1 00:00:00,080 --> 00:00:05,840 Speaker 1: M M Episode three eight cover songs that might be 2 00:00:05,840 --> 00:00:09,319 Speaker 1: better than the original. Also the only one hit Wonder 3 00:00:09,360 --> 00:00:13,280 Speaker 1: ever to win Grammy's You know, there's a lot to 4 00:00:13,320 --> 00:00:15,760 Speaker 1: talk about here. I also encourage you to go back 5 00:00:15,800 --> 00:00:17,280 Speaker 1: and listen to some of the most recent interviews we've 6 00:00:17,320 --> 00:00:20,279 Speaker 1: done that we're pretty proud of. Brothers Osborne, Scott staff 7 00:00:20,320 --> 00:00:23,400 Speaker 1: of Creed, Parker McCollum, Chris Lane, Craig Morgan. Be sure 8 00:00:23,480 --> 00:00:25,919 Speaker 1: to subscribe to the podcast hopefully like a couple of 9 00:00:25,920 --> 00:00:28,240 Speaker 1: things Eddie and I are talking about here on vacation 10 00:00:28,320 --> 00:00:30,159 Speaker 1: this week. Obviously, so we didn't have an artist in 11 00:00:30,200 --> 00:00:31,680 Speaker 1: the house, but we did talk about this stuff and 12 00:00:32,360 --> 00:00:34,879 Speaker 1: appreciate you listening. Check it out Episode three away. Thank you. 13 00:00:36,040 --> 00:00:38,599 Speaker 1: Let's talk about cover songs that might be better than 14 00:00:38,600 --> 00:00:40,720 Speaker 1: the original. Although I do have trouble with this because 15 00:00:40,720 --> 00:00:45,720 Speaker 1: I think every cover is obviously based on the original 16 00:00:45,720 --> 00:00:48,400 Speaker 1: and it can't be better because it wouldn't exist with 17 00:00:48,479 --> 00:00:51,760 Speaker 1: It's yeah, you say that, but sometimes it can be better. 18 00:00:53,280 --> 00:00:55,360 Speaker 1: It's so different that maybe you like that style, it 19 00:00:55,440 --> 00:00:58,040 Speaker 1: just wouldn't exist that. In said, here's what we're gonna do. 20 00:00:58,240 --> 00:00:59,960 Speaker 1: I'm gonna play the two. We're not gonna do bet 21 00:01:00,680 --> 00:01:03,720 Speaker 1: we're gonna do Which one would you listen to? Choice? Okay, 22 00:01:04,040 --> 00:01:06,959 Speaker 1: because I just I struggle saying that a song is 23 00:01:07,920 --> 00:01:10,600 Speaker 1: covering it's derivative of another song is better than what 24 00:01:10,680 --> 00:01:13,840 Speaker 1: it's derivative of. With that theory, though, you can't say that, 25 00:01:13,880 --> 00:01:17,360 Speaker 1: like Jacob Dylan is not better than Bob Dylan. You 26 00:01:17,360 --> 00:01:20,280 Speaker 1: know what I mean? Like, yeah, you can humans are 27 00:01:20,280 --> 00:01:24,520 Speaker 1: different because you're doing the Yes you are, Yes, I 28 00:01:24,600 --> 00:01:27,399 Speaker 1: understand your analogy, but I don't agree. So we're going 29 00:01:27,440 --> 00:01:31,160 Speaker 1: to do ten covers? And which one do we personally? 30 00:01:31,240 --> 00:01:33,720 Speaker 1: If we will only get to listen to one? Okay? Alright? 31 00:01:34,000 --> 00:01:37,360 Speaker 1: Number one? All along the watch Tower by both Jimi 32 00:01:37,360 --> 00:01:40,319 Speaker 1: Hendrix and Bob Dylan. Up first, the Bob Dylan version 33 00:01:40,319 --> 00:01:48,080 Speaker 1: here you go, then must be some way out of 34 00:01:48,200 --> 00:01:55,000 Speaker 1: here to see, And here is the Jimi Hendrix version 35 00:01:57,840 --> 00:02:02,560 Speaker 1: iconic guitars. Right then that must be someone the way 36 00:02:02,680 --> 00:02:10,639 Speaker 1: up here. That must be some contre jump to the 37 00:02:11,360 --> 00:02:13,280 Speaker 1: You need to listen to one of them? Which one 38 00:02:13,280 --> 00:02:16,639 Speaker 1: are you listening to? Easy gonna at the same time one? 39 00:02:19,040 --> 00:02:21,560 Speaker 1: I clicked at a shock. I don't even like Bob Dylan, 40 00:02:21,880 --> 00:02:23,600 Speaker 1: but how good is this? Ready to crank? Up the 41 00:02:23,639 --> 00:02:27,720 Speaker 1: Jimmy Hendricks. My vibe is just more of and I 42 00:02:27,720 --> 00:02:32,600 Speaker 1: can actually understand Bob Dylan back in the day. You 43 00:02:32,639 --> 00:02:39,120 Speaker 1: can't yet here Michael Jimmy Hendricks. I think most people 44 00:02:39,120 --> 00:02:41,400 Speaker 1: think that the Jimmy Hendricks song I did until I 45 00:02:41,400 --> 00:02:43,760 Speaker 1: found out it was Bob Dylan, probably when I was 46 00:02:43,800 --> 00:02:53,960 Speaker 1: in college. Next up, Hurt by the original Nine inch Nails. 47 00:02:54,080 --> 00:03:00,040 Speaker 1: Sound to see is how the audio released sounds was 48 00:03:00,160 --> 00:03:03,000 Speaker 1: all it sounds with them. I know, I thought this 49 00:03:03,280 --> 00:03:04,920 Speaker 1: was messing up, and I just went through the producer 50 00:03:05,000 --> 00:03:08,720 Speaker 1: and everything. And then there's Johnny Cash. Hurt what he 51 00:03:08,760 --> 00:03:16,679 Speaker 1: did later, hurt myself to to see it first, to 52 00:03:17,400 --> 00:03:20,480 Speaker 1: see okay, on the count of three, all three of us, 53 00:03:20,960 --> 00:03:23,880 Speaker 1: do you take nine inch nails? Johnny Cash? One, two three, 54 00:03:24,000 --> 00:03:28,639 Speaker 1: Johnny Cash. I never was a big nine inch nails guy. 55 00:03:28,880 --> 00:03:31,640 Speaker 1: I respected it, but then they had us all I 56 00:03:31,720 --> 00:03:34,080 Speaker 1: want to blank you like an animal. Now. He spelt 57 00:03:34,080 --> 00:03:35,560 Speaker 1: dirty when it was on they played like at the club. 58 00:03:35,680 --> 00:03:37,600 Speaker 1: Yeah they would, and I'd be like, I'd back away 59 00:03:37,640 --> 00:03:41,680 Speaker 1: from everybody. I don't. I don't know guys, all right. 60 00:03:41,760 --> 00:04:05,840 Speaker 1: Next up Hallelujah, originally by Leonard Cohen. Hi Hi, Yeah 61 00:04:06,200 --> 00:04:11,520 Speaker 1: or Jeff Buckley. Here you go. It has to be 62 00:04:11,600 --> 00:04:15,080 Speaker 1: Jeff Buckley. Know how how is it not Jeff Buckley. 63 00:04:15,720 --> 00:04:17,240 Speaker 1: I mean I would listen to song on repeat my 64 00:04:17,279 --> 00:04:19,240 Speaker 1: sad days. I just went on you know what I 65 00:04:19,320 --> 00:04:20,719 Speaker 1: used to do? You know that part where he's like 66 00:04:21,560 --> 00:04:23,480 Speaker 1: and he holds it for like twenty two seconds. I 67 00:04:23,560 --> 00:04:25,400 Speaker 1: used to test myself every single time, like I'm gonna 68 00:04:25,400 --> 00:04:27,600 Speaker 1: beat you, Jeff Buckley. Well, let's see if we all 69 00:04:27,600 --> 00:04:34,320 Speaker 1: picked Jeff Buckley one, two three, Jeff Buckley sell her baby. 70 00:04:34,520 --> 00:04:36,640 Speaker 1: Danelle Towns would play this because she was opening for 71 00:04:36,640 --> 00:04:38,159 Speaker 1: me when I was doing stand up. She would come 72 00:04:38,160 --> 00:04:39,800 Speaker 1: out and play this, and she's so good and she 73 00:04:39,839 --> 00:04:41,320 Speaker 1: would do this song and the whole crow I'd be 74 00:04:41,360 --> 00:04:43,040 Speaker 1: crying yeah, and she'd be like, all right, next off 75 00:04:43,040 --> 00:04:45,640 Speaker 1: with some Joe Good Bobby. We were backstage one time 76 00:04:45,680 --> 00:04:48,000 Speaker 1: and she played it and I almost cried. All right, 77 00:04:48,040 --> 00:04:50,840 Speaker 1: Next up the Man Who Sold the World originally by 78 00:04:50,920 --> 00:05:18,280 Speaker 1: David Bowie, or from the Unplugged album, Here's Nirvana. I'll 79 00:05:18,320 --> 00:05:20,159 Speaker 1: say this then Nirvana and Plugged records on my favorite 80 00:05:20,160 --> 00:05:23,160 Speaker 1: records of all time. I'm easily gonna pick this. I 81 00:05:23,200 --> 00:05:25,720 Speaker 1: think I didn't know about the David Bowie version. Until 82 00:05:25,760 --> 00:05:27,440 Speaker 1: I started, I didn't know the end of the Meat 83 00:05:27,440 --> 00:05:29,400 Speaker 1: Puppets were. Norbanda covered a bunch of songs in the 84 00:05:29,560 --> 00:05:32,599 Speaker 1: Navanna Unplugged and that was one of them. So just 85 00:05:32,720 --> 00:05:34,359 Speaker 1: know that I'm very biased. It's one of my favorite 86 00:05:34,360 --> 00:05:37,360 Speaker 1: records ever. So I'm gonna say that, all right, David 87 00:05:37,400 --> 00:05:41,760 Speaker 1: Bowie and Nirvana one, two or three Nirvana that you 88 00:05:41,800 --> 00:05:44,320 Speaker 1: haven't kicked out, Joe, Lene, this is gonna be an 89 00:05:44,360 --> 00:05:48,479 Speaker 1: easy one for us, but originally by Dolly Parton, Julie, Jolly, 90 00:05:49,279 --> 00:05:52,159 Speaker 1: Jant Jo you know what, you love it. But the 91 00:05:52,160 --> 00:05:57,200 Speaker 1: White Stripes had a really good version of it, Jess. 92 00:06:00,000 --> 00:06:02,919 Speaker 1: No one's going to pick the White Stripes here. Mike might. No, 93 00:06:04,320 --> 00:06:07,000 Speaker 1: but it's good like there's respect to the White Stripes 94 00:06:07,000 --> 00:06:14,719 Speaker 1: because they did a good one there. Jan Jannis, respect 95 00:06:14,760 --> 00:06:19,440 Speaker 1: for hidden that high note. You know this me and 96 00:06:19,440 --> 00:06:23,880 Speaker 1: Bobby McGee's interesting because Roger Miller is singing it here. 97 00:06:23,920 --> 00:06:26,560 Speaker 1: But Chris Ristoferson wrote it, yes, did he ever release it? 98 00:06:26,600 --> 00:06:29,760 Speaker 1: I don't know. I thought he had said maybe saying 99 00:06:29,760 --> 00:06:31,880 Speaker 1: it afterward. I feel like it should be between Chris, 100 00:06:31,960 --> 00:06:40,080 Speaker 1: Chris Stofferson and Janice. But here's Roger Miller. Nothing. I mean, 101 00:06:40,080 --> 00:06:43,120 Speaker 1: that sounds terrible compared to the Jannis Choplin version, but 102 00:06:43,200 --> 00:06:50,160 Speaker 1: it's here's that Jannis Choplin. This was her first big 103 00:06:50,240 --> 00:06:53,360 Speaker 1: hit and she was already there dead when he came out. 104 00:06:54,000 --> 00:06:56,760 Speaker 1: She had that What say, Mike, I'm still looking it up. Okay, 105 00:06:57,600 --> 00:07:01,599 Speaker 1: documentary is great on Netflix, The Janis documentary. That's really good. Yeah, 106 00:07:01,760 --> 00:07:03,680 Speaker 1: he said. They talked to Christis Stops about the song 107 00:07:03,720 --> 00:07:05,960 Speaker 1: and he was like, I heard it, and I was like, damn, 108 00:07:05,960 --> 00:07:07,680 Speaker 1: it's good. And then he went to like find her 109 00:07:07,680 --> 00:07:14,200 Speaker 1: and she had already died. Nana Na Na na as 110 00:07:14,200 --> 00:07:16,880 Speaker 1: a as a brutal story though with her story and 111 00:07:16,880 --> 00:07:20,040 Speaker 1: people were to her. Yes, I had no idea her 112 00:07:20,080 --> 00:07:22,800 Speaker 1: and Jerry Garcia from The Grateful Day had a romantic relationship. 113 00:07:23,240 --> 00:07:24,880 Speaker 1: We've got to San Francisco for a while. I learned 114 00:07:24,880 --> 00:07:27,120 Speaker 1: that to that documentary, there's a good one. Huh what 115 00:07:27,240 --> 00:07:29,640 Speaker 1: you got my Christmas? And never put it out? He did? 116 00:07:30,400 --> 00:07:33,760 Speaker 1: That would be it? Um, you know, Roger Miller shout out, 117 00:07:33,760 --> 00:07:37,040 Speaker 1: but Dannis killed that. I've never heard that version. I 118 00:07:37,160 --> 00:07:40,280 Speaker 1: thought the Law and the Law run. Here's sunny, Curtis. 119 00:07:46,680 --> 00:07:53,440 Speaker 1: Here is the Clash. You know, I'm gonna go with 120 00:07:53,480 --> 00:07:56,400 Speaker 1: the Sunny Curtis version. Yeah. I liked the old school one. 121 00:07:56,520 --> 00:07:58,240 Speaker 1: I mean I would hear that in a classic agradio more. 122 00:07:58,280 --> 00:08:02,280 Speaker 1: Probably I love the Clash. I just like them. Oh yeah, 123 00:08:02,800 --> 00:08:05,720 Speaker 1: should I stay here? Should I go? I wouldn't sound 124 00:08:05,720 --> 00:08:08,080 Speaker 1: a big clash. I do like their music, so I'm 125 00:08:08,080 --> 00:08:10,560 Speaker 1: going with them. Yeah, punk rock roots the Clash. Yeah. 126 00:08:11,560 --> 00:08:16,119 Speaker 1: How about Mr tambourine Man originally about Bob Dylan. Mr 127 00:08:16,320 --> 00:08:21,040 Speaker 1: tambourine Man, play a song for me, I'm not Sleepy 128 00:08:22,800 --> 00:08:28,760 Speaker 1: or the Birds. That's a good matchup. It's really good. 129 00:08:28,840 --> 00:08:33,679 Speaker 1: And who was in the Birds? Was he? Believe? So? Well, 130 00:08:33,679 --> 00:08:35,560 Speaker 1: now you're Mike, will you look and see if I'm wrong? 131 00:08:35,679 --> 00:08:38,160 Speaker 1: I wouldn't bet money that he wasn't. Really, Yeah, I'm 132 00:08:38,400 --> 00:08:41,920 Speaker 1: I mean, I'm not how much money I waited you 133 00:08:42,000 --> 00:08:46,920 Speaker 1: arty see it. I don't think he was in the 134 00:08:46,960 --> 00:08:50,480 Speaker 1: Birds man. I was in Green Hall one time and 135 00:08:50,520 --> 00:08:52,120 Speaker 1: one of the members of the Birds was playing there 136 00:08:52,200 --> 00:08:55,280 Speaker 1: like a happy hour, and I had to well, this 137 00:08:55,360 --> 00:08:57,520 Speaker 1: was before Google on the phone, so also I took 138 00:08:57,520 --> 00:08:58,719 Speaker 1: his word for it, But then I went home and 139 00:08:58,760 --> 00:09:01,840 Speaker 1: googled it. There was is Eric Clapton The Birds. Eric 140 00:09:01,840 --> 00:09:06,520 Speaker 1: Clapton was in The Birds. Wow, way early, yeah, way 141 00:09:06,559 --> 00:09:10,600 Speaker 1: early wow for like two month birds clapped. I mean, 142 00:09:11,280 --> 00:09:13,120 Speaker 1: I mean you are Clapton fans. I shouldn't have bed 143 00:09:13,520 --> 00:09:15,520 Speaker 1: clapped a niche. I'm a class you know a lot 144 00:09:15,559 --> 00:09:18,079 Speaker 1: about him. Yeah, I mean I read his book. Well 145 00:09:18,080 --> 00:09:20,960 Speaker 1: there you go, But why do you questioned me? He 146 00:09:21,040 --> 00:09:22,920 Speaker 1: left them to go so low? So yes, very early. 147 00:09:23,360 --> 00:09:28,360 Speaker 1: Bob Dylan or The Birds? Bob Dylan, The Birds? You know, 148 00:09:28,800 --> 00:09:30,080 Speaker 1: I said it over and over again. I'm not really 149 00:09:30,120 --> 00:09:31,480 Speaker 1: a Bob Dylan fan, but I pike a Bob Dylan 150 00:09:31,520 --> 00:09:35,720 Speaker 1: A GI I think you're a Bob Dylan. Yeah. Maybe 151 00:09:35,920 --> 00:09:37,839 Speaker 1: maybe this old Bob Dylan irritates. Have you listened to 152 00:09:37,880 --> 00:09:43,199 Speaker 1: the record I gave you exactly all right, with a 153 00:09:43,200 --> 00:09:47,280 Speaker 1: little help from my friends. Are the Beatles you think? 154 00:09:49,640 --> 00:09:54,080 Speaker 1: Or Joe Cocker? Wonder Years? Wondering Years kind of probably 155 00:09:54,080 --> 00:09:56,440 Speaker 1: wins this. Did you see there coming out with a 156 00:09:56,440 --> 00:09:59,560 Speaker 1: new one. There's a whole new Wonder Years coming out 157 00:09:59,559 --> 00:10:02,360 Speaker 1: with Don Cheetle is the narrator. I just saw a 158 00:10:02,400 --> 00:10:05,600 Speaker 1: preview for it to be good. Yes, I'm gonna go 159 00:10:05,600 --> 00:10:07,920 Speaker 1: with Joe Cocker, even though I think it's probably sacrilege 160 00:10:07,960 --> 00:10:11,240 Speaker 1: to do that. I'm going Joe Cocker, I don't care, dude, 161 00:10:11,280 --> 00:10:13,760 Speaker 1: I don't like the Beatles version and it goes singing it, 162 00:10:13,920 --> 00:10:20,079 Speaker 1: so Joe Cocker, Joe Cocker, all right, final one respect 163 00:10:20,280 --> 00:10:33,560 Speaker 1: originally about otis Redding. You'll read to Franklin so we know, 164 00:10:33,760 --> 00:10:35,679 Speaker 1: we know what. Do you want to hear the backstory 165 00:10:35,679 --> 00:10:37,560 Speaker 1: about this song? Yes, I was writing was Piste. She 166 00:10:37,640 --> 00:10:40,360 Speaker 1: recorded it, and the song is originally about him going home. 167 00:10:40,360 --> 00:10:41,720 Speaker 1: I want to have sex after it gets off work. 168 00:10:41,840 --> 00:10:43,440 Speaker 1: That's what the song was written about. What you wrote about? 169 00:10:44,000 --> 00:10:47,160 Speaker 1: He's like, I'm just asking from my you know, that's 170 00:10:47,160 --> 00:10:48,880 Speaker 1: what That's what the song was. And it's weird when 171 00:10:48,880 --> 00:10:50,959 Speaker 1: she sings it's a different twist. You don't get that vibe. 172 00:10:51,440 --> 00:11:04,800 Speaker 1: Will you play the writing version to get mike you? Wow? 173 00:11:05,720 --> 00:11:08,320 Speaker 1: How can the same song have two different meanings just 174 00:11:08,360 --> 00:11:12,360 Speaker 1: based on who's singing it? He was not happy she 175 00:11:12,400 --> 00:11:15,160 Speaker 1: stold this song. I listened to a live recording of 176 00:11:15,240 --> 00:11:18,680 Speaker 1: I'm talking about it? Did you do that? Okay? I 177 00:11:18,760 --> 00:11:21,080 Speaker 1: was just starting to read the Franklin Eddie Aretha Franklin 178 00:11:21,840 --> 00:11:26,720 Speaker 1: like Aretha, Yeah, me too. I knew I didn't oh Man, 179 00:11:26,800 --> 00:11:33,480 Speaker 1: listen to that, and she's more believable too. You're like, after, 180 00:11:33,920 --> 00:11:37,640 Speaker 1: I believe them both. I believe them both. All right, 181 00:11:38,040 --> 00:11:40,880 Speaker 1: thank you, Eddie. Check out the Sore Losers podcast with 182 00:11:40,960 --> 00:11:43,640 Speaker 1: Eddie and Raymond on lunchbox UM just search for They 183 00:11:43,640 --> 00:11:47,200 Speaker 1: talk about sports and dude stuff sore Losers. Check out 184 00:11:47,240 --> 00:11:49,680 Speaker 1: Movie Mix Movie podcast with Mike So they talk about 185 00:11:49,679 --> 00:11:52,360 Speaker 1: the sore Losers too. Every podcast about sore losers. All right, 186 00:11:52,440 --> 00:12:01,079 Speaker 1: Movie mis Movie podcast, all right, thank you guys. Twenty 187 00:12:01,120 --> 00:12:05,679 Speaker 1: four years ago on June seven, The only one hit 188 00:12:05,760 --> 00:12:10,200 Speaker 1: Wonder one two Grammys? Interesting? Can you think of a 189 00:12:10,240 --> 00:12:12,080 Speaker 1: one hit wonder? And I'll tell you where I got 190 00:12:12,120 --> 00:12:14,680 Speaker 1: some of this from is the Retro newsletter. It's like 191 00:12:14,720 --> 00:12:16,839 Speaker 1: eighties and nineties. It's really good news letter there. I 192 00:12:16,880 --> 00:12:21,079 Speaker 1: follow um and so they talked about Fresh Prince, Sonic 193 00:12:21,120 --> 00:12:23,720 Speaker 1: the Hedgehog, but they had mentioned this, and I thought, wow, 194 00:12:23,760 --> 00:12:25,800 Speaker 1: that is really interesting. So I found some other stuff here. 195 00:12:25,920 --> 00:12:28,360 Speaker 1: But can you name the one hit wonder, Eddie that 196 00:12:28,480 --> 00:12:34,560 Speaker 1: won two Grammys ninety seven? So I'm gonna go there 197 00:12:34,600 --> 00:12:39,280 Speaker 1: in my head and was chumbawamba if chumba womba one 198 00:12:39,280 --> 00:12:41,160 Speaker 1: Grammys I'm walking out of it. Why wouldn't they? That 199 00:12:41,240 --> 00:12:44,720 Speaker 1: song was amazing. I get knocked down and then I 200 00:12:44,760 --> 00:12:48,320 Speaker 1: get up again. But do people want to keep I mean, 201 00:12:48,400 --> 00:12:51,480 Speaker 1: that's not it? Is it? It is not? Um Sonny 202 00:12:51,559 --> 00:12:59,000 Speaker 1: came Home by Sean. I've been heard before. It's a 203 00:12:59,080 --> 00:13:01,719 Speaker 1: fictional story a woman who burns down her house as 204 00:13:01,760 --> 00:13:04,440 Speaker 1: a way of conquering the demons from her past. So 205 00:13:04,520 --> 00:13:08,439 Speaker 1: that song had like a deep message to it. Grammy's 206 00:13:08,640 --> 00:13:12,640 Speaker 1: oscars they like deep, stuffy Chumbawamba, the name alone of 207 00:13:12,679 --> 00:13:15,920 Speaker 1: the band thumping. The song made it to number seven 208 00:13:15,960 --> 00:13:18,240 Speaker 1: on the Billboard, had one hundred and it one Record 209 00:13:18,280 --> 00:13:20,840 Speaker 1: of the Year and Song of the Year. So she 210 00:13:21,840 --> 00:13:25,360 Speaker 1: popped like boom yeah, but never really had another hit man. 211 00:13:25,400 --> 00:13:27,880 Speaker 1: She came out around the time that Lisa Lobe did 212 00:13:28,160 --> 00:13:30,160 Speaker 1: you know? And I remember kind of confusing the two 213 00:13:30,200 --> 00:13:32,200 Speaker 1: because I'm and then I did a little more sure. 214 00:13:32,280 --> 00:13:34,600 Speaker 1: Lisa wasn't before her. It was around the I would say, 215 00:13:34,720 --> 00:13:37,880 Speaker 1: like a few years, like three years around that. I 216 00:13:37,960 --> 00:13:39,760 Speaker 1: loved Lisa Loan. I know, have you seen her in 217 00:13:39,800 --> 00:13:43,520 Speaker 1: the new Geico commercial? Yes, and she looks the same 218 00:13:44,160 --> 00:13:48,839 Speaker 1: the reality show Stay. So three years before it was 219 00:13:48,920 --> 00:13:51,240 Speaker 1: around the same time, and I thought that Sean Colvin 220 00:13:51,360 --> 00:13:52,920 Speaker 1: was like, oh, this is the new one from Lisa 221 00:13:52,920 --> 00:13:55,920 Speaker 1: Lover or whatever. But man, yeah this that was the 222 00:13:55,920 --> 00:13:58,400 Speaker 1: Sunny Came Home was really good. When you talk about 223 00:13:58,400 --> 00:14:03,640 Speaker 1: crushes that you forgot about for me, really yeah. She 224 00:14:03,800 --> 00:14:08,400 Speaker 1: had and miss You yeah, miss you? Oh yeah, that's right, 225 00:14:08,440 --> 00:14:10,400 Speaker 1: and then she had stay, Mike, what do you have 226 00:14:10,440 --> 00:14:12,480 Speaker 1: there from Lisa Lobe? Pull it up? Because I don't 227 00:14:12,520 --> 00:14:18,280 Speaker 1: think listen, she's not an artist that has generationally stayed 228 00:14:18,320 --> 00:14:20,320 Speaker 1: on the radio. No, no, she's not. And she had 229 00:14:20,360 --> 00:14:21,880 Speaker 1: a lot of success for a while. What was her 230 00:14:21,880 --> 00:14:24,320 Speaker 1: reality show? I think it was called like Lisa Lobe 231 00:14:24,400 --> 00:14:27,640 Speaker 1: lobes You. Okay, I do remember that. She was like 232 00:14:27,680 --> 00:14:33,040 Speaker 1: New York. I do remember that. I only you what 233 00:14:33,160 --> 00:14:36,320 Speaker 1: I want to What else do you have from her? 234 00:14:36,480 --> 00:14:41,280 Speaker 1: The feeling is pulling up losers even there, even all 235 00:14:41,320 --> 00:14:44,320 Speaker 1: these radio stations in the building, they don't respect Lisa Lobe. 236 00:14:44,360 --> 00:14:48,240 Speaker 1: Let me look at Lisa Lobe on streaming here stay 237 00:14:48,400 --> 00:14:51,800 Speaker 1: I missed you? Oh she has like a kid's record too. 238 00:14:51,800 --> 00:14:56,440 Speaker 1: I guess twink twink a little star. Let's see here, 239 00:14:56,200 --> 00:14:57,720 Speaker 1: we're like at a record, because she'd be a good 240 00:14:57,720 --> 00:14:59,280 Speaker 1: one to get on this podcast. I'd like talk to 241 00:14:59,720 --> 00:15:01,480 Speaker 1: Loan and I don't know where she lives, probably New York. 242 00:15:02,760 --> 00:15:05,120 Speaker 1: Let me see. Yeah, I guess she did a bunch 243 00:15:05,120 --> 00:15:07,720 Speaker 1: of kids records because they're coming up as a um 244 00:15:07,760 --> 00:15:13,000 Speaker 1: a ton of her streams. Okay, hold on which one 245 00:15:13,040 --> 00:15:16,480 Speaker 1: is that one? Stay? I'm not gonna sit through all this, 246 00:15:16,520 --> 00:15:21,520 Speaker 1: but Mike, look at our biggest songs I do. Oh yeah, yeah, 247 00:15:22,640 --> 00:15:28,160 Speaker 1: hear me, but I do. Yeah, You'll never leave me, Bobby, 248 00:15:29,560 --> 00:15:33,920 Speaker 1: that's what the words that you've replaced it with? That? Right? Yeah, 249 00:15:33,960 --> 00:15:44,240 Speaker 1: it's good. That's a good one. Let me see I 250 00:15:44,240 --> 00:15:46,640 Speaker 1: have I finally found a great tits record. Obviously, Stay, 251 00:15:48,080 --> 00:15:52,720 Speaker 1: you say that's what? Oh? Do you sleep? Was awesome? 252 00:15:52,960 --> 00:16:06,880 Speaker 1: Do you sleep? Doe? Do you need? Yeah? Do you 253 00:16:06,880 --> 00:16:09,760 Speaker 1: eat sleep? Do you freeze me anymore? Do you sleep? 254 00:16:09,880 --> 00:16:16,280 Speaker 1: Do you count anymore? Do you sleep anymore? Nothing? No, 255 00:16:16,360 --> 00:16:17,920 Speaker 1: I don't remember that one anyway. I listen a lot 256 00:16:17,920 --> 00:16:20,800 Speaker 1: of Lisa until that whole face where I thought her 257 00:16:20,880 --> 00:16:29,360 Speaker 1: music was so good? Too is cross? Okay? Anyway, But 258 00:16:29,400 --> 00:16:31,840 Speaker 1: we're not talking about Lisa. You brought about Sean Cole, 259 00:16:32,760 --> 00:16:35,040 Speaker 1: which where she's from Texas, Right, she's from most in 260 00:16:35,080 --> 00:16:37,080 Speaker 1: her she did. That's how I knew her. Again. I 261 00:16:37,120 --> 00:16:38,440 Speaker 1: would always hear she was places and I was like, 262 00:16:38,440 --> 00:16:40,360 Speaker 1: Sunday Game Home. I wonder if she's gonna play that song. 263 00:16:41,360 --> 00:16:43,920 Speaker 1: But Sunny Came Home was the only one hit wonder 264 00:16:43,960 --> 00:16:46,840 Speaker 1: to win Grammys. It beat out a few other one 265 00:16:46,920 --> 00:16:50,960 Speaker 1: hit wonders. Where of all the Cowboys Gone? By Paula Cole? Yeah, 266 00:16:52,880 --> 00:16:59,880 Speaker 1: John Wayne, where is my chats Uh? Where is my 267 00:17:00,240 --> 00:17:05,159 Speaker 1: happy Ending? Where all the Cowboys Gone? And it was 268 00:17:05,240 --> 00:17:07,120 Speaker 1: kind of like a weird wrap thing. I went down 269 00:17:07,119 --> 00:17:10,960 Speaker 1: to the kitchen and I had some bell strap and yeah, 270 00:17:10,960 --> 00:17:13,200 Speaker 1: that's all right. And she had um hair in her arms. 271 00:17:13,840 --> 00:17:25,080 Speaker 1: Remember that here get pickty seven chtty somethinged, Oh take 272 00:17:25,119 --> 00:17:29,480 Speaker 1: your calling. So this was up to go and wash 273 00:17:29,600 --> 00:17:38,520 Speaker 1: the dishes? Well you hey, yeah, all right. So you 274 00:17:38,560 --> 00:17:41,160 Speaker 1: said that Sunny Came Home beat beat this this song. 275 00:17:41,200 --> 00:17:45,600 Speaker 1: It also beaten bought by Handsome Why wow. But that's 276 00:17:45,640 --> 00:17:48,440 Speaker 1: the whole too cool factor right there. Probably handsOn is awesome. 277 00:17:49,040 --> 00:17:53,199 Speaker 1: Um no doubts, don't speak, Come on. The song was. 278 00:17:54,000 --> 00:17:55,640 Speaker 1: They had a lot of hits, but this was the big, big, 279 00:17:55,640 --> 00:17:59,800 Speaker 1: big one for them. Um R Kelly's I believe I 280 00:17:59,800 --> 00:18:07,040 Speaker 1: can fly Giants. This song was so good man yeah 281 00:18:07,440 --> 00:18:11,720 Speaker 1: and lean rhymes how do I Live? And here you 282 00:18:11,720 --> 00:18:14,400 Speaker 1: are you ready for this? And then when Seann Koby 283 00:18:14,440 --> 00:18:16,040 Speaker 1: went on stage to accept her award for Song of 284 00:18:16,040 --> 00:18:20,000 Speaker 1: the Year, she was interrupted by Kanye Old Dirty Bastard 285 00:18:19,840 --> 00:18:22,640 Speaker 1: O d B storming the stage to complain that Wu 286 00:18:22,720 --> 00:18:27,399 Speaker 1: Tang lost a Puff Daddy earlier in the night. Okay, 287 00:18:27,400 --> 00:18:32,600 Speaker 1: please call down the music that everything everything said. Um, 288 00:18:33,280 --> 00:18:35,280 Speaker 1: I went and bought me an outfit today that close 289 00:18:35,359 --> 00:18:37,640 Speaker 1: to the line of money today. You know what I mean? 290 00:18:37,640 --> 00:18:40,480 Speaker 1: Because I figured that who Tang was gonna win. I 291 00:18:40,480 --> 00:18:43,159 Speaker 1: don't know how y'all said, but when they come to 292 00:18:43,200 --> 00:18:45,600 Speaker 1: the children, will tank us for the children. We teach 293 00:18:45,680 --> 00:18:48,399 Speaker 1: the children. You know what I mean. Puffy is good, 294 00:18:48,680 --> 00:18:51,840 Speaker 1: but We'll Tang is the best. Okay. I want you 295 00:18:51,840 --> 00:18:53,320 Speaker 1: all to know that this is O d BE and 296 00:18:53,359 --> 00:18:56,920 Speaker 1: I love you all. Peace. Don't clap for him. Don't 297 00:18:56,960 --> 00:19:00,359 Speaker 1: clap for the people on earth. I know, and he 298 00:19:00,400 --> 00:19:03,440 Speaker 1: didn't for Shawn Colvin. They're like, I just want this 299 00:19:03,520 --> 00:19:06,440 Speaker 1: big award. Where was O d V when this happened? 300 00:19:06,560 --> 00:19:08,240 Speaker 1: Like did he just walk up and said, well, we'll 301 00:19:08,280 --> 00:19:13,240 Speaker 1: stop or was he already up there. He wasn't up there. Yeah, yeah, 302 00:19:13,280 --> 00:19:16,600 Speaker 1: he wasn't like presenting the award. Man, why do people 303 00:19:16,720 --> 00:19:20,880 Speaker 1: do that? And I see people like Kanye, like, why 304 00:19:20,960 --> 00:19:23,000 Speaker 1: did they do that? Well, they both did that because 305 00:19:23,359 --> 00:19:25,000 Speaker 1: well but Kanye didn't do it for him. He did 306 00:19:25,040 --> 00:19:29,920 Speaker 1: it for Beyonce. Right, Okay, I would say, ego one 307 00:19:29,920 --> 00:19:32,160 Speaker 1: way or the other. They think people need to hear something. Guys, 308 00:19:32,200 --> 00:19:34,600 Speaker 1: this award shows like and people vote on it. This 309 00:19:34,680 --> 00:19:38,439 Speaker 1: isn't like life or death. And I said something very 310 00:19:38,480 --> 00:19:42,280 Speaker 1: powerful right there. Hey, hey, we're tame for the kids, 311 00:19:43,080 --> 00:19:45,439 Speaker 1: for the kids. I love you for the kids. ODV 312 00:19:45,560 --> 00:19:49,880 Speaker 1: though when you've got your money, Jam of course, Hey there, 313 00:19:50,000 --> 00:19:56,640 Speaker 1: hey maybe I got your money. Don't you worry Jam. 314 00:19:57,040 --> 00:19:59,000 Speaker 1: All right, there's a little fun fun nugget for you 315 00:19:59,200 --> 00:20:01,520 Speaker 1: this week on the Bobbycast. This whole epide has been 316 00:20:01,520 --> 00:20:03,760 Speaker 1: a little weird because we're on vacation, but we're strung 317 00:20:03,880 --> 00:20:06,800 Speaker 1: together a lot of interesting music talk for you, um O, 318 00:20:07,000 --> 00:20:09,719 Speaker 1: d B Hey and now'm good girls too, you know that? Yes, 319 00:20:10,119 --> 00:20:17,120 Speaker 1: girls too? Hey yeah baby pretty use a nice guy. 320 00:20:17,920 --> 00:20:20,360 Speaker 1: I'll give you my another. I'll go all you all yeah, 321 00:20:20,680 --> 00:20:24,760 Speaker 1: all right, thank you guys. Hey, this is Joe and 322 00:20:24,920 --> 00:20:29,000 Speaker 1: Colin from The biz Tape podcast, a podcast that serves 323 00:20:29,119 --> 00:20:31,879 Speaker 1: as a catchall from music, business and media news of 324 00:20:32,000 --> 00:20:34,159 Speaker 1: the week. Subscribe and listen to The Biz Tape on 325 00:20:34,240 --> 00:20:36,840 Speaker 1: the I Heart Radio app, Apple Podcasts, or wherever you 326 00:20:36,960 --> 00:20:38,040 Speaker 1: get your podcasts.