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Speaker 1: Hi.

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Speaker 2: I am Kate Hudson and my name is Oliver Hudson.

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Speaker 3: We wanted to do something that highlighted our relationship.

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Speaker 2: And what it's like to be siblings. We are a sibling.

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Speaker 3: Railvalry, No, no, sibling, don't do that with your mouth.

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Speaker 4: Vely, that's good, Ollie.

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Speaker 3: Have you done any Christmas shopping?

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Speaker 2: A little bit?

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Speaker 3: Oh so?

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Speaker 2: Behind Well, you're a very very busy person, so it's understandable.

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Speaker 2: I sent you a text yesterday because you want to

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Speaker 2: know what I want. And then I said, I'm gonna send,

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Speaker 2: but you're not gonna like any of it.

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Speaker 3: I didn't look at it.

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Speaker 2: I didn't send it.

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Speaker 5: Oh well, then send it because.

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Speaker 2: I need a response before I send it.

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Speaker 3: Why won't I like it?

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Speaker 2: Here's the thing how, here's how it usually it works

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Speaker 2: with you on Christmas. It's like, what do you want?

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Speaker 2: And then I text you some things and you're like,

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Speaker 2: that's boring, I'm not doing that. I'm like, okay, no.

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Speaker 3: Yeah, no, that's I want to reel. I want like

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Speaker 3: six hundred, like deep water real.

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Speaker 2: I want a transducer, you know, so it's a transducer.

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Speaker 2: Don't worry about it.

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Speaker 3: Sounds like a sex you like take.

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Speaker 2: Trans that's a good.

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Speaker 3: I don't like that, so I know I'm not I

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Speaker 3: don't even care. I'm not getting it right.

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Speaker 2: I told you I don't send these things.

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Speaker 3: Really, what is a transducer.

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Speaker 2: A transducer is something that goes on the bottom of

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Speaker 2: your boat. I already have one. It's what reads a sonar.

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Speaker 2: It's what reads the bottom and.

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Speaker 3: You want to fish.

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Speaker 2: It's still there's still time. Oh really, And this transducer specifically,

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Speaker 2: there's different frequencies, and this is the better one that

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Speaker 2: I want to put on my boat. So it reads

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Speaker 2: the bottom and it reads targets better. No, no, no,

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Speaker 2: But there's another thing that's ten grand that I'll put

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Speaker 2: on there too.

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Speaker 5: What is it.

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Speaker 2: It's called the seakeeper. And the seakeeper is what replaces

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Speaker 2: the trim tabs on your boat, and it stabilizes the

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Speaker 2: boat so it doesn't bounce.

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Speaker 3: There's that that sounds like something for your safety. That

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Speaker 3: sounds good?

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Speaker 4: Oh?

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Speaker 2: It for sure is yeah, I mean I like that one.

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Speaker 2: It's definitely for safety.

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Speaker 3: A seakeeper. I got you a seakeeper. It's like I

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Speaker 3: am your.

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Speaker 6: Seatkeeper, I guess.

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Speaker 3: So, Ollie, is it too early for you. I know,

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Speaker 3: we're waiting on Hugh Jacques. Mom.

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Speaker 2: Well, while we wait, we just need to talk about

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Speaker 2: The Whirlwind and that you have been on miss fucking

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Speaker 2: Golden Globe nomination. You know what I think they should do,

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Speaker 2: you know they have like the actors, like the siblings.

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Speaker 3: Thought that was such like hostility. Why don't you say?

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Speaker 3: What don't you say you should say? Is say it

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Speaker 3: like you're excited?

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Speaker 2: No, you know, I am excited for you. I was

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Speaker 2: the first one to call you in the morning. I'm

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Speaker 2: extremely excited. The only thing I'm concerned about is like,

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Speaker 2: who do you invite? Because you only have one table.

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Speaker 3: I don't have a table. I have one date.

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Speaker 2: That's it. Yeah, Oh that sucks. Well, maybe I go

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Speaker 2: to the party afterwards.

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Speaker 3: They're definitely coming to the party a night.

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Speaker 2: Yes. Anyway, Whirlwind, you barely have a chance to breathe

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Speaker 2: press playing the gas.

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Speaker 3: And you know, it's been really interesting and important because

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Speaker 3: this movie is so good and I really want people

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Speaker 3: to see it in the theater, you know, and our

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Speaker 3: industry has been very hard to predicularly when it comes

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Speaker 3: to theatrical releases, and this is one of those movies

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Speaker 3: that you're like, oh, come on, I really wanted to

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Speaker 3: have great success of people make movies like this. You know.

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Speaker 3: It kind of has that you know, touchstone like old

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Speaker 3: touchstone movies, things like in terms of endearment or movies

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Speaker 3: like moon Struck, and it kind of gives you that

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Speaker 3: feeling like extraordinary circumstances real life, but you are like

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Speaker 3: entertained and then you go through the gamut.

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Speaker 2: Yeah, I agree. It's definitely a throwback when when I

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Speaker 2: saw it, that was the first thing that came to

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Speaker 2: my mind, is that we don't Hollywood doesn't make these

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Speaker 2: movies anymore, you know, I mean, and they need to

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Speaker 2: be made because they feel good, and like you said,

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Speaker 2: it's the gambit of emotion. It's fun, it's sexy, it's

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Speaker 2: extremely well performed. They're singing, you know. And then for me,

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Speaker 2: there is tragedy, no doubt, but it's not heavy handed,

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Speaker 2: you know what I mean. There's there's light within it,

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Speaker 2: you know, you know that there's the outcome is going

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Speaker 2: to sort of make you smile and cry at the

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Speaker 2: same time. Yeah, and that's what's special about it.

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Speaker 3: It's the Cameron Crow word happy sad like life like

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Speaker 3: life is just happy sad like one can't really exist

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Speaker 3: without the other. And in order to creatively hit that

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Speaker 3: sweet spot, it's actually a really hard thing to do,

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Speaker 3: you know, and Craig did such a good job of

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Speaker 3: of threading that, you know, no walking that line of

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Speaker 3: not a getting too sentimental either, you know exactly, it's

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Speaker 3: not cynical. There's like not an ounce of cynicism in

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Speaker 3: this film. It's very pure of heart. And yet it

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Speaker 3: doesn't get too sentimental like you want to. When you're

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Speaker 3: done watching it, you're like, I just want to do

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Speaker 3: the things that I love to do, and I want

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Speaker 3: to be with my family and you know, and I

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Speaker 3: want to like live a good life.

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Speaker 2: I have a question for you, because you've been interviewed

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Speaker 2: for the last two months and say the same things

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Speaker 2: over and over again. We know how that works, but

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Speaker 2: I bet you haven't been asked this. What does Hugh

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Speaker 2: Jackman smell like? Because you were very close to him

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Speaker 2: the whole movie. You know, I wish he was here,

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Speaker 2: Like does he have a scent? Is it woodsy? Is

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Speaker 2: it floral?

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Speaker 3: That's a really good question. It is kind of more.

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Speaker 3: It's not woodsy, it is more floral. It's more like crisp.

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Speaker 3: It's like a clean It's like it's like grass. It's

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Speaker 3: like fresh cut grass.

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Speaker 6: Oh.

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Speaker 2: I like that smell.

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Speaker 3: I can't wait till we get to tell her.

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Speaker 2: So funny, it's what.

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Speaker 3: I would say. His smell is like, isn't that funny? Oh,

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Speaker 3: let's do this with all my co stars.

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Speaker 2: I was gonna go there next. I'm like, it's funny

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Speaker 2: because everyone does have some sort of a scent.

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Speaker 3: Yeah, like Kane is much deeper, it's much more.

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Speaker 2: That's much more like musky.

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Speaker 3: Like yeah, I would see it's in the earth.

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Speaker 6: Yeah.

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Speaker 7: Yeah, it's like dirt. It's like it's like it's like

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Speaker 7: amber dirt. It's kind of good though to amber is

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Speaker 7: a little like powdery.

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Speaker 3: I think maybe it would be more like it would

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Speaker 3: be like more petuly. Yeah, yeah, like good dirt like that,

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Speaker 3: like that, like the kind of dirt that grows really

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Speaker 3: great vegetables.

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Speaker 2: Exactly.

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Speaker 3: So funny, they really do. I'm trying to think of

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Speaker 3: like like I could do the whole cast of Running

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Speaker 3: point at this point.

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Speaker 2: Oh I know, Oh God, well who should we start with?

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Speaker 3: So funny? Uh?

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Speaker 5: Justin Threau.

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Speaker 3: Is is like is like Palo Santa?

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Speaker 2: What is like the candle?

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Speaker 3: No, he's like he's like he's like not incense, He's

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Speaker 3: like the wood, you know, Palo Santo. It's like it's

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Speaker 3: like that meets like a little bit of like a

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Speaker 3: citrus like high note.

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Speaker 2: Oh okay, but who's like like a vetty air you

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Speaker 2: know that like sort of deep sort of vetty bee French.

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Speaker 3: Well, that's citrus, isn't it?

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Speaker 6: Yeah?

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Speaker 2: I thought like he he reminded me of the vetty

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Speaker 2: be throw.

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Speaker 3: No, No, he's more like fig.

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Speaker 2: Fig what about? What about?

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Speaker 6: What about?

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Speaker 2: Ike Barenholtz?

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Speaker 3: Oh is like it's like Bristin.

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Speaker 2: But I'm I'm feeling groovy.

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Speaker 3: Oh is that what you're singing?

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Speaker 6: Gotta watch powers growing.

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Speaker 2: Looking for love and feeling groovy when.

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Speaker 3: I'm feeling blue? I know, Oh I got it?

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Speaker 6: Look you who is that I'm not so blue?

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Speaker 2: That's Phil Collins.

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Speaker 6: That's who is quicket to song all of her? Okay?

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Speaker 6: Who going around the house? Who's singing more? I?

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Speaker 2: Well, Kate? I don't know that, probably Kate. But I

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Speaker 2: do like to sing. It makes me feel good.

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Speaker 3: It's really me. But all does weird like sounds.

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Speaker 2: I do some good like you know, vocal gymnastics that

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Speaker 2: a lot of it can't that can't do well, Hugh,

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Speaker 2: I want to hold on. I want to start this

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Speaker 2: whole thing off by saying that. Before you came on,

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Speaker 2: I asked Kate a very poignant question because I know

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Speaker 2: that you guys get a thousand of the same questions

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Speaker 2: every single day when you're doing these press junkets, right.

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Speaker 3: But.

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Speaker 2: I asked Kate, what does Hugh Jackman smell like? Because

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Speaker 2: she's with you all the time, through the sweaty moments,

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Speaker 2: through the tender moments, and you know, she gave a

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Speaker 2: very nice answer, So why don't you why don't you

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Speaker 2: tell them?

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Speaker 6: Yeah?

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Speaker 3: And then I thought, well, this is a really fun

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Speaker 3: thing to do with any coastar. I feel like you,

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Speaker 3: I said, like grass, like freshly cut grass.

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Speaker 5: Wow, you like that?

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Speaker 2: Mean?

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Speaker 1: First of all, I love that smell. I told you

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Speaker 1: meant like grass.

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Speaker 2: That's how I smell.

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Speaker 6: That is not me.

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Speaker 1: I mean, in the past, maybe the smell. I'm sure

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Speaker 1: there's been some funk in some points, and there's uh.

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Speaker 3: But even in those moments, you're always kind of there's

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Speaker 3: like a freshness. Yeah, you're And then we went into

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Speaker 3: other coast stars and then even the guys, even the

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Speaker 3: people that I work with on running point and started

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Speaker 3: to get weird.

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Speaker 2: Well, the the ike parent holds smell was spot on.

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Speaker 2: She said, like it's a Michelin star brisket.

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Speaker 3: With caramelized.

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Speaker 6: Wow, that's very edible.

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Speaker 8: I like that.

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Speaker 3: You usually when we do our podcast. This is so fun.

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Speaker 3: Now I get to interview. We get We talked mostly

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Speaker 3: about family, right, you know, we like we break down

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Speaker 3: like how people grew up and.

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Speaker 5: Like what their childhood was like.

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Speaker 3: And actually, you have such a fascinating childhood. You are

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Speaker 3: one of how many kids.

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Speaker 1: So six from mom and dad. I was the youngest

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Speaker 1: of five. My mom remarried and had Rowan when I

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Speaker 1: was eleven, and she's so my I guess officially my

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Speaker 1: half sister, but she's my sister, so six, but she

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Speaker 1: grew up in England. So for the probably for the

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Speaker 1: purpose of this, like the growing up, most of my

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Speaker 1: time was I was the youngest of five.

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Speaker 6: I hated being the youngest.

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Speaker 2: You did hated why my whole.

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Speaker 1: Life felt like someone else was allowed to do stuff

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Speaker 1: that I wasn't allowed to do. I was and my

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Speaker 1: dad was very regimented. So you know, everyone got the same,

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Speaker 1: like at this age, your bedtime is seven thirty. At

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Speaker 1: this age it's eight. And this is how much money

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Speaker 1: you get when you're six, Like you get fifteen cents

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Speaker 1: pocket money, and you get twenty when you're right.

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Speaker 6: All of that So my whole life.

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Speaker 1: Everyone's getting more than me or staying up later than me.

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Speaker 1: Now I'm six, so I don't care like it was

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Speaker 1: In a year.

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Speaker 6: You'll get to land and care. I'm going to go

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Speaker 6: to bed and you're all watching six million Dollar Man

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Speaker 6: on Sunday night and I got to go to bed.

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Speaker 6: I used to hate it.

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Speaker 2: So it's actually interesting because you don't get to be

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Speaker 2: a part of the sort of family affair or the

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Speaker 2: family get togethers when it is past your bedtime and

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Speaker 2: you're the little one, so everyone else is up except

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Speaker 2: for you.

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Speaker 1: Everyone else assumes I had the plumb the pole position

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Speaker 1: being youngest, and I can look back now and see

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Speaker 1: like my dad in particularly got so soft.

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Speaker 6: By the end.

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Speaker 1: I mean, we ever did one holiday that wasn't like

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Speaker 1: a camping holiday, but once the older the others were off,

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Speaker 1: I think he's probably like I got a little extra

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Speaker 1: cash when we went.

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Speaker 6: To like the Great Barrier Reef and we stayed.

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Speaker 1: I got like a room me and my brother shared

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Speaker 1: like a hotel, like a bungalo on the beach, and

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Speaker 1: all my older brothers and sisters like we went to Bali,

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Speaker 1: like we went on an overseas trip.

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Speaker 6: Ye, none of my older brothers and sisters got any

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Speaker 6: of that.

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Speaker 3: What is the age difference?

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Speaker 1: So like your oldest, we're basically for school. It was

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Speaker 1: two years but I think like me and my next brother,

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Speaker 1: so Zoe, basically eight years older.

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Speaker 3: Okay, so within eight years.

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Speaker 1: Zoe and Sonya Ralph Hugh, and we were at school

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Speaker 1: two years apart, although my brother ended up repeating a year,

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Speaker 1: so he was only a year older. But he was

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Speaker 1: only seventeen months older than me, and he was he

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Speaker 1: was the best man at my wedding. But we we

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Speaker 1: were at each the whole time.

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Speaker 6: I was.

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Speaker 1: I was terrified of my brother because he was just

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Speaker 1: even when I was like a foot taller than him,

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Speaker 1: I was still scared of him.

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Speaker 6: Totally, yeah, totally had it over me, and so I

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Speaker 6: had to become all varen. That was it.

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Speaker 1: I remember, do you remember that, Michael remember the last

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Speaker 1: dand so Michael Jordan's saying, what was a turning point

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Speaker 1: in your career and he goes beating my brother.

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Speaker 6: It was just all about beating my brother.

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Speaker 2: That's where it starts.

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Speaker 1: I remember having Wow, Ralphie doesn't want me saying this.

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Speaker 1: I remember saying a winning a table tennis competition at

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Speaker 1: a beach holiday and in the final, I'd beat my

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Speaker 1: brother and I'd never really beaten him. It was always

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Speaker 1: a little better than me, a little older than me.

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Speaker 1: And I got a beer can with all the ring

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Speaker 1: pools were put together, but that was wrapped around the

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Speaker 1: beer can.

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Speaker 6: I had that.

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Speaker 1: I still have it to this day, like there's nothing

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Speaker 1: I won, No nothing, I could win an oscar, it

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Speaker 1: would be behind that beer.

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Speaker 6: Can because it was huge.

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Speaker 1: Although I remember thinking, are you sure you want to

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Speaker 1: win this because you're gonna pay for it?

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Speaker 6: Like he's gonna punish you for beating him. Oh yeah, no,

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Speaker 6: I don't think you did. No, I'm sure I exaggerated

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Speaker 6: at all.

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Speaker 2: Were you a competitive family? Just generally? Yeah, very very

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Speaker 2: in sports, athletics and everything.

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Speaker 6: The boys, yes, my sister is not so much.

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Speaker 3: Zoe might two sisters, three boys, Yeah.

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Speaker 1: And then rowin another girl. So we're now three and three.

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Speaker 1: But I grew up with yeah, two sisters, three boys.

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Speaker 3: Oh my gosh, that's such a big family.

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Speaker 6: It's huge.

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Speaker 4: Yeah.

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Speaker 3: Who was in the dynamic? Who is the one that

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Speaker 3: you would like tell your secrets to, like, or that

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Speaker 3: you would go to if you needed, like, you know, advice.

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Speaker 6: Secrets was Ralph.

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Speaker 1: He was the next brother up, but we went through

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Speaker 1: periods of like, he's the last person I would tell,

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Speaker 1: but ultimately yeah, and then it was probably my brother Ian.

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Speaker 6: If I needed advice. So my elder sister.

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Speaker 1: To give you some context, my mom when my mom

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Speaker 1: and dad split, So my first two years, almost first

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Speaker 1: year and a half, I was living with another family

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Speaker 1: because my mom was not very well. And I'm speaking

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Speaker 1: about it now because I've spoken about it before, but

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Speaker 1: I want to be mindful of her. But she was

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Speaker 1: just not doing great. And so I was the youngest

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Speaker 1: and there were four kids at home, so I stayed

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Speaker 1: with my godparents. I came back I was probably two,

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Speaker 1: and between two and eight.

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Speaker 6: I was at home and then my mom and dad divorced.

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Speaker 6: My mom moved back to England.

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Speaker 1: So I was raised from eight by my really I

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Speaker 1: guess by my dad and my siblings and.

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Speaker 6: My Why am I telling you this a long way around. Sorry,

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Speaker 6: Kate knows.

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Speaker 1: I can just I can see her glazing over sometimes

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Speaker 1: like at a chunk It's like, yeah, dude, dude, we

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Speaker 1: have four minutes and we have even started talking about

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Speaker 1: the movie and.

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Speaker 2: Which no, Hugh, you guys are two peas in a part.

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Speaker 2: Sometimes Kig will go on these rants where I have

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Speaker 2: to put it through like a Google filter because I'm like,

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Speaker 2: what is she saying here? Like how do I?

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Speaker 6: Oh, no, I met her all the time.

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Speaker 2: I'm like, you know, on point, I need real time

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Speaker 2: AI to like understand what she's saying.

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Speaker 1: Okay. So the point of the story eight was my

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Speaker 1: elder sister Zoe moved to England to go back to

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Speaker 1: England where my mom was when she was eighteen nineteen,

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Speaker 1: so I would have been ten. So I'm very close

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Speaker 1: with my sister Zoe and my sister Sonya, Sonya, poor Sonya.

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Speaker 6: She was left with just a house of men, I

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Speaker 6: think in.

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Speaker 1: Australia and Australia in the seventies eight pretty much you know,

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Speaker 1: a little old school.

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Speaker 2: So she was has that shifted and changed it all

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Speaker 2: because it's always been the stereotype, of course, you know,

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Speaker 2: but has that it had it's changed.

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Speaker 1: Yeah, it's changed a lot, although I you know, I

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Speaker 1: still think there's remnants of it. You know, my mate

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Speaker 1: Kate knows, my best mate Gus runs a foundation called

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Speaker 1: Gotcha for Life, which was really based around the epidemic

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00:19:27,480 --> 00:19:29,840
Speaker 1: of male suicide in Australia and a lot of that's

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00:19:29,840 --> 00:19:33,040
Speaker 1: got to do with this notion that you don't ask

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Speaker 1: for help, just get.

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Speaker 6: On with them, mate, What do you mean you got

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Speaker 6: a therapist?

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00:19:36,800 --> 00:19:38,760
Speaker 1: Just not good enough to hang with you mates at

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Speaker 1: the pub like you're gonna have chat with your mates.

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Speaker 6: That there's still a little bit of that.

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Speaker 1: I think that's sort of baked in a little bit,

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Speaker 1: but it's it's changed, thankfully a lot.

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Speaker 3: Now. Who in your family was creative?

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Speaker 6: Huh?

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Speaker 3: Like, who was the the Did you come from any artist?

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Speaker 3: Did you have any aunts or uncles or grandparents like

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00:20:00,240 --> 00:20:01,199
Speaker 3: that were in the art?

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Speaker 1: My great aunt was apparently on the stage in the

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Speaker 1: West End in London. My mom was is incredibly creative.

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00:20:11,480 --> 00:20:16,560
Speaker 1: My father was an accountant and his brother Michael, I

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Speaker 1: loved like it was a teacher and just full of life, Like,

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Speaker 1: oh god, Kate, you would have loved it. He was

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00:20:23,280 --> 00:20:25,520
Speaker 1: very your vibe. He would have fit in with your family.

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00:20:26,280 --> 00:20:30,600
Speaker 1: Your mom would have said, Michael Jackman, Ah, we want

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Speaker 1: him around.

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Speaker 6: All the time. He was just all you would hear.

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Speaker 6: He lived in France.

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Speaker 1: He married Claudeine and France, and you would hear in

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Speaker 1: the morning, you're waking up and you just hear this.

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Speaker 6: Everyone's a winter. He would come in just completely naked,

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Speaker 6: like my hair, let's go, just.

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Speaker 1: Go and jump in the lake. Full of beans, full

395
00:20:50,760 --> 00:20:55,320
Speaker 1: of life. Here here creativity. My mom incredibly creative, creative, creative,

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00:20:55,440 --> 00:20:58,280
Speaker 1: every bone and her body is creative and in another

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Speaker 1: generation would probably have been an or something. Then my

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Speaker 1: dad also, who I thought was really not I've had

399
00:21:06,600 --> 00:21:08,440
Speaker 1: people say to me, is that he was the most

400
00:21:08,440 --> 00:21:09,440
Speaker 1: creative accountant.

401
00:21:09,480 --> 00:21:10,240
Speaker 6: He was the maverick.

402
00:21:10,520 --> 00:21:15,720
Speaker 1: He one had the crazy idea, which is interesting. Then

403
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Speaker 1: in my family, Zoe amazing. She's a fiddle player, she

404
00:21:21,000 --> 00:21:26,040
Speaker 1: plays mandolin, she's a chef, she can do needle point

405
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Speaker 1: of growing up as always she was making things.

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Speaker 6: Then I and my brother Ian Rhodes scholar, very very eminent.

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Speaker 1: Judge, like I guess our equivalent of a Supreme Court judge.

408
00:21:41,560 --> 00:21:45,440
Speaker 1: And you know, yeah, but I remember him at school

409
00:21:45,760 --> 00:21:47,840
Speaker 1: like he was the best actor I've ever seen, but

410
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Speaker 1: he was just like, yeah, I'm not going to do that.

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Speaker 6: He was anything he did.

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Speaker 1: He was great at my sister's sonya dancer, actor, singer,

413
00:21:56,640 --> 00:22:02,960
Speaker 1: did everything my brother Ralph, also an actor, did and me,

414
00:22:03,160 --> 00:22:04,320
Speaker 1: so he was always there.

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00:22:04,800 --> 00:22:07,159
Speaker 2: It's interesting because you said you also grew up, you know,

416
00:22:07,280 --> 00:22:09,640
Speaker 2: sort of been a rigid. Your dad was a bit rigid, right,

417
00:22:09,720 --> 00:22:12,520
Speaker 2: which I'm assuming meant that he was a bit strict,

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00:22:12,920 --> 00:22:19,200
Speaker 2: very So it's funny squaring that with creativity because usually

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00:22:19,280 --> 00:22:21,480
Speaker 2: when someone is when you when you're when you're strict

420
00:22:21,480 --> 00:22:23,600
Speaker 2: and you're holding anyone someone back, they don't have that

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00:22:23,680 --> 00:22:26,520
Speaker 2: freedom to create unless you're rebelling against it somehow.

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00:22:26,560 --> 00:22:30,000
Speaker 1: But I mean, I can remember him my whole life

423
00:22:30,040 --> 00:22:35,159
Speaker 1: saying stop singing, stop whistling, it's annoying. So there was that,

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00:22:35,800 --> 00:22:38,119
Speaker 1: But I was always in the school player, I was

425
00:22:38,119 --> 00:22:40,440
Speaker 1: always doing something. He was driving me to rehearsal and

426
00:22:40,440 --> 00:22:42,040
Speaker 1: would take me to every theater show.

427
00:22:42,280 --> 00:22:43,480
Speaker 6: He would take me to the movies.

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Speaker 1: My standard gift every year from my dad was a

429
00:22:48,480 --> 00:22:50,840
Speaker 1: subscription to the Sydney Theater Company, so I could see

430
00:22:50,880 --> 00:22:54,119
Speaker 1: Tim play like he. I think for my dad it

431
00:22:54,200 --> 00:22:57,679
Speaker 1: was if I'm if I'm right, I think he was like,

432
00:22:57,720 --> 00:23:01,399
Speaker 1: the art is a really important part of life. He

433
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Speaker 1: would take us to the opera, he would take us

434
00:23:03,480 --> 00:23:05,920
Speaker 1: to classical music. He would take us to the art gallery.

435
00:23:06,440 --> 00:23:08,720
Speaker 1: He would he would do all these things. I think

436
00:23:08,760 --> 00:23:11,880
Speaker 1: in his mind that's important. But that's I think he's

437
00:23:11,920 --> 00:23:14,879
Speaker 1: a bitch. I don't know how he was about us

438
00:23:14,920 --> 00:23:17,160
Speaker 1: doing it as a job. I asked him minds when

439
00:23:17,160 --> 00:23:20,199
Speaker 1: I said, Dad, I want to be an actor. I

440
00:23:20,200 --> 00:23:21,920
Speaker 1: think I want to go off to drama school me

441
00:23:21,960 --> 00:23:25,080
Speaker 1: an actor. And I was really nervous about his reaction,

442
00:23:25,240 --> 00:23:27,640
Speaker 1: and he said to me, he goes, well, I think

443
00:23:27,640 --> 00:23:30,520
Speaker 1: you have the talent, but I think you're too thin skinned.

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00:23:32,160 --> 00:23:35,639
Speaker 3: So yeah, how'd that work out for you? How do

445
00:23:35,720 --> 00:23:38,960
Speaker 3: you feel about that? Now? I think you're doing all right.

446
00:23:39,119 --> 00:23:41,800
Speaker 6: I'm doing it okay. But I understand what he was saying.

447
00:23:41,880 --> 00:23:43,720
Speaker 2: Did you have to get callous to have to grow

448
00:23:43,760 --> 00:23:46,640
Speaker 2: that thick skin or or were you just will.

449
00:23:46,359 --> 00:23:54,000
Speaker 6: Ignore any place I might go. I don't read any reviews.

450
00:23:54,280 --> 00:23:57,520
Speaker 6: There is if there's comment, I know.

451
00:23:57,520 --> 00:24:00,400
Speaker 1: There's comments on my social media, but oh no, people

452
00:24:00,440 --> 00:24:01,280
Speaker 1: said you're read I'm.

453
00:24:01,160 --> 00:24:04,359
Speaker 2: Like, oh no, what about do you do you mind

454
00:24:04,400 --> 00:24:05,320
Speaker 2: watching yourself?

455
00:24:05,920 --> 00:24:06,560
Speaker 6: Don't love it?

456
00:24:06,920 --> 00:24:07,600
Speaker 2: Yeah?

457
00:24:07,920 --> 00:24:11,040
Speaker 6: No, although I'm getting better, I've sort of forced myself

458
00:24:11,080 --> 00:24:12,639
Speaker 6: to do that. Yeah.

459
00:24:13,200 --> 00:24:16,360
Speaker 2: When you do watch yourself, do you are you hypercritical

460
00:24:16,400 --> 00:24:18,080
Speaker 2: in the sense that you look at you're like, oh,

461
00:24:18,200 --> 00:24:20,800
Speaker 2: that was pretty good, and then another scene and you're like, oh, Jesus,

462
00:24:20,800 --> 00:24:21,680
Speaker 2: what am I doing here?

463
00:24:21,880 --> 00:24:26,800
Speaker 6: I mean often no, I'm often like pleasantly surprised.

464
00:24:27,080 --> 00:24:30,159
Speaker 1: Yeah I'm not that actually looked better than it felt,

465
00:24:30,280 --> 00:24:33,480
Speaker 1: or I thought I stank up the entire set, and.

466
00:24:33,400 --> 00:24:37,480
Speaker 6: I'm like it's okay. Yeah, And then sometimes I can go, oh,

467
00:24:37,560 --> 00:24:38,119
Speaker 6: that was good.

468
00:24:38,359 --> 00:24:41,439
Speaker 1: But I also, you know, I can look at scenes

469
00:24:41,640 --> 00:24:43,080
Speaker 1: even the other night of the premier, it was about

470
00:24:43,080 --> 00:24:45,399
Speaker 1: the fifth time, was saying I'm like, yeah, that's it right.

471
00:24:48,560 --> 00:24:51,240
Speaker 6: Someone said to me, my mats goes how many? How

472
00:24:51,240 --> 00:24:51,840
Speaker 6: many sings?

473
00:24:51,920 --> 00:24:54,440
Speaker 1: I said, I'm not sure, but it's somewhere between eight

474
00:24:54,480 --> 00:25:03,359
Speaker 1: and twenty, And I was like, yeah.

475
00:25:00,119 --> 00:25:03,200
Speaker 3: Of funny, what are you out of your mind?

476
00:25:03,520 --> 00:25:04,120
Speaker 6: What about you?

477
00:25:05,280 --> 00:25:10,960
Speaker 3: Oh my worst critic? I think everything's awful, do you? Yeah,

478
00:25:11,000 --> 00:25:15,840
Speaker 3: But I'm also like it's like a weird, like I

479
00:25:15,359 --> 00:25:19,439
Speaker 3: I can't even decipher sometimes if it is I just

480
00:25:19,480 --> 00:25:20,760
Speaker 3: don't like watching myself.

481
00:25:21,280 --> 00:25:23,840
Speaker 6: You ever watched the monitor on set? Uh?

482
00:25:23,920 --> 00:25:26,320
Speaker 3: Yeah, you know. I actually like doing that because I

483
00:25:26,320 --> 00:25:29,960
Speaker 3: see it more like choreography, right, so like but but

484
00:25:30,119 --> 00:25:32,920
Speaker 3: not not on serious things. I think like when we're

485
00:25:32,920 --> 00:25:38,800
Speaker 3: trying to sometimes when especially in comedy, I like to

486
00:25:38,840 --> 00:25:41,919
Speaker 3: see the frame because it helps. It's like dance, you know.

487
00:25:42,600 --> 00:25:45,639
Speaker 3: It's like if you know you're supposed to like trip

488
00:25:45,800 --> 00:25:48,399
Speaker 3: in a certain place, like you when you see the frame,

489
00:25:48,880 --> 00:25:54,160
Speaker 3: you it kind of informs you know or how you

490
00:25:54,200 --> 00:25:55,720
Speaker 3: do it. You're like, oh, you know what, I can

491
00:25:55,800 --> 00:25:57,840
Speaker 3: lean more into the fall or you know.

492
00:25:59,280 --> 00:26:01,879
Speaker 1: By the way I was watching a running point, I'm like,

493
00:26:01,920 --> 00:26:05,160
Speaker 1: are you're so You're really good with that, like.

494
00:26:05,119 --> 00:26:09,959
Speaker 3: With like pratfall running into the glass.

495
00:26:11,119 --> 00:26:13,359
Speaker 6: I just was thinking about something I can. I tell

496
00:26:13,359 --> 00:26:13,680
Speaker 6: you a little.

497
00:26:13,680 --> 00:26:15,520
Speaker 1: It's sort of a family. It's not so much sibling,

498
00:26:15,560 --> 00:26:17,760
Speaker 1: but it's a cool little story for my past. I

499
00:26:17,760 --> 00:26:20,520
Speaker 1: don't know if I've said that much, but I just

500
00:26:20,560 --> 00:26:23,920
Speaker 1: remember when I was talking about my dad, I said,

501
00:26:23,960 --> 00:26:26,680
Speaker 1: I want to go to this school. And I auditioned

502
00:26:26,760 --> 00:26:29,160
Speaker 1: for this school and it was three days a week.

503
00:26:29,200 --> 00:26:32,679
Speaker 1: It was called the Actors Center in Sydney. And I

504
00:26:32,720 --> 00:26:38,440
Speaker 1: got in and I was so excited. And the next

505
00:26:38,520 --> 00:26:41,560
Speaker 1: day I got the letter saying you're in, and at

506
00:26:41,600 --> 00:26:44,360
Speaker 1: the very bottom is said, please show up with your

507
00:26:44,440 --> 00:26:47,800
Speaker 1: check for three and a half thousand dollars. And when

508
00:26:47,800 --> 00:26:51,440
Speaker 1: I was growing up, tertiary education, all college or university

509
00:26:51,520 --> 00:26:55,520
Speaker 1: anything was free, and even my acting school was free

510
00:26:55,560 --> 00:26:56,800
Speaker 1: because it was a state run thing.

511
00:26:57,240 --> 00:26:59,240
Speaker 6: So I was like three and a half thousand, I

512
00:26:59,240 --> 00:26:59,800
Speaker 6: don't have three.

513
00:26:59,760 --> 00:27:02,240
Speaker 1: Enough and I'd already done a university degree which my

514
00:27:02,320 --> 00:27:05,880
Speaker 1: dad had helped me with, and so I just ripped

515
00:27:05,880 --> 00:27:07,439
Speaker 1: it up and put in the bin because I was like,

516
00:27:07,560 --> 00:27:09,640
Speaker 1: I don't have three enough grand and there's no way

517
00:27:09,680 --> 00:27:12,120
Speaker 1: I'm asking my dad for three enough grand like I've

518
00:27:12,240 --> 00:27:17,879
Speaker 1: just finished. And the very next day I got a

519
00:27:18,119 --> 00:27:22,600
Speaker 1: check in the mail from my dad's mum, my grandmother's

520
00:27:22,640 --> 00:27:25,240
Speaker 1: bequest for three and a half thousand dollars.

521
00:27:25,520 --> 00:27:30,159
Speaker 6: I sweated. I literally went. I was in shock.

522
00:27:30,200 --> 00:27:31,919
Speaker 1: And then I went to the waste paper basket and

523
00:27:31,960 --> 00:27:36,680
Speaker 1: I picked out the scrumpled up acceptancing just to check.

524
00:27:36,720 --> 00:27:38,440
Speaker 6: I'm like, what is happening?

525
00:27:39,240 --> 00:27:42,159
Speaker 1: And there was my train. And so I went to

526
00:27:42,200 --> 00:27:44,760
Speaker 1: my dad and I said, Dad, remember I asked you

527
00:27:44,760 --> 00:27:49,520
Speaker 1: about being an actor. I said, I got this money,

528
00:27:49,640 --> 00:27:53,679
Speaker 1: I was like, from your mom's but will and I

529
00:27:53,720 --> 00:27:57,000
Speaker 1: want to put it towards that. And he said to me,

530
00:27:57,800 --> 00:27:59,399
Speaker 1: I couldn't think of a better way for you to

531
00:27:59,440 --> 00:28:04,080
Speaker 1: spend her money. He was always about education. My dad

532
00:28:04,119 --> 00:28:07,320
Speaker 1: was always like to do everything you can to be educated.

533
00:28:07,960 --> 00:28:13,000
Speaker 1: Always like, just feel like you belong, feel like you

534
00:28:13,080 --> 00:28:15,440
Speaker 1: deserve to be there. Do whatever you need to do

535
00:28:15,480 --> 00:28:17,239
Speaker 1: so that when you turn off for that interview or

536
00:28:17,240 --> 00:28:19,720
Speaker 1: that audition or whatever it is, you go, oh, yeah, no,

537
00:28:19,960 --> 00:28:20,720
Speaker 1: I'm ready for this.

538
00:28:21,400 --> 00:28:22,680
Speaker 2: That's amazing.

539
00:28:31,720 --> 00:28:31,760
Speaker 6: You.

540
00:28:32,480 --> 00:28:35,040
Speaker 3: Was there a lot of laughter in your house? Like

541
00:28:35,119 --> 00:28:38,560
Speaker 3: was there? Was it boisterous or.

542
00:28:39,280 --> 00:28:41,680
Speaker 6: Was it between the siblings? Yes?

543
00:28:42,360 --> 00:28:46,640
Speaker 3: Right, but when Pops rolled around, everybody got more behaved.

544
00:28:46,800 --> 00:28:50,400
Speaker 6: When I yeah, it was sort of, I would say.

545
00:28:50,520 --> 00:28:52,760
Speaker 1: Dinners. We always had to sit down dinner. No one

546
00:28:52,800 --> 00:28:54,640
Speaker 1: was allowed to answer the phone. If the phone range

547
00:28:54,680 --> 00:28:57,680
Speaker 1: you'ring dinner and you do not get up to answer it. Yeah,

548
00:28:57,720 --> 00:29:00,760
Speaker 1: there was. We had Sunday morning break together. We had

549
00:29:00,760 --> 00:29:04,120
Speaker 1: to have this Sunday lunch together. Sunday lunch we get

550
00:29:04,120 --> 00:29:06,120
Speaker 1: a bit more boisterous because my dad would have a

551
00:29:06,160 --> 00:29:11,440
Speaker 1: few but always amongst the siblings there was so there

552
00:29:11,480 --> 00:29:13,640
Speaker 1: was a lot of giggling that wasn't meant to be happening.

553
00:29:13,880 --> 00:29:19,440
Speaker 1: That was my main memory, and camping holidays. My dad

554
00:29:19,600 --> 00:29:22,400
Speaker 1: was an accountant, he was tired. He had literally a

555
00:29:22,480 --> 00:29:25,560
Speaker 1: five it was called a five man ten and there

556
00:29:25,720 --> 00:29:28,400
Speaker 1: was five children and my father. So I'm sure my

557
00:29:28,480 --> 00:29:31,360
Speaker 1: dad's like, I got two kids, they're young, two of

558
00:29:31,400 --> 00:29:31,880
Speaker 1: them are young.

559
00:29:32,040 --> 00:29:35,000
Speaker 6: That's one person. Fine, that's all we need. Five man ten.

560
00:29:35,160 --> 00:29:37,719
Speaker 1: So I was at the top where I had to

561
00:29:38,200 --> 00:29:40,640
Speaker 1: sleep in like a bend like that, so if I

562
00:29:40,640 --> 00:29:44,680
Speaker 1: could go around the pole, and there was iris. So

563
00:29:44,760 --> 00:29:47,160
Speaker 1: I remember a lot after there. I do remember a

564
00:29:47,200 --> 00:29:49,320
Speaker 1: lot of and to this day when we get together,

565
00:29:49,400 --> 00:29:53,240
Speaker 1: Oh this is the coolest. I told you, man, I

566
00:29:53,280 --> 00:29:55,440
Speaker 1: am talking a lot this.

567
00:29:57,320 --> 00:29:58,360
Speaker 6: Yeah.

568
00:29:58,480 --> 00:30:03,440
Speaker 1: So January, I won't tell you where me and my

569
00:30:03,560 --> 00:30:06,840
Speaker 1: siblings are getting together for a week for the first

570
00:30:06,840 --> 00:30:09,440
Speaker 1: time since my sister's.

571
00:30:09,040 --> 00:30:12,080
Speaker 6: Wedding twenty five years ago. You know what wedding's like.

572
00:30:12,080 --> 00:30:15,000
Speaker 1: There's one hundred and fifty people, So technically we were

573
00:30:15,000 --> 00:30:17,400
Speaker 1: together and there's a photo of all of us, but

574
00:30:17,440 --> 00:30:21,880
Speaker 1: there's no partners, there's no children. And it was after

575
00:30:21,920 --> 00:30:27,680
Speaker 1: my father passed away during COVID. We couldn't go to

576
00:30:27,760 --> 00:30:31,440
Speaker 1: the funeral. Australia was so strict. So my brother Ian

577
00:30:32,320 --> 00:30:35,400
Speaker 1: was there and gave the eulogy and I was like,

578
00:30:35,960 --> 00:30:39,560
Speaker 1: this just feels we should be getting together and telling

579
00:30:39,640 --> 00:30:43,840
Speaker 1: stories and laughing in getting drunk and remember crying and

580
00:30:43,840 --> 00:30:47,239
Speaker 1: doing all that, and so not long after that, I

581
00:30:47,440 --> 00:30:49,840
Speaker 1: contact them all. I said, guys, let's get together, and

582
00:30:49,880 --> 00:30:52,440
Speaker 1: they immediately jumped on and said, let's do it.

583
00:30:52,920 --> 00:30:55,240
Speaker 6: That was four years ago. It's happening in January. That's

584
00:30:55,240 --> 00:30:58,800
Speaker 6: how far I did. We had to go. We were like,

585
00:30:58,840 --> 00:31:00,560
Speaker 6: what at this date, I can't do it? This one?

586
00:31:00,640 --> 00:31:04,760
Speaker 6: Three could do it? Two good happening in January. I'm

587
00:31:04,800 --> 00:31:06,240
Speaker 6: so excited.

588
00:31:06,400 --> 00:31:08,240
Speaker 3: That's so exciting.

589
00:31:08,800 --> 00:31:10,320
Speaker 2: Special you now.

590
00:31:10,360 --> 00:31:11,640
Speaker 6: I feel you guys do that.

591
00:31:12,320 --> 00:31:14,320
Speaker 3: We like live that way. I wish we spent more

592
00:31:14,320 --> 00:31:14,920
Speaker 3: time apart.

593
00:31:15,720 --> 00:31:16,960
Speaker 2: Yeah, me too.

594
00:31:19,280 --> 00:31:20,840
Speaker 3: I go somewhere else for Christmas.

595
00:31:20,880 --> 00:31:23,360
Speaker 6: You know where I was, You know I was. I

596
00:31:23,600 --> 00:31:25,920
Speaker 6: just did Kelly and Mark, which you're doing.

597
00:31:26,240 --> 00:31:29,320
Speaker 1: Yeah, yeah, but we're doing a TV show without you.

598
00:31:29,400 --> 00:31:31,400
Speaker 6: I was like, I'm not going to do all the talking.

599
00:31:33,600 --> 00:31:35,800
Speaker 6: So we go and.

600
00:31:35,840 --> 00:31:39,480
Speaker 1: In the commercial break, Kelly just goes I want to

601
00:31:39,520 --> 00:31:43,680
Speaker 1: be adopted by the whole family. That whole I want

602
00:31:43,720 --> 00:31:49,040
Speaker 1: that whole family. She told me a great story about you,

603
00:31:49,080 --> 00:31:50,680
Speaker 1: but you can eat it out if you don't like.

604
00:31:50,760 --> 00:31:52,840
Speaker 1: But she said, I remember Kay coming to my house

605
00:31:53,320 --> 00:31:54,760
Speaker 1: and the first thing she did was like, can we

606
00:31:54,800 --> 00:31:58,719
Speaker 1: have a kind of a tour, and they way, oh, okay.

607
00:31:57,840 --> 00:32:01,480
Speaker 6: So we're in the bathroom, sit and Kate just opened

608
00:32:01,520 --> 00:32:02,800
Speaker 6: up my medicine.

609
00:32:02,520 --> 00:32:08,120
Speaker 1: Drawl all of us, like she said, and just looked

610
00:32:08,160 --> 00:32:10,800
Speaker 1: up went oh my god, and literally she said she

611
00:32:10,920 --> 00:32:12,000
Speaker 1: got every cream she.

612
00:32:11,920 --> 00:32:13,760
Speaker 6: Goes you is this one good of this?

613
00:32:13,840 --> 00:32:17,600
Speaker 1: And said, lathering herself all over her body with every

614
00:32:17,680 --> 00:32:18,640
Speaker 1: cream that I had.

615
00:32:19,280 --> 00:32:23,560
Speaker 2: Yes, So that's that's that's that is genetic, that is

616
00:32:23,640 --> 00:32:26,080
Speaker 2: Goldiehn and that is Kate Hudson.

617
00:32:26,640 --> 00:32:29,920
Speaker 3: That was very female. Sorry, but every girl who's listening

618
00:32:29,920 --> 00:32:33,000
Speaker 3: to this understands. I mean, I guess I guess, like

619
00:32:33,720 --> 00:32:36,760
Speaker 3: I guess I have a different version of that story,

620
00:32:37,120 --> 00:32:40,440
Speaker 3: but but I guess, like when you I she had

621
00:32:40,560 --> 00:32:44,640
Speaker 3: just her house is amazing and we're in one part

622
00:32:44,640 --> 00:32:46,200
Speaker 3: of the house and I was like, she was telling

623
00:32:46,200 --> 00:32:48,600
Speaker 3: me all about the house and the kids and where

624
00:32:48,600 --> 00:32:50,440
Speaker 3: the kids are, and I was like, I have to

625
00:32:50,440 --> 00:32:54,360
Speaker 3: see your house. But we had like one of those

626
00:32:54,360 --> 00:32:58,240
Speaker 3: great girly moments in her bathroom. And yes, I tried

627
00:32:58,280 --> 00:33:00,200
Speaker 3: on like every cream. I wanted to need to know

628
00:33:00,240 --> 00:33:01,920
Speaker 3: everything you're doing on your face.

629
00:33:03,280 --> 00:33:05,120
Speaker 6: You're used to having a lot of people around, Kate.

630
00:33:05,160 --> 00:33:05,720
Speaker 6: That's not you.

631
00:33:06,640 --> 00:33:09,080
Speaker 5: Oh yeah, yeah, you're very comfortable with it.

632
00:33:09,600 --> 00:33:11,880
Speaker 3: Yes, and no, like I feel like I like my

633
00:33:11,960 --> 00:33:13,480
Speaker 3: alone time. I think all of it. And are actually

634
00:33:13,480 --> 00:33:15,880
Speaker 3: really similar like that, Like we're really good at being

635
00:33:15,960 --> 00:33:18,400
Speaker 3: social and then we just go and do our whole

636
00:33:18,520 --> 00:33:21,800
Speaker 3: like our we hibernate in our you know area.

637
00:33:21,920 --> 00:33:25,800
Speaker 2: As I get older, too, I'm just becoming more antisocial. Yeah,

638
00:33:25,800 --> 00:33:29,040
Speaker 2: I'm just yeah, I'd rather just be home and reading

639
00:33:29,200 --> 00:33:32,040
Speaker 2: or doing something else rather than going out. But then

640
00:33:32,080 --> 00:33:34,760
Speaker 2: when I do go out, I go out.

641
00:33:34,800 --> 00:33:37,680
Speaker 1: I go out that if you got that kite thing

642
00:33:37,720 --> 00:33:41,320
Speaker 1: where you go out, and then as the hours get lighter,

643
00:33:41,600 --> 00:33:43,240
Speaker 1: the energy just goes up and up and up.

644
00:33:43,720 --> 00:33:48,880
Speaker 2: Oh yeah, oh god, I I don't know. Two drinks.

645
00:33:48,920 --> 00:33:51,200
Speaker 2: I can't do that. I don't even know what that is.

646
00:33:53,120 --> 00:33:56,200
Speaker 2: No clue Kate does. If I get a little taste,

647
00:33:56,200 --> 00:33:58,840
Speaker 2: I'm like, oh, we're out and about, all right, Let's

648
00:33:58,920 --> 00:34:00,840
Speaker 2: let's let's say have a long let's sell late we

649
00:34:00,880 --> 00:34:01,400
Speaker 2: can take this.

650
00:34:01,560 --> 00:34:02,640
Speaker 6: You know, that's fine.

651
00:34:02,800 --> 00:34:03,880
Speaker 2: I get it's pretty good.

652
00:34:03,880 --> 00:34:05,880
Speaker 3: Like I have that thing where I pop right out

653
00:34:05,920 --> 00:34:08,440
Speaker 3: of bed too, Like it doesn't. It could have been

654
00:34:08,440 --> 00:34:12,080
Speaker 3: four hours of sleep and I pop right. But then

655
00:34:12,160 --> 00:34:14,080
Speaker 3: like then the next day, like I'm the person that

656
00:34:14,160 --> 00:34:15,919
Speaker 3: can sleep for ten hours.

657
00:34:16,239 --> 00:34:17,800
Speaker 6: Nice, you still have that ability.

658
00:34:18,520 --> 00:34:21,160
Speaker 2: I don't. Oh my gosh, I'm up at seven every

659
00:34:21,160 --> 00:34:22,200
Speaker 2: morning no matter what.

660
00:34:22,680 --> 00:34:25,399
Speaker 6: Same paying once or twice and not all of them.

661
00:34:25,640 --> 00:34:28,200
Speaker 2: Where are you at twice twice?

662
00:34:28,640 --> 00:34:29,120
Speaker 6: Yeah?

663
00:34:29,560 --> 00:34:33,239
Speaker 2: Twice a night, well once last night. I The thing is,

664
00:34:33,280 --> 00:34:36,279
Speaker 2: I love my water, so I drink too much before bed.

665
00:34:37,200 --> 00:34:37,400
Speaker 1: You know.

666
00:34:37,640 --> 00:34:40,560
Speaker 2: I have to stop drinking water like an hour before bed,

667
00:34:40,600 --> 00:34:43,440
Speaker 2: and then I'll be all right. But I'm you know,

668
00:34:44,480 --> 00:34:47,160
Speaker 2: sometimes it gets bad. Sometimes it's like four times I'm

669
00:34:47,160 --> 00:34:48,160
Speaker 2: like what the fuck?

670
00:34:48,560 --> 00:34:49,800
Speaker 6: Oh, here's the game changes.

671
00:34:49,840 --> 00:34:52,919
Speaker 1: So an astocrat told me, like stop at five or six,

672
00:34:52,960 --> 00:34:55,240
Speaker 1: stop pounding it by five or six pm.

673
00:34:55,320 --> 00:34:58,560
Speaker 6: Yeah, then just sit. You said you've had enough water. Yeah,

674
00:34:58,600 --> 00:35:01,319
Speaker 6: now I'm down at one pen. That's good. But I

675
00:35:01,360 --> 00:35:02,680
Speaker 6: haven't drunken eighteen months.

676
00:35:02,680 --> 00:35:06,080
Speaker 1: That's really helped my sleep a lot.

677
00:35:06,840 --> 00:35:09,040
Speaker 6: I've had like two blasts of one.

678
00:35:09,320 --> 00:35:09,920
Speaker 3: Wow.

679
00:35:10,360 --> 00:35:14,879
Speaker 6: Yeah, I have restless leg and I heard that thing

680
00:35:14,920 --> 00:35:18,040
Speaker 6: and it runs my family a lot.

681
00:35:18,200 --> 00:35:23,120
Speaker 1: And and so when you get over tired, it's this cycle.

682
00:35:23,160 --> 00:35:24,840
Speaker 1: You get over tired, so you get it. Then you

683
00:35:24,840 --> 00:35:27,680
Speaker 1: can't sleep, so you get more tired. So I just

684
00:35:27,800 --> 00:35:30,719
Speaker 1: stopped drinking, not really because of that, but it's got

685
00:35:30,760 --> 00:35:31,440
Speaker 1: so much better.

686
00:35:32,160 --> 00:35:36,840
Speaker 2: Wow. Rls. Like I feel like I have it sometimes

687
00:35:36,920 --> 00:35:39,200
Speaker 2: because I just can't stop moving my legs. But how

688
00:35:39,200 --> 00:35:41,399
Speaker 2: do you how are you even diagnosed with something like that?

689
00:35:41,480 --> 00:35:42,319
Speaker 6: You know, if you got it.

690
00:35:42,480 --> 00:35:46,879
Speaker 1: My mom, who has a pretty bad she's like, she said,

691
00:35:46,880 --> 00:35:52,799
Speaker 1: it's like chewing aluminum foil, So you know, I get it.

692
00:35:52,840 --> 00:35:54,680
Speaker 1: Sometimes you just sit there in your leg or you're

693
00:35:54,719 --> 00:35:56,520
Speaker 1: in bed and your leg jolts out of the blue.

694
00:35:56,680 --> 00:35:58,759
Speaker 6: That's not it, right, It's like.

695
00:36:00,200 --> 00:36:02,600
Speaker 1: It's like an internal itch that you can't get to

696
00:36:02,760 --> 00:36:05,240
Speaker 1: unless you move around, so you get up and walk,

697
00:36:06,800 --> 00:36:08,359
Speaker 1: or you if you eat.

698
00:36:09,160 --> 00:36:11,120
Speaker 6: So being The worst is on a plane.

699
00:36:11,640 --> 00:36:14,239
Speaker 1: If I'm on a night flight and there's no flap head,

700
00:36:14,400 --> 00:36:16,319
Speaker 1: I don't, Thank goodness, I can do that.

701
00:36:16,480 --> 00:36:18,480
Speaker 6: I'm just a guy walking up and down and it's

702
00:36:18,600 --> 00:36:20,920
Speaker 6: just ya wow.

703
00:36:21,880 --> 00:36:22,040
Speaker 3: Yeah.

704
00:36:22,080 --> 00:36:23,960
Speaker 2: I mean when I pee at night too, you know,

705
00:36:24,000 --> 00:36:26,400
Speaker 2: I like to sit down and just relax for like

706
00:36:26,440 --> 00:36:29,200
Speaker 2: a while. I think more men sit down and pee

707
00:36:29,200 --> 00:36:30,239
Speaker 2: than they want to let on.

708
00:36:30,920 --> 00:36:32,680
Speaker 6: Oh yeah, no, I've I've switched.

709
00:36:33,120 --> 00:36:35,799
Speaker 2: Yeah, dude, I think men you know, no longer it's

710
00:36:35,840 --> 00:36:38,800
Speaker 2: not much. E's not you know macho anymore.

711
00:36:39,239 --> 00:36:42,319
Speaker 1: America does not set you up for success, right, I've

712
00:36:42,360 --> 00:36:44,319
Speaker 1: really only taking me a long time to notice this.

713
00:36:44,360 --> 00:36:46,359
Speaker 1: There's a lot of water in the bowl to begin with,

714
00:36:47,080 --> 00:36:49,719
Speaker 1: stand up pin, Yeah, you're cleaning up or you're not.

715
00:36:49,840 --> 00:36:53,080
Speaker 2: No, hey, if there's any time in the day to

716
00:36:53,120 --> 00:36:55,000
Speaker 2: take a little rest, why not take a rest? So

717
00:36:55,040 --> 00:36:56,440
Speaker 2: you just sit down and pee?

718
00:36:56,600 --> 00:37:00,680
Speaker 6: And is it a heated seat now, Oliver beginning?

719
00:37:00,880 --> 00:37:02,000
Speaker 2: Then you got heat a sea.

720
00:37:02,040 --> 00:37:04,279
Speaker 3: Maybe that's what you should ask for for Christmas.

721
00:37:04,440 --> 00:37:05,880
Speaker 2: A total to Toto.

722
00:37:07,000 --> 00:37:10,200
Speaker 3: This reminds me of yesterday we had to do. We

723
00:37:10,600 --> 00:37:14,360
Speaker 3: went and did Eli Manning's podcast, Oh you did, and

724
00:37:14,400 --> 00:37:16,040
Speaker 3: I had to sit and listen to the guys talk

725
00:37:16,040 --> 00:37:21,840
Speaker 3: about how much they bench pressed. It's very interesting their

726
00:37:22,200 --> 00:37:25,839
Speaker 3: bench press number, your guys' number of peeing in the night.

727
00:37:26,360 --> 00:37:29,600
Speaker 2: Australia is where you made you know, hey in the beginning,

728
00:37:29,680 --> 00:37:32,399
Speaker 2: correct and as an actor, and then did you then

729
00:37:32,560 --> 00:37:35,480
Speaker 2: graduate to sort of the States or were you were you?

730
00:37:35,800 --> 00:37:39,279
Speaker 2: Were you a known entity in Australia before anyone knew

731
00:37:39,280 --> 00:37:39,600
Speaker 2: you in the.

732
00:37:40,160 --> 00:37:42,120
Speaker 1: I sort of came out from drama school and did

733
00:37:42,120 --> 00:37:46,640
Speaker 1: a TV series which made me semi non, and then

734
00:37:46,680 --> 00:37:49,080
Speaker 1: I did a couple of things on stage which sort

735
00:37:49,080 --> 00:37:49,719
Speaker 1: of might be known.

736
00:37:49,840 --> 00:37:52,360
Speaker 6: And I think I was semi non. You know, I

737
00:37:52,440 --> 00:37:56,160
Speaker 6: was not. I wasn't Nicole Kidman or Crab. But I

738
00:37:56,239 --> 00:38:00,200
Speaker 6: was there and then went to England to do Oklahoma.

739
00:38:01,520 --> 00:38:04,040
Speaker 1: And that was a big hit over there, and I

740
00:38:04,080 --> 00:38:07,360
Speaker 1: auditioned for X Men from that and so but it

741
00:38:07,480 --> 00:38:09,200
Speaker 1: was x Men was a massive game.

742
00:38:09,239 --> 00:38:12,880
Speaker 6: It was like I was here and then massive Oh shit.

743
00:38:13,000 --> 00:38:17,399
Speaker 2: So it was literally Oklahoma to x Men, right.

744
00:38:17,520 --> 00:38:19,359
Speaker 6: I auditioned with a perm in my hair.

745
00:38:19,719 --> 00:38:22,640
Speaker 1: I put on a baseball cap and I remember the

746
00:38:23,080 --> 00:38:26,160
Speaker 1: Carci agent going, I don't think the baseball CAP's a

747
00:38:26,160 --> 00:38:28,600
Speaker 1: great idea, and I took it off.

748
00:38:28,680 --> 00:38:30,320
Speaker 6: She was I think it's a good idea.

749
00:38:32,640 --> 00:38:35,239
Speaker 2: Well do you remember your audition for X Men? I

750
00:38:35,280 --> 00:38:40,640
Speaker 2: mean totally you do. Did you bring the voice already?

751
00:38:40,760 --> 00:38:41,919
Speaker 2: Is that your interpretation?

752
00:38:42,800 --> 00:38:46,319
Speaker 1: I think I can't remember that, but I remember. Here's

753
00:38:46,360 --> 00:38:49,160
Speaker 1: one of the great bits of block I had to

754
00:38:49,200 --> 00:38:52,080
Speaker 1: go in between. It was a Wednesday and I had

755
00:38:52,080 --> 00:38:54,040
Speaker 1: to go in between a matinee and the evening show

756
00:38:54,160 --> 00:38:56,520
Speaker 1: was a long show. We came down a five. I

757
00:38:56,560 --> 00:38:59,360
Speaker 1: had to be backed by seven. So I go into town.

758
00:39:00,040 --> 00:39:03,120
Speaker 1: I ran into town and I'm waiting to do this audition,

759
00:39:03,680 --> 00:39:06,320
Speaker 1: and I remember just going. They knew I had a show,

760
00:39:07,120 --> 00:39:08,680
Speaker 1: and I was like, I've got to go. I've got it,

761
00:39:09,200 --> 00:39:11,759
Speaker 1: I've got it go. And finally I did the dick

762
00:39:11,880 --> 00:39:15,239
Speaker 1: thing i'd sort of someone left. I knocked on the door,

763
00:39:15,400 --> 00:39:18,759
Speaker 1: I said, guys, I gotta go, and I said, well,

764
00:39:18,800 --> 00:39:21,160
Speaker 1: you're not next. I said, that's cool. I've got a

765
00:39:21,160 --> 00:39:25,000
Speaker 1: show to do, so I'm out. Thanks all the best.

766
00:39:25,040 --> 00:39:25,640
Speaker 6: But I was pire.

767
00:39:25,680 --> 00:39:29,440
Speaker 1: I was pissed and didn't give a shit, and in

768
00:39:29,600 --> 00:39:31,799
Speaker 1: whatever nerves I had about doing it, I was just

769
00:39:31,840 --> 00:39:32,920
Speaker 1: like whatever, and I went in.

770
00:39:32,960 --> 00:39:35,680
Speaker 6: There were of course perfect for for Ren right, so

771
00:39:35,719 --> 00:39:37,279
Speaker 6: I went in with her. I didn't give a ship.

772
00:39:38,560 --> 00:39:41,279
Speaker 6: Yeah we done, We've fucking done. Let's go. And I

773
00:39:41,320 --> 00:39:42,759
Speaker 6: walked out the door and they were like, we love

774
00:39:42,760 --> 00:39:46,920
Speaker 6: this guy. Let's get it back. And then my next audition,

775
00:39:47,000 --> 00:39:48,440
Speaker 6: I was like, what would you like?

776
00:39:52,280 --> 00:39:54,640
Speaker 3: That's great, that's so funny.

777
00:39:54,840 --> 00:39:58,440
Speaker 2: Gosh.

778
00:39:56,800 --> 00:40:05,680
Speaker 3: I just saw this really interesting like on you know, Instagram,

779
00:40:05,840 --> 00:40:10,480
Speaker 3: where Jacob Alordie was talking about what his acting coach

780
00:40:10,600 --> 00:40:13,120
Speaker 3: said is the best thing to do in an acting

781
00:40:13,239 --> 00:40:17,319
Speaker 3: I'm going to I might butcher this, but is when

782
00:40:17,360 --> 00:40:19,640
Speaker 3: you go into an audition that you treat it like

783
00:40:19,680 --> 00:40:21,960
Speaker 3: a crime scene? Have you heard this? No?

784
00:40:22,040 --> 00:40:23,319
Speaker 2: I love this already though.

785
00:40:23,840 --> 00:40:26,560
Speaker 3: He's like, you treat it like a crime scene, but

786
00:40:27,080 --> 00:40:28,760
Speaker 3: the blood's all over your body.

787
00:40:29,520 --> 00:40:31,279
Speaker 2: Mm hmmm, I think I've heard this.

788
00:40:32,000 --> 00:40:36,319
Speaker 3: Just you're you. You know, you walk in there and

789
00:40:37,200 --> 00:40:40,680
Speaker 3: like you entering the crime scene, and it's so clearly

790
00:40:41,400 --> 00:40:44,200
Speaker 3: you're the one who did it. That's so cool, And

791
00:40:44,239 --> 00:40:46,600
Speaker 3: I thought, what an interesting kind of thing to think

792
00:40:46,640 --> 00:40:49,320
Speaker 3: about before you go into an audition.

793
00:40:50,320 --> 00:40:52,000
Speaker 6: I had to trick myself in every audition.

794
00:40:52,400 --> 00:40:56,279
Speaker 1: I had to do something all these costing directors go,

795
00:40:56,640 --> 00:40:58,640
Speaker 1: that's what he was doing. I had to do something

796
00:40:58,680 --> 00:41:00,880
Speaker 1: to make me feel like I was in first rehearsal,

797
00:41:00,920 --> 00:41:03,120
Speaker 1: like I already got it. Then I was like, so

798
00:41:03,160 --> 00:41:07,040
Speaker 1: there's I'd walk in and there'd be one chair and

799
00:41:07,120 --> 00:41:11,160
Speaker 1: the camera's on the chair, and I'm going I go, yeah,

800
00:41:11,239 --> 00:41:13,160
Speaker 1: i think I'm going to do this standing and I

801
00:41:13,160 --> 00:41:14,960
Speaker 1: think I'm gonna do it against that wall over there,

802
00:41:15,040 --> 00:41:16,919
Speaker 1: and they're like, always sit up here. No, I think

803
00:41:16,920 --> 00:41:20,399
Speaker 1: that's important. Somehow that made me feel like I had

804
00:41:20,400 --> 00:41:21,360
Speaker 1: some ownership over it.

805
00:41:21,600 --> 00:41:24,800
Speaker 2: It's very cool. Yeah, yeah, and I think that's great.

806
00:41:24,880 --> 00:41:27,040
Speaker 2: I think it's a great idea because everyone, well, you

807
00:41:27,040 --> 00:41:28,839
Speaker 2: walk in there with nerves and fear and you don't

808
00:41:28,840 --> 00:41:31,600
Speaker 2: want to disappoint or make anyone, you know, shake anyone,

809
00:41:31,719 --> 00:41:33,640
Speaker 2: so you're like, I'll do whatever you want rather, but

810
00:41:33,680 --> 00:41:34,359
Speaker 2: it's your time.

811
00:41:34,840 --> 00:41:37,200
Speaker 3: What happens when a woman does that and an audition

812
00:41:37,520 --> 00:41:40,439
Speaker 3: is they don't keep it. They tell her to leave

813
00:41:40,560 --> 00:41:40,959
Speaker 3: the room.

814
00:41:41,000 --> 00:41:47,240
Speaker 6: I mean, like, hmm, absolutely is different.

815
00:41:47,400 --> 00:41:50,640
Speaker 2: I agree, Well, now it's all self tapes. I got

816
00:41:50,640 --> 00:41:52,880
Speaker 2: to do one. I got to do one today. So

817
00:41:52,960 --> 00:41:55,200
Speaker 2: if I do that to Aaron's the one filming me,

818
00:41:55,360 --> 00:41:57,200
Speaker 2: like it's tear and move out of the way. I

819
00:41:57,200 --> 00:41:58,480
Speaker 2: mean I could, I could try to be.

820
00:41:59,239 --> 00:42:02,200
Speaker 3: I like that tapes gets people more people in the room,

821
00:42:02,280 --> 00:42:06,160
Speaker 3: like you, I hate more actors, but I really think,

822
00:42:06,520 --> 00:42:09,759
Speaker 3: like I love this the auditioning process when you had

823
00:42:09,760 --> 00:42:11,840
Speaker 3: to get in your car and you drive across town

824
00:42:12,280 --> 00:42:14,919
Speaker 3: and then you had another audition, like on another part

825
00:42:14,960 --> 00:42:16,640
Speaker 3: of town and you'd get in the room and you'd

826
00:42:16,800 --> 00:42:19,319
Speaker 3: sit in a waiting room with other actors and see

827
00:42:19,320 --> 00:42:21,839
Speaker 3: them in the room. But such a huge part of

828
00:42:21,880 --> 00:42:25,600
Speaker 3: what of the beginning process of what we did? I

829
00:42:25,640 --> 00:42:27,960
Speaker 3: mean you, I mean I guess you didn't really get

830
00:42:28,440 --> 00:42:30,880
Speaker 3: that part because you did Wolverine. I mean you just

831
00:42:30,880 --> 00:42:31,319
Speaker 3: went Now.

832
00:42:31,320 --> 00:42:33,800
Speaker 6: I'd have four or five years of auditioning.

833
00:42:33,400 --> 00:42:34,759
Speaker 3: For sure, Oh you did. Yeah.

834
00:42:35,239 --> 00:42:36,440
Speaker 6: Another thing I don't know about you.

835
00:42:36,560 --> 00:42:39,080
Speaker 1: Okay, But on movies, I'm noticing a lot of people

836
00:42:39,160 --> 00:42:41,080
Speaker 1: come in and have one scene or a day. They

837
00:42:41,200 --> 00:42:44,759
Speaker 1: just come and do a day. Seem more frightened than

838
00:42:44,800 --> 00:42:46,959
Speaker 1: in the past, because I think when you go into

839
00:42:47,000 --> 00:42:52,040
Speaker 1: a casting agent and you have to do it then

840
00:42:52,120 --> 00:42:54,920
Speaker 1: and you've been sitting out there with fifteen people, Yeah,

841
00:42:55,000 --> 00:42:56,440
Speaker 1: the pressure is there, and you go on and it

842
00:42:56,560 --> 00:42:58,719
Speaker 1: somehow replicits a little bit of what it feels like

843
00:42:58,760 --> 00:43:02,799
Speaker 1: on set. All right, quiet On said, you know, yeah,

844
00:43:03,239 --> 00:43:03,719
Speaker 1: are you doing it?

845
00:43:05,360 --> 00:43:07,200
Speaker 6: I'll do six hundred tights. I'll do what.

846
00:43:07,719 --> 00:43:09,640
Speaker 2: Oh that's the problem with the self tape is you

847
00:43:09,760 --> 00:43:12,839
Speaker 2: do seven thousand takes. I'm there from like six am

848
00:43:12,880 --> 00:43:15,680
Speaker 2: to six pm for two scenes, and Aaron's like, can

849
00:43:15,719 --> 00:43:18,600
Speaker 2: I go, I need to do things. I'm like, babe,

850
00:43:18,640 --> 00:43:24,120
Speaker 2: no one more, one more, Oh my god. I always

851
00:43:24,160 --> 00:43:26,279
Speaker 2: have so much compassion for the day players who have

852
00:43:26,360 --> 00:43:29,879
Speaker 2: to come in and do some scene, and I never,

853
00:43:30,160 --> 00:43:33,040
Speaker 2: oh gosh, I'm always like, hey, it's all gonna be okay, buddy,

854
00:43:33,080 --> 00:43:36,280
Speaker 2: like you know, yeah, it's you go fuck up, everyone

855
00:43:36,320 --> 00:43:38,680
Speaker 2: fucks up. It's okay, It's okay, Oliver.

856
00:43:41,160 --> 00:43:52,160
Speaker 3: Yeah, so okay, Oliver. Now you get to be our

857
00:43:52,280 --> 00:43:55,560
Speaker 3: interviewer and ask us questions about our new movie.

858
00:43:55,800 --> 00:43:58,920
Speaker 2: All right, they're movie song Sung Bloom. First of all,

859
00:43:59,280 --> 00:44:02,640
Speaker 2: who had the gig first? Okay, Craig.

860
00:44:02,680 --> 00:44:05,399
Speaker 6: Well, Craig came to me with the documentary.

861
00:44:05,760 --> 00:44:08,480
Speaker 2: Oh that's right, yeah, to see if I was interested

862
00:44:08,920 --> 00:44:10,440
Speaker 2: and you work.

863
00:44:10,520 --> 00:44:12,239
Speaker 6: Yeah yeah. He hadn't reaten the script yet. I was

864
00:44:12,280 --> 00:44:16,040
Speaker 6: just like, it's the best story. I've got to do this, Okay.

865
00:44:16,760 --> 00:44:20,400
Speaker 2: Next question, were there other iterations of actors actresses that

866
00:44:20,440 --> 00:44:21,600
Speaker 2: were supposed to come through.

867
00:44:22,360 --> 00:44:26,640
Speaker 6: There were, there were discussions. Yeah, there were discussions.

868
00:44:27,360 --> 00:44:29,879
Speaker 1: There were there were sort of lists, there were discussions

869
00:44:31,239 --> 00:44:34,760
Speaker 1: that it was it was the turning point was Michelle

870
00:44:35,120 --> 00:44:39,600
Speaker 1: you know, well, miss REI watching Kate on CBS Sunday

871
00:44:39,640 --> 00:44:45,040
Speaker 1: Morning and I just texted Craig that morning and I said,

872
00:44:45,200 --> 00:44:50,000
Speaker 1: Claire's Kate, Kate's Claire, And he was like, oh my god,

873
00:44:50,040 --> 00:44:53,439
Speaker 1: one hundred percent like but he said it like that,

874
00:44:53,760 --> 00:44:55,000
Speaker 1: I've already had that in mind.

875
00:44:56,000 --> 00:45:00,319
Speaker 2: Mm hmmm. Wow. And then Kate, when you heard first

876
00:45:00,360 --> 00:45:02,480
Speaker 2: heard about the script, you knew he was involved. I

877
00:45:02,480 --> 00:45:04,520
Speaker 2: remember you said to me, I'm worried about Hugh, that

878
00:45:04,560 --> 00:45:07,400
Speaker 2: he's going to sing like he did in the Greatest Showman,

879
00:45:09,640 --> 00:45:17,239
Speaker 2: And that was one of your major concerns, which, by

880
00:45:17,280 --> 00:45:20,480
Speaker 2: the way, is like my favorite movie, my kid, Oh

881
00:45:20,480 --> 00:45:25,000
Speaker 2: my god, I think it's amazing. But when you read

882
00:45:25,040 --> 00:45:29,560
Speaker 2: the script, were you immediately in yeah, yes.

883
00:45:29,800 --> 00:45:32,000
Speaker 3: Yeah, I mean, if I'm being really honest, I was

884
00:45:32,040 --> 00:45:34,520
Speaker 3: a little worried about location because it was the first

885
00:45:34,520 --> 00:45:35,960
Speaker 3: time that I was going to be away from the

886
00:45:36,040 --> 00:45:39,520
Speaker 3: kids and in a long time, and we were going

887
00:45:39,560 --> 00:45:42,600
Speaker 3: to shoot somewhere other than New York, and I was like,

888
00:45:42,760 --> 00:45:44,720
Speaker 3: oh God, I'm gonna have to be away from Ronnie

889
00:45:44,960 --> 00:45:46,640
Speaker 3: and what am I going to do? Because it was like,

890
00:45:47,000 --> 00:45:50,920
Speaker 3: you know, it was about two plus months, and I

891
00:45:51,160 --> 00:45:54,239
Speaker 3: was having a little bit of anxiety around that, but

892
00:45:54,400 --> 00:45:56,200
Speaker 3: I was always going to do the movie. You know,

893
00:45:56,400 --> 00:45:59,839
Speaker 3: there was no question that I wanted to make this

894
00:45:59,840 --> 00:46:02,319
Speaker 3: the I mean I actually had read the script. I

895
00:46:02,600 --> 00:46:08,480
Speaker 3: slipped the script before I got offered the script, so

896
00:46:08,520 --> 00:46:10,960
Speaker 3: I had read it and sort of Ali had like

897
00:46:11,239 --> 00:46:13,200
Speaker 3: put our feelers out there nice.

898
00:46:13,520 --> 00:46:14,120
Speaker 5: Yeah.

899
00:46:14,440 --> 00:46:17,319
Speaker 2: And and had you guys known each other before this?

900
00:46:18,360 --> 00:46:21,280
Speaker 6: Yep, we've done a Was it a one day reading?

901
00:46:21,640 --> 00:46:25,160
Speaker 3: Well, we did, like a workshop like a shop for.

902
00:46:26,760 --> 00:46:29,160
Speaker 5: As the goal.

903
00:46:29,160 --> 00:46:33,719
Speaker 3: That yeah, and it was really fun. But but it

904
00:46:33,760 --> 00:46:37,440
Speaker 3: was one you know, full day pretty much just long.

905
00:46:38,480 --> 00:46:40,960
Speaker 3: And then other than that only at like events. But

906
00:46:41,000 --> 00:46:43,319
Speaker 3: we didn't really know allough I meant.

907
00:46:44,040 --> 00:46:48,360
Speaker 1: But she has no memory of it. At Galdi's house,

908
00:46:48,600 --> 00:46:50,359
Speaker 1: I don't remember who took me a bit. It was

909
00:46:50,400 --> 00:46:54,080
Speaker 1: early two thousands, and I remember going to I think

910
00:46:54,080 --> 00:46:58,640
Speaker 1: it was a Christmas holiday ish party, although I don't

911
00:46:58,680 --> 00:47:01,560
Speaker 1: remember any trees so because I'm sure it's just like

912
00:47:01,600 --> 00:47:03,000
Speaker 1: a forest of Christmas trees.

913
00:47:04,880 --> 00:47:06,720
Speaker 6: So, but I remember being in the kitchen.

914
00:47:07,040 --> 00:47:09,080
Speaker 9: My memory is like A said, kitchen edge unk to

915
00:47:09,120 --> 00:47:11,479
Speaker 9: the kitchen which feels like a living room, and kite

916
00:47:11,560 --> 00:47:15,920
Speaker 9: walked in and on fire just like hi, and I'm

917
00:47:15,920 --> 00:47:17,920
Speaker 9: like hi, and I just like the coolest kid in

918
00:47:18,560 --> 00:47:20,520
Speaker 9: class and then walked down that she.

919
00:47:20,520 --> 00:47:21,680
Speaker 6: Has no memory that now.

920
00:47:22,480 --> 00:47:24,279
Speaker 3: Well and then and then like you told me this

921
00:47:24,400 --> 00:47:26,440
Speaker 3: like two weeks ago, I was like, wait, wow, you're

922
00:47:26,480 --> 00:47:29,520
Speaker 3: having like we did a whole movie together.

923
00:47:29,920 --> 00:47:32,960
Speaker 2: Well, chemistry is obviously massive, right when we're doing anything

924
00:47:33,000 --> 00:47:35,560
Speaker 2: as an actor or whatever, even even even past it,

925
00:47:35,640 --> 00:47:38,080
Speaker 2: even with the directors and everything else. But of course

926
00:47:38,239 --> 00:47:40,960
Speaker 2: the chemistry between the two have to be there, and

927
00:47:41,040 --> 00:47:43,680
Speaker 2: that can be created or it can be instant you know.

928
00:47:43,719 --> 00:47:46,200
Speaker 2: I think that when it's not there, you have to

929
00:47:46,320 --> 00:47:48,520
Speaker 2: find a way to make it happen. But with you guys,

930
00:47:48,560 --> 00:47:51,320
Speaker 2: obviously it seems like just knowing you Hugh in the

931
00:47:51,360 --> 00:47:55,040
Speaker 2: short time and watching you together, it seemed like almost instantaneous.

932
00:47:55,120 --> 00:47:58,279
Speaker 2: So yes, you knew each other, but you didn't you

933
00:47:58,320 --> 00:48:01,439
Speaker 2: didn't have much of a relation chip. When you guys

934
00:48:01,520 --> 00:48:03,799
Speaker 2: first started rehearsing and seeing it was like, oh shit,

935
00:48:03,960 --> 00:48:07,359
Speaker 2: this is fucking immediate, Like this is it's on? Or

936
00:48:07,440 --> 00:48:09,440
Speaker 2: was there a feel out? Was there a feel out period?

937
00:48:09,760 --> 00:48:11,400
Speaker 6: Okay, and I've talked about this. It was like it

938
00:48:11,440 --> 00:48:12,080
Speaker 6: felt easy.

939
00:48:12,280 --> 00:48:14,759
Speaker 1: It didn't feel I think I've thought a lot about

940
00:48:14,800 --> 00:48:19,000
Speaker 1: this chemistry word, like you want everyone to believe it obviously,

941
00:48:19,040 --> 00:48:19,839
Speaker 1: and yeah, you can fake.

942
00:48:19,880 --> 00:48:22,680
Speaker 6: I mean, that's what we do, whether we fake it.

943
00:48:22,719 --> 00:48:28,120
Speaker 6: But I think if there's trust between two people and.

944
00:48:28,040 --> 00:48:32,680
Speaker 1: You can maybe share vulnerabilities, whether it be around performing

945
00:48:32,800 --> 00:48:34,680
Speaker 1: or just live for whatever that is, is there a

946
00:48:34,719 --> 00:48:38,480
Speaker 1: feeling of trust, then then that's.

947
00:48:38,280 --> 00:48:39,840
Speaker 6: The door that needs to open.

948
00:48:40,160 --> 00:48:42,799
Speaker 1: And I think on top of that, Can and I

949
00:48:42,840 --> 00:48:45,120
Speaker 1: have a lot in common the way we approach work,

950
00:48:45,160 --> 00:48:49,080
Speaker 1: the way we approach people, the way we approach life

951
00:48:49,200 --> 00:48:54,400
Speaker 1: worth quite optimistic, forward moving people, and I just feel easy.

952
00:48:56,360 --> 00:48:58,600
Speaker 2: So when you guys doing these emotional scenes right when

953
00:48:58,680 --> 00:49:00,359
Speaker 2: Kate has to lose it, when you have to lose

954
00:49:00,400 --> 00:49:04,479
Speaker 2: it when it's happening, how much of it is on

955
00:49:05,360 --> 00:49:08,839
Speaker 2: the actor who is not necessarily the one who has

956
00:49:08,920 --> 00:49:12,520
Speaker 2: to be that vulnerable and emotional. How open does the

957
00:49:12,560 --> 00:49:16,320
Speaker 2: person opposite have to be to allow that to happen?

958
00:49:16,880 --> 00:49:20,759
Speaker 6: You know what I mean. It's a great question. And

959
00:49:20,840 --> 00:49:22,040
Speaker 6: I think that's the thing.

960
00:49:21,960 --> 00:49:24,520
Speaker 2: Because sometimes you can get afraid even if there are

961
00:49:24,600 --> 00:49:27,319
Speaker 2: even if you have trust. It's like, you know, I'm

962
00:49:27,360 --> 00:49:28,799
Speaker 2: going to do this big scene in front of you

963
00:49:29,000 --> 00:49:31,280
Speaker 2: right now, Like it's almost like you have to receive

964
00:49:31,320 --> 00:49:32,920
Speaker 2: it so she can give it.

965
00:49:33,200 --> 00:49:37,000
Speaker 1: Yeah, that's where the trust is well I have someone

966
00:49:37,040 --> 00:49:38,440
Speaker 1: to say, Okay, what do you think about that?

967
00:49:40,080 --> 00:49:40,120
Speaker 6: No?

968
00:49:40,280 --> 00:49:40,960
Speaker 3: You? You?

969
00:49:40,960 --> 00:49:41,040
Speaker 1: You?

970
00:49:41,320 --> 00:49:44,480
Speaker 3: I mean I think it's that's a really interesting way

971
00:49:44,520 --> 00:49:49,560
Speaker 3: of asking that question, because it really is, it's like

972
00:49:49,760 --> 00:49:55,520
Speaker 3: feeling free to feel emotionally naked in front of somebody

973
00:49:56,480 --> 00:50:02,200
Speaker 3: and risk making a mistake or looking silly, or feeling

974
00:50:02,360 --> 00:50:06,719
Speaker 3: like your choices aren't good enough, having like the confidence

975
00:50:06,840 --> 00:50:10,399
Speaker 3: to make maybe what could also be a bad choice.

976
00:50:11,160 --> 00:50:15,640
Speaker 3: But like a great co star, a great acting partner,

977
00:50:17,280 --> 00:50:22,000
Speaker 3: elevates you, like you kind of guide each other through

978
00:50:22,040 --> 00:50:25,480
Speaker 3: it a little bit, Like it's like there is a

979
00:50:25,600 --> 00:50:28,600
Speaker 3: reciprocated like you feed off of each other in a way.

980
00:50:28,640 --> 00:50:32,160
Speaker 3: And when it's actually really working, when you're doing I

981
00:50:32,200 --> 00:50:34,320
Speaker 3: think what it is that we're supposed to do, which

982
00:50:34,360 --> 00:50:37,279
Speaker 3: is you give and you receive and you listen. Like

983
00:50:37,320 --> 00:50:39,319
Speaker 3: if you're actually doing that in a way where you're

984
00:50:39,360 --> 00:50:46,120
Speaker 3: fully connected, fully open, vulnerable and feel trust, then it's

985
00:50:46,160 --> 00:50:50,080
Speaker 3: like it becomes you kind of lose yourself. It allows

986
00:50:50,120 --> 00:50:51,399
Speaker 3: you to lose yourself in it a.

987
00:50:51,320 --> 00:50:52,640
Speaker 6: Little bit, you know.

988
00:50:52,880 --> 00:50:54,839
Speaker 1: I think about that same where I had to sort

989
00:50:54,840 --> 00:50:57,960
Speaker 1: of where Mike finally sort of breaks down because it's

990
00:50:58,000 --> 00:50:59,759
Speaker 1: I've got to let go of lightning. So it's this

991
00:51:00,160 --> 00:51:03,719
Speaker 1: lifeline for him, this character he's created. I've gotta let

992
00:51:03,760 --> 00:51:04,279
Speaker 1: go of it.

993
00:51:05,120 --> 00:51:09,680
Speaker 6: And I think of you coming up, your choice to

994
00:51:09,719 --> 00:51:11,560
Speaker 6: come up behind me, and I could feel you.

995
00:51:11,600 --> 00:51:16,279
Speaker 10: So it's so important to have that. And if I

996
00:51:16,280 --> 00:51:18,880
Speaker 10: don't have it in the actor i'm working with, I'll

997
00:51:18,880 --> 00:51:22,040
Speaker 10: find it on set. I won't tell that crewmember, but

998
00:51:22,120 --> 00:51:24,640
Speaker 10: there'll be some crew member who would be for some

999
00:51:24,680 --> 00:51:27,920
Speaker 10: reasona be the one if I was going through something

1000
00:51:28,000 --> 00:51:32,400
Speaker 10: really hard at lunchtime, that'd be the person I would trust,

1001
00:51:32,520 --> 00:51:33,439
Speaker 10: or or who.

1002
00:51:33,400 --> 00:51:35,799
Speaker 6: Would put their hand on my shot that feeling of

1003
00:51:35,840 --> 00:51:37,760
Speaker 6: a some I won't.

1004
00:51:38,000 --> 00:51:40,440
Speaker 1: Sometimes I've I remember Darren aroon Osky, I said I

1005
00:51:40,440 --> 00:51:42,000
Speaker 1: had to do these things I on my own. They

1006
00:51:42,000 --> 00:51:43,920
Speaker 1: were very vulnerable, and I said, Darren, I want you

1007
00:51:44,000 --> 00:51:46,680
Speaker 1: beside the camera because I built up a friendship and

1008
00:51:46,719 --> 00:51:50,719
Speaker 1: a trust with him and an honesty. So he was

1009
00:51:50,760 --> 00:51:54,120
Speaker 1: the one for me standing by the camera. But I

1010
00:51:54,200 --> 00:51:59,600
Speaker 1: kind of like that because I think as an actor,

1011
00:51:59,640 --> 00:52:04,680
Speaker 1: you're feeling something and allowing the audience, and it's the courage.

1012
00:52:04,840 --> 00:52:06,680
Speaker 1: What you said is right. It's the courage to allow

1013
00:52:06,719 --> 00:52:10,480
Speaker 1: people to see parts of your own heart of your

1014
00:52:10,520 --> 00:52:11,880
Speaker 1: own emotional being.

1015
00:52:12,320 --> 00:52:14,439
Speaker 6: That we hide. We hide it all the time.

1016
00:52:15,280 --> 00:52:21,840
Speaker 8: So it's also like what you know, what what Paul,

1017
00:52:22,040 --> 00:52:25,000
Speaker 8: you know, Kurt that you know, don't don't let don't

1018
00:52:25,040 --> 00:52:26,120
Speaker 8: let them catch you acting?

1019
00:52:26,239 --> 00:52:30,520
Speaker 3: Like the Spencer Tracy line. You know, don't let don't

1020
00:52:31,360 --> 00:52:34,200
Speaker 3: you know? This kid comes up to Spencer Tracy and says,

1021
00:52:34,200 --> 00:52:36,120
Speaker 3: you know, I want to be an actor, and Spencer

1022
00:52:36,160 --> 00:52:37,920
Speaker 3: Tracy says, well, don't let them catch you at it,

1023
00:52:38,920 --> 00:52:42,919
Speaker 3: and like that's the ultimate goal. And like, in order

1024
00:52:42,960 --> 00:52:46,280
Speaker 3: to do that, you have to break down so many things.

1025
00:52:47,600 --> 00:52:50,160
Speaker 3: It needs to become so honest. And if you don't

1026
00:52:50,719 --> 00:52:52,560
Speaker 3: like what Hughes saying, that's so interesting, If you don't

1027
00:52:52,640 --> 00:52:55,040
Speaker 3: have that in your actual scene partner, you have to

1028
00:52:55,080 --> 00:52:56,080
Speaker 3: find it somewhere else.

1029
00:52:58,320 --> 00:53:01,000
Speaker 2: Did you guys get nervous, Hue, You get nervous before

1030
00:53:01,320 --> 00:53:02,080
Speaker 2: anything anymore?

1031
00:53:03,840 --> 00:53:07,560
Speaker 6: Yeah, straight to hell out of me? Right? And I

1032
00:53:08,000 --> 00:53:09,440
Speaker 6: think often about Travolta.

1033
00:53:09,440 --> 00:53:11,600
Speaker 1: I did a film and my second film was with Travolta,

1034
00:53:11,760 --> 00:53:14,600
Speaker 1: and I grew up watching Greece and said that my

1035
00:53:14,719 --> 00:53:18,880
Speaker 1: fever like walking back Cotter. I'm like, and I asked him,

1036
00:53:18,880 --> 00:53:21,319
Speaker 1: I said, you get nervous? He goes first two days

1037
00:53:21,360 --> 00:53:23,760
Speaker 1: of any film, you can just throw it in the trash,

1038
00:53:24,960 --> 00:53:29,200
Speaker 1: I gues, he goes, I still get it. First takes

1039
00:53:29,200 --> 00:53:31,480
Speaker 1: me two days. You're putting on a new skin. It's

1040
00:53:31,520 --> 00:53:33,600
Speaker 1: like putting on a new pair of shoes, as a

1041
00:53:33,600 --> 00:53:35,399
Speaker 1: many of you wear shoes every day, and new pair

1042
00:53:35,480 --> 00:53:40,640
Speaker 1: is going to film not great, and it drives me crazy.

1043
00:53:40,719 --> 00:53:43,840
Speaker 1: Sometimes it's much better. It's one of the reasons I

1044
00:53:43,880 --> 00:53:45,520
Speaker 1: don't want to I used to not want to stop

1045
00:53:45,560 --> 00:53:47,279
Speaker 1: because I was like, I was going to keep going

1046
00:53:47,360 --> 00:53:49,319
Speaker 1: with this, like I want to have more time in

1047
00:53:49,360 --> 00:53:52,760
Speaker 1: the saddle, please, more time. Sometimes I think doing it

1048
00:53:52,840 --> 00:53:54,400
Speaker 1: the beauty of doing a TV show, which is the

1049
00:53:54,400 --> 00:53:56,520
Speaker 1: first thing I did. You're on camera so much, and

1050
00:53:56,560 --> 00:53:59,600
Speaker 1: you're so tired, and we've got so much dialogue. You

1051
00:53:59,640 --> 00:54:00,880
Speaker 1: have no space for nerves.

1052
00:54:00,920 --> 00:54:03,239
Speaker 6: But I don't know. Yeah, I still feel it about you.

1053
00:54:04,400 --> 00:54:08,719
Speaker 3: Oh yeah, really I feel it. Yeah, I get nervous.

1054
00:54:09,080 --> 00:54:10,320
Speaker 6: I didn't see that at all.

1055
00:54:10,160 --> 00:54:12,480
Speaker 3: But I don't. I don't let it show like I

1056
00:54:12,600 --> 00:54:14,719
Speaker 3: think I think that people think I'm much.

1057
00:54:14,520 --> 00:54:18,520
Speaker 2: More like.

1058
00:54:21,200 --> 00:54:24,640
Speaker 3: I'm good at like powering through my nerves, Like it's

1059
00:54:24,680 --> 00:54:27,120
Speaker 3: almost like fuel for me, Like when I get nervous

1060
00:54:27,200 --> 00:54:30,520
Speaker 3: or if I get that like anxious feeling or that

1061
00:54:30,640 --> 00:54:33,800
Speaker 3: like excitement. I it's like it's my fuel.

1062
00:54:35,440 --> 00:54:40,319
Speaker 1: I remember asking a sound sound recordist, maybe he was

1063
00:54:40,560 --> 00:54:43,360
Speaker 1: He just came out and I said something about nerves,

1064
00:54:43,360 --> 00:54:46,880
Speaker 1: and he goes, how if I could play you what?

1065
00:54:47,040 --> 00:54:52,400
Speaker 1: I hear the hot bait in all these actors interesting

1066
00:54:52,880 --> 00:54:55,160
Speaker 1: cool guys. I reckon some of them are getting one

1067
00:54:55,200 --> 00:54:57,680
Speaker 1: hundred and fifty baits per minute and then maybe on

1068
00:54:57,760 --> 00:55:00,520
Speaker 1: camera looking all cool and suave as I.

1069
00:55:00,440 --> 00:55:01,000
Speaker 6: Know the truth.

1070
00:55:01,480 --> 00:55:06,279
Speaker 2: That's cool. Yeah, not to mention everyone talking to themselves like.

1071
00:55:06,200 --> 00:55:08,040
Speaker 6: Come on over, you can fucking do this. Don't forget

1072
00:55:08,080 --> 00:55:08,319
Speaker 6: you trying.

1073
00:55:09,160 --> 00:55:11,879
Speaker 2: Don't forget your line again. They're gonna hate you even more.

1074
00:55:17,280 --> 00:55:19,680
Speaker 2: Well you guys, Yeah, I love you man. This has

1075
00:55:19,719 --> 00:55:23,279
Speaker 2: been so much fun. I know you guys can't tout

1076
00:55:23,280 --> 00:55:25,839
Speaker 2: that you can. But the movie is so fucking fantastic.

1077
00:55:25,880 --> 00:55:28,000
Speaker 2: And I'm not just saying that it's a throwback movie.

1078
00:55:28,120 --> 00:55:30,480
Speaker 2: We don't see anything like these anymore, and I think

1079
00:55:30,520 --> 00:55:33,960
Speaker 2: it's time we do. It's feel good, you know, it

1080
00:55:34,040 --> 00:55:36,960
Speaker 2: takes you on this journey. It's not it's not it's

1081
00:55:37,000 --> 00:55:40,600
Speaker 2: not too sentimental. It's like it strikes this perfect balance,

1082
00:55:41,239 --> 00:55:44,560
Speaker 2: you know, where you are happy crying at the end,

1083
00:55:44,760 --> 00:55:47,280
Speaker 2: and we don't get we don't get that much anymore.

1084
00:55:47,280 --> 00:55:50,440
Speaker 2: And I think it's important now to see these things,

1085
00:55:50,480 --> 00:55:52,719
Speaker 2: to go to the movie theater, to go watch these

1086
00:55:52,760 --> 00:55:55,040
Speaker 2: things with a group. It's a great movie to see

1087
00:55:55,360 --> 00:55:58,120
Speaker 2: with a crowd, you know what I mean. It's not

1088
00:55:58,200 --> 00:56:00,239
Speaker 2: just the Marvel movies that you want to go see

1089
00:56:00,239 --> 00:56:02,160
Speaker 2: with the crowd, like, there are these kinds of movies

1090
00:56:02,200 --> 00:56:04,600
Speaker 2: you want to go see with people because we are

1091
00:56:04,640 --> 00:56:07,880
Speaker 2: all energy. And when that energy sort of comes together

1092
00:56:08,120 --> 00:56:11,360
Speaker 2: in a room and you're watching this moment, these moments,

1093
00:56:11,760 --> 00:56:13,640
Speaker 2: you feel it throughout the theater. So that's why you

1094
00:56:13,640 --> 00:56:16,239
Speaker 2: should probably go to the fucking movie theater to watch

1095
00:56:16,239 --> 00:56:16,600
Speaker 2: this thing.

1096
00:56:17,200 --> 00:56:19,160
Speaker 5: Thanks man, Holly, we love it.

1097
00:56:19,360 --> 00:56:21,759
Speaker 6: Wait, good luck crush that audition to that man.

1098
00:56:22,200 --> 00:56:25,120
Speaker 2: Oh yeah, it's gonna be great. Aaron's gonna be hating me.

1099
00:56:25,400 --> 00:56:29,520
Speaker 2: A handheld a handheld iPhone. The kids screaming, the dogs

1100
00:56:29,520 --> 00:56:32,879
Speaker 2: are barking. You can understand. It's it's complete mayhem. When

1101
00:56:32,920 --> 00:56:33,640
Speaker 2: I do these.

1102
00:56:33,480 --> 00:56:36,879
Speaker 6: Things, I might have a RT holidays.

1103
00:56:37,040 --> 00:56:40,600
Speaker 2: All right, all right, I love you, Thank you everybody,

1104
00:56:40,760 --> 00:56:42,080
Speaker 2: Thank you man. This is amazing.

1105
00:56:43,560 --> 00:56:46,319
Speaker 3: That was so great. How much do you love you

1106
00:56:46,400 --> 00:56:49,439
Speaker 3: like so much any of the best. We were doing

1107
00:56:49,480 --> 00:56:52,400
Speaker 3: it on the carpet one time and someone said, someone

1108
00:56:52,440 --> 00:56:54,920
Speaker 3: said to who do you want to be the celebrity

1109
00:56:54,920 --> 00:56:57,520
Speaker 3: who would play you? And he goes all the.

1110
00:57:01,440 --> 00:57:04,120
Speaker 2: Well, I wanted to show him my my wolverine body.

1111
00:57:04,239 --> 00:57:07,040
Speaker 3: Oh well, I'm glad you didn't.

1112
00:57:06,960 --> 00:57:09,080
Speaker 2: No, because I wanted to. I was going to pitch

1113
00:57:09,160 --> 00:57:12,400
Speaker 2: him because he's gonna but he's gonna be I'm going

1114
00:57:12,440 --> 00:57:13,040
Speaker 2: to pitch him.

1115
00:57:13,560 --> 00:57:19,360
Speaker 3: To do great and lean. Oh look, oh my god,

1116
00:57:19,480 --> 00:57:24,680
Speaker 3: you're getting jacked all of her hotel. I'm so proud

1117
00:57:24,680 --> 00:57:28,720
Speaker 3: of you. If anybody could see my brother, just my

1118
00:57:28,760 --> 00:57:32,200
Speaker 3: brother just gave me like a well, he took his

1119
00:57:32,280 --> 00:57:32,920
Speaker 3: shirt off.

1120
00:57:33,400 --> 00:57:35,280
Speaker 6: But I wanted to pitch. I wanted to.

1121
00:57:35,880 --> 00:57:38,160
Speaker 3: Sort of abs starting to show through.

1122
00:57:38,360 --> 00:57:39,760
Speaker 2: You got to get some fat off of him. But

1123
00:57:40,000 --> 00:57:43,480
Speaker 2: the Wolverine needs a younger brother. And his name's like

1124
00:57:43,520 --> 00:57:45,560
Speaker 2: the little guy, you know, it's like wolf. It's like

1125
00:57:45,600 --> 00:57:47,840
Speaker 2: the Wolverito or something like that.

1126
00:57:50,240 --> 00:57:54,480
Speaker 3: Italian Italians an Italian Wolverino.

1127
00:57:54,760 --> 00:57:58,440
Speaker 2: Right, he's an Italian. He's come to live in the

1128
00:57:58,520 --> 00:58:01,520
Speaker 2: United States and he's like, where's my brother.

1129
00:58:04,120 --> 00:58:04,880
Speaker 5: With your horn?

1130
00:58:07,040 --> 00:58:08,880
Speaker 4: Totally, it's like some.

1131
00:58:09,400 --> 00:58:10,040
Speaker 2: You do do.

1132
00:58:14,160 --> 00:58:15,160
Speaker 4: Horn is like your we.

1133
00:58:18,400 --> 00:58:18,960
Speaker 3: I gotta go.

1134
00:58:19,560 --> 00:58:20,640
Speaker 2: I love you, Okay, but