WEBVTT - RHOP: The Miseducation of Mia

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<v Speaker 1>Look up to Reality the King. It's me Carlos King,

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<v Speaker 1>the King of Reality TV and one of the most

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<v Speaker 1>sought after executive producers in reality television with over ten

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<v Speaker 1>years of production experience. Twice a week from Reality with

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<v Speaker 1>the King, we'll sit down with my friends across the

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<v Speaker 1>entertainment industry, recap our favorite reality shows and revisit unforgettable

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<v Speaker 1>moments that we are still talking and tweeting about.

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<v Speaker 2>What's about that? Why did you y'all?

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<v Speaker 3>Okay, love, y'all are trying to throw be shade talking

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<v Speaker 3>about would I say to you?

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<v Speaker 1>Jazz and the Dust said, you don't get I mean,

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<v Speaker 1>it's part of being Carlos King and heavy is the

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<v Speaker 1>head that rears the crown and God bless me the

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<v Speaker 1>last name King for a reason.

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<v Speaker 2>So let's get into it.

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<v Speaker 1>And by the way, this is the most views that

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<v Speaker 1>we've gotten a single live We are at thirty five

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<v Speaker 1>hundred live viewer.

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<v Speaker 4>Yeah, oh okay, hey, so hi guys, and I can't

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<v Speaker 4>wait to see all the reports that's happened tomorrow.

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<v Speaker 2>Thank you to all who have joined.

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<v Speaker 1>Okay, I've been seeing some of y'all trying to read

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<v Speaker 1>me about Mia.

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<v Speaker 2>Carlos hype mea up.

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<v Speaker 1>Carlos hyped me up thinking she was a star of

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<v Speaker 1>the show, and she felt miserably.

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<v Speaker 2>Blah blah blah blah blah.

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<v Speaker 1>Okay, I would like to say this, and I want

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<v Speaker 1>to hear from Dustin and Jasin.

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<v Speaker 2>I stand by Mia being a star.

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<v Speaker 1>I stand by Mia blyon right, the name that I

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<v Speaker 1>gave her, that she ran.

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<v Speaker 2>With it and did wonderful things with that name.

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<v Speaker 1>The thing is this, when you are somebody that is

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<v Speaker 1>the most talked about on the show. And we'll get

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<v Speaker 1>into the specifics, right right, I wanted to say overall,

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<v Speaker 1>Mia is exactly what I said she was because the

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<v Speaker 1>only person, and Jasmine and Dustin, y'all tell me if

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<v Speaker 1>I got this wrong. The only person we're talking about

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<v Speaker 1>when it comes to Potomac is Mia, whether it's good

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<v Speaker 1>or bad, right, whether good or bad, Mia is the

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<v Speaker 1>person we're talking about.

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<v Speaker 2>So my accuracy in saying that.

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<v Speaker 1>Listen, She's the one that people talk about again, whether

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<v Speaker 1>it's good or bad.

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<v Speaker 2>And we'll get into that.

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<v Speaker 1>But without Mia nothing would be happening, just like I

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<v Speaker 1>said the same thing about Tamra on oc like her

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<v Speaker 1>love her. Without Tamra, nothing would be happening. And again,

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<v Speaker 1>I don't excuse things that Tamra's done, and I'm not

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<v Speaker 1>excusing things that.

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<v Speaker 2>Mea has done. We're about to get into it.

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<v Speaker 1>Yeah, I just wanted to say that, but I want

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<v Speaker 1>Jason to go first with this Potomac episode and Joe

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<v Speaker 1>your overall thoughts. So first things first, what are your

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<v Speaker 1>thoughts on Mia Thor in this season?

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<v Speaker 2>Jazz?

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<v Speaker 4>I think to your point, she is the most talked about,

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<v Speaker 4>but not in a good way. Like I leave every

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<v Speaker 4>episode and I'm just like, what is she doing here? Like?

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<v Speaker 5>What are we doing right now? I where do I start?

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<v Speaker 1>Right?

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<v Speaker 5>Mia? Do be lying? Mia?

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<v Speaker 4>I don't like what she's doing with Gordon and his

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<v Speaker 4>mental illness.

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<v Speaker 5>It's always like blown out of proportion.

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<v Speaker 4>Is she's using it as a crutch for her very

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<v Speaker 4>bad behavior right now, she's using it as a crutch

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<v Speaker 4>for her just being confused and what she wants to do.

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<v Speaker 4>I hate that her children are involved. I mean, these

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<v Speaker 4>are sentiments that everyone has shared. What I noticed in

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<v Speaker 4>this last episode. I'm so glad that Wendy clocked it

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<v Speaker 4>and called it out because this is Giselle and Mia, Like, Giselle,

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<v Speaker 4>what did you? I was waiting for you to really

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<v Speaker 4>like give Mia some fever, and you softball that her

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<v Speaker 4>talking about your children and not being them, not being perfect,

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<v Speaker 4>and divulging information to us that we weren't even privy

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<v Speaker 4>to as an audience, about them trying to seek boys

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<v Speaker 4>in like she was trying to like out her daughters

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<v Speaker 4>for being fast or something like that. You have more

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<v Speaker 4>smoke and fever for Candace or for mea not Miya.

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<v Speaker 4>What's the child's name, Wendy and Candace? Okay for making

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<v Speaker 4>faces that you couldn't even confirm were being made about

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<v Speaker 4>your child, But you softball Mia.

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<v Speaker 5>I don't like it. I don't know.

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<v Speaker 4>I get to this point all the time with Potomac.

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<v Speaker 4>You know this, We've talked about this. We get to

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<v Speaker 4>a point in the season where I'm just like, what

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<v Speaker 4>am I doing here? I keep tuning in because something

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<v Speaker 4>about it keeps bringing me back, but I don't like

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<v Speaker 4>the way that it makes me feel after I stop

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<v Speaker 4>watching it. This season has been a lot better than

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<v Speaker 4>past seasons. I'll say that there's been a little bit

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<v Speaker 4>of a lightness to it. But Mia, for me, again,

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<v Speaker 4>she can go, she can go, And I don't care

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<v Speaker 4>that you think with out heard, nothing would be happening

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<v Speaker 4>in the season. We would be able to see other storylines,

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<v Speaker 4>we would be able to see other things we will

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<v Speaker 4>get to. I don't know Karen will give us something

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<v Speaker 4>Mida can go for me.

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<v Speaker 1>Well, let me ask you this justin get saying what

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<v Speaker 1>is it that Mia is doing to where you think

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<v Speaker 1>she should go?

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<v Speaker 2>Now listen.

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<v Speaker 1>It's one of the things where I always say this

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<v Speaker 1>to people. It's one thing that Okay, you had a

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<v Speaker 1>bad season, right, or like I don't like I don't

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<v Speaker 1>like some of the things you're doing this season. But Jazz,

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<v Speaker 1>explain to me in the audience, why do you think

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<v Speaker 1>she should like.

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<v Speaker 2>Leave the show or be removed from the show?

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<v Speaker 1>Like, what is it about Mia where you are just

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<v Speaker 1>going beyond just saying okay, girl, I don't mess with you.

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<v Speaker 2>But no, you're saying like Mia has to go.

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<v Speaker 4>I don't say she has to go. She can go.

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<v Speaker 4>Like if she was if she was not coming back

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<v Speaker 4>in this season, I would not ask for her to

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<v Speaker 4>come back.

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<v Speaker 5>I wouldn't think about it.

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<v Speaker 4>I don't like what she's doing with Gordon's mental health,

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<v Speaker 4>Like that's really rubbing me the wrong way. And I

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<v Speaker 4>feel like that's being like downplayed a little bit in

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<v Speaker 4>the grand scheme of the conversation around me. It feels, really,

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<v Speaker 4>it feels really insincere. He's in mania, he's in mania.

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<v Speaker 5>Like, I don't know.

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<v Speaker 4>I can't fully articulate to you why she can go

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<v Speaker 4>for me right, And I think maybe that's to your

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<v Speaker 4>point why she's a great character for this show, because

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<v Speaker 4>I just feel like she can go. But I can't

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<v Speaker 4>really tell you why. I'm just not a fan of it.

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<v Speaker 4>She has her moments where I think she brings some

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<v Speaker 4>comedic timing, but it's not enough for me to like

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<v Speaker 4>sit here and say I'm a fan that I need

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<v Speaker 4>to that she's essential to the show.

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<v Speaker 5>I don't feel like she's essential.

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<v Speaker 4>I feel like there's a way to exploit her story

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<v Speaker 4>that's making her seem like an essential figure, but she

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<v Speaker 4>is not an essential figure of the cast.

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<v Speaker 5>And that's just how I feel.

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<v Speaker 2>Okay, that's thank your thoughts.

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<v Speaker 6>Nice house, no furniture on the inside. Why that's what

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<v Speaker 6>I think when it comes to me, And now here's

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<v Speaker 6>my thing. Yes, you can do something that is conversation worthy,

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<v Speaker 6>you know what I'm saying, But where is the fundamental

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<v Speaker 6>value of it.

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<v Speaker 7>Mia is not funny.

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<v Speaker 6>She says things sometimes that you know are in beat

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<v Speaker 6>or in step with whatever the story was at that time,

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<v Speaker 6>that our humors. But she ain't funny just naturally. She

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<v Speaker 6>don't be in her confessional saying shit to make you laugh.

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<v Speaker 6>We don't believe nothing about anything that she says beyond

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<v Speaker 6>her just lying. Like the peculiar odd nature of what's

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<v Speaker 6>going on in her life is less than believable. I

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<v Speaker 6>hate that blond hair on her with a passion. I

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<v Speaker 6>think she looks so much better with dark hair. I

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<v Speaker 6>do think she's a beautiful woman, but she dresses cheap,

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<v Speaker 6>and sometimes that affects your perception of these people. When

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<v Speaker 6>we're watching the fucking Housewives, right, we want to see

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<v Speaker 6>something that is aspirational or whatever.

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<v Speaker 7>Look at somebody like Wendy, Right, there's a lot to say.

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<v Speaker 6>Let's dial back to what you said, Jasmine about Giselle

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<v Speaker 6>and her reaction to Wendy speak negatively about her daughters

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<v Speaker 6>versus the way that she has reacted to Wendy in

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<v Speaker 6>the past. Jazelle still can't stand Wendy. They're obviously, and

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<v Speaker 6>which we all knew. That's no surprise. They're obviously playing

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<v Speaker 6>nice to get along for the sake of the show,

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<v Speaker 6>and thank God for that, because that is what we need.

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<v Speaker 7>From people who are capting on shows like this.

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<v Speaker 6>There has to be a level of respect that you

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<v Speaker 6>have and that motivates you to invest in the continuation

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<v Speaker 6>of the show. Right, But Giselle can't stand Wendy. She

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<v Speaker 6>never liked Wendy. She was only friendly with Wendy because

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<v Speaker 6>Wendy sided with her against Monique in season five, sitting

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<v Speaker 6>on that couch with that leather jacket on her shoulders, telling.

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<v Speaker 7>Monique, I don't see the most in you.

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<v Speaker 6>All of that is why Giselle liked Wendy at the time,

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<v Speaker 6>the moment they had a disagreement, it was clear that

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<v Speaker 6>she never gave her damn about Wendy in the first place.

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<v Speaker 6>And this week we saw that Reary's head when Wendy

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<v Speaker 6>as she should have, made no the difference in reaction

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<v Speaker 6>and reception and Giselle cut her off at that table,

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<v Speaker 6>that was no aid natural in the moment session, right Jasmine,

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<v Speaker 6>she cut her off and said, you know, well, I

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<v Speaker 6>see you and I were not speaking. We did it

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<v Speaker 6>like it was very dismissive and very much in the

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<v Speaker 6>tone of being reminded that I still don't fuck with

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<v Speaker 6>you like that, You're just playing nice. Wendy has always

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<v Speaker 6>had so much to offer this show, but she's always

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<v Speaker 6>been handicapped by her first level to be connected to

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<v Speaker 6>people that she liked on the show. For whatever reason,

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<v Speaker 6>her and Gazelle are sorority sisters. There's a lot of

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<v Speaker 6>alignment there, and Wendy just I think was attracted to

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<v Speaker 6>a Jazelle presented as an anchor, a formidable anchor on

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<v Speaker 6>this gas and she was thirsty for approval from her,

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<v Speaker 6>from Robin, from Ashley, from all of them. Astley, she

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<v Speaker 6>kind of went back and forth with the four degrees thing.

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<v Speaker 7>In the beginning.

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<v Speaker 6>That was a cute little you know that te but

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<v Speaker 6>that's not anything substant Right now, the tides have changed.

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<v Speaker 7>Wendy has a strong marriage.

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<v Speaker 6>Her and her husband have faced controversy and accusations on

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<v Speaker 6>this show and survived them. Wendy has gotten her coveted

0:10:11.480 --> 0:10:15.000
<v Speaker 6>opportunity to read you know what I'm saying the cast

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<v Speaker 6>members on the show and be you know, celebrated for it.

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<v Speaker 6>Whitney has advanced to kind of a leadership role on

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<v Speaker 6>the show because she has all the elements fundamentally to

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<v Speaker 6>make her comfortable on the cast. And that's why we're

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<v Speaker 6>seeing a light of hearted Wendy this season. She's laughing,

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<v Speaker 6>she's focusing on the shit in her family. She's not

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<v Speaker 6>focusing on the drama amongst the ladies. It's different here, Giselle.

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<v Speaker 6>You don't care about Wendy. And so the minute that

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<v Speaker 6>she called it out like she should have, you reminded

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<v Speaker 6>her that me it was your friend, which she wasn't.

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<v Speaker 7>Me and Gazel weren't never friends.

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<v Speaker 6>When have you ever seen Jazel and Mia outside of

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<v Speaker 6>the show, Carlos, you always say that's the line, right,

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<v Speaker 6>that's the meter if we see him hanging out outside

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<v Speaker 6>the show? Right, you ain't seen Jazel and Mia? You haven't,

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<v Speaker 6>But but they decided to me.

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<v Speaker 1>I thought at out, I did see a pig, because

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<v Speaker 1>Mia talks about this my interview. When me it was

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<v Speaker 1>going through with Gordon, Gizelle had a emascipation of mea

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<v Speaker 1>like dinner.

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<v Speaker 6>Yeah, some you have for people you don't fuck with

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<v Speaker 6>all the time. You know what I'm saying. So you

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<v Speaker 6>have where you want where you want to make note,

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<v Speaker 6>you know when you want to make highlight that you're

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<v Speaker 6>there for some moment and you have an event and

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<v Speaker 6>for the moment, no, heavenly and Jackie, I'm married to medicine.

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<v Speaker 6>We'll get that later. But they're friends. They hang out

0:11:32.200 --> 0:11:35.880
<v Speaker 6>and talked. Robin and Gazelle were friends, you know what

0:11:35.920 --> 0:11:37.520
<v Speaker 6>I'm saying from the show. I don't think they was

0:11:37.559 --> 0:11:40.160
<v Speaker 6>cool like that like that before the show, but when

0:11:40.160 --> 0:11:42.240
<v Speaker 6>they started this show together, they think about it. That's

0:11:42.280 --> 0:11:44.760
<v Speaker 6>a life changing experience, and you build bonds with the

0:11:44.800 --> 0:11:48.120
<v Speaker 6>people that you share that experience with. They were really friends.

0:11:48.559 --> 0:11:53.760
<v Speaker 6>Gazelle and Mia yang Win nowhere me and Jisell. Gizelle

0:11:53.800 --> 0:11:56.240
<v Speaker 6>probably don't even know me as kids' names without she

0:11:56.320 --> 0:11:59.079
<v Speaker 6>probably have to think about it, like what's the.

0:12:00.920 --> 0:12:02.880
<v Speaker 7>Joshua? You know you can hear it now, you're like

0:12:02.960 --> 0:12:03.880
<v Speaker 7>trying to think about it.

0:12:03.880 --> 0:12:07.400
<v Speaker 6>So I just it's just not a real relationship, and

0:12:07.440 --> 0:12:11.839
<v Speaker 6>I think that's sometimes. But y'all know what we got

0:12:11.880 --> 0:12:15.240
<v Speaker 6>to talk about? Oh one more thing, ooh Jazz, I'm

0:12:15.280 --> 0:12:16.920
<v Speaker 6>so glad. This is what I want to talk about.

0:12:17.360 --> 0:12:21.839
<v Speaker 6>Ashley Ashley, Ashley, Ashley, let's talk about the Ashley Darby

0:12:21.960 --> 0:12:25.040
<v Speaker 6>of it all. First of all, you are not and

0:12:25.080 --> 0:12:28.240
<v Speaker 6>this is what irritates me about Ashley, Right, you ain't

0:12:28.280 --> 0:12:31.280
<v Speaker 6>into that that boy that you got filming on this show,

0:12:31.600 --> 0:12:35.680
<v Speaker 6>not one bit. And stop trying to pull that wool

0:12:35.760 --> 0:12:36.760
<v Speaker 6>over our eyes.

0:12:36.559 --> 0:12:40.080
<v Speaker 7>So to speak, by saying, I just really he kissed

0:12:40.080 --> 0:12:42.559
<v Speaker 7>me in at it just ooh many of that men. No,

0:12:42.679 --> 0:12:43.000
<v Speaker 7>you're not.

0:12:43.320 --> 0:12:44.880
<v Speaker 6>You don't give a damn about that boy that you

0:12:44.920 --> 0:12:47.200
<v Speaker 6>got filming with you on this show. And that lack

0:12:47.280 --> 0:12:51.080
<v Speaker 6>of authenticity is what the problem is with Ashley on

0:12:51.120 --> 0:12:54.520
<v Speaker 6>this show. Why aren't you filming in the in the

0:12:54.600 --> 0:12:57.000
<v Speaker 6>on the floor of your closet, in your bedroom, crying

0:12:57.000 --> 0:12:59.600
<v Speaker 6>about how scared you are about what's next for you?

0:12:59.640 --> 0:13:04.720
<v Speaker 6>Why have you told us Michael Darby did this, This

0:13:04.760 --> 0:13:06.920
<v Speaker 6>is why our marriage broke up, This is what we're

0:13:06.960 --> 0:13:09.840
<v Speaker 6>going through. Why aren't you being transparent about that? But

0:13:10.320 --> 0:13:13.000
<v Speaker 6>just giving us this? And I'm dating it's a hot guy,

0:13:13.120 --> 0:13:16.520
<v Speaker 6>you know, it's a lot. That's not enough for me.

0:13:17.080 --> 0:13:19.120
<v Speaker 6>That's not enough for me. That ain't enough for me.

0:13:19.160 --> 0:13:20.760
<v Speaker 6>And I don't believe it's enough for either one of

0:13:20.840 --> 0:13:21.400
<v Speaker 6>y'all either.

0:13:21.640 --> 0:13:22.359
<v Speaker 7>I don't.

0:13:23.679 --> 0:13:26.640
<v Speaker 4>It's absolutely not. But I think we've learned that from Ashley.

0:13:26.720 --> 0:13:30.400
<v Speaker 4>She's never gonna give us the realty about where she's

0:13:30.440 --> 0:13:33.719
<v Speaker 4>at with her relationship. There's no way you go from

0:13:34.120 --> 0:13:38.480
<v Speaker 4>a man with means who is moneyed to the pool boy.

0:13:38.520 --> 0:13:40.880
<v Speaker 4>I know he's not literally a pool boy, but that's

0:13:40.920 --> 0:13:44.360
<v Speaker 4>what it's given. And yeah, from you know, the kiddi

0:13:44.360 --> 0:13:46.839
<v Speaker 4>pool to the dating pool. She's not diving into the

0:13:46.920 --> 0:13:51.480
<v Speaker 4>dating pool. She's lying about that's she's.

0:13:51.320 --> 0:13:52.360
<v Speaker 5>Not being truthful about that.

0:13:52.440 --> 0:13:55.839
<v Speaker 4>But she stopped being authentic about her relationship a really

0:13:55.920 --> 0:13:58.800
<v Speaker 4>long time ago. So I do actually don't look to

0:13:59.000 --> 0:14:02.040
<v Speaker 4>Ashley for that. I don't really I pay attention to

0:14:02.080 --> 0:14:04.880
<v Speaker 4>her because she's there, but everything with her is kind

0:14:04.920 --> 0:14:07.360
<v Speaker 4>of like, Okay, this is for this scene. You know,

0:14:07.480 --> 0:14:11.520
<v Speaker 4>there's a big chatter about like Stacey renting TJ for

0:14:11.640 --> 0:14:13.520
<v Speaker 4>the show actually is doing the same thing with.

0:14:13.520 --> 0:14:16.680
<v Speaker 5>This Jock Carlow guy. So it is what it is.

0:14:16.720 --> 0:14:19.760
<v Speaker 4>Yeah, but I've stopped looking to actually for authenticity a

0:14:19.800 --> 0:14:20.680
<v Speaker 4>really long time ago.

0:14:21.080 --> 0:14:22.480
<v Speaker 5>She's just a beautiful.

0:14:22.040 --> 0:14:26.440
<v Speaker 2>Guy, listen, beautiful girl. I do think this.

0:14:26.640 --> 0:14:29.640
<v Speaker 1>I think when it comes to Ashley, and I said

0:14:29.680 --> 0:14:31.680
<v Speaker 1>this before and I'll say it again, I think Ashley

0:14:31.760 --> 0:14:33.840
<v Speaker 1>joined the show at a time where it was like fun,

0:14:34.040 --> 0:14:34.240
<v Speaker 1>you know.

0:14:35.160 --> 0:14:37.240
<v Speaker 2>I think it's been revealed. I'm not saying anything that

0:14:37.320 --> 0:14:38.640
<v Speaker 2>has to be revealed publicly.

0:14:39.560 --> 0:14:43.840
<v Speaker 1>Ashley actually was going to be I think she auditioned

0:14:44.000 --> 0:14:49.840
<v Speaker 1>for Blood, Swim and Hills, right, Yeah, you know she

0:14:49.920 --> 0:14:52.000
<v Speaker 1>auditioned for that. So I'll only bring that up to

0:14:52.040 --> 0:14:54.840
<v Speaker 1>say Ashley obviously had a desire to get on reality

0:14:54.880 --> 0:14:59.680
<v Speaker 1>television and she successfully got on the show. And what

0:14:59.760 --> 0:15:02.760
<v Speaker 1>we're but what we can do, not that we're doing it.

0:15:02.960 --> 0:15:06.320
<v Speaker 1>I'm talking about globally, is a knowledge that at one

0:15:06.320 --> 0:15:09.440
<v Speaker 1>point in time Ashley brought some amazing moments to the show.

0:15:09.600 --> 0:15:12.360
<v Speaker 1>You know, she was a she was necessary in the

0:15:12.400 --> 0:15:15.160
<v Speaker 1>sense of like Ashley, and she'll say this herself, Ashley

0:15:15.240 --> 0:15:18.160
<v Speaker 1>is funny and messy, and she loves she loves being

0:15:18.160 --> 0:15:20.680
<v Speaker 1>funny and messy. And when it came to Michael Garby,

0:15:21.120 --> 0:15:25.320
<v Speaker 1>there was so much wealth of just like insanity that

0:15:25.360 --> 0:15:28.320
<v Speaker 1>came along with their relationship, what he was doing or

0:15:28.360 --> 0:15:31.880
<v Speaker 1>not doing, all of those things. And I do think

0:15:32.520 --> 0:15:37.160
<v Speaker 1>what we're seeing now is Ashley just seems to be

0:15:37.320 --> 0:15:38.240
<v Speaker 1>checked out.

0:15:38.440 --> 0:15:39.920
<v Speaker 2>But when I say checked out.

0:15:40.000 --> 0:15:43.760
<v Speaker 1>I mean I don't think the love she had for

0:15:43.880 --> 0:15:46.760
<v Speaker 1>the show at the beginning is still there. And I

0:15:46.800 --> 0:15:51.120
<v Speaker 1>think she just I think she shows up and she

0:15:51.720 --> 0:15:53.800
<v Speaker 1>makes sure she does something so that she could earn

0:15:53.840 --> 0:15:57.920
<v Speaker 1>her check. But I don't see the love of the

0:15:58.080 --> 0:16:03.280
<v Speaker 1>show in Ashley's anymore. Somebody when my braindrops said she

0:16:03.360 --> 0:16:10.880
<v Speaker 1>was on say yes in the dress. Listen my brain

0:16:10.960 --> 0:16:12.120
<v Speaker 1>drops through the research.

0:16:11.880 --> 0:16:17.680
<v Speaker 2>Baby, listen all journalists, journalists, Hey, Portia, getting where you

0:16:17.720 --> 0:16:18.040
<v Speaker 2>fit in?

0:16:18.240 --> 0:16:18.440
<v Speaker 7>Right?

0:16:19.200 --> 0:16:22.440
<v Speaker 1>I I just don't think she loves it anymore. I

0:16:22.480 --> 0:16:25.080
<v Speaker 1>don't think she enjoys it anymore. I think she's there

0:16:25.120 --> 0:16:28.680
<v Speaker 1>just to be there. And that's that's what I see

0:16:28.680 --> 0:16:29.520
<v Speaker 1>when I look at Ashley.

0:16:30.040 --> 0:16:32.040
<v Speaker 5>She's there to get her singing career off the ground.

0:16:33.840 --> 0:16:40.960
<v Speaker 7>Jazz where's it going? Once? And leave the ground? Remember

0:16:41.000 --> 0:16:42.800
<v Speaker 7>she was singing at the at the g n A.

0:16:44.280 --> 0:16:48.080
<v Speaker 5>Said where's where's the auto tune? He said, where's the

0:16:48.120 --> 0:16:48.760
<v Speaker 5>auto tune?

0:16:50.360 --> 0:16:53.680
<v Speaker 7>Oh yeah, I just ask her next act. I'm just

0:16:53.800 --> 0:16:54.600
<v Speaker 7>over there, I think.

0:16:54.640 --> 0:16:57.040
<v Speaker 6>And mia back to the mea of it all, like

0:16:57.040 --> 0:17:00.040
<v Speaker 6>like just the lack of authenticity, I believe is the

0:17:00.080 --> 0:17:04.639
<v Speaker 6>problem there. You can have a willingness to be transparent,

0:17:04.640 --> 0:17:07.359
<v Speaker 6>but that can only go so far when the what

0:17:07.400 --> 0:17:10.600
<v Speaker 6>are you being transparent about? It's just no substance there,

0:17:10.640 --> 0:17:13.520
<v Speaker 6>you know, And on a show like the Real Housewives

0:17:13.560 --> 0:17:17.439
<v Speaker 6>of Potomac specifically where we were introduced to these women

0:17:17.680 --> 0:17:20.960
<v Speaker 6>where they were having spats related to a code of etiquette,

0:17:21.440 --> 0:17:24.120
<v Speaker 6>you know what I'm saying. So to go from that

0:17:24.680 --> 0:17:27.720
<v Speaker 6>to Mia and Ink, you know what I'm saying in

0:17:27.760 --> 0:17:30.720
<v Speaker 6>the conversations that they haven't over them children's head like that,

0:17:31.160 --> 0:17:34.320
<v Speaker 6>I just think it is a shocking departure from what

0:17:34.359 --> 0:17:36.560
<v Speaker 6>the show is really about. And I would love to

0:17:36.600 --> 0:17:39.119
<v Speaker 6>see Mia really confront the real shit that's going on

0:17:39.160 --> 0:17:41.479
<v Speaker 6>in her life in a real way, not crying for

0:17:41.520 --> 0:17:43.199
<v Speaker 6>the sake of crying so that you can say you

0:17:43.240 --> 0:17:44.359
<v Speaker 6>had a vulnerable moment.

0:17:44.600 --> 0:17:46.760
<v Speaker 7>But actually, I'll give you a prime example.

0:17:48.400 --> 0:17:50.840
<v Speaker 6>There was a huge difference in what we saw from

0:17:50.880 --> 0:17:53.840
<v Speaker 6>Mia when they showed her on that phone after Gordon

0:17:53.880 --> 0:17:56.480
<v Speaker 6>had taken those kids from removed them from the care

0:17:56.520 --> 0:17:59.000
<v Speaker 6>of the nanny and took them wherever, he took them

0:17:59.040 --> 0:18:01.800
<v Speaker 6>across state line to wherever, four hours away whatever.

0:18:02.440 --> 0:18:04.600
<v Speaker 7>That was real. When you watch me.

0:18:04.880 --> 0:18:06.800
<v Speaker 6>Looking at that phone and she was like, I'm so mad,

0:18:06.840 --> 0:18:08.960
<v Speaker 6>I don't know what to do, Like I'm just as

0:18:08.960 --> 0:18:11.120
<v Speaker 6>long as my kids. Okay, that was some real shit.

0:18:11.200 --> 0:18:14.400
<v Speaker 6>That wasn't no manufactured you know what I'm saying. I'm

0:18:14.400 --> 0:18:16.720
<v Speaker 6>gonna share this because it's the lationist and this can

0:18:16.760 --> 0:18:19.880
<v Speaker 6>be my story that was that was authentic, and there's

0:18:19.920 --> 0:18:22.080
<v Speaker 6>a huge difference in the way that that feels as

0:18:22.119 --> 0:18:27.000
<v Speaker 6>a viewer and what it adds to what pertaining to

0:18:27.040 --> 0:18:29.080
<v Speaker 6>the way that we view the people on this cast.

0:18:29.160 --> 0:18:29.879
<v Speaker 7>We want more of that.

0:18:29.920 --> 0:18:31.840
<v Speaker 6>If Mia can do that, if she can give us

0:18:31.880 --> 0:18:34.199
<v Speaker 6>honest reactions about the real shit that's going on in

0:18:34.240 --> 0:18:36.520
<v Speaker 6>her life, then then bring it on.

0:18:36.840 --> 0:18:38.800
<v Speaker 7>And I'm never the person that says they need to

0:18:38.800 --> 0:18:39.320
<v Speaker 7>be fired.

0:18:39.400 --> 0:18:41.159
<v Speaker 6>I think that's lame and I actually think it's not

0:18:41.320 --> 0:18:43.720
<v Speaker 6>the view It's not our place as viewers to make

0:18:43.800 --> 0:18:46.520
<v Speaker 6>those decisions. Right, these are the stories were presented, So

0:18:46.640 --> 0:18:49.400
<v Speaker 6>let's just have a pians about what were been presented

0:18:49.440 --> 0:18:51.920
<v Speaker 6>with And that being said, I think that there's time

0:18:51.960 --> 0:18:55.040
<v Speaker 6>for some recalibration when it comes to the way that

0:18:55.119 --> 0:18:57.800
<v Speaker 6>Mea is moving on this show, starting with her friendship

0:18:57.800 --> 0:19:01.399
<v Speaker 6>with Jacqueline. What's going on because it feels like they

0:19:01.520 --> 0:19:04.120
<v Speaker 6>used to go together and they have a bond that

0:19:04.880 --> 0:19:08.359
<v Speaker 6>you know, has superseded the changes that have occurred in

0:19:08.400 --> 0:19:11.439
<v Speaker 6>their lives. In their lives rather and now they just

0:19:11.480 --> 0:19:17.280
<v Speaker 6>stick together. Mia was laughing, fake making fake laughing noises

0:19:17.280 --> 0:19:21.159
<v Speaker 6>while Jacquelin was doing that sorry pisspoor sorry ass at

0:19:21.200 --> 0:19:24.720
<v Speaker 6>ten for a moment by bringing those balloons to Karen's party, right,

0:19:25.040 --> 0:19:29.639
<v Speaker 6>Mia was laughing. No, it wasn't funny. Nobody was laughing

0:19:29.680 --> 0:19:32.200
<v Speaker 6>with you. It was nothing funny about it. And that's

0:19:32.240 --> 0:19:34.000
<v Speaker 6>the shit that I feel like is a waste of

0:19:34.080 --> 0:19:36.600
<v Speaker 6>time when it comes to this show. Me and you're

0:19:36.640 --> 0:19:39.760
<v Speaker 6>wasting our time going out having a conversation when we

0:19:39.840 --> 0:19:41.720
<v Speaker 6>get to the point where the scenes that make the

0:19:41.800 --> 0:19:45.000
<v Speaker 6>cut our jack women standing in the street walking from

0:19:45.040 --> 0:19:46.399
<v Speaker 6>the driveway to the street.

0:19:46.160 --> 0:19:48.080
<v Speaker 7>And saying, oh she now we're in the street. I

0:19:48.119 --> 0:19:48.720
<v Speaker 7>can stand here.

0:19:48.760 --> 0:19:51.280
<v Speaker 6>She doesn't own this, and they stand there when that's

0:19:51.320 --> 0:19:54.440
<v Speaker 6>what made the cut, there's a problem and you might

0:19:54.520 --> 0:19:59.560
<v Speaker 6>not have a valuable contribution to the threads of the

0:19:59.600 --> 0:20:02.000
<v Speaker 6>story of this show if that's all you got.

0:20:02.359 --> 0:20:03.679
<v Speaker 7>So I'm sorry, you know what I mean.

0:20:03.720 --> 0:20:06.040
<v Speaker 6>I just think there needs to be some reassessing done

0:20:06.040 --> 0:20:09.000
<v Speaker 6>when it comes to me and her goddamn friends. There

0:20:09.080 --> 0:20:11.320
<v Speaker 6>needs to be some sort of adjustment.

0:20:13.640 --> 0:20:17.280
<v Speaker 4>Get Jacqueline off my screen yesterday, but I think she's

0:20:17.280 --> 0:20:23.359
<v Speaker 4>so late late to me, like every time she's and

0:20:23.560 --> 0:20:27.120
<v Speaker 4>you can tell production also thinks she's late because look

0:20:27.119 --> 0:20:28.520
<v Speaker 4>at the edit that they're giving her.

0:20:29.119 --> 0:20:32.399
<v Speaker 7>Oh my god, yes, Jay, they don't see it for her.

0:20:33.520 --> 0:20:37.680
<v Speaker 5>Jack, they don't. I'm just I'm just saying.

0:20:39.359 --> 0:20:39.639
<v Speaker 2>Late.

0:20:40.040 --> 0:20:44.840
<v Speaker 4>It's not funny. It's not giving anything. It's there for me,

0:20:44.920 --> 0:20:48.159
<v Speaker 4>a support and to give her back up when she

0:20:48.240 --> 0:20:52.119
<v Speaker 4>needs it. That's all it's giving for me. Like if

0:20:52.200 --> 0:20:55.480
<v Speaker 4>Jacqueline was like funny on her own, or if you

0:20:55.480 --> 0:20:57.240
<v Speaker 4>could stand on her own. She was even bringing us

0:20:57.359 --> 0:20:59.880
<v Speaker 4>really good passions something.

0:21:00.280 --> 0:21:03.760
<v Speaker 6>Oh my god, let's not talk about that romper she

0:21:03.840 --> 0:21:07.399
<v Speaker 6>had on at the Love Lagoon and she showed up Okay,

0:21:07.560 --> 0:21:10.240
<v Speaker 6>y'all remember Dots. There used to be a story called

0:21:10.280 --> 0:21:13.159
<v Speaker 6>Dots where you can get shipped like that. I'm just

0:21:13.160 --> 0:21:15.000
<v Speaker 6>gonna say that. And that's what it looked like where

0:21:15.040 --> 0:21:17.280
<v Speaker 6>she came from. Why are you even and shout out

0:21:17.320 --> 0:21:20.760
<v Speaker 6>to k Keanu said that in a confessional, you could

0:21:20.840 --> 0:21:23.639
<v Speaker 6>at least showed up looking sexy like you showing up

0:21:23.720 --> 0:21:26.320
<v Speaker 6>like this doing this. It was just a failed attempt

0:21:26.359 --> 0:21:28.720
<v Speaker 6>at a moment, And that's why people need to stick

0:21:28.800 --> 0:21:33.000
<v Speaker 6>to the intention of their place on this cash. You

0:21:33.040 --> 0:21:35.879
<v Speaker 6>cannot try to make a moment. You have to have

0:21:35.960 --> 0:21:39.679
<v Speaker 6>honest reactions and have a real relevance to whatever is

0:21:39.720 --> 0:21:41.280
<v Speaker 6>going on with the story.

0:21:41.600 --> 0:21:43.920
<v Speaker 7>You cannot do dumb shit because it fails.

0:21:44.040 --> 0:21:47.000
<v Speaker 6>Just like that bringing them balloons and eight for your

0:21:47.000 --> 0:21:52.040
<v Speaker 6>eight sit tastes. There's nothing funny about that, nothing her.

0:21:52.119 --> 0:22:03.560
<v Speaker 4>Maybe it's the delivery I do. Speaking of reassessing though,

0:22:03.600 --> 0:22:06.480
<v Speaker 4>like you mentioned with me, I actually had an epiphany

0:22:06.760 --> 0:22:09.679
<v Speaker 4>as we're sitting here and we're conversing about this, and

0:22:09.960 --> 0:22:11.960
<v Speaker 4>I think I need to do somewhere. I need to

0:22:11.960 --> 0:22:14.479
<v Speaker 4>do some reassessing as a viewer, like what do I

0:22:14.520 --> 0:22:17.679
<v Speaker 4>want from these people, because like we can talk about

0:22:17.720 --> 0:22:21.600
<v Speaker 4>them not being authentic, and then when they might be

0:22:21.600 --> 0:22:24.399
<v Speaker 4>being authentic, right to me, it's credit. Maybe this Gordon

0:22:24.440 --> 0:22:28.520
<v Speaker 4>thing is her reality and it's real, but then she's

0:22:28.560 --> 0:22:30.760
<v Speaker 4>being authentic and it still isn't enough for me. Right,

0:22:30.800 --> 0:22:33.440
<v Speaker 4>So I'm not saying I'm speaking for every reality TV fan.

0:22:33.640 --> 0:22:35.439
<v Speaker 4>I am speaking for myself, though, maybe I need to

0:22:35.480 --> 0:22:37.720
<v Speaker 4>reassess and reevaluate, like how I want these people to

0:22:37.720 --> 0:22:42.560
<v Speaker 4>show up and like what I'm expecting from reality TV actors,

0:22:42.600 --> 0:22:44.400
<v Speaker 4>because at the end of the day, all they owe

0:22:44.400 --> 0:22:47.560
<v Speaker 4>me is entertainment, and like, I need to just find

0:22:47.600 --> 0:22:49.960
<v Speaker 4>the entertainment in it, you know what I mean. I

0:22:50.000 --> 0:22:53.159
<v Speaker 4>think to the point of Potomac, a lot of well, actually,

0:22:53.200 --> 0:22:56.560
<v Speaker 4>all the reality TV girls and guys and Day's right,

0:22:56.800 --> 0:23:00.000
<v Speaker 4>people on reality TV now are very like hyper away

0:23:00.240 --> 0:23:02.719
<v Speaker 4>of everything, like there's spandems. They know that people are

0:23:02.760 --> 0:23:04.880
<v Speaker 4>going to react to them. If they do the right thing,

0:23:05.240 --> 0:23:07.360
<v Speaker 4>they're in the good graces. If they do the wrong thing,

0:23:07.840 --> 0:23:10.880
<v Speaker 4>it's a war zone every time they log into social media,

0:23:10.920 --> 0:23:13.680
<v Speaker 4>and no one wants to be on the wrong side

0:23:13.680 --> 0:23:16.320
<v Speaker 4>of that. So they all do these things where they

0:23:16.440 --> 0:23:18.440
<v Speaker 4>like they want to be the fan favorite favorite, so

0:23:18.520 --> 0:23:20.880
<v Speaker 4>they want to have these moments. They create these manufactured

0:23:21.080 --> 0:23:25.160
<v Speaker 4>moments like bringing a balloons for eight citations.

0:23:25.480 --> 0:23:40.240
<v Speaker 1>Child, We are just getting started. This is reality with

0:23:40.280 --> 0:23:43.719
<v Speaker 1>the King, and I'm Carlos King. Let's get back into

0:23:43.800 --> 0:23:44.200
<v Speaker 1>the show.

0:23:47.840 --> 0:23:49.920
<v Speaker 4>And they don't want to show the real things that

0:23:49.960 --> 0:23:51.720
<v Speaker 4>are going on in their lives because if we don't

0:23:51.760 --> 0:23:55.400
<v Speaker 4>agree with it as viewers, it's vitriol, right, And so

0:23:55.960 --> 0:23:58.639
<v Speaker 4>I think, as a viewer, I need to take a

0:23:58.680 --> 0:24:03.119
<v Speaker 4>step back and reassess what I'm actually expecting from these people.

0:24:05.080 --> 0:24:07.440
<v Speaker 4>And yeah, maybe, yeah, I think it's just.

0:24:07.400 --> 0:24:08.160
<v Speaker 7>A saying race.

0:24:08.560 --> 0:24:11.359
<v Speaker 1>That's a good question raised though, and what it's interesting

0:24:11.640 --> 0:24:14.159
<v Speaker 1>and I want to cook with this too. You know,

0:24:15.119 --> 0:24:16.560
<v Speaker 1>there's a couple of things you said that I want

0:24:16.600 --> 0:24:17.240
<v Speaker 1>to dress.

0:24:17.200 --> 0:24:18.000
<v Speaker 2>Number one.

0:24:20.400 --> 0:24:23.439
<v Speaker 1>When reality first started, right, So let's go back to

0:24:23.520 --> 0:24:26.800
<v Speaker 1>like two thousand I started Reality TV doing the first

0:24:26.880 --> 0:24:30.720
<v Speaker 1>season of Atlanta Housewives, right. So prior to that, OC

0:24:31.040 --> 0:24:35.960
<v Speaker 1>already aired in New York City, just rap production but

0:24:36.040 --> 0:24:39.720
<v Speaker 1>in an air yet, right, So I want to say

0:24:39.760 --> 0:24:42.399
<v Speaker 1>two thousand and five is when The Real Housewives, or

0:24:42.400 --> 0:24:44.600
<v Speaker 1>two thousand and six, one of those years is when

0:24:44.600 --> 0:24:47.040
<v Speaker 1>the Real house Watch of Orange County came on. So

0:24:47.160 --> 0:24:49.480
<v Speaker 1>prior to that, you have Flavor of Love, but the

0:24:49.800 --> 0:24:53.480
<v Speaker 1>focal point was obviously Flavor flav And then Tiffany Pollard

0:24:53.480 --> 0:24:56.520
<v Speaker 1>became like this surprise breakout.

0:24:56.119 --> 0:24:58.920
<v Speaker 2>Star, but you have to dive into her personal life.

0:24:59.000 --> 0:25:01.800
<v Speaker 1>She came in like trying to let me get this

0:25:01.920 --> 0:25:06.040
<v Speaker 1>man and check all these girls. Right, So when reality

0:25:06.160 --> 0:25:09.520
<v Speaker 1>started becoming more about your personal lives, right, even in

0:25:09.560 --> 0:25:11.520
<v Speaker 1>the real world they were stuck in the house together

0:25:11.680 --> 0:25:13.520
<v Speaker 1>and had to navigate being a part of.

0:25:13.480 --> 0:25:14.399
<v Speaker 2>Each other's lives.

0:25:14.760 --> 0:25:16.639
<v Speaker 1>You didn't go home with Tammy Roman you know what

0:25:16.640 --> 0:25:19.840
<v Speaker 1>I mean, Like, you focused on Tammy Roman inside this

0:25:19.880 --> 0:25:23.080
<v Speaker 1>house and that's the only thing you knew about Tammy Roman.

0:25:23.280 --> 0:25:25.480
<v Speaker 7>Right. As an example, when.

0:25:25.320 --> 0:25:30.440
<v Speaker 1>Atlanta Housewives first came on board, I remember the first

0:25:30.440 --> 0:25:32.520
<v Speaker 1>week of filming. So the first week of filming Atlanta

0:25:32.560 --> 0:25:37.320
<v Speaker 1>Housewise is when Nini was not allowed in Charret's house.

0:25:38.280 --> 0:25:42.840
<v Speaker 1>This is the first week of filming, right, and it

0:25:43.160 --> 0:25:46.879
<v Speaker 1>was like, what show is this? Because the reactions and

0:25:47.000 --> 0:25:50.080
<v Speaker 1>everything else were super duper real, And Sharay admitted later

0:25:50.160 --> 0:25:55.200
<v Speaker 1>on my podcast, Hey Exclusive All my podcast that yeah,

0:25:55.359 --> 0:25:58.480
<v Speaker 1>she definitely did not put Nini's name on the list

0:25:58.520 --> 0:26:01.119
<v Speaker 1>because she did not want Nini in her house because

0:26:01.200 --> 0:26:04.640
<v Speaker 1>in real life, she said, I don't care if there

0:26:04.640 --> 0:26:07.119
<v Speaker 1>are cameras here. In real life, this woman would not

0:26:07.119 --> 0:26:09.359
<v Speaker 1>be a lot of my house, so she won't be

0:26:09.400 --> 0:26:12.560
<v Speaker 1>in my house. That was a real moment she was.

0:26:13.000 --> 0:26:15.840
<v Speaker 1>It wasn't social media wasn't out back then. So I

0:26:15.880 --> 0:26:18.200
<v Speaker 1>think what happened with reality is let's have a real

0:26:18.200 --> 0:26:21.439
<v Speaker 1>conversation what happened with reality television?

0:26:21.600 --> 0:26:23.440
<v Speaker 2>Which is why jas did you raised a good point

0:26:23.440 --> 0:26:24.000
<v Speaker 2>in terms.

0:26:23.880 --> 0:26:28.600
<v Speaker 1>Of what am I supposed to not like what I'm

0:26:28.640 --> 0:26:30.840
<v Speaker 1>seeing or am I supposed to accept it and say

0:26:30.920 --> 0:26:34.520
<v Speaker 1>that's that person's move on. I think what's happening nowadays

0:26:34.560 --> 0:26:36.840
<v Speaker 1>is people during reality TV for the wrong reason.

0:26:37.800 --> 0:26:39.679
<v Speaker 2>A lot of people during reality TV for a.

0:26:39.760 --> 0:26:45.959
<v Speaker 1>Quick a quick fame, right, fame quickly, and a lot

0:26:46.040 --> 0:26:48.439
<v Speaker 1>of them join it for the sole purpose of like,

0:26:49.400 --> 0:26:51.879
<v Speaker 1>I'm gonna make something quick, get my name out there

0:26:52.000 --> 0:26:55.320
<v Speaker 1>and keep it pushing. And then there's there's a lot

0:26:55.320 --> 0:26:58.679
<v Speaker 1>of them too who come in with these preconceived notions

0:26:58.680 --> 0:27:00.760
<v Speaker 1>of I know who I want to be, I know

0:27:00.800 --> 0:27:02.720
<v Speaker 1>how I'm gonna act, I know exactly what I'm going to.

0:27:02.760 --> 0:27:06.040
<v Speaker 2>Bring, and they don't allow themselves to be real.

0:27:06.480 --> 0:27:10.639
<v Speaker 1>And last, but most importantly, most importantly, thank you. I

0:27:10.760 --> 0:27:13.119
<v Speaker 1>just about to get the ring. My brain drops are

0:27:13.200 --> 0:27:16.040
<v Speaker 1>the best. By the way, we all have the same

0:27:16.119 --> 0:27:19.399
<v Speaker 1>mind right, social media, and I'm going to say this,

0:27:20.960 --> 0:27:24.280
<v Speaker 1>social media has been a gift to all of us.

0:27:25.040 --> 0:27:27.320
<v Speaker 1>You know, I was able to meet Jasmine that way.

0:27:27.480 --> 0:27:29.040
<v Speaker 1>You know, me and Deskin were able to know each

0:27:29.080 --> 0:27:32.439
<v Speaker 1>other that way. I will never ever negate the power

0:27:32.480 --> 0:27:35.320
<v Speaker 1>of social media, past, present or future.

0:27:35.440 --> 0:27:36.120
<v Speaker 2>It's amazing.

0:27:36.440 --> 0:27:40.400
<v Speaker 1>Not going anywhere, well, TikTok allegedly is in January, but.

0:27:40.359 --> 0:27:41.879
<v Speaker 2>That's a whole other story for all who another day.

0:27:43.000 --> 0:27:50.880
<v Speaker 1>Social media commentary has ruined the reality star. Yeah, social

0:27:51.040 --> 0:27:57.280
<v Speaker 1>media commentary has ruined the reality star. And when I

0:27:57.400 --> 0:28:00.280
<v Speaker 1>say that, what I'm saying is a couple of things

0:28:00.280 --> 0:28:02.560
<v Speaker 1>have happened, and y'all ain't gotta believe me. I don't

0:28:02.560 --> 0:28:04.359
<v Speaker 1>really give a ship. I'm in the business, so I

0:28:04.400 --> 0:28:06.679
<v Speaker 1>know what I'm talking about, and I'm not saying it

0:28:06.760 --> 0:28:09.440
<v Speaker 1>ruined a lot of them, but a large portion of them.

0:28:09.680 --> 0:28:11.000
<v Speaker 2>What has happened is.

0:28:12.720 --> 0:28:18.359
<v Speaker 1>The comments on social media has become so impactful in

0:28:18.440 --> 0:28:22.520
<v Speaker 1>the reality star's life that they refuse to show up

0:28:22.560 --> 0:28:29.440
<v Speaker 1>themselves and they they perform for the social media comments.

0:28:30.320 --> 0:28:34.000
<v Speaker 1>They become a caricature based on what they think people

0:28:34.240 --> 0:28:38.400
<v Speaker 1>like about them. They come in with gimmicks, thinking like

0:28:39.480 --> 0:28:42.320
<v Speaker 1>this is going to make me iconic, or this is

0:28:42.320 --> 0:28:43.440
<v Speaker 1>what's going to make me a star.

0:28:43.920 --> 0:28:44.720
<v Speaker 7>The reason.

0:28:47.400 --> 0:28:49.240
<v Speaker 5>Does she who shall not be named.

0:28:50.920 --> 0:28:52.840
<v Speaker 2>The reason why I bring this up.

0:28:58.960 --> 0:29:03.080
<v Speaker 4>Those dog treats one season. I'm still mad about that,

0:29:03.440 --> 0:29:07.840
<v Speaker 4>and not to derail about it, and.

0:29:07.920 --> 0:29:11.000
<v Speaker 6>The whole country glam she had on at the reunion

0:29:11.040 --> 0:29:14.800
<v Speaker 6>that year too. Drew said, in that first chair, looking

0:29:14.840 --> 0:29:19.360
<v Speaker 6>like Loretta Lynch, Loretta Lynn and all that, Patsy Klin

0:29:19.640 --> 0:29:20.800
<v Speaker 6>full Country Glam.

0:29:21.520 --> 0:29:25.680
<v Speaker 7>I was like, Damn Drew, Like you are a missed opportunity, right.

0:29:25.760 --> 0:29:29.160
<v Speaker 7>I think that's the frustration. It was as that's a

0:29:29.200 --> 0:29:29.680
<v Speaker 7>lot of it.

0:29:30.480 --> 0:29:32.280
<v Speaker 1>A lot of it are those three cases. A lot

0:29:32.320 --> 0:29:34.480
<v Speaker 1>of them joined to get famous and real quick. A

0:29:34.520 --> 0:29:38.560
<v Speaker 1>lot of them join it just to and when they

0:29:38.560 --> 0:29:43.080
<v Speaker 1>do join it, social media commentary has really taken a

0:29:43.120 --> 0:29:43.800
<v Speaker 1>toll on them.

0:29:44.440 --> 0:29:45.880
<v Speaker 2>And that's the reason why.

0:29:46.240 --> 0:29:48.960
<v Speaker 1>You know, one example that I always give and I'm

0:29:48.960 --> 0:29:51.080
<v Speaker 1>only talking about this because she talks about the publicly,

0:29:51.080 --> 0:29:53.479
<v Speaker 1>because I don't tell my cast business in terms of

0:29:53.520 --> 0:29:54.640
<v Speaker 1>private conversations.

0:29:54.680 --> 0:29:58.400
<v Speaker 2>But Letitia Scott is somebody who.

0:30:00.080 --> 0:30:04.239
<v Speaker 1>Contacted me and said the comments are very vicious and

0:30:04.320 --> 0:30:06.040
<v Speaker 1>I don't know how to handle this.

0:30:06.560 --> 0:30:09.160
<v Speaker 2>And I said to her, you have to get off Twitter.

0:30:09.680 --> 0:30:11.920
<v Speaker 2>You have to get off Twitter. Do it for yourself,

0:30:12.000 --> 0:30:13.040
<v Speaker 2>do it for your mental health.

0:30:13.280 --> 0:30:17.520
<v Speaker 1>Long story short, she did it, and Tisha is her words,

0:30:17.560 --> 0:30:20.760
<v Speaker 1>not mine. Tisha is living her rich wife era and

0:30:21.080 --> 0:30:26.080
<v Speaker 1>it's because she found she found the rhythm for her.

0:30:27.440 --> 0:30:31.239
<v Speaker 1>So my advice to reality stars is you have to

0:30:31.320 --> 0:30:34.480
<v Speaker 1>find the rhythm that works for you. You can't be

0:30:34.560 --> 0:30:37.840
<v Speaker 1>a slave to the comments of social media because let

0:30:37.840 --> 0:30:40.720
<v Speaker 1>me teak you something. And Jasmine and Dustin knows this

0:30:40.800 --> 0:30:43.600
<v Speaker 1>for sure. One day y'all love me, the next y'all

0:30:43.680 --> 0:30:48.040
<v Speaker 1>hate me. I'm beloved years from And one thing I

0:30:48.080 --> 0:30:50.040
<v Speaker 1>don't do and Jasmine knows is a lot doing our

0:30:50.040 --> 0:30:52.040
<v Speaker 1>podcast together because my.

0:30:52.120 --> 0:30:55.600
<v Speaker 2>Opinion costs so much conversation.

0:30:55.840 --> 0:31:00.560
<v Speaker 1>That Jasmina was like, oh these people are they like you?

0:31:01.240 --> 0:31:03.080
<v Speaker 2>But a lot of people do like me. But one

0:31:03.080 --> 0:31:05.440
<v Speaker 2>thing I said to her and I say to Dustin, is.

0:31:05.840 --> 0:31:08.960
<v Speaker 1>I'm never going to be a slave to comments because

0:31:09.000 --> 0:31:11.600
<v Speaker 1>as long as I show up with the best intentions

0:31:11.680 --> 0:31:17.600
<v Speaker 1>and authentically me, I already won the game. And so Jasmine,

0:31:17.640 --> 0:31:20.560
<v Speaker 1>I bring all of that up to say, when you

0:31:20.600 --> 0:31:24.840
<v Speaker 1>ask yourself, like what MEA is giving, this is my opinion,

0:31:24.880 --> 0:31:27.000
<v Speaker 1>and you guys, I'm being honest.

0:31:28.280 --> 0:31:31.960
<v Speaker 2>Mia in my opinion. After I met Mia in.

0:31:31.960 --> 0:31:35.520
<v Speaker 1>Person and she sat down on my college for an

0:31:35.520 --> 0:31:39.440
<v Speaker 1>hour and we were able to talk afterwards, that is Mia.

0:31:40.480 --> 0:31:44.760
<v Speaker 2>Now, look, you don't have to like it. And I

0:31:44.840 --> 0:31:48.400
<v Speaker 2>used to talk about whether or not you know you're

0:31:48.400 --> 0:31:49.239
<v Speaker 2>supposed to like it.

0:31:49.760 --> 0:31:51.240
<v Speaker 1>The only thing I will say when it comes to

0:31:51.280 --> 0:31:53.360
<v Speaker 1>MEA as an example, and I'm only bringing a Miya

0:31:53.440 --> 0:31:58.160
<v Speaker 1>because Jasmine brought a Mia, Like whatever is that? That

0:31:58.320 --> 0:32:01.320
<v Speaker 1>is who Mia honestly is is when the cameras ain't rolling.

0:32:01.560 --> 0:32:05.000
<v Speaker 1>Mia came into my studio the way Mia walking into

0:32:05.040 --> 0:32:09.240
<v Speaker 1>a scene and yes, doesn't shad blonde hair, and they

0:32:09.520 --> 0:32:12.000
<v Speaker 1>on the conversations I was having with Mia after our

0:32:12.080 --> 0:32:15.440
<v Speaker 1>interview wrapped, I was like, she is everything that I

0:32:15.600 --> 0:32:18.320
<v Speaker 1>expected her to be. But I do think it's what

0:32:18.440 --> 0:32:23.120
<v Speaker 1>Dustin said and doesn't actually gave me this advice when

0:32:23.120 --> 0:32:27.520
<v Speaker 1>it comes to comments, doesn't said to me, Carlos, the

0:32:27.640 --> 0:32:28.960
<v Speaker 1>comments that people.

0:32:28.720 --> 0:32:31.760
<v Speaker 2>Leave is not for you. It's for them and the

0:32:31.840 --> 0:32:33.040
<v Speaker 2>other people the comments.

0:32:32.720 --> 0:32:34.120
<v Speaker 7>To have a dialogue.

0:32:34.560 --> 0:32:36.360
<v Speaker 1>And when I say to you, right Jackson, when I

0:32:36.400 --> 0:32:39.160
<v Speaker 1>say to you that lightbulb switch for me, it hit me.

0:32:39.960 --> 0:32:44.120
<v Speaker 1>The comments that people leave under your post has absolutely

0:32:44.280 --> 0:32:47.880
<v Speaker 1>nothing to do with you the individual. They have to

0:32:48.000 --> 0:32:51.080
<v Speaker 1>have a conversation in the comments and let's have a

0:32:51.120 --> 0:32:55.239
<v Speaker 1>real conversation. When we see a funny post on the

0:32:55.280 --> 0:32:59.000
<v Speaker 1>Shade Room neighborhood talk Jasmine brand on anything. What's the

0:32:59.000 --> 0:33:01.400
<v Speaker 1>first thing we do. We go to the comments to

0:33:01.480 --> 0:33:04.400
<v Speaker 1>see the best comment. And that's the reason why you

0:33:04.480 --> 0:33:06.560
<v Speaker 1>have to understand and all of us.

0:33:06.480 --> 0:33:07.160
<v Speaker 2>Have to own it.

0:33:07.640 --> 0:33:10.800
<v Speaker 1>We all look in the comments to see which one

0:33:10.840 --> 0:33:14.760
<v Speaker 1>is cooking the best commentary, which is why we say

0:33:15.160 --> 0:33:17.560
<v Speaker 1>I'm gonna come back when the comments are lit. So

0:33:17.680 --> 0:33:21.200
<v Speaker 1>what we're doing when you say that is you're forcing

0:33:21.360 --> 0:33:26.120
<v Speaker 1>people to lead the most ridiculous, salacious comment in the

0:33:26.160 --> 0:33:28.120
<v Speaker 1>world for your entertainment.

0:33:28.880 --> 0:33:32.920
<v Speaker 2>So again, when it comes to reality TV, my advice

0:33:32.960 --> 0:33:34.640
<v Speaker 2>to you, Jazz is.

0:33:36.320 --> 0:33:39.240
<v Speaker 1>Sometimes you have to say to yourself, maybe this ain't

0:33:39.280 --> 0:33:44.000
<v Speaker 1>for me anymore. There's certain shows I stop watching that

0:33:44.200 --> 0:33:47.680
<v Speaker 1>I realize this ain't for me anymore. I'm years old,

0:33:47.720 --> 0:33:50.280
<v Speaker 1>I'm in a very different place in my life. Life

0:33:50.320 --> 0:33:55.240
<v Speaker 1>has life has been lifing and for me, I'm not

0:33:55.280 --> 0:33:56.760
<v Speaker 1>gonna say it. What shows I stop watching?

0:33:57.000 --> 0:34:00.760
<v Speaker 7>So please, please God, Please.

0:34:00.040 --> 0:34:01.959
<v Speaker 2>That's a whole nother That's a whole nother YouTube.

0:34:02.800 --> 0:34:05.560
<v Speaker 1>That's that's another YouTube post that's gonna come out this week.

0:34:06.120 --> 0:34:08.000
<v Speaker 1>What I will say is, and this is me being

0:34:08.040 --> 0:34:11.279
<v Speaker 1>honest with you guys, there's a lot of shows I

0:34:11.320 --> 0:34:15.920
<v Speaker 1>stop watching because I said to myself it no longer

0:34:16.080 --> 0:34:21.279
<v Speaker 1>is for me. And what I did, I just took

0:34:21.320 --> 0:34:25.120
<v Speaker 1>a step back and said, once I feel like it's

0:34:25.200 --> 0:34:30.120
<v Speaker 1>give me what I desire. I'll return, but I'll end

0:34:30.160 --> 0:34:32.799
<v Speaker 1>it with this. I literally, guys, I'll sun to my

0:34:32.840 --> 0:34:36.120
<v Speaker 1>own shows. And this is me being very honest. I

0:34:36.280 --> 0:34:39.239
<v Speaker 1>only watched two reality shows a week.

0:34:40.680 --> 0:34:44.680
<v Speaker 6>Yeah, but that doesn't mean that you're online trashing the

0:34:44.719 --> 0:34:45.920
<v Speaker 6>shows that you don't watch.

0:34:45.920 --> 0:34:47.480
<v Speaker 7>And I think that's the difference, right.

0:34:47.840 --> 0:34:50.279
<v Speaker 6>You have to learn your you have to not even learn,

0:34:50.360 --> 0:34:53.080
<v Speaker 6>you have to understand your responsibility as a viewer of

0:34:53.160 --> 0:34:53.760
<v Speaker 6>the show.

0:34:54.120 --> 0:34:56.399
<v Speaker 7>To not be toxic. You know what I'm saying. It's

0:34:56.440 --> 0:34:57.319
<v Speaker 7>just the reality of it.

0:34:57.360 --> 0:34:59.400
<v Speaker 6>I'll talk just as much shit as the next person,

0:34:59.800 --> 0:35:02.879
<v Speaker 6>but that I try my best not to go out

0:35:02.880 --> 0:35:05.840
<v Speaker 6>of my way and bring negative energy towards something that

0:35:06.560 --> 0:35:09.600
<v Speaker 6>if I don't rock necessarily with something, I just don't.

0:35:09.680 --> 0:35:12.080
<v Speaker 6>I don't have to declare the fact that I don't rock.

0:35:12.000 --> 0:35:13.040
<v Speaker 7>With it, you know what I mean?

0:35:13.440 --> 0:35:16.120
<v Speaker 6>And I think that's the difference the comments section, and

0:35:16.480 --> 0:35:17.799
<v Speaker 6>I firmly believe this.

0:35:19.520 --> 0:35:22.120
<v Speaker 7>It is not for the person that's in the video.

0:35:22.239 --> 0:35:24.640
<v Speaker 6>It's for the people that watch the video or read

0:35:24.680 --> 0:35:27.839
<v Speaker 6>the post or whatever and are employed to share some

0:35:27.880 --> 0:35:30.040
<v Speaker 6>sort of or have a reaction that they think is

0:35:30.080 --> 0:35:32.959
<v Speaker 6>worthy to be shared. That's what it's for. Have fun

0:35:33.040 --> 0:35:36.279
<v Speaker 6>down there. It's not for people we're on this live

0:35:36.440 --> 0:35:38.759
<v Speaker 6>right now. It's none of our business what's going on

0:35:38.840 --> 0:35:41.400
<v Speaker 6>in the chat. Our job is not to see something

0:35:41.400 --> 0:35:45.160
<v Speaker 6>in the chat and then respond or reform at or

0:35:45.160 --> 0:35:46.439
<v Speaker 6>whatever to appease that.

0:35:46.760 --> 0:35:47.840
<v Speaker 7>Those are for the comments.

0:35:47.880 --> 0:35:50.040
<v Speaker 6>That are for people who are watching this and discussing

0:35:50.080 --> 0:35:53.120
<v Speaker 6>it amongst themselves. And it's a respectable, great place, and

0:35:53.120 --> 0:35:55.520
<v Speaker 6>we thank God for it. We thank God for those

0:35:55.560 --> 0:35:58.600
<v Speaker 6>passionate reactions. We thank God for the views because it

0:35:58.680 --> 0:36:02.880
<v Speaker 6>keeps everything going. But there is a line of accountability

0:36:02.920 --> 0:36:07.239
<v Speaker 6>and and just just decency that a person has to

0:36:07.360 --> 0:36:09.959
<v Speaker 6>have and not be willing to go the extra mile

0:36:10.000 --> 0:36:13.640
<v Speaker 6>to make contact or make get yourself noticed or whatever.

0:36:13.760 --> 0:36:15.759
<v Speaker 6>It's just not have your fun, have a reaction to

0:36:15.800 --> 0:36:18.920
<v Speaker 6>the show, and be entertained and and and move on.

0:36:19.200 --> 0:36:25.160
<v Speaker 6>That's all we need to do. So it's tricky, but yeah.

0:36:24.640 --> 0:36:26.960
<v Speaker 2>Before oh go ahead, I's gonna take something way.

0:36:27.160 --> 0:36:29.480
<v Speaker 4>I feel like we cannot wrap up pot on the conversation.

0:36:29.560 --> 0:36:29.879
<v Speaker 1>I don't.

0:36:30.000 --> 0:36:32.480
<v Speaker 5>I don't know. Have you talked about Karen.

0:36:33.080 --> 0:36:34.040
<v Speaker 7>No, we haven't.

0:36:34.600 --> 0:36:35.000
<v Speaker 2>I don't.

0:36:35.160 --> 0:36:36.960
<v Speaker 4>I don't want to make it too long, right, Like

0:36:37.239 --> 0:36:42.000
<v Speaker 4>speaking of authenticity and just like sharing real stories. I

0:36:42.040 --> 0:36:45.239
<v Speaker 4>do want Karen to come back next season. I want

0:36:45.320 --> 0:36:48.919
<v Speaker 4>Karen to address like what happened. I don't take glee

0:36:48.960 --> 0:36:51.000
<v Speaker 4>and that I don't find it entertaining. I actually find

0:36:51.040 --> 0:36:54.360
<v Speaker 4>it very sad to witness. But I do think that

0:36:54.480 --> 0:36:59.239
<v Speaker 4>Karen has the opportunity to take like hold like take

0:36:59.239 --> 0:37:02.880
<v Speaker 4>accountability and say, hey, I did this thing. This was

0:37:02.920 --> 0:37:04.839
<v Speaker 4>messed up. I put myself in danger, I put other

0:37:04.880 --> 0:37:07.640
<v Speaker 4>people in danger. This is how I'm going to do better.

0:37:07.920 --> 0:37:11.040
<v Speaker 4>I do think in all of my maybe reassessing of

0:37:11.120 --> 0:37:13.239
<v Speaker 4>like what I want from reality TV stars, at the

0:37:13.320 --> 0:37:15.799
<v Speaker 4>end of the day, these guys are stars, and I

0:37:15.800 --> 0:37:18.520
<v Speaker 4>think there is a real opportunity for a teachable moment

0:37:19.160 --> 0:37:23.600
<v Speaker 4>with drinking and driving, and everybody knows I love caring down.

0:37:24.040 --> 0:37:26.120
<v Speaker 4>I do not support this, but I think there is

0:37:26.160 --> 0:37:28.800
<v Speaker 4>an opportunity for Karen to come back next season and say,

0:37:29.120 --> 0:37:32.520
<v Speaker 4>or even at the reunion, I messed up, like I

0:37:32.560 --> 0:37:34.440
<v Speaker 4>had a drinking problem, or I have a drinking problem.

0:37:34.480 --> 0:37:35.279
<v Speaker 5>I'm getting to help.

0:37:35.600 --> 0:37:38.640
<v Speaker 4>This is not okay to do, like, don't find entertainment

0:37:38.719 --> 0:37:39.680
<v Speaker 4>in this.

0:37:39.680 --> 0:37:41.279
<v Speaker 5>This was not good, this was not cool.

0:37:42.440 --> 0:37:45.359
<v Speaker 6>I don't think it's nothing she can say after them

0:37:45.440 --> 0:37:48.560
<v Speaker 6>videos we saw over the weekend, because when I tell you,

0:37:49.000 --> 0:37:51.960
<v Speaker 6>our girl was on one that night and it just

0:37:52.080 --> 0:37:53.160
<v Speaker 6>was the reality of it.

0:37:53.280 --> 0:37:55.600
<v Speaker 7>Karen was drunk. She was drunk driving.

0:37:55.719 --> 0:37:59.160
<v Speaker 6>Thank God in heaven or whatever your belief system is,

0:37:59.239 --> 0:38:02.239
<v Speaker 6>Thank your sore that no one was hurt, that she

0:38:02.440 --> 0:38:05.120
<v Speaker 6>was not hurt, Thank God that the police officer, there

0:38:05.160 --> 0:38:07.560
<v Speaker 6>was no weird police shit between her and them, you

0:38:07.600 --> 0:38:09.839
<v Speaker 6>know what I mean. For the most part, Karen just

0:38:09.880 --> 0:38:12.799
<v Speaker 6>has to pay her debt to society whatever that looks like,

0:38:13.120 --> 0:38:15.239
<v Speaker 6>and move on from this in a healthier way.

0:38:15.680 --> 0:38:19.040
<v Speaker 7>But I want to know what she was taught. What

0:38:19.160 --> 0:38:19.919
<v Speaker 7>did she mean?

0:38:20.160 --> 0:38:24.040
<v Speaker 6>I want to know what you mean, you Thomas Jefferson's kind?

0:38:24.560 --> 0:38:26.640
<v Speaker 6>What was she Karen must that she was full of

0:38:27.239 --> 0:38:33.560
<v Speaker 6>mad dog or booms farm. She was drinking some old

0:38:33.920 --> 0:38:37.960
<v Speaker 6>that was one of them, good drunk, just down in it.

0:38:38.280 --> 0:38:40.560
<v Speaker 6>She was just feeling that shit, you know what I'm saying.

0:38:40.960 --> 0:38:43.080
<v Speaker 6>And I thought that that was hilarious.

0:38:43.120 --> 0:38:45.560
<v Speaker 7>So it wasn't funny. Poor Ray, bless us her.

0:38:45.719 --> 0:38:48.920
<v Speaker 6>Ray was trying his best to help her at that

0:38:49.040 --> 0:38:52.320
<v Speaker 6>scene with the police. He was trying his best, digging

0:38:52.400 --> 0:38:55.520
<v Speaker 6>for an idea or whatever, holding on that envio on

0:38:55.640 --> 0:38:59.200
<v Speaker 6>that bag without complaint. Right if we didn't think, I

0:38:59.239 --> 0:39:01.640
<v Speaker 6>know Ray said whatever he said on the show before

0:39:01.760 --> 0:39:04.120
<v Speaker 6>by I think so if I mean, if he's in

0:39:04.120 --> 0:39:07.240
<v Speaker 6>love with or whatever, damn it, we know now because

0:39:07.320 --> 0:39:09.879
<v Speaker 6>Ray was a ride or die. You know what I'm

0:39:09.880 --> 0:39:12.640
<v Speaker 6>saying for Karen and that that case, and it just

0:39:13.080 --> 0:39:15.720
<v Speaker 6>ain't nothing she can say. Karen just going this reunion

0:39:15.719 --> 0:39:18.080
<v Speaker 6>and be like, yes, I fucked up. I fucked up bad,

0:39:18.440 --> 0:39:20.359
<v Speaker 6>y'all all saw it. What do you want me to do?

0:39:20.640 --> 0:39:23.319
<v Speaker 6>I'm apologizing to my family and to the world, to

0:39:23.360 --> 0:39:26.319
<v Speaker 6>the officers, and that's it. Just say what you did,

0:39:26.360 --> 0:39:30.080
<v Speaker 6>take accountability, and then check each and every one of

0:39:30.120 --> 0:39:33.120
<v Speaker 6>them on those couches at that reunion to have their

0:39:33.160 --> 0:39:34.240
<v Speaker 6>own bones.

0:39:33.880 --> 0:39:36.080
<v Speaker 7>Ready to fall out the closet. That's what you do.

0:39:36.440 --> 0:39:39.200
<v Speaker 6>You take accountability, they don't make no excuses, and then

0:39:39.280 --> 0:39:41.680
<v Speaker 6>handle your business. And I also want to say, I

0:39:41.719 --> 0:39:45.640
<v Speaker 6>think it's utterly ridiculous as even being discussed that there's

0:39:45.719 --> 0:39:48.920
<v Speaker 6>rumors of her being fired for this. There's no reason

0:39:48.920 --> 0:39:52.320
<v Speaker 6>that Karen should lose her employment with who's the production

0:39:52.400 --> 0:39:57.080
<v Speaker 6>company over there, whoever it is? That Okay, Yeah, truly

0:39:57.600 --> 0:40:01.000
<v Speaker 6>you're losing your that's ridiculous. Karen does not need to

0:40:01.000 --> 0:40:04.640
<v Speaker 6>be fired or disciplined. This has nothing to do, if anything,

0:40:04.920 --> 0:40:07.000
<v Speaker 6>this is what we're gonna talk about on the damn show.

0:40:07.280 --> 0:40:10.640
<v Speaker 7>So she doesn't need to depart the show for this letter. Cook,

0:40:11.040 --> 0:40:11.520
<v Speaker 7>that's it.

0:40:13.080 --> 0:40:15.440
<v Speaker 2>Yeah, yes, no, listen.

0:40:15.480 --> 0:40:18.719
<v Speaker 1>So what I'll say is I'll echo the same sentiments

0:40:18.719 --> 0:40:19.920
<v Speaker 1>our thoughts and press got.

0:40:19.719 --> 0:40:20.560
<v Speaker 2>To Karen.

0:40:21.840 --> 0:40:31.200
<v Speaker 1>And it's it's it's just something to where. Yeah, it

0:40:31.239 --> 0:40:35.879
<v Speaker 1>was we love Karen and I and I saw karens

0:40:35.880 --> 0:40:38.280
<v Speaker 1>the last week, the week before, I saw Cam before

0:40:38.480 --> 0:40:40.880
<v Speaker 1>and she was in great spirits. She was in great spirits.

0:40:42.719 --> 0:40:44.920
<v Speaker 1>It's just it's a very it was very sad. It

0:40:44.960 --> 0:40:49.000
<v Speaker 1>was very sad. But again, listen, my priss brought to

0:40:49.080 --> 0:40:54.600
<v Speaker 1>Karen and Ray and the children, and like just Dustin said,

0:40:54.719 --> 0:40:58.080
<v Speaker 1>we'll see Karen at the reunion. I do think they're

0:40:58.120 --> 0:41:01.920
<v Speaker 1>taping it very soon, so you know we'll be able

0:41:01.960 --> 0:41:07.360
<v Speaker 1>to hear her thoughts about this. But yeah, it was

0:41:07.480 --> 0:41:10.480
<v Speaker 1>very sad. It was very sad. Yeah, So we have

0:41:10.560 --> 0:41:12.719
<v Speaker 1>to talk about maritime medicine.

0:41:13.680 --> 0:41:16.359
<v Speaker 2>Jasmine tweet you on fire last night.

0:41:21.000 --> 0:41:23.800
<v Speaker 1>Let's talk about this thing that everybody wants to address.

0:41:23.840 --> 0:41:27.479
<v Speaker 1>Let's let's just get right into it. So Contesta is bad.

0:41:27.520 --> 0:41:31.520
<v Speaker 1>Contesta is back as a friend up. So Contessa, as

0:41:31.560 --> 0:41:34.640
<v Speaker 1>we all know, was a main cast member for I

0:41:34.680 --> 0:41:37.880
<v Speaker 1>think like five six seasons if I'm not mistaken, maybe,

0:41:39.000 --> 0:41:42.000
<v Speaker 1>and she is now back as a friend to the show.

0:41:42.520 --> 0:41:49.880
<v Speaker 1>The cast went on a trip and things started tripping.

0:41:50.120 --> 0:41:54.279
<v Speaker 2>Jasmine, go ahead, child, I'm gonna say lots of thoughts.

0:41:54.360 --> 0:41:57.760
<v Speaker 4>Because Heavenly was so nasty for that. She was so nasty,

0:41:57.960 --> 0:42:01.680
<v Speaker 4>like that yo mama stuff. She's got in trouble for that.

0:42:01.920 --> 0:42:04.080
<v Speaker 4>But Contessa was trying to give her now like my

0:42:04.239 --> 0:42:07.520
<v Speaker 4>mom who passed away, My mom who passed away, and

0:42:07.680 --> 0:42:11.200
<v Speaker 4>she she stood on it. Disgusting And I will say

0:42:11.280 --> 0:42:14.279
<v Speaker 4>I do not condone violence, but as someone who has

0:42:14.320 --> 0:42:17.880
<v Speaker 4>a sick mother right now, if somebody was saying yo mama,

0:42:17.920 --> 0:42:19.400
<v Speaker 4>and we're in the heat of the moment.

0:42:20.160 --> 0:42:21.759
<v Speaker 5>I would have slapped the shit out of her. I'm

0:42:21.840 --> 0:42:22.440
<v Speaker 5>so sorry.

0:42:22.760 --> 0:42:26.080
<v Speaker 4>I do not condone violence, but that's a slappable offense,

0:42:26.200 --> 0:42:29.840
<v Speaker 4>like are you kidding me? That was so disgusting. And

0:42:29.880 --> 0:42:32.839
<v Speaker 4>then Heavenly talks all this, and then she was calling

0:42:32.880 --> 0:42:38.279
<v Speaker 4>for security. Heavenly, Heavenly stop doing so much. Stop running

0:42:38.280 --> 0:42:39.560
<v Speaker 4>your mom so much. If you know you're gonna be

0:42:39.560 --> 0:42:41.960
<v Speaker 4>calling for security, that's what you get. I think with this,

0:42:42.320 --> 0:42:44.560
<v Speaker 4>there were there were people who were saying both ways,

0:42:44.600 --> 0:42:47.480
<v Speaker 4>like what Contessa was saying to Heavenly was hurtful, but

0:42:47.600 --> 0:42:50.239
<v Speaker 4>keep it at the husbands, keep it, keep it there, like,

0:42:50.239 --> 0:42:53.880
<v Speaker 4>don't talk about somebody who's dead parent like I can't.

0:42:53.920 --> 0:42:55.640
<v Speaker 4>I can't get through that. I can't get over that.

0:42:55.680 --> 0:42:57.719
<v Speaker 4>And if I was contested, I would never ever speak

0:42:57.760 --> 0:42:59.719
<v Speaker 4>to Heavenly ever again, Like there would be never a

0:42:59.800 --> 0:43:01.279
<v Speaker 4>word that Heavenly could say to me. I don't care

0:43:01.280 --> 0:43:03.319
<v Speaker 4>if it's sorry, because you took it there and I

0:43:03.360 --> 0:43:06.080
<v Speaker 4>tried to give you one out to stop yourself and

0:43:06.160 --> 0:43:08.480
<v Speaker 4>realize what you were saying, and you dug your heels in.

0:43:09.360 --> 0:43:11.360
<v Speaker 4>I will never speak to her again if I was contesta.

0:43:13.160 --> 0:43:15.279
<v Speaker 1>Yeah, the thing is and just I'll get to you too.

0:43:15.360 --> 0:43:18.120
<v Speaker 1>The thing is this, And I told Heavily this too.

0:43:18.200 --> 0:43:19.160
<v Speaker 1>Heavily knows how I feel.

0:43:19.360 --> 0:43:21.200
<v Speaker 2>I don't. I don't like your mama jokes, that's me.

0:43:21.280 --> 0:43:21.960
<v Speaker 7>I don't like it.

0:43:22.880 --> 0:43:27.600
<v Speaker 1>My mom has passed away. I'm with you, Jazz in

0:43:27.680 --> 0:43:30.120
<v Speaker 1>terms of I just don't like your mama jokes.

0:43:30.560 --> 0:43:31.319
<v Speaker 7>I don't like your.

0:43:31.200 --> 0:43:34.879
<v Speaker 1>Mama jokes as a kid because I was a mama's boy.

0:43:35.719 --> 0:43:41.200
<v Speaker 1>So you talk about my mama, you know it's a problem.

0:43:41.760 --> 0:43:44.080
<v Speaker 2>This is my thing, this is my thing.

0:43:44.680 --> 0:43:50.280
<v Speaker 1>I just think your mama jokes or talking about someone's.

0:43:49.880 --> 0:43:53.600
<v Speaker 2>Mom, I just think you should keep it to each other.

0:43:54.000 --> 0:43:56.560
<v Speaker 1>Like like leave the lead, the moms out of it,

0:43:56.640 --> 0:43:57.640
<v Speaker 1>the kids out of it.

0:43:57.920 --> 0:44:01.200
<v Speaker 2>And I wouldn't even say that. I think it's one

0:44:01.200 --> 0:44:01.960
<v Speaker 2>of those things.

0:44:01.719 --> 0:44:05.000
<v Speaker 1>Where if you and I, Jasmine, if you and I

0:44:05.040 --> 0:44:07.319
<v Speaker 1>are getting into it and I have a problem with you,

0:44:08.400 --> 0:44:09.839
<v Speaker 1>I'm going to address you.

0:44:10.040 --> 0:44:11.160
<v Speaker 2>I'm not gonna dress your man.

0:44:11.719 --> 0:44:12.720
<v Speaker 7>I'm not going to talk.

0:44:12.600 --> 0:44:14.560
<v Speaker 1>About your I'm gonna I'm not gonna bring your man

0:44:14.719 --> 0:44:16.400
<v Speaker 1>into our our beef.

0:44:17.239 --> 0:44:20.879
<v Speaker 2>I think it's just stick to each other. If y'all

0:44:20.920 --> 0:44:22.759
<v Speaker 2>gonna go toe to toe, go toe to toe.

0:44:23.560 --> 0:44:26.040
<v Speaker 1>I I I don't like your mama Joe's I've never

0:44:26.200 --> 0:44:27.920
<v Speaker 1>liked it. I've said it to heavily before. You know

0:44:27.960 --> 0:44:30.520
<v Speaker 1>how I feel. And I love this heavenly and the

0:44:30.560 --> 0:44:34.760
<v Speaker 1>same thing when Candace said it to me a once,

0:44:34.800 --> 0:44:37.960
<v Speaker 1>and I love Candace, and I said, I just I

0:44:38.080 --> 0:44:42.759
<v Speaker 1>just think you, Yeah, I am somebody I have never

0:44:42.960 --> 0:44:45.359
<v Speaker 1>liked it, and I just, I just I just think,

0:44:45.560 --> 0:44:49.160
<v Speaker 1>leave the mothers, the children, and the husbands out of

0:44:49.200 --> 0:44:51.359
<v Speaker 1>the reeds and stick with each other.

0:44:53.200 --> 0:44:55.480
<v Speaker 6>Yeah, I mean, you say something about my mama or

0:44:55.560 --> 0:44:58.239
<v Speaker 6>dead or alive, and I'm I'm fucking your personally.

0:44:58.280 --> 0:44:59.040
<v Speaker 7>You know what I'm saying.

0:44:59.080 --> 0:45:02.080
<v Speaker 6>But that's me, so I totally understand it. I think

0:45:02.120 --> 0:45:06.560
<v Speaker 6>that it is worth noting right that Contessa was taking

0:45:06.560 --> 0:45:09.080
<v Speaker 6>some vera and y'all please excuse of course, here comes

0:45:09.120 --> 0:45:12.239
<v Speaker 6>the sirens of Harlem when I started speaking my peace

0:45:12.280 --> 0:45:16.480
<v Speaker 6>about this, but Contesta started a lot of that low

0:45:16.560 --> 0:45:20.359
<v Speaker 6>blow mud slinging that was going on. I guess that's

0:45:20.360 --> 0:45:24.440
<v Speaker 6>Heavenly coming to give me for I talk about.

0:45:24.920 --> 0:45:25.000
<v Speaker 4>Me.

0:45:25.640 --> 0:45:29.280
<v Speaker 5>She to me and queens don't.

0:45:29.480 --> 0:45:32.200
<v Speaker 7>But but I think that started a lot of that

0:45:32.239 --> 0:45:32.920
<v Speaker 7>low blow.

0:45:32.719 --> 0:45:35.759
<v Speaker 6>Shit when she was saying things. Let's let's zoom out

0:45:35.800 --> 0:45:38.600
<v Speaker 6>a little bit, because sometimes that to do right. Heavenly

0:45:38.680 --> 0:45:41.960
<v Speaker 6>and Contessa are an unlikely duo that became real friends

0:45:41.960 --> 0:45:46.520
<v Speaker 6>in real life, traveled together, intermingled their families, share personal

0:45:46.560 --> 0:45:50.000
<v Speaker 6>information like they were real friends. We know that for

0:45:50.080 --> 0:45:53.760
<v Speaker 6>Heavenly to have that sort of commitment to a relationship,

0:45:53.800 --> 0:45:58.080
<v Speaker 6>the the allegiance that she has like the doctor Jackie,

0:45:58.120 --> 0:46:00.399
<v Speaker 6>you know to people that she too quiet. You know,

0:46:00.719 --> 0:46:03.640
<v Speaker 6>through it all, she maintains a connection with her because

0:46:04.080 --> 0:46:07.120
<v Speaker 6>that fundamental relationship is important. That's sorarity when it comes

0:46:07.160 --> 0:46:09.080
<v Speaker 6>to what we've seen from Doctor Heavenly on this show.

0:46:09.320 --> 0:46:12.759
<v Speaker 6>She really cared about Contesta and Kintessa appeared to really

0:46:12.760 --> 0:46:15.800
<v Speaker 6>care about her when they started arguing on this week's episode,

0:46:15.840 --> 0:46:18.920
<v Speaker 6>Kintessa was saying some shit that were obvious low blows

0:46:19.160 --> 0:46:22.520
<v Speaker 6>because she's hurt. She resents Heavenly for speaking on the

0:46:22.640 --> 0:46:25.879
<v Speaker 6>details that she shared with her about her marriage when

0:46:25.920 --> 0:46:28.160
<v Speaker 6>she was at a low point with her husband, and

0:46:28.280 --> 0:46:33.040
<v Speaker 6>Heavenly held too tight to those things and started behaving

0:46:33.120 --> 0:46:37.920
<v Speaker 6>differently with Contessa's husband. With Kntessa, that's a grave mistake

0:46:38.000 --> 0:46:40.200
<v Speaker 6>that you make in a friendship. You got to keep

0:46:40.200 --> 0:46:42.239
<v Speaker 6>that separated, you know what I mean, And you have

0:46:42.320 --> 0:46:44.440
<v Speaker 6>to be the type of friend that knows how to

0:46:44.560 --> 0:46:47.800
<v Speaker 6>compartmentalize all of that. Unless a person's safety is involved,

0:46:47.840 --> 0:46:51.279
<v Speaker 6>that's a different conversation. But telling you details about your

0:46:51.280 --> 0:46:53.080
<v Speaker 6>man or whatever, you keep that in as a friend.

0:46:53.320 --> 0:46:56.360
<v Speaker 6>Heavenly crossed the line with that. Kintessa got back with

0:46:56.440 --> 0:46:59.359
<v Speaker 6>her man and was too. She wasn't ready to deal

0:46:59.440 --> 0:47:02.720
<v Speaker 6>with a recont of the embarrassment of kind of facing

0:47:02.760 --> 0:47:06.000
<v Speaker 6>and accepting standing in the shit that she said, so instead,

0:47:06.520 --> 0:47:08.640
<v Speaker 6>she thought it was smarter to just go at Heavenly

0:47:08.800 --> 0:47:12.080
<v Speaker 6>all no holds by. That's why we've seen guns blazing

0:47:12.120 --> 0:47:14.760
<v Speaker 6>from her for her to talk about Heavenly.

0:47:14.760 --> 0:47:16.560
<v Speaker 7>She said, you buy your kids.

0:47:16.920 --> 0:47:19.200
<v Speaker 6>You started, and she was yelling so that what she

0:47:19.360 --> 0:47:21.640
<v Speaker 6>was saying would be sure to be amplified on the

0:47:21.680 --> 0:47:25.080
<v Speaker 6>mics and be carried into the final cut. She said,

0:47:25.160 --> 0:47:28.319
<v Speaker 6>you know, you bought a beauty supply to love keep

0:47:28.320 --> 0:47:31.279
<v Speaker 6>your daughter's love, and it failed, It didn't succeed. She

0:47:31.360 --> 0:47:33.759
<v Speaker 6>was taking some real low blows talking about Heavenly's love

0:47:33.800 --> 0:47:35.080
<v Speaker 6>for her children, all that kind of shit.

0:47:35.360 --> 0:47:37.480
<v Speaker 7>That's why Heavenly started talking about that husband.

0:47:37.800 --> 0:47:39.759
<v Speaker 6>And to me, it's a full stop I'm by no

0:47:39.840 --> 0:47:42.759
<v Speaker 6>means excuse me what doctor Heavenly said about Contessa's mother,

0:47:43.160 --> 0:47:47.520
<v Speaker 6>her deceased mother. That was reprehensible, right, so full stop

0:47:47.880 --> 0:47:50.400
<v Speaker 6>wrong as hell. You wrong for saying that about her

0:47:50.400 --> 0:47:53.200
<v Speaker 6>deceased mother. But Contessa was slinging a lot of low

0:47:53.239 --> 0:47:55.879
<v Speaker 6>blows in that argument too, And I have a very

0:47:57.360 --> 0:48:01.000
<v Speaker 6>I have a disdain for people who into friendship with

0:48:01.120 --> 0:48:04.520
<v Speaker 6>someone and then take it to then try to use

0:48:04.560 --> 0:48:06.600
<v Speaker 6>the things you know to try to hurt them. To me,

0:48:06.680 --> 0:48:09.640
<v Speaker 6>that's just a nasty spirit that I saw surface. People

0:48:09.640 --> 0:48:12.279
<v Speaker 6>put that on Heavenly a lot, but we saw it

0:48:12.440 --> 0:48:15.680
<v Speaker 6>in blatant vorn from Contesta. Every scene we've seen her

0:48:15.719 --> 0:48:18.719
<v Speaker 6>in this season as a friend, she's letting us know

0:48:18.760 --> 0:48:21.239
<v Speaker 6>how much she can't stand Heavenly. I don't know if

0:48:21.239 --> 0:48:24.120
<v Speaker 6>that's to ensure, you know what I'm saying, her place

0:48:24.160 --> 0:48:26.320
<v Speaker 6>on the cast or what, but it doesn't look good

0:48:26.680 --> 0:48:28.440
<v Speaker 6>when you come off of that. I didn't like that.

0:48:28.520 --> 0:48:30.680
<v Speaker 6>I don't think that's who Contesta is as a person.

0:48:30.960 --> 0:48:34.040
<v Speaker 6>I think she's a very accomplished physician. She used to

0:48:34.040 --> 0:48:36.200
<v Speaker 6>talk about wanting to be the surgeon General. She had

0:48:36.280 --> 0:48:39.520
<v Speaker 6>lofty goals and like just a beautiful family, you know

0:48:39.600 --> 0:48:41.759
<v Speaker 6>what I'm saying, a gorgeous home. There's so much more

0:48:41.800 --> 0:48:44.920
<v Speaker 6>to concentrate on than her bad clothes and her fighting

0:48:44.960 --> 0:48:47.360
<v Speaker 6>with Heavenly. So I just would rather, you know what

0:48:47.400 --> 0:48:50.080
<v Speaker 6>I'm saying, like, I would rather them figure that out

0:48:50.200 --> 0:48:53.600
<v Speaker 6>and Contesta just get back to being fun and lighthearted

0:48:53.640 --> 0:48:56.720
<v Speaker 6>as opposed to someone with an axe to grind. Every

0:48:56.719 --> 0:49:00.360
<v Speaker 6>fucking time we see her, it just becomes a lot. Honestly,

0:49:00.400 --> 0:49:03.520
<v Speaker 6>think she forgot. I think heavenly forgot that Contesta's mother

0:49:03.719 --> 0:49:05.840
<v Speaker 6>was passed away. In the heat of that argument, and

0:49:05.920 --> 0:49:08.440
<v Speaker 6>after it came out, instead of saying I'm sorry, I

0:49:08.440 --> 0:49:11.200
<v Speaker 6>didn't think I shouldn't have said that kind of owning it,

0:49:11.280 --> 0:49:13.759
<v Speaker 6>then she doubled down on it in anger, and that

0:49:13.920 --> 0:49:16.799
<v Speaker 6>was just flat out wrong as hell, just wrong as fuck.

0:49:16.880 --> 0:49:18.840
<v Speaker 7>There's nothing you can say why.

0:49:19.120 --> 0:49:22.400
<v Speaker 1>Leave, Because the thing is this, you never know what

0:49:22.600 --> 0:49:24.919
<v Speaker 1>someone's mama is going through. Jasone just reveal her mother

0:49:25.080 --> 0:49:28.640
<v Speaker 1>is sick as of today, So me being somebody who

0:49:28.680 --> 0:49:29.880
<v Speaker 1>knows her mother is alive.

0:49:31.719 --> 0:49:33.319
<v Speaker 2>You know, if I didn't know.

0:49:33.400 --> 0:49:35.920
<v Speaker 1>Jackson mama was sick just because I said your mama jokes.

0:49:36.280 --> 0:49:38.920
<v Speaker 1>That's why I just think. I just think this for everybody.

0:49:39.200 --> 0:49:42.759
<v Speaker 1>Leave the mammas and the daddy kids.

0:49:42.200 --> 0:49:45.120
<v Speaker 2>Out of it. Don't talk about kids, don't talk about.

0:49:45.040 --> 0:49:49.040
<v Speaker 1>You know, parents. And the thing with Contesta listen, I

0:49:50.640 --> 0:49:55.120
<v Speaker 1>love Contessa. I was I was sad she wasn't returning

0:49:55.160 --> 0:50:01.279
<v Speaker 1>to the show. The Contessa is definitely going low. That

0:50:02.719 --> 0:50:05.960
<v Speaker 1>what I loved about Contessa was Kintessa to me, being

0:50:06.000 --> 0:50:08.560
<v Speaker 1>a fan of the show, she always kind of rolls

0:50:08.560 --> 0:50:12.719
<v Speaker 1>above it a little bit without without being seen as

0:50:12.719 --> 0:50:16.920
<v Speaker 1>somebody who can defend herself. I don't like the low

0:50:17.400 --> 0:50:20.200
<v Speaker 1>mud slinging from Contesta because I agree with you that

0:50:20.640 --> 0:50:23.560
<v Speaker 1>I just don't think that's her. And I know and

0:50:23.600 --> 0:50:28.120
<v Speaker 1>Contessa Contessa is funny, she she's smart, and she.

0:50:28.080 --> 0:50:28.879
<v Speaker 2>Could get with you.

0:50:29.680 --> 0:50:33.160
<v Speaker 1>But I was surprised with some of the things Contesta

0:50:33.280 --> 0:50:36.520
<v Speaker 1>was saying, only because that's not the Contesta that I've

0:50:36.520 --> 0:50:36.960
<v Speaker 1>ever saw.

0:50:37.960 --> 0:50:40.200
<v Speaker 7>M h. It's clear, it's clear.

0:50:40.280 --> 0:50:44.600
<v Speaker 6>That's why it seems so forced and so like god damn,

0:50:44.719 --> 0:50:47.279
<v Speaker 6>like what why? Why is this what you're choosing to

0:50:47.360 --> 0:50:50.880
<v Speaker 6>do when there's so many other options here. So I

0:50:50.920 --> 0:50:52.560
<v Speaker 6>hope they figure that out. But to me, that's like

0:50:52.600 --> 0:50:54.880
<v Speaker 6>a point of no return. My mamma passed away. You

0:50:54.920 --> 0:50:57.440
<v Speaker 6>fuck with my family a lot. I don't care what

0:50:57.560 --> 0:50:59.680
<v Speaker 6>side of the ground they are. You messed with mine

0:50:59.680 --> 0:51:02.239
<v Speaker 6>at I love. That's a non negotiable, Like there's no

0:51:02.280 --> 0:51:05.000
<v Speaker 6>coming back from that. So let's see what that looks like,

0:51:05.160 --> 0:51:07.319
<v Speaker 6>you know, in the form of a reality show. I

0:51:07.320 --> 0:51:10.560
<v Speaker 6>don't know, but true, Yeah.

0:51:10.640 --> 0:51:12.319
<v Speaker 2>Yeah, it's gonna be gonna be hard.

0:51:12.360 --> 0:51:13.520
<v Speaker 7>Go ahead, go ahead, go ahead.

0:51:13.560 --> 0:51:14.520
<v Speaker 5>Oh no, I was just gonna say.

0:51:14.520 --> 0:51:17.319
<v Speaker 4>Outside of that though, like we talked about what I

0:51:17.360 --> 0:51:19.759
<v Speaker 4>want out of reality stars, this is a show. I'm

0:51:19.920 --> 0:51:22.279
<v Speaker 4>riding with them to the will fall off. I love

0:51:22.360 --> 0:51:25.480
<v Speaker 4>Mary Medicine like these I watched this show and I'm like,

0:51:25.520 --> 0:51:27.239
<v Speaker 4>I want to be just like these ladies. When I

0:51:27.239 --> 0:51:30.440
<v Speaker 4>get into like my fifties and sixties, like just beautiful,

0:51:30.520 --> 0:51:33.040
<v Speaker 4>Like even when they get into the drama, like it

0:51:33.080 --> 0:51:37.440
<v Speaker 4>feels like until this this point, it always felt like

0:51:37.440 --> 0:51:39.279
<v Speaker 4>stuff that they could come back from. And that's what

0:51:39.360 --> 0:51:42.279
<v Speaker 4>I've always loved about this show. So I'm gonna I'm

0:51:42.280 --> 0:51:44.280
<v Speaker 4>gonna keep watching it. But yeah, if I was contested,

0:51:44.320 --> 0:51:46.879
<v Speaker 4>I just I couldn't do it. I couldn't do it.

0:51:47.440 --> 0:51:49.480
<v Speaker 4>But she might be in want of my forgiveness.

0:51:50.280 --> 0:51:52.120
<v Speaker 1>Yeah. The thing is that it's gonna be hard to

0:51:52.160 --> 0:51:54.239
<v Speaker 1>see how they be able to navigate through that.

0:51:54.480 --> 0:51:58.719
<v Speaker 2>So they haven't shot their reunion yet. One thing that

0:51:58.760 --> 0:52:01.600
<v Speaker 2>we know Heavenly has done in the past that we've seen,

0:52:02.000 --> 0:52:03.839
<v Speaker 2>she will apologize, for sure.

0:52:05.400 --> 0:52:10.440
<v Speaker 1>I'm hoping Heavenly apologizes to her, But like Jasmine said,

0:52:11.080 --> 0:52:14.360
<v Speaker 1>it's an apology even enough, and and and that's something

0:52:14.440 --> 0:52:17.200
<v Speaker 1>that we have to respect Contessa's boundaries.

0:52:17.239 --> 0:52:18.600
<v Speaker 7>It's an apology enough.

0:52:18.840 --> 0:52:21.480
<v Speaker 1>And listen on the on the other side of it,

0:52:22.200 --> 0:52:28.320
<v Speaker 1>can heavenly possibly accept an apology when Contessa accused.

0:52:28.280 --> 0:52:30.720
<v Speaker 2>Daddy of having was it mixed babies?

0:52:30.840 --> 0:52:33.600
<v Speaker 6>Yes, she said, mixed babies with the possible last name

0:52:33.640 --> 0:52:36.799
<v Speaker 6>of coms on the internet rumors bullshit that should have

0:52:36.800 --> 0:52:38.239
<v Speaker 6>never made it to the final cut.

0:52:38.640 --> 0:52:41.120
<v Speaker 7>But yes, yes, so can.

0:52:41.080 --> 0:52:45.680
<v Speaker 1>Heavenly forgive her for putting out there that Damon may

0:52:45.719 --> 0:52:50.200
<v Speaker 1>have side children when his kids have to listen to that.

0:52:50.440 --> 0:52:51.239
<v Speaker 2>So that's what I'm saying.

0:52:51.239 --> 0:52:53.160
<v Speaker 1>I think there's a certain things that if you're going

0:52:53.239 --> 0:52:57.280
<v Speaker 1>to read each other, listen. One thing about Lenithia Monique

0:52:57.480 --> 0:52:59.920
<v Speaker 1>Johnson Leaks and kimberly' zoziac.

0:53:00.160 --> 0:53:01.240
<v Speaker 2>Those two used to ring.

0:53:02.600 --> 0:53:09.960
<v Speaker 1>This down down to the ground Scharay and Needy raised

0:53:10.000 --> 0:53:13.279
<v Speaker 1>Rovert he you know what I'm saying, Like you lost

0:53:13.280 --> 0:53:16.080
<v Speaker 1>your house, you lost they kept it. They kept it

0:53:16.120 --> 0:53:19.240
<v Speaker 1>to each other, like let's go and and I think

0:53:19.800 --> 0:53:22.960
<v Speaker 1>if the reality girls want to listen, I think go

0:53:23.080 --> 0:53:25.560
<v Speaker 1>back to keeping it beeping with each other and leave

0:53:25.560 --> 0:53:27.440
<v Speaker 1>everything else out.

0:53:28.239 --> 0:53:29.680
<v Speaker 7>Yeah, I agree, one hundred percent.

0:53:31.000 --> 0:53:35.480
<v Speaker 1>Well, look, tonight has been fantastic. If it's everything I

0:53:35.520 --> 0:53:37.800
<v Speaker 1>thought it would be any more, Mother.

0:53:37.640 --> 0:53:39.080
<v Speaker 2>And Night Lives always pull the surprise.

0:53:39.200 --> 0:53:41.520
<v Speaker 1>This and Jason and Dustin, I thank you to so

0:53:41.680 --> 0:53:47.240
<v Speaker 1>much for making this the most viewed live ever had

0:53:47.280 --> 0:53:51.839
<v Speaker 1>this year and for us to sort of like culminate

0:53:52.400 --> 0:53:55.000
<v Speaker 1>what an amazing year this has been. I also have

0:53:55.040 --> 0:53:56.879
<v Speaker 1>announcement to make. Are you ready for it?

0:53:57.320 --> 0:54:00.719
<v Speaker 4>Carlos, I can't take any more?

0:54:01.880 --> 0:54:05.960
<v Speaker 2>Right, I have an announcement to make.

0:54:07.120 --> 0:54:16.439
<v Speaker 1>Okay, Reality with the King Tour is coming back next year.

0:54:22.000 --> 0:54:26.400
<v Speaker 4>I don't know what I was prepared for what, So

0:54:26.960 --> 0:54:32.520
<v Speaker 4>make sure you follow me for updates and I will

0:54:32.560 --> 0:54:36.360
<v Speaker 4>be announcing something very special along with some guests.

0:54:36.360 --> 0:54:40.799
<v Speaker 2>So all, I'm up to reality TV. He's amazing. Joe

0:54:41.239 --> 0:54:45.520
<v Speaker 2>his name is Joe, Joey. Thanks for stopping in, okay.

0:54:45.560 --> 0:54:47.880
<v Speaker 7>Joey love that platform?

0:54:48.360 --> 0:54:50.759
<v Speaker 1>Yes all right, So I love you, jaff, I love

0:54:50.760 --> 0:54:53.640
<v Speaker 1>you Dustin. Thanks for spending Monday night with me YouTube

0:54:53.719 --> 0:54:55.840
<v Speaker 1>Live and I'll see you guys soon.

0:54:58.080 --> 0:55:00.520
<v Speaker 4>You are too, Can I say one quick? Being really

0:55:00.600 --> 0:55:01.400
<v Speaker 4>quickly Carlos?

0:55:01.760 --> 0:55:02.480
<v Speaker 2>Yeah, of course.

0:55:02.800 --> 0:55:07.040
<v Speaker 4>So I'm casting for a video podcast called First on Us.

0:55:07.320 --> 0:55:10.279
<v Speaker 4>We're casting in Atlanta right now, and we want to

0:55:10.360 --> 0:55:13.800
<v Speaker 4>send singles in Atlanta on blind dates and we're gonna

0:55:13.800 --> 0:55:16.320
<v Speaker 4>pay for the whole thing. So if you are single

0:55:16.600 --> 0:55:19.800
<v Speaker 4>in Atlanta, and I mean single single, no situationships, okay,

0:55:20.160 --> 0:55:23.120
<v Speaker 4>you are a diverse single so we're looking for all races,

0:55:23.160 --> 0:55:28.080
<v Speaker 4>all sexual orientations, all gender identities. Okay, first on us

0:55:28.200 --> 0:55:29.040
<v Speaker 4>dot com.

0:55:29.360 --> 0:55:29.640
<v Speaker 5>Apply.

0:55:29.719 --> 0:55:31.759
<v Speaker 4>You have to be twenty eight years or older though,

0:55:31.800 --> 0:55:35.720
<v Speaker 4>because we need mature folks. But yeh, go to first

0:55:35.760 --> 0:55:40.279
<v Speaker 4>on us dot com.

0:55:40.400 --> 0:55:42.760
<v Speaker 2>Thank you for listening to Reality with the Kings.

0:55:43.080 --> 0:55:48.800
<v Speaker 1>New episodes drop on Tuesdays and Thursdays. Share, comment, follow,

0:55:48.960 --> 0:55:51.439
<v Speaker 1>and subscribe to Reality with the King.

0:55:51.800 --> 0:55:54.040
<v Speaker 2>Wherever you get your podcasts.

0:55:54.000 --> 0:55:57.440
<v Speaker 1>Visit Reality withthe King dot com and be sure to

0:55:57.520 --> 0:56:02.200
<v Speaker 1>follow me at the Carlos King under score on Instagram, Twitter,

0:56:02.440 --> 0:56:05.960
<v Speaker 1>TikTok and yes, Baby, my YouTube channel where you could

0:56:05.960 --> 0:56:10.000
<v Speaker 1>get all of my visuals, baby, my expressions, Yes, and

0:56:10.080 --> 0:56:13.520
<v Speaker 1>don't forget Tweet me your thoughts and hot takes about

0:56:13.520 --> 0:56:19.360
<v Speaker 1>this episode using the hashtag Reality with the King. Reality

0:56:19.400 --> 0:56:22.840
<v Speaker 1>with the King is a production of Kingdom Rain Entertainment,

0:56:23.520 --> 0:56:39.640
<v Speaker 1>an executive produced by me Carlos King, Kingdom Rain Entertainment,

0:56:39.920 --> 0:56:40.440
<v Speaker 1>Baby