WEBVTT - Sideshow 3: The Mother of All Humbugs

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<v Speaker 1>Just a quick note before we begin. In order to

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<v Speaker 1>best honor the stories of the people you will meet here,

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<v Speaker 1>this episode features some sensitive material and language about racially

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<v Speaker 1>motivated violence. Listener discretion is advised. It's possible that giving

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<v Speaker 1>someone a hand had never been such a bad idea.

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<v Speaker 1>On that April morning of John Hicks Jr. Was hard

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<v Speaker 1>at work at the New York Hospital. As one version

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<v Speaker 1>of the story goes, he leaned out the window and

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<v Speaker 1>waved to some boys playing below. But it wasn't his

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<v Speaker 1>hand that he gestured with. Instead, he was holding an

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<v Speaker 1>entire severed arm, freshly dislodged from its corpse, which lay

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<v Speaker 1>flayed open nearby. The boys climbed up to the window

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<v Speaker 1>on a ladder. Once inside, they had questions, and Hick,

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<v Speaker 1>no pun intended, was armed with answers. Ever, the trickster

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<v Speaker 1>Hicks tease that the limb belonged to one of the

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<v Speaker 1>boys mothers, and if that wasn't bad enough. What Hicks

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<v Speaker 1>didn't know was this the boy's mother had in fact

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<v Speaker 1>recently died. The boy ran off to tell his father,

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<v Speaker 1>who was working as a mason nearby. According to some accounts,

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<v Speaker 1>the grieving father was alarmed. He rushed off to his

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<v Speaker 1>wife's grave, and sure enough, when they opened her coffin,

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<v Speaker 1>her body was gone. He went back and told his

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<v Speaker 1>co workers about what happened and about the medical student

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<v Speaker 1>who had claimed to be the perpetrator. The group of

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<v Speaker 1>workers quickly formed into a mob and marched off towards

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<v Speaker 1>the hospital. Once there, they rushed the doors and the

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<v Speaker 1>rioting began. They poured into the building, smashing anatomical specimens

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<v Speaker 1>as they went. They came upon cowering medical students, hanging

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<v Speaker 1>corpses and boiling kettles full of bodies. News of the

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<v Speaker 1>rabble made its way the mayor, who ordered doctors and

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<v Speaker 1>medical students to be held in jail for their own protection.

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<v Speaker 1>The mob eventually dispersed for the day and things settled down,

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<v Speaker 1>but people continue to talk about what they had seen

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<v Speaker 1>at the hospital that evening, and by the next morning,

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<v Speaker 1>unrest and anger about the use of robbed bodies for

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<v Speaker 1>anatomical lessons spread like wildfire. The mob once again assembled

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<v Speaker 1>and spread throughout the city, looking not only for other

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<v Speaker 1>bodies that had been snatched, but also for doctors and

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<v Speaker 1>medical students themselves. Estimates placed the size of the crowd

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<v Speaker 1>and about five thousand, with rioters attacking the jail and

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<v Speaker 1>yelling for the doctors to be handed over. The city

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<v Speaker 1>deployed a militia to squash the uprising, but left and

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<v Speaker 1>estimated twenty people dead. Knowledge of the human body and

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<v Speaker 1>how to treat its ailments requires well bodies, and the

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<v Speaker 1>study of bodies is of course not a neutral pursuit.

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<v Speaker 1>It's deeply entwined with pre existing convictions of the value

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<v Speaker 1>of such bodies. In some places, body snatching was illegal,

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<v Speaker 1>but only as a misdemeanor, while in most the possession

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<v Speaker 1>of stolen bodies was not actually a crime. Other places

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<v Speaker 1>had nothing on the books at all, and in any case,

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<v Speaker 1>there were only so many corpses to be had, far

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<v Speaker 1>fewer than needed for training, which led many medical students

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<v Speaker 1>to take their education into their own hands and acquire

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<v Speaker 1>cadavers by other more nefarious means. This was a situation

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<v Speaker 1>that was bound to spark backlash and even violence, but

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<v Speaker 1>for some time no one had ever felt the need

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<v Speaker 1>to do anything about it. So why now, Well, it

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<v Speaker 1>seems that it all has to do with what kind

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<v Speaker 1>of bodies were taken and from where the outrage was fueled,

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<v Speaker 1>not simply by the fact that graves had been desecrated

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<v Speaker 1>and bodies stolen and dissected, but the fact that wealthy

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<v Speaker 1>people were also being snatched. You see, as long as

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<v Speaker 1>they were the corpses of black or indigenous people, or

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<v Speaker 1>of people of poor European in stock, no one seemed

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<v Speaker 1>to care. It's not clear what happened to the bodies

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<v Speaker 1>of those left dead in the riot's wake. It's lost

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<v Speaker 1>to history whether they were able to remain in their

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<v Speaker 1>graves or if they too ended up under the knife.

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<v Speaker 1>But what is clear is just how pervasive the underlying

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<v Speaker 1>attitude of whose body was worth what was becoming, and

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<v Speaker 1>sadly it would only get worse. I'm Aaron Manky and

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<v Speaker 1>welcome to the side show. There was a scent of

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<v Speaker 1>low tide and opportunity in the air, and the merchants

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<v Speaker 1>of South Streets liked it that way. In eight thirty five,

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<v Speaker 1>the seaport on the southernmost part of Manhattan was hopping.

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<v Speaker 1>On any given day, there might be a thousand ships,

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<v Speaker 1>all bobbing like ducklings, waiting to unload their wares, and

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<v Speaker 1>just steps from the box were rows of shops, their

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<v Speaker 1>doors swinging in constant motion as money came, and goods

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<v Speaker 1>went p t Barnum leaned against the counter of his

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<v Speaker 1>grocery store. He tugged at his collar and dabbed at

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<v Speaker 1>his brow with a handkerchief. The sea breeze did little

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<v Speaker 1>to mitigate the humid, damp shop interior. It could feel

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<v Speaker 1>cavernous at times, Stacked high with burlap sacks and novelties

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<v Speaker 1>of all kinds, it had been a tough winter. After

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<v Speaker 1>leaving Bethel with his wife Charity and daughter Caroline, they,

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<v Speaker 1>like so many others, had made their way to the

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<v Speaker 1>big city. But work didn't come quickly, and neither did

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<v Speaker 1>the debts that customers back in Connecticut owed him. When

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<v Speaker 1>that money did finally come, Barnum began to breathe a

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<v Speaker 1>little bit easier. He opened a boarding house and soon

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<v Speaker 1>after bought equity in a local grocery store. It was here,

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<v Speaker 1>in his claustrophobic mercantile kingdom that Barnum's life took a turn.

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<v Speaker 1>What happened next became the subject of a lifelong, ever

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<v Speaker 1>shifting narrative. Like many goods stories, it all began with

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<v Speaker 1>someone at the front door, and we can imagine that

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<v Speaker 1>with a flip of his wrist. Barnum quickly folded his

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<v Speaker 1>handkerchief and tucked it away as Coley Bartram walked into

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<v Speaker 1>the shop. Coley Bartram was an acquaintance of Barnum, but

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<v Speaker 1>he didn't come to buy anything that day. No, Bartram

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<v Speaker 1>was here with other business matters in mind. Barnum's reputation

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<v Speaker 1>as a wily businessman had preceded him, and Coley was

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<v Speaker 1>here to talk about a sale at this very moment.

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<v Speaker 1>He told Barnum there was a woman traveling the East

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<v Speaker 1>coast who might be of great interest to him. Reaching

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<v Speaker 1>into his pocket, Bartram unfolded an advertisement from the Philadelphia

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<v Speaker 1>Inquirer Joyce. Heth it read a Negress aged one hundred

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<v Speaker 1>sixty one years who formerly belonged to the father of

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<v Speaker 1>General Washington. General Washington as in President George Washington. He

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<v Speaker 1>went on to tell the tale that for almost a

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<v Speaker 1>hundred years she had lived with a family in Kentucky.

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<v Speaker 1>As the story goes, the family retained her original bill

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<v Speaker 1>of sale, signed by none other than George Washington's old

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<v Speaker 1>dad himself. In fact, Coley went on she had been

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<v Speaker 1>little George's nursemaid, raising him from infancy and into his

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<v Speaker 1>role as founding father. And now she had alighted out

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<v Speaker 1>on tour, but of course not on her own. You see,

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<v Speaker 1>Joyce Heth was on the human curiosity circuit, a form

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<v Speaker 1>of entertainment popular in the days before Netflix. Because of that,

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<v Speaker 1>she had managers. And one of those managers included one

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<v Speaker 1>of Coley's former business partners. And this business partner and

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<v Speaker 1>I tinerant showman by the name of R. W. Lindsay,

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<v Speaker 1>was eager to sell his act, his act being the living, breathing,

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<v Speaker 1>elderly Joyce Heth. Now, if this sounds gross, well that's

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<v Speaker 1>because it is. What we're talking about here is, in

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<v Speaker 1>effect human trafficking, the selling of a black body from

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<v Speaker 1>one set of white hands to another. If you are

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<v Speaker 1>under the impression that the North had an enlightened position

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<v Speaker 1>on owning people, well you'd best think again. The year before,

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<v Speaker 1>New York City had been torn apart by anti abolition riots.

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<v Speaker 1>It took days for the military to squash the upheaval.

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<v Speaker 1>In their wake, the rioters left destruction of homes, businesses,

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<v Speaker 1>and churches. The mob tortured, raped, burned, and lynched folks

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<v Speaker 1>of African descent and demanded their deportation. This horrific violence

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<v Speaker 1>took place in the blocks surrounding Barnum's grocery. So when

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<v Speaker 1>we talk about someone being the product of their environment,

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<v Speaker 1>this was the water he was swimming in. It's easy

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<v Speaker 1>to imagine Collie not suffering from too many moral quandaries.

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<v Speaker 1>When he offered to put Barnum in touch with our

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<v Speaker 1>w Lindsay, Barnum took the bait. He would later write

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<v Speaker 1>in his biography that the prospect of Joyce made him

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<v Speaker 1>considerably excited. He immediately decided that he would close up

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<v Speaker 1>shop and head down to Philadelphia. Ever since his first

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<v Speaker 1>taste at the showman life, he'd been hankering for another act,

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<v Speaker 1>one that was much more permanent. Joyce Heath held a

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<v Speaker 1>court befitting her age. She was a community elder, after all,

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<v Speaker 1>with many decades and roads behind her, But the true

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<v Speaker 1>story of her life and the story that she spun

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<v Speaker 1>for her audience were not one and the same. In fact,

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<v Speaker 1>the tale she told was an outright yarn. Joyce's brown

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<v Speaker 1>and wrinkled face looked utterly ancient. She had no eyes, sights,

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<v Speaker 1>and no teeth, but she still retained a charisma that

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<v Speaker 1>outsized her small frame. One of the first lies that

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<v Speaker 1>the papers told about her was that she was a

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<v Speaker 1>century and a half old. The second lie was that

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<v Speaker 1>she had raised George Washington. Although the man had died

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<v Speaker 1>decades earlier, Washington still loomed large in America's collective imagination.

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<v Speaker 1>He was a man made of myth in a country

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<v Speaker 1>so enamored with their own homegrown demigod, it's not hard

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<v Speaker 1>to understand why Joyce's audience wanted so badly to believe her.

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<v Speaker 1>For a woman so small, oh black, and so enslaved,

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<v Speaker 1>it seemed almost unthinkable that she could make a name

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<v Speaker 1>for herself out of proximity to celebrity, but she did so.

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<v Speaker 1>She sat there in her rocker, her pipe smoke curling

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<v Speaker 1>around her head. From there she reached across to the past,

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<v Speaker 1>directly linking herself to one of the greatest legends in

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<v Speaker 1>the American experiment. Scholars don't know about her early life,

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<v Speaker 1>but it's thought that Joyce was originally enslaved by a

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<v Speaker 1>man who had cross paths with Washington, although frankly, it's

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<v Speaker 1>believed this connection amounted to nothing more than a bit

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<v Speaker 1>of braggadocious spirit on the part of her owner. Joyce

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<v Speaker 1>was then sent to live on a tobacco farm in Louisville, Kentucky.

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<v Speaker 1>From there she came under the ownership of a fellow

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<v Speaker 1>named John S. Bowling. Historians believe that John got into

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<v Speaker 1>cahoots with our W Lindsay. But it's here that her

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<v Speaker 1>story gets hazy. But what we do know is that

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<v Speaker 1>she went on the road with the latter. Newspaper advertisements

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<v Speaker 1>announced her impending arrivals, her stature growing with every run

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<v Speaker 1>of the printing press. Her appearances were announced as early

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<v Speaker 1>as January of eighteen thirty five, touting her as one

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<v Speaker 1>of the greatest natural curiosities ever exhibited. When Barnum finally

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<v Speaker 1>arrived in Philadelphia, Joyce Heth was in full form, entertaining

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<v Speaker 1>a crowd, singing old church hymns and telling stories of

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<v Speaker 1>Little Georgie. What happened next is a bit murky, but

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<v Speaker 1>undeniably exploitative. We don't know what Barnum really thought about

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<v Speaker 1>Joyce at that moment. In some ways, he's one of

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<v Speaker 1>history's most unreliable narrators. He was a master of story craft,

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<v Speaker 1>after all, spinning spectacular fictions from bare threads of fact.

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<v Speaker 1>You see over his life he published various editions of

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<v Speaker 1>his own autobiography, and in these different versions across the ages,

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<v Speaker 1>his account of the Joyce Helf affair evolved. There's a

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<v Speaker 1>fair case to be made that Barnum didn't really believe

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<v Speaker 1>that Joyce was one d sixty one years old. In fact,

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<v Speaker 1>he may have believed that not a lot of people

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<v Speaker 1>did either. It's possible that he, like those in Joyce's audience,

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<v Speaker 1>so badly wanted to believe the story she told. This

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<v Speaker 1>willingness to be duped was part of the human psyche

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<v Speaker 1>that Barnum loved to manipulate, So in order to make

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<v Speaker 1>her case more convincing, it's possible that he took it

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<v Speaker 1>upon himself to remake her in his own design. And

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<v Speaker 1>because of all of this, we can't know for sure

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<v Speaker 1>who he understood Joyce heth to be. But what we

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<v Speaker 1>can be certain of is this he believed that she

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<v Speaker 1>was going to make him a lot of money, so

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<v Speaker 1>he bought her, or at least he bought some of

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<v Speaker 1>the rights to her. Scholars have debated for years about

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<v Speaker 1>the wording of the contract that he signed. Did he

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<v Speaker 1>now own her or was he just leasing her from

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<v Speaker 1>our w technicalities aside a better question to ask might be,

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<v Speaker 1>this doesn't matter if the end result is the same.

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<v Speaker 1>America was created on the backs of enslaved people, and

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<v Speaker 1>now Barnum had chosen to continue at legacy. P T.

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<v Speaker 1>Barnum and his newly acquired sidekick, Levi Lyman arranged to

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<v Speaker 1>have private meetings with the press, teasing them with the

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<v Speaker 1>promise of exclusive access to Joyce. But the men had

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<v Speaker 1>an ulterior motive. This wasn't a pr stunt, but a

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<v Speaker 1>paid endeavor on the part of the journalist to suddenly

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<v Speaker 1>miraculously turn any of their critics into believers. Any media

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<v Speaker 1>scholar would tell you that this also was a pretty

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<v Speaker 1>dubious move. Joyce became a kind of analog click bait

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<v Speaker 1>that drove profits into the hands of her keepers and

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<v Speaker 1>newspaper publishers alike. To this end, Barnum was honing his

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<v Speaker 1>skills as a master manipulator. In New York, Joyce put

0:13:40.880 --> 0:13:43.720
<v Speaker 1>on a convincing show. She went on to Providence and

0:13:43.800 --> 0:13:46.840
<v Speaker 1>then to Boston, with a mix of Manhattan and Albany

0:13:46.920 --> 0:13:50.880
<v Speaker 1>in between. Newspapers likened her to an Egyptian mummy and

0:13:50.920 --> 0:13:54.600
<v Speaker 1>spoke of her skeletal frame. Others claimed that she wasn't

0:13:54.679 --> 0:13:57.440
<v Speaker 1>really an enslaved person at all, but rather a puppet

0:13:57.559 --> 0:14:02.199
<v Speaker 1>made of whalebone, rubber and springs. Then, in the winter

0:14:02.360 --> 0:14:06.120
<v Speaker 1>of eighteen thirty six, she grew sick. To recuperate, she

0:14:06.200 --> 0:14:09.080
<v Speaker 1>was sent to Bethel, Connecticut, to the home of Barnum's brother,

0:14:09.559 --> 0:14:11.599
<v Speaker 1>and he also sent along a nurse to keep a

0:14:11.640 --> 0:14:16.520
<v Speaker 1>watchful eye on her, someone to protect his most valuable asset. Sadly,

0:14:17.040 --> 0:14:21.680
<v Speaker 1>it wouldn't help. Joyce passed away on February of eighteen

0:14:21.680 --> 0:14:24.800
<v Speaker 1>thirty six, but whether or not she would rest in

0:14:24.880 --> 0:14:40.680
<v Speaker 1>peace is an entirely different story. Joyce Heath's live performances

0:14:40.760 --> 0:14:43.200
<v Speaker 1>made P. T. Barnum the talk of the town, and

0:14:43.240 --> 0:14:45.440
<v Speaker 1>he wasn't about to let her death put an end

0:14:45.480 --> 0:14:50.000
<v Speaker 1>to that. On February eighteen thirty six, just six days

0:14:50.040 --> 0:14:54.600
<v Speaker 1>after her death, Barnum packed about spectators into a makeshift

0:14:54.640 --> 0:14:58.240
<v Speaker 1>operating theater in New York City. He invited the public

0:14:58.640 --> 0:15:02.520
<v Speaker 1>and some very prominent news paper editors as well. You see,

0:15:02.560 --> 0:15:05.240
<v Speaker 1>the Penny papers, which had for several months been writing

0:15:05.280 --> 0:15:10.200
<v Speaker 1>about Joyce extensively, immediately clamored for an autopsy after she died.

0:15:10.720 --> 0:15:14.640
<v Speaker 1>They saw her potential scientific value, particularly as part of

0:15:14.680 --> 0:15:19.160
<v Speaker 1>the broader science of inquiring into racial difference. So when

0:15:19.200 --> 0:15:22.160
<v Speaker 1>The New York Sun ran an article announcing Joyce's passing,

0:15:22.480 --> 0:15:25.600
<v Speaker 1>it included the question whether, for the sake of science,

0:15:25.760 --> 0:15:29.440
<v Speaker 1>would not a post mortem examination of this aged person

0:15:29.600 --> 0:15:33.320
<v Speaker 1>be of use. After all, the black market for corpses

0:15:33.400 --> 0:15:37.120
<v Speaker 1>was robust, and medical curiosities, as they termed them back then,

0:15:37.480 --> 0:15:41.680
<v Speaker 1>commanded top dollar. The New York Sun then quickly published

0:15:41.720 --> 0:15:44.880
<v Speaker 1>another article objecting to the autopsy, but not for the

0:15:44.920 --> 0:15:48.000
<v Speaker 1>reasons you might assume. No, the writer wasn't concerned with

0:15:48.080 --> 0:15:51.960
<v Speaker 1>retaining Joyce's individual dignity, but rather wanted to respect her

0:15:52.400 --> 0:15:55.920
<v Speaker 1>due to her connection to George Washington. Because of her

0:15:55.920 --> 0:16:00.000
<v Speaker 1>association to a name so seemingly immortal, some papers argue

0:16:00.080 --> 0:16:02.480
<v Speaker 1>that she should be spared the indecency that a public

0:16:02.520 --> 0:16:06.000
<v Speaker 1>autopsy would bring. But even though a heated debate formed

0:16:06.000 --> 0:16:09.000
<v Speaker 1>around it, none of it mattered to Barnum. He intended

0:16:09.000 --> 0:16:11.840
<v Speaker 1>to capitalize on all of it, and he did so

0:16:12.120 --> 0:16:17.000
<v Speaker 1>in spades. Barnum quickly contacted Dr David Rogers, a pre

0:16:17.040 --> 0:16:20.200
<v Speaker 1>eminent surgeon who had already expressed a desire to conduct

0:16:20.200 --> 0:16:23.880
<v Speaker 1>an autopsy after Heath died. Dr Rogers, it seems, had

0:16:23.920 --> 0:16:27.560
<v Speaker 1>been quite skeptical about who Joyce really was. He visited

0:16:27.560 --> 0:16:30.360
<v Speaker 1>her and had conducted a physical exam and found no

0:16:30.520 --> 0:16:33.320
<v Speaker 1>signs of what would be expected had the person been

0:16:33.360 --> 0:16:37.560
<v Speaker 1>the age that she claimed to be. Roger skepticism was noteworthy.

0:16:37.800 --> 0:16:40.520
<v Speaker 1>The fact that Barnum hired him to do the autopsy

0:16:40.640 --> 0:16:43.440
<v Speaker 1>not only gave the whole spectacle some degree of credibility,

0:16:43.680 --> 0:16:47.120
<v Speaker 1>but also turned skepticism into a major draw for the event.

0:16:47.640 --> 0:16:52.120
<v Speaker 1>He was manipulating all sides to his own advantage. The

0:16:52.200 --> 0:16:55.400
<v Speaker 1>procedure kicked off at noon in an operating theater next

0:16:55.440 --> 0:16:58.160
<v Speaker 1>door to what would later in fact become Barnum's Great

0:16:58.160 --> 0:17:02.240
<v Speaker 1>American Museum. Heth body had been placed in a mahogany coffin,

0:17:02.720 --> 0:17:06.159
<v Speaker 1>all eyes stared down, and next craned for the best angle.

0:17:06.680 --> 0:17:09.480
<v Speaker 1>We can hear the hush fall over the audience, and

0:17:09.520 --> 0:17:12.160
<v Speaker 1>it's easy to imagine how small she looked in death,

0:17:12.480 --> 0:17:15.600
<v Speaker 1>her body still just a tool used by others in

0:17:15.600 --> 0:17:20.800
<v Speaker 1>their relentless pursuit of profit. Dr Rogers split Joyce apart,

0:17:21.280 --> 0:17:25.160
<v Speaker 1>narrating to his audience as he went, explaining his incisions

0:17:25.200 --> 0:17:27.919
<v Speaker 1>and what things he was looking for in determining the

0:17:28.000 --> 0:17:34.919
<v Speaker 1>authenticity of Barnum's claims, he proceeded to thoroughly examine her chest, cavity, liver, heart, skull,

0:17:35.320 --> 0:17:38.520
<v Speaker 1>and other areas where telltale signs of an ancient life

0:17:38.600 --> 0:17:42.840
<v Speaker 1>might be found. Yet he found nothing indicating such old age.

0:17:43.080 --> 0:17:45.600
<v Speaker 1>In fact, he decided that she probably couldn't have been

0:17:45.600 --> 0:17:50.000
<v Speaker 1>more than seventy five years old. Barnum later claimed that

0:17:50.000 --> 0:17:52.560
<v Speaker 1>the doctor pulled him aside and said what a shame

0:17:52.600 --> 0:17:56.000
<v Speaker 1>it was that he had been tricked. Yes, you heard

0:17:56.000 --> 0:18:00.440
<v Speaker 1>that right. Poor Barnum was the victim. At least that's

0:18:00.480 --> 0:18:03.520
<v Speaker 1>what some of the papers reported, and Barnum led them

0:18:03.520 --> 0:18:06.200
<v Speaker 1>to believe it, just in case any of his customers

0:18:06.280 --> 0:18:09.879
<v Speaker 1>might call foul. Later. Meanwhile, he had Lynman plant a

0:18:09.880 --> 0:18:12.639
<v Speaker 1>different story in the New York Herald, one that claimed

0:18:12.640 --> 0:18:15.679
<v Speaker 1>that Joyce Heath was still alive and that the autopsy

0:18:15.720 --> 0:18:18.399
<v Speaker 1>had in fact been done on an entirely different woman,

0:18:18.960 --> 0:18:24.280
<v Speaker 1>an impostor. Months later. Levi would laugh when confronted about

0:18:24.280 --> 0:18:27.280
<v Speaker 1>this lie, and would proceed to tell one last story

0:18:27.359 --> 0:18:30.600
<v Speaker 1>with the assurance that this one was the truth. He

0:18:30.720 --> 0:18:34.080
<v Speaker 1>swore that Barnum had found Joyce in Kentucky, pulled her

0:18:34.080 --> 0:18:36.320
<v Speaker 1>teeth out and taught her how to tell stories about

0:18:36.320 --> 0:18:39.920
<v Speaker 1>George Washington. Levi's version would go on to haunt Barnum

0:18:40.080 --> 0:18:42.679
<v Speaker 1>until the end of his days, one that could never

0:18:42.720 --> 0:18:46.080
<v Speaker 1>be erased, even by the abolitionist causes he took up

0:18:46.200 --> 0:18:50.679
<v Speaker 1>later in life. The public autopsy of Joyce Heath became

0:18:50.720 --> 0:18:54.919
<v Speaker 1>a spectacle through the media firestorm that ensued. Various penny

0:18:54.920 --> 0:18:58.080
<v Speaker 1>press publications who were always at war with one another,

0:18:58.400 --> 0:19:03.439
<v Speaker 1>published competing countrydicting stories while each purported to reveal the truth,

0:19:04.000 --> 0:19:07.800
<v Speaker 1>and people couldn't look away. As the old saying goes,

0:19:08.560 --> 0:19:25.760
<v Speaker 1>there's no such thing as bad publicity. The story of

0:19:25.840 --> 0:19:28.680
<v Speaker 1>Joyce he and P. T. Barnum is a complicated one,

0:19:29.000 --> 0:19:32.320
<v Speaker 1>even for Barnum himself. On one side, it was through

0:19:32.400 --> 0:19:35.360
<v Speaker 1>exhibiting her that Barnum found his calling as a showman.

0:19:35.720 --> 0:19:37.880
<v Speaker 1>In a lot of ways, she helped to launch him

0:19:37.880 --> 0:19:41.879
<v Speaker 1>into stardom. During the exhibits hey day, thousands of visitors

0:19:41.920 --> 0:19:45.000
<v Speaker 1>paid money to stare, to touch, to question, and to

0:19:45.160 --> 0:19:47.720
<v Speaker 1>marvel at a human being as though she was a

0:19:47.760 --> 0:19:51.720
<v Speaker 1>circus attraction or a painting in a museum. But there

0:19:51.720 --> 0:19:54.159
<v Speaker 1>were also those who questioned the morality of how they

0:19:54.200 --> 0:19:58.520
<v Speaker 1>participated in this act, how they were complicit in their spectating.

0:19:58.960 --> 0:20:02.800
<v Speaker 1>You see, entertainment, it is never quite a neutral entity,

0:20:02.840 --> 0:20:05.800
<v Speaker 1>and in the case of Joyce Heth, the fears, biases,

0:20:05.840 --> 0:20:09.359
<v Speaker 1>and prejudices of those in the Antebellum North came to

0:20:09.400 --> 0:20:13.800
<v Speaker 1>the foreground. In later years, the idea of being a

0:20:13.880 --> 0:20:17.840
<v Speaker 1>Northern slave owner became much more socially repugnant. As time

0:20:17.880 --> 0:20:21.240
<v Speaker 1>went on, Barnum tried progressively harder. It seems to put

0:20:21.280 --> 0:20:25.600
<v Speaker 1>some considerable distance between himself and this episode from his past,

0:20:26.560 --> 0:20:28.800
<v Speaker 1>so we see that his hand was heavy in the

0:20:28.880 --> 0:20:32.680
<v Speaker 1>making of Heth. But scholars have also posed another question,

0:20:33.400 --> 0:20:37.280
<v Speaker 1>what if Joyce hath story had actually been created by her?

0:20:38.280 --> 0:20:41.120
<v Speaker 1>Because it's typically the powerful ones who hold the pencils

0:20:41.119 --> 0:20:44.280
<v Speaker 1>and write the narratives. We don't have a complete understanding

0:20:44.320 --> 0:20:47.280
<v Speaker 1>today of who she was, but one can wonder this

0:20:48.040 --> 0:20:51.240
<v Speaker 1>was she the author of her own gaff, actively fooling

0:20:51.320 --> 0:20:55.199
<v Speaker 1>the willing naive white audiences and white press. Could it

0:20:55.240 --> 0:20:59.320
<v Speaker 1>possibly have been Joyce and not Barnum nor his predecessors

0:20:59.400 --> 0:21:03.199
<v Speaker 1>who invent did this particular humbug? And if she was

0:21:03.280 --> 0:21:06.320
<v Speaker 1>behind it, then it certainly paints a powerful image for

0:21:06.440 --> 0:21:09.480
<v Speaker 1>us a black woman living in a time when people

0:21:09.520 --> 0:21:11.960
<v Speaker 1>like her were at the bottom of the social letter

0:21:12.359 --> 0:21:15.959
<v Speaker 1>becoming the author of her own story. Now that's an

0:21:16.040 --> 0:21:35.800
<v Speaker 1>ending I can get behind. As I mentioned before, the

0:21:35.840 --> 0:21:39.119
<v Speaker 1>story of Joyce Heth is a complicated one, and I

0:21:39.200 --> 0:21:41.600
<v Speaker 1>know some of the details can be hard to stomach,

0:21:42.000 --> 0:21:45.040
<v Speaker 1>but nevertheless they are important to tell because they shed

0:21:45.160 --> 0:21:47.439
<v Speaker 1>light on how we understand the world we live in.

0:21:48.119 --> 0:21:51.440
<v Speaker 1>And because of that, we've set aside one more example,

0:21:51.760 --> 0:21:54.160
<v Speaker 1>and if you stick around through our brief sponsor break,

0:21:54.480 --> 0:21:58.040
<v Speaker 1>my co producer Robin Miniter will tell you all about it.

0:22:10.280 --> 0:22:13.000
<v Speaker 1>If you wanted to get business done, the city tavern

0:22:13.119 --> 0:22:16.080
<v Speaker 1>was the place to be, and Henry Moss knew this well.

0:22:17.480 --> 0:22:20.600
<v Speaker 1>Taverns played an important role in the lives of early Americans.

0:22:21.200 --> 0:22:23.280
<v Speaker 1>It was a place to find the news, to test

0:22:23.280 --> 0:22:26.760
<v Speaker 1>out ideas, and to be entertained. Being able to get

0:22:26.760 --> 0:22:31.560
<v Speaker 1>a stiff drink certainly didn't hurt either. The Philadelphia air

0:22:31.640 --> 0:22:34.480
<v Speaker 1>was heavy and full of possibilities. The July day that

0:22:34.520 --> 0:22:39.080
<v Speaker 1>Henry went into town, it was and America was on

0:22:39.080 --> 0:22:42.320
<v Speaker 1>the brink of a new century, and for over twenty

0:22:42.400 --> 0:22:44.399
<v Speaker 1>years the city had been at the center of a

0:22:44.440 --> 0:22:48.040
<v Speaker 1>growing nation it was a time when America was trying

0:22:48.040 --> 0:22:52.440
<v Speaker 1>to forge its own identity. The personalities who determined what

0:22:52.640 --> 0:22:56.680
<v Speaker 1>unalienable rights were and who those rights belonged to, still

0:22:56.720 --> 0:23:01.399
<v Speaker 1>walked these streets. Their ancestors had im graded here, trafficking

0:23:01.440 --> 0:23:06.399
<v Speaker 1>people from the African continent and desecrating indigenous communities. And

0:23:06.480 --> 0:23:09.919
<v Speaker 1>along the way, these people were able to install themselves

0:23:09.960 --> 0:23:13.159
<v Speaker 1>as a ruling class in this new nation, and it

0:23:13.240 --> 0:23:17.719
<v Speaker 1>behooved them to retain this power at all costs. So

0:23:17.760 --> 0:23:20.280
<v Speaker 1>when the faces of these men came to see Henriett

0:23:20.320 --> 0:23:23.800
<v Speaker 1>the tavern that day, he smiled at them and to himself.

0:23:25.000 --> 0:23:27.199
<v Speaker 1>Not a great deal is known about him beyond his

0:23:27.240 --> 0:23:31.679
<v Speaker 1>exhibit persona. Most of what we know specifically concerned his body,

0:23:31.960 --> 0:23:36.760
<v Speaker 1>which of course became his legend. You see, he wanted

0:23:36.800 --> 0:23:40.679
<v Speaker 1>to be looked at. Advertisements were planted in newspapers. He

0:23:40.840 --> 0:23:45.240
<v Speaker 1>was called a curiosity. The printing presses likened his celebrity

0:23:45.280 --> 0:23:49.160
<v Speaker 1>to that of Adams, Jefferson, and Madison. And when President

0:23:49.200 --> 0:23:52.840
<v Speaker 1>George Washington stopped by, we can imagine that Henry nodded

0:23:52.840 --> 0:23:57.679
<v Speaker 1>in his direction, knowing he was holding court for American royalty.

0:23:58.320 --> 0:24:01.080
<v Speaker 1>And on these occasions he would roll up his sleeves,

0:24:01.160 --> 0:24:05.200
<v Speaker 1>unbuttoned his shirt, and show the crowd his spots across

0:24:05.240 --> 0:24:08.760
<v Speaker 1>his skin were splattered pink patches, little islands of pale

0:24:08.840 --> 0:24:13.560
<v Speaker 1>spreading across his body like constellations, and the onlookers tried

0:24:13.600 --> 0:24:17.639
<v Speaker 1>to find meaning in their shapes. You see, Henry was

0:24:17.680 --> 0:24:21.240
<v Speaker 1>a free black man with videlago, a condition which causes

0:24:21.280 --> 0:24:24.919
<v Speaker 1>skin cells to lose their pigment. He invited gawkers to

0:24:24.960 --> 0:24:28.240
<v Speaker 1>come touch him for themselves and witness how as he

0:24:28.320 --> 0:24:32.720
<v Speaker 1>told them, he was turning white through his own design.

0:24:33.119 --> 0:24:36.119
<v Speaker 1>He became a walking war shark test for a new

0:24:36.200 --> 0:24:40.560
<v Speaker 1>American anxiety. As Henry spoke to the crowd, he was

0:24:40.600 --> 0:24:43.480
<v Speaker 1>sure to answer any questions that they had about him.

0:24:43.520 --> 0:24:45.959
<v Speaker 1>He claimed to have been born entirely black, and as

0:24:46.000 --> 0:24:49.040
<v Speaker 1>he got older, according to one paper, his natural color

0:24:49.160 --> 0:24:52.240
<v Speaker 1>began to rub off. The paper went on to say

0:24:52.280 --> 0:24:54.760
<v Speaker 1>that he had become white and was as fair as

0:24:54.800 --> 0:24:58.520
<v Speaker 1>any white person, save a few patches of melanin that remained.

0:24:59.680 --> 0:25:02.400
<v Speaker 1>What at this all mean, the audience wondered, If our

0:25:02.440 --> 0:25:06.280
<v Speaker 1>skin can shape shift, and can this change happen with

0:25:06.320 --> 0:25:09.919
<v Speaker 1>our proximity to different kinds of people? Does it have

0:25:10.040 --> 0:25:12.720
<v Speaker 1>to do with our living environment and maybe the tasks

0:25:12.760 --> 0:25:15.760
<v Speaker 1>we engage with. And if a black man could morph

0:25:15.760 --> 0:25:19.160
<v Speaker 1>into a white one, does that mean an Anglo countryman

0:25:19.240 --> 0:25:23.520
<v Speaker 1>could likewise turn dark? And if one turns dark, does

0:25:23.560 --> 0:25:27.200
<v Speaker 1>that mean that one could also regress and do savagery.

0:25:27.720 --> 0:25:31.199
<v Speaker 1>These people inhabited a world that was beginning to understand

0:25:31.320 --> 0:25:35.720
<v Speaker 1>a social hierarchy contrived from arbitrary groupings, one based on

0:25:35.800 --> 0:25:38.879
<v Speaker 1>skin color, and one that was on the brink of

0:25:38.960 --> 0:25:44.320
<v Speaker 1>becoming the new world order. Soon, the American Philosophical Society

0:25:44.400 --> 0:25:47.200
<v Speaker 1>decided that he was to be more than just an oddity.

0:25:47.320 --> 0:25:51.720
<v Speaker 1>He would become an object of scientific study. They poked him,

0:25:51.960 --> 0:25:54.879
<v Speaker 1>needled him, rub solvents on his skin to see if

0:25:54.880 --> 0:25:59.360
<v Speaker 1>they could expedite his metamorphosis. This was a dangerous turn

0:25:59.400 --> 0:26:02.760
<v Speaker 1>in his story, as the field of philosophy these curious

0:26:02.800 --> 0:26:06.640
<v Speaker 1>minds inhabited would go on to evolve into a burgeoning

0:26:06.680 --> 0:26:11.280
<v Speaker 1>field of anatomy, and anatomy as we know then began

0:26:11.320 --> 0:26:15.360
<v Speaker 1>to dovetail with the world of exhibitionism, trying to say

0:26:15.520 --> 0:26:20.720
<v Speaker 1>the appetite of the ever curious, paying public. Henry would

0:26:20.720 --> 0:26:23.960
<v Speaker 1>move on from the taverns of Philadelphia and continuous travels

0:26:24.680 --> 0:26:28.199
<v Speaker 1>In fact, he traveled all over the Eastern seaboard, but

0:26:28.280 --> 0:26:32.040
<v Speaker 1>at some point history lost track of him. It's fair

0:26:32.080 --> 0:26:34.560
<v Speaker 1>to say that Henry gave us a distinct prototype that

0:26:34.560 --> 0:26:37.960
<v Speaker 1>would go on to evolve into the American Sideshow. He

0:26:38.119 --> 0:26:41.119
<v Speaker 1>created a story, placed himself on the center stage and

0:26:41.200 --> 0:26:44.480
<v Speaker 1>tapped into the fears of his countrymen, fears that asked

0:26:44.480 --> 0:26:48.000
<v Speaker 1>audience members to look on, to examine, but to remain

0:26:48.080 --> 0:26:52.199
<v Speaker 1>flushed with relief that it wasn't them on stage. But

0:26:52.280 --> 0:26:56.480
<v Speaker 1>what Henry also suggested was something alarming. It wasn't them

0:26:56.480 --> 0:27:00.440
<v Speaker 1>on stage then, but his acts suggested that this reality

0:27:00.680 --> 0:27:04.320
<v Speaker 1>might someday change. And with that he would take a

0:27:04.359 --> 0:27:08.040
<v Speaker 1>bow and thank his audience, Fastening his buttons and smoothing

0:27:08.040 --> 0:27:11.320
<v Speaker 1>his sleeves, he would take his leave, his pocket heavy

0:27:11.320 --> 0:27:13.919
<v Speaker 1>with coins and a smile on his lips as he

0:27:13.960 --> 0:27:18.159
<v Speaker 1>walked out of town. After all, for him, it was

0:27:18.280 --> 0:27:24.359
<v Speaker 1>all in a day's work. Sideshow was written by Robin Miniter,

0:27:24.600 --> 0:27:28.440
<v Speaker 1>with production, narration and audio editing by me Aaron Mankey.

0:27:28.600 --> 0:27:32.320
<v Speaker 1>Research for the series was done by Robin Minater, Taylor Haggerdorn,

0:27:32.440 --> 0:27:35.720
<v Speaker 1>and Sam Alberty. Grim and Mild Presents was created in

0:27:35.760 --> 0:27:38.639
<v Speaker 1>partnership with I Heart Radio. You can learn more about

0:27:38.720 --> 0:27:41.080
<v Speaker 1>this show and everything else going on from Grim and

0:27:41.119 --> 0:27:45.119
<v Speaker 1>mild over at grim and mild dot com, and, as always,

0:27:45.800 --> 0:27:46.679
<v Speaker 1>thanks for listening.