Speaker 1: Hi, everybody. It's May tenth, two twelve. What No, that
Speaker 1: just means it's me Chuck picking out a select episode
Speaker 1: from May tenth, two thousand twelve. What's a Shotgun House?
Speaker 1: It's cool because I like houses. Welcome to Stuff You
Speaker 1: Should Know, a production of Five Heart Radios How Stuff Works. Hey,
Speaker 1: Welcome to the podcast. I'm Josh Clark. There's Charles W.
Speaker 1: Chuck Bryant with me as always, UM, which makes this
Speaker 1: stuff you should know? The stuff you should Yeah, that's
Speaker 1: our themes on it. Nice time, Thank you. Um. How
Speaker 1: are you doing. I'm doing great. I feel like we
Speaker 1: just did this. I'm looking forward to the show, are you? Yeah?
Speaker 1: Because it touches on parts of Atlanta in their in
Speaker 1: its history, which I always loved. And that's as Atlanta
Speaker 1: man all over the States, all over the States. As uh,
Speaker 1: the immortal David Byrne put it, you may find yourself
Speaker 1: living in a shotgun check, you may find yourself in
Speaker 1: another part of the world. I think even David Byrne
Speaker 1: didn't realize what he was saying when he put those
Speaker 1: two lines together. I think he meant them to contrast
Speaker 1: with one another. But really, if you found yourself in
Speaker 1: a shotgun check and say the beginning of the nineteenth century,
Speaker 1: you probably were experiencing both. Yeah. Yeah, but he doesn't
Speaker 1: tip so now he doesn't care what he said. That's crazy. Um,
Speaker 1: So Chuck, you remember her, Kane, Katrina Um I killed
Speaker 1: I believe people. There is a lot of people. Um.
Speaker 1: And one of the things in addition to all the
Speaker 1: loss of life and property was a real worry about
Speaker 1: loss of very um specific type of architecture, the shotgun house.
Speaker 1: And the reason even though you can find it everywhere
Speaker 1: from Key West to Chicago to San Francisco, all over
Speaker 1: the place, you can find shotgun houses Atlanta. UM. The
Speaker 1: reason why people were worried about losing it in New
Speaker 1: Orleans because as far as the United States goes, that
Speaker 1: is where it was born. That's right. And the whole
Speaker 1: reason anybody would even worry about a shotgun house, if
Speaker 1: you've ever seen one, you might think, why would anyone
Speaker 1: care about losing old chotgun houses is because they are
Speaker 1: routinely cited as the great, possibly greatest contribution by African
Speaker 1: Americans to American specific architecture and design, and not only that,
Speaker 1: responsible for the bringing together in many ways of the
Speaker 1: African American communities due to their things that we're going
Speaker 1: to talk about. I was going to ruin it. I'm
Speaker 1: thank you for saving it. That was good man. Okay, Um,
Speaker 1: you've surely seen a shotgun house. Yeah, let's talk about
Speaker 1: to some of the features people. We should. Yeah, because
Speaker 1: there's probably plenty of people out there and people who
Speaker 1: have seen him and don't know what we're talking about.
Speaker 1: You're about to go. Oh, if you haven't seen him,
Speaker 1: then go onto how stuff works dot com and type
Speaker 1: in what's a shotgun house and you will find some
Speaker 1: images of shotgun houses in this article that I wrote.
Speaker 1: That's true. You wrote this years and years ago. I
Speaker 1: don't think I knew that. Nice job. Shotgun house is
Speaker 1: long and narrow. Yeah, a lot of times they won't
Speaker 1: have windows on the side of the house, although in
Speaker 1: researching this, I saw plenty that do, so it's almost
Speaker 1: like a throwaway. Sometimes they do, don't, Yes, And the
Speaker 1: reason why it's because they're often really close together, like
Speaker 1: I mean, like a foot, a couple of feet. You
Speaker 1: can maybe walk without turning between two houses. But that's
Speaker 1: it exactly. Um, they well, you just said they were
Speaker 1: close to one another. Um, they have high ceilings. They
Speaker 1: very few of them had indoor plumbing at first. UM.
Speaker 1: That was usually brought on later um and tacked onto
Speaker 1: the rear of the house, sometimes crudely. Uh. Typically what
Speaker 1: you have is a living room, bedroom, bedroom, kitchen, all
Speaker 1: in a row, all in a straight line, all the
Speaker 1: doors lining up, interior doors lining up right. So when
Speaker 1: the front and back door is open, you can see
Speaker 1: clear through the house, which is one of the reasons
Speaker 1: why a lot of people think it got its name.
Speaker 1: You could shoot a gun or a shotgun through the
Speaker 1: front door and it would exit out the back door
Speaker 1: without hitting a single wall, and that would hit the
Speaker 1: house behind it or some poor staff who's coming in
Speaker 1: and like you point out, Josh, it's a cute story,
Speaker 1: and it's all over the place. A bet you there
Speaker 1: are many many tours of New Orleans. I'd say that
Speaker 1: story is true. May or may not be. It probably isn't. Um.
Speaker 1: What else is? What else is specific about shotgun houses, chuck? Uh?
Speaker 1: They aside from being a mada homes, they have certain
Speaker 1: architectural flourishes that make them distinctive. UM. I think the
Speaker 1: idea was kind of like, you know, we may be
Speaker 1: poor and not have the biggest house, but we can
Speaker 1: certainly adorn the the vent venting greats and what the
Speaker 1: the arbor that held up the not the arbor brackets,
Speaker 1: brackets that held up the roof. They would be intricately carved,
Speaker 1: usually in a gingerbread design, um, which a lot of
Speaker 1: people kind of criticize or pooh pooed that addition, um
Speaker 1: as h poor blacks or even before that, slaves just
Speaker 1: trying to emulate whites. Um, which is not the case
Speaker 1: because if you trace so, the shotgun house finds its
Speaker 1: origins in the US and New Orleans, but if you
Speaker 1: go even further back, you'll find older ones on Haiti,
Speaker 1: and then even further back you will find something that
Speaker 1: looks started startlingly similar. Um. In West Africa and in
Speaker 1: the Yoruba tongue, these houses are called to gun, which
Speaker 1: means house in Yoruba, or showgun, which means God's house.
Speaker 1: So probably that's where the name comes from. By the ways,
Speaker 1: to gun or showgun from the Yoruba dialect, right, which
Speaker 1: I love. UM. But in these houses they also had
Speaker 1: like intricate details, but they were more of an African motif.
Speaker 1: Over time here in the United States, they adopted gingerbreadin
Speaker 1: or Um Victorian. Yeah, different kinds of carvings, but it
Speaker 1: is very cool. It's kind of like, this is a
Speaker 1: very modest, straightforward house, but there's also pretty neat little
Speaker 1: details we can still have like great pride in it exactly. Um,
Speaker 1: they were usually in New Orleans. They were typically a
Speaker 1: few feed off the ground because of the obvious flooding
Speaker 1: problems there. Um. And this I found and it seems
Speaker 1: believable to me, but I didn't have time to triple
Speaker 1: check it. Um. At the time, property taxes were based
Speaker 1: on frontage, still aren't in are they in New Orleans?
Speaker 1: If you have a house, you're paying by the um
Speaker 1: the frontage, which is the width of your house. Yes,
Speaker 1: and if you are looking at a shotgun house is
Speaker 1: very narrow, but it's long. Um. And the number of
Speaker 1: rooms okay, and in New Orleans though they changed it
Speaker 1: to the number of rooms, they added that on. Yeah,
Speaker 1: it's both okay, uh. And in New Orleans rooms include
Speaker 1: hallways and closets, and you're not going to find a
Speaker 1: hallway or a closet in a shotgun house. So it's
Speaker 1: also another way to um, I guess keep your property
Speaker 1: taxes low as well well, And I found that they
Speaker 1: originally it was just frontage and then so they started
Speaker 1: building the camelbacks, which is a shotgun house with a
Speaker 1: second story on the rear of the house only. And
Speaker 1: then that's when the city said, oh, well we should
Speaker 1: tack rooms onto this as well, because these smart people
Speaker 1: have found a way around paying, as you know, property
Speaker 1: tax pretty smart. Yeah, it does, it makes it makes sense.
Speaker 1: And also found that the first mentioned in print calling
Speaker 1: them shotgun houses was in our very own Atlanta Journal
Speaker 1: Constitution in nine three a classified ad may have been
Speaker 1: the first time that it was actually named that in print,
Speaker 1: and it was like shotgun house twelve dollars a month rent. Yeah,
Speaker 1: twelve bucks. That's not too bad. But you could get
Speaker 1: a shotgun house about that time a kit for a
Speaker 1: hundred bucks um. They also allowed for good air flow too,
Speaker 1: I want to mention, yeah, because you can open up
Speaker 1: the front and back doors and you got a straight shot. Well,
Speaker 1: that's one of the reasons why they were adopted in Haiti.
Speaker 1: Not everybody in Haiti was from West Africa, but that
Speaker 1: became the predominant style, this West African design house because
Speaker 1: it fit in really well with the tropics, all right.
Speaker 1: So well, it made its way from Haiti to New
Speaker 1: Orleans because of the well in indirectly because of the
Speaker 1: French Revolution. Right, So French Revolution takes place and you've
Speaker 1: got UM, liberty, gality, fraternity to all people. That put
Speaker 1: French planners in Haiti in kind of a pickle because
Speaker 1: they couldn't grant liberty to their slaves because they wouldn't
Speaker 1: have any profits any longer. So as they're figuring this out,
Speaker 1: they're trying to figure out what to do, a guy
Speaker 1: named Toussaint low Mature makes the decision for him and
Speaker 1: leads a slave uprising that lasts for many years and
Speaker 1: basically drives all of the white plantation owners from the
Speaker 1: island of Haiti, one of the places that they went.
Speaker 1: And then Haiti became the first UM recognized sovereign maroon
Speaker 1: nation of freed slaves revolting slaves UM, which is pretty cool.
Speaker 1: But that also led to, if you go back and
Speaker 1: listen to our voodoo podcast, a deep and abiding suspicion
Speaker 1: by whites of Haiti all things Haiti from that point
Speaker 1: on UM. But so that this slave uprising that led
Speaker 1: to the UM the freeing of Haiti also led to
Speaker 1: the white populating of New Orleans. So about that time,
Speaker 1: if you went to New Orleans, there were about twelve
Speaker 1: thousand people and a third of them were slaves, the
Speaker 1: third of them were white, and then a third of
Speaker 1: them were free blacks. So it's it's real melting pot
Speaker 1: um And one of the place one of the things
Speaker 1: that came about from that was people fleeing Haiti bringing
Speaker 1: the shotgun houses with them, and then it just kind
Speaker 1: of it was always African American um and it was
Speaker 1: always associated with African Americans, and it just kind of
Speaker 1: spread from there to where if you if you came
Speaker 1: across the working class African American neighborhood like in Chicago
Speaker 1: or something like that, you're going to see shotgun of
Speaker 1: houses or Atlanta, like I've mentioned many times. Uh, if
Speaker 1: if you are local, then you can see these kinds
Speaker 1: of houses in like the Sweet Auburn district, Cabbage Down
Speaker 1: and I think Cabbage Town where they were houses for
Speaker 1: factory workers for the nearby cotton mill offten uh factories. Yeah,
Speaker 1: it changed hands um. Also, you're gonna find them directly
Speaker 1: across the street from Martin Luther King's birthplace UM in
Speaker 1: the King Memorial area. The whole park is UM. There's
Speaker 1: still people that live in them. Yeah, and they've been
Speaker 1: pretty well preserved over the Yeah. Yeah, it's very cool.
Speaker 1: But those were like late nineteenth century built. But it
Speaker 1: did kind of transition from African American only to working
Speaker 1: class of all colors. The shotgun house became kind of
Speaker 1: an emblem of the working class as much as African
Speaker 1: Americans now. Is a is a row house the same thing?
Speaker 1: Or is a row house? Just know those are side
Speaker 1: by side, like touching, sometimes all forming one large building,
Speaker 1: but then maybe different gables differentiating them. So a shotgun
Speaker 1: a shotgun house could be a row house, but a
Speaker 1: row house can't be a shotgun house because den row
Speaker 1: house indicate like the proximity to one another more than
Speaker 1: the style of the house. Or no, I think it's both.
Speaker 1: And then the shotgun house is not supposed to be
Speaker 1: confused with the railroad house either, yea, which is you
Speaker 1: enter and there's a long hallway from front to back,
Speaker 1: and then off of the hallway our rooms apartments. My
Speaker 1: friend Meredith in New York, in Brooklyn, lives in a
Speaker 1: railroad department which was always a little weird because like
Speaker 1: in order for like when I would stay there, I
Speaker 1: would stay in the living room, and when someone had
Speaker 1: to go to the bathroom, they would have to walk
Speaker 1: through the you know, living room to tend to get
Speaker 1: to the Bathroom's always awkward. Or she could go outside
Speaker 1: through the hallway and then come back in because she
Speaker 1: had two doors to her apartment. Got it still does, hi, Meredith,
Speaker 1: So Chuck, we're talking about where else they spread. There's
Speaker 1: UM also a lot of in Oklahoma, especially southern Oklahoma. Yeah.
Speaker 1: And one of the reasons why is because southern Oklahoma,
Speaker 1: the Oklahoma territory Um before it became a state, was
Speaker 1: a free black area and a lot of blacks traveled
Speaker 1: to Oklahoma, moved to Oklahoma to be free, and a
Speaker 1: lot of runaway slaves maroons is what they are called,
Speaker 1: formed and integrated with um Native American tribes like the Seminoles.
Speaker 1: And when these five civilized tribes and making air quotes
Speaker 1: like furiously um were moved to the Oklahoma territory Um,
Speaker 1: a lot of blacks went with them, and shockun houses
Speaker 1: showed up alongside the whole thing, and there's like all
Speaker 1: black towns are formerly all black towns in southern Oklahoma
Speaker 1: where it's like shocking houses everywhere. Yeah, so, Chuck, if
Speaker 1: you ask me, I feel like, now we've reached the
Speaker 1: point where this is the fact of the show, and
Speaker 1: I know you're excited about this. Well, it's cool. They um.
Speaker 1: It's one of the reasons I talked about why the
Speaker 1: cultural legacy of the shotgun Home had a lot to
Speaker 1: do with bringing together the African American community is because
Speaker 1: of a little something called the front porch. Yeah, they
Speaker 1: didn't exist in the United States before the shotgun House
Speaker 1: brought it along. So the shotgun houses are typically I
Speaker 1: mean a lot of them actually were so far forward
Speaker 1: that they were on the sidewalk, But the ones that
Speaker 1: weren't had a few feet of grass and then a
Speaker 1: front porch to hang out on. And in a small house,
Speaker 1: you're going to congregate on the front porch. And in
Speaker 1: the evenings, if your neighbors on our front porch five
Speaker 1: feet from you and they're five feet from another one,
Speaker 1: then what you have is a big, old, friendly cultural
Speaker 1: block party going on every evening, and the porch is made.
Speaker 1: It's a spandrel I guess of the um overhanging roof.
Speaker 1: And then if you add the fact that in New Orleans,
Speaker 1: like you said, they were built off of the ground.
Speaker 1: Some yeah, you have to build steps to go up
Speaker 1: to it. And then you have a just buy you
Speaker 1: have a de facto porch. And then yeah, you add
Speaker 1: a bunch of them together and there you go. So
Speaker 1: we didn't have porch. So like these huge wraparound porches
Speaker 1: on old like plantation mansions stoops in New York, like,
Speaker 1: all of this stuff can be traced back to the
Speaker 1: shotgun house. Really, yeah, that's crazy, and thank you for that,
Speaker 1: shotgun house builders. So because one of my favorite things
Speaker 1: is the front porch or the back porch. Good good porches.
Speaker 1: It's very important. Yeah, you know, shotgun houses started to
Speaker 1: wane in the twenties, and it wasn't It wasn't until
Speaker 1: fairly recently that we knew the history of shotgun houses.
Speaker 1: That architects um went back and and art historians went
Speaker 1: back and figured out where this all came from and
Speaker 1: traced it step by step. I mean it was within
Speaker 1: the last like a couple of decades um. And they
Speaker 1: were like, okay, we found some shotgun houses and these
Speaker 1: are really old, and they date them and they'd be like, Okay,
Speaker 1: New Orleans is the birthplace. And then somebody be like,
Speaker 1: have you been to Port of Prince Like they got
Speaker 1: some they're really really old there, and then they traced
Speaker 1: them back and then somebody figured out that they were
Speaker 1: from West Africa. But the new construction in the United
Speaker 1: States waned in the twenties, and like I said about
Speaker 1: the turn of the last century, you could get a
Speaker 1: kit for about a hundred bucks, which also made them
Speaker 1: really good cheap housing for labor um if you had
Speaker 1: like a work camp, you exactly um. And they were
Speaker 1: also really good for disaster relief. Specifically, they made a
Speaker 1: big appearance in the San Francisco earthquake of nineteen o six. Well, yeah,
Speaker 1: they needed to put up displaced people. And when you
Speaker 1: can build a house for a hundred bucks, then you
Speaker 1: do so exactly. And when it can be pre fabricated
Speaker 1: and then taking apart in like six large parts, put
Speaker 1: on a train and sent somewhere and then put back
Speaker 1: together within like a couple hours, like a waffle house. Yeah,
Speaker 1: it's exactly like a waffle house. As matter of fact,
Speaker 1: I think you can go out on a limb and
Speaker 1: say we wouldn't have the waffle house without the shotgun house.
Speaker 1: I think you're right, uh little pop culture. Yeah, you
Speaker 1: already mentioned David Byrne. Uh Coogs, John Mellencamp, My boy
Speaker 1: Coogs Pink Houses was about a shotgun house. Apparently, his
Speaker 1: legend has it, he was driving on a busy main
Speaker 1: road and he saw this little black guy sitting on
Speaker 1: the front porch of his little pink shotgun house, gave him,
Speaker 1: gave him a wave, and he said he just looked
Speaker 1: like he was as happy as could be sitting out
Speaker 1: on his porch. And uh, I wrote a song about it,
Speaker 1: that's nice, and and that the album that I was
Speaker 1: on too, Yeah, I think so great song. Elvis Presley
Speaker 1: was born in the shotgun house. Oh yeah, in uh yeah, Mississippi,
Speaker 1: which is where I have family actually, And Aaron Neville
Speaker 1: grew up in a shotgun house. The incomparable and muscly
Speaker 1: and Moley. But boy man like I can sing yeah
Speaker 1: like a bird? Okay, face pretty good, Aaron Neville ask me,
Speaker 1: it's um shock. Gun houses are making a resurgence too,
Speaker 1: by the way, are they building them again? Yes, there's
Speaker 1: this thing called the tiny house movement. Oh yeah, that
Speaker 1: and the whole idea of living modestly in the house
Speaker 1: you can afford that UM grants a very small carbon footprint.
Speaker 1: Shotgun houses fit that bill. I like the tiny house thing.
Speaker 1: I think. I think actually Emily might have written an
Speaker 1: article about that. Is that right? If I'm not mistaken,
Speaker 1: or maybe it was me. Somebody did, somebody in our
Speaker 1: family did, because I remember I remember it happening. Was
Speaker 1: it Buckley a few years ago? Yeah? Buckley wrote it. Um,
Speaker 1: you got anything else, no go, you know, seek out
Speaker 1: local historic landmarks that might be easily overlooked when you're
Speaker 1: angry in traffic. Yeah. And when next time you pass
Speaker 1: a shotgun house, like, stop and look at it, and
Speaker 1: you'll see some pretty cool little details to it. Ask
Speaker 1: him to open the door so you can shoot a
Speaker 1: gun through it. Don't do that. Don't do that. Man,
Speaker 1: that was a reversal. I was like, no, don't do it,
Speaker 1: Chuck said, Normally it's the other way around. Uh. And
Speaker 1: if you're ever in Atlanta, Chuck and I always recommend
Speaker 1: going to the King Memorial Center, the place where he's buried,
Speaker 1: where the eternal flame is in all the surrounding area.
Speaker 1: UM is like a Living Museum Preserved House is just awesome.
Speaker 1: One of my favorite parts of Atlanta for sure. Um So,
Speaker 1: if you want to learn more about shotgun houses and
Speaker 1: see pictures of shotgun houses, you can type the words
Speaker 1: shotgun house two words into the search bar at how
Speaker 1: stuff works dot com and that'll bring up this article
Speaker 1: that I wrote. And I said search bar, which means
Speaker 1: it's time for a listener now, Josh, I'm gonna call
Speaker 1: this beast email. Hey, guys, did you did you read
Speaker 1: this one? Um? I just listened to the Music Sampling Podcast.
Speaker 1: We got a lot of good feedback on that by man,
Speaker 1: everybody loved that was and a lot of people offered
Speaker 1: up like people don't know way more than us, offered
Speaker 1: up a lot of cool insight. Yeah, we kept getting
Speaker 1: called out for not mentioning girl talk. I've never heard
Speaker 1: girl talk, so I don't feel bad. Yeah, but everyone
Speaker 1: we know about girl talk. Now, Okay, guys that just
Speaker 1: listened to the Music Sampling Podcast wanted to say how
Speaker 1: great it was that you featured the Beastie Boys so
Speaker 1: prominently in the show. I thought i'd share a little
Speaker 1: story when I met them during the nineteen seven licensed
Speaker 1: to Ild tour in Las Vegas when I was fifteen.
Speaker 1: So this girl must be my age because I saw
Speaker 1: that tour and I was about fifteen. Wow. All right.
Speaker 1: They performed in a concert hall on the un l
Speaker 1: V campus, so it was easy to get to the
Speaker 1: area where their tour bus was because I lived in
Speaker 1: the bleachers. They were inviting every female they saw back
Speaker 1: to their hotel for a party, including teen year olds.
Speaker 1: Well they were only like eighteen nineteen. Still, Well, I know,
Speaker 1: but you get to be forty and you're like, what's
Speaker 1: the big difference of five years? Man? That's back then.
Speaker 1: I'm just saying, it's not like they were like years older.
Speaker 1: All right, I'm defending their pedophilia. Uh. By the time
Speaker 1: we got there, the party had taken over the ninth
Speaker 1: floor and had already been shut down. We got to
Speaker 1: say hi to m c A before being escorted away
Speaker 1: by security for curfew violation. But I was determined. I
Speaker 1: skipped school the next day went back to the hotel,
Speaker 1: basically casing the joint. I ended up finding m c A,
Speaker 1: who remembered me from the night before. I said, how
Speaker 1: do He said, Hi, very nice? What you heard waiting
Speaker 1: on that one? I ended up spending the whole day
Speaker 1: with the guys, chatting, playing arcade games, walking over to
Speaker 1: a seven eleven with a very hungover ad Rock, and
Speaker 1: even helping load their bags onto the tour bus. They're
Speaker 1: only nineteen twenty and twenty one at the time. I'm
Speaker 1: very unassuming, so they weren't getting much attention. I felt
Speaker 1: like a little sister tagging along with their super cool
Speaker 1: older brothers. That is very cool. At one point m
Speaker 1: c a offered me a tour of the bus. We
Speaker 1: got on and he closed the door and said, now
Speaker 1: we cannot do all sorts of things that you're going
Speaker 1: to tell all your friends. We did anyway, he was
Speaker 1: really hysterical, so he was like he was still a gentleman, unfortunately,
Speaker 1: and he's like a Buddhist now and he oh yeah. Unfortunately.
Speaker 1: I had not thought to bring a camera with me,
Speaker 1: so I have no picks. I did get the auto
Speaker 1: documentation any of this happened, now, she does, um. I
Speaker 1: did get their autographs, but the only paper I had
Speaker 1: in my jacket was old school snoopy valentines I had
Speaker 1: bought to give up friends. I still treasure my three
Speaker 1: snoopy valentines each one with their autographs, and she sent
Speaker 1: pictures of them. That's cool. I stayed until they left
Speaker 1: around six at night. I naively asked m c a
Speaker 1: if he would write to me. He answered with an
Speaker 1: honest no and gave me a very sweet kiss on
Speaker 1: the cheek. I loved it that they have conceid need
Speaker 1: to rise in popularity and her given the respect of
Speaker 1: being true innovators in the field. First. Sure that is
Speaker 1: Ali Smith and she got kissed on the cheek by
Speaker 1: a very sweet sounding m c And all of your
Speaker 1: fifteen year olds out there, you'd better be at home sleeping. Yeah,
Speaker 1: don't be hanging out with twenty one year old dudes,
Speaker 1: especially not the girl talk people. Those guys are girls.
Speaker 1: I think girl talk to a guy. It's dear clear
Speaker 1: that girl talk to um. Let's see what do you
Speaker 1: want to call out for? M hmm. Do you live
Speaker 1: in a shotgun house? No? I guess yeah. If you have,
Speaker 1: like a house with an interesting history, we did that one,
Speaker 1: but let's do it again that boy. Um, if you
Speaker 1: live in a house with an interesting history, or you've
Speaker 1: hung out with the beastie boys, we want to hear those.
Speaker 1: You can write to us at uh, let's see. You
Speaker 1: can tweet to us at s y s K podcast.
Speaker 1: That's our handle Facebook dot com, slash Stuff you Should
Speaker 1: Know is us on Facebook, and you can send us
Speaker 1: an email to stuff podcast at how stuff works dot com.
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