WEBVTT - Manhattan Transfer w/ Abigail Savage

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<v Speaker 1>Of the law and order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on These are our stories.

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<v Speaker 1>Done Done, Hello and welcome to That's Messed Up nsview Podcast.

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<v Speaker 2>I'm Kara Klank and I'm Liza Trigger and we talk

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<v Speaker 2>SVU True Crime. We have celebrity guests and up top

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<v Speaker 2>we cat chat, we chit chat, we have a good time.

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<v Speaker 2>So on our shared Google doc, it says anonymous Hyena.

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<v Speaker 1>Oh, yeah, who the fuck is anonymous Hyaena? Mine's has

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<v Speaker 1>anonymous Dumbo Octopus? What the fuck?

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<v Speaker 2>Keithy? Who is that? Who's in our agenda? That's just like,

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<v Speaker 2>that's like me like, but.

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<v Speaker 1>It says Casey my view, Casey an anonymous Dumbo Octopus.

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<v Speaker 1>I think one of you is octopus and one of

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<v Speaker 1>you is Hyena. Oh, Lisa, you're the anonymous Dumbo Octopus. Wow,

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<v Speaker 1>you've changed. You've changed a lot, Lisa. That's so weird.

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<v Speaker 2>Yeah, because it doesn't want to tell me you. I

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<v Speaker 2>get it.

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<v Speaker 1>But Casey's the owner, so we're allowed to see him,

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<v Speaker 1>but they don't. They don't want to portray your privacy

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<v Speaker 1>as an anonymous Dumbo octopus hyena.

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<v Speaker 2>That's cute? Is that new merch?

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<v Speaker 1>Speaking of, I do think I'm going to take Rosie

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<v Speaker 1>to Lion King in New York.

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<v Speaker 2>Great, this is thrilling. What happens?

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<v Speaker 1>Yeah, yeah, I'm excited. I was telling her about it today.

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<v Speaker 1>I was like, everybody dresses up in a costume and

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<v Speaker 1>there's dancing and singing. She goes, can I wear a costume?

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<v Speaker 1>I was like, no, but maybe I'll buy you a

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<v Speaker 1>souvenir so we'll say. Way, did you have to give

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<v Speaker 1>her a speech on like you can't talk and all that?

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<v Speaker 1>Or well, I said, you can sit on my lap

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<v Speaker 1>and I'll get to the talking part a little bit

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<v Speaker 1>closer because I don't want that to turn her off

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<v Speaker 1>from going. And when we've gone to movies together, she's quiet.

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<v Speaker 1>She'll say like a couple things to me, but like

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<v Speaker 1>she'll be pretty quiet.

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<v Speaker 2>And she's a Bob Baker Marionette regular. Yes, that's true.

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<v Speaker 2>That's true too.

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<v Speaker 1>So she's she's had her fair share of live performances.

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<v Speaker 2>Wow, so she's doing Lion King. I'll be in New

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<v Speaker 2>York too. We'll see what happens. You'll kind of bop

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<v Speaker 2>into lion king with us. No, but I would definitely do.

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<v Speaker 2>I'm trying to think what like I would want to

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<v Speaker 2>do with Rosie just run around Central Park, I know.

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<v Speaker 2>I think that's like gonna happen.

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<v Speaker 1>One day, we were talking about maybe and maybe going

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<v Speaker 1>to a gallery because we're going with our art friend.

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<v Speaker 1>So that sounds all like stuff you would be down

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<v Speaker 1>for one hundred percent. Wait, I have a new thing

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<v Speaker 1>in my life. So I thought Cashi Cereal sucks, you know,

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<v Speaker 1>uh huh. But I bought Cashy Maple Waffle Crisp Delicious.

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<v Speaker 2>Love it. It's delicious. It tastes like the cinnamon French

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<v Speaker 2>toast that used to do you remember the that look

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<v Speaker 2>like it tastes just like that Kashi is bringing it.

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<v Speaker 2>I thought Kashi is a loser like caf Well.

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<v Speaker 1>I think when Kashi started, they were just like Fiber.

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<v Speaker 1>It was just like Fiber food. And now I think

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<v Speaker 1>Kashi's like, let's get into the flavor game, you know,

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<v Speaker 1>and they're like, let's we got to diversify. Not enough

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<v Speaker 1>hippies are buying our no offense if you eat like

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<v Speaker 1>regular Kashi. But I feel like it's not exactly the

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<v Speaker 1>most delicious thing.

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<v Speaker 2>It's like pellets. It actually looks like gerbil poops.

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<v Speaker 1>Like I remember, I know used to have a stand

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<v Speaker 1>up joke about Kashi and I totally forgot about it.

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<v Speaker 2>But but I'm looking at the box. Sorry, this is

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<v Speaker 2>like riveting information. I know for all of our podcasts,

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<v Speaker 2>this is what we talk about. I'm just looking at

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<v Speaker 2>the box. But yesterday I did watch on Hulu the

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<v Speaker 2>New I D Special on Jared from Subway, and we

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<v Speaker 2>covered him on an episode. We had a great writer

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<v Speaker 2>on that episode and we got through the horrors of it.

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<v Speaker 2>But what's horrible about this one is they play the vote,

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<v Speaker 2>they play the recording ass so it's like weird to hear.

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<v Speaker 1>It's one thing to hear, oh yeah, this woman went

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<v Speaker 1>undercover and recorded him, and it's another to hear the recordings, like,

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<v Speaker 1>oh my god.

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<v Speaker 2>And it fucked up her whole family, like her kids,

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<v Speaker 2>like it fucked up her whole life going undercover, because

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<v Speaker 2>she couldn't share with her children why she was so busy,

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<v Speaker 2>but like she was committed to bringing him down. But

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<v Speaker 2>when she brought the tapes to the FBI, they're like,

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<v Speaker 2>you actually committed a crime because you have to tell someone,

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<v Speaker 2>and they're like, so we can arrest you. So now

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<v Speaker 2>you have to be an informant. And so she had

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<v Speaker 2>to do drops in the middle of the night and

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<v Speaker 2>do all of this stuff like all the time. And

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<v Speaker 2>she's like, I have all this evidence for you, just

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<v Speaker 2>get him, and they're like it's not enough yet, and

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<v Speaker 2>so like who, you know, the FBI really needs a

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<v Speaker 2>lot good. But then her daughter went into her room

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<v Speaker 2>and read through the journals, and that fucked her up

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<v Speaker 2>and the daughter because all she told her kids was

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<v Speaker 2>I'm chasing a bad man. I'm helping find a bad man.

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<v Speaker 2>So then the kids were constantly anxious that someone's gonna

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<v Speaker 2>get them. Any stranger was a bad man. And so

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<v Speaker 2>like the daughter just became anxious, depressed at all these issues,

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<v Speaker 2>like doesn't really talk to the mom really. And then

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<v Speaker 2>the son moved to Taiwan and hasn't been to the

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<v Speaker 2>States in five years, and the and he goes, you know,

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<v Speaker 2>what my mom did was selfless because she lost everything

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<v Speaker 2>in the process, so like she brought down this guy

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<v Speaker 2>and did you know, I don't know if it was

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<v Speaker 2>months or years. I can't really put it together of

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<v Speaker 2>how much she recorded him, but she pretended to be

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<v Speaker 2>a pedophile into him and like they were gonna pedophile together.

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<v Speaker 2>So like she so so that's like where she got

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<v Speaker 2>him to because he had a crush on her. She

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<v Speaker 2>was like a local reporter. She was a babe. And

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<v Speaker 2>so then once she they were talking all the time,

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<v Speaker 2>they were both interested in each other, Well she was

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<v Speaker 2>not for real, and then she just got to open

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<v Speaker 2>up and it was sick. Hearing him say those things

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<v Speaker 2>was really fucking sick. Got it, and then we knew,

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<v Speaker 2>you know, he had that partner that race, like the fundraiser.

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<v Speaker 2>We talk about his two step daughters who he put

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<v Speaker 2>cameras in their room and then they found out that

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<v Speaker 2>the mom there was all this footage, the mom did

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<v Speaker 2>this all like their own mother was oh my god,

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<v Speaker 2>the leader helping him do it. It wasn't like she

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<v Speaker 2>was a backseat abused like she was like a pedophile too.

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<v Speaker 2>It was funny.

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<v Speaker 1>You know who you have to walk watch out for.

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<v Speaker 1>Drag queens. That's who it is. It's drag queens. I'm

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<v Speaker 1>sure all of them were drag queens. Jared from Subway,

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<v Speaker 1>et cetera.

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<v Speaker 2>Well, that's what's wild. The whole doctor was like, ah,

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<v Speaker 2>we were shocked. We were shocked, he was respected, And

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<v Speaker 2>it's like, how many more times do you have to

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<v Speaker 2>be shocked when it's a pastor quote unquote good guy, Like,

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<v Speaker 2>how many more good guys have to do it? It's

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<v Speaker 2>so weird and annoying.

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<v Speaker 1>It's also kind of wild that like this didn't bring

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<v Speaker 1>Subway down, Like Subways just still kicking it the biggest

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<v Speaker 1>franchise business in the world.

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<v Speaker 2>I think, like, just well, I'm sure they dipped for

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<v Speaker 2>a bit, but like they you know, when was the

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<v Speaker 2>dollar foot longs? Was that pre your post Jared? I

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<v Speaker 2>don't I don't know.

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<v Speaker 1>Five dollars foot long I believe was like the King

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<v Speaker 1>of the g That was like the peak with Jared.

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<v Speaker 2>That was what I was saying, wasn't it five dollars

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<v Speaker 2>foot long? I don't know.

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<v Speaker 1>Subway historians, please write to us and tell us.

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<v Speaker 2>But his was not because he wasn't eating footlongs. Oh,

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<v Speaker 2>he was eating six inches I think so for like

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<v Speaker 2>diet purposes. He was eating a turkey sub for lunch

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<v Speaker 2>and a veggie delight for dinner. Oh.

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<v Speaker 1>I mean when I was in college, I was so broken.

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<v Speaker 1>We would get a foot long we would do half

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<v Speaker 1>for lunch half for dinner, and that was like my

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<v Speaker 1>food for the day for some times of college.

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<v Speaker 2>Yeah. I mean the thing is I was craving it.

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<v Speaker 2>As I was watching it. I was like, is it

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<v Speaker 2>weird if I get subway now? Oh no, oh no,

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<v Speaker 2>I'm just telling you. I understand how they survived. It's like, yeah,

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<v Speaker 2>I don't know want it, but a few times a

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<v Speaker 2>year I'm like, you know what, I just really need

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<v Speaker 2>a tuna sandwich. I know it's not real tuna.

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<v Speaker 1>Yeah, Oh, bubb and Grandma's there, tuna sandwich is great.

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<v Speaker 2>Okay, if I hear about Bubb and Grandma's one more time, just.

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<v Speaker 1>Saying I know you wanted to go there, and that's

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<v Speaker 1>one of the thing I had, and I enjoyed it.

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<v Speaker 2>No, I want to go there. I tried going once

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<v Speaker 2>and they were done. They were sold out of bread

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<v Speaker 2>or something. I don't know, like at something happened where

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<v Speaker 2>I waited in line forever and then they were like,

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<v Speaker 2>no sandwiches, and I was like, okay, you see there's

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<v Speaker 2>a line, so I will try again. But it looks

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<v Speaker 2>cool in there. I would like to try a hip

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<v Speaker 2>sick yeah spot. Yeah.

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<v Speaker 1>The tables. It's like pretty marble table like it's nice. Anyway,

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<v Speaker 1>what else is going on? I haven't talked to you

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<v Speaker 1>in a couple of days. Have you been well? You

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<v Speaker 1>saw Cocaine Bear. I did see Cocaine Bear, and you

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<v Speaker 1>love it. My review is that I really enjoyed it.

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<v Speaker 1>I had a good time. It is like gross, like

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<v Speaker 1>there's a lot of like gross like sort of blood

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<v Speaker 1>splatter violence, but it's all kind of also can't be

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<v Speaker 1>in jokey, so I just closed my eyes a bunch

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<v Speaker 1>of times and Jared would just tell me when it

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<v Speaker 1>was okay to look and but the but the rest

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<v Speaker 1>of it was like funny and I had a good time.

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<v Speaker 1>The actors are all really funny, like everybody's camping it up,

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<v Speaker 1>maybe except for like Carrie Russell, who's kind of playing

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<v Speaker 1>like action like the main star. But you know, so

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<v Speaker 1>star said it, Oh my gosh, Jesse Tyler Ferguson, Margot Martindale,

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<v Speaker 1>Carrie Russell, Matthew Reese. So all three carry Russell, Matthew Reves,

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<v Speaker 1>and Margot Martindale. That's an Americans reunion, all three of them.

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<v Speaker 1>I thought they're not really all three in a scene together,

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<v Speaker 1>but they're all from the Americans.

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<v Speaker 2>Who else is freaking in it? Well? The bear, the

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<v Speaker 2>bear presented at the Oscars. Yeah, oh, do we talk

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<v Speaker 2>about the Oscars. I thought the fashion was awesome? Oh yeah,

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<v Speaker 2>who did you like? Everyone? I thought everyone looked so

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<v Speaker 2>good and unique and different and like, I just really

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<v Speaker 2>liked everyone's looks. Yeah, I don't know what it was like,

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<v Speaker 2>I excuse scroll down, and like, I mean, usually I

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<v Speaker 2>don't care about men's fashion, and that's that stays for

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<v Speaker 2>this year included. But except for Lenny Kravitz in his

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<v Speaker 2>velvet jump soup. But people look red.

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<v Speaker 1>The red like blazer that the guy from Everything Everywhere

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<v Speaker 1>was wearing. I like when guys do something different to

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<v Speaker 1>like stand out from like the black tuxes. You know.

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<v Speaker 2>I liked what he was wearing. Yeah. I just thought

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<v Speaker 2>everyone kind of brought it in a cool way. Yeah,

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<v Speaker 2>And it was kind of a cool.

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<v Speaker 1>Like it was like it was definitely like the year

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<v Speaker 1>of like people that just like like coming back around

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<v Speaker 1>to get their oscars, you know what I mean, Like

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<v Speaker 1>Jamie Lee Curtis had never gotten one.

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<v Speaker 2>Well people are I think everyone wanted Angela this year.

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<v Speaker 2>It was it was definitely an upset. Yes, I love

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<v Speaker 2>Jamie Lee Curtis. She's been in the business forever. But

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<v Speaker 2>I think that was definitely one of the upsets.

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<v Speaker 1>Angela bassad did the thing. How could we not have

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<v Speaker 1>given her the thing for doing the thing?

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<v Speaker 2>Yeah, she dressed her whole family in purple because she

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<v Speaker 2>was gonna win, like they were color coordinated. Yeah, it's

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<v Speaker 2>but I haven't seen that movie yet, so I haven't neither. No,

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<v Speaker 2>everything everywhere I haven't seen yet.

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<v Speaker 1>Oh you haven't seen that? Oh yeah, I haven't seen

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<v Speaker 1>Wakanda forever. But I but like the speech that Kei

0:11:12.000 --> 0:11:15.120
<v Speaker 1>Hui Kwan gave was like making me cry. He was

0:11:15.240 --> 0:11:18.160
<v Speaker 1>so excited and he's just like a person that thought

0:11:18.160 --> 0:11:21.679
<v Speaker 1>Hollywood had totally just spit him out, and same, I mean,

0:11:21.840 --> 0:11:23.559
<v Speaker 1>so did Brendan Fraser for that matter.

0:11:24.000 --> 0:11:26.160
<v Speaker 2>And then they just get like brought back into the fold.

0:11:26.200 --> 0:11:28.040
<v Speaker 1>It's like, I kind of like that directors, like you

0:11:28.080 --> 0:11:31.160
<v Speaker 1>were saying Tarantino the other day, and like, clearly the

0:11:31.240 --> 0:11:35.240
<v Speaker 1>Daniels like to bring people back in that are talented

0:11:35.360 --> 0:11:36.920
<v Speaker 1>into the fold of Hollywood well.

0:11:36.840 --> 0:11:39.200
<v Speaker 2>And it was cute. So then I saw that Brendan

0:11:39.240 --> 0:11:42.480
<v Speaker 2>Fraser and the dude from everywhere everything. They were an

0:11:42.600 --> 0:11:47.640
<v Speaker 2>Encino man together. Oh really Yeah, so that was like

0:11:47.800 --> 0:11:50.960
<v Speaker 2>extra fucking cute. But yeah, his credits legit go from

0:11:51.000 --> 0:11:54.160
<v Speaker 2>like nineteen eighty two, then one thing in two or

0:11:54.240 --> 0:11:56.480
<v Speaker 2>seven and then this then everything ever there.

0:11:56.520 --> 0:11:59.000
<v Speaker 1>Yeah, and his wife and he was like, you told

0:11:59.000 --> 0:12:01.240
<v Speaker 1>me to never give up and I didn't.

0:12:00.960 --> 0:12:03.120
<v Speaker 2>And I was like just so sweet. I was like tearing.

0:12:03.559 --> 0:12:05.360
<v Speaker 2>I know, it's so hard because I don't think anyone

0:12:05.400 --> 0:12:08.040
<v Speaker 2>should give up on their dreams, and like, you know,

0:12:08.120 --> 0:12:10.440
<v Speaker 2>every life is long and like keep at it. But

0:12:10.480 --> 0:12:12.560
<v Speaker 2>then it's also like we just know people that should

0:12:12.640 --> 0:12:16.960
<v Speaker 2>quit comedy. Yeah, just don't have it. So it's like

0:12:17.080 --> 0:12:20.560
<v Speaker 2>so hard when it's like, you know, just go go

0:12:20.679 --> 0:12:23.720
<v Speaker 2>support your family. Yeah, I don't know what.

0:12:23.800 --> 0:12:26.560
<v Speaker 1>So like you you could also say to yourself, maybe

0:12:26.559 --> 0:12:27.559
<v Speaker 1>I just had my moment.

0:12:27.640 --> 0:12:29.720
<v Speaker 2>It's not like your dreams never came true. They did.

0:12:29.760 --> 0:12:31.560
<v Speaker 1>You were in all these big movies in the nineties,

0:12:31.920 --> 0:12:34.839
<v Speaker 1>but like a sustaining career, and like, I hope he

0:12:34.920 --> 0:12:37.760
<v Speaker 1>keeps working. He was awesome in that movie Brendan Fraser.

0:12:37.760 --> 0:12:40.160
<v Speaker 1>I wonder if that was I thought Colin Farrell was

0:12:40.160 --> 0:12:43.520
<v Speaker 1>gonna win. I haven't seen that either, but I don't

0:12:43.520 --> 0:12:46.359
<v Speaker 1>know the whale is the whale is very controversial.

0:12:46.600 --> 0:12:50.240
<v Speaker 2>Brendan Fraser came out about being sexually like assaulted at

0:12:50.240 --> 0:12:52.840
<v Speaker 2>the Golden Globes and that's why he was blacklisted. He

0:12:53.000 --> 0:12:56.600
<v Speaker 2>was like, right, like a Marissa till Me Ashley Judd

0:12:56.679 --> 0:12:59.400
<v Speaker 2>type moment. Oh yeah, yeah.

0:12:59.160 --> 0:13:02.400
<v Speaker 1>But I just I just meant like, the whale is controversial,

0:13:02.480 --> 0:13:05.200
<v Speaker 1>So I didn't know like if people were gonna be

0:13:05.240 --> 0:13:06.640
<v Speaker 1>like up in arms, you know, like have you been

0:13:06.760 --> 0:13:08.480
<v Speaker 1>have you been seeing stuff about people hating the whale?

0:13:08.800 --> 0:13:11.520
<v Speaker 2>Yeah? I think people just don't like fat suits. Yeah,

0:13:11.520 --> 0:13:14.360
<v Speaker 2>people don't like it, but the Oscars love it. Yeah,

0:13:14.520 --> 0:13:16.400
<v Speaker 2>the makeup one for the fat suit.

0:13:16.760 --> 0:13:20.240
<v Speaker 1>I was like, I was like, whatever, I'm sure the

0:13:20.280 --> 0:13:22.880
<v Speaker 1>effects are cool. I haven't seen the whale, but in

0:13:22.960 --> 0:13:25.960
<v Speaker 1>Wakanda they're like giving people tusks like they're like you

0:13:26.000 --> 0:13:27.800
<v Speaker 1>know what I mean, Like I couldn't believe that, like

0:13:28.440 --> 0:13:31.560
<v Speaker 1>that one best makeup over over that I don't know.

0:13:31.600 --> 0:13:34.560
<v Speaker 1>I was like that seemed weird, but you're right, the

0:13:34.600 --> 0:13:36.040
<v Speaker 1>Oscars do love fat suits.

0:13:36.360 --> 0:13:40.360
<v Speaker 2>Yeah. They Well, I'm glad that Elvis lost. Fuck that kid.

0:13:40.600 --> 0:13:43.440
<v Speaker 2>He needs a fucking kicking the junk and to sit

0:13:43.520 --> 0:13:47.800
<v Speaker 2>down and work a little harder. He I'm what someone

0:13:47.840 --> 0:13:49.880
<v Speaker 2>wrote like he had a little ego death and that

0:13:50.040 --> 0:13:50.760
<v Speaker 2>is good for him.

0:13:51.120 --> 0:13:53.839
<v Speaker 1>Yeah, well because and what I was hearing was that

0:13:53.880 --> 0:13:56.880
<v Speaker 1>he was all over Hollywood for weeks, like at every party,

0:13:56.880 --> 0:13:59.520
<v Speaker 1>at every lunch, really shaking the hands and kissing the babies,

0:13:59.559 --> 0:14:00.560
<v Speaker 1>trying to get that Oscar.

0:14:01.360 --> 0:14:04.040
<v Speaker 2>Yeah, it's ridiculous. What are you twenty four? Sit down

0:14:04.920 --> 0:14:08.600
<v Speaker 2>that you're not Jennifer Lawrence. You're not likable. People think

0:14:08.600 --> 0:14:11.240
<v Speaker 2>he's hot, but like, I just don't find him charming

0:14:11.440 --> 0:14:13.400
<v Speaker 2>interesting in any way.

0:14:13.840 --> 0:14:17.680
<v Speaker 1>I've heard of him, seen him work, Yeah, I never.

0:14:17.840 --> 0:14:19.680
<v Speaker 1>I haven't seen any of his stuff, so I don't.

0:14:19.720 --> 0:14:21.640
<v Speaker 2>I don't know. Because someone was telling me, They're like,

0:14:21.680 --> 0:14:24.520
<v Speaker 2>he's incredible, it's the beginning of one. You have to

0:14:24.560 --> 0:14:26.760
<v Speaker 2>see it. And I go, well, if he's incredible, I'll

0:14:26.760 --> 0:14:30.440
<v Speaker 2>catch his next film. I really don't like buy bio

0:14:30.880 --> 0:14:34.440
<v Speaker 2>not biopsies. What are they call biopics? I'm not into them.

0:14:35.000 --> 0:14:35.720
<v Speaker 2>I don't really care.

0:14:36.240 --> 0:14:38.560
<v Speaker 1>Well, that's what my husband started watching Elvis, and he

0:14:38.600 --> 0:14:42.360
<v Speaker 1>said it just really had like the same formula of

0:14:42.440 --> 0:14:45.640
<v Speaker 1>every biopic, which is like, you know, young talent and

0:14:45.680 --> 0:14:48.560
<v Speaker 1>then the manager steals everything and then drugs. It's like

0:14:48.600 --> 0:14:51.840
<v Speaker 1>it's a lot. It's like the same fucking thing. So

0:14:52.120 --> 0:14:54.160
<v Speaker 1>he stopped watching it because he said.

0:14:54.000 --> 0:14:55.840
<v Speaker 2>It was boring. I'm trying to think of one that

0:14:55.920 --> 0:14:59.080
<v Speaker 2>I like, like if there's if I've even seen one,

0:14:59.120 --> 0:15:01.640
<v Speaker 2>like I really I like the movie, like anything about

0:15:01.680 --> 0:15:04.280
<v Speaker 2>Queen Elizabeth. I guess the first Oh, yeah, like Kate

0:15:04.320 --> 0:15:07.560
<v Speaker 2>Blanchette and Elizabeth I liked in the nineties. But I

0:15:07.560 --> 0:15:09.200
<v Speaker 2>don't know if that's a biopick. I don't know if

0:15:09.200 --> 0:15:10.240
<v Speaker 2>those are biopicks.

0:15:10.320 --> 0:15:14.640
<v Speaker 1>Yeah, I'm trying to think of a biopic that I like.

0:15:15.320 --> 0:15:17.080
<v Speaker 2>What's a good biopic? I don't know.

0:15:17.360 --> 0:15:20.480
<v Speaker 1>The last one I saw was probably the Freddie Mercury one,

0:15:20.760 --> 0:15:22.920
<v Speaker 1>the Bohemian rhaps City, But I can't think of another

0:15:22.920 --> 0:15:24.640
<v Speaker 1>one before that, and.

0:15:24.600 --> 0:15:26.840
<v Speaker 2>Then we have to get started. But also a big

0:15:26.920 --> 0:15:31.120
<v Speaker 2>drama after the Oscars though, was law Roach, celeb stylist,

0:15:31.240 --> 0:15:35.720
<v Speaker 2>image maker Judge on legendary but he him and Zendaya,

0:15:35.960 --> 0:15:38.400
<v Speaker 2>and I always forget if it's Zenda or Zendaya. It's

0:15:38.520 --> 0:15:41.280
<v Speaker 2>I think it's Zendeya. I think you had it right, Okay,

0:15:41.400 --> 0:15:44.480
<v Speaker 2>it's it's honestly like it's like I know it and

0:15:44.520 --> 0:15:49.200
<v Speaker 2>then I don't. It's like Kamala come outa It really

0:15:49.800 --> 0:15:52.440
<v Speaker 2>just puts me in a into a panic where even

0:15:52.480 --> 0:15:54.320
<v Speaker 2>if I know it, like I won't say it, like

0:15:54.440 --> 0:15:58.600
<v Speaker 2>it really stresses me out. But he's been working with

0:15:58.800 --> 0:16:01.600
<v Speaker 2>Zendeia forever, like he's you know, and she's one of

0:16:01.600 --> 0:16:05.080
<v Speaker 2>the best stressed people. Yes, and he was the one

0:16:05.120 --> 0:16:08.280
<v Speaker 2>that did the Seline Dion moment when she came back

0:16:08.280 --> 0:16:10.400
<v Speaker 2>into fashion and half the Way and everything. But he

0:16:10.440 --> 0:16:12.800
<v Speaker 2>made an announcement that he retired and he's over it

0:16:12.840 --> 0:16:16.040
<v Speaker 2>and he does not give a shit about Hall. He's

0:16:16.080 --> 0:16:19.080
<v Speaker 2>been disrespected one too many times and he's done. So

0:16:19.120 --> 0:16:21.400
<v Speaker 2>he posted a big thing on Instagram that said retired.

0:16:21.440 --> 0:16:23.080
<v Speaker 2>So I went on like not a deep dive, but

0:16:23.120 --> 0:16:25.800
<v Speaker 2>a little dive on videos and he just basically like,

0:16:25.800 --> 0:16:27.800
<v Speaker 2>I'm from the hood, Like I'm a hustler. I don't

0:16:27.840 --> 0:16:29.680
<v Speaker 2>need you guys, I don't care about Hollywood. I don't

0:16:29.720 --> 0:16:33.200
<v Speaker 2>fucking I'm not playing these games. I can make money

0:16:33.240 --> 0:16:35.520
<v Speaker 2>anywhere and I'm not doing this. And then it was

0:16:36.160 --> 0:16:38.520
<v Speaker 2>he had a falling out with Tiffany Hattish and I

0:16:38.560 --> 0:16:39.920
<v Speaker 2>bet this happens to him a lot, as like a

0:16:39.920 --> 0:16:44.760
<v Speaker 2>black professional where like he's too difficult or PR tells

0:16:44.800 --> 0:16:47.480
<v Speaker 2>their clients, No, he's too much, he's annoying, don't do that.

0:16:47.600 --> 0:16:50.560
<v Speaker 2>And like he was really hurt that she listened to

0:16:50.840 --> 0:16:54.480
<v Speaker 2>her team instead of like having his back. But he's

0:16:54.600 --> 0:16:59.440
<v Speaker 2>just like an incredibly talented visionary and I hope this

0:16:59.560 --> 0:17:03.320
<v Speaker 2>is just a moment in time and he continues to

0:17:03.440 --> 0:17:06.640
<v Speaker 2>work because he he did the Hunter Schaeffer, that white

0:17:06.640 --> 0:17:10.520
<v Speaker 2>little feather that covered her titties. Oh yeah, that was

0:17:10.560 --> 0:17:15.680
<v Speaker 2>his look. He dressed Megan the Sallient, Like he's incredible.

0:17:16.240 --> 0:17:19.080
<v Speaker 2>And what I learned about him in Zendeya is that

0:17:19.440 --> 0:17:21.760
<v Speaker 2>what he would do was he would dress her in

0:17:21.840 --> 0:17:25.520
<v Speaker 2>outfits that other celebrities already wore, so then she would

0:17:25.600 --> 0:17:28.040
<v Speaker 2>end up in who Wore It betters and then she

0:17:28.080 --> 0:17:32.880
<v Speaker 2>would always win. And so that's how she became kind

0:17:32.880 --> 0:17:37.000
<v Speaker 2>of this fashion icon because he was just like using

0:17:37.080 --> 0:17:39.159
<v Speaker 2>stuff that people used because he knew he could do

0:17:39.160 --> 0:17:43.240
<v Speaker 2>it better. And then, I mean, what he's done is incredible.

0:17:43.560 --> 0:17:46.920
<v Speaker 2>But even like the designers he wanted to use, it's

0:17:46.920 --> 0:17:50.400
<v Speaker 2>just always been a struggle for like, yeah, being black

0:17:50.440 --> 0:17:55.560
<v Speaker 2>in Hollywood is a struggle, yeah anywhere, And so he retired,

0:17:55.600 --> 0:17:57.240
<v Speaker 2>and I wonder if this is real or not. But

0:17:57.320 --> 0:17:59.520
<v Speaker 2>all the celebs in his comments like please know you know,

0:17:59.640 --> 0:18:02.359
<v Speaker 2>they're like sad. But then I watched this clip of

0:18:02.400 --> 0:18:04.719
<v Speaker 2>him being like, I'm done being disrespected. I don't care

0:18:04.720 --> 0:18:06.040
<v Speaker 2>about any of you. I don't need to be in

0:18:06.080 --> 0:18:09.520
<v Speaker 2>this business. Like I don't Oh, I don't have any favors.

0:18:09.520 --> 0:18:11.800
<v Speaker 2>I don't owe anyone anything. He's like, I don't care

0:18:11.800 --> 0:18:14.040
<v Speaker 2>if you do PR. I don't care who you, where

0:18:14.080 --> 0:18:16.359
<v Speaker 2>you work, what brand you work at. I don't care

0:18:16.640 --> 0:18:17.479
<v Speaker 2>about any of you.

0:18:17.960 --> 0:18:20.120
<v Speaker 1>But I wonder what he'll do going forward. I hope

0:18:20.119 --> 0:18:21.199
<v Speaker 1>he does something crazy.

0:18:21.200 --> 0:18:23.679
<v Speaker 2>It is so what I heard, because you know, I've

0:18:23.720 --> 0:18:26.840
<v Speaker 2>been looking for stylists and stuff for some future shit.

0:18:27.359 --> 0:18:32.040
<v Speaker 2>He's ten thousand A look, Jesus, yeah, because I was

0:18:32.119 --> 0:18:34.480
<v Speaker 2>quoted by someone and it was thirty nine hundred. Usually

0:18:34.520 --> 0:18:36.359
<v Speaker 2>it's supposed to be I talked to a PR person

0:18:36.520 --> 0:18:39.040
<v Speaker 2>like thought. But that's another thing, like when you work

0:18:39.040 --> 0:18:41.560
<v Speaker 2>with a certain PR person, you give a lower rate

0:18:41.960 --> 0:18:43.520
<v Speaker 2>so then you can be on the carpet. And he

0:18:43.560 --> 0:18:45.920
<v Speaker 2>refuses to do that because he's good, and he goes, no,

0:18:46.040 --> 0:18:48.320
<v Speaker 2>I'm ten grand or bust.

0:18:48.600 --> 0:18:50.119
<v Speaker 1>Wow, Wow, wow. Wow.

0:18:50.480 --> 0:18:53.480
<v Speaker 2>Yeah. Are you looking at all his looks right now? Yeah? Yeah?

0:18:53.480 --> 0:18:55.640
<v Speaker 2>And how do you feel like he's good? No, he's great.

0:18:55.680 --> 0:18:58.280
<v Speaker 1>I mean Zendia always looks impeccable. I love that thing

0:18:58.320 --> 0:19:00.919
<v Speaker 1>Hunter Shaper was wearing, Like for sure, this is a

0:19:01.040 --> 0:19:02.520
<v Speaker 1>very talented person and legendary.

0:19:02.560 --> 0:19:05.800
<v Speaker 2>I mean, is legendary over I don't know, I have

0:19:05.920 --> 0:19:08.600
<v Speaker 2>I never want to keep judging. Well, I watched Tricksy

0:19:08.680 --> 0:19:12.680
<v Speaker 2>and Katya watch Pose, and it makes me really want

0:19:12.720 --> 0:19:15.800
<v Speaker 2>to watch Pose, which I saying to watch for a

0:19:15.840 --> 0:19:16.399
<v Speaker 2>long time.

0:19:16.600 --> 0:19:19.160
<v Speaker 1>I loved Pose. I thought it was great. I really

0:19:19.200 --> 0:19:19.600
<v Speaker 1>loved it.

0:19:19.880 --> 0:19:24.040
<v Speaker 2>Oh he did, ari Ariana Grande looks like you know,

0:19:24.119 --> 0:19:27.640
<v Speaker 2>he did something cool. So the Met Gala usually designers

0:19:28.000 --> 0:19:30.760
<v Speaker 2>like big fashion houses buy a table and then invite

0:19:30.960 --> 0:19:34.879
<v Speaker 2>celebrities to wear their dresses to the table. So what

0:19:35.040 --> 0:19:39.520
<v Speaker 2>he did He encouraged this f one driver, like this

0:19:39.640 --> 0:19:42.239
<v Speaker 2>race car driver who is his client, to buy a

0:19:42.280 --> 0:19:45.639
<v Speaker 2>table and have it be all different black designers and

0:19:45.720 --> 0:19:48.040
<v Speaker 2>young up and coming people and it's like no one's

0:19:48.080 --> 0:19:51.119
<v Speaker 2>ever done that before. And last year I guess he

0:19:51.160 --> 0:19:54.480
<v Speaker 2>had an unprecedented like nine looks at the Met Gala.

0:19:54.520 --> 0:19:56.760
<v Speaker 2>But the met galas coming up soon. But yeah, he's

0:19:56.800 --> 0:19:59.440
<v Speaker 2>he's retired. I don't know. Damn.

0:19:59.720 --> 0:20:03.600
<v Speaker 1>Oh, Casey's got a new flag. Casey's got a new

0:20:03.640 --> 0:20:06.439
<v Speaker 1>flag for when we go way way too long. I

0:20:06.520 --> 0:20:08.360
<v Speaker 1>just want to say one quick thing before we get

0:20:08.400 --> 0:20:10.320
<v Speaker 1>going with the episode, because we've got a banger of

0:20:10.359 --> 0:20:10.800
<v Speaker 1>an up.

0:20:10.640 --> 0:20:11.240
<v Speaker 2>For you guys.

0:20:11.600 --> 0:20:15.199
<v Speaker 1>But we are trying to get our date for Moontower.

0:20:15.359 --> 0:20:17.119
<v Speaker 1>We are going to be there between the nineteenth and

0:20:17.200 --> 0:20:20.159
<v Speaker 1>the twenty second in Austin at the Moontower Comedy Festival.

0:20:20.160 --> 0:20:22.480
<v Speaker 1>And as soon as we know our exact date, it

0:20:22.520 --> 0:20:25.760
<v Speaker 1>will be on our Instagram. That's messed up or messed

0:20:25.840 --> 0:20:29.920
<v Speaker 1>up pod? Is that our Instagram? Yeah, so don't worry,

0:20:29.920 --> 0:20:31.120
<v Speaker 1>we'll get it. We're trying to get it.

0:20:31.160 --> 0:20:34.680
<v Speaker 2>And then if you're listening today, I'm I'm in Philly

0:20:34.960 --> 0:20:37.520
<v Speaker 2>starting the thing. Yes, the thirtieth to the first. I'm

0:20:37.520 --> 0:20:40.600
<v Speaker 2>in Philly, So come on out. Not in April, fool's joke.

0:20:40.760 --> 0:20:44.040
<v Speaker 2>Go see Liza this that weekend. Her stand up is

0:20:44.080 --> 0:20:53.320
<v Speaker 2>so fucking funny. Okay, let's get going. Okay, We today

0:20:53.440 --> 0:20:58.320
<v Speaker 2>are doing the episode Manhattan Transfer, Season seventeen, Episode seventeen

0:20:58.520 --> 0:21:02.200
<v Speaker 2>from The You're Of twenty sixteen gosh, what a time,

0:21:02.280 --> 0:21:04.760
<v Speaker 2>right before we thought Donald Trump would never be president.

0:21:05.520 --> 0:21:08.199
<v Speaker 2>Manhattan Transfer is also like a jazz quartet that my

0:21:08.400 --> 0:21:10.359
<v Speaker 2>dad used to always make me listen to in the car,

0:21:10.520 --> 0:21:11.840
<v Speaker 2>Like they would sing songs like.

0:21:12.119 --> 0:21:17.760
<v Speaker 1>You know Downtown or like you must take the a Tree.

0:21:17.800 --> 0:21:19.560
<v Speaker 1>Like That's that's what I think of when I hear

0:21:19.600 --> 0:21:24.240
<v Speaker 1>Manhattan Transfer. Anyway, So Manhattan Transfer is part of two

0:21:24.320 --> 0:21:28.840
<v Speaker 1>episodes seasons seventeen, Episodes seventeen and eighteen. We're doing Manhattan

0:21:28.840 --> 0:21:31.680
<v Speaker 1>Transfer today. Next week will be on Holiest Alliance. So

0:21:31.720 --> 0:21:34.800
<v Speaker 1>you're getting you get in both parts of this major arc.

0:21:34.840 --> 0:21:36.760
<v Speaker 1>And this is a This is a I would say

0:21:36.760 --> 0:21:38.320
<v Speaker 1>this is a banger of a double ap. There's a

0:21:38.359 --> 0:21:40.400
<v Speaker 1>lot going on a lot. We open on a scene

0:21:40.440 --> 0:21:42.480
<v Speaker 1>we've seen so many times before and ask for you

0:21:42.680 --> 0:21:46.160
<v Speaker 1>a sex party. Lots of old men smoking cigars with hot,

0:21:46.240 --> 0:21:49.160
<v Speaker 1>barely legal looking babes and forever twenty one dresses sitting

0:21:49.160 --> 0:21:53.320
<v Speaker 1>on their laps like alcohols flowing. Everybody's you know, looks

0:21:53.359 --> 0:21:54.919
<v Speaker 1>like they're having a good time, except a lot of

0:21:54.920 --> 0:21:58.840
<v Speaker 1>the girls look bored and possibly upset. We see a

0:21:58.880 --> 0:22:02.879
<v Speaker 1>woman bartender who we recognize immediately as Abigail Savage from

0:22:02.920 --> 0:22:06.800
<v Speaker 1>Orange Is the New Black. She's like the who's her crew?

0:22:06.920 --> 0:22:09.400
<v Speaker 1>She's in Red's crew in Orange is the New Black? Right, Yeah,

0:22:09.440 --> 0:22:11.160
<v Speaker 1>she's part of the kitchen crew. She got the short

0:22:11.160 --> 0:22:13.680
<v Speaker 1>little pixie cut and she was Actually she's actually been

0:22:13.680 --> 0:22:18.439
<v Speaker 1>in two other episodes of SVU besides these two, and

0:22:18.480 --> 0:22:21.800
<v Speaker 1>she's the masturbai in the episode Sugar, the Eric McCormick

0:22:21.800 --> 0:22:24.440
<v Speaker 1>episode we did where she's like the online person named

0:22:24.480 --> 0:22:27.200
<v Speaker 1>the Masturbaiter and they go to her work and Stabler goes,

0:22:27.240 --> 0:22:29.520
<v Speaker 1>I need the masturbater to come to the front anyway.

0:22:29.640 --> 0:22:32.840
<v Speaker 1>That's her, and she's got a long wig on and

0:22:32.880 --> 0:22:35.919
<v Speaker 1>she's poorn drinks. And these old business dudes are like

0:22:35.960 --> 0:22:39.200
<v Speaker 1>sitting around talking about rents. Like one guy's like, yeah,

0:22:39.200 --> 0:22:41.200
<v Speaker 1>I wanted a two bedroom in Bushwick and I couldn't

0:22:41.240 --> 0:22:43.440
<v Speaker 1>find one for less than thirty five hundred dollars a month.

0:22:43.480 --> 0:22:46.280
<v Speaker 1>And it's like the other guy goes pathetic, which is

0:22:46.280 --> 0:22:49.280
<v Speaker 1>my mom's favorite adjective. By the way, she calls everything pathetic,

0:22:49.400 --> 0:22:51.800
<v Speaker 1>like everything is pathetic. She's like it's so pathetic, I

0:22:51.800 --> 0:22:54.080
<v Speaker 1>can't even get upstairs. Or she's like it's so pathetic,

0:22:54.160 --> 0:22:57.040
<v Speaker 1>what's happening in Syria. Like she just like pathetic is

0:22:57.040 --> 0:23:01.159
<v Speaker 1>her catch all adjective. And it's just weird to me

0:23:01.240 --> 0:23:02.800
<v Speaker 1>that these men that I guess are supposed to be

0:23:02.800 --> 0:23:05.720
<v Speaker 1>able to like pay to get into these exclusive sex

0:23:05.720 --> 0:23:08.600
<v Speaker 1>parties are like bitching about a two bedroom in Bushwick

0:23:08.640 --> 0:23:10.120
<v Speaker 1>that's thirty five hundred dollars a month.

0:23:10.200 --> 0:23:13.440
<v Speaker 2>Doesn't that seem weird? It does, But maybe they're complaining

0:23:13.480 --> 0:23:16.000
<v Speaker 2>about how the prices have changed it like, yeah, I

0:23:16.119 --> 0:23:18.600
<v Speaker 2>get used to be cheaper or something. Who knows? And

0:23:18.600 --> 0:23:20.280
<v Speaker 2>who are they buying these apartments for?

0:23:21.160 --> 0:23:23.040
<v Speaker 1>Yeah, but they're talking about rent, so they're not even

0:23:23.280 --> 0:23:24.640
<v Speaker 1>buying them, they're renting them.

0:23:24.800 --> 0:23:26.400
<v Speaker 2>So it's like, are you rich or not? I don't

0:23:26.400 --> 0:23:27.080
<v Speaker 2>know what's going on.

0:23:27.680 --> 0:23:31.760
<v Speaker 1>So the young sexy girls look very bored by these conversations,

0:23:31.800 --> 0:23:33.719
<v Speaker 1>and we pan around and who is hanging out at

0:23:33.720 --> 0:23:36.600
<v Speaker 1>this party listening in on the convos? But our dear

0:23:36.920 --> 0:23:42.040
<v Speaker 1>dominic Sonny CARESI and we cut obviously, and he's wearing glasses.

0:23:42.040 --> 0:23:44.360
<v Speaker 1>He's wearing like you know, we know he doesn't usually

0:23:44.359 --> 0:23:46.399
<v Speaker 1>wear glasses, so it's weird he's wearing glasses. And we

0:23:46.440 --> 0:23:48.840
<v Speaker 1>cut to the van where Rollin's Benson and Baby Dods

0:23:48.880 --> 0:23:52.239
<v Speaker 1>are watching the whole scene through Carees's Google glasses. He

0:23:52.280 --> 0:23:54.040
<v Speaker 1>basically has like spyglasses on.

0:23:54.640 --> 0:23:55.679
<v Speaker 2>And remember what a flop.

0:23:55.760 --> 0:23:59.240
<v Speaker 1>Google Glass was just one of the biggest slops, one

0:23:59.240 --> 0:24:01.399
<v Speaker 1>of the biggest tech of all time. I remember I

0:24:01.480 --> 0:24:05.200
<v Speaker 1>went to a bar once that said like no vaping

0:24:05.280 --> 0:24:06.400
<v Speaker 1>and no Google.

0:24:06.080 --> 0:24:08.920
<v Speaker 2>Glass, and I was like, this is amazing. I love

0:24:08.960 --> 0:24:11.800
<v Speaker 2>this sign. Well yeah, but I feel like Quibi is

0:24:11.920 --> 0:24:17.600
<v Speaker 2>my favorite tech disaster. Quibi and Siso are such specific

0:24:17.800 --> 0:24:22.320
<v Speaker 2>close to us flops. You know, Siso at least like

0:24:22.880 --> 0:24:25.880
<v Speaker 2>had a couple months like Quibi, truly within a day

0:24:26.040 --> 0:24:29.000
<v Speaker 2>was like, this is a flop. We're calling it quits. Well,

0:24:29.040 --> 0:24:31.720
<v Speaker 2>and the cockiness. I don't think CISA was as cocky as.

0:24:31.640 --> 0:24:36.159
<v Speaker 1>Quibi, but SISA was stupid because they charged immediately like

0:24:36.280 --> 0:24:37.920
<v Speaker 1>Hulu didn't charge at the beginning.

0:24:37.960 --> 0:24:39.240
<v Speaker 2>These people need to give away.

0:24:39.040 --> 0:24:42.119
<v Speaker 1>The ship for free and then make it impossible to

0:24:42.240 --> 0:24:44.760
<v Speaker 1>not pay because you want it so badly, you know

0:24:44.800 --> 0:24:46.240
<v Speaker 1>what I mean. You can't make people pay off the

0:24:46.280 --> 0:24:49.280
<v Speaker 1>bat anyway with content like that. But anyway, this is

0:24:49.320 --> 0:24:51.919
<v Speaker 1>why I'm you know, a media analyst on the side.

0:24:52.040 --> 0:24:54.880
<v Speaker 1>So Rollins is like God these guys are boring.

0:24:55.040 --> 0:24:57.399
<v Speaker 2>Also, for those who want to know, Casey is wearing

0:24:57.400 --> 0:25:00.000
<v Speaker 2>a jack O lantern sweatshirt and it is February.

0:25:00.880 --> 0:25:03.880
<v Speaker 1>Yeah, Casey, what brought you to that? I noticed that earlier.

0:25:04.600 --> 0:25:06.920
<v Speaker 2>I honor Halloween year round. I don't know what to say.

0:25:07.080 --> 0:25:09.879
<v Speaker 1>Yeah, Rosie's been making me play Halloween music for her

0:25:09.920 --> 0:25:11.360
<v Speaker 1>in the car, so you two can have a little

0:25:11.359 --> 0:25:12.520
<v Speaker 1>tricker treat party together.

0:25:14.960 --> 0:25:16.680
<v Speaker 2>So Rollin's is like watching.

0:25:16.359 --> 0:25:18.760
<v Speaker 1>The footage, She's like, dude, these these dudes are boring

0:25:18.760 --> 0:25:20.440
<v Speaker 1>as fuck. Is this what guys talk about when their

0:25:20.440 --> 0:25:22.919
<v Speaker 1>wives are gone and lives like focus more on the

0:25:22.960 --> 0:25:23.639
<v Speaker 1>actual crime.

0:25:23.720 --> 0:25:25.400
<v Speaker 2>She's like, these girls do not look eighteen.

0:25:25.800 --> 0:25:29.080
<v Speaker 1>Then they spot Judge Wheeler a judge, They spot a

0:25:29.119 --> 0:25:33.199
<v Speaker 1>Bronx eightya. They spot two assemblymen and a councilman. Like,

0:25:33.280 --> 0:25:37.600
<v Speaker 1>this party is supposedly I got all these higher up people, but.

0:25:37.600 --> 0:25:38.760
<v Speaker 2>I guess not higher up.

0:25:38.880 --> 0:25:41.720
<v Speaker 1>Like maybe my comment before about the rent stuff was misplaced,

0:25:41.720 --> 0:25:44.080
<v Speaker 1>because it's not like these are finance bros, like we've

0:25:44.119 --> 0:25:47.840
<v Speaker 1>seen those sex parties before. These are like public servant guys,

0:25:47.880 --> 0:25:50.520
<v Speaker 1>so they make money, but they're not like drowning in money.

0:25:51.040 --> 0:25:53.159
<v Speaker 1>So I guess they got a tip about this party

0:25:53.160 --> 0:25:55.800
<v Speaker 1>from a nurse who said that the girls were scared

0:25:55.880 --> 0:25:57.600
<v Speaker 1>but wouldn't name any names.

0:25:57.880 --> 0:25:59.480
<v Speaker 2>So Dods is like, let's get in there.

0:25:59.520 --> 0:26:01.479
<v Speaker 1>He's like it's to bust in and lives like we

0:26:01.520 --> 0:26:03.760
<v Speaker 1>need to wait for more illegal shit to happen. So far,

0:26:03.800 --> 0:26:06.720
<v Speaker 1>we're just seeing a lot of girls sitting on laps. Suddenly,

0:26:06.760 --> 0:26:08.840
<v Speaker 1>the girl that is sitting on the judge's lap starts

0:26:08.840 --> 0:26:10.840
<v Speaker 1>like coughing, and she wants to go to the bathroom,

0:26:10.840 --> 0:26:13.399
<v Speaker 1>but this creepy judge like won't let her go, and

0:26:13.440 --> 0:26:15.879
<v Speaker 1>so Caresee jumps in and is like, git neied water, honey,

0:26:15.880 --> 0:26:18.040
<v Speaker 1>and then the creepy judge is like, you'll get your turn.

0:26:18.720 --> 0:26:19.840
<v Speaker 2>Not great language.

0:26:20.080 --> 0:26:24.919
<v Speaker 1>And then the masturbader woman interjects and she's trying to

0:26:24.920 --> 0:26:27.240
<v Speaker 1>like calm things down. And then another creepy guy gets

0:26:27.240 --> 0:26:29.639
<v Speaker 1>in Creasey's face and calls him Jersey. It's like he

0:26:29.720 --> 0:26:34.080
<v Speaker 1>has a very clear, uh, New York accent. But then

0:26:34.359 --> 0:26:37.480
<v Speaker 1>he shoves Coresey. A fight ensues and a lot of

0:26:37.520 --> 0:26:40.000
<v Speaker 1>the guy guys like join in and it's all because

0:26:40.080 --> 0:26:42.600
<v Speaker 1>Cariese's offering a girl a glass of water just over

0:26:42.600 --> 0:26:43.160
<v Speaker 1>the line.

0:26:43.240 --> 0:26:46.119
<v Speaker 2>He should not have done that. So then one of

0:26:46.119 --> 0:26:48.919
<v Speaker 2>the guys, how dare you?

0:26:49.240 --> 0:26:52.360
<v Speaker 1>I like it when they can barely produce saliva. So

0:26:52.440 --> 0:26:55.840
<v Speaker 1>a guy that's there pulls a gun and then it's like,

0:26:55.960 --> 0:26:59.240
<v Speaker 1>uh oh gun. The squad moves in. Everyone like live

0:26:59.400 --> 0:27:02.280
<v Speaker 1>Rawin's Dodds are all in there. They're like, drop it.

0:27:02.359 --> 0:27:04.479
<v Speaker 1>But there's two guys now with guns on them. It's

0:27:04.480 --> 0:27:06.520
<v Speaker 1>a black guy and a guy with a mustache, and

0:27:06.520 --> 0:27:09.200
<v Speaker 1>they're they're like, we're on the job with vice. And

0:27:09.320 --> 0:27:12.000
<v Speaker 1>they're like color of the day and they're like yellow,

0:27:12.359 --> 0:27:14.760
<v Speaker 1>and like there's not that many colors.

0:27:14.480 --> 0:27:16.080
<v Speaker 2>Right, There's gotta be a better way to do this.

0:27:16.119 --> 0:27:18.000
<v Speaker 1>I feel like you could possibly guess the color of

0:27:18.040 --> 0:27:21.879
<v Speaker 1>the day, right, Like there's not that many colors. I

0:27:21.880 --> 0:27:24.320
<v Speaker 1>don't know unless they're like puce, Like are they doing

0:27:24.400 --> 0:27:28.520
<v Speaker 1>random colors or is it usually just like red, green, blue, brown?

0:27:28.640 --> 0:27:32.680
<v Speaker 2>Orange? Yeah, I remember there was certain comedy places that

0:27:32.720 --> 0:27:36.600
<v Speaker 2>would have different drink ticket colors every day. But I

0:27:36.680 --> 0:27:40.320
<v Speaker 2>knew an alcoholic comedian, great guy, great guy, great father,

0:27:41.000 --> 0:27:45.040
<v Speaker 2>but he he would keep different color tickets in his

0:27:45.119 --> 0:27:46.280
<v Speaker 2>backpack at all times. I know.

0:27:47.080 --> 0:27:48.320
<v Speaker 1>Yeah, No, I don't know who you're talking about, but

0:27:48.320 --> 0:27:50.399
<v Speaker 1>I know people that have done this. Yeah, like I

0:27:50.400 --> 0:27:53.680
<v Speaker 1>think I have today's color for drink tickets, yeah.

0:27:53.119 --> 0:27:56.120
<v Speaker 2>And he just like always had tickets ready. I mean,

0:27:56.320 --> 0:27:58.560
<v Speaker 2>I'm not gonna lie. I feel like they were such

0:27:58.640 --> 0:27:59.840
<v Speaker 2>currency in New York.

0:27:59.720 --> 0:28:01.760
<v Speaker 1>During stand up that I was like, I think if

0:28:01.760 --> 0:28:03.119
<v Speaker 1>I had an extra one, I keep it in my

0:28:03.160 --> 0:28:04.399
<v Speaker 1>wallet and be like, I don't know in case I

0:28:04.520 --> 0:28:05.640
<v Speaker 1>end up back at that bar.

0:28:07.280 --> 0:28:09.879
<v Speaker 2>So sad because I need a vodka soda so badly.

0:28:10.320 --> 0:28:13.080
<v Speaker 2>I had one of the worst fockasodas in my life yesterday.

0:28:13.840 --> 0:28:17.040
<v Speaker 2>I was just like it was just disgusting. Maybe i've

0:28:17.400 --> 0:28:19.680
<v Speaker 2>it was probably well or something, but I was just like,

0:28:19.720 --> 0:28:22.600
<v Speaker 2>this tastes like college, and I don't why is this happening. Yeah,

0:28:22.600 --> 0:28:26.200
<v Speaker 2>it's probably was bad vodka. Yeah, but it's like even

0:28:26.240 --> 0:28:29.080
<v Speaker 2>with like I I it was just so bad.

0:28:29.160 --> 0:28:30.879
<v Speaker 1>Remember when somebody asked you, what do you would you

0:28:30.960 --> 0:28:33.240
<v Speaker 1>like grey Goose or smearing off? It's like, what is

0:28:33.240 --> 0:28:36.880
<v Speaker 1>that question? Nobody wants smearing off over Greg Goose. Okay,

0:28:36.920 --> 0:28:39.080
<v Speaker 1>so Color of the Day. That's my two cents on that.

0:28:39.520 --> 0:28:42.760
<v Speaker 1>So everybody's got their guns on everybody and they're telling

0:28:42.800 --> 0:28:45.480
<v Speaker 1>Benson like we're vice. You just blew a two year

0:28:45.560 --> 0:28:48.640
<v Speaker 1>undercover investigation, and we get to Benson looking a little

0:28:48.640 --> 0:28:52.480
<v Speaker 1>bit panicked, and then it's the credits. So now Barbara

0:28:52.600 --> 0:28:55.080
<v Speaker 1>shows up at the precinct and he goes, Lieutenant, what

0:28:55.200 --> 0:28:56.200
<v Speaker 1>fresh hell awaits?

0:28:56.240 --> 0:28:57.720
<v Speaker 2>And it's like do you hate us? V? You?

0:28:57.960 --> 0:29:00.719
<v Speaker 1>I just love that you want? He is so funny, Like,

0:29:01.160 --> 0:29:03.640
<v Speaker 1>you know, we did lose like when Munch left, we

0:29:03.680 --> 0:29:05.680
<v Speaker 1>lost a lot of the humor. Barba had some of

0:29:05.720 --> 0:29:08.440
<v Speaker 1>the humor. And then he's gone, too we need more.

0:29:09.040 --> 0:29:12.080
<v Speaker 1>We need like a Ada. Coreese's too serious. We need

0:29:12.120 --> 0:29:16.040
<v Speaker 1>an Ada with a couple zingers like Barba. So anyway,

0:29:16.240 --> 0:29:18.320
<v Speaker 1>Benson fills him in, shows them all the high up

0:29:18.360 --> 0:29:21.440
<v Speaker 1>creeps that they busted. Barba's not surprised about Judge Wheeler

0:29:21.480 --> 0:29:24.120
<v Speaker 1>at all. Clearly there have been rumblings and the girls

0:29:24.120 --> 0:29:24.840
<v Speaker 1>aren't talking.

0:29:24.960 --> 0:29:25.720
<v Speaker 2>No one knows shit.

0:29:25.920 --> 0:29:29.240
<v Speaker 1>These two vice detectives are named Russo and Jefferson, and

0:29:29.280 --> 0:29:31.360
<v Speaker 1>they say they were working their own case, but they're

0:29:31.400 --> 0:29:33.960
<v Speaker 1>not telling anybody who through the party. The only person

0:29:34.040 --> 0:29:36.280
<v Speaker 1>at this party who wasn't an underage sex worker or

0:29:36.320 --> 0:29:39.800
<v Speaker 1>a public servant was Nina Kelly, a nun much like

0:29:39.960 --> 0:29:44.480
<v Speaker 1>sister peg So. Now We're in interrogation with Nina Kelly

0:29:44.600 --> 0:29:46.760
<v Speaker 1>and she's got her wig off and she's talking to

0:29:47.200 --> 0:29:49.800
<v Speaker 1>CARESI and Benson and they're like, so, why was a

0:29:49.880 --> 0:29:52.120
<v Speaker 1>nun at a sex party? And she's like, I'd really

0:29:52.120 --> 0:29:54.960
<v Speaker 1>prefer to talk to a woman. I'm not comfortable with him.

0:29:55.000 --> 0:29:57.760
<v Speaker 1>And it's like, girl, same, like I would almost always

0:29:57.840 --> 0:29:59.960
<v Speaker 1>rather talk to Benson than any man.

0:30:00.320 --> 0:30:01.920
<v Speaker 2>So he leaves and she.

0:30:01.920 --> 0:30:05.520
<v Speaker 1>Goes, I'm not comfortable with mail cops and it's like again, diddo,

0:30:06.040 --> 0:30:08.800
<v Speaker 1>and Benson says, yeah, as a madam, I bet the

0:30:08.840 --> 0:30:11.040
<v Speaker 1>cops really bum you out, and sister Nina is like,

0:30:11.080 --> 0:30:13.760
<v Speaker 1>I'm not a madam. I've spent months trying to infiltrate

0:30:13.800 --> 0:30:16.320
<v Speaker 1>the ring to save these girls. So this is a

0:30:16.360 --> 0:30:18.720
<v Speaker 1>lot like the Lily Taylor character in the super Bowl

0:30:18.760 --> 0:30:21.200
<v Speaker 1>episode of Undercover Mother, where they do a big Super

0:30:21.240 --> 0:30:23.400
<v Speaker 1>Bowl they sting and they think she's a madam at first,

0:30:23.440 --> 0:30:25.800
<v Speaker 1>but she's really just been working this ring forever, trying

0:30:25.840 --> 0:30:26.200
<v Speaker 1>to get in.

0:30:26.960 --> 0:30:27.920
<v Speaker 2>Benson tries to get.

0:30:27.760 --> 0:30:29.880
<v Speaker 1>Info from her, and she's like, I can't be found

0:30:29.880 --> 0:30:31.600
<v Speaker 1>to be cooperating or I won't be able to save

0:30:31.640 --> 0:30:34.520
<v Speaker 1>any more girls. So now everyone's so tight lipped about

0:30:34.520 --> 0:30:36.480
<v Speaker 1>this party what's going on, And now Dodds is in

0:30:36.520 --> 0:30:38.600
<v Speaker 1>another room with these two guys from Vice and they're

0:30:38.680 --> 0:30:41.440
<v Speaker 1>keeping their lips zipped and this is above their pay grade.

0:30:41.480 --> 0:30:44.280
<v Speaker 1>They said, their cover story in the operation is that

0:30:44.360 --> 0:30:46.400
<v Speaker 1>they're dirty cops. That's why they were allowed to have

0:30:46.440 --> 0:30:48.680
<v Speaker 1>guns and badges like on them at the time. But

0:30:48.720 --> 0:30:51.160
<v Speaker 1>there's no record of these guys being undercover, and their

0:30:51.200 --> 0:30:53.520
<v Speaker 1>captain told them not to file anything because all these

0:30:53.600 --> 0:30:57.000
<v Speaker 1>Johns are so high powered they'd have access to that information.

0:30:57.880 --> 0:30:59.600
<v Speaker 2>So the captain.

0:30:59.560 --> 0:31:03.520
<v Speaker 1>Finally shows up and he is actually in another episode.

0:31:03.560 --> 0:31:05.560
<v Speaker 1>He's in the episode Beef that we have not done

0:31:05.560 --> 0:31:08.120
<v Speaker 1>on the podcast, but we do it on live shows.

0:31:08.160 --> 0:31:11.440
<v Speaker 1>And he plays the guy who writes Expose as about

0:31:11.480 --> 0:31:14.640
<v Speaker 1>like dangerous toys and meats and and like he's like

0:31:14.680 --> 0:31:17.200
<v Speaker 1>tries to be a Michael Moore type of like expose guy,

0:31:17.680 --> 0:31:20.480
<v Speaker 1>and in this episode he has like really bad, puffy,

0:31:20.720 --> 0:31:22.000
<v Speaker 1>long white sideburns.

0:31:22.360 --> 0:31:24.840
<v Speaker 2>Well, my favorite part in Beef, you know, we've done

0:31:24.840 --> 0:31:27.720
<v Speaker 2>that episode live a few times when I thought some

0:31:27.840 --> 0:31:29.880
<v Speaker 2>guy was a dean of a school and he didn't

0:31:29.920 --> 0:31:31.680
<v Speaker 2>look like a dean, and you were like, his name

0:31:31.760 --> 0:31:32.360
<v Speaker 2>is just Dean.

0:31:37.760 --> 0:31:41.440
<v Speaker 1>I do love that so long white sidebirds man that

0:31:41.480 --> 0:31:44.920
<v Speaker 1>we know from Beef. He rolls in, he shades Baby

0:31:45.000 --> 0:31:47.720
<v Speaker 1>Dodds with a quickness. He's like, I thought your dad

0:31:47.720 --> 0:31:50.640
<v Speaker 1>said you were moving up, like immediate shade to Dodds.

0:31:50.920 --> 0:31:53.080
<v Speaker 1>And then he goes to chat with Benson and she's like,

0:31:53.120 --> 0:31:55.560
<v Speaker 1>sorry for the confusion, but like, lot, why don't we

0:31:55.560 --> 0:31:57.440
<v Speaker 1>work together on this? And he's like, ooh, wish I

0:31:57.480 --> 0:32:00.000
<v Speaker 1>could help, but this is a long game for us.

0:32:00.120 --> 0:32:01.080
<v Speaker 2>Guys are too high up.

0:32:01.360 --> 0:32:04.120
<v Speaker 1>And then he reveals his true feelings that where SVU

0:32:04.200 --> 0:32:07.720
<v Speaker 1>sees victims, they see horrors. Basically, he goes, these girls

0:32:07.720 --> 0:32:11.120
<v Speaker 1>are not exactly Madonna's and it's just like, I remember.

0:32:10.800 --> 0:32:14.560
<v Speaker 2>What, why do you have to be a Madonna? Wow? Exactly.

0:32:14.640 --> 0:32:17.520
<v Speaker 1>I mean he thinks these are first of all, if

0:32:17.520 --> 0:32:19.920
<v Speaker 1>they're under eighteen, they're not able to consent really in

0:32:20.120 --> 0:32:22.920
<v Speaker 1>sex work. So it just reminds me of what we

0:32:23.040 --> 0:32:25.720
<v Speaker 1>talked to doctor heather Berg about, who is a woman

0:32:25.760 --> 0:32:27.880
<v Speaker 1>who writes about sex work and who we just found

0:32:27.880 --> 0:32:30.600
<v Speaker 1>out as cousins with our producer Casey, but we talked

0:32:30.640 --> 0:32:33.280
<v Speaker 1>to her for the episode Counselor It's Chinatown just to

0:32:33.280 --> 0:32:36.400
<v Speaker 1>get some perspective on the sex the life of sex workers,

0:32:36.480 --> 0:32:38.680
<v Speaker 1>and get some facts about sex trafficking. And what she

0:32:38.760 --> 0:32:41.640
<v Speaker 1>told us was that the majority of girls that get

0:32:41.880 --> 0:32:45.320
<v Speaker 1>funneled into sex work and sex trafficking are done so

0:32:45.440 --> 0:32:47.880
<v Speaker 1>by a member of their family or someone they know personally.

0:32:48.320 --> 0:32:51.880
<v Speaker 1>So acting like these girls are just like these like

0:32:52.200 --> 0:32:55.880
<v Speaker 1>young teen horrors is like so wild and so like

0:32:56.440 --> 0:32:57.720
<v Speaker 1>so thirty years ago.

0:32:57.720 --> 0:33:00.680
<v Speaker 2>I don't know. This man has a very old old worldview.

0:33:00.760 --> 0:33:03.600
<v Speaker 2>I also refuse to acknowledge that like teens are kids

0:33:03.680 --> 0:33:06.640
<v Speaker 2>or like that it's wrong because they want to fuck teens,

0:33:06.760 --> 0:33:09.720
<v Speaker 2>So like whatever narrative they are going to have in

0:33:09.760 --> 0:33:12.720
<v Speaker 2>their head to like excuse it and not see themselves

0:33:12.760 --> 0:33:13.880
<v Speaker 2>as the pedophiles they are.

0:33:14.480 --> 0:33:18.440
<v Speaker 1>Yeah, well we see live obviously get a look of

0:33:18.480 --> 0:33:20.960
<v Speaker 1>like ugh, like fuck you, because it's it's wild that

0:33:21.000 --> 0:33:23.120
<v Speaker 1>this episode comes out in twenty sixteen, Like you would

0:33:23.120 --> 0:33:24.600
<v Speaker 1>hear stuff like that all the time when we would

0:33:24.600 --> 0:33:28.280
<v Speaker 1>do older episodes, but like, oh, she's no virgin or

0:33:28.320 --> 0:33:30.640
<v Speaker 1>she's no angel or whatever. But it's like you'd think

0:33:30.680 --> 0:33:34.880
<v Speaker 1>people's like viewpoints change, but they don't, of course, and

0:33:34.960 --> 0:33:38.840
<v Speaker 1>so yeah nobody does. But I mean, mind you I'm

0:33:38.880 --> 0:33:39.840
<v Speaker 1>constantly evolving.

0:33:40.680 --> 0:33:45.280
<v Speaker 2>I'm just thinking about the way we treat women that

0:33:45.360 --> 0:33:47.920
<v Speaker 2>come forward about stuff to this day. The Amber Herd

0:33:48.000 --> 0:33:51.680
<v Speaker 2>trial was like a very oh telling way of how

0:33:51.680 --> 0:33:52.440
<v Speaker 2>we view women.

0:33:53.200 --> 0:33:56.520
<v Speaker 1>Yeah, I don't want to hear another fucking message about

0:33:56.560 --> 0:33:58.520
<v Speaker 1>amberhood her Do not send me one.

0:33:59.720 --> 0:34:02.080
<v Speaker 2>So oh you see.

0:34:01.760 --> 0:34:06.440
<v Speaker 1>Live, get me too, don't send me yeah to the

0:34:06.480 --> 0:34:10.080
<v Speaker 1>personals or the business. So you see Live get pissed

0:34:10.080 --> 0:34:13.200
<v Speaker 1>and he's like, whatever, we're already inside you guys can't

0:34:13.200 --> 0:34:15.560
<v Speaker 1>get involved or this whole operation will be blown. And

0:34:15.600 --> 0:34:17.480
<v Speaker 1>he's like, bye, bye, I'm getting my guys and I'm

0:34:17.480 --> 0:34:18.920
<v Speaker 1>head and out. And she's like, well, why don't you

0:34:18.960 --> 0:34:21.120
<v Speaker 1>let me run it by Barbara? And he big times

0:34:21.160 --> 0:34:22.719
<v Speaker 1>her and he goes, oh, why don't you call the

0:34:22.719 --> 0:34:25.080
<v Speaker 1>deputy inspector and see what he has to say. So

0:34:25.400 --> 0:34:28.080
<v Speaker 1>she's like she basically is like, well, let me see

0:34:28.080 --> 0:34:30.040
<v Speaker 1>what the ADA has to say. And he's like, I've

0:34:30.040 --> 0:34:32.239
<v Speaker 1>actually got people way above the ADA, so fuck you.

0:34:32.680 --> 0:34:35.400
<v Speaker 1>So SVU is getting fully shut out of this whole investigation.

0:34:35.920 --> 0:34:38.120
<v Speaker 2>So now the gangs all which got to them just

0:34:38.200 --> 0:34:40.000
<v Speaker 2>makes them want to investigate more.

0:34:40.239 --> 0:34:41.959
<v Speaker 1>I know. It's like, don't you guys watch the show,

0:34:42.080 --> 0:34:44.440
<v Speaker 1>don't you know what They're like that only is going

0:34:44.520 --> 0:34:47.120
<v Speaker 1>to light a fire underneath them even harder. So the

0:34:47.160 --> 0:34:49.360
<v Speaker 1>gang's all discussing how they're getting niced out, and of

0:34:49.400 --> 0:34:51.920
<v Speaker 1>course Nepo baby Dods is like, want me to ask daddy,

0:34:52.000 --> 0:34:54.080
<v Speaker 1>and this time Lives like, yeah, it's worth a try,

0:34:54.200 --> 0:34:57.520
<v Speaker 1>any anything we can do, And Benson and Careesi are

0:34:57.560 --> 0:35:00.279
<v Speaker 1>walking and talking about options, and Sister Nina is like,

0:35:00.360 --> 0:35:03.000
<v Speaker 1>you're just gonna let those bastards walk. So because they

0:35:03.040 --> 0:35:05.799
<v Speaker 1>have badges, they can assault sixteen year old girls. And

0:35:05.840 --> 0:35:09.319
<v Speaker 1>she's talking about the vice undercover. She's not even talking

0:35:09.320 --> 0:35:11.719
<v Speaker 1>about like Judge Wheeler and all these other guys. And

0:35:11.760 --> 0:35:14.800
<v Speaker 1>she says they've assaulted tons of girls, tons of times.

0:35:14.840 --> 0:35:18.120
<v Speaker 1>They're not cops, they're rapists. So done done, We got

0:35:18.160 --> 0:35:19.440
<v Speaker 1>to look into this further, right.

0:35:19.840 --> 0:35:23.240
<v Speaker 2>I love Sister Nina, Yeah, she's great Heart of Gold.

0:35:23.840 --> 0:35:27.000
<v Speaker 1>At Saint Bernardine's, which is a halfway house for women,

0:35:27.280 --> 0:35:30.480
<v Speaker 1>another nun, an older nun there named Sister Ida, corroborates

0:35:30.480 --> 0:35:33.879
<v Speaker 1>Sister Nina. She's like, Nina doesn't lie, she's legit. If

0:35:33.880 --> 0:35:36.279
<v Speaker 1>she said it, it's true, And Benson asks them not

0:35:36.320 --> 0:35:39.239
<v Speaker 1>about a girl named Kara Gatierrez, same name as Mine,

0:35:39.280 --> 0:35:42.680
<v Speaker 1>Makara with a seat. She brought Kara to them six

0:35:42.719 --> 0:35:46.719
<v Speaker 1>months ago. She was very traumatized but healing from you know,

0:35:46.760 --> 0:35:50.319
<v Speaker 1>she extricated her from this ring and she's like, but

0:35:50.400 --> 0:35:52.799
<v Speaker 1>she will not talk to anyone without Sister Nina. So

0:35:52.880 --> 0:35:57.279
<v Speaker 1>Benson goes to probably get Sister Nina and she the

0:35:57.360 --> 0:35:59.680
<v Speaker 1>nun really quickly goes, but good to see you again.

0:35:59.800 --> 0:36:02.799
<v Speaker 1>How Noah, You're like, you adopted him, right, And so

0:36:03.000 --> 0:36:05.600
<v Speaker 1>I guess this is a shelter that Ellie Porter used

0:36:05.600 --> 0:36:07.359
<v Speaker 1>to be at. And the nun says, we still say

0:36:07.360 --> 0:36:11.600
<v Speaker 1>the rosary for Ellie every year. So yeah, it's got

0:36:11.640 --> 0:36:13.759
<v Speaker 1>a little you know, we constantly have to bring up

0:36:14.239 --> 0:36:18.719
<v Speaker 1>Benson's tumultuous adoption at every corner in these seasons, so

0:36:19.000 --> 0:36:20.239
<v Speaker 1>we brought Kara to them.

0:36:20.600 --> 0:36:23.600
<v Speaker 2>It really is like these episodes are jam packed enough.

0:36:23.800 --> 0:36:26.920
<v Speaker 2>We don't need guys. There's so much going on.

0:36:26.960 --> 0:36:29.040
<v Speaker 1>They're like sprinkling a little bit of Noah. Maybe Noah

0:36:29.080 --> 0:36:31.600
<v Speaker 1>broke another finger, Let's go come on, Okay. So now

0:36:31.680 --> 0:36:33.960
<v Speaker 1>Rollins and Benson are back at the Halfway house with

0:36:34.120 --> 0:36:37.440
<v Speaker 1>Sister Nina and they're talking to Kara, she's very scared,

0:36:37.520 --> 0:36:40.560
<v Speaker 1>and she points out Russo out from the iPad and

0:36:40.600 --> 0:36:42.319
<v Speaker 1>she's like, he's one of the cops who's at all

0:36:42.320 --> 0:36:44.160
<v Speaker 1>the parties and one of the ones that made us

0:36:44.200 --> 0:36:46.319
<v Speaker 1>do stuff. And then she also I d's Jefferson. So

0:36:46.320 --> 0:36:48.920
<v Speaker 1>now she's ideed both cops out of nowhere, out of

0:36:48.920 --> 0:36:51.719
<v Speaker 1>a lineup. And Benson's like, I hate to do this,

0:36:51.800 --> 0:36:54.520
<v Speaker 1>but I really need the details, and Kara's like, okay, well,

0:36:54.560 --> 0:36:57.480
<v Speaker 1>these guys forced us to go down on them. They

0:36:57.600 --> 0:36:59.600
<v Speaker 1>we had to pretend we liked them. And then one

0:36:59.600 --> 0:37:01.440
<v Speaker 1>time they super drunk and they brought me into a

0:37:01.520 --> 0:37:04.239
<v Speaker 1>room and they took turns like assaulting me. So then

0:37:04.239 --> 0:37:06.319
<v Speaker 1>eventually sister Nina earned her trust and got her out

0:37:06.320 --> 0:37:08.360
<v Speaker 1>of that life. And they asked, well, who took you

0:37:08.440 --> 0:37:10.759
<v Speaker 1>to the parties? And Nina's like, no way, she is

0:37:10.800 --> 0:37:14.480
<v Speaker 1>not talking about that. It's too dangerous. Where is this going?

0:37:14.760 --> 0:37:16.759
<v Speaker 1>So that's the act, that's the commercial break and the

0:37:16.840 --> 0:37:18.880
<v Speaker 1>end of act one, But like what's going on? Like

0:37:18.880 --> 0:37:21.680
<v Speaker 1>who's so high up that we can't find out? You

0:37:21.719 --> 0:37:24.160
<v Speaker 1>won't tell us, like who these people are? So now

0:37:25.000 --> 0:37:27.720
<v Speaker 1>top of Act two, Benson brings this info to Tucker

0:37:27.760 --> 0:37:31.319
<v Speaker 1>at IAB and baby Dodds doesn't think that these guys

0:37:31.360 --> 0:37:33.680
<v Speaker 1>are even undercover. They think that they're just like using

0:37:33.719 --> 0:37:35.880
<v Speaker 1>the shield to be part of a sex ring. But

0:37:35.960 --> 0:37:38.800
<v Speaker 1>Benson says, well, their captain confirmed the op and Dodds

0:37:38.800 --> 0:37:41.399
<v Speaker 1>thinks he's in on it too, and Tucker's like, well,

0:37:41.400 --> 0:37:43.359
<v Speaker 1>this is going to be hard to prove. But I've

0:37:43.360 --> 0:37:46.480
<v Speaker 1>also dealt with these two cops before Twist, he says,

0:37:46.520 --> 0:37:49.920
<v Speaker 1>about a year ago, but nothing stuck because people accuse

0:37:50.040 --> 0:37:52.440
<v Speaker 1>vice cops of shit all the time, it seems, I guess.

0:37:53.040 --> 0:37:56.840
<v Speaker 1>So if IAB questions them about a high level investigation,

0:37:56.880 --> 0:37:58.719
<v Speaker 1>they're going to have to give up the information to

0:37:58.800 --> 0:38:01.560
<v Speaker 1>save their shields. And then Benson and Tucker exchange what

0:38:01.600 --> 0:38:05.800
<v Speaker 1>I would call a sexual look. And this is episode seventeen,

0:38:05.880 --> 0:38:08.160
<v Speaker 1>and we just got confirmation that these two are hooking

0:38:08.239 --> 0:38:12.000
<v Speaker 1>up in episode fifteen Collateral Damages, where our buddy Hann

0:38:12.040 --> 0:38:16.440
<v Speaker 1>Gabraham goes bye bye for child sex abuse images. So

0:38:17.200 --> 0:38:20.440
<v Speaker 1>they are together, but they're trying to keep it kosher

0:38:20.600 --> 0:38:23.600
<v Speaker 1>and business like in the squad, but you can tell

0:38:23.600 --> 0:38:24.600
<v Speaker 1>there's something going on there.

0:38:25.000 --> 0:38:26.319
<v Speaker 2>So now in IAB.

0:38:26.160 --> 0:38:29.280
<v Speaker 1>Interrogation, which looks by the way like the lovely conference

0:38:29.320 --> 0:38:31.720
<v Speaker 1>room of a modern hotel. Like it's like the lighting

0:38:31.760 --> 0:38:35.800
<v Speaker 1>is beautiful. There's like gorgeous, like high gloss furniture. It's beautiful.

0:38:36.120 --> 0:38:40.040
<v Speaker 1>They've got mustache man Russo and his lawyer. It's maybe

0:38:40.040 --> 0:38:42.640
<v Speaker 1>his lawyer, maybe his iab rep are those are those

0:38:42.680 --> 0:38:45.560
<v Speaker 1>lawyers or they iab reps just iab reps. That's a

0:38:45.560 --> 0:38:48.000
<v Speaker 1>great question. I don't know the answer to that. But

0:38:48.560 --> 0:38:50.600
<v Speaker 1>he's got a woman there with him who's like defending him.

0:38:50.640 --> 0:38:54.160
<v Speaker 1>And then it's Tucker and his partner, and so he's like,

0:38:54.400 --> 0:38:56.560
<v Speaker 1>tell me where we want to hear your side. And

0:38:56.600 --> 0:38:59.560
<v Speaker 1>he's like, well, whose allegations are these the allegations of hookers?

0:38:59.840 --> 0:39:02.520
<v Speaker 2>And he's like try high school girls. And Russo says, well,

0:39:02.560 --> 0:39:05.000
<v Speaker 2>not only that, like how are you working at vice?

0:39:05.120 --> 0:39:07.920
<v Speaker 2>You're you're you're claiming you're there to help and be

0:39:08.000 --> 0:39:10.080
<v Speaker 2>a cop, and yet you're calling them hookers and they're

0:39:10.120 --> 0:39:12.680
<v Speaker 2>worthless and they're like don't matter and their opinions don't matter.

0:39:13.000 --> 0:39:15.279
<v Speaker 2>Then why are you working to help? Like why are

0:39:15.280 --> 0:39:15.839
<v Speaker 2>you there? Then?

0:39:16.760 --> 0:39:20.600
<v Speaker 1>I think they're there because of a higher level drug issue.

0:39:20.640 --> 0:39:23.600
<v Speaker 1>They don't really care about the trafficking that's not really

0:39:23.600 --> 0:39:27.520
<v Speaker 1>why they're in there. They're in there for like drugs

0:39:27.560 --> 0:39:29.560
<v Speaker 1>and like, uh, extortion.

0:39:29.680 --> 0:39:30.000
<v Speaker 2>I don't know.

0:39:30.040 --> 0:39:33.920
<v Speaker 1>I think vice is mostly concentrated on on drug stuff, right, No.

0:39:34.040 --> 0:39:37.040
<v Speaker 2>Vice is all vices. It's like, oh, yeah, so it's

0:39:37.080 --> 0:39:40.600
<v Speaker 2>it's sex crime, it's prostitution. Yes, so you're right. So

0:39:40.640 --> 0:39:44.200
<v Speaker 2>they see them as criminals because they meet them as prostitutes. Yes, yeah.

0:39:44.360 --> 0:39:46.319
<v Speaker 2>Because to me, I'm like, if you're claiming that you're

0:39:46.360 --> 0:39:48.120
<v Speaker 2>there to help and you're a good cop, why are

0:39:48.160 --> 0:39:51.719
<v Speaker 2>you like dismissing these women and victims, you know, yeah.

0:39:51.440 --> 0:39:55.920
<v Speaker 1>Because that's that's a full worldview difference. They don't see

0:39:55.960 --> 0:39:58.439
<v Speaker 1>them as victims even though they're underage, because they see

0:39:58.480 --> 0:40:00.880
<v Speaker 1>them dressed up hooking up with guys for money, and

0:40:00.920 --> 0:40:03.080
<v Speaker 1>they think that's like a choice and something that they're

0:40:03.080 --> 0:40:05.040
<v Speaker 1>consenting to it that they have the ability to consent

0:40:05.120 --> 0:40:08.840
<v Speaker 1>to the guy. Russo says these girls are low hanging fruit.

0:40:08.880 --> 0:40:11.279
<v Speaker 1>The roots of the tree can't be discussed, and he

0:40:11.360 --> 0:40:14.960
<v Speaker 1>admits that he's like, let these girls get trafficked, and

0:40:14.960 --> 0:40:15.319
<v Speaker 1>he's like.

0:40:15.280 --> 0:40:16.200
<v Speaker 2>It's part of the job.

0:40:16.280 --> 0:40:19.239
<v Speaker 1>And Tucker's like, I disagree, and they're like, how about

0:40:19.239 --> 0:40:21.480
<v Speaker 1>the rapes? Of sixteen year old girls, and then we

0:40:21.560 --> 0:40:24.240
<v Speaker 1>switched to the interview. It's like all the same people,

0:40:24.480 --> 0:40:27.479
<v Speaker 1>including the IAB rep, but it's Jefferson. It's the same room,

0:40:27.600 --> 0:40:30.239
<v Speaker 1>just different cop in the chair. And he's like, I

0:40:30.280 --> 0:40:33.200
<v Speaker 1>do not understand this, Lisa. I watched it six times

0:40:33.239 --> 0:40:34.759
<v Speaker 1>and I can't understand what he says. So tell me

0:40:34.760 --> 0:40:36.480
<v Speaker 1>if you can help me figure this out. He goes,

0:40:36.880 --> 0:40:39.799
<v Speaker 1>we're cops. We don't engage in the sexual activity, so

0:40:39.840 --> 0:40:42.480
<v Speaker 1>they make us as cops. That's why they're coming after us.

0:40:43.360 --> 0:40:46.440
<v Speaker 1>Say it again, we're cops. We don't engage in the

0:40:46.480 --> 0:40:49.080
<v Speaker 1>sexual activity, so they make us as cops. That's why

0:40:49.280 --> 0:40:52.680
<v Speaker 1>they're coming after us. What are you talking about? Like,

0:40:52.760 --> 0:40:54.680
<v Speaker 1>your whole thing is that you're a dirty cop. Everyone

0:40:54.800 --> 0:40:57.400
<v Speaker 1>knows your cops, so you would be expected to engage

0:40:57.400 --> 0:41:00.279
<v Speaker 1>in the sexual activities, so nobody had to make as

0:41:00.280 --> 0:41:02.320
<v Speaker 1>a cop because that's your job, that's your cover, that

0:41:02.360 --> 0:41:04.760
<v Speaker 1>you're a cop. I don't really get it. If anyone

0:41:04.760 --> 0:41:06.960
<v Speaker 1>can help me clarify. I watched it six times and

0:41:07.000 --> 0:41:10.080
<v Speaker 1>I did not understand the fucking what the guy was saying.

0:41:10.480 --> 0:41:12.719
<v Speaker 1>And he's like, it's they're pimps, putting them up to it,

0:41:12.840 --> 0:41:15.719
<v Speaker 1>and they're trying to create reasonable doubts since SPU busted them,

0:41:16.239 --> 0:41:20.120
<v Speaker 1>and he won't name any names, and he says, if

0:41:20.120 --> 0:41:21.200
<v Speaker 1>one pp won't give.

0:41:21.160 --> 0:41:23.120
<v Speaker 2>Up the target, maybe that should tell you something.

0:41:23.440 --> 0:41:25.200
<v Speaker 1>And I think that kind of gets to Tucker because

0:41:25.239 --> 0:41:27.400
<v Speaker 1>he's like, yeah, that's true, Like if this is that

0:41:27.520 --> 0:41:30.520
<v Speaker 1>high up, like what's going on? So back at the precinct,

0:41:30.560 --> 0:41:33.640
<v Speaker 1>they're playing whiteboard, you know, their little whiteboard Tetris game

0:41:33.680 --> 0:41:35.120
<v Speaker 1>that they like to play with the whole gang. And

0:41:35.120 --> 0:41:38.720
<v Speaker 1>Tucker's there and he's like, Tucker's like, they called my bluff.

0:41:38.760 --> 0:41:41.960
<v Speaker 1>They'd rather risk a morals charge than name names. And

0:41:42.080 --> 0:41:44.400
<v Speaker 1>none of these girls are cooperating either. Two of them,

0:41:44.480 --> 0:41:48.040
<v Speaker 1>Natalia and Margaret went to Saint Fabiola's and so did Karagodierras.

0:41:48.440 --> 0:41:50.719
<v Speaker 1>And this perks up Tucker's little ears because he's like,

0:41:50.760 --> 0:41:53.640
<v Speaker 1>I might know someone who works there. His cousin, Eugene

0:41:53.680 --> 0:41:56.680
<v Speaker 1>is a psychologist and a priest, and the last he

0:41:56.680 --> 0:42:00.840
<v Speaker 1>heard he worked at the school CARESI is founded that

0:42:00.920 --> 0:42:03.719
<v Speaker 1>Tucker doesn't know every detail of his cousin's employment history.

0:42:03.760 --> 0:42:05.600
<v Speaker 1>He's like, he's a cousin, you don't even know if

0:42:05.640 --> 0:42:07.520
<v Speaker 1>he works at the school. It's like, I have cousins.

0:42:07.520 --> 0:42:09.279
<v Speaker 1>I don't even know what state they live in, Like

0:42:09.400 --> 0:42:10.560
<v Speaker 1>you know what I mean, Like.

0:42:10.520 --> 0:42:12.400
<v Speaker 2>The Italians are all about family.

0:42:12.480 --> 0:42:15.160
<v Speaker 1>The Italians, I mean, they're family. We just have a

0:42:15.239 --> 0:42:17.600
<v Speaker 1>huge family. I have dozens of cousins, Like I just

0:42:17.680 --> 0:42:19.680
<v Speaker 1>can't remember, Tucker.

0:42:19.760 --> 0:42:22.600
<v Speaker 2>If they're Irish Catholics, then yeah, the cousins. Yeah.

0:42:22.600 --> 0:42:24.439
<v Speaker 1>So it's just weird to be like, oh, you didn't

0:42:24.440 --> 0:42:26.960
<v Speaker 1>get like he didn't post it in the family Facebook

0:42:27.000 --> 0:42:29.120
<v Speaker 1>chat or whatever that he was moving to another school.

0:42:29.120 --> 0:42:31.840
<v Speaker 1>It's just so funny Kreese, He's like, he's your cousin.

0:42:31.880 --> 0:42:35.200
<v Speaker 2>You don't even know. I forgot what comic did this joke.

0:42:35.239 --> 0:42:37.560
<v Speaker 2>But I just as someone be like, do white people

0:42:37.600 --> 0:42:39.800
<v Speaker 2>have cousins? I feel like white people don't have cousins.

0:42:42.040 --> 0:42:44.319
<v Speaker 1>Well, it is funny to me when some people their

0:42:44.360 --> 0:42:46.560
<v Speaker 1>cousins are like their siblings. You know, people are just

0:42:46.600 --> 0:42:48.560
<v Speaker 1>so close to their cousins and other people just aren't.

0:42:48.560 --> 0:42:53.000
<v Speaker 1>I think it's like totally different family dynamics. But I'm

0:42:53.000 --> 0:42:55.720
<v Speaker 1>trying to think I have my cousins in New York City.

0:42:55.760 --> 0:42:57.560
<v Speaker 1>Are the cousins that I'm the closest to, Like you

0:42:57.680 --> 0:42:59.760
<v Speaker 1>met my cousins about you've met my cousin Sabastian.

0:42:59.760 --> 0:43:01.960
<v Speaker 2>A bunch like those are my cousins. I'm the closest too,

0:43:02.680 --> 0:43:03.040
<v Speaker 2>and then the.

0:43:03.080 --> 0:43:05.040
<v Speaker 1>Rest of them just live far away or when I

0:43:05.120 --> 0:43:06.200
<v Speaker 1>used to be close to when I was a kid,

0:43:06.239 --> 0:43:07.840
<v Speaker 1>but now she's a full trumper and she blocked me

0:43:07.880 --> 0:43:12.080
<v Speaker 1>on Facebook. So there's that, So that there's that careesy.

0:43:12.200 --> 0:43:15.040
<v Speaker 1>That's sometimes why people don't know when their cousins change schools.

0:43:15.120 --> 0:43:19.120
<v Speaker 1>So so then baby Dodds goes as strange Irish relatives,

0:43:19.239 --> 0:43:23.640
<v Speaker 1>how rare because Tucker talks about how, like him becoming

0:43:23.680 --> 0:43:27.120
<v Speaker 1>a priest, they kind of lost things they had in common,

0:43:27.239 --> 0:43:29.640
<v Speaker 1>like that they sort of separated over that, and so

0:43:29.719 --> 0:43:33.960
<v Speaker 1>Tucker fucking yeah, well no, I think like I think

0:43:34.000 --> 0:43:36.320
<v Speaker 1>maybe you know, later is sort of accused that Tucker

0:43:36.640 --> 0:43:38.880
<v Speaker 1>like lost the Lord or you know, he doesn't have

0:43:39.000 --> 0:43:42.480
<v Speaker 1>like the same religious fervor that maybe his family does.

0:43:42.920 --> 0:43:45.759
<v Speaker 1>So Tucker's like, I'm gonna go check with him, and

0:43:45.840 --> 0:43:48.799
<v Speaker 1>him and Benson have another little flirty moment, so they're

0:43:48.880 --> 0:43:52.480
<v Speaker 1>laying it on. So now at Saint Fabiola's we see

0:43:52.560 --> 0:43:55.840
<v Speaker 1>Tucker's cousin Eugene is our old buddy, one of the

0:43:55.880 --> 0:43:58.560
<v Speaker 1>original friends of the Pod, Michael O'Keefe.

0:43:58.840 --> 0:44:02.120
<v Speaker 2>Yeah, that's wild. He was one of our like first guests.

0:44:02.480 --> 0:44:05.440
<v Speaker 1>Yeah, like full pandemic. You were in an airbnb when

0:44:05.480 --> 0:44:07.279
<v Speaker 1>we talked to him. We were sitting next to each

0:44:07.320 --> 0:44:09.960
<v Speaker 1>other with like the Splitter. It was so different. If

0:44:10.280 --> 0:44:12.680
<v Speaker 1>you remember one of our first episode's Counterfeit, he played

0:44:12.719 --> 0:44:14.400
<v Speaker 1>like a bad cop who was kind of like a

0:44:14.400 --> 0:44:16.480
<v Speaker 1>Red Herring bad cop. He'd end up being like the

0:44:16.560 --> 0:44:19.879
<v Speaker 1>bad cop, but then crime was a bad cop, right,

0:44:20.160 --> 0:44:24.360
<v Speaker 1>And he was Amanda Seifried's dad in the episode Outcry

0:44:24.400 --> 0:44:27.160
<v Speaker 1>as well. So he's been He's also been in a ton.

0:44:27.000 --> 0:44:28.040
<v Speaker 2>Of regular law and order.

0:44:28.080 --> 0:44:29.600
<v Speaker 1>I think I don't know about criminal intent, but he's

0:44:29.600 --> 0:44:31.759
<v Speaker 1>been in the mother Ship a lot. So he was

0:44:31.800 --> 0:44:33.680
<v Speaker 1>the one that told us that they established something called

0:44:33.719 --> 0:44:36.160
<v Speaker 1>the O'Keefe rule where people had to wait like six

0:44:36.200 --> 0:44:38.120
<v Speaker 1>months to a year or something before coming back on

0:44:38.120 --> 0:44:39.759
<v Speaker 1>the show because he was coming back so often at

0:44:39.800 --> 0:44:43.799
<v Speaker 1>the beginning. So you cousin Eugene immediately makes a joke

0:44:43.800 --> 0:44:45.080
<v Speaker 1>about Tucker being in a church.

0:44:45.120 --> 0:44:46.760
<v Speaker 2>He's like, am I gonna get struck by lightning?

0:44:46.800 --> 0:44:48.959
<v Speaker 1>Like he's making all these gags about you know, because

0:44:48.960 --> 0:44:52.480
<v Speaker 1>I guess Tucker has, like I said, left the lord behind.

0:44:53.080 --> 0:44:55.800
<v Speaker 2>And he's like, what happened? Is some everybody okay?

0:44:55.880 --> 0:44:58.320
<v Speaker 1>And Tucker's like, Aunt Caroline's fine, even though she smokes

0:44:58.360 --> 0:45:00.239
<v Speaker 1>three packs a day, and then they shake hand like

0:45:00.280 --> 0:45:00.880
<v Speaker 1>they don't hug.

0:45:00.920 --> 0:45:03.480
<v Speaker 2>This is police business. He's like, do you know why

0:45:03.520 --> 0:45:04.080
<v Speaker 2>I'm here?

0:45:04.200 --> 0:45:06.800
<v Speaker 1>And Eugene is like, of course, I see in Italia

0:45:06.800 --> 0:45:08.520
<v Speaker 1>and Margaret. I check in with them every day. I

0:45:08.520 --> 0:45:12.200
<v Speaker 1>even took one of their confessions. And Tucker's like, well,

0:45:12.239 --> 0:45:13.960
<v Speaker 1>can you give me any info that they told you?

0:45:14.000 --> 0:45:15.960
<v Speaker 1>And he's like, between the seal of the confessional and

0:45:15.960 --> 0:45:18.719
<v Speaker 1>the hippolaws, my lips are sealed, like I can't talk.

0:45:19.160 --> 0:45:21.000
<v Speaker 1>He's like, well, what about any other troubled girls? Have

0:45:21.080 --> 0:45:23.640
<v Speaker 1>you heard about Kara Goodieraz And he's like, oh, yeah,

0:45:23.680 --> 0:45:26.319
<v Speaker 1>she dropped out six months ago drugs. You know, she's

0:45:26.360 --> 0:45:28.759
<v Speaker 1>an addict living in foster care. These gangs know who

0:45:28.800 --> 0:45:32.080
<v Speaker 1>to prey on, so they're really trying to like push

0:45:32.120 --> 0:45:35.320
<v Speaker 1>the conversation towards gangs a lot. So Tucker's like, which gangs?

0:45:35.320 --> 0:45:37.680
<v Speaker 1>And the cop the dirty cops have been trying to

0:45:37.680 --> 0:45:40.160
<v Speaker 1>push everything on BX nine and everyone's like, this seems

0:45:40.160 --> 0:45:42.560
<v Speaker 1>a little high up for a street gang. Like BX

0:45:42.640 --> 0:45:45.560
<v Speaker 1>nine's not having parties where judges are invited.

0:45:45.200 --> 0:45:46.600
<v Speaker 2>Do you know what I mean? Like, that's not really

0:45:46.680 --> 0:45:47.040
<v Speaker 2>the vibe.

0:45:47.080 --> 0:45:49.480
<v Speaker 1>B X nine is like killing someone and like leaving

0:45:49.520 --> 0:45:51.879
<v Speaker 1>their body in a tree. So before he can even

0:45:51.960 --> 0:45:55.040
<v Speaker 1>answer about which gangs, the monsignor shows up. This guy's

0:45:55.120 --> 0:45:56.680
<v Speaker 1>name is Moni Monsignor.

0:45:57.360 --> 0:45:58.839
<v Speaker 2>I don't know. I keep from the thing with all

0:45:58.840 --> 0:46:02.160
<v Speaker 2>these Catholics, they're more drag than drag, you know what

0:46:02.160 --> 0:46:05.200
<v Speaker 2>I mean, with other little funny names and hats. It's

0:46:05.280 --> 0:46:07.040
<v Speaker 2>just like it's so wild to.

0:46:07.040 --> 0:46:10.960
<v Speaker 1>Me that, yeah, well the hierarchy of it too, I mean,

0:46:11.040 --> 0:46:13.920
<v Speaker 1>it's like monarchy and like figuring out who's higher than who,

0:46:13.960 --> 0:46:16.160
<v Speaker 1>but the but cops are like that, who's higher than

0:46:16.160 --> 0:46:18.600
<v Speaker 1>a lieutenant or a captain or a like you know

0:46:19.120 --> 0:46:21.359
<v Speaker 1>this and that, like these hierarchies that exist in these

0:46:21.400 --> 0:46:23.680
<v Speaker 1>institutions where you can't Did you.

0:46:23.680 --> 0:46:28.799
<v Speaker 2>See Spicy Meatball's latest drag number that has catapulted her

0:46:28.840 --> 0:46:33.720
<v Speaker 2>to I think big fame. She went, who's that little twerp?

0:46:34.640 --> 0:46:37.400
<v Speaker 2>And it keeps lying about stuff in the government? Who

0:46:37.280 --> 0:46:41.400
<v Speaker 2>was George Santos George Santos. She went up as the

0:46:41.480 --> 0:46:47.440
<v Speaker 2>guy what's his name again, George Santos. Yes, so she

0:46:47.560 --> 0:46:50.520
<v Speaker 2>came out as George Santos and then threw out the number,

0:46:50.600 --> 0:46:53.719
<v Speaker 2>turned into the drag queen version of him and had like,

0:46:54.239 --> 0:46:57.200
<v Speaker 2>you know, a wig waiting and the reveals are a

0:46:57.200 --> 0:47:01.720
<v Speaker 2>red glitter dress. But it's just like, drag is such

0:47:01.960 --> 0:47:05.879
<v Speaker 2>art and so cool, and fuck Tennessee and fuck Instagram

0:47:05.920 --> 0:47:09.160
<v Speaker 2>for shadow banning her, and it was just such a

0:47:09.160 --> 0:47:09.840
<v Speaker 2>cool number.

0:47:10.160 --> 0:47:13.239
<v Speaker 1>That is, no Meatballs so good. I just finally got

0:47:13.280 --> 0:47:15.640
<v Speaker 1>to meet my Meatball last summer and Nicole's house and

0:47:15.760 --> 0:47:18.840
<v Speaker 1>was like, I know Meatball's prom date. I'm friends with

0:47:18.880 --> 0:47:20.319
<v Speaker 1>Meatball's prom date. So I was like, I know the

0:47:20.360 --> 0:47:21.879
<v Speaker 1>girl you went to prom with and he's like, oh,

0:47:21.920 --> 0:47:22.720
<v Speaker 1>I got no where.

0:47:23.239 --> 0:47:26.880
<v Speaker 2>So and so before you know, she comes out in

0:47:26.920 --> 0:47:30.600
<v Speaker 2>George Santos drag like news things are on a big screen.

0:47:31.120 --> 0:47:34.239
<v Speaker 2>Whatever she is shadow band, but if you can find her,

0:47:34.560 --> 0:47:35.680
<v Speaker 2>well we'll share this me.

0:47:35.800 --> 0:47:37.759
<v Speaker 1>Share it and we'll share it when this when this

0:47:37.800 --> 0:47:41.439
<v Speaker 1>episode comes out, Kasey, can you send me a note? So, yes,

0:47:41.480 --> 0:47:43.840
<v Speaker 1>this mon signor shows up in his Hi mon signor

0:47:43.920 --> 0:47:46.920
<v Speaker 1>drag and he's like he's like, I'm sorry, like we

0:47:46.960 --> 0:47:49.120
<v Speaker 1>really just can't talk about the students. And they're like, okay,

0:47:49.120 --> 0:47:52.120
<v Speaker 1>well what about Sister Nina, And mont Signior says, well,

0:47:52.480 --> 0:47:55.839
<v Speaker 1>I only know one sister Nina, and it's like there's

0:47:55.840 --> 0:47:57.640
<v Speaker 1>only one Sister Nina in all of New York City.

0:47:57.840 --> 0:48:00.560
<v Speaker 1>And they're like, and she's on medical ly for psychiat reasons.

0:48:00.560 --> 0:48:02.319
<v Speaker 1>And I'm upset to hear that she's been dealing with

0:48:02.400 --> 0:48:04.960
<v Speaker 1>children because they can't sanction her being around kids. So

0:48:05.560 --> 0:48:06.560
<v Speaker 1>what's going on there?

0:48:07.080 --> 0:48:07.920
<v Speaker 2>So now we're back in.

0:48:07.880 --> 0:48:10.200
<v Speaker 1>Barbara's office and Barbara's like, so you've got these dirty

0:48:10.239 --> 0:48:12.520
<v Speaker 1>cops and the key witness is a nun with mental

0:48:12.520 --> 0:48:14.920
<v Speaker 1>health issues and Benson's like, yeah, but that could just

0:48:14.960 --> 0:48:17.239
<v Speaker 1>be like a case they pinned on her to discredit her.

0:48:17.600 --> 0:48:19.640
<v Speaker 1>And so the cop. Barbara's like, all right, the cops

0:48:19.640 --> 0:48:22.120
<v Speaker 1>are out, the John's are out, all of the girls

0:48:22.520 --> 0:48:25.200
<v Speaker 1>are out except Kara, but she's too scared to testify.

0:48:25.560 --> 0:48:27.400
<v Speaker 2>Would she maybe come and talk to Barbara?

0:48:27.920 --> 0:48:30.160
<v Speaker 1>So now we're at the halfway house where they saw

0:48:30.239 --> 0:48:33.120
<v Speaker 1>Kara originally, and Sister Ida's like, she's been in her

0:48:33.200 --> 0:48:33.680
<v Speaker 1>room all day.

0:48:33.719 --> 0:48:34.920
<v Speaker 2>She didn't even come out for dinner.

0:48:35.560 --> 0:48:37.600
<v Speaker 1>They go to her room and they find Kara lying

0:48:37.640 --> 0:48:39.759
<v Speaker 1>in bed, oh deed, with a needle in her arm,

0:48:40.080 --> 0:48:43.239
<v Speaker 1>and Rollin's actually says, no need to call of us.

0:48:43.440 --> 0:48:46.919
<v Speaker 1>She's gone so very sad. And that is the end.

0:48:46.800 --> 0:48:47.319
<v Speaker 2>Of AC two.

0:48:47.760 --> 0:48:49.920
<v Speaker 1>Top of AAC three lives, like, where did she get

0:48:49.960 --> 0:48:52.800
<v Speaker 1>the heroin? We've got our friend of the pod Karen

0:48:52.880 --> 0:48:55.960
<v Speaker 1>sen Lee playing the Emmy Susan Chung, and she goes

0:48:56.239 --> 0:48:59.600
<v Speaker 1>the mechanism of death is respiratory arrest due to pulmonary

0:48:59.680 --> 0:49:04.000
<v Speaker 1>demon caused by acute drug intoxication, and they tell her

0:49:04.040 --> 0:49:06.440
<v Speaker 1>care has been cleaned for six months, and Emmy goes well,

0:49:06.480 --> 0:49:09.840
<v Speaker 1>sometimes addicts go back to their old dosage, and Rollins

0:49:09.960 --> 0:49:11.520
<v Speaker 1>is like, but is it possible someone gave her a

0:49:11.560 --> 0:49:13.600
<v Speaker 1>hot shot? And we have heard about hot shots a

0:49:13.640 --> 0:49:15.080
<v Speaker 1>lot in the show, but I decided to look up

0:49:15.120 --> 0:49:17.920
<v Speaker 1>the definition and it is a dose of heroin or

0:49:17.960 --> 0:49:21.200
<v Speaker 1>a similar drug contaminated with a toxix substance that is

0:49:21.239 --> 0:49:22.560
<v Speaker 1>intended to kill the user.

0:49:23.280 --> 0:49:24.160
<v Speaker 2>So the doc.

0:49:24.080 --> 0:49:27.680
<v Speaker 1>Says, well, I can't prove it, but if this concentration

0:49:27.800 --> 0:49:30.560
<v Speaker 1>we're going around, I'd be seeing a lot more id ods.

0:49:30.719 --> 0:49:32.719
<v Speaker 1>It's kind of like the way that ventanyl is huge

0:49:32.800 --> 0:49:34.919
<v Speaker 1>right now, Like you know there's ventanyl and all kinds

0:49:34.960 --> 0:49:37.440
<v Speaker 1>of cocaine and molly and stuff like that, and doctors

0:49:37.600 --> 0:49:40.279
<v Speaker 1>at emergency rooms kind of see what the trends are.

0:49:41.239 --> 0:49:44.600
<v Speaker 1>So she's ruling it undetermined, pending the SVU in investigation,

0:49:45.080 --> 0:49:46.799
<v Speaker 1>but she said, if it makes any difference, it was

0:49:46.800 --> 0:49:49.120
<v Speaker 1>a very humane death. She would have been fast asleep

0:49:49.160 --> 0:49:51.680
<v Speaker 1>by the time her lungs filled with water. Where does

0:49:51.719 --> 0:49:54.879
<v Speaker 1>the water come from? I don't know, just like water

0:49:54.960 --> 0:49:55.520
<v Speaker 1>in your body.

0:49:55.560 --> 0:49:55.840
<v Speaker 2>I don't know.

0:49:55.960 --> 0:49:58.759
<v Speaker 1>I was confusing to me, but I'm sure someone will

0:49:58.800 --> 0:50:00.320
<v Speaker 1>send me a graphic to description.

0:50:00.920 --> 0:50:02.040
<v Speaker 2>So they tell.

0:50:02.239 --> 0:50:06.200
<v Speaker 1>Sister Nina what happened, and she's obviously devastated. She knows

0:50:06.280 --> 0:50:08.840
<v Speaker 1>Kara was killed and she never should have brought her

0:50:08.880 --> 0:50:10.920
<v Speaker 1>to the s FU detectives and Benson is like, tell

0:50:11.000 --> 0:50:13.360
<v Speaker 1>us who did this? And Nina's like, wait a second,

0:50:13.880 --> 0:50:16.200
<v Speaker 1>who even knew Kara was at the shelter. It had

0:50:16.200 --> 0:50:18.239
<v Speaker 1>to be someone in your squad, like I only brought

0:50:18.320 --> 0:50:21.000
<v Speaker 1>you guys here, and She's like I'm going to be next,

0:50:21.040 --> 0:50:22.960
<v Speaker 1>and Benson's like, we got to get you out of here.

0:50:23.000 --> 0:50:25.960
<v Speaker 1>I know a place where you can go now we're

0:50:26.000 --> 0:50:28.839
<v Speaker 1>talking to Sister Ida, the nun at the halfway house,

0:50:28.880 --> 0:50:31.960
<v Speaker 1>and she's like, Kara was super upset. A priest went

0:50:31.960 --> 0:50:34.960
<v Speaker 1>to her room to receive her confession. It was Father Akinola.

0:50:35.320 --> 0:50:38.240
<v Speaker 1>He's a lovely man from West Africa who fills in sometimes.

0:50:38.239 --> 0:50:41.160
<v Speaker 1>He's not the regular priest. So now we're at Saint

0:50:41.200 --> 0:50:44.799
<v Speaker 1>Horatio's talking to Father Akinola. He's so sad and he's

0:50:44.840 --> 0:50:47.200
<v Speaker 1>heartbroken about Kara Kara, and.

0:50:47.160 --> 0:50:48.799
<v Speaker 2>He why did I mispronounce my own name?

0:50:49.120 --> 0:50:51.400
<v Speaker 1>And she says Kara was struggling with the arrest of

0:50:51.440 --> 0:50:54.200
<v Speaker 1>her former classmates. He says he didn't see anything. You

0:50:54.200 --> 0:50:56.160
<v Speaker 1>didn't see anybody go into her room, and that Kara

0:50:56.200 --> 0:50:57.960
<v Speaker 1>was an addict and they always find a way to

0:50:57.960 --> 0:51:00.400
<v Speaker 1>get drugs. And then writers they're leaving and he's like,

0:51:00.680 --> 0:51:02.279
<v Speaker 1>I could talk to the other girls and see what

0:51:02.320 --> 0:51:04.879
<v Speaker 1>they know, Like he's trying to be helpful. So back

0:51:04.920 --> 0:51:07.560
<v Speaker 1>to the whiteboard with the gang. Who else knew we

0:51:07.560 --> 0:51:09.680
<v Speaker 1>were talking to Kara? Besides us? The only people that

0:51:09.760 --> 0:51:13.120
<v Speaker 1>knew we were talking to Kara were Sister Nina, Sister Ida, Barba,

0:51:13.120 --> 0:51:16.680
<v Speaker 1>and Iab and maybe the vice cops Russo and Jefferson

0:51:17.040 --> 0:51:19.320
<v Speaker 1>and He's like, I never put Kara's name in the system,

0:51:19.360 --> 0:51:21.000
<v Speaker 1>and I didn't even tell my partner about this. And

0:51:21.040 --> 0:51:24.000
<v Speaker 1>then Benson realizes, but you did check with your cousin

0:51:24.040 --> 0:51:24.960
<v Speaker 1>Eugene about her.

0:51:25.239 --> 0:51:27.640
<v Speaker 2>Done done, if I do say so myself.

0:51:27.760 --> 0:51:30.160
<v Speaker 1>So Tucker rushes to the church with Benson to confront

0:51:30.160 --> 0:51:32.440
<v Speaker 1>his cousin Eugene, who's like chatting with a bunch of

0:51:32.440 --> 0:51:34.640
<v Speaker 1>young Catholic schoolgirls, which I do think is like the

0:51:34.640 --> 0:51:38.359
<v Speaker 1>show being like something's up, and he's immediately accusing him,

0:51:38.440 --> 0:51:41.120
<v Speaker 1>and Eugene's playing dumb and he's like, she died because

0:51:41.120 --> 0:51:43.759
<v Speaker 1>of the drugs, and Tucker is laying it on him

0:51:43.760 --> 0:51:46.360
<v Speaker 1>and he's like, this is you you got her killed?

0:51:46.440 --> 0:51:49.719
<v Speaker 1>And Eugene's like, I'm denying part of being anything. They

0:51:49.800 --> 0:51:50.880
<v Speaker 1>were like, so are.

0:51:50.719 --> 0:51:51.920
<v Speaker 2>You part of the ring? Or do they put you

0:51:51.960 --> 0:51:53.240
<v Speaker 2>up to it? And he goes neither.

0:51:53.640 --> 0:51:57.280
<v Speaker 1>I was Kara's guidance counsel. The accent O'Keefe is doing

0:51:57.440 --> 0:51:57.879
<v Speaker 1>is a lot.

0:51:57.960 --> 0:51:59.880
<v Speaker 2>It's a lot. I was just about to say, like,

0:52:00.160 --> 0:52:02.480
<v Speaker 2>is it really good or is this terrible?

0:52:02.680 --> 0:52:05.120
<v Speaker 1>I can't tell because at times I think it sounds Boston,

0:52:05.640 --> 0:52:07.120
<v Speaker 1>but maybe he moved from Boston.

0:52:07.160 --> 0:52:07.680
<v Speaker 2>Who knows.

0:52:07.800 --> 0:52:11.279
<v Speaker 1>I meant the feeling Tucker's family is from New York.

0:52:11.320 --> 0:52:14.160
<v Speaker 1>I feel like you feel like they're Queen's Irish or something.

0:52:14.239 --> 0:52:16.920
<v Speaker 2>You know, Yeah, but the cousins could be everywhere. But

0:52:17.040 --> 0:52:19.920
<v Speaker 2>like it was just it was just so much. But

0:52:19.960 --> 0:52:22.920
<v Speaker 2>I'm wondering what the director or the other actors are

0:52:22.920 --> 0:52:25.440
<v Speaker 2>they like, you're killing it, O'Keefe, Yeah, what you're doing?

0:52:25.520 --> 0:52:28.160
<v Speaker 2>Or was everyone talking about him behind his back, being like,

0:52:28.680 --> 0:52:30.920
<v Speaker 2>what's what this accent? I don't know.

0:52:31.000 --> 0:52:33.719
<v Speaker 1>It seemed really heavy and at times I thought, is

0:52:33.760 --> 0:52:36.880
<v Speaker 1>this Boston? Like I couldn't so the accent work is

0:52:37.040 --> 0:52:39.040
<v Speaker 1>truly wild, and Benson has to calm both of the

0:52:39.040 --> 0:52:39.440
<v Speaker 1>men down.

0:52:39.480 --> 0:52:40.560
<v Speaker 2>She's like getting in between them.

0:52:40.600 --> 0:52:43.360
<v Speaker 1>She's pulling Tucker off of his cousin, and Eugene says

0:52:43.520 --> 0:52:45.200
<v Speaker 1>he never let anything slip about Kara.

0:52:45.360 --> 0:52:47.560
<v Speaker 2>She was in with the gangs. There's no conspiracy.

0:52:47.680 --> 0:52:49.840
<v Speaker 1>He thinks Tucker's been in IAB too long because he

0:52:49.840 --> 0:52:53.759
<v Speaker 1>thinks everyone's corrupt. And Eugene accuses Tucker of turning his

0:52:53.840 --> 0:52:57.080
<v Speaker 1>back on God, and Tucker goes, they've got something on you,

0:52:57.440 --> 0:53:01.120
<v Speaker 1>and then Live pulls Tucker away and he runs out

0:53:01.120 --> 0:53:03.680
<v Speaker 1>of her Clutches goes back and grabs Eugene and goes,

0:53:03.760 --> 0:53:06.160
<v Speaker 1>I know it was you, and it's very Godfather like

0:53:06.200 --> 0:53:07.799
<v Speaker 1>that's a classic god Yeah.

0:53:07.800 --> 0:53:11.239
<v Speaker 2>But I'm with Tucker. It's like the cousin is using

0:53:11.239 --> 0:53:14.600
<v Speaker 2>it against him. But no, this is Tucker's job. Yeah,

0:53:14.960 --> 0:53:20.440
<v Speaker 2>he is iab because he is good at Yeah, and

0:53:20.560 --> 0:53:25.040
<v Speaker 2>also to be like, it's the gangs, it's the gangs.

0:53:25.080 --> 0:53:26.719
<v Speaker 2>I know it's the gang. How how do you know

0:53:26.760 --> 0:53:28.320
<v Speaker 2>it's the gangs? Yeah, give us the proof.

0:53:28.360 --> 0:53:30.160
<v Speaker 1>Tell us the names of the people, like who whatever

0:53:30.200 --> 0:53:31.560
<v Speaker 1>the girls told you about the gangs?

0:53:31.640 --> 0:53:37.160
<v Speaker 2>Like what? And you have a fake accent, so you're shady. Yeah.

0:53:37.239 --> 0:53:40.080
<v Speaker 1>So finally Lives screams enough and breaks them up, and

0:53:40.120 --> 0:53:42.239
<v Speaker 1>Tucker goes, I'm coming for you, and God's not gonna

0:53:42.280 --> 0:53:43.040
<v Speaker 1>help your ass.

0:53:43.120 --> 0:53:45.279
<v Speaker 2>So now we're outside the church.

0:53:45.400 --> 0:53:49.200
<v Speaker 1>Tucker is still fuming and says Eugene is a politician.

0:53:49.239 --> 0:53:51.520
<v Speaker 1>He calculates every word he says, but lives like, but

0:53:51.560 --> 0:53:53.959
<v Speaker 1>you think he's running a sex trafficking ring. He goes,

0:53:54.040 --> 0:53:56.399
<v Speaker 1>maybe or he's protecting it, and he's like, I want

0:53:56.440 --> 0:54:00.680
<v Speaker 1>warrants to dig into his financials, everything, computers, texts, like whatever.

0:54:01.000 --> 0:54:03.560
<v Speaker 1>Lives like you got to chill and let svus like

0:54:03.600 --> 0:54:05.680
<v Speaker 1>pursue this. This is not your case, and he's like,

0:54:06.040 --> 0:54:07.799
<v Speaker 1>we got to get Nina to a safe place and

0:54:07.840 --> 0:54:10.160
<v Speaker 1>lives like she already is. So now we're back at

0:54:10.160 --> 0:54:13.239
<v Speaker 1>Benson's place and she's obviously given Lucy the afternoon off

0:54:13.239 --> 0:54:16.360
<v Speaker 1>and let sister Nina be her nanny because Sister Nina's

0:54:16.360 --> 0:54:18.919
<v Speaker 1>in the apartment with Noah when Live and Tucker arrive

0:54:19.200 --> 0:54:21.680
<v Speaker 1>and Nina immediately looks sketched out by Tucker and I

0:54:21.680 --> 0:54:25.080
<v Speaker 1>do appreciate how she is fully paranoid about every man

0:54:25.120 --> 0:54:28.839
<v Speaker 1>that walks on into her life with reason, and they

0:54:28.880 --> 0:54:32.080
<v Speaker 1>ask her, is there someone at Saint Fabiola's we should

0:54:32.080 --> 0:54:34.879
<v Speaker 1>be looking at? And Live begs her, like, please tell us,

0:54:35.320 --> 0:54:38.319
<v Speaker 1>and she goes, well, you know a lot of times

0:54:38.320 --> 0:54:40.920
<v Speaker 1>at that place, the guidance counselors know what's going on,

0:54:41.600 --> 0:54:45.080
<v Speaker 1>and Tucker goes, so we should look at Father Eugene,

0:54:45.160 --> 0:54:47.880
<v Speaker 1>and Nina's like, how do you know about Father Eugene?

0:54:48.200 --> 0:54:50.680
<v Speaker 1>And uh oh. She finds out that Tucker's cousin is

0:54:50.680 --> 0:54:53.920
<v Speaker 1>Father Eugene, and she is not happy. She slowly starts

0:54:54.040 --> 0:54:58.560
<v Speaker 1>moving towards Noah. She picks him up and she goes, Noah,

0:54:58.680 --> 0:55:02.480
<v Speaker 1>let's say bye to mister Tucker. He's gotta go right now,

0:55:02.600 --> 0:55:07.120
<v Speaker 1>Bye bye. And it's like she's just lightly holding Noah hostage,

0:55:07.160 --> 0:55:09.799
<v Speaker 1>like it's really kind of freaky, but you don't think

0:55:09.840 --> 0:55:15.160
<v Speaker 1>she's gonna was cute? Yeah, And he's like, yeah, that

0:55:15.239 --> 0:55:18.080
<v Speaker 1>no was really cute. And it's like, I don't want

0:55:18.120 --> 0:55:20.719
<v Speaker 1>to put any blame on Olivia, but maybe bringing a

0:55:20.800 --> 0:55:23.319
<v Speaker 1>nun with possible mental health issues to watch your child

0:55:23.400 --> 0:55:27.360
<v Speaker 1>alone wasn't the move, Like maybe maybe have a tandem

0:55:27.360 --> 0:55:29.920
<v Speaker 1>thing where Lucy's there at the same time, especially after

0:55:29.960 --> 0:55:32.279
<v Speaker 1>the Calvin of it all, Like you've already gone through

0:55:32.280 --> 0:55:34.360
<v Speaker 1>this nonsense, like you need boundaries.

0:55:34.400 --> 0:55:37.680
<v Speaker 2>But like, yes, I don't know. She she's about the

0:55:37.760 --> 0:55:40.759
<v Speaker 2>victims in protection. Yeah, and didn't she hear that about

0:55:40.840 --> 0:55:43.960
<v Speaker 2>Danny Beck and the fire with elt Fanning. Yeah, Oh

0:55:44.000 --> 0:55:46.600
<v Speaker 2>my god, that's so true. I'm sure. I'm sure Maloney

0:55:46.640 --> 0:55:48.359
<v Speaker 2>filled her in when she came back and was like,

0:55:48.600 --> 0:55:50.840
<v Speaker 2>you won't believe what this dumb bitchy.

0:55:53.840 --> 0:55:56.839
<v Speaker 1>Okay, So Tucker goes, Nope, you're right, I'm gonna go.

0:55:57.040 --> 0:55:59.759
<v Speaker 1>He backs out, He leaves, Live is breathing heavily and

0:55:59.800 --> 0:56:02.799
<v Speaker 1>She's like, put Noah down. Tucker's gone, this isn't what

0:56:02.840 --> 0:56:04.839
<v Speaker 1>you think. And then she puts Noah down and Live

0:56:04.920 --> 0:56:07.520
<v Speaker 1>takes him into another room to go play with an iPad.

0:56:07.719 --> 0:56:10.399
<v Speaker 1>When she comes back, Nina is freaking out, like trying

0:56:10.400 --> 0:56:12.040
<v Speaker 1>to grab all of her shit. She's like, I don't

0:56:12.239 --> 0:56:15.239
<v Speaker 1>she doesn't trust Live father Eugene's cousin is in charge

0:56:15.239 --> 0:56:17.560
<v Speaker 1>of the investigation, Like, are you fucking kidding me? And

0:56:17.880 --> 0:56:20.080
<v Speaker 1>I could see with everything she's seen, with all these

0:56:20.160 --> 0:56:23.280
<v Speaker 1>higher up people being involved, that would absolutely like spook

0:56:23.320 --> 0:56:26.040
<v Speaker 1>the shit out of her. And she explains like no,

0:56:26.120 --> 0:56:27.640
<v Speaker 1>Tucker and his cousin hate each other, it's not a

0:56:27.680 --> 0:56:29.520
<v Speaker 1>big deal. But Nina's like not hearing any of it.

0:56:29.880 --> 0:56:31.479
<v Speaker 1>She's like, what are you gonna have me committed again?

0:56:31.600 --> 0:56:34.520
<v Speaker 1>More shock treatments? I am not crazy. So now we're

0:56:34.520 --> 0:56:36.560
<v Speaker 1>getting a whole nother level of the trauma that sister

0:56:36.640 --> 0:56:38.360
<v Speaker 1>Nina's been through too, that the church seems to have

0:56:38.400 --> 0:56:42.200
<v Speaker 1>committed her and put her through like involuntary psychiatric treatments

0:56:42.239 --> 0:56:45.080
<v Speaker 1>that she didn't need. And she thinks Live is either

0:56:45.160 --> 0:56:47.279
<v Speaker 1>in on this whole thing or she's an idiot and

0:56:47.320 --> 0:56:49.799
<v Speaker 1>Lives like please don't leave, Please don't go.

0:56:50.200 --> 0:56:52.040
<v Speaker 2>And then she's like, you brought me here to kill me.

0:56:52.120 --> 0:56:54.000
<v Speaker 1>And then she's like, look, just tell them my promise

0:56:54.040 --> 0:56:56.160
<v Speaker 1>never to talk about the trafficking ring again and runs out.

0:56:56.239 --> 0:56:58.600
<v Speaker 1>It's like, if live brought you there to kill you,

0:56:58.600 --> 0:57:00.399
<v Speaker 1>you'd be dead. She wouldn't be letting you run out

0:57:00.400 --> 0:57:00.880
<v Speaker 1>of the building.

0:57:00.880 --> 0:57:01.319
<v Speaker 2>You know what I mean.

0:57:01.320 --> 0:57:02.799
<v Speaker 1>It's when we're letting you walk out of the room,

0:57:03.560 --> 0:57:07.319
<v Speaker 1>but says something. This episode weirdly has a fifth act.

0:57:08.120 --> 0:57:11.600
<v Speaker 1>In Barba's office. The mon signor is in there and

0:57:11.640 --> 0:57:13.720
<v Speaker 1>he's talking to Barbara and they're wrapping up a conbo

0:57:13.880 --> 0:57:16.080
<v Speaker 1>and then as they're leaving, he goes, I have faith

0:57:16.120 --> 0:57:18.400
<v Speaker 1>the DA's office will do the right thing. I want

0:57:18.440 --> 0:57:21.600
<v Speaker 1>to spare these girls any more exploitation. So then Dods

0:57:21.640 --> 0:57:24.920
<v Speaker 1>and Benson are waiting to get into the office.

0:57:24.960 --> 0:57:26.120
<v Speaker 2>They are there to chat with.

0:57:26.080 --> 0:57:30.440
<v Speaker 1>Barba, and the mon Signior thanks them for saving the

0:57:30.480 --> 0:57:33.360
<v Speaker 1>girls and comments how Kara was such a pretty young girl,

0:57:33.400 --> 0:57:35.280
<v Speaker 1>and it's like, that's not the vibe at s for you,

0:57:35.400 --> 0:57:37.520
<v Speaker 1>sor like you could talk about how she was a

0:57:37.560 --> 0:57:41.160
<v Speaker 1>promising student and a wonderful person, but we don't need

0:57:41.200 --> 0:57:44.640
<v Speaker 1>to talk about how hot she was. When he leaves,

0:57:45.560 --> 0:57:47.560
<v Speaker 1>Benson is like, what the fuck was he doing here?

0:57:47.600 --> 0:57:49.440
<v Speaker 1>And Barba's like, still trying to figure that out, but

0:57:49.480 --> 0:57:52.600
<v Speaker 1>he's not really offering anything. Now, where are the arrest

0:57:52.640 --> 0:57:57.920
<v Speaker 1>warrants for Father Eugene and Father Akinola. Barbara's like, listen, babies,

0:57:57.960 --> 0:57:59.800
<v Speaker 1>A lot of judges don't want to touch this, and

0:58:00.000 --> 0:58:02.560
<v Speaker 1>and I'm wondering myself if we're making the right moves here.

0:58:02.840 --> 0:58:06.720
<v Speaker 2>And then Benson tells Barba about our sweet Yeah. If

0:58:06.720 --> 0:58:09.520
<v Speaker 2>it's this like high up and it's all this stuff,

0:58:09.800 --> 0:58:14.320
<v Speaker 2>that's the reason to dig not escape. Yeah, yeah, yeah.

0:58:14.360 --> 0:58:17.160
<v Speaker 1>And it's also like it's twenty sixteen when this episode

0:58:17.200 --> 0:58:19.640
<v Speaker 1>comes out, like it's not weird to dig into the

0:58:19.680 --> 0:58:23.760
<v Speaker 1>Catholic church, Like it's not weird at all. So Benson

0:58:23.800 --> 0:58:27.360
<v Speaker 1>tells Barba about Sister Nina's paranoid freak out and he's like,

0:58:27.440 --> 0:58:30.880
<v Speaker 1>can you blame her vice? And possibly priests are trafficking girls.

0:58:30.920 --> 0:58:34.000
<v Speaker 1>Then there's the care a leak and Barbara asks Baby Dodds,

0:58:34.000 --> 0:58:35.640
<v Speaker 1>why don't you step out of the room for a second,

0:58:36.080 --> 0:58:38.760
<v Speaker 1>and he asks live, what do you know about Tucker?

0:58:39.080 --> 0:58:42.280
<v Speaker 1>And she goes we go way back he's intense, he's

0:58:42.320 --> 0:58:44.720
<v Speaker 1>no nonsense, good at his job. And Barba's like, but

0:58:44.760 --> 0:58:47.680
<v Speaker 1>he did try to ruin both of your partner's lives, right.

0:58:48.040 --> 0:58:51.720
<v Speaker 2>She's like, She's like, ah, we're past that. It's pretty funny.

0:58:52.000 --> 0:58:54.840
<v Speaker 1>And then Barba says, well, the mon signor made some

0:58:54.880 --> 0:58:58.240
<v Speaker 1>serious allegations and she's like, oh, against father Eugene. And

0:58:58.320 --> 0:59:01.600
<v Speaker 1>he goes no against Tucker and Lives like, what now

0:59:01.920 --> 0:59:06.120
<v Speaker 1>and he said, Monseignor mel Reagan and Eugene went to

0:59:06.200 --> 0:59:09.040
<v Speaker 1>Tucker a year ago with info that Vice was running

0:59:09.080 --> 0:59:12.320
<v Speaker 1>girls from their school. They named Russo and Jefferson, and

0:59:12.360 --> 0:59:15.880
<v Speaker 1>they said Tucker buried it. And Live is like, there's

0:59:15.920 --> 0:59:18.600
<v Speaker 1>no way. He wanted to kill Eugene the other day.

0:59:18.960 --> 0:59:20.960
<v Speaker 1>And he's like, maybe he just wanted you to think that,

0:59:21.120 --> 0:59:23.600
<v Speaker 1>and it's like, I don't think Tucker went to drama school.

0:59:23.640 --> 0:59:26.080
<v Speaker 1>And Live is like there's no way, and Barba's like,

0:59:26.120 --> 0:59:28.840
<v Speaker 1>I thought you guys all hated this guy. I'm so confused,

0:59:29.240 --> 0:59:31.959
<v Speaker 1>and Live is defending him and she's like, his job

0:59:32.040 --> 0:59:34.880
<v Speaker 1>is to be relentless. And then Barbara, basically a detective

0:59:34.920 --> 0:59:37.080
<v Speaker 1>as well as a lawyer, sniffs it out and goes

0:59:37.520 --> 0:59:40.520
<v Speaker 1>are you involved with him, and Live goes the lot

0:59:40.560 --> 0:59:43.440
<v Speaker 1>the violins swell and Live goes, don't ask me that.

0:59:43.960 --> 0:59:46.840
<v Speaker 1>And there's not that many questions that Live darts and

0:59:46.880 --> 0:59:49.960
<v Speaker 1>dodges in this series, and this is one where she's like,

0:59:50.080 --> 0:59:53.280
<v Speaker 1>don't don't even get into that with me. She's always

0:59:53.480 --> 0:59:56.640
<v Speaker 1>in secret relationships though, like right, because she didn't tell

0:59:56.640 --> 0:59:59.240
<v Speaker 1>people about Cassidy. Really, she didn't tell people about Tucker.

0:59:59.240 --> 1:00:02.160
<v Speaker 1>She didn't tell people Abo, Oh, Harry Connick Junior, there's a.

1:00:02.320 --> 1:00:04.320
<v Speaker 2>Guy fucking outside of the office.

1:00:04.480 --> 1:00:08.040
<v Speaker 1>Yeah, well, she's busy where she gonna meet people. She

1:00:08.080 --> 1:00:10.040
<v Speaker 1>had a trainer that one time. I was hopeful, but

1:00:10.600 --> 1:00:11.800
<v Speaker 1>oh they weren't fucking.

1:00:11.880 --> 1:00:12.840
<v Speaker 2>They were just worthing I know.

1:00:12.880 --> 1:00:14.360
<v Speaker 1>But wouldn't it be fun just for Live to get

1:00:14.400 --> 1:00:16.360
<v Speaker 1>fucked by a guy with a great body and like, yeah,

1:00:16.360 --> 1:00:19.400
<v Speaker 1>there's no combo. They just like watch fucking reality TV

1:00:19.480 --> 1:00:24.320
<v Speaker 1>and bang. So then Barba's like, I just confided in

1:00:24.360 --> 1:00:26.760
<v Speaker 1>you that an IAB captain might be involved in a

1:00:26.800 --> 1:00:29.080
<v Speaker 1>sex trafficking ring and you don't mention that you two

1:00:29.160 --> 1:00:32.520
<v Speaker 1>are fucking, and she goes, you're wrong about him. Bring

1:00:32.600 --> 1:00:34.920
<v Speaker 1>him in ask him yourself, and Barba says, you and

1:00:34.960 --> 1:00:37.200
<v Speaker 1>I are done talking and Live looks busted, which is

1:00:37.200 --> 1:00:39.760
<v Speaker 1>a rare look. You just never see her looking like, fuck,

1:00:39.800 --> 1:00:41.520
<v Speaker 1>I fucked up in this way.

1:00:41.960 --> 1:00:43.120
<v Speaker 2>And she walks out.

1:00:43.480 --> 1:00:45.520
<v Speaker 1>She meets Tucker at a dive bar and it looks

1:00:45.680 --> 1:00:48.040
<v Speaker 1>very cozy to me, and he goes nobody saw you.

1:00:48.080 --> 1:00:50.400
<v Speaker 2>And she goes here like it's the worst bar in

1:00:50.440 --> 1:00:52.520
<v Speaker 2>the world, and I'm like, I drink there. It looks

1:00:52.560 --> 1:00:56.520
<v Speaker 2>fun and like in Sex in the City when Carrie

1:00:56.840 --> 1:00:59.400
<v Speaker 2>and Bigger having the affair and she's like, well, no

1:00:59.440 --> 1:01:01.400
<v Speaker 2>one knows that set fifty seventh and said, well they

1:01:01.440 --> 1:01:04.040
<v Speaker 2>only know us here, and it's like there, it just

1:01:04.120 --> 1:01:07.080
<v Speaker 2>blocks away like some you could have run doctor appointment,

1:01:07.800 --> 1:01:11.880
<v Speaker 2>a meeting, a cousin's in Like it was so funny

1:01:11.920 --> 1:01:14.200
<v Speaker 2>the way. But I wasn't living in New York at

1:01:14.200 --> 1:01:15.680
<v Speaker 2>the time, but it is so funny how it was,

1:01:15.720 --> 1:01:19.200
<v Speaker 2>like Brooklyn, I'd rather die uptown, no thanks. Even the

1:01:19.240 --> 1:01:21.480
<v Speaker 2>house sides are like, I don't go below fourteenth And

1:01:21.560 --> 1:01:24.440
<v Speaker 2>it's like it is just such a tiny city that

1:01:24.840 --> 1:01:25.240
<v Speaker 2>it is.

1:01:25.160 --> 1:01:28.320
<v Speaker 1>You run in all the time. Yes, you need to

1:01:28.400 --> 1:01:30.080
<v Speaker 1>leave the Burroughs. I think if you want to have

1:01:30.120 --> 1:01:31.680
<v Speaker 1>a true affair, you need to be. That's why they

1:01:31.720 --> 1:01:34.120
<v Speaker 1>bust people in Jersey fucking and sometimes in the show.

1:01:34.920 --> 1:01:37.680
<v Speaker 1>So anyway, lives like, I'm a lieutenant. I'd drink Scotch

1:01:37.680 --> 1:01:39.760
<v Speaker 1>out of a crystal highball, bitch, I shouldn't be in

1:01:39.760 --> 1:01:42.880
<v Speaker 1>a place like this, and she goes, so group one

1:01:42.960 --> 1:01:46.680
<v Speaker 1>is investigating you for sex trafficking, corruption and murder and

1:01:47.160 --> 1:01:49.920
<v Speaker 1>he goes, yep, Cousin Eugene set me up good, and

1:01:49.960 --> 1:01:52.920
<v Speaker 1>he says, you know how this goes. Don't stick your

1:01:52.920 --> 1:01:54.680
<v Speaker 1>neck out for me, or it'll look like you're covering

1:01:54.680 --> 1:01:56.680
<v Speaker 1>for me. They can't prove shit. I didn't do shit.

1:01:56.760 --> 1:01:59.640
<v Speaker 1>I'll be fine, and lives like, yeah, well, I'm probably

1:01:59.720 --> 1:02:02.480
<v Speaker 1>gonna still do stuff like and he's like, you want

1:02:02.480 --> 1:02:05.000
<v Speaker 1>to go after the church, City Hall and Albany for

1:02:05.040 --> 1:02:07.800
<v Speaker 1>an iab guy that most people hate. Stay out of it,

1:02:08.280 --> 1:02:11.160
<v Speaker 1>And then lives phone buzzes and she's like, well, looks

1:02:11.160 --> 1:02:12.840
<v Speaker 1>like I can't really stay out of it. One Pp

1:02:13.040 --> 1:02:18.800
<v Speaker 1>wants to see her immediately back at the squad. Yeah,

1:02:19.160 --> 1:02:22.880
<v Speaker 1>back at the squad, Baby Dodds definitely calls Barbara Barbara.

1:02:23.080 --> 1:02:26.000
<v Speaker 1>He says something about Barbara and I definitely heard it

1:02:26.040 --> 1:02:28.480
<v Speaker 1>every round It three times and it sounds like Barbara.

1:02:28.840 --> 1:02:31.560
<v Speaker 1>And he's telling Rollins and Creasy how Barbara wouldn't say

1:02:31.560 --> 1:02:34.960
<v Speaker 1>shit in front of him. And then Rollin's like, did

1:02:34.960 --> 1:02:36.440
<v Speaker 1>you call Daddy yet? And he's like, yeah, but he

1:02:36.480 --> 1:02:37.920
<v Speaker 1>hasn't gotten back to me. It's like, I love how

1:02:37.960 --> 1:02:40.360
<v Speaker 1>everybody now it's just like, yeah, call your dad, and

1:02:40.480 --> 1:02:43.480
<v Speaker 1>Rollins brings up the Catholic Church and then looks at

1:02:43.480 --> 1:02:48.439
<v Speaker 1>Careese and apologizes to mister Catholic himself, who's like, Crisy goes,

1:02:48.640 --> 1:02:50.840
<v Speaker 1>ninety nine percent of the parice are good guys. It's like,

1:02:50.840 --> 1:02:52.920
<v Speaker 1>where'd you get that figure? I really don't think it's

1:02:52.960 --> 1:02:56.040
<v Speaker 1>that's the figure. I think the figure is definitely way off.

1:02:56.440 --> 1:02:58.520
<v Speaker 1>And he's like, but the church brought this on themselves,

1:02:58.560 --> 1:03:01.560
<v Speaker 1>so we Coreesy does not think that the churches is

1:03:01.760 --> 1:03:03.400
<v Speaker 1>infallible in any way.

1:03:03.560 --> 1:03:06.920
<v Speaker 2>It's like the not all men of yeaigi, it is

1:03:06.960 --> 1:03:07.880
<v Speaker 2>all the priests.

1:03:08.240 --> 1:03:11.760
<v Speaker 1>Yeah, but also the one percent is such a small number,

1:03:11.760 --> 1:03:14.800
<v Speaker 1>like it's definitely bigger than that. And then Cariese says

1:03:15.200 --> 1:03:18.080
<v Speaker 1>Barbara too. I swear to God I heard Cariese say Barbara.

1:03:18.160 --> 1:03:19.800
<v Speaker 1>But he's a little bit more mealy mouth. He's more

1:03:19.800 --> 1:03:22.040
<v Speaker 1>like Barbara, so like, I couldn't really hear if he

1:03:22.120 --> 1:03:24.800
<v Speaker 1>said it, but I think everybody go back and check.

1:03:24.840 --> 1:03:27.000
<v Speaker 1>I think they both say it's the last two minutes

1:03:27.040 --> 1:03:30.120
<v Speaker 1>of the episode, Dodds and Carisy both say Barbara anyway.

1:03:30.520 --> 1:03:33.160
<v Speaker 1>Benson walks in asks Cariese and Rollins get me some

1:03:33.200 --> 1:03:35.480
<v Speaker 1>evidence boxes, and then Dodds and she goes, Dods, can

1:03:35.480 --> 1:03:36.960
<v Speaker 1>I talk to you for a minute. He goes in

1:03:37.000 --> 1:03:38.640
<v Speaker 1>her office and he's like, what's up? And she's like,

1:03:38.720 --> 1:03:41.480
<v Speaker 1>you'd know better than me. He's clueless, and she's like,

1:03:41.600 --> 1:03:43.480
<v Speaker 1>you're actually telling me you don't know what's going on,

1:03:43.560 --> 1:03:45.400
<v Speaker 1>and he really doesn't, and I believe him. He looks

1:03:45.440 --> 1:03:48.560
<v Speaker 1>like a totally like adult. And she's like, I'm out

1:03:48.600 --> 1:03:52.240
<v Speaker 1>effective immediately, and Rollin's and Carisy come in with the

1:03:52.240 --> 1:03:55.680
<v Speaker 1>boxes and she's like, Dodds is acting commander of SVU

1:03:55.920 --> 1:03:58.920
<v Speaker 1>starting now. And she tells all of them you're dismissed

1:03:58.960 --> 1:04:01.360
<v Speaker 1>as she starts packing shit into boxes and we see

1:04:01.360 --> 1:04:03.720
<v Speaker 1>her take her Lieutenant Olivia and at benson name plate,

1:04:04.200 --> 1:04:07.480
<v Speaker 1>and the EP goes dick wolf out on that, and

1:04:07.520 --> 1:04:08.600
<v Speaker 1>we don't know what's going to happen.

1:04:08.840 --> 1:04:10.760
<v Speaker 2>I mean, this is such a cliffhanger. To those who

1:04:10.800 --> 1:04:13.120
<v Speaker 2>don't watch the show, you're really it's like you're watching

1:04:13.160 --> 1:04:16.120
<v Speaker 2>a narrative soap opera like this is the nineteen thirties,

1:04:16.200 --> 1:04:19.480
<v Speaker 2>and check back with your radio next week, like that's

1:04:19.520 --> 1:04:22.200
<v Speaker 2>a good episode. And that's I mean yeah, back.

1:04:22.040 --> 1:04:24.880
<v Speaker 1>In the day, kids, you couldn't binge, so you had

1:04:24.920 --> 1:04:26.840
<v Speaker 1>to wait and wait a.

1:04:26.800 --> 1:04:27.920
<v Speaker 2>Whole week and see what happened.

1:04:27.920 --> 1:04:32.640
<v Speaker 1>Because these episodes did air after each other, like a

1:04:32.680 --> 1:04:34.280
<v Speaker 1>week after each other. So it's like, but there's not

1:04:34.320 --> 1:04:35.920
<v Speaker 1>even like a to be continued on it. You just

1:04:36.000 --> 1:04:38.800
<v Speaker 1>end the episode being like, is Olivia Benson fired? Like

1:04:39.480 --> 1:04:42.360
<v Speaker 1>and you never really do know. Sometimes people leave these shows,

1:04:42.400 --> 1:04:45.000
<v Speaker 1>but I think it would be you know, spoiler alert,

1:04:45.000 --> 1:04:45.680
<v Speaker 1>She's still around.

1:04:46.280 --> 1:04:48.160
<v Speaker 2>But we're going to find out what happens with the

1:04:48.240 --> 1:04:48.680
<v Speaker 2>rest of this.

1:04:49.000 --> 1:04:53.080
<v Speaker 1>But before that, Lisa, please take me down the True

1:04:53.120 --> 1:04:55.240
<v Speaker 1>crime Street my pleasure.

1:04:55.400 --> 1:05:11.280
<v Speaker 2>We'll see you soon. Listen. I'm gonna be talking about

1:05:11.320 --> 1:05:14.440
<v Speaker 2>undercover nuns. There are nuns and they go undercover and

1:05:14.480 --> 1:05:18.200
<v Speaker 2>they help sex trafficking and you know, human trafficking victims

1:05:18.240 --> 1:05:21.120
<v Speaker 2>all across the world. A lot of the articles were

1:05:21.120 --> 1:05:23.880
<v Speaker 2>in twenty fifteen, and I wonder if they hired PR Like,

1:05:23.960 --> 1:05:26.439
<v Speaker 2>I don't know what happened in twenty fifteen, but every

1:05:26.520 --> 1:05:29.959
<v Speaker 2>single article had the exact same facts over and over

1:05:30.080 --> 1:05:35.360
<v Speaker 2>across I'm saying complex was involved. Like everyone had an

1:05:35.480 --> 1:05:39.320
<v Speaker 2>article stating the exact same facts in twenty fifteen. So

1:05:39.440 --> 1:05:41.440
<v Speaker 2>I think they did a real big PR push or

1:05:42.080 --> 1:05:44.960
<v Speaker 2>somewhere where I just broke and everybody was like how interesting,

1:05:45.040 --> 1:05:47.920
<v Speaker 2>who knows? Yeah. And then also a lot of sources

1:05:47.960 --> 1:05:50.640
<v Speaker 2>I found were like Christian news, and I refuse to

1:05:52.400 --> 1:05:56.240
<v Speaker 2>use those because, you know, especially after we talked to

1:05:56.240 --> 1:06:02.160
<v Speaker 2>that professor, and like Christian's views on human trafficking oftentimes

1:06:02.160 --> 1:06:05.800
<v Speaker 2>are also anti sex work porn, and it's like convoluted,

1:06:06.000 --> 1:06:10.320
<v Speaker 2>and it's not just about helping people, it's also about

1:06:10.320 --> 1:06:13.720
<v Speaker 2>like prude culture and like anti woman and sex. So

1:06:14.360 --> 1:06:17.320
<v Speaker 2>you know, it's so this was a little confusing. It

1:06:17.440 --> 1:06:20.120
<v Speaker 2>was just like this PR push a lot of Christian

1:06:20.200 --> 1:06:22.760
<v Speaker 2>news and I would be reading something and then I

1:06:22.800 --> 1:06:24.720
<v Speaker 2>would read one thing and be like, wait, what source

1:06:24.800 --> 1:06:28.760
<v Speaker 2>is this? Okay, it's a Christian thing. It would always

1:06:28.800 --> 1:06:31.880
<v Speaker 2>like say one sentence too far, But you know, we

1:06:31.920 --> 1:06:35.360
<v Speaker 2>did our best here. So this is straight up a

1:06:35.400 --> 1:06:40.080
<v Speaker 2>low key network of about eleven hundred religious sisters aka nuns,

1:06:40.440 --> 1:06:43.320
<v Speaker 2>and they go undercovers sex workers to help rescue trafficking

1:06:43.400 --> 1:06:48.240
<v Speaker 2>victims for brothels. The group is called Talitha kom Talitha.

1:06:48.280 --> 1:06:52.080
<v Speaker 2>Come use your imagination. But if you're a Bible thumper,

1:06:52.120 --> 1:06:54.480
<v Speaker 2>you know what this is. And it's from the Bible.

1:06:54.600 --> 1:06:57.680
<v Speaker 2>Jesus says this, and he and it means little girl,

1:06:57.800 --> 1:07:00.880
<v Speaker 2>I say to you, rise up, And he said an

1:07:01.000 --> 1:07:04.000
<v Speaker 2>aramaic to a twelve year old girl who died, and

1:07:04.040 --> 1:07:06.480
<v Speaker 2>then Jesus took the girl and then they got up

1:07:06.480 --> 1:07:08.960
<v Speaker 2>and walked around. So if you want to know more

1:07:08.960 --> 1:07:12.160
<v Speaker 2>about this, it's Mark's fifth chapter, a Gospel of Mark's

1:07:12.240 --> 1:07:15.360
<v Speaker 2>fifth Chapter. So did it sound like I was speaking

1:07:15.400 --> 1:07:17.640
<v Speaker 2>truly French? Like I don't know anything I just said?

1:07:19.680 --> 1:07:22.960
<v Speaker 2>Was it obvious I was reading word for word? So

1:07:23.040 --> 1:07:26.240
<v Speaker 2>that's what the organization is called. And they see its

1:07:26.320 --> 1:07:29.520
<v Speaker 2>name as an expression of the transformative power of compassion

1:07:29.560 --> 1:07:31.400
<v Speaker 2>and mercy for those who have been wounded by the

1:07:31.440 --> 1:07:34.960
<v Speaker 2>many forms of exploitation. Their mission is to share and

1:07:35.000 --> 1:07:39.800
<v Speaker 2>maximize resources that religious life has on behalf of prevention,

1:07:40.040 --> 1:07:45.040
<v Speaker 2>protection and assistance, awareness raising, and the denouncement of trafficking

1:07:45.120 --> 1:07:47.720
<v Speaker 2>in persons, and that's in quotes from their mission statement

1:07:47.760 --> 1:07:50.600
<v Speaker 2>on their website in our show notes. And so these

1:07:50.640 --> 1:07:56.400
<v Speaker 2>infiltrating supernuns go into the brothels and a lot oftentimes

1:07:56.440 --> 1:08:00.280
<v Speaker 2>they'll buy children being sold into slavery, and a lot

1:08:00.280 --> 1:08:03.280
<v Speaker 2>of the figures were really hard. So like in twenty fifteen,

1:08:03.360 --> 1:08:05.600
<v Speaker 2>a lot of the stuff said we're in eighty countries

1:08:05.640 --> 1:08:08.400
<v Speaker 2>and expanding to one hundred and forty countries demand because

1:08:08.440 --> 1:08:11.160
<v Speaker 2>of the demand of efforts to combat human trafficking. And

1:08:11.200 --> 1:08:13.040
<v Speaker 2>then I found as of twenty twenty one, it's in

1:08:13.120 --> 1:08:16.680
<v Speaker 2>ninety two countries, but someplaces say seventy seven countries, so

1:08:16.720 --> 1:08:18.000
<v Speaker 2>I don't even know. I don't even know if I

1:08:18.000 --> 1:08:21.120
<v Speaker 2>can name ninety two countries, but it's around the world,

1:08:21.200 --> 1:08:23.479
<v Speaker 2>and the nuns are out there. And there's also like

1:08:24.280 --> 1:08:28.719
<v Speaker 2>stories of nuns infiltrating and helping traffic victims and sex

1:08:28.760 --> 1:08:31.559
<v Speaker 2>workers dating back to the seventy sixties. Like I found

1:08:31.600 --> 1:08:34.160
<v Speaker 2>lots of things, so this is like an organized network

1:08:34.160 --> 1:08:37.240
<v Speaker 2>and they're working together, and the popes even endorse this group.

1:08:37.600 --> 1:08:40.040
<v Speaker 2>But like it seems like nuns have been really going

1:08:40.120 --> 1:08:43.360
<v Speaker 2>hard protecting women. For the nuns are nunning doll.

1:08:43.520 --> 1:08:46.599
<v Speaker 1>The nuns are nunning, and may I ask how many

1:08:46.600 --> 1:08:49.639
<v Speaker 1>priests are getting out there infiltrating fucking sex rings.

1:08:49.640 --> 1:08:53.320
<v Speaker 2>Are any priests doing any of that work? Just wondering. No,

1:08:53.400 --> 1:08:55.240
<v Speaker 2>it seems like there's a seems like there's a.

1:08:55.120 --> 1:08:58.000
<v Speaker 1>Fundamental difference between a nun and a priest in this situation.

1:08:58.720 --> 1:09:02.559
<v Speaker 2>Well, the priests are like power, power, power, listen to

1:09:02.600 --> 1:09:06.680
<v Speaker 2>me talk, and the nuns are like, we want to help. Yeah.

1:09:06.720 --> 1:09:09.519
<v Speaker 2>There's a line in Marcela Shell where he's like he

1:09:09.880 --> 1:09:12.200
<v Speaker 2>I forgot what he's comparing, but he goes, oh, it's

1:09:12.240 --> 1:09:15.559
<v Speaker 2>about gardening, like how the grandma, Grandma Connie works with

1:09:15.600 --> 1:09:18.040
<v Speaker 2>the bugs, and Marcella Shell goes, you know, it's like

1:09:18.160 --> 1:09:22.120
<v Speaker 2>Sister Act where you know they do graffiti for transformation

1:09:22.439 --> 1:09:26.280
<v Speaker 2>or something like. Marcel has like a really funny line

1:09:26.320 --> 1:09:29.160
<v Speaker 2>about substract too love that. Wait, did you know that?

1:09:29.320 --> 1:09:32.160
<v Speaker 1>On my semester abroad in Rome, I lived in a convent.

1:09:32.760 --> 1:09:35.560
<v Speaker 2>No, you're like a little Katie Perry. No. And we

1:09:35.680 --> 1:09:37.519
<v Speaker 2>had these really cool nuns that helped us.

1:09:37.520 --> 1:09:39.639
<v Speaker 1>And I would go back like years later and be like, hi,

1:09:39.760 --> 1:09:41.400
<v Speaker 1>I studied abroad here, and they'd be like, how are

1:09:41.439 --> 1:09:43.639
<v Speaker 1>you we remember, like and they would wear new Balance

1:09:43.680 --> 1:09:46.320
<v Speaker 1>sneakers like underneath their little outfits, and they looked so

1:09:46.439 --> 1:09:48.799
<v Speaker 1>cute and they were always like so cool and nice.

1:09:49.280 --> 1:09:51.639
<v Speaker 1>They just helped like run the convent where my study

1:09:51.640 --> 1:09:52.519
<v Speaker 1>abroad program was.

1:09:52.880 --> 1:09:54.920
<v Speaker 2>Yeah, but you know, I also hear about nuns hitting

1:09:55.000 --> 1:09:57.040
<v Speaker 2>kids with rulers. I'm not saying all nuns are great.

1:09:57.160 --> 1:10:02.000
<v Speaker 2>These nuns are good, you know if you were bind. Yeah,

1:10:02.080 --> 1:10:04.720
<v Speaker 2>the base of this organization is in Rome, and their

1:10:04.760 --> 1:10:08.920
<v Speaker 2>networks are active in five continents, and they're coordinating anti

1:10:08.920 --> 1:10:15.639
<v Speaker 2>trafficking efforts of fifty intercongregational networks organized at the nationalsh

1:10:15.720 --> 1:10:18.840
<v Speaker 2>local level, and then ten networks that include the joint

1:10:18.880 --> 1:10:22.360
<v Speaker 2>coordination of several countries at the regional level. So that's

1:10:22.400 --> 1:10:25.760
<v Speaker 2>what I mean. Like I found all these other homes

1:10:25.760 --> 1:10:30.320
<v Speaker 2>and places and stories, and so I think this is

1:10:30.360 --> 1:10:34.479
<v Speaker 2>like the top organization that connects all of these nuns together.

1:10:34.680 --> 1:10:38.479
<v Speaker 2>But I don't know. It is really cool and it

1:10:38.560 --> 1:10:41.360
<v Speaker 2>is a huge problem. Obviously. Human trafficking is the third

1:10:41.600 --> 1:10:46.000
<v Speaker 2>third biggest illegal market and profits criminals up to one

1:10:46.080 --> 1:10:49.840
<v Speaker 2>hundred and fifty billion dollars a year, So that's a lot.

1:10:50.560 --> 1:10:54.679
<v Speaker 2>The international labor organization estimates that roughly twenty five million

1:10:54.720 --> 1:10:57.920
<v Speaker 2>people are enforced labor across the globe, and nearly five

1:10:57.960 --> 1:11:02.720
<v Speaker 2>million of those facing forced sexual explos Also included is

1:11:02.840 --> 1:11:06.840
<v Speaker 2>forced begging. I learned that about that. And what was

1:11:06.880 --> 1:11:09.840
<v Speaker 2>that fun movie with Dev Patel that brought slum Dog

1:11:09.880 --> 1:11:13.080
<v Speaker 2>lockdown a millionaire? Oh that's scene with the little boy

1:11:13.120 --> 1:11:15.439
<v Speaker 2>in his eyes, Like it really has stuck with me

1:11:15.479 --> 1:11:17.519
<v Speaker 2>all these years, but like, yeah, do you remember this

1:11:17.680 --> 1:11:17.880
<v Speaker 2>or no?

1:11:18.479 --> 1:11:21.240
<v Speaker 1>I love that movie, but I don't remember that part.

1:11:21.439 --> 1:11:22.400
<v Speaker 1>Maybe I've blocked it out.

1:11:22.760 --> 1:11:25.400
<v Speaker 2>They like make kids blind on purpose because then when

1:11:25.400 --> 1:11:28.000
<v Speaker 2>they beg they make more money because they look more sympathetic.

1:11:28.120 --> 1:11:30.160
<v Speaker 2>Oh yeah, well you know when I was.

1:11:30.320 --> 1:11:32.800
<v Speaker 1>You know, there's also stories about like when when they

1:11:32.800 --> 1:11:35.080
<v Speaker 1>hold babies, When a lot of beggars hold babies, they're

1:11:35.320 --> 1:11:38.320
<v Speaker 1>giving kids either heroin or something to drug them so

1:11:38.360 --> 1:11:41.160
<v Speaker 1>they don't cry. So people are just holding babies that

1:11:41.240 --> 1:11:43.719
<v Speaker 1>are not crying so people will give them more money.

1:11:44.200 --> 1:11:46.400
<v Speaker 2>It's horrible. I think i'd give more money to a

1:11:46.439 --> 1:11:47.200
<v Speaker 2>crying baby.

1:11:47.280 --> 1:11:48.639
<v Speaker 1>I think they just want you to see a beautiful

1:11:48.640 --> 1:11:49.720
<v Speaker 1>sleeping baby and give money.

1:11:50.120 --> 1:11:54.160
<v Speaker 2>Oh yeah, but that slum Dog Millionaires scene really hurts horrible,

1:11:54.600 --> 1:11:59.439
<v Speaker 2>so forced begging, forced marriage, and then domestic servitude. And

1:11:59.479 --> 1:12:01.640
<v Speaker 2>it's a different, dificult issue, of course, because it's so

1:12:01.760 --> 1:12:05.439
<v Speaker 2>caught up with poverty, and you know, the rich thrive

1:12:05.479 --> 1:12:07.360
<v Speaker 2>off poverty. So I don't know if they'll ever be

1:12:07.400 --> 1:12:10.759
<v Speaker 2>an end. But and that was said by Mayor Maira

1:12:10.960 --> 1:12:13.479
<v Speaker 2>kooler A None from Bolivia, and that's what she said

1:12:13.520 --> 1:12:17.639
<v Speaker 2>about sexual exploitation. Seventy percent of trafficking victims are women.

1:12:18.240 --> 1:12:21.559
<v Speaker 2>Ninety percent of them are used for sexual exploitation. Twenty

1:12:21.560 --> 1:12:24.240
<v Speaker 2>five to thirty percent are like young girls and boys

1:12:24.640 --> 1:12:27.519
<v Speaker 2>is the next group. The majority of these victims live

1:12:27.520 --> 1:12:30.320
<v Speaker 2>in Asia in the Pacific region, at about like three

1:12:30.400 --> 1:12:32.639
<v Speaker 2>point five million, compared to in America where it's around

1:12:32.640 --> 1:12:36.160
<v Speaker 2>two hundred thousand for the stats. And and you know,

1:12:36.240 --> 1:12:38.400
<v Speaker 2>and we talk about this now, like we talked about

1:12:38.439 --> 1:12:40.240
<v Speaker 2>this in the episode about Robert Kraft and that was

1:12:40.280 --> 1:12:43.639
<v Speaker 2>the Margaret Show episode. But it's like America right now

1:12:43.680 --> 1:12:46.720
<v Speaker 2>is all gung ho about like human trafficking and upping it,

1:12:46.760 --> 1:12:49.599
<v Speaker 2>but it's about money to police forces, and like really

1:12:49.640 --> 1:12:53.120
<v Speaker 2>it criminalizes the sex workers, not the men that like

1:12:53.360 --> 1:12:55.800
<v Speaker 2>use that. It's just like because I know people are

1:12:55.800 --> 1:12:59.240
<v Speaker 2>being snatched and stuff, but it is being overblown in

1:12:59.360 --> 1:13:01.960
<v Speaker 2>our culture in America right now.

1:13:02.000 --> 1:13:05.320
<v Speaker 1>Well like that, Liz Well, I was just gonna say,

1:13:05.320 --> 1:13:07.600
<v Speaker 1>this episode kind of proves it. They're targeting girls that

1:13:07.640 --> 1:13:11.519
<v Speaker 1>are in foster homes, that are have drug problems, and

1:13:11.560 --> 1:13:16.200
<v Speaker 1>they're they're funneling them into human trafficking scenarios, whereas a

1:13:16.240 --> 1:13:18.000
<v Speaker 1>lot of the media tries to make it seem like

1:13:18.120 --> 1:13:20.519
<v Speaker 1>your teenage daughter could be walking down the street and

1:13:20.560 --> 1:13:23.160
<v Speaker 1>shoved into a van and sold into slavery like taken,

1:13:23.640 --> 1:13:26.200
<v Speaker 1>and that's just not necessarily the way it is. They're

1:13:26.240 --> 1:13:31.000
<v Speaker 1>targeting specifically poor groups. They're targeting specifically and and a

1:13:31.000 --> 1:13:33.200
<v Speaker 1>lot of times it's people are being like we talked

1:13:33.200 --> 1:13:37.240
<v Speaker 1>to doctor Heatherberg, they're being uh sent into a trafficking

1:13:37.320 --> 1:13:41.680
<v Speaker 1>rings by people they know to make money. And I mean,

1:13:41.720 --> 1:13:43.160
<v Speaker 1>I don't know for what it's worth from what I

1:13:43.240 --> 1:13:44.920
<v Speaker 1>the some of the research I heard. Again, I always

1:13:44.920 --> 1:13:47.760
<v Speaker 1>point people to this episode about uh trafficking from You're

1:13:47.760 --> 1:13:50.240
<v Speaker 1>wrong about the podcast that I always talk about. But

1:13:50.880 --> 1:13:53.240
<v Speaker 1>a lot of the trafficking is labor trafficking. I mean,

1:13:53.360 --> 1:13:56.560
<v Speaker 1>sexual trafficking is a lot more headline grabbing but a

1:13:56.600 --> 1:13:58.320
<v Speaker 1>lot of it is, like I was just reading about

1:13:58.880 --> 1:14:01.880
<v Speaker 1>like fucking kids that cross the border and are working

1:14:01.880 --> 1:14:05.040
<v Speaker 1>in like serial factories for no money now because they

1:14:05.200 --> 1:14:08.000
<v Speaker 1>there's nothing else they can do in our country.

1:14:07.640 --> 1:14:08.240
<v Speaker 2>You know what I mean.

1:14:08.320 --> 1:14:10.920
<v Speaker 1>Like there's just a lot of forced labor that is

1:14:10.960 --> 1:14:12.479
<v Speaker 1>also under the trafficking umbrella.

1:14:12.760 --> 1:14:16.120
<v Speaker 2>Yeah, And studies according to NBC News suggest that over

1:14:16.200 --> 1:14:18.479
<v Speaker 2>sixty percent of those who are trafficked for sex wire

1:14:18.560 --> 1:14:22.360
<v Speaker 2>runaway children. And they're often lured into that life within

1:14:22.520 --> 1:14:25.960
<v Speaker 2>seventy two hours of leaving home, and that's when they're

1:14:26.000 --> 1:14:29.040
<v Speaker 2>like vulnerable, they're fresh on the Oh god, this is

1:14:29.080 --> 1:14:31.599
<v Speaker 2>so sad. There's one story I found of a fifteen

1:14:31.640 --> 1:14:34.080
<v Speaker 2>year old runaway from Michigan in the nineteen seventies. That's

1:14:34.080 --> 1:14:36.840
<v Speaker 2>what I mean. Like this organization, you know, didn't become

1:14:36.840 --> 1:14:39.519
<v Speaker 2>official till own nine, but these nuns have been out there.

1:14:40.040 --> 1:14:41.800
<v Speaker 2>So this story just s grabbed me. So in the

1:14:41.840 --> 1:14:44.719
<v Speaker 2>nineteen seventies, this woman named Leslie King met an older

1:14:44.720 --> 1:14:46.920
<v Speaker 2>man after she ran away who promised to take care

1:14:46.960 --> 1:14:48.479
<v Speaker 2>of her, who ended up being a pimp and told

1:14:48.520 --> 1:14:50.160
<v Speaker 2>her if you try to run or tell the police,

1:14:50.360 --> 1:14:52.599
<v Speaker 2>I'll kill your mother. Son sister and brother, and I'll

1:14:52.640 --> 1:14:54.600
<v Speaker 2>cut up your body parts and spread them across the

1:14:54.640 --> 1:14:57.960
<v Speaker 2>state of Michigan if you're fifteen. She believes that person,

1:14:58.080 --> 1:15:00.960
<v Speaker 2>you know what I mean. Yeah, she got to work

1:15:00.960 --> 1:15:03.719
<v Speaker 2>in Grand Rapids, Michigan, until a woman named Sister Francett

1:15:03.840 --> 1:15:06.639
<v Speaker 2>started showing up with her Catholic sisters to talk and pray.

1:15:06.960 --> 1:15:09.400
<v Speaker 2>But Leslie would never talk. But one day she ended

1:15:09.439 --> 1:15:12.080
<v Speaker 2>up going to rehab emptying her purse and the sister's

1:15:12.120 --> 1:15:15.280
<v Speaker 2>card fell out. So after she left rehab, she went

1:15:15.360 --> 1:15:17.400
<v Speaker 2>to live at a place called Rosehaven, which was run

1:15:17.439 --> 1:15:20.880
<v Speaker 2>by the nuns who worked with the Sister Francet. And

1:15:20.960 --> 1:15:25.280
<v Speaker 2>so you know, this has been a tradition, it seems like.

1:15:26.120 --> 1:15:29.000
<v Speaker 2>But like I said, this group, Talitha kumb formerly was

1:15:29.120 --> 1:15:32.080
<v Speaker 2>established in two thousand and nine, and it promotes collaboration,

1:15:32.240 --> 1:15:34.960
<v Speaker 2>like I said, among the networks organized at national, regional

1:15:34.960 --> 1:15:39.559
<v Speaker 2>and continental levels, even if each network remains unique and

1:15:39.720 --> 1:15:43.480
<v Speaker 2>operates within its own country or region of this International

1:15:43.560 --> 1:15:48.320
<v Speaker 2>Union of Superiors General UISG. And so the nuns often

1:15:48.439 --> 1:15:50.600
<v Speaker 2>dress up as sex workers head into the streets to

1:15:50.640 --> 1:15:53.840
<v Speaker 2>integrate themselves into the brothels. The group is made up

1:15:53.840 --> 1:15:57.200
<v Speaker 2>of roughly sixty thousand religious sisters. They work.

1:15:57.400 --> 1:15:59.439
<v Speaker 1>I would love to see this shopping trip, by the way,

1:15:59.479 --> 1:16:01.120
<v Speaker 1>I would love to see just like a bunch of

1:16:01.520 --> 1:16:06.200
<v Speaker 1>nuns like at Forever twenty one, like trying on outfits

1:16:06.240 --> 1:16:07.800
<v Speaker 1>to try to fit into brothels.

1:16:08.240 --> 1:16:11.719
<v Speaker 2>Yeah, I love it. They work on their own, even

1:16:11.760 --> 1:16:14.559
<v Speaker 2>though they have the support of Pope Francis, who has

1:16:14.600 --> 1:16:16.400
<v Speaker 2>said that I don't care about the Pope, but I

1:16:16.400 --> 1:16:19.519
<v Speaker 2>guess it's like cool that the Pope's into it, who

1:16:19.560 --> 1:16:22.120
<v Speaker 2>says that problems are the best resolved by going out

1:16:22.160 --> 1:16:24.559
<v Speaker 2>into the streets while he sits in a fancy hat

1:16:24.640 --> 1:16:27.240
<v Speaker 2>at the Vatican. But yes, my.

1:16:27.600 --> 1:16:29.720
<v Speaker 1>Husband has a joke that's like, yeah, the Pope is

1:16:29.760 --> 1:16:32.200
<v Speaker 1>like the most progressive god. This pope is like the

1:16:32.200 --> 1:16:34.400
<v Speaker 1>most progressive guy who lives in a castle and thinks

1:16:34.400 --> 1:16:37.559
<v Speaker 1>that wizards are real, you know, Like, I guess he's

1:16:37.600 --> 1:16:39.639
<v Speaker 1>progressive for someone that believes in magic.

1:16:41.760 --> 1:16:44.880
<v Speaker 2>So they're super They're a super low key group. They

1:16:44.880 --> 1:16:48.720
<v Speaker 2>don't trust local police obviously, they do not trust government obviously,

1:16:48.880 --> 1:16:52.520
<v Speaker 2>no corporations, and they don't trust the male clergy. They yeah,

1:16:52.560 --> 1:16:56.000
<v Speaker 2>alone love it. Nobody knows they're there, and even when

1:16:56.040 --> 1:16:58.599
<v Speaker 2>they did know, like the pimps did know. They left

1:16:58.640 --> 1:17:01.160
<v Speaker 2>the nuns alone because they knew that there's nothing that

1:17:01.160 --> 1:17:02.840
<v Speaker 2>they could say or do that would have the nuns

1:17:02.880 --> 1:17:04.880
<v Speaker 2>run away. Like the nuns had the spirit of the Lord,

1:17:04.920 --> 1:17:07.839
<v Speaker 2>they're not leaving. So they also try to save children

1:17:07.840 --> 1:17:10.680
<v Speaker 2>who are being sold into slavery by their parents and

1:17:10.760 --> 1:17:13.719
<v Speaker 2>set up homes in many countries to house these children.

1:17:14.040 --> 1:17:18.280
<v Speaker 2>There's homes in Africa, Philippines, Brazil, India, so on, all

1:17:18.320 --> 1:17:21.120
<v Speaker 2>over the world. And you can't generalize about trafficking and

1:17:21.160 --> 1:17:23.960
<v Speaker 2>slavery because no two countries are the same. It's like

1:17:24.080 --> 1:17:26.760
<v Speaker 2>very specific per place to go. And not only do

1:17:26.800 --> 1:17:29.000
<v Speaker 2>they work in the streets, they also do push for

1:17:29.080 --> 1:17:33.160
<v Speaker 2>systemic change, lobbying and stronger loss to help combat human trafficking.

1:17:33.640 --> 1:17:36.439
<v Speaker 2>They also work to restore back dignity to these trafficked

1:17:36.479 --> 1:17:41.800
<v Speaker 2>people by offering therapeutic, medical, emotional, and financial support. There

1:17:41.920 --> 1:17:44.080
<v Speaker 2>is a Day of Prayer and Awareness every year. It's

1:17:44.120 --> 1:17:47.280
<v Speaker 2>February eighth, So next year, if you want to pray

1:17:47.520 --> 1:17:51.320
<v Speaker 2>and be aware, that's the day. They also run prevention

1:17:51.439 --> 1:17:54.320
<v Speaker 2>programs in schools and offer education and training to young

1:17:54.320 --> 1:17:57.000
<v Speaker 2>people to keep them out of hands of traffickers. So

1:17:57.080 --> 1:17:59.880
<v Speaker 2>these nuns are busy, they're out there and where think

1:18:00.360 --> 1:18:02.479
<v Speaker 2>for their work. I love hearing about this.

1:18:02.600 --> 1:18:05.240
<v Speaker 1>I love hearing about where like the sort of sister

1:18:05.360 --> 1:18:09.840
<v Speaker 1>Nina idea came from, because yeah, I've never thought of

1:18:09.920 --> 1:18:13.240
<v Speaker 1>nuns like dressing up and going in to infiltrate these

1:18:13.320 --> 1:18:14.360
<v Speaker 1>kind of rings and stuff.

1:18:14.400 --> 1:18:17.799
<v Speaker 2>It's kind of a loud story. And of course we'll

1:18:17.800 --> 1:18:20.639
<v Speaker 2>see you next week for a part two of this episode.

1:18:20.680 --> 1:18:27.519
<v Speaker 1>So yes, nore crime, Yes, has even more salacious crimes since.

1:18:27.560 --> 1:18:30.360
<v Speaker 2>To speak of more guests, great guests, we have a

1:18:30.400 --> 1:18:33.360
<v Speaker 2>great guest today, Pumped.

1:18:33.479 --> 1:18:44.800
<v Speaker 1>Pumped, Our guest today is a classic double threat, an

1:18:44.840 --> 1:18:49.280
<v Speaker 1>actor and a sound effects editor and sound designer. She's

1:18:49.320 --> 1:18:51.960
<v Speaker 1>best known for her recurring role as Gina Murphy on

1:18:52.040 --> 1:18:54.519
<v Speaker 1>Orange Is the New Black, and she's been featured on

1:18:54.560 --> 1:18:57.200
<v Speaker 1>shows like What We Do in the Shadows and Chicago Med.

1:18:57.400 --> 1:19:01.240
<v Speaker 1>But she's also worked professionally in post productions on features

1:19:01.240 --> 1:19:04.040
<v Speaker 1>and TV for almost twenty years. She most recently worked

1:19:04.040 --> 1:19:06.320
<v Speaker 1>as a sound effect editor on A twenty four's X

1:19:06.760 --> 1:19:09.960
<v Speaker 1>and as the supervising sound editor on the upcoming Apple

1:19:10.000 --> 1:19:13.639
<v Speaker 1>Plus show Monster Factory. But you know her today as

1:19:13.720 --> 1:19:18.000
<v Speaker 1>the wily and dedicated sister Nina Kelly. Guys, please enjoy

1:19:18.040 --> 1:19:20.560
<v Speaker 1>our chat with the very talented Abigail Savage.

1:19:20.960 --> 1:19:25.640
<v Speaker 2>We're so excited that you're here. Yeah for you royalty.

1:19:26.600 --> 1:19:29.080
<v Speaker 3>Yeah, I hear you. Guys are collecting us like Pokemon.

1:19:29.400 --> 1:19:29.559
<v Speaker 2>Yeah.

1:19:29.840 --> 1:19:33.280
<v Speaker 1>Yeah, I'm trying to catch them all, all the orange babies.

1:19:33.320 --> 1:19:35.800
<v Speaker 2>We can't wait. Oh.

1:19:35.840 --> 1:19:40.000
<v Speaker 1>I just thought it was funny because our producer Casey goes, oh,

1:19:40.040 --> 1:19:41.599
<v Speaker 1>you seem like you have a great setup, and your

1:19:41.600 --> 1:19:43.760
<v Speaker 1>face was kind of like yeah, because you are a

1:19:43.760 --> 1:19:46.760
<v Speaker 1>sound engineer and a sound designer on the side, so

1:19:46.840 --> 1:19:49.120
<v Speaker 1>I feel like, not on the side, but like divided.

1:19:49.200 --> 1:19:50.920
<v Speaker 2>I guess I wanted to ask you that first.

1:19:51.040 --> 1:19:53.479
<v Speaker 1>Like when we first with the first episode we covered

1:19:53.479 --> 1:19:55.800
<v Speaker 1>that you were in was actually Sugar, the one where

1:19:55.880 --> 1:19:58.960
<v Speaker 1>you play the like masturbator.

1:19:59.120 --> 1:19:59.360
<v Speaker 2>Yeah.

1:20:00.000 --> 1:20:03.799
<v Speaker 1>I remember being like, oh, her IMDb has one hundred

1:20:03.800 --> 1:20:05.679
<v Speaker 1>and six sound credits.

1:20:05.720 --> 1:20:07.960
<v Speaker 2>I wonder if she pivoted to acting.

1:20:08.000 --> 1:20:09.600
<v Speaker 1>But then when I did some more research about you,

1:20:09.680 --> 1:20:11.320
<v Speaker 1>it sounded like it was just like a thing you

1:20:11.360 --> 1:20:12.920
<v Speaker 1>did at the same time as acting.

1:20:13.120 --> 1:20:14.720
<v Speaker 2>So I just wanted to hear a little bit more

1:20:14.760 --> 1:20:15.000
<v Speaker 2>about it.

1:20:15.040 --> 1:20:15.400
<v Speaker 1>You want the.

1:20:15.400 --> 1:20:18.719
<v Speaker 3>Lowdown on that? Yeah, I always wanted to be an actor,

1:20:19.120 --> 1:20:21.040
<v Speaker 3>you know, straight through college. And I got out of

1:20:21.040 --> 1:20:24.080
<v Speaker 3>college and I thought to myself, well, this is not

1:20:24.320 --> 1:20:28.759
<v Speaker 3>leading lady material. Let's be honest. Regardless of my talent,

1:20:28.840 --> 1:20:31.599
<v Speaker 3>I'm just not going to get casts like all that often.

1:20:32.040 --> 1:20:33.680
<v Speaker 3>So I thought to myself, do I want to be

1:20:33.800 --> 1:20:36.559
<v Speaker 3>like waiting tables as I struggle to be an actor

1:20:36.600 --> 1:20:38.519
<v Speaker 3>my whole life, or do I want to be in

1:20:38.600 --> 1:20:43.559
<v Speaker 3>the industry in the meantime. And crazily enough, I'm in

1:20:43.600 --> 1:20:47.360
<v Speaker 3>a house right after college with like five other roommates

1:20:47.360 --> 1:20:51.680
<v Speaker 3>in Williamsburg and one of my roommates is complaining that

1:20:51.720 --> 1:20:55.080
<v Speaker 3>she has too many internships, poor her and one of

1:20:55.120 --> 1:20:59.640
<v Speaker 3>the internships is doing post production sound for film, and

1:20:59.680 --> 1:21:03.200
<v Speaker 3>I was like, dude, I'll take your internship for you.

1:21:03.760 --> 1:21:05.760
<v Speaker 3>So I just sort of like showed up. I just

1:21:05.800 --> 1:21:09.679
<v Speaker 3>sort of got an internship without trying, and I literally

1:21:09.720 --> 1:21:13.519
<v Speaker 3>work at that facility to this day, like twenty years later.

1:21:14.040 --> 1:21:15.080
<v Speaker 2>Oh my gosh.

1:21:15.160 --> 1:21:19.120
<v Speaker 3>That's how I wanted some kind of career in film

1:21:19.200 --> 1:21:21.760
<v Speaker 3>while I pursued acting, and I like it just like

1:21:21.920 --> 1:21:22.920
<v Speaker 3>fell into my lap.

1:21:23.400 --> 1:21:29.640
<v Speaker 2>So that's amazing. Were you always like gifted with sound? I? I,

1:21:29.800 --> 1:21:31.719
<v Speaker 2>you know, I dabbled with the music thing.

1:21:31.760 --> 1:21:33.720
<v Speaker 3>I tell myself how to play guitars so I could

1:21:33.760 --> 1:21:36.680
<v Speaker 3>sing sad lesbian folk songs to myself.

1:21:36.800 --> 1:21:39.280
<v Speaker 2>Yes, my genre, made me know my genre.

1:21:41.120 --> 1:21:45.759
<v Speaker 3>And in college, all the theater majors for our final production,

1:21:45.840 --> 1:21:48.400
<v Speaker 3>we all had to do an aspect of the show

1:21:48.479 --> 1:21:52.920
<v Speaker 3>aside from acting, and I was handed the sound and

1:21:53.000 --> 1:21:55.120
<v Speaker 3>I learned it was like right around the time when

1:21:55.200 --> 1:21:58.360
<v Speaker 3>sound was going super digital on computers, and I learned

1:21:58.400 --> 1:22:01.599
<v Speaker 3>that you could like edit song in all these different

1:22:01.640 --> 1:22:04.200
<v Speaker 3>ways that they weren't intended to be, and that you

1:22:04.240 --> 1:22:08.040
<v Speaker 3>could see sound waves on a screen and cut and paste,

1:22:08.080 --> 1:22:10.080
<v Speaker 3>and it was like it just blew my mind. So

1:22:10.120 --> 1:22:12.840
<v Speaker 3>I was already kind of interested in it by the

1:22:12.880 --> 1:22:15.320
<v Speaker 3>time I left college. So there you go.

1:22:15.760 --> 1:22:17.240
<v Speaker 2>Definitely better than waiting tables.

1:22:19.680 --> 1:22:20.960
<v Speaker 3>Yeah, it's a lot of fun.

1:22:21.160 --> 1:22:25.519
<v Speaker 2>Yeah yeah, what are your pet peeves in sound? In

1:22:25.640 --> 1:22:28.519
<v Speaker 2>terms of on set and then while you're watching something

1:22:28.640 --> 1:22:30.000
<v Speaker 2>noticing things that bother you.

1:22:30.360 --> 1:22:35.240
<v Speaker 3>Noisy props drive me crazy on set, Like a famous

1:22:35.280 --> 1:22:39.360
<v Speaker 3>example was on Orange in the kitchen scenes, we all

1:22:39.400 --> 1:22:43.559
<v Speaker 3>had these gloves on these like super plastic thin, like

1:22:43.680 --> 1:22:47.320
<v Speaker 3>garbage bag like thickness plastic gloves and it's like the

1:22:47.360 --> 1:22:50.000
<v Speaker 3>whole scene, all I could hear as an actor is

1:22:50.040 --> 1:22:53.160
<v Speaker 3>that s and I was like, oh my god, the

1:22:53.280 --> 1:22:56.439
<v Speaker 3>sound people must be going crazy with that, because like

1:22:56.920 --> 1:23:00.720
<v Speaker 3>that's an impossible thing. Nobody wants that sound in the

1:23:00.760 --> 1:23:04.320
<v Speaker 3>final you know, product of their shows or whatever. So yeah,

1:23:04.360 --> 1:23:08.080
<v Speaker 3>often on set, I'll sort of notice the noisy props

1:23:08.120 --> 1:23:11.280
<v Speaker 3>and you know, go through a whole internal monologue about

1:23:11.320 --> 1:23:13.320
<v Speaker 3>it in my head about like what should we do,

1:23:13.400 --> 1:23:16.320
<v Speaker 3>how should we work around it, et cetera, et cetera.

1:23:16.600 --> 1:23:20.640
<v Speaker 1>So well, let's get into how much noise that crucifix

1:23:20.720 --> 1:23:24.759
<v Speaker 1>made before you shoved it into your bag. Sister Nina,

1:23:25.479 --> 1:23:28.599
<v Speaker 1>this character we love, Like, you know, there was this

1:23:28.800 --> 1:23:31.519
<v Speaker 1>character up until season twelve named Sister Peg who was

1:23:31.520 --> 1:23:35.760
<v Speaker 1>like another nun played by Charlane Woodward, and she like,

1:23:36.160 --> 1:23:38.320
<v Speaker 1>she really resonates with people, and I felt like you

1:23:38.400 --> 1:23:38.840
<v Speaker 1>when you came.

1:23:38.920 --> 1:23:40.679
<v Speaker 2>I was like, oh, there's like a new Sister Peg.

1:23:41.760 --> 1:23:44.840
<v Speaker 1>There's a new nun like who puts everything aside to

1:23:44.880 --> 1:23:46.680
<v Speaker 1>help people and does it, you know.

1:23:47.160 --> 1:23:50.679
<v Speaker 2>And then unfortunately, Sodi, you didn't make it. You didn't

1:23:50.680 --> 1:23:51.120
<v Speaker 2>make it.

1:23:51.479 --> 1:23:54.479
<v Speaker 1>No, but what an episode tell us, like tell us

1:23:54.479 --> 1:23:58.040
<v Speaker 1>the SVU situation, because you had done two svus already,

1:23:58.400 --> 1:24:00.639
<v Speaker 1>you were one of the tunnel people in the episod Control,

1:24:00.680 --> 1:24:01.000
<v Speaker 1>which is.

1:24:00.960 --> 1:24:04.360
<v Speaker 2>Another that we've done, yep, and then.

1:24:04.439 --> 1:24:07.479
<v Speaker 1>Then you were in this big two parter in season seventeen.

1:24:07.600 --> 1:24:09.400
<v Speaker 1>So at this point did they just bring you in

1:24:09.439 --> 1:24:09.960
<v Speaker 1>for this one?

1:24:10.680 --> 1:24:13.680
<v Speaker 3>I mean I auditioned, but okay, they really I mean

1:24:13.720 --> 1:24:17.240
<v Speaker 3>it seemed like they were very excited about me. You know,

1:24:17.320 --> 1:24:19.679
<v Speaker 3>they sought me out. I don't know if my agent

1:24:19.960 --> 1:24:22.840
<v Speaker 3>manager sent sent the stuff. I think they sought me

1:24:22.880 --> 1:24:26.640
<v Speaker 3>out for it. And I was kind of surprised, and

1:24:26.680 --> 1:24:28.960
<v Speaker 3>I was kind of worried about getting it too, because

1:24:29.000 --> 1:24:31.960
<v Speaker 3>it seemed like there was so much, you know, was

1:24:32.000 --> 1:24:33.840
<v Speaker 3>that it was going to the dark side, like it

1:24:33.880 --> 1:24:36.800
<v Speaker 3>was going to be a difficult role to play, and

1:24:37.280 --> 1:24:39.640
<v Speaker 3>I was like, oh, this is going to take a

1:24:39.680 --> 1:24:44.200
<v Speaker 3>lot of energy. Yea, but yeah. So yeah, so third

1:24:44.240 --> 1:24:49.559
<v Speaker 3>times the Charm, Yeah, And it was a blast because

1:24:49.680 --> 1:24:54.960
<v Speaker 3>you know that the set is this beautifully well oiled machine,

1:24:55.240 --> 1:24:59.559
<v Speaker 3>and it's just like, uh so they just know what

1:24:59.600 --> 1:25:02.720
<v Speaker 3>they're doing in this way that is not necessarily the

1:25:02.720 --> 1:25:05.800
<v Speaker 3>case in all shows and on film and stuff like that.

1:25:05.960 --> 1:25:09.559
<v Speaker 3>So it's always like a really wonderful experience to shoot

1:25:09.560 --> 1:25:10.040
<v Speaker 3>with them.

1:25:10.240 --> 1:25:12.240
<v Speaker 1>And did you feel that way, like because you're a

1:25:12.280 --> 1:25:15.680
<v Speaker 1>person that did like season five and then season like

1:25:16.000 --> 1:25:18.439
<v Speaker 1>I don't even know what sugar was like eight or something,

1:25:18.600 --> 1:25:21.559
<v Speaker 1>and then seventeen, Like did you feel changes in the

1:25:21.600 --> 1:25:23.400
<v Speaker 1>set like from the different times that you went.

1:25:24.160 --> 1:25:28.600
<v Speaker 3>It was already so smoothly run by season five, Like

1:25:28.760 --> 1:25:30.599
<v Speaker 3>I was only there for a half day, but if

1:25:30.640 --> 1:25:32.600
<v Speaker 3>you think about it, I mean there was already the

1:25:32.640 --> 1:25:36.080
<v Speaker 3>regular law and order, so they just inherited all that

1:25:36.200 --> 1:25:40.960
<v Speaker 3>knowledge on how to do things quickly and well, and

1:25:41.600 --> 1:25:44.519
<v Speaker 3>so it was just like it's actually quite intimidating at

1:25:44.560 --> 1:25:48.200
<v Speaker 3>first because you're dropping and everybody knows each other, everybody

1:25:48.240 --> 1:25:50.400
<v Speaker 3>knows what they're doing, and you're just this new person

1:25:50.439 --> 1:25:53.840
<v Speaker 3>on set. But it was funny because Mariska, who I

1:25:53.960 --> 1:25:57.559
<v Speaker 3>had scenes with in both of the previous episodes and

1:25:57.760 --> 1:26:01.760
<v Speaker 3>like conversations with, but she still had no I had

1:26:01.880 --> 1:26:05.879
<v Speaker 3>no idea who I was, come come this third round

1:26:05.960 --> 1:26:08.880
<v Speaker 3>and then I think, I think maybe she'd recognize me

1:26:08.920 --> 1:26:11.639
<v Speaker 3>now if she saw me based on this the sister

1:26:11.720 --> 1:26:16.200
<v Speaker 3>Kelly Mina Kelly episode. Yeah, yeah, but it was funny.

1:26:16.320 --> 1:26:18.080
<v Speaker 2>Was it hard not to be like Marishka we know

1:26:18.160 --> 1:26:18.479
<v Speaker 2>each other.

1:26:18.880 --> 1:26:21.640
<v Speaker 3>Yeah, but then you think, oh my god, like the

1:26:21.760 --> 1:26:25.840
<v Speaker 3>number of actors that she has had to interact with.

1:26:26.120 --> 1:26:28.639
<v Speaker 3>It like twenty four seasons at this point.

1:26:28.760 --> 1:26:31.120
<v Speaker 2>Yeah, it's hundreds. It's hundreds of people.

1:26:31.320 --> 1:26:34.000
<v Speaker 3>And she's dealing with like five at least five new

1:26:34.040 --> 1:26:37.200
<v Speaker 3>actors every episode. I mean, like, forget it. I yeah,

1:26:37.320 --> 1:26:40.640
<v Speaker 3>I had. I totally understood why she didn't realize and

1:26:40.840 --> 1:26:41.719
<v Speaker 3>met me before.

1:26:42.600 --> 1:26:45.719
<v Speaker 2>Well, I'm sure that's how people felt coming into Orange

1:26:45.760 --> 1:26:48.679
<v Speaker 2>as well, because you guys, it seemed like had deep

1:26:48.720 --> 1:26:49.840
<v Speaker 2>connections with each other.

1:26:49.920 --> 1:26:53.439
<v Speaker 3>And yeah, I mean that's the thing Orange was. I

1:26:53.560 --> 1:26:56.040
<v Speaker 3>was there. I think my first day of shooting was

1:26:56.120 --> 1:27:00.679
<v Speaker 3>the second day of shooting overall, so we were all

1:27:00.920 --> 1:27:04.360
<v Speaker 3>and and of course nothing had come out on Netflix

1:27:04.640 --> 1:27:07.280
<v Speaker 3>yet except for a House of Cards, but that was

1:27:07.320 --> 1:27:11.160
<v Speaker 3>like slightly different situation. But like we were, it was

1:27:11.200 --> 1:27:14.640
<v Speaker 3>all just like a bunch of people being kind of

1:27:15.520 --> 1:27:19.400
<v Speaker 3>excited and curious about like what this thing was we

1:27:19.400 --> 1:27:23.840
<v Speaker 3>were creating, you know. And then of course once we

1:27:23.920 --> 1:27:27.360
<v Speaker 3>got going and realized that it was a hit and everything,

1:27:27.920 --> 1:27:30.639
<v Speaker 3>I think we were pretty we were pretty inclusive to

1:27:30.640 --> 1:27:33.920
<v Speaker 3>to the to nubes, you know. Yeah, there, there weren't

1:27:33.960 --> 1:27:36.680
<v Speaker 3>that many. You know, there were there were only a

1:27:36.680 --> 1:27:39.599
<v Speaker 3>couple of new actors a season. Really, when you come.

1:27:39.479 --> 1:27:42.759
<v Speaker 1>Right down to us, true, we're both like huge Orange fans.

1:27:42.800 --> 1:27:44.280
<v Speaker 1>I know, we we want to I think we have

1:27:44.320 --> 1:27:46.559
<v Speaker 1>orange stuff that we want to talk about in a sect,

1:27:46.600 --> 1:27:48.519
<v Speaker 1>but I just want to ask more a few more

1:27:48.600 --> 1:27:49.720
<v Speaker 1>SVU things.

1:27:49.439 --> 1:27:49.960
<v Speaker 3>Oh please?

1:27:50.680 --> 1:27:54.479
<v Speaker 1>So yeah, So getting into this role, were you just like,

1:27:55.400 --> 1:27:58.400
<v Speaker 1>I mean, this is a wild character because she's this

1:27:58.600 --> 1:28:01.320
<v Speaker 1>like she has this like pure her religious heart. She

1:28:01.320 --> 1:28:03.600
<v Speaker 1>wants to help people, but then everyone's gaslighting her like

1:28:03.600 --> 1:28:06.200
<v Speaker 1>she's crazy. She knows that she's part of this big conspiracy,

1:28:06.240 --> 1:28:07.559
<v Speaker 1>but kind of no one believes her.

1:28:08.040 --> 1:28:10.479
<v Speaker 2>So like, how did you? I don't know, prep like,

1:28:10.520 --> 1:28:11.559
<v Speaker 2>how did you get into it?

1:28:13.240 --> 1:28:16.719
<v Speaker 3>You know, I think it's mostly just something that fits

1:28:16.760 --> 1:28:21.760
<v Speaker 3>in my personality, the sort of anxiety paranoia thing. It's

1:28:21.880 --> 1:28:25.200
<v Speaker 3>just like, uh, I think she has this line like

1:28:25.360 --> 1:28:29.479
<v Speaker 3>I'm not crazy at some point I literally said that

1:28:29.560 --> 1:28:33.639
<v Speaker 3>on an episode of Chicago Med last year, like I'm

1:28:33.720 --> 1:28:38.240
<v Speaker 3>just cast as these like really neurotic, terrified human beings.

1:28:38.400 --> 1:28:42.320
<v Speaker 1>So like, but they're they're crazy, They're not really ey, No.

1:28:42.240 --> 1:28:46.280
<v Speaker 3>We just we just have this vein of tight anxiety

1:28:46.280 --> 1:28:49.679
<v Speaker 3>that runs to us that people don't understand. Yes, it's

1:28:49.760 --> 1:28:55.120
<v Speaker 3>it's it's my Jewish neurosis just bubbling up, but so

1:28:55.320 --> 1:28:58.519
<v Speaker 3>like so so that those parts I think were just

1:28:58.680 --> 1:29:01.559
<v Speaker 3>instant connection for me. And then I just had to

1:29:01.600 --> 1:29:03.760
<v Speaker 3>pretend to be Catholic instead of Jewish, and.

1:29:03.960 --> 1:29:06.320
<v Speaker 1>Yeah, go oh, there's a lot of guilt, I thnk

1:29:06.320 --> 1:29:07.200
<v Speaker 1>on both sides.

1:29:08.120 --> 1:29:12.480
<v Speaker 2>So it's how was it working with the baby baby Noah,

1:29:12.520 --> 1:29:13.440
<v Speaker 2>Oh yeah.

1:29:13.160 --> 1:29:15.960
<v Speaker 3>The baby who was actually kind of big. I think

1:29:16.000 --> 1:29:20.160
<v Speaker 3>it was like, because I'm a teeny weeny human being,

1:29:20.240 --> 1:29:23.960
<v Speaker 3>I am five feet tall and I will always be

1:29:24.000 --> 1:29:26.360
<v Speaker 3>five feet tall no matter how much I shrink as

1:29:26.400 --> 1:29:30.160
<v Speaker 3>I age, I would be five feet tall and like barely,

1:29:30.400 --> 1:29:33.200
<v Speaker 3>I'm not even one hundred pounds. I'm tiny, right, And

1:29:33.960 --> 1:29:36.640
<v Speaker 3>had I had a newborn or one year old at

1:29:36.640 --> 1:29:38.800
<v Speaker 3>that point, I can't remember how old she was, but

1:29:39.120 --> 1:29:42.160
<v Speaker 3>still a very liftable child for me. And then I

1:29:42.200 --> 1:29:44.000
<v Speaker 3>get on set and they want me to pick this

1:29:44.080 --> 1:29:47.320
<v Speaker 3>kid up. And the kid's like, I mean, the kid's

1:29:47.360 --> 1:29:50.240
<v Speaker 3>three or something, like a normally small kid. But for me,

1:29:50.800 --> 1:29:53.799
<v Speaker 3>I was like, I've never lifted a child this big before.

1:29:54.240 --> 1:29:56.240
<v Speaker 3>This is like I don't even know how to do it,

1:29:56.240 --> 1:29:58.040
<v Speaker 3>and I kept sort of lifting him up by the

1:29:58.040 --> 1:30:01.040
<v Speaker 3>crotch because that's what you do with babies. But it

1:30:01.120 --> 1:30:04.240
<v Speaker 3>was it was super awkward. But I just kept thinking,

1:30:04.280 --> 1:30:07.679
<v Speaker 3>don't drop the child. Just don't trap the child. Throughout

1:30:07.720 --> 1:30:09.720
<v Speaker 3>all the scenes where I'm holding him, it's like my

1:30:10.200 --> 1:30:13.599
<v Speaker 3>all I'm thinking about, like I'm barely getting my lines out,

1:30:13.720 --> 1:30:16.280
<v Speaker 3>just don't trap the child. Yeah.

1:30:16.320 --> 1:30:19.640
<v Speaker 2>But the other scene I think about is you know

1:30:19.640 --> 1:30:22.320
<v Speaker 2>the car chase and the murder obviously the woods. Can

1:30:22.360 --> 1:30:24.320
<v Speaker 2>you tell us about shooting that scene?

1:30:24.439 --> 1:30:27.480
<v Speaker 3>Well, the car chase is a funny one, okay, crazy.

1:30:27.960 --> 1:30:32.320
<v Speaker 3>I being a New Yorker, I do have my driver's license,

1:30:33.000 --> 1:30:35.840
<v Speaker 3>and I did drive while I was in college because

1:30:35.840 --> 1:30:38.519
<v Speaker 3>it was outside of New York. But then, you know,

1:30:38.560 --> 1:30:40.800
<v Speaker 3>the day I graduated, I came back to New York

1:30:40.880 --> 1:30:46.080
<v Speaker 3>and didn't drive again. And like five years later I

1:30:46.120 --> 1:30:48.080
<v Speaker 3>was like, oh I was I went to LA. My

1:30:48.160 --> 1:30:50.160
<v Speaker 3>friend was going to lend me her stick shift. I

1:30:50.200 --> 1:30:52.439
<v Speaker 3>was like, no problem, I drove a stick shift in college.

1:30:52.479 --> 1:30:55.439
<v Speaker 3>All this is good. I'm on like some LA highway,

1:30:55.560 --> 1:30:59.160
<v Speaker 3>like jerking and like completely like it was not like

1:30:59.240 --> 1:31:04.120
<v Speaker 3>riding a bicycle. I was like, this feels very unsafe.

1:31:04.520 --> 1:31:06.519
<v Speaker 3>I don't think I'm gonna do this anymore. And I

1:31:06.560 --> 1:31:08.160
<v Speaker 3>pulled off to the side of the road and she

1:31:08.160 --> 1:31:11.960
<v Speaker 3>had to like come rescue me. Point being that was

1:31:12.000 --> 1:31:15.040
<v Speaker 3>sort of the last time I had driven before this episode,

1:31:15.080 --> 1:31:17.920
<v Speaker 3>and like, so I get on set and I'm like, so,

1:31:17.960 --> 1:31:21.599
<v Speaker 3>there's driving. I do have my driver's license. I'm not

1:31:21.680 --> 1:31:24.000
<v Speaker 3>sure if I should have my driver's license.

1:31:24.840 --> 1:31:25.240
<v Speaker 2>Uh.

1:31:25.280 --> 1:31:28.759
<v Speaker 3>And they were very cool about it, and they got

1:31:28.840 --> 1:31:33.040
<v Speaker 3>the not the props person, the stunt person. They got

1:31:33.040 --> 1:31:35.880
<v Speaker 3>the stunt person to sit in the car with me

1:31:36.080 --> 1:31:40.080
<v Speaker 3>and get me like back up to snuff so that

1:31:40.200 --> 1:31:43.160
<v Speaker 3>I could conceivably drive a car with a bunch of

1:31:43.200 --> 1:31:45.880
<v Speaker 3>people in it down right a windy road.

1:31:46.200 --> 1:31:49.959
<v Speaker 2>And it was a car.

1:31:49.880 --> 1:31:54.240
<v Speaker 3>It was a minivan. Yeah, And so I have a

1:31:54.280 --> 1:31:57.519
<v Speaker 3>feeling everybody in that car with me was a little

1:31:57.560 --> 1:31:59.519
<v Speaker 3>nervous while I was doing all that.

1:31:59.600 --> 1:32:02.479
<v Speaker 1>That to the performance, I feel like, because when you're

1:32:02.520 --> 1:32:05.160
<v Speaker 1>being tailed, you're very nervous, you're very stressed.

1:32:05.200 --> 1:32:05.559
<v Speaker 2>Ie.

1:32:05.600 --> 1:32:07.080
<v Speaker 1>It was like a little bit of that and a

1:32:07.080 --> 1:32:08.639
<v Speaker 1>little bit a little bit of acting and a little

1:32:08.640 --> 1:32:09.360
<v Speaker 1>bit of real.

1:32:09.360 --> 1:32:11.880
<v Speaker 3>Right, And if there's a jerky camera that's probably the

1:32:11.920 --> 1:32:15.040
<v Speaker 3>tension of the cameraman knowing that the person behind the

1:32:15.040 --> 1:32:17.840
<v Speaker 3>wheel hasn't been behind the wheel in ten years. But

1:32:18.360 --> 1:32:19.320
<v Speaker 3>we all survived.

1:32:19.640 --> 1:32:20.120
<v Speaker 2>Yeah yeah.

1:32:20.600 --> 1:32:23.599
<v Speaker 3>Oh and then the death right that was fun. I haven't,

1:32:23.720 --> 1:32:26.360
<v Speaker 3>I haven't. I wanted my eyes to be open. I

1:32:26.439 --> 1:32:31.799
<v Speaker 3>requested that my eyes be open because I thought that's

1:32:31.840 --> 1:32:34.720
<v Speaker 3>sort of probably more likely how people die, right like

1:32:34.880 --> 1:32:36.760
<v Speaker 3>when they're when they die violently.

1:32:36.360 --> 1:32:37.280
<v Speaker 2>Their eyes still open.

1:32:38.560 --> 1:32:40.400
<v Speaker 3>So for me that was just a little like in

1:32:40.840 --> 1:32:43.280
<v Speaker 3>like how still can I be? You know?

1:32:44.400 --> 1:32:44.720
<v Speaker 2>It was.

1:32:44.840 --> 1:32:46.960
<v Speaker 3>It was cool just looking up at the sky being

1:32:47.000 --> 1:32:50.360
<v Speaker 3>a corpse for a little while. And then it was

1:32:50.439 --> 1:32:54.160
<v Speaker 3>my lasting on set for that episode. I was I

1:32:54.280 --> 1:32:58.360
<v Speaker 3>was such a like not a much less important character

1:32:58.439 --> 1:33:01.680
<v Speaker 3>for that episode because I'm like how that it was

1:33:01.760 --> 1:33:05.839
<v Speaker 3>this completely uneventful moment Like I was used to, oh,

1:33:05.880 --> 1:33:09.320
<v Speaker 3>all right, that's a wrap on, Abbey. Yeah, everybody stopping

1:33:09.400 --> 1:33:11.960
<v Speaker 3>and clapping and then you say thanks, thanks and go away.

1:33:12.120 --> 1:33:14.320
<v Speaker 3>But this was just like okay, moving on, and I

1:33:14.400 --> 1:33:19.120
<v Speaker 3>was like, oh, okay, I guess three weeks of work

1:33:19.200 --> 1:33:20.599
<v Speaker 3>that's over now, Okay.

1:33:21.760 --> 1:33:22.080
<v Speaker 2>It was.

1:33:22.200 --> 1:33:25.800
<v Speaker 3>It was funny after the like center of attention from

1:33:26.080 --> 1:33:29.639
<v Speaker 3>Manhattan transfer to be like you know this like okay,

1:33:29.720 --> 1:33:33.799
<v Speaker 3>she's wrapped. Get her out of here for the next episode. Yeah,

1:33:33.800 --> 1:33:34.320
<v Speaker 3>it was fun.

1:33:34.439 --> 1:33:40.040
<v Speaker 2>Wow was speaking of the masturbader. She had some like

1:33:40.760 --> 1:33:43.320
<v Speaker 2>fun highlights. Did you come in with those highlights or

1:33:43.360 --> 1:33:44.519
<v Speaker 2>did they give you those hs?

1:33:44.720 --> 1:33:46.800
<v Speaker 3>They totally gave them to me. Yeah, it was really

1:33:46.840 --> 1:33:50.280
<v Speaker 3>funny they did. They gave me tons of my makeup too,

1:33:50.320 --> 1:33:52.160
<v Speaker 3>and all I was like, you know, I don't really

1:33:52.320 --> 1:33:54.439
<v Speaker 3>wear a lot of makeup, so it was really funny

1:33:54.439 --> 1:33:56.479
<v Speaker 3>to see them be like, now, this girl's gonna be

1:33:56.479 --> 1:34:00.800
<v Speaker 3>all like gothy, kind of punky, kind of way uh,

1:34:00.960 --> 1:34:04.760
<v Speaker 3>way better than the horrific wig I had to wear

1:34:04.880 --> 1:34:07.679
<v Speaker 3>at the beginning of Manhattan Transfer. I'll tell you that much.

1:34:07.960 --> 1:34:12.400
<v Speaker 1>Oh yes, that long like uh yes, sexy galwig.

1:34:12.400 --> 1:34:14.439
<v Speaker 3>If if yeh. But it was like it had never

1:34:14.479 --> 1:34:18.320
<v Speaker 3>been brushed. It was all matted. It was more like

1:34:18.360 --> 1:34:21.280
<v Speaker 3>a bunch of dead cats on my head than anything else.

1:34:21.680 --> 1:34:24.680
<v Speaker 3>And even even the hair department was like, girl, we

1:34:24.760 --> 1:34:27.679
<v Speaker 3>cannot do anything with this. It's just gonna sit there

1:34:28.520 --> 1:34:30.479
<v Speaker 3>and then it's gonna be off and that's it. I

1:34:30.479 --> 1:34:34.080
<v Speaker 3>think it was like a prop from the props department,

1:34:34.240 --> 1:34:38.720
<v Speaker 3>not like something from the hair and nada. So it

1:34:38.800 --> 1:34:40.600
<v Speaker 3>was just like, oh, okay.

1:34:40.360 --> 1:34:42.639
<v Speaker 2>Well, I wonder if it was on purpose, Like maybe

1:34:42.720 --> 1:34:45.040
<v Speaker 2>the nun didn't know about good wigs.

1:34:45.040 --> 1:34:48.240
<v Speaker 3>Right, But hadn't she been undercover for like, yes, a

1:34:48.320 --> 1:34:51.200
<v Speaker 3>really long time. You think you think that like she

1:34:51.240 --> 1:34:55.559
<v Speaker 3>would have some cool like Bob, like you know what

1:34:55.720 --> 1:34:58.880
<v Speaker 3>Uma Thurman has in pulp fiction or something.

1:34:58.600 --> 1:35:03.880
<v Speaker 1>Like that, Natalie Portman style, like yeah, undercover Bob.

1:35:04.240 --> 1:35:07.559
<v Speaker 2>Yeah, instead of it's like, I do have another hair

1:35:07.600 --> 1:35:10.799
<v Speaker 2>and makeup question, But this is for your Tunnel character

1:35:10.880 --> 1:35:17.160
<v Speaker 2>Dot from Control. What was the soot like eyeshadow?

1:35:18.280 --> 1:35:22.240
<v Speaker 3>Okay, but you know what's what's super funny about that one? Again?

1:35:22.320 --> 1:35:23.240
<v Speaker 3>This is the insider.

1:35:23.960 --> 1:35:24.240
<v Speaker 2>Uh.

1:35:24.400 --> 1:35:29.640
<v Speaker 3>I had just whitened my teeth like three weeks previous

1:35:29.760 --> 1:35:33.240
<v Speaker 3>or something like before the before the character was even

1:35:33.320 --> 1:35:37.599
<v Speaker 3>you know, before the audition. So I get to set

1:35:37.760 --> 1:35:40.160
<v Speaker 3>and they put all this crap all over me, but

1:35:40.240 --> 1:35:44.360
<v Speaker 3>they never like did anything to my teeth. So like

1:35:44.479 --> 1:35:47.840
<v Speaker 3>if you watch that seat again, like everytime I opened

1:35:47.880 --> 1:35:51.120
<v Speaker 3>my mouth, I have these like perfectly bright white, like

1:35:51.200 --> 1:35:54.519
<v Speaker 3>knon teeth sticking out of this like dirty grubby face.

1:35:57.600 --> 1:36:00.559
<v Speaker 1>Maybe Dot was dedicated to dental hygiene and nothing else.

1:36:00.800 --> 1:36:03.760
<v Speaker 3>Yeah, there we go. I guess she wasn't a meth head.

1:36:04.240 --> 1:36:06.000
<v Speaker 2>Yeah, she was figuring out a way to brush down

1:36:06.000 --> 1:36:09.000
<v Speaker 2>in the tunnels. Right Where did you shoot the tunnels too,

1:36:09.080 --> 1:36:11.240
<v Speaker 2>because those looked scary and dark? Was it just in

1:36:11.280 --> 1:36:12.559
<v Speaker 2>the way.

1:36:12.640 --> 1:36:16.120
<v Speaker 3>It was an abandoned subway track a legit. I think

1:36:16.120 --> 1:36:19.479
<v Speaker 3>it was an L train abandoned L train subway track somewhere.

1:36:20.960 --> 1:36:23.120
<v Speaker 2>Yeah, it was cool.

1:36:22.560 --> 1:36:26.439
<v Speaker 3>That's like one of my favorite parts of shooting is

1:36:27.120 --> 1:36:31.200
<v Speaker 3>when you're on location in really weird places like so

1:36:31.320 --> 1:36:34.840
<v Speaker 3>that was super cool. And then you know, a lot

1:36:34.880 --> 1:36:38.280
<v Speaker 3>of the shooting of Orange took place in an abandoned

1:36:38.360 --> 1:36:43.439
<v Speaker 3>children's mental institution. Yeah, so there were ghost ghosts. I

1:36:43.439 --> 1:36:47.120
<v Speaker 3>mean I think so, but I mean in a more

1:36:47.160 --> 1:36:49.800
<v Speaker 3>tangible way too, because like when we first got on set,

1:36:49.920 --> 1:36:53.040
<v Speaker 3>like they hadn't completely cleared the place out, like when

1:36:53.080 --> 1:36:55.360
<v Speaker 3>it stopped. So you would go into this room and

1:36:55.360 --> 1:36:57.880
<v Speaker 3>there were like still stickers on the walls, and there

1:36:57.920 --> 1:37:00.479
<v Speaker 3>was like a sleeping bag in the corner and like

1:37:01.320 --> 1:37:05.280
<v Speaker 3>and then there was this Yeah, we were held for

1:37:05.560 --> 1:37:07.439
<v Speaker 3>like a scene that was going to be in the yards,

1:37:07.479 --> 1:37:09.400
<v Speaker 3>and like we were in some shock and it was

1:37:09.439 --> 1:37:13.160
<v Speaker 3>where like all the files were like the case files

1:37:13.200 --> 1:37:15.720
<v Speaker 3>for the kids or something. It was just boxes and

1:37:15.800 --> 1:37:19.800
<v Speaker 3>boxes of these kids case files just gathering dust. And

1:37:19.840 --> 1:37:23.240
<v Speaker 3>I was just like I could have easily Like it's

1:37:23.479 --> 1:37:26.679
<v Speaker 3>I could have wandered off and just explored the whole

1:37:27.160 --> 1:37:27.960
<v Speaker 3>the whole location.

1:37:28.520 --> 1:37:30.400
<v Speaker 1>So I see you worked on this sound for something

1:37:30.479 --> 1:37:31.719
<v Speaker 1>called Monster Factory.

1:37:31.920 --> 1:37:35.639
<v Speaker 3>Yes, Monster Factory, that's right. It was just fascinating. It's

1:37:36.400 --> 1:37:40.720
<v Speaker 3>it's this guy who trains people to become pro wrestlers.

1:37:40.880 --> 1:37:44.400
<v Speaker 3>Hell yeah, so he gives them like he gives them, yes,

1:37:44.600 --> 1:37:47.000
<v Speaker 3>all the moves and all the physical stuff, like how

1:37:47.040 --> 1:37:49.640
<v Speaker 3>to do all of the you know, physical stuff, but

1:37:49.760 --> 1:37:52.479
<v Speaker 3>also like how to create a character, how to have

1:37:52.520 --> 1:37:55.880
<v Speaker 3>a personal narrative that drives, you know, people to want

1:37:55.880 --> 1:37:58.640
<v Speaker 3>to root for you or against you. Like he's it's

1:37:58.800 --> 1:38:02.920
<v Speaker 3>it's like in his head is some giant encyclopedia of

1:38:03.080 --> 1:38:06.680
<v Speaker 3>like the history of pro wrestling and like how to

1:38:06.880 --> 1:38:10.560
<v Speaker 3>create the magic. And I don't watch pro wrestling. I

1:38:10.880 --> 1:38:15.080
<v Speaker 3>never have, but like you root for all of these kids,

1:38:15.120 --> 1:38:19.200
<v Speaker 3>like they're just like one wonderful person after another trying

1:38:19.240 --> 1:38:22.040
<v Speaker 3>to like pursue their dreams of being a pro wrestler.

1:38:22.160 --> 1:38:24.320
<v Speaker 3>It's just it's a really freaking good show.

1:38:24.800 --> 1:38:28.479
<v Speaker 2>But you got to get Apple plus to a guy.

1:38:28.680 --> 1:38:30.200
<v Speaker 3>It's a real guy in New Jersey.

1:38:30.920 --> 1:38:32.200
<v Speaker 2>Oh, it's a reality show.

1:38:32.280 --> 1:38:36.800
<v Speaker 1>It's yeah, yeah, it's a DOCUI docuseries. That sounds much

1:38:36.800 --> 1:38:39.280
<v Speaker 1>more serious. Sorry, we don't mean reality show like the

1:38:39.840 --> 1:38:42.839
<v Speaker 1>stuff we watch. We mean that, yeah, more serious.

1:38:43.160 --> 1:38:45.920
<v Speaker 2>Is there a difference in doing sound for like a

1:38:45.960 --> 1:38:49.360
<v Speaker 2>nonscripted and scripted or like, did you do animated too

1:38:49.560 --> 1:38:54.200
<v Speaker 2>or not? What's how? What's how are they all different? Well?

1:38:54.560 --> 1:38:57.240
<v Speaker 3>Uh, documentary is the most straightforward because you just want

1:38:57.240 --> 1:39:00.600
<v Speaker 3>to sort of fill in the film, fill in the

1:39:01.000 --> 1:39:03.960
<v Speaker 3>world a little bit and get everything covered. But you know,

1:39:04.000 --> 1:39:06.040
<v Speaker 3>there's a lot of talking heads and like after you

1:39:06.160 --> 1:39:08.040
<v Speaker 3>put in a room tone, like what else is there.

1:39:08.080 --> 1:39:12.559
<v Speaker 3>I don't do dialogue editing, which is like the sound

1:39:12.600 --> 1:39:15.680
<v Speaker 3>that's been recorded on set, somebody goes in and they

1:39:15.720 --> 1:39:17.840
<v Speaker 3>clean it up and make it sound really good. I

1:39:17.920 --> 1:39:25.960
<v Speaker 3>do adding all the extra stuff, so I always use yeah, yeah, yeah, exactly,

1:39:25.960 --> 1:39:29.479
<v Speaker 3>wow yeah, And so I do foley and effects and

1:39:29.760 --> 1:39:34.280
<v Speaker 3>backgrounds basically. So the documentary is very straightforward, pretty easy.

1:39:34.320 --> 1:39:39.599
<v Speaker 3>When well, I don't, I edit the folly and now

1:39:39.800 --> 1:39:42.120
<v Speaker 3>a lot of the fully that I do I generate

1:39:42.160 --> 1:39:44.840
<v Speaker 3>off of my keyboard. Like we have this library, Like

1:39:44.920 --> 1:39:48.479
<v Speaker 3>I make all of my footsteps by doing this on

1:39:48.479 --> 1:39:54.320
<v Speaker 3>my keyboard, and it generates sounds of somebody actually walking.

1:39:54.560 --> 1:39:56.519
<v Speaker 3>But then it's like in sync to the person on

1:39:56.600 --> 1:39:59.400
<v Speaker 3>screen and it's like boom, it's done. See this is

1:39:59.400 --> 1:40:02.519
<v Speaker 3>why I think so is so cool. Like I do

1:40:02.720 --> 1:40:06.960
<v Speaker 3>crazy stuff with my keyboard, Like I can transform my

1:40:07.120 --> 1:40:09.720
<v Speaker 3>voice into like a howling dog if I need a

1:40:09.760 --> 1:40:14.439
<v Speaker 3>howling dog or whatever. Anyway, I won't get into it

1:40:14.479 --> 1:40:16.040
<v Speaker 3>because not everyone is that interested.

1:40:16.160 --> 1:40:19.360
<v Speaker 2>I follow fully artists on Instagram. Oh yeah, well yeah,

1:40:19.479 --> 1:40:22.080
<v Speaker 2>I watched them, like do make this? I like that.

1:40:22.479 --> 1:40:23.080
<v Speaker 3>It's amazing.

1:40:23.160 --> 1:40:23.320
<v Speaker 2>Yeah.

1:40:23.360 --> 1:40:25.559
<v Speaker 3>I mean we used to record fully we had a

1:40:25.560 --> 1:40:28.800
<v Speaker 3>fully pit and everything, but then we've accumulated all these

1:40:28.840 --> 1:40:31.920
<v Speaker 3>sounds over the years, so I can just get them

1:40:31.920 --> 1:40:34.599
<v Speaker 3>from my sound library. And then the question was like, well,

1:40:34.720 --> 1:40:37.559
<v Speaker 3>how do I get it to like fall in sync

1:40:37.800 --> 1:40:41.559
<v Speaker 3>into picture in a timely manner if it's like just

1:40:41.600 --> 1:40:44.160
<v Speaker 3>in a sound library, and so, like we trigger the

1:40:44.240 --> 1:40:47.519
<v Speaker 3>sounds and it's the same thing that people do, you

1:40:47.560 --> 1:40:50.760
<v Speaker 3>know in the back in the back room during a play, right,

1:40:50.840 --> 1:40:53.360
<v Speaker 3>you trigger all these sound effects as they go in

1:40:53.400 --> 1:40:56.920
<v Speaker 3>real time. So now that's how I do like seventy

1:40:56.960 --> 1:41:01.280
<v Speaker 3>percent of my fully for everything, and anyway, feature films

1:41:01.400 --> 1:41:05.160
<v Speaker 3>are a little more creative and full right and extensive,

1:41:05.880 --> 1:41:09.040
<v Speaker 3>and then animated film you have to sort of do everything,

1:41:09.200 --> 1:41:13.280
<v Speaker 3>So animated is definitely the hardest, is the final answer

1:41:13.360 --> 1:41:14.840
<v Speaker 3>to animations.

1:41:14.920 --> 1:41:18.679
<v Speaker 2>The hardest. Feature film is the most creative, and the

1:41:18.760 --> 1:41:21.360
<v Speaker 2>doc is just quite straightforward.

1:41:21.920 --> 1:41:26.120
<v Speaker 1>So besides Monster Factory, besides Monster Factory coming out, do

1:41:26.160 --> 1:41:28.400
<v Speaker 1>you have any other like projects in the works, anything

1:41:28.439 --> 1:41:30.559
<v Speaker 1>else you want to our listeners should look out for.

1:41:31.560 --> 1:41:34.360
<v Speaker 3>I just started working, you know, mostly I do the

1:41:34.400 --> 1:41:36.280
<v Speaker 3>sound editing, and then every now and then I'm lucky

1:41:36.320 --> 1:41:39.040
<v Speaker 3>and I do the acting. So the last acting gig

1:41:39.080 --> 1:41:41.680
<v Speaker 3>I did with Chicago meta year ago. So if they

1:41:41.680 --> 1:41:44.320
<v Speaker 3>want to see me be hysterical and insist that I'm

1:41:44.360 --> 1:41:49.840
<v Speaker 3>not crazy in another show, Yeah, that's right, Another dick Wolf.

1:41:50.000 --> 1:41:52.479
<v Speaker 1>When you're in the dick Wolf universe, that's always great.

1:41:52.479 --> 1:41:54.400
<v Speaker 1>They'll bring you back to all the different shows. I'm

1:41:54.439 --> 1:41:57.400
<v Speaker 1>sure that Order regular is back. I mean there's plenty

1:41:57.400 --> 1:41:57.919
<v Speaker 1>of places.

1:41:58.000 --> 1:42:00.519
<v Speaker 3>Yeah, I've never done a regular Law and Orders bring

1:42:00.560 --> 1:42:01.120
<v Speaker 3>it on, man.

1:42:01.240 --> 1:42:02.160
<v Speaker 2>Yeah.

1:42:02.200 --> 1:42:04.519
<v Speaker 3>And then sound wise, I just started work on a

1:42:04.600 --> 1:42:07.240
<v Speaker 3>Disney series that I probably am not allowed to like

1:42:07.560 --> 1:42:10.800
<v Speaker 3>be too specific about uh, but I can. I guess

1:42:10.800 --> 1:42:13.400
<v Speaker 3>I can say. It's about a kid's choir. It's another

1:42:13.520 --> 1:42:16.519
<v Speaker 3>docu series, and it's like just like, oh my god,

1:42:16.840 --> 1:42:20.600
<v Speaker 3>I love these kids, and it's it's very again like

1:42:20.640 --> 1:42:23.320
<v Speaker 3>this just group of people you're totally rooting for. Oh

1:42:23.960 --> 1:42:26.960
<v Speaker 3>so that's a lovely thing too. Yeah, look out for eventually.

1:42:27.040 --> 1:42:29.519
<v Speaker 2>Well, guys, thank you for you.

1:42:33.680 --> 1:42:37.639
<v Speaker 1>Oh my gosh, she's great. I love somebody that has

1:42:37.680 --> 1:42:40.160
<v Speaker 1>two full careers. It's amazing good work.

1:42:40.720 --> 1:42:43.719
<v Speaker 2>Yeah, and it's just cool to be to hear someone

1:42:43.760 --> 1:42:48.840
<v Speaker 2>that the room tone is for them. Yeah, yeah, I do.

1:42:49.160 --> 1:42:51.559
<v Speaker 1>I don't even understand what that is like really, I mean,

1:42:51.600 --> 1:42:53.800
<v Speaker 1>I know, like, okay, we're being quiet for room tone,

1:42:53.800 --> 1:42:55.120
<v Speaker 1>but I don't really get what they do with it.

1:42:55.680 --> 1:42:59.519
<v Speaker 2>Well, she was explained like when they're like when you

1:42:59.600 --> 1:43:02.840
<v Speaker 2>need it to just be quiet, but you're filming like

1:43:03.880 --> 1:43:07.200
<v Speaker 2>you're entering the room before dialogue or something. Yeah, yeah, yeah,

1:43:07.240 --> 1:43:11.040
<v Speaker 2>we gotta do room town. Yeah, and the smashing. I

1:43:11.080 --> 1:43:15.040
<v Speaker 2>don't know. I love folly artists so much, but I

1:43:15.200 --> 1:43:17.599
<v Speaker 2>was you know, I told you about Quentin Tarantino had

1:43:17.640 --> 1:43:22.360
<v Speaker 2>this editor who passed away. Sally and so I saw

1:43:22.439 --> 1:43:25.519
<v Speaker 2>that during editing, like there was a whole montage of

1:43:25.560 --> 1:43:27.639
<v Speaker 2>all the actors from all those movies, like during work

1:43:27.720 --> 1:43:31.200
<v Speaker 2>being like Hey, Sally, what's up Sally? And I just

1:43:31.280 --> 1:43:33.960
<v Speaker 2>hung out with someone that edits movies and like they

1:43:34.000 --> 1:43:38.160
<v Speaker 2>works for Happy Madison, and they said like people would

1:43:38.200 --> 1:43:41.760
<v Speaker 2>do that for them, like they would be like hi,

1:43:42.600 --> 1:43:46.200
<v Speaker 2>because they know who who was editing the movies. And

1:43:46.280 --> 1:43:50.519
<v Speaker 2>so she said that she keeps them like people saying

1:43:50.640 --> 1:43:52.320
<v Speaker 2>hi to them, And so now I want to it's

1:43:52.360 --> 1:43:54.479
<v Speaker 2>like a little real of it. That's cute. Yeah, So

1:43:54.600 --> 1:43:57.120
<v Speaker 2>now I like it's cool, like I want to think

1:43:57.160 --> 1:44:01.599
<v Speaker 2>about who's editing and make a little cute moments because I.

1:44:01.520 --> 1:44:04.439
<v Speaker 1>Do remember people are sitting alone in a dark avid

1:44:04.560 --> 1:44:07.840
<v Speaker 1>for like hours and days and months and you're like Hi,

1:44:07.920 --> 1:44:08.240
<v Speaker 1>it's me.

1:44:08.600 --> 1:44:11.360
<v Speaker 2>Just want to say hi. Because I do remember Michelle

1:44:11.360 --> 1:44:13.320
<v Speaker 2>at one point being like I like this, take like

1:44:13.439 --> 1:44:16.360
<v Speaker 2>into her mic or like I pick this, ye, but

1:44:16.680 --> 1:44:20.080
<v Speaker 2>I like the idea of cute little messages. Yeah, yeah,

1:44:20.120 --> 1:44:24.200
<v Speaker 2>for sure. So cute. And and Abigail, forever, we will

1:44:24.200 --> 1:44:26.800
<v Speaker 2>be calling all of our oranges the new black people Pokemon.

1:44:27.400 --> 1:44:30.479
<v Speaker 2>We will catch them all. And I'm obsessed with that,

1:44:30.800 --> 1:44:32.600
<v Speaker 2>I'm running with it, I'm picking it out it and

1:44:32.600 --> 1:44:33.440
<v Speaker 2>I'm running.

1:44:33.840 --> 1:44:36.519
<v Speaker 1>Yes, totally. So what have we learned from this episode?

1:44:36.560 --> 1:44:39.840
<v Speaker 1>I would say that, uh, people at the highest levels

1:44:39.840 --> 1:44:44.560
<v Speaker 1>of power, judges, politicians are all doing fucked up shit. Basically,

1:44:45.000 --> 1:44:47.280
<v Speaker 1>they're all at parties where a nun is bartending in

1:44:47.320 --> 1:44:47.920
<v Speaker 1>a bad wig.

1:44:48.400 --> 1:44:51.439
<v Speaker 2>I don't know, it's so small. The nuns are good,

1:44:51.720 --> 1:44:54.719
<v Speaker 2>like they do good. They're on the boots on the ground,

1:44:54.720 --> 1:44:56.920
<v Speaker 2>and the nuns are boots on the ground, and then

1:44:57.200 --> 1:44:59.280
<v Speaker 2>all these fucking losers. I mean, I always say this,

1:44:59.320 --> 1:45:02.559
<v Speaker 2>I think people that are so into getting power and

1:45:02.640 --> 1:45:05.760
<v Speaker 2>money or pedophiles or abusers or rapists.

1:45:06.040 --> 1:45:08.600
<v Speaker 1>Yeah, because it's not like nuns have like a hierarchy

1:45:08.640 --> 1:45:09.360
<v Speaker 1>in the same way.

1:45:09.479 --> 1:45:10.599
<v Speaker 2>Like I mean, I.

1:45:10.600 --> 1:45:12.640
<v Speaker 1>Probably don't know because I don't like I know that

1:45:12.640 --> 1:45:15.400
<v Speaker 1>there's like a mother superior or whatever from sound of

1:45:15.439 --> 1:45:18.600
<v Speaker 1>Music is my literal reference point. But like I know

1:45:18.640 --> 1:45:20.720
<v Speaker 1>that there's probably a head nun or whatever. But it's

1:45:20.720 --> 1:45:22.240
<v Speaker 1>not like they're trying to move their way up from

1:45:22.280 --> 1:45:24.880
<v Speaker 1>like a bishop to cardinal to fucking pope or whatever.

1:45:25.000 --> 1:45:27.559
<v Speaker 1>You know, Like there's not like a power struggle. Nuns

1:45:27.560 --> 1:45:30.120
<v Speaker 1>are truly just like we want to help people, unless

1:45:30.120 --> 1:45:31.880
<v Speaker 1>if you know something different, please let me know. If

1:45:32.200 --> 1:45:34.599
<v Speaker 1>it turns out nuns have like turned the other cheek

1:45:34.600 --> 1:45:36.640
<v Speaker 1>about molestation and stuff or have been part of it,

1:45:36.720 --> 1:45:37.439
<v Speaker 1>please let us know.

1:45:37.560 --> 1:45:38.400
<v Speaker 2>But as far as.

1:45:38.280 --> 1:45:42.519
<v Speaker 1>I know, like, it feels like it's definite nuns like

1:45:43.360 --> 1:45:46.600
<v Speaker 1>hit you with the roller. Yes, but that was like

1:45:47.120 --> 1:45:50.080
<v Speaker 1>that was the way my mom went to Catholic school

1:45:50.120 --> 1:45:55.080
<v Speaker 1>and it was on the desk. Okay, well, let's this

1:45:55.160 --> 1:45:57.880
<v Speaker 1>is obviously an amazing more we've learned more.

1:45:58.160 --> 1:45:59.800
<v Speaker 2>Well, this is an amazing two parter.

1:46:00.000 --> 1:46:01.800
<v Speaker 1>I feel like there's more at the end of the

1:46:01.840 --> 1:46:02.840
<v Speaker 1>next episode, you know.

1:46:03.240 --> 1:46:05.639
<v Speaker 2>And we talked up top a lot about law roach

1:46:05.800 --> 1:46:08.679
<v Speaker 2>for a wildly so maybe we just move it along.

1:46:09.320 --> 1:46:12.920
<v Speaker 2>We learned nothing. No, it's a two part episode. Obviously,

1:46:13.040 --> 1:46:15.719
<v Speaker 2>come back next week because we will.

1:46:16.160 --> 1:46:17.840
<v Speaker 1>We're going to get the second half and we have

1:46:17.880 --> 1:46:21.880
<v Speaker 1>an awesome guest next week too, and then let's get out.

1:46:21.720 --> 1:46:24.479
<v Speaker 2>Of this week sadder crime like this is superhero nuns

1:46:24.520 --> 1:46:29.200
<v Speaker 2>and then next week is not great dead nuns, dead nuts,

1:46:29.320 --> 1:46:32.479
<v Speaker 2>so sad. But for this week's what would Sister Peg Do?

1:46:33.000 --> 1:46:35.160
<v Speaker 1>Which is our weekly segment where we point you guys

1:46:35.200 --> 1:46:42.040
<v Speaker 1>to organization, blog, podcast, something, Instagram account, something that helps

1:46:42.080 --> 1:46:43.599
<v Speaker 1>flesh out a little bit more about what we talked

1:46:43.640 --> 1:46:46.560
<v Speaker 1>about today. We wanted to just point you to the

1:46:46.680 --> 1:46:49.960
<v Speaker 1>organization that LeadSA talked directly about in the episode, Talitha kOhm,

1:46:50.800 --> 1:46:53.280
<v Speaker 1>like she mentioned, Talitha Kum is an umbrella network of

1:46:53.320 --> 1:46:57.240
<v Speaker 1>sister led networks striving to end human trafficking. And they

1:46:57.280 --> 1:47:00.000
<v Speaker 1>are active on five continents and coordinate the anti traffic

1:47:00.080 --> 1:47:04.280
<v Speaker 1>efforts of fifty intercongregational networks. And for more information you

1:47:04.280 --> 1:47:08.080
<v Speaker 1>can go to Talitha Koom dot info and that's t

1:47:08.120 --> 1:47:11.960
<v Speaker 1>A l I t h a kum dot info. And

1:47:12.000 --> 1:47:14.200
<v Speaker 1>I love that they have a little website. I wonder

1:47:14.240 --> 1:47:19.280
<v Speaker 1>which none is like the the nerdy tech nun anyway, that's.

1:47:19.080 --> 1:47:23.920
<v Speaker 2>That they're like Pokemon too. Okay, next week's episode, like

1:47:23.960 --> 1:47:28.720
<v Speaker 2>we've been hinting at, is Unholiest Alliance, which is season seventeen,

1:47:28.800 --> 1:47:31.640
<v Speaker 2>episode eighteen. Just the next one. And I'm sure some

1:47:31.720 --> 1:47:35.200
<v Speaker 2>of you just watch watch Growth because it's hard not to.

1:47:35.680 --> 1:47:37.920
<v Speaker 2>It is wild sometimes when we do research and then

1:47:37.920 --> 1:47:39.639
<v Speaker 2>I'll be like I'm just watching this one little part

1:47:39.640 --> 1:47:42.520
<v Speaker 2>and then I'm like I'm watching it at all, Baby,

1:47:43.800 --> 1:47:46.320
<v Speaker 2>next week. We'll see you then. Thank you much for listening,

1:47:46.360 --> 1:48:00.160
<v Speaker 2>give us a rate review or whatever. Love you guys. Bye.

1:48:00.479 --> 1:48:02.719
<v Speaker 2>That's Messed Up as an Exactly Right production.

1:48:03.160 --> 1:48:05.280
<v Speaker 1>If you have compliments you'd like to give us, or

1:48:05.320 --> 1:48:07.559
<v Speaker 1>episodes you'd like us to cover, shoot us an email

1:48:07.600 --> 1:48:10.320
<v Speaker 1>at That's Messed uppod at gmail dot com.

1:48:10.600 --> 1:48:13.760
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

1:48:14.000 --> 1:48:16.880
<v Speaker 2>and on Twitter at messed Up Pod, and follow us

1:48:16.880 --> 1:48:19.800
<v Speaker 2>personally at Kara Klank and at glitter Cheese.

1:48:20.320 --> 1:48:23.000
<v Speaker 1>As always, please see our show notes for sources and

1:48:23.040 --> 1:48:23.679
<v Speaker 1>more information.

1:48:24.280 --> 1:48:27.479
<v Speaker 2>Thank you so much to our producer Kac O'Brien.

1:48:27.360 --> 1:48:29.960
<v Speaker 1>And to our mixer John Bradley and our guest booker

1:48:30.040 --> 1:48:33.280
<v Speaker 1>Patrick Cotner, and to Henry Kaperski for our theme song

1:48:33.360 --> 1:48:35.400
<v Speaker 1>and Carly gen Andrews for our artwork.

1:48:35.800 --> 1:48:36.400
<v Speaker 2>Thank you to.

1:48:36.400 --> 1:48:40.400
<v Speaker 1>Our executive producers Georgia hard Start, Karen Kilgarriff, Daniel Kramer,

1:48:40.439 --> 1:48:42.240
<v Speaker 1>and everybody at Exactly Right Media.

1:48:43.840 --> 1:48:44.759
<v Speaker 2>Dun Dun