1 00:00:03,040 --> 00:00:06,080 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio. 2 00:00:09,840 --> 00:00:12,600 Speaker 2: Hey, welcome to Stuff to Blow your Mind listener mail. 3 00:00:13,160 --> 00:00:14,520 Speaker 2: My name is Robert Lamb. 4 00:00:14,520 --> 00:00:18,599 Speaker 3: And my name is Joe McCormick. And it's Monday, the 5 00:00:18,680 --> 00:00:21,000 Speaker 3: day of tweak that we read back messages from the 6 00:00:21,079 --> 00:00:23,640 Speaker 3: Stuff to Blow your Mind mail bag. I almost said 7 00:00:23,640 --> 00:00:27,720 Speaker 3: it was Saturday, It's not. Today is a listener mail. 8 00:00:27,880 --> 00:00:30,080 Speaker 3: If you have never gotten in touch with us before, 9 00:00:30,200 --> 00:00:32,000 Speaker 3: why not give it a try. You can reach us 10 00:00:32,040 --> 00:00:35,800 Speaker 3: at contact at stuff to Blow your Mind dot com. 11 00:00:36,320 --> 00:00:38,760 Speaker 3: Whatever you want to send is fine. We always appreciate 12 00:00:38,840 --> 00:00:42,080 Speaker 3: feedback to recent episodes or series on the show, especially 13 00:00:42,120 --> 00:00:44,400 Speaker 3: if you have something interesting you would like to add 14 00:00:44,840 --> 00:00:47,839 Speaker 3: to a topic we've talked about, and we have some 15 00:00:47,920 --> 00:00:51,600 Speaker 3: messages of exactly that sort today. Let's see, Rob, Do 16 00:00:51,640 --> 00:00:54,320 Speaker 3: you mind if I kick things off with this message 17 00:00:54,360 --> 00:00:55,040 Speaker 3: from a meal? 18 00:00:55,440 --> 00:00:57,200 Speaker 2: Oh? By all means that is a good one. 19 00:00:57,440 --> 00:00:59,960 Speaker 3: So this is in response to our series on diamond 20 00:01:00,320 --> 00:01:05,640 Speaker 3: specifically the episode about whether diamonds or diamond powder are 21 00:01:05,920 --> 00:01:16,080 Speaker 3: poisonous if ingested. Emial says, Hi, greetings from Emial from 22 00:01:16,520 --> 00:01:20,760 Speaker 3: in Norway, former victim of beaver Shout Now, Rob, does 23 00:01:20,800 --> 00:01:23,919 Speaker 3: this mean that this same listener got in touch before 24 00:01:24,000 --> 00:01:27,160 Speaker 3: to tell us about drinking a beaver based liquor. 25 00:01:27,640 --> 00:01:30,720 Speaker 2: I believe that might be the case. I can do 26 00:01:30,760 --> 00:01:34,800 Speaker 2: a quick search and see, Yes, I can confirm we 27 00:01:34,840 --> 00:01:36,919 Speaker 2: have a We've We've heard from a few different meals 28 00:01:36,920 --> 00:01:40,920 Speaker 2: over the over the the years. Here, I'm sure, but yes, 29 00:01:41,040 --> 00:01:43,199 Speaker 2: this would be the same individual who wrote in about 30 00:01:43,480 --> 00:01:44,120 Speaker 2: beaver shout. 31 00:01:44,400 --> 00:01:48,120 Speaker 3: This is a liquor infused I believe with glands from 32 00:01:48,160 --> 00:01:55,200 Speaker 3: a beaver. Yes, okay, Emil says, regarding your episodes on diamonds, 33 00:01:55,200 --> 00:01:57,160 Speaker 3: I would like to add a thought on the subject 34 00:01:57,160 --> 00:02:00,760 Speaker 3: of their purported dangers to the human intestines. In my 35 00:02:00,920 --> 00:02:05,320 Speaker 3: work as a dentist, I use diamond coated burrs and 36 00:02:05,440 --> 00:02:09,359 Speaker 3: drills for most routine procedures. It's well known that these 37 00:02:09,400 --> 00:02:13,320 Speaker 3: instruments will dull greatly over time due to the abrasive 38 00:02:13,360 --> 00:02:17,920 Speaker 3: diamonds dislodging from the instrument's surface. Of course, we try 39 00:02:17,960 --> 00:02:21,600 Speaker 3: to minimize any swallowing of the contaminated to coolant water spray, 40 00:02:22,000 --> 00:02:24,520 Speaker 3: but it is inevitable that a few of these diamonds 41 00:02:24,560 --> 00:02:28,880 Speaker 3: are inadvertently ingested by the patient. Also worth mentioning is 42 00:02:28,960 --> 00:02:33,120 Speaker 3: that these micro diamonds are specifically designed with sharpness in mind. 43 00:02:33,760 --> 00:02:37,079 Speaker 3: This is probably of no consequence due to the minuscule amounts, 44 00:02:37,120 --> 00:02:39,640 Speaker 3: but I think that this is something that was probably 45 00:02:39,680 --> 00:02:43,560 Speaker 3: considered at some point in the manufacturing process, since medical 46 00:02:43,560 --> 00:02:46,360 Speaker 3: instruments go through some of the most rigorous safety trials 47 00:02:46,400 --> 00:02:49,600 Speaker 3: before entering the market. Fingers crossed, I have not caused 48 00:02:49,639 --> 00:02:54,080 Speaker 3: too many gastrointestinally derived deaths in my career. As always, 49 00:02:54,120 --> 00:02:57,840 Speaker 3: thank you for your fantastic work. Best regards a meal. Well, 50 00:02:58,040 --> 00:03:01,280 Speaker 3: thanks Emil for the message. This is a great point 51 00:03:01,360 --> 00:03:05,720 Speaker 3: about diamond powder and diamond coatings being used in dental equipment. 52 00:03:05,800 --> 00:03:08,160 Speaker 3: In fact, this is something I had read mentioned in 53 00:03:09,440 --> 00:03:11,640 Speaker 3: I think at least one of the sources we talked about, 54 00:03:11,680 --> 00:03:14,239 Speaker 3: but it never came up in the episode. But yeah, 55 00:03:14,280 --> 00:03:17,360 Speaker 3: it does seem diamonds are used for coating on drill 56 00:03:17,400 --> 00:03:20,720 Speaker 3: bits and stuff and also in polishing pastes that could 57 00:03:20,800 --> 00:03:24,280 Speaker 3: end up in people's mouths and be swallowed, and I 58 00:03:24,320 --> 00:03:27,600 Speaker 3: would assume that there's some kind of research to determine 59 00:03:27,600 --> 00:03:31,080 Speaker 3: that they could be used safely in the dentistry context, 60 00:03:31,280 --> 00:03:33,480 Speaker 3: where you know it is likely that patients will end 61 00:03:33,560 --> 00:03:35,920 Speaker 3: up swallowing them, so I did a quick search for 62 00:03:36,040 --> 00:03:39,760 Speaker 3: materials on this subject, and I found a handful of 63 00:03:40,320 --> 00:03:45,080 Speaker 3: industrial chemical safety data sheets put out by companies that 64 00:03:45,240 --> 00:03:50,360 Speaker 3: sell diamond powder products, especially in the dentistry context. There 65 00:03:50,440 --> 00:03:54,600 Speaker 3: is some variation, but most of the hazard indications say 66 00:03:54,640 --> 00:03:58,440 Speaker 3: that diamond powders are considered an abrasive, that they may 67 00:03:58,480 --> 00:04:02,320 Speaker 3: cause irritation to scan or eyes or if inhaled, but 68 00:04:02,520 --> 00:04:06,240 Speaker 3: that they are not considered acutely toxic. One of them 69 00:04:06,280 --> 00:04:10,320 Speaker 3: listed diamond powder as non hazardous to health, but still 70 00:04:10,440 --> 00:04:15,280 Speaker 3: recommended contact contacting a doctor or poison control center immediately 71 00:04:15,320 --> 00:04:19,679 Speaker 3: if swallowed, which seemed contradictory. So I don't know. Maybe 72 00:04:19,680 --> 00:04:21,960 Speaker 3: it's just like out of an abundance of caution. Some 73 00:04:22,000 --> 00:04:24,920 Speaker 3: of these sheets will say that about anything that you swallow. 74 00:04:25,440 --> 00:04:29,560 Speaker 3: But unfortunately, after reading a bunch of these, like industrial 75 00:04:29,600 --> 00:04:33,760 Speaker 3: product safety sheets, the impression I'm left with is the 76 00:04:33,800 --> 00:04:36,919 Speaker 3: same as the impression I had before reading them, which 77 00:04:37,000 --> 00:04:40,240 Speaker 3: is that modern sources, even those with skin in the game, 78 00:04:40,720 --> 00:04:43,320 Speaker 3: on the whole, suggests there's really not much to worry 79 00:04:43,360 --> 00:04:46,440 Speaker 3: about from ingesting diamond powder. But I still don't know 80 00:04:46,560 --> 00:04:50,320 Speaker 3: what the direct evidence is to support the belief that 81 00:04:50,360 --> 00:04:53,159 Speaker 3: they're safe, and you know, I couldn't find anything saying, like, 82 00:04:53,240 --> 00:04:55,440 Speaker 3: you know, here's the study that shows, you know, you 83 00:04:55,839 --> 00:04:58,960 Speaker 3: feed rats diamond powder and they're fine, right, But. 84 00:04:58,960 --> 00:05:02,479 Speaker 2: I guess the future proof things in case some sort 85 00:05:02,480 --> 00:05:07,719 Speaker 2: of a weird pseudoscientific fag comes along. Don't consume diamond 86 00:05:07,720 --> 00:05:09,479 Speaker 2: does just don't do it right like we've been saying, 87 00:05:09,560 --> 00:05:14,760 Speaker 2: there's just let's just let you can avoid this problem entirely. 88 00:05:14,880 --> 00:05:17,160 Speaker 3: It certainly wouldn't consume it on purpose. But at the 89 00:05:17,200 --> 00:05:20,200 Speaker 3: same time, based on everything I've read there, I can't 90 00:05:20,200 --> 00:05:23,000 Speaker 3: detect that there's likely anything to worry about from the 91 00:05:23,080 --> 00:05:26,360 Speaker 3: occasional piece of a dental drill, you know, coming off 92 00:05:26,480 --> 00:05:29,719 Speaker 3: microscopically and you end up swallowing it by accident. 93 00:05:29,839 --> 00:05:33,520 Speaker 2: Exactly all right. We also heard from Steve on this subject. 94 00:05:38,400 --> 00:05:40,640 Speaker 2: Steve writes in and says, Hello, Robert and Joe. In 95 00:05:40,640 --> 00:05:43,880 Speaker 2: your recent series about diamonds, you examined a very old question, 96 00:05:44,040 --> 00:05:47,200 Speaker 2: is diamond poisonous? Though there is no evidence the material 97 00:05:47,200 --> 00:05:50,520 Speaker 2: is chemically toxic, you wisely recommend against ingesting it. I 98 00:05:50,560 --> 00:05:52,960 Speaker 2: know many people who work with all kinds of fiberglass 99 00:05:52,960 --> 00:05:56,920 Speaker 2: filler like bondo, the dust from which can become airborne 100 00:05:57,240 --> 00:05:59,520 Speaker 2: and get stuck in the lungs. It's not good when 101 00:05:59,560 --> 00:06:03,600 Speaker 2: that happens. Even though pure diamond powder is not chemically toxic, 102 00:06:03,800 --> 00:06:07,200 Speaker 2: it is quite sharp and unlikely to disintegrate if one 103 00:06:07,200 --> 00:06:10,039 Speaker 2: were to inhale this product in the process of handling 104 00:06:10,040 --> 00:06:12,880 Speaker 2: it repeatedly, assuming it was not mixed into a paste 105 00:06:12,960 --> 00:06:15,800 Speaker 2: or other medium to prevent inhilation, which of course reminds 106 00:06:15,880 --> 00:06:19,240 Speaker 2: us of stuff we talked about with cracking diamonds using 107 00:06:19,320 --> 00:06:21,680 Speaker 2: some sort of a paste or even goat's blood potentially, 108 00:06:22,800 --> 00:06:25,640 Speaker 2: but he continues. The mechanical damage it would reap upon 109 00:06:25,760 --> 00:06:28,960 Speaker 2: lung tissue is not pleasant to ponder. In all probability, 110 00:06:29,160 --> 00:06:33,120 Speaker 2: inhaled diamond dust would lacerate lung tissue, causing internal bleeding, 111 00:06:33,400 --> 00:06:38,120 Speaker 2: basically diamond silicosis. There is no cure for silicosis, only 112 00:06:38,200 --> 00:06:42,080 Speaker 2: symptom slash pain mitigation measures. I found one study that 113 00:06:42,120 --> 00:06:45,080 Speaker 2: explored the use of diamond dust in conjunction with cobalt, 114 00:06:45,240 --> 00:06:47,680 Speaker 2: which is chemically toxic, and it seems to focus on 115 00:06:47,720 --> 00:06:50,960 Speaker 2: the chemical dangers posed by cobalt. It does not provide 116 00:06:51,040 --> 00:06:55,040 Speaker 2: decisive information on the danger or dangers of having diamond 117 00:06:55,120 --> 00:06:58,520 Speaker 2: dust in one's lungs by itself that said no one 118 00:06:58,520 --> 00:07:01,400 Speaker 2: sho should give should try to give themselves a case 119 00:07:01,400 --> 00:07:05,200 Speaker 2: of diamond lung No buyo. Thank you for your commitment 120 00:07:05,279 --> 00:07:08,599 Speaker 2: to placing contemporary science in a variety of historic, esoteric 121 00:07:08,880 --> 00:07:11,800 Speaker 2: macob context The podcast is wonderful, Steve. 122 00:07:12,520 --> 00:07:14,880 Speaker 3: Thank you, Steve. Yeah, I'd say the same thing. Even 123 00:07:14,960 --> 00:07:18,120 Speaker 3: if diamond powder is not known to be toxic in 124 00:07:18,120 --> 00:07:22,760 Speaker 3: a particular context. Probably you just you know, prima fasse 125 00:07:22,960 --> 00:07:25,119 Speaker 3: does not seem like it would be a good idea 126 00:07:25,160 --> 00:07:29,280 Speaker 3: to breathe a lot of dust airborne diamond particles, especially 127 00:07:29,320 --> 00:07:31,480 Speaker 3: since you just don't want to be breathing a lot 128 00:07:31,480 --> 00:07:34,680 Speaker 3: of you know, tiny pulverized rock particles of any kind 129 00:07:34,680 --> 00:07:42,360 Speaker 3: as far as I'm aware. Okay, On the subject of 130 00:07:42,520 --> 00:07:45,400 Speaker 3: rat kings, Chris got in touch to say good day. 131 00:07:45,520 --> 00:07:48,680 Speaker 3: I wanted to add one more rat king to the collection. 132 00:07:49,280 --> 00:07:52,480 Speaker 3: The Incredible D and D show Dimension twenty has a 133 00:07:52,520 --> 00:07:55,320 Speaker 3: season taking place in New York City, and one of 134 00:07:55,320 --> 00:07:58,680 Speaker 3: the boss enemies was a hive minded rat king living 135 00:07:58,720 --> 00:08:03,040 Speaker 3: in the sewers. Dimension twenty Ratking should have its artwork 136 00:08:03,080 --> 00:08:07,040 Speaker 3: as the first result. Best wishes, Chris. I don't know 137 00:08:07,120 --> 00:08:09,120 Speaker 3: this show, but I did look it up, and I 138 00:08:09,240 --> 00:08:12,800 Speaker 3: like the artwork. It is rats all bunched together in 139 00:08:12,880 --> 00:08:15,520 Speaker 3: the shape of sort of a big dinosaur wearing a crown, 140 00:08:15,760 --> 00:08:19,880 Speaker 3: so it comes up. Search results also produced other strange 141 00:08:19,880 --> 00:08:23,520 Speaker 3: looking things, apparently from the same show, including pizza rat 142 00:08:23,560 --> 00:08:25,320 Speaker 3: and something called sexy Rat. 143 00:08:25,840 --> 00:08:27,680 Speaker 2: Hmm, okay, well, I'm not going to search for that 144 00:08:27,720 --> 00:08:30,760 Speaker 2: third one, but this does look cool. I'm not familiar 145 00:08:30,760 --> 00:08:33,120 Speaker 2: with the show either, but I'll have to ask some 146 00:08:33,200 --> 00:08:36,840 Speaker 2: of my fellow Dungeons and Dragons players and my Dungeons 147 00:08:36,840 --> 00:08:39,320 Speaker 2: and Dragons group, because I think a few of them 148 00:08:39,360 --> 00:08:41,439 Speaker 2: follow some of these shows and I hear great things 149 00:08:41,480 --> 00:08:44,720 Speaker 2: about them. All right, This next one comes to us 150 00:08:44,720 --> 00:08:47,000 Speaker 2: from Megan. This is a response to one of our 151 00:08:47,040 --> 00:08:55,640 Speaker 2: October episodes about shadows. Megan writes, Hey, guys, I'm a 152 00:08:55,640 --> 00:08:58,400 Speaker 2: few months behind in the podcast and recently listened to 153 00:08:58,480 --> 00:09:01,520 Speaker 2: your Where the Shadows Lie episodes. I wanted to drop 154 00:09:01,559 --> 00:09:04,720 Speaker 2: you a note about the children's fantasy book series Seventh 155 00:09:04,800 --> 00:09:09,520 Speaker 2: Tower by Garth Nix that prominently features some magical shadows. 156 00:09:09,840 --> 00:09:12,960 Speaker 2: The premise is that the only known population of humanity 157 00:09:13,040 --> 00:09:16,040 Speaker 2: lives in a vast castle under a permanently darkened Sky, 158 00:09:16,679 --> 00:09:20,240 Speaker 2: and the Chosen. Among them are magic users that are 159 00:09:20,360 --> 00:09:24,120 Speaker 2: ranked by the colors of the rainbow. When they're of age, 160 00:09:24,160 --> 00:09:26,840 Speaker 2: the Chosen travel to a parallel world of strange and 161 00:09:26,880 --> 00:09:30,320 Speaker 2: dangerous creatures, and each captures a creature that replaces their 162 00:09:30,400 --> 00:09:33,640 Speaker 2: natural shadow. Back in their home world, these spirit shadows 163 00:09:33,640 --> 00:09:36,880 Speaker 2: become magical servants made of a sort of solid, mutable 164 00:09:37,120 --> 00:09:40,839 Speaker 2: shadow substance that can protect or attack humans and other 165 00:09:40,920 --> 00:09:44,559 Speaker 2: spirit shadows. Later in the series, we meet another population 166 00:09:44,640 --> 00:09:48,479 Speaker 2: of humans who scorn and fear those who have changed shadows. 167 00:09:48,760 --> 00:09:51,320 Speaker 2: The story reminds me of your discussion of mythical wizards 168 00:09:51,440 --> 00:09:53,800 Speaker 2: who are said to lose their natural shadows to the 169 00:09:53,840 --> 00:09:56,400 Speaker 2: devil in exchange for great powers, and who could be 170 00:09:56,480 --> 00:09:59,760 Speaker 2: identified by the uncanniness of their shadows. Anyway, my son 171 00:09:59,800 --> 00:10:01,880 Speaker 2: and I are finding this series a great read, and 172 00:10:01,920 --> 00:10:04,600 Speaker 2: I won't go into more details that spoil the mystery 173 00:10:04,600 --> 00:10:07,720 Speaker 2: of the plot. Thanks for all you do, Megan. You know, 174 00:10:07,800 --> 00:10:10,720 Speaker 2: I don't think I am familiar with this particular author 175 00:10:10,800 --> 00:10:13,680 Speaker 2: and work, but I'm gonna have to look into this 176 00:10:13,720 --> 00:10:16,960 Speaker 2: one because my son consumes a lot of books of 177 00:10:17,000 --> 00:10:19,440 Speaker 2: this nature and this one looks like it could be 178 00:10:19,559 --> 00:10:20,520 Speaker 2: It could be really fun. 179 00:10:28,640 --> 00:10:31,400 Speaker 3: Okay, I think we should do a couple of messages 180 00:10:31,480 --> 00:10:34,360 Speaker 3: about Weird House cinema. I'm gonna start with this message 181 00:10:34,360 --> 00:10:37,000 Speaker 3: from Lee, who has written in a bunch of times before. 182 00:10:37,200 --> 00:10:40,640 Speaker 3: Li says, Hello, Rob, Joe, and JJ, just listen to 183 00:10:40,720 --> 00:10:45,040 Speaker 3: the Apple Weird House episode. I waited until after watching. 184 00:10:45,320 --> 00:10:50,320 Speaker 3: All I can say is wow, definitely weird anyway, wanted 185 00:10:50,360 --> 00:10:53,679 Speaker 3: to know your thoughts regarding the BIM acronym. 186 00:10:53,920 --> 00:10:54,199 Speaker 4: Now. 187 00:10:54,600 --> 00:10:56,640 Speaker 3: We talked about this a lot in the episode. How 188 00:10:56,720 --> 00:10:59,680 Speaker 3: the movie just starts assaulting you with the term BIM. 189 00:10:59,800 --> 00:11:03,559 Speaker 3: The very first song is all about the subject of BIM. 190 00:11:03,720 --> 00:11:06,800 Speaker 3: How BIM is on the way and maybe it's the 191 00:11:06,840 --> 00:11:11,600 Speaker 3: only way, but there's no previous explanation for what BIM is. 192 00:11:12,679 --> 00:11:15,079 Speaker 3: Lee is giving the answer here. Lee says it is 193 00:11:15,120 --> 00:11:20,080 Speaker 3: an acronym for Boogalow International Music. The head of this 194 00:11:20,440 --> 00:11:22,359 Speaker 3: company is named mister Boogalow. 195 00:11:23,000 --> 00:11:25,200 Speaker 2: Yeah, yeah, this one was. This was hard for me 196 00:11:25,240 --> 00:11:28,040 Speaker 2: to reflect on because having seen the movie before, I 197 00:11:28,080 --> 00:11:32,079 Speaker 2: don't remember how my what kind of confusion I had initially, 198 00:11:32,320 --> 00:11:34,040 Speaker 2: But at some point I picked up on this and 199 00:11:34,360 --> 00:11:37,959 Speaker 2: went into rewatching it knowing this already. But to your point, 200 00:11:38,000 --> 00:11:40,920 Speaker 2: like they don't really do anything to establish. 201 00:11:40,400 --> 00:11:43,360 Speaker 3: This, no, and certainly not in I think they do 202 00:11:43,440 --> 00:11:46,160 Speaker 3: maybe say it later in the movie, but like, I 203 00:11:46,200 --> 00:11:49,160 Speaker 3: didn't realize what BIM meant until I went to the 204 00:11:49,160 --> 00:11:52,800 Speaker 3: Wikipedia page for the movie and it specified that BIM 205 00:11:53,040 --> 00:11:57,800 Speaker 3: was the acronym. Lee's message goes on, while it's pretty 206 00:11:57,800 --> 00:12:00,520 Speaker 3: easy to get from viewing the film from and center 207 00:12:00,559 --> 00:12:03,719 Speaker 3: on the building exterior prior to the atrium scenes, if 208 00:12:03,720 --> 00:12:07,560 Speaker 3: you happened to not view the film, maybe not Google 209 00:12:07,600 --> 00:12:10,280 Speaker 3: O music was referenced late in the episode, but otherwise 210 00:12:10,360 --> 00:12:12,520 Speaker 3: no mention of it. Just curious if this was an 211 00:12:12,520 --> 00:12:17,120 Speaker 3: oversight or intentional omission. Hmly, I don't quite know how 212 00:12:17,120 --> 00:12:19,080 Speaker 3: to answer that, but I think, as we discussed a 213 00:12:19,080 --> 00:12:22,800 Speaker 3: bit in the episode, I did want to help the 214 00:12:22,840 --> 00:12:26,280 Speaker 3: listener occupy that state of confusion that I felt while 215 00:12:26,320 --> 00:12:29,120 Speaker 3: watching the movie and not knowing what BIM meant, which 216 00:12:29,200 --> 00:12:31,719 Speaker 3: I was a pleasing state of confusion to be in, 217 00:12:33,520 --> 00:12:35,640 Speaker 3: you know, like it kind of took the magic away 218 00:12:35,720 --> 00:12:37,680 Speaker 3: when I saw what it stood for. 219 00:12:38,000 --> 00:12:39,600 Speaker 2: Yeah, I mean, that's one of the great things about 220 00:12:39,880 --> 00:12:41,560 Speaker 2: so many of these films, is like when there is 221 00:12:41,920 --> 00:12:47,200 Speaker 2: accidental mystery in the film, it creates room for the 222 00:12:47,240 --> 00:12:51,280 Speaker 2: imagination to fill in the blanks, and I often enjoy that. 223 00:12:51,679 --> 00:12:51,800 Speaker 1: Now. 224 00:12:51,840 --> 00:12:55,920 Speaker 3: Another thing that happens in The Apple is that later 225 00:12:55,960 --> 00:12:58,640 Speaker 3: in the film we get a couple of totally out 226 00:12:58,640 --> 00:13:02,280 Speaker 3: of nowhere characters, both played by the actor Joss Ackland. 227 00:13:02,880 --> 00:13:05,200 Speaker 3: In one sense, he plays a sort of wizard like 228 00:13:05,840 --> 00:13:09,240 Speaker 3: hippie cult leader. I don't know about cold. He he's 229 00:13:09,280 --> 00:13:11,400 Speaker 3: the hippie, the leader of the hippie group, the Hippies 230 00:13:11,400 --> 00:13:14,079 Speaker 3: who live in the cave underneath the bridge. And then 231 00:13:14,120 --> 00:13:16,600 Speaker 3: he also plays God who shows up at the end 232 00:13:16,679 --> 00:13:21,840 Speaker 3: to to rescue everyone aka mister Big Mister Tops. Mister Tops, right, 233 00:13:21,920 --> 00:13:25,040 Speaker 3: not mister big Mister, not bird Eye Gordons. 234 00:13:25,559 --> 00:13:29,240 Speaker 2: So we just recorded our episode, our our latest weird 235 00:13:29,280 --> 00:13:31,480 Speaker 2: House episode. So I've got I've got bird Eye Gordon 236 00:13:31,840 --> 00:13:32,360 Speaker 2: on the brain. 237 00:13:32,480 --> 00:13:36,520 Speaker 3: Sorry, okay, anyway, with this in mind, Lee's message goes 238 00:13:36,559 --> 00:13:40,440 Speaker 3: on also throwing back many episodes. Would Joss Ackland be 239 00:13:40,480 --> 00:13:43,839 Speaker 3: a candidate for Tom Bombadill. 240 00:13:44,400 --> 00:13:46,319 Speaker 2: Absolutely he would have. He would have made a good 241 00:13:46,320 --> 00:13:47,719 Speaker 2: Tom Bombadill, now that you. 242 00:13:47,679 --> 00:13:52,160 Speaker 4: Mention it, a wonderful suggestion. Yeah, great singing voice, so yeah, yeah, 243 00:13:52,800 --> 00:13:54,760 Speaker 4: I can just hear it in his voice now Hey, 244 00:13:54,920 --> 00:13:57,560 Speaker 4: don't Mary doll. Let's see you know he's blue as 245 00:13:57,679 --> 00:14:00,160 Speaker 4: jacket is and his boots are yellow. He's a he's 246 00:14:00,160 --> 00:14:04,080 Speaker 4: a merry fellow, some kind of verse about Fatty Lumpkin 247 00:14:04,160 --> 00:14:09,679 Speaker 4: the pony. Yeah, this is a great suggestion. Lee Lee says, 248 00:14:09,760 --> 00:14:12,679 Speaker 4: Ackland was cast as perone in a vita, So he's 249 00:14:12,720 --> 00:14:13,600 Speaker 4: a baritone. 250 00:14:13,800 --> 00:14:16,520 Speaker 3: Just a thought. Love the podcast in the weekly Weird 251 00:14:16,520 --> 00:14:20,880 Speaker 3: House dos sincerely, Lee, Thank you Lee, excellent piece of 252 00:14:20,960 --> 00:14:21,640 Speaker 3: listener mail. 253 00:14:22,560 --> 00:14:25,280 Speaker 2: All right, This next one comes to us from another Rob. 254 00:14:30,520 --> 00:14:33,080 Speaker 2: Rob says, Hi, Robert and Joe. While listening to this 255 00:14:33,160 --> 00:14:36,560 Speaker 2: Weird House Cinema episode, I could not stop thinking about 256 00:14:36,600 --> 00:14:40,360 Speaker 2: Devo and the energy dome. Hats is bim a stand 257 00:14:40,360 --> 00:14:43,200 Speaker 2: in for whip it? Perhaps the apple is a cautionary 258 00:14:43,240 --> 00:14:46,480 Speaker 2: tale to Mark Mothersbaugh and the rest of Devo about 259 00:14:46,480 --> 00:14:49,720 Speaker 2: the risk of making a deal with Satan. For me, 260 00:14:49,920 --> 00:14:52,600 Speaker 2: this added another layer of craziness to what was already 261 00:14:52,640 --> 00:14:55,440 Speaker 2: a pretty wild movie. Have a great day, guys, Rob. 262 00:14:55,800 --> 00:14:58,560 Speaker 3: Now, I like the frequency Rob is on here, but 263 00:14:58,720 --> 00:15:01,480 Speaker 3: I'm not quite quite sure. I understand you know more 264 00:15:01,520 --> 00:15:03,400 Speaker 3: about Devo than I do. I think, Rob, can you 265 00:15:03,600 --> 00:15:04,320 Speaker 3: decode for me? 266 00:15:06,160 --> 00:15:09,360 Speaker 2: Well? I mean I'm not a you know, a super 267 00:15:09,480 --> 00:15:13,120 Speaker 2: Devo fan. I appreciate Devo. I did own an Energy 268 00:15:13,200 --> 00:15:17,640 Speaker 2: Don't hat for a spell, but an official one, mind you. 269 00:15:18,080 --> 00:15:21,520 Speaker 2: But I mean yeah, I mean Devo's energy is weird 270 00:15:21,560 --> 00:15:24,640 Speaker 2: and wonderful, and you know it's not unrelated to the Apple. 271 00:15:24,760 --> 00:15:27,240 Speaker 2: You know, those energy don't hats would have fit well 272 00:15:28,200 --> 00:15:30,680 Speaker 2: in the costuming that we see in the Apple. 273 00:15:31,200 --> 00:15:35,200 Speaker 3: I agree. You can just imagine people in mister Bougalow's apartment, 274 00:15:35,480 --> 00:15:37,960 Speaker 3: like the hanging out with the lawyers and stuff, wearing 275 00:15:38,000 --> 00:15:38,520 Speaker 3: those hats. 276 00:15:38,720 --> 00:15:41,320 Speaker 2: Absolutely, I will say real quick, I don't think we've 277 00:15:41,400 --> 00:15:45,760 Speaker 2: watched a film that was scored by Mark mothersbaw on 278 00:15:45,920 --> 00:15:49,200 Speaker 2: Weird House Cinema. But he is frequently someone whose work 279 00:15:49,280 --> 00:15:53,280 Speaker 2: I admire in more recent contemporary films because he works 280 00:15:53,320 --> 00:15:56,760 Speaker 2: a lot, and he can contributes compositions to all sorts 281 00:15:56,800 --> 00:15:59,520 Speaker 2: of TV and film product projects and on more than 282 00:15:59,560 --> 00:16:01,280 Speaker 2: one o K and I've been like, oh, this is 283 00:16:01,400 --> 00:16:03,400 Speaker 2: this sounds pretty good? Who did this? And then I'll 284 00:16:03,880 --> 00:16:06,360 Speaker 2: pull out my phone go to IMDb and of course 285 00:16:06,400 --> 00:16:10,320 Speaker 2: it's Mark mark Motherspot, so not surprising at all he did. 286 00:16:10,680 --> 00:16:13,440 Speaker 3: I'm just looking at his filmography on his wiki apparently 287 00:16:13,560 --> 00:16:16,080 Speaker 3: he did the theme to the nineteen ninety one Super 288 00:16:16,120 --> 00:16:17,680 Speaker 3: Mario World TV show. 289 00:16:19,720 --> 00:16:22,800 Speaker 2: Yeah. I mean they're not all winners in this filmography. 290 00:16:22,880 --> 00:16:25,360 Speaker 2: He works a lot. But like one that comes up 291 00:16:25,480 --> 00:16:28,080 Speaker 2: is Thor Ragnarok, and I remember that was one specifically. 292 00:16:28,200 --> 00:16:31,280 Speaker 2: I was watching thora Ragnall Rock, which I greatly enjoyed 293 00:16:31,440 --> 00:16:33,920 Speaker 2: about halfway through rewatching it with my son right now, 294 00:16:34,200 --> 00:16:38,880 Speaker 2: he had not seen it before. Great all around, but yeah, 295 00:16:38,880 --> 00:16:40,640 Speaker 2: there are moments in that where initially I was like, yeah, 296 00:16:40,720 --> 00:16:42,320 Speaker 2: this music's pretty great, and I've got to look up 297 00:16:42,320 --> 00:16:44,320 Speaker 2: who's behind it, and yeah, it's Mark. 298 00:16:44,720 --> 00:16:47,760 Speaker 3: Ooh though I just saw he apparently did music for 299 00:16:47,960 --> 00:16:52,120 Speaker 3: I forgot this existed. The like year roughly year two 300 00:16:52,280 --> 00:16:56,960 Speaker 3: thousand live action Rocky and Bullwinkle movies starring Renee Russo 301 00:16:57,120 --> 00:17:01,360 Speaker 3: as Natasha and Jason Alexander is Boris. Looks like it 302 00:17:01,440 --> 00:17:03,560 Speaker 3: also had Robert de Niro and Randy Quaid. 303 00:17:04,200 --> 00:17:07,000 Speaker 2: All Right, I had kind of forgotten that this existed. 304 00:17:07,880 --> 00:17:11,359 Speaker 2: I might have dismissed it as a dream, But now I. 305 00:17:11,440 --> 00:17:14,040 Speaker 3: Know Ebert gave it three out of four stars. 306 00:17:14,760 --> 00:17:17,920 Speaker 2: All right, all right, maybe there's something there. All right. Well, 307 00:17:17,960 --> 00:17:20,720 Speaker 2: on that note, we're gonna go ahead and call this episode, 308 00:17:20,800 --> 00:17:22,440 Speaker 2: but we'd love to hear from you if you have 309 00:17:22,560 --> 00:17:25,480 Speaker 2: thoughts on past president and future episodes of Stuff to 310 00:17:25,520 --> 00:17:27,280 Speaker 2: Blow Your Mind or Weird House Cinema or anything and 311 00:17:27,280 --> 00:17:29,560 Speaker 2: the Stuff to Blow Your Mind feed right in. We'd 312 00:17:29,600 --> 00:17:31,840 Speaker 2: love to hear from you. If you have general feedback, 313 00:17:32,040 --> 00:17:33,639 Speaker 2: you know what sort of episode you'd like to hear, 314 00:17:33,760 --> 00:17:37,040 Speaker 2: If you have feedbacks on anything from like advertising to 315 00:17:37,280 --> 00:17:39,600 Speaker 2: I don't know what this is the best way to 316 00:17:39,640 --> 00:17:41,320 Speaker 2: get in touch with us is to email us with 317 00:17:41,440 --> 00:17:45,560 Speaker 2: your thoughts, your comments, your feedback, your criticism, whatever happens 318 00:17:45,560 --> 00:17:48,639 Speaker 2: to me. We're happy to hear from you. Just a 319 00:17:48,760 --> 00:17:52,280 Speaker 2: reminder that listener mail Arizon Mondays Core episodes on Tuesdays 320 00:17:52,280 --> 00:17:54,800 Speaker 2: and Thursdays, short Form on Wednesday and on Fridays. We 321 00:17:54,840 --> 00:17:56,600 Speaker 2: said us I most serious concerns to just talk about 322 00:17:56,600 --> 00:17:58,320 Speaker 2: a weird movie on Weird House Cinema. 323 00:17:58,720 --> 00:18:02,480 Speaker 3: Huge things. As always, you are excellent audio producer JJ Posway. 324 00:18:02,840 --> 00:18:04,399 Speaker 3: If you would like to get in touch with us 325 00:18:04,440 --> 00:18:06,879 Speaker 3: with feedback on this episode or any other, to suggest 326 00:18:06,920 --> 00:18:08,880 Speaker 3: a topic for the future, or just to say hello, 327 00:18:09,040 --> 00:18:11,520 Speaker 3: you can email us at contact at Stuff to Blow 328 00:18:11,600 --> 00:18:12,600 Speaker 3: Your Mind dot com. 329 00:18:19,520 --> 00:18:22,440 Speaker 1: Stuff to Blow Your Mind is production of iHeartRadio. 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