1 00:00:00,360 --> 00:00:02,559 Speaker 1: So for the fifty minute morning show, let's talk about 2 00:00:02,600 --> 00:00:05,120 Speaker 1: brooklynnon and Brooklyn and dot Com. You never think of 3 00:00:05,200 --> 00:00:08,280 Speaker 1: your betting your sheets being all that important until you 4 00:00:08,280 --> 00:00:10,639 Speaker 1: get bad sheets. When you get great sheets like we 5 00:00:10,680 --> 00:00:13,560 Speaker 1: have from Brooklyn and dot com, it changes everything. We 6 00:00:13,640 --> 00:00:15,520 Speaker 1: spend so much time on our beds. Why don't we 7 00:00:15,600 --> 00:00:18,200 Speaker 1: take care of ourselves. Let's pamper ourselves. The problem is 8 00:00:18,239 --> 00:00:21,120 Speaker 1: with really great betting, it can be marked up. 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I was sitting around getting ready for 29 00:01:28,080 --> 00:01:31,039 Speaker 1: our fifteen minute morning show podcast, and We're throwing around 30 00:01:31,040 --> 00:01:33,880 Speaker 1: some ideas and I've yet to hear one that sounds good. 31 00:01:33,959 --> 00:01:35,720 Speaker 1: A lot of them hit the floor. Yeah, a lot 32 00:01:35,720 --> 00:01:38,479 Speaker 1: of them just fell down, went down the drain. Great 33 00:01:38,520 --> 00:01:40,319 Speaker 1: teas was very relatable. I don't know what you're saying. 34 00:01:40,319 --> 00:01:42,759 Speaker 1: I didn't find anything relatable about your topic at all. 35 00:01:42,959 --> 00:01:44,759 Speaker 1: I thought it was a great topic. Have you ever 36 00:01:44,800 --> 00:01:48,920 Speaker 1: wondered that I've wondered what well? I wanted to know 37 00:01:49,680 --> 00:01:53,520 Speaker 1: why are Rolex watches so expensive? I have a watch 38 00:01:53,600 --> 00:01:57,160 Speaker 1: that's like Kenneth Cole and it tells time. A Rolex 39 00:01:57,560 --> 00:02:00,840 Speaker 1: tells time. I don't get, okay question, and why are 40 00:02:00,840 --> 00:02:05,000 Speaker 1: are Portia is more expensive than kiyas well? That's good question. 41 00:02:05,080 --> 00:02:06,960 Speaker 1: Hold on a second, I've had both do the same thing. 42 00:02:07,120 --> 00:02:10,680 Speaker 1: I had this debate cars. You can see a noticeable 43 00:02:10,760 --> 00:02:15,040 Speaker 1: difference in luxury performance in handling this. There's a they 44 00:02:15,080 --> 00:02:18,320 Speaker 1: do the job differently a watch, because I've I've had 45 00:02:18,320 --> 00:02:20,880 Speaker 1: this debate. My whole life. Does one job. It tells 46 00:02:20,919 --> 00:02:23,480 Speaker 1: the time, and a five thousand dollar watch and a 47 00:02:23,520 --> 00:02:26,960 Speaker 1: five dollar watch will tell the same exact time, same thing. 48 00:02:27,080 --> 00:02:29,720 Speaker 1: It doesn't do the job better. You can't tell time better. 49 00:02:30,400 --> 00:02:32,120 Speaker 1: It's a little different. You have to you have to 50 00:02:32,240 --> 00:02:36,720 Speaker 1: explain that that way to a watch or jewelry. Uh, freak, 51 00:02:36,840 --> 00:02:39,120 Speaker 1: because they'll they'll disagree with you because they're into the 52 00:02:39,240 --> 00:02:43,040 Speaker 1: quality of the making and the time it's been making 53 00:02:43,080 --> 00:02:45,600 Speaker 1: each watch. It's still eleven o'clock. Well, I have to 54 00:02:45,600 --> 00:02:46,960 Speaker 1: agree with you. This is why I don't own any 55 00:02:46,960 --> 00:02:49,200 Speaker 1: expensive jewelry. I'm just not I'm not into it, right, 56 00:02:49,400 --> 00:02:52,840 Speaker 1: But you know I get it. But I think Nate disagrees. Well, no, 57 00:02:53,000 --> 00:02:55,519 Speaker 1: I actually know the reason why Rolex watches are so expensive. 58 00:02:55,560 --> 00:02:58,840 Speaker 1: Why so, they're very well established brand. They've been around 59 00:02:58,840 --> 00:03:03,799 Speaker 1: their Swiss if I'm not mistaken an okay, great fair. 60 00:03:04,880 --> 00:03:06,640 Speaker 1: Rolex was one of the first watches if I'm not 61 00:03:06,680 --> 00:03:11,440 Speaker 1: mistaken to be waterproof. It was also very finally tuned, 62 00:03:11,520 --> 00:03:14,760 Speaker 1: so it was time. It's time never went off right, 63 00:03:15,120 --> 00:03:18,000 Speaker 1: and so Rolex was one of those first watches in 64 00:03:18,040 --> 00:03:20,440 Speaker 1: the I don't know how long they've been around, but 65 00:03:20,480 --> 00:03:23,760 Speaker 1: then they started to capitalize on the Rolex name. And 66 00:03:23,800 --> 00:03:25,760 Speaker 1: then if you go back and see how much a 67 00:03:25,840 --> 00:03:29,919 Speaker 1: Rolex cost, even with inflation, they've actually increased the price 68 00:03:29,960 --> 00:03:33,000 Speaker 1: exponentially because they know people associate Rolex with being a 69 00:03:33,040 --> 00:03:35,200 Speaker 1: fine brand. So to this day you can actually buy 70 00:03:35,240 --> 00:03:38,080 Speaker 1: the least expensive Rolexes and there are nowhere near the 71 00:03:38,160 --> 00:03:41,600 Speaker 1: quality of the Rolexes that they're famous for for you know, 72 00:03:41,680 --> 00:03:45,320 Speaker 1: tons of years ago. Explains why they're expensive. It doesn't 73 00:03:45,320 --> 00:03:48,400 Speaker 1: explain why I should buy one. I guess it's a 74 00:03:48,440 --> 00:03:51,440 Speaker 1: status symbol, it's like. And on that note, by the way, 75 00:03:51,600 --> 00:03:55,040 Speaker 1: um going moving into the sunglasses world. UM, I actually 76 00:03:55,080 --> 00:03:59,240 Speaker 1: saw a piece on sixty Minutes where there's this company 77 00:03:59,280 --> 00:04:02,120 Speaker 1: in Italy. Look at they make all the sunglass they 78 00:04:02,200 --> 00:04:05,600 Speaker 1: make every single brand, and they are literally one picnic 79 00:04:05,640 --> 00:04:08,200 Speaker 1: table away from each other in the same room where 80 00:04:08,560 --> 00:04:13,000 Speaker 1: the people from RayBan is sing here next and the 81 00:04:13,280 --> 00:04:17,240 Speaker 1: next tables call it the cafeteria style tables. Why are 82 00:04:17,279 --> 00:04:20,720 Speaker 1: they eating picnics while they're making tables with benches. I'm 83 00:04:20,720 --> 00:04:22,400 Speaker 1: trying to get the tables with the benches that you 84 00:04:22,400 --> 00:04:25,839 Speaker 1: would have a picnic on. That is what separates the 85 00:04:25,920 --> 00:04:28,760 Speaker 1: people working on one brand versus the next, versus the next, 86 00:04:28,960 --> 00:04:32,320 Speaker 1: and pretty much of the brands that we all know 87 00:04:32,400 --> 00:04:35,600 Speaker 1: and love, and some of them could be pradak ch 88 00:04:35,800 --> 00:04:39,320 Speaker 1: whatever is sitting there in the same factor what this is. 89 00:04:39,920 --> 00:04:42,599 Speaker 1: It's not about what it's worth. It's about what you'll 90 00:04:42,600 --> 00:04:47,240 Speaker 1: pay for correct ray band, for instance, So ray band 91 00:04:47,400 --> 00:04:49,560 Speaker 1: was actually going to go out of business in the eighties. 92 00:04:49,680 --> 00:04:52,320 Speaker 1: They were in very dire financial stream. Who do you think, 93 00:04:52,400 --> 00:04:55,680 Speaker 1: Tom Cruise? Tom Cruise, they had him wear ray bands 94 00:04:55,680 --> 00:04:59,320 Speaker 1: in your favorite movie, Top Gun, and then boom that 95 00:04:59,440 --> 00:05:06,880 Speaker 1: was that was Top Gun, wasn't Hello Oh? Then when 96 00:05:06,920 --> 00:05:09,680 Speaker 1: he slid across the room, we're in the sunglasses. That 97 00:05:09,880 --> 00:05:12,400 Speaker 1: that's what I'm saying. That saved the ray banks. Sales 98 00:05:12,440 --> 00:05:14,280 Speaker 1: of Tidy Whitey's went through the roof. Is So, so 99 00:05:14,400 --> 00:05:16,880 Speaker 1: you go to a high end store, let's say like 100 00:05:17,120 --> 00:05:21,360 Speaker 1: a sax fith Avenue versus a Coal's all right, you're 101 00:05:21,360 --> 00:05:24,000 Speaker 1: still gonna find clothing at the Coals. It's gonna last 102 00:05:24,080 --> 00:05:26,159 Speaker 1: as longer, sometimes longer than this stuff you spent eight 103 00:05:26,240 --> 00:05:28,680 Speaker 1: hundred dollars for at the Saxfith Avenue. You're so correct. 104 00:05:28,880 --> 00:05:32,039 Speaker 1: I know I have shirts that I bought at Coals 105 00:05:32,360 --> 00:05:35,000 Speaker 1: maybe six seven years ago, that I'm still wearing today. 106 00:05:35,560 --> 00:05:37,680 Speaker 1: I can't get over it. It's what you'll pay, it's 107 00:05:37,680 --> 00:05:39,600 Speaker 1: not what it's worth it. So does that nswer your question? 108 00:05:39,839 --> 00:05:42,040 Speaker 1: I guess. I mean, but you know there are arguments 109 00:05:42,120 --> 00:05:46,160 Speaker 1: out there for some watches from roles that are in 110 00:05:46,360 --> 00:05:52,680 Speaker 1: that world premium, handmade, fantastic time pieces, because I know 111 00:05:52,800 --> 00:05:55,800 Speaker 1: if it's made out of like fourteen caragals for for us, 112 00:05:55,880 --> 00:05:58,400 Speaker 1: that's not important when I can't afford something like that. 113 00:05:58,480 --> 00:06:01,120 Speaker 1: I mean, that's not my ideal. Your Mercedes. I don't 114 00:06:01,279 --> 00:06:03,320 Speaker 1: have the Mercedes. If I want to know what time 115 00:06:03,320 --> 00:06:04,520 Speaker 1: it is, I'll look at my own I'll look at 116 00:06:04,560 --> 00:06:08,840 Speaker 1: my phone, yes, right, I look at my grandfather clock. Well, 117 00:06:08,880 --> 00:06:11,040 Speaker 1: I'm just saying, you know, I was just I was 118 00:06:11,120 --> 00:06:13,520 Speaker 1: just curious. We edit that. Can we take that out 119 00:06:13,560 --> 00:06:16,440 Speaker 1: the line about the grandfather clock? Do you have a 120 00:06:16,480 --> 00:06:20,520 Speaker 1: grandfather clock anyway anymore? Really? Only the mystery shows on 121 00:06:20,720 --> 00:06:26,200 Speaker 1: on PBS have grandfather. Growing up, I've always wanted a 122 00:06:26,200 --> 00:06:28,640 Speaker 1: cuckoo clock. I had a cuckoo clock from my brother 123 00:06:28,760 --> 00:06:30,640 Speaker 1: when he was serving in the army. He he was 124 00:06:30,680 --> 00:06:33,080 Speaker 1: traveling around European brought me a cucko clock from Switzerland. 125 00:06:33,760 --> 00:06:35,720 Speaker 1: What's the most obnoxious fucking thing I've ever had in 126 00:06:35,800 --> 00:06:43,240 Speaker 1: my life? Every hour? Is it a rolex? Not a rolex? Okay, 127 00:06:43,320 --> 00:06:47,440 Speaker 1: let's talk about chocolate while we're talking about Switzerland. Yeah, 128 00:06:47,839 --> 00:06:50,480 Speaker 1: they're a fine imported chocolate out there. Oh, you're just 129 00:06:50,640 --> 00:06:54,800 Speaker 1: as happy eating something good old American chocolate. I do 130 00:06:54,960 --> 00:06:57,920 Speaker 1: like the Diver though, a chocolate. Here's something you need 131 00:06:57,960 --> 00:07:00,240 Speaker 1: to know about Cadiver correct if I'm wrong, long, but 132 00:07:00,360 --> 00:07:03,400 Speaker 1: originally owned by Godiva and then I think the Campbell 133 00:07:03,560 --> 00:07:06,800 Speaker 1: Soup company bought them. No, and then yeah, no, no, 134 00:07:06,920 --> 00:07:09,800 Speaker 1: it's it's it's it's not made by the original Goodiva people. 135 00:07:09,840 --> 00:07:14,960 Speaker 1: In your more chocolate, it's very good, it's very tasty. Really, 136 00:07:15,320 --> 00:07:17,400 Speaker 1: so once again, you're you're not paying for, you know, 137 00:07:17,920 --> 00:07:21,000 Speaker 1: an important chocolate. I don't think you're paying for chocolate 138 00:07:21,040 --> 00:07:22,320 Speaker 1: that you just seven and like it has the name 139 00:07:22,400 --> 00:07:25,440 Speaker 1: Goodiva on it. Toblon used to be expensive. You used 140 00:07:25,440 --> 00:07:27,720 Speaker 1: to have to go to Europe and get tob laron. Right. 141 00:07:27,880 --> 00:07:29,320 Speaker 1: And then a couple of years later, after I went 142 00:07:29,360 --> 00:07:31,000 Speaker 1: to Switzerland, it was here, it was all over the place. 143 00:07:31,240 --> 00:07:32,880 Speaker 1: I thought, oh my god, it was a big deal there. 144 00:07:33,040 --> 00:07:35,520 Speaker 1: I thought tolb larone in Iceland. I couldn't believe. He thought, 145 00:07:35,600 --> 00:07:37,760 Speaker 1: oh my god, he was calling live from a hotel 146 00:07:37,840 --> 00:07:40,480 Speaker 1: room in Iceland. You see, they have this Icelandic candy 147 00:07:40,520 --> 00:07:44,600 Speaker 1: called toblon. I don't know. Yeah, I called it TOBLARONI yeah, Okay, 148 00:07:44,600 --> 00:07:46,840 Speaker 1: what'd you find out? Well, no, I haven't. I'll get 149 00:07:46,880 --> 00:07:50,720 Speaker 1: to that. You gotta go. Where's Scarrett? There you are? 150 00:07:51,000 --> 00:07:54,960 Speaker 1: Nineteen sixty six, the Campbell Soup company came in and 151 00:07:55,040 --> 00:07:58,040 Speaker 1: bought Godiva. Well not even in your lifetime, t have 152 00:07:58,120 --> 00:08:00,920 Speaker 1: you had regular Goodiva? I didn't even knowineteen seventy two 153 00:08:00,960 --> 00:08:03,520 Speaker 1: is the first Kativa boutique in North America opened in 154 00:08:03,520 --> 00:08:06,000 Speaker 1: New York City on Fifth So does Campbell Soup still own? 155 00:08:06,720 --> 00:08:08,480 Speaker 1: Let me keep on. You know what, I love Campbell 156 00:08:08,480 --> 00:08:10,080 Speaker 1: Soup and tastes so good. So that's why I like 157 00:08:10,160 --> 00:08:12,080 Speaker 1: the chocolate, because it's because a little bit of the 158 00:08:12,120 --> 00:08:15,320 Speaker 1: soup is in the choco They used the same It's 159 00:08:15,360 --> 00:08:18,280 Speaker 1: just it's the name of a company that owns corporations. 160 00:08:18,280 --> 00:08:20,400 Speaker 1: They own the soup company and they own the chocolate company. 161 00:08:20,440 --> 00:08:22,560 Speaker 1: The ton they're not being manufactured in the same room. 162 00:08:22,640 --> 00:08:25,800 Speaker 1: They probably, but you think listen, they're gonna cut down overhead. No, 163 00:08:25,920 --> 00:08:28,600 Speaker 1: it's like they owned stations in Dallas. They own stations 164 00:08:28,640 --> 00:08:30,640 Speaker 1: in New York. It's a little different. Your sunglasses are 165 00:08:30,680 --> 00:08:32,679 Speaker 1: being made in the same room. Can I be the 166 00:08:32,720 --> 00:08:35,079 Speaker 1: guy that brings up Can we talk about something? Please do. 167 00:08:35,880 --> 00:08:37,079 Speaker 1: But when I say, you're gonna go no, I don't 168 00:08:37,200 --> 00:08:39,160 Speaker 1: talk about it? Is that okay? Can we have the 169 00:08:39,160 --> 00:08:41,760 Speaker 1: piano conversation please? Yeah? Sure, go ahead. Now you have 170 00:08:41,800 --> 00:08:43,559 Speaker 1: to tell the story you heard it's so go go 171 00:08:43,640 --> 00:08:45,800 Speaker 1: get the piano. Go get the piano. It's it's in 172 00:08:45,800 --> 00:08:49,480 Speaker 1: the next room. It's a little toy piano, right Elvis 173 00:08:49,559 --> 00:08:51,920 Speaker 1: Duran and we have some of our artists come through 174 00:08:51,960 --> 00:08:53,960 Speaker 1: and sign it. It's like a little toy piano. All right. 175 00:08:53,960 --> 00:08:55,160 Speaker 1: When you hear it, you'll go, oh, it's one of 176 00:08:55,160 --> 00:08:56,600 Speaker 1: those pianos. Here. Hit the key so they can hear 177 00:08:56,640 --> 00:09:00,600 Speaker 1: what it sounds like. Go ahead, hit the keys. Yeah, 178 00:09:00,679 --> 00:09:04,120 Speaker 1: here we go, Yes, hit the keys, play a song, 179 00:09:04,480 --> 00:09:06,280 Speaker 1: so I can't really play, But do you want me 180 00:09:06,320 --> 00:09:08,520 Speaker 1: to tell? Tell everybody what I told you? You tell everyone, 181 00:09:08,679 --> 00:09:10,160 Speaker 1: and I'm hoping you say it the same way because 182 00:09:10,160 --> 00:09:13,800 Speaker 1: it's funny. Hold on, Danielle, this is so amazing. We're 183 00:09:13,800 --> 00:09:16,880 Speaker 1: switching gears to the piano contra. Here we go. This 184 00:09:17,040 --> 00:09:19,120 Speaker 1: is so amazing, I told daniel Okay, so do you 185 00:09:19,200 --> 00:09:21,120 Speaker 1: ever find out? Look like, I'm looking at a piano 186 00:09:21,240 --> 00:09:23,520 Speaker 1: right now, right, and it's got limited amount of keys. 187 00:09:24,000 --> 00:09:26,520 Speaker 1: But here's the funny thing though, it's like a sequence 188 00:09:26,880 --> 00:09:31,240 Speaker 1: because you have to play the right key's in order 189 00:09:31,360 --> 00:09:34,480 Speaker 1: for it to sound good. For instance, I could just 190 00:09:34,520 --> 00:09:36,480 Speaker 1: go that's how songs are born because you hit the 191 00:09:36,600 --> 00:09:38,600 Speaker 1: right keys and right, yeah, like this, Like I can 192 00:09:38,640 --> 00:09:43,280 Speaker 1: go like this, and that doesn't sound right because those 193 00:09:43,320 --> 00:09:45,439 Speaker 1: two notes they don't go they don't go together, but 194 00:09:45,679 --> 00:09:48,400 Speaker 1: you can if you hit the right sequence at the 195 00:09:48,480 --> 00:09:51,800 Speaker 1: same time, they sound so beautiful like so like I 196 00:09:51,840 --> 00:09:56,280 Speaker 1: don't know, like, but you have to find the right 197 00:09:56,360 --> 00:09:58,640 Speaker 1: This is what I walked in. Yes, so he he 198 00:09:58,800 --> 00:10:01,200 Speaker 1: This is like a new invention and of his they're 199 00:10:01,559 --> 00:10:04,439 Speaker 1: called chords. So it's like you're opening up practice, but 200 00:10:04,520 --> 00:10:07,480 Speaker 1: it's like it's like you're cracking the code of the 201 00:10:07,640 --> 00:10:11,360 Speaker 1: piano an order for it to sound correct, you've got 202 00:10:11,480 --> 00:10:13,439 Speaker 1: to hit the You have to have your right fingers 203 00:10:13,800 --> 00:10:17,280 Speaker 1: on the right keys at the right time in order 204 00:10:17,280 --> 00:10:20,080 Speaker 1: to open it up. That's what piano players have for years, 205 00:10:20,120 --> 00:10:23,679 Speaker 1: like the days of Mozart and Schubert. Amazing. If it 206 00:10:23,800 --> 00:10:26,280 Speaker 1: didn't have to be that way, If it didn't have 207 00:10:26,320 --> 00:10:29,280 Speaker 1: to be that way, then anybody could play piano. Say 208 00:10:29,480 --> 00:10:31,920 Speaker 1: are you saying yes, I don't want me ball here 209 00:10:32,360 --> 00:10:34,679 Speaker 1: that if a person would hit the keys in a 210 00:10:35,200 --> 00:10:38,040 Speaker 1: order and a certain tempo, that a song could come 211 00:10:38,040 --> 00:10:40,400 Speaker 1: out of that correct. You have to be able to 212 00:10:40,520 --> 00:10:42,400 Speaker 1: do that. So how do you think a guitar works? 213 00:10:42,760 --> 00:10:44,520 Speaker 1: What guitar? We have to learn how to play that. 214 00:10:44,679 --> 00:10:46,480 Speaker 1: I mean, it's the same thing as a piano. No, 215 00:10:46,679 --> 00:10:50,840 Speaker 1: but it's different. You know what. There is an argument 216 00:10:50,920 --> 00:10:52,839 Speaker 1: for what kind of instrument of piano is? Is it 217 00:10:53,040 --> 00:10:57,440 Speaker 1: a Is it uh? Percussion? Is it percussion or string? 218 00:10:58,120 --> 00:11:01,240 Speaker 1: I wouldn't because you have hand mers that beat the strings, 219 00:11:01,280 --> 00:11:04,000 Speaker 1: but you have strings. So I thought it was a 220 00:11:04,040 --> 00:11:07,560 Speaker 1: wood wind. To be honest, I thought it would win. 221 00:11:07,800 --> 00:11:10,680 Speaker 1: But so this is where I came up with this. Daniel, 222 00:11:10,679 --> 00:11:13,640 Speaker 1: you have to listen to very on Friday. On Friday, 223 00:11:13,840 --> 00:11:16,280 Speaker 1: we had um, oh, your friend that came in the 224 00:11:16,600 --> 00:11:21,240 Speaker 1: guest Uh yeah, Darren Chris. Right. So so he came 225 00:11:21,320 --> 00:11:23,480 Speaker 1: in right, and he brought the piano and was in 226 00:11:23,640 --> 00:11:26,560 Speaker 1: like seriously three seconds. He sat down and he just went, oh, 227 00:11:26,640 --> 00:11:28,079 Speaker 1: look and look at this great piano. And he went 228 00:11:29,080 --> 00:11:31,680 Speaker 1: and all of a sudden, it sounded like like doves 229 00:11:31,760 --> 00:11:33,880 Speaker 1: were flying in the air. It's sound beautiful. But he 230 00:11:34,080 --> 00:11:38,200 Speaker 1: knew those cords. He googled the code in order less 231 00:11:38,280 --> 00:11:43,640 Speaker 1: smart for this experiences. Don't you think it's fascinating that 232 00:11:43,840 --> 00:11:46,360 Speaker 1: all you have to do is know the right things 233 00:11:46,480 --> 00:11:51,040 Speaker 1: to play an outcomes? There's beautiful sound, fascinating. It's fascinating. 234 00:11:51,320 --> 00:11:56,719 Speaker 1: Now that work was blowing into a brass instrument. I 235 00:11:56,760 --> 00:12:03,360 Speaker 1: don't work for the flute. I don't know. See look 236 00:12:05,960 --> 00:12:11,800 Speaker 1: that goes together. This is a chord. This is an 237 00:12:11,840 --> 00:12:15,520 Speaker 1: F chord, and this is a chord. Here's an a chord, 238 00:12:18,400 --> 00:12:21,720 Speaker 1: and here's a chord. Right. It sounds nice, right, see 239 00:12:21,720 --> 00:12:25,199 Speaker 1: how he did that? But give it to me? And 240 00:12:25,360 --> 00:12:27,559 Speaker 1: I could not do that because you have to learn so, 241 00:12:27,760 --> 00:12:29,520 Speaker 1: but did you tell me the chords to play? Give 242 00:12:29,559 --> 00:12:37,240 Speaker 1: me this? You alright? I get this? How nice is that? Right? 243 00:12:37,360 --> 00:12:40,160 Speaker 1: So everybody sits by the way, I don't know anything. Okay, 244 00:12:40,200 --> 00:12:44,520 Speaker 1: so everybody and you stare at those keys, but I 245 00:12:44,720 --> 00:12:48,559 Speaker 1: have no idea what the what the sequence is? To 246 00:12:48,720 --> 00:12:51,280 Speaker 1: make it sound like that? You have to but how 247 00:12:51,440 --> 00:12:53,240 Speaker 1: did And then you learn how to read music, and 248 00:12:53,280 --> 00:12:56,240 Speaker 1: then the notes on the music lines tell you which 249 00:12:56,360 --> 00:12:58,120 Speaker 1: button to hit. I know, but when I see that, 250 00:12:58,320 --> 00:13:02,400 Speaker 1: you see you see like like invisible notes, invisible notes, right, 251 00:13:03,160 --> 00:13:07,199 Speaker 1: I see F and G And how could you find that? 252 00:13:07,400 --> 00:13:11,400 Speaker 1: On there? They're all blank? It always starts with the scene. 253 00:13:11,480 --> 00:13:15,640 Speaker 1: What could you find the ex because it's so far 254 00:13:16,200 --> 00:13:19,280 Speaker 1: is always um is always the white key to the 255 00:13:19,400 --> 00:13:21,319 Speaker 1: left of the two black to the left and the 256 00:13:21,360 --> 00:13:23,360 Speaker 1: two black right here. How could you find it? Right? 257 00:13:23,440 --> 00:13:27,280 Speaker 1: Because it's right these two seas the black keys are 258 00:13:27,400 --> 00:13:29,839 Speaker 1: in series of twos and threes. So this is a 259 00:13:29,920 --> 00:13:32,000 Speaker 1: c here, and this is a c here to look 260 00:13:33,080 --> 00:13:39,040 Speaker 1: it is it's the same note. Listen, listen, play them together. 261 00:13:40,000 --> 00:13:42,160 Speaker 1: It's the same note, but it's an octave higher. They 262 00:13:42,280 --> 00:13:44,679 Speaker 1: slide into each other that they're together. I see, I 263 00:13:44,880 --> 00:13:47,920 Speaker 1: never knew that you're kidding. So I know you have 264 00:13:47,960 --> 00:13:51,319 Speaker 1: to do go ce D E C A B C 265 00:13:51,559 --> 00:13:56,679 Speaker 1: d F g G F E d C. So tell 266 00:13:56,720 --> 00:14:01,520 Speaker 1: me give me a B there I'm hearing. Be flat, 267 00:14:01,640 --> 00:14:04,120 Speaker 1: Just be flat. So you can look at any piano 268 00:14:04,240 --> 00:14:07,520 Speaker 1: and you can find those cords the same. There's the 269 00:14:07,600 --> 00:14:10,800 Speaker 1: same one. I beg for great tea, for great key 270 00:14:10,880 --> 00:14:12,680 Speaker 1: to go into a class with all five year olds 271 00:14:12,720 --> 00:14:14,920 Speaker 1: that are learning piano for the first time and learn piano. 272 00:14:15,600 --> 00:14:18,199 Speaker 1: You couldn't learn piano. But as you know, I'm a 273 00:14:18,240 --> 00:14:21,480 Speaker 1: little surprised at this conversation because you are a musician 274 00:14:21,560 --> 00:14:24,920 Speaker 1: from way back. I remember the song, the song you 275 00:14:24,960 --> 00:14:29,040 Speaker 1: did called Time passes by. Yes, you know were get 276 00:14:29,120 --> 00:14:32,280 Speaker 1: the band back together? We are? You know what you 277 00:14:32,360 --> 00:14:35,480 Speaker 1: can learn how to play keyboards for your bit that 278 00:14:35,680 --> 00:14:39,000 Speaker 1: was played the keyboards, well, you can have more than 279 00:14:39,080 --> 00:14:45,680 Speaker 1: one keyboard keyboard. And he was a real good he 280 00:14:45,920 --> 00:14:50,200 Speaker 1: was he'd played the cars. But you were up front 281 00:14:50,240 --> 00:14:52,800 Speaker 1: because you were the lead vocalist. Listen to great Here 282 00:14:52,960 --> 00:15:01,360 Speaker 1: is to sleep, Morning starts time. Five trees don't up 283 00:15:01,400 --> 00:15:06,120 Speaker 1: here in the yard to the light. I'm trying to 284 00:15:06,200 --> 00:15:12,720 Speaker 1: figure it's time. They're saying aside, Time past by, every 285 00:15:13,040 --> 00:15:22,920 Speaker 1: over passes by sad. Everyone says the right hope the 286 00:15:23,000 --> 00:15:29,360 Speaker 1: same time. You can play. People stop, listen, house good way. 287 00:15:30,800 --> 00:15:37,400 Speaker 1: We support your fer We learned this song on regular speed. 288 00:15:38,320 --> 00:15:42,680 Speaker 1: This is regular We can see gives. People showed up 289 00:15:42,720 --> 00:15:45,600 Speaker 1: to see you sing that. We played at Erica Selgman's 290 00:15:45,640 --> 00:15:48,800 Speaker 1: bro party and it was awesome. We played, We had it. 291 00:15:48,960 --> 00:15:51,560 Speaker 1: We had a stand upply the fireplace. It wasn't a 292 00:15:51,600 --> 00:15:55,160 Speaker 1: lot of route in hopes they would catch five. It 293 00:15:55,280 --> 00:15:57,080 Speaker 1: was a split level house. Some kids are sitting on 294 00:15:57,160 --> 00:15:59,920 Speaker 1: the stair. We learned a lot about music theory today 295 00:16:00,120 --> 00:16:03,160 Speaker 1: and great tea. The world is waiting for you on 296 00:16:03,280 --> 00:16:06,760 Speaker 1: the keyboard. I can't wait. I gotta learn right. Do 297 00:16:06,760 --> 00:16:08,760 Speaker 1: you want to go learn the keyboard? Do it? I 298 00:16:08,800 --> 00:16:11,400 Speaker 1: think we all think you should. The fifteen Minute Morning 299 00:16:11,480 --> 00:16:11,720 Speaker 1: Show