WEBVTT - SYSK Selects: What Is a Shotgun House?

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<v Speaker 1>Hi, everybody. It's May tenth, two twelve. What No, that

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<v Speaker 1>just means it's me Chuck picking out a select episode

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<v Speaker 1>from May tenth, two thousand twelve. What's a Shotgun House?

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<v Speaker 1>It's cool because I like houses. Welcome to Stuff You

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<v Speaker 1>Should Know, a production of Five Heart Radios How Stuff Works. Hey,

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<v Speaker 1>Welcome to the podcast. I'm Josh Clark. There's Charles W.

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<v Speaker 1>Chuck Bryant with me as always, UM, which makes this

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<v Speaker 1>stuff you should know? The stuff you should Yeah, that's

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<v Speaker 1>our themes on it. Nice time, Thank you. Um. How

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<v Speaker 1>are you doing. I'm doing great. I feel like we

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<v Speaker 1>just did this. I'm looking forward to the show, are you? Yeah?

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<v Speaker 1>Because it touches on parts of Atlanta in their in

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<v Speaker 1>its history, which I always loved. And that's as Atlanta

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<v Speaker 1>man all over the States, all over the States. As uh,

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<v Speaker 1>the immortal David Byrne put it, you may find yourself

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<v Speaker 1>living in a shotgun check, you may find yourself in

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<v Speaker 1>another part of the world. I think even David Byrne

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<v Speaker 1>didn't realize what he was saying when he put those

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<v Speaker 1>two lines together. I think he meant them to contrast

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<v Speaker 1>with one another. But really, if you found yourself in

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<v Speaker 1>a shotgun check and say the beginning of the nineteenth century,

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<v Speaker 1>you probably were experiencing both. Yeah. Yeah, but he doesn't

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<v Speaker 1>tip so now he doesn't care what he said. That's crazy. Um,

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<v Speaker 1>So Chuck, you remember her, Kane, Katrina Um I killed

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<v Speaker 1>I believe people. There is a lot of people. Um.

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<v Speaker 1>And one of the things in addition to all the

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<v Speaker 1>loss of life and property was a real worry about

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<v Speaker 1>loss of very um specific type of architecture, the shotgun house.

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<v Speaker 1>And the reason even though you can find it everywhere

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<v Speaker 1>from Key West to Chicago to San Francisco, all over

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<v Speaker 1>the place, you can find shotgun houses Atlanta. UM. The

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<v Speaker 1>reason why people were worried about losing it in New

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<v Speaker 1>Orleans because as far as the United States goes, that

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<v Speaker 1>is where it was born. That's right. And the whole

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<v Speaker 1>reason anybody would even worry about a shotgun house, if

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<v Speaker 1>you've ever seen one, you might think, why would anyone

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<v Speaker 1>care about losing old chotgun houses is because they are

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<v Speaker 1>routinely cited as the great, possibly greatest contribution by African

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<v Speaker 1>Americans to American specific architecture and design, and not only that,

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<v Speaker 1>responsible for the bringing together in many ways of the

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<v Speaker 1>African American communities due to their things that we're going

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<v Speaker 1>to talk about. I was going to ruin it. I'm

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<v Speaker 1>thank you for saving it. That was good man. Okay, Um,

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<v Speaker 1>you've surely seen a shotgun house. Yeah, let's talk about

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<v Speaker 1>to some of the features people. We should. Yeah, because

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<v Speaker 1>there's probably plenty of people out there and people who

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<v Speaker 1>have seen him and don't know what we're talking about.

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<v Speaker 1>You're about to go. Oh, if you haven't seen him,

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<v Speaker 1>then go onto how stuff works dot com and type

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<v Speaker 1>in what's a shotgun house and you will find some

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<v Speaker 1>images of shotgun houses in this article that I wrote.

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<v Speaker 1>That's true. You wrote this years and years ago. I

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<v Speaker 1>don't think I knew that. Nice job. Shotgun house is

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<v Speaker 1>long and narrow. Yeah, a lot of times they won't

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<v Speaker 1>have windows on the side of the house, although in

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<v Speaker 1>researching this, I saw plenty that do, so it's almost

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<v Speaker 1>like a throwaway. Sometimes they do, don't, Yes, And the

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<v Speaker 1>reason why it's because they're often really close together, like

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<v Speaker 1>I mean, like a foot, a couple of feet. You

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<v Speaker 1>can maybe walk without turning between two houses. But that's

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<v Speaker 1>it exactly. Um, they well, you just said they were

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<v Speaker 1>close to one another. Um, they have high ceilings. They

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<v Speaker 1>very few of them had indoor plumbing at first. UM.

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<v Speaker 1>That was usually brought on later um and tacked onto

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<v Speaker 1>the rear of the house, sometimes crudely. Uh. Typically what

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<v Speaker 1>you have is a living room, bedroom, bedroom, kitchen, all

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<v Speaker 1>in a row, all in a straight line, all the

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<v Speaker 1>doors lining up, interior doors lining up right. So when

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<v Speaker 1>the front and back door is open, you can see

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<v Speaker 1>clear through the house, which is one of the reasons

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<v Speaker 1>why a lot of people think it got its name.

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<v Speaker 1>You could shoot a gun or a shotgun through the

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<v Speaker 1>front door and it would exit out the back door

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<v Speaker 1>without hitting a single wall, and that would hit the

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<v Speaker 1>house behind it or some poor staff who's coming in

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<v Speaker 1>and like you point out, Josh, it's a cute story,

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<v Speaker 1>and it's all over the place. A bet you there

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<v Speaker 1>are many many tours of New Orleans. I'd say that

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<v Speaker 1>story is true. May or may not be. It probably isn't. Um.

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<v Speaker 1>What else is? What else is specific about shotgun houses, chuck? Uh?

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<v Speaker 1>They aside from being a mada homes, they have certain

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<v Speaker 1>architectural flourishes that make them distinctive. UM. I think the

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<v Speaker 1>idea was kind of like, you know, we may be

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<v Speaker 1>poor and not have the biggest house, but we can

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<v Speaker 1>certainly adorn the the vent venting greats and what the

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<v Speaker 1>the arbor that held up the not the arbor brackets,

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<v Speaker 1>brackets that held up the roof. They would be intricately carved,

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<v Speaker 1>usually in a gingerbread design, um, which a lot of

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<v Speaker 1>people kind of criticize or pooh pooed that addition, um

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<v Speaker 1>as h poor blacks or even before that, slaves just

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<v Speaker 1>trying to emulate whites. Um, which is not the case

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<v Speaker 1>because if you trace so, the shotgun house finds its

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<v Speaker 1>origins in the US and New Orleans, but if you

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<v Speaker 1>go even further back, you'll find older ones on Haiti,

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<v Speaker 1>and then even further back you will find something that

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<v Speaker 1>looks started startlingly similar. Um. In West Africa and in

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<v Speaker 1>the Yoruba tongue, these houses are called to gun, which

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<v Speaker 1>means house in Yoruba, or showgun, which means God's house.

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<v Speaker 1>So probably that's where the name comes from. By the ways,

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<v Speaker 1>to gun or showgun from the Yoruba dialect, right, which

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<v Speaker 1>I love. UM. But in these houses they also had

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<v Speaker 1>like intricate details, but they were more of an African motif.

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<v Speaker 1>Over time here in the United States, they adopted gingerbreadin

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<v Speaker 1>or Um Victorian. Yeah, different kinds of carvings, but it

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<v Speaker 1>is very cool. It's kind of like, this is a

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<v Speaker 1>very modest, straightforward house, but there's also pretty neat little

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<v Speaker 1>details we can still have like great pride in it exactly. Um,

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<v Speaker 1>they were usually in New Orleans. They were typically a

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<v Speaker 1>few feed off the ground because of the obvious flooding

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<v Speaker 1>problems there. Um. And this I found and it seems

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<v Speaker 1>believable to me, but I didn't have time to triple

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<v Speaker 1>check it. Um. At the time, property taxes were based

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<v Speaker 1>on frontage, still aren't in are they in New Orleans?

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<v Speaker 1>If you have a house, you're paying by the um

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<v Speaker 1>the frontage, which is the width of your house. Yes,

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<v Speaker 1>and if you are looking at a shotgun house is

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<v Speaker 1>very narrow, but it's long. Um. And the number of

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<v Speaker 1>rooms okay, and in New Orleans though they changed it

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<v Speaker 1>to the number of rooms, they added that on. Yeah,

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<v Speaker 1>it's both okay, uh. And in New Orleans rooms include

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<v Speaker 1>hallways and closets, and you're not going to find a

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<v Speaker 1>hallway or a closet in a shotgun house. So it's

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<v Speaker 1>also another way to um, I guess keep your property

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<v Speaker 1>taxes low as well well, And I found that they

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<v Speaker 1>originally it was just frontage and then so they started

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<v Speaker 1>building the camelbacks, which is a shotgun house with a

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<v Speaker 1>second story on the rear of the house only. And

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<v Speaker 1>then that's when the city said, oh, well we should

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<v Speaker 1>tack rooms onto this as well, because these smart people

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<v Speaker 1>have found a way around paying, as you know, property

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<v Speaker 1>tax pretty smart. Yeah, it does, it makes it makes sense.

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<v Speaker 1>And also found that the first mentioned in print calling

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<v Speaker 1>them shotgun houses was in our very own Atlanta Journal

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<v Speaker 1>Constitution in nine three a classified ad may have been

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<v Speaker 1>the first time that it was actually named that in print,

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<v Speaker 1>and it was like shotgun house twelve dollars a month rent. Yeah,

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<v Speaker 1>twelve bucks. That's not too bad. But you could get

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<v Speaker 1>a shotgun house about that time a kit for a

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<v Speaker 1>hundred bucks um. They also allowed for good air flow too,

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<v Speaker 1>I want to mention, yeah, because you can open up

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<v Speaker 1>the front and back doors and you got a straight shot. Well,

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<v Speaker 1>that's one of the reasons why they were adopted in Haiti.

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<v Speaker 1>Not everybody in Haiti was from West Africa, but that

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<v Speaker 1>became the predominant style, this West African design house because

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<v Speaker 1>it fit in really well with the tropics, all right.

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<v Speaker 1>So well, it made its way from Haiti to New

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<v Speaker 1>Orleans because of the well in indirectly because of the

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<v Speaker 1>French Revolution. Right, So French Revolution takes place and you've

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<v Speaker 1>got UM, liberty, gality, fraternity to all people. That put

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<v Speaker 1>French planners in Haiti in kind of a pickle because

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<v Speaker 1>they couldn't grant liberty to their slaves because they wouldn't

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<v Speaker 1>have any profits any longer. So as they're figuring this out,

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<v Speaker 1>they're trying to figure out what to do, a guy

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<v Speaker 1>named Toussaint low Mature makes the decision for him and

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<v Speaker 1>leads a slave uprising that lasts for many years and

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<v Speaker 1>basically drives all of the white plantation owners from the

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<v Speaker 1>island of Haiti, one of the places that they went.

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<v Speaker 1>And then Haiti became the first UM recognized sovereign maroon

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<v Speaker 1>nation of freed slaves revolting slaves UM, which is pretty cool.

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<v Speaker 1>But that also led to, if you go back and

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<v Speaker 1>listen to our voodoo podcast, a deep and abiding suspicion

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<v Speaker 1>by whites of Haiti all things Haiti from that point

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<v Speaker 1>on UM. But so that this slave uprising that led

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<v Speaker 1>to the UM the freeing of Haiti also led to

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<v Speaker 1>the white populating of New Orleans. So about that time,

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<v Speaker 1>if you went to New Orleans, there were about twelve

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<v Speaker 1>thousand people and a third of them were slaves, the

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<v Speaker 1>third of them were white, and then a third of

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<v Speaker 1>them were free blacks. So it's it's real melting pot

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<v Speaker 1>um And one of the place one of the things

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<v Speaker 1>that came about from that was people fleeing Haiti bringing

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<v Speaker 1>the shotgun houses with them, and then it just kind

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<v Speaker 1>of it was always African American um and it was

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<v Speaker 1>always associated with African Americans, and it just kind of

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<v Speaker 1>spread from there to where if you if you came

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<v Speaker 1>across the working class African American neighborhood like in Chicago

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<v Speaker 1>or something like that, you're going to see shotgun of

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<v Speaker 1>houses or Atlanta, like I've mentioned many times. Uh, if

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<v Speaker 1>if you are local, then you can see these kinds

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<v Speaker 1>of houses in like the Sweet Auburn district, Cabbage Down

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<v Speaker 1>and I think Cabbage Town where they were houses for

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<v Speaker 1>factory workers for the nearby cotton mill offten uh factories. Yeah,

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<v Speaker 1>it changed hands um. Also, you're gonna find them directly

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<v Speaker 1>across the street from Martin Luther King's birthplace UM in

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<v Speaker 1>the King Memorial area. The whole park is UM. There's

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<v Speaker 1>still people that live in them. Yeah, and they've been

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<v Speaker 1>pretty well preserved over the Yeah. Yeah, it's very cool.

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<v Speaker 1>But those were like late nineteenth century built. But it

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<v Speaker 1>did kind of transition from African American only to working

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<v Speaker 1>class of all colors. The shotgun house became kind of

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<v Speaker 1>an emblem of the working class as much as African

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<v Speaker 1>Americans now. Is a is a row house the same thing?

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<v Speaker 1>Or is a row house? Just know those are side

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<v Speaker 1>by side, like touching, sometimes all forming one large building,

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<v Speaker 1>but then maybe different gables differentiating them. So a shotgun

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<v Speaker 1>a shotgun house could be a row house, but a

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<v Speaker 1>row house can't be a shotgun house because den row

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<v Speaker 1>house indicate like the proximity to one another more than

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<v Speaker 1>the style of the house. Or no, I think it's both.

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<v Speaker 1>And then the shotgun house is not supposed to be

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<v Speaker 1>confused with the railroad house either, yea, which is you

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<v Speaker 1>enter and there's a long hallway from front to back,

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<v Speaker 1>and then off of the hallway our rooms apartments. My

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<v Speaker 1>friend Meredith in New York, in Brooklyn, lives in a

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<v Speaker 1>railroad department which was always a little weird because like

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<v Speaker 1>in order for like when I would stay there, I

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<v Speaker 1>would stay in the living room, and when someone had

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<v Speaker 1>to go to the bathroom, they would have to walk

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<v Speaker 1>through the you know, living room to tend to get

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<v Speaker 1>to the Bathroom's always awkward. Or she could go outside

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<v Speaker 1>through the hallway and then come back in because she

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<v Speaker 1>had two doors to her apartment. Got it still does, hi, Meredith,

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<v Speaker 1>So Chuck, we're talking about where else they spread. There's

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<v Speaker 1>UM also a lot of in Oklahoma, especially southern Oklahoma. Yeah.

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<v Speaker 1>And one of the reasons why is because southern Oklahoma,

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<v Speaker 1>the Oklahoma territory Um before it became a state, was

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<v Speaker 1>a free black area and a lot of blacks traveled

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<v Speaker 1>to Oklahoma, moved to Oklahoma to be free, and a

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<v Speaker 1>lot of runaway slaves maroons is what they are called,

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<v Speaker 1>formed and integrated with um Native American tribes like the Seminoles.

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<v Speaker 1>And when these five civilized tribes and making air quotes

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<v Speaker 1>like furiously um were moved to the Oklahoma territory Um,

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<v Speaker 1>a lot of blacks went with them, and shockun houses

0:13:39.480 --> 0:13:43.000
<v Speaker 1>showed up alongside the whole thing, and there's like all

0:13:43.040 --> 0:13:46.520
<v Speaker 1>black towns are formerly all black towns in southern Oklahoma

0:13:46.760 --> 0:13:51.160
<v Speaker 1>where it's like shocking houses everywhere. Yeah, so, Chuck, if

0:13:51.200 --> 0:13:53.920
<v Speaker 1>you ask me, I feel like, now we've reached the

0:13:53.960 --> 0:13:57.880
<v Speaker 1>point where this is the fact of the show, and

0:13:57.960 --> 0:14:02.359
<v Speaker 1>I know you're excited about this. Well, it's cool. They um.

0:14:02.400 --> 0:14:04.360
<v Speaker 1>It's one of the reasons I talked about why the

0:14:04.360 --> 0:14:06.600
<v Speaker 1>cultural legacy of the shotgun Home had a lot to

0:14:06.600 --> 0:14:10.240
<v Speaker 1>do with bringing together the African American community is because

0:14:10.240 --> 0:14:13.080
<v Speaker 1>of a little something called the front porch. Yeah, they

0:14:13.080 --> 0:14:16.040
<v Speaker 1>didn't exist in the United States before the shotgun House

0:14:16.080 --> 0:14:18.599
<v Speaker 1>brought it along. So the shotgun houses are typically I

0:14:18.640 --> 0:14:22.160
<v Speaker 1>mean a lot of them actually were so far forward

0:14:22.200 --> 0:14:24.600
<v Speaker 1>that they were on the sidewalk, But the ones that

0:14:24.640 --> 0:14:27.400
<v Speaker 1>weren't had a few feet of grass and then a

0:14:27.440 --> 0:14:31.320
<v Speaker 1>front porch to hang out on. And in a small house,

0:14:31.360 --> 0:14:33.040
<v Speaker 1>you're going to congregate on the front porch. And in

0:14:33.080 --> 0:14:36.240
<v Speaker 1>the evenings, if your neighbors on our front porch five

0:14:36.280 --> 0:14:39.280
<v Speaker 1>feet from you and they're five feet from another one,

0:14:39.560 --> 0:14:42.280
<v Speaker 1>then what you have is a big, old, friendly cultural

0:14:42.680 --> 0:14:46.960
<v Speaker 1>block party going on every evening, and the porch is made.

0:14:47.000 --> 0:14:51.400
<v Speaker 1>It's a spandrel I guess of the um overhanging roof.

0:14:52.240 --> 0:14:54.600
<v Speaker 1>And then if you add the fact that in New Orleans,

0:14:54.600 --> 0:14:56.480
<v Speaker 1>like you said, they were built off of the ground.

0:14:56.560 --> 0:14:58.560
<v Speaker 1>Some yeah, you have to build steps to go up

0:14:58.560 --> 0:15:01.360
<v Speaker 1>to it. And then you have a just buy you

0:15:01.360 --> 0:15:03.240
<v Speaker 1>have a de facto porch. And then yeah, you add

0:15:03.280 --> 0:15:05.280
<v Speaker 1>a bunch of them together and there you go. So

0:15:05.440 --> 0:15:08.760
<v Speaker 1>we didn't have porch. So like these huge wraparound porches

0:15:09.240 --> 0:15:13.480
<v Speaker 1>on old like plantation mansions stoops in New York, like,

0:15:13.560 --> 0:15:15.480
<v Speaker 1>all of this stuff can be traced back to the

0:15:15.520 --> 0:15:19.560
<v Speaker 1>shotgun house. Really, yeah, that's crazy, and thank you for that,

0:15:19.760 --> 0:15:24.080
<v Speaker 1>shotgun house builders. So because one of my favorite things

0:15:24.120 --> 0:15:27.000
<v Speaker 1>is the front porch or the back porch. Good good porches.

0:15:27.240 --> 0:15:31.800
<v Speaker 1>It's very important. Yeah, you know, shotgun houses started to

0:15:31.880 --> 0:15:35.840
<v Speaker 1>wane in the twenties, and it wasn't It wasn't until

0:15:36.040 --> 0:15:39.600
<v Speaker 1>fairly recently that we knew the history of shotgun houses.

0:15:40.040 --> 0:15:43.800
<v Speaker 1>That architects um went back and and art historians went

0:15:43.800 --> 0:15:46.600
<v Speaker 1>back and figured out where this all came from and

0:15:46.640 --> 0:15:48.880
<v Speaker 1>traced it step by step. I mean it was within

0:15:48.920 --> 0:15:52.640
<v Speaker 1>the last like a couple of decades um. And they

0:15:52.760 --> 0:15:54.920
<v Speaker 1>were like, okay, we found some shotgun houses and these

0:15:54.920 --> 0:15:58.240
<v Speaker 1>are really old, and they date them and they'd be like, Okay,

0:15:58.240 --> 0:16:00.160
<v Speaker 1>New Orleans is the birthplace. And then somebody be like,

0:16:00.440 --> 0:16:02.080
<v Speaker 1>have you been to Port of Prince Like they got

0:16:02.120 --> 0:16:04.200
<v Speaker 1>some they're really really old there, and then they traced

0:16:04.200 --> 0:16:06.760
<v Speaker 1>them back and then somebody figured out that they were

0:16:06.760 --> 0:16:11.480
<v Speaker 1>from West Africa. But the new construction in the United

0:16:11.520 --> 0:16:14.080
<v Speaker 1>States waned in the twenties, and like I said about

0:16:14.160 --> 0:16:16.280
<v Speaker 1>the turn of the last century, you could get a

0:16:16.360 --> 0:16:19.240
<v Speaker 1>kit for about a hundred bucks, which also made them

0:16:19.440 --> 0:16:23.440
<v Speaker 1>really good cheap housing for labor um if you had

0:16:23.480 --> 0:16:29.320
<v Speaker 1>like a work camp, you exactly um. And they were

0:16:29.400 --> 0:16:32.800
<v Speaker 1>also really good for disaster relief. Specifically, they made a

0:16:32.840 --> 0:16:36.960
<v Speaker 1>big appearance in the San Francisco earthquake of nineteen o six. Well, yeah,

0:16:37.000 --> 0:16:40.440
<v Speaker 1>they needed to put up displaced people. And when you

0:16:40.480 --> 0:16:43.000
<v Speaker 1>can build a house for a hundred bucks, then you

0:16:43.040 --> 0:16:46.320
<v Speaker 1>do so exactly. And when it can be pre fabricated

0:16:46.440 --> 0:16:51.280
<v Speaker 1>and then taking apart in like six large parts, put

0:16:51.320 --> 0:16:53.640
<v Speaker 1>on a train and sent somewhere and then put back

0:16:53.640 --> 0:16:57.680
<v Speaker 1>together within like a couple hours, like a waffle house. Yeah,

0:16:57.800 --> 0:17:00.480
<v Speaker 1>it's exactly like a waffle house. As matter of fact,

0:17:00.560 --> 0:17:01.680
<v Speaker 1>I think you can go out on a limb and

0:17:01.680 --> 0:17:04.359
<v Speaker 1>say we wouldn't have the waffle house without the shotgun house.

0:17:04.520 --> 0:17:08.119
<v Speaker 1>I think you're right, uh little pop culture. Yeah, you

0:17:08.119 --> 0:17:13.040
<v Speaker 1>already mentioned David Byrne. Uh Coogs, John Mellencamp, My boy

0:17:13.080 --> 0:17:16.720
<v Speaker 1>Coogs Pink Houses was about a shotgun house. Apparently, his

0:17:16.920 --> 0:17:20.080
<v Speaker 1>legend has it, he was driving on a busy main

0:17:20.200 --> 0:17:22.520
<v Speaker 1>road and he saw this little black guy sitting on

0:17:22.560 --> 0:17:25.679
<v Speaker 1>the front porch of his little pink shotgun house, gave him,

0:17:25.800 --> 0:17:27.400
<v Speaker 1>gave him a wave, and he said he just looked

0:17:27.440 --> 0:17:29.080
<v Speaker 1>like he was as happy as could be sitting out

0:17:29.119 --> 0:17:32.000
<v Speaker 1>on his porch. And uh, I wrote a song about it,

0:17:32.080 --> 0:17:34.280
<v Speaker 1>that's nice, and and that the album that I was

0:17:34.320 --> 0:17:38.320
<v Speaker 1>on too, Yeah, I think so great song. Elvis Presley

0:17:38.359 --> 0:17:42.840
<v Speaker 1>was born in the shotgun house. Oh yeah, in uh yeah, Mississippi,

0:17:42.880 --> 0:17:46.280
<v Speaker 1>which is where I have family actually, And Aaron Neville

0:17:46.320 --> 0:17:50.280
<v Speaker 1>grew up in a shotgun house. The incomparable and muscly

0:17:51.760 --> 0:17:58.160
<v Speaker 1>and Moley. But boy man like I can sing yeah

0:17:58.520 --> 0:18:04.440
<v Speaker 1>like a bird? Okay, face pretty good, Aaron Neville ask me,

0:18:16.720 --> 0:18:30.240
<v Speaker 1>it's um shock. Gun houses are making a resurgence too,

0:18:30.480 --> 0:18:32.600
<v Speaker 1>by the way, are they building them again? Yes, there's

0:18:32.640 --> 0:18:35.040
<v Speaker 1>this thing called the tiny house movement. Oh yeah, that

0:18:35.240 --> 0:18:37.720
<v Speaker 1>and the whole idea of living modestly in the house

0:18:37.720 --> 0:18:42.200
<v Speaker 1>you can afford that UM grants a very small carbon footprint.

0:18:42.680 --> 0:18:45.480
<v Speaker 1>Shotgun houses fit that bill. I like the tiny house thing.

0:18:45.520 --> 0:18:48.320
<v Speaker 1>I think. I think actually Emily might have written an

0:18:48.359 --> 0:18:50.720
<v Speaker 1>article about that. Is that right? If I'm not mistaken,

0:18:50.880 --> 0:18:53.919
<v Speaker 1>or maybe it was me. Somebody did, somebody in our

0:18:53.960 --> 0:18:56.919
<v Speaker 1>family did, because I remember I remember it happening. Was

0:18:56.960 --> 0:19:00.000
<v Speaker 1>it Buckley a few years ago? Yeah? Buckley wrote it. Um,

0:19:00.040 --> 0:19:03.400
<v Speaker 1>you got anything else, no go, you know, seek out

0:19:03.440 --> 0:19:07.840
<v Speaker 1>local historic landmarks that might be easily overlooked when you're

0:19:08.160 --> 0:19:10.800
<v Speaker 1>angry in traffic. Yeah. And when next time you pass

0:19:10.840 --> 0:19:12.919
<v Speaker 1>a shotgun house, like, stop and look at it, and

0:19:12.960 --> 0:19:15.480
<v Speaker 1>you'll see some pretty cool little details to it. Ask

0:19:15.520 --> 0:19:16.879
<v Speaker 1>him to open the door so you can shoot a

0:19:16.920 --> 0:19:20.240
<v Speaker 1>gun through it. Don't do that. Don't do that. Man,

0:19:20.280 --> 0:19:23.320
<v Speaker 1>that was a reversal. I was like, no, don't do it,

0:19:23.440 --> 0:19:26.359
<v Speaker 1>Chuck said, Normally it's the other way around. Uh. And

0:19:26.480 --> 0:19:29.200
<v Speaker 1>if you're ever in Atlanta, Chuck and I always recommend

0:19:29.280 --> 0:19:34.000
<v Speaker 1>going to the King Memorial Center, the place where he's buried,

0:19:34.040 --> 0:19:36.719
<v Speaker 1>where the eternal flame is in all the surrounding area.

0:19:37.200 --> 0:19:40.919
<v Speaker 1>UM is like a Living Museum Preserved House is just awesome.

0:19:40.920 --> 0:19:43.679
<v Speaker 1>One of my favorite parts of Atlanta for sure. Um So,

0:19:43.800 --> 0:19:45.600
<v Speaker 1>if you want to learn more about shotgun houses and

0:19:45.600 --> 0:19:48.640
<v Speaker 1>see pictures of shotgun houses, you can type the words

0:19:49.000 --> 0:19:52.520
<v Speaker 1>shotgun house two words into the search bar at how

0:19:52.560 --> 0:19:54.960
<v Speaker 1>stuff works dot com and that'll bring up this article

0:19:55.200 --> 0:19:58.520
<v Speaker 1>that I wrote. And I said search bar, which means

0:19:58.520 --> 0:20:03.120
<v Speaker 1>it's time for a listener now, Josh, I'm gonna call

0:20:03.160 --> 0:20:07.160
<v Speaker 1>this beast email. Hey, guys, did you did you read

0:20:07.160 --> 0:20:10.359
<v Speaker 1>this one? Um? I just listened to the Music Sampling Podcast.

0:20:10.640 --> 0:20:12.239
<v Speaker 1>We got a lot of good feedback on that by man,

0:20:12.400 --> 0:20:15.800
<v Speaker 1>everybody loved that was and a lot of people offered

0:20:15.880 --> 0:20:18.480
<v Speaker 1>up like people don't know way more than us, offered

0:20:18.520 --> 0:20:20.679
<v Speaker 1>up a lot of cool insight. Yeah, we kept getting

0:20:20.680 --> 0:20:23.080
<v Speaker 1>called out for not mentioning girl talk. I've never heard

0:20:23.119 --> 0:20:25.639
<v Speaker 1>girl talk, so I don't feel bad. Yeah, but everyone

0:20:25.720 --> 0:20:29.280
<v Speaker 1>we know about girl talk. Now, Okay, guys that just

0:20:29.320 --> 0:20:31.520
<v Speaker 1>listened to the Music Sampling Podcast wanted to say how

0:20:31.520 --> 0:20:34.040
<v Speaker 1>great it was that you featured the Beastie Boys so

0:20:34.119 --> 0:20:36.280
<v Speaker 1>prominently in the show. I thought i'd share a little

0:20:36.280 --> 0:20:39.080
<v Speaker 1>story when I met them during the nineteen seven licensed

0:20:39.080 --> 0:20:41.680
<v Speaker 1>to Ild tour in Las Vegas when I was fifteen.

0:20:42.200 --> 0:20:43.720
<v Speaker 1>So this girl must be my age because I saw

0:20:43.760 --> 0:20:47.159
<v Speaker 1>that tour and I was about fifteen. Wow. All right.

0:20:48.080 --> 0:20:50.119
<v Speaker 1>They performed in a concert hall on the un l

0:20:50.160 --> 0:20:52.359
<v Speaker 1>V campus, so it was easy to get to the

0:20:52.440 --> 0:20:54.520
<v Speaker 1>area where their tour bus was because I lived in

0:20:54.560 --> 0:20:57.480
<v Speaker 1>the bleachers. They were inviting every female they saw back

0:20:57.520 --> 0:21:01.520
<v Speaker 1>to their hotel for a party, including teen year olds.

0:21:01.600 --> 0:21:05.840
<v Speaker 1>Well they were only like eighteen nineteen. Still, Well, I know,

0:21:06.000 --> 0:21:09.080
<v Speaker 1>but you get to be forty and you're like, what's

0:21:09.080 --> 0:21:11.960
<v Speaker 1>the big difference of five years? Man? That's back then.

0:21:14.400 --> 0:21:17.560
<v Speaker 1>I'm just saying, it's not like they were like years older.

0:21:18.440 --> 0:21:24.200
<v Speaker 1>All right, I'm defending their pedophilia. Uh. By the time

0:21:24.280 --> 0:21:26.200
<v Speaker 1>we got there, the party had taken over the ninth

0:21:26.240 --> 0:21:28.600
<v Speaker 1>floor and had already been shut down. We got to

0:21:28.600 --> 0:21:31.160
<v Speaker 1>say hi to m c A before being escorted away

0:21:31.200 --> 0:21:34.639
<v Speaker 1>by security for curfew violation. But I was determined. I

0:21:34.680 --> 0:21:36.760
<v Speaker 1>skipped school the next day went back to the hotel,

0:21:37.080 --> 0:21:39.760
<v Speaker 1>basically casing the joint. I ended up finding m c A,

0:21:39.800 --> 0:21:41.840
<v Speaker 1>who remembered me from the night before. I said, how

0:21:41.880 --> 0:21:46.680
<v Speaker 1>do He said, Hi, very nice? What you heard waiting

0:21:46.680 --> 0:21:49.320
<v Speaker 1>on that one? I ended up spending the whole day

0:21:49.359 --> 0:21:52.480
<v Speaker 1>with the guys, chatting, playing arcade games, walking over to

0:21:52.480 --> 0:21:55.159
<v Speaker 1>a seven eleven with a very hungover ad Rock, and

0:21:55.240 --> 0:21:58.160
<v Speaker 1>even helping load their bags onto the tour bus. They're

0:21:58.200 --> 0:22:00.440
<v Speaker 1>only nineteen twenty and twenty one at the time. I'm

0:22:00.520 --> 0:22:03.840
<v Speaker 1>very unassuming, so they weren't getting much attention. I felt

0:22:03.840 --> 0:22:06.320
<v Speaker 1>like a little sister tagging along with their super cool

0:22:06.359 --> 0:22:09.199
<v Speaker 1>older brothers. That is very cool. At one point m

0:22:09.240 --> 0:22:11.080
<v Speaker 1>c a offered me a tour of the bus. We

0:22:11.160 --> 0:22:13.960
<v Speaker 1>got on and he closed the door and said, now

0:22:14.000 --> 0:22:16.199
<v Speaker 1>we cannot do all sorts of things that you're going

0:22:16.240 --> 0:22:18.680
<v Speaker 1>to tell all your friends. We did anyway, he was

0:22:18.720 --> 0:22:23.680
<v Speaker 1>really hysterical, so he was like he was still a gentleman, unfortunately,

0:22:23.720 --> 0:22:26.840
<v Speaker 1>and he's like a Buddhist now and he oh yeah. Unfortunately.

0:22:26.840 --> 0:22:28.720
<v Speaker 1>I had not thought to bring a camera with me,

0:22:28.800 --> 0:22:31.240
<v Speaker 1>so I have no picks. I did get the auto

0:22:31.359 --> 0:22:34.800
<v Speaker 1>documentation any of this happened, now, she does, um. I

0:22:34.840 --> 0:22:36.919
<v Speaker 1>did get their autographs, but the only paper I had

0:22:36.920 --> 0:22:40.520
<v Speaker 1>in my jacket was old school snoopy valentines I had

0:22:40.560 --> 0:22:43.440
<v Speaker 1>bought to give up friends. I still treasure my three

0:22:43.480 --> 0:22:46.600
<v Speaker 1>snoopy valentines each one with their autographs, and she sent

0:22:46.640 --> 0:22:49.600
<v Speaker 1>pictures of them. That's cool. I stayed until they left

0:22:49.800 --> 0:22:52.720
<v Speaker 1>around six at night. I naively asked m c a

0:22:52.800 --> 0:22:54.879
<v Speaker 1>if he would write to me. He answered with an

0:22:54.880 --> 0:22:57.200
<v Speaker 1>honest no and gave me a very sweet kiss on

0:22:57.240 --> 0:23:00.160
<v Speaker 1>the cheek. I loved it that they have conceid need

0:23:00.200 --> 0:23:02.320
<v Speaker 1>to rise in popularity and her given the respect of

0:23:02.359 --> 0:23:05.399
<v Speaker 1>being true innovators in the field. First. Sure that is

0:23:05.440 --> 0:23:08.440
<v Speaker 1>Ali Smith and she got kissed on the cheek by

0:23:08.440 --> 0:23:11.240
<v Speaker 1>a very sweet sounding m c And all of your

0:23:11.240 --> 0:23:15.520
<v Speaker 1>fifteen year olds out there, you'd better be at home sleeping. Yeah,

0:23:15.600 --> 0:23:17.560
<v Speaker 1>don't be hanging out with twenty one year old dudes,

0:23:17.680 --> 0:23:21.879
<v Speaker 1>especially not the girl talk people. Those guys are girls.

0:23:22.680 --> 0:23:24.600
<v Speaker 1>I think girl talk to a guy. It's dear clear

0:23:24.760 --> 0:23:28.679
<v Speaker 1>that girl talk to um. Let's see what do you

0:23:28.680 --> 0:23:31.840
<v Speaker 1>want to call out for? M hmm. Do you live

0:23:31.840 --> 0:23:35.439
<v Speaker 1>in a shotgun house? No? I guess yeah. If you have,

0:23:35.560 --> 0:23:38.359
<v Speaker 1>like a house with an interesting history, we did that one,

0:23:38.800 --> 0:23:42.080
<v Speaker 1>but let's do it again that boy. Um, if you

0:23:42.280 --> 0:23:44.640
<v Speaker 1>live in a house with an interesting history, or you've

0:23:44.680 --> 0:23:46.960
<v Speaker 1>hung out with the beastie boys, we want to hear those.

0:23:47.440 --> 0:23:50.760
<v Speaker 1>You can write to us at uh, let's see. You

0:23:50.800 --> 0:23:53.240
<v Speaker 1>can tweet to us at s y s K podcast.

0:23:53.320 --> 0:23:56.320
<v Speaker 1>That's our handle Facebook dot com, slash Stuff you Should

0:23:56.359 --> 0:23:58.639
<v Speaker 1>Know is us on Facebook, and you can send us

0:23:58.640 --> 0:24:05.440
<v Speaker 1>an email to stuff podcast at how stuff works dot com.

0:24:05.480 --> 0:24:07.639
<v Speaker 1>Stuff you Should Know is a production of iHeart Radio's

0:24:07.640 --> 0:24:10.240
<v Speaker 1>How Stuff Works. For more podcasts for my heart Radio,

0:24:10.320 --> 0:24:12.960
<v Speaker 1>visit the iHeart Radio app, Apple Podcasts, or wherever you

0:24:13.000 --> 0:24:17.359
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