1 00:00:00,080 --> 00:00:04,520 Speaker 1: It is time to ask the CLO our Chief Love Officer, 2 00:00:04,600 --> 00:00:08,800 Speaker 1: Steve Harvey. This is from Joy in Charlotte. Joy writes, 3 00:00:08,840 --> 00:00:12,640 Speaker 1: my boyfriend is a crybaby and I'm embarrassed by him. 4 00:00:13,160 --> 00:00:16,520 Speaker 1: His son lost his little league game and my boyfriend 5 00:00:16,600 --> 00:00:20,119 Speaker 1: cried over it. This child is ten. The child is 6 00:00:20,160 --> 00:00:22,520 Speaker 1: ten years old and he held it together better than 7 00:00:22,600 --> 00:00:27,040 Speaker 1: his dad did. Is it great that he's so sensitive? 8 00:00:27,200 --> 00:00:30,760 Speaker 1: Or is this a sign of weakness and men? 9 00:00:32,520 --> 00:00:34,520 Speaker 2: Well, here's a deal. 10 00:00:36,240 --> 00:00:41,320 Speaker 3: You can be sensitive, yeah, or you can be emotional. 11 00:00:43,040 --> 00:00:44,200 Speaker 2: You can't be both. 12 00:00:44,960 --> 00:00:45,800 Speaker 1: What's the difference? 13 00:00:48,120 --> 00:00:51,840 Speaker 3: Sensitive is you'll I don't want to use the word 14 00:00:51,920 --> 00:00:54,920 Speaker 3: to describe a word, but you are in touch with 15 00:00:55,840 --> 00:01:01,800 Speaker 3: not only your feelings but others, you know, like like 16 00:01:01,920 --> 00:01:04,480 Speaker 3: I'm sensitive to if you're having a bad day, I 17 00:01:04,480 --> 00:01:08,280 Speaker 3: could be sensitive to that. Yeah, you know, if I 18 00:01:08,319 --> 00:01:11,080 Speaker 3: could be sensitive to that emotional? 19 00:01:11,760 --> 00:01:16,119 Speaker 2: Is this here? Though you're having a bad day? How 20 00:01:16,160 --> 00:01:20,679 Speaker 2: bad is your day? I have a bad day too? Hey? Hey, 21 00:01:20,720 --> 00:01:21,640 Speaker 2: hey dog? Hold up. 22 00:01:22,280 --> 00:01:26,760 Speaker 3: So now you're sensitive and emotional. You get to pick one. 23 00:01:26,800 --> 00:01:32,000 Speaker 3: As a man could be sensitive or emotional, You don't 24 00:01:32,040 --> 00:01:35,640 Speaker 3: get to pick two. He both of them sensitive to 25 00:01:35,760 --> 00:01:36,800 Speaker 3: his son's. 26 00:01:36,520 --> 00:01:41,120 Speaker 1: Loss, crying about it, and his son isn't even ten 27 00:01:41,200 --> 00:01:41,720 Speaker 1: year old? Son? 28 00:01:41,840 --> 00:01:43,080 Speaker 2: Isn't hey. 29 00:01:44,360 --> 00:01:49,000 Speaker 3: Sensitive and emotional to everything? That would be a problem. Now, 30 00:01:49,040 --> 00:01:51,480 Speaker 3: there are certain things that a man or a woman 31 00:01:51,560 --> 00:01:53,560 Speaker 3: should be sensitive and emotional too. 32 00:01:53,880 --> 00:01:55,080 Speaker 2: Grief is one of them. 33 00:01:55,800 --> 00:01:58,800 Speaker 3: You know, you should be sensitive and emotional about that. 34 00:01:58,800 --> 00:02:03,400 Speaker 3: That's acceptable, you know, grief. After that, though, we gotta 35 00:02:03,440 --> 00:02:04,320 Speaker 3: start watching you. 36 00:02:05,720 --> 00:02:08,240 Speaker 1: Well, that's what she wants to know. That's what Joy 37 00:02:08,320 --> 00:02:11,240 Speaker 1: and Charlotte wants to know. Is this a sign of 38 00:02:11,360 --> 00:02:12,440 Speaker 1: weakness and men? 39 00:02:12,639 --> 00:02:15,400 Speaker 3: Well, okay, yeah, because let me explain something. If he 40 00:02:15,560 --> 00:02:20,400 Speaker 3: cried over the loss of a little game, and what 41 00:02:20,600 --> 00:02:22,720 Speaker 3: you think would happen if he lose his job? 42 00:02:23,600 --> 00:02:30,520 Speaker 2: Woh indicator, great guy, great guy, you great job. Guys 43 00:02:30,680 --> 00:02:37,280 Speaker 2: hanging there, Craig, Yeah right, yeah, you gonna have a promo. 44 00:02:37,960 --> 00:02:42,239 Speaker 1: Moving on to Hassim and Auburn, Hassim writes, my ex 45 00:02:42,280 --> 00:02:44,720 Speaker 1: wife asked me if we can have sex. I'm all 46 00:02:44,760 --> 00:02:48,360 Speaker 1: for it, but she's getting married on December twentieth. She 47 00:02:48,480 --> 00:02:50,959 Speaker 1: cheated on me when we were married, so I'd hate 48 00:02:51,000 --> 00:02:55,600 Speaker 1: to help her cheat on her fiance. But she's great 49 00:02:55,639 --> 00:03:01,120 Speaker 1: in bed. Should I give her what she wants? What? 50 00:03:01,320 --> 00:03:04,520 Speaker 3: Well, you know, let's go over a couple of technical things. Okay, 51 00:03:04,600 --> 00:03:07,760 Speaker 3: let's go Number one, she not married. 52 00:03:08,600 --> 00:03:09,920 Speaker 1: Not until December twentieth. 53 00:03:11,000 --> 00:03:14,640 Speaker 2: Number two, she asked you. 54 00:03:13,600 --> 00:03:17,040 Speaker 1: No, so he has to oblige because she has. 55 00:03:17,240 --> 00:03:20,440 Speaker 2: Number three, she's great in bed. I don't know how 56 00:03:20,880 --> 00:03:24,959 Speaker 2: you're not over it. Wait, you don't know how. I 57 00:03:25,000 --> 00:03:30,919 Speaker 2: don't know how you ain't over there? Right now? Yeah, 58 00:03:31,639 --> 00:03:35,560 Speaker 2: I will. I would be typing this letter from the hotel. 59 00:03:35,320 --> 00:03:38,640 Speaker 1: Room to this question, should I give her what she wants? 60 00:03:39,000 --> 00:03:42,680 Speaker 3: Your response, well, bro, you know she cheated on you 61 00:03:42,800 --> 00:03:45,000 Speaker 3: and all this here. You know this is not a 62 00:03:45,040 --> 00:03:51,840 Speaker 3: good person, so I don't I wouldn't advise it. I 63 00:03:51,840 --> 00:03:54,480 Speaker 3: wouldn't advise it. But then I don't know how you're 64 00:03:54,520 --> 00:03:59,040 Speaker 3: not gonna do it. See, Tommy, Tommy, it makes a 65 00:03:59,040 --> 00:03:59,680 Speaker 3: lot of sense. 66 00:04:00,120 --> 00:04:03,960 Speaker 2: Look problem that you're trying to make sense That she 67 00:04:04,160 --> 00:04:04,720 Speaker 2: listened to me. 68 00:04:04,800 --> 00:04:08,280 Speaker 3: Tommy, Tommy, it makes perfect sense. Do you know how 69 00:04:08,320 --> 00:04:14,120 Speaker 3: many times we have advised ourself against something and done 70 00:04:14,160 --> 00:04:14,840 Speaker 3: it anyway? 71 00:04:15,320 --> 00:04:19,520 Speaker 2: Oh? Yeah, okay, See how that don't make sense. 72 00:04:21,240 --> 00:04:25,880 Speaker 3: I've told myself not to do it. I gave myself 73 00:04:25,920 --> 00:04:29,880 Speaker 3: all the reasons why I shouldn't do it. Yeah, my 74 00:04:30,080 --> 00:04:31,479 Speaker 3: stupid behind what over that? 75 00:04:31,680 --> 00:04:35,839 Speaker 2: Did it? Anyway? God don't. 76 00:04:36,320 --> 00:04:38,919 Speaker 1: But when you were younger, right, more so when you 77 00:04:38,920 --> 00:04:42,320 Speaker 1: were younger, right. 78 00:04:53,240 --> 00:04:53,560 Speaker 2: Stuff? 79 00:04:53,560 --> 00:04:58,200 Speaker 3: I told myself not to do I did something at sixty. 80 00:04:58,960 --> 00:05:02,800 Speaker 3: I did something I should and it did at sixty. 81 00:05:03,480 --> 00:05:06,160 Speaker 2: Huge mistake at sixty, all right. 82 00:05:07,320 --> 00:05:12,440 Speaker 1: Moving on to Kamika and Queens, Kamika writes, I already 83 00:05:12,480 --> 00:05:15,839 Speaker 1: bought lots of Christmas gifts for our three daughters. My 84 00:05:15,960 --> 00:05:19,080 Speaker 1: husband flipped out because he instructed me to buy one 85 00:05:19,480 --> 00:05:22,920 Speaker 1: really nice gift for each girl. Since we're taking them 86 00:05:22,920 --> 00:05:25,919 Speaker 1: to Paris? Why can't I do both? Should I return 87 00:05:26,040 --> 00:05:27,640 Speaker 1: all of these gifts. 88 00:05:28,120 --> 00:05:32,600 Speaker 2: And go to Paris? What is what? How are these kids? 89 00:05:32,880 --> 00:05:34,640 Speaker 2: She doesn't say they don't know that. 90 00:05:35,040 --> 00:05:38,119 Speaker 1: Yeah, she doesn't say she bought lots of Christmas gifts 91 00:05:38,120 --> 00:05:39,440 Speaker 1: and were going to Paris? 92 00:05:39,760 --> 00:05:41,440 Speaker 2: Yeah, do you know where? 93 00:05:41,760 --> 00:05:44,039 Speaker 3: Do you know what's waiting on you in Paris? Emotion 94 00:05:45,279 --> 00:05:48,599 Speaker 3: that goes to do? Paris is for shopping and eating? 95 00:05:48,880 --> 00:05:49,719 Speaker 2: Yeah you know that. 96 00:05:50,560 --> 00:05:52,120 Speaker 3: Now you can go over there, you can look at 97 00:05:52,120 --> 00:05:54,640 Speaker 3: the louver and all that. I'm not a museum guy. 98 00:05:54,720 --> 00:05:58,240 Speaker 3: Don't ask me to go I don't want to walk 99 00:05:58,279 --> 00:06:00,440 Speaker 3: around look at your old pitches. 100 00:06:01,000 --> 00:06:05,440 Speaker 2: That ain't. I don't like that. I don't get who 101 00:06:05,480 --> 00:06:16,280 Speaker 2: painted it white? Mona, listen, little ugly white woman. Why 102 00:06:16,320 --> 00:06:18,479 Speaker 2: do we keep looking at her like this is such 103 00:06:18,480 --> 00:06:21,680 Speaker 2: a nice pitch. I'm going who is she? She's not 104 00:06:21,800 --> 00:06:26,520 Speaker 2: an attractive woman. Dog. It ain't like they drew nobody. Fine, 105 00:06:27,160 --> 00:06:30,480 Speaker 2: it's the crooked smile, you know, you know, I. 106 00:06:30,520 --> 00:06:32,880 Speaker 3: Just don't get it, you know, the sixteen chappling all 107 00:06:32,920 --> 00:06:34,559 Speaker 3: all these white people up on this wall. 108 00:06:35,120 --> 00:06:37,839 Speaker 2: But it ain't. No, ain't no black angels. What is weak? 109 00:06:37,920 --> 00:06:42,640 Speaker 2: Why is oh man, it's weak? Going to heaven? Why 110 00:06:42,760 --> 00:06:46,599 Speaker 2: is everybody else? All the cherubs is white? White? At 111 00:06:46,600 --> 00:06:48,640 Speaker 2: the white kid got these bow and arrows and shooting? 112 00:06:49,080 --> 00:06:52,880 Speaker 3: Where is the black kids out not sitting over here 113 00:06:53,000 --> 00:06:53,520 Speaker 3: watching this. 114 00:06:55,000 --> 00:06:56,279 Speaker 2: Black chairdren woman. 115 00:06:56,400 --> 00:07:00,599 Speaker 3: No, and mother Mary, and Jesus is black anyway, And 116 00:07:00,680 --> 00:07:02,080 Speaker 3: I saw him in Croatia. 117 00:07:02,360 --> 00:07:04,920 Speaker 2: They got a museum in Croatia. 118 00:07:04,279 --> 00:07:08,600 Speaker 3: With the original artwork of Jesus' mother Mary and everything. 119 00:07:08,720 --> 00:07:12,040 Speaker 3: They got the artwork in this museum. When the Italians 120 00:07:12,040 --> 00:07:15,200 Speaker 3: and Romans came over there and took over, they whitewashed 121 00:07:15,240 --> 00:07:19,440 Speaker 3: all them pictures. Where as them pictures at Wow, Now 122 00:07:19,560 --> 00:07:23,200 Speaker 3: all the all the all the hiccaic, come hic, Come 123 00:07:23,320 --> 00:07:24,240 Speaker 3: Valentine's Day. 124 00:07:24,560 --> 00:07:26,760 Speaker 2: All these little white babies with these bow and row 125 00:07:26,760 --> 00:07:27,640 Speaker 2: stopped shooting me. 126 00:07:29,920 --> 00:07:32,640 Speaker 1: You're listening, Hardy Morning Show