Speaker 1>my whole theory was, and I still stand by this,

0:42:08.880 --> 0:42:13.040
<v Speaker 1>that Terminator to gave us a shattering scene that had

0:42:13.080 --> 0:42:17.520
<v Speaker 1>a huge impact on other sci fi movies and TV shows,

0:42:17.560 --> 0:42:19.560
<v Speaker 1>and everybody wanted to do the same gimmick and use

0:42:19.640 --> 0:42:23.640
<v Speaker 1>the same technology. Um. However, they do not seem to

0:42:23.640 --> 0:42:26.280
<v Speaker 1>be the first. Carrie writes in and says hi gentlemen,

0:42:26.400 --> 0:42:28.440
<v Speaker 1>love your show. I'm a truck driver and ing a

0:42:28.440 --> 0:42:31.319
<v Speaker 1>lot of podcast and other audio formats. Just wanted to

0:42:31.360 --> 0:42:33.640
<v Speaker 1>throw in a scene from a two part mini series.

0:42:33.960 --> 0:42:38.000
<v Speaker 1>I think V from nineteen eighty three. Now, I don't

0:42:38.000 --> 0:42:40.800
<v Speaker 1>think i've ever seen V. I'm vaguely familiar with it.

0:42:40.600 --> 0:42:44.440
<v Speaker 1>It's like an alien invasion show. Yes, starring Mark Singer

0:42:44.480 --> 0:42:47.120
<v Speaker 1>from Beast Master. Yeah, he was in at least two

0:42:47.160 --> 0:42:49.200
<v Speaker 1>episodes of it. I mean you got you got Andrew

0:42:49.239 --> 0:42:52.759
<v Speaker 1>Prin in there as well. Um uh, it looks like

0:42:52.800 --> 0:42:57.360
<v Speaker 1>an interesting cast. Robert England shows up. I've never seen it,

0:42:57.360 --> 0:42:59.600
<v Speaker 1>but maybe I gotta look it up, all right. Carrie

0:42:59.600 --> 0:43:02.600
<v Speaker 1>Continue is a character in that gets his forearm and

0:43:02.760 --> 0:43:05.960
<v Speaker 1>hand frozen by liquid nitrogen and then breaks it off

0:43:06.080 --> 0:43:09.680
<v Speaker 1>stumbling to safety. It's funny. I remember watching the entire series,

0:43:09.800 --> 0:43:13.280
<v Speaker 1>but I only remember that reptile people and a woman

0:43:13.320 --> 0:43:15.799
<v Speaker 1>with long black hair. I had to google it for

0:43:15.840 --> 0:43:18.200
<v Speaker 1>the year. Keep up the good work. Your show is

0:43:18.440 --> 0:43:21.080
<v Speaker 1>one of a few I have no problem real listening

0:43:21.080 --> 0:43:23.600
<v Speaker 1>to Carrie Well, thanks Carry and now now I gotta

0:43:23.680 --> 0:43:26.120
<v Speaker 1>check this out. It does look it looks like some

0:43:26.400 --> 0:43:30.520
<v Speaker 1>early eighties TV production values magic and certainly it does

0:43:30.560 --> 0:43:34.759
<v Speaker 1>push the timeline back further regarding the beginning of our

0:43:34.800 --> 0:43:38.279
<v Speaker 1>liquid nitrogen obsession. So perhaps James Cameron had watched v

0:43:38.520 --> 0:43:41.399
<v Speaker 1>and thought, that's pretty good. I could do something with that.

0:43:42.000 --> 0:43:45.080
<v Speaker 1>Go whole body. You just do an arm that's weak.

0:43:45.440 --> 0:43:48.239
<v Speaker 1>But now we've got homework for you. You listening out there,

0:43:48.480 --> 0:43:52.200
<v Speaker 1>find us the earliest shattering of a human body on

0:43:52.360 --> 0:43:55.520
<v Speaker 1>in film or in fiction. Where's where's the earliest one?

0:43:55.560 --> 0:43:58.319
<v Speaker 1>I gotta know, Well, here's the other thing. It needs

0:43:58.360 --> 0:44:02.280
<v Speaker 1>to be ice, because you will find precursors that are stone.

0:44:02.920 --> 0:44:05.200
<v Speaker 1>Someone's turned to stone and then they shatter that way.

0:44:05.239 --> 0:44:13.160
<v Speaker 1>But particularly I'm interested in ice, al right. Next you

0:44:13.200 --> 0:44:15.920
<v Speaker 1>get a very brief note from Samantha. It just says,

0:44:16.560 --> 0:44:23.600
<v Speaker 1>I just watched The Tingler. It was awesome. Thank you, Sammy. Yes, yeah,

0:44:23.840 --> 0:44:27.120
<v Speaker 1>p s. I also went an alien slash Predator slash

0:44:27.200 --> 0:44:30.920
<v Speaker 1>predd alien bing. I think she meant binge, but I

0:44:31.000 --> 0:44:33.879
<v Speaker 1>liked being even better. I went on an alien bing

0:44:34.440 --> 0:44:36.880
<v Speaker 1>and she says, y'all are rocking it. Well, thank you, Sammy.

0:44:36.960 --> 0:44:40.000
<v Speaker 1>I'm I'm glad you liked The Tingler. Yeah. Anytime we

0:44:40.040 --> 0:44:43.640
<v Speaker 1>can turn people onto high quality cinema, like this, I

0:44:43.640 --> 0:44:45.759
<v Speaker 1>feel like we're doing our job right. What do we

0:44:45.840 --> 0:44:52.960
<v Speaker 1>know about the Tinglas? Alright, here there's another one. This

0:44:53.040 --> 0:44:56.600
<v Speaker 1>comes to us from August. Hello friends, a quick one.

0:44:57.120 --> 0:45:00.000
<v Speaker 1>Just watch Star Wars episode one and the Clone Wars.

0:45:00.000 --> 0:45:02.840
<v Speaker 1>So I think Robert mentioned doing the same. How about

0:45:02.880 --> 0:45:06.839
<v Speaker 1>an episode about four armed beings? I'm thinking about the

0:45:06.920 --> 0:45:12.440
<v Speaker 1>pod racer Gascano or the infamous General Palm Krell. Just

0:45:12.480 --> 0:45:15.520
<v Speaker 1>a thought. Also love the pi Crete episode. More about materials.

0:45:15.560 --> 0:45:20.399
<v Speaker 1>Please with love and admiration, August. Um, Yes, that's a

0:45:20.480 --> 0:45:24.160
<v Speaker 1>great point about four armed beings. Um Joe, I don't know.

0:45:24.280 --> 0:45:26.200
<v Speaker 1>I know you have. You haven't seen Clone Wars, but

0:45:26.440 --> 0:45:30.640
<v Speaker 1>perhaps if you think back to um the movie Attack

0:45:30.680 --> 0:45:32.600
<v Speaker 1>of the Clones, there's a scene where Obi Wan is

0:45:32.640 --> 0:45:35.840
<v Speaker 1>in a in a diner meeting with the diner operator,

0:45:35.920 --> 0:45:38.960
<v Speaker 1>and he is a four armed alien. He is a

0:45:39.000 --> 0:45:43.719
<v Speaker 1>basal sick. I believe it's the name of the species. Wow. Yeah,

0:45:44.160 --> 0:45:46.600
<v Speaker 1>oh no, I don't want to start a fight. I

0:45:47.200 --> 0:45:49.319
<v Speaker 1>know that you're you're more of a prequel over now

0:45:49.360 --> 0:45:51.799
<v Speaker 1>than I am. But I do recall thinking, mainly that

0:45:51.800 --> 0:45:53.919
<v Speaker 1>that scene had some of the worst c G I

0:45:53.920 --> 0:45:57.200
<v Speaker 1>I had ever seen in a major Motion picture. Uh

0:45:57.239 --> 0:46:01.319
<v Speaker 1>that that creature was was a crime. Well, I think

0:46:01.320 --> 0:46:06.359
<v Speaker 1>you're gonna anger the Scorpion King with words like that. Um. Regardless,

0:46:06.680 --> 0:46:09.840
<v Speaker 1>the same species shows up in Clone Wars. There's this

0:46:10.200 --> 0:46:13.640
<v Speaker 1>there's this awesome character named General Palm Krell and uh

0:46:13.680 --> 0:46:18.239
<v Speaker 1>and he is a fourth sensitive individual of this species.

0:46:18.600 --> 0:46:23.960
<v Speaker 1>He wields um I think dual double sided um lightsabers,

0:46:24.320 --> 0:46:28.719
<v Speaker 1>and he's just an interesting character because um uh he's

0:46:28.760 --> 0:46:32.040
<v Speaker 1>I think he's really the first Jedi that you encounter

0:46:32.239 --> 0:46:36.880
<v Speaker 1>where you you begin to to uh to question his

0:46:36.960 --> 0:46:40.160
<v Speaker 1>motivations and his devotion to the war. He's almost kind

0:46:40.160 --> 0:46:44.399
<v Speaker 1>of a um, kind of a Kurts type character where

0:46:44.400 --> 0:46:48.080
<v Speaker 1>you begin to to really um recoil from the way

0:46:48.080 --> 0:46:51.040
<v Speaker 1>that he he treats the Clone troopers and how he's

0:46:51.200 --> 0:46:53.880
<v Speaker 1>using them on the battlefield. It's a really that's a

0:46:53.880 --> 0:46:56.120
<v Speaker 1>really great story arc with that character. I won't spoil

0:46:56.120 --> 0:46:58.839
<v Speaker 1>anything for anybody, but that's that's one of the really

0:46:58.840 --> 0:47:01.480
<v Speaker 1>good story arcs in the show. I looked up images

0:47:01.520 --> 0:47:03.600
<v Speaker 1>and I will say this has the distinction of being

0:47:03.680 --> 0:47:07.000
<v Speaker 1>the only character I've ever seen who looks like a

0:47:07.040 --> 0:47:10.280
<v Speaker 1>really tough, bad dude but also has a throat sack

0:47:10.520 --> 0:47:14.840
<v Speaker 1>like a frog, just a jelly inflatable throat sack. Yeah,

0:47:14.880 --> 0:47:17.960
<v Speaker 1>it's I feel like it's probably a really interesting design

0:47:18.280 --> 0:47:22.080
<v Speaker 1>um choice on the makers of the Clone Wars part

0:47:22.080 --> 0:47:24.840
<v Speaker 1>because they took a character that you know that was

0:47:24.880 --> 0:47:28.000
<v Speaker 1>designed as like an alien just an alien diner operator

0:47:28.080 --> 0:47:31.279
<v Speaker 1>and you know, um, and then they made they used

0:47:31.320 --> 0:47:35.360
<v Speaker 1>that species as the template for a totally different style character.

0:47:35.760 --> 0:47:37.879
<v Speaker 1>But it's still it works really well. It's like, could

0:47:37.880 --> 0:47:41.680
<v Speaker 1>we make a like a tough, badass Jedi hut. Now

0:47:41.719 --> 0:47:43.480
<v Speaker 1>back to the number of arms that I don't know

0:47:43.520 --> 0:47:45.600
<v Speaker 1>we could put potential. It would be potentially interesting to

0:47:45.600 --> 0:47:51.239
<v Speaker 1>get into the whole four armed multi armed uh uh discussion,

0:47:51.239 --> 0:47:53.480
<v Speaker 1>because of course we could talk about Palm Crew. We

0:47:53.480 --> 0:47:58.000
<v Speaker 1>could also talk about Goro uh we we've touched on before,

0:47:58.239 --> 0:48:00.560
<v Speaker 1>and then you can get into various other multi armed

0:48:01.400 --> 0:48:05.680
<v Speaker 1>entities from various mythologies. Uh uh. There's some really good

0:48:05.680 --> 0:48:08.920
<v Speaker 1>ones out there. There's some some in Greek mythology with

0:48:09.239 --> 0:48:12.200
<v Speaker 1>just way too many arms, as I recall what like

0:48:12.360 --> 0:48:14.640
<v Speaker 1>hundred arms and so forth, Like how do you even

0:48:15.040 --> 0:48:16.799
<v Speaker 1>how do you even use all those arms? I don't know.

0:48:17.040 --> 0:48:19.440
<v Speaker 1>That's one of the things in ancient mythology and religion.

0:48:19.520 --> 0:48:22.840
<v Speaker 1>That often strikes me as the strangest is uh, the

0:48:23.040 --> 0:48:26.840
<v Speaker 1>creatures that are imagined having this great multiplicity of body parts,

0:48:26.840 --> 0:48:29.240
<v Speaker 1>say the visions in the Book of Revelation with creatures

0:48:29.280 --> 0:48:32.840
<v Speaker 1>with X many wings and x many heads, where at

0:48:32.880 --> 0:48:35.319
<v Speaker 1>a certain point you just start imagining, I don't know

0:48:35.520 --> 0:48:38.400
<v Speaker 1>how to even picture that or what those things would do.

0:48:39.239 --> 0:48:42.280
<v Speaker 1>You know what, why why would you have ten wings?

0:48:42.320 --> 0:48:45.000
<v Speaker 1>Would that be useful? Yeah? It tends to work so

0:48:45.080 --> 0:48:48.680
<v Speaker 1>much better in my opinion anyway, with with with in

0:48:48.800 --> 0:48:52.320
<v Speaker 1>Hindu iconography, because you have, first of all, a visual

0:48:52.360 --> 0:48:55.920
<v Speaker 1>representation of what this multi armed form would look like.

0:48:56.640 --> 0:49:02.080
<v Speaker 1>But then also it's it's obvious that the visual symbology

0:49:02.120 --> 0:49:06.239
<v Speaker 1>is about um portraying aspects of this divine being, Like

0:49:06.520 --> 0:49:08.720
<v Speaker 1>what are the things they are holding in their hands?

0:49:09.120 --> 0:49:11.400
<v Speaker 1>And how many hands do they have to hold those things?

0:49:11.400 --> 0:49:14.640
<v Speaker 1>And then what that does that say about the capabilities

0:49:14.680 --> 0:49:17.160
<v Speaker 1>of the divine. It's a lot simpler with Goro. What

0:49:17.280 --> 0:49:20.680
<v Speaker 1>is Goro holding his hands? Next? That's it? Right? Yeah?

0:49:21.160 --> 0:49:24.960
<v Speaker 1>Or maybe like goblets? Right yeah? Goblets? And next that's it.

0:49:25.080 --> 0:49:28.160
<v Speaker 1>Goro only drinks from goblets? Can you invite him over

0:49:28.160 --> 0:49:30.120
<v Speaker 1>to your house. You offer him a mug of coffee.

0:49:30.160 --> 0:49:38.360
<v Speaker 1>He's like, no, put it in a goblet. Okay. A

0:49:38.400 --> 0:49:41.400
<v Speaker 1>couple more messages here, both related to Star Wars. This

0:49:41.480 --> 0:49:45.239
<v Speaker 1>one is from Villain. Villain says, Hi, Robert and Joe.

0:49:45.560 --> 0:49:47.239
<v Speaker 1>I've been listening to stuff to blew your mind for

0:49:47.280 --> 0:49:50.120
<v Speaker 1>about eight years, but I don't think I've ever written.

0:49:50.440 --> 0:49:52.719
<v Speaker 1>I'm normally at least a month behind, and when i

0:49:52.760 --> 0:49:54.839
<v Speaker 1>get the urge to write in, I always think, I'm

0:49:54.840 --> 0:49:57.280
<v Speaker 1>sure someone else has written about that in the meantime.

0:49:57.800 --> 0:50:00.399
<v Speaker 1>But once you talk Star Wars, I'm ready to risk

0:50:00.440 --> 0:50:04.640
<v Speaker 1>potentially repeating someone else. Never never be afraid, villain. You know,

0:50:04.760 --> 0:50:08.400
<v Speaker 1>sometimes we get some duplicated sentiments, but that's okay. In

0:50:08.440 --> 0:50:11.080
<v Speaker 1>your discussion of the Mighty Sarlak, I was waiting for

0:50:11.120 --> 0:50:14.240
<v Speaker 1>someone to bring up the aspect that interested me the most.

0:50:14.640 --> 0:50:18.600
<v Speaker 1>Quote a new definition of pain and suffering as you

0:50:18.640 --> 0:50:22.120
<v Speaker 1>are slowly digested over a thousand years, or that's what

0:50:22.960 --> 0:50:26.440
<v Speaker 1>C three p O says. That Jama Java is promising

0:50:26.440 --> 0:50:29.400
<v Speaker 1>them as they will be thrown into the sarlac um.

0:50:29.480 --> 0:50:31.640
<v Speaker 1>I always took that to mean that the victim is

0:50:31.719 --> 0:50:35.640
<v Speaker 1>kept alive for a thousand years in order to experience this. However,

0:50:36.040 --> 0:50:38.120
<v Speaker 1>even if you were to take it that the victim

0:50:38.200 --> 0:50:41.719
<v Speaker 1>dies quite quickly but their corps is digested over a

0:50:41.719 --> 0:50:45.399
<v Speaker 1>thousand years, then the digestive process takes longer to break

0:50:45.440 --> 0:50:48.040
<v Speaker 1>down the body than it would take if the body

0:50:48.040 --> 0:50:52.280
<v Speaker 1>were to decompose naturally. Whether the victim lives a thousand

0:50:52.400 --> 0:50:55.359
<v Speaker 1>years or not, being digested by a sarlac is still

0:50:55.400 --> 0:51:00.399
<v Speaker 1>a kind of horrific preservation. Taking the more interesting reading, though,

0:51:00.480 --> 0:51:03.680
<v Speaker 1>that the victim remains alive throughout the process. My first

0:51:03.719 --> 0:51:07.480
<v Speaker 1>imagining is a monkey's paw scenario. I want to live

0:51:07.560 --> 0:51:11.839
<v Speaker 1>for a thousand years. Sure, meet your new buddy, the sarlac.

0:51:12.160 --> 0:51:14.320
<v Speaker 1>And the second thing that comes to mind while wondering

0:51:14.320 --> 0:51:17.680
<v Speaker 1>how a sarlac might prolonged sapient life is your two parter,

0:51:17.880 --> 0:51:21.920
<v Speaker 1>The devourer of memories about planaria worms and whether they

0:51:21.920 --> 0:51:25.920
<v Speaker 1>can incorporate memories by eating, and whether the extended life

0:51:25.920 --> 0:51:29.279
<v Speaker 1>of a sarlac's victims is a shadowy existence as a

0:51:29.360 --> 0:51:33.560
<v Speaker 1>memory in a worm. Very interesting, but I guess you

0:51:33.560 --> 0:51:36.040
<v Speaker 1>don't have time to cover everything. Thanks for all the

0:51:36.080 --> 0:51:38.360
<v Speaker 1>work that you put into researching and recording the show,

0:51:38.400 --> 0:51:41.840
<v Speaker 1>and thanks also to Seth Nicholas Johnson for their efforts.

0:51:41.840 --> 0:51:46.680
<v Speaker 1>It's a consistently excellent show regards villain always always good

0:51:46.680 --> 0:51:49.960
<v Speaker 1>to get a shout out for Seth. Seth does amazing work. Absolutely.

0:51:49.960 --> 0:51:51.920
<v Speaker 1>Seth is the one that kind of stitches everything together

0:51:52.800 --> 0:51:56.480
<v Speaker 1>with the pieces that we provide. Um, this is some

0:51:56.560 --> 0:52:01.480
<v Speaker 1>wonderful starlac um uh thoughts there. It does bring me

0:52:01.520 --> 0:52:03.920
<v Speaker 1>though back again to that short story I mentioned that

0:52:03.960 --> 0:52:06.840
<v Speaker 1>episode um a bar of like that, the Tale of

0:52:06.880 --> 0:52:11.520
<v Speaker 1>Boba Fette by J. D. Montgomery from Tales from Jaba's Palace,

0:52:11.800 --> 0:52:16.160
<v Speaker 1>which is just a short story from because um, it's

0:52:16.200 --> 0:52:17.640
<v Speaker 1>still been a very long time since I read it,

0:52:17.640 --> 0:52:19.640
<v Speaker 1>but I was refreshing myself a little bit about it

0:52:19.640 --> 0:52:21.560
<v Speaker 1>by reading a summary, and yeah, there's this whole bit

0:52:21.640 --> 0:52:25.160
<v Speaker 1>where while he's in the belly of the Sarlac Uh,

0:52:25.360 --> 0:52:28.600
<v Speaker 1>Boba Fette is put in telepathic contact with one of

0:52:28.640 --> 0:52:32.759
<v Speaker 1>its first victims, um and uh. And they're like flashbacks

0:52:32.760 --> 0:52:36.080
<v Speaker 1>concerning other victims of the Sarlac as well. So there's

0:52:36.080 --> 0:52:39.080
<v Speaker 1>a lot of really um imaginative stuff that's pulled off

0:52:39.120 --> 0:52:42.920
<v Speaker 1>in that story. And I'm kind of I have heard

0:52:43.360 --> 0:52:46.000
<v Speaker 1>I have heard rumors that Boba Fette is coming back

0:52:46.800 --> 0:52:49.600
<v Speaker 1>in the second season of The Mandalorian. Um. I don't

0:52:49.600 --> 0:52:51.360
<v Speaker 1>know if that's a if that if it's real, or

0:52:51.400 --> 0:52:53.400
<v Speaker 1>if it's going to be you know, some other character

0:52:53.440 --> 0:52:55.560
<v Speaker 1>pretending to be Boba Fette, But I'm hoping that if

0:52:55.560 --> 0:52:59.280
<v Speaker 1>they do actually bring him back, uh, they consider getting

0:52:59.320 --> 0:53:02.960
<v Speaker 1>some ideas from this particular short story. Um. Now, obviously

0:53:03.000 --> 0:53:05.320
<v Speaker 1>they already filmed it, they're already written, they've already written it,

0:53:05.360 --> 0:53:07.120
<v Speaker 1>so whatever is gonna happen, it is going to happen.

0:53:07.239 --> 0:53:09.160
<v Speaker 1>But I hope that they hope that they looked at

0:53:09.160 --> 0:53:11.680
<v Speaker 1>this story because there's some cool, cool ideas in it.

0:53:16.200 --> 0:53:18.600
<v Speaker 1>All Right, here's another bit of listener mail. This one

0:53:18.600 --> 0:53:21.279
<v Speaker 1>comes to us from Kale. Kale writes and says, Hey,

0:53:21.400 --> 0:53:23.520
<v Speaker 1>Robert and Joe. First off, I want to say that

0:53:23.560 --> 0:53:25.799
<v Speaker 1>I absolutely love the show. I really appreciate the work

0:53:25.840 --> 0:53:27.960
<v Speaker 1>you guys put into it. I love the jokes and

0:53:28.040 --> 0:53:31.959
<v Speaker 1>puns and recommendations you all put in as well. During

0:53:31.960 --> 0:53:35.440
<v Speaker 1>the Starlac episode, you guys pondered the reason, uh, the

0:53:35.480 --> 0:53:38.439
<v Speaker 1>reasons why Star Wars fans were so interested in Boba Fett,

0:53:38.880 --> 0:53:40.799
<v Speaker 1>and I think it has to do with the Star

0:53:40.840 --> 0:53:44.680
<v Speaker 1>Wars animated series The Clone Wars. In this show no spoilers.

0:53:44.760 --> 0:53:47.680
<v Speaker 1>They delve into his story through multiple episodes, and it's

0:53:47.760 --> 0:53:51.000
<v Speaker 1>very interesting. Also, I highly recommend watching it if you haven't,

0:53:51.040 --> 0:53:53.360
<v Speaker 1>and especially if Robert has been sharing his love of

0:53:53.400 --> 0:53:56.239
<v Speaker 1>Star Wars with his son. The show is enjoyable and

0:53:56.360 --> 0:53:58.640
<v Speaker 1>very fun for children and adults alike. I wasn't even

0:53:58.640 --> 0:54:01.680
<v Speaker 1>interested in watching the live action movies until my partner

0:54:01.760 --> 0:54:04.600
<v Speaker 1>showed me the animated series. Plus, there are lots of

0:54:04.600 --> 0:54:08.280
<v Speaker 1>episodes set on planets with cool creatures and interesting alien races.

0:54:08.640 --> 0:54:10.680
<v Speaker 1>If you have Disney Plus you can stream it on there.

0:54:10.960 --> 0:54:13.840
<v Speaker 1>I hope you all are staying safe and healthy, Sending

0:54:13.920 --> 0:54:17.120
<v Speaker 1>much love and good vibes your way. Uh Kale Now

0:54:17.719 --> 0:54:19.960
<v Speaker 1>this this, of course, I should add that that Starlac

0:54:20.040 --> 0:54:23.880
<v Speaker 1>episode came out before I did, indeed, started watching Clone

0:54:23.960 --> 0:54:28.800
<v Speaker 1>Clone Wars with my son. Um. We are currently Um

0:54:28.880 --> 0:54:32.240
<v Speaker 1>let's see what what what season? We're in? Like season six?

0:54:32.280 --> 0:54:35.120
<v Speaker 1>I think? And uh yeah, we we were loving it.

0:54:35.160 --> 0:54:37.080
<v Speaker 1>They did, They've done. They did such a great job

0:54:37.200 --> 0:54:40.600
<v Speaker 1>creating the show. Um and and it's a show that

0:54:40.840 --> 0:54:43.520
<v Speaker 1>again kids and adults can both enjoy. It's just light

0:54:43.600 --> 0:54:46.399
<v Speaker 1>years ahead of any of the animated series I had

0:54:46.440 --> 0:54:49.080
<v Speaker 1>access to as a kid. I love the development that

0:54:49.120 --> 0:54:50.880
<v Speaker 1>they give all the main characters as well as all

0:54:50.920 --> 0:54:53.920
<v Speaker 1>these side characters and some of the more obscure guests

0:54:53.960 --> 0:54:57.759
<v Speaker 1>that pop up. Uh. Some great monsters and creatures in

0:54:57.800 --> 0:55:00.359
<v Speaker 1>there as well. But indeed, Bobba Fett, like a young

0:55:00.400 --> 0:55:03.240
<v Speaker 1>Baba Fet does show up and is an interesting character.

0:55:03.280 --> 0:55:06.600
<v Speaker 1>They have him sort of bouncing around the universe, falling

0:55:06.600 --> 0:55:10.200
<v Speaker 1>in with some some other bounty hunters, and also seeking

0:55:10.239 --> 0:55:13.600
<v Speaker 1>revenge because of course he wants revenge on Mace wind

0:55:13.680 --> 0:55:18.120
<v Speaker 1>Do uh, the the individual who killed his father. Um,

0:55:18.200 --> 0:55:21.239
<v Speaker 1>and of course Mace Window is a very very dangerous

0:55:21.440 --> 0:55:25.080
<v Speaker 1>um object for one's revenge. I keep feeling like at

0:55:25.120 --> 0:55:26.919
<v Speaker 1>some point I'm just gonna have to watch this show

0:55:27.000 --> 0:55:28.560
<v Speaker 1>or else I'm never going to be able to relate

0:55:28.640 --> 0:55:32.560
<v Speaker 1>to you again, because it's like half your brain now,

0:55:33.160 --> 0:55:36.240
<v Speaker 1>um it is, it's become U. Yeah. My main jam

0:55:37.000 --> 0:55:40.320
<v Speaker 1>this COVID season is this also the source of that

0:55:40.320 --> 0:55:45.239
<v Speaker 1>that amazing spider lad you shared with me. The magnificent

0:55:45.320 --> 0:55:49.920
<v Speaker 1>gentleman with the Walrus mustache style chillissery. Yeah, Admiral Trench,

0:55:49.960 --> 0:55:54.960
<v Speaker 1>who's like a big Admiral tarantula creature that shows up

0:55:55.000 --> 0:55:58.000
<v Speaker 1>fighting with for the Separatist Yeah, very good. Okay, well,

0:55:58.040 --> 0:56:00.320
<v Speaker 1>maybe maybe I'll get there sometime in the near future.

0:56:00.640 --> 0:56:02.560
<v Speaker 1>I will say, though, I think I want to disagree

0:56:02.640 --> 0:56:06.640
<v Speaker 1>with something Kale said, which is that that the fascination

0:56:06.680 --> 0:56:10.520
<v Speaker 1>with Boba Fett could be rooted in uh the character

0:56:10.880 --> 0:56:13.880
<v Speaker 1>appearing in and having a good storyline in the Clone Wars.

0:56:13.960 --> 0:56:17.280
<v Speaker 1>This definitely predates the Clone Wars TV show. I remember

0:56:17.320 --> 0:56:19.759
<v Speaker 1>when I was a kid, my Star Wars friends were

0:56:19.760 --> 0:56:22.880
<v Speaker 1>obsessed with Boba Fett, and I thought he was cool.

0:56:22.960 --> 0:56:25.279
<v Speaker 1>But I still even then didn't quite get it. Was like,

0:56:25.320 --> 0:56:26.960
<v Speaker 1>you just don't know much about him. And I think

0:56:27.040 --> 0:56:30.400
<v Speaker 1>maybe that's part of it. He was exciting because he

0:56:30.440 --> 0:56:33.799
<v Speaker 1>had cool looking armor and you didn't know much about him. Yeah,

0:56:33.800 --> 0:56:36.120
<v Speaker 1>I mean, I absolutely, I absolutely agree with that. Um.

0:56:36.920 --> 0:56:39.120
<v Speaker 1>But but I will say that you know, when when

0:56:39.120 --> 0:56:42.960
<v Speaker 1>the storytelling is is really on point, um, you know,

0:56:43.000 --> 0:56:47.040
<v Speaker 1>the mystery can be transformed into something, uh, something even

0:56:47.080 --> 0:56:51.759
<v Speaker 1>more satisfying. Um. Like. Another example of this is that

0:56:51.800 --> 0:56:53.399
<v Speaker 1>you have the character of Darth Maul, who of course

0:56:53.440 --> 0:56:56.480
<v Speaker 1>shows up in The Phantom Menace. Is a really interesting

0:56:56.640 --> 0:57:00.320
<v Speaker 1>looking character. We don't know much about them and are

0:57:00.600 --> 0:57:03.760
<v Speaker 1>there seemingly slain at the end of that movie. Well,

0:57:04.360 --> 0:57:06.640
<v Speaker 1>Clone Wars brings him back. And I knew the Clone

0:57:06.640 --> 0:57:08.440
<v Speaker 1>Wars was going to bring him back, and I was

0:57:08.480 --> 0:57:10.960
<v Speaker 1>a little suspicious of it. I'm like, hey, he was

0:57:10.960 --> 0:57:12.799
<v Speaker 1>cutting half. I don't really know that I need Darth

0:57:12.800 --> 0:57:15.880
<v Speaker 1>Maul to come back. Um, he was only so interesting.

0:57:15.960 --> 0:57:18.240
<v Speaker 1>There's the mystery of the character, etcetera, etcetera. But I

0:57:18.280 --> 0:57:21.120
<v Speaker 1>have to say they did a really fabulous job bringing

0:57:21.200 --> 0:57:24.440
<v Speaker 1>him back. The Darth Maul return arc that occurs on

0:57:24.480 --> 0:57:28.520
<v Speaker 1>Clone Wars is is superb stuff, and they made the

0:57:28.600 --> 0:57:32.600
<v Speaker 1>character far more interesting, uh than than than than anything

0:57:32.640 --> 0:57:35.280
<v Speaker 1>he had going for him in Phantom Menace was is

0:57:35.320 --> 0:57:39.560
<v Speaker 1>he I don't know, I'm cutting half pretty bad Dowey. Oh,

0:57:39.600 --> 0:57:42.960
<v Speaker 1>I mean, um, it's I don't want to give much away,

0:57:43.040 --> 0:57:46.840
<v Speaker 1>but basically, imagine you know a character like that, that

0:57:47.000 --> 0:57:49.840
<v Speaker 1>is that is that has survived all these years just

0:57:49.920 --> 0:57:52.080
<v Speaker 1>mostly based on hate. Like that's the power of the

0:57:52.160 --> 0:57:57.000
<v Speaker 1>dark side, is um, you know, sufficiently evil characters they

0:57:57.000 --> 0:57:59.640
<v Speaker 1>never really die because they're too hateful, they're too too

0:57:59.680 --> 0:58:03.520
<v Speaker 1>off to to pass on to another existence. That's right.

0:58:03.600 --> 0:58:06.840
<v Speaker 1>Build yourself an armor of Hatred and evil, a lesson

0:58:06.840 --> 0:58:09.920
<v Speaker 1>of Star Wars. Well, you are tempting me because I

0:58:09.920 --> 0:58:13.600
<v Speaker 1>gotta know. Does Darth Maul talk? Uh, because he's only

0:58:13.640 --> 0:58:17.240
<v Speaker 1>got two in the movie, right, Yes, he does talk,

0:58:17.320 --> 0:58:20.280
<v Speaker 1>and in fact a really awesome voice actor by the

0:58:20.320 --> 0:58:23.800
<v Speaker 1>name of Sam Whitworth or perhaps it's vit Vir. I'm

0:58:23.800 --> 0:58:25.760
<v Speaker 1>not sure. I haven't heard his name pronounced out loud,

0:58:25.800 --> 0:58:29.440
<v Speaker 1>but um, he he does the voice and it's terrific,

0:58:29.520 --> 0:58:33.520
<v Speaker 1>Like he's able to really inject this kind of desperate,

0:58:34.200 --> 0:58:38.480
<v Speaker 1>doomed pain into the character. Um, because he's like you

0:58:38.520 --> 0:58:41.800
<v Speaker 1>really get the sense of a character that should have died. Uh,

0:58:41.840 --> 0:58:45.280
<v Speaker 1>that is alive just purely because of his hate and

0:58:45.440 --> 0:58:48.320
<v Speaker 1>um yeah, it's it's just fabulously done. All right. Well,

0:58:48.360 --> 0:58:50.440
<v Speaker 1>there we have it. Um, we're gonna go ahead and

0:58:50.440 --> 0:58:52.560
<v Speaker 1>close it out there. We had a lot of great

0:58:52.560 --> 0:58:55.120
<v Speaker 1>listener mail that we were able to read in this episode.

0:58:55.160 --> 0:58:57.080
<v Speaker 1>We also received a lot of great listener mail that

0:58:57.120 --> 0:58:59.480
<v Speaker 1>we just didn't have time for here today. Uh, and

0:58:59.600 --> 0:59:01.240
<v Speaker 1>is always I just want to let everybody know, just

0:59:01.280 --> 0:59:05.280
<v Speaker 1>remind you you know, we we we rarely respond to

0:59:05.360 --> 0:59:09.040
<v Speaker 1>listener mail, um via email, and we can only read

0:59:09.240 --> 0:59:11.560
<v Speaker 1>so much of it on the show, but we do

0:59:11.680 --> 0:59:14.040
<v Speaker 1>read everything that comes in and we do greatly appreciate

0:59:14.120 --> 0:59:17.840
<v Speaker 1>hearing from everybody. Everybody has has such great perspective on

0:59:17.880 --> 0:59:22.240
<v Speaker 1>the topics that we cover additional factoids. Uh Also, um

0:59:22.320 --> 0:59:26.080
<v Speaker 1>A listener suggestions for episodes are always helpful, So just

0:59:26.200 --> 0:59:28.360
<v Speaker 1>keep keep sending it in and we'll keep trying to

0:59:28.400 --> 0:59:31.720
<v Speaker 1>put out listener mail episodes. Maybe not every month, but

0:59:31.840 --> 0:59:35.560
<v Speaker 1>you know, UM as regularly as as we can. And

0:59:35.600 --> 0:59:37.360
<v Speaker 1>in the meantime, if you like to check out other

0:59:37.400 --> 0:59:39.080
<v Speaker 1>episodes of Stuff to Blow your Mind, you can find

0:59:39.120 --> 0:59:41.400
<v Speaker 1>us wherever you get your podcasts and wherever that happens

0:59:41.440 --> 0:59:43.880
<v Speaker 1>to be. We just ask that you rate, review and subscribe.

0:59:44.320 --> 0:59:46.840
<v Speaker 1>You just thinks as always to our excellent audio producer

0:59:46.880 --> 0:59:49.360
<v Speaker 1>Seth Nicholas Johnson. If you would like to get in

0:59:49.480 --> 0:59:51.720
<v Speaker 1>touch with us with feedback on this episode or any

0:59:51.720 --> 0:59:53.880
<v Speaker 1>other to suggest the topic for the future, just to

0:59:53.920 --> 0:59:56.920
<v Speaker 1>say hello, you can email us at contact at stuff

0:59:56.960 --> 1:00:06.720
<v Speaker 1>to Blow your Mind dot com. Stuff to Blow Your

1:00:06.760 --> 1:00:09.680
<v Speaker 1>Mind is production of I Heart Radio. For more podcasts

1:00:09.680 --> 1:00:11.760
<v Speaker 1>for my heart Radio, this's the I Heart Radio app,

1:00:11.960 --> 1:00:27.280
<v Speaker 1>Apple Podcasts or wherever you listen me to your favorite shows.