1 00:00:01,280 --> 00:00:06,160 Speaker 1: What makes a good reality star? You know what's so funny? 2 00:00:06,200 --> 00:00:08,760 Speaker 2: I think nine Lee should teach a class on how 3 00:00:08,800 --> 00:00:11,840 Speaker 2: to be a great reality star because she created the 4 00:00:11,880 --> 00:00:14,680 Speaker 2: assignment that the rest of these girls try to follow. 5 00:00:16,440 --> 00:00:17,160 Speaker 1: Stay tuned. 6 00:00:17,440 --> 00:00:20,560 Speaker 2: We'll get into my audience Q and A right after 7 00:00:20,920 --> 00:00:30,840 Speaker 2: these quick ads. Welcome to Reality with the King. It's 8 00:00:30,920 --> 00:00:35,160 Speaker 2: me Carlos King, the King of Reality TV and one 9 00:00:35,200 --> 00:00:39,760 Speaker 2: of the most sought after executive producers in reality television. 10 00:00:40,040 --> 00:00:45,000 Speaker 2: With over ten years of production experience, I've executive produced 11 00:00:45,040 --> 00:00:48,680 Speaker 2: top rated programs such as eight seasons of the Real 12 00:00:48,720 --> 00:00:53,040 Speaker 2: House Spots in Atlanta. Additionally, I have created shows such 13 00:00:53,080 --> 00:00:57,440 Speaker 2: as Netflix Is Styling, Hollywood Owns number one rated Love 14 00:00:57,480 --> 00:01:01,760 Speaker 2: and Marriage franchise at TV one, Hollywood Divas, just. 15 00:01:01,720 --> 00:01:02,319 Speaker 1: To name a few. 16 00:01:03,440 --> 00:01:06,320 Speaker 2: Twice a week on Reality with the King, we'll sit 17 00:01:06,400 --> 00:01:10,640 Speaker 2: down with my friends across the entertainment industry, recap our 18 00:01:10,920 --> 00:01:15,440 Speaker 2: favorite reality shows and revisit unforgettable moments that we are 19 00:01:15,560 --> 00:01:22,119 Speaker 2: still talking and tweeting about. Hey, rain drops, Now look, 20 00:01:22,200 --> 00:01:25,679 Speaker 2: I got a very special episode for y'all today. The 21 00:01:25,720 --> 00:01:28,800 Speaker 2: way y'all hit me up on Twitter, on the hotline, 22 00:01:29,240 --> 00:01:32,039 Speaker 2: on the email. Y'all have a lot of questions for me, 23 00:01:32,480 --> 00:01:38,640 Speaker 2: and as promised, I am dedicating today's episode to answering 24 00:01:39,120 --> 00:01:42,440 Speaker 2: all well, not all child because y'all send thousands, but 25 00:01:42,520 --> 00:01:46,280 Speaker 2: I'm going to get to the ones I feel will 26 00:01:46,319 --> 00:01:52,120 Speaker 2: resonate to my large audience. So today's episode, I'm answering 27 00:01:52,160 --> 00:01:56,840 Speaker 2: the tea the most pressing questions. This is Reality with 28 00:01:56,880 --> 00:02:01,240 Speaker 2: the King Q and A. The first question is from 29 00:02:01,480 --> 00:02:06,680 Speaker 2: Twitter handle at all lover Anthony. The question he wants 30 00:02:06,720 --> 00:02:11,160 Speaker 2: to ask is about the casting process and is there 31 00:02:11,280 --> 00:02:16,720 Speaker 2: ever a disagreement with you and the network on who 32 00:02:16,760 --> 00:02:22,120 Speaker 2: deserves a spot or to come back? The answer is yes. 33 00:02:22,880 --> 00:02:26,480 Speaker 2: Let me go back to the first season. 34 00:02:26,280 --> 00:02:28,880 Speaker 1: Of Love and Hip Hop Atlanta. 35 00:02:29,520 --> 00:02:33,560 Speaker 2: So when I was the co executive producer of Love 36 00:02:33,600 --> 00:02:38,280 Speaker 2: and Hip Hop Atlanta Season one, I was involved in 37 00:02:39,440 --> 00:02:43,280 Speaker 2: trying to finalize who the casting candidates would be along 38 00:02:43,320 --> 00:02:47,920 Speaker 2: with Mona Scott Young and the other producer. So you know, 39 00:02:48,000 --> 00:02:51,040 Speaker 2: we met with STEVIEJ and me. Me and I instantly 40 00:02:51,080 --> 00:02:54,399 Speaker 2: fell in love with STEVIEJ and Mimi like love them 41 00:02:54,520 --> 00:02:59,720 Speaker 2: from the word go. Scrappy and Erica love scrappy. Erica 42 00:02:59,840 --> 00:03:04,760 Speaker 2: was okay, Erica was very normal. We had lots of 43 00:03:04,840 --> 00:03:09,760 Speaker 2: concerns about Erica Dixon because not everybody wakes up to 44 00:03:09,800 --> 00:03:12,200 Speaker 2: say I'm gonna be famous or I'm gonna be on television. 45 00:03:12,760 --> 00:03:16,880 Speaker 2: So Erica was like deer in the headlights. So we 46 00:03:17,000 --> 00:03:20,560 Speaker 2: all knew, like, uh, we gotta work hard on Erica. 47 00:03:20,639 --> 00:03:24,440 Speaker 2: Because Scrappy is great, He's a household name, he represents Atlanta. 48 00:03:25,160 --> 00:03:27,200 Speaker 1: But honey, it is Erica Dixon child. We gotta work 49 00:03:27,240 --> 00:03:28,959 Speaker 1: with her. We found life the cast. 50 00:03:29,080 --> 00:03:34,000 Speaker 2: We had Stevie j and Mimi Scrappy and Erica Kirk 51 00:03:34,400 --> 00:03:40,840 Speaker 2: and Rasheeda Kay Michelle, and we felt that somebody was missing. 52 00:03:41,480 --> 00:03:45,200 Speaker 2: So Carly Rid auditioned to be on Love and Hip 53 00:03:45,240 --> 00:03:48,200 Speaker 2: Hop Atlanta and let me just say no, I did 54 00:03:48,200 --> 00:03:51,000 Speaker 2: not forget about Joscelene. I'll get into that later because 55 00:03:51,080 --> 00:03:54,320 Speaker 2: Joscelyn wasn't a part of the original cast. So Carly 56 00:03:54,360 --> 00:04:01,320 Speaker 2: read auditions and I loved Carly Red loved her. Me 57 00:04:01,400 --> 00:04:06,520 Speaker 2: and Mona had disputes about Carlely Mana was like, I 58 00:04:06,520 --> 00:04:09,560 Speaker 2: don't know about this Carli Red, I said, Mona, trust me. 59 00:04:09,680 --> 00:04:13,560 Speaker 2: Carly Ritt is messy. She's going to give you the tea, 60 00:04:14,080 --> 00:04:15,320 Speaker 2: the juice. 61 00:04:15,960 --> 00:04:16,920 Speaker 1: Like everything. 62 00:04:17,160 --> 00:04:21,800 Speaker 2: Like Carlie Rid gives zero fucks, like I promise you. 63 00:04:22,600 --> 00:04:26,719 Speaker 2: So the network at the time, the executives, they weren't 64 00:04:26,720 --> 00:04:31,479 Speaker 2: too keen on Carlie Red and I really fought for 65 00:04:31,600 --> 00:04:33,800 Speaker 2: Carly and she knew it because I said it to her. 66 00:04:33,839 --> 00:04:35,080 Speaker 1: I said, look, girl, they ain't feeling you. 67 00:04:35,320 --> 00:04:37,920 Speaker 2: We gotta like I want you to happen because I 68 00:04:37,960 --> 00:04:40,680 Speaker 2: feel it in my soul that you are going to 69 00:04:40,720 --> 00:04:45,000 Speaker 2: be fantastic on the show. So when Carli Rid episode one, 70 00:04:45,279 --> 00:04:50,640 Speaker 2: season one, do y'all remember when Carli Rid had a 71 00:04:50,680 --> 00:04:56,000 Speaker 2: birthday party and me me was there, Ringan was there 72 00:04:57,120 --> 00:04:58,800 Speaker 2: and before. 73 00:04:58,760 --> 00:05:01,120 Speaker 1: Stevie J walked then with Joss Lene. 74 00:05:01,400 --> 00:05:06,320 Speaker 2: Carly Rid told me me, I invited such and such 75 00:05:06,560 --> 00:05:11,080 Speaker 2: and you know Stevie J blah blah blah, and me 76 00:05:11,080 --> 00:05:14,440 Speaker 2: me goes, oh, that's my man, and Carly goes, no, 77 00:05:14,520 --> 00:05:19,200 Speaker 2: he's not. I met him with his girl Joscelene. And 78 00:05:19,240 --> 00:05:23,680 Speaker 2: Mimi's like, no, that's his artist. And carl Ridd is like, no, no, no, no, 79 00:05:24,200 --> 00:05:27,200 Speaker 2: that's that's her man. Honey, like that's her man. I 80 00:05:27,240 --> 00:05:29,839 Speaker 2: saw him kiss, I saw him do all that. We 81 00:05:30,120 --> 00:05:34,400 Speaker 2: the producers were gagging because Carli Ridd was arguing with 82 00:05:34,520 --> 00:05:35,559 Speaker 2: MEMI like no bitch. 83 00:05:36,080 --> 00:05:37,960 Speaker 1: Stevie J is josce Lene's man. 84 00:05:38,040 --> 00:05:40,480 Speaker 2: I just shot with them two days ago and they 85 00:05:40,480 --> 00:05:44,040 Speaker 2: were all over each other. And because of that, STEVIEJ 86 00:05:44,200 --> 00:05:48,599 Speaker 2: walks in with Joscelene and me ME tells Stevie J. 87 00:05:49,400 --> 00:05:55,080 Speaker 2: She's telling me that Jocelene is your woman. And Stevie 88 00:05:55,200 --> 00:05:58,440 Speaker 2: J confronts carl Ridd and it's like you messy, and 89 00:05:58,520 --> 00:05:59,680 Speaker 2: Carlie Redd like, no, I'm not. 90 00:05:59,720 --> 00:06:01,240 Speaker 1: I saw with my own eyeballs. 91 00:06:01,680 --> 00:06:05,080 Speaker 2: Jos Len tells Calie Rid she's messy, and the rest 92 00:06:05,200 --> 00:06:10,039 Speaker 2: is history. Carlie Ridd was the messy mainstay that the 93 00:06:10,120 --> 00:06:13,719 Speaker 2: show needed. So that was one of the first times 94 00:06:13,760 --> 00:06:16,680 Speaker 2: that I felt like, look, I know what I'm talking about. 95 00:06:16,920 --> 00:06:21,640 Speaker 2: And fast forward to what ten years later, Carlie Ridd 96 00:06:21,880 --> 00:06:24,599 Speaker 2: is still on the show. So yes, I know a 97 00:06:24,640 --> 00:06:29,920 Speaker 2: thing or two about casting. My next question is from 98 00:06:30,320 --> 00:06:35,320 Speaker 2: at Jukebox ares yes for the name, what makes a 99 00:06:35,360 --> 00:06:37,440 Speaker 2: good reality star? 100 00:06:38,320 --> 00:06:39,200 Speaker 1: You know what's so funny? 101 00:06:39,240 --> 00:06:41,800 Speaker 2: I think Nini Leek should teach a class on how 102 00:06:41,839 --> 00:06:44,880 Speaker 2: to be a great reality star because she created the 103 00:06:44,920 --> 00:06:47,279 Speaker 2: assignment that the rest of these girls try to follow 104 00:06:47,480 --> 00:06:51,919 Speaker 2: when it comes to being a great reality star. The 105 00:06:52,040 --> 00:06:56,839 Speaker 2: examples I would give are Ninni Leeks, Tiffany New York, Collard, 106 00:06:57,320 --> 00:07:01,760 Speaker 2: Peter Thomas, Stevie J, and I would. 107 00:07:01,600 --> 00:07:02,280 Speaker 1: Say Ray J. 108 00:07:03,000 --> 00:07:06,279 Speaker 2: So those are people who I think should write a 109 00:07:06,320 --> 00:07:08,960 Speaker 2: class on how to be a great reality TV star 110 00:07:09,360 --> 00:07:13,800 Speaker 2: because they're the first of their kind, right, Like, that's 111 00:07:13,880 --> 00:07:17,679 Speaker 2: what you guys should aspire to be when you want 112 00:07:17,720 --> 00:07:20,440 Speaker 2: to be a reality TV star. So I'm gonna tell 113 00:07:20,480 --> 00:07:23,280 Speaker 2: you the dudes now, and then I'm gonna. 114 00:07:23,080 --> 00:07:24,680 Speaker 1: Get into the don't. 115 00:07:25,240 --> 00:07:29,400 Speaker 2: So to be a great reality TV star, you have 116 00:07:29,520 --> 00:07:33,200 Speaker 2: to have a big personality, not like big and boisious 117 00:07:33,240 --> 00:07:35,720 Speaker 2: like Nini Leaks, because some people don't have to be 118 00:07:35,800 --> 00:07:39,120 Speaker 2: that way. I think a good example of a good 119 00:07:39,160 --> 00:07:43,880 Speaker 2: reality star who isn't big and boisterous and whatever is 120 00:07:43,960 --> 00:07:49,480 Speaker 2: Melody Hoped from Love and Marriage Huntsville. So Melody isn't 121 00:07:49,520 --> 00:07:55,440 Speaker 2: like this big personality or this big character. But Melody 122 00:07:55,800 --> 00:08:00,520 Speaker 2: has a star quality in the sense of she owns 123 00:08:00,560 --> 00:08:07,360 Speaker 2: the room, she has a presence, she's authentic, she's genuine, 124 00:08:08,080 --> 00:08:12,280 Speaker 2: she speaks her mind, and she gives you a bur 125 00:08:12,880 --> 00:08:16,760 Speaker 2: re ounce of what's happening in her life. In order 126 00:08:17,480 --> 00:08:20,200 Speaker 2: to be a great reality star, you have to be 127 00:08:20,280 --> 00:08:24,920 Speaker 2: transparent and you have to be vulnerable. And those are 128 00:08:25,040 --> 00:08:29,800 Speaker 2: two things that Melody Holt is, Nini Leeks tipped The 129 00:08:29,800 --> 00:08:31,360 Speaker 2: New York Collard, Peter. 130 00:08:31,200 --> 00:08:35,280 Speaker 1: Thomas, and Ray j. So that's what you have to be. 131 00:08:35,880 --> 00:08:42,840 Speaker 2: You have to be that level of authenticity and transparent. 132 00:08:42,600 --> 00:08:43,959 Speaker 1: And speak your mind. 133 00:08:44,040 --> 00:08:47,840 Speaker 2: The don't is you don't have to fight a bitch 134 00:08:48,280 --> 00:08:52,680 Speaker 2: to be a good reality star. I cannot tell you 135 00:08:52,760 --> 00:08:55,880 Speaker 2: how many dms I get. Oh, Carlos, I'll throw a 136 00:08:55,960 --> 00:09:00,240 Speaker 2: drink in somebody's face. Oh Carlos, I'll fight somebody. Girl, 137 00:09:00,240 --> 00:09:02,640 Speaker 2: you better hop on that streaming app what that's allowed 138 00:09:02,800 --> 00:09:05,520 Speaker 2: like on a Carlos King show. We don't do that. 139 00:09:06,160 --> 00:09:09,319 Speaker 2: We fight with our words, honey, not our fist. I 140 00:09:09,559 --> 00:09:14,120 Speaker 2: like to work with sophisticated individuals who know how to 141 00:09:14,160 --> 00:09:18,520 Speaker 2: read the room and read people inside that room. That's 142 00:09:18,640 --> 00:09:21,880 Speaker 2: what you call understanding the assignment. The other thing you 143 00:09:21,920 --> 00:09:25,400 Speaker 2: don't do that When I say to you, guys, this 144 00:09:25,880 --> 00:09:29,440 Speaker 2: annoys me is when you sign up on a reality 145 00:09:29,520 --> 00:09:34,480 Speaker 2: show and the moment the episode starts to air, all 146 00:09:34,520 --> 00:09:37,520 Speaker 2: of a sudden, you don't like how you're quote unquote 147 00:09:37,640 --> 00:09:43,400 Speaker 2: portrayed and the show's ratchet. Okay, let's start with this 148 00:09:43,520 --> 00:09:47,520 Speaker 2: portrayal stuff. No one can add to words in your mouth, okay, 149 00:09:47,880 --> 00:09:52,400 Speaker 2: no one can make you do things on camera that 150 00:09:52,440 --> 00:09:53,600 Speaker 2: you didn't do in real life. 151 00:09:53,880 --> 00:09:54,320 Speaker 1: Okay. 152 00:09:55,200 --> 00:09:58,200 Speaker 2: I think the problem is a lot of people try 153 00:09:58,240 --> 00:10:01,600 Speaker 2: to be on reality TV because they think it's easy 154 00:10:01,840 --> 00:10:04,120 Speaker 2: and they want the fame, which I'm ad at. 155 00:10:04,240 --> 00:10:06,400 Speaker 1: If you want to be on a reality show. 156 00:10:06,600 --> 00:10:09,040 Speaker 2: Then you should do everything you need to do in 157 00:10:09,120 --> 00:10:11,839 Speaker 2: order to be great on it, right, and that is 158 00:10:11,920 --> 00:10:14,280 Speaker 2: being authentic And if you want to be famous, I'm 159 00:10:14,320 --> 00:10:15,520 Speaker 2: mad at you, says do it. 160 00:10:15,840 --> 00:10:18,040 Speaker 1: But the problem is when you're so. 161 00:10:18,240 --> 00:10:23,120 Speaker 2: Unlikable because you're trying to trick the audience into being 162 00:10:23,160 --> 00:10:27,400 Speaker 2: something you're not. Nothing annoys me more is when a 163 00:10:27,640 --> 00:10:33,680 Speaker 2: ratchet person gets on reality TV and tries to act 164 00:10:33,720 --> 00:10:37,079 Speaker 2: all sophisticated, and then when the ratchet comes out, they 165 00:10:37,080 --> 00:10:41,439 Speaker 2: blame the producers, they blame the editors, they blame the network. Okay, 166 00:10:41,600 --> 00:10:45,760 Speaker 2: they blame everybody but the mirror. Like Michael Jackson said. 167 00:10:46,040 --> 00:10:50,400 Speaker 1: I'm looking for the man and the mirror. That's what 168 00:10:50,400 --> 00:10:53,360 Speaker 1: I'm saying. Look in the mirror and. 169 00:10:53,360 --> 00:10:57,640 Speaker 2: See who you are, because all television is doing is 170 00:10:57,679 --> 00:11:02,160 Speaker 2: putting a mirror into who you really are. And because 171 00:11:02,200 --> 00:11:06,280 Speaker 2: you can't stand yourself, imagine what the other cast members 172 00:11:06,320 --> 00:11:08,720 Speaker 2: are going through because they can't stand you either, because 173 00:11:08,720 --> 00:11:09,640 Speaker 2: you're not being real. 174 00:11:10,080 --> 00:11:11,400 Speaker 1: You're not being authentic. 175 00:11:11,600 --> 00:11:14,080 Speaker 2: You thought you was gonna get on the show, increase 176 00:11:14,080 --> 00:11:19,160 Speaker 2: your followers, promote your brand, and then leave and say like, girl, 177 00:11:19,240 --> 00:11:23,720 Speaker 2: I'm hot. No, ma'am, you're not okay because your intention 178 00:11:24,000 --> 00:11:28,360 Speaker 2: wasn't right. So those are the don't in terms of 179 00:11:28,960 --> 00:11:32,959 Speaker 2: what doesn't make a great reality TV star. And what's 180 00:11:33,000 --> 00:11:37,160 Speaker 2: funny is I'm so real when it comes to the 181 00:11:37,200 --> 00:11:39,560 Speaker 2: people I work with. I will tell you if I 182 00:11:39,600 --> 00:11:42,840 Speaker 2: think you're whack. I tell Latitia Scott after the first 183 00:11:42,840 --> 00:11:50,200 Speaker 2: week of shooting, Hey girl, I don't know about you, don't. 184 00:11:50,760 --> 00:11:52,080 Speaker 2: I don't think you have what it takes to be 185 00:11:52,160 --> 00:11:57,320 Speaker 2: on reality TV. You're boring, you don't say anything, and 186 00:11:57,400 --> 00:12:02,960 Speaker 2: seeing your voice quivers like I don't know this's gonna 187 00:12:03,000 --> 00:12:05,000 Speaker 2: work out, And she's like, what do you mean? And 188 00:12:05,040 --> 00:12:07,120 Speaker 2: I was like, I want you to be a confident 189 00:12:07,240 --> 00:12:10,200 Speaker 2: version of yourself, like your husband Marcella is great. And 190 00:12:10,240 --> 00:12:12,760 Speaker 2: I said, look t show, I think you're you're great, 191 00:12:12,920 --> 00:12:15,520 Speaker 2: but you have to believe that you're great, and look 192 00:12:15,559 --> 00:12:19,319 Speaker 2: at Tsha now she reads the girls, she addresses how 193 00:12:19,360 --> 00:12:23,400 Speaker 2: she feels, and because of my critique, she now has 194 00:12:23,440 --> 00:12:26,880 Speaker 2: been on the show for four years. So to recap 195 00:12:27,040 --> 00:12:29,120 Speaker 2: for all your girls trying to be on a Carlos 196 00:12:29,200 --> 00:12:32,840 Speaker 2: King produce reality show, this is what your boy needs 197 00:12:32,960 --> 00:12:36,959 Speaker 2: in order for me to cast you. Okay, big personality, 198 00:12:37,640 --> 00:12:43,880 Speaker 2: You gotta have an interesting life. Okay, you gotta be authentic. 199 00:12:45,080 --> 00:12:49,240 Speaker 2: You can't be fake. This ain't Bad Girls Club or 200 00:12:49,600 --> 00:12:52,480 Speaker 2: sixty Days in So I don't need no fights, no 201 00:12:52,640 --> 00:12:54,280 Speaker 2: punch is blown, none of that. 202 00:12:54,360 --> 00:12:56,760 Speaker 1: This in what we do over here. Boo, don't try 203 00:12:56,800 --> 00:12:57,720 Speaker 1: to be Nini Leaks. 204 00:12:57,840 --> 00:13:00,360 Speaker 2: There's only one her baby and you other girls he 205 00:13:00,400 --> 00:13:03,720 Speaker 2: tried to be her, y'all have failed miserably. Okay, don't 206 00:13:03,720 --> 00:13:07,640 Speaker 2: try to be New York. Don't try to be Peter Thomas, 207 00:13:07,760 --> 00:13:12,199 Speaker 2: don't try to be Stevie j Be yourself and the 208 00:13:12,240 --> 00:13:16,240 Speaker 2: most important thing, Baby, don't blame the edit, because baby, 209 00:13:16,920 --> 00:13:22,800 Speaker 2: we can only show what you give. Stay tuned as 210 00:13:22,920 --> 00:13:25,000 Speaker 2: I answer more questions from you. 211 00:13:25,559 --> 00:13:27,040 Speaker 1: This is just getting good, y'all. 212 00:13:27,360 --> 00:13:39,840 Speaker 2: We'll be right back after this quick break. This is 213 00:13:39,920 --> 00:13:43,280 Speaker 2: reality with the King, and I'm Carlos King. Let's get 214 00:13:43,320 --> 00:13:48,040 Speaker 2: back into my listener Q and A. My next question 215 00:13:48,200 --> 00:13:55,080 Speaker 2: is from at Garrett b DP Underscore. Dear Carlos, do 216 00:13:55,160 --> 00:13:59,560 Speaker 2: you think some shows franchises can become too invested or 217 00:14:00,440 --> 00:14:06,120 Speaker 2: on a particular rivalry between certain cast members that it 218 00:14:06,200 --> 00:14:12,000 Speaker 2: begins belaboring the point That is a very very good question. Okay, 219 00:14:12,440 --> 00:14:17,680 Speaker 2: let's go there. I think rivalries can start off being 220 00:14:17,720 --> 00:14:21,360 Speaker 2: really good and interesting and iconic, and then after a 221 00:14:21,440 --> 00:14:25,640 Speaker 2: season or two or three, or four or five, it 222 00:14:25,760 --> 00:14:29,720 Speaker 2: becomes a little bit overbearing. So let me give you 223 00:14:29,760 --> 00:14:33,920 Speaker 2: some examples to explore. One of the most iconic robberies 224 00:14:34,080 --> 00:14:39,160 Speaker 2: to me in reality TV would be me Me versus Jocelyn. 225 00:14:39,880 --> 00:14:45,760 Speaker 2: It was the first time that reality lovers saw this 226 00:14:46,440 --> 00:14:51,000 Speaker 2: sort of like polyamhers' relationship. You know, you never saw 227 00:14:51,120 --> 00:14:57,400 Speaker 2: like the boyfriend the girlfriend and the alleged side check. 228 00:14:57,520 --> 00:15:01,080 Speaker 2: You just never saw that in terms of all together 229 00:15:02,080 --> 00:15:06,120 Speaker 2: on the show where they're all the main cast members, right, 230 00:15:06,360 --> 00:15:10,400 Speaker 2: you've never seen that. We were talking about some sister 231 00:15:10,480 --> 00:15:13,520 Speaker 2: wives type shit on the first season of Love and 232 00:15:13,600 --> 00:15:18,560 Speaker 2: Hip Hop Atlanta. So to see that beef fun fold 233 00:15:19,080 --> 00:15:24,960 Speaker 2: quite naturally. Because Jocelyne was a stripper, Stevie J met 234 00:15:25,000 --> 00:15:26,000 Speaker 2: her at the Strip club. 235 00:15:26,920 --> 00:15:29,440 Speaker 1: He then wanted to manage her. 236 00:15:29,920 --> 00:15:34,560 Speaker 2: Joscelyne was then his artist, became his whatever you wanna 237 00:15:34,600 --> 00:15:36,480 Speaker 2: call him, mistress, sidekick, I don't listen. 238 00:15:36,480 --> 00:15:37,520 Speaker 1: I'm not going to label people. 239 00:15:37,760 --> 00:15:41,720 Speaker 2: And then mem Me was his girlfriend at the time, 240 00:15:41,960 --> 00:15:45,320 Speaker 2: and it was just very messy, and their beef spawned 241 00:15:45,640 --> 00:15:50,920 Speaker 2: four years and was started off as something very interesting 242 00:15:50,960 --> 00:15:54,960 Speaker 2: because again we all heard the story of how the 243 00:15:55,120 --> 00:15:59,840 Speaker 2: music industry is where managers sometimes leaps with the artists 244 00:16:00,320 --> 00:16:02,600 Speaker 2: while their wife is at home. So we all knew that, 245 00:16:03,000 --> 00:16:06,160 Speaker 2: but hanti to watch it was a whole different thing. 246 00:16:06,480 --> 00:16:09,640 Speaker 1: So the mem Jocelyn beef became very interesting. 247 00:16:09,880 --> 00:16:13,320 Speaker 2: And then I think at some point it became played 248 00:16:13,360 --> 00:16:17,360 Speaker 2: out because you kind of saw everything, and at that 249 00:16:17,520 --> 00:16:19,760 Speaker 2: point it was like, why are you two still beefing? 250 00:16:19,800 --> 00:16:22,000 Speaker 1: Because Mimi, you moved on to another guy. 251 00:16:22,520 --> 00:16:26,840 Speaker 2: And at this point, Stevie J is like Jocelyne's man, 252 00:16:27,640 --> 00:16:30,160 Speaker 2: so why are you two still beefing? And that's why 253 00:16:30,200 --> 00:16:32,520 Speaker 2: I appreciate it that I think it was season but 254 00:16:32,760 --> 00:16:36,680 Speaker 2: five or six they became cordial. I even think at 255 00:16:36,720 --> 00:16:41,280 Speaker 2: the reunion Jocelene performed, Stevie J was giving Ike Turner 256 00:16:41,360 --> 00:16:43,760 Speaker 2: with the guitar in the background. Child Joscelene was giving 257 00:16:43,760 --> 00:16:47,479 Speaker 2: her best Tina Turner Hernandez boo at this reunion performance, 258 00:16:47,960 --> 00:16:51,120 Speaker 2: and then Mimi came and says something to the fact 259 00:16:51,120 --> 00:16:54,520 Speaker 2: of like you're now part of my family, and they hugged, 260 00:16:55,120 --> 00:16:57,160 Speaker 2: and at that time, I think we were all sort 261 00:16:57,200 --> 00:17:00,840 Speaker 2: of relieved, like, Okay, this is now the in of 262 00:17:00,880 --> 00:17:02,880 Speaker 2: the Memi versus Joscelyn saga. 263 00:17:03,000 --> 00:17:04,359 Speaker 1: But girls, it continued. 264 00:17:04,600 --> 00:17:08,399 Speaker 2: So yeah, I do think some beefs should expire sooner 265 00:17:08,400 --> 00:17:11,639 Speaker 2: than later. I mean, look, I follow the reality, so 266 00:17:11,840 --> 00:17:15,040 Speaker 2: you can't put an expiration day on someone's beef. 267 00:17:15,240 --> 00:17:18,359 Speaker 1: But I think it's the point of trying to like 268 00:17:18,560 --> 00:17:19,560 Speaker 1: move past it. 269 00:17:19,800 --> 00:17:23,679 Speaker 2: A good example would be Kenya versus Phedra. Like again, 270 00:17:23,960 --> 00:17:27,680 Speaker 2: started off very interesting, it was very funny. And that's 271 00:17:27,720 --> 00:17:31,480 Speaker 2: why season seven, when the Girls went to the Philippines, 272 00:17:32,160 --> 00:17:35,840 Speaker 2: I was very adamant that I no longer am interested 273 00:17:36,080 --> 00:17:40,639 Speaker 2: and the audience is no longer interested in Kenya Versus Paedra. 274 00:17:41,280 --> 00:17:42,240 Speaker 1: We've seen it. 275 00:17:42,240 --> 00:17:45,320 Speaker 2: It was great on bored We got to show something different, 276 00:17:45,760 --> 00:17:46,720 Speaker 2: and that's the reason. 277 00:17:46,560 --> 00:17:47,680 Speaker 1: Why I appreciate it. 278 00:17:47,840 --> 00:17:52,440 Speaker 2: On that cast trip, Phadrank Kenya having this reconciliation where 279 00:17:52,440 --> 00:17:54,600 Speaker 2: there were tears involved and they hugged it out. And 280 00:17:54,640 --> 00:17:57,440 Speaker 2: that's why season nine it was nice to see them 281 00:17:57,720 --> 00:18:01,440 Speaker 2: be friends until all things went to when Kenya threw 282 00:18:01,760 --> 00:18:05,840 Speaker 2: a divorce party and Fedra exited stage left to get 283 00:18:05,840 --> 00:18:06,640 Speaker 2: some ginger ale. 284 00:18:10,800 --> 00:18:12,359 Speaker 1: That damn Faed's funny at shit. 285 00:18:12,600 --> 00:18:17,240 Speaker 2: Yeah, so listen, that's a point in me stepping in, like, girl, 286 00:18:17,320 --> 00:18:20,040 Speaker 2: I'm tired of this Kenya versus Phaedra. 287 00:18:20,320 --> 00:18:20,840 Speaker 1: I'm bored. 288 00:18:21,680 --> 00:18:24,280 Speaker 2: I was tired. You're Nani versus Kim for a long time. 289 00:18:24,800 --> 00:18:28,440 Speaker 2: At some point it gets boring. The other example would 290 00:18:28,480 --> 00:18:33,160 Speaker 2: be male versus Martel on Love and Marriage Hunts Bill. 291 00:18:33,760 --> 00:18:37,320 Speaker 2: The difference with that is this, they started off on 292 00:18:37,400 --> 00:18:41,040 Speaker 2: the show as a couple, a married couple. 293 00:18:41,440 --> 00:18:42,359 Speaker 1: That's the difference. 294 00:18:42,880 --> 00:18:46,520 Speaker 2: So the other beefs that I felt like lasted way 295 00:18:46,560 --> 00:18:47,040 Speaker 2: too long. 296 00:18:47,240 --> 00:18:49,560 Speaker 1: It was people who truly met on the show. 297 00:18:49,680 --> 00:18:51,280 Speaker 2: So that's why it's kind of like, girlk it over 298 00:18:51,320 --> 00:18:54,480 Speaker 2: it like this, ain't your real friends, ain't your sister y'all? 299 00:18:54,480 --> 00:18:57,639 Speaker 2: At this point, coworkers get past the beefy because we're bored. 300 00:18:57,800 --> 00:19:01,040 Speaker 2: That's hard to do when it's a married couple. So 301 00:19:01,400 --> 00:19:05,960 Speaker 2: the mel of Martel saga obviously was the big story 302 00:19:06,320 --> 00:19:09,400 Speaker 2: on Love and Marriage Huntsville, and we followed the reality 303 00:19:09,440 --> 00:19:10,520 Speaker 2: because that's my formula. 304 00:19:10,560 --> 00:19:13,000 Speaker 1: I don't script anything. I follow the reality. 305 00:19:13,440 --> 00:19:16,479 Speaker 2: And the reality is they had tons of arguments about 306 00:19:16,520 --> 00:19:19,640 Speaker 2: Martel stepping out and then Martell accusing Melo stepping out, 307 00:19:19,720 --> 00:19:22,359 Speaker 2: so we followed it, and then the moment that got 308 00:19:22,480 --> 00:19:27,960 Speaker 2: divorced is when the arguments escalated, and that's when I 309 00:19:28,000 --> 00:19:32,760 Speaker 2: think the audience this past season was over Mela Martel 310 00:19:33,160 --> 00:19:38,400 Speaker 2: constantly arguing. But the reality is, if you're going through divorce, 311 00:19:38,640 --> 00:19:41,400 Speaker 2: that's really what happens in real life. And because they're 312 00:19:41,400 --> 00:19:45,160 Speaker 2: on the show together, they're around each other more than. 313 00:19:45,080 --> 00:19:49,359 Speaker 1: They probably would like to be. So that was the difference. 314 00:19:49,400 --> 00:19:52,359 Speaker 2: But that's why on this season of Love and Marriage 315 00:19:52,400 --> 00:19:57,760 Speaker 2: Huntsville we decided to step away from that. Melody in 316 00:19:57,880 --> 00:20:00,119 Speaker 2: her real life was like me and Martell don't see 317 00:20:00,160 --> 00:20:00,440 Speaker 2: each other. 318 00:20:00,480 --> 00:20:02,160 Speaker 1: We email each other, we text each other. 319 00:20:02,480 --> 00:20:05,919 Speaker 2: So that's the reality that we followed, and I was like, Okay, 320 00:20:05,960 --> 00:20:08,720 Speaker 2: this is good because I think the audience is over 321 00:20:09,640 --> 00:20:16,159 Speaker 2: Melody Martel constantly arguing, and because you get a break 322 00:20:16,200 --> 00:20:20,760 Speaker 2: from that this season, I think you'll appreciate the dynamic 323 00:20:20,880 --> 00:20:25,080 Speaker 2: more of, not just their relationship or lack thereof, but 324 00:20:25,160 --> 00:20:29,280 Speaker 2: you appreciate the other dynamics you get to see, so 325 00:20:29,600 --> 00:20:33,760 Speaker 2: to recap, Yes, there is sometimes and I'm guilty of 326 00:20:33,760 --> 00:20:38,119 Speaker 2: this too, we do belabor the pettiness of a big 327 00:20:38,160 --> 00:20:42,520 Speaker 2: beef and we sort of tell the same story every season. 328 00:20:43,280 --> 00:20:44,399 Speaker 1: But that's why. 329 00:20:44,720 --> 00:20:48,360 Speaker 2: One of the good things about Twitter is you get 330 00:20:48,359 --> 00:20:51,320 Speaker 2: to listen to the audience who tells you, Carlos girl, 331 00:20:51,440 --> 00:20:54,120 Speaker 2: I'm tired of this shit, I'm bored, I'm over it. 332 00:20:54,320 --> 00:20:55,040 Speaker 1: Can we move on? 333 00:20:57,640 --> 00:21:03,399 Speaker 2: And for my final question from at Camberly Liz, the 334 00:21:03,520 --> 00:21:06,879 Speaker 2: question is the future of reality TV? 335 00:21:07,960 --> 00:21:12,560 Speaker 1: What areas need to be better and completely removed from. 336 00:21:12,320 --> 00:21:17,080 Speaker 2: The reality TV space. That's a very good question. I 337 00:21:17,119 --> 00:21:23,200 Speaker 2: love that, Okay, I strongly believe people are over the 338 00:21:23,359 --> 00:21:27,960 Speaker 2: violence that takes place in reality television. I'm saying that 339 00:21:28,119 --> 00:21:31,639 Speaker 2: knowing that there's other shows out there that are hits, 340 00:21:31,840 --> 00:21:34,560 Speaker 2: whether it's constant fighting. I do think that's a very 341 00:21:35,119 --> 00:21:38,680 Speaker 2: marginalized audience who just liked it, you know, And it's 342 00:21:38,680 --> 00:21:39,080 Speaker 2: no shade. 343 00:21:39,119 --> 00:21:40,600 Speaker 1: If you like you like it, you love you love it? 344 00:21:40,600 --> 00:21:41,320 Speaker 1: Who cares? Right? 345 00:21:41,440 --> 00:21:46,440 Speaker 2: But I do think people are looking for more authentic storytelling, 346 00:21:46,640 --> 00:21:49,600 Speaker 2: and when I say authentic, they care less about punches 347 00:21:49,640 --> 00:21:55,199 Speaker 2: being thrown and more about conversations that are relatable that 348 00:21:55,240 --> 00:21:56,600 Speaker 2: you could sink your teeth into. 349 00:21:56,920 --> 00:21:59,360 Speaker 1: So the example would be love and marriage. 350 00:21:59,440 --> 00:22:03,160 Speaker 2: Huntsville became a huge hit due to the fact that 351 00:22:03,480 --> 00:22:07,240 Speaker 2: none of those cast members ever had a physical altercation, right, 352 00:22:07,560 --> 00:22:10,800 Speaker 2: but you were able to see what real couples were 353 00:22:10,840 --> 00:22:15,760 Speaker 2: going through Martella and melodies and fidelity storyline. You saw 354 00:22:15,880 --> 00:22:19,879 Speaker 2: Titia Marceau navigating through his wife wanting to have a 355 00:22:19,960 --> 00:22:24,159 Speaker 2: voice in her marriage. You saw Kimmy and Maurice dealing 356 00:22:24,160 --> 00:22:26,720 Speaker 2: with the fact that you know, at a particular age, 357 00:22:27,200 --> 00:22:29,240 Speaker 2: kim is getting married for the first time to a 358 00:22:29,280 --> 00:22:33,280 Speaker 2: guy who's younger than she is, and from there they 359 00:22:33,320 --> 00:22:36,720 Speaker 2: had to deal with the blending of their families. 360 00:22:36,480 --> 00:22:40,160 Speaker 1: Real life stuff that people go through. 361 00:22:40,480 --> 00:22:44,800 Speaker 2: And that was a conscious effort for me as I 362 00:22:44,920 --> 00:22:50,479 Speaker 2: left Atlanta Housewives and wanted to explore more ways of 363 00:22:50,520 --> 00:22:53,439 Speaker 2: telling stories dealing with people who look like me, but 364 00:22:53,600 --> 00:22:57,480 Speaker 2: also just people who I felt wanted to see something different. 365 00:22:57,720 --> 00:22:59,879 Speaker 2: And that's why when it comes to me, I have 366 00:23:00,160 --> 00:23:04,640 Speaker 2: my own lane when it comes to the reality shows 367 00:23:05,119 --> 00:23:09,040 Speaker 2: that I produce because I make it a point to 368 00:23:09,200 --> 00:23:13,080 Speaker 2: really tell a different side of what black people may 369 00:23:13,119 --> 00:23:15,760 Speaker 2: be going through, or women of color may be going through, 370 00:23:16,119 --> 00:23:20,040 Speaker 2: or just people in general, because I strongly believe where 371 00:23:20,080 --> 00:23:24,760 Speaker 2: the world is turning right now, people are demanding more 372 00:23:24,800 --> 00:23:29,920 Speaker 2: authenticity and they're demanding more realness, and that's my place 373 00:23:30,359 --> 00:23:33,920 Speaker 2: in the realities guys that I hold near and dear 374 00:23:34,000 --> 00:23:37,199 Speaker 2: to me, And I appreciate that people are watching the 375 00:23:37,240 --> 00:23:39,320 Speaker 2: shows that I'm producing because they get to see that 376 00:23:39,520 --> 00:23:42,000 Speaker 2: because that's what they want to see, and that's honestly 377 00:23:42,040 --> 00:23:44,840 Speaker 2: what's working. So when you look at these other shows, 378 00:23:44,960 --> 00:23:46,280 Speaker 2: you know, there's shows right now that. 379 00:23:46,280 --> 00:23:48,679 Speaker 1: People are petitioning. 380 00:23:48,040 --> 00:23:51,720 Speaker 2: To get canceled, or you know, there's these big altercations 381 00:23:51,760 --> 00:23:54,640 Speaker 2: that happens, and you get people are in hospital, bits 382 00:23:54,800 --> 00:23:58,600 Speaker 2: child and people are like fistfighting and throwing punches. You know, 383 00:23:58,920 --> 00:24:01,639 Speaker 2: I think that's going on to get very old, very soon, 384 00:24:02,040 --> 00:24:05,800 Speaker 2: because it's such a one trick pony in terms of 385 00:24:05,920 --> 00:24:11,240 Speaker 2: constantly seeing that if it happened once, okay, that's life, right. 386 00:24:11,480 --> 00:24:13,440 Speaker 2: Every once in a while you may have a knock 387 00:24:13,480 --> 00:24:17,199 Speaker 2: someone upside, the hit child, that's just life once in 388 00:24:17,200 --> 00:24:20,639 Speaker 2: a while. But to have that be a staple every episode. 389 00:24:21,359 --> 00:24:25,760 Speaker 2: I think people are not into that anymore, and I'm 390 00:24:26,119 --> 00:24:32,560 Speaker 2: hopeful that my community a reality lovers and reality producers 391 00:24:32,640 --> 00:24:36,560 Speaker 2: are just showing more diversity in the stories that we're telling, 392 00:24:36,800 --> 00:24:41,320 Speaker 2: and that's what I think is the future of reality TV. 393 00:24:45,840 --> 00:24:53,080 Speaker 2: I have some fun answering y'all shady questions. So look, 394 00:24:53,200 --> 00:24:56,040 Speaker 2: if you want your question asked, do not forget to 395 00:24:56,119 --> 00:24:59,040 Speaker 2: leave me a voicemail because on a future Q and 396 00:24:59,080 --> 00:25:03,679 Speaker 2: A episode, I just my play it. Yeah, let's do 397 00:25:03,840 --> 00:25:10,560 Speaker 2: it me boks opinions read Email me at Reality with 398 00:25:10,640 --> 00:25:13,480 Speaker 2: the King at stitcher dot com or leave me a 399 00:25:13,560 --> 00:25:17,840 Speaker 2: voicemail at three one oh five nine three eight one 400 00:25:18,320 --> 00:25:22,400 Speaker 2: eight eight. Thank you for listening to Reality with the King. 401 00:25:23,000 --> 00:25:28,240 Speaker 2: New episodes drop every Wednesday and Friday. Share, comment, follow, 402 00:25:28,720 --> 00:25:31,840 Speaker 2: and subscribe to Reality with the King wherever you get 403 00:25:31,880 --> 00:25:36,320 Speaker 2: your podcast, visit Realitywitheking dot com and be sure to 404 00:25:36,400 --> 00:25:40,960 Speaker 2: follow me at the Carlos King Underscore on Instagram and Twitter. 405 00:25:42,400 --> 00:25:45,200 Speaker 2: Reality with the King is a production of More Sauce 406 00:25:45,320 --> 00:25:49,280 Speaker 2: by Stitcher. It is executive produced by Me, Carlos King, 407 00:25:49,560 --> 00:25:53,880 Speaker 2: and Jasmine Henley Brown. We are also produced by Sierra Spradley, 408 00:25:53,960 --> 00:26:01,000 Speaker 2: Rix engineering and music by Marcus Ham Moissauce