1
00:00:01,600 --> 00:00:04,760
Speaker 1: What's up its lift service. I'man like, yee, I'm JJ Maguire,

2
00:00:04,880 --> 00:00:09,120
Speaker 1: I'm Jazzing brand and it's your girl. Ba. I'm still

3
00:00:09,119 --> 00:00:11,000
Speaker 1: always gonna say We're all always gonna say B B

4
00:00:11,280 --> 00:00:13,280
Speaker 1: B Yeah, let's see. I was gonna say it, but

5
00:00:13,280 --> 00:00:16,880
Speaker 1: I'm like, I'll just let everybody else all right. Yeah, yeah, Okay,

6
00:00:17,079 --> 00:00:19,720
Speaker 1: it's like a concert calling response and listen, bust and

7
00:00:19,800 --> 00:00:21,400
Speaker 1: Rhymes is getting on it and you did a song

8
00:00:21,440 --> 00:00:24,360
Speaker 1: with him. The collaboration we didn't even know we needed. Wow,

9
00:00:24,960 --> 00:00:27,520
Speaker 1: I'm so happy we did this a while ago. So

10
00:00:27,640 --> 00:00:29,920
Speaker 1: I'm just so happy it's out during the summer because

11
00:00:30,120 --> 00:00:33,160
Speaker 1: it's a summer song. Yeah, how did that even happen?

12
00:00:33,200 --> 00:00:35,479
Speaker 1: Because that is fascinating to me. I love it that

13
00:00:35,560 --> 00:00:39,400
Speaker 1: it's like incorporating you. And then Buster Rhymes is a legend. Oh,

14
00:00:39,479 --> 00:00:40,159
Speaker 1: I love Bustling.

15
00:00:40,280 --> 00:00:42,320
Speaker 2: We go back and he kind of like seen my

16
00:00:42,360 --> 00:00:44,960
Speaker 2: whole growth, through my whole He's known me for a while,

17
00:00:45,600 --> 00:00:48,239
Speaker 2: so when he cut this song, he called me right up.

18
00:00:48,280 --> 00:00:49,760
Speaker 1: He was like, Bea, I got this.

19
00:00:49,840 --> 00:00:52,320
Speaker 2: Song and I need you to I need you to

20
00:00:52,400 --> 00:00:53,840
Speaker 2: lay this part, like I need you to do it.

21
00:00:53,840 --> 00:00:55,320
Speaker 2: So I'm like, okay, you know what, let me hear it.

22
00:00:55,360 --> 00:00:56,840
Speaker 1: Sent it to me. He said to me, I cut

23
00:00:56,840 --> 00:00:57,280
Speaker 1: it right away.

24
00:00:57,320 --> 00:00:59,280
Speaker 2: I sent it back and we shot the video and

25
00:00:59,280 --> 00:01:00,720
Speaker 2: we were kind of just like waiting for the right

26
00:01:00,720 --> 00:01:02,840
Speaker 2: time to put it out. And I was harassing him

27
00:01:02,840 --> 00:01:05,160
Speaker 2: for months, like, bust put it out. It's gonna be

28
00:01:05,160 --> 00:01:06,880
Speaker 2: the summer. We need to hear it for the summer.

29
00:01:07,280 --> 00:01:09,880
Speaker 2: Finally it's out in summer. So I'm just excited. Congrats

30
00:01:09,880 --> 00:01:13,720
Speaker 2: to him. Yeah, yeah, this is it.

31
00:01:13,840 --> 00:01:15,680
Speaker 1: She's very gen like she comes in here asks us

32
00:01:15,680 --> 00:01:18,080
Speaker 1: how we're doing, which is rare. It like she hasn't

33
00:01:18,080 --> 00:01:20,360
Speaker 1: been here. You know, I haven't seen you guys in

34
00:01:20,360 --> 00:01:22,120
Speaker 1: a while. So I'm just happy. I'm hay. I feel

35
00:01:22,160 --> 00:01:24,360
Speaker 1: like last time was last year. Last year, Yeah, at

36
00:01:24,400 --> 00:01:27,440
Speaker 1: the BET Awards again and it's been like she's been

37
00:01:27,480 --> 00:01:29,440
Speaker 1: going since then, you know that. You know what I

38
00:01:29,600 --> 00:01:31,160
Speaker 1: noticed and that I love about you too, is that

39
00:01:31,240 --> 00:01:34,000
Speaker 1: you always kind of take the high role, like people

40
00:01:34,040 --> 00:01:36,200
Speaker 1: be trying to throw you in some mess that's not

41
00:01:36,280 --> 00:01:40,240
Speaker 1: even you know, because sometimes things can escalate through other

42
00:01:40,280 --> 00:01:42,440
Speaker 1: people and then next thing you know, you're defending yourself

43
00:01:42,440 --> 00:01:44,360
Speaker 1: and then next thing you know, you mad. But you're

44
00:01:44,360 --> 00:01:45,959
Speaker 1: always like calm down, everybody.

45
00:01:46,319 --> 00:01:49,440
Speaker 2: Yeah, I just don't have any ill intentions. So, like,

46
00:01:49,800 --> 00:01:51,640
Speaker 2: I can see how some things can get taken out

47
00:01:51,680 --> 00:01:54,320
Speaker 2: of context, and sometimes I try to clear it up,

48
00:01:54,360 --> 00:01:56,160
Speaker 2: and sometimes I just don't because I don't care enough

49
00:01:56,200 --> 00:01:58,800
Speaker 2: to I just want to go. But you know, if

50
00:01:58,840 --> 00:02:00,280
Speaker 2: you know me in real life, you know, like I

51
00:02:00,320 --> 00:02:02,800
Speaker 2: come from a good place. So yeah, I just stand

52
00:02:02,840 --> 00:02:03,120
Speaker 2: on that.

53
00:02:03,280 --> 00:02:05,440
Speaker 3: There are are there ever times when you really want

54
00:02:05,480 --> 00:02:07,480
Speaker 3: to say something and you didn't say anything.

55
00:02:09,360 --> 00:02:12,280
Speaker 2: Not really, because I like to let things play out.

56
00:02:12,600 --> 00:02:14,880
Speaker 2: Like I feel like people jump the gun and give

57
00:02:14,919 --> 00:02:18,240
Speaker 2: opinions right away and then it's not really what you

58
00:02:18,760 --> 00:02:20,760
Speaker 2: thought it was, so then you end up having to

59
00:02:20,800 --> 00:02:23,079
Speaker 2: retract your opinions. So it's like, you know what, let

60
00:02:23,120 --> 00:02:25,440
Speaker 2: me just keep my mouth shut and let see how

61
00:02:25,480 --> 00:02:29,480
Speaker 2: everything play out, and then mine my business that pays me.

62
00:02:30,200 --> 00:02:34,800
Speaker 1: You know what I'm saying, Get to care about your coin.

63
00:02:36,200 --> 00:02:38,840
Speaker 1: But and let's not also forget that we can sometimes

64
00:02:38,840 --> 00:02:42,720
Speaker 1: call people directly behind the scenes, and I do that. Yeah,

65
00:02:42,760 --> 00:02:45,320
Speaker 1: I'm big on that, Like, not everything needs to be

66
00:02:45,440 --> 00:02:48,960
Speaker 1: like a public show. For me, I definitely will call

67
00:02:49,000 --> 00:02:52,360
Speaker 1: and have conversations behind the scenes, but.

68
00:02:52,280 --> 00:02:54,760
Speaker 3: That definitely comes with maturity too. I feel like you

69
00:02:54,800 --> 00:02:56,119
Speaker 3: have to be mature to do that, because I feel

70
00:02:56,160 --> 00:02:58,600
Speaker 3: like sometimes you want the public to know, like, well,

71
00:02:58,600 --> 00:03:01,000
Speaker 3: I said something back, or I cleared the airs.

72
00:03:01,120 --> 00:03:03,840
Speaker 1: I had a couple of funny experiences like that. I

73
00:03:03,880 --> 00:03:05,880
Speaker 1: bet now that I think about it, I bet I'm

74
00:03:05,880 --> 00:03:08,000
Speaker 1: a Leo too, So I'm really like, my first instinct

75
00:03:08,360 --> 00:03:11,200
Speaker 1: is a hot one, right, and then I have to

76
00:03:11,200 --> 00:03:13,480
Speaker 1: like usually sit on it and cool myself down. I

77
00:03:13,480 --> 00:03:15,400
Speaker 1: bet you this time you type things and then deleted it.

78
00:03:15,560 --> 00:03:20,680
Speaker 2: I always my draft tweets will sit down and I'll

79
00:03:20,720 --> 00:03:21,440
Speaker 2: do it on your show.

80
00:03:21,680 --> 00:03:23,919
Speaker 1: We will and I'll be like, we'll just read out

81
00:03:23,960 --> 00:03:26,799
Speaker 1: all my draft tweets. That's hilarious. That will be for you.

82
00:03:26,880 --> 00:03:28,480
Speaker 1: Got me the girl?

83
00:03:28,560 --> 00:03:31,440
Speaker 2: Let me go before I do that, right, go through

84
00:03:31,480 --> 00:03:35,440
Speaker 2: and filter some out of my draft tweets are nasty, wow.

85
00:03:35,400 --> 00:03:38,080
Speaker 1: Oh my god. And then listen. You also have this

86
00:03:38,160 --> 00:03:40,800
Speaker 1: song right now that is lit with DDG and Nli Chapper,

87
00:03:40,920 --> 00:03:45,000
Speaker 1: so congratulating on that. I just want to say, beat

88
00:03:45,000 --> 00:03:48,240
Speaker 1: her consistency. But even just not even in front of

89
00:03:48,280 --> 00:03:50,600
Speaker 1: the mic, not even on a stage, just a cool

90
00:03:50,600 --> 00:03:52,840
Speaker 1: ast person, but even when it comes to music, like

91
00:03:52,840 --> 00:03:55,800
Speaker 1: people we've been following your journey to a long time,

92
00:03:55,880 --> 00:03:57,760
Speaker 1: for a really long time, and everything that you've been

93
00:03:57,760 --> 00:04:01,040
Speaker 1: getting you one thousand percent deserved. Thank you so much.

94
00:04:01,280 --> 00:04:03,920
Speaker 1: I mean, I appreciate you guys so much, and you

95
00:04:04,000 --> 00:04:04,560
Speaker 1: deserve more.

96
00:04:04,640 --> 00:04:08,240
Speaker 3: Though Angela loves her some Bea, I I love you

97
00:04:08,320 --> 00:04:10,360
Speaker 3: too behind the scenes.

98
00:04:10,400 --> 00:04:12,040
Speaker 2: And you know that there have been times where people

99
00:04:12,040 --> 00:04:14,520
Speaker 2: try to like kind of like not give me flowers

100
00:04:14,520 --> 00:04:17,560
Speaker 2: and shave me in certain situations, and Andrew's always like, no,

101
00:04:17,640 --> 00:04:21,080
Speaker 2: bea excuse me. So I remember that, and that you

102
00:04:21,160 --> 00:04:22,919
Speaker 2: remember that on your way up, like the people that

103
00:04:22,960 --> 00:04:25,320
Speaker 2: always supported you even when it wasn't cool.

104
00:04:25,440 --> 00:04:27,919
Speaker 1: So like, and even when it comes to different genres too,

105
00:04:27,960 --> 00:04:29,920
Speaker 1: because I think people also have to understand that it's

106
00:04:29,960 --> 00:04:32,320
Speaker 1: not just you know, hip hop. It's not just the

107
00:04:32,400 --> 00:04:35,760
Speaker 1: United States either. Yeah, the whole world out there. I

108
00:04:35,839 --> 00:04:38,880
Speaker 1: love to travel and I don't feel like I want

109
00:04:38,880 --> 00:04:41,800
Speaker 1: to just put myself in one box, in one of space.

110
00:04:41,839 --> 00:04:43,880
Speaker 1: I'm a student. I want to learn from other cultures.

111
00:04:43,920 --> 00:04:45,560
Speaker 1: So I'm traveling, girl.

112
00:04:45,680 --> 00:04:49,560
Speaker 2: I'm overseas, I'm in Africa, I'm in the UK, I'm

113
00:04:49,560 --> 00:04:51,680
Speaker 2: in Tokyo, I'm everywhere I.

114
00:04:51,640 --> 00:04:54,280
Speaker 1: Can be gaining knowledge from all of those experiences. Exactly.

115
00:04:54,360 --> 00:04:59,160
Speaker 2: I'm in Puerto Rico. I'm a Dominican Republic. Hello, I'm Jamaica. Flee.

116
00:05:03,360 --> 00:05:06,080
Speaker 1: And then what about your entrepreneurship businesses, because I know

117
00:05:06,200 --> 00:05:08,440
Speaker 1: last time we spoke you were talking about opening up

118
00:05:08,480 --> 00:05:08,880
Speaker 1: a shop.

119
00:05:09,160 --> 00:05:11,760
Speaker 2: Okay, I didn't. Okay, Well check out the nails. Let's

120
00:05:11,760 --> 00:05:13,920
Speaker 2: just talk about it. Let's talk about it, talk about it.

121
00:05:14,440 --> 00:05:16,360
Speaker 2: You know, I'm a nail girl, so the nails are

122
00:05:16,440 --> 00:05:19,479
Speaker 2: always my dream. Next is to open a nail shop,

123
00:05:19,560 --> 00:05:22,560
Speaker 2: like a nail thing. But I've been just so busy

124
00:05:22,600 --> 00:05:24,560
Speaker 2: on other things, music and makeup, trying to get a

125
00:05:24,600 --> 00:05:27,600
Speaker 2: new project out. So I got my makeup line, Beauty

126
00:05:27,680 --> 00:05:30,280
Speaker 2: for Certain, and you know what, I don't know?

127
00:05:30,600 --> 00:05:32,640
Speaker 1: Certain, Look at this cute bag that hold up the

128
00:05:32,640 --> 00:05:35,000
Speaker 1: bag to it's a little on linger ting you get me.

129
00:05:35,760 --> 00:05:38,760
Speaker 1: Thank you, She's cute, Thank you cute.

130
00:05:39,000 --> 00:05:40,839
Speaker 2: But yeah, this is my lip my lipstick, and I

131
00:05:40,880 --> 00:05:45,880
Speaker 2: have glosses and I have and what's beauty for Certain girl?

132
00:05:47,360 --> 00:05:50,440
Speaker 1: It's a nice little Okay, So she got on today.

133
00:05:51,000 --> 00:05:54,320
Speaker 1: It works. She really uses it. She's not just the president,

134
00:05:54,440 --> 00:05:58,360
Speaker 1: she's a client, all right. And then yeah, because every

135
00:05:58,400 --> 00:06:00,280
Speaker 1: time I say you're not gonna hold you accountable. I

136
00:06:00,320 --> 00:06:01,840
Speaker 1: just want to keep on because sometimes you're like, man,

137
00:06:01,880 --> 00:06:04,080
Speaker 1: I gotta make sure the next time I snow. Trust me.

138
00:06:04,440 --> 00:06:06,440
Speaker 1: The nail game is in the works. If you know me,

139
00:06:06,440 --> 00:06:07,320
Speaker 1: you normally young girl.

140
00:06:08,040 --> 00:06:10,039
Speaker 2: But right now I'm focused on the makeup first, and

141
00:06:10,080 --> 00:06:11,200
Speaker 2: then we'll go to the nails.

142
00:06:11,200 --> 00:06:13,920
Speaker 1: Okay, she has a plan, all right, and listen because

143
00:06:13,920 --> 00:06:16,200
Speaker 1: it's his lip service. It's the fiftieth anniversary of hip hop.

144
00:06:16,240 --> 00:06:18,880
Speaker 1: Woman of the People. To You is the best hip

145
00:06:18,920 --> 00:06:22,400
Speaker 1: hop sex song ever. Favor up sex song.

146
00:06:22,560 --> 00:06:29,279
Speaker 2: Yes, you can have some good sex to She's like

147
00:06:29,360 --> 00:06:32,800
Speaker 2: so many, I'm thinking of so many.

148
00:06:33,040 --> 00:06:34,600
Speaker 1: Just give us too and like if you can see

149
00:06:34,600 --> 00:06:39,240
Speaker 1: how she rapped her leg to.

150
00:06:37,400 --> 00:06:40,320
Speaker 2: Think, girl, what's the song that's gonna make me look

151
00:06:40,360 --> 00:06:41,599
Speaker 2: classy and not nasty?

152
00:06:44,040 --> 00:06:44,520
Speaker 4: Number one?

153
00:06:47,600 --> 00:06:51,000
Speaker 1: Slow motion? Yeah, like I like slow motion. We'll just

154
00:06:51,160 --> 00:06:55,279
Speaker 1: we'll do slow motion. Take that because I like a

155
00:06:55,279 --> 00:06:59,320
Speaker 1: little rep like like that she working that back.

156
00:06:59,440 --> 00:06:59,880
Speaker 5: I don't know.

157
00:07:00,160 --> 00:07:04,040
Speaker 1: You say, okay, let's just do let's do some motion

158
00:07:04,560 --> 00:07:07,240
Speaker 1: and man, put that onto Yeah, some motion. Let's just

159
00:07:07,279 --> 00:07:09,240
Speaker 1: so that's good that you'll give us a number two

160
00:07:09,360 --> 00:07:11,240
Speaker 1: or no, well more that.

161
00:07:11,360 --> 00:07:18,080
Speaker 2: She's really on that one okay, be it.

162
00:07:18,080 --> 00:07:21,720
Speaker 1: What's a good amount of time you think for sex? Oh?

163
00:07:21,800 --> 00:07:24,000
Speaker 2: Oh right, you are a busy lady at least like

164
00:07:24,240 --> 00:07:28,280
Speaker 2: at least thirty twenty five minutes, thirty.

165
00:07:28,000 --> 00:07:32,840
Speaker 1: Minutes okay, fair, fair, Yeah, don't don't come in there

166
00:07:32,880 --> 00:07:35,840
Speaker 1: off all quick and yeah, yeah at all. Don't just

167
00:07:35,920 --> 00:07:38,200
Speaker 1: take your time with a baby. Take your time, sweetie.

168
00:07:38,280 --> 00:07:43,480
Speaker 1: Have you ever had to be like I'm not done? Yes? Yes,

169
00:07:43,640 --> 00:07:47,160
Speaker 1: hey what these things? He could do? For sure? Hello?

170
00:07:47,400 --> 00:07:51,040
Speaker 1: What about me? That's how sometimes do I don't want

171
00:07:51,040 --> 00:07:52,320
Speaker 1: to have it. I don't want to have an attitude

172
00:07:52,320 --> 00:07:56,080
Speaker 1: when you don't orgasm like, no, get it yourself. Okay,

173
00:07:56,120 --> 00:07:58,480
Speaker 1: it's like you got off yourself. And you know my new.

174
00:07:58,360 --> 00:08:01,880
Speaker 2: Song with DDG, I'm geeking you see how I was

175
00:08:01,880 --> 00:08:02,640
Speaker 2: talking on that thing?

176
00:08:02,920 --> 00:08:09,000
Speaker 1: Yes, real nasty, real nasty, last tongue, am I what what? What? What?

177
00:08:09,000 --> 00:08:12,240
Speaker 1: What what exactly? We love it? Well, that's going to

178
00:08:12,280 --> 00:08:15,440
Speaker 1: be the classic hip hop sex song. That's that's my

179
00:08:15,520 --> 00:08:17,920
Speaker 1: new classic kip hop sex song d d G featuring

180
00:08:18,000 --> 00:08:21,240
Speaker 1: me and Number I'm Eagan all right, well being thank

181
00:08:21,280 --> 00:08:23,240
Speaker 1: you so much for coming through. Always a pleasure, Thank

182
00:08:23,280 --> 00:08:26,640
Speaker 1: you for having me. I love y'all. Fun what's up

183
00:08:26,720 --> 00:08:30,240
Speaker 1: slip Service? I mantel, I'm G. G. Maguire, I'm Jazzmine brand.

184
00:08:30,320 --> 00:08:31,720
Speaker 4: And pretty line.

185
00:08:31,920 --> 00:08:34,400
Speaker 1: Hey that's how you last time?

186
00:08:35,000 --> 00:08:37,480
Speaker 2: Yeah, because I mean that.

187
00:08:37,600 --> 00:08:40,120
Speaker 1: Okay, listen, remember when we first had the baby on

188
00:08:40,160 --> 00:08:42,600
Speaker 1: the Service. That's one of our biggest That was one.

189
00:08:42,440 --> 00:08:45,400
Speaker 2: Of our biggest episodes, and it was super early, like

190
00:08:46,000 --> 00:08:46,559
Speaker 2: I'm coming back.

191
00:08:46,600 --> 00:08:50,760
Speaker 1: That was like twenty fourteen. You you do you let

192
00:08:50,840 --> 00:08:53,040
Speaker 1: us know when you're in New York that we got

193
00:08:53,080 --> 00:08:55,200
Speaker 1: the next yea, remember the crazy thing he said on

194
00:08:55,240 --> 00:08:55,960
Speaker 1: that episode?

195
00:08:56,559 --> 00:08:59,160
Speaker 2: You know what he was being like, probably lived it out,

196
00:08:59,280 --> 00:09:01,080
Speaker 2: you know what happen whatever?

197
00:09:01,200 --> 00:09:01,520
Speaker 1: Mom?

198
00:09:02,600 --> 00:09:04,800
Speaker 2: I remember I was talking about the heart attack in

199
00:09:04,880 --> 00:09:07,000
Speaker 2: that episode, and then it was all in the comments

200
00:09:07,320 --> 00:09:09,520
Speaker 2: about the heart attack, your heart attack that I gave

201
00:09:09,559 --> 00:09:11,760
Speaker 2: the man that I was having sex with. Lord you

202
00:09:11,800 --> 00:09:14,360
Speaker 2: did died, Yeah, he died.

203
00:09:15,080 --> 00:09:19,680
Speaker 1: Anyways, I saw this young lady that said that you

204
00:09:19,840 --> 00:09:23,480
Speaker 1: was capped, right, she said. She came up to you

205
00:09:23,520 --> 00:09:27,080
Speaker 1: and she tried to what's the story?

206
00:09:29,000 --> 00:09:31,839
Speaker 2: She said, you not about that life. You've been talking

207
00:09:32,120 --> 00:09:33,800
Speaker 2: artist craziness.

208
00:09:35,600 --> 00:09:36,400
Speaker 4: A couple of weeks ago.

209
00:09:36,840 --> 00:09:37,679
Speaker 1: Give us some contact.

210
00:09:37,720 --> 00:09:46,600
Speaker 6: So she got no side two sides of this story, Okay, okay, okay,

211
00:09:47,679 --> 00:09:48,360
Speaker 6: and everybody.

212
00:09:48,360 --> 00:09:49,600
Speaker 4: I don't know what that was about.

213
00:09:50,000 --> 00:09:53,080
Speaker 1: And then she said, he not about that life, Yeah, some.

214
00:09:53,240 --> 00:09:55,560
Speaker 7: Kind of what did you standing over there talking to

215
00:09:55,600 --> 00:09:57,720
Speaker 7: his friends? Your friends ain't gonna put your dicken name.

216
00:09:58,840 --> 00:10:02,760
Speaker 7: You ain't about that anything you right about to you?

217
00:10:03,040 --> 00:10:03,880
Speaker 4: She said it to something.

218
00:10:04,080 --> 00:10:07,400
Speaker 7: Yeah, she was talking to every everybody heard, everybody heard everybody.

219
00:10:07,400 --> 00:10:08,480
Speaker 1: What was your response?

220
00:10:08,800 --> 00:10:09,920
Speaker 4: I went, he.

221
00:10:09,920 --> 00:10:12,720
Speaker 1: Didn't respond out of there.

222
00:10:12,559 --> 00:10:12,920
Speaker 4: For sure.

223
00:10:13,200 --> 00:10:15,360
Speaker 1: That's good. That stuff like that. We just saw that

224
00:10:15,400 --> 00:10:19,040
Speaker 1: on camera. But just stuff like that happened all the time. Sure, wow, crazy,

225
00:10:19,080 --> 00:10:19,959
Speaker 1: How do you handle that?

226
00:10:20,040 --> 00:10:22,160
Speaker 2: Like every time you just like ignore it. I don't

227
00:10:22,200 --> 00:10:23,720
Speaker 2: hear you just don't give it no energy.

228
00:10:23,760 --> 00:10:25,480
Speaker 4: You don't you know, I ain't got time, y'all know

229
00:10:25,520 --> 00:10:26,120
Speaker 4: I don't got time.

230
00:10:26,800 --> 00:10:29,240
Speaker 1: That's funny that nobody out.

231
00:10:29,000 --> 00:10:30,400
Speaker 4: Of it off the show.

232
00:10:30,400 --> 00:10:32,440
Speaker 7: It's like, you know, it's like when you when you

233
00:10:32,480 --> 00:10:34,440
Speaker 7: try to trick a nine a nine year old and

234
00:10:34,440 --> 00:10:35,120
Speaker 7: then doing something.

235
00:10:35,000 --> 00:10:37,840
Speaker 4: You want somebody, Yeah, you ain't gonna eat no broccoli.

236
00:10:37,880 --> 00:10:38,400
Speaker 4: You scared.

237
00:10:38,480 --> 00:10:41,240
Speaker 1: You know what I'm saying that she tried to intimidate you.

238
00:10:41,480 --> 00:10:44,679
Speaker 1: She tried to cohurse me and and to.

239
00:10:44,640 --> 00:10:46,360
Speaker 4: Get in some head and pulling that thing out.

240
00:10:46,840 --> 00:10:48,959
Speaker 1: You know, she didn't make it seem like you're not about.

241
00:10:48,679 --> 00:10:51,559
Speaker 4: But you respect the clients. I respectfully the clients.

242
00:10:51,960 --> 00:10:53,280
Speaker 1: I'm gonna let you that out of there.

243
00:10:53,720 --> 00:10:56,280
Speaker 2: Yeah, but let's just say in general, do you like

244
00:10:56,320 --> 00:11:00,319
Speaker 2: aggressive women? Not aggressively aggressive.

245
00:11:00,080 --> 00:11:01,720
Speaker 1: Like that, but say in the bedroom, would you prefer

246
00:11:01,880 --> 00:11:03,600
Speaker 1: for your woman to initiate the sex.

247
00:11:03,679 --> 00:11:05,559
Speaker 7: It don't even gotta be. It ain't mean so much

248
00:11:05,600 --> 00:11:08,800
Speaker 7: about like in the bedroom aggression. Yeah, an aggressive woman

249
00:11:08,840 --> 00:11:11,800
Speaker 7: for sure, like for sure, you almost gotta be, like

250
00:11:11,960 --> 00:11:13,280
Speaker 7: you gotta go for it, you gotta be. And I

251
00:11:13,280 --> 00:11:16,240
Speaker 7: won't even say aggressive, like just like an alpha female,

252
00:11:16,360 --> 00:11:17,680
Speaker 7: like for sure, like that's my type.

253
00:11:17,679 --> 00:11:18,359
Speaker 4: For sure.

254
00:11:18,480 --> 00:11:21,640
Speaker 7: You ain't gonna you ain't gonna last, like right, yeah,

255
00:11:21,640 --> 00:11:23,200
Speaker 7: you ain't gonna last. You're gonna need to be that

256
00:11:23,320 --> 00:11:25,480
Speaker 7: off top to even you know, deal with the conditions

257
00:11:25,559 --> 00:11:26,600
Speaker 7: up sucking with a nigga like me.

258
00:11:26,880 --> 00:11:28,600
Speaker 1: What type of woman for sure?

259
00:11:28,640 --> 00:11:30,240
Speaker 4: I mean, I come with you know what I'm saying,

260
00:11:30,280 --> 00:11:31,280
Speaker 4: like it is what it is.

261
00:11:31,400 --> 00:11:32,880
Speaker 1: What type of woman do you like besides like an

262
00:11:32,880 --> 00:11:33,560
Speaker 1: assertive woman?

263
00:11:33,600 --> 00:11:37,160
Speaker 7: What else besides an assertive woman? If she ain't assertive,

264
00:11:37,200 --> 00:11:38,119
Speaker 7: it ain't anything.

265
00:11:38,720 --> 00:11:40,560
Speaker 1: I mean what other qualities? What that you look for

266
00:11:40,720 --> 00:11:42,160
Speaker 1: besides that, I'm.

267
00:11:41,960 --> 00:11:44,640
Speaker 4: A strong mind, for sure, for sure a strong mind.

268
00:11:44,640 --> 00:11:46,360
Speaker 7: You know, if you ain't assertive, at least be you know,

269
00:11:46,800 --> 00:11:48,960
Speaker 7: comfortable and confident and you know the way you feel

270
00:11:49,000 --> 00:11:51,960
Speaker 7: as an individual. You know what I'm saying, anything less

271
00:11:51,960 --> 00:11:54,040
Speaker 7: than I can't deal with a woman not having that

272
00:11:54,080 --> 00:11:55,200
Speaker 7: like it is what it is?

273
00:11:55,400 --> 00:11:55,520
Speaker 4: Right?

274
00:11:55,960 --> 00:11:58,480
Speaker 1: What about visually? What does she what should she look like? Visually?

275
00:11:58,520 --> 00:12:00,760
Speaker 1: You look like, Yeah, you got.

276
00:12:02,120 --> 00:12:03,079
Speaker 4: Gotta look like something.

277
00:12:03,559 --> 00:12:04,960
Speaker 7: I like what I like though at the end of

278
00:12:04,960 --> 00:12:08,120
Speaker 7: the day, so I can't pinpoint on specific type.

279
00:12:08,120 --> 00:12:10,079
Speaker 1: You know, I like what I like. Do you believe

280
00:12:10,080 --> 00:12:10,720
Speaker 1: in monogamy?

281
00:12:11,280 --> 00:12:14,520
Speaker 4: I believe in monogamy? Yeah, I mean, of course I

282
00:12:14,559 --> 00:12:15,880
Speaker 4: believe in it for yourself.

283
00:12:15,920 --> 00:12:17,960
Speaker 2: And I'm gonna say what you mean, like, would you

284
00:12:18,000 --> 00:12:20,240
Speaker 2: could you be like I want to be with one

285
00:12:20,240 --> 00:12:21,160
Speaker 2: person and that's it.

286
00:12:21,160 --> 00:12:23,160
Speaker 1: It's a little bit, but you think, I don't know.

287
00:12:23,320 --> 00:12:24,760
Speaker 4: You don't think I'm already living like that.

288
00:12:25,040 --> 00:12:26,400
Speaker 1: I don't know. I'm just a lot of people don't

289
00:12:26,400 --> 00:12:26,760
Speaker 1: believe in it.

290
00:12:27,120 --> 00:12:29,280
Speaker 4: Yeah, as long as she the one give me a gun.

291
00:12:30,120 --> 00:12:31,680
Speaker 1: I'm sorry. I can hear you to in my in

292
00:12:31,720 --> 00:12:34,400
Speaker 1: my ears, Okay, I want you clear.

293
00:12:34,800 --> 00:12:36,880
Speaker 4: Every time I thought about it, she ain't as nice

294
00:12:36,880 --> 00:12:38,200
Speaker 4: as you with this ship. She as soon as you.

295
00:12:38,200 --> 00:12:43,400
Speaker 1: Say that, excuse me, it's great. You didn't hear it

296
00:12:44,200 --> 00:12:46,280
Speaker 1: when you were trying to talk. I'm sorry.

297
00:12:47,000 --> 00:12:47,480
Speaker 4: That's all good.

298
00:12:47,760 --> 00:12:49,320
Speaker 1: We were just trying to make sure he was comfortable

299
00:12:49,320 --> 00:12:51,720
Speaker 1: for lip service. This is lip service.

300
00:12:53,800 --> 00:12:55,280
Speaker 4: In a way. What was we talking about.

301
00:12:55,320 --> 00:12:56,440
Speaker 1: We were talking about monogamy.

302
00:12:56,480 --> 00:12:58,040
Speaker 4: You said, yeah, it's all good.

303
00:12:58,200 --> 00:13:00,800
Speaker 7: You know, I believe in You know, if I got

304
00:13:00,800 --> 00:13:03,599
Speaker 7: one queen that you know, can satisfy my knees, I

305
00:13:03,640 --> 00:13:06,199
Speaker 7: can satisfy her as we can take over the world.

306
00:13:06,280 --> 00:13:07,920
Speaker 4: You know what I'm saying, How.

307
00:13:07,760 --> 00:13:09,960
Speaker 1: Do you how could you even find anybody nowadays?

308
00:13:09,960 --> 00:13:13,200
Speaker 2: You think it's got to be through work or because nobody.

309
00:13:13,520 --> 00:13:15,160
Speaker 4: I wouldn't prefer to find him that way.

310
00:13:15,280 --> 00:13:17,800
Speaker 3: And keep it real, like, how would you prefer to

311
00:13:17,840 --> 00:13:19,200
Speaker 3: find a woman at home depot?

312
00:13:19,320 --> 00:13:21,599
Speaker 4: I would prefer to find one. Okay, I know it

313
00:13:21,720 --> 00:13:23,920
Speaker 4: just got to happen, got to happen. Look, I ain't

314
00:13:23,960 --> 00:13:27,160
Speaker 4: running around looking for one really, never have been.

315
00:13:27,840 --> 00:13:28,640
Speaker 1: Yeah, that's how.

316
00:13:28,559 --> 00:13:29,920
Speaker 4: Things happen my style.

317
00:13:31,200 --> 00:13:34,199
Speaker 2: Yeah, everything that works out always is usually organically. That's

318
00:13:34,200 --> 00:13:35,920
Speaker 2: when it works out the best because it's just natural

319
00:13:35,920 --> 00:13:37,439
Speaker 2: on the clothes, and you know, it goes to where

320
00:13:37,480 --> 00:13:37,920
Speaker 2: it goes the.

321
00:13:38,320 --> 00:13:41,040
Speaker 4: Show, And I most definitely take her around the way girl.

322
00:13:41,280 --> 00:13:42,839
Speaker 1: Okay, well, what about a girl who acts like she

323
00:13:42,880 --> 00:13:45,360
Speaker 1: doesn't know who you are? What you mean, would you

324
00:13:45,400 --> 00:13:45,679
Speaker 1: believe it?

325
00:13:45,720 --> 00:13:48,840
Speaker 4: If she was acting? She really can you know?

326
00:13:48,880 --> 00:13:50,480
Speaker 1: If she was acting like how many girls.

327
00:13:50,440 --> 00:13:51,200
Speaker 4: Like she was acting?

328
00:13:51,440 --> 00:13:54,240
Speaker 7: If she was acting like she ain't, No, I'll be

329
00:13:54,320 --> 00:13:55,720
Speaker 7: waiting on her to set me up so I can

330
00:13:55,800 --> 00:13:56,440
Speaker 7: kill everybody.

331
00:13:56,520 --> 00:13:58,000
Speaker 1: You know what I mean for real?

332
00:13:58,000 --> 00:13:59,400
Speaker 7: I mean, because it ain't even no point of you know,

333
00:13:59,480 --> 00:14:01,360
Speaker 7: you don't got to like dumb. They ain't even about that,

334
00:14:01,440 --> 00:14:02,920
Speaker 7: Like they ain't even how I carry you, you know what

335
00:14:02,960 --> 00:14:03,320
Speaker 7: I'm saying.

336
00:14:03,360 --> 00:14:05,040
Speaker 4: So it's like playing dumb with me.

337
00:14:05,120 --> 00:14:08,040
Speaker 7: If your first impression is playing dumb, that ain't It's

338
00:14:08,080 --> 00:14:10,079
Speaker 7: just like if a fan want a picture and they

339
00:14:10,080 --> 00:14:13,280
Speaker 7: come up and they come walk by, Oh ship the baby, like, bro,

340
00:14:13,320 --> 00:14:14,040
Speaker 7: don't don't do that.

341
00:14:14,120 --> 00:14:18,160
Speaker 4: It just can't walk down. Yeah, yeah, we ain't.

342
00:14:17,960 --> 00:14:20,200
Speaker 7: Gotta play mind games, nigga. You ain't got to see

343
00:14:20,280 --> 00:14:22,720
Speaker 7: if your mom's sharpen than mind. You don't manipulate me

344
00:14:22,920 --> 00:14:25,000
Speaker 7: and in the fucking with you. You see, know what I'm saying.

345
00:14:25,040 --> 00:14:26,680
Speaker 7: It's all good, like I'm gonna fuck with you off

346
00:14:26,720 --> 00:14:29,080
Speaker 7: the strength, you know what I'm saying. So yeah, it ain't.

347
00:14:29,080 --> 00:14:30,800
Speaker 7: It ain't really about nothing. I don't don't know.

348
00:14:31,080 --> 00:14:32,680
Speaker 1: So like if somebody comes up to you and say, Hi,

349
00:14:32,760 --> 00:14:34,480
Speaker 1: how you doing? I'm such a test? What's your name?

350
00:14:34,680 --> 00:14:35,760
Speaker 1: Do you say that I ain't tripping?

351
00:14:35,760 --> 00:14:35,880
Speaker 4: No?

352
00:14:35,880 --> 00:14:37,480
Speaker 7: No, no, no, no, I ain't tripping. I respect that that's

353
00:14:37,520 --> 00:14:40,400
Speaker 7: how you're supposed to. I mean, I would really just

354
00:14:40,840 --> 00:14:43,120
Speaker 7: meet because I do it all the time. Like you

355
00:14:43,160 --> 00:14:44,400
Speaker 7: know what I'm saying, I don't. I don't act like

356
00:14:44,400 --> 00:14:46,240
Speaker 7: I don't know nobody I know, but I will come

357
00:14:46,320 --> 00:14:48,720
Speaker 7: introduce myself as if you don't know who I.

358
00:14:48,720 --> 00:14:50,600
Speaker 1: Am, how do you introduce yourself as the baby? Or

359
00:14:50,600 --> 00:14:51,120
Speaker 1: do you say no?

360
00:14:51,280 --> 00:14:53,280
Speaker 4: Hell no, hell no, hell no, hell no. I ain't

361
00:14:53,320 --> 00:14:55,200
Speaker 4: ever say it, I'm the baby. I don't even save

362
00:14:55,240 --> 00:14:58,640
Speaker 4: the baby roll off my tongue right.

363
00:14:58,680 --> 00:15:00,480
Speaker 7: Well, you know what I'm saying, I say baby before that,

364
00:15:00,560 --> 00:15:03,520
Speaker 7: but like the syllables and ship like the way I talk,

365
00:15:03,600 --> 00:15:04,000
Speaker 7: that kind of.

366
00:15:04,000 --> 00:15:06,240
Speaker 1: Don't go with the way I So what are you kid?

367
00:15:07,240 --> 00:15:07,720
Speaker 1: What do you say?

368
00:15:07,840 --> 00:15:08,160
Speaker 4: Baby?

369
00:15:08,240 --> 00:15:10,360
Speaker 7: I say, baby, you know what I'm saying, I say,

370
00:15:10,440 --> 00:15:12,600
Speaker 7: bab Like you know, I definitely know how to how

371
00:15:12,640 --> 00:15:14,640
Speaker 7: to walk in the room and greet anybody, male or female,

372
00:15:14,640 --> 00:15:18,200
Speaker 7: you know what I'm saying. So yeah, depending on the room,

373
00:15:18,480 --> 00:15:20,120
Speaker 7: you know what I'm saying, the temperature in the room,

374
00:15:20,240 --> 00:15:21,720
Speaker 7: the type of people in the room. Like I can

375
00:15:21,760 --> 00:15:24,080
Speaker 7: go in the middle of the hood and talk to

376
00:15:24,160 --> 00:15:26,480
Speaker 7: niggas and fit in. I can go in the room

377
00:15:26,480 --> 00:15:28,880
Speaker 7: full of business people, you know what I'm saying, professionals

378
00:15:28,920 --> 00:15:31,120
Speaker 7: and carry myself and present myself the right way too.

379
00:15:31,880 --> 00:15:33,800
Speaker 4: Yeah, I like to think on well round it than that.

380
00:15:34,160 --> 00:15:36,160
Speaker 1: Do women have to sign any type of like contract

381
00:15:36,320 --> 00:15:36,920
Speaker 1: or n d A.

382
00:15:37,080 --> 00:15:40,240
Speaker 2: Or anything what you're talking about, like together what you

383
00:15:41,520 --> 00:15:44,760
Speaker 2: say getting with, I'm not doing getting with.

384
00:15:44,880 --> 00:15:46,440
Speaker 4: But for nowadays boy.

385
00:15:48,440 --> 00:15:50,400
Speaker 1: Sorry yeah, yeah, yeah.

386
00:15:50,360 --> 00:15:53,360
Speaker 7: Most definitely they can expect that just to kick it,

387
00:15:53,400 --> 00:15:56,400
Speaker 7: like I mean, and that's more so you know with me,

388
00:15:56,600 --> 00:15:59,520
Speaker 7: if if a motherfucker's even in my space period, like

389
00:16:00,280 --> 00:16:02,880
Speaker 7: you know, I would prefer not even preferred, that's what's

390
00:16:02,880 --> 00:16:04,560
Speaker 7: gonna have to happen, because you know, I ain't got

391
00:16:04,600 --> 00:16:05,840
Speaker 7: time to be looking over my shoulders.

392
00:16:05,840 --> 00:16:07,800
Speaker 4: I would rather just live comfortably and just vibe with

393
00:16:07,800 --> 00:16:08,920
Speaker 4: the motherfucker even.

394
00:16:08,760 --> 00:16:10,080
Speaker 7: If it's so you know, it don't got to be

395
00:16:10,760 --> 00:16:12,160
Speaker 7: even on though, you know, it don't got to be

396
00:16:12,200 --> 00:16:14,160
Speaker 7: no intimate type situation or none of that, like in

397
00:16:14,160 --> 00:16:17,040
Speaker 7: a room full of people like in twenty twenty three.

398
00:16:17,680 --> 00:16:19,720
Speaker 4: The way this ship said up nowadays is probably in

399
00:16:19,800 --> 00:16:20,720
Speaker 4: your best interesting.

400
00:16:20,800 --> 00:16:23,000
Speaker 7: Yeah, I make people sign NBA down sidne NDA's and

401
00:16:23,040 --> 00:16:25,600
Speaker 7: they probably got an ulterior motivle, you know, because they

402
00:16:25,600 --> 00:16:26,760
Speaker 7: protect both people.

403
00:16:26,720 --> 00:16:32,680
Speaker 2: Right anyway, because like, yeah, but if they got set

404
00:16:32,720 --> 00:16:35,160
Speaker 2: to you know what I mean that, Yeah, Like it's

405
00:16:35,280 --> 00:16:36,600
Speaker 2: very damn got ship.

406
00:16:36,600 --> 00:16:39,280
Speaker 4: They probably shouldn't be around your ass to lose. Keep

407
00:16:39,320 --> 00:16:39,600
Speaker 4: it real.

408
00:16:40,000 --> 00:16:42,840
Speaker 2: Probably right about that fact Dan's killing us over here.

409
00:16:42,880 --> 00:16:44,000
Speaker 2: We can wrap it up, Okay, so.

410
00:16:45,640 --> 00:16:48,840
Speaker 7: Sweet on y'all, though they ain't getting nobody else listen

411
00:16:49,040 --> 00:16:50,360
Speaker 7: nowhere as much time.

412
00:16:50,440 --> 00:16:52,560
Speaker 1: I'm gonna talk to you in a second. We got

413
00:16:52,600 --> 00:16:54,400
Speaker 1: a question, how to figure you out?

414
00:16:55,960 --> 00:16:57,200
Speaker 4: I'll figure him out, all right.

415
00:16:57,200 --> 00:16:59,480
Speaker 1: But last question, since it is the fiftieth anniversary of

416
00:16:59,520 --> 00:17:01,680
Speaker 1: hip popping in his lip service, what is the best

417
00:17:01,680 --> 00:17:02,840
Speaker 1: ever hip hop sex song?

418
00:17:04,960 --> 00:17:07,600
Speaker 4: She know I'm nasty when I pull it out and

419
00:17:07,640 --> 00:17:12,800
Speaker 4: I put it all over her as she don't. Yeah,

420
00:17:12,800 --> 00:17:16,520
Speaker 4: I won't. I can't believe. I can't believe you are

421
00:17:16,560 --> 00:17:18,679
Speaker 4: having sex with that man. And he died.

422
00:17:19,160 --> 00:17:22,320
Speaker 1: Baby, baby, babe, and baby.

423
00:17:22,080 --> 00:17:23,280
Speaker 4: So did you call the police?

424
00:17:23,800 --> 00:17:26,679
Speaker 1: I took him to the hospital, she's I took him

425
00:17:26,720 --> 00:17:28,960
Speaker 1: to the hospital. No, he died after he got after

426
00:17:28,960 --> 00:17:30,400
Speaker 1: that way. I took him to the hospital.

427
00:17:30,560 --> 00:17:32,480
Speaker 4: Yeah, he had a seizure.

428
00:17:32,920 --> 00:17:35,080
Speaker 1: He had a heart attack, So what the fuck does

429
00:17:35,080 --> 00:17:35,639
Speaker 1: that look like?

430
00:17:36,600 --> 00:17:39,560
Speaker 2: I was riding him and he threw me off of

431
00:17:39,640 --> 00:17:43,320
Speaker 2: him and grabbed his chest like, oh, my chest hurt.

432
00:17:43,480 --> 00:17:45,159
Speaker 2: And then I'm like, what's wrong with you? Take this

433
00:17:45,240 --> 00:17:47,000
Speaker 2: water and I laid it back down and then he

434
00:17:47,040 --> 00:17:48,880
Speaker 2: started shaking me like nah, I'm really in pain. Take

435
00:17:48,920 --> 00:17:50,560
Speaker 2: me to the hospital. And I took him to the hospital.

436
00:17:50,600 --> 00:17:52,199
Speaker 2: He ended up in I see you. It was a

437
00:17:52,200 --> 00:17:54,520
Speaker 2: twelve day thing of him being in the hospital and

438
00:17:54,560 --> 00:17:58,359
Speaker 2: then you know, may he rest in people, but in

439
00:17:58,600 --> 00:18:01,119
Speaker 2: a finished that wasn't completely year fut. That was a condition.

440
00:18:01,200 --> 00:18:03,240
Speaker 2: He had a hard condition that he didn't know about. Well,

441
00:18:03,440 --> 00:18:07,199
Speaker 2: rest in peace to him. His family.

442
00:18:07,440 --> 00:18:09,160
Speaker 4: Look, put the kids to bed before lip service.

443
00:18:09,200 --> 00:18:11,280
Speaker 7: Come on, That's how I got to say I'm gonna

444
00:18:11,280 --> 00:18:13,680
Speaker 7: come see we appreciate.

445
00:18:15,840 --> 00:18:18,800
Speaker 1: What's up the slip service. I'm into ye, I'm G. G. Maguire,

446
00:18:18,920 --> 00:18:22,119
Speaker 1: I'm jazz and brand and I'm Big Boss. Say hey, girls,

447
00:18:23,080 --> 00:18:24,720
Speaker 1: she is living up to it. To look at Big

448
00:18:24,760 --> 00:18:29,080
Speaker 1: buspect right here. Come on, you are so pretty. No,

449
00:18:29,280 --> 00:18:32,840
Speaker 1: you guys are pretty. You're so I gotta ask you.

450
00:18:32,920 --> 00:18:34,919
Speaker 1: Even before this music, like for you grown you were

451
00:18:34,920 --> 00:18:37,240
Speaker 1: from Saint Louis, Yeah, from all right, So what was

452
00:18:37,280 --> 00:18:38,680
Speaker 1: it like for you growing up? I know the guys

453
00:18:38,760 --> 00:18:39,600
Speaker 1: was on you.

454
00:18:39,840 --> 00:18:41,479
Speaker 2: It was it was very hard for me growing up

455
00:18:41,480 --> 00:18:46,000
Speaker 2: because I actually grew up broke. I was like, I

456
00:18:46,040 --> 00:18:47,400
Speaker 2: don't know, like I was like one of them kids

457
00:18:47,440 --> 00:18:49,959
Speaker 2: that like had everything that I needed. But like I

458
00:18:50,040 --> 00:18:51,639
Speaker 2: was like in like the basic things, you know, like

459
00:18:51,680 --> 00:18:53,399
Speaker 2: we didn't have like Jordan's and all that.

460
00:18:53,440 --> 00:18:53,840
Speaker 1: Growing up.

461
00:18:53,840 --> 00:18:57,359
Speaker 2: I was just basic, you know. I just was always pretty,

462
00:18:57,400 --> 00:19:00,000
Speaker 2: so it was like I was always cute. So it's cool, right,

463
00:19:00,760 --> 00:19:04,640
Speaker 2: And like in twenty firsteen, you know, DAYE Love song

464
00:19:04,720 --> 00:19:07,040
Speaker 2: trom Me was like going viral. Oh yeah, so I

465
00:19:07,080 --> 00:19:11,679
Speaker 2: had did like a cover to whatever, and basically I

466
00:19:11,720 --> 00:19:13,760
Speaker 2: was showing that I can sing and rap and then

467
00:19:14,640 --> 00:19:16,120
Speaker 2: I posted it in like overnight.

468
00:19:16,160 --> 00:19:16,720
Speaker 1: I went viral.

469
00:19:16,840 --> 00:19:20,080
Speaker 2: I was like, so, I was like nervous as hell

470
00:19:20,160 --> 00:19:22,200
Speaker 2: because first things first, like I was, I was in

471
00:19:22,280 --> 00:19:24,600
Speaker 2: high school. I didn't have no guidance, like I ain't

472
00:19:24,760 --> 00:19:26,960
Speaker 2: like I ain't have nobody like like knowing the game.

473
00:19:27,119 --> 00:19:29,639
Speaker 2: So I was doing everything by myself. And then like

474
00:19:29,680 --> 00:19:31,320
Speaker 2: I was like broke, so like I couldn't show like

475
00:19:31,359 --> 00:19:32,840
Speaker 2: the chains and all the letters closed.

476
00:19:32,880 --> 00:19:33,439
Speaker 1: I was just me.

477
00:19:34,160 --> 00:19:40,240
Speaker 2: So continuously over the years, I was like continuously doing covers.

478
00:19:40,480 --> 00:19:41,240
Speaker 1: I got shot.

479
00:19:41,560 --> 00:19:43,600
Speaker 2: I went back on the right path, attached myself to

480
00:19:43,640 --> 00:19:44,400
Speaker 2: this toxic man.

481
00:19:46,119 --> 00:19:48,040
Speaker 1: You got shot, I'll get yeah.

482
00:19:48,119 --> 00:19:51,200
Speaker 2: Yeah, yeah, way back in the day, y'all we're gonna

483
00:19:51,200 --> 00:19:51,639
Speaker 2: have our one on.

484
00:19:51,680 --> 00:19:52,359
Speaker 1: Want to talk about it.

485
00:19:52,400 --> 00:19:54,080
Speaker 2: I'm coming back, Okay, We're gonna do a real lip

486
00:19:54,119 --> 00:19:58,560
Speaker 2: service there. Yeah yeah, absolutely, so yeah. So attached myself

487
00:19:58,560 --> 00:20:01,000
Speaker 2: to this toxic man who did not want me dropping

488
00:20:01,040 --> 00:20:03,240
Speaker 2: music because I was like still I was being seen

489
00:20:04,000 --> 00:20:06,800
Speaker 2: and I literally had to get away from him.

490
00:20:07,320 --> 00:20:07,760
Speaker 1: Got away.

491
00:20:07,800 --> 00:20:11,959
Speaker 2: He started dropping music with my own beats, and then

492
00:20:12,040 --> 00:20:16,240
Speaker 2: thirteen label deals later, Wow, I was gonna beating where

493
00:20:16,320 --> 00:20:18,960
Speaker 2: y'all and and I'm like, y'all want me, like I'm

494
00:20:19,000 --> 00:20:23,320
Speaker 2: just this regular girl from Saint Louis. Like I was

495
00:20:23,359 --> 00:20:25,600
Speaker 2: broke and then I was doing hell. I was stelling clothes.

496
00:20:26,119 --> 00:20:29,240
Speaker 2: You have lived a life. Also worked for Amazon. I

497
00:20:29,240 --> 00:20:30,600
Speaker 2: have like sixty nine to five shot list.

498
00:20:30,720 --> 00:20:32,320
Speaker 1: She's like eighty five years old right now.

499
00:20:33,320 --> 00:20:36,200
Speaker 2: I was not really working. But but I've always had

500
00:20:36,240 --> 00:20:37,600
Speaker 2: this feeling that I was going to be big. I

501
00:20:37,600 --> 00:20:38,919
Speaker 2: did not know what I was gonna do, when I

502
00:20:38,920 --> 00:20:40,399
Speaker 2: was gonna or how I was gonna do it, but

503
00:20:40,440 --> 00:20:42,840
Speaker 2: I knew that I was meant to be rich, to

504
00:20:42,920 --> 00:20:45,400
Speaker 2: be big, to since live a black girl luxury y'all

505
00:20:45,440 --> 00:20:49,200
Speaker 2: own black girl Luxury lifestyle. Okay, I love that.

506
00:20:49,200 --> 00:20:52,320
Speaker 1: That's a bar. I'm here for that. That sound like

507
00:20:52,320 --> 00:20:54,880
Speaker 1: a whole brand. Like all right, so welcome to black

508
00:20:54,920 --> 00:21:00,600
Speaker 1: Girl Luxury Lifestyle. No, give me idea, So I have

509
00:21:00,720 --> 00:21:03,800
Speaker 1: to I have a confussion. Go ahead, I have a confession. Yeah.

510
00:21:03,880 --> 00:21:07,240
Speaker 1: So for the past week, uh huh, number one song.

511
00:21:07,640 --> 00:21:09,399
Speaker 1: As soon as I get in the car, I'm playing.

512
00:21:10,080 --> 00:21:12,119
Speaker 1: I don't need a nigga. I don't need a nigga,

513
00:21:12,480 --> 00:21:17,119
Speaker 1: I yo, because when I tell you and the everything

514
00:21:17,200 --> 00:21:19,639
Speaker 1: running back, running back and running back and play it

515
00:21:19,680 --> 00:21:22,159
Speaker 1: again and running back, like I'm obsessed. I'm here you know,

516
00:21:22,240 --> 00:21:24,320
Speaker 1: it's crazy, Like it's like my anthem right now.

517
00:21:24,359 --> 00:21:26,840
Speaker 2: Everyone always be like asking me, like where do these

518
00:21:26,840 --> 00:21:29,000
Speaker 2: songs be coming from? Like it be really stemming from

519
00:21:29,040 --> 00:21:33,680
Speaker 2: me having a toxic gas man, like literally like being

520
00:21:33,840 --> 00:21:36,960
Speaker 2: in a toxic relationship with like have you losing everything?

521
00:21:37,040 --> 00:21:39,240
Speaker 2: Like which I was ninety I was ninety eight pounds,

522
00:21:39,320 --> 00:21:41,440
Speaker 2: oh my god, and maybe one hundred pounds soaking wet

523
00:21:41,440 --> 00:21:42,760
Speaker 2: like I was little with shit I was.

524
00:21:43,080 --> 00:21:45,640
Speaker 1: I was stressed, bitch, my heart was falling out.

525
00:21:45,800 --> 00:21:48,000
Speaker 2: I did not want to do things because then he

526
00:21:48,000 --> 00:21:50,359
Speaker 2: would get mad if if I get seen from just

527
00:21:50,400 --> 00:21:52,240
Speaker 2: being me, like you know, even just that night, just

528
00:21:52,320 --> 00:21:55,159
Speaker 2: so like now then I'm finally free fmash shit, I

529
00:21:55,200 --> 00:21:56,960
Speaker 2: just talk about it because it's like that is that

530
00:21:57,080 --> 00:21:57,719
Speaker 2: is what I went through.

531
00:21:57,800 --> 00:21:59,919
Speaker 3: So for some of the people that are listening, and why,

532
00:22:00,600 --> 00:22:02,600
Speaker 3: what are some of the red flags from the signs

533
00:22:02,600 --> 00:22:05,240
Speaker 3: that maybe you're dealing with a man that's toxic and

534
00:22:05,240 --> 00:22:05,679
Speaker 3: you need.

535
00:22:05,520 --> 00:22:10,200
Speaker 1: It, you need to one hold you down, right, Okay,

536
00:22:10,240 --> 00:22:10,680
Speaker 1: so boom.

537
00:22:10,760 --> 00:22:14,680
Speaker 2: So for me, if he started making like jokes right

538
00:22:14,720 --> 00:22:16,880
Speaker 2: because it is it is a truth to every joke.

539
00:22:16,960 --> 00:22:19,040
Speaker 2: So if he make a joke like you only warrant

540
00:22:19,080 --> 00:22:20,760
Speaker 2: that because you want to be seeing a Kiki Key.

541
00:22:20,960 --> 00:22:24,160
Speaker 2: It ain't funny. It's not funny. He meant so if

542
00:22:24,160 --> 00:22:27,360
Speaker 2: he'd be like, you can't have no male friends, not

543
00:22:27,359 --> 00:22:31,200
Speaker 2: not not funny, it's not funny. If he if every

544
00:22:31,240 --> 00:22:33,199
Speaker 2: time you want to go out, he always be like,

545
00:22:33,200 --> 00:22:35,280
Speaker 2: well I had thought that we can chill today.

546
00:22:35,480 --> 00:22:38,359
Speaker 1: Not funny, Like I'm not like it.

547
00:22:38,840 --> 00:22:42,560
Speaker 2: Literally has to register, like because you might think of

548
00:22:42,600 --> 00:22:44,159
Speaker 2: it like, oh, he just really liked me. He just

549
00:22:44,200 --> 00:22:46,160
Speaker 2: really want to be up on of me. No, he

550
00:22:46,160 --> 00:22:48,360
Speaker 2: he want to keep you in the house. He want

551
00:22:48,400 --> 00:22:51,040
Speaker 2: to turn you into this princey person so he can

552
00:22:51,080 --> 00:22:53,040
Speaker 2: go chase after the woman that he didn't that he

553
00:22:53,080 --> 00:22:53,680
Speaker 2: don't want you to.

554
00:22:53,600 --> 00:22:58,000
Speaker 1: Be and then somebody else.

555
00:22:58,160 --> 00:22:59,640
Speaker 2: Yes, he was like cheat on me with so many

556
00:22:59,680 --> 00:23:02,840
Speaker 2: people at me, I heard fighting, all these people losing, y'all.

557
00:23:02,880 --> 00:23:04,720
Speaker 1: It was it was. It was so bad, like it was,

558
00:23:04,760 --> 00:23:06,720
Speaker 1: it was so bad. It was I'm so glad you found.

559
00:23:06,560 --> 00:23:09,399
Speaker 2: The like absolutely and you are shining bright and I

560
00:23:09,400 --> 00:23:11,800
Speaker 2: feel like pretty girls Walk is like a love song

561
00:23:11,880 --> 00:23:15,359
Speaker 2: to all the young ladies love you know because like

562
00:23:15,600 --> 00:23:17,920
Speaker 2: and it is it is my first crossover record. Like

563
00:23:17,920 --> 00:23:20,000
Speaker 2: I was really nervous to even drop that I got

564
00:23:20,080 --> 00:23:22,120
Speaker 2: trolled the first three months that I dropped it because

565
00:23:22,160 --> 00:23:24,200
Speaker 2: they was like, oh my god, so you dropped this

566
00:23:24,280 --> 00:23:27,479
Speaker 2: TikTok ass song, this song, corny song, trash wootroop, no

567
00:23:27,480 --> 00:23:30,240
Speaker 2: one wants to hear it. But now this is the

568
00:23:30,320 --> 00:23:32,920
Speaker 2: highest stream song out of my full catalog. Like you,

569
00:23:32,920 --> 00:23:34,879
Speaker 2: you cannot keep me away from cross Over Records, and

570
00:23:35,240 --> 00:23:37,720
Speaker 2: it is a song that just keeps on giving, right,

571
00:23:37,840 --> 00:23:40,680
Speaker 2: like I performed at the Clippers game, like I brought

572
00:23:40,720 --> 00:23:43,479
Speaker 2: out Jay like it is. It is so many things

573
00:23:43,600 --> 00:23:46,240
Speaker 2: attested to this song that has caused me to grow

574
00:23:46,400 --> 00:23:49,000
Speaker 2: and evolved as a artist. Now it's like I'm not

575
00:23:49,359 --> 00:23:52,280
Speaker 2: I don't. I don't for any any different songs anymore.

576
00:23:52,320 --> 00:23:54,119
Speaker 2: Like at first I was scared, I'm like, dang, I

577
00:23:54,119 --> 00:23:57,679
Speaker 2: already yeah, but now look at me now, you know

578
00:23:58,119 --> 00:24:00,960
Speaker 2: it's like almost a million video was on TikTok and

579
00:24:01,200 --> 00:24:03,600
Speaker 2: we didn't pass the billion of view up a billion streams,

580
00:24:03,600 --> 00:24:03,960
Speaker 2: like come.

581
00:24:03,840 --> 00:24:08,480
Speaker 1: Back, amazing, congratulations, Yeah you deserve it. And you know

582
00:24:08,720 --> 00:24:10,840
Speaker 1: Dave Love is doing music again. You might want to

583
00:24:10,880 --> 00:24:12,520
Speaker 1: try to do some early on.

584
00:24:12,720 --> 00:24:15,359
Speaker 2: Hey cousin, if you watching this stage, I want to

585
00:24:15,480 --> 00:24:18,040
Speaker 2: come on, come on see me a record I got you.

586
00:24:18,119 --> 00:24:20,040
Speaker 2: I promise she gonna send it right back. Well, I

587
00:24:20,040 --> 00:24:21,920
Speaker 2: could send you one, whichever one you want to do it.

588
00:24:22,160 --> 00:24:24,000
Speaker 1: And that's some of these bars that you. Let's ask

589
00:24:24,040 --> 00:24:26,520
Speaker 1: everybody this question. Have you ever turned the side into

590
00:24:26,520 --> 00:24:29,000
Speaker 1: the main when? No?

591
00:24:29,000 --> 00:24:31,040
Speaker 2: No, no, because my job I told you when I

592
00:24:31,040 --> 00:24:33,800
Speaker 2: was dealing with that toxic man like I had started

593
00:24:33,880 --> 00:24:36,360
Speaker 2: cheating back because after a while, either leave or get

594
00:24:36,359 --> 00:24:39,359
Speaker 2: your leak back and a yeah. Then, but it's like,

595
00:24:40,080 --> 00:24:42,800
Speaker 2: also you have to know, like if they're gonna cheat

596
00:24:42,840 --> 00:24:44,320
Speaker 2: with you, they're gonna cheat on you.

597
00:24:44,359 --> 00:24:46,280
Speaker 1: So I'm not turning to nothing. Nothing that I didn't

598
00:24:46,560 --> 00:24:47,480
Speaker 1: a bar. That's a bar.

599
00:24:48,119 --> 00:24:50,520
Speaker 2: I'm sorry because they is though, because now it's like

600
00:24:50,680 --> 00:24:52,679
Speaker 2: you cheated with me, and then like say that you

601
00:24:52,760 --> 00:24:56,000
Speaker 2: do make them your main right when they start doing

602
00:24:56,240 --> 00:24:59,080
Speaker 2: doing things with like someone else, that kind of started

603
00:24:59,160 --> 00:25:02,000
Speaker 2: y'all talking. You're gonna be like, hold on, that's kind

604
00:25:02,000 --> 00:25:02,560
Speaker 2: of how I got you.

605
00:25:03,359 --> 00:25:06,120
Speaker 1: What's going on? Back? Gonna date anybody?

606
00:25:06,240 --> 00:25:06,359
Speaker 4: Now?

607
00:25:07,040 --> 00:25:10,119
Speaker 1: I feel like now it's like, are you dating? Are

608
00:25:10,119 --> 00:25:11,040
Speaker 1: you dating anyone right now?

609
00:25:11,080 --> 00:25:11,280
Speaker 5: Hard?

610
00:25:11,480 --> 00:25:13,800
Speaker 1: I'm emotionally unavailable right now, but I don't know that's right.

611
00:25:13,840 --> 00:25:15,840
Speaker 1: But that's Okay, you take your time until you feel

612
00:25:15,840 --> 00:25:19,840
Speaker 1: like you get some healing yourself and then when the

613
00:25:20,440 --> 00:25:25,240
Speaker 1: right French. But you're unavailable so that all the way,

614
00:25:25,600 --> 00:25:25,760
Speaker 1: you know.

615
00:25:25,880 --> 00:25:31,280
Speaker 2: Oh no, I'm emotionally unavailable because my little Yeah that's something.

616
00:25:31,400 --> 00:25:38,840
Speaker 1: Oh yeah, okay, big yeah, big boss, Yeah, I love that. Yeah,

617
00:25:39,280 --> 00:25:44,560
Speaker 1: and she's smiling too. I'm glad. Well listen, big buss back.

618
00:25:44,560 --> 00:25:45,960
Speaker 1: We need a real sit down. I know we're in

619
00:25:46,040 --> 00:25:48,000
Speaker 1: here working hard and you've been all over the place,

620
00:25:48,280 --> 00:25:50,320
Speaker 1: but I'm coming. I'm coming back. Okay, I'm coming there.

621
00:25:50,400 --> 00:25:52,760
Speaker 1: We're gonna see you in New York soon. Absolutely. Okay.

622
00:25:52,920 --> 00:25:56,200
Speaker 1: You got one question before? Yes, one question? Yes, all right?

623
00:25:56,680 --> 00:25:59,480
Speaker 1: Well it is lip service. It's the fiftieth anniversary of

624
00:25:59,560 --> 00:26:01,119
Speaker 1: hip Hop is b E T Awards? What is the

625
00:26:01,200 --> 00:26:03,120
Speaker 1: best ever hip hop sex song?

626
00:26:04,480 --> 00:26:05,160
Speaker 4: Oh fuck?

627
00:26:05,560 --> 00:26:09,080
Speaker 1: Hip hop song to have sex to give any time

628
00:26:09,200 --> 00:26:12,160
Speaker 1: period weather?

629
00:26:12,760 --> 00:26:15,200
Speaker 8: Oh good?

630
00:26:15,920 --> 00:26:20,959
Speaker 1: You can do? Yeah? Y'all, y'all, y'all is like that one?

631
00:26:21,240 --> 00:26:24,560
Speaker 1: Kay call him daddy, I'm here. What is y'alls? We

632
00:26:24,720 --> 00:26:27,359
Speaker 1: had a whole even we've been doing the mall coming up.

633
00:26:27,520 --> 00:26:29,640
Speaker 1: I had to llll cool J doing it and doing

634
00:26:29,680 --> 00:26:32,080
Speaker 1: it and doing it well. But I'm like I want

635
00:26:32,080 --> 00:26:34,280
Speaker 1: to steal yours. Put it in your mind. Putting in

636
00:26:34,359 --> 00:26:36,360
Speaker 1: your off is a good one. Somebody said I need love,

637
00:26:39,440 --> 00:26:41,560
Speaker 1: I need love. Ll cool, that was a good one.

638
00:26:42,240 --> 00:26:45,760
Speaker 1: But is that sad? That's he's lonely? That ass up

639
00:26:45,800 --> 00:26:48,479
Speaker 1: and is more of a work song? Back that ass up?

640
00:26:48,520 --> 00:26:49,800
Speaker 1: I mean, oh look at back that ass up and

641
00:26:49,840 --> 00:26:52,639
Speaker 1: get at the same down time. Absolutely absolutely, and.

642
00:26:52,720 --> 00:26:52,960
Speaker 4: I had.

643
00:26:54,760 --> 00:26:58,360
Speaker 1: Yeah, I like it, like that working that. I don't

644
00:26:58,440 --> 00:27:00,639
Speaker 1: know how to act slow most all right, all right,

645
00:27:00,640 --> 00:27:04,639
Speaker 1: you know what, I love it. I'm gonna give you.

646
00:27:05,680 --> 00:27:14,680
Speaker 1: I'm gonna you from Saint Louis. I'm that mamayah as

647
00:27:15,240 --> 00:27:19,200
Speaker 1: you just say that. It's not what's popping to night.

648
00:27:19,840 --> 00:27:22,360
Speaker 1: We getting started because we gotta figure it out.

649
00:27:22,920 --> 00:27:24,600
Speaker 4: I got not.

650
00:27:26,440 --> 00:27:28,119
Speaker 1: That was just me pulling something from Saint Louis. That

651
00:27:28,200 --> 00:27:30,640
Speaker 1: was just real quick. That was just real quick. Well

652
00:27:30,720 --> 00:27:32,480
Speaker 1: big buss bet, thank you so much, and again we

653
00:27:32,600 --> 00:27:34,440
Speaker 1: look forward to the full feature lengthy.

654
00:27:34,600 --> 00:27:36,960
Speaker 2: Yes, oh wait a minute, one more, one more. We

655
00:27:37,000 --> 00:27:39,000
Speaker 2: got an EP dropper song. It's okay, you gonna come

656
00:27:39,040 --> 00:27:41,360
Speaker 2: with it, resilience. It is my first big body work,

657
00:27:41,480 --> 00:27:44,399
Speaker 2: my first ever project real song. I just shot the

658
00:27:44,480 --> 00:27:46,119
Speaker 2: video to get it, which I feel is gonna be

659
00:27:46,160 --> 00:27:46,880
Speaker 2: the biggest.

660
00:27:46,600 --> 00:27:48,639
Speaker 1: Record on my on my EP. I don't love it.

661
00:27:48,880 --> 00:27:50,640
Speaker 1: How soon soon?

662
00:27:50,760 --> 00:27:53,280
Speaker 2: Okay, we gotta get everything cleared away, you know, we

663
00:27:53,359 --> 00:27:55,200
Speaker 2: gotta sign them douaizing Pross.

664
00:27:55,560 --> 00:27:58,520
Speaker 1: You got the eyes absolutely all right? Coming yeat it?

665
00:27:58,600 --> 00:28:01,480
Speaker 1: What's it? How get it?

666
00:28:01,720 --> 00:28:04,960
Speaker 2: Giddy get I'm gonna put your wholes on gang. The

667
00:28:05,080 --> 00:28:09,159
Speaker 2: rules of this ship don't change. You gotta get it, giddy, giddy, giddy.

668
00:28:09,320 --> 00:28:11,240
Speaker 2: I'm gonna show you holds how to get it, you know.

669
00:28:12,280 --> 00:28:17,159
Speaker 1: Like, okay, already calming, you know I'm here for I

670
00:28:17,280 --> 00:28:20,280
Speaker 1: love you girls. I'm here and back. I don't really

671
00:28:20,359 --> 00:28:23,320
Speaker 1: have to have our stay down for coming go here

672
00:28:23,359 --> 00:28:27,360
Speaker 1: for you back? What's up? His slip Stavers' angela yee,

673
00:28:27,600 --> 00:28:29,879
Speaker 1: I'm g g maguire, I'm jazzing brand.

674
00:28:31,400 --> 00:28:31,560
Speaker 2: Or not.

675
00:28:32,640 --> 00:28:35,640
Speaker 1: It's your day, baby, you got first of all. Congratulations

676
00:28:35,720 --> 00:28:39,360
Speaker 1: freshman double XL cover. Yes, where were you when you

677
00:28:39,440 --> 00:28:40,800
Speaker 1: found out that you made the list?

678
00:28:41,440 --> 00:28:43,560
Speaker 4: Am? I bid? Okay?

679
00:28:44,840 --> 00:28:46,160
Speaker 1: Who do you tell? Who do you tell? First?

680
00:28:46,920 --> 00:28:50,080
Speaker 4: I told everybody, bro, I told the whole hood. People

681
00:28:50,560 --> 00:28:53,920
Speaker 4: tell nobody you told the ship? Then?

682
00:28:54,040 --> 00:28:56,880
Speaker 1: Already too late, they already know I told him.

683
00:28:57,320 --> 00:28:59,040
Speaker 4: I told him, I'm like, bro, I told everybody that

684
00:28:59,280 --> 00:29:00,600
Speaker 4: they're like bro, don't nobody else?

685
00:29:01,840 --> 00:29:03,160
Speaker 1: Oh you gotta do tell one person?

686
00:29:03,240 --> 00:29:03,600
Speaker 4: And that's.

687
00:29:05,480 --> 00:29:09,240
Speaker 2: Yeah, good news like that travel fast Absolutely, congrat London.

688
00:29:09,320 --> 00:29:11,160
Speaker 2: How long are you supposed to keep it a secret.

689
00:29:11,360 --> 00:29:12,720
Speaker 1: Until the the like?

690
00:29:13,440 --> 00:29:19,520
Speaker 4: But wow, I have everybody got to know this.

691
00:29:20,360 --> 00:29:22,959
Speaker 1: And then you got nominated for a hip Hop Award

692
00:29:23,000 --> 00:29:23,400
Speaker 1: from BT.

693
00:29:24,000 --> 00:29:25,360
Speaker 4: Yeah, best Video, the.

694
00:29:25,560 --> 00:29:27,880
Speaker 1: Best Video of the Year. So congratulations on that, you know,

695
00:29:28,120 --> 00:29:32,600
Speaker 1: and you have Vulture Weekend Yeah in New Orleans. Yeah,

696
00:29:32,960 --> 00:29:34,640
Speaker 1: so tell me about that because that just happened.

697
00:29:34,760 --> 00:29:38,320
Speaker 4: Yeah, that happened last week. I had me Gi Herbal

698
00:29:39,920 --> 00:29:46,480
Speaker 4: no Wick. It was Sleazy World, go Rody Rebel. I

699
00:29:46,600 --> 00:29:49,520
Speaker 4: had a lot of people had Wow.

700
00:29:49,960 --> 00:29:52,400
Speaker 1: People came out and supplored it. That's beautiful. Yeah, So

701
00:29:52,600 --> 00:29:54,400
Speaker 1: what made you even decide to start doing that? That

702
00:29:54,560 --> 00:29:57,120
Speaker 1: was the second year? Okay, what made you even decide that?

703
00:29:57,400 --> 00:29:59,560
Speaker 4: New Orleans ain't really got no instructure like that? You

704
00:29:59,600 --> 00:30:02,000
Speaker 4: know what I'm say saying, like, ain't nobody. Ain't nobody

705
00:30:02,080 --> 00:30:04,360
Speaker 4: pushing for music out there, So I'm just trying to

706
00:30:04,360 --> 00:30:06,200
Speaker 4: be like one of the people that push for the music.

707
00:30:07,600 --> 00:30:10,120
Speaker 1: And essence music festival. Is they're coming up to you,

708
00:30:11,120 --> 00:30:13,400
Speaker 1: I think, so, yeah, I gotta go.

709
00:30:13,520 --> 00:30:13,600
Speaker 4: Bro.

710
00:30:13,720 --> 00:30:16,160
Speaker 1: I've been like every year for the past like fifteen years, right,

711
00:30:16,320 --> 00:30:21,240
Speaker 1: you like I love New Orleans well, you know in

712
00:30:21,360 --> 00:30:25,240
Speaker 1: the touristy parts. Yeah, I'm in the ninth ward, the

713
00:30:25,320 --> 00:30:26,120
Speaker 1: fourth ward.

714
00:30:26,320 --> 00:30:28,800
Speaker 4: Stop stop it.

715
00:30:32,040 --> 00:30:34,040
Speaker 1: We like, we like to eat and one not my business.

716
00:30:34,080 --> 00:30:34,600
Speaker 4: I like to eat.

717
00:30:34,880 --> 00:30:37,200
Speaker 1: But what's the one we went to? God, Like, what's

718
00:30:37,200 --> 00:30:39,080
Speaker 1: the one we went to and they shut the room

719
00:30:39,120 --> 00:30:41,960
Speaker 1: for us? We do go to my roads. We go

720
00:30:42,040 --> 00:30:45,880
Speaker 1: to Oceana's you know, I know, I know it's I'm

721
00:30:45,920 --> 00:30:49,880
Speaker 1: a tourist. You go to Dragos is crazy? I like,

722
00:30:50,720 --> 00:30:54,360
Speaker 1: I like, what's your favorite place and go to the barbecue?

723
00:30:54,760 --> 00:30:58,200
Speaker 4: Like my favorite place in the water probably probably is,

724
00:30:58,280 --> 00:31:01,160
Speaker 4: Like yeah, I love it was really good like that.

725
00:31:01,960 --> 00:31:03,600
Speaker 1: Larry was part of your whole weekend.

726
00:31:03,680 --> 00:31:04,840
Speaker 4: Also, yeah, it's my brother.

727
00:31:05,200 --> 00:31:05,360
Speaker 5: Yea.

728
00:31:06,400 --> 00:31:08,880
Speaker 1: So let's just talk about, like with all these things

729
00:31:08,920 --> 00:31:11,640
Speaker 1: that have been happening for you. I feel like, and

730
00:31:11,760 --> 00:31:14,920
Speaker 1: you have, how long have you been even doing music?

731
00:31:15,720 --> 00:31:17,360
Speaker 4: Probably three years that's not long.

732
00:31:17,680 --> 00:31:20,760
Speaker 1: And all the success at three years probably three Yeah,

733
00:31:21,200 --> 00:31:23,400
Speaker 1: that's dope. Don't I feel amazing because I mean three

734
00:31:23,480 --> 00:31:25,400
Speaker 1: years could feel like a long time when you you know,

735
00:31:25,520 --> 00:31:28,240
Speaker 1: but you've had success like early on, and then it's

736
00:31:28,280 --> 00:31:29,520
Speaker 1: just been growing and growing from the.

737
00:31:29,960 --> 00:31:34,440
Speaker 4: Yeah, I don't really feel like that long. Like it

738
00:31:34,520 --> 00:31:35,960
Speaker 4: really feel like I've been in this ship for like

739
00:31:36,120 --> 00:31:39,840
Speaker 4: ten years. You know, this time going about slow. I

740
00:31:39,880 --> 00:31:43,360
Speaker 4: start rapping in COVID, so it's times going about so slowly.

741
00:31:44,720 --> 00:31:48,320
Speaker 4: I'm looky, look, you like this ship for real? What

742
00:31:48,440 --> 00:31:50,280
Speaker 4: did you do? I like it like that, But I'm saying, like,

743
00:31:50,640 --> 00:31:51,480
Speaker 4: you know, you get.

744
00:31:51,400 --> 00:31:54,120
Speaker 1: Tired of that shit already, get tired already and gets

745
00:31:54,120 --> 00:31:54,880
Speaker 1: tired of it already.

746
00:31:54,960 --> 00:31:56,600
Speaker 4: Listen, I didn't want to be a rapper growing up.

747
00:31:56,840 --> 00:31:57,480
Speaker 1: What do you want to be?

748
00:31:59,120 --> 00:31:59,480
Speaker 4: Wanted to do?

749
00:31:59,600 --> 00:32:01,920
Speaker 1: Like y'all trying to be a nerse but and you

750
00:32:02,000 --> 00:32:02,840
Speaker 1: went to the National Guard.

751
00:32:02,960 --> 00:32:05,400
Speaker 4: Yeah, I want to bill houses doing like I want.

752
00:32:05,240 --> 00:32:08,720
Speaker 2: To do the construction architecture or just and you can

753
00:32:08,760 --> 00:32:11,000
Speaker 2: still do that because the money that you make from this.

754
00:32:12,480 --> 00:32:12,719
Speaker 4: You can.

755
00:32:14,640 --> 00:32:16,160
Speaker 1: Yeah, I like that. Where are you gonna Where do

756
00:32:16,160 --> 00:32:16,960
Speaker 1: you want to do it? You want to do that

757
00:32:17,000 --> 00:32:17,480
Speaker 1: in Orleans?

758
00:32:17,720 --> 00:32:19,080
Speaker 4: Yeah? I want I really want to do it all

759
00:32:19,120 --> 00:32:19,640
Speaker 4: over the world.

760
00:32:19,680 --> 00:32:23,360
Speaker 1: It's given big development deals. I see it go ahead

761
00:32:23,680 --> 00:32:28,000
Speaker 1: international do not corrupt ship. Okay, that's always in the movies.

762
00:32:28,040 --> 00:32:30,520
Speaker 1: They'd be like, oh, yeah, the developer was corrupt.

763
00:32:32,040 --> 00:32:32,080
Speaker 4: You.

764
00:32:33,720 --> 00:32:35,560
Speaker 1: I was just watching when that was about that. That's

765
00:32:35,560 --> 00:32:39,720
Speaker 1: why I said it all right, So, like you said,

766
00:32:39,920 --> 00:32:41,920
Speaker 1: this wasn't what you anticipated that you would be doing,

767
00:32:42,000 --> 00:32:44,160
Speaker 1: but then it just really took off. That's crazy because

768
00:32:44,160 --> 00:32:46,000
Speaker 1: so many people work so hard to get to like

769
00:32:46,240 --> 00:32:48,280
Speaker 1: even a fraction of where you are right now and

770
00:32:48,440 --> 00:32:49,840
Speaker 1: never make it and never make it.

771
00:32:50,040 --> 00:32:55,440
Speaker 4: No fact, though I'm sorry to hear about that, I

772
00:32:55,520 --> 00:32:58,160
Speaker 4: pray keep going. Like because they only take one song, bro,

773
00:32:58,480 --> 00:33:00,240
Speaker 4: big beehind of song when I'm gonna be that one.

774
00:33:01,480 --> 00:33:04,200
Speaker 1: That's motivation. And I think social media has helped that

775
00:33:04,320 --> 00:33:06,840
Speaker 1: so much too, because people are really like paying attention

776
00:33:06,960 --> 00:33:09,760
Speaker 1: to you off of that from the beginning. Fact, why

777
00:33:09,760 --> 00:33:12,240
Speaker 1: did you decide to sign a deal so quick? Because

778
00:33:12,240 --> 00:33:13,760
Speaker 1: sometimes people are like, I want to be independent?

779
00:33:15,240 --> 00:33:17,520
Speaker 4: Really, why I just signed to sign the deal just because, like,

780
00:33:18,520 --> 00:33:20,520
Speaker 4: at the time, we was getting evicted, if you want

781
00:33:20,520 --> 00:33:23,720
Speaker 4: to be real, it was getting evicted, So I just

782
00:33:23,800 --> 00:33:26,280
Speaker 4: needed some money at the time. What I was signing

783
00:33:26,400 --> 00:33:27,960
Speaker 4: for don't wind up giving me that bag.

784
00:33:28,120 --> 00:33:30,040
Speaker 2: But I don't really care it could have went left,

785
00:33:30,040 --> 00:33:33,560
Speaker 2: but it could have went eviction where it's not happening.

786
00:33:33,720 --> 00:33:37,360
Speaker 4: Not for sure, though we had we had really got evicted.

787
00:33:37,400 --> 00:33:39,840
Speaker 4: We moved stuff and we were moving back to the project.

788
00:33:40,520 --> 00:33:42,720
Speaker 4: I was already lit in my city. I told my mama, like,

789
00:33:42,880 --> 00:33:45,120
Speaker 4: if we moved back home to get killed, we put

790
00:33:45,120 --> 00:33:46,560
Speaker 4: all our stuff back in the truck right then. And

791
00:33:46,680 --> 00:33:53,760
Speaker 4: I swear she right there, She'll tell you he's the truck.

792
00:33:54,200 --> 00:33:57,440
Speaker 4: The truck. When we had moved we got Yeah, I

793
00:33:57,480 --> 00:33:59,280
Speaker 4: ain'tybody telling you know what I'm saying.

794
00:33:59,520 --> 00:34:01,560
Speaker 1: Do you let your mama's beautiful? First of all? Do

795
00:34:01,640 --> 00:34:06,280
Speaker 1: you let your mom meet the ladies that you date? Yeah, okay,

796
00:34:06,280 --> 00:34:08,440
Speaker 1: they got it. They got to pass a certain level first. Yeah,

797
00:34:08,440 --> 00:34:12,480
Speaker 1: how long girlfriend? And how long did it take for

798
00:34:12,600 --> 00:34:15,640
Speaker 1: you it takes before you introduce her to your mother?

799
00:34:17,760 --> 00:34:18,200
Speaker 4: I don't know.

800
00:34:18,800 --> 00:34:20,600
Speaker 9: I was staying with my mom. So it's hard to

801
00:34:21,280 --> 00:34:26,000
Speaker 9: have somebody sneak my mama quick like like her right away.

802
00:34:26,000 --> 00:34:28,719
Speaker 9: Because some people's mama in love with this girl, she

803
00:34:28,840 --> 00:34:30,040
Speaker 9: probably rather have her exist.

804
00:34:31,120 --> 00:34:32,279
Speaker 1: Is that how you knew she was the one?

805
00:34:33,239 --> 00:34:35,560
Speaker 4: I knew she was the one because she's just sweet

806
00:34:35,600 --> 00:34:36,080
Speaker 4: as fuck.

807
00:34:38,440 --> 00:34:39,320
Speaker 1: She was with you before.

808
00:34:39,680 --> 00:34:42,920
Speaker 4: Yeah, that's fun. Yeah, so it's fun and like a

809
00:34:43,040 --> 00:34:45,400
Speaker 4: motherfucker around me. I feel like she's trying to get

810
00:34:45,440 --> 00:34:47,600
Speaker 4: something from me, even if she wants something, at least

811
00:34:47,600 --> 00:34:48,800
Speaker 4: you you wanted something before.

812
00:34:49,520 --> 00:34:52,600
Speaker 1: She deserve it. But how does the relationship change them

813
00:34:52,640 --> 00:34:54,359
Speaker 1: from where you were then to where you are now?

814
00:34:54,440 --> 00:34:57,279
Speaker 1: Because clearly you're moving around a lot more. It has

815
00:34:57,320 --> 00:34:58,680
Speaker 1: to be a little bit harder for her too.

816
00:35:00,160 --> 00:35:01,680
Speaker 4: You know. It's funny, Like I told her, she's so

817
00:35:01,840 --> 00:35:04,399
Speaker 4: sweet and strong, like she don't even make that ship knowing,

818
00:35:04,560 --> 00:35:06,600
Speaker 4: like I know she's gonna do it, but she ain't

819
00:35:06,640 --> 00:35:07,440
Speaker 4: never telling me about it.

820
00:35:07,880 --> 00:35:11,759
Speaker 1: And from New Orleans, Oh nice, Okay, I.

821
00:35:11,880 --> 00:35:13,680
Speaker 4: Love that about treehouse.

822
00:35:15,120 --> 00:35:17,320
Speaker 1: Yeah I've been. I've actually had some parties a treehouse.

823
00:35:17,520 --> 00:35:19,960
Speaker 4: Her pops, her pops like one of the owners in that.

824
00:35:20,360 --> 00:35:26,400
Speaker 1: Okay, So y'all lit in the city. Okay, power couple.

825
00:35:27,320 --> 00:35:29,600
Speaker 1: We love that. And then what are some more aspirations

826
00:35:29,600 --> 00:35:31,560
Speaker 1: that you have? Like you said we talked about developing

827
00:35:32,640 --> 00:35:34,080
Speaker 1: with the money that because it seems like you have

828
00:35:34,160 --> 00:35:37,680
Speaker 1: a business mind too. Just from these conversations, I got.

829
00:35:37,600 --> 00:35:41,000
Speaker 4: A cologne and a fragrance about to come out with. Yeah,

830
00:35:41,920 --> 00:35:44,520
Speaker 4: I want to do some metal. What's it called medal?

831
00:35:44,960 --> 00:35:45,200
Speaker 1: Medal?

832
00:35:45,360 --> 00:35:46,160
Speaker 4: Yeah? Me and king?

833
00:35:46,760 --> 00:35:49,120
Speaker 1: Okay me? What is that you wearing it.

834
00:35:50,880 --> 00:35:53,160
Speaker 4: Right now? Damn, my daddy gonna be on my ass

835
00:35:53,239 --> 00:35:55,320
Speaker 4: about that cause he really be telling me that.

836
00:35:55,400 --> 00:35:57,080
Speaker 1: I mean, I'm mean to get you in trouble. Yeah,

837
00:35:57,520 --> 00:35:59,719
Speaker 1: I'm gonna get you.

838
00:36:00,200 --> 00:36:02,040
Speaker 4: It is it.

839
00:36:04,840 --> 00:36:05,320
Speaker 1: All gender?

840
00:36:05,480 --> 00:36:08,360
Speaker 4: Yeah? I got, I got, I got colna, and I

841
00:36:08,440 --> 00:36:09,759
Speaker 4: got perfumed.

842
00:36:10,040 --> 00:36:11,280
Speaker 1: Are you always big on cologne?

843
00:36:12,239 --> 00:36:14,319
Speaker 4: My daddy and my daddy went to jail. He left

844
00:36:14,360 --> 00:36:16,279
Speaker 4: a big old box of it, like a big old

845
00:36:16,480 --> 00:36:18,200
Speaker 4: chest of it. So I used to just be spraaying.

846
00:36:18,480 --> 00:36:19,640
Speaker 4: I ain't really go funk about it.

847
00:36:19,680 --> 00:36:22,839
Speaker 1: I just wanted to use it because it's just don't

848
00:36:22,840 --> 00:36:23,760
Speaker 1: over do it with the colonne.

849
00:36:23,800 --> 00:36:29,040
Speaker 4: You know how biggas be getting musted out that cologne.

850
00:36:29,120 --> 00:36:29,279
Speaker 8: Man.

851
00:36:30,360 --> 00:36:32,440
Speaker 1: Well, Rob Fornine, thank you so much for coming through.

852
00:36:32,680 --> 00:36:35,759
Speaker 1: And you know, and I saw you here last year. Also, yes,

853
00:36:35,840 --> 00:36:37,879
Speaker 1: we said when you last year, we appreciate that big

854
00:36:37,960 --> 00:36:40,920
Speaker 1: things happening. So congratulations on everything and all of your

855
00:36:40,960 --> 00:36:43,360
Speaker 1: success and it's still going up. So thank you for

856
00:36:44,560 --> 00:36:46,719
Speaker 1: our number one question, but the number one question that

857
00:36:46,760 --> 00:36:49,600
Speaker 1: we've been asking everybody because it is uh lip service

858
00:36:49,640 --> 00:36:52,040
Speaker 1: and it is the Beauty hip Hop Awards fiftieth anniversary

859
00:36:52,120 --> 00:36:54,960
Speaker 1: or hip Hop Okay, what is you think the best

860
00:36:55,000 --> 00:36:58,680
Speaker 1: ever hip hop sex song? Ever hip hop song? And

861
00:36:58,800 --> 00:36:59,399
Speaker 1: have sex too?

862
00:37:01,040 --> 00:37:04,560
Speaker 4: Damn? Let me think I'm gonna get out a good

863
00:37:04,560 --> 00:37:12,040
Speaker 4: one too. Yeah, I can't think of that. What's your theory?

864
00:37:14,600 --> 00:37:16,080
Speaker 4: I just want to know the direction I'm going.

865
00:37:16,560 --> 00:37:18,160
Speaker 2: I got a lot in New Orleans to you know what,

866
00:37:18,239 --> 00:37:20,239
Speaker 2: We've been asking this question all day and that you

867
00:37:20,360 --> 00:37:21,320
Speaker 2: have the answer.

868
00:37:21,520 --> 00:37:22,719
Speaker 1: Yeah, I haven't even thought about it.

869
00:37:23,280 --> 00:37:28,680
Speaker 3: The thing they had the answer, I have one, you're

870
00:37:28,800 --> 00:37:31,960
Speaker 3: all that's not a sex song, but metha man is

871
00:37:32,000 --> 00:37:32,279
Speaker 3: on air.

872
00:37:35,280 --> 00:37:39,560
Speaker 4: We're gonna do that. It's probably it's summertime, summertime, will Smith,

873
00:37:40,200 --> 00:37:43,799
Speaker 4: Hell no, summertime?

874
00:37:44,600 --> 00:37:47,160
Speaker 1: Hell no, no, what's summertime? What's the summertime?

875
00:37:47,280 --> 00:37:48,800
Speaker 4: Summertime? Will be jay Z.

876
00:37:52,120 --> 00:37:52,759
Speaker 1: That's a good one.

877
00:37:52,840 --> 00:37:53,600
Speaker 4: That's one.

878
00:37:54,320 --> 00:38:01,839
Speaker 2: Remember those surfboard surfboard? Okay, all right, I'm gonna go back.

879
00:38:02,280 --> 00:38:05,000
Speaker 2: Let me redo that one. All right, right, FORTNIGHTE, thank

880
00:38:05,040 --> 00:38:05,440
Speaker 2: you so much?

881
00:38:08,120 --> 00:38:10,960
Speaker 1: What's up? And slip service man? Yeah, I'm d G. Maguire,

882
00:38:11,000 --> 00:38:18,319
Speaker 1: I'm Jazzmine Brand, I'm cash Do. I'm not the same,

883
00:38:18,400 --> 00:38:21,440
Speaker 1: but it's given me. I said, are you coming on

884
00:38:21,520 --> 00:38:21,840
Speaker 1: here with me?

885
00:38:22,120 --> 00:38:22,319
Speaker 7: Yes?

886
00:38:22,480 --> 00:38:26,719
Speaker 2: Where's the baby? That's over everybody? Right, everybody, everybody, nobody cares,

887
00:38:27,520 --> 00:38:28,040
Speaker 2: don't care.

888
00:38:28,000 --> 00:38:29,600
Speaker 1: About you no more when you have that baby. Yeah,

889
00:38:29,760 --> 00:38:32,400
Speaker 1: and with him, so I don't be caring because he

890
00:38:32,480 --> 00:38:40,719
Speaker 1: at home. Yeah, y'all wouldn't want to be here if

891
00:38:40,760 --> 00:38:44,120
Speaker 1: he was here. How spoiled is he? Like, is it

892
00:38:44,239 --> 00:38:46,960
Speaker 1: hard for y'all to you know, even do any type

893
00:38:46,960 --> 00:38:50,880
Speaker 1: of discipline. He's a just got a lot of energy,

894
00:38:52,040 --> 00:38:52,400
Speaker 1: you know what.

895
00:38:52,520 --> 00:38:56,520
Speaker 10: He's a good spoiled. Yeah, he's a good spoil because

896
00:38:58,120 --> 00:39:02,240
Speaker 10: y'all is bad because us. Once he started crying, I'm sorry,

897
00:39:02,680 --> 00:39:03,800
Speaker 10: schnook from.

898
00:39:03,719 --> 00:39:08,520
Speaker 1: Mirror, but know that ye'd be working a game. He worked,

899
00:39:08,560 --> 00:39:13,600
Speaker 1: He gained me. He manipulating, Yeah, he do. I love it.

900
00:39:14,560 --> 00:39:17,360
Speaker 1: They both be gaming me. They be tag teamy. But

901
00:39:17,480 --> 00:39:22,120
Speaker 1: I be worried. I'll be just falling for it. I'll

902
00:39:22,160 --> 00:39:25,160
Speaker 1: be falling for Like I said, cash, I tell you

903
00:39:25,239 --> 00:39:27,120
Speaker 1: it's trending the other day and I was like, why

904
00:39:27,239 --> 00:39:29,560
Speaker 1: is cashing? But it was a good trend.

905
00:39:29,800 --> 00:39:30,200
Speaker 4: What it was?

906
00:39:30,719 --> 00:39:31,680
Speaker 1: It was about your hair?

907
00:39:32,239 --> 00:39:36,320
Speaker 2: Oh, I tell you Maybe I said that to my

908
00:39:36,400 --> 00:39:38,759
Speaker 2: stiloge I said that to my stylus, like put this

909
00:39:38,840 --> 00:39:40,680
Speaker 2: on the list, okay, because we're gonna have to to

910
00:39:40,719 --> 00:39:40,960
Speaker 2: run this.

911
00:39:41,480 --> 00:39:42,120
Speaker 1: Yeah, you know what.

912
00:39:42,360 --> 00:39:43,960
Speaker 10: I just get in a chair now and I just

913
00:39:44,040 --> 00:39:46,640
Speaker 10: be like I want to feel like this. Yeah, and

914
00:39:46,760 --> 00:39:49,000
Speaker 10: Daisy to just get the cut, like can I cut it?

915
00:39:49,239 --> 00:39:50,960
Speaker 10: I'm like, yeah, go ahead, I don't care. And then

916
00:39:51,000 --> 00:39:52,120
Speaker 10: I sometimes I just bring her hair.

917
00:39:52,040 --> 00:39:56,960
Speaker 1: And do whatever you want to do. She did different.

918
00:39:56,960 --> 00:40:00,800
Speaker 1: When I'm in the house, I kind of act a

919
00:40:00,840 --> 00:40:05,279
Speaker 1: little stuck up, you know, But then you know what

920
00:40:05,360 --> 00:40:07,080
Speaker 1: that means for you. You get the mess out, you

921
00:40:07,160 --> 00:40:09,040
Speaker 1: have sex when your hair is done, and you gotta

922
00:40:09,120 --> 00:40:10,560
Speaker 1: go out get it done tomorrow.

923
00:40:12,120 --> 00:40:15,040
Speaker 10: That's real inconsiderate. Yeah, see, because you know, I think

924
00:40:15,080 --> 00:40:16,600
Speaker 10: he'd be hating on because I'll be looking.

925
00:40:16,480 --> 00:40:20,560
Speaker 1: Too good to mess that thing up for you. Like,

926
00:40:20,680 --> 00:40:23,200
Speaker 1: come on, man, you know a little bet be moving,

927
00:40:23,760 --> 00:40:26,200
Speaker 1: don't mess my hair up. Yeah, that's how you got

928
00:40:26,280 --> 00:40:31,880
Speaker 1: to get on top, right, Okay, what for real? You

929
00:40:33,120 --> 00:40:37,479
Speaker 1: hold the hair like, yeah, hold it up, because guys

930
00:40:37,600 --> 00:40:39,640
Speaker 1: know they know you got your makeup done, your hair done,

931
00:40:39,680 --> 00:40:41,440
Speaker 1: they know they're about to mess all of that up,

932
00:40:41,440 --> 00:40:43,560
Speaker 1: and they don't care. They have so disrespectful and you

933
00:40:43,640 --> 00:40:45,839
Speaker 1: have come on you see I gotta go out. Yeah,

934
00:40:46,280 --> 00:40:48,160
Speaker 1: but you know what, I don't even know all that

935
00:40:48,440 --> 00:40:51,320
Speaker 1: that much. But if you have to work, yeah you

936
00:40:51,440 --> 00:40:55,320
Speaker 1: know you have any I'll be like you I'll be

937
00:40:55,440 --> 00:40:56,600
Speaker 1: with cash. Yeah.

938
00:40:57,160 --> 00:41:01,279
Speaker 10: It's like but when I'm outside, I'm high. Okay, so

939
00:41:01,480 --> 00:41:04,960
Speaker 10: it's like a big hard outside. But when I'm inside,

940
00:41:06,760 --> 00:41:08,160
Speaker 10: all you cannot get me.

941
00:41:08,719 --> 00:41:10,560
Speaker 1: I'll be like, I'll leave the house and be ready

942
00:41:10,560 --> 00:41:11,879
Speaker 1: to get back. I'll be ready to get your cash.

943
00:41:12,560 --> 00:41:15,120
Speaker 10: I love being a mom, like I love that, like

944
00:41:15,360 --> 00:41:17,760
Speaker 10: being away from him that long, Like I be feeling

945
00:41:17,840 --> 00:41:19,279
Speaker 10: like I'm not doing the right things.

946
00:41:19,360 --> 00:41:22,160
Speaker 1: What's so long has you been away from him? Like

947
00:41:22,239 --> 00:41:27,080
Speaker 1: two weeks before eight months? I was crying that's when

948
00:41:27,120 --> 00:41:31,040
Speaker 1: you was filming. Yeah, I was crying, like what my

949
00:41:31,120 --> 00:41:31,799
Speaker 1: baby doing?

950
00:41:32,920 --> 00:41:35,800
Speaker 2: She would call you every five minutes, but see you

951
00:41:35,880 --> 00:41:40,239
Speaker 2: no more with my baby sometimes sometimes make her get

952
00:41:40,239 --> 00:41:41,000
Speaker 2: a little jealous.

953
00:41:41,440 --> 00:41:47,600
Speaker 11: Okay, what it is jealous? You know the attention now

954
00:41:47,680 --> 00:41:50,279
Speaker 11: I don't get. I don't get I have him too,

955
00:41:50,320 --> 00:41:51,719
Speaker 11: and all my attention be on him to you know.

956
00:41:51,680 --> 00:41:52,120
Speaker 1: What I'm saying.

957
00:41:52,200 --> 00:41:55,440
Speaker 2: So it'll be like looking like get my mind. It

958
00:41:57,600 --> 00:41:59,360
Speaker 2: does a baby still sleeping the baby jealous.

959
00:42:00,440 --> 00:42:01,960
Speaker 1: Yeah, because of me.

960
00:42:02,840 --> 00:42:03,480
Speaker 4: It's my fault.

961
00:42:03,680 --> 00:42:04,560
Speaker 1: Okay, yeah, he.

962
00:42:04,640 --> 00:42:07,080
Speaker 10: Do that because I will put him in his bed

963
00:42:07,120 --> 00:42:09,200
Speaker 10: because he gotta be a little independent, because I need

964
00:42:09,320 --> 00:42:11,000
Speaker 10: my little I gotta throw my legs over.

965
00:42:11,040 --> 00:42:13,120
Speaker 1: I gotta I gotta be a bit, I gotta be

966
00:42:13,239 --> 00:42:15,040
Speaker 1: do what I want to do. When Cash and there,

967
00:42:15,080 --> 00:42:15,600
Speaker 1: you can't do that.

968
00:42:15,840 --> 00:42:17,319
Speaker 4: So his bed.

969
00:42:17,440 --> 00:42:21,000
Speaker 10: I had him good, so good, and then he he

970
00:42:21,160 --> 00:42:24,360
Speaker 10: came bringing him in the room sleeping and now he

971
00:42:24,560 --> 00:42:25,880
Speaker 10: just needs he has to sleep with us.

972
00:42:25,920 --> 00:42:27,120
Speaker 1: He would just sleep with us before we got in

973
00:42:27,160 --> 00:42:30,880
Speaker 1: my flight this morning. That's sweet. Else we love it

974
00:42:31,360 --> 00:42:34,440
Speaker 1: and right, and let's talk about that because let'sten. We're

975
00:42:34,520 --> 00:42:35,800
Speaker 1: not stopping though with the music.

976
00:42:36,760 --> 00:42:41,120
Speaker 10: I'm not gonna ever stop keep coming and so till

977
00:42:41,160 --> 00:42:44,080
Speaker 10: I'm a billionaire, not stopping and until I'm done, and

978
00:42:44,160 --> 00:42:45,759
Speaker 10: I don't have fun with him, you feel I want

979
00:42:45,760 --> 00:42:48,239
Speaker 10: to keep on dropping. I'm gonna keep on, continue to

980
00:42:48,360 --> 00:42:50,040
Speaker 10: hustle and create.

981
00:42:50,200 --> 00:42:51,120
Speaker 4: Man. Acting.

982
00:42:51,360 --> 00:42:52,520
Speaker 1: I love the acting too.

983
00:42:52,560 --> 00:42:52,719
Speaker 4: For you.

984
00:42:52,840 --> 00:42:55,080
Speaker 1: You know, I always said Cash down can act. And

985
00:42:55,200 --> 00:42:57,080
Speaker 1: then when you said, because people are starting like when

986
00:42:57,120 --> 00:42:59,600
Speaker 1: it acts like that's your first role ever. And I've

987
00:42:59,640 --> 00:43:01,600
Speaker 1: been in a lot of stuff, you know, you know

988
00:43:01,680 --> 00:43:03,480
Speaker 1: the D, right, so you know what I'll be doing

989
00:43:03,560 --> 00:43:03,800
Speaker 1: in the D.

990
00:43:03,960 --> 00:43:04,640
Speaker 12: You know what I'm.

991
00:43:06,600 --> 00:43:10,640
Speaker 1: Dan, But I'm gonna keep on creating.

992
00:43:10,880 --> 00:43:12,800
Speaker 10: It don't matter what it is. I never just wanted

993
00:43:12,840 --> 00:43:14,440
Speaker 10: to be a rapper. I never just wanted to be

994
00:43:14,520 --> 00:43:17,440
Speaker 10: an actress. I never just wanted to just do one thing.

995
00:43:17,520 --> 00:43:18,640
Speaker 10: I just like entertainment.

996
00:43:19,200 --> 00:43:20,440
Speaker 1: Chase you from Are you from Virginia?

997
00:43:21,360 --> 00:43:22,120
Speaker 4: No, I'm from Atlanta.

998
00:43:22,200 --> 00:43:29,240
Speaker 1: Are you from Atlanta? And somebody it's like, I'm in Virginia.

999
00:43:29,680 --> 00:43:32,400
Speaker 1: I can't remember, maybe because it be billionaire he's from Virginia.

1000
00:43:32,480 --> 00:43:33,480
Speaker 1: Be being there from Virginia.

1001
00:43:33,600 --> 00:43:36,000
Speaker 4: Yeah, yeah, that's my boy?

1002
00:43:36,239 --> 00:43:38,160
Speaker 1: All right? Yeah? So what about what's going on with

1003
00:43:38,280 --> 00:43:38,680
Speaker 1: music with you?

1004
00:43:39,280 --> 00:43:39,520
Speaker 13: Rapper?

1005
00:43:39,520 --> 00:43:42,279
Speaker 14: And I just dropped the Crossworld remained a couple of

1006
00:43:42,320 --> 00:43:47,319
Speaker 14: days ago, dropped the project Qua produced by Quay. Yeah, yeah,

1007
00:43:47,360 --> 00:43:49,080
Speaker 14: he did the whole project. We did about like what

1008
00:43:49,280 --> 00:43:51,879
Speaker 14: a month two months ago? Got a not already read

1009
00:43:51,920 --> 00:43:54,200
Speaker 14: I'm just dropping fire your music everything.

1010
00:43:55,200 --> 00:43:57,120
Speaker 1: How are y'all competitive with each other at all?

1011
00:43:57,840 --> 00:43:59,239
Speaker 4: Now? We motivate each other.

1012
00:43:59,360 --> 00:44:01,439
Speaker 3: Do y'all listen to each other each other stuff before

1013
00:44:01,480 --> 00:44:06,280
Speaker 3: you release it? Or for sure everything for sure to approval?

1014
00:44:06,440 --> 00:44:10,719
Speaker 1: They what you're saying, Yeah, it's fun.

1015
00:44:10,960 --> 00:44:13,960
Speaker 10: It's fun just being with another creator, you know what

1016
00:44:13,960 --> 00:44:15,320
Speaker 10: I'm saying, and just seeing his process.

1017
00:44:15,400 --> 00:44:15,920
Speaker 1: It's different.

1018
00:44:16,000 --> 00:44:17,960
Speaker 10: It's totally different from me. Like the way he go

1019
00:44:18,040 --> 00:44:21,320
Speaker 10: on to studio just make music that fast. See I

1020
00:44:21,480 --> 00:44:23,000
Speaker 10: wait to go to the studio, but I have a

1021
00:44:23,040 --> 00:44:26,279
Speaker 10: whole bunch of music to create to all, He'll go

1022
00:44:26,400 --> 00:44:27,759
Speaker 10: in and just make a whole bunch of stuff And

1023
00:44:27,800 --> 00:44:28,680
Speaker 10: I'm like, man, that's crazy.

1024
00:44:28,920 --> 00:44:31,920
Speaker 1: You talented. But me, I gotta sit at home, come

1025
00:44:32,040 --> 00:44:35,080
Speaker 1: up with it, write it, figure it out. Then I go.

1026
00:44:35,800 --> 00:44:37,160
Speaker 1: So you probably work better alone.

1027
00:44:37,480 --> 00:44:44,480
Speaker 10: Yeah, studio, nobody, everybody, everybody brody gotta go to Yeah,

1028
00:44:44,800 --> 00:44:46,400
Speaker 10: leave everybody, everybody gotta go.

1029
00:44:46,520 --> 00:44:48,279
Speaker 1: I know that's Chasey. Do you work better with people

1030
00:44:48,320 --> 00:44:48,680
Speaker 1: around you?

1031
00:44:48,840 --> 00:44:53,200
Speaker 14: Like I like to be just people who focused on Yeah? No, no, no, no,

1032
00:44:54,080 --> 00:44:55,840
Speaker 14: all I distresses in my in the studio with me.

1033
00:44:55,920 --> 00:44:56,359
Speaker 1: You know what I'm saying.

1034
00:44:56,400 --> 00:44:58,440
Speaker 14: If I'm in the studio, everybody need to be focused

1035
00:44:58,440 --> 00:44:59,960
Speaker 14: on what I'm doing. If any focus on what I'm doing,

1036
00:45:00,040 --> 00:45:01,839
Speaker 14: you got yours on something else, they throw me off,

1037
00:45:01,840 --> 00:45:02,359
Speaker 14: you know what I'm saying.

1038
00:45:02,760 --> 00:45:05,080
Speaker 1: So I like everybody like like all eyes on me,

1039
00:45:05,239 --> 00:45:10,279
Speaker 1: he come in like that, this to get out of

1040
00:45:10,280 --> 00:45:11,800
Speaker 1: the studio. Get out of the studio.

1041
00:45:12,440 --> 00:45:14,759
Speaker 10: Yeah, but I'm out here, bet y'all, I'm trying to

1042
00:45:14,800 --> 00:45:16,719
Speaker 10: get I'm trying to little what's that?

1043
00:45:17,320 --> 00:45:29,000
Speaker 1: Okay, Okay, that's that? Yeah, glasses. I feel like y'all

1044
00:45:29,000 --> 00:45:30,839
Speaker 1: are going to do a project together at some point

1045
00:45:30,960 --> 00:45:34,440
Speaker 1: or something. Is that everybody inevitable? I know, waiting on it.

1046
00:45:35,280 --> 00:45:36,839
Speaker 10: You know, we didn't just want to do that off

1047
00:45:36,920 --> 00:45:38,759
Speaker 10: rip because it's like two creators together, Oh my god,

1048
00:45:38,840 --> 00:45:41,080
Speaker 10: make music. We kind of just want the vibe, you know,

1049
00:45:42,000 --> 00:45:45,160
Speaker 10: you put your stuff out. We're gonna let it happen organically,

1050
00:45:45,280 --> 00:45:47,080
Speaker 10: you know what I'm saying. But we already got stuff

1051
00:45:47,120 --> 00:45:51,040
Speaker 10: together hard ship too that we're gonna put it off.

1052
00:45:51,200 --> 00:45:53,840
Speaker 1: We're anticipating. Yeah, you know, I like it like that.

1053
00:45:53,960 --> 00:45:56,279
Speaker 10: I like it's tasteful, not just like, oh they go together,

1054
00:45:56,360 --> 00:45:58,680
Speaker 10: Oh they got a song something out there? Like, No,

1055
00:45:58,800 --> 00:45:59,879
Speaker 10: I want to do it the right way.

1056
00:46:00,480 --> 00:46:00,680
Speaker 4: Yeah.

1057
00:46:00,800 --> 00:46:02,759
Speaker 2: Well, we love to see it because I just want

1058
00:46:02,800 --> 00:46:04,520
Speaker 2: to say, cast Out broke a lot of hearts when

1059
00:46:04,560 --> 00:46:06,480
Speaker 2: she came out there, popped out with a man.

1060
00:46:06,680 --> 00:46:06,880
Speaker 4: You know.

1061
00:46:07,239 --> 00:46:17,440
Speaker 1: Okay, it's tight online hit with the eye, not just

1062
00:46:17,600 --> 00:46:23,080
Speaker 1: laugh of these people when they first heart And the

1063
00:46:23,160 --> 00:46:24,800
Speaker 1: last question we got to ask West a lot of

1064
00:46:24,840 --> 00:46:29,640
Speaker 1: hard too, but I okay, yeah, oh and did a

1065
00:46:29,640 --> 00:46:35,400
Speaker 1: little backstory. Okay, right along the anniversary of hip hop?

1066
00:46:35,600 --> 00:46:36,719
Speaker 1: You think you okay?

1067
00:46:39,920 --> 00:46:40,040
Speaker 4: Oh?

1068
00:46:40,160 --> 00:46:42,520
Speaker 1: Yes, it is the anniversary of hip hop, so we

1069
00:46:42,560 --> 00:46:45,160
Speaker 1: gotta ask y'all, what is the best ever hip hop

1070
00:46:45,320 --> 00:46:55,399
Speaker 1: sex song? Something nasty? Yes, that's a good one. Good

1071
00:46:55,400 --> 00:47:00,920
Speaker 1: one that one, or the one with that beat or

1072
00:47:01,200 --> 00:47:05,200
Speaker 1: so good? Heads so good? I like, I can put

1073
00:47:05,239 --> 00:47:12,040
Speaker 1: my job and I would, I would what you got for?

1074
00:47:13,200 --> 00:47:14,360
Speaker 4: Just call me?

1075
00:47:15,200 --> 00:47:17,759
Speaker 1: You need someone to talk to you?

1076
00:47:19,840 --> 00:47:24,359
Speaker 14: That's where looking right, Kim too short?

1077
00:47:27,280 --> 00:47:30,560
Speaker 1: Your favorite one? Yeah, I said a couple of different things.

1078
00:47:30,560 --> 00:47:35,680
Speaker 1: I did say put it in your mouth, I got

1079
00:47:35,719 --> 00:47:42,200
Speaker 1: one for you, shown a get some hand, get head?

1080
00:47:42,440 --> 00:47:48,080
Speaker 1: I would getting We like that? All you ladies pop

1081
00:47:48,480 --> 00:47:55,600
Speaker 1: us it like this? What about pretty Ricky? Which one?

1082
00:47:56,400 --> 00:47:59,480
Speaker 1: All of them? Baby? All of don't mean that's more.

1083
00:47:59,680 --> 00:48:05,279
Speaker 1: That's trying to staying hip hop, right, Okay? One minute, man,

1084
00:48:06,120 --> 00:48:08,480
Speaker 1: break me off? Show me what you got? Why you

1085
00:48:08,640 --> 00:48:09,120
Speaker 1: like that one?

1086
00:48:10,640 --> 00:48:10,680
Speaker 4: Me?

1087
00:48:11,080 --> 00:48:13,600
Speaker 1: Make you love me? And I'm gonna give it to

1088
00:48:18,000 --> 00:48:21,399
Speaker 1: That was one of my answers from yesterday. Woman and Woman.

1089
00:48:22,120 --> 00:48:24,000
Speaker 1: That's the kind of sound that make God so mad

1090
00:48:24,040 --> 00:48:27,360
Speaker 1: when that came out. We like songs like that. Funny facts,

1091
00:48:27,600 --> 00:48:28,760
Speaker 1: make HI feel the titan type.

1092
00:48:28,560 --> 00:48:31,920
Speaker 15: Of way, you know, right, you know to make that crazy.

1093
00:48:32,080 --> 00:48:36,279
Speaker 15: Get that honey, pap forget. I got it so big

1094
00:48:36,440 --> 00:48:39,880
Speaker 15: like the sun got back egg.

1095
00:48:40,080 --> 00:48:46,759
Speaker 1: Look back at it. That's a good one. You're gonna

1096
00:48:46,760 --> 00:48:49,160
Speaker 1: put together. Playlist happen this, yeah for sure? All right? Well,

1097
00:48:50,160 --> 00:48:53,399
Speaker 1: clip service cast out Tracy, Thank y'all so much for joining.

1098
00:48:53,520 --> 00:48:56,719
Speaker 1: That's we really appreciating you for having me. Y'all know, y'all,

1099
00:48:56,760 --> 00:48:59,680
Speaker 1: my girls, we let a chemistry. We're here for it.

1100
00:48:59,840 --> 00:49:03,640
Speaker 1: And in the joint situation that y'all gonna bring us,

1101
00:49:03,760 --> 00:49:05,480
Speaker 1: we know it's gonna be all heat. We're gonna bring

1102
00:49:05,560 --> 00:49:14,359
Speaker 1: it about heat making nasty, y'all. We're gonna have what's

1103
00:49:14,480 --> 00:49:17,200
Speaker 1: up its slip service. I'm Angela Yee, I'm g G Maguire,

1104
00:49:17,280 --> 00:49:20,640
Speaker 1: I'm Jazzline Brand, Princess.

1105
00:49:20,520 --> 00:49:25,040
Speaker 4: Your girl, Diamond, little j on the check, buy money black.

1106
00:49:25,400 --> 00:49:28,759
Speaker 1: It's big, big drop and you know what it is,

1107
00:49:28,920 --> 00:49:31,799
Speaker 1: so listen. They couldn't have a fiftieth anniversary of hip

1108
00:49:31,800 --> 00:49:37,480
Speaker 1: hop without your hair, without cryme mob okay. So I

1109
00:49:37,560 --> 00:49:39,960
Speaker 1: gotta ask you guys. The first question we'll start with.

1110
00:49:40,000 --> 00:49:42,000
Speaker 1: This is what we've been asking everybody since it is

1111
00:49:42,080 --> 00:49:45,040
Speaker 1: lip Service and it's it's BT Awards. What is the

1112
00:49:45,080 --> 00:49:50,920
Speaker 1: best hip hop sex song ever? Oh, lovers and friends

1113
00:49:51,719 --> 00:49:58,360
Speaker 1: and friends? Lovers and friends one? Okay hip hop? I

1114
00:49:58,440 --> 00:50:08,520
Speaker 1: would say I Loving the Man okay by Oh my god.

1115
00:50:09,719 --> 00:50:12,120
Speaker 1: Now that's a good one. You getting a lot of answers,

1116
00:50:12,160 --> 00:50:13,160
Speaker 1: and that's that's a good one.

1117
00:50:14,920 --> 00:50:17,520
Speaker 4: I kind of like, I'm gonna beyond that. Tip. I

1118
00:50:17,640 --> 00:50:18,960
Speaker 4: like Dangeline love.

1119
00:50:21,360 --> 00:50:21,600
Speaker 1: Song.

1120
00:50:26,920 --> 00:50:30,200
Speaker 4: It is I gotta It's a Chrip Brown song or

1121
00:50:30,239 --> 00:50:30,680
Speaker 4: something like that.

1122
00:50:31,719 --> 00:50:34,080
Speaker 1: He's like, I don't know any of these. I mean,

1123
00:50:34,160 --> 00:50:34,759
Speaker 1: you could have said.

1124
00:50:34,880 --> 00:50:37,200
Speaker 4: You could have said, b, I don't listen around.

1125
00:50:37,200 --> 00:50:38,880
Speaker 1: You could have said doing it and doing it and

1126
00:50:39,000 --> 00:50:40,600
Speaker 1: doing it. Why it's a good one. That is a

1127
00:50:40,640 --> 00:50:43,759
Speaker 1: good one. Yeah. You could have said, canelly put it?

1128
00:50:44,440 --> 00:50:51,480
Speaker 1: Put it in your mouth. It's like, oh my god, yes,

1129
00:50:52,440 --> 00:50:54,399
Speaker 1: what okay in your mouth?

1130
00:50:57,640 --> 00:50:59,160
Speaker 4: I really listened to R and B did it?

1131
00:50:59,800 --> 00:51:02,040
Speaker 1: That is so ironic, don't you think y'all listen to

1132
00:51:02,120 --> 00:51:05,640
Speaker 1: mostly R and B? Two? Yeah? But even okay, what

1133
00:51:05,719 --> 00:51:08,359
Speaker 1: about it's the fiftieth anniversary of hip hop. I think

1134
00:51:08,440 --> 00:51:10,640
Speaker 1: we all were listening to hip hop though, like you

1135
00:51:10,719 --> 00:51:12,520
Speaker 1: know when even when you guys first got in the game.

1136
00:51:13,160 --> 00:51:15,279
Speaker 4: H But y'all asked me to say some of my

1137
00:51:15,360 --> 00:51:16,200
Speaker 4: auntie songs.

1138
00:51:16,560 --> 00:51:22,200
Speaker 1: Yeah, it could be my neck back right. One minute man?

1139
00:51:22,480 --> 00:51:25,320
Speaker 2: Oh, I said that earlier. That was one of my

1140
00:51:25,360 --> 00:51:27,880
Speaker 2: answers earlier. Have you had that one minute man experience?

1141
00:51:28,000 --> 00:51:30,520
Speaker 1: No know how to pick them ahead of time? There's

1142
00:51:30,600 --> 00:51:32,759
Speaker 1: nowhere you could tell? How can you how can you tell?

1143
00:51:32,840 --> 00:51:34,359
Speaker 1: How can you tell? What does a one minute man

1144
00:51:34,440 --> 00:51:34,719
Speaker 1: look like?

1145
00:51:36,760 --> 00:51:36,920
Speaker 12: Here?

1146
00:51:40,000 --> 00:51:42,160
Speaker 1: The energy? If they take care of themselves, they drink

1147
00:51:42,239 --> 00:51:45,040
Speaker 1: smoothies and stuff, weak grass, Come on gg you know,

1148
00:51:45,280 --> 00:51:46,520
Speaker 1: come on, seam water.

1149
00:51:46,880 --> 00:51:48,719
Speaker 2: They working out and taking care of themselves, they gonna

1150
00:51:48,719 --> 00:51:52,160
Speaker 2: have their stamina. Yeah, but all that goodness might burst

1151
00:51:52,200 --> 00:51:54,400
Speaker 2: out of them real fast. If you're giving up all

1152
00:51:54,440 --> 00:51:55,600
Speaker 2: they were, goodness bursting out of you?

1153
00:51:56,880 --> 00:51:59,360
Speaker 4: What is it? What is it?

1154
00:51:59,800 --> 00:52:00,680
Speaker 1: If it took him?

1155
00:52:01,080 --> 00:52:04,640
Speaker 4: I like, I like my song is Cutters.

1156
00:52:16,760 --> 00:52:20,440
Speaker 1: He's like, I'm a visual guy. All right, So have

1157
00:52:20,520 --> 00:52:22,640
Speaker 1: you ever had a one minute man experience? At the

1158
00:52:22,680 --> 00:52:25,600
Speaker 1: same time what you said, I haven't had a woman

1159
00:52:25,680 --> 00:52:28,440
Speaker 1: and man? No, a one minute, man, I got that song. No,

1160
00:52:28,960 --> 00:52:32,600
Speaker 1: he was about to tell us some other come back

1161
00:52:32,600 --> 00:52:35,120
Speaker 1: to let's come back to that, he said, I sure,

1162
00:52:35,200 --> 00:52:39,160
Speaker 1: Well I haven't Okay, yeah, lucky, yeah I have.

1163
00:52:39,520 --> 00:52:42,640
Speaker 2: I've actually had a thirty second. No, I didn't even

1164
00:52:42,680 --> 00:52:47,960
Speaker 2: make it to a full minute. She said, Uh, it

1165
00:52:48,120 --> 00:52:49,680
Speaker 2: is it is a little it is a little different

1166
00:52:51,000 --> 00:52:53,520
Speaker 2: with the thirty seconds. He actually never even made it

1167
00:52:53,600 --> 00:52:56,000
Speaker 2: to my vagina. What happened is we were about to

1168
00:52:56,040 --> 00:52:58,600
Speaker 2: have sex, and he pulled his dick out and I started.

1169
00:52:58,640 --> 00:53:00,000
Speaker 2: I was about to go suck it, and I started

1170
00:53:00,160 --> 00:53:02,080
Speaker 2: from the bottom into the and before I even got

1171
00:53:02,160 --> 00:53:04,720
Speaker 2: out of it in my bottom, he ca you started

1172
00:53:04,760 --> 00:53:10,080
Speaker 2: from the bottom, came from and before I even got

1173
00:53:10,120 --> 00:53:11,600
Speaker 2: to the top, he exploded, you.

1174
00:53:11,640 --> 00:53:14,560
Speaker 4: Gotta make sure Jackie's deep.

1175
00:53:15,120 --> 00:53:17,319
Speaker 1: Well, that's not my that's not my responsibility to make

1176
00:53:17,360 --> 00:53:18,120
Speaker 1: sure that he's prepared.

1177
00:53:19,120 --> 00:53:20,279
Speaker 4: He gotta do it before you.

1178
00:53:21,400 --> 00:53:24,520
Speaker 1: Okay, okay, so that's your list. And he blew that

1179
00:53:24,719 --> 00:53:26,879
Speaker 1: because there was a never there was never a chance

1180
00:53:26,920 --> 00:53:28,440
Speaker 1: for him to make it inside of the vagiant. After that,

1181
00:53:28,520 --> 00:53:29,319
Speaker 1: I was, I was done.

1182
00:53:30,239 --> 00:53:38,120
Speaker 4: Sometimes this happened to you before, Yeah, thirty second, one minute.

1183
00:53:38,160 --> 00:53:40,360
Speaker 4: I ain't gonna lie if it's something you set you

1184
00:53:40,520 --> 00:53:43,919
Speaker 4: three and if you know it's good.

1185
00:53:45,320 --> 00:53:49,040
Speaker 1: I like the honesty. I appreciate what I'm like.

1186
00:53:49,280 --> 00:53:50,440
Speaker 4: I'm gonna get back right though.

1187
00:53:51,120 --> 00:53:53,640
Speaker 1: Okay he said he's gonna circle back. Okay, yeah, like

1188
00:53:53,719 --> 00:53:55,719
Speaker 1: after that happens, I just needed but you might not

1189
00:53:55,800 --> 00:53:56,600
Speaker 1: get a second chance.

1190
00:53:58,640 --> 00:53:59,920
Speaker 4: So you never got right.

1191
00:54:00,120 --> 00:54:05,000
Speaker 1: You know it and got right, man, heart, that's a verity.

1192
00:54:06,360 --> 00:54:07,160
Speaker 4: I got a talent.

1193
00:54:07,840 --> 00:54:08,560
Speaker 1: You gotta talent.

1194
00:54:08,680 --> 00:54:10,080
Speaker 3: When you said you have to, you have to jack

1195
00:54:10,360 --> 00:54:13,399
Speaker 3: yourself off first beforehand, you tell me you on your way,

1196
00:54:13,520 --> 00:54:14,640
Speaker 3: then you do it, then you jack yourself.

1197
00:54:16,880 --> 00:54:23,400
Speaker 1: That makes sense. Oh my gosh, you never did that

1198
00:54:23,480 --> 00:54:28,080
Speaker 1: and fell asleep. Oh wow, you fell asleep.

1199
00:54:28,440 --> 00:54:30,960
Speaker 4: Ain't got wrong? You tell I remember that.

1200
00:54:31,680 --> 00:54:34,600
Speaker 1: I remember that. I'll tell you this story. I told

1201
00:54:34,680 --> 00:54:35,319
Speaker 1: you watch your.

1202
00:54:36,840 --> 00:54:37,239
Speaker 4: Shut up.

1203
00:54:37,680 --> 00:54:42,279
Speaker 1: I told you watch her go ahead, me listening. I

1204
00:54:42,480 --> 00:54:47,520
Speaker 1: was too drunk. Take that whole back in. I never look.

1205
00:54:47,680 --> 00:54:50,200
Speaker 4: It's a it's a it's a light in the bathroom

1206
00:54:50,320 --> 00:54:52,319
Speaker 4: of the hotel. When you walk in the bath through.

1207
00:54:52,800 --> 00:54:54,000
Speaker 4: I put the money in the light.

1208
00:54:54,600 --> 00:54:57,840
Speaker 1: Oh my gosh, I woke up. It was gone.

1209
00:54:59,160 --> 00:55:01,360
Speaker 4: I don't know. She searched the whole room. I was

1210
00:55:01,400 --> 00:55:02,880
Speaker 4: getting head, and I woke up.

1211
00:55:03,719 --> 00:55:05,279
Speaker 1: She was getting you, was getting had. She was looking

1212
00:55:05,320 --> 00:55:07,839
Speaker 1: at the ceiling like that light looked like there's something

1213
00:55:07,920 --> 00:55:08,480
Speaker 1: up in that light.

1214
00:55:11,280 --> 00:55:13,600
Speaker 4: One time I was just too drunk. I'm like I

1215
00:55:14,320 --> 00:55:16,800
Speaker 4: still called and everything. She was like she do it.

1216
00:55:16,920 --> 00:55:19,319
Speaker 1: But I was like, oh, wow, so you had her

1217
00:55:19,360 --> 00:55:22,200
Speaker 1: number and all that. Maybe she didn't. Maybe she did.

1218
00:55:22,320 --> 00:55:25,440
Speaker 1: Maybe it was how maybe she did? Now how did you?

1219
00:55:25,560 --> 00:55:28,440
Speaker 1: How did you know? You didn't trust her? She was

1220
00:55:28,480 --> 00:55:31,440
Speaker 1: too anxious and I saw her hotel keys.

1221
00:55:31,280 --> 00:55:31,360
Speaker 4: So.

1222
00:55:33,560 --> 00:55:34,160
Speaker 13: Wait, what do you mean?

1223
00:55:34,200 --> 00:55:35,840
Speaker 1: He was saying at the red roof, And no, no, no,

1224
00:55:36,080 --> 00:55:36,479
Speaker 1: I used.

1225
00:55:36,360 --> 00:55:38,440
Speaker 2: To sell the hotel keys at the club back in

1226
00:55:38,480 --> 00:55:40,799
Speaker 2: the day, like, yeah, the boy's gonna be in this room.

1227
00:55:40,840 --> 00:55:44,680
Speaker 1: Give me that hunter real, Oh ship, that's crazy.

1228
00:55:45,840 --> 00:55:47,080
Speaker 4: They used to be outside bark.

1229
00:55:47,200 --> 00:55:49,080
Speaker 1: I didn't tell his hotel key, but.

1230
00:55:50,880 --> 00:55:53,759
Speaker 4: She remember they used to be outside the hotel bar.

1231
00:55:53,920 --> 00:55:56,400
Speaker 1: Oh yeah, they barked, that's what. Yeah, what you mean

1232
00:55:56,480 --> 00:55:56,920
Speaker 1: they barked?

1233
00:55:57,960 --> 00:56:00,000
Speaker 4: She told the boys Like when they barked.

1234
00:55:59,760 --> 00:56:04,200
Speaker 1: The boys love. They turned them on. And it's when

1235
00:56:04,239 --> 00:56:08,960
Speaker 1: we were babies. We were like fifteen sixteen grown women,

1236
00:56:09,200 --> 00:56:13,360
Speaker 1: ya smart, and they start working. Wow, worked like a

1237
00:56:13,400 --> 00:56:21,360
Speaker 1: big dog. Watch her she jumping too much. Those are

1238
00:56:21,440 --> 00:56:23,840
Speaker 1: some wild days, y'all. You're right. Things could never be

1239
00:56:24,040 --> 00:56:27,120
Speaker 1: like that again. Ever, Like just imagine in this day

1240
00:56:27,120 --> 00:56:27,719
Speaker 1: and age.

1241
00:56:27,560 --> 00:56:30,279
Speaker 2: With social media, we didn't have cameras back yeah, with

1242
00:56:30,480 --> 00:56:32,239
Speaker 2: cameras and all of that, y'all.

1243
00:56:32,440 --> 00:56:35,200
Speaker 1: Was there's some things I'm sure that you'll never tell anybody.

1244
00:56:37,040 --> 00:56:46,600
Speaker 1: Oh yeah, yeah, yeah, yeah, it's a whole situation. Was

1245
00:56:46,760 --> 00:56:48,920
Speaker 1: Did you feel more protected because you had guys around

1246
00:56:48,960 --> 00:56:49,239
Speaker 1: you too?

1247
00:56:49,960 --> 00:56:50,160
Speaker 4: Yeah?

1248
00:56:50,320 --> 00:56:54,200
Speaker 1: Because they was hating. Yeah, but that hates. Did they

1249
00:56:54,239 --> 00:56:56,160
Speaker 1: protect you though? Yeah, no, we're gonna talk to you,

1250
00:56:56,520 --> 00:57:01,200
Speaker 1: and that's about who was hating. They protected a lot anybody. Yeah,

1251
00:57:01,200 --> 00:57:05,400
Speaker 1: but they were because because we had no no, no, no, no,

1252
00:57:05,600 --> 00:57:08,440
Speaker 1: I only had a group be one time, only one time.

1253
00:57:08,719 --> 00:57:11,600
Speaker 1: He must have left an impact. Well yeah, and he

1254
00:57:11,760 --> 00:57:14,680
Speaker 1: was Caucasian. Oh okay, how was that?

1255
00:57:15,640 --> 00:57:16,040
Speaker 4: How was that?

1256
00:57:17,040 --> 00:57:17,640
Speaker 16: It was right?

1257
00:57:18,320 --> 00:57:20,520
Speaker 1: White? It was white, and it was right. Shout out

1258
00:57:20,560 --> 00:57:28,720
Speaker 1: to Mike in the room, Shout out to Mike. All right, well, listen, guys,

1259
00:57:28,760 --> 00:57:30,320
Speaker 1: I know we don't have enough Max, but we gotta

1260
00:57:30,360 --> 00:57:32,560
Speaker 1: do this for real, for real one day, you know,

1261
00:57:32,720 --> 00:57:36,600
Speaker 1: but in New York. You tell us when you guys

1262
00:57:36,640 --> 00:57:38,960
Speaker 1: are in New York. Oh, we will do it on

1263
00:57:39,040 --> 00:57:44,600
Speaker 1: your office. Yeah, yeah, office. But listen, y'all. Thank you

1264
00:57:44,680 --> 00:57:46,560
Speaker 1: guys so much for coming through that. We appreciate it.

1265
00:57:46,600 --> 00:57:48,560
Speaker 1: It's good to see y'all. I love it that y'all

1266
00:57:48,560 --> 00:57:49,920
Speaker 1: are really moving around together.

1267
00:57:50,080 --> 00:57:57,480
Speaker 2: So yes, we're closing that pre show tomorrow performing live. Yeah,

1268
00:57:59,200 --> 00:58:01,520
Speaker 2: all right, well Crime, thank you so much. As lip

1269
00:58:01,600 --> 00:58:05,280
Speaker 2: Service one, what's up in Slip Service?

1270
00:58:05,280 --> 00:58:08,320
Speaker 1: I'm angela Ye, I'm Jiguire, I'm Jazmine Brand. Were ready

1271
00:58:08,360 --> 00:58:11,840
Speaker 1: to argue, let's go, We're gonna argue.

1272
00:58:12,360 --> 00:58:12,600
Speaker 4: We not.

1273
00:58:12,800 --> 00:58:15,520
Speaker 1: First of all, congratulations on everything. I know I always

1274
00:58:15,560 --> 00:58:18,080
Speaker 1: tell you that, but I mean I saw you doing

1275
00:58:18,120 --> 00:58:19,680
Speaker 1: a collapse album with Meek Mill two.

1276
00:58:20,360 --> 00:58:23,000
Speaker 17: It's not a collabor we're just working on a few songs.

1277
00:58:23,960 --> 00:58:25,880
Speaker 17: But me and La Russell have been talking about doing

1278
00:58:25,960 --> 00:58:29,120
Speaker 17: something collaborative one. I feel like that's been like dropping

1279
00:58:29,160 --> 00:58:30,080
Speaker 17: a song next Friday.

1280
00:58:31,520 --> 00:58:31,800
Speaker 16: Damn.

1281
00:58:37,160 --> 00:58:38,960
Speaker 1: Congratulations on the new show too.

1282
00:58:39,400 --> 00:58:39,720
Speaker 4: Thank you.

1283
00:58:40,000 --> 00:58:42,400
Speaker 17: I'm glad you finally got it going. I was wondering

1284
00:58:42,440 --> 00:58:44,560
Speaker 17: when you was gonna get up out of the show.

1285
00:58:46,320 --> 00:58:47,840
Speaker 1: I feel like I announced it too early. You know,

1286
00:58:48,160 --> 00:58:50,000
Speaker 1: sometimes you don't want to tell people what's happening. Like

1287
00:58:50,200 --> 00:58:52,200
Speaker 1: too quick. I know, you know the feeling we all do.

1288
00:58:52,560 --> 00:58:54,680
Speaker 1: You did announce it and had the people wondering. Yeah,

1289
00:58:54,720 --> 00:58:58,480
Speaker 1: but that was it wasn't her decision. It wasn't my fault. Yeah,

1290
00:58:58,760 --> 00:59:01,400
Speaker 1: it's just you know, having a syndicated show is a

1291
00:59:01,480 --> 00:59:04,040
Speaker 1: lot of like moving pieces, and so they wanted to

1292
00:59:04,120 --> 00:59:05,720
Speaker 1: make and then they still wanted to make sure that

1293
00:59:05,800 --> 00:59:08,800
Speaker 1: I stayed on with the Breakfast Club, and yeah.

1294
00:59:08,960 --> 00:59:09,200
Speaker 4: It was.

1295
00:59:11,200 --> 00:59:13,720
Speaker 1: But listen, we all know, for this business that we're in,

1296
00:59:13,960 --> 00:59:17,200
Speaker 1: things take a lot of time when it first starts

1297
00:59:17,240 --> 00:59:17,960
Speaker 1: to where you get.

1298
00:59:17,840 --> 00:59:20,360
Speaker 17: To now, definitely do one thousand percent. It's just a

1299
00:59:20,480 --> 00:59:22,440
Speaker 17: matter of staying consistent and staying in it.

1300
00:59:22,680 --> 00:59:24,360
Speaker 1: And then it's a hell of a feeling when it happens.

1301
00:59:26,360 --> 00:59:30,040
Speaker 1: I can't help it. I'm sorry. And you're going on

1302
00:59:30,200 --> 00:59:34,560
Speaker 1: tour right with nads me and start touring September. I

1303
00:59:34,720 --> 00:59:38,680
Speaker 1: just finished up this movie with Tom Hanks. Wow, get

1304
00:59:38,760 --> 00:59:41,480
Speaker 1: out of here, tell us about that. So I actually

1305
00:59:41,760 --> 00:59:43,120
Speaker 1: play too short?

1306
00:59:43,680 --> 00:59:44,320
Speaker 5: What eighties?

1307
00:59:45,120 --> 00:59:45,680
Speaker 4: It was crazy.

1308
00:59:46,120 --> 00:59:47,600
Speaker 1: I'm gonna show you this picture. I was just telling

1309
00:59:47,640 --> 00:59:54,440
Speaker 1: them short enough of that you do look like but

1310
00:59:54,560 --> 00:59:55,959
Speaker 1: you look like a tarlet? Too short?

1311
00:59:56,080 --> 00:59:56,240
Speaker 4: Yeah?

1312
00:59:56,280 --> 00:59:57,840
Speaker 1: Okay, So how did you prepare for that.

1313
00:59:58,480 --> 01:00:00,960
Speaker 17: So it was this was pret pretty easy because I've

1314
01:00:00,960 --> 01:00:03,960
Speaker 17: been around Short all my life. He's fucking Monty's you know,

1315
01:00:06,480 --> 01:00:08,600
Speaker 17: he's the way he's the fu Monties.

1316
01:00:08,680 --> 01:00:12,560
Speaker 1: His auntie, your auntie. Yeah, alright, I've been around on

1317
01:00:12,680 --> 01:00:13,320
Speaker 1: my whole life.

1318
01:00:13,400 --> 01:00:16,200
Speaker 17: So when they was like, uh, it's a role for

1319
01:00:16,320 --> 01:00:18,400
Speaker 17: this film, but where we need somebody to play too, Short,

1320
01:00:18,560 --> 01:00:21,800
Speaker 17: he was so auditioned for it. Just act like him,

1321
01:00:21,840 --> 01:00:24,080
Speaker 17: talk like him, got the role, went in there and

1322
01:00:24,200 --> 01:00:26,560
Speaker 17: killed it, and I did so good. One of the

1323
01:00:26,640 --> 01:00:28,960
Speaker 17: producers was like, y'all want to bring you on more

1324
01:00:29,080 --> 01:00:31,200
Speaker 17: things that I'm working on night. So that's kind of

1325
01:00:31,280 --> 01:00:33,400
Speaker 17: led to a television series that I'm getting ready to

1326
01:00:33,440 --> 01:00:34,200
Speaker 17: start as well.

1327
01:00:34,880 --> 01:00:36,560
Speaker 1: I mean, let me just say this about Say. But

1328
01:00:36,640 --> 01:00:38,520
Speaker 1: no matter what it is that he does, I feel

1329
01:00:38,600 --> 01:00:40,600
Speaker 1: like people just gravitate towards you.

1330
01:00:40,880 --> 01:00:44,040
Speaker 17: Nah, definitely ain't. I ain't got no negative energy on me.

1331
01:00:44,120 --> 01:00:47,360
Speaker 17: Niggas be negative, niggas be high on lean and peels.

1332
01:00:47,400 --> 01:00:48,479
Speaker 17: Oh goddamn day.

1333
01:00:49,720 --> 01:00:52,080
Speaker 1: At the world taking it out on everybody else own

1334
01:00:52,400 --> 01:00:52,640
Speaker 1: that I.

1335
01:00:52,640 --> 01:00:55,000
Speaker 17: Stay out the people business. I do what works for me,

1336
01:00:55,600 --> 01:00:57,560
Speaker 17: and I enjoyed myself with me and my people and

1337
01:00:57,600 --> 01:00:58,240
Speaker 17: I leave it at that.

1338
01:00:58,480 --> 01:01:01,160
Speaker 1: Now you're trying to suggest that my grandma listen Ford,

1339
01:01:03,600 --> 01:01:08,320
Speaker 1: that's my girlfriend, that's his girlfriend. It's a relationship. Does

1340
01:01:08,400 --> 01:01:08,760
Speaker 1: she know that?

1341
01:01:09,440 --> 01:01:09,520
Speaker 4: Ye?

1342
01:01:09,840 --> 01:01:12,720
Speaker 1: She better? She better know it. Now, let me ask

1343
01:01:12,720 --> 01:01:14,200
Speaker 1: you this. Did you always have a crush on her?

1344
01:01:14,240 --> 01:01:17,720
Speaker 1: Because you know Melissa for it? But like around definitely

1345
01:01:17,920 --> 01:01:20,680
Speaker 1: that was that was definitely like one of them things

1346
01:01:20,840 --> 01:01:21,400
Speaker 1: as a kid.

1347
01:01:22,600 --> 01:01:23,360
Speaker 4: Oh I want her?

1348
01:01:23,720 --> 01:01:26,960
Speaker 1: Yeah, Like it was cool to hang out with her.

1349
01:01:27,160 --> 01:01:27,360
Speaker 9: Yeah.

1350
01:01:27,360 --> 01:01:33,040
Speaker 1: And she's super cool too. She's a great person, super smart. Yeah,

1351
01:01:33,160 --> 01:01:34,600
Speaker 1: we work together as serious.

1352
01:01:35,760 --> 01:01:37,880
Speaker 17: I was watching y'all, I was actually in New York

1353
01:01:38,040 --> 01:01:39,920
Speaker 17: the day she came up there to be your special

1354
01:01:40,000 --> 01:01:40,439
Speaker 17: guest host.

1355
01:01:40,680 --> 01:01:43,640
Speaker 1: Okay, you knows where his girlfriend be? Let me find

1356
01:01:43,680 --> 01:01:45,000
Speaker 1: out he'd be in New York like that.

1357
01:01:46,840 --> 01:01:47,080
Speaker 8: A lot?

1358
01:01:47,200 --> 01:01:50,040
Speaker 1: In August you are for filming like the whole month?

1359
01:01:50,200 --> 01:01:51,920
Speaker 1: Oh really for what filming?

1360
01:01:51,960 --> 01:01:52,160
Speaker 4: Something?

1361
01:01:52,600 --> 01:01:53,400
Speaker 1: Do you like New York?

1362
01:01:53,480 --> 01:01:53,640
Speaker 4: Like that?

1363
01:01:53,880 --> 01:01:55,600
Speaker 1: I love you. I feel like I was supposed to

1364
01:01:55,600 --> 01:02:00,360
Speaker 1: be from New York. Really, you know what if you

1365
01:02:00,480 --> 01:02:02,760
Speaker 1: meet him and hear him map, you don't automatically know

1366
01:02:02,840 --> 01:02:03,840
Speaker 1: where you're friends.

1367
01:02:04,080 --> 01:02:06,760
Speaker 17: Nobody everythink from the Bay until they like get to

1368
01:02:06,840 --> 01:02:08,040
Speaker 17: know me or like come around.

1369
01:02:08,240 --> 01:02:10,120
Speaker 1: I wouldn't think your speaking voice is kind of like

1370
01:02:10,280 --> 01:02:13,040
Speaker 1: Jada kiss. Everybody comparing me to Jada like the his

1371
01:02:13,120 --> 01:02:14,680
Speaker 1: speaking voice. Yeah, you know what I'm saying, So it

1372
01:02:14,720 --> 01:02:16,680
Speaker 1: gives me. I was listening to him talk when you

1373
01:02:16,760 --> 01:02:21,560
Speaker 1: gotta closereyes to close your eyes real quick. Jada, my

1374
01:02:21,680 --> 01:02:24,520
Speaker 1: gud too. He just walked in. Say what's up to him?

1375
01:02:24,520 --> 01:02:27,320
Speaker 1: In a minute, But that's my god. Yeah, but listen,

1376
01:02:27,360 --> 01:02:29,160
Speaker 1: we've been asking everybody this, so we got to ask you.

1377
01:02:29,320 --> 01:02:31,560
Speaker 1: It's lip service. Let's go today, right, it is the

1378
01:02:31,600 --> 01:02:33,840
Speaker 1: fiftieth anniversary or hip hop? What do you think is

1379
01:02:33,840 --> 01:02:36,320
Speaker 1: the best hip hop sex song ever? And you're from

1380
01:02:36,360 --> 01:02:38,640
Speaker 1: the Bay, y'all have some nasty song. You'll definitely have

1381
01:02:38,720 --> 01:02:42,880
Speaker 1: some nasty songs. Damn the song I want to say,

1382
01:02:42,960 --> 01:02:45,600
Speaker 1: I can't say cause he in jail. Oh, I know

1383
01:02:45,640 --> 01:02:48,200
Speaker 1: you can say it. Yeah, you can say, but we

1384
01:02:48,280 --> 01:02:50,120
Speaker 1: need a hit hop song though hip hop song.

1385
01:02:50,200 --> 01:02:52,800
Speaker 2: Yeah, he was probably gonna saying you tonight that's hip

1386
01:02:52,840 --> 01:02:53,560
Speaker 2: hop because biggie.

1387
01:02:53,760 --> 01:02:55,560
Speaker 1: But that's been like one of the top answers we've

1388
01:02:55,560 --> 01:02:57,760
Speaker 1: gotten so far. So you said I can't say it

1389
01:02:57,760 --> 01:03:03,720
Speaker 1: because he's in jail, right, Maybe I don't know too

1390
01:03:03,840 --> 01:03:10,520
Speaker 1: many six hip something that tear it up? Okay like that.

1391
01:03:11,480 --> 01:03:12,480
Speaker 1: Nobody else has said that.

1392
01:03:13,080 --> 01:03:17,920
Speaker 17: Yeah, one Little John had a record. I forgot the

1393
01:03:17,960 --> 01:03:19,840
Speaker 17: girl name, but it was called one Nice Stand.

1394
01:03:21,680 --> 01:03:23,120
Speaker 1: That would be a second. Right, we see what, we

1395
01:03:23,200 --> 01:03:27,560
Speaker 1: see what you want? Tear it out, tear it out

1396
01:03:27,600 --> 01:03:31,880
Speaker 1: for one night only, and I'm out it was always nice.

1397
01:03:33,400 --> 01:03:34,920
Speaker 1: How do you prepare for a one night stand? And

1398
01:03:34,960 --> 01:03:36,680
Speaker 1: what are the rules to that though? Because look, you

1399
01:03:36,960 --> 01:03:40,200
Speaker 1: got to somebody just told us that they got you know,

1400
01:03:40,440 --> 01:03:43,640
Speaker 1: their money stolen there back and see my problem is

1401
01:03:43,680 --> 01:03:45,960
Speaker 1: I'll be having like two day girlfriends.

1402
01:03:48,760 --> 01:03:53,120
Speaker 2: Special until you down and they just do some ship

1403
01:03:53,320 --> 01:03:58,880
Speaker 2: until you don't.

1404
01:03:56,440 --> 01:03:58,240
Speaker 1: Want to talk. Well, let's ask you what is your

1405
01:03:58,640 --> 01:04:03,120
Speaker 1: least favorite position? Sex position? Least favorite second like their

1406
01:04:03,200 --> 01:04:09,480
Speaker 1: doggy stuff. That's Jasmines as well. Yeah, Ja, you are

1407
01:04:09,560 --> 01:04:10,920
Speaker 1: the first guy to say that, but the first guy

1408
01:04:11,000 --> 01:04:11,280
Speaker 1: I think that.

1409
01:04:11,400 --> 01:04:11,520
Speaker 4: Ever.

1410
01:04:11,840 --> 01:04:12,720
Speaker 13: I feel like it's.

1411
01:04:12,720 --> 01:04:16,680
Speaker 1: More a visual thing than it is or feeling. Okay, Okay,

1412
01:04:16,800 --> 01:04:18,200
Speaker 1: I get it. So you like to look at it,

1413
01:04:18,240 --> 01:04:21,240
Speaker 1: but it's not necessarily going to be like your finishing right, Okay,

1414
01:04:21,360 --> 01:04:27,560
Speaker 1: not your finisher, not the finishing, the finisher, finish her.

1415
01:04:27,920 --> 01:04:29,840
Speaker 1: I can already tell he don't use kinds like that,

1416
01:04:30,000 --> 01:04:33,040
Speaker 1: just because he said, you know, under the bus, Wow,

1417
01:04:34,320 --> 01:04:38,480
Speaker 1: what nigga do? Okay, here we go, we'll see you

1418
01:04:38,800 --> 01:04:41,400
Speaker 1: brought it up here because he has these many like

1419
01:04:41,520 --> 01:04:43,600
Speaker 1: he think he really care about somebody for two days.

1420
01:04:43,800 --> 01:04:46,400
Speaker 1: You don't think I know, okay, you know, until he

1421
01:04:46,480 --> 01:04:49,120
Speaker 1: does in two days, until it longer than two days,

1422
01:04:49,200 --> 01:04:51,840
Speaker 1: something like it would be like a week, maybe a few.

1423
01:04:53,000 --> 01:04:53,480
Speaker 4: I've made it.

1424
01:04:53,600 --> 01:04:58,080
Speaker 1: I've made it to like ninety days recently. Okay, given

1425
01:04:58,160 --> 01:04:59,439
Speaker 1: ninety give him a medal.

1426
01:05:00,080 --> 01:05:04,680
Speaker 17: The problem always saying is like, I'm new to the industry,

1427
01:05:05,080 --> 01:05:08,160
Speaker 17: so I take this, I put this in front of everything.

1428
01:05:08,760 --> 01:05:11,800
Speaker 17: So let's say if I'm finna going to date the

1429
01:05:11,920 --> 01:05:15,160
Speaker 17: night right, but let's say the white hit me. He like, yo,

1430
01:05:15,240 --> 01:05:18,320
Speaker 17: they want you to do something, and I don't even say, hey,

1431
01:05:18,360 --> 01:05:21,720
Speaker 17: can we reschedule? I just go do it and then

1432
01:05:21,720 --> 01:05:24,080
Speaker 17: they get irritated. Wow, I just got dressed.

1433
01:05:24,400 --> 01:05:26,360
Speaker 1: You could at least told me you could have forgot

1434
01:05:26,520 --> 01:05:27,360
Speaker 1: you could bring it with you.

1435
01:05:29,200 --> 01:05:29,520
Speaker 4: On all that.

1436
01:05:30,240 --> 01:05:37,080
Speaker 1: He said, you gotta be special to come outside. But

1437
01:05:37,200 --> 01:05:39,600
Speaker 1: thank you, as you know, we love sitting down talking

1438
01:05:39,640 --> 01:05:41,320
Speaker 1: to you. We're gonna come out to see you and

1439
01:05:41,400 --> 01:05:45,640
Speaker 1: do lip service live in the bay. Let's do it.

1440
01:05:45,680 --> 01:05:48,080
Speaker 1: It got too much out here. I'll make sure I

1441
01:05:48,200 --> 01:05:54,400
Speaker 1: call the right people. Okay, talk toright, All right, we

1442
01:05:54,480 --> 01:05:57,040
Speaker 1: are here celebrating the fiftieth anniversary of Hip Hop and

1443
01:05:57,080 --> 01:06:01,520
Speaker 1: the b AT Awards. Angela Y. G. Maguire, I'm jazzing

1444
01:06:01,600 --> 01:06:04,600
Speaker 1: brand boy, you are expert.

1445
01:06:06,480 --> 01:06:06,600
Speaker 4: Well.

1446
01:06:06,640 --> 01:06:09,960
Speaker 1: First of all, congratulations you're a Grammy winner. Yes, yes,

1447
01:06:10,360 --> 01:06:13,920
Speaker 1: Grammy nominated how many times? Now? Just that that one

1448
01:06:14,040 --> 01:06:16,160
Speaker 1: time you won one? But then you get nominated for

1449
01:06:16,240 --> 01:06:17,120
Speaker 1: something else too, If.

1450
01:06:17,040 --> 01:06:19,480
Speaker 5: I if I I think y'all got nominated for win.

1451
01:06:20,000 --> 01:06:22,480
Speaker 5: I forgot domination nominations.

1452
01:06:22,560 --> 01:06:24,320
Speaker 1: But how you forget something like that?

1453
01:06:24,560 --> 01:06:24,720
Speaker 4: Right?

1454
01:06:25,440 --> 01:06:27,400
Speaker 1: Because the win is all that matters, is clearly W.

1455
01:06:27,960 --> 01:06:30,439
Speaker 5: Yeah, w W win win everything else?

1456
01:06:30,480 --> 01:06:30,880
Speaker 4: You feel me?

1457
01:06:30,960 --> 01:06:33,400
Speaker 5: But nah, but nah, sometimes I'll be lost in the

1458
01:06:33,440 --> 01:06:35,320
Speaker 5: sauce of being my zone, and you know what I'm saying,

1459
01:06:35,520 --> 01:06:37,240
Speaker 5: I tend to forget, you know what I'm saying. But

1460
01:06:37,680 --> 01:06:40,320
Speaker 5: but yeah, I was nominated twice though that. I'm glad

1461
01:06:40,360 --> 01:06:41,000
Speaker 5: you'all reminded me.

1462
01:06:41,280 --> 01:06:43,200
Speaker 2: That's such a great anthem to this day, both of

1463
01:06:43,280 --> 01:06:44,520
Speaker 2: those Oh yeah, yes it is.

1464
01:06:44,640 --> 01:06:46,480
Speaker 5: Man, shout out to my boy Kendrick Man, you know

1465
01:06:46,560 --> 01:06:50,240
Speaker 5: I mean, uh yeah, that's them two beautiful records right there.

1466
01:06:50,320 --> 01:06:52,480
Speaker 5: And like I say, man, I hear it every time

1467
01:06:52,720 --> 01:06:53,680
Speaker 5: when some sports come on.

1468
01:06:53,880 --> 01:06:56,959
Speaker 1: Yes, yeah, it's timeless. No one does the song about

1469
01:06:57,000 --> 01:06:57,480
Speaker 1: losing ever.

1470
01:07:00,400 --> 01:07:00,560
Speaker 4: Man.

1471
01:07:00,600 --> 01:07:02,080
Speaker 5: You know a lot of people don't like talking about

1472
01:07:02,080 --> 01:07:02,600
Speaker 5: them losses.

1473
01:07:02,680 --> 01:07:04,840
Speaker 1: You feel me now? I see that you do have

1474
01:07:04,960 --> 01:07:06,960
Speaker 1: some new music coming because I saw a top dog

1475
01:07:07,000 --> 01:07:09,600
Speaker 1: say and then the Reasons remix. Yes, you know you

1476
01:07:09,680 --> 01:07:10,360
Speaker 1: are back at it.

1477
01:07:10,440 --> 01:07:12,240
Speaker 5: Right, Yes, I'm back at it for show for show.

1478
01:07:12,280 --> 01:07:14,320
Speaker 5: It's been five years since I dropped the album, so

1479
01:07:14,560 --> 01:07:17,080
Speaker 5: uh it feels good. Like I said, it's like it

1480
01:07:17,160 --> 01:07:20,439
Speaker 5: feels like I dropped my first record all over again.

1481
01:07:20,520 --> 01:07:23,640
Speaker 5: So and that's the type of assignment I need. And yes,

1482
01:07:23,720 --> 01:07:26,000
Speaker 5: I got a single dropping on the twenty seven called

1483
01:07:26,040 --> 01:07:27,840
Speaker 5: east Side You feel Me, but just bringing.

1484
01:07:27,560 --> 01:07:28,400
Speaker 4: It back to my roots.

1485
01:07:28,480 --> 01:07:29,840
Speaker 1: Do you feel the pressure do you feel?

1486
01:07:30,320 --> 01:07:31,240
Speaker 4: Man? No pressure at all.

1487
01:07:31,360 --> 01:07:31,520
Speaker 16: Man.

1488
01:07:31,640 --> 01:07:33,120
Speaker 5: For those who know me, you know what I'm saying,

1489
01:07:33,240 --> 01:07:36,280
Speaker 5: Hey man, this is your boy, big rock Man. Hey,

1490
01:07:36,440 --> 01:07:38,640
Speaker 5: you know what I'm saying. I don't you know what's understood,

1491
01:07:38,720 --> 01:07:40,439
Speaker 5: don't have to be explained. I don't even like talking

1492
01:07:40,480 --> 01:07:42,480
Speaker 5: too much. I like letting the music speak for itself.

1493
01:07:42,600 --> 01:07:44,840
Speaker 1: What five years right? Five years? All?

1494
01:07:44,880 --> 01:07:47,160
Speaker 5: Oh yeah, yeah that point, that point is still looking good.

1495
01:07:47,240 --> 01:07:48,440
Speaker 5: You know what I'm saying, Still the.

1496
01:07:48,480 --> 01:07:51,240
Speaker 1: Same, like a baby you throw that in there, still

1497
01:07:51,240 --> 01:07:54,880
Speaker 1: looking great on myself, jump right.

1498
01:07:54,800 --> 01:07:55,440
Speaker 4: Back in the midute.

1499
01:07:55,680 --> 01:07:57,240
Speaker 1: Okay, So let me ask you this, because you have

1500
01:07:57,360 --> 01:07:59,440
Speaker 1: been in the studio, you have been working. Why five

1501
01:07:59,560 --> 01:08:00,720
Speaker 1: years since the last album?

1502
01:08:00,800 --> 01:08:00,920
Speaker 4: Oh?

1503
01:08:01,040 --> 01:08:01,160
Speaker 2: Man?

1504
01:08:01,200 --> 01:08:01,880
Speaker 4: You know how it is?

1505
01:08:02,000 --> 01:08:04,120
Speaker 5: Man, We you know, I like to I wanted to

1506
01:08:04,160 --> 01:08:06,400
Speaker 5: be right. I just don't like just putting anything out.

1507
01:08:06,480 --> 01:08:08,680
Speaker 5: And uh, you know and you already know how we rock,

1508
01:08:08,760 --> 01:08:10,520
Speaker 5: you know, top top. You know what I'm saying. We

1509
01:08:10,680 --> 01:08:13,240
Speaker 5: were just not finna just put anything out. We wanted

1510
01:08:13,320 --> 01:08:16,000
Speaker 5: to be wanted to be right, you know what I'm saying.

1511
01:08:16,720 --> 01:08:19,120
Speaker 1: You get frustrated like I see everybody else on TV,

1512
01:08:19,439 --> 01:08:22,160
Speaker 1: like I'm ready to put my album out. You don't

1513
01:08:22,200 --> 01:08:24,679
Speaker 1: get frustrated or do you just don't say anything publicly?

1514
01:08:24,960 --> 01:08:25,000
Speaker 13: No?

1515
01:08:25,160 --> 01:08:25,920
Speaker 4: I don't. It's to me.

1516
01:08:26,000 --> 01:08:28,679
Speaker 5: I don't really get frustrated because like, I like making

1517
01:08:28,720 --> 01:08:30,920
Speaker 5: time this music. I want to make something to where

1518
01:08:31,439 --> 01:08:33,840
Speaker 5: when when you listen to it, it's no skips, you

1519
01:08:33,960 --> 01:08:36,160
Speaker 5: feel me a shout to my boy Killing Michael. I

1520
01:08:36,240 --> 01:08:38,880
Speaker 5: was listening listening to his new album Michael, and I

1521
01:08:39,120 --> 01:08:40,760
Speaker 5: just like listening to an album where I ain't got

1522
01:08:40,840 --> 01:08:43,240
Speaker 5: to skip it. I'm to finish and that, and that's

1523
01:08:43,280 --> 01:08:45,439
Speaker 5: what inspired me to do That's what inspired me to

1524
01:08:45,520 --> 01:08:48,200
Speaker 5: do albums like that. So that's why when people be like, man,

1525
01:08:48,240 --> 01:08:49,760
Speaker 5: we'll take you so long, I just want to make

1526
01:08:49,840 --> 01:08:51,679
Speaker 5: it to where when you listen to it, I don't

1527
01:08:51,720 --> 01:08:53,200
Speaker 5: want you to skip it. I want you to listen

1528
01:08:53,240 --> 01:08:53,800
Speaker 5: to every song.

1529
01:08:53,960 --> 01:08:56,080
Speaker 1: You feel me and top Doug says it's coming. So

1530
01:08:56,200 --> 01:08:58,160
Speaker 1: what's the order? Are you up next? I know Dot

1531
01:08:58,240 --> 01:09:00,040
Speaker 1: you got an album coming man, Yeah.

1532
01:09:00,040 --> 01:09:02,960
Speaker 5: Uh yeah, reason for the drop of album, Doci my boys,

1533
01:09:02,960 --> 01:09:05,599
Speaker 5: school Boy you got an incredible album too. I heard

1534
01:09:05,600 --> 01:09:07,720
Speaker 5: a few records that he just did and uh, you

1535
01:09:07,800 --> 01:09:11,040
Speaker 5: know Soul right now is on tour. But yeah, it's

1536
01:09:11,120 --> 01:09:12,920
Speaker 5: either or you know what I'm saying. Whoever ready up

1537
01:09:12,960 --> 01:09:14,960
Speaker 5: the bat, but my mind is coming for show for

1538
01:09:15,040 --> 01:09:18,559
Speaker 5: show for sure around September times for sure.

1539
01:09:18,479 --> 01:09:22,080
Speaker 1: Around September. Okay, we're ready, We're ready. Okay. Last question,

1540
01:09:22,160 --> 01:09:24,240
Speaker 1: since this is the fiftieth anniversary of hip hop and

1541
01:09:24,360 --> 01:09:27,479
Speaker 1: lip service, what is the best ever love making hip

1542
01:09:27,520 --> 01:09:28,479
Speaker 1: hop song of all time?

1543
01:09:29,160 --> 01:09:32,320
Speaker 5: Love making hip hop song of all time. That's a

1544
01:09:32,400 --> 01:09:33,240
Speaker 5: horror right there.

1545
01:09:33,439 --> 01:09:38,960
Speaker 1: Yes, that is, she said, it's very hard. It's as

1546
01:09:38,960 --> 01:09:39,599
Speaker 1: hard as it gets.

1547
01:09:40,360 --> 01:09:44,240
Speaker 5: Okay, hold on, best loved making hip hop songs?

1548
01:09:44,320 --> 01:09:46,680
Speaker 3: Andel, Do you have one in mind that we're asking him?

1549
01:09:47,040 --> 01:09:48,920
Speaker 3: But maybe maybe if you give him one, he could

1550
01:09:48,960 --> 01:09:50,000
Speaker 3: if it trigger something else.

1551
01:09:50,160 --> 01:09:54,200
Speaker 5: Man, you know what I got to say? You said

1552
01:09:54,280 --> 01:09:54,920
Speaker 5: love making?

1553
01:09:55,040 --> 01:09:55,200
Speaker 4: Yes?

1554
01:09:56,120 --> 01:09:57,519
Speaker 5: Or like a song you just talked.

1555
01:09:57,320 --> 01:09:57,640
Speaker 4: About you.

1556
01:09:59,160 --> 01:09:59,880
Speaker 1: You've had sexis?

1557
01:10:00,280 --> 01:10:01,400
Speaker 4: Oh? No, oh man, you.

1558
01:10:01,400 --> 01:10:03,960
Speaker 5: Already know man, it's it's it's two, it's two records

1559
01:10:04,000 --> 01:10:05,519
Speaker 5: that I like and it's and it's.

1560
01:10:05,400 --> 01:10:06,240
Speaker 4: By a biggie end.

1561
01:10:06,280 --> 01:10:10,320
Speaker 5: It's one by pop. So you know what I'm saying.

1562
01:10:10,360 --> 01:10:11,439
Speaker 4: That song? You know what I mean?

1563
01:10:11,520 --> 01:10:15,160
Speaker 1: With R Kelly and big that you Yeah, that's a

1564
01:10:15,240 --> 01:10:17,519
Speaker 1: great one. That's a good one song.

1565
01:10:17,840 --> 01:10:20,439
Speaker 4: And uh and I like that one. I'd rather be in.

1566
01:10:21,000 --> 01:10:28,240
Speaker 1: Gg Yeah, you know, not as romantic is Envision, but.

1567
01:10:28,479 --> 01:10:31,439
Speaker 14: Yeah, you're right, you know what I'm saying.

1568
01:10:31,560 --> 01:10:33,680
Speaker 5: So yeah to me them my two favorites, right.

1569
01:10:33,640 --> 01:10:36,360
Speaker 1: Great, all right, right, we are so excited for the

1570
01:10:36,400 --> 01:10:39,479
Speaker 1: new album in September title Oh.

1571
01:10:39,439 --> 01:10:40,680
Speaker 5: Man, I'm gonna keep that you know what I'm saying.

1572
01:10:40,680 --> 01:10:41,880
Speaker 5: I don't want to give it up right now.

1573
01:10:42,040 --> 01:10:45,479
Speaker 1: Okay, twenty seventh, we have east.

1574
01:10:45,320 --> 01:10:47,439
Speaker 5: Side east Side. East Side is the single man. Make

1575
01:10:47,439 --> 01:10:49,120
Speaker 5: sure y'all cop that makes sure y'all listen to that,

1576
01:10:49,240 --> 01:10:51,920
Speaker 5: and hopefully we had a video to drop with that too,

1577
01:10:52,040 --> 01:10:53,000
Speaker 5: so be on the lookout.

1578
01:10:53,080 --> 01:10:55,599
Speaker 1: So uh yeah, all right, well, thank you so much.

1579
01:10:55,600 --> 01:10:58,360
Speaker 1: It's good to see it, and I'm gonna see you feature.

1580
01:10:58,080 --> 01:10:59,719
Speaker 5: No that part, that part and that part.

1581
01:11:00,600 --> 01:11:01,519
Speaker 4: You got that? You got that?

1582
01:11:01,600 --> 01:11:07,439
Speaker 1: You all right? What's it's? Lift service? Angela Yee, I'm

1583
01:11:07,479 --> 01:11:09,320
Speaker 1: Ggi Maguire, I'm jazzmin Brand.

1584
01:11:09,640 --> 01:11:10,160
Speaker 4: What U man?

1585
01:11:10,200 --> 01:11:12,240
Speaker 1: How you doing Friday?

1586
01:11:12,439 --> 01:11:13,040
Speaker 13: On Friday?

1587
01:11:13,280 --> 01:11:18,720
Speaker 1: My father? I know a Friday listen Friday. We got

1588
01:11:18,840 --> 01:11:20,599
Speaker 1: it for real. I'm so glad to have you here

1589
01:11:20,640 --> 01:11:23,280
Speaker 1: because right now, right this, don't give it away?

1590
01:11:23,760 --> 01:11:24,160
Speaker 4: Mess with it?

1591
01:11:24,920 --> 01:11:29,920
Speaker 1: Yes, I love it, but I got questions, all right,

1592
01:11:29,960 --> 01:11:31,720
Speaker 1: because you know what guys would be like, they're not

1593
01:11:31,840 --> 01:11:33,360
Speaker 1: really fully committed to you, but they'll be like, but

1594
01:11:33,439 --> 01:11:34,440
Speaker 1: don't give it away.

1595
01:11:34,520 --> 01:11:35,160
Speaker 4: Here for sure?

1596
01:11:35,439 --> 01:11:37,000
Speaker 1: Is that is that kind of the vibe of that?

1597
01:11:37,680 --> 01:11:39,840
Speaker 13: Nah, It wasn't even that I was working on the album.

1598
01:11:42,240 --> 01:11:45,160
Speaker 13: It's like I met a little shorty.

1599
01:11:45,400 --> 01:11:47,639
Speaker 12: It wasn't even on some ship like so I wanted

1600
01:11:47,640 --> 01:11:50,080
Speaker 12: to be a positive song, but still got that edge

1601
01:11:50,160 --> 01:11:50,320
Speaker 12: to it.

1602
01:11:50,439 --> 01:11:52,240
Speaker 1: Okay, so it's not even me doing my thing.

1603
01:11:52,360 --> 01:11:54,960
Speaker 13: I messed with her. I'm just telling her don't give

1604
01:11:54,960 --> 01:11:55,240
Speaker 13: it away.

1605
01:11:57,640 --> 01:12:00,320
Speaker 1: Yeah, that's the guys are supposed to say this. Please

1606
01:12:00,360 --> 01:12:05,880
Speaker 1: please hold it down? Is that unforgivable because guys always say, like,

1607
01:12:06,120 --> 01:12:10,200
Speaker 1: if you're with the women and she does say she cheats, right,

1608
01:12:10,360 --> 01:12:13,720
Speaker 1: is that a deal breaker for sure? What about you?

1609
01:12:14,600 --> 01:12:15,559
Speaker 1: If she catch you cheating?

1610
01:12:16,760 --> 01:12:19,320
Speaker 12: It depends how she whatever. I can't live on you

1611
01:12:19,479 --> 01:12:23,400
Speaker 12: like I can't. If you stay, you stay. Yeah, I

1612
01:12:23,479 --> 01:12:23,960
Speaker 12: deserve you.

1613
01:12:26,400 --> 01:12:29,679
Speaker 1: For you to say whatever she chooses.

1614
01:12:30,040 --> 01:12:31,920
Speaker 13: That's what I'm saying. Like I ain't saying if I cheat,

1615
01:12:32,200 --> 01:12:33,400
Speaker 13: you can you deserve to do?

1616
01:12:33,560 --> 01:12:34,080
Speaker 4: You know what I mean?

1617
01:12:34,160 --> 01:12:36,720
Speaker 13: But it's just different with females. Though I ain't gonna cat.

1618
01:12:36,800 --> 01:12:37,599
Speaker 1: Does it depends?

1619
01:12:37,880 --> 01:12:38,080
Speaker 4: God?

1620
01:12:38,320 --> 01:12:41,200
Speaker 2: Does it depend on what the cheating, Like how it happened.

1621
01:12:41,800 --> 01:12:44,719
Speaker 2: Let's do that stances matter, Like let's just say cheating

1622
01:12:44,720 --> 01:12:47,280
Speaker 2: and cheating. You know, she caught you doing something and

1623
01:12:47,360 --> 01:12:49,840
Speaker 2: then next thing you know, she like a get back,

1624
01:12:50,000 --> 01:12:51,880
Speaker 2: cheat back, because you know that's like the time reason

1625
01:12:51,920 --> 01:12:55,760
Speaker 2: why women are one of the times cheat back once

1626
01:12:55,800 --> 01:12:56,320
Speaker 2: that had.

1627
01:12:56,400 --> 01:12:58,679
Speaker 13: Ain't no really getting back from it. You're always gonna

1628
01:12:58,680 --> 01:12:59,439
Speaker 13: have trust issues.

1629
01:13:00,080 --> 01:13:02,400
Speaker 12: I feel like anybody that get back somebody that cheated

1630
01:13:02,439 --> 01:13:04,439
Speaker 12: on you always got that ship back.

1631
01:13:04,360 --> 01:13:05,240
Speaker 4: In the back of your mind.

1632
01:13:05,320 --> 01:13:06,840
Speaker 1: Like I kind of feel that way too.

1633
01:13:07,320 --> 01:13:09,080
Speaker 4: What made you change? Sure?

1634
01:13:09,160 --> 01:13:11,280
Speaker 1: Like you what about it? She just gave her number

1635
01:13:11,320 --> 01:13:15,240
Speaker 1: to somebody but didn't really do anything. Nothing text messages,

1636
01:13:15,360 --> 01:13:15,760
Speaker 1: that's nothing.

1637
01:13:15,880 --> 01:13:18,000
Speaker 12: You got different type of girls too, Like I know

1638
01:13:18,120 --> 01:13:21,439
Speaker 12: girls that's like a you know, he's like girls from

1639
01:13:21,479 --> 01:13:23,320
Speaker 12: the hood. Niggas come at them and ship. It's like

1640
01:13:24,040 --> 01:13:26,639
Speaker 12: they more aggressive, like noah, or like I got a boyfriend.

1641
01:13:26,960 --> 01:13:30,280
Speaker 12: Then you got certain girls just like hey, they good day,

1642
01:13:30,320 --> 01:13:31,920
Speaker 12: number up. They don't know how to like be a

1643
01:13:32,040 --> 01:13:34,000
Speaker 12: mean like like you know what I'm saying. So the

1644
01:13:34,280 --> 01:13:35,559
Speaker 12: type of females, yeah.

1645
01:13:35,479 --> 01:13:37,840
Speaker 1: For sure, Yeah, or like I think I always could

1646
01:13:37,880 --> 01:13:40,120
Speaker 1: just not answer or not right. You get the number,

1647
01:13:40,120 --> 01:13:41,519
Speaker 1: you're all right, here you go, and then you just

1648
01:13:41,600 --> 01:13:43,120
Speaker 1: never answered the phone because you're like I don't answer

1649
01:13:43,120 --> 01:13:43,800
Speaker 1: those causes right.

1650
01:13:45,080 --> 01:13:47,280
Speaker 12: Then you got them girls like no, I got a boyfriend,

1651
01:13:47,320 --> 01:13:49,360
Speaker 12: like get on my fix. It depends who you are.

1652
01:13:49,439 --> 01:13:52,120
Speaker 1: Right now, Friday, Let's talk about some of the collapse

1653
01:13:52,160 --> 01:13:55,400
Speaker 1: that you've been doing though, because they've been incredible, big

1654
01:13:55,560 --> 01:13:58,360
Speaker 1: name Yeah, So what for you? Right, Let's just say

1655
01:13:58,400 --> 01:13:59,920
Speaker 1: somebody ask you to get on a song. What is

1656
01:14:00,240 --> 01:14:02,240
Speaker 1: the process for you to decide? Like, if this is

1657
01:14:02,280 --> 01:14:05,360
Speaker 1: something that you want to do, what's the feeling?

1658
01:14:05,400 --> 01:14:08,120
Speaker 12: They got to match my brand and they gotta like

1659
01:14:08,880 --> 01:14:10,960
Speaker 12: it's all about music. If we make good music, I'm

1660
01:14:11,040 --> 01:14:13,160
Speaker 12: down to work with whoever. But it also got to

1661
01:14:13,240 --> 01:14:16,040
Speaker 12: make sense on both sides because I also know, like

1662
01:14:16,640 --> 01:14:18,519
Speaker 12: right now I'm the call to guy.

1663
01:14:18,720 --> 01:14:19,280
Speaker 1: Yeah you are.

1664
01:14:20,000 --> 01:14:23,200
Speaker 12: Everybody can't say yes to everybody, so long as everywhere

1665
01:14:23,280 --> 01:14:25,760
Speaker 12: it makes it makes sense for both of us, I'm

1666
01:14:25,800 --> 01:14:26,320
Speaker 12: down to do it.

1667
01:14:26,560 --> 01:14:29,680
Speaker 1: Nice. Okay, Hey Chris Brown, you guys have something new

1668
01:14:29,800 --> 01:14:32,400
Speaker 1: that you just put out. You just did the video.

1669
01:14:33,080 --> 01:14:34,320
Speaker 1: How is that? Working with him?

1670
01:14:35,040 --> 01:14:37,559
Speaker 12: It was crazy because I've been worked with I wrote

1671
01:14:37,560 --> 01:14:40,240
Speaker 12: on his last project, so I wrote willis fall off?

1672
01:14:40,760 --> 01:14:41,559
Speaker 4: They need you right here?

1673
01:14:41,680 --> 01:14:45,400
Speaker 12: Brian Taylor like he already knew about me. We just

1674
01:14:45,520 --> 01:14:48,360
Speaker 12: never like got in person and he d and me like, bro,

1675
01:14:48,400 --> 01:14:48,800
Speaker 12: I want to.

1676
01:14:48,800 --> 01:14:50,879
Speaker 1: Work That's a nice dem.

1677
01:14:52,200 --> 01:14:55,120
Speaker 12: He a humble guy like like it's shocking to me,

1678
01:14:55,200 --> 01:14:56,840
Speaker 12: Like I'm like, bro, you the greatest of all time?

1679
01:14:57,200 --> 01:15:02,040
Speaker 12: He knows some ship like brother, it's cool, just like

1680
01:15:02,080 --> 01:15:04,240
Speaker 12: I want to get in your world, like how you create?

1681
01:15:04,880 --> 01:15:06,680
Speaker 12: That's just him like being a humble guy, like he

1682
01:15:06,760 --> 01:15:07,280
Speaker 12: showed me love.

1683
01:15:07,360 --> 01:15:10,200
Speaker 1: Since how many is there anyone that you're dying to

1684
01:15:10,320 --> 01:15:14,160
Speaker 1: work with? Like you really like your dream collab would

1685
01:15:14,160 --> 01:15:16,160
Speaker 1: be with who Kanye was? Okay?

1686
01:15:16,280 --> 01:15:18,639
Speaker 13: Yeah, a little left, little left answer right now?

1687
01:15:18,800 --> 01:15:21,720
Speaker 1: Yeah, I feel like that could have happened. He got

1688
01:15:21,920 --> 01:15:24,760
Speaker 1: back outside her yet.

1689
01:15:24,920 --> 01:15:24,960
Speaker 4: No.

1690
01:15:25,960 --> 01:15:28,080
Speaker 12: I know you heard me though, because he posted God

1691
01:15:28,200 --> 01:15:31,439
Speaker 12: did it said song of the Year when it came.

1692
01:15:31,280 --> 01:15:32,519
Speaker 4: Out, So I know he know my name.

1693
01:15:33,080 --> 01:15:35,200
Speaker 1: Well, hey, I could get you a song for next year.

1694
01:15:37,880 --> 01:15:40,960
Speaker 13: Kanye, Rihanna and Sissy I messed with.

1695
01:15:41,280 --> 01:15:42,960
Speaker 1: Heavy Okay, we love sister.

1696
01:15:43,120 --> 01:15:43,320
Speaker 8: Yeah.

1697
01:15:43,320 --> 01:15:46,880
Speaker 1: I feel like she's gonna win a lot at this awards. Yeah,

1698
01:15:47,000 --> 01:15:50,320
Speaker 1: she nominated. Yeah, what's your favorite episode the year?

1699
01:15:51,160 --> 01:15:52,760
Speaker 13: Your favorite good question?

1700
01:15:53,479 --> 01:15:56,040
Speaker 4: Mm hmm, damn.

1701
01:15:56,120 --> 01:15:58,559
Speaker 1: I got like a couple okay, and says it's up

1702
01:15:58,560 --> 01:16:01,080
Speaker 1: against Beyonce this year too for me to your words,

1703
01:16:01,560 --> 01:16:04,759
Speaker 1: but I feel like this was his year, like she did.

1704
01:16:04,680 --> 01:16:05,160
Speaker 13: Go this year.

1705
01:16:05,560 --> 01:16:09,040
Speaker 12: I just like her voice, like, I like different people,

1706
01:16:09,280 --> 01:16:13,479
Speaker 12: like people that don't sound like people, you know, like females.

1707
01:16:14,000 --> 01:16:15,759
Speaker 12: You sound like a regular R and B female.

1708
01:16:16,360 --> 01:16:19,360
Speaker 1: So I like the scissors. I like the terms people

1709
01:16:19,479 --> 01:16:21,439
Speaker 1: like as soon as you hear singing, you know that,

1710
01:16:22,760 --> 01:16:24,800
Speaker 1: Like I like when people sing and the lyrics aren't

1711
01:16:24,840 --> 01:16:28,960
Speaker 1: always so sweet. You got her own style to like

1712
01:16:29,320 --> 01:16:31,720
Speaker 1: be talking, ship, be angry. I love it. I'm here

1713
01:16:31,760 --> 01:16:33,439
Speaker 1: for it. Yeah, I like when you sing and talk shit.

1714
01:16:34,080 --> 01:16:36,519
Speaker 1: You know who else is doing that? Chris Brown? Chris

1715
01:16:36,560 --> 01:16:38,240
Speaker 1: Brown is so sweet with it, but he'd be talking

1716
01:16:38,320 --> 01:16:40,800
Speaker 1: nasty and just straight disrespectful people. But it's so sweet

1717
01:16:40,880 --> 01:16:48,120
Speaker 1: that you don't even really forget you play it back. Yeah,

1718
01:16:49,600 --> 01:16:51,960
Speaker 1: Now is it easier for you just being in a

1719
01:16:52,160 --> 01:16:54,840
Speaker 1: relationship while your star is rising the way that it is,

1720
01:16:54,880 --> 01:16:57,439
Speaker 1: because sometimes that stability is something that you need.

1721
01:16:58,880 --> 01:17:00,800
Speaker 13: It's stability.

1722
01:17:00,840 --> 01:17:03,240
Speaker 12: I ain't gonna cat like even I thought I was

1723
01:17:03,360 --> 01:17:05,280
Speaker 12: gonna like you know, all your life, you dream like

1724
01:17:05,400 --> 01:17:08,040
Speaker 12: I'm about to snack when I get on. I'm chilling

1725
01:17:08,120 --> 01:17:10,400
Speaker 12: right now, like because I already see what it's for.

1726
01:17:10,560 --> 01:17:11,439
Speaker 12: I already see all.

1727
01:17:11,360 --> 01:17:14,160
Speaker 1: The The stability keeps you humble though the time, and

1728
01:17:14,200 --> 01:17:17,479
Speaker 1: it's a scary world out there already what it is.

1729
01:17:17,960 --> 01:17:21,320
Speaker 13: I'm not like the new nigga that's like, oh, she

1730
01:17:21,479 --> 01:17:22,120
Speaker 13: want me for me?

1731
01:17:22,280 --> 01:17:23,439
Speaker 1: No, you don't want me for me.

1732
01:17:23,720 --> 01:17:24,320
Speaker 13: You know what I'm saying.

1733
01:17:24,760 --> 01:17:26,840
Speaker 12: I already see through a lot of people, and I

1734
01:17:26,920 --> 01:17:28,519
Speaker 12: be to myself in my own world, so I don't

1735
01:17:28,560 --> 01:17:29,400
Speaker 12: be around all that.

1736
01:17:29,720 --> 01:17:32,240
Speaker 1: All right, Well, listen, we gotta get you on lip

1737
01:17:32,280 --> 01:17:35,840
Speaker 1: service for real in New York. You Philly. I mean,

1738
01:17:35,880 --> 01:17:38,760
Speaker 1: I know you ever around everywhere, but you know the

1739
01:17:38,800 --> 01:17:41,880
Speaker 1: Street album coming out, I'm everything. Oh, don't say I'm

1740
01:17:41,880 --> 01:17:42,360
Speaker 1: gonna do everything.

1741
01:17:43,439 --> 01:17:49,000
Speaker 2: Yeah, we're gonna see you in New York in fact.

1742
01:17:49,120 --> 01:17:50,880
Speaker 1: Now, we still got a question for you though your

1743
01:17:50,920 --> 01:17:54,400
Speaker 1: anniversary of your hip hop right, and it's also BET Awards.

1744
01:17:54,840 --> 01:17:57,519
Speaker 1: What is and a slip service? What is the best

1745
01:17:57,560 --> 01:18:00,519
Speaker 1: hip hop sex song in the history your hip hop?

1746
01:18:00,680 --> 01:18:01,160
Speaker 4: No R and B.

1747
01:18:01,360 --> 01:18:03,320
Speaker 2: Yeah, just hip hop, like a hip hop sex song,

1748
01:18:03,360 --> 01:18:06,479
Speaker 2: maybe that you can answer to yourself to having sex,

1749
01:18:06,560 --> 01:18:09,360
Speaker 2: to not making love necessarily, but like a good hip

1750
01:18:09,400 --> 01:18:10,200
Speaker 2: hop sex song.

1751
01:18:11,600 --> 01:18:14,920
Speaker 13: Question, Cat, come with it.

1752
01:18:15,479 --> 01:18:16,599
Speaker 1: Come on, it's lip service.

1753
01:18:18,120 --> 01:18:19,320
Speaker 13: It gotta be some drake ship.

1754
01:18:19,840 --> 01:18:21,360
Speaker 12: Your first thing that came to my head is that

1755
01:18:21,640 --> 01:18:23,840
Speaker 12: the nigga he had this song out two years ago,

1756
01:18:24,120 --> 01:18:24,840
Speaker 12: to throw Baby.

1757
01:18:27,680 --> 01:18:31,599
Speaker 1: That's a great one. This question, that's a good one.

1758
01:18:32,000 --> 01:18:33,479
Speaker 1: You're the first one that said that's yes.

1759
01:18:33,640 --> 01:18:38,360
Speaker 13: And Ship came to my head, asked that question before answer.

1760
01:18:39,320 --> 01:18:41,439
Speaker 13: We know his thing the show, but after that it

1761
01:18:41,479 --> 01:18:42,480
Speaker 13: will be like probably.

1762
01:18:42,240 --> 01:18:45,720
Speaker 1: Some drake sh drake so baby, and then he said,

1763
01:18:45,760 --> 01:18:50,639
Speaker 1: and then maybe some throw baby. Calming down here, Well, Friday,

1764
01:18:50,680 --> 01:18:53,200
Speaker 1: it's always a pleasure to see you. Yes, don we

1765
01:18:53,280 --> 01:18:55,360
Speaker 1: appreciate you. You look forward to when you're doing everybody

1766
01:18:55,439 --> 01:18:59,479
Speaker 1: else and you come and you see you'll first carry it.

1767
01:19:00,000 --> 01:19:03,720
Speaker 1: Thank you, Friday. Yes, it's lip Service. I'm Angela Yee,

1768
01:19:03,760 --> 01:19:06,519
Speaker 1: I'm J. J. Maguire, I'm Jazzling Branch, and I'm Keana

1769
01:19:06,600 --> 01:19:09,680
Speaker 1: to day. I was just gonna say I sounded like

1770
01:19:09,760 --> 01:19:12,040
Speaker 1: a like a part of the bunch. Yes, And we

1771
01:19:12,240 --> 01:19:14,240
Speaker 1: just put out our lip Service full episode with you,

1772
01:19:14,360 --> 01:19:16,920
Speaker 1: which is one of my favorites. So we thank you

1773
01:19:17,000 --> 01:19:19,040
Speaker 1: for that. And you just put out your album, Yes

1774
01:19:19,120 --> 01:19:22,040
Speaker 1: you did, and it is amazing. Yes and grudgeous. We

1775
01:19:22,120 --> 01:19:24,240
Speaker 1: got a chance to, as we said previewer early, but

1776
01:19:24,320 --> 01:19:26,240
Speaker 1: now it's out for the masses to hear. Now I

1777
01:19:26,280 --> 01:19:27,920
Speaker 1: could just stream it on Apple. I don't got to

1778
01:19:28,040 --> 01:19:32,679
Speaker 1: do all exactly. So how do you feel? I feel

1779
01:19:32,800 --> 01:19:35,240
Speaker 1: so good, it's so nice to get it out. I

1780
01:19:35,320 --> 01:19:36,000
Speaker 1: feel like I can.

1781
01:19:36,280 --> 01:19:40,280
Speaker 16: Breathe now right, yes, yes, while everybody else sings it now,

1782
01:19:40,960 --> 01:19:41,639
Speaker 16: do you read.

1783
01:19:41,520 --> 01:19:44,080
Speaker 3: Reviews and comments about the project? Or you just kind

1784
01:19:44,120 --> 01:19:45,080
Speaker 3: of put it out there.

1785
01:19:45,000 --> 01:19:46,640
Speaker 1: And that's it, you know.

1786
01:19:47,479 --> 01:19:51,160
Speaker 16: I feel like it depends on the day, Like one

1787
01:19:51,280 --> 01:19:53,200
Speaker 16: day I'll be like, let me read every single review,

1788
01:19:53,280 --> 01:19:54,840
Speaker 16: let me go on Twitter and search my name so

1789
01:19:54,920 --> 01:19:56,600
Speaker 16: that you know it's not just never mentioning me.

1790
01:19:56,720 --> 01:19:58,679
Speaker 1: And I know it's such a bad idea.

1791
01:19:58,880 --> 01:20:01,080
Speaker 16: It's such a bad idea, but I mean, for the

1792
01:20:01,200 --> 01:20:04,960
Speaker 16: most part, everybody's loving it. So from what I see,

1793
01:20:05,320 --> 01:20:10,639
Speaker 16: I always feel like really grateful that I looked at it. Yeah, definitely, Yeah.

1794
01:20:10,720 --> 01:20:14,280
Speaker 16: I do not recommend in general, but for me right now,

1795
01:20:14,400 --> 01:20:15,160
Speaker 16: it's good and.

1796
01:20:15,240 --> 01:20:18,559
Speaker 2: Positive feedback is always reassuring exactly exactly.

1797
01:20:18,680 --> 01:20:20,720
Speaker 1: And you know what, though, there's no the internet could

1798
01:20:20,760 --> 01:20:23,160
Speaker 1: be a crazy, scary, but the Internet is wild. As

1799
01:20:23,240 --> 01:20:25,240
Speaker 1: much as people are saying positive things, there's always be

1800
01:20:25,320 --> 01:20:28,040
Speaker 1: some random like you know what. It always it's always

1801
01:20:28,040 --> 01:20:28,320
Speaker 1: wanted to be.

1802
01:20:28,400 --> 01:20:31,320
Speaker 2: But I will say in general, you know, Keana. The

1803
01:20:31,360 --> 01:20:33,720
Speaker 2: day is very well loved and well received, so that's

1804
01:20:33,760 --> 01:20:34,240
Speaker 2: a blessing.

1805
01:20:34,640 --> 01:20:34,920
Speaker 1: Thank you.

1806
01:20:35,080 --> 01:20:39,200
Speaker 16: And you have the tour right yeah, coming up in September, Shesh,

1807
01:20:39,439 --> 01:20:41,719
Speaker 16: you are so busy, So are you ready?

1808
01:20:41,800 --> 01:20:42,679
Speaker 1: What is that preparation?

1809
01:20:42,880 --> 01:20:42,920
Speaker 15: Like?

1810
01:20:43,760 --> 01:20:44,559
Speaker 1: It's fun.

1811
01:20:44,920 --> 01:20:47,280
Speaker 16: I love it, like I love being able to try

1812
01:20:47,320 --> 01:20:49,400
Speaker 16: on my acute little outfits and that's not what I'm

1813
01:20:49,400 --> 01:20:51,920
Speaker 16: gonna wear in a different city every night. I love

1814
01:20:52,000 --> 01:20:54,559
Speaker 16: being with my band and us just jamming and every

1815
01:20:54,640 --> 01:20:57,600
Speaker 16: single rehearsal. Like I love my band, I love the

1816
01:20:57,680 --> 01:20:59,280
Speaker 16: people who are going to be a part of the tour.

1817
01:20:59,400 --> 01:21:01,320
Speaker 16: So it feels really good to be with people that

1818
01:21:01,400 --> 01:21:03,599
Speaker 16: you love and be able to create in a different

1819
01:21:03,640 --> 01:21:04,719
Speaker 16: way than in the studio.

1820
01:21:05,040 --> 01:21:07,160
Speaker 1: Yeah, and now that you put this out, are you

1821
01:21:07,200 --> 01:21:09,920
Speaker 1: already working on West next or you need to? I

1822
01:21:09,960 --> 01:21:13,560
Speaker 1: can't allow people be like this is out, but I

1823
01:21:13,640 --> 01:21:15,800
Speaker 1: already have well, no, I don't have.

1824
01:21:16,200 --> 01:21:19,000
Speaker 16: Listen, I got some songs left over from the last

1825
01:21:19,040 --> 01:21:21,240
Speaker 16: one that I didn't feel like I was ready to

1826
01:21:21,360 --> 01:21:24,320
Speaker 16: release yet, so those are definitely most likely going to

1827
01:21:24,360 --> 01:21:26,560
Speaker 16: be on the next project. But right now, I'm just

1828
01:21:26,640 --> 01:21:29,040
Speaker 16: focused on tour and just like breathing and living my

1829
01:21:29,120 --> 01:21:29,559
Speaker 16: life again.

1830
01:21:29,720 --> 01:21:31,280
Speaker 1: And when is the last time you've been on a date?

1831
01:21:33,560 --> 01:21:34,479
Speaker 1: A couple of days ago?

1832
01:21:34,600 --> 01:21:39,840
Speaker 16: Probably where'd I'll go, m I couldn't even tell you,

1833
01:21:40,040 --> 01:21:41,400
Speaker 16: but I'm sure it was a couple of days ago.

1834
01:21:42,080 --> 01:21:47,000
Speaker 1: Okay, a date? Okay now, because I feel like you

1835
01:21:47,120 --> 01:21:48,880
Speaker 1: need that, you know, you need somebody to celebrate with.

1836
01:21:49,200 --> 01:21:52,400
Speaker 16: Yeah, yeah, I celebrate mostly with Christine, my manager and

1837
01:21:52,479 --> 01:21:53,040
Speaker 16: my best friend.

1838
01:21:53,120 --> 01:21:53,559
Speaker 4: That's the other.

1839
01:21:53,640 --> 01:21:55,880
Speaker 1: Every day we just be celebrating. Tell her she can't

1840
01:21:55,880 --> 01:21:59,080
Speaker 1: have no cash. No, I tell her this about day

1841
01:21:59,439 --> 01:22:02,320
Speaker 1: you said it last time. When is she ever allowed

1842
01:22:02,360 --> 01:22:04,120
Speaker 1: to have a child or just uh?

1843
01:22:04,280 --> 01:22:06,759
Speaker 16: She said when I graduate college, which we're still deciding

1844
01:22:06,800 --> 01:22:09,240
Speaker 16: in the music industry what that is because I never

1845
01:22:09,320 --> 01:22:11,639
Speaker 16: graduated college in real life. Didn't even go barely finished

1846
01:22:11,680 --> 01:22:14,240
Speaker 16: high school, which that was I cheated through that. Okay,

1847
01:22:14,840 --> 01:22:17,400
Speaker 16: but yeah, so she's not allowed to have a child,

1848
01:22:17,560 --> 01:22:19,360
Speaker 16: no time soon. I need at least five more years

1849
01:22:19,360 --> 01:22:20,200
Speaker 16: with her by myself.

1850
01:22:20,840 --> 01:22:25,000
Speaker 1: That pregnancy girl on her then, I know. Yeah, we

1851
01:22:25,080 --> 01:22:30,040
Speaker 1: have some bad jokes about that one stairs. Oh my god,

1852
01:22:30,400 --> 01:22:31,720
Speaker 1: I can kickbox.

1853
01:22:33,280 --> 01:22:36,280
Speaker 2: Keet up paying her on so not plus side the circle,

1854
01:22:36,560 --> 01:22:39,240
Speaker 2: not plus her down the stairs on the back.

1855
01:22:39,800 --> 01:22:42,519
Speaker 1: Sorry, not sorry, you got a six sense of humor?

1856
01:22:43,479 --> 01:22:45,200
Speaker 4: Yep, I do that.

1857
01:22:45,360 --> 01:22:47,160
Speaker 1: We've been also talking about being like, this is the

1858
01:22:47,200 --> 01:22:49,519
Speaker 1: fiftieth anniversary of hip hop, that's what it's all about

1859
01:22:49,560 --> 01:22:51,760
Speaker 1: this year. What do you think is the best ever

1860
01:22:51,960 --> 01:22:57,120
Speaker 1: hip hop sex song? Oh, something that you're like, Okay,

1861
01:22:57,280 --> 01:23:01,200
Speaker 1: this is like this to have sex, no R and

1862
01:23:01,280 --> 01:23:02,719
Speaker 1: B hip hop only. Okay.

1863
01:23:07,120 --> 01:23:07,640
Speaker 4: I don't know.

1864
01:23:08,120 --> 01:23:08,760
Speaker 1: I just feel like.

1865
01:23:10,439 --> 01:23:13,679
Speaker 16: Maybe something that pumps me up, maybe like like maybe

1866
01:23:14,560 --> 01:23:16,880
Speaker 16: I don't know, yeah, because I feel good, Like I

1867
01:23:16,960 --> 01:23:20,000
Speaker 16: feel confident about myself. You know, Oh, I know I

1868
01:23:20,080 --> 01:23:23,040
Speaker 16: have wet pussy, so like I feel confident about myself

1869
01:23:23,080 --> 01:23:25,080
Speaker 16: and it just empowers me to like you're like, the.

1870
01:23:25,120 --> 01:23:30,240
Speaker 1: Song is what I mean again? Is always reassuring exactly exactly,

1871
01:23:31,479 --> 01:23:33,880
Speaker 1: and guys have to understand that if for whatever reason

1872
01:23:33,880 --> 01:23:37,720
Speaker 1: it's not wet, it's their fault, exactly your fault. There's

1873
01:23:37,760 --> 01:23:38,360
Speaker 1: things you can do.

1874
01:23:38,640 --> 01:23:40,120
Speaker 2: You can't put the cookies in the oven if the

1875
01:23:40,160 --> 01:23:42,120
Speaker 2: oven is still cold. You have up first and just

1876
01:23:42,240 --> 01:23:42,880
Speaker 2: take the cookies in.

1877
01:23:43,439 --> 01:23:43,720
Speaker 4: That was.

1878
01:23:45,439 --> 01:23:49,519
Speaker 1: That was I'm using that. Hopefully I never have to

1879
01:23:49,680 --> 01:23:53,559
Speaker 1: use that, but in the case that you have your

1880
01:23:53,600 --> 01:23:55,280
Speaker 1: go to that is the worst. It's not like your puss.

1881
01:23:55,280 --> 01:23:57,320
Speaker 1: You just be wet all day. You gotta do something

1882
01:23:57,439 --> 01:24:00,719
Speaker 1: for it to get there, to warm me up. Mm hmmm.

1883
01:24:00,920 --> 01:24:02,720
Speaker 1: I don't have to be like, uh, you know, I

1884
01:24:02,720 --> 01:24:04,840
Speaker 1: don't have to be crazy, but a little something, yeah,

1885
01:24:05,080 --> 01:24:08,880
Speaker 1: at a minimum, rub on it, you know it, put

1886
01:24:08,920 --> 01:24:12,760
Speaker 1: your mouth down there. I need everything. Yeah, yeah, the.

1887
01:24:12,760 --> 01:24:16,639
Speaker 16: Whole, the whole need like every first, Like I want

1888
01:24:16,800 --> 01:24:20,840
Speaker 16: to feel like you will never look at another person.

1889
01:24:21,680 --> 01:24:22,479
Speaker 1: This should goes.

1890
01:24:22,520 --> 01:24:22,920
Speaker 4: This is so.

1891
01:24:26,320 --> 01:24:28,760
Speaker 3: Listen because I thought about you because you don't like

1892
01:24:28,880 --> 01:24:31,880
Speaker 3: your man liking other pictures on Instagram, and so I

1893
01:24:32,960 --> 01:24:35,519
Speaker 3: thought about you because something happened and I was like,

1894
01:24:35,600 --> 01:24:37,400
Speaker 3: but to you, yeah, yeah you.

1895
01:24:39,320 --> 01:24:41,760
Speaker 1: Yeah, And I was just like this and I went

1896
01:24:41,800 --> 01:24:44,120
Speaker 1: to you and I was like, am I invented? Or

1897
01:24:44,200 --> 01:24:44,560
Speaker 1: am I not?

1898
01:24:45,760 --> 01:24:45,960
Speaker 4: You were?

1899
01:24:46,760 --> 01:24:49,680
Speaker 1: I don't know a little bit. I don't know all

1900
01:24:49,760 --> 01:24:51,400
Speaker 1: my attention, but I thought about our conversation.

1901
01:24:51,680 --> 01:24:54,920
Speaker 16: Yes, good, I'm glad that I could be there be

1902
01:24:55,000 --> 01:24:59,680
Speaker 16: a little voice in your right yet out sitting on

1903
01:24:59,720 --> 01:24:59,960
Speaker 16: the show.

1904
01:25:01,600 --> 01:25:03,519
Speaker 1: Well, listen, other day, we know you are making the

1905
01:25:03,600 --> 01:25:05,680
Speaker 1: round here, but we appreciate you so much. And like

1906
01:25:05,760 --> 01:25:08,760
Speaker 1: I said, you're always like welcome in our circle. So

1907
01:25:09,560 --> 01:25:14,280
Speaker 1: you know, congratulations graduating, amazing phenomenal album, and you are

1908
01:25:14,280 --> 01:25:18,000
Speaker 1: an amazing phenomenal person. So we appreciate you and look

1909
01:25:18,040 --> 01:25:22,479
Speaker 1: forward to say we appreciate your wi. Your w is

1910
01:25:22,520 --> 01:25:25,920
Speaker 1: appreciated here like me to. I appreciate my walk, Yes,

1911
01:25:26,280 --> 01:25:29,960
Speaker 1: and so do they, whoever they is. I'm just saying,

1912
01:25:30,040 --> 01:25:35,680
Speaker 1: shout out today today, what's up the slip service. I'm

1913
01:25:35,680 --> 01:25:41,080
Speaker 1: Angela Ye, I'm g G. Maguire, I'm Jazmine Brand. Okay,

1914
01:25:41,120 --> 01:25:41,759
Speaker 1: you look fresh.

1915
01:25:42,080 --> 01:25:44,120
Speaker 4: Thank you. I appreciate that. I try to stay jippy.

1916
01:25:44,880 --> 01:25:48,479
Speaker 1: You're very drippy that that next is serious in the

1917
01:25:48,560 --> 01:25:49,120
Speaker 1: red water.

1918
01:25:50,640 --> 01:25:54,400
Speaker 4: Youm moving here all right? Then this the Baca Killer.

1919
01:25:55,160 --> 01:25:58,680
Speaker 1: Okay, because everybody like that. I know that's right. You're

1920
01:25:58,720 --> 01:25:59,719
Speaker 1: not gonna but it's a secret.

1921
01:26:00,280 --> 01:26:01,960
Speaker 4: Oh yes, the secret. Now I don't I don't give

1922
01:26:02,040 --> 01:26:03,720
Speaker 4: my ingredients. You know what I'm saying.

1923
01:26:04,040 --> 01:26:07,160
Speaker 1: Let me let me bet you mix something. You do

1924
01:26:07,240 --> 01:26:08,200
Speaker 1: a little this and a little as.

1925
01:26:08,240 --> 01:26:11,080
Speaker 18: Ever times, but today we're not doing no mixed today

1926
01:26:11,560 --> 01:26:13,800
Speaker 18: on a one man show.

1927
01:26:14,160 --> 01:26:15,240
Speaker 4: Don't get it all the way over.

1928
01:26:15,280 --> 01:26:19,080
Speaker 1: It's given one sound. I got it. Well. You know

1929
01:26:19,160 --> 01:26:21,559
Speaker 1: we are here at the BT Aboards. It's a fiftieth

1930
01:26:21,600 --> 01:26:24,840
Speaker 1: anniversary of hip hop. Also, Sauce Walker is here and

1931
01:26:24,880 --> 01:26:27,320
Speaker 1: you're from a place that when it comes to hip hop,

1932
01:26:27,439 --> 01:26:31,320
Speaker 1: like y'all really can be a movement in yourself. Absolutely

1933
01:26:31,479 --> 01:26:32,440
Speaker 1: in Houston.

1934
01:26:32,200 --> 01:26:33,320
Speaker 4: Absolutely absolutely.

1935
01:26:33,720 --> 01:26:37,360
Speaker 18: My city has definitely contributed a lot to the music industry,

1936
01:26:37,760 --> 01:26:40,320
Speaker 18: a lot of style, a lot of historic moments, a

1937
01:26:40,400 --> 01:26:40,680
Speaker 18: lot of.

1938
01:26:42,160 --> 01:26:42,720
Speaker 4: Diversity.

1939
01:26:42,960 --> 01:26:45,720
Speaker 18: You know, we're having artists from different races such as

1940
01:26:45,760 --> 01:26:48,840
Speaker 18: the lights of Paul Wall and u x PM and

1941
01:26:49,160 --> 01:26:52,040
Speaker 18: my artist Paso pay So like, we just very diverse

1942
01:26:52,120 --> 01:26:55,639
Speaker 18: with the Latin and the not even just the Latin community,

1943
01:26:55,800 --> 01:26:58,000
Speaker 18: just period we have We've had a lot of stars

1944
01:26:58,040 --> 01:27:00,599
Speaker 18: that come from Houston. They're not commonly, they come from places.

1945
01:27:00,640 --> 01:27:03,080
Speaker 18: And then we also just have that Southern sound, that

1946
01:27:03,200 --> 01:27:03,920
Speaker 18: Southern twang.

1947
01:27:04,400 --> 01:27:04,560
Speaker 4: You know.

1948
01:27:04,640 --> 01:27:07,280
Speaker 18: We got the whole screwed up, the whole screwed up movement,

1949
01:27:07,400 --> 01:27:09,120
Speaker 18: you know, the rap alize and then now you have

1950
01:27:09,240 --> 01:27:12,479
Speaker 18: my movement to yourself the sauce you know, that became

1951
01:27:12,560 --> 01:27:15,799
Speaker 18: a whole worldwide epidemic, got everybody saying drip sauce splash,

1952
01:27:15,840 --> 01:27:15,960
Speaker 18: you know.

1953
01:27:16,520 --> 01:27:20,400
Speaker 1: Indeed, and another thing I noticed too, is the entrepreneurial

1954
01:27:20,560 --> 01:27:23,960
Speaker 1: spirit in Houston is independently. Yeah, when it comes to

1955
01:27:24,160 --> 01:27:27,000
Speaker 1: like the music business, but other businesses too, because y'all

1956
01:27:27,320 --> 01:27:29,400
Speaker 1: move out of that and like everybody's like I'm opening this,

1957
01:27:29,520 --> 01:27:30,360
Speaker 1: I got this going away.

1958
01:27:30,479 --> 01:27:34,160
Speaker 18: Absolutely, you know, Houston is kind of a it's a

1959
01:27:34,240 --> 01:27:36,720
Speaker 18: crazy place and sometimes it doesn't seem real, but it's

1960
01:27:36,760 --> 01:27:41,640
Speaker 18: definitely like a it's definitely a black person's paradise for

1961
01:27:41,960 --> 01:27:47,040
Speaker 18: entrepreneurship and creating new wealth and new residual income off

1962
01:27:47,120 --> 01:27:49,919
Speaker 18: of just having an idea. It's a place where everybody

1963
01:27:49,960 --> 01:27:52,720
Speaker 18: that has a business has a diamond chain pended to

1964
01:27:52,800 --> 01:27:57,280
Speaker 18: represent it. They have cars and billboards and and and

1965
01:27:57,439 --> 01:28:00,120
Speaker 18: have a nice engagement of people that come as with

1966
01:28:00,240 --> 01:28:03,000
Speaker 18: that business. Because Houston is a very social, fun place.

1967
01:28:03,080 --> 01:28:05,200
Speaker 18: Everybody want to be out and have fun, and it's

1968
01:28:05,200 --> 01:28:09,360
Speaker 18: a lot of money circulating. So it just it's a

1969
01:28:09,400 --> 01:28:11,639
Speaker 18: gift and it's a curse because you can be famous

1970
01:28:11,680 --> 01:28:13,240
Speaker 18: and you can make a lot of money in Texas

1971
01:28:13,280 --> 01:28:15,800
Speaker 18: and in Houston and not feel the need or feel

1972
01:28:15,800 --> 01:28:18,640
Speaker 18: the urgentness to travel and go to other places to

1973
01:28:18,720 --> 01:28:21,000
Speaker 18: expand your brand because you can still be a multi

1974
01:28:21,120 --> 01:28:23,840
Speaker 18: millionaire right in Houston, so not have to learn in

1975
01:28:23,920 --> 01:28:24,759
Speaker 18: Texas in general.

1976
01:28:24,840 --> 01:28:27,320
Speaker 4: Period. So you know, you just got to just create

1977
01:28:27,360 --> 01:28:29,599
Speaker 4: the balance. But it's a blessing to be from Houston.

1978
01:28:29,640 --> 01:28:32,599
Speaker 18: But you know, we also get shadowed over a few

1979
01:28:33,000 --> 01:28:35,360
Speaker 18: a little bit because we deep deep in the South.

1980
01:28:35,520 --> 01:28:37,080
Speaker 4: But you know, it's a blessing.

1981
01:28:37,400 --> 01:28:39,519
Speaker 18: I love to be from the culture and represent the

1982
01:28:39,560 --> 01:28:41,320
Speaker 18: culture and have the keys to the culture now and

1983
01:28:41,840 --> 01:28:45,599
Speaker 18: you know, bring new life and new essence and new

1984
01:28:45,640 --> 01:28:47,479
Speaker 18: style and new creativity to Houston.

1985
01:28:47,880 --> 01:28:50,639
Speaker 1: One thing I saw that you were doing was managing

1986
01:28:50,720 --> 01:28:54,320
Speaker 1: only fans pages absolutely for people and making like millions

1987
01:28:54,360 --> 01:28:57,280
Speaker 1: and millions of dollars. How did you figure that out?

1988
01:28:57,360 --> 01:28:59,120
Speaker 1: That's a cheat code right there. First of all, you

1989
01:28:59,160 --> 01:29:00,760
Speaker 1: won't manage mine, because.

1990
01:29:00,560 --> 01:29:05,880
Speaker 4: I absolutely will, because absolutely.

1991
01:29:05,600 --> 01:29:08,400
Speaker 1: I need to bring my mind back up. It slipped

1992
01:29:08,400 --> 01:29:08,640
Speaker 1: down a.

1993
01:29:08,680 --> 01:29:10,840
Speaker 18: Great team and a great staff for people to do

1994
01:29:11,120 --> 01:29:16,160
Speaker 18: TikTok campaigns, to do monetization and moderation of how you

1995
01:29:16,240 --> 01:29:18,599
Speaker 18: suppose what you supposed, what you should take pictures, how

1996
01:29:18,600 --> 01:29:19,639
Speaker 18: you should film lighting.

1997
01:29:20,880 --> 01:29:21,800
Speaker 4: You know all.

1998
01:29:23,479 --> 01:29:25,120
Speaker 18: I just I was just the person that just always

1999
01:29:25,160 --> 01:29:27,000
Speaker 18: looked at the life that you know, a man works

2000
01:29:27,120 --> 01:29:29,519
Speaker 18: very hard in life to take care of women, to

2001
01:29:29,600 --> 01:29:31,639
Speaker 18: look good for women, and then a lot of men

2002
01:29:31,840 --> 01:29:33,960
Speaker 18: lose a lot of their fortune or a lot of

2003
01:29:34,040 --> 01:29:38,120
Speaker 18: their great opportunities and times that they had to take

2004
01:29:38,200 --> 01:29:40,080
Speaker 18: care of themselves, to take care of their families because

2005
01:29:40,080 --> 01:29:43,600
Speaker 18: they were chasing having sex or just having not uh

2006
01:29:44,080 --> 01:29:46,960
Speaker 18: not monogamous, but just random relationships with women that doesn't

2007
01:29:47,000 --> 01:29:49,559
Speaker 18: mean anything to them. So I just tried and will.

2008
01:29:49,600 --> 01:29:52,080
Speaker 18: Being an artist, you a target. Every girl want to

2009
01:29:52,120 --> 01:29:53,400
Speaker 18: have sex with you, or they want to meet you,

2010
01:29:53,479 --> 01:29:55,200
Speaker 18: or they might like you or they may not. But

2011
01:29:55,960 --> 01:29:57,920
Speaker 18: you are put in front of women every day. So

2012
01:29:58,160 --> 01:30:00,240
Speaker 18: when only fans came out and they made as to

2013
01:30:00,800 --> 01:30:03,040
Speaker 18: it was COVID people not doing shows, it made sense

2014
01:30:03,080 --> 01:30:06,240
Speaker 18: to have be on only fans. Why not just making

2015
01:30:06,320 --> 01:30:08,800
Speaker 18: rap money? It's streaming money. It's the same thing as

2016
01:30:08,800 --> 01:30:09,439
Speaker 18: a record label.

2017
01:30:09,720 --> 01:30:13,320
Speaker 1: See what I mean? He hustling. It's not a game

2018
01:30:13,520 --> 01:30:17,519
Speaker 1: contrepreneurial spirit. Could you not see it in your soul?

2019
01:30:19,000 --> 01:30:21,200
Speaker 4: It's just a different woman being on YouTube that's out

2020
01:30:21,240 --> 01:30:21,320
Speaker 4: of it.

2021
01:30:21,520 --> 01:30:24,120
Speaker 1: And then you also constantly are putting out music. I

2022
01:30:24,160 --> 01:30:26,040
Speaker 1: don't even know how you have time. And that's how

2023
01:30:26,040 --> 01:30:27,439
Speaker 1: I know you do it because you love it, right,

2024
01:30:27,560 --> 01:30:30,120
Speaker 1: because you're making so much money doing so many other things.

2025
01:30:30,640 --> 01:30:34,320
Speaker 1: And to me, music takes a lot of effort, you know,

2026
01:30:34,520 --> 01:30:36,920
Speaker 1: just to even be yeah to you know, come up

2027
01:30:36,960 --> 01:30:39,639
Speaker 1: with concepts and write the songs, figure out what you're

2028
01:30:39,640 --> 01:30:42,559
Speaker 1: gonna use. Get whatever collapse. Now you gotta put it out.

2029
01:30:42,560 --> 01:30:45,200
Speaker 1: You got to push it. And so let's talk about

2030
01:30:45,200 --> 01:30:46,559
Speaker 1: what you have going on musically now.

2031
01:30:47,560 --> 01:30:50,479
Speaker 18: I have I have a lot of albums coming out

2032
01:30:50,520 --> 01:30:52,360
Speaker 18: this year. I have a summer album coming out called

2033
01:30:52,439 --> 01:30:57,040
Speaker 18: that Board in Uh. It's gonna be like, you know, exciting,

2034
01:30:58,120 --> 01:31:00,240
Speaker 18: like I don't want to say ratchet, but like kind

2035
01:31:00,280 --> 01:31:04,600
Speaker 18: of like you know, like an album where men and

2036
01:31:04,800 --> 01:31:11,080
Speaker 18: women can get loose and enjoy being being themselves and

2037
01:31:11,200 --> 01:31:13,280
Speaker 18: being free, you know, and just you know what I'm saying,

2038
01:31:13,360 --> 01:31:15,400
Speaker 18: having fun, like the way that the way that the

2039
01:31:15,520 --> 01:31:17,600
Speaker 18: music is now it's turning up. But women have so

2040
01:31:17,760 --> 01:31:21,720
Speaker 18: much power, so much influencing the music right now, and

2041
01:31:21,920 --> 01:31:23,439
Speaker 18: I love it. It's beautiful, you know what I'm saying.

2042
01:31:23,560 --> 01:31:27,040
Speaker 18: I love to see, you know, certain men get put

2043
01:31:27,080 --> 01:31:30,519
Speaker 18: in their place by women in their music. It deserves

2044
01:31:30,600 --> 01:31:30,960
Speaker 18: to happen.

2045
01:31:31,320 --> 01:31:32,000
Speaker 4: I love I love it.

2046
01:31:32,040 --> 01:31:35,000
Speaker 18: Tools in the sixty ribs. I love all that I'm

2047
01:31:35,040 --> 01:31:35,320
Speaker 18: here for.

2048
01:31:36,800 --> 01:31:37,240
Speaker 4: The same way.

2049
01:31:37,320 --> 01:31:46,720
Speaker 1: So for the guys, now, y'all, y'all been had this thing,

2050
01:31:46,800 --> 01:31:47,280
Speaker 1: y'all had it.

2051
01:31:47,320 --> 01:31:50,600
Speaker 4: For you know.

2052
01:31:51,439 --> 01:31:53,400
Speaker 1: I mean, so that album is coming out this summer.

2053
01:31:53,520 --> 01:31:53,960
Speaker 4: This summer.

2054
01:31:54,880 --> 01:31:57,720
Speaker 18: Board and I also have a lyrical album, a New

2055
01:31:57,800 --> 01:31:59,960
Speaker 18: York based album. It's like a lot of conscious music,

2056
01:32:00,520 --> 01:32:03,320
Speaker 18: a lot of food for thought, a lot of financial literacy,

2057
01:32:03,439 --> 01:32:05,120
Speaker 18: like teaching people what to do with their money, where

2058
01:32:05,120 --> 01:32:09,000
Speaker 18: they invest your money, you know, police brutality, just think

2059
01:32:09,080 --> 01:32:11,080
Speaker 18: different things that people going through in poverty and stuff.

2060
01:32:11,120 --> 01:32:14,040
Speaker 18: It's called New South City, is produced by Dandre. It's

2061
01:32:14,120 --> 01:32:16,320
Speaker 18: like kind of resembles the ghettup Gospel ever my drop.

2062
01:32:16,400 --> 01:32:17,320
Speaker 18: So that's coming out.

2063
01:32:17,240 --> 01:32:20,599
Speaker 1: This year, music video, all different places.

2064
01:32:21,080 --> 01:32:21,280
Speaker 4: Yeah.

2065
01:32:21,360 --> 01:32:25,519
Speaker 18: Absolutely, Yeah, I'm very diverse. I have a large variety.

2066
01:32:25,560 --> 01:32:27,200
Speaker 18: I've been through a lot of things in life. I've

2067
01:32:27,200 --> 01:32:29,960
Speaker 18: lived a lot of lives very fast. I've experienced a

2068
01:32:29,960 --> 01:32:32,479
Speaker 18: lot of things young, i have a lot of knowledge.

2069
01:32:32,520 --> 01:32:35,519
Speaker 18: I'm crazy and wild, I'm all the stuff on social media,

2070
01:32:35,560 --> 01:32:39,920
Speaker 18: but I'm I'm also a you got your functioning.

2071
01:32:39,680 --> 01:32:41,560
Speaker 1: Machine, you know, you talk about all the things that

2072
01:32:41,640 --> 01:32:43,400
Speaker 1: you've been through, like in your life. You feel like

2073
01:32:43,439 --> 01:32:46,080
Speaker 1: you have PTSD. Somebody was telling me that if you

2074
01:32:46,160 --> 01:32:48,640
Speaker 1: are a black person in America, you have PTSG.

2075
01:32:49,320 --> 01:32:49,559
Speaker 4: Yeah.

2076
01:32:50,320 --> 01:32:55,200
Speaker 18: Absolutely, but I think I reconstructed my PTSD to putting

2077
01:32:55,200 --> 01:32:57,120
Speaker 18: that shit down. You know what I'm saying. Like they

2078
01:32:57,160 --> 01:32:59,160
Speaker 18: say put it on, put that shit on. I put

2079
01:32:59,200 --> 01:33:02,680
Speaker 18: that ship down nice time. It was postomatic distress, but

2080
01:33:02,800 --> 01:33:04,920
Speaker 18: we turned into you know what I'm saying, putting that

2081
01:33:05,000 --> 01:33:08,200
Speaker 18: shit down. We're putting this like gravity. We're gonna get

2082
01:33:08,240 --> 01:33:10,960
Speaker 18: through it. Put to put the bullshit down and put

2083
01:33:11,040 --> 01:33:14,000
Speaker 18: the put the hard work down. You're gonna get the

2084
01:33:15,400 --> 01:33:18,440
Speaker 18: fruits from your label. It's gonna come back up, period.

2085
01:33:18,080 --> 01:33:18,679
Speaker 4: You know what I'm saying.

2086
01:33:18,760 --> 01:33:21,599
Speaker 1: So you know, now, for the fiftieth anniversary of hip hop,

2087
01:33:21,640 --> 01:33:24,160
Speaker 1: we've been asking people this is lip service, this is

2088
01:33:24,240 --> 01:33:27,600
Speaker 1: bet Awards, this is like we said, fifty years of

2089
01:33:27,680 --> 01:33:30,920
Speaker 1: hip hop. What is the best ever hip hop sex song?

2090
01:33:31,080 --> 01:33:33,320
Speaker 1: The best hip hop song to have sex too? And

2091
01:33:33,439 --> 01:33:36,320
Speaker 1: it doesn't have to be from any time period, any GRAMA.

2092
01:33:36,479 --> 01:33:39,679
Speaker 1: Just for you when I say hip hop sex song,

2093
01:33:39,800 --> 01:33:44,599
Speaker 1: what do you think? Man?

2094
01:33:45,240 --> 01:33:46,800
Speaker 4: That's a deep question right there.

2095
01:33:51,760 --> 01:33:54,800
Speaker 18: If if you know, like for me to even pick

2096
01:33:54,880 --> 01:33:56,640
Speaker 18: us on this, I have to go like way back

2097
01:33:56,720 --> 01:34:01,360
Speaker 18: into my hoghschool years there, like high school.

2098
01:34:01,160 --> 01:34:04,719
Speaker 4: Before I was just all the way and this stuff

2099
01:34:04,840 --> 01:34:09,840
Speaker 4: like this, Maybe what was that dude? It wasn't. It

2100
01:34:10,000 --> 01:34:11,479
Speaker 4: wasn't a pretty ricky What was that?

2101
01:34:11,800 --> 01:34:12,320
Speaker 1: How a song?

2102
01:34:12,400 --> 01:34:12,439
Speaker 4: Go?

2103
01:34:13,280 --> 01:34:13,400
Speaker 5: Uh?

2104
01:34:15,200 --> 01:34:17,240
Speaker 4: Who made the lay your Body down song?

2105
01:34:18,520 --> 01:34:18,960
Speaker 9: What song?

2106
01:34:19,720 --> 01:34:20,800
Speaker 1: That sounds like an r and.

2107
01:34:22,360 --> 01:34:26,400
Speaker 4: You want nobody rapping on this song? A hip hop song?

2108
01:34:28,439 --> 01:34:32,559
Speaker 1: Wow, that's a good one.

2109
01:34:33,840 --> 01:34:36,200
Speaker 4: Okay, I gotta have a better one than that.

2110
01:34:38,520 --> 01:34:39,280
Speaker 1: Remember that song?

2111
01:34:39,920 --> 01:34:42,639
Speaker 4: You know what the one I'm talking about.

2112
01:34:42,760 --> 01:34:44,600
Speaker 18: Y'all probably not gonna know this song because it's a

2113
01:34:44,680 --> 01:34:48,800
Speaker 18: Houston song, but uh, it's a dude from Houston named

2114
01:34:48,840 --> 01:34:49,800
Speaker 18: Big Hawk r P.

2115
01:34:49,960 --> 01:34:52,360
Speaker 4: Big Hawk. He had a song called I'm Chilling with

2116
01:34:52,520 --> 01:34:55,240
Speaker 4: my brother and you already know. And if you want

2117
01:34:55,280 --> 01:34:57,040
Speaker 4: to meet me, hear me on a download.

2118
01:34:57,160 --> 01:34:59,720
Speaker 18: If I don't call back and put on the show,

2119
01:35:00,080 --> 01:35:02,639
Speaker 18: our players by your house and blow instead of knocking

2120
01:35:02,720 --> 01:35:03,240
Speaker 18: at your dog.

2121
01:35:03,560 --> 01:35:05,639
Speaker 4: That was a good song. So I was cool. Ho's

2122
01:35:05,680 --> 01:35:08,640
Speaker 4: the song about humble girls and big hogs? I like

2123
01:35:08,760 --> 01:35:09,080
Speaker 4: that song?

2124
01:35:09,160 --> 01:35:11,200
Speaker 1: This is what I look at cheating song or than anything.

2125
01:35:11,400 --> 01:35:13,800
Speaker 4: You know what it really is? Though?

2126
01:35:14,000 --> 01:35:14,560
Speaker 1: It really is?

2127
01:35:14,720 --> 01:35:16,080
Speaker 4: It really was, it really was.

2128
01:35:16,680 --> 01:35:19,160
Speaker 18: That was the first side nigga song. I can say that,

2129
01:35:19,720 --> 01:35:21,479
Speaker 18: I guess you can, okay, y Well, that was the

2130
01:35:21,520 --> 01:35:23,479
Speaker 18: first side nigga song. I'm really trying to be PG

2131
01:35:23,680 --> 01:35:24,640
Speaker 18: thirteen right now to.

2132
01:35:26,840 --> 01:35:28,840
Speaker 1: Big service. You can get as raunchy as you want.

2133
01:35:28,920 --> 01:35:31,519
Speaker 18: Well, y'all, y'all catch me on the real lip service

2134
01:35:31,560 --> 01:35:33,920
Speaker 18: when I ain't on my corporate time, and I'll go

2135
01:35:34,080 --> 01:35:37,280
Speaker 18: in y'all want them good old multi million views interviews

2136
01:35:37,360 --> 01:35:37,760
Speaker 18: right now.

2137
01:35:37,680 --> 01:35:41,840
Speaker 1: We corporate New York at US. Yeah right, we definitely

2138
01:35:41,880 --> 01:35:44,040
Speaker 1: did that New York, but we look forward to that.

2139
01:35:45,000 --> 01:35:49,240
Speaker 1: I can't wait, all right, lip service, you know, period?

2140
01:35:52,400 --> 01:35:55,519
Speaker 1: What's up it? Slip service? I'm Angela Yee, I'm Gigi Maguire,

2141
01:35:55,640 --> 01:35:58,040
Speaker 1: I'm Jazz and Brandy.

2142
01:35:58,160 --> 01:36:01,519
Speaker 8: I guess somebody Scott you are. Yeah, I got to

2143
01:36:01,560 --> 01:36:04,559
Speaker 8: have some practice at that ship you told me before,

2144
01:36:04,640 --> 01:36:05,080
Speaker 8: Like I know.

2145
01:36:05,320 --> 01:36:06,880
Speaker 1: We always like to do that to see what people do.

2146
01:36:07,000 --> 01:36:08,880
Speaker 1: All right, we figured as a I.

2147
01:36:08,960 --> 01:36:12,200
Speaker 13: Know, if there's a Josh show or our show right

2148
01:36:12,240 --> 01:36:12,519
Speaker 13: now with.

2149
01:36:12,680 --> 01:36:15,320
Speaker 1: Our our show, okay, that's a bit so. Right now,

2150
01:36:15,360 --> 01:36:17,400
Speaker 1: we're getting ready for the BT Awards and you've been

2151
01:36:17,439 --> 01:36:20,800
Speaker 1: working the room. Yes, I have fiftieth anniversary of hip hop?

2152
01:36:20,800 --> 01:36:21,439
Speaker 1: What does that mean to you?

2153
01:36:21,960 --> 01:36:24,639
Speaker 13: It means everything. I mean, I'm the creation like I'm

2154
01:36:24,680 --> 01:36:25,120
Speaker 13: made from that.

2155
01:36:25,840 --> 01:36:27,920
Speaker 1: Mm hmmm. So what are your some of your earliest

2156
01:36:27,920 --> 01:36:29,839
Speaker 1: memories of hip hop Kanye.

2157
01:36:30,960 --> 01:36:31,559
Speaker 4: Of course.

2158
01:36:33,880 --> 01:36:34,639
Speaker 13: It's still hard.

2159
01:36:34,760 --> 01:36:37,000
Speaker 1: But what's your favorite Kanye album?

2160
01:36:37,320 --> 01:36:38,840
Speaker 13: Oh Man, through the Wire?

2161
01:36:38,960 --> 01:36:45,160
Speaker 1: Probably okay, okay, fair enough, what you mean even like

2162
01:36:45,200 --> 01:36:48,400
Speaker 1: our response? I know, I'm sorry. We gotta be more hype, yes, okay,

2163
01:36:48,560 --> 01:36:53,360
Speaker 1: right right, okay, So is that being inspired by Kanye?

2164
01:36:53,439 --> 01:36:54,519
Speaker 1: Is that what made you say this is what I

2165
01:36:54,600 --> 01:36:56,920
Speaker 1: want to do because he also produces, you know.

2166
01:36:57,280 --> 01:36:59,160
Speaker 8: Yeah, No, he was definitely, like you know what I'm saying,

2167
01:36:59,160 --> 01:37:02,080
Speaker 8: like a cornerstone Chicago artists and songwriters.

2168
01:37:02,160 --> 01:37:03,519
Speaker 13: So definitely like Kanye.

2169
01:37:03,560 --> 01:37:05,160
Speaker 8: Plus with the fashion, you know what I'm saying, Like

2170
01:37:05,960 --> 01:37:08,519
Speaker 8: it's it's a whole combo and you're fashionable.

2171
01:37:08,560 --> 01:37:11,080
Speaker 1: I see, yeah, we put it on and it's a

2172
01:37:11,160 --> 01:37:11,599
Speaker 1: light it's.

2173
01:37:11,520 --> 01:37:12,400
Speaker 13: A super light day.

2174
01:37:12,960 --> 01:37:13,960
Speaker 1: We like the glasses.

2175
01:37:14,120 --> 01:37:17,719
Speaker 2: Nor right, you said you see the jewelry thought heavy,

2176
01:37:18,439 --> 01:37:19,320
Speaker 2: jewelry heavy.

2177
01:37:19,240 --> 01:37:21,599
Speaker 8: Everything that is like and I and I went orange

2178
01:37:21,680 --> 01:37:25,120
Speaker 8: on the on the face, just like you gotta coordinate.

2179
01:37:25,120 --> 01:37:29,960
Speaker 13: It's the details, don't don't I'm waiting for that. Don't

2180
01:37:30,000 --> 01:37:30,280
Speaker 13: tempt me.

2181
01:37:31,479 --> 01:37:34,040
Speaker 1: A different show just to show out just from your catalog,

2182
01:37:34,160 --> 01:37:37,439
Speaker 1: even before you doing your own music, from behind the scenes,

2183
01:37:38,040 --> 01:37:41,920
Speaker 1: you got money and make it so much easier, right,

2184
01:37:42,760 --> 01:37:44,559
Speaker 1: that doesn't make it easy. I was gonna say, yeah,

2185
01:37:44,560 --> 01:37:46,720
Speaker 1: because it's it's not the same pressure.

2186
01:37:46,400 --> 01:37:49,679
Speaker 8: It's like for sure, for sure, Yeah, like starving artists.

2187
01:37:50,000 --> 01:37:51,880
Speaker 8: Of course, I've been there as a starving songwriter. You

2188
01:37:51,880 --> 01:37:52,280
Speaker 8: know what I'm saying.

2189
01:37:52,280 --> 01:37:54,160
Speaker 13: It's hard getting paid as a songwriter these days. But

2190
01:37:55,240 --> 01:37:56,880
Speaker 13: you know, once you started getting money, of course, they

2191
01:37:56,920 --> 01:37:58,639
Speaker 13: make it way easy to do a lot more things.

2192
01:37:59,640 --> 01:38:05,080
Speaker 1: But yeah, but yeah, and you've Dnson Collasses some of

2193
01:38:05,160 --> 01:38:05,880
Speaker 1: our favorite people.

2194
01:38:06,240 --> 01:38:08,040
Speaker 13: For sure, you got one with which means I'm one

2195
01:38:08,040 --> 01:38:09,200
Speaker 13: of your favorite people now.

2196
01:38:09,280 --> 01:38:12,400
Speaker 1: Yeah, that's absolutely yeah, yeah, for sure. Aaron Bellinger, we

2197
01:38:12,520 --> 01:38:14,080
Speaker 1: love my brother show.

2198
01:38:14,080 --> 01:38:15,920
Speaker 13: He's on one single just like Me, coming out July

2199
01:38:16,000 --> 01:38:16,479
Speaker 13: twenty three.

2200
01:38:16,760 --> 01:38:19,439
Speaker 2: Yeah, we just actually ran we just interviewed him, yes,

2201
01:38:19,560 --> 01:38:21,719
Speaker 2: but yes this week, Yeah for way up at the Angela.

2202
01:38:21,760 --> 01:38:22,439
Speaker 13: Yeah, that's what's up.

2203
01:38:22,600 --> 01:38:24,559
Speaker 1: And he's also been with us on liip service as well.

2204
01:38:24,640 --> 01:38:25,559
Speaker 4: Okay, that's what's up.

2205
01:38:25,680 --> 01:38:27,519
Speaker 13: Yeah, that's the brother man. He's got a good spirit.

2206
01:38:27,800 --> 01:38:30,040
Speaker 1: Yeah, Now, how is it for you? Because we were

2207
01:38:30,040 --> 01:38:31,920
Speaker 1: talking to him about writing from like other prints view

2208
01:38:31,920 --> 01:38:34,760
Speaker 1: because clearly he's been married. You know, you write certain

2209
01:38:34,840 --> 01:38:37,280
Speaker 1: types of songs now for you? When you write, is

2210
01:38:37,320 --> 01:38:39,599
Speaker 1: it easy for you to write things that haven't happened

2211
01:38:39,640 --> 01:38:39,800
Speaker 1: to you?

2212
01:38:40,160 --> 01:38:40,200
Speaker 4: Like?

2213
01:38:40,439 --> 01:38:42,120
Speaker 8: Yeah, I feel like you know, when you tell him

2214
01:38:42,120 --> 01:38:44,120
Speaker 8: a story, I mean I experienced a lot of shit,

2215
01:38:44,200 --> 01:38:46,240
Speaker 8: so most of the time, like we all kind of

2216
01:38:46,280 --> 01:38:48,080
Speaker 8: going through the same thing at the same time, any

2217
01:38:48,160 --> 01:38:49,960
Speaker 8: damn way, you know, we just find it different ways

2218
01:38:50,000 --> 01:38:52,120
Speaker 8: to say it, so it's really all the same. But

2219
01:38:52,560 --> 01:38:54,479
Speaker 8: I don't I don't have trouble like writing stories, you

2220
01:38:54,520 --> 01:38:56,560
Speaker 8: know what I'm saying, like creating different perspectives?

2221
01:38:57,240 --> 01:38:59,880
Speaker 1: Are you so in your life? Do you prefer songs

2222
01:39:00,040 --> 01:39:01,640
Speaker 1: that are about being in love or songs that are

2223
01:39:01,640 --> 01:39:02,400
Speaker 1: about breaking up?

2224
01:39:02,600 --> 01:39:05,760
Speaker 8: Or if you have to, I gotta have both. You

2225
01:39:05,840 --> 01:39:09,160
Speaker 8: can't fall in love without breaking up with somebody, nothing last,

2226
01:39:09,479 --> 01:39:11,320
Speaker 8: So you need both for Shure for sure.

2227
01:39:11,560 --> 01:39:12,800
Speaker 1: So are you a good guy?

2228
01:39:13,240 --> 01:39:13,800
Speaker 13: I'm the best?

2229
01:39:14,000 --> 01:39:14,599
Speaker 1: You're not toxic?

2230
01:39:14,720 --> 01:39:15,000
Speaker 4: The best?

2231
01:39:15,040 --> 01:39:17,720
Speaker 13: Cond What makes you the best? Kind of a man's man?

2232
01:39:17,920 --> 01:39:17,960
Speaker 15: For?

2233
01:39:18,600 --> 01:39:21,759
Speaker 1: What does a man's man mean? That sound toxic already?

2234
01:39:22,120 --> 01:39:22,320
Speaker 4: Yeah?

2235
01:39:22,400 --> 01:39:24,160
Speaker 13: Man, A man is a man, A man that can

2236
01:39:24,320 --> 01:39:25,120
Speaker 13: use his hands.

2237
01:39:24,880 --> 01:39:28,960
Speaker 2: To put things together, create, Okay, So you're handy. I

2238
01:39:29,000 --> 01:39:34,200
Speaker 2: can build his room, okay, rooms and breaking hearts. That's

2239
01:39:34,240 --> 01:39:36,320
Speaker 2: the toxic part talk that was coming.

2240
01:39:36,520 --> 01:39:38,920
Speaker 1: I mean, you know, so you do with your hands,

2241
01:39:38,960 --> 01:39:41,160
Speaker 1: you say for the best. It seems like you have

2242
01:39:41,280 --> 01:39:42,080
Speaker 1: to everything.

2243
01:39:43,240 --> 01:39:43,800
Speaker 13: There's no one else.

2244
01:39:44,240 --> 01:39:46,040
Speaker 1: It seems like you tell yourself, though, how to do

2245
01:39:46,120 --> 01:39:46,639
Speaker 1: a lot of things.

2246
01:39:46,720 --> 01:39:48,679
Speaker 13: Yeah, yeah, for sure, I told myself how to play piano,

2247
01:39:48,880 --> 01:39:50,679
Speaker 13: guitar together.

2248
01:39:51,680 --> 01:39:53,439
Speaker 8: How did you teach yourself to play piano. I don't

2249
01:39:53,479 --> 01:39:55,920
Speaker 8: understand what that means one kid at a time. Well,

2250
01:39:56,320 --> 01:39:58,240
Speaker 8: I'm not tone deaf, so you know I know the

2251
01:39:58,320 --> 01:40:00,479
Speaker 8: wrong notes the fast. The fast we learn how to

2252
01:40:00,560 --> 01:40:01,479
Speaker 8: do anything is learn.

2253
01:40:01,479 --> 01:40:02,200
Speaker 13: How not to do it.

2254
01:40:02,400 --> 01:40:05,360
Speaker 1: Okay, okay, well we could tell some of the guys that,

2255
01:40:05,520 --> 01:40:07,280
Speaker 1: but we don't want them to think that. I would

2256
01:40:07,360 --> 01:40:08,080
Speaker 1: rather you know how.

2257
01:40:08,000 --> 01:40:08,280
Speaker 4: To do it.

2258
01:40:10,479 --> 01:40:15,280
Speaker 1: I have a great appreciation for natural, God given talent,

2259
01:40:15,479 --> 01:40:16,920
Speaker 1: for sure, So I just want to take this moment

2260
01:40:17,000 --> 01:40:17,960
Speaker 1: to give you your flowers.

2261
01:40:18,080 --> 01:40:20,960
Speaker 2: I appreciate it because some things can be taught, some

2262
01:40:21,080 --> 01:40:23,040
Speaker 2: things can be learned, but when it's in you, it's

2263
01:40:23,080 --> 01:40:23,920
Speaker 2: in your and.

2264
01:40:24,600 --> 01:40:25,479
Speaker 4: You for sure speak.

2265
01:40:25,520 --> 01:40:27,280
Speaker 13: I appreciate that. Yeah, I appreciate that for sure.

2266
01:40:27,600 --> 01:40:29,160
Speaker 1: And you work with some of our favorite artists, and

2267
01:40:29,160 --> 01:40:31,160
Speaker 1: I think that's important, right, for people to even know

2268
01:40:31,640 --> 01:40:33,360
Speaker 1: your heart discography.

2269
01:40:32,960 --> 01:40:35,200
Speaker 13: Or even care. Yeah for sure, for sure, Like you know,

2270
01:40:35,400 --> 01:40:36,599
Speaker 13: but I work with legends.

2271
01:40:36,760 --> 01:40:37,160
Speaker 4: I love it.

2272
01:40:37,240 --> 01:40:39,599
Speaker 8: It's it's the biggest part of like, you know, any

2273
01:40:39,760 --> 01:40:42,120
Speaker 8: any songwriter producers dream to work with people.

2274
01:40:41,920 --> 01:40:42,880
Speaker 13: That they, you know, look up to.

2275
01:40:43,720 --> 01:40:45,040
Speaker 1: Who else would you like to work with that you

2276
01:40:45,120 --> 01:40:47,360
Speaker 1: haven't worked with yet? And just to run down some people.

2277
01:40:47,720 --> 01:40:50,200
Speaker 1: So if you're listening, yeah, her.

2278
01:40:51,600 --> 01:40:55,800
Speaker 13: Amazing, Yeah, her her again? And then the last one

2279
01:40:55,920 --> 01:41:00,960
Speaker 13: is her, love her, She's I think she's our er

2280
01:41:01,120 --> 01:41:02,400
Speaker 13: Lauryn here for sure, she's dope.

2281
01:41:02,439 --> 01:41:04,639
Speaker 2: Oh for sure, I agree with And she'd be playing

2282
01:41:04,680 --> 01:41:07,960
Speaker 2: basketball and and and I've to dinner with her a

2283
01:41:08,000 --> 01:41:08,400
Speaker 2: few times.

2284
01:41:08,479 --> 01:41:09,880
Speaker 13: Yeah, we did for sure.

2285
01:41:10,320 --> 01:41:12,519
Speaker 1: Okay, But besides her, can you can you just run

2286
01:41:12,560 --> 01:41:14,720
Speaker 1: down for people who are listening your discography, just some

2287
01:41:14,800 --> 01:41:15,760
Speaker 1: of the people that you work with.

2288
01:41:15,800 --> 01:41:19,040
Speaker 19: So if they're listening, they're like the show, like I

2289
01:41:19,160 --> 01:41:25,759
Speaker 19: work with Chris Brown, Beyonce, Madonna, Trippy Red, Little Dirk

2290
01:41:26,400 --> 01:41:29,559
Speaker 19: ed sharing, Wow, Lissa.

2291
01:41:29,439 --> 01:41:30,639
Speaker 13: Is crazy, So you're a big deal.

2292
01:41:30,880 --> 01:41:34,080
Speaker 1: That makes you a legend, you know the way for.

2293
01:41:34,080 --> 01:41:35,720
Speaker 2: Sure, if you meet a woman, If you met a

2294
01:41:35,760 --> 01:41:37,080
Speaker 2: woman and she asked you what you do. Are you

2295
01:41:37,160 --> 01:41:38,080
Speaker 2: going to tell her right away?

2296
01:41:38,240 --> 01:41:38,840
Speaker 13: Yeah? For sure?

2297
01:41:38,960 --> 01:41:45,320
Speaker 1: What you're gonna say everything? You are confident. Listen, you

2298
01:41:45,400 --> 01:41:46,400
Speaker 1: are a confident man.

2299
01:41:46,479 --> 01:41:46,800
Speaker 4: For sure.

2300
01:41:47,439 --> 01:41:50,200
Speaker 1: But it's the orange cord on your mic mentioned by default.

2301
01:41:49,920 --> 01:41:50,519
Speaker 4: Right for sure.

2302
01:41:50,600 --> 01:41:53,280
Speaker 13: I appreciate that y'all thought, y'all thought about that. You'll

2303
01:41:53,320 --> 01:41:54,640
Speaker 13: get the orange cord out right now.

2304
01:41:54,920 --> 01:41:56,880
Speaker 1: And what son that you've written would you say is

2305
01:41:57,000 --> 01:41:59,360
Speaker 1: since we're this is lip service and this is fiftieth

2306
01:41:59,680 --> 01:42:02,360
Speaker 1: and a Hip Hop et Awards, what would you say

2307
01:42:02,479 --> 01:42:05,080
Speaker 1: out of your catalog? It's the sexiest song that you've

2308
01:42:05,120 --> 01:42:05,880
Speaker 1: ever written.

2309
01:42:06,680 --> 01:42:08,360
Speaker 13: Baddest for sure? Did you see that video?

2310
01:42:08,600 --> 01:42:08,800
Speaker 4: Oh?

2311
01:42:09,080 --> 01:42:12,360
Speaker 8: Yes, bat was a very sexy video. It was it

2312
01:42:12,439 --> 01:42:14,680
Speaker 8: was any I mean, sexy, motherfucker you the baddest one.

2313
01:42:15,160 --> 01:42:16,040
Speaker 4: I wrote that for y'all.

2314
01:42:17,280 --> 01:42:20,920
Speaker 1: He's good and he's toxic. Clearly he's so good. We

2315
01:42:21,000 --> 01:42:25,280
Speaker 1: all hurting right here. Well, listen, thank you so much

2316
01:42:25,320 --> 01:42:26,400
Speaker 1: for coming through. We appreciate it.

2317
01:42:26,479 --> 01:42:26,519
Speaker 15: Me.

2318
01:42:27,320 --> 01:42:31,040
Speaker 1: Whenever you're ready, a full entire sit down, we'll see

2319
01:42:31,040 --> 01:42:31,599
Speaker 1: you in New York.

2320
01:42:31,640 --> 01:42:32,080
Speaker 13: I'm ready.

2321
01:42:32,280 --> 01:42:33,320
Speaker 1: I don't know if you're ready for that.

2322
01:42:33,439 --> 01:42:34,000
Speaker 13: Been a pleasure.

2323
01:42:34,439 --> 01:42:36,000
Speaker 1: Ready, appreciate that he's ready.

2324
01:42:36,080 --> 01:42:39,120
Speaker 13: Okay, we're not ready, all right, let's do it.

2325
01:42:40,520 --> 01:42:42,960
Speaker 1: All right? It is lip service. You're like, ye, I'm G.

2326
01:42:43,080 --> 01:42:46,880
Speaker 1: G Maguire, I'm Jazzline Brand. It's sugar Cali. Callie's back

2327
01:42:47,000 --> 01:42:50,400
Speaker 1: looking amazing, Thank you and congratulates us and everything. They'd

2328
01:42:50,439 --> 01:42:53,559
Speaker 1: be going crazy every time Callie has to stay. Thank

2329
01:42:53,640 --> 01:42:56,320
Speaker 1: you so much. How are you feeling? I feel good.

2330
01:42:56,360 --> 01:42:58,439
Speaker 20: I mic on this high, like everything's hitting me like

2331
01:42:58,520 --> 01:43:00,200
Speaker 20: a one time and it just feels so good, so

2332
01:43:00,280 --> 01:43:02,800
Speaker 20: much support, so much love, and it's just I've been

2333
01:43:02,840 --> 01:43:04,360
Speaker 20: working hard, so it feels good.

2334
01:43:04,920 --> 01:43:06,880
Speaker 1: And people have to know that, like you've been grinding

2335
01:43:06,920 --> 01:43:09,160
Speaker 1: out for it since you were young, since even before

2336
01:43:09,160 --> 01:43:11,280
Speaker 1: you were a teenager. Yes, And so for people to

2337
01:43:11,280 --> 01:43:12,880
Speaker 1: see your success, they might be like, oh, it's an

2338
01:43:12,920 --> 01:43:15,360
Speaker 1: overnight thing. Yeah, but you got work.

2339
01:43:15,800 --> 01:43:16,000
Speaker 4: Yes.

2340
01:43:16,720 --> 01:43:18,920
Speaker 20: Some people definitely think like area codes is like, oh,

2341
01:43:19,120 --> 01:43:21,479
Speaker 20: she only has area codes. But I've been I've been outside,

2342
01:43:22,320 --> 01:43:25,960
Speaker 20: like I've been toxic for a minute, exactly exactly.

2343
01:43:26,320 --> 01:43:26,439
Speaker 4: Now.

2344
01:43:26,520 --> 01:43:28,280
Speaker 1: I've read somewhere where you said that it might have

2345
01:43:28,360 --> 01:43:30,400
Speaker 1: been you at a certain point, like one of your

2346
01:43:30,439 --> 01:43:32,360
Speaker 1: friends is like, maybe it's you. Maybe you're the toxic ones.

2347
01:43:32,680 --> 01:43:35,240
Speaker 1: And I feel like we all have toxic traits. Okay,

2348
01:43:35,360 --> 01:43:41,240
Speaker 1: so toxic tendencies. So let's talk about Okay, let's all

2349
01:43:41,520 --> 01:43:44,360
Speaker 1: just in a moment, as a confessional, talk about something

2350
01:43:44,400 --> 01:43:46,840
Speaker 1: about us that is toxic. Okay, why don't you start?

2351
01:43:47,800 --> 01:43:51,560
Speaker 20: Well, I've learned that I make everybody feel special and

2352
01:43:51,600 --> 01:43:54,519
Speaker 20: then I get bored really fast, so like they feel

2353
01:43:54,520 --> 01:43:57,240
Speaker 20: like the one and then that's just like until they're not.

2354
01:43:57,720 --> 01:44:00,479
Speaker 1: Yeah, it's not that making people feel that should part

2355
01:44:00,520 --> 01:44:04,800
Speaker 1: that's toxic. It's the getting bored part, because I guess

2356
01:44:04,800 --> 01:44:06,080
Speaker 1: you should make people feel special.

2357
01:44:06,160 --> 01:44:09,400
Speaker 20: No, No, it's like different holes. At one time. Everybody

2358
01:44:09,439 --> 01:44:10,519
Speaker 20: feels like they're number.

2359
01:44:10,360 --> 01:44:13,160
Speaker 2: One one roster and really they't even get spot. It's

2360
01:44:13,160 --> 01:44:14,240
Speaker 2: a rotation legend.

2361
01:44:14,600 --> 01:44:17,680
Speaker 1: It's a rotation and number one is it's just like

2362
01:44:17,920 --> 01:44:20,800
Speaker 1: having clients. They should all feel like they're the only client. Yeah,

2363
01:44:21,200 --> 01:44:29,040
Speaker 1: that's Angela. Honestly, that's toxic. Oh well, she said, what's yours? Angela? No,

2364
01:44:29,160 --> 01:44:31,920
Speaker 1: I'm I'm gonna say, but just to go just one

2365
01:44:31,960 --> 01:44:34,559
Speaker 1: more thing about that, because the truth is nobody wants

2366
01:44:34,600 --> 01:44:36,240
Speaker 1: to feel like, well, I'm one out of many.

2367
01:44:36,920 --> 01:44:38,960
Speaker 3: Which her thing is she gets bored that she has

2368
01:44:39,000 --> 01:44:41,280
Speaker 3: a short attention to spanis so It's on to the

2369
01:44:41,360 --> 01:44:42,760
Speaker 3: next and your turn again.

2370
01:44:43,000 --> 01:44:47,639
Speaker 1: Okay, what is my toxic trait? Let's see so many?

2371
01:44:49,560 --> 01:44:52,800
Speaker 1: How do I narrow it down? Probably that I could

2372
01:44:52,800 --> 01:44:56,320
Speaker 1: be a little insensitive. I'm not very like emotional. Yeah,

2373
01:44:56,320 --> 01:44:57,439
Speaker 1: you do lack the.

2374
01:44:58,960 --> 01:44:59,280
Speaker 4: Emotion.

2375
01:44:59,479 --> 01:45:02,040
Speaker 1: Yeah you do. Well, damn they were asking me, not you.

2376
01:45:02,160 --> 01:45:03,800
Speaker 4: What I know?

2377
01:45:04,000 --> 01:45:07,479
Speaker 1: You, Giz what's yours?

2378
01:45:08,600 --> 01:45:10,880
Speaker 2: I can I can be petty, Okay, I can be

2379
01:45:10,960 --> 01:45:13,760
Speaker 2: very petty, like like on purpose. Yeah, yeah, I tend

2380
01:45:13,840 --> 01:45:15,880
Speaker 2: to do that. All get like, Yeah, I tend to

2381
01:45:15,960 --> 01:45:17,920
Speaker 2: take it to the extreme sometimes like I'm.

2382
01:45:17,800 --> 01:45:19,639
Speaker 1: Not praying something happened to you, but if it does.

2383
01:45:19,720 --> 01:45:22,000
Speaker 20: Yeah, I'm a pat Like I tell people now, I'm

2384
01:45:22,000 --> 01:45:23,760
Speaker 20: not wishing you the best, no more like I.

2385
01:45:23,840 --> 01:45:25,360
Speaker 1: Wish you to I wish you to day you deserve.

2386
01:45:25,960 --> 01:45:29,200
Speaker 1: I don't wish you the best. I hope you find No. Actually,

2387
01:45:30,360 --> 01:45:33,559
Speaker 1: actually I hope im and get that hope. That's funny.

2388
01:45:33,760 --> 01:45:35,800
Speaker 3: But I think I can be a little needy and

2389
01:45:35,880 --> 01:45:37,360
Speaker 3: then if it doesn't, if I don't get the attention

2390
01:45:37,439 --> 01:45:39,040
Speaker 3: I want, then I get upset.

2391
01:45:39,320 --> 01:45:42,559
Speaker 1: Yeah, go a little tempertential little Okay, I can catch

2392
01:45:42,600 --> 01:45:46,600
Speaker 1: you for that. Look at y'all. Y'all y'all know you did.

2393
01:45:48,360 --> 01:45:50,760
Speaker 1: Now for you, let's talk about this. This is a

2394
01:45:50,840 --> 01:45:53,320
Speaker 1: question we've been asking everybody. What do you think? Being

2395
01:45:53,360 --> 01:45:55,080
Speaker 1: that this is lip service and it's also the fiftieth

2396
01:45:55,120 --> 01:45:57,800
Speaker 1: anniversary of hip hop? Here bt, what do you think

2397
01:45:57,960 --> 01:46:03,200
Speaker 1: is the best ever hip hop sex songs? Dang, it's

2398
01:46:03,240 --> 01:46:06,720
Speaker 1: around the hip hop? Yeah, no, not hip hop. I

2399
01:46:06,800 --> 01:46:09,519
Speaker 1: was trying to say skin was on point. Now, that's

2400
01:46:09,560 --> 01:46:11,479
Speaker 1: a good one for R and B. But we need

2401
01:46:11,600 --> 01:46:12,960
Speaker 1: hip hop, but were taking it to the streaks on

2402
01:46:13,000 --> 01:46:15,679
Speaker 1: this one. Give us a hip hop one. How nasty

2403
01:46:15,720 --> 01:46:20,599
Speaker 1: you are, Kelly? I don't know. I can't think. I'm

2404
01:46:20,680 --> 01:46:23,400
Speaker 1: having a y'all tell me and then let me think

2405
01:46:23,439 --> 01:46:25,599
Speaker 1: a little bit. You want to tell ours anything anything

2406
01:46:25,640 --> 01:46:29,000
Speaker 1: with wet and it. You know what I'm saying, wet weather.

2407
01:46:29,479 --> 01:46:32,160
Speaker 1: What I'm trying to think?

2408
01:46:32,240 --> 01:46:34,840
Speaker 2: Okay, Angela, I'm trying to tell you something. A Yeah,

2409
01:46:35,000 --> 01:46:37,320
Speaker 2: I feel like mine might be too far back and

2410
01:46:37,479 --> 01:46:42,400
Speaker 2: for her, Oh yeah, we forget. Yeah, that's our baby, right,

2411
01:46:42,520 --> 01:46:45,040
Speaker 2: Let's keep it. Let's keep it, let's keep it recent.

2412
01:46:45,280 --> 01:46:48,120
Speaker 2: I don't know if any recent. I don't think why

2413
01:46:49,280 --> 01:46:52,479
Speaker 2: we pussy? Yeah, okay, yeah, let's go with I say

2414
01:46:52,520 --> 01:46:53,439
Speaker 2: anything with the word wet.

2415
01:46:53,680 --> 01:46:54,960
Speaker 1: Yeah, I like why yeah?

2416
01:46:56,439 --> 01:46:56,519
Speaker 13: Right?

2417
01:46:56,720 --> 01:46:57,760
Speaker 1: Yeah? Are you saying you like?

2418
01:46:57,840 --> 01:46:58,479
Speaker 4: What are you like?

2419
01:46:58,840 --> 01:47:04,439
Speaker 1: No kidding? It's a good song. Yeah, I'm gonna just

2420
01:47:04,479 --> 01:47:07,000
Speaker 1: go with wop in mm hm. So what are some

2421
01:47:07,120 --> 01:47:09,840
Speaker 1: things that you've been doing now with all this, you know,

2422
01:47:10,080 --> 01:47:12,280
Speaker 1: with everything that's been happening for you that you very

2423
01:47:12,400 --> 01:47:14,880
Speaker 1: much deserve. Hey, what have been some of the great

2424
01:47:14,920 --> 01:47:16,519
Speaker 1: things that you've been able to do like that you

2425
01:47:16,600 --> 01:47:17,639
Speaker 1: haven't been able to do before.

2426
01:47:19,200 --> 01:47:22,280
Speaker 20: I've been like traveling like like state to state every

2427
01:47:22,400 --> 01:47:26,400
Speaker 20: day day there and like meeting different people. Literally, I'm

2428
01:47:26,479 --> 01:47:28,960
Speaker 20: like tapping into different area codes and like getting so

2429
01:47:29,080 --> 01:47:34,680
Speaker 20: much love in different places, and I'm on billboards congratulations,

2430
01:47:34,920 --> 01:47:38,200
Speaker 20: Like I can't wait as a kid, like it's crazy.

2431
01:47:38,200 --> 01:47:40,040
Speaker 20: I want to be on the stage, Like that's insane

2432
01:47:40,080 --> 01:47:42,439
Speaker 20: to me. So seeing you on stage at birthday bash,

2433
01:47:42,520 --> 01:47:43,120
Speaker 20: I was just like.

2434
01:47:44,680 --> 01:47:49,400
Speaker 1: That a moment. Yea, yeah you did that. So I'm

2435
01:47:49,439 --> 01:47:51,920
Speaker 1: excited to see you. But I'm excited to see you

2436
01:47:51,920 --> 01:47:54,360
Speaker 1: a getting bed Awards. We saw that. We all saw

2437
01:47:54,640 --> 01:47:59,040
Speaker 1: all slow motion screen shots. They were like watch out

2438
01:47:59,080 --> 01:48:01,639
Speaker 1: for him, girl, because you know how they always confuse

2439
01:48:01,680 --> 01:48:04,120
Speaker 1: people's characters but who they are who they are real life.

2440
01:48:05,560 --> 01:48:06,960
Speaker 1: But it's funny people be having jokes.

2441
01:48:07,320 --> 01:48:08,960
Speaker 3: Are you single, are you in a relationship? What's your

2442
01:48:09,000 --> 01:48:12,400
Speaker 3: relationship status? I'm singing, I'm outside real quick with it,

2443
01:48:12,520 --> 01:48:13,240
Speaker 3: real quick with it?

2444
01:48:13,320 --> 01:48:14,880
Speaker 1: Now said, I got a roster. I gotta live up

2445
01:48:14,920 --> 01:48:17,160
Speaker 1: to my own Okay. Now, if somebody asks you what

2446
01:48:17,360 --> 01:48:20,320
Speaker 1: is the best area code? What area code would you say?

2447
01:48:21,000 --> 01:48:21,879
Speaker 1: Besides hometown?

2448
01:48:22,880 --> 01:48:24,559
Speaker 20: I love the three or five Like I love being

2449
01:48:24,600 --> 01:48:27,599
Speaker 20: in Miami. Good weather, the tricks, be outside period.

2450
01:48:28,560 --> 01:48:33,760
Speaker 1: I'm in Miami, Miami, Miami Place. When I was young,

2451
01:48:33,800 --> 01:48:35,599
Speaker 1: I was just sitting outside and some guys just slamming

2452
01:48:35,600 --> 01:48:36,800
Speaker 1: money on the table and was like, I'll pay for

2453
01:48:36,840 --> 01:48:38,960
Speaker 1: all that. We didn't even know. I just kept it's

2454
01:48:38,960 --> 01:48:39,400
Speaker 1: a good time.

2455
01:48:39,479 --> 01:48:39,920
Speaker 4: I like that.

2456
01:48:40,120 --> 01:48:40,720
Speaker 1: It's a good time.

2457
01:48:41,120 --> 01:48:42,519
Speaker 20: Like I feel like when you're in Miami, you're just

2458
01:48:42,600 --> 01:48:44,320
Speaker 20: walking down somebody like y'all want to get on the boat.

2459
01:48:45,280 --> 01:48:49,360
Speaker 2: We do, actually we do. It's got to make sure

2460
01:48:49,360 --> 01:48:51,040
Speaker 2: you don't end up chapped up in the ocean, you

2461
01:48:51,160 --> 01:48:59,920
Speaker 2: know what. Yeah, she's like, fuck, why should you go with? Well, Kelly,

2462
01:49:00,040 --> 01:49:01,200
Speaker 2: thank you so much for joining us.

2463
01:49:01,240 --> 01:49:04,000
Speaker 1: It's always a pleasure and congratulations on everything from the

2464
01:49:04,080 --> 01:49:06,280
Speaker 1: last time we saw you to now the elevation. Next

2465
01:49:06,320 --> 01:49:08,240
Speaker 1: time we see you, we know it's gonna be even higher. Yes,

2466
01:49:08,680 --> 01:49:13,720
Speaker 1: so much. We can't wait to see you. Thank you, congratulations,

2467
01:49:13,800 --> 01:49:14,040
Speaker 1: thank you,