WEBVTT - Ep 79: Stephen Malkmus, Pavement

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<v Speaker 1>That's that kind of Pavement dude, the slacker guy. What's

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<v Speaker 1>he going to talk about?

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<v Speaker 2>Stephen Malkmus is of course famous for being a Whole

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<v Speaker 2>City football fan, but he's also a musician who has

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<v Speaker 2>played in bands including Pavement, The Silver Jews, and Stephen

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<v Speaker 2>Malkmus and the Jicks. Earlier this year, he also released

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<v Speaker 2>a solo album under his own name called Groove Denied,

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<v Speaker 2>which for the first time sees him move away from

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<v Speaker 2>guitar led indie rock and more into electronic music. It's

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<v Speaker 2>a record he puts together using the Ableton software program.

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<v Speaker 2>I recorded this episode with Stephen a couple of weeks

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<v Speaker 2>ago in a hotel room that was about the size

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<v Speaker 2>of a double bed, and on that bed we sat

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<v Speaker 2>and spoke mainly about films, but there's also a bit

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<v Speaker 2>of Pavement chat coming up later for everyone who's a

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<v Speaker 2>Pavement fan and listening. And just one word of warning

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<v Speaker 2>before we get going, if you are operating heavy machinery,

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<v Speaker 2>please stop for the next thirty minutes or so. This

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<v Speaker 2>is a very relaxed conversation with Steven, which falls in

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<v Speaker 2>line with every think that we love Mount Us for

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<v Speaker 2>and hopefully everything we endeavor to do here on this

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<v Speaker 2>late night podcast. If you do like what you hear,

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<v Speaker 2>please consider supporting this podcast by subscribing to Loud and

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<v Speaker 2>Quiet magazine. All the information is at Loud and Quiet

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<v Speaker 2>and it also helps us keep producing this podcast. So

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<v Speaker 2>the last time I saw you play was earlier this

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<v Speaker 2>year prima Verra Sound. The same day that you played,

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<v Speaker 2>which I think was on the first day of the

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<v Speaker 2>festival actually, but earlier that day in the morning, I

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<v Speaker 2>came and watched your talk about film sound oh good

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<v Speaker 2>about music in films.

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<v Speaker 1>And stuff that someone got to see that you.

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<v Speaker 2>Had some wild choices in there. This to explain to

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<v Speaker 2>anyone listening says that that might not know that you

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<v Speaker 2>had to pick ten moments of music in film. There

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<v Speaker 2>were some left field choices in there. The one that

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<v Speaker 2>sticks out for me was that clip of Hulk Hogan

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<v Speaker 2>playing a guitar.

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<v Speaker 1>Yeah, I like yeah with Obama or something dancing with Ellen. Yeah.

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<v Speaker 2>I'll put a link to this under this podcast if

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<v Speaker 2>people can see that it's a visual treat. Did you

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<v Speaker 2>get the feeling that they were expecting more mainstream choices

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<v Speaker 2>from you?

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<v Speaker 1>Maybe, I mean, I know how that is. It's not

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<v Speaker 1>I mean I'm not of course, I was maybe signaling

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<v Speaker 1>that that that, you know, I was not gonna play

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<v Speaker 1>that game or something, you know, But like really it's

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<v Speaker 1>I think we all know a lot of these I

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<v Speaker 1>wasn't there to just like completely be in a community

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<v Speaker 1>and like watch I don't know, a Marconi movie or

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<v Speaker 1>pulp fiction or something that you know, like or you know, say,

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<v Speaker 1>you know, these certain classic things that we already know,

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<v Speaker 1>you know, like are shared memory of that. You know.

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<v Speaker 1>When given an opportunity to do something like that, it's

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<v Speaker 1>I want to expand and show people's stuff they haven't seen.

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<v Speaker 1>And also so I did show some movies that I

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<v Speaker 1>quite like, and yeah, yeah that's what Peter Fond had

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<v Speaker 1>just died recently too, his movie after Easy Writer. It's

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<v Speaker 1>a great movie. And like Mickey wants Arthur Penn, I

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<v Speaker 1>did Bonnie and Clyde's like as one of his first movies.

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<v Speaker 1>And but yeah, you know, media, I was just taking

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<v Speaker 1>other expanding the idea of you know, just not only

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<v Speaker 1>kind of classic high budget movies. You know, there's a

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<v Speaker 1>lot of we consume a lot of low We get

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<v Speaker 1>a lot of stuff from YouTube, you know, like these days.

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<v Speaker 2>Yeah, I like your choices. You chose some good of good.

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<v Speaker 2>Arka does this really well as well, but certainly better

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<v Speaker 2>than we do here in the UK. Of TV movies,

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<v Speaker 2>that's true.

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<v Speaker 1>There was the one you showed of, like the kids

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<v Speaker 1>teenage Shoplifter. Yeah, that was specifically really resonates with me

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<v Speaker 1>because I'm I'm from born in sixty six, so like

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<v Speaker 1>that time seventy seven to eighty two was I would

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<v Speaker 1>say it was the golden age of TV movies or something,

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<v Speaker 1>and it was like a time when they would show

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<v Speaker 1>kids would only get to watch TV or watch a

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<v Speaker 1>movie on TV on a Sunday morning or Sunday afternoon. Right,

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<v Speaker 1>it'd be like a and they met, they were messaging almost.

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<v Speaker 1>It's almost like it could show them in school too.

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<v Speaker 2>Yeah, quite educational. Yeah, it was like, have you always

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<v Speaker 2>been a film guy because you were born in la

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<v Speaker 2>and do you think like having I know, you moved

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<v Speaker 2>away when you were a year, sold out of the city,

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<v Speaker 2>but having been born in that that mecha of obviously

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<v Speaker 2>entertainment and movies. Does that instill something in you to

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<v Speaker 2>love movies? Do you think?

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<v Speaker 1>I don't think so. Paradoxically, sorry to disagree the my dad,

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<v Speaker 1>and you know, he's very He's from that region for

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<v Speaker 1>multiple generations, like pre Hollywood, and it wasn't that they

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<v Speaker 1>were against what became Hollywood or but it's sort of oblivious.

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<v Speaker 1>They sort of existed in a world of bankers and

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<v Speaker 1>insurance agents and real estate developers and not artistic people.

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<v Speaker 1>I think he had one friend at his college high

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<v Speaker 1>school who went to work in Hollywood out of like

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<v Speaker 1>fifty you know, like everyone else went into just traditional

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<v Speaker 1>mad Men style era. I mean mad he was a

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<v Speaker 1>madman guy, was a creative person, but you know these

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<v Speaker 1>kind of jobs were as martinis and secretaries or something

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<v Speaker 1>to paraphrase. So I think, just like you, you know,

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<v Speaker 1>my experience of this stuff is really I never got

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<v Speaker 1>obsessed with movies. I would say, you know, I just yeah,

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<v Speaker 1>respected when I went through older you know, I want

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<v Speaker 1>to learn about like great artists and stuff, and but

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<v Speaker 1>you know, also was in the total trash of Porky's

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<v Speaker 1>and just things aimed at me, Caddy Shack movies like that,

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<v Speaker 1>Stripes Bill Murray, just just you know, stuff that's aimed

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<v Speaker 1>at people like me, Like you did some work on

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<v Speaker 1>the Bob Dylan film. Yeah, there was a movie by

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<v Speaker 1>Todd Haynes, a really cool director in a friend of

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<v Speaker 1>mine who lives in Portland part time, called I'm Not

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<v Speaker 1>There about Bob Dylan, and he got a bunch of

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<v Speaker 1>people to say, current artists like Jim James from My

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<v Speaker 1>Morning Jacket, and there were others just blanking, but he

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<v Speaker 1>got he was He had me do a ballad of

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<v Speaker 1>a thin man or it was his idea, which is

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<v Speaker 1>one of Bob's, my good friend Bob's classic songs, you know,

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<v Speaker 1>Bobby's great, amazing songs. I couldn't believe it, you know really,

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<v Speaker 1>I was like, holy s h I t I can't

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<v Speaker 1>not worthy. And then the movie got made and then

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<v Speaker 1>Kate Blanchett, who's like super talented, she lip sync along

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<v Speaker 1>to my voice in the movie and that was sorry,

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<v Speaker 1>that was really quite quite incredible for me.

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<v Speaker 2>Yeah, has there been any other movie work? I know

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<v Speaker 2>you were so sad not really liked.

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<v Speaker 1>Yeah, I did it sound track music for the show

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<v Speaker 1>featuring a comedian named Will Arnett.

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<v Speaker 2>I loved that show. It was like a net fix.

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<v Speaker 2>It ran for two series.

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<v Speaker 1>That's nice that you watched. It did not take the

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<v Speaker 1>world by storm in terms of the streaming numbers, But

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<v Speaker 1>I mean, I guess it was maybe just not wrong

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<v Speaker 1>time for that kind of show. And but it.

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<v Speaker 2>Looked nice because it was set in all of those

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<v Speaker 2>Waterway's eventage.

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<v Speaker 1>Oh yeah, and the cinematographer was good, and the music

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<v Speaker 1>was amazing.

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<v Speaker 2>The music the music felt could have been.

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<v Speaker 1>Yeah, but I have done There's I got a friend

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<v Speaker 1>of mine's making a movie, has made a movie. Her

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<v Speaker 1>name's Kelly Reiker. She's made some movies like Certain Women.

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<v Speaker 1>One of them is called and also Old Joy, featuring

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<v Speaker 1>Will Oldham from the Palace Brothers and Bonnie Prince Billy.

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<v Speaker 1>He was the star of it. And a couple of

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<v Speaker 1>other ones with Michelle Williams, one called Wendy and Lucy.

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<v Speaker 1>But she's made a new movie just it's coming out

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<v Speaker 1>this next year, and I'm playing fiddle in it. I

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<v Speaker 1>don't have any lines, but you're on screen. I'm actually

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<v Speaker 1>on screen.

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<v Speaker 2>In that one.

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<v Speaker 1>Yeah, I'm playing fiddle on my lower arm, dressed like

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<v Speaker 1>an eighteen thirties pioneer, you know in Oregon. So is it.

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<v Speaker 2>Is it a period piece?

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<v Speaker 1>Yeah, it's period. Yeah, it's all completely period. Everything's supposedly

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<v Speaker 1>period correct, except the actual people in it are not,

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<v Speaker 1>because that would be impossible.

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<v Speaker 2>Yeah, that would be a fate to do that. Do

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<v Speaker 2>you have any acting over experienced all ambition? Do you

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<v Speaker 2>have any ambition?

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<v Speaker 1>I don't think so. I mean, it's a big job,

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<v Speaker 1>but it's like really putting yourself out there. It's enough

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<v Speaker 1>to put yourself out with music and just being even

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<v Speaker 1>doing a podcast and and doing promo photos, and you know,

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<v Speaker 1>it's more. And when you see people that are working

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<v Speaker 1>in it, like who they are hiring, I mean it's

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<v Speaker 1>very specific what they want and it's very important. So

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<v Speaker 1>you know, I wouldn't think that i'd be right for

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<v Speaker 1>I mean, I guess I'm talking at another next level tier.

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<v Speaker 1>I mean a friend's doing a movie or something, I

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<v Speaker 1>might do it. If we're just like on video cameras

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<v Speaker 1>and the and the budgets like low. I'm not saying

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<v Speaker 1>I wouldn't do that, but I've just seen hurt like

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<v Speaker 1>Kelly go through these trying to cast people. It's like

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<v Speaker 1>so important, you know, just seeing that who they they

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<v Speaker 1>really want. It's not only if they're famous. That can

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<v Speaker 1>be an issue too to get funding. You know, it's

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<v Speaker 1>nice to get a big star to attract people to

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<v Speaker 1>invest in your movie. But you know, it's just like

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<v Speaker 1>this person has to be this person. You know, it's

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<v Speaker 1>like the way they have to obsess over that. I mean,

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<v Speaker 1>I'm a little bit like even in music, I'm like

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<v Speaker 1>to throw this person on. I mean, I picked somebody,

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<v Speaker 1>but I don't have to think about that much. The

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<v Speaker 1>stakes are lower, Yeah, sure, the budgets are lower. And

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<v Speaker 1>if I pick a fiddle someone to play a fiddle track,

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<v Speaker 1>or even my drummer, you know, it's just like I

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<v Speaker 1>just ram it in there and like let's see how

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<v Speaker 1>it works. Yeah, And it's not like it's on film.

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<v Speaker 1>You know, I guess the music. You should know right

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<v Speaker 1>away if it's bad, but there's or not as good

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<v Speaker 1>as it could be. But movies can go south, like easily.

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<v Speaker 2>I watched it could. It's a documentary really about Terry

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<v Speaker 2>Terry Gillion, he did Rezilians like that. Yeah, and he

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<v Speaker 2>tried to make Don Quixote, and there's a documentary not

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<v Speaker 2>basically about that failing about like it falling apart, and

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<v Speaker 2>it was like the this cursed film. Yeah, I watched

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<v Speaker 2>it recently. It's called The Last Man in May that

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<v Speaker 2>it's really interesting and it's fascinating how quickly a whole

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<v Speaker 2>film falls apart, Like basically that there's rainfall on the

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<v Speaker 2>first day. Yeah, and it just sets this snowball of

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<v Speaker 2>shit running on this production and it just has to

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<v Speaker 2>By the end of the week, it's dead. Like years

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<v Speaker 2>and years of work, it's just over because their budgets

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<v Speaker 2>were so small and there's no room for that to happen. Yeah,

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<v Speaker 2>you know, quite quite shocking.

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<v Speaker 1>It can be hard, I mean, and just things like

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<v Speaker 1>tone and I mean other things that a movie can

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<v Speaker 1>be made, and it can just be bad for like

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<v Speaker 1>little reasons you know that aren't it's kind of magic

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<v Speaker 1>when it all comes together.

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<v Speaker 2>You're living back in Portland now, right, But there was

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<v Speaker 2>a period of time when you were you guys went

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<v Speaker 2>to Berlin.

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<v Speaker 1>Yeah, like twenty twelve to fourteen or something like that.

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<v Speaker 1>I can't remember exactly.

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<v Speaker 2>When it was, but what made you choose Berlin?

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<v Speaker 1>We want to move away from Portland because it's small

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<v Speaker 1>town and a little bit repetitive, and it's awesome in

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<v Speaker 1>its ways, but it's also my partner is a big

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<v Speaker 1>city person, or she identifies as one, therefore she is,

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<v Speaker 1>and we were just thinking where could we go? Could

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<v Speaker 1>have been America, but I always liked it there in

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<v Speaker 1>a way, and they make it relatively easy for you

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<v Speaker 1>to get a visa to live there. There's some of

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<v Speaker 1>that stuff too, And as we were just searching around

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<v Speaker 1>for places a stage, she found one like a house

0:13:42.320 --> 0:13:45.679
<v Speaker 1>that was easy to you know, I guess what I'm

0:13:45.720 --> 0:13:50.320
<v Speaker 1>saying is I wasn't particularly obsessed with Germany, just looking

0:13:50.400 --> 0:13:53.959
<v Speaker 1>for a place to go and seem pretty cool. It's

0:13:54.080 --> 0:13:55.240
<v Speaker 1>not not deep.

0:13:55.559 --> 0:13:57.679
<v Speaker 2>Did you go to many of the clubs? Did you

0:13:57.720 --> 0:13:58.839
<v Speaker 2>get into that world at all?

0:13:59.120 --> 0:14:03.800
<v Speaker 1>Yeah. One of my friend friend who is a younger guy,

0:14:04.679 --> 0:14:07.600
<v Speaker 1>he's a DJ too. He and his wife they're called

0:14:07.640 --> 0:14:12.920
<v Speaker 1>Local Suicide, and they had a night like every two

0:14:13.040 --> 0:14:15.240
<v Speaker 1>months they would have their own night. But so I

0:14:15.240 --> 0:14:16.800
<v Speaker 1>would go to their nights. I also go out with

0:14:16.920 --> 0:14:20.680
<v Speaker 1>him sometimes like, and he was pretty in the know

0:14:20.840 --> 0:14:24.920
<v Speaker 1>about stuff, and so that was good. It was nice

0:14:24.960 --> 0:14:28.240
<v Speaker 1>to have a guide because I wouldn't looking resident advisor

0:14:28.360 --> 0:14:31.200
<v Speaker 1>or something and kind of see what's going on on

0:14:31.360 --> 0:14:34.120
<v Speaker 1>the but I wouldn't really might not have taken the effort.

0:14:34.200 --> 0:14:36.720
<v Speaker 1>I also probably wouldn't wait in line or something. You know,

0:14:36.800 --> 0:14:40.920
<v Speaker 1>he would usually get going right, Okay, sorry to say.

0:14:42.480 --> 0:14:45.240
<v Speaker 2>Was it Were you new to that world though, like

0:14:45.320 --> 0:14:48.920
<v Speaker 2>in terms of like electronic music and clubbing and going clubbing.

0:14:49.000 --> 0:14:52.480
<v Speaker 1>Yeah, I mean I listened to stuff that kind of clubbing,

0:14:52.680 --> 0:14:58.240
<v Speaker 1>multi room off your head style late nights. Haven't done

0:14:58.280 --> 0:15:01.800
<v Speaker 1>that much, kind of avoided it the nineties when pavement

0:15:01.960 --> 0:15:09.840
<v Speaker 1>was over here during the ecstasy rave culture revolution. I

0:15:09.920 --> 0:15:12.760
<v Speaker 1>don't know why I think I was. I mean, I

0:15:12.840 --> 0:15:15.080
<v Speaker 1>was also up my own ass thinking about what I

0:15:15.200 --> 0:15:18.600
<v Speaker 1>was doing. And in America it was all grunge and guitars,

0:15:19.520 --> 0:15:21.760
<v Speaker 1>and here it was like a fusion of cool things

0:15:21.880 --> 0:15:24.640
<v Speaker 1>going on, and I guess the yellow smiley faces. And

0:15:25.680 --> 0:15:29.120
<v Speaker 1>I wasn't a big drug taker, so I kind of

0:15:29.560 --> 0:15:32.720
<v Speaker 1>thought it was. I didn't think of its social ramifications.

0:15:32.760 --> 0:15:34.600
<v Speaker 1>I just kind of just listened to it and it

0:15:34.720 --> 0:15:40.120
<v Speaker 1>felt animal, kind of drug animal thing or like the

0:15:40.200 --> 0:15:44.200
<v Speaker 1>intellectual side of it I couldn't. I couldn't get which

0:15:44.280 --> 0:15:44.800
<v Speaker 1>I do now.

0:15:45.320 --> 0:15:48.840
<v Speaker 2>Was it in Berlin where the new record Groove Denied started?

0:15:49.040 --> 0:15:50.680
<v Speaker 2>Was that the genesis if the record comes.

0:15:50.560 --> 0:15:52.840
<v Speaker 1>A little well a little bit I mean I listened

0:15:52.840 --> 0:15:54.960
<v Speaker 1>to a lot of that music, but it was more

0:15:55.240 --> 0:15:59.680
<v Speaker 1>for me was getting different software and hardware in my

0:15:59.760 --> 0:16:03.360
<v Speaker 1>house and a little bit making that flaked soundtrack that

0:16:03.560 --> 0:16:08.360
<v Speaker 1>we were talking about. Although they wanted, they didn't want,

0:16:08.480 --> 0:16:13.120
<v Speaker 1>but I thought that it should be kind of melancholy

0:16:13.320 --> 0:16:17.320
<v Speaker 1>guitar indie classic rock kind of went with that character.

0:16:18.120 --> 0:16:22.160
<v Speaker 1>It got me to start recording myself more. And also

0:16:22.200 --> 0:16:25.920
<v Speaker 1>a friend of mine gave me Ableton like in twenty

0:16:26.400 --> 0:16:29.960
<v Speaker 1>twelve or something, but I didn't really interact with it.

0:16:30.480 --> 0:16:33.360
<v Speaker 1>I just kind of messed around with it. And so

0:16:33.520 --> 0:16:36.360
<v Speaker 1>once I started recording the bit on that and bouncing

0:16:36.440 --> 0:16:40.000
<v Speaker 1>that back to pro tools back and forth, and well,

0:16:40.120 --> 0:16:44.960
<v Speaker 1>just trying to record myself again like demos, which I

0:16:45.320 --> 0:16:49.240
<v Speaker 1>have done demos, but I didn't try to make them

0:16:49.280 --> 0:16:50.520
<v Speaker 1>into a final project.

0:16:54.720 --> 0:16:56.960
<v Speaker 2>Earlier this year, you're on the cover of Wire magazine

0:16:57.600 --> 0:17:00.800
<v Speaker 2>and there was a little column in there about you

0:17:00.920 --> 0:17:04.359
<v Speaker 2>were talking about the YouTube tutorials that you'd watch about

0:17:04.359 --> 0:17:07.600
<v Speaker 2>Ableton tutor oils. Yeah, to teach you that kind of stuff.

0:17:08.280 --> 0:17:11.840
<v Speaker 2>I love YouTube tutorials anyway. Yeah, I kind of use

0:17:11.880 --> 0:17:14.520
<v Speaker 2>them for everything now, mean too, like if I want

0:17:14.560 --> 0:17:16.200
<v Speaker 2>to put oil in my car.

0:17:16.440 --> 0:17:16.640
<v Speaker 1>Yeah.

0:17:17.080 --> 0:17:19.240
<v Speaker 2>The first thing I go to is YouTube for that.

0:17:19.359 --> 0:17:22.680
<v Speaker 1>Yeah. I texted Dan on a rental car seeing if really,

0:17:22.800 --> 0:17:26.080
<v Speaker 1>if you use a toilet plunger, does it work or not?

0:17:26.359 --> 0:17:27.560
<v Speaker 1>That's a recent thing I did.

0:17:27.600 --> 0:17:28.080
<v Speaker 2>Did it work?

0:17:28.240 --> 0:17:30.160
<v Speaker 1>Yeah? Whether smile Dan, it does work?

0:17:30.320 --> 0:17:30.560
<v Speaker 2>Okay?

0:17:30.760 --> 0:17:31.639
<v Speaker 1>Deeper Dan, no go.

0:17:32.600 --> 0:17:35.280
<v Speaker 2>I always think that people that do those tutorials are

0:17:36.240 --> 0:17:39.640
<v Speaker 2>good people because they're not doing it for anything other

0:17:39.760 --> 0:17:43.040
<v Speaker 2>than to be useful, helpful to other people and stuff.

0:17:43.320 --> 0:17:44.440
<v Speaker 1>Yeah do you?

0:17:44.960 --> 0:17:45.160
<v Speaker 2>Yeah?

0:17:45.200 --> 0:17:45.600
<v Speaker 1>I think so?

0:17:46.080 --> 0:17:49.280
<v Speaker 2>What would you if you were to upload a tutorial?

0:17:49.720 --> 0:17:51.639
<v Speaker 2>What would be your what would you do one on?

0:17:52.000 --> 0:17:54.080
<v Speaker 2>What would you be able to give gift to the internet?

0:17:54.320 --> 0:17:59.640
<v Speaker 1>Right? Isn't that sad? Though I don't have anything I can, really,

0:18:00.240 --> 0:18:02.600
<v Speaker 1>it seems like most people do it better already, you

0:18:02.680 --> 0:18:03.840
<v Speaker 1>know what I mean. That's the problem.

0:18:04.040 --> 0:18:06.840
<v Speaker 2>Yeah, I don't even know if I wanted to, you.

0:18:06.880 --> 0:18:09.520
<v Speaker 1>Know, of course I could do a tennis one, but

0:18:09.560 --> 0:18:12.520
<v Speaker 1>it would be like for people up to my level

0:18:12.720 --> 0:18:14.760
<v Speaker 1>or people, you know, it would be kind of limited

0:18:14.840 --> 0:18:18.600
<v Speaker 1>to a person that got my sense of humor. And

0:18:20.440 --> 0:18:22.639
<v Speaker 1>see the slight irony of me doing that, you know,

0:18:22.680 --> 0:18:25.920
<v Speaker 1>because I'm already whether I I think I already have

0:18:26.160 --> 0:18:28.919
<v Speaker 1>like people know me, so you know what I mean.

0:18:29.040 --> 0:18:33.040
<v Speaker 1>It's like I'm just not like an average dude yet unfortunately.

0:18:33.160 --> 0:18:36.320
<v Speaker 1>I mean I would be to millions of people, but

0:18:36.440 --> 0:18:38.359
<v Speaker 1>the first people that went there, they would be like,

0:18:38.600 --> 0:18:42.320
<v Speaker 1>what that's that kind of payment? Dude? The slacker guy,

0:18:42.400 --> 0:18:44.160
<v Speaker 1>what's he going to talk about? You know what I mean?

0:18:44.520 --> 0:18:47.040
<v Speaker 2>What would you say to do a perfect surf? What

0:18:47.119 --> 0:18:48.560
<v Speaker 2>would be your your tennis?

0:18:50.040 --> 0:18:52.600
<v Speaker 1>I would just like struggles with the one handed backhand,

0:18:52.720 --> 0:18:55.399
<v Speaker 1>you know, and like, don't give up on it. Okay,

0:18:56.240 --> 0:18:58.879
<v Speaker 1>So you watch a lot of tennis and everyone does

0:18:58.920 --> 0:19:01.320
<v Speaker 1>a two handed backhand, and I'd just be like, you know,

0:19:01.600 --> 0:19:04.600
<v Speaker 1>the one handed backhands, graceful and stick with it.

0:19:05.720 --> 0:19:08.600
<v Speaker 2>It looks good. I went to Wimbledon for the first time,

0:19:08.920 --> 0:19:09.200
<v Speaker 2>he did.

0:19:09.520 --> 0:19:12.720
<v Speaker 1>Yeah, that was a good final this year with Fetter

0:19:12.840 --> 0:19:15.000
<v Speaker 1>and joking. Yeah, yeah, exciting.

0:19:15.440 --> 0:19:19.840
<v Speaker 2>I was there like the week before, like third round

0:19:20.040 --> 0:19:22.119
<v Speaker 2>kind of matches. Have you been Have you been there?

0:19:22.280 --> 0:19:26.920
<v Speaker 1>You've never been there. I just saw some video of

0:19:27.200 --> 0:19:32.080
<v Speaker 1>like American Breakfast at Wimbledon. We call it because it's

0:19:32.119 --> 0:19:35.399
<v Speaker 1>on really early and uh, just the fonts, you know,

0:19:35.440 --> 0:19:37.840
<v Speaker 1>it's like graphics from nineteen eighty eight, and it kind

0:19:37.840 --> 0:19:39.840
<v Speaker 1>of like gave me like a shiver, and it was like,

0:19:40.880 --> 0:19:43.720
<v Speaker 1>you know TV graphics from the eighties or you don't

0:19:43.760 --> 0:19:46.159
<v Speaker 1>like seeing that, Well, I like it, but it you know,

0:19:46.320 --> 0:19:49.359
<v Speaker 1>it's you kind of it looks good, but it's not

0:19:49.520 --> 0:19:54.000
<v Speaker 1>quite kitchy it. I lived through it too, some things

0:19:54.119 --> 0:19:56.760
<v Speaker 1>that like a younger person can look at the eighties

0:19:56.800 --> 0:20:00.880
<v Speaker 1>and just appropriate it. Ye, I just think it's cool.

0:20:01.240 --> 0:20:03.280
<v Speaker 1>Or even the nineties, you know, like if you actually

0:20:03.960 --> 0:20:06.920
<v Speaker 1>went through if you were like seventeen at that time

0:20:07.160 --> 0:20:09.760
<v Speaker 1>and just either you just broken out, was something you

0:20:09.760 --> 0:20:13.320
<v Speaker 1>didn't know who you were or you were you know,

0:20:13.520 --> 0:20:15.200
<v Speaker 1>you kind of like takes you you know.

0:20:15.600 --> 0:20:21.680
<v Speaker 2>Yeah, they've started reshowing like a nostalgia show for the

0:20:21.880 --> 0:20:25.439
<v Speaker 2>nineties here that was first on in like two thousand

0:20:25.480 --> 0:20:28.000
<v Speaker 2>and four or something. Yeah, they've just start for some reason,

0:20:28.000 --> 0:20:30.520
<v Speaker 2>they've just started putting that back on TV here. And

0:20:30.960 --> 0:20:35.560
<v Speaker 2>I get what you mean because that's kind of my equivalent.

0:20:35.320 --> 0:20:40.360
<v Speaker 1>Right you were were you like I was in nineteen Yeah.

0:20:40.280 --> 0:20:43.720
<v Speaker 2>In ninety five, I would have been thirteen.

0:20:44.200 --> 0:20:47.720
<v Speaker 1>Yeah, So do you reckon like nineties movies? Nineties is

0:20:47.720 --> 0:20:49.720
<v Speaker 1>one of the best decades of movies. Would you say

0:20:49.800 --> 0:20:53.720
<v Speaker 1>that this is just a test from a friend of

0:20:53.760 --> 0:20:56.600
<v Speaker 1>mine who's similar age of yours. Who says yes, who

0:20:56.640 --> 0:20:59.440
<v Speaker 1>says yes. He says, there's like ten classic movies. You

0:20:59.480 --> 0:21:01.520
<v Speaker 1>know he'll do like The Terminator and stuff that too.

0:21:01.560 --> 0:21:03.359
<v Speaker 1>I mean, he's a video director, but he likes some

0:21:03.720 --> 0:21:06.280
<v Speaker 1>you know, he's like, these are amazing things. I was like,

0:21:06.359 --> 0:21:08.399
<v Speaker 1>why do you talk about Like, I'm like, seventies are

0:21:08.440 --> 0:21:09.199
<v Speaker 1>the best movies?

0:21:09.800 --> 0:21:13.320
<v Speaker 2>I would say, I would say no. I don't know

0:21:13.359 --> 0:21:16.760
<v Speaker 2>if I would say that. I've got a fondness for

0:21:16.840 --> 0:21:19.399
<v Speaker 2>those movies, but I think I can see them for

0:21:19.520 --> 0:21:22.560
<v Speaker 2>being not not great.

0:21:22.520 --> 0:21:25.840
<v Speaker 1>Yeah, not like just out like yeah, that was the

0:21:26.000 --> 0:21:28.280
<v Speaker 1>time like this amazing stuff was getting made.

0:21:28.520 --> 0:21:31.680
<v Speaker 2>I think I think Terminator Too is something else. I

0:21:31.760 --> 0:21:34.040
<v Speaker 2>think that's like another level, but a lot of it.

0:21:34.119 --> 0:21:36.800
<v Speaker 2>I don't think it's aged very well. Oddly that like

0:21:36.920 --> 0:21:38.920
<v Speaker 2>that thing you're saying about, like the graphics not being

0:21:38.960 --> 0:21:41.080
<v Speaker 2>old enough to be kitched. Like if I if I

0:21:41.160 --> 0:21:45.480
<v Speaker 2>see back to the Future, I'm kind of Star Wars. Yeah,

0:21:46.080 --> 0:21:48.800
<v Speaker 2>for some reason, that's fine. That that almost looks newer

0:21:49.200 --> 0:21:52.320
<v Speaker 2>and more high tech than Terminator Too. You know what

0:21:52.400 --> 0:21:55.040
<v Speaker 2>I mean, that's true, Like I don't know why it shouldn't.

0:21:55.119 --> 0:21:57.280
<v Speaker 2>It shouldn't at all because it's ten years older, but

0:21:58.119 --> 0:21:59.240
<v Speaker 2>there is something in that.

0:21:59.680 --> 0:22:02.560
<v Speaker 1>Yeah, the memory is different. Back to the Future is

0:22:02.640 --> 0:22:04.840
<v Speaker 1>like my friend, I haven't seen it lately. My friend

0:22:04.880 --> 0:22:08.119
<v Speaker 1>said she saw it and it was like the worst movie.

0:22:08.320 --> 0:22:11.280
<v Speaker 1>She couldn't believe that it got so but it Yeah,

0:22:11.359 --> 0:22:13.760
<v Speaker 1>that it's I don't get my mind. I remember it

0:22:13.840 --> 0:22:16.920
<v Speaker 1>being kind of funny, and you know, I see people

0:22:17.000 --> 0:22:20.640
<v Speaker 1>wearing fuck effing Back to the Future t shirts now still,

0:22:20.720 --> 0:22:24.119
<v Speaker 1>and like it has a pull on people. You know,

0:22:24.280 --> 0:22:27.240
<v Speaker 1>that's like maybe blasphemy that I would say that to

0:22:27.560 --> 0:22:28.480
<v Speaker 1>some people, you know.

0:22:28.760 --> 0:22:32.680
<v Speaker 2>Yeah, it's that and the Goonies. Yeah, that's enough what

0:22:32.760 --> 0:22:36.360
<v Speaker 2>I felt. So, so your your kind of Golden Year films?

0:22:36.520 --> 0:22:38.360
<v Speaker 2>So you think the seventies films are the best?

0:22:38.480 --> 0:22:41.680
<v Speaker 1>I kind of think all things are best from the seventies,

0:22:41.760 --> 0:22:46.359
<v Speaker 1>be it music or you know. So what h were

0:22:46.359 --> 0:22:48.159
<v Speaker 1>you in ideas of feminine beauty?

0:22:50.720 --> 0:22:52.000
<v Speaker 2>How old were you in seventy five?

0:22:52.920 --> 0:22:56.600
<v Speaker 1>Eleven nine? Okay? But yeah, so I was like, I

0:22:56.640 --> 0:23:01.720
<v Speaker 1>don't know, that was sixty six. I was so, yeah,

0:23:01.880 --> 0:23:03.560
<v Speaker 1>I do, I mean I do. I know more about

0:23:03.760 --> 0:23:05.680
<v Speaker 1>the music, the movies and the music, and it I

0:23:05.720 --> 0:23:09.200
<v Speaker 1>mean I like that production techniques and obviously there was

0:23:09.240 --> 0:23:12.200
<v Speaker 1>a lot of ability to spend a lot of money.

0:23:12.240 --> 0:23:14.920
<v Speaker 1>I mean I like how some new stuff sounds to

0:23:15.000 --> 0:23:17.640
<v Speaker 1>the I mean, don't get me wrong, when I hear these,

0:23:18.480 --> 0:23:22.400
<v Speaker 1>even like Drake or Kanye West productions, I mean they there,

0:23:22.720 --> 0:23:28.200
<v Speaker 1>they come on and they're like very huge sounding in

0:23:28.320 --> 0:23:31.840
<v Speaker 1>my car. Yeah, so someone knows what they're doing. Don't

0:23:31.880 --> 0:23:33.320
<v Speaker 1>get me wrong. It's not like there hasn't been a

0:23:34.119 --> 0:23:38.920
<v Speaker 1>it's just digital and this was back in the analog

0:23:39.080 --> 0:23:42.680
<v Speaker 1>times and maybe a lot of time spent on arrangements.

0:23:42.760 --> 0:23:45.679
<v Speaker 2>And do you have a record before from the seventies

0:23:45.760 --> 0:23:49.320
<v Speaker 2>that you think sounds particularly good that you just love that?

0:23:49.680 --> 0:23:52.920
<v Speaker 1>There's tons of them. I mean even the Rumors and

0:23:53.000 --> 0:23:57.479
<v Speaker 1>Steely Dan. I mean there's that whole time. I mean

0:23:57.560 --> 0:24:01.040
<v Speaker 1>these are the bigger, the Pink Floyds and led Zeppelins,

0:24:02.040 --> 0:24:04.520
<v Speaker 1>those records are really good sounding.

0:24:04.720 --> 0:24:07.000
<v Speaker 2>I think, have you seen anything good this year?

0:24:07.840 --> 0:24:12.200
<v Speaker 1>I like the I mean I like the I just

0:24:13.000 --> 0:24:16.080
<v Speaker 1>in terms of things I purely want to like and

0:24:16.320 --> 0:24:19.600
<v Speaker 1>like our movies like Midsummer you know, I want that

0:24:19.760 --> 0:24:21.880
<v Speaker 1>kind of movie to work, or Ben Wheatley or these

0:24:22.000 --> 0:24:27.440
<v Speaker 1>kind of you know, new horror, things under the Skin,

0:24:27.600 --> 0:24:30.520
<v Speaker 1>that kind of movie, like I like, sort of dystopian

0:24:30.680 --> 0:24:36.040
<v Speaker 1>sci fi or horror without the torture porn. Yeah, you know,

0:24:36.960 --> 0:24:39.960
<v Speaker 1>that's what I kind of like, just for fun. Yeah, okay,

0:24:42.200 --> 0:24:45.080
<v Speaker 1>so that's what I'm on the lookout for. I'm always

0:24:45.359 --> 0:24:51.680
<v Speaker 1>hoping that there'll be another classic, whether it's Rosemary's Baby, Exorcist, Worlds,

0:24:54.480 --> 0:24:56.480
<v Speaker 1>it's something that I like, you know, I can't help it.

0:24:56.920 --> 0:24:59.040
<v Speaker 2>Yeah, that's fair enough.

0:25:00.080 --> 0:25:03.879
<v Speaker 1>Yeah, it's fun. So I hope for those kind of movies.

0:25:04.440 --> 0:25:05.879
<v Speaker 1>I don't know what about you.

0:25:06.480 --> 0:25:08.919
<v Speaker 2>You know, have you seen that film Eighth Grade?

0:25:09.520 --> 0:25:12.720
<v Speaker 1>Yeah, we saw that. I like that, yeah, yeah, yeah, And.

0:25:12.800 --> 0:25:15.200
<v Speaker 2>I thought Book Smart was amazed. Have you seen Books Smart?

0:25:15.480 --> 0:25:18.640
<v Speaker 1>Yeah? Book Smart? Those are both and I like those

0:25:18.760 --> 0:25:21.399
<v Speaker 1>kind of saw those both with my daughter. Actually, she

0:25:21.440 --> 0:25:24.000
<v Speaker 1>wouldn't watch Eighth Grade because she was in eighth grade

0:25:24.040 --> 0:25:26.800
<v Speaker 1>and it was yeah, too close. Yeah, I mean it

0:25:27.000 --> 0:25:30.280
<v Speaker 1>was just she just thought it was yeah, corny into

0:25:30.320 --> 0:25:33.560
<v Speaker 1>what if it was if it was called something else,

0:25:33.640 --> 0:25:34.919
<v Speaker 1>she would have seen it, you know what I mean,

0:25:35.160 --> 0:25:35.520
<v Speaker 1>right right?

0:25:35.600 --> 0:25:36.280
<v Speaker 2>Yeah, of course I.

0:25:36.320 --> 0:25:37.600
<v Speaker 1>Thought those were both really good.

0:25:37.600 --> 0:25:40.280
<v Speaker 2>I thought the performance is the performance in eighth Grade

0:25:40.320 --> 0:25:44.320
<v Speaker 2>of the main act. Yeah, act, I thought she was incredible. Yep,

0:25:45.560 --> 0:25:47.960
<v Speaker 2>and book smart. I just thought it was just that

0:25:48.119 --> 0:25:48.880
<v Speaker 2>was fun good.

0:25:49.080 --> 0:25:52.399
<v Speaker 1>Yeah, that was a little bit first world problems too again,

0:25:52.440 --> 0:25:54.440
<v Speaker 1>but I still liked it. Yeah. There it was like

0:25:54.560 --> 0:25:56.760
<v Speaker 1>a lark, but it was like gallivanting. I mean it

0:25:56.880 --> 0:26:02.280
<v Speaker 1>was so unbelievable, which I sort of. I mean, the school,

0:26:03.680 --> 0:26:05.359
<v Speaker 1>all of them going to Harvard, I mean it was

0:26:05.480 --> 0:26:10.200
<v Speaker 1>a it was a satire obviously, you know, or whatever.

0:26:10.359 --> 0:26:14.800
<v Speaker 1>So you know, it wasn't trying to be real. That

0:26:15.160 --> 0:26:19.080
<v Speaker 1>gives it a pass for me, even almost, you know, like, man,

0:26:19.160 --> 0:26:23.280
<v Speaker 1>we watched in the what was this movie? It was

0:26:23.359 --> 0:26:27.280
<v Speaker 1>the nastiest movie. Ryan Philippe and the girl that played

0:26:27.320 --> 0:26:30.960
<v Speaker 1>like Buffy the band player Slayer I think, and they're

0:26:31.080 --> 0:26:36.440
<v Speaker 1>like two rich stepsister and brother. Yeah, that movie is

0:26:36.480 --> 0:26:39.160
<v Speaker 1>the most vile movie. Like I get was it made

0:26:39.200 --> 0:26:41.520
<v Speaker 1>when Portrait of the Serial Killer came out or.

0:26:41.800 --> 0:26:43.080
<v Speaker 2>I think it was made, and I think that's one

0:26:43.119 --> 0:26:43.880
<v Speaker 2>of those nineties.

0:26:44.840 --> 0:26:48.240
<v Speaker 1>Yeah, just the set, the tone of that movie is

0:26:48.400 --> 0:26:51.520
<v Speaker 1>just it's so mean and like, I just don't it

0:26:51.560 --> 0:26:53.600
<v Speaker 1>could only be made at I guess at the height

0:26:53.720 --> 0:27:00.680
<v Speaker 1>of supposed you know, internet stocks are booming and decadent,

0:27:00.760 --> 0:27:04.960
<v Speaker 1>you know are because it was like, who am I

0:27:05.000 --> 0:27:08.440
<v Speaker 1>supposed to like? Or you know, there's no one to

0:27:08.640 --> 0:27:08.960
<v Speaker 1>like in it?

0:27:09.200 --> 0:27:10.440
<v Speaker 2>As I say, last time I saw he was a

0:27:10.480 --> 0:27:14.280
<v Speaker 2>Primavera playing and doing your talk about the films. And

0:27:14.320 --> 0:27:16.760
<v Speaker 2>then at the end of Primavera, like three days after that,

0:27:17.240 --> 0:27:20.520
<v Speaker 2>they obviously announced like the next year, which was the

0:27:20.600 --> 0:27:23.680
<v Speaker 2>pavement stuff. Were you still on site when that was announced? Stuff?

0:27:23.880 --> 0:27:24.840
<v Speaker 2>You were out? Youre well?

0:27:24.840 --> 0:27:26.040
<v Speaker 1>But I knew they were going to do it and

0:27:26.119 --> 0:27:28.840
<v Speaker 1>stuff because I was told not to tell anybody about

0:27:28.840 --> 0:27:29.680
<v Speaker 1>it until that point.

0:27:29.880 --> 0:27:31.640
<v Speaker 2>Did you manage to keep that to yourself?

0:27:32.040 --> 0:27:32.240
<v Speaker 1>Yeah?

0:27:32.720 --> 0:27:34.960
<v Speaker 2>It wasn't a tempting to not.

0:27:35.080 --> 0:27:37.600
<v Speaker 1>Really, I mean told like a couple of people, but

0:27:39.520 --> 0:27:42.439
<v Speaker 1>just tell them not to say anything. And it had

0:27:42.480 --> 0:27:45.080
<v Speaker 1>been Yeah, there's just been some chatting about it with

0:27:45.240 --> 0:27:50.159
<v Speaker 1>those promoters and our original agent in America that had

0:27:50.160 --> 0:27:53.640
<v Speaker 1>been with us forever, and he just kind of put

0:27:53.680 --> 0:27:57.040
<v Speaker 1>the steal together with them, and all of a sudden,

0:27:57.080 --> 0:27:59.399
<v Speaker 1>it just seemed like it'd be really fun thing to do.

0:28:00.119 --> 0:28:03.920
<v Speaker 2>Because I was actually there ten years. It'll be ten years.

0:28:04.520 --> 0:28:06.720
<v Speaker 2>It was a premium bear before, wasn't it, Like, Yeah,

0:28:06.760 --> 0:28:08.879
<v Speaker 2>we played there at ten that's true. Yeah, when you

0:28:09.000 --> 0:28:13.200
<v Speaker 2>reformed the first time, I like that kind of every

0:28:13.280 --> 0:28:15.359
<v Speaker 2>ten years Pavement could just get together and.

0:28:16.359 --> 0:28:18.360
<v Speaker 1>That would be nice if it could work out that way.

0:28:18.480 --> 0:28:20.760
<v Speaker 1>I don't know if all of us will be around

0:28:20.800 --> 0:28:25.720
<v Speaker 1>for the next ten we're only like in our early fifties,

0:28:25.800 --> 0:28:28.320
<v Speaker 1>but certainly nothing to count count on.

0:28:28.840 --> 0:28:29.040
<v Speaker 2>Yeah.

0:28:29.200 --> 0:28:32.960
<v Speaker 1>So yeah, that was even a reason for me to

0:28:33.240 --> 0:28:36.879
<v Speaker 1>I want to do it too, because like everyone was

0:28:38.000 --> 0:28:45.720
<v Speaker 1>still like relatively fit. I mean, there's we're like wrinkled

0:28:45.840 --> 0:28:50.200
<v Speaker 1>and gray and stuff, but ish and but I like

0:28:50.320 --> 0:28:53.640
<v Speaker 1>to think where we you know, we still have some

0:28:54.760 --> 0:28:58.280
<v Speaker 1>we're not too far gone. Yeah, sure for this kind

0:28:58.280 --> 0:29:01.680
<v Speaker 1>of thing. Yeah, where you're just like old totally like

0:29:02.400 --> 0:29:05.000
<v Speaker 1>you know, like baby boomers up there or something. Yeah,

0:29:05.040 --> 0:29:08.240
<v Speaker 1>you know, you know the studes yet No, So I thought, yeah,

0:29:08.280 --> 0:29:12.560
<v Speaker 1>we can do it and everybody's still can play, and

0:29:13.000 --> 0:29:15.120
<v Speaker 1>you know, I don't know, have you don't have like

0:29:15.240 --> 0:29:16.520
<v Speaker 1>hip problems or something.

0:29:16.840 --> 0:29:19.240
<v Speaker 2>Yeah, have you guys got together yet to practice?

0:29:19.520 --> 0:29:21.640
<v Speaker 1>Now we're going to do it in May before like

0:29:21.800 --> 0:29:24.920
<v Speaker 1>for many weeks, for a couple of weeks to get

0:29:25.080 --> 0:29:26.240
<v Speaker 1>ship our stuff together.

0:29:26.400 --> 0:29:32.280
<v Speaker 2>Yeah yeah, sure, so we haven't done that, but nice. Yeah,

0:29:32.520 --> 0:29:34.600
<v Speaker 2>looking forward, to already. Is it just going to be

0:29:34.680 --> 0:29:35.640
<v Speaker 2>that show or is it going to be.

0:29:35.680 --> 0:29:37.040
<v Speaker 1>Too Porto cool?

0:29:37.600 --> 0:29:38.400
<v Speaker 2>That's all I'm done.

0:29:39.120 --> 0:29:44.240
<v Speaker 1>Yeah, just nice because that's just weird. So we're going

0:29:44.320 --> 0:29:44.600
<v Speaker 1>to do that.

0:29:46.360 --> 0:29:47.520
<v Speaker 2>It's good to keep it weird.

0:29:49.120 --> 0:29:53.400
<v Speaker 1>Yeah, make it special. I mean it's expensive for people

0:29:53.480 --> 0:29:58.160
<v Speaker 1>to come to I realize that, but it's not like

0:29:58.240 --> 0:30:01.840
<v Speaker 1>I want to endorse this festival above all others. But

0:30:02.120 --> 0:30:06.360
<v Speaker 1>I have had fun there. It has a diverse programming

0:30:06.440 --> 0:30:10.520
<v Speaker 1>now that's you know, birth from the dudes being like

0:30:10.640 --> 0:30:14.880
<v Speaker 1>indie rocker guys to expanding it to the way the

0:30:14.960 --> 0:30:16.080
<v Speaker 1>world is now where.

0:30:16.600 --> 0:30:19.360
<v Speaker 2>Yeah. I thought the lineup this year was really fun. Yeah,

0:30:19.800 --> 0:30:22.360
<v Speaker 2>and they got quite I think they got some stick

0:30:22.440 --> 0:30:24.480
<v Speaker 2>for it. They did that fifty to fifty gender split,

0:30:24.520 --> 0:30:26.200
<v Speaker 2>which I thought was a great thing. Yeah, and a

0:30:26.280 --> 0:30:31.920
<v Speaker 2>lot of kind of maybe traditional rockist dudes probably kind

0:30:31.960 --> 0:30:34.959
<v Speaker 2>of gave them a hard time about the Miley Cyrus

0:30:35.040 --> 0:30:37.840
<v Speaker 2>booking and Lizo and all of that stuff, But I

0:30:37.920 --> 0:30:40.800
<v Speaker 2>thought it made it. I thought the atmosphere was incredible

0:30:40.840 --> 0:30:41.400
<v Speaker 2>on the side.

0:30:41.520 --> 0:30:43.880
<v Speaker 1>I mean, there's always a place for you to go

0:30:44.120 --> 0:30:46.920
<v Speaker 1>if you're that Yeah, exactly, you could just stick quiet

0:30:47.080 --> 0:30:52.719
<v Speaker 1>us reading rocker person or just Blur fan or something

0:30:53.160 --> 0:30:59.280
<v Speaker 1>or whatever that meant then is between that modern rockist anyway.

0:30:59.320 --> 0:31:02.960
<v Speaker 1>I think most of us are. Our tastes are like

0:31:03.600 --> 0:31:05.000
<v Speaker 1>more diverse now anyway.

0:31:05.160 --> 0:31:09.880
<v Speaker 2>So just like the lineup, So how's how's the new

0:31:09.960 --> 0:31:12.640
<v Speaker 2>record been received? It feels like it's been received pretty well.

0:31:12.960 --> 0:31:15.080
<v Speaker 1>Yeah, it's been a while since it came out, and

0:31:15.400 --> 0:31:18.160
<v Speaker 1>like internet days, it's like been forever.

0:31:18.480 --> 0:31:21.760
<v Speaker 2>Yeah it's ancient now, Catches.

0:31:21.440 --> 0:31:23.280
<v Speaker 1>I didn't come out. Yeah, I didn't come out, and

0:31:24.360 --> 0:31:27.640
<v Speaker 1>I've had a lot of stuff happen, so I'm kind

0:31:27.680 --> 0:31:30.080
<v Speaker 1>of picking it back up again, you know, in a way.

0:31:31.200 --> 0:31:34.040
<v Speaker 1>I did a tour in America and it went really

0:31:34.120 --> 0:31:38.920
<v Speaker 1>pretty well. I thought I did a good job for

0:31:39.080 --> 0:31:42.680
<v Speaker 1>not doing anything like this, you know, trying to offer

0:31:42.800 --> 0:31:46.680
<v Speaker 1>up just not as a dude with a guitar, singer,

0:31:46.760 --> 0:31:52.320
<v Speaker 1>songwriter solo show. Yeah, I think it. I mean, you

0:31:52.440 --> 0:31:54.600
<v Speaker 1>have to play to your strengths. And I wouldn't say

0:31:54.640 --> 0:31:57.880
<v Speaker 1>my strengths. I'm not like hanging out at clubs all

0:31:57.920 --> 0:32:06.200
<v Speaker 1>the time or really messing with my dance loop modes,

0:32:06.600 --> 0:32:08.160
<v Speaker 1>you know. So I mean I have to be honest.

0:32:08.240 --> 0:32:11.280
<v Speaker 1>I'm good at guitar and not as good as that.

0:32:12.840 --> 0:32:15.600
<v Speaker 2>But good enough. I think the records, you know, the

0:32:15.680 --> 0:32:19.560
<v Speaker 2>records great. Does it feel like it's like just kind

0:32:19.600 --> 0:32:23.440
<v Speaker 2>of as a record that steps away from what people

0:32:23.560 --> 0:32:26.040
<v Speaker 2>know you for and having that kind of electronic element

0:32:26.120 --> 0:32:31.080
<v Speaker 2>to it. Does it feel like having released it? Is

0:32:31.120 --> 0:32:33.960
<v Speaker 2>that like a bit of a itch scratch now or

0:32:34.520 --> 0:32:36.720
<v Speaker 2>are you I want to do it more of that?

0:32:38.440 --> 0:32:41.320
<v Speaker 1>In a way. I think that's kind of the way

0:32:41.440 --> 0:32:44.760
<v Speaker 1>to go these days, is the scratch? It is just

0:32:44.920 --> 0:32:49.400
<v Speaker 1>don't I just don't want to keep doing the same thing,

0:32:50.080 --> 0:32:56.080
<v Speaker 1>you know, It's like it's a point that I've done.

0:32:57.120 --> 0:32:59.880
<v Speaker 1>I sometimes feel like I've wrestled a lot out of

0:33:00.120 --> 0:33:06.000
<v Speaker 1>a more puritanical guitar, so like I just do it

0:33:06.240 --> 0:33:10.160
<v Speaker 1>and people it's cool, but it just it's like more

0:33:11.880 --> 0:33:14.560
<v Speaker 1>of the same or just refining the same thing. I'm

0:33:14.600 --> 0:33:17.600
<v Speaker 1>just like I could do that. I don't want to

0:33:17.680 --> 0:33:23.200
<v Speaker 1>like say it's all bad, but it seems like it's

0:33:23.800 --> 0:33:28.080
<v Speaker 1>maybe a time to approach things from a different angle,

0:33:29.520 --> 0:33:32.360
<v Speaker 1>not only in a mid life crisis type way, but

0:33:33.360 --> 0:33:38.680
<v Speaker 1>in a way that is more reflective of the world

0:33:39.320 --> 0:33:40.200
<v Speaker 1>the way it is now.

0:33:40.520 --> 0:33:43.320
<v Speaker 2>You know, Stephen, thank you for coming on the podcast.

0:33:43.520 --> 0:33:44.600
<v Speaker 1>Appreciate the pleasure

0:33:52.080 --> 0:33:53.240
<v Speaker 2>Anyway, good Night,