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Speaker 1: Who's that knocking at the door. It's all your friends.

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Speaker 1: You've filthy horse, your husband's gone, and we've got books

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Speaker 1: and a bottle of wine to kill. It's Hollywood, it's books,

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Speaker 1: it's gossip. I'm shook, It's memoir, It's Martini, Celebrity Puff Club,

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Speaker 1: Read it while it's hot.

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Speaker 2: Celebrity poof Club.

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Speaker 1: I'll tell your secrets.

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Speaker 2: We won't talk celebrity books.

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Speaker 1: No boys are a loud celet book say it Loud

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Speaker 1: and Cloud Celebrity Book Club. Buzz me in.

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Speaker 2: I brought the Queer Foe.

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Speaker 1: Hey, best friend. What a crazy week it's been since

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Speaker 1: your last record of our podcast.

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Speaker 2: So much has happened, so much has.

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Speaker 1: Gone down, and yet we're still talking about the same book.

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Speaker 2: Still same book, because some books are too juicy?

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Speaker 1: Who juicy for one episode?

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Speaker 2: So Brittany, really, she joins only one alum in the

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Speaker 2: CBC universe, Prince Prince Sarry of Getting a Part two,

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Speaker 2: who also you could say, was also under a conservativeship.

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Speaker 1: Oh absolutely, and such a victim of the American media

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Speaker 1: and misogyny as well.

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Speaker 2: Misogyny has really struck him down and made him fight even.

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Speaker 1: Harder, I know, and he's such a good dancer and.

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Speaker 2: His choreo is so good. At his voice, it's not

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Speaker 2: a dell but it's like you know, Sexy Soultree.

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Speaker 1: No, they are absolutely solo sisters.

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Speaker 2: So Steven I wanted us to do a little reading

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Speaker 2: to kick things off of part two.

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Speaker 1: Okay, and it's.

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Speaker 2: The lyrics to the not hit song, but he thought

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Speaker 2: it was going to be a hit song, Poposoo, by

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Speaker 2: Britney Spears' ex husband Kevin Feederline. The song poposo means

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Speaker 2: big ass in Portuguese. There's an intro yodel, grunt, pink

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Speaker 2: pinc chuckle ow bark bark chuckle, po po po po

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Speaker 2: poposoo poposoo In Portuguese it means bring your ass on

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Speaker 2: the floor and move it real fast. I want to

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Speaker 2: see a kitty with a little bit of titty. Want

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Speaker 2: to know where I go when I'm in the city.

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Speaker 2: I did left you that last Stanza after city.

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Speaker 1: Okay, I see Okay, girl, don't you worry about all

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Speaker 1: the dough because a Kata is coming straight out of

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Speaker 1: the know, ready to rock those shows on the way

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Speaker 1: to Rio. Bring that brazil booty on the floor.

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Speaker 2: Now I'm realizing I feel like he was probably trying

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Speaker 2: to capitalize. I feel like the early two thousands like

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Speaker 2: were really brazil focused, like oh, that's where like sexy

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Speaker 2: people club and Rio and like just.

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Speaker 1: So yeah, Giselle was becoming huge and everyone was like

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Speaker 1: Brazil is the hot new country, like way before Armenia

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Speaker 1: and the Kardashian Revolution, like it was all about Brazil and.

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Speaker 2: You want to be sexy. You're Brazilian, you want to

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Speaker 2: look sexy and kept I was like, yo, that's dope.

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Speaker 1: What's insane is that Kevin Federline was sort of such

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Speaker 1: like a national joke from the beginning. He never was not,

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Speaker 1: And like you know, Brittany like knew this is some extent,

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Speaker 1: but she was so gutted by her breakup with Justin

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Speaker 1: that she was just like not right, Like basically he's

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Speaker 1: a rebound with Justin. I thought there was like so

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Speaker 1: much more time, But the way she tells it, she

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Speaker 1: was still like hurting so much and struggling, and like

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Speaker 1: Justin written or the letter, and like in the book,

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Speaker 1: she's like it makes you cry still thinking about it.

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Speaker 1: And so here comes Kevin, this man who wants to

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Speaker 1: hold her.

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Speaker 2: She goes on this whole thing. That's also very like

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Speaker 2: I just got out of a conservator show where she's like, y'all,

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Speaker 2: this may sound very not feminist, but even if you

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Speaker 2: make all the money and you're a powerful woman in

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Speaker 2: business during the day, sometimes at the end of the day,

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Speaker 2: you just want a man to hold you.

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Speaker 1: Yeah.

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Speaker 2: And it's like, I don't think anyone is thinking that.

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Speaker 1: It's like, not ye crazy, I thought I'm traad, like

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Speaker 1: I want to be held.

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Speaker 2: I guess I thought she was going to say like, oh,

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Speaker 2: she wants like such a top, which I think is

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Speaker 2: what she means.

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Speaker 1: Yeah. I don't think she's implying that she's pegging her boyfriend.

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Speaker 2: No, but I mean she's doing it a much more

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Speaker 2: like g rated way of just like, oh, I want

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Speaker 2: my boyfriend to like hold me at the end of

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Speaker 2: the night, rather than like, no, I do want him

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Speaker 2: to call the shots when I get home from my big,

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Speaker 2: powerful business one. No.

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Speaker 1: Yeah, she's not even saying that. She's not saying like

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Speaker 1: I want to cook and clean. She's literally just being like,

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Speaker 1: I want to be held. I want a guy to

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Speaker 1: be big. I want to feel small. It's like welcome

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Speaker 1: to all girls, wake up and there's that part where

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Speaker 1: she goes, he just held her in a swimming pool

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Speaker 1: for hours.

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Speaker 2: Yeah, which is an ultimate way to feel small.

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Speaker 1: Well, because it's like being back in the womb. Well, yes,

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Speaker 1: you also feel waitless. It's like also like being on

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Speaker 1: the moon. That's why ever girl wants be an astronaut,

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Speaker 1: because you wait less than space.

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Speaker 2: I disagree with that. I don't think a lot of

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Speaker 2: girls want to be asked. I don't want to be astronaut.

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Speaker 1: That's my least wanted job, at least wanted.

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Speaker 2: They don't want me, and I don't want them. Okay,

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Speaker 2: NASA is not trying to hire me.

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Speaker 1: And you see NASA at a party downtown. You guys

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Speaker 1: are like, yeah, I'm good.

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Speaker 2: No, I'm good, and they're like, hey, Lily, I'm like,

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Speaker 2: we talked about this, fuck off. Stop setting me offers.

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Speaker 1: But yeah, so she does want to be held in

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Speaker 1: a pool, and it's witless, but it's also a return

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Speaker 1: to the woman, Like there is like an unders buttons

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Speaker 1: daddy issue there. But you know, as bad of a

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Speaker 1: musician as Kevin Ferline was, and it's so insane how

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Speaker 1: he was just this kind of classic like hanger on,

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Speaker 1: who was like smoking with his boys and like thought

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Speaker 1: he was making an album and she was just being

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Speaker 1: like y'all like I'm having your babies, like I'm also

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Speaker 1: like recording so many albums, but like doing a better

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Speaker 1: job of it, Like can you literally show the f up?

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Speaker 1: And he was like, no, I'm just gonna like wear

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Speaker 1: my big chains.

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Speaker 2: When Brittany and Kevin got together, I mean and their

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Speaker 2: show Chaotic was on upn Yeah, one of the best

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Speaker 2: shows crazy, and.

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Speaker 1: I remember there's this scene and it's like night Vision

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Speaker 1: and she's on like a treadmill and Faye, yes, Faye

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Speaker 1: Felicia comes in and she's just like hey, Brittany, like

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Speaker 1: where have you been? And she's just been we been

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Speaker 1: having sex all day. And it's like the green footage

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Speaker 1: and it's so brainy and she's just like on the treadmill.

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Speaker 1: Eg no.

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Speaker 2: And there were so many moments in Chaotic when she's

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Speaker 2: just like, yeah, we just had sex. And so what's

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Speaker 2: so funny because they were received so differently. You know,

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Speaker 2: She's like me and Kevin were so into each other.

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Speaker 2: She goes we phoned tour diaries together. The original concept

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Speaker 2: was a documentary like Madonna's Truth or Dare, but it

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Speaker 2: became more like a collection of our home movies, especially

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Speaker 2: after I got hurt again. It was later released as

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Speaker 2: a reality show on upn called Brittany and Kevin Chaotic

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Speaker 2: and it's like Truth Dare, which was such a like

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Speaker 2: black and white like shot more outter, you know, music,

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Speaker 2: sexy dots, it's.

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Speaker 1: All about like the backup dancers and like the vision

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Speaker 1: like for the show, and this was more like, well,

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Speaker 1: she heard her knee on the Onyx Hotel tour and

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Speaker 1: then she was like mostly just fucking Kevin, like at

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Speaker 1: their home gym, so it was kind of more about

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Speaker 1: that ultimately, like them.

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Speaker 2: Smoking parl like fucking. But then it's like the fame

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Speaker 2: but got him and all of a sudden he wants

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Speaker 2: to record Popo Zoo and just like honestly, the moment

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Speaker 2: they let him in a recording studio, he gets so

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Speaker 2: annoying and is so just like, yeah, actually have to

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Speaker 2: record my homemies, Brittany.

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Speaker 1: Yeah, and he's just like filling the studio with so

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Speaker 1: much fucking smoke, having all his bros around and like

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Speaker 1: not even hanging out with her anymore, and she's like

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Speaker 1: like barring her from coming to set.

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Speaker 2: It's literally insane. And then also one of her managers

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Speaker 2: like switches to Kevin.

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Speaker 1: Yeah, everyone's betraying her left and mind it doesn't little.

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Speaker 2: I do wonder. I mean, obviously free Brittany and I

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Speaker 2: love Brittany. Same someone being like, ooh, I work for Brittany,

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Speaker 2: the biggest pop star ever. Why don't I switch camps

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Speaker 2: to her like loser husband's camp, And then like one

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Speaker 2: of her ex team members is like, won't even let

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Speaker 2: her talk to Kevin.

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Speaker 1: One thing that she does admit in this book is

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Speaker 1: during this time, and then also then post the Cussy Battle,

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Speaker 1: when she was like going out a lot, and she

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Speaker 1: was like, I wasn't that crazy. I was just like

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Speaker 1: going on. Sometimes she was like I was a little

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Speaker 1: bit of a monster, like she says that a couple

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Speaker 1: of times. Or she was like I was being really

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Speaker 1: loud at restaurants. I would lie on the table at restaurants.

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Speaker 2: Oh, in her crazy period, that's like when like Para's

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Speaker 2: broken and she's like, we'd go out. I would do anything.

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Speaker 2: I would swear.

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Speaker 1: Yeah, and she's doing so much adderall and cursing at

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Speaker 1: a restaurant. But I do wonder if maybe like she

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Speaker 1: was maybe more annoying to be around and work with

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Speaker 1: and like not in the classic diva sense.

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Speaker 2: But kind of like in just like an unhinged girl way, yeah,

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Speaker 2: where you're just like I don't know, maybe it would

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Speaker 2: be easier because like obviously, like I'm sure Brittany was

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Speaker 2: funding Popo's out. Yeah, she's like some guy is like ooh,

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Speaker 2: I can like smoke weed and kay fed, rather than

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Speaker 2: like follow Brittany around as she is being so like

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Speaker 2: probably driving a car so crazy and like going to

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Speaker 2: some mercer and like lying on a table being like

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Speaker 2: I'm crazy.

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Speaker 1: Yeah, because obviously, like what was done to her is

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Speaker 1: like the worst thing that ione's ever done to anyone

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Speaker 1: in the history of the world, and like she deserves

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Speaker 1: nothing but restitution and her family should all be in prison.

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Speaker 1: But the amount of people who betray her, it is

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Speaker 1: a little bit just like, well, why did so many

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Speaker 1: people betray you?

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Speaker 2: No? I know, because, like she mentions it again, like

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Speaker 2: a lot of people who switched teams really and then

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Speaker 2: they went to they work for me, and then they

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Speaker 2: were for Kaifed, and then they were for me, but

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Speaker 2: then they were for Justin.

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Speaker 1: There's a part where she talks about this security guard

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Speaker 1: who like testifies against her in one of her conservatorship trials.

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Speaker 1: This guy brings Gloria Alright, who, by the way, like

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Speaker 1: Gloria Alright is like miss power feminist, like lawyer who's

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Speaker 1: like constantly stabbing women in the back, and like that's

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Speaker 1: her whole thing is being like twisted. So he gets

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Speaker 1: wrapped by Gloria Allred. My management between quit. A bodyguard

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Speaker 1: went to court with Gloria Alred by his side as

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Speaker 1: a witness in the custody case. He said, I was

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Speaker 1: doing drugs. So it's like, why is your own bodyguard

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Speaker 1: getting wrapped by Gloria Alread And maybe it's just the

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Speaker 1: dad is like I think the dad.

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Speaker 2: Is offering kickbacks. I think she was like being annoying.

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Speaker 1: Yeah, I'm just like I don't know. I guess people

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Speaker 1: are insanely selfish and they will do anything for money.

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Speaker 1: But that seems crazy to me. If you're a bodyguard,

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Speaker 1: your job is to protect someone.

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Speaker 2: Oh please bodyguards.

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Speaker 1: Though, and you would go to court and lie and

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Speaker 1: stab her in the back.

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Speaker 2: People on forensic files are always like killing their wives

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Speaker 2: for a forty thousand dollars like life insurance policy it's true.

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Speaker 2: So it's always just been like, well I had to

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Speaker 2: shoot her absolutely in the head because she just signed

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Speaker 2: a thirty two thousand dollars life insurance policy.

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Speaker 1: Yeah.

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Speaker 2: So it's like if your bodyguard and Jamie is like,

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Speaker 2: let me talk to you, I'll give you six hundred

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Speaker 2: one thousand dollars.

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Speaker 1: If you catch your bar that Brittany is taking drugs

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Speaker 1: and it's unfit to manage her finances, then you're just like,

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Speaker 1: all right.

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Speaker 2: Sure she also is so at all.

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Speaker 1: Yeah, I mean, this is what I'm saying where I

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Speaker 1: do think that she is maybe a little bit annoying

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Speaker 1: and that's why everyone betrayed her, because makes you so annoying.

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Speaker 2: Well, and I think she was a classic girl who's

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Speaker 2: like I'm as Baz.

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Speaker 1: Yeah, okay, can we talk about her music?

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Speaker 2: Well, it's interesting you say that because I was. I

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Speaker 2: love her music and I love to talk about favorite

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Speaker 2: Britney's song go oh it's so hard like oops, you

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Speaker 2: know the classics, oh wow, oops, but like give me

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Speaker 2: More kind of might be my favorite.

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Speaker 1: Okay, in the Zone's my favorite album her fourth album

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Speaker 1: and Touch of My Hand, which is the song about masturbation.

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Speaker 1: Oh you're so my Hand because it has like a

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Speaker 1: slight like Eastern sound to it, which was very big

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Speaker 1: in music at that point.

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Speaker 2: Oh, like your favorite of music. It's like it's sting.

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Speaker 2: If sting is on it, there's like a sandscript. There's

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Speaker 2: like on the album cover there's like an Eastern sound

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Speaker 2: and it's like kind of about something. You're like what,

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Speaker 2: You're like, Okay, it's about masturbation.

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Speaker 1: You're like, absolutely, that is her most sting coated album,

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Speaker 1: and Touch of My Hand is yeah, it's got a

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Speaker 1: sting vibe to it.

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Speaker 2: And I'll say the gimme more remix with t I

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Speaker 2: on it?

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Speaker 1: Oh wow, remix girl, remixed girl.

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Speaker 2: Sorry, I'm like a Britney girl. As Brittany says, like

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Speaker 2: they were always not want I mean to remixes.

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Speaker 1: Remixing there so fun.

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Speaker 2: Yeah, but the remix with t I think was really fun.

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Speaker 1: She says in this book ten different times. Blackout was

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Speaker 1: the best work of my career.

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Speaker 2: She says that so much, and I'm kind of like.

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Speaker 1: True, true. I remember that album came out. It was

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Speaker 1: during the craziest period of her life. We were all like,

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Speaker 1: I don't know what's going on with Brittany, Like they're

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Speaker 1: pulling her away on Gurney's shaving her head like line's crazy, Like.

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Speaker 2: Blackout comes out and you're like, whoa fuck?

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Speaker 1: Like a it's called Blackout, which is insane because like

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Speaker 1: she's always like being so like getting out of a

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Speaker 1: car with her pussy out with Paris Hilton.

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Speaker 2: And where we were all made to think.

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Speaker 1: Right that she was an alcoholic, but actually she was

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Speaker 1: just doing some adderall and like some drinks.

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Speaker 2: But was she again goes back to the annoying thing

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Speaker 2: like it's like the most annoying girl is actually not

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Speaker 2: the girl who's so drunk, even though she may be,

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Speaker 2: but it's like the girl who's like I don't need

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Speaker 2: to drink. I'm so crazy without drinks.

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Speaker 1: Yeah no that girl. And that girl's like, oh, you

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Speaker 1: know what we should do it for this go to

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Speaker 1: an arcade.

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Speaker 2: Okay, let's make mist drinks to an arcade and then

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Speaker 2: dance and do caurtwheels through an arcade. Was like what

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Speaker 2: if we went to a bar? Yeah?

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Speaker 1: Or you calm all the way down? She So this

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Speaker 1: album comes out, it's literally called Blackout, like Radar like

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Speaker 1: give me more.

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Speaker 2: Like Momomanizer right circus, Okay, Wake.

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Speaker 1: Up, Lily, tell me you're not a gay man without

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Speaker 1: telling me you're not a gay man. You think woman

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Speaker 1: ez these off of block out.

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Speaker 2: I'd love to be surrounded by lgb qts all the time,

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Speaker 2: and sometimes I get my gay friends confused because I

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Speaker 2: have so many of them. We should also discuss I

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Speaker 2: think for my birthday, you got me or basically your

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Speaker 2: parents got us Brittany tickets.

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Speaker 1: We saw that, Yeah, the Dream within a Dream tour,

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Speaker 1: which she talks about loving in this book. She was like,

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Speaker 1: the Dream within a Dream Tour was really exciting because

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Speaker 1: there was a point where like it's her and like

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Speaker 1: she's dancing with like a video of herself, and like

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Speaker 1: it's conceptual.

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Speaker 2: Tort blew my mind. I don't think I've seen anything

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Speaker 2: like these effects.

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Speaker 1: We saw that at the Boston Garden.

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Speaker 2: The Boston Garden now the TD Garden, and I think

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Speaker 2: what we saw it was so enslave for you. She's

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Speaker 2: fully like jungle and from the ceiling this rain and

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Speaker 2: then a net drops, yeah, and she's like being like

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Speaker 2: tiger girl, and there was so many like holographs of.

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Speaker 1: Rain special effects. I was like, y'all, I was like,

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Speaker 1: how is this really like pinch me, pitch me. I'm

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Speaker 1: dreaming within her dream And I remember we made signs

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Speaker 1: that said like I love you Brittany, like Brittany Forever,

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Speaker 1: and she does Brittany and she fever. She was so

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Speaker 1: pamp and she does this thing at the end of

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Speaker 1: the concert where she like walks around on stage and

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Speaker 1: points at people like Barry Taylor Swift, pointing, and she

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Speaker 1: like points at anyone with a sign. And remember she

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Speaker 1: points at me, and.

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Speaker 2: You're Brittany Forever. Oh you were eating. I was eating.

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Speaker 1: Yeah, I was fucking eating when fucking Brittany pointed at me.

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Speaker 1: She was so fab and so fun and I couldn't

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Speaker 1: believe it. Some of the songs on that tour were

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Speaker 1: also so insanely like childlike talk about the infantalization. I

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Speaker 1: remember anticipating, you know that song it's I'll be anticipating

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Speaker 1: this is a song they're playing. I don't remember that

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Speaker 1: but off of the third album Brittany, but she was

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Speaker 1: like in a little like cardboard convertible and it's like

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Speaker 1: a pink carpo convertile eve very like Barbie movie coded.

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Speaker 2: Yeah, my favorite kind of baby song of hers, which

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Speaker 2: I feel like became a little more like, oh, this

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Speaker 2: is like hilarious, it's like ridiculous for Crossroads, not a Girl.

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Speaker 1: Not a Woman, which is also gonna have been in

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Speaker 1: the title of this book. Literally, yeah, that song is

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Speaker 1: a totally cheesy ballad.

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Speaker 2: No, but I mean it was been like, oh this

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Speaker 2: is so cheesy and ridiculous. Yeo, yeah, but it basically

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Speaker 2: she's sang at the end of this book she's not

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Speaker 2: a girl, but she's also not.

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Speaker 1: Yet, still trying to figure it out. She'll get there soon.

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Speaker 1: So she starts working with Max Martin like early in

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Speaker 1: her career Chap and when she records Baby One More Time,

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Speaker 1: she's I think she's in Sweden with him. And the

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Speaker 1: night before we recorded Baby One More Time, I was

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Speaker 1: listening to soft Cells, tane and love and fell in

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Speaker 1: love with that sound. I stayed up late so that

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Speaker 1: i'd go into the studio tired. My voice fried. It works.

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Speaker 1: When I sang it, it came out graveling in a

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Speaker 1: way that sounded more mature and sexier. Mind blown.

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Speaker 2: Well, as we know from this book that we read,

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Speaker 2: she's method. Yeah, So not only she method in her music,

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Speaker 2: she's method in acting. She says in Crossroads. She was

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Speaker 2: living life post cross Roads as a naive sixteen year

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Speaker 2: old girl, which you're kind of like, but you are

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Speaker 2: a nice.

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Speaker 1: Really, I was already the personality as you've been stating

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Speaker 1: so much of.

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Speaker 2: This entire time. And she's like, I didn't know how

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Speaker 2: to turn the method off.

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Speaker 1: And you're like, okay. And that's why she's glad that

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Speaker 1: she didn't get Castle in a notebook, even though she

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Speaker 1: slayd her audition, which many of y'all have been seeing

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Speaker 1: going around on the remember a viral.

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Speaker 2: She says, I'm so glad I didn't book the notebook.

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Speaker 2: While it would have been fun to reunite with my

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Speaker 2: fellow mousketeer Ryan Gosling, she goes, I would have been

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Speaker 2: stuck in the mind of a nineteen forties heiress and

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Speaker 2: I wouldn't have been able to like release that. And

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Speaker 2: it's like, huh, you're saying like you would have been

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Speaker 2: walking around, which is so brittany, being like, my my

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Speaker 2: world's fair as tomorrow.

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Speaker 1: I hope my husband doesn't go to war, and it's

381
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Speaker 1: just Kevin Faderleine and she's like packing him such a

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Speaker 1: like war satchel of rations.

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Speaker 2: She's like here's milk for the bus ride. Oh go

384
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Speaker 2: fight those Germans.

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Speaker 1: Celebrity book Club, Celebrity book Club. Back to the say

386
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Speaker 1: the music.

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00:19:00,840 --> 00:19:03,920
Speaker 2: She got her record deal by doing Whitney.

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Speaker 1: Yeah, she does Whitney, Who's one of her idols growing up.

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Speaker 2: I bet she auditioned with I Want to Dance for Somebody.

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Speaker 1: Wait, do you remember the part in the beginning where

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Speaker 1: she kind of low key reveals that it's her family's

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Speaker 1: blackmaid that inspires her. Because the thing about Brittany is

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Speaker 1: that her mom's family is actually a little bit.

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Speaker 2: Rich because of the British grandmother. Yeah, the whole thing.

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Speaker 1: And she was like Grandma is Land did have a

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Speaker 1: housekeeper and she would send gospel to herself, and I

397
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Speaker 1: thought it was so beautiful.

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Speaker 2: Southern white people in books love being like I loved

399
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Speaker 2: my housekeeper.

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00:19:41,440 --> 00:19:42,440
Speaker 1: It's housekeeper.

401
00:19:42,720 --> 00:19:43,639
Speaker 2: You're like, huh?

402
00:19:44,480 --> 00:19:49,920
Speaker 1: Made like was she allowed to? She under a conservatorship?

403
00:19:50,520 --> 00:19:53,320
Speaker 1: But I think what the Max Martin Maybe One More

404
00:19:53,359 --> 00:19:55,720
Speaker 1: Time episode reveals is that, you know, Brittany is so

405
00:19:55,760 --> 00:19:57,840
Speaker 1: much more strategic than people ever gave her credit for,

406
00:19:57,920 --> 00:20:02,959
Speaker 1: especially in the conservatorship, and she really understands strategy that

407
00:20:03,000 --> 00:20:06,280
Speaker 1: goes into songwriting. And it was her idea to put

408
00:20:06,280 --> 00:20:08,760
Speaker 1: Madonna on me against the music. She really liked the song,

409
00:20:09,440 --> 00:20:12,399
Speaker 1: and her team and everyone at the record label was like,

410
00:20:12,400 --> 00:20:13,680
Speaker 1: I don't know, like we don't really want to push

411
00:20:13,680 --> 00:20:15,359
Speaker 1: this song, and she was like, I was pushing for

412
00:20:15,400 --> 00:20:18,320
Speaker 1: it so hard. I just I'm a slave for you.

413
00:20:18,320 --> 00:20:20,080
Speaker 1: And on my last record in Barry Weiss, who ran

414
00:20:20,119 --> 00:20:22,200
Speaker 1: my label, wanted more songs like that, but I was

415
00:20:22,240 --> 00:20:24,359
Speaker 1: pushing from me against the music. Then what if we

416
00:20:24,400 --> 00:20:26,040
Speaker 1: do a feature on it? I said, A song can

417
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Speaker 1: become a massive hit because of the event that drives it.

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00:20:29,200 --> 00:20:30,560
Speaker 1: I thought, if we could find someone to be on

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00:20:30,600 --> 00:20:33,360
Speaker 1: the song, we could create a story around it. Who

420
00:20:33,359 --> 00:20:36,240
Speaker 1: do you want to feature? My manager asked her. I said,

421
00:20:36,280 --> 00:20:39,480
Speaker 1: pointing across the room at Madonna, let's get her on

422
00:20:39,480 --> 00:20:43,480
Speaker 1: the song, and he goes, holy shit, Yeah that did work.

423
00:20:44,040 --> 00:20:46,480
Speaker 1: Instead of asking her through her team, we agreed that

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00:20:46,600 --> 00:20:48,600
Speaker 1: I would ask her directly. So I'm like, is she

425
00:20:48,680 --> 00:20:52,280
Speaker 1: pointing to like a photo of you across.

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Speaker 2: The room, and Madonna's like, also having a random meeting.

427
00:20:55,119 --> 00:20:57,399
Speaker 1: This is an insanely long conference title.

428
00:20:57,920 --> 00:21:00,280
Speaker 2: I do feel like I'm sure so many goals old

429
00:21:00,720 --> 00:21:04,840
Speaker 2: records like that's such a movie scene where they're like, Brittany,

430
00:21:05,000 --> 00:21:07,159
Speaker 2: what are we gonna do is your new single? And

431
00:21:07,200 --> 00:21:10,680
Speaker 2: she's like, I have an idea and points and they're

432
00:21:10,720 --> 00:21:12,879
Speaker 2: like what are you talking about? And they look and

433
00:21:12,880 --> 00:21:15,520
Speaker 2: they're like, that's so crazy.

434
00:21:16,119 --> 00:21:16,840
Speaker 1: Just might work.

435
00:21:17,240 --> 00:21:23,080
Speaker 2: And another amazing creative direction moment she has literally first video.

436
00:21:23,560 --> 00:21:27,600
Speaker 2: They want it to be so millennium and power Rangers

437
00:21:28,080 --> 00:21:28,800
Speaker 2: and she's like.

438
00:21:28,800 --> 00:21:30,840
Speaker 1: Yeah, maybe one more time. She's like no, She's like,

439
00:21:30,840 --> 00:21:32,359
Speaker 1: I'm literally a teen, Like she's doing it in a

440
00:21:32,640 --> 00:21:33,440
Speaker 1: high school.

441
00:21:33,240 --> 00:21:36,439
Speaker 2: Student in high school. I'm a teen, I'm sexy, and

442
00:21:36,440 --> 00:21:38,919
Speaker 2: she goes all people want to see is me and

443
00:21:39,000 --> 00:21:42,040
Speaker 2: like sexy Catholic school girl outfit and then change into

444
00:21:42,880 --> 00:21:43,840
Speaker 2: real clothes.

445
00:21:44,200 --> 00:21:46,639
Speaker 1: No, it's funny that she thinks that that's like the

446
00:21:46,800 --> 00:21:49,239
Speaker 1: huge selling point of that video, that it's not just

447
00:21:49,440 --> 00:21:52,480
Speaker 1: the fucking Schoolgrina from that. She's like, it's no, it's

448
00:21:52,480 --> 00:21:55,199
Speaker 1: the reveal that she's actually wearing like kind of like

449
00:21:55,400 --> 00:21:59,240
Speaker 1: lounge pants and track pants track fand.

450
00:21:58,800 --> 00:22:02,320
Speaker 2: That's what people wanted to see that kind of She

451
00:22:02,440 --> 00:22:06,520
Speaker 2: also really like shoots home, shall I say pun intended

452
00:22:06,560 --> 00:22:08,159
Speaker 2: about what like a baller she is?

453
00:22:08,680 --> 00:22:09,560
Speaker 1: Shoots Home.

454
00:22:09,920 --> 00:22:12,160
Speaker 2: She's like I love basketball. I guess that didn't really

455
00:22:12,359 --> 00:22:13,080
Speaker 2: end anyway.

456
00:22:14,520 --> 00:22:16,760
Speaker 1: I want to see you at a basketball game just

457
00:22:16,800 --> 00:22:19,520
Speaker 1: going shoot home, shoot home.

458
00:22:19,760 --> 00:22:22,160
Speaker 2: But I like that is so liberty w NBA game.

459
00:22:22,200 --> 00:22:27,040
Speaker 2: I'm like, come on, ladies, let's shoot home. Okay. So

460
00:22:28,000 --> 00:22:31,439
Speaker 2: throughout the book, she's like, you, guys, y'all, like, my

461
00:22:31,600 --> 00:22:37,119
Speaker 2: favorite times are just rehearsing, dance or shooting on the court.

462
00:22:37,320 --> 00:22:39,359
Speaker 1: She can't play video games, she can't shoot oops.

463
00:22:39,440 --> 00:22:40,560
Speaker 2: She's like, I'm dribbling.

464
00:22:41,280 --> 00:22:43,800
Speaker 1: And this is why she is a list because she

465
00:22:44,000 --> 00:22:47,960
Speaker 1: is Elis. Girl play basketball, dealers, girls play video games, alets,

466
00:22:48,040 --> 00:22:50,359
Speaker 1: girls play basketball, and hiding cabinets.

467
00:22:50,560 --> 00:22:53,560
Speaker 2: Which is why we figured out why I wasn't picked

468
00:22:53,600 --> 00:22:54,639
Speaker 2: to be on our middle.

469
00:22:54,359 --> 00:22:56,120
Speaker 1: School basketball team because you weren't ha list.

470
00:22:56,280 --> 00:22:58,879
Speaker 2: No, even after years of girls basketball.

471
00:22:58,320 --> 00:23:03,399
Speaker 1: Camp, it just didn't really I think I was good.

472
00:23:03,520 --> 00:23:11,160
Speaker 2: I think I think it did sink in. And then

473
00:23:11,200 --> 00:23:14,800
Speaker 2: like later on, she wants to do when she works

474
00:23:14,840 --> 00:23:19,520
Speaker 2: with Dark Child, it's like she wants to do I

475
00:23:19,520 --> 00:23:23,879
Speaker 2: think so many like cool remixes, like during the conservatorship

476
00:23:23,960 --> 00:23:26,719
Speaker 2: and like in Vegas or perform her remixes at the concert.

477
00:23:26,840 --> 00:23:29,760
Speaker 2: She's like, I know my fans want something different, which

478
00:23:29,800 --> 00:23:31,679
Speaker 2: is true because everyone I know who went to that

479
00:23:31,760 --> 00:23:34,880
Speaker 2: Vegas residency where like she was vacant behind the eyes. Yeah,

480
00:23:35,200 --> 00:23:37,200
Speaker 2: like something is up. And this was kind of before

481
00:23:37,240 --> 00:23:40,600
Speaker 2: the pre Brittany, and Brittany was like, we have to

482
00:23:40,640 --> 00:23:43,720
Speaker 2: do something else at this concert. I can't run through

483
00:23:43,760 --> 00:23:46,080
Speaker 2: these same tracks and same choreo again.

484
00:23:46,560 --> 00:23:48,280
Speaker 1: And then she's like, but that at a certain point,

485
00:23:48,280 --> 00:23:50,840
Speaker 1: I did like started to feel excited about performing again,

486
00:23:50,920 --> 00:23:53,359
Speaker 1: Like she says, like, I will admit, like those weren't

487
00:23:53,400 --> 00:23:57,240
Speaker 1: my best performances and there was a time when I

488
00:23:57,320 --> 00:24:01,000
Speaker 1: was just absolutely completely dead because savorship and I was

489
00:24:01,040 --> 00:24:02,920
Speaker 1: like not allowed to see my kids like or have fun,

490
00:24:03,040 --> 00:24:04,639
Speaker 1: or speak to anyone or drive a car.

491
00:24:04,800 --> 00:24:09,520
Speaker 2: She also says the Onyx tour was like too sexual

492
00:24:09,720 --> 00:24:13,040
Speaker 2: for her, Yeah, and it was her rebuttal to like

493
00:24:13,960 --> 00:24:17,520
Speaker 2: Justin being like having a sexy tour. Yeah, and she

494
00:24:17,640 --> 00:24:19,359
Speaker 2: was like, Okay, I guess I need to do a

495
00:24:19,359 --> 00:24:21,480
Speaker 2: sexy tour, but she felt it was really forced.

496
00:24:21,760 --> 00:24:24,000
Speaker 1: And this is again where this thing comes in. We're like, wow,

497
00:24:24,119 --> 00:24:26,480
Speaker 1: you were so fucked up about the Justin breakup in

498
00:24:26,480 --> 00:24:29,560
Speaker 1: a way that like I really don't like it just

499
00:24:29,560 --> 00:24:32,399
Speaker 1: would have never tracked for me, you know, at the time,

500
00:24:32,640 --> 00:24:34,400
Speaker 1: just like seeing her would have never thought, oh, yeah,

501
00:24:34,400 --> 00:24:36,640
Speaker 1: this girl's still broken up about a relationship from three

502
00:24:36,680 --> 00:24:37,120
Speaker 1: years ago.

503
00:24:37,880 --> 00:24:40,119
Speaker 2: No, because it acts seemed like she was on fire.

504
00:24:40,640 --> 00:24:42,960
Speaker 2: I do feel like the reason why like her music though,

505
00:24:43,040 --> 00:24:47,040
Speaker 2: is so successful, and why it is more successful than

506
00:24:47,400 --> 00:24:50,960
Speaker 2: Christina is because like it is more like eighties in

507
00:24:51,080 --> 00:24:55,639
Speaker 2: euro and Kylie Minogue informed, and like Christina's been like

508
00:24:56,000 --> 00:25:02,400
Speaker 2: oh I think I mean dirty, yes, And don't get

509
00:25:02,400 --> 00:25:05,600
Speaker 2: me wrong, I love Christina. I have some it's like

510
00:25:06,080 --> 00:25:08,160
Speaker 2: twenty three tracks stripped.

511
00:25:08,240 --> 00:25:11,000
Speaker 1: Stripped is like and there's a lot of interludes and

512
00:25:11,480 --> 00:25:13,720
Speaker 1: Stripped is a very album.

513
00:25:14,000 --> 00:25:17,040
Speaker 2: Yeah, and the songs are like there's one song in

514
00:25:17,040 --> 00:25:21,480
Speaker 2: Spanish called like yes Okay you're like, yeah, catch up.

515
00:25:21,840 --> 00:25:24,200
Speaker 1: Wait got bitch. I love that album. But I think

516
00:25:24,359 --> 00:25:28,399
Speaker 1: Christina again because of her voice, she feels that she

517
00:25:28,480 --> 00:25:31,000
Speaker 1: needs to showcase it more and she's not willing to

518
00:25:31,160 --> 00:25:32,399
Speaker 1: let the music.

519
00:25:32,240 --> 00:25:34,960
Speaker 2: Like write and do a toxic where it's like, no,

520
00:25:35,080 --> 00:25:36,919
Speaker 2: your voice isn't being like showcase.

521
00:25:36,960 --> 00:25:38,720
Speaker 1: Isn't showcase where it's like the music.

522
00:25:39,080 --> 00:25:40,920
Speaker 2: Is like the best songs ever.

523
00:25:41,320 --> 00:25:42,840
Speaker 1: Okay, I want to talk about Colin.

524
00:25:42,640 --> 00:25:45,359
Speaker 2: Ferrell, you know, what's Stephen too far? I actually know

525
00:25:45,560 --> 00:25:48,639
Speaker 2: it's too sensitive, Like I'm still broken up about my

526
00:25:48,720 --> 00:25:50,000
Speaker 2: breakup of Golin Farrell.

527
00:25:50,400 --> 00:25:52,640
Speaker 1: So I remember at the time like they appeared under

528
00:25:52,640 --> 00:25:54,160
Speaker 1: red carpet once and I was just like, oh, that's

529
00:25:54,160 --> 00:25:56,800
Speaker 1: probably just like for show, like they're not actually dating.

530
00:25:57,000 --> 00:26:01,200
Speaker 1: Turns out they were, she goes. We wound up having

531
00:26:01,240 --> 00:26:05,080
Speaker 1: a two week brawl. Brawl is the only word for it.

532
00:26:05,119 --> 00:26:08,119
Speaker 1: We were all over each other, grappling so passionately. It

533
00:26:08,200 --> 00:26:12,520
Speaker 1: was like we were in a street fight. Dimn no.

534
00:26:13,960 --> 00:26:18,320
Speaker 2: I personally, as a culture critic, I always actually did

535
00:26:18,359 --> 00:26:22,879
Speaker 2: believe the Brittany Colin Ferrell because like people want to fuck.

536
00:26:22,680 --> 00:26:24,400
Speaker 1: Colin Ferrell, they certainly do.

537
00:26:24,720 --> 00:26:26,879
Speaker 2: No one is with Colin Ferrell as like this is

538
00:26:26,920 --> 00:26:30,359
Speaker 2: a publicity thing, Like if you're standing next to Colin Ferrell,

539
00:26:30,440 --> 00:26:32,560
Speaker 2: like it's happening, dicking you.

540
00:26:32,680 --> 00:26:34,320
Speaker 1: Down all the way down, honey.

541
00:26:34,640 --> 00:26:37,560
Speaker 2: I remember I had this like teacher in college and

542
00:26:37,680 --> 00:26:40,840
Speaker 2: she had just gotten divorced and she was like, what

543
00:26:40,960 --> 00:26:45,840
Speaker 2: have you guys seen in Bruges? God, that movie is good,

544
00:26:45,920 --> 00:26:48,879
Speaker 2: and it's like, okay, you're being very touch with my hand.

545
00:26:52,000 --> 00:26:54,040
Speaker 1: But I think they had a really cute thing and

546
00:26:54,119 --> 00:26:56,879
Speaker 1: it is sad when she says that she's like, for

547
00:26:56,920 --> 00:26:59,000
Speaker 1: a second, she goes as I had before when I

548
00:26:59,000 --> 00:27:00,440
Speaker 1: fell to attached to a man. I try to givince

549
00:27:00,440 --> 00:27:01,800
Speaker 1: myself in every way that was not a big deal,

550
00:27:01,800 --> 00:27:04,000
Speaker 1: that we were just having fun. That in this case

551
00:27:04,040 --> 00:27:06,440
Speaker 1: I was vulnerable because I wasn't over Justin yet. But

552
00:27:06,480 --> 00:27:08,600
Speaker 1: for a brief moment in time, I didn't think there

553
00:27:08,600 --> 00:27:12,560
Speaker 1: could be something more. I'm just like, oh, I feel you, girl.

554
00:27:12,680 --> 00:27:14,240
Speaker 1: Of course, if I'm dating Colin Ferrel.

555
00:27:14,160 --> 00:27:17,560
Speaker 2: Be like like, also if you're like brawling, if you're

556
00:27:17,640 --> 00:27:21,520
Speaker 2: fucking nine hours a day with Colin Farrell, you're not thinking, oh,

557
00:27:21,640 --> 00:27:24,159
Speaker 2: this is gonna end in three days.

558
00:27:24,440 --> 00:27:26,119
Speaker 1: And then she was like, I was trying to be social.

559
00:27:26,240 --> 00:27:30,480
Speaker 1: Natalie Portman and I hosted a New Year's partyever.

560
00:27:29,760 --> 00:27:34,760
Speaker 2: So insane that well, because Natalie is a fellow Musketeer. Wait,

561
00:27:34,800 --> 00:27:37,000
Speaker 2: she wasn't, well, she met her like in the audition,

562
00:27:37,080 --> 00:27:40,320
Speaker 2: She's like, I met It's always like when anyone ever

563
00:27:40,440 --> 00:27:45,680
Speaker 2: talks about the Mouseketeers, it's always there was another very young, pretty,

564
00:27:46,080 --> 00:27:50,359
Speaker 2: brown haired girl, and it's either like Carrie Russell or

565
00:27:50,520 --> 00:27:54,359
Speaker 2: Natalie Portman. But I was also like her trial of

566
00:27:54,520 --> 00:27:59,760
Speaker 2: relationships is really sad because she says, after Kafeed and Justin,

567
00:28:00,160 --> 00:28:03,120
Speaker 2: she says, I could not trust anyone well.

568
00:28:03,119 --> 00:28:06,119
Speaker 1: And then also in the conservativeship, her parents would do

569
00:28:06,160 --> 00:28:09,200
Speaker 1: a blood test on anyone that she wanted to date.

570
00:28:09,240 --> 00:28:12,880
Speaker 2: For the first date. They had to blood test, medical records,

571
00:28:13,119 --> 00:28:15,200
Speaker 2: blood test, government background chow.

572
00:28:15,320 --> 00:28:17,320
Speaker 1: So it's like she dated all of these like creepy

573
00:28:17,320 --> 00:28:21,200
Speaker 1: guys and I'm sorry, like her like full like persian

574
00:28:21,200 --> 00:28:23,840
Speaker 1: gay insta Wins. Her boyfriend that she was with for

575
00:28:23,880 --> 00:28:27,520
Speaker 1: five years, he just seems so instagram gay to me. Yeah,

576
00:28:27,600 --> 00:28:30,359
Speaker 1: and he they all seem weirdly gay, and like Jason

577
00:28:30,400 --> 00:28:33,159
Speaker 1: Trawick is just like so creepy and like abusive. And

578
00:28:33,200 --> 00:28:35,520
Speaker 1: then the paparazzi guy that she dated that they like

579
00:28:35,600 --> 00:28:37,399
Speaker 1: didn't let her date anymore. Even though all the other

580
00:28:37,400 --> 00:28:39,720
Speaker 1: guys are also creepy, they're also creepy.

581
00:28:39,720 --> 00:28:42,080
Speaker 2: I mean, is there anything gayer than dating Britney.

582
00:28:41,840 --> 00:28:45,200
Speaker 1: Spears certainly not well dating Renees Elwiger.

583
00:28:45,400 --> 00:28:48,120
Speaker 2: Yeah, like Kenny Chesney or Bradley Cooper. It's like a

584
00:28:48,160 --> 00:28:50,760
Speaker 2: different type of gay that goes to Renees Delwiger. They'll

585
00:28:50,800 --> 00:28:53,400
Speaker 2: be like, we'll be able to have really long conversations

586
00:28:53,920 --> 00:28:56,200
Speaker 2: like gay guys just want to date. Brittany Kuser was like,

587
00:28:56,280 --> 00:29:00,040
Speaker 2: oh my god, I gotta tell you a bridmo. I

588
00:29:00,120 --> 00:29:04,520
Speaker 2: got Brittany all day. The only straight man. I mean,

589
00:29:04,600 --> 00:29:05,920
Speaker 2: kay Fed was so straight.

590
00:29:06,280 --> 00:29:08,200
Speaker 1: Yeah, and that's why she liked because he held her

591
00:29:08,240 --> 00:29:08,680
Speaker 1: in a pool.

592
00:29:08,880 --> 00:29:13,200
Speaker 2: And I watched that new film Reptile the other night

593
00:29:13,400 --> 00:29:16,240
Speaker 2: that Justin Turberlake is in, and I was like, in that, yeah,

594
00:29:16,240 --> 00:29:21,560
Speaker 2: and he plays such a good just like creepy realtor interesting,

595
00:29:21,680 --> 00:29:24,000
Speaker 2: and it's like it's kind of like who he is now.

596
00:29:25,000 --> 00:29:27,360
Speaker 1: Yeah, I love how Macy's he is.

597
00:29:27,480 --> 00:29:31,320
Speaker 2: He's gone so dress shoes that are running shoes. He's

598
00:29:31,360 --> 00:29:34,840
Speaker 2: done so all birds all of a sudden, like Polo

599
00:29:34,960 --> 00:29:35,800
Speaker 2: and quarter Zip.

600
00:29:36,040 --> 00:29:39,240
Speaker 1: I think he was always that underneath the pimpitude. It's like,

601
00:29:39,280 --> 00:29:41,720
Speaker 1: remember when you launched William Rast and it was like

602
00:29:42,000 --> 00:29:44,120
Speaker 1: his like clothing line in like two thousand and eight,

603
00:29:44,120 --> 00:29:46,880
Speaker 1: and it was being so like not even cross coded.

604
00:29:46,920 --> 00:29:49,040
Speaker 1: It was just being like a little bit reclaimed wood

605
00:29:49,040 --> 00:29:49,560
Speaker 1: as a shirt.

606
00:29:49,920 --> 00:29:52,960
Speaker 2: Oh it was bad. I think that also just happens,

607
00:29:53,000 --> 00:29:56,560
Speaker 2: like some people can be so cool when they're young and.

608
00:29:56,480 --> 00:29:59,160
Speaker 1: Then they married Bill and they're like ultimately I'm like so.

609
00:29:59,200 --> 00:30:01,200
Speaker 2: Christian, yeah, and they're like, oh, I have to be

610
00:30:01,320 --> 00:30:02,760
Speaker 2: so boring Christian.

611
00:30:03,000 --> 00:30:03,560
Speaker 1: Yeah.

612
00:30:03,840 --> 00:30:07,320
Speaker 2: Just one funny thing about her at the end of

613
00:30:07,360 --> 00:30:10,640
Speaker 2: her conservatorship, speaking of movies and acting, and she's like,

614
00:30:11,320 --> 00:30:15,440
Speaker 2: I love comedy, and the way I got through my

615
00:30:15,560 --> 00:30:21,240
Speaker 2: conservaship was watching comedy specials of Amy Schumer, Kevin Hart,

616
00:30:21,320 --> 00:30:26,680
Speaker 2: Sebastian Menecusolo, who is like very like seventy year old

617
00:30:26,720 --> 00:30:30,320
Speaker 2: Italians are seeing him in Atlantic City and he's really popular.

618
00:30:30,560 --> 00:30:32,160
Speaker 1: Is he like the Italian George Lopez?

619
00:30:32,560 --> 00:30:35,160
Speaker 2: Yes, he's just being so like you know, and your

620
00:30:35,280 --> 00:30:38,280
Speaker 2: wife is making a Sunday sauce but she starts at

621
00:30:38,280 --> 00:30:40,520
Speaker 2: five pm and everyone was like a.

622
00:30:42,400 --> 00:30:45,560
Speaker 1: And Britty was just like, uh so true. I love this,

623
00:30:45,920 --> 00:30:49,920
Speaker 1: don't you, Sam. And he's like in a telegram chat

624
00:30:49,960 --> 00:30:51,720
Speaker 1: with like thirty other gay guys.

625
00:30:52,320 --> 00:30:54,440
Speaker 2: I know when I was reading up on their divorce

626
00:30:54,520 --> 00:30:56,800
Speaker 2: today because I was like, wait, what happened?

627
00:30:56,880 --> 00:30:59,920
Speaker 1: Because she prefers from as her husband and the book Yeah,

628
00:31:00,240 --> 00:31:01,320
Speaker 1: so that's super recent.

629
00:31:01,560 --> 00:31:03,600
Speaker 2: It's super recent. I think it's May or something.

630
00:31:03,680 --> 00:31:05,160
Speaker 1: Maybe his contract was up and it.

631
00:31:05,080 --> 00:31:12,320
Speaker 2: Says there was infidelity rumors. It's like, yo, I remember

632
00:31:12,360 --> 00:31:15,000
Speaker 2: her brother is very not really mentioned this book except

633
00:31:15,000 --> 00:31:17,720
Speaker 2: from the beginning when he goes through this really traumatic

634
00:31:18,000 --> 00:31:18,800
Speaker 2: car accident.

635
00:31:18,960 --> 00:31:22,720
Speaker 1: No, it's a ATV accident, which are so dangerous, so dangerous,

636
00:31:22,760 --> 00:31:25,200
Speaker 1: and seven people a year dot from them flipping over

637
00:31:25,400 --> 00:31:27,240
Speaker 1: and they were in cornfields, they couldn't see each other,

638
00:31:27,600 --> 00:31:31,040
Speaker 1: rammed into each other, and he got his whole body crushed.

639
00:31:31,040 --> 00:31:33,040
Speaker 1: Every brown in his body was broken.

640
00:31:32,840 --> 00:31:34,400
Speaker 2: And he we kind of the star of the family.

641
00:31:34,440 --> 00:31:38,280
Speaker 2: And Brittany slept in his room until she was twelve,

642
00:31:38,920 --> 00:31:41,560
Speaker 2: which I did raise an eyebrow at, and like even

643
00:31:41,600 --> 00:31:43,560
Speaker 2: her parents really creeped out by that, and they were like,

644
00:31:43,600 --> 00:31:46,080
Speaker 2: you need to not sleep in here.

645
00:31:46,200 --> 00:31:48,000
Speaker 1: And she talked about how he got all these presents

646
00:31:48,320 --> 00:31:50,200
Speaker 1: when he was in the hospital, and she.

647
00:31:50,320 --> 00:31:51,680
Speaker 2: Was like, it was Christmas every day.

648
00:31:51,840 --> 00:31:53,920
Speaker 1: I think it was like she wanted to be near

649
00:31:54,160 --> 00:31:58,320
Speaker 1: the secondary attention and the halo that he had from being,

650
00:31:59,160 --> 00:32:01,320
Speaker 1: you know, the victim, and so she wanted a little

651
00:32:01,360 --> 00:32:02,239
Speaker 1: bit of that age us.

652
00:32:02,360 --> 00:32:06,320
Speaker 2: It's like tieing clueless when she almost falls.

653
00:32:06,240 --> 00:32:07,680
Speaker 1: Yeah, and then everyone's obsessed with her.

654
00:32:08,000 --> 00:32:11,560
Speaker 2: She also says in one of her many Jamie Lin

655
00:32:11,640 --> 00:32:15,160
Speaker 2: Spears drags, she goes Jamie Lyn Spears was like that

656
00:32:15,280 --> 00:32:17,640
Speaker 2: Ariana Grande song seven Rings.

657
00:32:17,640 --> 00:32:21,280
Speaker 1: Oh yeah, she got what she wanted and they're buying her everything,

658
00:32:21,320 --> 00:32:23,960
Speaker 1: and they're just being like, oh, like you just like

659
00:32:24,640 --> 00:32:27,880
Speaker 1: teen pregnant girl, Like you're getting a Disney show, Like

660
00:32:27,960 --> 00:32:29,960
Speaker 1: let's get to a talk show. Let's like buy you

661
00:32:30,080 --> 00:32:33,400
Speaker 1: so many cars and houses. Meanwhile, Brittany is making us

662
00:32:33,400 --> 00:32:35,640
Speaker 1: all the money and she's trapped.

663
00:32:35,720 --> 00:32:38,360
Speaker 2: So let's talk about Jamien Spears being timeline of Jamien Spears,

664
00:32:38,400 --> 00:32:40,040
Speaker 2: how she talks about her in this book. She's like,

665
00:32:40,680 --> 00:32:43,080
Speaker 2: when I was famous and then I came back home.

666
00:32:43,160 --> 00:32:45,280
Speaker 2: She goes, Jamie Lynn was just being a bitch. She

667
00:32:45,400 --> 00:32:47,560
Speaker 2: was like she was spoiled, being a bitch. I would

668
00:32:47,560 --> 00:32:49,560
Speaker 2: always give her gifts being a bitch.

669
00:32:49,800 --> 00:32:50,240
Speaker 1: Yeah.

670
00:32:50,280 --> 00:32:53,560
Speaker 2: When she is like shamed for shaving her head and

671
00:32:53,640 --> 00:32:56,160
Speaker 2: all the stuff, she goes, my mom goes on Meredith

672
00:32:56,240 --> 00:32:59,120
Speaker 2: Vieira to like talk shit about me basically, and they

673
00:32:59,160 --> 00:33:04,600
Speaker 2: announced Jamie Spears pregnancy and the crowd erupts and she's like, sorry,

674
00:33:04,640 --> 00:33:06,200
Speaker 2: this girl's sixteen pregnant.

675
00:33:06,400 --> 00:33:09,320
Speaker 1: But I'm getting dragged for just like wearing a bikini

676
00:33:09,440 --> 00:33:13,560
Speaker 1: top like once, and everyone's being like she's America's like slut.

677
00:33:13,640 --> 00:33:15,680
Speaker 1: But like Jamielyn's fully eighteen pregnancy.

678
00:33:15,840 --> 00:33:18,920
Speaker 2: And I guess my question about Jamielyn Spears is like.

679
00:33:19,120 --> 00:33:21,720
Speaker 1: You know she wrote a book too, Yeah, a year.

680
00:33:21,640 --> 00:33:23,920
Speaker 2: Ago she talked about that. She's like, oh, and Jamie

681
00:33:24,000 --> 00:33:24,720
Speaker 2: Lynn wrote.

682
00:33:24,480 --> 00:33:26,960
Speaker 1: A book and fucking her mom wrote that book like

683
00:33:27,000 --> 00:33:29,360
Speaker 1: Heart to Heart and it's like so fucking bitchy.

684
00:33:29,440 --> 00:33:32,280
Speaker 2: And Lynn went on a literally a book.

685
00:33:32,080 --> 00:33:36,040
Speaker 1: Tour being like, Oh, my daughter's so fucked up, it's awful.

686
00:33:36,160 --> 00:33:39,240
Speaker 1: We really need to imprison her and take control of

687
00:33:39,280 --> 00:33:40,560
Speaker 1: her finances forever.

688
00:33:40,680 --> 00:33:42,680
Speaker 2: And I need to make so much money as we

689
00:33:42,680 --> 00:33:46,320
Speaker 2: imprisoned her. Meanwhile, like Brittany is just like at full

690
00:33:46,360 --> 00:33:50,160
Speaker 2: girl interrupted on lithium, like getting her blood pressure DIGGD

691
00:33:50,320 --> 00:33:51,200
Speaker 2: for no reason.

692
00:33:51,400 --> 00:33:53,000
Speaker 1: And then she's like every time I turn on the TV,

693
00:33:53,080 --> 00:33:55,600
Speaker 1: I see like shots of like me shaving my head

694
00:33:55,600 --> 00:33:59,040
Speaker 1: and my mom like Fate crying on Good Morning America.

695
00:33:59,400 --> 00:34:03,000
Speaker 2: And I'm sure doctor Phil was like she's crazy.

696
00:34:02,720 --> 00:34:05,200
Speaker 1: She's crazy. We need to give that girl a the

697
00:34:05,280 --> 00:34:05,760
Speaker 1: bottom me.

698
00:34:06,520 --> 00:34:09,319
Speaker 2: We really need to off doctor Phil.

699
00:34:09,440 --> 00:34:12,600
Speaker 1: Oh yeah, take him out. And Diane Sawyer she needs.

700
00:34:12,360 --> 00:34:14,520
Speaker 2: To fucking go. I'm so mad at her. It's like

701
00:34:15,000 --> 00:34:20,240
Speaker 2: every single interview her with Whitney Houston giving the rudest interview,

702
00:34:20,400 --> 00:34:23,160
Speaker 2: being like, Whitney, you're addicted to crack and your husband

703
00:34:23,280 --> 00:34:24,600
Speaker 2: is beating you.

704
00:34:24,640 --> 00:34:27,200
Speaker 1: Tell me about it and it's like the softest focus.

705
00:34:27,960 --> 00:34:32,040
Speaker 2: Yes, And she's just being so like evil and news

706
00:34:32,320 --> 00:34:35,960
Speaker 2: and it's like she's being like, Britney, why are you

707
00:34:36,080 --> 00:34:39,680
Speaker 2: showing your tits and being such a slut basically in

708
00:34:39,920 --> 00:34:41,400
Speaker 2: her interview.

709
00:34:41,040 --> 00:34:43,600
Speaker 1: And I just want to be myself.

710
00:34:44,000 --> 00:34:46,000
Speaker 2: She's like, I don't know, I'm we're in outphants, I'm

711
00:34:46,000 --> 00:34:48,719
Speaker 2: gonna tourn di ansawurs like clean it up, like you're

712
00:34:48,840 --> 00:34:51,879
Speaker 2: an example to young women out there, Like how dare

713
00:34:51,920 --> 00:34:52,520
Speaker 2: you right?

714
00:34:52,760 --> 00:34:54,800
Speaker 1: Brittany's like, I just want to be myself.

715
00:34:55,400 --> 00:34:56,120
Speaker 2: Needs to croak.

716
00:34:56,480 --> 00:34:59,440
Speaker 1: Yeah, a fucking anti woman.

717
00:34:59,800 --> 00:35:02,400
Speaker 2: And she was like the most anti woman women.

718
00:35:03,160 --> 00:35:07,240
Speaker 1: Yeah, very sing bury her. No, I mean the level

719
00:35:07,280 --> 00:35:10,160
Speaker 1: of evil in this book. It's like obviously Jamie Spears first,

720
00:35:10,920 --> 00:35:15,960
Speaker 1: then Diane Sawyer, then Jamie Lynn. Yeah, then just like

721
00:35:16,040 --> 00:35:18,640
Speaker 1: all that said, I don't know, I'm back and forth

722
00:35:18,680 --> 00:35:19,120
Speaker 1: on case.

723
00:35:19,280 --> 00:35:21,240
Speaker 2: Said I need more information, honestly.

724
00:35:21,520 --> 00:35:21,880
Speaker 1: Yeah.

725
00:35:21,920 --> 00:35:24,560
Speaker 2: With that thing about Jamie Lynn's with Nikki Hilton, I'm

726
00:35:24,560 --> 00:35:27,120
Speaker 2: like you are the sister, like you couldn't have said something.

727
00:35:27,400 --> 00:35:29,239
Speaker 1: Yeah, But the thing is, like it comes back to

728
00:35:29,280 --> 00:35:33,360
Speaker 1: your point about the fame, where everyone is so jealous

729
00:35:33,440 --> 00:35:35,640
Speaker 1: of her fame and they just want to take it

730
00:35:35,680 --> 00:35:37,719
Speaker 1: away from her and control it and take her down

731
00:35:37,719 --> 00:35:39,920
Speaker 1: and get some and no one's more jealous than the

732
00:35:39,960 --> 00:35:42,120
Speaker 1: little sister. And she does n't have men. In the book,

733
00:35:42,160 --> 00:35:44,239
Speaker 1: she's like and you know, Jamie Lynn had to live

734
00:35:44,280 --> 00:35:45,759
Speaker 1: in my shadow like for her whole life, and like,

735
00:35:45,760 --> 00:35:46,680
Speaker 1: I guess that's hard.

736
00:35:46,920 --> 00:35:48,920
Speaker 2: She's like she wasn't a product of divorce.

737
00:35:49,000 --> 00:35:49,560
Speaker 1: I wasn't.

738
00:35:49,600 --> 00:35:52,680
Speaker 2: And it's like, but you were watching your dad passed out,

739
00:35:52,760 --> 00:35:54,480
Speaker 2: like you don't know if for a difference to that.

740
00:35:54,560 --> 00:35:58,040
Speaker 2: And then there's the brother who like was in one

741
00:35:58,040 --> 00:36:01,399
Speaker 2: of the documentaries and was like said once like, oh,

742
00:36:01,440 --> 00:36:04,560
Speaker 2: it must be hard being followed around, but then also

743
00:36:04,760 --> 00:36:07,760
Speaker 2: has been like quoted saying like she's out of control

744
00:36:07,800 --> 00:36:10,680
Speaker 2: and she does need to be like conservatoried. Yeah, and

745
00:36:10,719 --> 00:36:13,040
Speaker 2: then I saw like one photo of him, like lately

746
00:36:13,200 --> 00:36:16,600
Speaker 2: Brian Spears has been checking up on Brittany after her divorce.

747
00:36:17,120 --> 00:36:20,120
Speaker 1: I think this thing happened where the dad obviously is

748
00:36:20,160 --> 00:36:23,239
Speaker 1: the evil mastermind, and I think like other people like

749
00:36:23,280 --> 00:36:25,600
Speaker 1: in his orbit, like this other lawyer like Louise, like

750
00:36:25,640 --> 00:36:27,400
Speaker 1: that she mentioned there's so twisted.

751
00:36:27,520 --> 00:36:30,879
Speaker 2: There's lou and then there's Robin. And also I think

752
00:36:30,920 --> 00:36:34,320
Speaker 2: this whole thing started because Jamie Spears was in debt

753
00:36:34,480 --> 00:36:37,560
Speaker 2: for we don't even know why, four hundred thousand dollars

754
00:36:37,640 --> 00:36:41,600
Speaker 2: to this woman lou and I literally think he was like, fuck, well,

755
00:36:41,680 --> 00:36:44,880
Speaker 2: my daughter's going crazy. What if I just took control

756
00:36:44,880 --> 00:36:47,320
Speaker 2: of all of her finances and paid back and brought

757
00:36:47,320 --> 00:36:50,040
Speaker 2: in this woman, Yeah, so we could have our crazy business.

758
00:36:50,120 --> 00:36:52,719
Speaker 1: So it's a little bit maybe lou is the full mastermind.

759
00:36:53,000 --> 00:36:54,440
Speaker 2: I think lou Is and.

760
00:36:54,360 --> 00:36:58,120
Speaker 1: Like lou is sort of the Carl row Yes, and

761
00:36:58,160 --> 00:37:02,720
Speaker 1: then like the Jamie Spears is the Dick Cheney, Lynn

762
00:37:02,920 --> 00:37:07,840
Speaker 1: is the Lynn Cheney. And then like Jamie Lynn is

763
00:37:07,880 --> 00:37:12,000
Speaker 1: like the Donald Rumsfeld. Yeah. Then Kevin Fetterline is honestly

764
00:37:12,120 --> 00:37:15,120
Speaker 1: like the w and then like Brittany is kind of

765
00:37:15,160 --> 00:37:19,960
Speaker 1: like that person that Laura Bush killed in a car accident, and.

766
00:37:20,160 --> 00:37:23,960
Speaker 2: Brian Spears is like he is obviously evil.

767
00:37:24,239 --> 00:37:27,160
Speaker 1: But I think that everyone like it became this snowball

768
00:37:27,160 --> 00:37:28,840
Speaker 1: where everyone was like, I guess we just have to

769
00:37:28,920 --> 00:37:30,799
Speaker 1: like do what needs to be done. And so the

770
00:37:30,840 --> 00:37:33,160
Speaker 1: brother is just like, well, if the conservatorship is the

771
00:37:33,160 --> 00:37:36,160
Speaker 1: thing that's happening, so everyone says this is best for Brittany.

772
00:37:36,200 --> 00:37:37,840
Speaker 1: So I guess this is what's best exactly.

773
00:37:37,880 --> 00:37:40,520
Speaker 2: I think you can like, even though it is so evil,

774
00:37:40,719 --> 00:37:43,240
Speaker 2: you kind of can see how this thing can like spiral.

775
00:37:43,280 --> 00:37:47,240
Speaker 2: And on the day today, you know, she's also obviously

776
00:37:47,239 --> 00:37:50,680
Speaker 2: getting crazier the more they like imprison her. So like

777
00:37:50,760 --> 00:37:54,480
Speaker 2: Brian Spears is like showing up from Baton Rouge being like, damn,

778
00:37:54,520 --> 00:37:57,440
Speaker 2: my sister is out of control, and they're like, see,

779
00:37:57,800 --> 00:38:01,040
Speaker 2: we don't want to do this, but it's better this way.

780
00:38:01,400 --> 00:38:02,719
Speaker 2: And that's so creepy.

781
00:38:03,000 --> 00:38:04,480
Speaker 1: The one thing I want to mention before we get

782
00:38:04,520 --> 00:38:07,600
Speaker 1: segments is when she gets married to her childhood friend

783
00:38:07,680 --> 00:38:11,840
Speaker 1: Jason Alexander in Las Vegas. I don't even remember that

784
00:38:11,920 --> 00:38:13,680
Speaker 1: night at all, but from what I pieced together, he

785
00:38:13,719 --> 00:38:15,640
Speaker 1: and I lounged around the hotel room and stayed up

786
00:38:15,680 --> 00:38:19,800
Speaker 1: late watching movies Mona, Lisa's Smile and The Texas Chainsaw Massacre.

787
00:38:20,160 --> 00:38:22,040
Speaker 1: Then had the brilliant idea of going to a little

788
00:38:22,040 --> 00:38:24,799
Speaker 1: white chapelett three thirty in the morning. When we got there,

789
00:38:24,840 --> 00:38:27,399
Speaker 1: another couple was getting married, so we had to wait. Yes,

790
00:38:27,719 --> 00:38:31,799
Speaker 1: we waited in Lane to get married. I can't get

791
00:38:31,840 --> 00:38:35,920
Speaker 1: over that she watched Mona Lisa's smile killed me before

792
00:38:35,960 --> 00:38:36,759
Speaker 1: she got married, and.

793
00:38:36,840 --> 00:38:39,360
Speaker 2: Vegas turns over and goes, let's get married.

794
00:38:40,719 --> 00:38:43,279
Speaker 1: It made me think of Amanda Knox watching Ama Lee

795
00:38:43,960 --> 00:38:47,000
Speaker 1: with her boyfriend before they did not commit murder in Italy.

796
00:38:47,320 --> 00:38:51,520
Speaker 2: There are just some movies that make you do crazy see.

797
00:38:51,560 --> 00:38:57,040
Speaker 1: Things Mona Lisa's while a'm Ailee, These kind of early

798
00:38:57,120 --> 00:39:00,560
Speaker 1: two thousands female protagonists flicks like I.

799
00:39:00,480 --> 00:39:03,520
Speaker 2: Honestly remember Mona Lisa's Mole being kind of a slow flick.

800
00:39:03,840 --> 00:39:06,960
Speaker 1: Yeah, so maybe she was like, let's turn up, turn

801
00:39:07,400 --> 00:39:08,680
Speaker 1: more shots getting married.

802
00:39:09,080 --> 00:39:13,279
Speaker 2: I would like to read the most chilling quote I

803
00:39:13,360 --> 00:39:16,919
Speaker 2: found before we go to segments. This is right as

804
00:39:16,960 --> 00:39:20,279
Speaker 2: the conservat ship has started and we're back at the

805
00:39:20,360 --> 00:39:21,840
Speaker 2: high bar with the bowl of receipts.

806
00:39:21,880 --> 00:39:23,560
Speaker 1: Oh, I know what the line you're gonna read. This

807
00:39:23,600 --> 00:39:25,160
Speaker 1: one actually chilled me to the bone.

808
00:39:25,440 --> 00:39:28,239
Speaker 2: My father shoved aside my bowl of receipts setting up

809
00:39:28,280 --> 00:39:30,960
Speaker 2: his things on the bar. I just want to let

810
00:39:31,000 --> 00:39:34,000
Speaker 2: you know, he said, I call the shots. I call

811
00:39:34,080 --> 00:39:37,239
Speaker 2: the shots. You sit right there in that chair and

812
00:39:37,280 --> 00:39:40,279
Speaker 2: I'll tell you what goes on. I looked at him

813
00:39:40,280 --> 00:39:44,360
Speaker 2: with a growing sense of horror. I'm Britney Spears now,

814
00:39:44,480 --> 00:39:45,000
Speaker 2: he said.

815
00:39:47,280 --> 00:39:51,479
Speaker 1: Horror film, horror film, horror film, like get Out.

816
00:39:51,680 --> 00:39:54,520
Speaker 2: Like he's like in this like Polo at.

817
00:39:54,360 --> 00:39:58,400
Speaker 1: Her weird high bar, high granite bar in her like

818
00:39:58,520 --> 00:40:01,880
Speaker 1: wet bar, office area. I'm Britney Spears Now.

819
00:40:02,560 --> 00:40:04,040
Speaker 2: He literally is like, I'm Britney, bitch.

820
00:40:04,200 --> 00:40:06,440
Speaker 1: It's like the scariest fucking thing in the world.

821
00:40:06,760 --> 00:40:12,920
Speaker 2: Your dad at your bridge with ikea table push aside,

822
00:40:12,960 --> 00:40:14,239
Speaker 2: your bowl of receipts.

823
00:40:15,640 --> 00:40:32,960
Speaker 1: I'm Stephen now, Daddy, No, don't take over the Patreon finances. Oops,

824
00:40:33,160 --> 00:40:38,360
Speaker 1: it's segments again. How does she live? What does she wear?

825
00:40:40,560 --> 00:40:43,360
Speaker 1: What does she Okay, wait, so we should do it

826
00:40:43,360 --> 00:40:46,680
Speaker 1: about like someone else in the book Jamie Jamie Lynn

827
00:40:47,160 --> 00:40:49,680
Speaker 1: Lynn or Kevin.

828
00:40:49,360 --> 00:40:53,080
Speaker 2: Or Kevin and Maui, or like Jamie Spears, Oh.

829
00:40:52,960 --> 00:40:56,920
Speaker 1: The father father, he's been so harder to ucking steak.

830
00:40:58,920 --> 00:41:01,200
Speaker 2: Or are we doing it about like Michelle Williams.

831
00:41:01,600 --> 00:41:06,520
Speaker 1: Ooh, okay, okay, we're gonna this about Michelle will this resulto.

832
00:41:06,200 --> 00:41:08,440
Speaker 2: About Like, let's really place this in the time of

833
00:41:08,480 --> 00:41:10,640
Speaker 2: her recording it, like what was she eating during.

834
00:41:10,480 --> 00:41:13,920
Speaker 1: The recording like that, Okay, you know we're digging in,

835
00:41:14,040 --> 00:41:15,759
Speaker 1: We're keeping it like book focused.

836
00:41:16,239 --> 00:41:20,359
Speaker 2: The tea that she was ordering was so expensive. I think, oh.

837
00:41:20,080 --> 00:41:23,920
Speaker 1: Wow, I think she's amazoning like the most expensive they have.

838
00:41:24,120 --> 00:41:25,880
Speaker 1: Or she has like some website that's like a Danish

839
00:41:25,960 --> 00:41:26,960
Speaker 1: teahouse that she is.

840
00:41:26,960 --> 00:41:30,040
Speaker 2: Teahouse, or she's going to her friend's store that is

841
00:41:30,080 --> 00:41:33,400
Speaker 2: a teahouse. Yes, she's like with the kids and she's like,

842
00:41:34,760 --> 00:41:39,839
Speaker 2: could I get a little bag of the Ruebois camomeal

843
00:41:40,120 --> 00:41:41,239
Speaker 2: throat healer.

844
00:41:41,960 --> 00:41:45,799
Speaker 1: No, because her throat is going through it. Like every

845
00:41:45,880 --> 00:41:50,600
Speaker 1: day she's wearing like a new soft cardigan. Yes, that's

846
00:41:50,640 --> 00:41:51,600
Speaker 1: like nine.

847
00:41:53,480 --> 00:41:58,520
Speaker 2: Twelve and like just like a loose, stunning but slim pants.

848
00:41:58,560 --> 00:42:00,759
Speaker 1: Wait, I take it back. One day she's wearing twelve

849
00:42:00,800 --> 00:42:04,200
Speaker 1: hundred dollars cardigan. The next day she's wearing like a

850
00:42:04,239 --> 00:42:07,719
Speaker 1: cardigan that like actually like one of her sisters Caveble. Well,

851
00:42:08,040 --> 00:42:10,200
Speaker 1: she's a little bit like hand me downs, like loving

852
00:42:10,280 --> 00:42:10,960
Speaker 1: her hand me downs.

853
00:42:11,080 --> 00:42:15,480
Speaker 2: Well. She recorded this probably September August.

854
00:42:15,320 --> 00:42:17,680
Speaker 1: Or maybe it was actually six months ago, right, But

855
00:42:17,760 --> 00:42:21,040
Speaker 1: celebrities are like in air so cold in a recording.

856
00:42:20,760 --> 00:42:24,000
Speaker 2: Studio she's definitely taking up the cardigan. And it's a

857
00:42:24,239 --> 00:42:29,160
Speaker 2: very like belgray coated six hundred dollars black T shirt.

858
00:42:29,840 --> 00:42:33,240
Speaker 1: Or it's like one of her most loved almost semi thrashed.

859
00:42:33,360 --> 00:42:35,080
Speaker 1: I'm trying to put her in such a vintage fit.

860
00:42:35,400 --> 00:42:38,279
Speaker 1: I think he is, because Okay, here's the thing, is

861
00:42:38,320 --> 00:42:41,080
Speaker 1: like she obviously has all of her six hundred dollars

862
00:42:41,320 --> 00:42:42,880
Speaker 1: her T shirts, but she also has.

863
00:42:42,760 --> 00:42:44,120
Speaker 2: Like vintage tea.

864
00:42:44,320 --> 00:42:47,359
Speaker 1: She has like eighty five dollar vintage teas that she's

865
00:42:47,360 --> 00:42:49,560
Speaker 1: buying it like one of those expensive interes stores like

866
00:42:50,000 --> 00:42:53,880
Speaker 1: on Rodeo or just like whatever, like in Greater Los Felise,

867
00:42:54,000 --> 00:42:57,239
Speaker 1: and like there are labels on the closet that say

868
00:42:57,320 --> 00:42:58,920
Speaker 1: like winter t shirts.

869
00:42:59,000 --> 00:43:00,680
Speaker 2: Oh you think she labeled her closet.

870
00:43:00,960 --> 00:43:03,240
Speaker 1: Someone labeled and I think it's.

871
00:43:03,040 --> 00:43:05,919
Speaker 2: A yellow thrash T shirt. Yes, And then maybe it's

872
00:43:05,960 --> 00:43:08,560
Speaker 2: like maybe it's a rainbow, maybe it's an old school

873
00:43:08,800 --> 00:43:11,239
Speaker 2: or something like that, because did she have kids with

874
00:43:11,280 --> 00:43:13,040
Speaker 2: these leisure famously.

875
00:43:12,600 --> 00:43:15,319
Speaker 1: Because I feel like her daughter mattil Oh, my god,

876
00:43:15,320 --> 00:43:17,680
Speaker 1: of course I told her. I feel like Matilda's room

877
00:43:18,280 --> 00:43:21,160
Speaker 1: is labeled is very like do you remember that time

878
00:43:21,200 --> 00:43:24,759
Speaker 1: we went to that really expensive like Brownstones and Brooklyn Heights.

879
00:43:24,800 --> 00:43:27,960
Speaker 1: And the daughter's room was so like feminist art, but

880
00:43:28,000 --> 00:43:30,040
Speaker 1: it was like really well organized. It was like the

881
00:43:30,040 --> 00:43:31,680
Speaker 1: whole room was like a mood board that like the

882
00:43:31,719 --> 00:43:33,000
Speaker 1: mom had made almost.

883
00:43:32,719 --> 00:43:34,360
Speaker 2: Because it was also like don't tape it on the walls.

884
00:43:34,440 --> 00:43:37,480
Speaker 1: It was really like styled to be like a teens

885
00:43:37,560 --> 00:43:41,080
Speaker 1: room for Dean Vogue almost with like hanging teacups from

886
00:43:41,080 --> 00:43:42,640
Speaker 1: her favorite world cities.

887
00:43:43,239 --> 00:43:48,000
Speaker 2: Yes, and then like fashion illustrations mixed with stubs.

888
00:43:47,560 --> 00:43:49,880
Speaker 1: And then like a sign that said like women's rights,

889
00:43:49,920 --> 00:43:51,160
Speaker 1: like framed.

890
00:43:50,800 --> 00:43:53,880
Speaker 2: Or something I'm also imagining. Just like in the morning,

891
00:43:54,040 --> 00:43:59,799
Speaker 2: Michelle is sitting at this big long, rustick dining room

892
00:43:59,800 --> 00:44:03,120
Speaker 2: tape or maybe it's more corner in a nook. I

893
00:44:03,160 --> 00:44:04,319
Speaker 2: take it back, she's in a nook.

894
00:44:04,480 --> 00:44:06,600
Speaker 1: She's in like a day nook. Okay. When she got

895
00:44:06,600 --> 00:44:09,000
Speaker 1: sent the galley, was she reading it in the galley

896
00:44:09,120 --> 00:44:12,160
Speaker 1: or was she reading it like on a Barnes and

897
00:44:12,200 --> 00:44:13,360
Speaker 1: Noble nook or like on a kindle.

898
00:44:13,520 --> 00:44:16,440
Speaker 2: No, I think the galley was paper. I feel like

899
00:44:16,480 --> 00:44:19,719
Speaker 2: it was very protected. Oh so cinder okay, And I

900
00:44:19,719 --> 00:44:23,400
Speaker 2: actually think she was sinking into like a comfortable couch

901
00:44:23,560 --> 00:44:26,200
Speaker 2: and like there's a dog somewhere, and I think she

902
00:44:26,280 --> 00:44:28,520
Speaker 2: put on her big black.

903
00:44:28,440 --> 00:44:32,240
Speaker 1: Yes, she put on her big thick black actress glasses,

904
00:44:32,320 --> 00:44:33,319
Speaker 1: being like I'm reading a.

905
00:44:33,280 --> 00:44:38,719
Speaker 2: Script and she was like, this is heartbreaking.

906
00:44:39,200 --> 00:44:45,000
Speaker 1: She takes out her iPhone titanium. She immediately tacks our

907
00:44:45,040 --> 00:44:47,520
Speaker 1: best friend, Busy Phillips, and she goes.

908
00:44:47,239 --> 00:44:48,080
Speaker 2: This is heartbreaking.

909
00:44:48,239 --> 00:44:49,239
Speaker 1: I have to do this.

910
00:44:49,520 --> 00:44:51,920
Speaker 2: Oh yeah, I'm Busy, Like, I'm going to kill you

911
00:44:51,960 --> 00:44:53,000
Speaker 2: if you do this.

912
00:44:54,800 --> 00:44:57,360
Speaker 1: Okay, So what else is she eating besides teah?

913
00:44:57,400 --> 00:44:59,600
Speaker 2: I guess like because she is going on a lunch break.

914
00:45:00,000 --> 00:45:02,960
Speaker 1: She's like escroll es Girl Salad girl salad.

915
00:45:03,440 --> 00:45:09,200
Speaker 2: She Italian. She's like, I'll get the dirty Greens, extra palm,

916
00:45:09,320 --> 00:45:10,360
Speaker 2: extra hot peppers.

917
00:45:10,480 --> 00:45:13,080
Speaker 1: I feel like, isn't she going to like whatever, like

918
00:45:13,280 --> 00:45:16,000
Speaker 1: dirty French and like getting an Esu girl salad with

919
00:45:16,040 --> 00:45:18,320
Speaker 1: like chicken.

920
00:45:19,360 --> 00:45:22,040
Speaker 2: It's like escarroll grilled chicken. But I think they're ordering

921
00:45:22,040 --> 00:45:26,160
Speaker 2: to the studio for her. She's not leaving midway.

922
00:45:26,440 --> 00:45:28,240
Speaker 1: I guess I was saying on the day off.

923
00:45:28,360 --> 00:45:33,279
Speaker 2: Oh, or they're like that's all for today, Michelle, thank

924
00:45:33,320 --> 00:45:35,680
Speaker 2: you so much. And then she's like getting in a

925
00:45:35,719 --> 00:45:38,440
Speaker 2: car and then is going to a dinner. But I

926
00:45:38,440 --> 00:45:41,640
Speaker 2: feel like she's going to like maybe like Romans, the

927
00:45:41,719 --> 00:45:43,719
Speaker 2: four Green Italian restaurant.

928
00:45:43,880 --> 00:45:46,040
Speaker 1: Yeah, and that's why I'm saying, that's girl.

929
00:45:46,320 --> 00:45:49,680
Speaker 2: Okay, I see what you're saying. There's something Italian happening

930
00:45:49,719 --> 00:45:50,719
Speaker 2: on the day off.

931
00:45:51,640 --> 00:45:54,080
Speaker 1: On the day off whatever, like the most like.

932
00:45:54,160 --> 00:45:56,960
Speaker 2: Mental salad, salad, like metal salad, like.

933
00:45:56,920 --> 00:46:00,840
Speaker 1: On recording day ordered, she's having one twirl and you know, okay,

934
00:46:01,040 --> 00:46:02,800
Speaker 1: and one of the sound engineers is having a burrito

935
00:46:02,840 --> 00:46:05,120
Speaker 1: and she goes, oh, that looks so good.

936
00:46:07,200 --> 00:46:09,120
Speaker 2: He's like oh, He's like, do you want me to

937
00:46:09,200 --> 00:46:09,960
Speaker 2: get She's like.

938
00:46:10,280 --> 00:46:14,200
Speaker 1: No, no, no, I can't do rice when I'm recording.

939
00:46:16,760 --> 00:46:21,600
Speaker 2: It explodes my lymph notes I always does. I don't

940
00:46:21,600 --> 00:46:23,160
Speaker 2: do rice on Dayspey record.

941
00:46:24,440 --> 00:46:28,440
Speaker 1: All right, who are you at the Michelle Michelle Williams

942
00:46:28,440 --> 00:46:29,320
Speaker 1: recording studio.

943
00:46:30,280 --> 00:46:32,840
Speaker 2: I'm with her at Romans.

944
00:46:33,280 --> 00:46:36,520
Speaker 1: You're busy, Phillips, like on the day off, like getting dinner,

945
00:46:36,719 --> 00:46:39,720
Speaker 1: I hope. So I kind of think I'm busy getting

946
00:46:39,719 --> 00:46:40,759
Speaker 1: dinner with her on the day off.

947
00:46:40,800 --> 00:46:44,719
Speaker 2: Okay, I'm the sound engineer eating a burrito, or are you?

948
00:46:45,480 --> 00:46:49,239
Speaker 2: But aren't I also like the messenger bringing her the script?

949
00:46:49,320 --> 00:46:51,319
Speaker 1: Yes, You're bringing her this gird messenger and.

950
00:46:51,280 --> 00:46:56,920
Speaker 2: I'm taking photos, like really carefully of each page, yes,

951
00:46:57,400 --> 00:46:58,080
Speaker 2: sending it to.

952
00:46:58,120 --> 00:47:02,640
Speaker 1: You and getting fired, try not to like crinkle it

953
00:47:02,719 --> 00:47:05,160
Speaker 1: and it comes in it's like you still like this bill.

954
00:47:07,280 --> 00:47:09,279
Speaker 2: The book so much like cold Brew.

955
00:47:09,520 --> 00:47:11,400
Speaker 1: All Right, it's finally time for us to rate the

956
00:47:11,400 --> 00:47:13,680
Speaker 1: Brittany Book. Two episodes for this.

957
00:47:13,760 --> 00:47:16,040
Speaker 2: It's so crazy to even rate this.

958
00:47:16,400 --> 00:47:19,839
Speaker 1: I know, it's so beyond rating. I mean, okay, I'll

959
00:47:19,840 --> 00:47:21,600
Speaker 1: do it two ways. So first I'll rate it as

960
00:47:21,640 --> 00:47:25,960
Speaker 1: like a piece of literature, okay, which it is, and

961
00:47:26,080 --> 00:47:28,160
Speaker 1: like just straight piece of literature, not as like an event,

962
00:47:28,239 --> 00:47:31,319
Speaker 1: not as about cultural event. Disregarding the Michelle Williams reading

963
00:47:31,360 --> 00:47:36,160
Speaker 1: of it text text only, I will give this book

964
00:47:36,640 --> 00:47:43,080
Speaker 1: a three point six out of five. Yeah, it's kind

965
00:47:43,080 --> 00:47:46,439
Speaker 1: of because the writing is obviously it's very simple. There

966
00:47:46,600 --> 00:47:49,120
Speaker 1: is a good amount of juice, but the book goes quickly,

967
00:47:49,120 --> 00:47:51,239
Speaker 1: which I like. But the juice goes quickly too, Like

968
00:47:51,760 --> 00:47:55,360
Speaker 1: there's like fun tidbits in here, but it's not like I'm.

969
00:47:55,200 --> 00:47:57,480
Speaker 2: With you in the three point six because I guess

970
00:47:57,520 --> 00:48:00,320
Speaker 2: what I do like about the writing style of it

971
00:48:00,360 --> 00:48:03,879
Speaker 2: is because it's so simple in Brittany and like it

972
00:48:04,000 --> 00:48:07,120
Speaker 2: really does feel like it's written by her, and.

973
00:48:07,040 --> 00:48:10,280
Speaker 1: I actually certainly not written.

974
00:48:10,480 --> 00:48:13,320
Speaker 2: Yeah, but I mean like the simplicity is still shining

975
00:48:13,400 --> 00:48:14,480
Speaker 2: through in that Brittany way.

976
00:48:14,880 --> 00:48:15,640
Speaker 1: Brittany to it.

977
00:48:15,920 --> 00:48:19,200
Speaker 2: Obviously it's a ghostwriter. I do not think she sacked

978
00:48:19,280 --> 00:48:20,880
Speaker 2: down to any computer.

979
00:48:21,040 --> 00:48:22,760
Speaker 1: Her Instagram captions.

980
00:48:23,360 --> 00:48:26,040
Speaker 2: Yeah, like, and I guess almost that's what it would

981
00:48:26,080 --> 00:48:28,200
Speaker 2: have brought it to a four for me if it

982
00:48:28,280 --> 00:48:33,799
Speaker 2: was more Instagram captions, if it was just like I

983
00:48:33,880 --> 00:48:37,120
Speaker 2: would love and unhinged, not a girl not yet a

984
00:48:37,160 --> 00:48:43,800
Speaker 2: woman notes, that's like handwritten diary, big loopy, cursive, crazy

985
00:48:43,880 --> 00:48:46,520
Speaker 2: run on sentences. And I feel like what she did

986
00:48:46,560 --> 00:48:48,560
Speaker 2: was probably just like did voice memos and talked to

987
00:48:48,600 --> 00:48:51,920
Speaker 2: whoever who did this, and then they wrote trying to

988
00:48:51,960 --> 00:48:53,520
Speaker 2: be Brittany in a simple style.

989
00:48:53,840 --> 00:48:56,200
Speaker 1: Yeah. I guess what I would like more of is,

990
00:48:56,400 --> 00:48:58,400
Speaker 1: you know, I'm a process. How I would have loved

991
00:48:58,400 --> 00:49:01,480
Speaker 1: a little bit more diving into the music actually and

992
00:49:01,560 --> 00:49:04,440
Speaker 1: the production and the songwriting process for each of her albums,

993
00:49:04,440 --> 00:49:07,359
Speaker 1: because they're all such amazing albums, and like the way

994
00:49:07,440 --> 00:49:09,200
Speaker 1: she talks about it, Like you remember that scene where she

995
00:49:09,239 --> 00:49:11,399
Speaker 1: talks about one of her favorite recording sets just when

996
00:49:11,520 --> 00:49:14,959
Speaker 1: she walked into the studio and there were five gigantic guys. Yes,

997
00:49:15,640 --> 00:49:17,960
Speaker 1: and there's just no explanation, and she was like, it

998
00:49:18,000 --> 00:49:20,239
Speaker 1: was one of the most amazing hours. There were five

999
00:49:20,320 --> 00:49:22,839
Speaker 1: gigantic guys in the room with me, and I sang my.

1000
00:49:22,840 --> 00:49:25,600
Speaker 2: Best, which is like, right, we like the two sixty

1001
00:49:25,640 --> 00:49:28,240
Speaker 2: four page kunt of it all. But I would love

1002
00:49:28,400 --> 00:49:31,279
Speaker 2: we hardly even talk about toxic. Yes, we don't even

1003
00:49:31,280 --> 00:49:32,400
Speaker 2: talk about I'm a slave for you.

1004
00:49:32,560 --> 00:49:34,120
Speaker 1: Yeah, It's like I would really just love her to

1005
00:49:34,280 --> 00:49:37,040
Speaker 1: go into a little bit more like the songwriting process,

1006
00:49:37,200 --> 00:49:39,080
Speaker 1: like and then she worked with like the sound they

1007
00:49:39,080 --> 00:49:40,360
Speaker 1: were trying to achieve.

1008
00:49:40,280 --> 00:49:44,080
Speaker 2: Like I love when you get so vinal guy about

1009
00:49:44,239 --> 00:49:46,560
Speaker 2: like you're like, man, I would have loved to sit

1010
00:49:46,680 --> 00:49:50,879
Speaker 2: down with the awesome Swedish producers. Okay, you always say

1011
00:49:50,920 --> 00:49:53,920
Speaker 2: I'm Maren, but like you're being like Britney, who are

1012
00:49:53,960 --> 00:49:54,480
Speaker 2: your guys?

1013
00:49:54,560 --> 00:49:59,080
Speaker 1: Who are your guys? You guys? So that's what I

1014
00:49:59,080 --> 00:50:01,359
Speaker 1: was loving. But you know, as a cultural event, I

1015
00:50:01,360 --> 00:50:03,280
Speaker 1: think this book really does deliver.

1016
00:50:03,800 --> 00:50:06,799
Speaker 2: I think it's cultural event. I loved the build up

1017
00:50:06,840 --> 00:50:08,680
Speaker 2: to it. I loved their audio.

1018
00:50:08,840 --> 00:50:13,759
Speaker 1: There are villains like and the Michelle really really nails it.

1019
00:50:13,960 --> 00:50:15,719
Speaker 1: Our friend of the pod Dan da Dario, wrote a

1020
00:50:15,760 --> 00:50:18,000
Speaker 1: really great review of her performance.

1021
00:50:18,040 --> 00:50:19,040
Speaker 2: Oh amazing.

1022
00:50:19,280 --> 00:50:21,920
Speaker 1: Yeah, and he said this thing where it's like she

1023
00:50:22,080 --> 00:50:26,600
Speaker 1: basically achieves this kind of like ecstatic truth of the

1024
00:50:26,600 --> 00:50:27,759
Speaker 1: Britney experience.

1025
00:50:28,239 --> 00:50:30,799
Speaker 2: It's so true. I was in a second even though

1026
00:50:30,840 --> 00:50:33,720
Speaker 2: you know Michelle Williams being Southern.

1027
00:50:33,480 --> 00:50:35,880
Speaker 1: And like doing this Vanessa Redgrave Tennessee Williams play or

1028
00:50:35,920 --> 00:50:37,000
Speaker 1: just like but at the end.

1029
00:50:36,880 --> 00:50:40,920
Speaker 2: You're like, I'm listening to what is true? Yeah, I

1030
00:50:40,960 --> 00:50:44,080
Speaker 2: would say Also this book, like in terms of memoir,

1031
00:50:44,160 --> 00:50:47,880
Speaker 2: because we've read so many you can't separate. Also, just

1032
00:50:47,920 --> 00:50:51,040
Speaker 2: like the quote unquote like juice that's in here from

1033
00:50:51,080 --> 00:50:55,480
Speaker 2: like her being conservatorship, like the release of a book

1034
00:50:55,560 --> 00:50:58,560
Speaker 2: after someone has been told not to speak for fourteen years. Yeah,

1035
00:50:58,600 --> 00:51:01,200
Speaker 2: it is just so important into its Yeah. So if

1036
00:51:01,320 --> 00:51:03,600
Speaker 2: like an alien was coming to Earth, I would they

1037
00:51:03,640 --> 00:51:05,680
Speaker 2: say what my March read. I almost wanted to be

1038
00:51:05,719 --> 00:51:08,120
Speaker 2: like the woman in me, like this is insane. Yes,

1039
00:51:08,200 --> 00:51:11,600
Speaker 2: this is this is American celebrity, this is the this.

1040
00:51:11,560 --> 00:51:14,439
Speaker 1: Is misogyny, this is women, this is music, Like this

1041
00:51:14,520 --> 00:51:18,120
Speaker 1: is what our society twenty years Yes, this is what

1042
00:51:18,160 --> 00:51:21,239
Speaker 1: we have asked of the people who represent us, We

1043
00:51:21,280 --> 00:51:24,240
Speaker 1: have asked them to suffer for us and suffer.

1044
00:51:24,280 --> 00:51:25,440
Speaker 2: She has she hasn't.

1045
00:51:25,480 --> 00:51:28,359
Speaker 1: Now she's free, and yet she's still kind of like

1046
00:51:28,480 --> 00:51:30,880
Speaker 1: in her mansion, like doing weird dance moves.

1047
00:51:31,200 --> 00:51:33,040
Speaker 2: Yeah, well she's finding herself.

1048
00:51:34,520 --> 00:51:36,160
Speaker 1: It's a little bit like flyway home, like you can

1049
00:51:36,239 --> 00:51:40,160
Speaker 1: do stuff now, go to a dusel dwarf to I mean.

1050
00:51:40,120 --> 00:51:42,600
Speaker 2: I think she has some Stockholm syndrome or she's like

1051
00:51:42,880 --> 00:51:45,239
Speaker 2: obviously so scared to leave because every time she left,

1052
00:51:45,280 --> 00:51:48,640
Speaker 2: no I know, you know what happened. Didn't even talk

1053
00:51:48,640 --> 00:51:49,359
Speaker 2: about the shaved head.

1054
00:51:49,400 --> 00:51:50,840
Speaker 1: We didn't even talk about the shafe head. But we

1055
00:51:51,280 --> 00:51:55,440
Speaker 1: were there. We remember I remember texting you. I was

1056
00:51:55,480 --> 00:51:57,560
Speaker 1: with Fad about Arabella in her apartment in New York

1057
00:51:57,640 --> 00:52:01,080
Speaker 1: City sophomore in college, and we were like on like

1058
00:52:01,320 --> 00:52:04,400
Speaker 1: just Jared dot Net or whatever or like Perez Hilton,

1059
00:52:04,480 --> 00:52:06,120
Speaker 1: and we were like, oh my god, Brittany shaped her.

1060
00:52:06,239 --> 00:52:08,120
Speaker 1: And I text you go, Brittany shaved her head and

1061
00:52:08,120 --> 00:52:09,839
Speaker 1: you go, what, No, she didn't. I was like, yeah,

1062
00:52:09,840 --> 00:52:13,319
Speaker 1: she's a dyke now, and you were like, shut the

1063
00:52:13,480 --> 00:52:13,960
Speaker 1: fuck up.

1064
00:52:14,160 --> 00:52:18,720
Speaker 2: Oh my god. If we could only get our noki

1065
00:52:18,760 --> 00:52:22,120
Speaker 2: everything Also it's like typing that on the like BPPT

1066
00:52:22,280 --> 00:52:27,439
Speaker 2: nine T nine you broke the news to me. Yeah wow, thanks.

1067
00:52:27,360 --> 00:52:30,600
Speaker 1: You're welcome. I'm always sort of the part to my day.

1068
00:52:30,760 --> 00:52:34,520
Speaker 2: Yeah wow. Well you guys think for listening along, thank you.

1069
00:52:34,680 --> 00:52:38,239
Speaker 2: I just I'm thinking Brittany, Thank you, Brittany, Brittany your

1070
00:52:38,280 --> 00:52:41,799
Speaker 2: story and being brave and like, I want you to

1071
00:52:41,840 --> 00:52:44,400
Speaker 2: go to more gay bars in Milan.

1072
00:52:44,560 --> 00:52:46,640
Speaker 1: Go to gaybars and Milan and like, don't feel that

1073
00:52:46,840 --> 00:52:51,600
Speaker 1: you need to like do a whatever, like post conservatorship album,

1074
00:52:51,680 --> 00:52:52,360
Speaker 1: Like yeah.

1075
00:52:52,200 --> 00:52:54,400
Speaker 2: If you don't want to record, don't record. Like celebrities

1076
00:52:54,400 --> 00:52:56,319
Speaker 2: that just don't want to sing anymore, Let's let.

1077
00:52:56,320 --> 00:52:58,920
Speaker 1: Them go go gentle into that good night.

1078
00:52:59,000 --> 00:53:00,440
Speaker 2: So goodbye.

1079
00:53:01,200 --> 00:53:03,919
Speaker 1: You're killing her, right, okay?

1080
00:53:04,160 --> 00:53:14,000
Speaker 2: Best. This episode of Celebrity book Club with Stephen and

1081
00:53:14,080 --> 00:53:18,480
Speaker 2: Lily was executive produced by Christina Everett.

1082
00:53:18,600 --> 00:53:21,800
Speaker 1: It was produced by Darby Masters.

1083
00:53:22,960 --> 00:53:28,000
Speaker 2: Supervising producer was Abu Zafar and he recorded us at

1084
00:53:28,040 --> 00:53:30,160
Speaker 2: his Los Angeles home.

1085
00:53:30,800 --> 00:53:36,080
Speaker 1: Our fame song was mixed by Max Martin and it

1086
00:53:36,160 --> 00:53:38,560
Speaker 1: was written by Stephen Phillips Horst.

1087
00:53:39,160 --> 00:53:41,520
Speaker 2: I found this artist a few years ago when I

1088
00:53:41,560 --> 00:53:44,319
Speaker 2: was allowed my phone back and I got on Instagram

1089
00:53:44,400 --> 00:53:47,120
Speaker 2: and I found this really trippy artist. I love creative

1090
00:53:47,160 --> 00:53:50,960
Speaker 2: people anyway, his name is Teddy Blake's. He did our image.

1091
00:53:51,480 --> 00:53:54,040
Speaker 1: He did the image work, the image work for the

1092
00:53:54,239 --> 00:53:58,640
Speaker 1: cover of our podcast, which was so important. And when

1093
00:53:58,760 --> 00:54:01,640
Speaker 1: they tell you the artists visuals don't matter if they're wrong.

1094
00:54:02,040 --> 00:54:05,160
Speaker 2: Our podcast we used to be on this record label

1095
00:54:05,200 --> 00:54:08,319
Speaker 2: that we originally co created the podcast with. That's Pro

1096
00:54:08,400 --> 00:54:09,200
Speaker 2: Love Projects.

1097
00:54:09,440 --> 00:54:10,840
Speaker 1: That was down in Dustin, Florida.

1098
00:54:11,000 --> 00:54:12,040
Speaker 2: Yeah, Dustin Florida.

1099
00:54:12,680 --> 00:54:16,880
Speaker 1: And if you want more information about us, or you know,

1100
00:54:17,000 --> 00:54:19,120
Speaker 1: you want to hear more of the pod, we do

1101
00:54:19,239 --> 00:54:22,200
Speaker 1: extra episodes all the time on Friday, so you head

1102
00:54:22,200 --> 00:54:24,600
Speaker 1: over to patreon dot com slash cb through the pod

1103
00:54:24,719 --> 00:54:28,320
Speaker 1: and well you're liable to just laugh your little tits off.

1104
00:54:28,680 --> 00:54:31,080
Speaker 2: Don't forget us. We have so much fun on Instagram.

1105
00:54:31,360 --> 00:54:35,840
Speaker 1: Oh yeah, fun, real fun.

1106
00:54:36,280 --> 00:54:38,120
Speaker 2: All right, y'all, be safe, stay blessed,