WEBVTT - Susie Essman

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<v Speaker 1>The Craig Ferguson Pants on Fire Tour is on sale now.

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<v Speaker 1>It's a new show, it's new material, but I'm afraid

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<v Speaker 1>it's still only me, Craig Ferguson on my own, standing

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<v Speaker 1>on a stage, telling comedy words. Come and see me,

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<v Speaker 1>buy tickets, bring your loved ones, or don't come and

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<v Speaker 1>see me. Don't buy tickets and don't bring your loved ones.

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<v Speaker 1>I'm not your dad. You come or don't come, but

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<v Speaker 1>you should at least know what's happening, and it is.

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<v Speaker 1>The tour kicks off late September and goes through the

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<v Speaker 1>end of the year and beyond. Tickets are available at

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<v Speaker 1>the Craig Ferguson Show dot Com slash tour. They are

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<v Speaker 1>available at the Craig Ferguson show dot Com slash tour

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<v Speaker 1>or at your local outlet in your region. My name

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<v Speaker 1>is Craig Ferguson. The name of this podcast is Joy.

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<v Speaker 1>I talk to interest in people about what brings them happiness.

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<v Speaker 1>I love my guest today. She is part of the

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<v Speaker 1>ensemble that made for My Money maybe the greatest television

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<v Speaker 1>program ever on American television, Kirby Your Enthusiasm. Susie essimond

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<v Speaker 1>is here, go fuck yourself. Do you ever play golf?

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<v Speaker 2>No, I've gone to the driving range, which is fine,

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<v Speaker 2>But to sit out there for five fucking hours, I

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<v Speaker 2>hear you.

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<v Speaker 3>I can't imagine what's interesting about that.

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<v Speaker 1>I only like to play golf on my own, which

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<v Speaker 1>apparently is not the way you're meant to do it.

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<v Speaker 2>I think that's the exact way you should do it,

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<v Speaker 2>because your competition should be yourself, right.

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<v Speaker 1>And also, you fuck up, you don't get some guy

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<v Speaker 1>going he hey yeah, and then and like you can

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<v Speaker 1>bet and then win every time. You always win the

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<v Speaker 1>bat and if you lose, who care you lose? It

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<v Speaker 1>doesn't mire you bok And it's like going fishing. You go, yeah,

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<v Speaker 1>I got it, I threw it back. It's fine. You

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<v Speaker 1>gotta have three holes in one. It was awesome.

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<v Speaker 3>Isn't it a wonderful thing to be able to lie

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<v Speaker 3>to yourself.

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<v Speaker 1>I think it's an essential component of mental health to

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<v Speaker 1>be able to tell yourself bullshit about yourself and then

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<v Speaker 1>believe it. Like I I look in the mirror and

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<v Speaker 1>I go, you are fucking awesome.

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<v Speaker 3>Well you are, though, Look how handsome you are?

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<v Speaker 1>Well you know you see that now now what you're

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<v Speaker 1>doing there is you're participating in my delusion, and you're

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<v Speaker 1>delusion that I want. I want to say this and

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<v Speaker 1>it is a word of congratulations because you are an

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<v Speaker 1>essential component, which for me is one of the few

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<v Speaker 1>perfect television shows ever made, ever made. Yeah, it's amazing

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<v Speaker 1>to me.

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<v Speaker 2>It's amazing to have been a part of it all

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<v Speaker 2>these times. And who you know, It's like, we never

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<v Speaker 2>knew this was what it was going to be. It

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<v Speaker 2>was just such a nothing thing when we started.

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<v Speaker 1>Yeah, I mean it's it's I don.

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<v Speaker 3>Mean nothing thing.

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<v Speaker 2>I mean it was just a small, little low but

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<v Speaker 2>we had no budget, We had nothing.

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<v Speaker 1>Yeah. I remember when it started and I was like,

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<v Speaker 1>Larry David was doing this thing and then and I

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<v Speaker 1>wasn't really aware of I knew SEIN failed, of course,

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<v Speaker 1>but I wasn't really aware of Larry as a kind.

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<v Speaker 2>Of well that was the whole point of doing it, yeah,

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<v Speaker 2>of course.

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<v Speaker 1>But then when I was like, oh my god, this

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<v Speaker 1>is this guy's horrible, but I can't stop watching it.

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<v Speaker 1>And then I think as the season goes on, either

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<v Speaker 1>I got more horrible or Larry got much nicer. But

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<v Speaker 1>either Waiting gets nicer.

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<v Speaker 3>You just got used to it.

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<v Speaker 1>I got used to it. I think that's what it was.

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<v Speaker 2>But you know the truth of the matter, he hates

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<v Speaker 2>when I say this, but he's such a good actor.

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<v Speaker 2>He's such a good comedic actor. It was all about acting.

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<v Speaker 3>But he is.

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<v Speaker 2>He's full of course he is, because he's not really

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<v Speaker 2>like that in real life. No, he's the least confrontational

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<v Speaker 2>person I know in real life.

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<v Speaker 1>Well, I think also when I remember Larry was on

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<v Speaker 1>the Late Night Show when I was doing it. Yeah, yeah,

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<v Speaker 1>he came on that and he was great, but I

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<v Speaker 1>could see he was kind of like, what the fuck

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<v Speaker 1>is going on here? Who is this guy?

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<v Speaker 3>Well he started as a stand up Yeah, I know.

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<v Speaker 1>That's right now in front with well you you did

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<v Speaker 1>you work in like do club dates with? Yeah? And

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<v Speaker 1>was that Jerry was working back then as well? Yeah,

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<v Speaker 1>so where were you guys working?

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<v Speaker 2>Catchising Star, you know, the improv, the comic strip.

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<v Speaker 1>I was going to say that, you know, do you

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<v Speaker 1>remember Lucien Hold at the comic strip?

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<v Speaker 3>Of course I remember Lucian.

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<v Speaker 1>Lucian Hold was a guy giving me my first job

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<v Speaker 1>ever when I came off the boat. Basically really, yeah.

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<v Speaker 3>Lucian was a very strange yet wonderful man.

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<v Speaker 1>Yeah, I didn't get he was a very strange guy,

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<v Speaker 1>was he really? He brooked the acts for the comic the.

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<v Speaker 2>Comic strip, and he actually was the first one to

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<v Speaker 2>pass me. You know, you had to audition and pass

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<v Speaker 2>in those days, and he was the first one to

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<v Speaker 2>pass me.

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<v Speaker 3>And he gave me very in the beginning.

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<v Speaker 2>He gave me very protected spots, like he put me

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<v Speaker 2>on first, like a nine o'clock spot, you know, and

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<v Speaker 2>he wouldn't give me the two o'clock in the morning.

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<v Speaker 3>So he was good to me.

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<v Speaker 1>Does that exist now, that kind of I don't know.

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<v Speaker 1>I think that a lot of kids now when they're

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<v Speaker 1>starting out, because I talked to young comedians sometimes on this.

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<v Speaker 3>Podcast bring audiences they have to bring.

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<v Speaker 1>We didn't have to bring their tickety talk followers And

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<v Speaker 1>do you do all of that?

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<v Speaker 2>Well, I don't understand up anymore. But I haven't been

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<v Speaker 2>in the clubs for years. You should, Well, maybe I

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<v Speaker 2>should get.

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<v Speaker 1>Out, do it, have a little fun.

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<v Speaker 2>I'd have to write a whole new work.

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<v Speaker 3>Maybe I will. I used to say no.

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<v Speaker 2>Crowd work was always my default, and that kind of

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<v Speaker 2>crowd work made me lazy.

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<v Speaker 1>Yeah, it does make it lazy because I was.

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<v Speaker 3>Really good at it, so I didn't have to, you know,

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<v Speaker 3>But now it.

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<v Speaker 1>Can be a thing. You can just go out do

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<v Speaker 1>some crowd work and that's all you do.

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<v Speaker 2>Maybe I will craigration, Maybe I could introduce you, I

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<v Speaker 2>could like open for you.

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<v Speaker 1>And I had said coming up. Now she hasn't done

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<v Speaker 1>it for a while, she has no material, so keep

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<v Speaker 1>your expectations.

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<v Speaker 2>All my material, all my old material, is so politically incorrect.

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<v Speaker 2>Doesn't do it anyway. Fuck that shit. I don't buy

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<v Speaker 2>into that bullshit. Well, I don't think you like it.

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<v Speaker 2>I don't think it really. I don't think it's as

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<v Speaker 2>quite as on fire as people say it is. Yeah, probably,

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<v Speaker 2>you know the people like the only time I see

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<v Speaker 2>people complaining about wokeness is when they're getting paid.

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<v Speaker 1>Five million bucks for a Netflix pacialism. Then you go,

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<v Speaker 1>who the fuck is shutting you down?

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<v Speaker 3>Nobody you know?

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<v Speaker 2>On Curb, I mean, Curb was particularly vitally incorrect.

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<v Speaker 1>When Larry steals the shoes from the Holocaust Museum.

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<v Speaker 2>Do you know that we've never there was only one

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<v Speaker 2>episode in all one hundred and twenty episodes that we

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<v Speaker 2>did that we ever got major blowback from anything. He

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<v Speaker 2>never got blowback on it was it. It was the

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<v Speaker 2>one where I think it was season seven, where he's

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<v Speaker 2>taking some medication which is making him urinate like crazy,

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<v Speaker 2>and he peas into a into a toilet and the

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<v Speaker 2>urine is so forceful that it splashes up onto a

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<v Speaker 2>picture of Jesus and it looks like a tear was

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<v Speaker 2>coming out of Jesus's eye, and the people whose house

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<v Speaker 2>it was swear it was a sign. So he got

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<v Speaker 2>people were saying he was urinating on Jesus. He was

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<v Speaker 2>not urinating Jesus. Was a splash. But that's the only

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<v Speaker 2>time I ever went, and I was doing press for

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<v Speaker 2>the show at that time, that I ever had to

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<v Speaker 2>defend the show in any way, shape or form.

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<v Speaker 3>Was that episode. Never never anything else.

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<v Speaker 1>Well, I think the show maybe got Grandfather then a

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<v Speaker 1>little bit as well, because you guys were being horrendous

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<v Speaker 1>before the kind of yeah, that's true. The great reset,

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<v Speaker 1>which I don't know when that happened, really, I guess

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<v Speaker 1>I don't know what happened that suddenly there was a

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<v Speaker 1>whole new way of thinking and you had to you know,

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<v Speaker 1>although like I say, I don't know how real it

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<v Speaker 1>really is.

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<v Speaker 2>You know, I think you're right. I mean I think

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<v Speaker 2>it was real for like, you know, a minute. Yeah,

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<v Speaker 2>and then I think that it's there's a backlash against it.

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<v Speaker 1>Now. Well, I think people get a little tired of it.

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<v Speaker 1>You know, you get a little tired of you can't

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<v Speaker 1>laugh at that. This is America, you know. Well, you

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<v Speaker 1>remember back in the day, it was like there was

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<v Speaker 1>Dice Clay or Sam Kennison and Don Rickles.

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<v Speaker 3>My god, do you ever watch Don on YouTube?

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<v Speaker 1>He was always on my own late night show. I

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<v Speaker 1>loved Don.

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<v Speaker 3>God, how funny was it?

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<v Speaker 1>He was amazing. Yeah, he came to a party in

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<v Speaker 1>my house and like one of the greatest moments. I

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<v Speaker 1>had this party at Christmas party in La and I

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<v Speaker 1>invited down and Barbara Wrickles to come the thing, and

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<v Speaker 1>he said, yeah, I'll come. He came to my house

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<v Speaker 1>in the Hollywood Hills. He gets out of the cart

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<v Speaker 1>and he comes over and he gives me a dollar bill.

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<v Speaker 1>He says, here's a dollar Get a better fucking house.

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<v Speaker 1>What are you saying that I had to drive up

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<v Speaker 1>all that, We have to drive up all these winningtels.

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<v Speaker 1>Get a house. Get a house on the flood. This

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<v Speaker 1>is terrible. It's a terrible house. And I was like, okay,

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<v Speaker 1>but he I loved him him, and uh I was

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<v Speaker 1>getting quite close with him and Barbara for years. Yeah, yeah,

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<v Speaker 1>I love did you did you know?

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<v Speaker 3>Did not know him?

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<v Speaker 2>But when I was a kid, you know, we didn't

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<v Speaker 2>have DVR or v vhs. Even so when he was

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<v Speaker 2>on the Tonight Show, I used to, you know, set

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<v Speaker 2>the alarm to wake up so that my brother and

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<v Speaker 2>I could watch him because that was my favorite watching

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<v Speaker 2>him on the night.

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<v Speaker 3>So it was huge influence onth.

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<v Speaker 1>He and he was an interesting guy because he was like,

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<v Speaker 1>he was so nice. He was like quite shy and

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<v Speaker 1>very friendly and and quite an emotional man.

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<v Speaker 3>He was sentimental.

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<v Speaker 1>Yes, yes, he was very sentimental. And he'd be like, no,

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<v Speaker 1>I kid, but I love you. I love you. I

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<v Speaker 1>mean we kid because we love Yeah, that's right. I

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<v Speaker 1>think that's going to get out of jail card for

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<v Speaker 1>telling me I've got a ship. You know what.

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<v Speaker 2>There's something about that I I kind of refused to

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<v Speaker 2>do because it's too apologetic, right.

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<v Speaker 1>Right, you know. Yeah, And also I think if you're

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<v Speaker 1>busting someone's balls and they don't know that you're just

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<v Speaker 1>busting their balls, then you're not really doing it, bro

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<v Speaker 1>because if you bust someone's balls, like if you were

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<v Speaker 1>like having fun with someone, they should be able to

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<v Speaker 1>tell that's what you're doing. Like when he come in

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<v Speaker 1>and said, here's a dollar, get a better house, obviously,

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<v Speaker 1>because if he.

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<v Speaker 3>Gave you a million a better house.

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<v Speaker 1>Okay, if he gave me a million dollars, you can

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<v Speaker 1>see what he fucking likes. At that point. I don't

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<v Speaker 1>care if he's being mean to me, But I think

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<v Speaker 1>that that kind of messing around humor that comes from

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<v Speaker 1>a different time. Yes, you know, I think I think

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<v Speaker 1>now it's a little more guarded than that.

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<v Speaker 3>Absolutely more guarded.

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<v Speaker 2>But the thing about Rickles that was so impressive was

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<v Speaker 2>the speed that his brain work, you know, and I

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<v Speaker 2>know other it's just it was just so fascile and

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<v Speaker 2>so quick.

0:10:43.520 --> 0:10:46.079
<v Speaker 1>Yeah, how he would come up with who was so

0:10:46.160 --> 0:10:48.240
<v Speaker 1>Rickles was one? Who were the other comedians that kind

0:10:48.280 --> 0:10:51.800
<v Speaker 1>of drew you into that world prior is amazing.

0:10:51.880 --> 0:10:55.400
<v Speaker 2>Yeah, I mean I remember seeing when when I I

0:10:55.440 --> 0:10:58.400
<v Speaker 2>first saw that first concert movie of his, was that

0:10:58.400 --> 0:11:02.000
<v Speaker 2>Sunset Strip, or before was before that Sunset Strip was

0:11:02.000 --> 0:11:05.480
<v Speaker 2>the Red Outfit? But this was a black silk shirt.

0:11:05.559 --> 0:11:08.480
<v Speaker 2>It was a concert movie and I had never seen him,

0:11:08.760 --> 0:11:11.440
<v Speaker 2>you know, and it was Whoa and theater. Yeah, it

0:11:11.440 --> 0:11:13.520
<v Speaker 2>was in movie theaters and it was the most brilliant

0:11:13.559 --> 0:11:16.000
<v Speaker 2>stand up. I had no interest in being a stand up.

0:11:16.040 --> 0:11:18.320
<v Speaker 2>I didn't know anything about stand up comedy and I

0:11:18.320 --> 0:11:20.400
<v Speaker 2>had never been in a club. And then I went

0:11:20.400 --> 0:11:22.480
<v Speaker 2>out to LA to visit my cousin and he took

0:11:22.520 --> 0:11:25.240
<v Speaker 2>me to the comedy store because he had just directed

0:11:25.240 --> 0:11:27.400
<v Speaker 2>a movie. Prior was then called Some kind of Hero.

0:11:27.440 --> 0:11:29.960
<v Speaker 2>It's a serious part. And he took me to see

0:11:29.960 --> 0:11:32.400
<v Speaker 2>Prior and Pryor was It was my first time in

0:11:32.480 --> 0:11:35.080
<v Speaker 2>a comedy club, was seeing Richard Pryor, so you know,

0:11:35.160 --> 0:11:38.440
<v Speaker 2>that's crazy. Yeah, And he was working on material for

0:11:38.600 --> 0:11:43.600
<v Speaker 2>sunset strip for his next thing. And it was revelatory

0:11:43.640 --> 0:11:46.640
<v Speaker 2>to me because not everything was working, you know, And

0:11:46.679 --> 0:11:48.520
<v Speaker 2>I didn't know that's how you did it. I thought,

0:11:48.679 --> 0:11:50.640
<v Speaker 2>you know, when I was growing up, I saw you know,

0:11:50.720 --> 0:11:52.920
<v Speaker 2>Alan King on Ed Sullivan and he got up there

0:11:52.920 --> 0:11:55.160
<v Speaker 2>and he told his jokes. I thought, that's what it was.

0:11:57.400 --> 0:11:59.640
<v Speaker 2>And then I saw Prior, who was like a god.

0:12:00.280 --> 0:12:02.840
<v Speaker 2>Some stuff wasn't working. He was work shopping and I

0:12:02.880 --> 0:12:04.160
<v Speaker 2>was like, oh, I get it.

0:12:04.480 --> 0:12:07.640
<v Speaker 1>That's see that. That's why I feel like the younger

0:12:07.679 --> 0:12:10.760
<v Speaker 1>comics and they're not getting a chance to fail because

0:12:10.920 --> 0:12:13.480
<v Speaker 1>everything is up there too fast. Yeah.

0:12:13.520 --> 0:12:16.719
<v Speaker 2>And and when we were I mean, you know, coming up,

0:12:17.040 --> 0:12:19.840
<v Speaker 2>there was no phones and there was no tweeting and

0:12:19.880 --> 0:12:22.040
<v Speaker 2>none of that or xing whatever the fuck it's called

0:12:22.200 --> 0:12:25.959
<v Speaker 2>twist twisting because none of that ship It felt private. Yeah,

0:12:26.559 --> 0:12:30.000
<v Speaker 2>So you push the envelope until you felt that little

0:12:30.040 --> 0:12:32.240
<v Speaker 2>thing going up your spine just like I've gone.

0:12:32.080 --> 0:12:35.280
<v Speaker 1>Too far, gone too far. But then you pull. That's

0:12:35.320 --> 0:12:37.080
<v Speaker 1>how I was part of the fun as well. It's

0:12:37.120 --> 0:12:38.760
<v Speaker 1>like you fight for the edges and then you can

0:12:38.760 --> 0:12:41.080
<v Speaker 1>get back from it. But but the thing is, I

0:12:41.120 --> 0:12:45.480
<v Speaker 1>think now with the with recording, I've noticed I say

0:12:45.559 --> 0:12:47.719
<v Speaker 1>to audiences, because I still do standard I love doing

0:12:47.760 --> 0:12:50.520
<v Speaker 1>standing up, and I will say I don't say personally,

0:12:50.559 --> 0:12:53.280
<v Speaker 1>but you know, to the audience coming in, they're told,

0:12:53.520 --> 0:12:56.120
<v Speaker 1>just you keep your phone, like if you again emergency,

0:12:56.160 --> 0:12:59.120
<v Speaker 1>someone calls you, that's fine, but just don't don't record

0:12:59.160 --> 0:13:01.480
<v Speaker 1>anything and don't do it. And they I'd say, like

0:13:01.960 --> 0:13:04.800
<v Speaker 1>nine percent of the time people got it, and they don't.

0:13:04.880 --> 0:13:05.240
<v Speaker 3>They don't.

0:13:05.320 --> 0:13:08.920
<v Speaker 2>Yeah, we went to see Chris Rock upstates that we

0:13:08.920 --> 0:13:10.760
<v Speaker 2>were upstate and he was in concerts and we went

0:13:10.840 --> 0:13:11.839
<v Speaker 2>to see it, and you.

0:13:11.840 --> 0:13:12.800
<v Speaker 3>Had to give your phone.

0:13:13.000 --> 0:13:15.160
<v Speaker 1>Yeah, a bunch of guys do that. I think Dave

0:13:15.360 --> 0:13:18.000
<v Speaker 1>Chappelle does that. I think Bill does it as well.

0:13:18.040 --> 0:13:20.680
<v Speaker 1>That they just make sure they put it in a

0:13:20.760 --> 0:13:22.000
<v Speaker 1>bag or bag.

0:13:21.760 --> 0:13:23.880
<v Speaker 3>Or something and then you collect it. I don't like that.

0:13:24.000 --> 0:13:26.840
<v Speaker 1>It seems like a law. And also I like to

0:13:26.880 --> 0:13:29.720
<v Speaker 1>think this is probably wishful thinking because nowadays, I think

0:13:29.720 --> 0:13:31.640
<v Speaker 1>most of the people to come and see me are

0:13:31.679 --> 0:13:33.320
<v Speaker 1>too old for this. But I like to think some

0:13:33.360 --> 0:13:35.480
<v Speaker 1>people come and see me, I've got little kids at

0:13:35.480 --> 0:13:38.280
<v Speaker 1>home and a babysitter, so they want to have Yeah,

0:13:39.160 --> 0:13:41.320
<v Speaker 1>But I think really mostly that's not happening.

0:13:41.360 --> 0:13:43.920
<v Speaker 3>I think most of them are older than having little kids.

0:13:43.960 --> 0:13:47.199
<v Speaker 1>I know, that's what I'm saying. It's like they get

0:13:47.320 --> 0:13:49.400
<v Speaker 1>call from their kid. It's because their kid is having

0:13:49.400 --> 0:13:49.720
<v Speaker 1>a kid.

0:13:50.240 --> 0:13:53.040
<v Speaker 2>It's interesting about that is I think that comedy is

0:13:53.080 --> 0:13:56.000
<v Speaker 2>one of the things that appeals to It's not a

0:13:56.000 --> 0:13:57.240
<v Speaker 2>generational thing.

0:13:58.040 --> 0:14:00.960
<v Speaker 1>No, I think styles of comedy are I mean, there

0:14:01.000 --> 0:14:03.880
<v Speaker 1>are styles of comedy that are going around now with

0:14:04.000 --> 0:14:06.360
<v Speaker 1>younger communities. I kind of try and stay plugged in

0:14:06.480 --> 0:14:09.160
<v Speaker 1>to what's coming up. And there's some styles of it.

0:14:09.200 --> 0:14:11.400
<v Speaker 1>I go, I don't really go for that, and I

0:14:11.480 --> 0:14:13.720
<v Speaker 1>never did. I suppose to go for parody songs and

0:14:13.720 --> 0:14:14.800
<v Speaker 1>all that kind of stuff.

0:14:14.880 --> 0:14:17.160
<v Speaker 3>Yeah, and so he's hated following that.

0:14:18.240 --> 0:14:23.080
<v Speaker 1>Yeah, parody songs or a lot of impressions, Like some

0:14:23.120 --> 0:14:25.720
<v Speaker 1>impressions is fun, but you can't you know, it's like

0:14:25.760 --> 0:14:26.920
<v Speaker 1>eating all candies.

0:14:27.120 --> 0:14:28.960
<v Speaker 2>Or the ones that like take the mic into their

0:14:29.000 --> 0:14:30.400
<v Speaker 2>mouth doing the impressions.

0:14:30.400 --> 0:14:31.200
<v Speaker 3>I hate that ship.

0:14:31.360 --> 0:14:36.480
<v Speaker 2>Yeah, but you know, if I anecdotally, who stops me

0:14:36.520 --> 0:14:40.280
<v Speaker 2>on the street, most is boys in their twenties.

0:14:41.280 --> 0:14:43.640
<v Speaker 1>Oh and they want you to say, they want.

0:14:43.440 --> 0:14:46.840
<v Speaker 2>Me to but they're curve fans and we're all old

0:14:46.920 --> 0:14:48.680
<v Speaker 2>on that show. There's not a one of us under

0:14:48.680 --> 0:14:49.720
<v Speaker 2>sixty on that show.

0:14:49.800 --> 0:14:52.600
<v Speaker 1>That's funny. Yeah, you're right, we're all old. But the

0:14:52.760 --> 0:14:54.160
<v Speaker 1>energy of the show is so fun.

0:14:54.200 --> 0:14:56.000
<v Speaker 3>But I'm just saying that comedy kind of.

0:14:56.040 --> 0:14:59.240
<v Speaker 1>Yeah, No, you're right, good comedy. Yeah, you're right. I

0:14:59.280 --> 0:15:01.720
<v Speaker 1>feel like it's so also one of those things that

0:15:02.440 --> 0:15:05.560
<v Speaker 1>it gets to be like your audience will come with you.

0:15:06.040 --> 0:15:07.800
<v Speaker 1>I've good people come and see me. Now see me,

0:15:08.040 --> 0:15:11.240
<v Speaker 1>Like twenty years ago, and they're you know, they're older,

0:15:11.280 --> 0:15:13.640
<v Speaker 1>and they're you know, I'm doing jokes about my sore

0:15:13.720 --> 0:15:15.360
<v Speaker 1>hip and they're reaching that point, do you know what

0:15:15.400 --> 0:15:17.920
<v Speaker 1>I mean. It's like it's like they will come with you.

0:15:18.000 --> 0:15:21.240
<v Speaker 1>I think that you do get like musicians get it

0:15:21.240 --> 0:15:24.720
<v Speaker 1>as well, although musicians get it really easy because you

0:15:24.760 --> 0:15:26.840
<v Speaker 1>write a song when you're eighteen and you're still playing

0:15:26.840 --> 0:15:28.360
<v Speaker 1>it when playing it.

0:15:28.080 --> 0:15:29.680
<v Speaker 3>But music is another thing.

0:15:29.760 --> 0:15:32.000
<v Speaker 2>I mean, I know my kids they listen to stuff

0:15:32.000 --> 0:15:33.280
<v Speaker 2>from the eighties all the time.

0:15:33.360 --> 0:15:37.280
<v Speaker 1>That is true. Actually that is weird. Is good because

0:15:37.320 --> 0:15:40.360
<v Speaker 1>it's good and it has a certain lack of the

0:15:41.120 --> 0:15:44.200
<v Speaker 1>whiff of the algorithm in it. It's not it wasn't

0:15:44.240 --> 0:15:48.120
<v Speaker 1>made for your approval. It was made because it was

0:15:48.200 --> 0:15:52.240
<v Speaker 1>some drug addict somewhere right playing a guitar, and so

0:15:52.360 --> 0:15:54.400
<v Speaker 1>it kind of has a little not that I think

0:15:54.480 --> 0:15:56.520
<v Speaker 1>you have to be a drug addict to make good music, but.

0:15:57.600 --> 0:15:59.960
<v Speaker 3>They just that was just they just happened.

0:15:59.640 --> 0:16:01.280
<v Speaker 1>To be happened to be drug addicts.

0:16:01.320 --> 0:16:04.640
<v Speaker 3>Well, and amazingly some of them didn't die. Most of

0:16:04.680 --> 0:16:05.400
<v Speaker 3>them are alive.

0:16:07.280 --> 0:16:08.560
<v Speaker 1>A lot some of them are alive.

0:16:08.600 --> 0:16:11.120
<v Speaker 2>I mean John Mayle, I saw died at ninety last

0:16:11.160 --> 0:16:12.920
<v Speaker 2>week he was ninety.

0:16:13.120 --> 0:16:17.280
<v Speaker 1>Yeah, that's that's Mick Jagger is still performing, he's eighty.

0:16:17.400 --> 0:16:20.880
<v Speaker 2>Well look at Keith, Well, Keith put into his body. Well,

0:16:20.960 --> 0:16:24.000
<v Speaker 2>but you know, I worked with them for a little while. Yeah,

0:16:24.040 --> 0:16:25.120
<v Speaker 2>and did you open for that?

0:16:25.360 --> 0:16:27.440
<v Speaker 1>No? What I did was I was writing a screenplay

0:16:27.440 --> 0:16:29.240
<v Speaker 1>with Mick Jagger. Oh really, So I was on the

0:16:29.320 --> 0:16:30.560
<v Speaker 1>road with them for a little while.

0:16:30.640 --> 0:16:32.840
<v Speaker 3>Wow. Yeah, do you need to write about that.

0:16:33.320 --> 0:16:35.080
<v Speaker 1>I've done it in the stand up and I've talked

0:16:35.080 --> 0:16:37.120
<v Speaker 1>about it a ton of times. But the thing was

0:16:37.200 --> 0:16:39.480
<v Speaker 1>that when I was out on the road with him,

0:16:39.640 --> 0:16:42.960
<v Speaker 1>I was amazed by Keith because Keith is not what

0:16:43.080 --> 0:16:44.720
<v Speaker 1>I thought he was going to be. Was the Bridge

0:16:44.760 --> 0:16:48.360
<v Speaker 1>Is to Babylon tour, and that was the tour where

0:16:48.440 --> 0:16:51.480
<v Speaker 1>Ronnie Wood went in rehab and he had to go

0:16:51.480 --> 0:16:54.720
<v Speaker 1>into rehab because Keith said that he was you know,

0:16:54.720 --> 0:16:58.000
<v Speaker 1>he's getting fucked up too much. Can you imagine walking

0:16:58.000 --> 0:17:01.040
<v Speaker 1>at a rehab and you said you here, Yeah, Keith

0:17:01.160 --> 0:17:05.320
<v Speaker 1>Richards thinks I'll get too fucked up to party in

0:17:05.400 --> 0:17:10.600
<v Speaker 1>the group therapy session. I'm concerned. I'm concerned about you, Roddie.

0:17:10.720 --> 0:17:13.080
<v Speaker 1>You know you're really letting yourself go. But I was

0:17:13.160 --> 0:17:15.200
<v Speaker 1>kind of surprise by Keith Richard because he's got a

0:17:15.280 --> 0:17:17.640
<v Speaker 1>kind of kind of streaked, tough guy vibe. It's not

0:17:17.720 --> 0:17:21.800
<v Speaker 1>like a fucked up you know, Captain Jack from the

0:17:23.080 --> 0:17:26.120
<v Speaker 1>I mean, that's kind of the persona that he's kind

0:17:26.119 --> 0:17:27.879
<v Speaker 1>of like Larry and kurb you know what I mean.

0:17:27.920 --> 0:17:30.040
<v Speaker 2>It's like it's him, but it's not really him. Yeah,

0:17:30.080 --> 0:17:31.960
<v Speaker 2>you know, it's kind of the way. Keith is more

0:17:32.080 --> 0:17:34.600
<v Speaker 2>like a like an enforcer kind of a guy.

0:17:35.080 --> 0:17:37.720
<v Speaker 1>I wouldn't like to get on the wrong side of him. Yeah,

0:17:37.760 --> 0:17:40.439
<v Speaker 1>I think he I mean, now I don't know, I

0:17:40.440 --> 0:17:45.720
<v Speaker 1>could probably yeah, he's eighty, but I mean, but I

0:17:45.760 --> 0:17:49.520
<v Speaker 1>don't know. Actually, I don't know. He has He's pretty energetic,

0:17:49.560 --> 0:17:52.600
<v Speaker 1>and Jagger is much more kind of like I felt

0:17:52.600 --> 0:17:56.040
<v Speaker 1>like Meck was much more took a back seat to

0:17:56.560 --> 0:17:59.880
<v Speaker 1>Keith's energy and really, yeah, interesting when they were so

0:18:00.320 --> 0:18:02.760
<v Speaker 1>you know, no, no, they don't really socialize that much,

0:18:02.760 --> 0:18:05.920
<v Speaker 1>but when they were kind of like being around before

0:18:05.960 --> 0:18:08.600
<v Speaker 1>they go on stage, right, because everybody used to say,

0:18:08.760 --> 0:18:13.400
<v Speaker 1>you know, Keith doesn't that, so don't do it, you know, like, okay,

0:18:13.600 --> 0:18:15.960
<v Speaker 1>all right, but nobody doesn't like that.

0:18:16.040 --> 0:18:17.000
<v Speaker 3>Keith was the alpha.

0:18:17.440 --> 0:18:20.160
<v Speaker 1>I feel like, yes, now maybe I'm I'm talking about.

0:18:20.400 --> 0:18:22.919
<v Speaker 1>That was the impression I go. I thought, Keith's the

0:18:22.960 --> 0:18:26.560
<v Speaker 1>big dog here and Mike is the singer makes the showman. Yeah,

0:18:26.600 --> 0:18:28.760
<v Speaker 1>that's right, he's the he's the kind of like he's

0:18:28.800 --> 0:18:31.000
<v Speaker 1>the song and dance man at the front. But Keith

0:18:31.160 --> 0:18:34.080
<v Speaker 1>is the you know, the Yeah, he's the them. And

0:18:34.200 --> 0:18:36.520
<v Speaker 1>Charlie was still alive and you know, and so.

0:18:36.760 --> 0:18:38.119
<v Speaker 3>He seemed like he was lovely.

0:18:38.320 --> 0:18:42.080
<v Speaker 1>Yeah, he is a rose named he was really roses

0:18:42.080 --> 0:18:46.000
<v Speaker 1>and he made his own Charlie was roses, really yeah,

0:18:46.040 --> 0:18:48.480
<v Speaker 1>and he made them for his wife. His wife bred horses.

0:18:48.520 --> 0:18:59.000
<v Speaker 1>It was very kind of genteel I kind of I

0:18:59.040 --> 0:19:00.640
<v Speaker 1>was a big fan of you, a fan of their own.

0:19:00.680 --> 0:19:03.360
<v Speaker 1>Stones was huge. Yeah, yeah, she was. So when you're

0:19:03.359 --> 0:19:04.960
<v Speaker 1>a kid girl, you come from the Bronx, right, is

0:19:04.960 --> 0:19:05.280
<v Speaker 1>that right?

0:19:05.400 --> 0:19:07.320
<v Speaker 2>I was born in the Bronx, but then I grew

0:19:07.400 --> 0:19:09.560
<v Speaker 2>up in meult Vernon, which is right next to the Bronx.

0:19:09.600 --> 0:19:12.920
<v Speaker 1>That's like, that's like you're doing a little better. Yeah yeah, yeah,

0:19:12.960 --> 0:19:16.280
<v Speaker 1>all right, So your fat what were your family show business?

0:19:16.480 --> 0:19:17.560
<v Speaker 1>Were you?

0:19:17.600 --> 0:19:20.879
<v Speaker 2>No, not my family, but I had cousins and you know,

0:19:20.920 --> 0:19:24.719
<v Speaker 2>my uncle was a director, of soap operas.

0:19:24.840 --> 0:19:27.040
<v Speaker 1>You know, Oh that's kind of that's a way.

0:19:27.000 --> 0:19:30.159
<v Speaker 2>Yeah, and that was yes, because he gave me a

0:19:30.200 --> 0:19:32.280
<v Speaker 2>part of an extra. It was One Life to Live

0:19:32.760 --> 0:19:35.159
<v Speaker 2>and I played a nurse as an extra because you

0:19:35.160 --> 0:19:40.120
<v Speaker 2>know there are always hospital scenes. Yes, sure, And and

0:19:40.240 --> 0:19:43.560
<v Speaker 2>that's how I got my after card and then I

0:19:43.600 --> 0:19:45.560
<v Speaker 2>got my sad card right out because at that time

0:19:45.600 --> 0:19:47.560
<v Speaker 2>you could just you know, if you had one job

0:19:47.640 --> 0:19:49.840
<v Speaker 2>or two jobs, get into the union.

0:19:49.880 --> 0:19:51.400
<v Speaker 3>So I got into the union that way.

0:19:51.480 --> 0:19:54.040
<v Speaker 1>That's how why I started doing stand up because I

0:19:54.400 --> 0:19:56.359
<v Speaker 1>wanted to get into the Actors Union. And if you

0:19:56.359 --> 0:20:01.879
<v Speaker 1>had three gigs, as this is in the UK Scotland,

0:20:02.000 --> 0:20:04.560
<v Speaker 1>if I had done three shows as a stand up

0:20:04.600 --> 0:20:07.560
<v Speaker 1>and go paid for him, I'd get in the iCal. Really, yeah,

0:20:07.720 --> 0:20:08.480
<v Speaker 1>I don't think it's that.

0:20:08.520 --> 0:20:10.439
<v Speaker 2>I mean no, I think no, sure, it's not like

0:20:10.480 --> 0:20:13.040
<v Speaker 2>that at all, but that that so he helped me

0:20:13.040 --> 0:20:14.640
<v Speaker 2>in that. But that was all the help you every game,

0:20:14.800 --> 0:20:16.960
<v Speaker 2>all right, giving me a couple of extras as a nurse.

0:20:18.480 --> 0:20:20.239
<v Speaker 1>If you get extrass as a nurse, then I had

0:20:20.240 --> 0:20:21.160
<v Speaker 1>a little hat. Yeah.

0:20:21.280 --> 0:20:25.119
<v Speaker 2>Really you were adorable talking about what year, like nineteen

0:20:25.200 --> 0:20:27.800
<v Speaker 2>seventy seven, I bet you were adorable.

0:20:27.840 --> 0:20:29.320
<v Speaker 1>I bet it was really lovely.

0:20:29.520 --> 0:20:32.000
<v Speaker 2>So but then I didn't know nobody was hiring nobody

0:20:32.000 --> 0:20:33.760
<v Speaker 2>was all of a sudden, my phone wasn't ringing.

0:20:33.880 --> 0:20:37.720
<v Speaker 1>Well, you know, it's a tough game. But what about

0:20:38.200 --> 0:20:40.159
<v Speaker 1>the stand up? Then? So what draws you into the

0:20:40.160 --> 0:20:42.360
<v Speaker 1>stand up you'd seen prior?

0:20:42.760 --> 0:20:43.240
<v Speaker 3>Yeah?

0:20:43.560 --> 0:20:44.040
<v Speaker 1>Was that it?

0:20:44.200 --> 0:20:44.399
<v Speaker 2>You know?

0:20:44.960 --> 0:20:45.359
<v Speaker 3>It was?

0:20:45.960 --> 0:20:48.680
<v Speaker 2>I think I was in a very bad place in

0:20:48.720 --> 0:20:51.760
<v Speaker 2>my life. I was completely I was lost. I was

0:20:51.760 --> 0:20:54.119
<v Speaker 2>twenty eight, I was older already. I was not, you know,

0:20:54.160 --> 0:20:57.399
<v Speaker 2>a kid, and I just I thought I wanted to

0:20:57.400 --> 0:21:00.359
<v Speaker 2>be an actress. And I graduated from from college. I

0:21:00.400 --> 0:21:02.639
<v Speaker 2>didn't take acting there because I was too intimidated and

0:21:02.680 --> 0:21:06.200
<v Speaker 2>too scared, I understand. And I started taking acting classes,

0:21:06.240 --> 0:21:08.240
<v Speaker 2>and I was bored out of my mind, you know,

0:21:08.400 --> 0:21:12.159
<v Speaker 2>scene study. Yet it always seemed like everybody lived right

0:21:12.200 --> 0:21:14.280
<v Speaker 2>down the block over here. They were on forty fifth Street,

0:21:14.320 --> 0:21:16.399
<v Speaker 2>and some walk up that you had to go for

0:21:16.480 --> 0:21:20.160
<v Speaker 2>some scene study. I hated it, and it just didn't resonate.

0:21:20.200 --> 0:21:21.320
<v Speaker 2>And then I just didn't know what.

0:21:21.240 --> 0:21:23.080
<v Speaker 1>To do, and I was I hated it. When they

0:21:23.359 --> 0:21:25.919
<v Speaker 1>I mooned, I knew I didn't have a future as

0:21:25.920 --> 0:21:28.800
<v Speaker 1>an actor. I heard an actress saying, do you want

0:21:28.840 --> 0:21:31.320
<v Speaker 1>me to honor the comma? When he was talking about

0:21:31.440 --> 0:21:36.160
<v Speaker 1>the script. Fucked me exactly what fuck mate? I got

0:21:36.200 --> 0:21:42.400
<v Speaker 1>a listened of this fucking shit honor the comma? Fuck you? Yeah.

0:21:42.560 --> 0:21:46.480
<v Speaker 2>But so then I was really in a bit. I

0:21:46.520 --> 0:21:49.000
<v Speaker 2>was in a depression. I had a horrible relationship and

0:21:49.040 --> 0:21:51.439
<v Speaker 2>I was waitressing for years. And the way that I

0:21:51.560 --> 0:21:54.879
<v Speaker 2>made the waitressing bearable is I would go back in

0:21:54.920 --> 0:21:56.960
<v Speaker 2>the kitchen. I would imitate all the customers. I was

0:21:56.960 --> 0:22:00.440
<v Speaker 2>always a really good mimic. And my waiter friends were

0:22:00.480 --> 0:22:02.399
<v Speaker 2>the ones that kept using, you should do stand up,

0:22:02.440 --> 0:22:03.680
<v Speaker 2>you should do stand I never.

0:22:03.520 --> 0:22:04.560
<v Speaker 3>Thought of doing stand up.

0:22:04.640 --> 0:22:05.240
<v Speaker 1>That's interesting.

0:22:05.280 --> 0:22:07.119
<v Speaker 2>And then I went to an open mic night and

0:22:07.119 --> 0:22:10.280
<v Speaker 2>there were these guys there, Paul Herzig and Bert Levitt,

0:22:10.560 --> 0:22:13.200
<v Speaker 2>and I did my five minutes in three minutes because

0:22:13.200 --> 0:22:16.200
<v Speaker 2>I was and they came up to me and they said,

0:22:16.280 --> 0:22:18.000
<v Speaker 2>we thought you were great, and we're opening up a

0:22:18.040 --> 0:22:23.320
<v Speaker 2>comedy club on University and in thirteenth Street downtown, and

0:22:23.359 --> 0:22:24.760
<v Speaker 2>we want you to come work for us. Can we

0:22:24.800 --> 0:22:26.320
<v Speaker 2>have your number? I gave my number. I never went

0:22:26.359 --> 0:22:28.600
<v Speaker 2>back on stage. I was too scared. And about three

0:22:28.640 --> 0:22:31.120
<v Speaker 2>or four months later they called me and I was like, yeah,

0:22:31.119 --> 0:22:32.920
<v Speaker 2>all right, I'll come down, and that's how I started.

0:22:33.160 --> 0:22:34.159
<v Speaker 1>Wow did you?

0:22:34.720 --> 0:22:36.000
<v Speaker 2>I never thought I was going to be a stand

0:22:36.080 --> 0:22:38.360
<v Speaker 2>up comic. And then after a I just worked there

0:22:38.400 --> 0:22:40.600
<v Speaker 2>because they were very what was the name of the club,

0:22:40.720 --> 0:22:43.280
<v Speaker 2>comedy you comedy. They were very good to me and

0:22:43.320 --> 0:22:45.560
<v Speaker 2>they gave me. They gave me a weekend spot within

0:22:45.720 --> 0:22:47.719
<v Speaker 2>like two or three weeks where I made twenty bucks.

0:22:47.880 --> 0:22:50.400
<v Speaker 1>And you're starting to do longer stage time of this, yeah, right.

0:22:50.320 --> 0:22:51.640
<v Speaker 2>Well first they said to me, can you come down

0:22:51.640 --> 0:22:53.360
<v Speaker 2>and do ten minutes? And like an idiot, I said, yeah,

0:22:53.359 --> 0:22:55.159
<v Speaker 2>I'll write ten minutes.

0:22:55.280 --> 0:22:57.479
<v Speaker 1>Yeah, this is at the beginning. Ten minutes. It's a

0:22:57.480 --> 0:23:00.240
<v Speaker 1>long time. Yeah, it takes me ten minutes to can

0:23:00.280 --> 0:23:01.159
<v Speaker 1>say good evening.

0:23:01.720 --> 0:23:04.560
<v Speaker 2>Very supportive of me. I just got lucky with these guys.

0:23:04.560 --> 0:23:07.320
<v Speaker 2>And then I started, you know, meeting all the other comics,

0:23:07.359 --> 0:23:10.920
<v Speaker 2>and eventually after about six months, they were like they

0:23:10.960 --> 0:23:13.160
<v Speaker 2>all forced me to go uptown to catch a rizing

0:23:13.200 --> 0:23:14.399
<v Speaker 2>star and the comic strip.

0:23:14.440 --> 0:23:16.600
<v Speaker 1>And so this is the eighties, right, because of the

0:23:16.640 --> 0:23:19.760
<v Speaker 1>nineteen eighty three, Yeah, it's a comedy boom has happening. Then. Yeah,

0:23:19.760 --> 0:23:23.520
<v Speaker 1>it's like everybody's got piano key ties and their sleeves

0:23:23.600 --> 0:23:24.200
<v Speaker 1>rolled up.

0:23:24.160 --> 0:23:27.080
<v Speaker 3>And lines around the block every year.

0:23:27.160 --> 0:23:30.160
<v Speaker 1>Yeah, yeah, yeah. I lived in New York at eighty four.

0:23:30.280 --> 0:23:36.280
<v Speaker 1>That's when I got a spot at the comic Strip because.

0:23:36.119 --> 0:23:36.800
<v Speaker 3>They used there.

0:23:36.880 --> 0:23:39.440
<v Speaker 1>Then. Yeah, well you would have been in the big

0:23:39.520 --> 0:23:42.720
<v Speaker 1>leagues though, because what happened was I I came to

0:23:42.800 --> 0:23:45.600
<v Speaker 1>the country and I was I was trying to get

0:23:45.680 --> 0:23:47.879
<v Speaker 1>on stage, and I heard that if you went up

0:23:47.920 --> 0:23:51.640
<v Speaker 1>to the comic Strip on Second Avenue, it's like second

0:23:51.640 --> 0:23:54.520
<v Speaker 1>and eight eighty first, right, So you go there on

0:23:54.560 --> 0:23:56.600
<v Speaker 1>a Monday morning at ten a m. Yeah, and you

0:23:56.640 --> 0:23:59.280
<v Speaker 1>get a lot, take a number, take a lot of ticket, right,

0:23:59.320 --> 0:24:02.119
<v Speaker 1>and then if you get picked in the loado. And

0:24:02.160 --> 0:24:06.600
<v Speaker 1>so I go up and there's like maybe thirty stand ups,

0:24:06.680 --> 0:24:10.840
<v Speaker 1>young people waiting to get on stage, mostly boys. Yeah,

0:24:10.880 --> 0:24:14.080
<v Speaker 1>and I take a ticket and I do not get picked.

0:24:14.520 --> 0:24:17.200
<v Speaker 1>So I say to the bartender who's running the little thing,

0:24:17.280 --> 0:24:20.160
<v Speaker 1>I said, how does this work? Because my number didn't

0:24:20.160 --> 0:24:22.560
<v Speaker 1>get picked? And he heard my accent. He went, where

0:24:22.560 --> 0:24:24.840
<v Speaker 1>are you from? I went from Scotland. He went, hang

0:24:24.880 --> 0:24:26.399
<v Speaker 1>on a minute, and he gave me a ticket. I

0:24:26.400 --> 0:24:29.400
<v Speaker 1>gotta fucking see this, So he let me do it

0:24:29.560 --> 0:24:31.240
<v Speaker 1>and the first thing I did it, it was fine, and

0:24:31.600 --> 0:24:34.680
<v Speaker 1>Lucian Holmess was there. He was there. He said, come back,

0:24:34.880 --> 0:24:36.520
<v Speaker 1>come back next Monday, I'll give you a spot. And

0:24:36.560 --> 0:24:37.680
<v Speaker 1>I went back next Monday.

0:24:37.440 --> 0:24:40.399
<v Speaker 2>And I fucking bomb Monday night, if I recall, was

0:24:40.400 --> 0:24:41.879
<v Speaker 2>the night that they had the beginners.

0:24:42.080 --> 0:24:42.760
<v Speaker 1>Yeah, that was me.

0:24:42.920 --> 0:24:45.639
<v Speaker 2>Yeah, yeah, well I had to audition for him in

0:24:45.640 --> 0:24:48.160
<v Speaker 2>the middle of the afternoon in an empty room. Oh

0:24:48.200 --> 0:24:51.320
<v Speaker 2>my god, horrible, that's horrible. But I think he had

0:24:51.320 --> 0:24:53.679
<v Speaker 2>a little crush on me, so he passed me.

0:24:54.640 --> 0:24:57.640
<v Speaker 1>So then he says, okay, this is someone that we book. Yeah,

0:24:57.840 --> 0:24:59.600
<v Speaker 1>so did you ever have you have to do it?

0:25:00.119 --> 0:25:03.840
<v Speaker 2>Yes, weirdly. And then but then you have to give

0:25:03.840 --> 0:25:06.720
<v Speaker 2>your availability. And then you would call up every Monday,

0:25:06.840 --> 0:25:08.640
<v Speaker 2>let's say, and say do you have any spots?

0:25:08.880 --> 0:25:10.720
<v Speaker 3>And it was always so fraught, you know, did I

0:25:10.720 --> 0:25:12.879
<v Speaker 3>get a spot this week? And I guess, and like if.

0:25:12.720 --> 0:25:14.000
<v Speaker 2>It was like a couple of weeks in a row,

0:25:14.000 --> 0:25:15.560
<v Speaker 2>you can't get a spot, you were like, oh they

0:25:15.600 --> 0:25:17.600
<v Speaker 2>hate me now, and oh god, it was horrible.

0:25:17.680 --> 0:25:19.879
<v Speaker 1>Yeah, it was bad. So when did you start, like

0:25:20.000 --> 0:25:23.440
<v Speaker 1>right by you're working with Joy Behars, Yes, she was

0:25:23.480 --> 0:25:24.639
<v Speaker 1>working round at the same time.

0:25:24.680 --> 0:25:26.240
<v Speaker 3>I read her a comedy you.

0:25:26.000 --> 0:25:30.200
<v Speaker 1>Coming up through at the same time, right, Yeah, Joy's

0:25:30.480 --> 0:25:32.960
<v Speaker 1>her stand up is quite abrasive.

0:25:34.000 --> 0:25:36.120
<v Speaker 3>Yeah, she's always been a great joke writer.

0:25:36.320 --> 0:25:36.520
<v Speaker 1>Yeah.

0:25:36.680 --> 0:25:38.800
<v Speaker 3>And I think people don't know what a good you know, strong.

0:25:38.880 --> 0:25:39.560
<v Speaker 3>She was a strong.

0:25:39.640 --> 0:25:41.959
<v Speaker 2>She influenced me a lot because we became friends when

0:25:42.000 --> 0:25:44.440
<v Speaker 2>we first met in nineteen eighty three, right, and we're

0:25:44.520 --> 0:25:48.399
<v Speaker 2>still best friends, right all these years. But when I

0:25:48.520 --> 0:25:51.119
<v Speaker 2>when I first I used to do these characters. And

0:25:51.160 --> 0:25:53.600
<v Speaker 2>when I first saw her on stage and we had

0:25:53.600 --> 0:25:55.919
<v Speaker 2>been talking backstage and then she went on stage, I

0:25:55.960 --> 0:25:59.159
<v Speaker 2>was like, oh, I see what she's doing. She's just

0:25:59.680 --> 0:26:02.040
<v Speaker 2>being like how I am sitting around the kitchen table

0:26:02.080 --> 0:26:03.000
<v Speaker 2>with my girlfriends.

0:26:03.240 --> 0:26:03.520
<v Speaker 1>Right.

0:26:03.680 --> 0:26:06.800
<v Speaker 2>She was just so herself and so real and natural

0:26:07.200 --> 0:26:10.560
<v Speaker 2>but telling jokes. But her persona was the same as

0:26:10.560 --> 0:26:13.840
<v Speaker 2>it was off stage. That's interesting and that affected me

0:26:13.880 --> 0:26:15.359
<v Speaker 2>a lot. That was where you know, you don't know

0:26:15.359 --> 0:26:16.679
<v Speaker 2>who you are in the beginning when.

0:26:16.560 --> 0:26:19.639
<v Speaker 1>You get one anyway. I mean, guys, well, if you

0:26:19.640 --> 0:26:22.240
<v Speaker 1>said you were twenty nine, I guess you're getting into that.

0:26:22.680 --> 0:26:25.359
<v Speaker 1>I also think the stand up this is my theory.

0:26:25.560 --> 0:26:28.040
<v Speaker 1>People listen to this podcast bored with me saying I'm sure,

0:26:28.040 --> 0:26:30.479
<v Speaker 1>but but I haven't heard it. Well, so here's what

0:26:30.520 --> 0:26:34.800
<v Speaker 1>it is. I believe that stand up comedians become good

0:26:34.840 --> 0:26:39.400
<v Speaker 1>ones become comedians as a reaction to trauma.

0:26:39.840 --> 0:26:40.720
<v Speaker 3>That's absolutely true.

0:26:41.160 --> 0:26:43.240
<v Speaker 1>I think that's what it is. My wife takes it further.

0:26:43.359 --> 0:26:46.280
<v Speaker 1>She says, it's a reaction to your mother, but that

0:26:46.440 --> 0:26:47.240
<v Speaker 1>she knew my mother.

0:26:47.400 --> 0:26:51.040
<v Speaker 2>Well, you know, so many female comics. I don't know

0:26:51.080 --> 0:26:52.960
<v Speaker 2>about male coup, but so many female comics I know

0:26:53.000 --> 0:26:56.840
<v Speaker 2>had depressed mothers. Yeah, And there was this wanting to

0:26:56.880 --> 0:26:59.879
<v Speaker 2>make her laugh, wanting to cheer her up, ye, constantly.

0:27:00.160 --> 0:27:00.480
<v Speaker 1>Yeah.

0:27:00.480 --> 0:27:03.520
<v Speaker 2>But the thing about being funny, I mean I knew

0:27:03.560 --> 0:27:06.879
<v Speaker 2>when I was like, you know, like two, that I

0:27:07.000 --> 0:27:09.240
<v Speaker 2>was funny, right, And I saw that this was a

0:27:09.280 --> 0:27:10.120
<v Speaker 2>survival thing.

0:27:10.320 --> 0:27:13.240
<v Speaker 1>Sure, it's a currency, yeah, yeah, for sure. Yeah.

0:27:13.240 --> 0:27:16.480
<v Speaker 2>Because she was depressed, you know, with the lying under

0:27:16.520 --> 0:27:19.040
<v Speaker 2>the covers, your mom. Yeah, she was in a deep

0:27:19.400 --> 0:27:21.760
<v Speaker 2>She was a deeply depressed person. And it was like,

0:27:21.800 --> 0:27:23.760
<v Speaker 2>all right, I need attention from somebody because I'm not

0:27:23.760 --> 0:27:26.040
<v Speaker 2>getting from her because she's too upp her own asshole.

0:27:26.080 --> 0:27:26.280
<v Speaker 1>You know.

0:27:27.840 --> 0:27:30.040
<v Speaker 2>So I was funny and I saw it from funny,

0:27:30.080 --> 0:27:32.800
<v Speaker 2>I get attention. It was like just simple cause and

0:27:32.840 --> 0:27:33.360
<v Speaker 2>the fact.

0:27:33.200 --> 0:27:36.120
<v Speaker 1>I remember exactly the same thing. My mother was very

0:27:36.160 --> 0:27:38.280
<v Speaker 1>sick when I was a little kid. I don't really

0:27:38.560 --> 0:27:40.480
<v Speaker 1>I never really found out way exactly what it was.

0:27:40.520 --> 0:27:43.119
<v Speaker 1>They used to say at say, woman's trouble.

0:27:43.960 --> 0:27:44.600
<v Speaker 3>What does that mean?

0:27:44.640 --> 0:27:45.399
<v Speaker 1>I don't know.

0:27:45.640 --> 0:27:47.200
<v Speaker 3>You never a period that whole time.

0:27:47.320 --> 0:27:49.480
<v Speaker 1>No. I think it was probably more to do with

0:27:49.760 --> 0:27:52.960
<v Speaker 1>like the plumbing in that area or something. But I mean,

0:27:53.040 --> 0:27:54.840
<v Speaker 1>I never to this day, I don't know what it is.

0:27:55.520 --> 0:27:55.639
<v Speaker 2>Like.

0:27:55.680 --> 0:27:58.919
<v Speaker 1>My family are like, man, is she alive? No, she

0:27:59.040 --> 0:28:02.399
<v Speaker 1>died years ago. She never told me. But I was

0:28:02.440 --> 0:28:06.360
<v Speaker 1>talking to lou Black about, you know, this this mother thing,

0:28:06.480 --> 0:28:10.159
<v Speaker 1>and I said, my wife's theory is the head. You know,

0:28:10.440 --> 0:28:13.680
<v Speaker 1>comedians all have the same mom. It's a mom. He

0:28:13.880 --> 0:28:17.160
<v Speaker 1>liked his mom, I know, but this is funny. I liked.

0:28:19.400 --> 0:28:19.600
<v Speaker 2>Nothing.

0:28:19.640 --> 0:28:22.639
<v Speaker 3>I didn't like her. She was she was difficult.

0:28:22.760 --> 0:28:25.359
<v Speaker 1>Yeah, my moment. So this is my wife's theory is

0:28:25.400 --> 0:28:27.639
<v Speaker 1>everybody has the same moment. He So Lewis said to me,

0:28:27.800 --> 0:28:31.280
<v Speaker 1>what is that? He said, cold with bad boundaries.

0:28:31.760 --> 0:28:35.720
<v Speaker 2>That's bad boundaries, Yes, cold with bad Meryl Marco has

0:28:35.720 --> 0:28:39.120
<v Speaker 2>this belief that all the female comedians had the same

0:28:39.200 --> 0:28:43.000
<v Speaker 2>withholding mother. Yeah, now Joyce was not joy had a

0:28:43.080 --> 0:28:44.000
<v Speaker 2>very loving mother.

0:28:44.080 --> 0:28:44.440
<v Speaker 3>She come.

0:28:44.640 --> 0:28:46.440
<v Speaker 2>It's interesting. We talk about it all the time. She

0:28:46.480 --> 0:28:49.360
<v Speaker 2>came from the complete opposite of what I came from.

0:28:49.400 --> 0:28:52.280
<v Speaker 2>I was constantly told shut up, stop showing off, and

0:28:52.320 --> 0:28:54.160
<v Speaker 2>she was told come here and entertain us.

0:28:54.240 --> 0:28:55.760
<v Speaker 3>It's a completely different vibe.

0:28:55.840 --> 0:28:57.680
<v Speaker 1>Yeah, it's it's funny that because I was talking to

0:28:58.280 --> 0:28:59.920
<v Speaker 1>Are you familiar with Robert Smike?

0:29:00.160 --> 0:29:02.480
<v Speaker 2>You know Robert, love him, He's a friend. Yeah, right,

0:29:02.520 --> 0:29:05.280
<v Speaker 2>so Robert and how funny is triumph? Oh my god,

0:29:06.600 --> 0:29:08.560
<v Speaker 2>Triumph is one of those things that can get me

0:29:08.720 --> 0:29:10.400
<v Speaker 2>into just hysterical.

0:29:10.520 --> 0:29:16.000
<v Speaker 1>It's Laureland Hardy level iconic, iconic comedy in America, I think.

0:29:16.040 --> 0:29:19.320
<v Speaker 1>But he he was talking about his parents were really

0:29:19.560 --> 0:29:22.120
<v Speaker 1>supportive too. I was talking to him on this podcast

0:29:22.120 --> 0:29:24.440
<v Speaker 1>and he was like, no, they were great and really

0:29:24.480 --> 0:29:26.680
<v Speaker 1>so all my theory about that kind of went out

0:29:26.680 --> 0:29:27.040
<v Speaker 1>of the way.

0:29:27.080 --> 0:29:30.680
<v Speaker 2>But I think if you look, there's more negatives than

0:29:30.760 --> 0:29:32.200
<v Speaker 2>positives comedians.

0:29:32.280 --> 0:29:35.520
<v Speaker 1>I think there has to be. That's what for me.

0:29:35.680 --> 0:29:37.680
<v Speaker 1>That's the only thing that kind of makes sense about it.

0:29:37.760 --> 0:29:39.560
<v Speaker 1>But I was saying, Luisa, but I want to tell

0:29:39.560 --> 0:29:42.560
<v Speaker 1>you this that lucaid because his mom died when she

0:29:42.680 --> 0:29:45.120
<v Speaker 1>was one hundred and four old. Yeah, one hundred and four.

0:29:45.440 --> 0:29:46.840
<v Speaker 1>And he looked at me when I said the cold

0:29:46.920 --> 0:29:50.000
<v Speaker 1>with barbers, and he went, oh, my god, that's so accurate.

0:29:50.080 --> 0:29:51.800
<v Speaker 1>The only time I looked my mom in the eye

0:29:51.880 --> 0:29:56.320
<v Speaker 1>was she was on her deathbed. But his parents used

0:29:56.320 --> 0:29:57.480
<v Speaker 1>to come to every shop.

0:29:57.600 --> 0:29:59.960
<v Speaker 3>They were very mine.

0:30:00.320 --> 0:30:03.160
<v Speaker 1>Oh no, not, I understand. I think you and I

0:30:03.240 --> 0:30:04.280
<v Speaker 1>are from my mother.

0:30:04.600 --> 0:30:08.480
<v Speaker 2>My mother didn't really like me, so I had but

0:30:08.640 --> 0:30:10.720
<v Speaker 2>she didn't she really Yeah, and a lot of I've

0:30:10.760 --> 0:30:13.520
<v Speaker 2>analyzed it every which way, but so I had to

0:30:13.520 --> 0:30:15.160
<v Speaker 2>go out and make the world love me.

0:30:15.320 --> 0:30:16.960
<v Speaker 3>I had to do. That's what I had to do.

0:30:17.480 --> 0:30:18.240
<v Speaker 3>And then I did.

0:30:18.360 --> 0:30:19.960
<v Speaker 2>And that's one of the reasons I don't do stand

0:30:20.040 --> 0:30:22.800
<v Speaker 2>up is I don't have the same need anymore.

0:30:23.280 --> 0:30:24.840
<v Speaker 1>Yeah, yeah, I.

0:30:24.760 --> 0:30:25.800
<v Speaker 3>Figured that one out.

0:30:26.280 --> 0:30:28.920
<v Speaker 2>Yeah, but there's other things that are you know, you

0:30:28.920 --> 0:30:31.400
<v Speaker 2>could do with I mean, it's such a creative thing.

0:30:31.520 --> 0:30:33.560
<v Speaker 1>I think also as well with stand up, because I

0:30:33.560 --> 0:30:36.400
<v Speaker 1>didn't do it for a long time and I stopped

0:30:36.440 --> 0:30:38.600
<v Speaker 1>don't stand up? And then when I got the Late

0:30:38.720 --> 0:30:42.720
<v Speaker 1>Night Show, I thought, you know what these people at

0:30:42.800 --> 0:30:45.200
<v Speaker 1>CBS and and who are in show business. If I

0:30:45.280 --> 0:30:47.400
<v Speaker 1>fuck up here, they'll cut my throat throw me in

0:30:47.400 --> 0:30:50.280
<v Speaker 1>the East River so fucking fast that I better have

0:30:50.320 --> 0:30:53.800
<v Speaker 1>a fucking plan. B And I thought, if I'm doing

0:30:54.200 --> 0:30:56.520
<v Speaker 1>late night, I'll go back to doing stand up because

0:30:56.560 --> 0:31:00.480
<v Speaker 1>it's so similar. One toll feed the other. Stand up

0:31:00.520 --> 0:31:03.760
<v Speaker 1>will help make the late night show bear, and the

0:31:03.840 --> 0:31:05.920
<v Speaker 1>late night show will send people to come and see me.

0:31:05.960 --> 0:31:09.040
<v Speaker 1>Then you're down and so and so. That's what I did.

0:31:09.080 --> 0:31:10.440
<v Speaker 1>And that's the only reason I go back in. But

0:31:10.480 --> 0:31:13.400
<v Speaker 1>when I got back into it, I fell in love

0:31:13.440 --> 0:31:15.239
<v Speaker 1>with it again. I think, you know, this is why

0:31:15.280 --> 0:31:16.480
<v Speaker 1>I'm trying to pitch it to you.

0:31:16.480 --> 0:31:18.640
<v Speaker 2>You know what, I think that every and I know

0:31:18.680 --> 0:31:21.800
<v Speaker 2>this from Larry, I think that every comedian's dream is

0:31:21.840 --> 0:31:25.280
<v Speaker 2>to draw because all those years you're in these showcase

0:31:25.320 --> 0:31:27.720
<v Speaker 2>clubs and they're not there to see you, so you

0:31:27.840 --> 0:31:30.400
<v Speaker 2>have to spend so much time winning them over. But

0:31:30.440 --> 0:31:33.640
<v Speaker 2>when you're drawing, they're there to see you, so you're.

0:31:33.560 --> 0:31:35.720
<v Speaker 1>Funny right away you walk on in their laugh. That's right.

0:31:35.840 --> 0:31:38.080
<v Speaker 2>There's other anxiety because they're paying a lot of money

0:31:38.080 --> 0:31:40.200
<v Speaker 2>to see you, so you have that pressure.

0:31:40.240 --> 0:31:40.840
<v Speaker 1>You got to deliver.

0:31:41.120 --> 0:31:43.640
<v Speaker 2>You got to deliver what. I was just going to

0:31:43.680 --> 0:31:46.760
<v Speaker 2>say something about what was it about Lewis? That's gone?

0:31:46.840 --> 0:31:49.280
<v Speaker 1>Well Larry, you said, Larry, Oh well, Larry.

0:31:49.320 --> 0:31:53.360
<v Speaker 2>You know Larry starts a stand up and Larry his

0:31:53.520 --> 0:31:56.680
<v Speaker 2>material was brilliant. We would all come in the room

0:31:56.680 --> 0:31:59.160
<v Speaker 2>to watch him because the material was like not like

0:31:59.240 --> 0:32:03.120
<v Speaker 2>anybody else's material. I believe it out there, but Larry

0:32:03.200 --> 0:32:06.120
<v Speaker 2>never I don't. Well, he didn't really care, I think,

0:32:06.320 --> 0:32:09.600
<v Speaker 2>but he wasn't able to draw the audience into If

0:32:09.600 --> 0:32:12.120
<v Speaker 2>they got him, it was great, but if they didn't,

0:32:12.200 --> 0:32:14.280
<v Speaker 2>he was not able. You know, we all have a

0:32:14.280 --> 0:32:18.960
<v Speaker 2>bag of trips about now.

0:32:19.040 --> 0:32:22.120
<v Speaker 3>They would come to see him. Sure, So now I

0:32:22.160 --> 0:32:23.200
<v Speaker 3>think he should do it again.

0:32:23.480 --> 0:32:25.560
<v Speaker 1>I think so. And I think also it's kind of

0:32:25.600 --> 0:32:28.120
<v Speaker 1>like if you learn to play the guitar really well

0:32:28.160 --> 0:32:31.680
<v Speaker 1>when you were a kid, you probably should go back

0:32:31.720 --> 0:32:34.640
<v Speaker 1>and do it again, you know, every you should enjoy

0:32:34.680 --> 0:32:37.960
<v Speaker 1>it and the pressure is off, like like if you

0:32:38.160 --> 0:32:40.240
<v Speaker 1>go into a club and people say, you know, you

0:32:40.560 --> 0:32:42.960
<v Speaker 1>did a draw upen somewhere in some club in your work,

0:32:43.040 --> 0:32:45.560
<v Speaker 1>and then somebody introduce you and you walk up, people

0:32:45.600 --> 0:32:48.440
<v Speaker 1>are going to go fucking nuts right away. And then

0:32:48.760 --> 0:32:50.240
<v Speaker 1>and then you can enjoy yourself.

0:32:50.000 --> 0:32:52.840
<v Speaker 2>What if I don't deliver right now?

0:32:52.880 --> 0:32:55.479
<v Speaker 1>You're delivering right now? Think about it and then you say,

0:32:55.680 --> 0:32:57.640
<v Speaker 1>you say, what if I don't deliver? Continue?

0:32:57.960 --> 0:32:59.840
<v Speaker 3>You can say that, well, that was my act. Was

0:32:59.840 --> 0:33:01.440
<v Speaker 3>always just totally in the moment.

0:33:01.480 --> 0:33:03.800
<v Speaker 2>I never had you know, I was never one of

0:33:03.800 --> 0:33:05.840
<v Speaker 2>these you know, started a and end.

0:33:05.800 --> 0:33:07.360
<v Speaker 3>And Z kind of comedians.

0:33:07.400 --> 0:33:09.960
<v Speaker 1>I like that stuff. I admire, but I can't really

0:33:10.000 --> 0:33:10.239
<v Speaker 1>do it.

0:33:10.320 --> 0:33:12.520
<v Speaker 2>I can't do I try. I would try to do

0:33:12.600 --> 0:33:14.840
<v Speaker 2>it that way. And you know, of course, the master

0:33:15.000 --> 0:33:18.120
<v Speaker 2>of being all over the place is my dear friend

0:33:18.400 --> 0:33:21.880
<v Speaker 2>Richard Lewis, who is no longer rich I mean, he

0:33:21.920 --> 0:33:25.200
<v Speaker 2>would just be so all over the price saying and

0:33:25.320 --> 0:33:25.880
<v Speaker 2>tied together.

0:33:25.960 --> 0:33:29.240
<v Speaker 1>Yeah, he was brilliant Richard. It is funny because he

0:33:29.360 --> 0:33:32.719
<v Speaker 1>was doing Curb obviously he was sick in the last season,

0:33:32.800 --> 0:33:34.880
<v Speaker 1>and he and I would email each other all the

0:33:34.920 --> 0:33:37.720
<v Speaker 1>time because he was. He said to me, he said,

0:33:37.720 --> 0:33:40.000
<v Speaker 1>I'm fascinated by you because you're not Jewish, and yet

0:33:40.120 --> 0:33:44.720
<v Speaker 1>I like you and your funny How many years.

0:33:44.560 --> 0:33:50.280
<v Speaker 3>Should do the lure? Wow? Did you love it?

0:33:50.400 --> 0:33:53.320
<v Speaker 1>Yes? It was yes, everything you know, I mean what

0:33:53.360 --> 0:33:55.960
<v Speaker 1>it was was is it demystified show business? For me,

0:33:56.000 --> 0:34:00.800
<v Speaker 1>which I'm very grateful. You know that, you realize to mans,

0:34:00.960 --> 0:34:04.240
<v Speaker 1>to douchebag ratio and show businesses the same as pretty

0:34:04.320 --> 0:34:06.840
<v Speaker 1>much any bar or or room you go in.

0:34:06.800 --> 0:34:08.359
<v Speaker 3>And people aren't who you think they are.

0:34:08.480 --> 0:34:12.040
<v Speaker 1>No, some of them were fucking horrible, and some.

0:34:11.920 --> 0:34:13.240
<v Speaker 3>Of them were pleasantly surprised.

0:34:13.239 --> 0:34:16.080
<v Speaker 1>Oh my god. I became friends with like people who

0:34:16.080 --> 0:34:18.680
<v Speaker 1>were here, like Robin Williams and I became friend. Carrie

0:34:18.680 --> 0:34:21.200
<v Speaker 1>Fisher and I became friends. But I also became friends

0:34:21.200 --> 0:34:24.080
<v Speaker 1>with like Larry King and I became friend. Really I

0:34:24.280 --> 0:34:27.080
<v Speaker 1>see that one coming at all, you know, because I

0:34:27.120 --> 0:34:29.040
<v Speaker 1>was I like, used to make fun of them.

0:34:29.200 --> 0:34:30.360
<v Speaker 3>Well he was so make fun of me.

0:34:30.520 --> 0:34:32.880
<v Speaker 1>Yeah, and I used to do this horrible impression of

0:34:32.960 --> 0:34:35.120
<v Speaker 1>him on the show, but it made him laugh and

0:34:35.160 --> 0:34:36.080
<v Speaker 1>then it kind of.

0:34:36.120 --> 0:34:36.960
<v Speaker 3>He was easy.

0:34:37.239 --> 0:34:40.200
<v Speaker 1>Yeah, he was easy. He wasn't touchy, no, no, not

0:34:40.280 --> 0:34:42.879
<v Speaker 1>at all. You know, he was like he was kind

0:34:42.920 --> 0:34:46.080
<v Speaker 1>of he had that kind of I don't know if

0:34:46.120 --> 0:34:47.560
<v Speaker 1>you this an old Scottish word. He had the kind

0:34:47.560 --> 0:34:49.000
<v Speaker 1>of a sugar and vibe, you know what I mean.

0:34:49.120 --> 0:34:54.279
<v Speaker 1>It's not a Scotch, but he had that kind of

0:34:54.360 --> 0:34:56.600
<v Speaker 1>you know, what's all right? He kind of like he

0:34:56.680 --> 0:34:59.359
<v Speaker 1>was a little bit wise guy, a little bit kind

0:34:59.360 --> 0:34:59.919
<v Speaker 1>of good guy.

0:35:00.080 --> 0:35:02.080
<v Speaker 2>Well he came, you know, he was a street guy

0:35:02.120 --> 0:35:04.400
<v Speaker 2>in Brooklyn, I mean, you know, and and there was

0:35:04.440 --> 0:35:07.759
<v Speaker 2>all these these Jewish mobsters around when he grew up.

0:35:07.880 --> 0:35:10.680
<v Speaker 1>Yeah, he used to run numbers for the who's the

0:35:10.760 --> 0:35:14.200
<v Speaker 1>name of that guy in Miami, the Maya Lansky Lansky

0:35:14.800 --> 0:35:15.640
<v Speaker 1>He got arrested.

0:35:15.760 --> 0:35:20.640
<v Speaker 2>My grandfather used to run numbers for Louis Lepke. Really yeah,

0:35:20.760 --> 0:35:23.640
<v Speaker 2>so your family are a little well, you know, they

0:35:23.719 --> 0:35:26.120
<v Speaker 2>they but they were immigrants. They did what they had

0:35:26.120 --> 0:35:26.439
<v Speaker 2>to do.

0:35:26.840 --> 0:35:30.880
<v Speaker 1>I'm familiar with the condition. They did what he had.

0:35:31.040 --> 0:35:32.960
<v Speaker 3>He wasn't that bright. My grandfather.

0:35:33.880 --> 0:35:36.120
<v Speaker 2>They said he got hit on the head as a kid, right,

0:35:36.400 --> 0:35:40.080
<v Speaker 2>and my grandparent's that a horrible marriage. And they they

0:35:40.160 --> 0:35:42.440
<v Speaker 2>used to say that my grandfather had a twin. Well

0:35:42.480 --> 0:35:44.400
<v Speaker 2>they that's this is true. He had a twin that

0:35:44.480 --> 0:35:47.160
<v Speaker 2>died in infancy. And my grandmother used to say to him,

0:35:47.239 --> 0:35:48.480
<v Speaker 2>the wrong twin died?

0:35:48.640 --> 0:35:50.000
<v Speaker 3>Is he?

0:35:51.080 --> 0:35:52.399
<v Speaker 1>Oh my yeah?

0:35:52.440 --> 0:35:54.840
<v Speaker 2>But he like he did what he could. You know,

0:35:54.920 --> 0:35:58.120
<v Speaker 2>he was an immigrant, he had no education. You run numbers,

0:35:58.160 --> 0:35:58.719
<v Speaker 2>You do what you.

0:35:58.680 --> 0:35:58.960
<v Speaker 3>Have to do.

0:35:59.320 --> 0:36:01.200
<v Speaker 1>Run and he kind of trouble when you were like,

0:36:01.239 --> 0:36:03.040
<v Speaker 1>because New York in the eighties, when you were coming

0:36:03.120 --> 0:36:04.960
<v Speaker 1>up as a stand up, do you ever run in

0:36:04.960 --> 0:36:07.640
<v Speaker 1>any trouble? Like No, only was a lot of crime around,

0:36:08.080 --> 0:36:10.520
<v Speaker 1>but it was a lot of drugs around. Yeah, you know.

0:36:10.920 --> 0:36:13.680
<v Speaker 2>Well. And I lived on seventy third and Amsterdam and

0:36:13.760 --> 0:36:14.880
<v Speaker 2>right there was Needle Park.

0:36:15.040 --> 0:36:16.479
<v Speaker 1>Yeah, man, that was Needle Park.

0:36:16.840 --> 0:36:19.080
<v Speaker 2>Joy loves to tell the story about these guys mugged

0:36:19.080 --> 0:36:20.680
<v Speaker 2>me and I scared the shit out of them.

0:36:20.719 --> 0:36:24.000
<v Speaker 1>I just started screaming. I lived on.

0:36:23.920 --> 0:36:26.000
<v Speaker 2>Seventy through and it was one of these buildings where

0:36:26.000 --> 0:36:28.239
<v Speaker 2>you have to walk down the stairs into the vest.

0:36:28.560 --> 0:36:30.680
<v Speaker 3>No dorman in those days. You know, I was poor

0:36:31.200 --> 0:36:32.120
<v Speaker 3>and it was.

0:36:32.080 --> 0:36:35.040
<v Speaker 2>Not a good and they fought I'm coming home from

0:36:35.080 --> 0:36:37.960
<v Speaker 2>clubs at two three o'clock in the morning. Yeah, And

0:36:38.040 --> 0:36:41.960
<v Speaker 2>they followed me in and it was two of them,

0:36:42.360 --> 0:36:45.480
<v Speaker 2>and I just turned on them like I felt no fear.

0:36:45.640 --> 0:36:48.919
<v Speaker 2>Interestingly enough, I just turned I got so fucking angry. Yeah,

0:36:48.960 --> 0:36:50.920
<v Speaker 2>and I just turned on my sort of screaming at

0:36:50.960 --> 0:36:52.600
<v Speaker 2>my said if I pressed this buzz and my husband's

0:36:52.600 --> 0:36:54.560
<v Speaker 2>going to come. I didn't have a husband. My husband's

0:36:54.560 --> 0:36:56.520
<v Speaker 2>going to come downstairs with a shotgun. To blow your

0:36:56.560 --> 0:36:59.359
<v Speaker 2>fucking head off. And they just they were like, she's crazy, man,

0:36:59.360 --> 0:37:01.440
<v Speaker 2>she's crazy. Let's get out of here, and they left.

0:37:02.080 --> 0:37:04.520
<v Speaker 1>Did you feel fear later on once they go, I felt

0:37:04.520 --> 0:37:06.799
<v Speaker 1>pissed off. I never felt the fear.

0:37:07.040 --> 0:37:09.040
<v Speaker 3>No, no, I was pissed off.

0:37:09.120 --> 0:37:13.840
<v Speaker 1>Your mom is pretty tough on you.

0:37:13.560 --> 0:37:15.880
<v Speaker 2>But you learn how to deal with it, of course,

0:37:15.920 --> 0:37:18.959
<v Speaker 2>Like you don't walk, you know, on the sidewalk close

0:37:19.000 --> 0:37:21.120
<v Speaker 2>to the building, you walk, closer to the street, you walk.

0:37:21.360 --> 0:37:22.600
<v Speaker 3>And I tried to teach.

0:37:22.360 --> 0:37:24.600
<v Speaker 2>My girls, you know, my daughters when they moved, and

0:37:24.719 --> 0:37:26.839
<v Speaker 2>they say, always have your keys in your hand. Don't

0:37:26.840 --> 0:37:29.080
<v Speaker 2>be at the door fumbling for your keys. They didn't

0:37:29.080 --> 0:37:31.200
<v Speaker 2>listen to me. They think everything I said was stupid.

0:37:31.320 --> 0:37:33.200
<v Speaker 1>Well that's part of I haven't kids. Yeah, I say

0:37:33.200 --> 0:37:35.319
<v Speaker 1>stuff now like I try and give advice to my kids,

0:37:35.360 --> 0:37:38.600
<v Speaker 1>so like fuck, like I feel like I got some

0:37:38.680 --> 0:37:39.879
<v Speaker 1>information in my life.

0:37:39.960 --> 0:37:42.279
<v Speaker 2>Yeah, but they think you're a fucking idiot. They do

0:37:42.400 --> 0:37:45.000
<v Speaker 2>think you're a way but then they come yours are

0:37:45.040 --> 0:37:45.680
<v Speaker 2>younger than mine.

0:37:45.719 --> 0:37:48.000
<v Speaker 1>I think how old My oldest is twenty three, my

0:37:48.000 --> 0:37:49.239
<v Speaker 1>younger sister thirteen.

0:37:49.040 --> 0:37:52.120
<v Speaker 2>So they're young. Mine are all thirty and over. So

0:37:52.320 --> 0:37:56.560
<v Speaker 2>now they come to me. Juliana, I remember the most difficult.

0:37:56.640 --> 0:37:58.719
<v Speaker 2>She was the middle child when she came to me

0:37:59.239 --> 0:38:01.200
<v Speaker 2>and she said to me, I mean maybe five six

0:38:01.280 --> 0:38:03.360
<v Speaker 2>years ago, you were right about everything.

0:38:03.440 --> 0:38:04.279
<v Speaker 3>It's the greatest day.

0:38:04.160 --> 0:38:07.120
<v Speaker 1>Of my life. Oh my god, it's the greatest day

0:38:07.440 --> 0:38:10.840
<v Speaker 1>live for that. But they're they're young, they will yeah,

0:38:11.200 --> 0:38:14.520
<v Speaker 1>I don't know, but maybe maybe the little one will.

0:38:14.560 --> 0:38:19.480
<v Speaker 1>But the older one, he's he's got his ideas until

0:38:19.600 --> 0:38:23.319
<v Speaker 1>until those ideas yea, yeah, yeah, maybe I don't know,

0:38:23.600 --> 0:38:26.040
<v Speaker 1>and then maybe and maybe they won't work. Maybe I'm wrong.

0:38:33.400 --> 0:38:35.920
<v Speaker 1>I want to ask you about a comedian that I loved.

0:38:37.080 --> 0:38:38.799
<v Speaker 1>I don't know if you and you are. It was

0:38:38.920 --> 0:38:40.319
<v Speaker 1>Joan Rivers. Did you know Joan?

0:38:40.480 --> 0:38:42.760
<v Speaker 3>I knew Joan not well, but I didn't know john.

0:38:42.800 --> 0:38:45.520
<v Speaker 1>I never met her once in my life. Oh really, no,

0:38:45.520 --> 0:38:48.040
<v Speaker 1>no once. I wanted to have her on the Late

0:38:48.160 --> 0:38:53.120
<v Speaker 1>Night Show, but they wouldn't do it because the producer

0:38:53.200 --> 0:38:56.319
<v Speaker 1>of the show, my producer was also the producer of

0:38:56.760 --> 0:39:00.279
<v Speaker 1>Johnny Carson's The Tonight Show, and they had that big

0:39:00.400 --> 0:39:02.759
<v Speaker 1>fight with Johnny and Joanas of this, so they would

0:39:02.760 --> 0:39:03.680
<v Speaker 1>never let me book Joan.

0:39:03.840 --> 0:39:07.840
<v Speaker 2>Jon's interesting. Yeah, you know, she was an interesting person. Yeah,

0:39:07.880 --> 0:39:10.160
<v Speaker 2>and my very dear friend Larry Amrose. I don't know

0:39:10.160 --> 0:39:13.200
<v Speaker 2>if you know Larry. He wrote all her books and

0:39:13.440 --> 0:39:15.880
<v Speaker 2>all her you know, really a lot of her stuff

0:39:15.920 --> 0:39:19.720
<v Speaker 2>with her. When I first met Joan, she was probably

0:39:19.920 --> 0:39:22.840
<v Speaker 2>probably younger than me at the time. She's probably sixty ish, right,

0:39:23.000 --> 0:39:28.480
<v Speaker 2>and she was this was before Edgar died and all.

0:39:28.640 --> 0:39:32.239
<v Speaker 2>And she was not She did not was not supportive

0:39:32.400 --> 0:39:35.960
<v Speaker 2>of younger females. At the time. She was more competitive

0:39:36.280 --> 0:39:38.480
<v Speaker 2>and I felt that from her very much. But then

0:39:38.560 --> 0:39:41.840
<v Speaker 2>later on she became much more gracious and much more.

0:39:42.719 --> 0:39:45.440
<v Speaker 2>She became much more supportive and loving, and in her

0:39:45.480 --> 0:39:48.279
<v Speaker 2>older age, I think after she went through a lot more,

0:39:48.320 --> 0:39:50.560
<v Speaker 2>she became much more of a grand dame.

0:39:51.040 --> 0:39:55.640
<v Speaker 1>I can see that happen. And I find myself now, like,

0:39:55.840 --> 0:39:58.120
<v Speaker 1>now that I'm older, a little bit of success does

0:39:58.160 --> 0:40:00.759
<v Speaker 1>this too? You start to lighten up pulling other people

0:40:00.840 --> 0:40:01.919
<v Speaker 1>a little bit, don't you think?

0:40:02.000 --> 0:40:02.200
<v Speaker 3>Yeah?

0:40:02.280 --> 0:40:02.560
<v Speaker 2>Not ever.

0:40:02.680 --> 0:40:05.200
<v Speaker 3>And you know I was never competitive with her.

0:40:05.280 --> 0:40:07.239
<v Speaker 2>She was just you know, if you look at them,

0:40:07.480 --> 0:40:12.280
<v Speaker 2>watch the movie, Yeah, that documentary, you see that there's

0:40:12.320 --> 0:40:16.320
<v Speaker 2>nothing book that there was a hysteria there about about

0:40:16.400 --> 0:40:20.200
<v Speaker 2>working and having to do it constantly. Yeah, that I

0:40:20.239 --> 0:40:22.920
<v Speaker 2>never felt that. I'm a completely different animal than that,

0:40:22.960 --> 0:40:25.799
<v Speaker 2>but I think that was part of you know why.

0:40:26.000 --> 0:40:27.880
<v Speaker 2>And then I think she got more relaxed as she

0:40:27.920 --> 0:40:28.400
<v Speaker 2>got older.

0:40:28.400 --> 0:40:31.440
<v Speaker 1>Did you have that? Were you competitive when you were younger? Like,

0:40:31.520 --> 0:40:33.480
<v Speaker 1>did you feel competitive with the other comics or it

0:40:33.840 --> 0:40:36.200
<v Speaker 1>was only women comics or did you feel competitive with

0:40:36.239 --> 0:40:37.640
<v Speaker 1>all comics? So you didn't feel it at all?

0:40:37.840 --> 0:40:40.279
<v Speaker 2>No, I definitely felt it because you were in the

0:40:40.400 --> 0:40:44.040
<v Speaker 2>early days. You're competing for spots, right, so.

0:40:43.960 --> 0:40:45.960
<v Speaker 1>It's a definite thing, is a competition.

0:40:46.000 --> 0:40:49.360
<v Speaker 2>And with other females, they would only put one woman

0:40:49.440 --> 0:40:52.400
<v Speaker 2>on a bill. They would never put two women on

0:40:52.400 --> 0:40:55.600
<v Speaker 2>a lineup, so there weren't there weren't that many different

0:40:55.800 --> 0:40:58.360
<v Speaker 2>I know, there weren't that many of us, so that

0:40:58.480 --> 0:41:00.719
<v Speaker 2>was one thing. But you know, I'm I mean, you

0:41:00.760 --> 0:41:05.360
<v Speaker 2>want that spot, so yeah, you're competitive. I wasn't cutthroat competitive.

0:41:05.400 --> 0:41:07.880
<v Speaker 2>I was just you know, I want what they have,

0:41:08.040 --> 0:41:09.000
<v Speaker 2>give it to make sure.

0:41:09.160 --> 0:41:11.720
<v Speaker 1>Yeah, and I think you kind of need to have

0:41:11.800 --> 0:41:12.560
<v Speaker 1>that a little bit.

0:41:12.680 --> 0:41:15.160
<v Speaker 2>What was interesting with Joy is that I never felt

0:41:15.200 --> 0:41:17.759
<v Speaker 2>competitive with Joy or she with me. I think that

0:41:17.840 --> 0:41:20.399
<v Speaker 2>we kind of got very early on that we were

0:41:20.400 --> 0:41:23.360
<v Speaker 2>stronger together yeah, and then we were kind of like

0:41:23.400 --> 0:41:25.400
<v Speaker 2>a force. You know, we would walk into catchising, so

0:41:25.480 --> 0:41:27.879
<v Speaker 2>everybody new Joy and Susie, you know, they didn't mess

0:41:27.920 --> 0:41:30.759
<v Speaker 2>with us. Chris Rock, he always would ask if we

0:41:30.760 --> 0:41:32.400
<v Speaker 2>were in the room before he went on, because he

0:41:32.480 --> 0:41:35.120
<v Speaker 2>knew if he did sexist material, we'd pull him over.

0:41:35.000 --> 0:41:36.080
<v Speaker 3>And teach him a few things.

0:41:36.200 --> 0:41:38.640
<v Speaker 1>Oh really, that's kind of all. He was a kid,

0:41:38.680 --> 0:41:41.440
<v Speaker 1>he was eighteen. He didn't he needed to be taught.

0:41:42.920 --> 0:41:45.640
<v Speaker 1>It's funny though, that because I don't. I don't know.

0:41:46.400 --> 0:41:50.200
<v Speaker 1>I'm sure that exists now, but I'm not aware of it.

0:41:50.480 --> 0:41:55.840
<v Speaker 1>Like I'm fascinated by the the way things are with comedy,

0:41:55.920 --> 0:41:58.920
<v Speaker 1>like you talking to you as a comedian, Right, you

0:41:59.040 --> 0:42:03.000
<v Speaker 1>kind of came to come because because things fucking sucked

0:42:03.560 --> 0:42:05.759
<v Speaker 1>and you didn't know what else to do.

0:42:05.880 --> 0:42:08.920
<v Speaker 2>And I wouldn't have done it if things had been

0:42:08.960 --> 0:42:13.000
<v Speaker 2>good and I had another profession. Right, No, it was

0:42:13.040 --> 0:42:15.680
<v Speaker 2>too scary and too hard, but I didn't know how

0:42:15.719 --> 0:42:16.160
<v Speaker 2>hard it was.

0:42:16.440 --> 0:42:18.840
<v Speaker 1>But kids are coming up and they're like, I would

0:42:18.880 --> 0:42:20.799
<v Speaker 1>like to be a comedian, and they go to like

0:42:20.880 --> 0:42:24.480
<v Speaker 1>they can have college courses on how to do stand up,

0:42:24.560 --> 0:42:26.680
<v Speaker 1>and maybe it's better. I don't know, but.

0:42:28.320 --> 0:42:32.360
<v Speaker 2>I think a class can be helpful for a very

0:42:32.400 --> 0:42:35.440
<v Speaker 2>short period of time because it's a safe place to

0:42:35.520 --> 0:42:37.360
<v Speaker 2>get up and kind of get your sea legs.

0:42:37.680 --> 0:42:38.920
<v Speaker 3>But then you need an audience.

0:42:39.000 --> 0:42:39.440
<v Speaker 2>You can't.

0:42:39.640 --> 0:42:41.880
<v Speaker 3>You need an audience. You know.

0:42:42.040 --> 0:42:42.880
<v Speaker 1>I need to fail.

0:42:43.160 --> 0:42:46.520
<v Speaker 2>Yeah, you need to fail. You need to fail big,

0:42:46.640 --> 0:42:49.000
<v Speaker 2>and we all have big and often it's like, you know,

0:42:49.040 --> 0:42:50.960
<v Speaker 2>these people come up to me. I'm sure they do

0:42:51.000 --> 0:42:53.560
<v Speaker 2>to you. I killed it. I gave the roast the

0:42:53.640 --> 0:42:56.279
<v Speaker 2>toast at my brother's wedding and I killed So I

0:42:56.320 --> 0:42:58.359
<v Speaker 2>think I could do this. Okay, I go in front

0:42:58.400 --> 0:42:59.600
<v Speaker 2>of strangers, that's right.

0:43:00.000 --> 0:43:02.600
<v Speaker 1>There was a bunch of people who hate you on side. Yeah,

0:43:03.160 --> 0:43:05.000
<v Speaker 1>like they have to forgive you for trying to make

0:43:05.040 --> 0:43:07.839
<v Speaker 1>them laugh. You know, they're like they're ready to go.

0:43:08.320 --> 0:43:10.960
<v Speaker 1>When I started, there were no stand up clubs where

0:43:10.960 --> 0:43:14.360
<v Speaker 1>I started in Glasgow in Scotland, none, none, no stand up.

0:43:14.560 --> 0:43:16.560
<v Speaker 1>The only comedian that I knew about was Billy Connolly.

0:43:16.760 --> 0:43:20.719
<v Speaker 1>It was brilliant, amazing, Billy's amazing Billy. Billy was like

0:43:20.800 --> 0:43:22.760
<v Speaker 1>Jackie Robinson for me. I mean it was like before

0:43:22.760 --> 0:43:25.759
<v Speaker 1>Billy there was like no one from where I came

0:43:25.880 --> 0:43:30.200
<v Speaker 1>from did that. I was aware of and Billy had

0:43:30.560 --> 0:43:34.280
<v Speaker 1>kind of created a world, but there was no catch

0:43:34.440 --> 0:43:38.120
<v Speaker 1>or or or comics to Brinton. So I'd do music clubs,

0:43:38.440 --> 0:43:40.799
<v Speaker 1>but it was the time of punk rock, so they

0:43:41.680 --> 0:43:44.840
<v Speaker 1>would say things like they would say, all right that

0:43:44.920 --> 0:43:47.120
<v Speaker 1>we're going to stop the music for a minute. Now

0:43:47.160 --> 0:43:49.080
<v Speaker 1>here's some counts. He's funny.

0:43:49.200 --> 0:43:53.080
<v Speaker 3>Oh horrible, And especially if you do it, because I've

0:43:53.120 --> 0:43:54.120
<v Speaker 3>done us. I did music.

0:43:54.120 --> 0:43:56.080
<v Speaker 2>I did The Bitter End in the early days, you know,

0:43:56.120 --> 0:43:59.799
<v Speaker 2>all that stuff and the bottom line, and they would

0:44:00.239 --> 0:44:03.960
<v Speaker 2>to see this, you know, musician, and they did not

0:44:04.000 --> 0:44:05.280
<v Speaker 2>want to hear what you had to say.

0:44:05.920 --> 0:44:09.440
<v Speaker 1>You know. Lars from Metallica said to me, Hey, uh,

0:44:10.160 --> 0:44:13.200
<v Speaker 1>we're thinking about maybe having a comedian open for us

0:44:13.280 --> 0:44:16.120
<v Speaker 1>on the next tour. I'm like, find somebody else.

0:44:16.200 --> 0:44:17.080
<v Speaker 3>Yeah, yeah.

0:44:17.520 --> 0:44:20.600
<v Speaker 2>Were there clubs in Edinburgh, No, Glasgow, there was clubs

0:44:20.600 --> 0:44:21.080
<v Speaker 2>in London.

0:44:21.400 --> 0:44:24.200
<v Speaker 1>There were clubs in London. And so what I did

0:44:24.480 --> 0:44:27.480
<v Speaker 1>was after I'd done a couple of shows in Glass,

0:44:27.480 --> 0:44:30.279
<v Speaker 1>I had done the comic strip in New York, and

0:44:30.280 --> 0:44:32.040
<v Speaker 1>then I went back to collegause my visa ran out

0:44:32.040 --> 0:44:33.640
<v Speaker 1>and I didn't want to get deported or get into

0:44:33.640 --> 0:44:35.360
<v Speaker 1>trouble because I knew i'd want to come back later on,

0:44:35.480 --> 0:44:38.719
<v Speaker 1>so I go back to the UK. I tried doing

0:44:38.719 --> 0:44:42.600
<v Speaker 1>these gigs in Scotland and it's not really working that well.

0:44:42.600 --> 0:44:44.840
<v Speaker 1>And they have these clubs in London, but that was poor.

0:44:45.160 --> 0:44:48.200
<v Speaker 2>Yeah, fucking I know, we all we were so nobody

0:44:48.239 --> 0:44:49.320
<v Speaker 2>understands afore.

0:44:50.480 --> 0:44:52.440
<v Speaker 1>So I used to have to get like a greyhound

0:44:52.480 --> 0:44:56.680
<v Speaker 1>bus from Glasgow to London the overnight. It's that's far

0:44:56.840 --> 0:44:59.879
<v Speaker 1>too Yeah, it's like five hundred miles and you'd start

0:45:00.239 --> 0:45:02.239
<v Speaker 1>on the way and everybody's drunk on the bus and

0:45:02.280 --> 0:45:04.480
<v Speaker 1>it's horrible and people are cold and freezing. And I

0:45:04.520 --> 0:45:07.759
<v Speaker 1>get to London. I had to wait all day to

0:45:07.840 --> 0:45:10.680
<v Speaker 1>go and do an open mic spot at one of

0:45:10.719 --> 0:45:14.440
<v Speaker 1>these clubs. Yeah, don't get no money, and then go

0:45:14.560 --> 0:45:17.640
<v Speaker 1>back to Scotland on the bus and it never wouldn't

0:45:17.640 --> 0:45:20.960
<v Speaker 1>even cover my fare. Yeah, and yet I fucking did it.

0:45:21.040 --> 0:45:21.440
<v Speaker 3>I did it.

0:45:21.520 --> 0:45:24.160
<v Speaker 1>I don't know why. I still look at it now

0:45:24.200 --> 0:45:26.919
<v Speaker 1>and go, Jesus Christ, what was wrong. It's a good

0:45:27.000 --> 0:45:30.960
<v Speaker 1>thing you did it is, But that's why I'm fascinated

0:45:31.000 --> 0:45:36.480
<v Speaker 1>by people like us who fail and then don't.

0:45:36.719 --> 0:45:38.840
<v Speaker 3>My husband were watching the Olympics last night. He was

0:45:38.840 --> 0:45:39.400
<v Speaker 3>saying something.

0:45:39.440 --> 0:45:43.319
<v Speaker 2>Imagine you know that we're watching the gymnasts getting on

0:45:43.360 --> 0:45:46.200
<v Speaker 2>the beam, which is like, what is it four inches

0:45:45.960 --> 0:45:49.200
<v Speaker 2>in was insane. It's like, imagine getting up there and

0:45:49.239 --> 0:45:51.239
<v Speaker 2>not knowing what you're doing. But I was like, what

0:45:51.280 --> 0:45:53.480
<v Speaker 2>do you think it felt like getting up on stage?

0:45:53.560 --> 0:45:53.880
<v Speaker 1>Yeah?

0:45:53.920 --> 0:45:55.279
<v Speaker 3>What do you think that felt like?

0:45:55.640 --> 0:45:55.960
<v Speaker 1>Terror?

0:45:56.160 --> 0:45:56.279
<v Speaker 2>Oh?

0:45:56.400 --> 0:45:57.960
<v Speaker 3>Man, I don't know how I did it.

0:45:58.320 --> 0:46:01.359
<v Speaker 1>Well, it's it's every action to trauma. That's what I'm

0:46:01.400 --> 0:46:03.800
<v Speaker 1>convinced about it. Did you do you watch the Olympics?

0:46:03.840 --> 0:46:06.200
<v Speaker 1>So you watch it? Yeah? Yeah, because I like I

0:46:06.239 --> 0:46:09.840
<v Speaker 1>watched it. I'm like, it's very impressive, but it's like jugglers.

0:46:09.880 --> 0:46:11.840
<v Speaker 1>It's like, okay, great, good for you.

0:46:13.400 --> 0:46:17.080
<v Speaker 2>The thing that kills me about it is that, you know,

0:46:17.719 --> 0:46:19.880
<v Speaker 2>it's not like I'm not talking about the basketball of

0:46:19.960 --> 0:46:22.200
<v Speaker 2>the tennis so the people who make shitloads of money,

0:46:22.440 --> 0:46:25.400
<v Speaker 2>not Lebron James, right, but just these amateur athletes that

0:46:25.480 --> 0:46:29.359
<v Speaker 2>spend their entire life training and then one little injury

0:46:29.680 --> 0:46:31.279
<v Speaker 2>and they're done and they never made a.

0:46:31.239 --> 0:46:33.799
<v Speaker 1>Dime, or you lose by one hundreds of.

0:46:33.719 --> 0:46:36.680
<v Speaker 2>A second and that's it, and they're We've been training

0:46:36.719 --> 0:46:37.919
<v Speaker 2>for for the past twenty years.

0:46:37.960 --> 0:46:39.240
<v Speaker 3>Yeah, that feels insane.

0:46:39.239 --> 0:46:41.279
<v Speaker 1>To me, it does like if you if you think, oh,

0:46:41.280 --> 0:46:44.040
<v Speaker 1>I'm going to sneeze just before the starting gun goes off,

0:46:44.120 --> 0:46:46.200
<v Speaker 1>and it slows you down by one hundred of alcon.

0:46:45.960 --> 0:46:46.480
<v Speaker 3>And that's it.

0:46:46.520 --> 0:46:49.440
<v Speaker 1>That's it. So it feels like like I watched the

0:46:49.520 --> 0:46:51.560
<v Speaker 1>swimming the other day. That's it out there. Every four

0:46:51.680 --> 0:46:54.480
<v Speaker 1>years they hoodwink me in watching people swimming. What the

0:46:54.480 --> 0:46:55.920
<v Speaker 1>fuck am I doing watching people.

0:46:56.040 --> 0:46:57.760
<v Speaker 3>Watching them race, not swim.

0:46:58.080 --> 0:47:00.480
<v Speaker 1>But my wife is like, on the swimming real fast,

0:47:00.520 --> 0:47:02.640
<v Speaker 1>I'm like, how could you even fucking tell? Like, if

0:47:02.680 --> 0:47:07.240
<v Speaker 1>you see someone swimming, they're swimming, unless unless you're not diving.

0:47:07.800 --> 0:47:11.880
<v Speaker 1>Diving is pretty impressive. I think that's impressive. But you

0:47:11.920 --> 0:47:12.640
<v Speaker 1>watch the diving.

0:47:13.360 --> 0:47:15.160
<v Speaker 3>They haven't had it yet, No, they haven't. Ye, yeah,

0:47:15.200 --> 0:47:15.680
<v Speaker 3>but I've seen it.

0:47:15.920 --> 0:47:19.200
<v Speaker 2>I like the track, yeah, I like watching at people

0:47:19.239 --> 0:47:22.960
<v Speaker 2>run really fasting and how do they do those hurdles?

0:47:23.520 --> 0:47:26.080
<v Speaker 1>It's hard. Yeah, it's so hard. I never even tried.

0:47:28.880 --> 0:47:30.920
<v Speaker 2>I'm impressed with people that are in that kind of

0:47:30.920 --> 0:47:31.880
<v Speaker 2>physical condition.

0:47:32.120 --> 0:47:33.279
<v Speaker 1>I'd love to be in that case.

0:47:33.719 --> 0:47:35.920
<v Speaker 3>Literally, that's not gonna, No, it's not.

0:47:35.840 --> 0:47:39.120
<v Speaker 1>Now, I'm not gonna. I'm not going to do the

0:47:39.160 --> 0:47:41.799
<v Speaker 1>Olympics unless they introduce kind of like, I don't know

0:47:41.800 --> 0:47:43.799
<v Speaker 1>if there's even a sport I would get to do. Now,

0:47:43.840 --> 0:47:52.920
<v Speaker 1>maybe ambling, if they had an ambling competition, Yeah, ambling, gandering, gardening, gardening,

0:47:53.000 --> 0:47:53.920
<v Speaker 1>Yeah I can, I don't really.

0:47:54.200 --> 0:47:56.200
<v Speaker 3>I'm pulling that weed really really quickly.

0:47:56.280 --> 0:47:56.480
<v Speaker 2>Now.

0:47:56.719 --> 0:47:59.360
<v Speaker 1>Greig's going in for a prune. He's going for a prune.

0:47:59.600 --> 0:48:03.240
<v Speaker 1>He's he's printed it off and he's near the stalk.

0:48:03.480 --> 0:48:06.520
<v Speaker 1>That's good. That's good. I don't know if that's if

0:48:06.600 --> 0:48:12.160
<v Speaker 1>there's good? Is there anything that you regret about the career?

0:48:12.840 --> 0:48:14.840
<v Speaker 1>A great career, you still have a great career, But

0:48:14.960 --> 0:48:15.360
<v Speaker 1>I mean.

0:48:15.239 --> 0:48:17.680
<v Speaker 2>It's like, you know, there's no I mean, I never

0:48:17.719 --> 0:48:19.400
<v Speaker 2>moved to I might have had a bigger career if

0:48:19.400 --> 0:48:22.120
<v Speaker 2>I moved to LA, but I never wanted to. I

0:48:22.160 --> 0:48:24.520
<v Speaker 2>always stayed in New York. This will sound silly, but

0:48:24.920 --> 0:48:27.359
<v Speaker 2>there are certain I mean, I could name them. It's

0:48:27.400 --> 0:48:30.640
<v Speaker 2>maybe five six times when I was on stage when

0:48:30.680 --> 0:48:33.560
<v Speaker 2>I said something I regretted. Oh yeah, you know, and

0:48:33.640 --> 0:48:36.919
<v Speaker 2>I still remember those things, like once I made fun

0:48:36.960 --> 0:48:39.600
<v Speaker 2>of this woman's outfit and it was just mean and

0:48:40.360 --> 0:48:42.160
<v Speaker 2>I don't know why I did that.

0:48:42.160 --> 0:48:45.279
<v Speaker 3>That was and I remember it and I regret it.

0:48:45.400 --> 0:48:47.839
<v Speaker 2>Yeah, I mean it sounds so silly in a way

0:48:47.880 --> 0:48:51.319
<v Speaker 2>because I've had ten thousand sets where I didn't do that,

0:48:51.400 --> 0:48:52.800
<v Speaker 2>but I remember those few.

0:48:53.000 --> 0:48:55.040
<v Speaker 1>Well. That's that's the kind of interesting thing about it,

0:48:55.040 --> 0:48:58.719
<v Speaker 1>because sometimes when you're working like that, if you're doing

0:48:58.760 --> 0:49:01.239
<v Speaker 1>crowd work, if you're doing if you're improvising, and then

0:49:01.239 --> 0:49:03.840
<v Speaker 1>you're paying attention to the crowd, maybe you make a

0:49:03.880 --> 0:49:06.439
<v Speaker 1>mistake and you say something mean when you wish.

0:49:06.880 --> 0:49:09.719
<v Speaker 2>Usually when you say something mean, it's defensive. It's because

0:49:09.760 --> 0:49:13.240
<v Speaker 2>you're feeling insecure or something.

0:49:13.480 --> 0:49:17.000
<v Speaker 1>Yeah, but the trouble is, now, if that goes, somebody

0:49:17.000 --> 0:49:19.200
<v Speaker 1>gets a recording to that, then that's who you are.

0:49:19.280 --> 0:49:19.879
<v Speaker 3>That's who you are.

0:49:20.040 --> 0:49:20.360
<v Speaker 1>Yeah.

0:49:20.440 --> 0:49:23.040
<v Speaker 2>Yeah, that was not what happened, and it didn't happen

0:49:23.040 --> 0:49:26.960
<v Speaker 2>that often, but I remember them and they stay in

0:49:27.000 --> 0:49:27.600
<v Speaker 2>my body.

0:49:27.840 --> 0:49:30.759
<v Speaker 1>Yeah, I understand it. You're like, ah, I did a

0:49:30.840 --> 0:49:33.400
<v Speaker 1>joke on late night once and I still think about it,

0:49:33.480 --> 0:49:37.520
<v Speaker 1>like what it was like. Remember George Clooney had a peg.

0:49:38.200 --> 0:49:40.719
<v Speaker 1>I don't remember George Clutey had a George Clotey had

0:49:40.760 --> 0:49:42.400
<v Speaker 1>a pet peg. This is early on. I wouldn't have

0:49:42.400 --> 0:49:44.919
<v Speaker 1>done it layer, but George Cliney had a pet peg

0:49:44.960 --> 0:49:47.279
<v Speaker 1>and then the pig died and somebody, one of the

0:49:47.360 --> 0:49:50.719
<v Speaker 1>guys wrote a joke. It's like that George Clone's pig

0:49:50.840 --> 0:49:54.040
<v Speaker 1>died and the funeral services are tomorrow, and then baked

0:49:54.120 --> 0:49:58.360
<v Speaker 1>damages at George South. It's like, like, that's a fucking

0:49:58.480 --> 0:50:01.640
<v Speaker 1>mean thing to say about. But I did it. I

0:50:01.680 --> 0:50:03.680
<v Speaker 1>did the joke, and you know, and I wish I

0:50:03.680 --> 0:50:06.520
<v Speaker 1>hadn't done it, because it's hard.

0:50:06.520 --> 0:50:08.600
<v Speaker 2>We we are in ourselves. There are people who do

0:50:08.640 --> 0:50:10.920
<v Speaker 2>ship like that all the time, and assholes.

0:50:10.960 --> 0:50:14.279
<v Speaker 1>I'm trying to politicians, Yeah, they are too. It's one

0:50:14.320 --> 0:50:17.879
<v Speaker 1>thing I noticed about having politicians when I was doing

0:50:17.880 --> 0:50:22.640
<v Speaker 1>the Late Night Show. It's tough because they're they're pretty

0:50:22.680 --> 0:50:26.399
<v Speaker 1>much universally assholes. Yeah, like all of them.

0:50:26.480 --> 0:50:30.080
<v Speaker 2>Well, who wants to be Some people I think are

0:50:30.080 --> 0:50:33.080
<v Speaker 2>into public service for the public service. Okay, let's run

0:50:33.120 --> 0:50:35.600
<v Speaker 2>with that as But maybe you know, you want to

0:50:35.600 --> 0:50:37.960
<v Speaker 2>be president. You say I want to be leader of

0:50:37.960 --> 0:50:40.360
<v Speaker 2>the free world. What kind of ego is that?

0:50:40.640 --> 0:50:42.120
<v Speaker 1>Yeah, it's a little trick.

0:50:42.160 --> 0:50:42.840
<v Speaker 3>It's massive.

0:50:42.960 --> 0:50:45.560
<v Speaker 1>Yeah, it's a little trick. Yeah, I don't know. I

0:50:45.600 --> 0:50:49.400
<v Speaker 1>don't know how I any politician I've met, I've always

0:50:49.440 --> 0:50:52.799
<v Speaker 1>been very kind of uncomfortable with, like I feel like

0:50:52.840 --> 0:50:55.520
<v Speaker 1>your hands in my pocket somehow. Well it is, yeah,

0:50:55.560 --> 0:50:56.320
<v Speaker 1>a little bit.

0:50:56.440 --> 0:50:59.279
<v Speaker 3>But now more than ever because they need so much

0:50:59.320 --> 0:51:00.319
<v Speaker 3>money they do.

0:51:00.360 --> 0:51:03.480
<v Speaker 1>You get these the emails and the game daily all

0:51:03.480 --> 0:51:06.160
<v Speaker 1>the time. I know, they say your name. It's like, hey, Craig,

0:51:06.200 --> 0:51:11.080
<v Speaker 1>it's me. Yeah something I was texting me every day. Yeah,

0:51:11.120 --> 0:51:13.959
<v Speaker 1>but then he doesn't know how to text to text?

0:51:14.239 --> 0:51:16.439
<v Speaker 3>This is this is how ridiculous I am.

0:51:16.920 --> 0:51:19.480
<v Speaker 2>You could you know, I could like block it, but

0:51:19.520 --> 0:51:21.200
<v Speaker 2>then I feel bad blocking it.

0:51:21.239 --> 0:51:21.359
<v Speaker 1>Now.

0:51:21.400 --> 0:51:23.799
<v Speaker 2>The truth of the matter is they don't know it's

0:51:23.840 --> 0:51:26.560
<v Speaker 2>a fucking bot or but I feel like, well, then

0:51:26.560 --> 0:51:28.600
<v Speaker 2>they're going to think that I'm not a support whatever

0:51:28.680 --> 0:51:31.560
<v Speaker 2>it is. Yeah, I get, you know, insane about it.

0:51:31.640 --> 0:51:34.759
<v Speaker 1>Well, I get I get fundraising texts and emails from people.

0:51:34.800 --> 0:51:37.000
<v Speaker 1>I'm like, do you know me at all? It's like

0:51:37.080 --> 0:51:39.839
<v Speaker 1>it's almost like, uh, we're running on a platform of

0:51:39.880 --> 0:51:43.000
<v Speaker 1>hating Scottish people. Would you like, like what this is?

0:51:43.239 --> 0:51:44.359
<v Speaker 1>Why would do you think?

0:51:44.520 --> 0:51:48.080
<v Speaker 2>Let me ask you a totally ignorant question. Is Scotland

0:51:48.280 --> 0:51:48.960
<v Speaker 2>a republic?

0:51:49.520 --> 0:51:54.520
<v Speaker 1>No, Scotland is the United Kingdom. So you're not part

0:51:54.560 --> 0:52:00.120
<v Speaker 1>of the EU no anymore. No, Scotland, England, nor In

0:52:00.200 --> 0:52:04.560
<v Speaker 1>Ireland and Wales are all part of the United Kingdom.

0:52:04.360 --> 0:52:07.200
<v Speaker 3>Right, but Ireland is part of the EU.

0:52:08.000 --> 0:52:11.799
<v Speaker 1>Southern Southern Ireland, Ireland, Ireland, Northern Ireland is part of

0:52:11.920 --> 0:52:15.200
<v Speaker 1>the Yeah, that's a whole mash. You don't want to

0:52:15.200 --> 0:52:16.080
<v Speaker 1>get into that argument.

0:52:16.320 --> 0:52:20.680
<v Speaker 2>That's that's like that's Israel Palestine a little bit.

0:52:20.760 --> 0:52:23.120
<v Speaker 1>Yeah, it's like there's no I don't know how you

0:52:23.200 --> 0:52:27.120
<v Speaker 1>figured this out, but there's that. And then Scotland has

0:52:27.160 --> 0:52:28.480
<v Speaker 1>a big because.

0:52:28.239 --> 0:52:31.400
<v Speaker 2>Aren't they constantly doing referendums forever?

0:52:31.640 --> 0:52:34.600
<v Speaker 1>Yeah, and how do you feel about that? I do

0:52:34.760 --> 0:52:37.719
<v Speaker 1>not want to discuss that with you, okay, because I

0:52:38.120 --> 0:52:40.600
<v Speaker 1>understand because they will pick it up over there, okay,

0:52:40.640 --> 0:52:42.400
<v Speaker 1>and you know, and it's like right down the middle.

0:52:42.840 --> 0:52:46.319
<v Speaker 1>I'll tell you afterwards. Okay, I understand, But but if

0:52:46.320 --> 0:52:48.960
<v Speaker 1>I do it now, some fucker over there will pick

0:52:49.000 --> 0:52:52.400
<v Speaker 1>it up and then you know after Oh my god. Yeah,

0:52:52.440 --> 0:52:54.880
<v Speaker 1>it's just like it's so on fire.

0:52:54.760 --> 0:52:57.000
<v Speaker 3>On both sides. Yeah, yeah, yeah, of course.

0:52:57.120 --> 0:52:59.120
<v Speaker 1>The interesting thing is I was telling someone is I

0:52:59.160 --> 0:53:01.759
<v Speaker 1>don't do any politics in the Act. And I made

0:53:01.760 --> 0:53:05.359
<v Speaker 1>this rule for myself never this is only about four

0:53:05.440 --> 0:53:06.719
<v Speaker 1>years ago. I used to do it, and then I

0:53:06.760 --> 0:53:08.840
<v Speaker 1>was like, no, I'm not because when things went on

0:53:08.920 --> 0:53:12.799
<v Speaker 1>fire usually run about twenty sixteen, things got really heat,

0:53:13.840 --> 0:53:15.480
<v Speaker 1>and I was like, okay, I'm not going to do

0:53:15.480 --> 0:53:18.040
<v Speaker 1>any politics ston and I made a stylistic choice no

0:53:18.120 --> 0:53:21.400
<v Speaker 1>politics at all in the act. And the only people

0:53:21.400 --> 0:53:25.080
<v Speaker 1>that gave me a hard time about that were people

0:53:25.600 --> 0:53:30.440
<v Speaker 1>that I actually agreed with really yeah, it's really funny.

0:53:30.680 --> 0:53:32.799
<v Speaker 1>People I didn't agree with them like oh good, you know,

0:53:33.440 --> 0:53:35.640
<v Speaker 1>or it just never occurred to them. But people that

0:53:35.719 --> 0:53:39.799
<v Speaker 1>I knew my politics were like, why why aren't you

0:53:39.840 --> 0:53:41.560
<v Speaker 1>that's terrible you should be And I'm like.

0:53:41.520 --> 0:53:43.200
<v Speaker 3>Why why why do you have to be that?

0:53:43.320 --> 0:53:45.680
<v Speaker 1>Why I have to fucking do it. I'm not a politician,

0:53:45.760 --> 0:53:48.920
<v Speaker 1>and also my job is And also there are people

0:53:49.080 --> 0:53:51.320
<v Speaker 1>that do it. I always I never did politic see that,

0:53:51.400 --> 0:53:52.959
<v Speaker 1>And there are people who do it really well. People

0:53:53.120 --> 0:53:53.560
<v Speaker 1>they were just.

0:53:53.520 --> 0:53:57.840
<v Speaker 2>Talking about Lewis Black, Yeah rarely, but mar I mean people.

0:53:57.600 --> 0:53:58.560
<v Speaker 3>Who do it really really.

0:53:58.760 --> 0:53:59.920
<v Speaker 1>I could never do it well.

0:54:00.160 --> 0:54:02.040
<v Speaker 3>So I just I just stayed away from that.

0:54:02.200 --> 0:54:05.480
<v Speaker 1>Yeah, I just do like me failing to work over

0:54:05.520 --> 0:54:08.920
<v Speaker 1>its basically how much I suck. It's the basic mind

0:54:08.960 --> 0:54:11.839
<v Speaker 1>that I go to over and over again. Ship that's

0:54:11.880 --> 0:54:15.960
<v Speaker 1>happened to me and how much I suck. Anyway, this

0:54:16.040 --> 0:54:18.239
<v Speaker 1>has been great for me. I'm a huge fan of yours,

0:54:18.280 --> 0:54:21.040
<v Speaker 1>and I always get a little uncomfortable when I have

0:54:21.080 --> 0:54:22.799
<v Speaker 1>someone on the show that I'm a fan of, because

0:54:22.840 --> 0:54:25.239
<v Speaker 1>I think are think going to be awful and you

0:54:25.320 --> 0:54:27.680
<v Speaker 1>are the opposite of that. Oh well, thank you, you are

0:54:27.880 --> 0:54:29.080
<v Speaker 1>absolutely well.

0:54:29.080 --> 0:54:31.000
<v Speaker 2>People always think I'm gonna be Susie Green and I'm

0:54:31.000 --> 0:54:32.879
<v Speaker 2>going to walk in here telling everybody to go fuck

0:54:32.960 --> 0:54:35.360
<v Speaker 2>themselves and wearing some crazy fucking outfit.

0:54:36.400 --> 0:54:39.320
<v Speaker 1>I was hopeful, act Yeah, I was hopeful you wouldn't

0:54:39.360 --> 0:54:41.600
<v Speaker 1>be like that. But I thought, you gotta be grumpy,

0:54:41.640 --> 0:54:43.680
<v Speaker 1>You're gotta be shut down. Are you gonna you know

0:54:43.840 --> 0:54:45.160
<v Speaker 1>the season? No? You know what?

0:54:45.360 --> 0:54:51.040
<v Speaker 2>I actually I love my life, bless you.

0:54:51.480 --> 0:54:53.040
<v Speaker 1>I'm not going to push you further than that. Get

0:54:53.080 --> 0:55:04.560
<v Speaker 1>out of here a paper for two pot