1 00:00:00,200 --> 00:00:03,800 Speaker 1: Hello the Internet, and welcome to this episode of val 2 00:00:03,880 --> 00:00:08,680 Speaker 1: trend Zit's day, because we might have done that before. Also, 3 00:00:08,760 --> 00:00:11,680 Speaker 1: it kind of sounds like herpes medication. I feel like 4 00:00:12,160 --> 00:00:16,520 Speaker 1: val trend zites. Anyways, I'm Jack and I'm thrilled to 5 00:00:16,560 --> 00:00:22,880 Speaker 1: be joined by t d Z writer extraordinaire Jam mc naw. Hello. 6 00:00:23,400 --> 00:00:25,959 Speaker 1: Thanks for having me. Oh my god, thank you for 7 00:00:26,040 --> 00:00:29,280 Speaker 1: being here. Jam. You've really been writing a lot for 8 00:00:29,320 --> 00:00:33,519 Speaker 1: the show since Miles went out for a brief period. 9 00:00:33,840 --> 00:00:36,840 Speaker 1: Um And yeah, thanks for doing that. But your brain 10 00:00:37,080 --> 00:00:41,720 Speaker 1: is just polluted with the trends of what is happening 11 00:00:42,400 --> 00:00:46,360 Speaker 1: many trends Jesus. But first I should wish you a 12 00:00:46,440 --> 00:00:50,159 Speaker 1: happy val trend lights day. Oh, thank you, thank you 13 00:00:50,280 --> 00:00:53,159 Speaker 1: for I'm happy the thing you just said back to 14 00:00:53,200 --> 00:00:57,840 Speaker 1: you unto you as well. All right, enough fucking round. 15 00:00:58,320 --> 00:01:04,000 Speaker 1: Horrifying news is becoming very I guess common um or 16 00:01:04,120 --> 00:01:08,840 Speaker 1: has been very common for a horrifyingly long time. Uh, 17 00:01:08,920 --> 00:01:13,480 Speaker 1: there's a mass shooting at Michigan State University too. You know, 18 00:01:14,160 --> 00:01:18,200 Speaker 1: sad in progress story. But the forty three year old 19 00:01:18,240 --> 00:01:21,080 Speaker 1: suspect was found dead from a self inflicted gunshot wound. 20 00:01:21,600 --> 00:01:24,240 Speaker 1: Three students were killed, five were hurt. He had a 21 00:01:24,240 --> 00:01:28,040 Speaker 1: three page document expressing his reasons for the attack, and 22 00:01:28,240 --> 00:01:32,160 Speaker 1: a number of additional locations and Lansing and whole Michigan, 23 00:01:32,200 --> 00:01:35,200 Speaker 1: a bunch of bunch of other places. Uh. Yeah, it 24 00:01:35,280 --> 00:01:38,679 Speaker 1: just seems like another person who should have had a gun. 25 00:01:39,200 --> 00:01:42,679 Speaker 1: And like his dad, I think he came out and 26 00:01:42,760 --> 00:01:45,720 Speaker 1: was like, I've been trying to keep guns out of 27 00:01:45,800 --> 00:01:48,480 Speaker 1: his hands for a long time and the system just 28 00:01:48,520 --> 00:01:51,240 Speaker 1: doesn't allow it. And the United States doesn't allow it. Yeah, 29 00:01:51,280 --> 00:01:53,040 Speaker 1: and he said he asked him if he had a gun, 30 00:01:53,080 --> 00:01:56,040 Speaker 1: and he would say no, even though he clearly had 31 00:01:56,040 --> 00:02:01,200 Speaker 1: a gun. That's what we have to rely on in 32 00:02:01,520 --> 00:02:05,240 Speaker 1: the United States. Jam, you're not from the United States. 33 00:02:05,240 --> 00:02:08,440 Speaker 1: What do you think? How are we doing? We're killing it? Well, 34 00:02:08,520 --> 00:02:10,359 Speaker 1: I mean, you know there's a lot of guns here too. 35 00:02:11,280 --> 00:02:14,080 Speaker 1: In Canada, there is, Yeah. I mean it's not the same, 36 00:02:14,240 --> 00:02:16,600 Speaker 1: it's not the same culture, but it seems like more 37 00:02:16,639 --> 00:02:19,880 Speaker 1: and more, I think everything, uh in Canada is kind 38 00:02:19,880 --> 00:02:22,799 Speaker 1: of just like we copy everything in the U. S. 39 00:02:22,840 --> 00:02:25,679 Speaker 1: It's just delayed a little. And I think I think 40 00:02:25,760 --> 00:02:28,640 Speaker 1: that's happening now with the bad things as well. You 41 00:02:28,680 --> 00:02:33,600 Speaker 1: know what it's like, it's not just yeah, culture ownership 42 00:02:34,240 --> 00:02:37,720 Speaker 1: and bro, what do you mean bad things? Okay, yeah, 43 00:02:37,919 --> 00:02:41,560 Speaker 1: it's it's just it's just, you know, it's so appalling, 44 00:02:41,560 --> 00:02:44,240 Speaker 1: and it's so it felt like reading the news today. 45 00:02:44,240 --> 00:02:47,680 Speaker 1: Maybe I'm wrong because I'm not watching TV or anything 46 00:02:47,760 --> 00:02:51,200 Speaker 1: or cable news, but it felt like this one was 47 00:02:51,520 --> 00:02:56,680 Speaker 1: really just kind of accepted or glossed over or oh, 48 00:02:56,760 --> 00:02:59,560 Speaker 1: this is the thing that happens. Yeah, it's just like 49 00:03:00,600 --> 00:03:04,360 Speaker 1: and just the numbness to something that should be you know, 50 00:03:04,639 --> 00:03:08,640 Speaker 1: a rare, awful, extraordinarily terrible event. To have this just 51 00:03:08,720 --> 00:03:11,240 Speaker 1: become a regular part of the news cycle is is 52 00:03:11,320 --> 00:03:16,919 Speaker 1: just so depressing. It is. Um. Ted Cruise was so 53 00:03:17,600 --> 00:03:22,160 Speaker 1: over it that, uh, you know, this morning already he 54 00:03:22,639 --> 00:03:26,800 Speaker 1: was dropping gems like this on Twitter. Take Cruise quote, Uh, 55 00:03:27,040 --> 00:03:29,840 Speaker 1: roses are red, violets are blue. Biden wants to ban 56 00:03:30,000 --> 00:03:33,600 Speaker 1: gas stoves and is allowing the Chinese to surveil us too. 57 00:03:34,320 --> 00:03:39,560 Speaker 1: Um the I mean, there's something about the the pentameter 58 00:03:39,680 --> 00:03:42,600 Speaker 1: of that that didn't quite work for me. But well, 59 00:03:42,640 --> 00:03:44,480 Speaker 1: you've got to imagine it with like bongos in the 60 00:03:44,520 --> 00:03:47,920 Speaker 1: background and like a San Francisco coffee house in the sixties. 61 00:03:50,240 --> 00:03:53,920 Speaker 1: Ted Cruise vibes, you know, but does suggest that he's 62 00:03:53,960 --> 00:03:56,960 Speaker 1: still doing his own tweeting, which is amazing. Did he 63 00:03:57,040 --> 00:03:59,280 Speaker 1: just like have that in his drafts? And it was like, 64 00:03:59,560 --> 00:04:03,760 Speaker 1: so it's too good not to send despite the tragedy. Yes, 65 00:04:04,200 --> 00:04:08,119 Speaker 1: too good and also so good that it might distract 66 00:04:08,160 --> 00:04:10,640 Speaker 1: people from the tragedy. Just want to share a little 67 00:04:10,680 --> 00:04:16,520 Speaker 1: bit of political joy with with my followers. You know, 68 00:04:16,920 --> 00:04:21,400 Speaker 1: he's smart, he's he's got a good good ear for poetry, 69 00:04:21,520 --> 00:04:26,000 Speaker 1: um and a keen sensitivity to the needs of the nation. 70 00:04:26,279 --> 00:04:28,560 Speaker 1: So I like that he combined the gas stove thing, 71 00:04:28,600 --> 00:04:32,640 Speaker 1: which everyone kind of forgot about with the Chinese surveillance story. Yeah, 72 00:04:33,200 --> 00:04:36,320 Speaker 1: I did it so smoothly and is allowing that Chinese 73 00:04:36,320 --> 00:04:40,720 Speaker 1: to surveil on us too. Nailed it, poet, truly. Let's 74 00:04:40,720 --> 00:04:44,440 Speaker 1: see what so the Rust movie that most people know 75 00:04:44,480 --> 00:04:49,320 Speaker 1: about because Alec Baldwin killed somebody with a gun that 76 00:04:49,400 --> 00:04:53,279 Speaker 1: was supposed to be firing blanks and firing not blanks. 77 00:04:53,920 --> 00:04:57,960 Speaker 1: There are more articles about Rust now since the tragedy 78 00:04:58,080 --> 00:05:00,799 Speaker 1: than there were. There wasn't a lot of hype for 79 00:05:00,800 --> 00:05:04,599 Speaker 1: for Rust, yes, and they are now. So you would 80 00:05:04,960 --> 00:05:08,599 Speaker 1: think that the fact that everybody knows about this would 81 00:05:09,000 --> 00:05:11,480 Speaker 1: be a thing that makes them be like, well, that 82 00:05:11,640 --> 00:05:15,000 Speaker 1: is a stain on all of our careers. Uh, let's 83 00:05:15,560 --> 00:05:19,799 Speaker 1: move along. All of us should change our names, moved 84 00:05:19,880 --> 00:05:24,159 Speaker 1: to new countries and take up you know, coppling or 85 00:05:24,200 --> 00:05:27,560 Speaker 1: something like that. However, instead they're like, there's a lot 86 00:05:27,640 --> 00:05:31,000 Speaker 1: of heat on this Rust project, so we better We're 87 00:05:31,040 --> 00:05:35,719 Speaker 1: gonna pick back up on the production. Um in the yeah, 88 00:05:35,839 --> 00:05:38,600 Speaker 1: they're still going, that's what that Neil Young song is about. 89 00:05:38,680 --> 00:05:42,960 Speaker 1: Rust never sleeps. It's about this production not showing down. 90 00:05:43,560 --> 00:05:45,920 Speaker 1: I'm sure that is an amazing reference to a Neil 91 00:05:46,000 --> 00:05:50,320 Speaker 1: Young fanum or I just made it up because I 92 00:05:50,360 --> 00:05:53,560 Speaker 1: know you're not a fan. Yeah, yeah, Rust in the 93 00:05:53,760 --> 00:05:59,240 Speaker 1: immortal words of the Bard Neil Young, Rust never sleeps. Uh. 94 00:05:59,279 --> 00:06:02,240 Speaker 1: That's that's a cool, cool little bit of poetry. Though 95 00:06:02,320 --> 00:06:05,960 Speaker 1: Russ never sleeps. Uh and yeah truly does not in 96 00:06:06,000 --> 00:06:09,880 Speaker 1: this case. Um, I did not realize this. Maybe it 97 00:06:09,960 --> 00:06:12,040 Speaker 1: could be a thing that I covered at the time 98 00:06:12,160 --> 00:06:16,080 Speaker 1: on this show and just didn't enter my brain, like 99 00:06:17,040 --> 00:06:19,719 Speaker 1: of the things we cover on this show. But uh 100 00:06:19,800 --> 00:06:23,200 Speaker 1: that Alec Baldwin plays a character in the movie who 101 00:06:23,320 --> 00:06:27,839 Speaker 1: is sentenced to hang for an accidental murder. He accidentally 102 00:06:27,920 --> 00:06:33,359 Speaker 1: murdered somebody, um and is being prosecuted for it is 103 00:06:33,680 --> 00:06:36,360 Speaker 1: you know, but it's like it's a Western, right, like 104 00:06:36,480 --> 00:06:39,679 Speaker 1: it wasn't he didn't shoot someone like while they're making 105 00:06:39,760 --> 00:06:45,320 Speaker 1: like a kinescope or something, right, Yeah, but it's I 106 00:06:45,360 --> 00:06:48,880 Speaker 1: don't know. And also one headline put it to resume 107 00:06:48,960 --> 00:06:52,200 Speaker 1: production in the spring with a new cinematographer, which is 108 00:06:52,240 --> 00:06:55,960 Speaker 1: like very dark and grim, but also probably deserved of 109 00:06:56,000 --> 00:06:59,680 Speaker 1: the of the production to do that, um too, to 110 00:07:00,000 --> 00:07:03,799 Speaker 1: put it that way, because yeah, that that must be happening. 111 00:07:03,960 --> 00:07:08,360 Speaker 1: They must be hiring a new cinematographer who I don't 112 00:07:08,360 --> 00:07:10,640 Speaker 1: know where they're at in their career where they're like 113 00:07:10,680 --> 00:07:15,000 Speaker 1: a cinematographer on rust. Yeah, I'm sure, Yeah, let's let's 114 00:07:15,000 --> 00:07:17,280 Speaker 1: give it a shot. It does just seem like why not, 115 00:07:17,680 --> 00:07:20,560 Speaker 1: why where where do we have to go for here? 116 00:07:20,640 --> 00:07:23,440 Speaker 1: That we need this movie so badly? I don't know, 117 00:07:23,560 --> 00:07:26,960 Speaker 1: And who's gonna go see it? Like? Does anyone want 118 00:07:26,960 --> 00:07:29,200 Speaker 1: to go see this movie after the only thing we 119 00:07:29,280 --> 00:07:31,720 Speaker 1: know about it is that something awful happened on it. 120 00:07:32,040 --> 00:07:35,840 Speaker 1: I really think that don't worry darling fucked us. I really, 121 00:07:35,880 --> 00:07:38,520 Speaker 1: I really think the fact that don't worry Darling had 122 00:07:38,560 --> 00:07:42,000 Speaker 1: a big opening weekend really sent the wrong message to 123 00:07:42,040 --> 00:07:45,560 Speaker 1: Hollywood that that that was the Hairy Styles Olivia Wild 124 00:07:45,600 --> 00:07:52,200 Speaker 1: movie that upon seeing it is truly not ship. Um 125 00:07:52,360 --> 00:07:54,520 Speaker 1: it's not not it's not the worst thing I've ever seen, 126 00:07:54,520 --> 00:07:57,440 Speaker 1: but it's just like not good. And I was surprised 127 00:07:57,520 --> 00:08:00,120 Speaker 1: that it hit as hard as it did, given it 128 00:08:00,240 --> 00:08:05,080 Speaker 1: was like this movie that feels like a prestige, like 129 00:08:05,120 --> 00:08:08,040 Speaker 1: Oscar bait movie. And then it came out and everyone 130 00:08:08,120 --> 00:08:10,400 Speaker 1: was like, oh, it's not good, it's not good, nobody go. 131 00:08:10,760 --> 00:08:15,080 Speaker 1: But I think the accepted wisdom is that like controversy 132 00:08:15,520 --> 00:08:18,720 Speaker 1: got people interested, and so now they're going to just 133 00:08:18,960 --> 00:08:24,240 Speaker 1: like do ship like this, which is not great. That's 134 00:08:24,280 --> 00:08:28,320 Speaker 1: not that's not ideal. I would say, it's just like 135 00:08:28,360 --> 00:08:33,680 Speaker 1: the behind the scenes stories generate interests even if even 136 00:08:33,720 --> 00:08:36,360 Speaker 1: if they're terrible. I'm still not sure that's what happened 137 00:08:36,360 --> 00:08:39,360 Speaker 1: like that, I think don't worry Darling had one of 138 00:08:39,400 --> 00:08:46,679 Speaker 1: the like greatest good trailer to disappointing movie like ratios 139 00:08:46,720 --> 00:08:50,320 Speaker 1: that I've seen. Like that trailer was intriguing, Like that 140 00:08:50,400 --> 00:08:52,839 Speaker 1: trailer was awesome, it was like a great work of art, 141 00:08:52,920 --> 00:08:55,080 Speaker 1: Like that was just a short film, I would have 142 00:08:55,080 --> 00:08:56,880 Speaker 1: been like hell yeah, But then once you had to 143 00:08:56,920 --> 00:08:59,720 Speaker 1: hang a narrative on that trailer that went for an 144 00:08:59,760 --> 00:09:03,720 Speaker 1: hour a half, it was like, this doesn't really make Yeah, 145 00:09:03,720 --> 00:09:06,600 Speaker 1: it doesn't really work, doesn't hang together. But yeah, I 146 00:09:06,600 --> 00:09:09,080 Speaker 1: didn't even mind that movie. But I think if you 147 00:09:09,160 --> 00:09:10,880 Speaker 1: go through, if you watch it in the mindset that 148 00:09:10,920 --> 00:09:14,959 Speaker 1: it's kind of like a goofy, like nineties outer limits 149 00:09:15,120 --> 00:09:19,080 Speaker 1: kind of show. Yeah. Yeah, yeah, it's it's like a yeah, 150 00:09:19,120 --> 00:09:23,840 Speaker 1: it's kind of just a bit more you know, frivolous 151 00:09:23,960 --> 00:09:29,680 Speaker 1: than than maybe the trailers suggested. But right, Yeah, Also 152 00:09:29,840 --> 00:09:32,800 Speaker 1: the town. We we talked about the trained railment a 153 00:09:32,880 --> 00:09:36,400 Speaker 1: week late, but we talked about it yesterday. Um and 154 00:09:36,880 --> 00:09:38,880 Speaker 1: where I guess on this morning's episode we talked about 155 00:09:38,880 --> 00:09:41,520 Speaker 1: the trained railment. But one thing we didn't mention was 156 00:09:41,600 --> 00:09:46,840 Speaker 1: that they filmed So White Noise, the Dondelilo novel that 157 00:09:47,040 --> 00:09:50,760 Speaker 1: is everyone's like that he predicted that this would happen, 158 00:09:50,920 --> 00:09:53,760 Speaker 1: Like a small town, there's a trained railment. There is 159 00:09:54,200 --> 00:09:59,520 Speaker 1: an airborne cloud that like doesn't behave like a cloud should. 160 00:09:59,559 --> 00:10:01,560 Speaker 1: It just kind of hovers over the town and like 161 00:10:01,640 --> 00:10:04,720 Speaker 1: starts following people around and ship and it's very strange, 162 00:10:05,040 --> 00:10:08,319 Speaker 1: which is kind of what we saw happening in Ohio 163 00:10:08,920 --> 00:10:14,120 Speaker 1: that they filmed the Noah Bomback film adaptation of that 164 00:10:14,240 --> 00:10:16,920 Speaker 1: novel that just came out on Netflix last year in 165 00:10:17,000 --> 00:10:19,960 Speaker 1: the town where the trained railm it just happened, and 166 00:10:20,400 --> 00:10:22,520 Speaker 1: a lot of the people who are being displaced because 167 00:10:22,559 --> 00:10:26,680 Speaker 1: of the trained railm it are extras from the film 168 00:10:26,760 --> 00:10:31,480 Speaker 1: adaptation that just happened, Like, what the funk is happening? 169 00:10:31,880 --> 00:10:35,080 Speaker 1: I think it's that. Uh, it's like a Goose Bump 170 00:10:35,160 --> 00:10:38,320 Speaker 1: story or something where Noah Bomback has some kind of cursed, 171 00:10:38,720 --> 00:10:42,520 Speaker 1: enchanted camera and whatever he films happens. Who knows how 172 00:10:42,520 --> 00:10:47,360 Speaker 1: many divorces resulted as because he made Squid in the Whale, Like, 173 00:10:47,480 --> 00:10:49,800 Speaker 1: we should probably check to see if wherever he goes 174 00:10:49,880 --> 00:10:52,200 Speaker 1: the thing that he makes in his movies happen there. 175 00:10:52,600 --> 00:10:54,920 Speaker 1: But this is just the biggest thing that he's made. 176 00:10:55,400 --> 00:10:58,920 Speaker 1: After that, we all just assumed that Jesse Eisenberg was 177 00:10:59,600 --> 00:11:02,319 Speaker 1: the per and who made the Pink Floyd album The Wall, 178 00:11:02,640 --> 00:11:05,240 Speaker 1: and I really love that movie, and I think that 179 00:11:05,320 --> 00:11:09,320 Speaker 1: joke was very funny, but not the joke I just 180 00:11:09,360 --> 00:11:13,160 Speaker 1: told the joke from the movie. By the way, And 181 00:11:13,240 --> 00:11:15,200 Speaker 1: I think the joke I just told was very funny. 182 00:11:15,200 --> 00:11:20,160 Speaker 1: Thank you, good job me. Yeah, very strange. I mean 183 00:11:20,200 --> 00:11:22,680 Speaker 1: it does feel like reality is glitching out as these 184 00:11:22,679 --> 00:11:27,480 Speaker 1: things happen. And there are UFOs, but I will get 185 00:11:27,480 --> 00:11:32,280 Speaker 1: into why. I don't think the UFOs are alien in nature. 186 00:11:32,840 --> 00:11:36,400 Speaker 1: Um and yeah, in an article written by you to 187 00:11:36,480 --> 00:11:39,240 Speaker 1: my episode, this story did remind me that I never 188 00:11:39,320 --> 00:11:42,280 Speaker 1: watched the White Noise movie I just came out. I 189 00:11:42,320 --> 00:11:44,680 Speaker 1: didn't watch, and then I forgot about it completely until 190 00:11:44,760 --> 00:11:46,880 Speaker 1: right now. Yeah. I didn't watch the movie. I do 191 00:11:47,000 --> 00:11:48,960 Speaker 1: love the novel, and I think I'm going to now 192 00:11:49,040 --> 00:11:52,040 Speaker 1: reread the novel. Yeah, I think I might reread it too. 193 00:11:52,360 --> 00:11:55,120 Speaker 1: I remember I went to a book signing that Don 194 00:11:55,160 --> 00:11:57,640 Speaker 1: Delilo had a few years ago, and he was only 195 00:11:57,640 --> 00:11:59,240 Speaker 1: signing his new book and the guy in front of 196 00:11:59,280 --> 00:12:01,480 Speaker 1: me brought White Ways and like a handler came over. 197 00:12:01,520 --> 00:12:05,440 Speaker 1: I was like, no, no, no, no no, yeah, yeah, that's funny. 198 00:12:05,920 --> 00:12:08,360 Speaker 1: All right, let's take a quick break. We'll be right back, 199 00:12:18,320 --> 00:12:24,320 Speaker 1: and we're back, and let's see. Farrell Williams will be 200 00:12:24,400 --> 00:12:31,280 Speaker 1: Louis Vetan's next Men's creative director, so Pharrell Williams will 201 00:12:31,320 --> 00:12:36,000 Speaker 1: succeed Virgil Ablow as Louis Vuitton's men's creative director. Uh, 202 00:12:36,160 --> 00:12:39,000 Speaker 1: which this this doesn't really mean a lot to me. 203 00:12:39,960 --> 00:12:44,280 Speaker 1: Farrell Williams, it's a Virgil a blow was known to 204 00:12:44,440 --> 00:12:48,080 Speaker 1: me for making some of my favorite sneakers, the one 205 00:12:49,000 --> 00:12:52,360 Speaker 1: piece of men's attire that I actually pay attention to. 206 00:12:52,800 --> 00:12:56,720 Speaker 1: Pharrell Williams is mainly known to me for making great 207 00:12:56,760 --> 00:13:00,640 Speaker 1: beats and wearing a funny hat and being happy all 208 00:13:00,679 --> 00:13:03,120 Speaker 1: the time. Yeah, and being happy all the time. But 209 00:13:03,679 --> 00:13:05,800 Speaker 1: also the hat was like a little ahead of at 210 00:13:05,840 --> 00:13:09,320 Speaker 1: the time, because like the stupid full brimmed hat wave 211 00:13:10,000 --> 00:13:14,440 Speaker 1: came afterwards. So maybe he is like way more fashion 212 00:13:14,520 --> 00:13:18,160 Speaker 1: forward than I assumed. But I don't think he's done 213 00:13:18,200 --> 00:13:20,080 Speaker 1: other things too, Like I don't think this is the 214 00:13:20,120 --> 00:13:23,280 Speaker 1: first fashion job he's had. I think he's he's had 215 00:13:23,360 --> 00:13:26,080 Speaker 1: some other gigs. Oh yeah, I think he did have 216 00:13:26,800 --> 00:13:31,880 Speaker 1: a pair of sneakers that I liked from Adidas. Yeah, 217 00:13:31,920 --> 00:13:35,920 Speaker 1: they were like easy light, like they were Easies but 218 00:13:36,120 --> 00:13:39,360 Speaker 1: a little less stupid looking. And I did have those. 219 00:13:39,760 --> 00:13:42,240 Speaker 1: Um yeah, but I don't think, Yeah, I don't think 220 00:13:42,240 --> 00:13:44,200 Speaker 1: this is going to affect my life too much either. 221 00:13:44,400 --> 00:13:48,760 Speaker 1: The the Louis Vaton uh, the next time event Louis 222 00:13:48,840 --> 00:13:50,480 Speaker 1: Vaton store. I don't even know. I was going to 223 00:13:50,600 --> 00:13:52,720 Speaker 1: make a joke the next time I'm in the store. 224 00:13:52,840 --> 00:14:01,040 Speaker 1: But is that a thing? Yeah, dude, timet Uh, restaurants 225 00:14:01,120 --> 00:14:06,880 Speaker 1: to watch sometimes a little behind the scene, behind the scenes. Uh. 226 00:14:06,960 --> 00:14:10,560 Speaker 1: Sometimes when we're doing trends, I just go to the 227 00:14:10,640 --> 00:14:14,360 Speaker 1: takeout dot com and I look at their front page 228 00:14:14,400 --> 00:14:16,560 Speaker 1: and sometimes they have an article that I want to 229 00:14:16,559 --> 00:14:19,840 Speaker 1: talk about. And today is one of those one such day. 230 00:14:19,960 --> 00:14:24,240 Speaker 1: Eleven restaurant chains to watch ine number one on their 231 00:14:24,280 --> 00:14:29,120 Speaker 1: list seven eleven. M. Yes, do you guys have seven 232 00:14:29,360 --> 00:14:32,360 Speaker 1: seven's eleven up there? We do. And I think they 233 00:14:32,440 --> 00:14:36,600 Speaker 1: just like within the last year so announced that they're 234 00:14:36,600 --> 00:14:40,080 Speaker 1: gonna be doing this, like having like little restaurant areas 235 00:14:40,200 --> 00:14:43,480 Speaker 1: that are like licensed for alcohol, so you can you know, 236 00:14:43,600 --> 00:14:47,720 Speaker 1: I'm sure they're booked for Valentine's Day, but uh, you 237 00:14:47,760 --> 00:14:49,280 Speaker 1: know you can go have dinner and a and a 238 00:14:49,320 --> 00:14:54,160 Speaker 1: cocktail maybe and and you know watch people watch drunk teenagers, 239 00:14:54,360 --> 00:14:59,800 Speaker 1: you know, buying chips. Yeah. Yeah. The article starts with 240 00:14:59,840 --> 00:15:02,160 Speaker 1: the sentence, if you don't think of seven eleven as 241 00:15:02,200 --> 00:15:06,840 Speaker 1: a restaurant, you haven't been paying attention I don't think 242 00:15:06,880 --> 00:15:09,120 Speaker 1: that's true. I don't think that's why I don't think 243 00:15:09,120 --> 00:15:12,520 Speaker 1: of seven eleven as a restaurant. Um, the convenience story 244 00:15:12,560 --> 00:15:14,560 Speaker 1: leader isn't just nipping at the heels of major fast 245 00:15:14,600 --> 00:15:16,760 Speaker 1: food brands, it's surpassing them. Yeah, I mean it's a 246 00:15:16,920 --> 00:15:20,720 Speaker 1: I think, okay fast food. If you don't think of 247 00:15:20,760 --> 00:15:26,120 Speaker 1: it as a restaurant, you have standards given up, yes, 248 00:15:26,520 --> 00:15:29,720 Speaker 1: and I do not have standards, And yet here we are. 249 00:15:29,880 --> 00:15:32,080 Speaker 1: I didn't I think of seven eleven as a restaurant 250 00:15:32,160 --> 00:15:35,880 Speaker 1: until now. I think it talked about Wendy's Burger King, Sure, 251 00:15:36,160 --> 00:15:41,000 Speaker 1: but seven eleven I always associated more with scratchers and 252 00:15:42,120 --> 00:15:47,080 Speaker 1: getting jewel things there, like a jewel album from the nineties, 253 00:15:47,360 --> 00:15:52,520 Speaker 1: like the jewel cartridges, the vape cartridges. Yeah, and the 254 00:15:52,520 --> 00:15:54,960 Speaker 1: big goal, you know, which is which is you know, 255 00:15:55,080 --> 00:15:58,200 Speaker 1: a food item? Another thing that they called out another 256 00:15:58,240 --> 00:16:00,960 Speaker 1: restaurant to call that they called you know. They They've 257 00:16:01,000 --> 00:16:05,080 Speaker 1: got Chipotle, They've got David Busters, which I'm excited to 258 00:16:05,160 --> 00:16:07,760 Speaker 1: find out. Why I need to be paying attention there 259 00:16:08,120 --> 00:16:13,280 Speaker 1: fat burger Um. They also have Fizzoli's, the restaurant they 260 00:16:13,320 --> 00:16:17,080 Speaker 1: recently came up because I went to middle and high 261 00:16:17,120 --> 00:16:22,200 Speaker 1: school in Lexing in Kentucky, where Fizzoli's originated. This is 262 00:16:22,440 --> 00:16:29,520 Speaker 1: Italian food. Ellipses fast um and you can get drive 263 00:16:29,600 --> 00:16:33,880 Speaker 1: through baked ZD. The Big ZD is good, but it's 264 00:16:34,280 --> 00:16:36,280 Speaker 1: I don't know. I was surprised as I mentioned this, 265 00:16:36,360 --> 00:16:39,240 Speaker 1: I was like, so shout out to Kentucky. Fazzoles is 266 00:16:39,520 --> 00:16:43,120 Speaker 1: on the move. They are everywhere throughout the South, so 267 00:16:43,760 --> 00:16:46,120 Speaker 1: I don't know. They opened a ghost kitchen serving chicken 268 00:16:46,120 --> 00:16:50,680 Speaker 1: wings in Atlanta and so they're trying different things out. 269 00:16:51,240 --> 00:16:54,720 Speaker 1: Keep your eye on Fazzolets. They also had like Jersey Mike. 270 00:16:54,760 --> 00:16:57,200 Speaker 1: I don't know. These are all restaurants that kind of 271 00:16:57,600 --> 00:17:00,840 Speaker 1: run together for me otherwise, but fizzoli is baby if 272 00:17:00,960 --> 00:17:04,240 Speaker 1: if it does feel like an idea that should work 273 00:17:04,800 --> 00:17:07,919 Speaker 1: fast fast Italian food, nobody else has tried it. The 274 00:17:07,960 --> 00:17:11,399 Speaker 1: breadsticks are solid, little breadstick Marinara. Do you guys have 275 00:17:11,720 --> 00:17:15,959 Speaker 1: fast Italian chains where where you are? We probably do. 276 00:17:16,280 --> 00:17:19,960 Speaker 1: We don't have Fizzoli's. I've never heard of Fizzoli's. It 277 00:17:20,040 --> 00:17:24,240 Speaker 1: looks it doesn't sound real ort and the logo looks 278 00:17:24,280 --> 00:17:27,520 Speaker 1: like it was it's just a tomato. Yeah, it looks 279 00:17:27,600 --> 00:17:29,919 Speaker 1: like it looks like a fake restaurant created for like 280 00:17:29,960 --> 00:17:34,439 Speaker 1: a Garfield cartoon or something to me. But I don't know. 281 00:17:34,480 --> 00:17:37,240 Speaker 1: We do have like there's like the pizza vending machines 282 00:17:37,320 --> 00:17:40,199 Speaker 1: now where you can get like pizza made by a 283 00:17:40,280 --> 00:17:43,520 Speaker 1: vending machine or something that's pretty fast. I guess that 284 00:17:43,720 --> 00:17:46,560 Speaker 1: is very fast. Do they have it like where you 285 00:17:46,560 --> 00:17:48,119 Speaker 1: can drive up to it and not get out of 286 00:17:48,119 --> 00:17:51,959 Speaker 1: your car when in order a pizza? That? Then? I 287 00:17:52,000 --> 00:17:55,000 Speaker 1: don't think so. I think you have through a pneumatic tube, 288 00:17:55,040 --> 00:17:57,160 Speaker 1: like one of the old tiny bags, you can get 289 00:17:57,200 --> 00:18:01,960 Speaker 1: pizza shot in into your car. Um. All right, Well, 290 00:18:02,359 --> 00:18:04,720 Speaker 1: fortunately you were on this episode, so now you know 291 00:18:05,000 --> 00:18:07,919 Speaker 1: Fasilities is not a fake restaurant and is in fact 292 00:18:07,960 --> 00:18:11,040 Speaker 1: one that you should be watching actively. J M. I'm 293 00:18:11,080 --> 00:18:13,280 Speaker 1: gonna go watch it as soon as I scope at 294 00:18:13,359 --> 00:18:18,160 Speaker 1: seven eleven and David Busters get some reservations. Okay, Yes 295 00:18:18,880 --> 00:18:22,400 Speaker 1: they're on the rise. J M. Pleasure having you, Thank 296 00:18:22,440 --> 00:18:25,360 Speaker 1: you for joining. Where can people find you? Follow you? 297 00:18:25,600 --> 00:18:29,000 Speaker 1: I'll take good stuff. Oh you can find me on Twitter. 298 00:18:29,119 --> 00:18:33,119 Speaker 1: I'm at j M McNabb again. Uh, and that's pretty 299 00:18:33,200 --> 00:18:37,520 Speaker 1: much it. J M McNabb again, A J A G 300 00:18:37,800 --> 00:18:42,040 Speaker 1: A I N Yes Okay, yes, exactly all right. That 301 00:18:42,240 --> 00:18:44,520 Speaker 1: is going to do it for us this afternoon. We're 302 00:18:44,560 --> 00:18:47,159 Speaker 1: back tomorrow with the whole last episode of the show. 303 00:18:47,440 --> 00:18:50,520 Speaker 1: Until then, be kind to each other, be kind to yourselves, 304 00:18:50,720 --> 00:18:53,879 Speaker 1: get the vaccine, don't do nothing about white supremacy, and 305 00:18:53,920 --> 00:19:01,320 Speaker 1: we will talk to you all tomorrow. Fight people,