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Speaker 1: I'll just go up your show boy. Yeah, it's awesome,

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Speaker 1: so Fanny to listen to in the morning show. I

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Speaker 1: think that's great advice. Just turn it up. Welcome to

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Speaker 1: the day. It is Wednesday, March two, Is it really? Yeah?

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Speaker 1: You know one day you just wake up and it's Wednesday.

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Speaker 1: Mar Hey, Froggy, good morning, good morning office, and good

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Speaker 1: morning to you, Danielle, good morning, good morning to you,

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Speaker 1: bets in the good morning, good morning they. Hey, we

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Speaker 1: had a great night last night. We'll talk about that later,

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Speaker 1: but one of our favorite moments of the night was

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Speaker 1: a performance from Dimmi Lovado right there in front of us.

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Speaker 1: She was just totally, totally fantastic. Her voice comes from

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Speaker 1: some place outside of that tiny body. It's a gift

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Speaker 1: from God, gift from gods. Scary. Wou would Tavado music

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Speaker 1: you have for let's see you want to play a

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Speaker 1: heart attack, something old school like that. You want to

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Speaker 1: play something, give me something fast and fun and I'll

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Speaker 1: wake us up a heart attack? All right, all right,

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Speaker 1: thank you, Dimmi Lovado. Also, our friends b Miller performed

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Speaker 1: and Leon Else performed last night at the Musicians on

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Speaker 1: Call Gallet. It was tremendous, and it was of course

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Speaker 1: hosted by my friends Danielle Minaro and bethan A. You

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Speaker 1: know when you show up to an event and they

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Speaker 1: tell you here, here's your microphone, you're the host. Go

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Speaker 1: You know what the funny part about that is Evening

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Speaker 1: and I were talking yesterday afternoon and I said, are

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Speaker 1: we doing anything tonight? And she goes, knowing us that

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Speaker 1: we'll wind up hosting. How funny is that? I walk

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Speaker 1: into this event, this beautiful event at the Edison Ballroom

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Speaker 1: last night, totally sold out, raising money from musicians on call,

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Speaker 1: and I see Danielle and Bethany in the corner talking

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Speaker 1: to the producer of the show, and I'm like, well,

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Speaker 1: I'm gonna get pictures with him. What are they doing?

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Speaker 1: They look like they're working what I means of paper.

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Speaker 1: I was going, what about me? What about my pictures?

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Speaker 1: And they said, well, leave them alone. They were talking

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Speaker 1: to the producer about the hosting job they're doing. They're

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Speaker 1: not hosting. So you just walked into this to this

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Speaker 1: gala event and they just said here you're on, you're

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Speaker 1: the host. Basically, here's a cute card and I love

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Speaker 1: in the middle of it. Banter here. Okay, well you

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Speaker 1: did a fantastic job, because I don't remember what we said.

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Speaker 1: We raised over three hundred thousand dollars from musicians on

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Speaker 1: call last night. It was it was a great night,

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Speaker 1: a night of twists and turns and congratulations. By the way,

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Speaker 1: you looked amazing, which is all that matters. But you,

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Speaker 1: it was such an incredible night. So many people said

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Speaker 1: so many beautiful, very true things about you. And then

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Speaker 1: there was Darren Chris who said you were a jackass.

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Speaker 1: But you know, we'll get to him later. Hey, let's

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Speaker 1: start with our first caller of the day. It's Rich. Hello, Rich,

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Speaker 1: Hey guys, good morning, Rich. Are you on your way

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Speaker 1: out to h to keep New York City safe? Yes?

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Speaker 1: Absolutely absolutely, you guys got my day going. Rich you

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Speaker 1: guys every morning. Well, thank you. You You know, it's a

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Speaker 1: blessing to have you. Of course, Rich is a member

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Speaker 1: of the very very cool n y p D. Let

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Speaker 1: me be the first or maybe the second or third

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Speaker 1: to tell you keep it safe out there and make

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Speaker 1: sure make sure you take care of yourself. Okay, thanks,

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Speaker 1: I tried, Thank you. I'm sure you're gonna do a

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Speaker 1: great job, and I feel better knowing that you're out there. Yes,

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Speaker 1: can you imagine if Greg t was on the police Well, listen,

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Speaker 1: thank you so much. Rich. We're gonna send you an

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Speaker 1: Elvis Durant hurt since you are the first call of

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Speaker 1: the day. Now you really thank you, Thank you for

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Speaker 1: all you do. Guys. I appreciate you. Guys. Listen to

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Speaker 1: the guys in the morning makes my day going. Hold

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Speaker 1: on one second, please send Rich the best shirt you

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Speaker 1: can find. Let's go around the road and we'll start

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Speaker 1: with you, scary. What's on your mind today? So I

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Speaker 1: started pondering would I rather be the jack of all

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Speaker 1: trades and a master of none, or would you rather

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Speaker 1: be like legendary and known for one thing? Because I

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Speaker 1: went out to a restaurant in Miami over the weekend

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Speaker 1: and I met a guy. His name was the duck Man.

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Speaker 1: This guy does nothing but make peeking duck for forty

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Speaker 1: years straight. And I choose that Peking Duck be known

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Speaker 1: for one thing, but like the best in the world. Yeah,

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Speaker 1: that's that's what I was thinking. I agree. Once I

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Speaker 1: met the duck Man, I'm like, I wish I had

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Speaker 1: something that if only you could be the duck Man,

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Speaker 1: you could start working on it. Never too late to

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Speaker 1: learn how to peek king a duck. What I'm saying?

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Speaker 1: What's up with you today, Danielle? So I found a

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Speaker 1: new use for a banana peal. Okay, can we talk

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Speaker 1: about it on the radio. So yesterday I had too

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Speaker 1: much lipstock on in the car and I had just

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Speaker 1: eating a banana, and I go the banana pills perfect

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Speaker 1: because I didn't have a tissue. So I blotted my

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Speaker 1: lips with a banana, feel the inside of it, and

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Speaker 1: it worked. It's so excited. They say the acids in

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Speaker 1: the banana are fantastic in removing stains. So apples are

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Speaker 1: nature's toothbrush. Bananas are nature's napkins like naps. But well,

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Speaker 1: thank you eat it and then clean your house with it.

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Speaker 1: What's up there, bethany? Okay, So if you're like me

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Speaker 1: and you're a crier, uh you know how like there

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Speaker 1: are certain times when you start to cry and then

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Speaker 1: you just cannot stop. And there's like every time, like

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Speaker 1: a small thing happens. That was last night for me crying.

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Speaker 1: I was crying whole night. And I have to give

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Speaker 1: a shout out to our del lashes because their lash

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Speaker 1: glue is amazing. My fake lashes stayed on the entire

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Speaker 1: time while I was sobbing. I mean, I ugly cried

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Speaker 1: last night, you guys. Yeah, she was in the middle

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Speaker 1: of this festive event and just in a ball cry

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Speaker 1: because it's like the most incredible organization and the things

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Speaker 1: they do for people in hospital roles, and they played

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Speaker 1: video and once the video roles, I'm on the floor. Yeah,

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Speaker 1: it was a great night. And musicians on call, they're

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Speaker 1: worth a good tier or two. Uh. And by the way,

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Speaker 1: we don't have all the stars just came in here.

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Speaker 1: Thank you for that great text. You're rich, so I

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Speaker 1: appreciate its fabulous. All right, well it's okay to cry.

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Speaker 1: Cry it out, baby, let's get into your horse coops.

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Speaker 1: You're a first inn alright, Reese with a spoon. Happy

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Speaker 1: birthday to you, Capricorn. Your adventurous side is in full swing.

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Speaker 1: Take part in any last minute trips. You'll have more

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Speaker 1: fun than you think. Your Days of nine Aquarius a

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Speaker 1: sudden change ahead of your way. Keep an open mind

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Speaker 1: and get ready for some new beginnings your days attend.

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Speaker 1: You can't do everything by yourself. Don't be afraid to

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Speaker 1: ask for help. From your close friends. Your days and

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Speaker 1: eight Darius. Your intuition can give you an edge when

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Speaker 1: dealing with others. Listen to it. Your day is an

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Speaker 1: eight towards. You're energetic and you're exciting. Use these qualities

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Speaker 1: towards any projects that require creativity. Your days of nine Gemini.

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Speaker 1: You may get an unexpected visit from an old friend.

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Speaker 1: It's important to be a good listener and take the

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Speaker 1: time to catch up. Your day is an eight al right,

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Speaker 1: can't swer face the future head on? A positive comes

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Speaker 1: going to come from this recent change. Your day is

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Speaker 1: a nine Leo. Events may happen that are out of

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Speaker 1: your control. Although this may not feel ideal, it's important

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Speaker 1: to look at this as a blessing. Your day is

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Speaker 1: at ten Virgo. Continue to show everybody how dedicated you are.

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Speaker 1: All your recent success is about to manifest into something great.

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Speaker 1: Your day, isn't it Libra. It's understandable to feel uneasy

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Speaker 1: when changes are occurring. The future is only looking up, though,

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Speaker 1: so trust the process. Your day is a nine Scarpio.

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Speaker 1: Being skeptical may feel natural. More become more open minded.

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Speaker 1: You're gonna see a positive outcome. Your days and nine

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Speaker 1: and Sagittarius. The anticipation leading up to a meaningful discussion

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Speaker 1: is driving you wild. Expanding your dreams requires much patience.

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Speaker 1: Your day is a ten, and those are your Wednesday

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Speaker 1: morning horse. Welcome to the day. We have no guest today,

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Speaker 1: by the way, Oh no, no no, no, we do. Oh

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Speaker 1: my god, we have the most incredible guest today, Julia Michaels.

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Speaker 1: Oh yes, Oh my god. You are going to fall

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Speaker 1: in love with Julia Michaels. You've already heard her music,

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Speaker 1: if not all the great huge hits that she's written. Uh,

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Speaker 1: she brooke sorry for Justin Bieber. She wrote a lot

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Speaker 1: of things for a lot of people. But of course

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Speaker 1: she has her own thing going. Let's talk to her

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Speaker 1: way till you meet her. You're gonna love Julie Michael.

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Speaker 1: She'll be on in about an hour and a half.

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Speaker 1: All right, into the headlines. What's going on, Bethany, Let's

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Speaker 1: talk about North Korea? Okay, all right? Kim John Who's

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Speaker 1: latest missile tests are a failure. They tried to launch

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Speaker 1: a missile yesterday, but it's bloated almost immediately. This is

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Speaker 1: a good thing? Is that is that true? Though? What

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Speaker 1: is this fake news? Well? I hope not okay, Well

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Speaker 1: back to you. It's good. This is good. Apple is

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Speaker 1: introducing a new tool to help in the global fight

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Speaker 1: against AIDS. The company has announced it will offer a

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Speaker 1: special edition red aluminum iPhone seven and seven plus as

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Speaker 1: part of its decade long Red campaign. Proceeds will contribute

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Speaker 1: to the Global Fund to Fight AIDS. The phones will

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Speaker 1: start at seven forty nine. They'll also be available They're

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Speaker 1: available Friday. Apple also announced a new version of its

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Speaker 1: nine point seven inch iPad for three nine is going

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Speaker 1: to have a brighter display touch I d Froggy's already

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Speaker 1: waiting in line for it is already bottom. Yeah, I'm

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Speaker 1: ready to go. He's got I need him. Team USA

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Speaker 1: B Japan to advance to the championship for the first time.

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Speaker 1: They play Puerto Rico today. Here is your hourly reminder

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Speaker 1: to take a deep breath. Thank you, And we have

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Speaker 1: a dental version of Breaking Bad. A fake California dentist

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Speaker 1: is in trouble for running a meth lab under the

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Speaker 1: cover of a dental office. He's fifty nine. He ran

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Speaker 1: an unlicensed dental practice. Everything you'd find in a real

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Speaker 1: one dentist, chair, X ray machine, dental tools, but he

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Speaker 1: also had tools and equipment used for making meth. It

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Speaker 1: makes sense a dentist would be running a meth lab

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Speaker 1: because meth makes your teeth fall out. It's true. So yeah,

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Speaker 1: next time you go in, your dentist just asked to

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Speaker 1: look in the back room. Make sure there's not beakers

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Speaker 1: and stuff, beakers and Bunsen burners. All right, thank you, Bethany.

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Speaker 1: You guys ready for your day. Let's go see in

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Speaker 1: the morning show Upside. The smart new way to buy

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Speaker 1: travel is upside dot com. You save money. You get

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Speaker 1: a free Amazon gift card with every trip you buy.

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Speaker 1: seaside for details upside dot com. Phone tap replay Elvis,

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Speaker 1: Elvis durand the Elvis Durant phone tap. All right, Dave Brody, Hello, colleges,

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Speaker 1: study his phone taps. Let's see what they'll think about

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Speaker 1: today's What do you have going on? Elvis? Our listener

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Speaker 1: Lena wanted a phone tap her dad. She and her

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Speaker 1: father have been fighting for almost a year now over

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Speaker 1: her getting her own car, So I call with her

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Speaker 1: from a car dealership and we bone tap dad. Alright,

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Speaker 1: phone tapping dad not always a good idea. Let's see

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Speaker 1: what happens on today's Hi. I'm looking for Michael Space. Please.

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Speaker 1: My name is Phil Tanner from Bush to Financial calling

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Speaker 1: reference to your car loan from where applied for leave. Okay, well, uh,

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Speaker 1: your daughter said that you co signed with her. I

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Speaker 1: got this paperwork on my desk because we need a

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Speaker 1: needed installment A seven paid and she suggested I call you,

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Speaker 1: let go the phone with us. She don't say nothing

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Speaker 1: like that, and some ways in trouble. Do you want

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Speaker 1: to speak with her right now? Yes? She is? Yeah,

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Speaker 1: hello daddy. Yeah, um, I kind of bought a car.

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Speaker 1: Uh huh. And I didn't really didn't think that you

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Speaker 1: were gonna mind, being that, you know, Grandpa left you

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Speaker 1: some money. And yeah, well I do mind, and I'm

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Speaker 1: not clo signed, not knowing, but it's kind of already done. Really,

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Speaker 1: two people talk about things like this. I didn't think

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Speaker 1: it was going to be that bit of a problem.

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Speaker 1: I'm gonna talk to him. Yes, please hello, Mr Space. Yeah, okay,

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Speaker 1: the car is in your name. I don't know how

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Speaker 1: the cause of my name if I never signed no

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Speaker 1: paperwork house, I'll be going there personally with an attorney

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Speaker 1: and the police at both for you though. All right,

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Speaker 1: so this don't need to threaten me, all right, don't

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Speaker 1: be a tough guy. That's not even a threat. It

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Speaker 1: sounds not even a threat. I'm just trying to tell

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Speaker 1: your power. First of all, did paperwork illegally? No, I

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Speaker 1: didn't trouble. Yes, you didn't, and legally I have your

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Speaker 1: information here with your signature and my signature. Okay, you

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Speaker 1: run my daughter to have a problem, and she's gonna

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Speaker 1: have a bigger problem signature. Listen, dude, there's no reason

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Speaker 1: to be cheap by you daughter. The damn car. What's

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Speaker 1: the big deal? Look, scum bag, talk to me that?

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Speaker 1: Oh now, I'm peace listening. Are you you think I'm

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Speaker 1: talking to guy doesn't love his daughter? Apparently I love it, saddy?

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Speaker 1: How why are you knowwing up the poor man? No

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Speaker 1: one tell me, Oh you don't love your daughter? Oh

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Speaker 1: you don't love You could get locked up right now,

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Speaker 1: but you wouldn't lock me a long your daughter. I'll

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Speaker 1: have that place surrounded and within twenty five minutes I

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Speaker 1: don't care what Grandpa left me. You don't even know

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Speaker 1: what he left me. I don't know, but I figured

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Speaker 1: it was a lot. I didn't say that it was

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Speaker 1: a lot. You said it so much that you could

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Speaker 1: buy three new cars. Yeah, Ellie, you taugh a little

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Speaker 1: dirt bag. He wants to talk to me like that.

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Speaker 1: I sweating out break both of damn lakes. You do

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Speaker 1: not go around putting down my damn SoC Security number. Okay,

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Speaker 1: I'm telling you that right now, right now, you did

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Speaker 1: grand laws of me. You better case you damn mother

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Speaker 1: on the phone, because I'm finished with you. Okay, but

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Speaker 1: Daddy just hold down one second. He wants to talk

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Speaker 1: to you. Hold donald, Okay, I want to talk to

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Speaker 1: this punk. Hey, hey, genius, how do I know that

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Speaker 1: you didn't sign this? It ain't my problem. You could

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Speaker 1: play all the games you want right now. Your phone

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Speaker 1: is being tapped right now, Genius, my phone, my daughter

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Speaker 1: does not tell you what I do for a living.

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Speaker 1: Your daughta told me you're looking to buy a car today.

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Speaker 1: That's not gonna happen. Dude. You're finished, all right. So

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Speaker 1: the only game we're playing stars a phone tap. That's it.

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Speaker 1: This is Dave Brody Melitter in the Morning Show. You

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Speaker 1: just got phone tapped. You don't play jokes like that,

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Speaker 1: only plays with my money. Have an idea for a

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Speaker 1: phone tab? Go to Elvis Durand dot com. Click on

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Speaker 1: the phone tap tab. Tell us what you want to do.

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Speaker 1: This table was prerecorded with permission granted by All Party Space.

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Speaker 1: Elvie durand phone Tab were on Elvis Durand in the

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Speaker 1: Morning Show. Elvis Duran in the Morning Show. Alright, another

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Speaker 1: free money phone tap on the way worth a thousand dollars. Hey,

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Speaker 1: uh so, great tea. How was it sleeping at scaries

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Speaker 1: house last night? Me and scarys couch? We're dating now, Yes,

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Speaker 1: that sounds creepy. It's a nice couch. I've spent many

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Speaker 1: nights on the couch. So another night last night at

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Speaker 1: at his place. You know, don't forget, we ust to

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Speaker 1: be roommates. So it's kind of like, you know, I

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Speaker 1: could walk around naked in front of him. It doesn't bother.

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Speaker 1: I'm sure he loves that. So last night we had

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Speaker 1: a very said my late event at the Edison Ballroom

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Speaker 1: here in Manhattan, which, by the way, Times Square. It's

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Speaker 1: like it's like Christmas time. The traffic is so bad

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Speaker 1: right now, what's going on? It's it's I think that's

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Speaker 1: always Broadway shows were going on last well no, but okay,

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Speaker 1: I do right. I'm telling you traffics worse than usual.

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Speaker 1: Um anyway, so the musicians on call Gallo last night

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Speaker 1: was fantastic and thank you guys for coming. It was

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Speaker 1: an amazing night. So so Greg T. You know, he

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Speaker 1: lives far away, so when he does these late night events,

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Speaker 1: he sleeps on Scary's couch because I spent many many

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Speaker 1: nights here at my desk on the floor and that's

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Speaker 1: not fun. But Greg T, Scary would like for you

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Speaker 1: to return something. Kindly return something and no questions will

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Speaker 1: be asked. What happens Scary? Well, actually Elvis, I would

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Speaker 1: like to return something to him that he forgot. Oh wait,

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Speaker 1: wait a minute, so what's the backwards saying? What did

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Speaker 1: Greg T leave on your coffee table? Hey? Greg T,

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Speaker 1: here's the cigarettes and the lighter that you left on

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Speaker 1: my coffee table, medical insurance. Hold on, It only looks

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Speaker 1: like one cigarette is missing from your pack of Marlborough. Okay, listen,

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Speaker 1: I think, hello, lady smoker, you're not smoking if you

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Speaker 1: smoked a cigarette. You are a smoker. When you go

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Speaker 1: out and you're in the city and you're having some

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Speaker 1: drinks and you have some good times, you feel like

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Speaker 1: it urged have a puff, you know, so like it

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Speaker 1: was like one of those nights where I'm like, you

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Speaker 1: know what, I need a puff? You know you know what.

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Speaker 1: That's like me saying I like to have sex with men,

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Speaker 1: but I'm a virgin, and you do say that a lot.

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Speaker 1: You shut up so great, I think as as to

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Speaker 1: help teach you a lesson, I think it's messed up

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Speaker 1: that scared did well to help teach you a lesson.

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Speaker 1: Even though one cigarette is smoked out of this pack,

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Speaker 1: we're boys here. We're gonna make you smoke the entire pack.

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Speaker 1: Your parents do. Sit here and drink that alcohol until

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Speaker 1: you like Okay, I'll drink the alcohol. Now go downstairs

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Speaker 1: and finish off this entire pack. I haven't been downstairs

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Speaker 1: with the smokers in so many years. I mean, you

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Speaker 1: would probably miss me. You can fit like five in

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Speaker 1: your mouth and one in your train. Oh god, seriously,

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Speaker 1: I didn't know you still smoke. I don't, but you did.

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Speaker 1: You did blanch, did I I enjoy cigars every now

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Speaker 1: and then, but a cigarette. I just needed one. It

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Speaker 1: was late night and I just we had I'm not

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Speaker 1: a smoker. We had some bourbon. I needed a smoke

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Speaker 1: as well. Just happened. But you're a drink on a cigarette,

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Speaker 1: you know, when you go out with like some friends

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Speaker 1: and okay, okay, we we understand what you're trying to

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Speaker 1: make us feel and think. The truth of the matter

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Speaker 1: is is if you smoke, you're a smoker and great tea. Listen,

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Speaker 1: like if like, we all know smoking is bad for you, right,

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Speaker 1: we all know that it causes all sorts of nastiness.

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Speaker 1: But if you want to be a smoker, then be

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Speaker 1: you don't need to embrace it. If that's what you're doing.

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Speaker 1: What I'm not embrace your embrace your smoky Stop listen. Listen. Okay, no, no,

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Speaker 1: listen to what Bethany is saying. If you're going to

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Speaker 1: be a smoker, don't try to make us feel like

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Speaker 1: a bunch of idiots. And I think you're not a smoker.

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Speaker 1: You are a smoker, you know all of us. I'm

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Speaker 1: not really a meat eater, but ma'am, would I love

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Speaker 1: a giant steak. But when you eat it. Wanting one

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Speaker 1: is one thing. Eating it is another. Okay, but none

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Speaker 1: of you guys like you know, do something you know

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00:18:14,119 --> 00:18:16,479
Speaker 1: on the edge, you know, when you're out drinking your

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Speaker 1: friends you don't like. You know. We're not saying none

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Speaker 1: of us have vices, but then you can own up

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Speaker 1: to the vice, like I'm not. I'm not judging you

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Speaker 1: for smoking. I'm judging you for smoking and lying about

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Speaker 1: it exactly. We're judging you from trying to make us

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Speaker 1: feel like you're not a smoker when you are. Now.

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Speaker 1: I was gonna like going on and on and on.

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Speaker 1: So you were under pressure to drink beer last night

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Speaker 1: from Tom Pullman. Tom Pulman made you drink. Okay, So

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Speaker 1: are you a drinker? I'm not a drinker, no, but

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Speaker 1: you are. You're a drinker. I'm not turned out some

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Speaker 1: good liquor though. You're a drinker. If you drink, I

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Speaker 1: do enjoy, you know. Yesterday had to go to the

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Speaker 1: doctors and I had to fill out a little um

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Speaker 1: like like a little survey and it says do you

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Speaker 1: daily drink? I had to say yes, Okay, so you're

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Speaker 1: a drinker. But we're not giving you hell for being

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Speaker 1: a drinker. We're giving you hell for trying to make

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Speaker 1: us think you're not a drinker when you are. Let's

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Speaker 1: go talk to Sydney High Sydney, what's going on? Hey,

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Speaker 1: So I have an idea of what you can do

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Speaker 1: for Greg Tea. Here's my dad when he was a kid.

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Speaker 1: If his parents caught them smoking, he made them eat

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Speaker 1: a cigarette. Well, I don't know, can I kill him?

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Speaker 1: Can we look at that online? Before? I would think

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Speaker 1: that's a bit toxic? I mean smoking it is toxic.

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Speaker 1: Why wouldn't eating it? So white white, Sydney. So your

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Speaker 1: mom made you eat a cigarette? Well not, my dad's

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Speaker 1: parents made him eat one. You never again? All right?

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Speaker 1: What do you what do you see on the googles?

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Speaker 1: All right, Sydney, we're gonna look into that. Thank you

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00:19:48,400 --> 00:19:51,879
Speaker 1: for that great idea, bad and thanks for listening to us.

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Speaker 1: I love you too. Great Tea doesn't love you, but

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Speaker 1: we love you. Before you're again, thank you, Sydney. You'll

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Speaker 1: be fine if you eat, Okay, tell us about eating

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Speaker 1: a cigarette. So it's going to take a lot of

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00:20:04,160 --> 00:20:07,680
Speaker 1: nicotine to kill you, like in one dose. So long

383
00:20:07,760 --> 00:20:09,920
Speaker 1: before you reach this level, your body will react with

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00:20:10,040 --> 00:20:13,520
Speaker 1: nausea and other alarming symptoms, including vomiting. So it is

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00:20:13,600 --> 00:20:15,760
Speaker 1: possible to die from eating cigarettes, but it would take

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Speaker 1: a lot of determination and maybe some medication to overcome

387
00:20:18,960 --> 00:20:22,479
Speaker 1: your body's reaction to them first. So don't eat the filter, right,

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00:20:22,480 --> 00:20:25,960
Speaker 1: don't eat the filter. But according to Cora, you could

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Speaker 1: eat one. Okay, hello, Amanda, Yeah, yeah, what does your

390
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Speaker 1: friends say? Um, my friend, we don't we don't count

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Speaker 1: him as a smoker, but we'll call it social smoking,

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Speaker 1: social drinking. Okay, that's drinking and that's smoking. Still, keep

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00:20:47,119 --> 00:20:50,560
Speaker 1: in mind, we're not giving him crap for smoking. We're

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00:20:50,600 --> 00:20:53,600
Speaker 1: giving him crap crap for lying to himself and us

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Speaker 1: about whether he's a smoker. I wouldn't have lied, scared

396
00:20:56,040 --> 00:20:59,520
Speaker 1: to bring him in. Okay, thank you? Alright, So social smoking,

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Speaker 1: social will drink. Does not smoke like yourself. Let's tell

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Speaker 1: you let yourself off the hook. Do you know how

399
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Speaker 1: much cigarettes cost? All right, thank you very much, Amenda.

400
00:21:12,520 --> 00:21:14,840
Speaker 1: Think I couldn't believe I was blown away. I smoke

401
00:21:14,920 --> 00:21:17,160
Speaker 1: it every single one of our heart jingle bowl content

402
00:21:17,240 --> 00:21:20,880
Speaker 1: because we're drinking. That's what happens here. Here's a bowl

403
00:21:21,040 --> 00:21:26,000
Speaker 1: with a fork and a cigarette, bowl of cigarettes. Here's

404
00:21:26,000 --> 00:21:28,040
Speaker 1: a bowl of cigarette. The internet says you'd have to

405
00:21:28,119 --> 00:21:31,560
Speaker 1: eat about fifty cigarettes to get nicotine. Let's have Onephy.

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00:21:31,680 --> 00:21:33,840
Speaker 1: You are the worst, big sister, but I don't think

407
00:21:33,880 --> 00:21:36,040
Speaker 1: that anyone at home should eat a cigarette. Can we

408
00:21:36,080 --> 00:21:38,399
Speaker 1: also make this very clear? Please don't eat cigarettes. Why

409
00:21:38,480 --> 00:21:40,359
Speaker 1: is it worse to smoke it then? Then too? I

410
00:21:40,440 --> 00:21:44,720
Speaker 1: think chemical reaction, probably with the burning. It's okay, he

411
00:21:44,760 --> 00:21:47,520
Speaker 1: could do. We gotta move on, but we have. I'm

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00:21:47,560 --> 00:21:51,280
Speaker 1: going to post a picture of your breakfast. One more

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00:21:51,359 --> 00:21:56,480
Speaker 1: call from Stephanie High. Stephanie, Hi, my dad when he's

414
00:21:56,520 --> 00:21:59,159
Speaker 1: just most cigarettes. Growing up in school, we're taught like,

415
00:21:59,280 --> 00:22:01,800
Speaker 1: don't take a r every time I caught handy, you

416
00:22:01,840 --> 00:22:04,440
Speaker 1: stop to pay me a dollar. So eventually he just

417
00:22:04,600 --> 00:22:07,719
Speaker 1: ran out of money. There you go. Eventually you went

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Speaker 1: broke and you had no inheritance. Well well, Stephanie, so

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00:22:12,359 --> 00:22:15,800
Speaker 1: so thank you for listening. Do you smoke today? Absolutely not.

420
00:22:15,880 --> 00:22:18,440
Speaker 1: I'm a teacher myself, so I teach my kids the

421
00:22:18,480 --> 00:22:21,760
Speaker 1: same thing. Don't smoke, all right, thank you, thanks for

422
00:22:21,800 --> 00:22:26,720
Speaker 1: listening to Stephanie. For you, Thank you, Gregory. I don't

423
00:22:26,720 --> 00:22:28,960
Speaker 1: like those smoking commercials. It's very bad. It's it's a

424
00:22:29,000 --> 00:22:32,080
Speaker 1: bad thing. Let's get into the Daniel report, Greg, he's

425
00:22:32,080 --> 00:22:34,600
Speaker 1: about to have his breakfast putting that cigarette. Wait, don't

426
00:22:34,640 --> 00:22:36,320
Speaker 1: take don't take a bite into. We can take a

427
00:22:36,359 --> 00:22:41,920
Speaker 1: picture of all of you. All right, Daniel? What do

428
00:22:41,960 --> 00:22:44,680
Speaker 1: you have going on? Alright? So the season finale of

429
00:22:44,880 --> 00:22:47,399
Speaker 1: This Is Us came in second in the ratings. Twelve

430
00:22:47,520 --> 00:22:51,320
Speaker 1: point eight million people checked it out. So that is

431
00:22:51,400 --> 00:22:54,560
Speaker 1: so cool because everybody loves This is Us. So congratulations

432
00:22:54,640 --> 00:22:59,040
Speaker 1: to them. Um. So, I don't know if you've noticed

433
00:22:59,080 --> 00:23:02,800
Speaker 1: the similarities between two songs that we play, Shape of

434
00:23:02,880 --> 00:23:05,240
Speaker 1: You by Ed Sharon. Here's what it sounds like. Here

435
00:23:05,280 --> 00:23:07,879
Speaker 1: we go. Shape of You is right here. Okay, hit

436
00:23:07,960 --> 00:23:13,200
Speaker 1: it scary. No, I'm singing like you know, very familiar

437
00:23:13,240 --> 00:23:14,880
Speaker 1: with it. Okay, and back in the day a little

438
00:23:14,920 --> 00:23:20,560
Speaker 1: to I'll see No Scrubs. I don't want to give

439
00:23:20,880 --> 00:23:23,040
Speaker 1: they do have similarities. So a lot of people were

440
00:23:23,119 --> 00:23:25,760
Speaker 1: pointing this out on the internet. So what did Ed do?

441
00:23:26,040 --> 00:23:28,440
Speaker 1: He went and he gave the writers of No Scrubs

442
00:23:28,480 --> 00:23:31,640
Speaker 1: a co writing credit for Shape of You. Very cool.

443
00:23:31,840 --> 00:23:34,560
Speaker 1: He's a cool guy, so he knows. He knows what's up. Look,

444
00:23:34,560 --> 00:23:36,560
Speaker 1: when you write a song, if there there's always a

445
00:23:36,640 --> 00:23:38,359
Speaker 1: chance it's going to sound like another song. You may

446
00:23:38,359 --> 00:23:40,760
Speaker 1: you don't even think about it, but it's a cool

447
00:23:40,840 --> 00:23:42,280
Speaker 1: thing to do. And don't don't fight it in court

448
00:23:42,320 --> 00:23:43,840
Speaker 1: to say, hey, you know what, You're right it does

449
00:23:43,880 --> 00:23:46,359
Speaker 1: sound like your songs, because one day someone is going

450
00:23:46,400 --> 00:23:47,679
Speaker 1: to come out with a song that sounds like one

451
00:23:47,720 --> 00:23:49,639
Speaker 1: of ED songs and he's gonna expect him to be

452
00:23:49,720 --> 00:23:52,000
Speaker 1: cool about it too. Yep, this happened to me once

453
00:23:52,080 --> 00:23:54,719
Speaker 1: at our I Heart Radio jingle Ball because I couldn't

454
00:23:54,720 --> 00:23:57,119
Speaker 1: find an electric outlet to pump my boobs when I

455
00:23:57,240 --> 00:24:00,280
Speaker 1: was breastfeeding, and the pain that I felt from just

456
00:24:00,440 --> 00:24:05,200
Speaker 1: like five hours of not pumping was ridiculous. Well, Kristen Bell,

457
00:24:05,760 --> 00:24:10,320
Speaker 1: she didn't pump for twenty four hours. Why she wanted

458
00:24:10,359 --> 00:24:12,680
Speaker 1: her boobs to be massive for the Chips movie that

459
00:24:12,800 --> 00:24:15,680
Speaker 1: she was working on. All I can think about was

460
00:24:15,760 --> 00:24:19,360
Speaker 1: the pain that she wasn't felt. Let me tell you talk.

461
00:24:20,240 --> 00:24:22,840
Speaker 1: I'm sorry. I was shooting milk everywhere at that point.

462
00:24:22,880 --> 00:24:24,399
Speaker 1: All you had to do was touch me, and I

463
00:24:24,560 --> 00:24:27,440
Speaker 1: was shooting it out. It was crazy. Everyone were safety

464
00:24:27,480 --> 00:24:29,920
Speaker 1: goggles anyway, so I could just imagine how she felt.

465
00:24:30,320 --> 00:24:32,600
Speaker 1: But her boots probably looked fantastic. Can you still do it? Now?

466
00:24:33,600 --> 00:24:36,280
Speaker 1: I can try, it won't come out. Mariah Carey song

467
00:24:36,320 --> 00:24:38,480
Speaker 1: All I Want for Christmas As You is being turned

468
00:24:38,680 --> 00:24:42,680
Speaker 1: into a children's television show like a little mini movie.

469
00:24:43,240 --> 00:24:45,080
Speaker 1: It's going to come out very soon. It's based on

470
00:24:45,160 --> 00:24:47,080
Speaker 1: the book she wrote back in two thousand five, which

471
00:24:47,160 --> 00:24:49,240
Speaker 1: was based on the song. So we are getting that

472
00:24:49,840 --> 00:24:53,800
Speaker 1: and tonight on television. I couldn't care about anything else

473
00:24:53,880 --> 00:24:59,639
Speaker 1: except for Empire. I'm glad you brought that up. They

474
00:24:59,680 --> 00:25:02,600
Speaker 1: sent Empire bingo? Yeah, what do we do with it? Okay?

475
00:25:02,680 --> 00:25:05,119
Speaker 1: So like for this bingo card here, they're all different.

476
00:25:05,200 --> 00:25:07,440
Speaker 1: If someone sings at a piano, you crossed this space off.

477
00:25:07,960 --> 00:25:12,440
Speaker 1: If someone kisses someone, if Cookie swings a bat, I

478
00:25:12,520 --> 00:25:15,520
Speaker 1: know that's going to happen. If they do it, Cookie's

479
00:25:15,520 --> 00:25:17,800
Speaker 1: gonna do it tonight with Lucius there you go look

480
00:25:17,840 --> 00:25:21,480
Speaker 1: at that anyway, here here play play Empire Beingo tonight

481
00:25:22,000 --> 00:25:25,560
Speaker 1: on five. Yeah, Nia long Eva, Longoria, Demi Moore. They're

482
00:25:25,560 --> 00:25:27,040
Speaker 1: all going to be joining in on the fund. So

483
00:25:27,080 --> 00:25:30,480
Speaker 1: that's all I care. But Elvis and Daniel sit just

484
00:25:30,720 --> 00:25:33,320
Speaker 1: far enough apart that watching Elvis try to reach those

485
00:25:33,320 --> 00:25:35,280
Speaker 1: bingo cards. Over to Danielle was like watching to t

486
00:25:35,480 --> 00:25:40,920
Speaker 1: Rex is trying to high five right next time. Thanks

487
00:25:40,960 --> 00:25:45,640
Speaker 1: for Suz. She did seventy three questions for Vogue magazine.

488
00:25:45,640 --> 00:25:48,560
Speaker 1: We'll talk about that. Hey, scary turned me to the

489
00:25:49,200 --> 00:25:51,800
Speaker 1: sound page. So last night for Musicians on Call, thank

490
00:25:51,840 --> 00:25:54,040
Speaker 1: you guys for coming. No Elvis, thank you for having us.

491
00:25:54,119 --> 00:25:56,320
Speaker 1: And you you were honored last night, which I know

492
00:25:56,359 --> 00:25:57,960
Speaker 1: you're probably not going to talk a lot about, but

493
00:25:58,240 --> 00:25:59,880
Speaker 1: you were honored last night for all of the work

494
00:26:00,000 --> 00:26:02,119
Speaker 1: you've done with them for thirteen years. And that was

495
00:26:02,240 --> 00:26:06,280
Speaker 1: really the most beautiful point of the night. You gave

496
00:26:06,320 --> 00:26:09,800
Speaker 1: an incredible speech, you said incredible things, and uh, I

497
00:26:10,000 --> 00:26:12,440
Speaker 1: just want to stop down and say congratulations because you

498
00:26:13,119 --> 00:26:16,600
Speaker 1: absolutely deserve that recognition. You guys, I'm sure you're tired

499
00:26:16,640 --> 00:26:18,199
Speaker 1: of me dragging you to these things, but you did

500
00:26:18,240 --> 00:26:21,000
Speaker 1: a great job of hosting. It was excusively dressed up.

501
00:26:21,240 --> 00:26:23,640
Speaker 1: It was a lot of fun. Uh, Musicians on Call,

502
00:26:23,720 --> 00:26:26,760
Speaker 1: let me explain. When someone is in the hospital. Look,

503
00:26:26,840 --> 00:26:30,240
Speaker 1: it's needles, it's it's no there's no carpeting. You know,

504
00:26:30,400 --> 00:26:33,560
Speaker 1: it's a cold place. Luckily the staff people who work

505
00:26:33,640 --> 00:26:37,440
Speaker 1: in hospitals are the best. But it's still it's a

506
00:26:37,640 --> 00:26:41,320
Speaker 1: very isolating feeling and you get scared, you know, uh,

507
00:26:41,400 --> 00:26:43,320
Speaker 1: and you've got a heel too, you've got something you're

508
00:26:43,359 --> 00:26:47,359
Speaker 1: fighting or whatever. Musicians on call taking musicians into the

509
00:26:47,880 --> 00:26:51,760
Speaker 1: hospitals to sing, to perform for patients, to get a smile,

510
00:26:51,880 --> 00:26:54,480
Speaker 1: to erupt on a face that hasn't smiled in weeks,

511
00:26:54,600 --> 00:26:58,360
Speaker 1: sometimes months. Some of these patients don't leave the hospital,

512
00:26:58,720 --> 00:27:00,240
Speaker 1: and if you think about it, a lot of times

513
00:27:00,280 --> 00:27:03,159
Speaker 1: the visitors stopped coming because you get visited a lot

514
00:27:03,200 --> 00:27:05,119
Speaker 1: when you first come in and then people move on

515
00:27:05,240 --> 00:27:08,440
Speaker 1: with their lives and you're still there. So musicians on call,

516
00:27:08,520 --> 00:27:11,800
Speaker 1: it's all about funding, funding and getting money together to

517
00:27:12,080 --> 00:27:15,640
Speaker 1: help you bring music to the bedside. And even Dr

518
00:27:15,680 --> 00:27:19,840
Speaker 1: Oz was telling me, excuse me, how it works when

519
00:27:19,920 --> 00:27:21,920
Speaker 1: you know, we've talked a lot about meditation on our show.

520
00:27:22,000 --> 00:27:24,159
Speaker 1: How it goes down deep into your brain, the part

521
00:27:24,200 --> 00:27:27,600
Speaker 1: of your brain that's a subconscious level. Uh, and meditation

522
00:27:27,680 --> 00:27:29,879
Speaker 1: can heal you. And everyone acknowledges that music is the

523
00:27:29,880 --> 00:27:32,440
Speaker 1: same thing. It goes to the same place, so it

524
00:27:32,520 --> 00:27:34,600
Speaker 1: doesn't matter if you're doing if something as simple as

525
00:27:34,640 --> 00:27:37,040
Speaker 1: having a bad day is going on, or something as

526
00:27:37,760 --> 00:27:40,919
Speaker 1: horrible as fighting cancer is going on. Music can get

527
00:27:40,960 --> 00:27:43,679
Speaker 1: in there and it can heal, and it can make

528
00:27:43,720 --> 00:27:47,479
Speaker 1: you feel better and which makes healing easier. It's it's amazing.

529
00:27:47,520 --> 00:27:50,680
Speaker 1: They were talking about they have different artists musicians, not

530
00:27:50,760 --> 00:27:52,399
Speaker 1: all of them are famous, a lot of them are

531
00:27:52,480 --> 00:27:55,280
Speaker 1: local but incredibly talented, and a lot of them speak

532
00:27:55,359 --> 00:27:58,320
Speaker 1: different languages, so that when they come in and there's

533
00:27:58,320 --> 00:28:01,119
Speaker 1: somebody from Italy who doesn't English, they can sing a

534
00:28:01,200 --> 00:28:03,760
Speaker 1: song to this person in their home language and it

535
00:28:03,880 --> 00:28:06,080
Speaker 1: reaches them on a completely different level. They were talking

536
00:28:06,119 --> 00:28:09,359
Speaker 1: about the Irish performer and how they at first the

537
00:28:09,400 --> 00:28:11,640
Speaker 1: patient was like, no, I don't want anybody in here,

538
00:28:11,800 --> 00:28:13,640
Speaker 1: and then when she found out that he was from

539
00:28:13,680 --> 00:28:16,200
Speaker 1: Ireland and the family found out, they're like, come on

540
00:28:16,320 --> 00:28:21,800
Speaker 1: in and they all started singing. To musicians on call

541
00:28:22,000 --> 00:28:24,359
Speaker 1: dot org and check it out. If you have an opportunity,

542
00:28:24,720 --> 00:28:27,680
Speaker 1: if you can sing, if you can do anything that's entertaining,

543
00:28:28,119 --> 00:28:29,959
Speaker 1: talk to your local hospital ask if you can come

544
00:28:30,000 --> 00:28:32,160
Speaker 1: in and spend some time with patients. So last night,

545
00:28:32,800 --> 00:28:35,919
Speaker 1: uh B Miller, one of our favorite Jersey girls who

546
00:28:35,920 --> 00:28:38,320
Speaker 1: grew up listening to us, she performed and she blew

547
00:28:38,440 --> 00:28:42,600
Speaker 1: everyone away. He's insanely talented, a new artist for us.

548
00:28:42,840 --> 00:28:44,480
Speaker 1: Leon Else, he's going to be on the show with

549
00:28:44,600 --> 00:28:47,520
Speaker 1: us tomorrow. Wait till you hear him sing He's seeing

550
00:28:47,560 --> 00:28:51,360
Speaker 1: you first here tomorrow. And Demi Levado last night. Good lord,

551
00:28:51,440 --> 00:28:54,880
Speaker 1: that woman, I said earlier, every time she's performed live

552
00:28:54,920 --> 00:28:57,280
Speaker 1: for us, I've been working backstage. I had never seen

553
00:28:57,360 --> 00:28:59,080
Speaker 1: her perform before. And if you have a chance to

554
00:28:59,080 --> 00:29:02,640
Speaker 1: go see Demi Lavado, go, this is her last night

555
00:29:04,600 --> 00:29:08,640
Speaker 1: and I'm danger bread and you can get but it's

556
00:29:08,880 --> 00:29:14,400
Speaker 1: up me tonight. Tonight, we were two feet away from

557
00:29:14,440 --> 00:29:39,000
Speaker 1: her as she was singing. Todd You know what's so strange.

558
00:29:40,400 --> 00:29:45,760
Speaker 1: While she's singing these notes and hitting them, she would

559
00:29:45,840 --> 00:29:48,040
Speaker 1: look down and we would lock eyes. It was weird.

560
00:29:48,840 --> 00:30:25,920
Speaker 1: Listen to this right here, Dami Labato, Um, you so amazing,

561
00:30:28,760 --> 00:30:30,800
Speaker 1: And to know that she was singing just for us

562
00:30:31,600 --> 00:30:37,240
Speaker 1: was so creepy. She looks amazing, her skin is glowing

563
00:30:37,360 --> 00:30:41,240
Speaker 1: and she just she that dress was for happys and

564
00:30:41,320 --> 00:30:44,280
Speaker 1: she seems happy. Yeah, that was nice. So Demi Lovato,

565
00:30:44,400 --> 00:30:46,959
Speaker 1: thank you. You're our hero. B Miller and Leon Elson,

566
00:30:47,040 --> 00:30:50,480
Speaker 1: everyone who who gives their time to musicians on call,

567
00:30:50,920 --> 00:30:53,960
Speaker 1: we salute you. Thank you so much, and thank you

568
00:30:54,120 --> 00:30:57,760
Speaker 1: Danielle and Bethany for hosting list even though you didn't

569
00:30:57,800 --> 00:30:59,200
Speaker 1: know you were going to host when you showed up.

570
00:31:02,160 --> 00:31:04,280
Speaker 1: I've been sleeping with my hand down my pants a lot.

571
00:31:09,680 --> 00:31:12,120
Speaker 1: Durant in the morning show. What's the best place to

572
00:31:12,160 --> 00:31:15,320
Speaker 1: have your breakfast? How about a warm croissant right now

573
00:31:15,400 --> 00:31:18,680
Speaker 1: at Burger King? Get to Croissan which breakfast sandwiches for

574
00:31:18,760 --> 00:31:21,640
Speaker 1: just four dollars, a light, flaky Croissan piled high with

575
00:31:21,720 --> 00:31:25,360
Speaker 1: savory sausage or delicious thick cut smoke bacon only a

576
00:31:25,440 --> 00:31:36,800
Speaker 1: Burger King. Prison participation may vary. I've stacks and stacks

577
00:31:36,840 --> 00:31:38,240
Speaker 1: of things to get to today. I don't even know

578
00:31:38,280 --> 00:31:40,360
Speaker 1: where to start. First of all, we have a one

579
00:31:40,400 --> 00:31:43,440
Speaker 1: thousand dollar Brooklyn Betting free Monty phone tap on the way.

580
00:31:43,440 --> 00:31:45,200
Speaker 1: Who does the phone tap? Today? Is scary and it's

581
00:31:45,200 --> 00:31:50,560
Speaker 1: a way back Wednesday from me as easy day, baby boy. Okay,

582
00:31:50,640 --> 00:31:54,520
Speaker 1: it's worth a thousand dollars, so at least it's worth alright. Also,

583
00:31:54,920 --> 00:31:59,320
Speaker 1: um wait till you meet Julia Michaels. We play some

584
00:31:59,360 --> 00:32:01,400
Speaker 1: Membery music now, and we play actually a lot of

585
00:32:01,480 --> 00:32:04,360
Speaker 1: music she's written. We'll get into that with her, meet her,

586
00:32:04,480 --> 00:32:08,400
Speaker 1: She's fantastic. Who's drinking red Bull? I smell red Bull?

587
00:32:08,560 --> 00:32:12,280
Speaker 1: None of us? You know red Bull has that smell sound? Yeah,

588
00:32:13,840 --> 00:32:15,800
Speaker 1: I don't know, I smell it. You know, last night

589
00:32:15,840 --> 00:32:18,640
Speaker 1: I'm having phantom smells. Do you ever have phantom smells?

590
00:32:19,400 --> 00:32:22,080
Speaker 1: Last night? I could smell hairspray like all night. Doesn't

591
00:32:22,120 --> 00:32:24,800
Speaker 1: that mean like something like you're gonna you're gonna die stroke?

592
00:32:25,000 --> 00:32:27,840
Speaker 1: I think it means something toast. No, I smell copper.

593
00:32:28,120 --> 00:32:30,560
Speaker 1: I smelled pennies. I don't know. Look that up. I

594
00:32:30,640 --> 00:32:33,120
Speaker 1: don't stop looking things up for a moment, moment and

595
00:32:33,200 --> 00:32:38,360
Speaker 1: just relaxed. Also, Jennifer Lopez is talking about how there

596
00:32:38,440 --> 00:32:41,640
Speaker 1: were times, even though she's worth three and sixty million

597
00:32:41,680 --> 00:32:45,000
Speaker 1: dollars now, uh, there were times she said she had

598
00:32:45,080 --> 00:32:49,040
Speaker 1: very lean days. She remembers getting to have one slice

599
00:32:49,080 --> 00:32:51,600
Speaker 1: of pizza per day and that's all she lived on.

600
00:32:52,600 --> 00:32:54,600
Speaker 1: Didn't Jules say something that she lived in her car,

601
00:32:55,480 --> 00:32:59,800
Speaker 1: in her car, but can you imagine that's okay? It's

602
00:33:00,120 --> 00:33:02,600
Speaker 1: or this is all you get today, here's a slice

603
00:33:02,600 --> 00:33:05,080
Speaker 1: of pizza. That's a lot of people. There are a

604
00:33:05,160 --> 00:33:08,440
Speaker 1: lot of kids who like if they get a food

605
00:33:08,480 --> 00:33:11,480
Speaker 1: at school, that's their food for the day. There are

606
00:33:11,520 --> 00:33:14,920
Speaker 1: many organizations that help people out, families trying to you know,

607
00:33:15,120 --> 00:33:17,520
Speaker 1: make it, make it work, and make ends meet. They

608
00:33:17,520 --> 00:33:21,080
Speaker 1: can't put food on the table the kids. That makes

609
00:33:21,160 --> 00:33:25,920
Speaker 1: me really mad. Uh, seek seek them out. Find out

610
00:33:26,280 --> 00:33:29,120
Speaker 1: Feeding America is one of them. It yeah, google it,

611
00:33:29,360 --> 00:33:31,640
Speaker 1: google it. We've got a lot of every Every city

612
00:33:31,720 --> 00:33:34,160
Speaker 1: has an organization that helps people out who need to eat.

613
00:33:34,600 --> 00:33:37,920
Speaker 1: But general, Jennifer Lopez one slice of pizza, and I'm thinking, wow,

614
00:33:37,920 --> 00:33:39,440
Speaker 1: I would love to have a slice of pizza every

615
00:33:39,520 --> 00:33:41,600
Speaker 1: day too. I mean, but in addition to you know,

616
00:33:41,840 --> 00:33:45,440
Speaker 1: everything else, everything else. Yeah, Froggy. It's a big nation

617
00:33:45,480 --> 00:33:47,320
Speaker 1: white charity and something I do some work for here

618
00:33:47,360 --> 00:33:49,680
Speaker 1: in South Florida. Is no kid hungry, and they go

619
00:33:49,760 --> 00:33:51,000
Speaker 1: out of their way to make sure there are no

620
00:33:51,080 --> 00:33:52,880
Speaker 1: children hungry anywhere in the world, to make sure that

621
00:33:52,960 --> 00:33:55,920
Speaker 1: they're fed and have meals on the table every single day. Excellent,

622
00:33:56,280 --> 00:33:59,360
Speaker 1: Just another fantastic example. So go look them up. You

623
00:33:59,400 --> 00:34:01,280
Speaker 1: don't have to look at don't worry about it. Um

624
00:34:01,840 --> 00:34:03,760
Speaker 1: figure that out. But one slice of pizza per day,

625
00:34:03,800 --> 00:34:06,160
Speaker 1: it's making me crave pizza. I think we pizza coming

626
00:34:06,240 --> 00:34:09,080
Speaker 1: up today. We do. Isn't Speedy speed Romeo coming up?

627
00:34:09,120 --> 00:34:14,160
Speaker 1: Is that pizza? Yes, it is that on We should

628
00:34:14,200 --> 00:34:20,320
Speaker 1: invite u s Speedy Romeo. I've had them delivered to

629
00:34:20,360 --> 00:34:23,680
Speaker 1: the house before. Fantastic. I drizzle my breakfast. Well I

630
00:34:23,719 --> 00:34:26,560
Speaker 1: have this too. I would drizzle my Mike's hot honey

631
00:34:26,640 --> 00:34:28,439
Speaker 1: right on top of you guys had Mike's hot honey.

632
00:34:29,000 --> 00:34:32,879
Speaker 1: Oh fantastic. I don't even know Mike like the meet

633
00:34:32,920 --> 00:34:39,360
Speaker 1: him though. That's his that's his girlfriends. It's honey that

634
00:34:39,440 --> 00:34:42,840
Speaker 1: has chili in chili pepper, so so heats it up. Anyway,

635
00:34:42,880 --> 00:34:47,720
Speaker 1: Moving on, um, did you know you know Humpty Dumpty

636
00:34:48,160 --> 00:34:51,720
Speaker 1: the nursery rhyme? Have you ever read the original Humpty

637
00:34:51,760 --> 00:34:55,800
Speaker 1: Dumpty the nursery Rhyme? It's just Humpty Dumpty sat on

638
00:34:55,880 --> 00:35:00,279
Speaker 1: the wall, Humpty Dumpty had a great fall a man

639
00:35:00,400 --> 00:35:03,880
Speaker 1: couldn't put up together again. Okay, so Humpty was a

640
00:35:04,880 --> 00:35:07,480
Speaker 1: an egg? Did you know it says nowhere in the

641
00:35:07,760 --> 00:35:10,880
Speaker 1: nursery rhyme that he was an egg. Somewhere along the

642
00:35:10,960 --> 00:35:16,719
Speaker 1: line he became an egg. Oh, it's just evolved to

643
00:35:17,840 --> 00:35:19,880
Speaker 1: be an egg. Humpty Dumpty just turned out to be

644
00:35:19,880 --> 00:35:22,279
Speaker 1: an egg. He never whoever wrote this nursery rhyme never

645
00:35:22,360 --> 00:35:24,399
Speaker 1: meant for him to be an egg, but we turned

646
00:35:24,480 --> 00:35:28,239
Speaker 1: him into an egg. In Universal Orlando, there's a Shrek ride, right, so,

647
00:35:29,520 --> 00:35:32,600
Speaker 1: and they have Humpty Dumpty's grave and it's it's Humpty

648
00:35:32,719 --> 00:35:37,719
Speaker 1: and then somebody goes and cracks the gravestone. The joke

649
00:35:37,760 --> 00:35:40,480
Speaker 1: because Humpty died because he cracked, and now his gravestone

650
00:35:40,520 --> 00:35:42,440
Speaker 1: cracked as well. We have to go see it. It

651
00:35:42,600 --> 00:35:49,799
Speaker 1: was very funny. Made me crack up. Hello, okay, funny

652
00:35:50,680 --> 00:35:54,280
Speaker 1: he was just there. You know what I'm talking about, yes, Bethany, Okay,

653
00:35:54,400 --> 00:35:56,879
Speaker 1: So I'm not done doing my research on this yet.

654
00:35:56,920 --> 00:35:58,600
Speaker 1: You'll have a full report in a couple of hours.

655
00:35:58,719 --> 00:36:02,520
Speaker 1: But the rhyme was first printed in eighteen ten, but

656
00:36:02,600 --> 00:36:05,640
Speaker 1: it became famous through Lewis Carroll's Alice through the Looking Glass,

657
00:36:05,680 --> 00:36:09,400
Speaker 1: where Humpty Dumpty was illustrated as an egg. He was illustrated,

658
00:36:09,880 --> 00:36:11,360
Speaker 1: but it never was meant to be. But it's a

659
00:36:11,400 --> 00:36:13,279
Speaker 1: really old rhyme, and that might not be the first

660
00:36:13,320 --> 00:36:14,759
Speaker 1: time he was shown it as as an egg, but

661
00:36:14,840 --> 00:36:16,520
Speaker 1: it's an early time he was shown as an egg.

662
00:36:16,800 --> 00:36:21,080
Speaker 1: Let you know, Yeah, what's scary commercial. Humpty Dumpty is

663
00:36:21,160 --> 00:36:23,680
Speaker 1: spitting up yolk he's on laying on the ground. That

664
00:36:23,800 --> 00:36:25,839
Speaker 1: by the way, that that commercial makes me want to puke,

665
00:36:26,160 --> 00:36:29,560
Speaker 1: and it really does. When you see the egg vomiting yulk,

666
00:36:29,719 --> 00:36:37,280
Speaker 1: you're like, what he's he doing? Okay, College of Knowledge.

667
00:36:37,280 --> 00:36:43,200
Speaker 1: Here we go and this is directed to you, Froggy

668
00:36:43,200 --> 00:36:45,920
Speaker 1: and all of our friends living uh in in the

669
00:36:46,239 --> 00:36:49,120
Speaker 1: hurricane path. As you know, every year there is the

670
00:36:49,440 --> 00:36:52,200
Speaker 1: lookout for hurricanes and we hate when they hit, we

671
00:36:52,360 --> 00:36:55,000
Speaker 1: really do. But when there's a thread of a hurricane,

672
00:36:55,040 --> 00:36:58,160
Speaker 1: people run out and buy things in preparation. According to

673
00:36:58,239 --> 00:37:02,279
Speaker 1: our sources at Walmart, when our hurricane is on the way,

674
00:37:02,480 --> 00:37:05,400
Speaker 1: what are the top two things people by to prepare

675
00:37:05,440 --> 00:37:10,280
Speaker 1: for the hurricane? One eight zero the College of Knowledge.

676
00:37:10,320 --> 00:37:13,920
Speaker 1: A day without learning is a day wasted. When the

677
00:37:14,000 --> 00:37:16,560
Speaker 1: hurricanes on the way, According to Walmart, people run in

678
00:37:16,640 --> 00:37:20,279
Speaker 1: and the top two items they purchase our what call

679
00:37:20,360 --> 00:37:23,600
Speaker 1: me at one eight zero? Yes, Bethan, have a Humpty

680
00:37:23,680 --> 00:37:30,200
Speaker 1: Dumpty update. Okay, so this is getting sexy. Originally, the

681
00:37:30,280 --> 00:37:34,400
Speaker 1: original poem didn't include the term humpty dumpty. Humpty dumpty

682
00:37:34,560 --> 00:37:37,200
Speaker 1: was just something that people called clumsy people. It was

683
00:37:37,280 --> 00:37:40,920
Speaker 1: more of like just a nickname. So the original Humpty

684
00:37:41,000 --> 00:37:44,120
Speaker 1: Dumpty may have actually been a riddle, huh, And the

685
00:37:44,280 --> 00:37:46,520
Speaker 1: answer to that riddle would be an egg. The riddle

686
00:37:46,560 --> 00:37:48,759
Speaker 1: would be something like, what is something that could never

687
00:37:48,840 --> 00:37:51,239
Speaker 1: be put together again? And the answer would be an egg.

688
00:37:51,960 --> 00:37:54,719
Speaker 1: But then it just became a story instead as time

689
00:37:54,760 --> 00:37:57,720
Speaker 1: went on. Well, now we know more Humpty Dumpty info.

690
00:37:58,160 --> 00:38:01,480
Speaker 1: What are you guys arguing about back here? Hello, scary

691
00:38:01,560 --> 00:38:04,120
Speaker 1: and straightened? Are arguing what we want to know? What

692
00:38:05,120 --> 00:38:06,960
Speaker 1: we don't know? We don't know the answer. I just

693
00:38:07,080 --> 00:38:11,080
Speaker 1: told you the answer. Okay, I couldn't hear you. I

694
00:38:11,200 --> 00:38:15,040
Speaker 1: read your list. Okay, okay, right now, what you thought?

695
00:38:15,120 --> 00:38:18,160
Speaker 1: My lips said, the top two items that people purchase

696
00:38:18,239 --> 00:38:21,160
Speaker 1: at Walmart when a hurricane is approaching. That is what

697
00:38:21,239 --> 00:38:24,520
Speaker 1: I said. All right, let's go talk to Michael. Hi, Michael,

698
00:38:25,239 --> 00:38:28,680
Speaker 1: good morning, Good morning. The top two items, according to

699
00:38:28,760 --> 00:38:31,320
Speaker 1: Walmart and our sources, the top two items people purchase

700
00:38:31,360 --> 00:38:34,200
Speaker 1: when the hurricane is approaching. What are they? I would say,

701
00:38:34,320 --> 00:38:38,239
Speaker 1: water and batteries. Show me your water in batteries? No,

702
00:38:39,400 --> 00:38:42,279
Speaker 1: believe it or not. It's a fantastic answer. But it's

703
00:38:42,320 --> 00:38:45,279
Speaker 1: not it. It's kind of weird. Have a good day, No,

704
00:38:45,400 --> 00:38:49,319
Speaker 1: you have a good day, Thank you, Michael. Hi, Zach, Hey,

705
00:38:50,000 --> 00:38:53,680
Speaker 1: we're doing okay now, Zach. According to our sources at Walmart,

706
00:38:53,760 --> 00:38:56,040
Speaker 1: the top two items that are purchased as a hurricane

707
00:38:56,120 --> 00:39:03,279
Speaker 1: is approaching. What are they show me? Eggs? Bread? That's

708
00:39:03,320 --> 00:39:05,640
Speaker 1: not it, but you would think that would be it, right, yes,

709
00:39:07,480 --> 00:39:12,600
Speaker 1: because because we all need to make French toast hurricane emergency, emergency,

710
00:39:12,640 --> 00:39:15,960
Speaker 1: French toast. I know you can float on it if

711
00:39:16,000 --> 00:39:24,040
Speaker 1: there's a flood. All right, thank you, thank you. Hello, Hello, Hi,

712
00:39:24,400 --> 00:39:28,920
Speaker 1: what's your name, Chelsea? How are you good? Are you

713
00:39:29,160 --> 00:39:32,560
Speaker 1: doing okay? Do you live in the path of a hurricane? Ever? Yes?

714
00:39:32,640 --> 00:39:34,239
Speaker 1: I live in South Florida. All right. Then you know,

715
00:39:34,600 --> 00:39:36,160
Speaker 1: maybe you know you went, maybe you went to one

716
00:39:36,160 --> 00:39:38,800
Speaker 1: of those super walmarts. They're fabulous. According to our sources

717
00:39:38,840 --> 00:39:42,800
Speaker 1: at Walmart, Walmart, at the walmarts, Chelsea, what are the

718
00:39:42,840 --> 00:39:45,480
Speaker 1: top two items purchased in the event of a hurricane?

719
00:39:46,680 --> 00:39:52,480
Speaker 1: One is water? Bottled water, okay, and I would say

720
00:39:52,560 --> 00:39:57,320
Speaker 1: the other would probably be I would say canned food.

721
00:39:57,440 --> 00:40:01,759
Speaker 1: But also generators are very logical though, and I would

722
00:40:01,800 --> 00:40:03,719
Speaker 1: want to be with you in an emergency. Those are

723
00:40:03,760 --> 00:40:06,319
Speaker 1: the things I would purchase. But Sarah, you're gonna you're

724
00:40:06,320 --> 00:40:08,200
Speaker 1: gonna freak when you find out what the answer is.

725
00:40:08,239 --> 00:40:10,040
Speaker 1: Thank you for I'm not Sarah, but Chelsea, thank you

726
00:40:10,120 --> 00:40:12,799
Speaker 1: for listening to us. Thank you, thank you. I don't

727
00:40:12,800 --> 00:40:20,680
Speaker 1: know we're ever going to get an answer here. Hello, Sarah, Sarah, Sarah,

728
00:40:20,800 --> 00:40:22,800
Speaker 1: all right, she's gone. All right, no one's gonna get this.

729
00:40:23,600 --> 00:40:26,879
Speaker 1: Keep hiding, But what do you mean, keep hitting? Keep hitting?

730
00:40:26,920 --> 00:40:32,680
Speaker 1: Calls Hello anyone? Hello, Hello, Hi, Hi? Who is this? Hi?

731
00:40:32,880 --> 00:40:36,400
Speaker 1: This is hey? Girls. Are you doing? So? What are

732
00:40:36,400 --> 00:40:39,520
Speaker 1: the type two items that Walmart says sells according to

733
00:40:39,560 --> 00:40:45,279
Speaker 1: our sources, anyway, in the event of a hurricane approaching, Hello, Hello,

734
00:40:46,920 --> 00:40:53,680
Speaker 1: shovels and socks. O salt. Okay, so I don't need hurricane.

735
00:40:55,680 --> 00:41:01,880
Speaker 1: That's that's for you. That's for Margarita's. I shoveled the

736
00:41:01,960 --> 00:41:04,520
Speaker 1: salt onto my margarita glass. But thank you. All right now,

737
00:41:04,520 --> 00:41:07,080
Speaker 1: I think we misheard them the whole time, yelling at

738
00:41:07,080 --> 00:41:11,640
Speaker 1: the radio. I'm sorry we couldn't hear you. I said,

739
00:41:12,160 --> 00:41:13,799
Speaker 1: all right, I don't know. I don't think anyone's gonna

740
00:41:13,800 --> 00:41:19,920
Speaker 1: get this. I think We're getting close. All right, Hello, Hi,

741
00:41:20,120 --> 00:41:25,319
Speaker 1: good morning. Who is this? Hi? Janelle. According to our

742
00:41:25,360 --> 00:41:28,160
Speaker 1: sources at Walmart, we have sources at Walmart, if a

743
00:41:28,280 --> 00:41:31,640
Speaker 1: hurricane is approaching, the two top selling items are what

744
00:41:33,040 --> 00:41:42,080
Speaker 1: I'm water and condom? Right, all right, well, thank you,

745
00:41:42,880 --> 00:41:46,279
Speaker 1: you know what. I hope this source is correct. May

746
00:41:46,440 --> 00:41:47,960
Speaker 1: just giveing the entrance that we got to move ahead.

747
00:41:49,360 --> 00:41:54,959
Speaker 1: Oh wait, hold on, Laura could have it. Laura, Hello Laura.

748
00:41:55,000 --> 00:41:58,400
Speaker 1: According to our sources at Walmart, while a hurricane is approaching,

749
00:41:58,400 --> 00:42:01,440
Speaker 1: people run to the Walmarts and they purchased a lot

750
00:42:01,480 --> 00:42:03,399
Speaker 1: of items and these are the top two. What are they?

751
00:42:04,320 --> 00:42:09,000
Speaker 1: Alcohol definitely and snacks chips. All right, we're getting closer.

752
00:42:09,880 --> 00:42:14,600
Speaker 1: We're getting closer. But thank you, Kate. According to our

753
00:42:14,600 --> 00:42:17,000
Speaker 1: sources at Walmart, the top two selling items with a

754
00:42:17,080 --> 00:42:21,600
Speaker 1: hurricane approaching ore. Hi, good morning, guys, Hi morning. I

755
00:42:21,719 --> 00:42:28,040
Speaker 1: think it's pop tarts and beer. Pop tarts and beer. Nice.

756
00:42:28,239 --> 00:42:31,760
Speaker 1: Thank god for the Google. It's okay if you Google,

757
00:42:31,840 --> 00:42:35,480
Speaker 1: that's fine, and everyone's Google is available to Kate, that's right.

758
00:42:35,840 --> 00:42:40,640
Speaker 1: You you would think no water or can, good generator,

759
00:42:40,920 --> 00:42:44,640
Speaker 1: No pop tarts and beer. They go well together, they do.

760
00:42:45,680 --> 00:42:50,759
Speaker 1: They're saying, actually, in particular, strawberry strawberry pop Oh dear,

761
00:42:51,560 --> 00:42:58,640
Speaker 1: we have a horricane approaching. Strawberry pop tarts and some

762
00:42:58,880 --> 00:43:02,680
Speaker 1: natty light that here like, congratulations, Kate. What do you

763
00:43:02,760 --> 00:43:08,080
Speaker 1: have for Kate? It's a good looking tight fits the rant. Yea, hey, Kate,

764
00:43:08,160 --> 00:43:11,000
Speaker 1: what are you doing today on my way to work

765
00:43:11,160 --> 00:43:15,120
Speaker 1: right now? Don't sound too happy about that, Kate. It's okay.

766
00:43:15,160 --> 00:43:17,839
Speaker 1: I'm glad. I won me too, And enjoy your shirt.

767
00:43:17,880 --> 00:43:19,640
Speaker 1: It's on the way and prepare, go ahead, and you

768
00:43:19,640 --> 00:43:21,520
Speaker 1: can buy pop tarts and beer now and prepare for

769
00:43:21,520 --> 00:43:23,960
Speaker 1: the next hurricane. It's fabulous. Yeah, I'll hit up a

770
00:43:24,040 --> 00:43:27,279
Speaker 1: Walmart later. Well, we all will thank you, Kate. Hold

771
00:43:27,280 --> 00:43:29,480
Speaker 1: on one second, sind Kate, one of your favorite shirts.

772
00:43:30,040 --> 00:43:32,640
Speaker 1: What scary? It's the New Morning Team pop tarts and

773
00:43:33,040 --> 00:43:35,680
Speaker 1: good morning the Pop talk him pop tarts. I'm beer.

774
00:43:37,440 --> 00:43:44,279
Speaker 1: It's due to new Now here's beer. We have a

775
00:43:44,360 --> 00:43:47,080
Speaker 1: text saying they're loving your humpty dumpty updates. We're calling

776
00:43:47,120 --> 00:43:52,600
Speaker 1: them humpty dump dates. Do you have a humpty dumpty

777
00:43:52,960 --> 00:43:56,319
Speaker 1: dumpty dump date. I'm going to find one, now, would you? Yeah?

778
00:43:58,200 --> 00:44:00,279
Speaker 1: Did you know that the word turquoise is based on

779
00:44:00,360 --> 00:44:06,040
Speaker 1: the word Turkish, describing the color of the Mediterranean off

780
00:44:06,040 --> 00:44:09,759
Speaker 1: the coast of southern Turkey. Wow, that's fantastic and I

781
00:44:09,880 --> 00:44:12,520
Speaker 1: can sleep tonight. All right, let's get into your head

782
00:44:12,560 --> 00:44:16,600
Speaker 1: little We have a humpty dump Yes, a humpty dumpt Yes,

783
00:44:16,600 --> 00:44:18,640
Speaker 1: tell us more about Humpty Dumpty. One of the theories

784
00:44:18,800 --> 00:44:24,440
Speaker 1: is that the poem is about King Richard the Third. Yeah,

785
00:44:24,520 --> 00:44:27,680
Speaker 1: because he was a humpback. That's not a nice thing

786
00:44:27,719 --> 00:44:29,600
Speaker 1: to Is there a better term than humpback? Yeah, we

787
00:44:29,680 --> 00:44:33,239
Speaker 1: have back hunchback. I'm sure we have some quasimodos listening

788
00:44:33,280 --> 00:44:39,240
Speaker 1: to our show, uninclined. Some shreks are listening. Guys, that's terrible.

789
00:44:39,400 --> 00:44:45,839
Speaker 1: What what quasimodos prefer to be called? Q modes? Now? Ade,

790
00:44:47,800 --> 00:44:49,600
Speaker 1: I don't love all, serve all. I don't like making

791
00:44:49,640 --> 00:44:51,239
Speaker 1: fun of people who were We're just saying, that's what

792
00:44:51,280 --> 00:44:55,399
Speaker 1: the poem was about. I'd learned something. We are learning

793
00:44:55,440 --> 00:45:02,640
Speaker 1: from the humpy dump date and today's hump day. Thank

794
00:45:02,680 --> 00:45:06,640
Speaker 1: you for that text. One. It's hump day. We all

795
00:45:06,960 --> 00:45:12,239
Speaker 1: walking over hump back. He's a motive. I don't even

796
00:45:12,280 --> 00:45:20,520
Speaker 1: want to do the news anymore. Hump Day it's Froggy's

797
00:45:20,520 --> 00:45:22,880
Speaker 1: favorite day of the week. Right, you really want to

798
00:45:22,920 --> 00:45:27,200
Speaker 1: do the news? Whatever you want me to do, big daddy. Oh,

799
00:45:28,320 --> 00:45:35,879
Speaker 1: guess what Guess what day? Guess what day? Mike? Mike, Mike, Mike, Mike, Mike,

800
00:45:36,520 --> 00:45:38,799
Speaker 1: What day is it? Mike? What day is it? Mike?

801
00:45:43,360 --> 00:45:54,120
Speaker 1: Humph scary? Thought it was hump date. That's what doesn't

802
00:45:54,120 --> 00:45:56,319
Speaker 1: happen to you on He's scary. Thank you for taking

803
00:45:56,320 --> 00:45:58,000
Speaker 1: me on a date. You know it's hump d I

804
00:45:58,040 --> 00:46:03,160
Speaker 1: don't mind it for new date. Humpdate? Well I think

805
00:46:03,200 --> 00:46:08,719
Speaker 1: I will. Why does he sound like fog horn leg?

806
00:46:09,080 --> 00:46:13,640
Speaker 1: I don't know that. Hell can't be doing that, son?

807
00:46:13,760 --> 00:46:16,480
Speaker 1: Do you what do you want to do up? Oh? Wait,

808
00:46:16,520 --> 00:46:19,960
Speaker 1: we have a hump date? All right, hump date. It's

809
00:46:20,000 --> 00:46:23,040
Speaker 1: a it's a humpdate. Oh guess what day it is?

810
00:46:23,760 --> 00:46:30,200
Speaker 1: Guess what day it is? The hotel do the hometoil

811
00:46:30,239 --> 00:46:36,040
Speaker 1: home and now, ladies and gentlemen, hump date with that day?

812
00:46:36,360 --> 00:46:41,040
Speaker 1: What you're doing? Because I'm about to ruin. I look funny,

813
00:46:41,680 --> 00:46:43,880
Speaker 1: but you I'm making money. See so your world. I

814
00:46:43,920 --> 00:46:45,759
Speaker 1: hope you're ready for me? And I got the round

815
00:46:46,480 --> 00:46:49,440
Speaker 1: fool went out and my sound way down by the underground.

816
00:46:49,760 --> 00:46:52,880
Speaker 1: I'm you're kind of yourself, so you just drink a

817
00:46:53,080 --> 00:46:55,920
Speaker 1: bottle of hennity. It's time for a hump date. From now,

818
00:46:57,560 --> 00:47:00,960
Speaker 1: ladies like to be and all the rappers in the

819
00:47:01,040 --> 00:47:03,920
Speaker 1: top ten please allow me to pump me. I'm stepping

820
00:47:04,000 --> 00:47:06,480
Speaker 1: tall and y'all and just like Humpty dump very long,

821
00:47:06,560 --> 00:47:09,399
Speaker 1: and when the stereos pump me, I like the rum.

822
00:47:09,520 --> 00:47:11,960
Speaker 1: I like my be funky. I'm spunky. I like my

823
00:47:12,080 --> 00:47:15,200
Speaker 1: holp me. I'll lumpy. I'm sick with this straight against

824
00:47:15,280 --> 00:47:18,040
Speaker 1: the mac. But sometimes I get ridiculous. I'll need to

825
00:47:18,080 --> 00:47:21,279
Speaker 1: bud your crackers in your liquorice, Your fat girl, come

826
00:47:21,360 --> 00:47:25,080
Speaker 1: in fat. Those are the top two things sold at

827
00:47:25,080 --> 00:47:28,439
Speaker 1: Walmart for the hurricane Crackers in licorice. I like the girl.

828
00:47:29,280 --> 00:47:34,239
Speaker 1: I love bathroom. I'm crazy. Allowed me to amazing. They

829
00:47:34,280 --> 00:47:37,120
Speaker 1: say I'm monthly water, just don't freeze me. I'm still

830
00:47:37,200 --> 00:47:39,239
Speaker 1: getting in the girl's dance and I even got my

831
00:47:39,320 --> 00:47:49,160
Speaker 1: whole dad. Humpty d the Humpty date. Do the Humpty day?

832
00:47:49,239 --> 00:47:51,879
Speaker 1: All right? We have time for one story and it's

833
00:47:51,880 --> 00:47:55,279
Speaker 1: going to be about Humpty Dumpty. Yes, right, is your

834
00:47:55,400 --> 00:47:59,920
Speaker 1: Humpty dump date? When the English Civil War. In sixteen

835
00:48:00,040 --> 00:48:03,360
Speaker 1: forty eight, the town of con was under siege. Supposedly,

836
00:48:03,400 --> 00:48:05,960
Speaker 1: a man named Jack Thompson was stationed on the walls

837
00:48:06,000 --> 00:48:15,160
Speaker 1: with a cannon nicknamed Humpty Dumpty. Let's just pretty much

838
00:48:15,160 --> 00:48:17,480
Speaker 1: have all right. We've got a free money phone tap

839
00:48:17,560 --> 00:48:20,279
Speaker 1: coming up next worth one thou dollars and wait till

840
00:48:20,320 --> 00:48:23,279
Speaker 1: you meet and here Julia Michael's. We're gonna talk to

841
00:48:23,360 --> 00:48:30,759
Speaker 1: her in less than thirty minutes. Elvis Duran in the

842
00:48:30,840 --> 00:48:33,680
Speaker 1: Morning Show. So you're having a party at the house,

843
00:48:33,680 --> 00:48:35,239
Speaker 1: a couple of friends coming over. What do you serve

844
00:48:35,320 --> 00:48:38,520
Speaker 1: potato chips next time? Try these new chips from Ritch

845
00:48:38,680 --> 00:48:42,640
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846
00:48:42,800 --> 00:48:45,200
Speaker 1: They come in see salt, cream, cheese and onion, bacon

847
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Speaker 1: and salt and vinegar. You have got to try them.

848
00:48:48,520 --> 00:48:51,880
Speaker 1: Elvis Durand in the Morning Shows. Free money. All right,

849
00:48:51,920 --> 00:48:53,920
Speaker 1: let's hop into it. You're about to win a one

850
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Speaker 1: thousand dollar gift card. You can spend it anywhere they

851
00:48:57,400 --> 00:49:01,000
Speaker 1: take credit cards, Yes, anywhere they take plastic. Thanks to

852
00:49:01,040 --> 00:49:03,560
Speaker 1: our friends at Brooklyn Betting and Brooklyn Betting dot Com. Yeah,

853
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Speaker 1: go to Brooklyn betting dot com. Use the code radio

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Speaker 1: and get five off your mattress plus three sheheets a

855
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Speaker 1: couple of pillows. It really is the best mattress you're

856
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Speaker 1: ever going to try, and you're gonna love it and

857
00:49:14,239 --> 00:49:17,080
Speaker 1: you're gonna keep it. So give us a call after

858
00:49:17,160 --> 00:49:19,040
Speaker 1: the phone tap. Airs will give you the money and

859
00:49:19,120 --> 00:49:21,799
Speaker 1: will give you the phone the phone number, then um

860
00:49:21,960 --> 00:49:24,839
Speaker 1: and be calling on exactly. I could not have said

861
00:49:24,840 --> 00:49:28,600
Speaker 1: it better myself. So when yeah, but wait till the

862
00:49:28,600 --> 00:49:31,400
Speaker 1: phone taps over, like like Bethany told you, like I stammered,

863
00:49:31,400 --> 00:49:33,760
Speaker 1: because we want you to enjoy the sounds of scary.

864
00:49:34,360 --> 00:49:36,120
Speaker 1: In one of our favorite phone taps of all time,

865
00:49:36,160 --> 00:49:40,520
Speaker 1: It's a way back Wednesday. Phone tap Elvis Duran Elvis

866
00:49:40,600 --> 00:49:44,759
Speaker 1: Durant phone tap. Nicole is away at school and she

867
00:49:44,880 --> 00:49:47,560
Speaker 1: wanted a phone tap her dad. Turns out she left

868
00:49:47,560 --> 00:49:50,799
Speaker 1: her old phone number to her dad and still gets

869
00:49:50,880 --> 00:49:54,640
Speaker 1: friends calling it. So this phone tap takes place after

870
00:49:54,800 --> 00:49:57,080
Speaker 1: I called and left him a voicemail that was intended

871
00:49:57,160 --> 00:49:59,680
Speaker 1: for her. We waited a little bit and then called

872
00:49:59,760 --> 00:50:03,200
Speaker 1: him or his reaction, so the dad already had listened

873
00:50:03,239 --> 00:50:09,200
Speaker 1: to a message or left early. Here we go, Hello, Hey, daddy,

874
00:50:09,200 --> 00:50:12,439
Speaker 1: How you doing? How are you? I'm good, I'm good.

875
00:50:12,480 --> 00:50:17,880
Speaker 1: I'm just I got a message from somebody saying they

876
00:50:17,960 --> 00:50:24,680
Speaker 1: want you back. Who's Wheezy? How about that's is that

877
00:50:24,920 --> 00:50:26,920
Speaker 1: his name? Why are you asking me this? How do

878
00:50:27,000 --> 00:50:28,640
Speaker 1: you even know this? How long have you been going

879
00:50:28,640 --> 00:50:33,560
Speaker 1: out with this person? For um about a month? How

880
00:50:33,640 --> 00:50:38,880
Speaker 1: come I don't know about him? Evidently from the message

881
00:50:38,960 --> 00:50:42,520
Speaker 1: that he left you, he's very serious. Did you speak

882
00:50:42,560 --> 00:50:45,480
Speaker 1: to him? He don't know. He left the damn message

883
00:50:45,520 --> 00:50:48,400
Speaker 1: on the phone. He sounds like he's an idiot. Do

884
00:50:48,480 --> 00:50:52,719
Speaker 1: you want to play any for me? Hold on? Did

885
00:50:52,840 --> 00:50:55,880
Speaker 1: just Wheezy? I just wanted to day I'm sorry everything.

886
00:50:56,200 --> 00:50:58,439
Speaker 1: I didn't mean to let you down. So I wrote

887
00:50:58,440 --> 00:51:02,680
Speaker 1: your little poem. I hope you to give me outecud

888
00:51:03,360 --> 00:51:09,160
Speaker 1: you're hat never really had lucky net yea, hello, are

889
00:51:09,200 --> 00:51:14,560
Speaker 1: you hearing it? I'm hearing now, trying to put it together.

890
00:51:16,719 --> 00:51:21,719
Speaker 1: Oh my second, god, you over there. It's not just

891
00:51:22,360 --> 00:51:25,960
Speaker 1: the way you moving. I love you, baby, Please take

892
00:51:26,040 --> 00:51:29,560
Speaker 1: me back? Yeah? Yeah, you hear that? Yeah? Yeah? Oh

893
00:51:29,640 --> 00:51:33,680
Speaker 1: my god? Who busy? Keep going with the Emerson with me?

894
00:51:33,960 --> 00:51:38,200
Speaker 1: We don't any you're knowing that they lead a boy

895
00:51:38,360 --> 00:51:40,839
Speaker 1: like that in the Emerson You're out of your head.

896
00:51:41,440 --> 00:51:43,400
Speaker 1: He talks like he's got to like a fourth grade

897
00:51:43,560 --> 00:51:47,120
Speaker 1: education level. I mean, for god's sake, he's cheating on you.

898
00:51:47,280 --> 00:51:54,080
Speaker 1: Do you know? Hanging and take me back? What kind

899
00:51:54,120 --> 00:51:57,480
Speaker 1: of is that? I'm free right now to do what

900
00:51:57,560 --> 00:52:00,200
Speaker 1: I want and I'm honey if that's what you want

901
00:52:00,239 --> 00:52:02,759
Speaker 1: to do, but don't expect anything more than cigarette butts

902
00:52:02,800 --> 00:52:05,920
Speaker 1: and ashes for Christmas. Hey, you're calling you in there?

903
00:52:06,239 --> 00:52:10,640
Speaker 1: What is that going on? My roommate. It's just my

904
00:52:10,800 --> 00:52:19,000
Speaker 1: roommate case, that's not your roommate. I just yeah a voice, man, Yeah, yeah, yeah,

905
00:52:19,360 --> 00:52:21,960
Speaker 1: you're speaking out right now? Can you can you just

906
00:52:22,400 --> 00:52:24,719
Speaker 1: one second to get the hell out of your room.

907
00:52:24,800 --> 00:52:30,520
Speaker 1: I'm gonna draw over there, back with the splitter, slagging down,

908
00:52:30,600 --> 00:52:35,120
Speaker 1: back on my give out now, just hold on practice

909
00:52:35,160 --> 00:52:38,080
Speaker 1: in my rhymes, please, just like I will meet you

910
00:52:38,160 --> 00:52:40,839
Speaker 1: in fifteen minutes. That son of a bit out of there.

911
00:52:41,800 --> 00:52:44,080
Speaker 1: I got that drink could be purple, that could be paid.

912
00:52:44,360 --> 00:52:47,040
Speaker 1: Put that son of a bitch on the phone. He

913
00:52:47,160 --> 00:52:49,000
Speaker 1: wants to talk to me. Get the hell out of

914
00:52:49,080 --> 00:52:52,759
Speaker 1: my room. Young money, you're a piece of Yeah, she

915
00:52:52,880 --> 00:52:55,799
Speaker 1: want a stout. You already know though yelling in one's

916
00:52:55,840 --> 00:53:03,520
Speaker 1: destined poo, But I have tuned that via did God.

917
00:53:03,560 --> 00:53:05,520
Speaker 1: I wish, I wish I could just kick your ass

918
00:53:05,719 --> 00:53:09,399
Speaker 1: right now. I love your dude, I'm about you don't

919
00:53:09,440 --> 00:53:12,480
Speaker 1: love The only thing you love is acting like an idiot?

920
00:53:12,560 --> 00:53:14,840
Speaker 1: That was it? None? But we don't really play. You

921
00:53:15,000 --> 00:53:18,840
Speaker 1: disgust me. Can I have you doing his hand in marriage? No?

922
00:53:19,080 --> 00:53:22,239
Speaker 1: You can't. You You're not coming anywhere near this piece

923
00:53:22,280 --> 00:53:24,040
Speaker 1: of property. And I'm gonna get her out of that

924
00:53:24,120 --> 00:53:26,520
Speaker 1: school as soon as I can't you. Why are you

925
00:53:26,640 --> 00:53:29,920
Speaker 1: telling me that I'm about to girl and jay jazz

926
00:53:30,080 --> 00:53:33,480
Speaker 1: because I don't like you? Are you just deaf? Stupid?

927
00:53:33,840 --> 00:53:36,399
Speaker 1: Is it not clear you never met me. I don't

928
00:53:36,480 --> 00:53:39,160
Speaker 1: have to meet you. I can tell by your voice.

929
00:53:40,000 --> 00:53:44,200
Speaker 1: This convert taken right now. I don't want stitches. Male

930
00:53:44,280 --> 00:53:46,719
Speaker 1: tab wasn't a call back on the line. I don't

931
00:53:46,719 --> 00:53:48,759
Speaker 1: want to talk to you anymore. I don't think we're

932
00:53:48,800 --> 00:53:51,760
Speaker 1: gonna work at Why Why are you saying that because

933
00:53:51,840 --> 00:53:54,920
Speaker 1: your dad hates me? It doesn't matter what my dad thinks.

934
00:53:55,040 --> 00:53:58,720
Speaker 1: I love you. You know him. You don't know anything

935
00:53:58,800 --> 00:54:06,000
Speaker 1: about love what you do because he sold So what's through.

936
00:54:06,239 --> 00:54:09,360
Speaker 1: That's it. I don't want anything else to do with it. Goodbye.

937
00:54:09,600 --> 00:54:12,160
Speaker 1: I got to tell you how No, I don't want

938
00:54:12,160 --> 00:54:14,440
Speaker 1: to talk to you. Know that you've been phone tapped?

939
00:54:16,200 --> 00:54:22,160
Speaker 1: What this is? Scary jokes? The d of the Morning show,

940
00:54:23,120 --> 00:54:29,040
Speaker 1: So yeah, what is this? It's a radio joke. I

941
00:54:29,200 --> 00:54:31,920
Speaker 1: listened to the radio all the time and this isn't funny.

942
00:54:34,200 --> 00:54:41,520
Speaker 1: You call entertainment. Why would anybody listen to it? The

943
00:54:41,680 --> 00:54:47,720
Speaker 1: free money phone tapp, he's got a point. Thank you, Louise. Easy,

944
00:54:49,000 --> 00:54:50,960
Speaker 1: put your hands on the toilet and you lay on

945
00:54:51,080 --> 00:54:54,960
Speaker 1: the time garrel Okay, thank you, thank you easy. If

946
00:54:55,000 --> 00:54:56,440
Speaker 1: you have an idea for phone tap, let us know.

947
00:54:56,520 --> 00:54:59,200
Speaker 1: Go to Elvis Durand dot com and give us your idea.

948
00:54:59,400 --> 00:55:01,760
Speaker 1: Now it's time for you to win a one thousand

949
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Speaker 1: Betting dot com. One hundred right now at one eight

951
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952
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Speaker 1: thousand dollars again. That's one eight zero Elvis Durrand in

953
00:55:15,120 --> 00:55:17,359
Speaker 1: the Morning Shows, Brooklyn Petting Free money falls at open

954
00:55:17,520 --> 00:55:20,200
Speaker 1: just necessary avoid in Montana, New Mexico, Washington, and we're

955
00:55:20,200 --> 00:55:22,360
Speaker 1: prohibited open. I legal residents of the u s t C.

956
00:55:22,480 --> 00:55:24,680
Speaker 1: Eighteen and all their or official rules. Visit Elvis Durran

957
00:55:24,800 --> 00:55:30,800
Speaker 1: dot com. Oh, this is obnaxious. Elvis Durand in the

958
00:55:30,920 --> 00:55:35,439
Speaker 1: Morning Show. So several months ago, we were invited into

959
00:55:35,520 --> 00:55:39,360
Speaker 1: this big, huge, multibillion dollar recording studio, the kind you

960
00:55:39,440 --> 00:55:41,360
Speaker 1: see in videos and in movies and stuff, but you

961
00:55:41,440 --> 00:55:43,840
Speaker 1: never get to go into. And we sat down with

962
00:55:44,000 --> 00:55:47,800
Speaker 1: Julia Michaels to listen to her music, never before heard music,

963
00:55:48,280 --> 00:55:51,759
Speaker 1: and it was so cool, especially listening to Issues for

964
00:55:51,840 --> 00:55:55,680
Speaker 1: the very first time. But to watch Julia watch us

965
00:55:55,760 --> 00:55:57,560
Speaker 1: listen to her listening to her music was kind of

966
00:55:57,600 --> 00:56:01,360
Speaker 1: a surreal thing. So months later, like, what what was

967
00:56:01,440 --> 00:56:05,080
Speaker 1: going through your mind while we were listening to Issues?

968
00:56:05,880 --> 00:56:09,879
Speaker 1: I mean, what were you thinking? Well, yeah, no, it's

969
00:56:10,400 --> 00:56:13,040
Speaker 1: it's definitely different. I mean, I'm I'm not used to

970
00:56:13,200 --> 00:56:15,640
Speaker 1: That was kind of the first time anybody had heard

971
00:56:15,719 --> 00:56:19,200
Speaker 1: any of my music, including Issues, and it's so terrifying

972
00:56:19,200 --> 00:56:21,080
Speaker 1: because that's such a personal song for me, and it's

973
00:56:21,120 --> 00:56:24,359
Speaker 1: a very emotional song. And so you know, you're letting

974
00:56:24,640 --> 00:56:27,840
Speaker 1: essentially six strangers come into your life and listen to

975
00:56:28,400 --> 00:56:31,400
Speaker 1: your soul, and you're you know, they're they're judging you

976
00:56:31,440 --> 00:56:33,200
Speaker 1: on your emotions and you don't know how they're gonna

977
00:56:33,640 --> 00:56:35,200
Speaker 1: how they're going to handle it. But like it was,

978
00:56:35,320 --> 00:56:38,960
Speaker 1: it was awesome. We love you, and you can usually

979
00:56:39,000 --> 00:56:40,640
Speaker 1: tell right off the bat if someone doesn't like it.

980
00:56:40,680 --> 00:56:43,880
Speaker 1: And how do you imagine It's like if you were

981
00:56:43,920 --> 00:56:45,160
Speaker 1: to go in front of a crowd of people and

982
00:56:45,239 --> 00:56:48,359
Speaker 1: read your journal diary and like be like, okay, now

983
00:56:48,440 --> 00:56:50,919
Speaker 1: tell me what you think of my journal, that would

984
00:56:50,920 --> 00:56:53,239
Speaker 1: be so scary for most people. Right well, I think

985
00:56:53,320 --> 00:56:56,000
Speaker 1: also I've kind of in a way gotten used to

986
00:56:56,120 --> 00:57:00,280
Speaker 1: that because I've I've written very personal songs with other powl,

987
00:57:00,680 --> 00:57:03,359
Speaker 1: you know, so essentially I've had that. I've had people

988
00:57:03,480 --> 00:57:07,160
Speaker 1: kind of hear my emotions but never actually know that.

989
00:57:07,239 --> 00:57:10,799
Speaker 1: It was kind of also, you know me and somebody else,

990
00:57:10,880 --> 00:57:13,560
Speaker 1: have you ever those sat there and gone, I really

991
00:57:13,840 --> 00:57:17,280
Speaker 1: cannot one put this into words, and two I really

992
00:57:17,320 --> 00:57:18,760
Speaker 1: don't want this out there. I don't want them to

993
00:57:18,800 --> 00:57:22,520
Speaker 1: know this about me. No, I'm I'm a complete open book.

994
00:57:22,560 --> 00:57:26,440
Speaker 1: I mean I talk to anybody about everything, like literally everything.

995
00:57:27,640 --> 00:57:31,600
Speaker 1: Uh No, No, I'm I'm I'm very open about lots

996
00:57:31,640 --> 00:57:33,960
Speaker 1: of things. I'm also a very non confrontational person. So

997
00:57:34,320 --> 00:57:36,640
Speaker 1: a lot of the times, everything that I want to say,

998
00:57:36,840 --> 00:57:38,920
Speaker 1: it just like doesn't come out of my mouth. So

999
00:57:39,720 --> 00:57:41,880
Speaker 1: so I kind of always have things to write about

1000
00:57:41,880 --> 00:57:44,040
Speaker 1: because it's always in there. Well. One of the great

1001
00:57:44,080 --> 00:57:46,160
Speaker 1: things about Well, we'll take issues for Instanceance, we're on it,

1002
00:57:46,240 --> 00:57:48,200
Speaker 1: But any of the music you've written for yourself or

1003
00:57:48,320 --> 00:57:51,480
Speaker 1: for the millions of fantastic artists that have been successful

1004
00:57:51,520 --> 00:57:54,720
Speaker 1: through your music, is it so relatable? And it is

1005
00:57:55,240 --> 00:57:58,120
Speaker 1: just when I hear Issues, for instance, I think of

1006
00:57:58,240 --> 00:58:01,080
Speaker 1: how it applies to me, and that's how we all

1007
00:58:01,320 --> 00:58:04,240
Speaker 1: become fans of true artists like you. Another thing I

1008
00:58:04,280 --> 00:58:07,400
Speaker 1: have to say about Julia. She's a hugger. No no, no, no,

1009
00:58:07,480 --> 00:58:12,040
Speaker 1: not hug you like you climb people like tree you're

1010
00:58:12,080 --> 00:58:14,360
Speaker 1: looking for a tree house up here somewhere. Yes, I

1011
00:58:14,520 --> 00:58:20,040
Speaker 1: love hugs. You're very like Robinson. My dad is like

1012
00:58:20,160 --> 00:58:23,280
Speaker 1: super affectionate, so like my whole life, Like he's just

1013
00:58:23,400 --> 00:58:26,000
Speaker 1: like he'll hug people and like he's that guy that

1014
00:58:26,120 --> 00:58:28,680
Speaker 1: like when you go up to like a like when

1015
00:58:28,720 --> 00:58:30,720
Speaker 1: you're at a restaurant and the waiter comes up and

1016
00:58:30,720 --> 00:58:31,800
Speaker 1: they're like, what would you like to eat? And he'll

1017
00:58:31,800 --> 00:58:34,040
Speaker 1: like put put his hand on their shoulder and goes, hey, brother,

1018
00:58:34,080 --> 00:58:36,480
Speaker 1: how are you doing. Yeah, I will have and I'm like, dad, no,

1019
00:58:36,680 --> 00:58:38,640
Speaker 1: you can't do that. And then like as I got older,

1020
00:58:38,680 --> 00:58:40,200
Speaker 1: I do the same thing now. And it's just like

1021
00:58:40,640 --> 00:58:42,840
Speaker 1: we're just a very affectionate family. So anytime I meet

1022
00:58:42,920 --> 00:58:45,720
Speaker 1: somebody and I really like them, I'm like, and you

1023
00:58:45,880 --> 00:58:50,280
Speaker 1: just attack. But that's that's the sign of a true artist.

1024
00:58:50,360 --> 00:58:52,040
Speaker 1: I mean you do it through your words as well.

1025
00:58:52,120 --> 00:58:54,080
Speaker 1: You don't have to you can hear Julia Michael song

1026
00:58:54,080 --> 00:58:55,280
Speaker 1: and you don't have to be in the room with her,

1027
00:58:55,360 --> 00:58:58,320
Speaker 1: but you feel her with you and I think you.

1028
00:58:58,640 --> 00:59:00,800
Speaker 1: Like my boyfriend's like, what's wrong, I'm like, oh, you

1029
00:59:00,840 --> 00:59:03,400
Speaker 1: know nothing, you'll find out. I'm fine, you know, like

1030
00:59:03,560 --> 00:59:06,320
Speaker 1: the I'm fine, I'm fine, And then he's like, cool,

1031
00:59:06,360 --> 00:59:10,760
Speaker 1: I'll just wait for your next song out. It's funny though,

1032
00:59:10,760 --> 00:59:13,720
Speaker 1: because it gets to the point where like like friends

1033
00:59:13,800 --> 00:59:16,439
Speaker 1: of mine or like people that I work with, they're

1034
00:59:16,440 --> 00:59:18,120
Speaker 1: like emailed me and they're like, hey, I just heard

1035
00:59:18,160 --> 00:59:24,400
Speaker 1: the new song. Are you okay. I'm totally fine. I'm good,

1036
00:59:24,480 --> 00:59:26,720
Speaker 1: And I'll tell you We had a chester from Lincoln Park. Here,

1037
00:59:26,720 --> 00:59:31,280
Speaker 1: a couple of weeks ago. Ok, here we go. He

1038
00:59:31,440 --> 00:59:34,480
Speaker 1: was talking about doing a writing session with you and

1039
00:59:34,640 --> 00:59:38,000
Speaker 1: you're writing partner Justin, and he said, at one point,

1040
00:59:38,120 --> 00:59:40,320
Speaker 1: you were lying down and Justin was petting me like

1041
00:59:40,400 --> 00:59:42,919
Speaker 1: a cat. You know, he was petting you like a cat,

1042
00:59:43,440 --> 00:59:46,160
Speaker 1: and you were purring, and as you purred, music came out.

1043
00:59:46,560 --> 00:59:48,560
Speaker 1: Oh my god, I'm like, what are you smoking in

1044
00:59:48,640 --> 00:59:52,840
Speaker 1: these sessions? I mean, he probably thought we were just insane.

1045
00:59:52,920 --> 00:59:55,480
Speaker 1: Like Justin and I have been writing partners for three

1046
00:59:55,600 --> 00:59:59,360
Speaker 1: years now, so you're basically married with Yeah, I call

1047
00:59:59,440 --> 01:00:01,880
Speaker 1: him my song husband. Like, we just have this dynamic

1048
01:00:01,960 --> 01:00:03,680
Speaker 1: in the studio, Like he'll just like put his head

1049
01:00:03,680 --> 01:00:05,800
Speaker 1: on my lap. He's like, well, rub my head. I

1050
01:00:05,840 --> 01:00:08,080
Speaker 1: will just be like I'll just be like rubbing his head,

1051
01:00:08,120 --> 01:00:16,240
Speaker 1: and I'm like he's like, you're a genius. And then

1052
01:00:16,280 --> 01:00:18,680
Speaker 1: we'll just like kind of like try and figure everything out.

1053
01:00:18,720 --> 01:00:20,960
Speaker 1: But like we just have this like weird dynamic in

1054
01:00:21,000 --> 01:00:23,320
Speaker 1: the studio that to like the outside world, we probably

1055
01:00:23,480 --> 01:00:27,600
Speaker 1: look just like psychotic. It's totally fine. It's really great

1056
01:00:28,000 --> 01:00:29,960
Speaker 1: a lesson for all of us. We all need that

1057
01:00:30,120 --> 01:00:32,400
Speaker 1: partner in life no matter what we're doing. If you're

1058
01:00:32,400 --> 01:00:36,760
Speaker 1: working at the drive through window at the insurance to

1059
01:00:36,880 --> 01:00:41,720
Speaker 1: have that work husband or partner, it's fantastic. But because

1060
01:00:41,760 --> 01:00:46,120
Speaker 1: they're amazing, like Lincoln Park, you know, like sometimes you're

1061
01:00:46,200 --> 01:00:48,120
Speaker 1: like because I grew up listening to them, and sometimes

1062
01:00:48,160 --> 01:00:50,320
Speaker 1: you get really nervous to meet people that you look

1063
01:00:50,400 --> 01:00:53,400
Speaker 1: up to because you just never know. And we had

1064
01:00:53,640 --> 01:00:55,960
Speaker 1: just that one session with them. We were there for

1065
01:00:56,080 --> 01:00:58,600
Speaker 1: like a two hours, and it's like, I'm like, I'm

1066
01:00:58,640 --> 01:01:02,560
Speaker 1: a perfectionist to a fall, like I take myself very

1067
01:01:02,640 --> 01:01:06,040
Speaker 1: seriously like a good at the time, and being with them,

1068
01:01:06,080 --> 01:01:08,080
Speaker 1: it's like they take themselves seriously when they need to.

1069
01:01:08,640 --> 01:01:12,880
Speaker 1: But is just them having fun and doing every session

1070
01:01:12,960 --> 01:01:15,200
Speaker 1: and every interview like it's their first one. And it's

1071
01:01:15,280 --> 01:01:17,960
Speaker 1: like it's like, oh great, you don't have to you

1072
01:01:18,120 --> 01:01:20,520
Speaker 1: don't have to like put so much pressure on yourself.

1073
01:01:21,160 --> 01:01:25,880
Speaker 1: They've taught me so much. Chester is just every single

1074
01:01:25,920 --> 01:01:28,720
Speaker 1: time I see Mike or or Chester, like on FaceTime

1075
01:01:28,840 --> 01:01:30,920
Speaker 1: or something, I'm like, they have the biggest smiles every

1076
01:01:30,920 --> 01:01:34,320
Speaker 1: time I see my Like Mike soa every single time.

1077
01:01:35,160 --> 01:01:38,040
Speaker 1: I'm sure he's never heard that. All Right, Okay, okay,

1078
01:01:38,080 --> 01:01:40,160
Speaker 1: let's go backwards, and let's go a little backwards. And

1079
01:01:40,160 --> 01:01:43,200
Speaker 1: then come back to today and tomorrow. Hands to Myself,

1080
01:01:43,640 --> 01:01:48,360
Speaker 1: Selena Gomez. Sorry, Justin Bieber listening to the story about

1081
01:01:48,440 --> 01:01:50,680
Speaker 1: how he bought into that song is really interesting, Hailey

1082
01:01:50,720 --> 01:01:57,760
Speaker 1: Steinfeld Love Myself, which is about masturbation. Yes, and of

1083
01:01:57,800 --> 01:02:00,880
Speaker 1: course heavy with Lincoln Park and Kira Now, I mean,

1084
01:02:00,920 --> 01:02:03,120
Speaker 1: you could have stopped there just writing these songs and

1085
01:02:03,240 --> 01:02:07,400
Speaker 1: other people performing them, but you, Julia, you decided, well, no, no, no, no,

1086
01:02:07,600 --> 01:02:10,120
Speaker 1: I need to be recording some of these songs. Talk

1087
01:02:10,160 --> 01:02:13,280
Speaker 1: about why, what? What's the thinking there? I think at

1088
01:02:13,320 --> 01:02:16,520
Speaker 1: a certain point you start to get comfortable with hiding

1089
01:02:16,600 --> 01:02:21,400
Speaker 1: behind people, and then you sort of lose yourself a

1090
01:02:21,480 --> 01:02:24,360
Speaker 1: little bit and you lose your voice, and then one

1091
01:02:24,400 --> 01:02:27,280
Speaker 1: day you just wake up and you're like, I need

1092
01:02:27,360 --> 01:02:29,880
Speaker 1: to do this for myself. You know. I'm like, I'm

1093
01:02:29,920 --> 01:02:32,919
Speaker 1: a very insecure person, as you probably already can tell,

1094
01:02:33,760 --> 01:02:35,720
Speaker 1: I'm not I'm not seeing that at all. Okay, good,

1095
01:02:35,720 --> 01:02:39,640
Speaker 1: I had it. Well. I think for a very long time,

1096
01:02:39,720 --> 01:02:43,080
Speaker 1: my be insecure side of my brain took over the

1097
01:02:43,160 --> 01:02:46,760
Speaker 1: side that was confident, you know, the part that's like

1098
01:02:46,920 --> 01:02:50,640
Speaker 1: you're not good enough always kind of outweighed the confident side.

1099
01:02:51,320 --> 01:02:53,360
Speaker 1: And I think just one day you wake up and

1100
01:02:53,440 --> 01:02:56,280
Speaker 1: you're just like, I have to do this. Well. Two

1101
01:02:56,320 --> 01:02:58,120
Speaker 1: things coming to mind. First of all, soon hiding behind

1102
01:02:58,200 --> 01:03:02,080
Speaker 1: Justin Bieber is an interesting concert. I love Justin hiding

1103
01:03:02,120 --> 01:03:06,080
Speaker 1: behind the words that I write. But secondly, I must

1104
01:03:06,120 --> 01:03:07,640
Speaker 1: assume and tell me if I'm right or wrong. It

1105
01:03:07,920 --> 01:03:11,400
Speaker 1: must have been a terrifying step to take completely to

1106
01:03:11,480 --> 01:03:13,600
Speaker 1: get into the microphone and to let the light shine

1107
01:03:13,640 --> 01:03:15,560
Speaker 1: on your face while you're singing your words, talk talk

1108
01:03:15,560 --> 01:03:17,640
Speaker 1: about what that felt like or and continues to feel like.

1109
01:03:17,840 --> 01:03:20,880
Speaker 1: I mean, I've been writing professionally for seven years, since

1110
01:03:20,920 --> 01:03:24,120
Speaker 1: I was sixteen. The nerves when you have been doing

1111
01:03:24,160 --> 01:03:26,640
Speaker 1: that for so long just go away. You know you you,

1112
01:03:26,880 --> 01:03:28,360
Speaker 1: you find out who you are, you put your ten

1113
01:03:28,400 --> 01:03:31,160
Speaker 1: thousand hours in and like you just get so comfortable

1114
01:03:31,280 --> 01:03:34,400
Speaker 1: with that part of your life. And going from that

1115
01:03:34,560 --> 01:03:37,120
Speaker 1: to being like in the spotlight doing interviews and photo

1116
01:03:37,160 --> 01:03:39,600
Speaker 1: shoots and performances. I mean, it's just it's such a

1117
01:03:39,680 --> 01:03:44,560
Speaker 1: different part of your brain. I have terrible performance anxiety.

1118
01:03:45,520 --> 01:03:48,080
Speaker 1: I can stand on the silent stage and be like, yeah,

1119
01:03:48,120 --> 01:03:49,560
Speaker 1: I got this, and then go out there and be like,

1120
01:03:50,480 --> 01:03:53,800
Speaker 1: is anyone else's really super dry? Because I can't breathe.

1121
01:03:54,360 --> 01:03:56,160
Speaker 1: I'm going to pass out. My feet are shaking and

1122
01:03:56,240 --> 01:03:59,000
Speaker 1: my shoes. Anyone else sweating from the tops of their shoulders,

1123
01:03:59,040 --> 01:04:01,680
Speaker 1: like I don't understand this. Uh will you be like

1124
01:04:01,760 --> 01:04:03,880
Speaker 1: that with us in a few minutes? Most likely? Were

1125
01:04:03,920 --> 01:04:06,880
Speaker 1: you like follon the other night? Oh my god? Yes?

1126
01:04:07,200 --> 01:04:09,080
Speaker 1: So then what so? Then what do you do? What

1127
01:04:09,160 --> 01:04:15,480
Speaker 1: do you do? I just bear it? And then at

1128
01:04:15,520 --> 01:04:18,800
Speaker 1: the end I did that. At the end, I go, okay,

1129
01:04:20,200 --> 01:04:22,439
Speaker 1: don I can breathe. Now do you ever regret making

1130
01:04:22,480 --> 01:04:25,120
Speaker 1: the leap? Do you ever? Do you ever go? Gosh?

1131
01:04:25,200 --> 01:04:26,560
Speaker 1: It would just be so ch simple if I just

1132
01:04:26,600 --> 01:04:28,520
Speaker 1: wrote the songs and mailed them to them. I mean,

1133
01:04:28,560 --> 01:04:31,960
Speaker 1: I definitely have have weak moments where I wake up

1134
01:04:32,000 --> 01:04:34,720
Speaker 1: and I'm like this is so overwhelming, Like I can't

1135
01:04:34,760 --> 01:04:37,160
Speaker 1: do this. But then I'll go on Twitter and I'll

1136
01:04:37,200 --> 01:04:41,000
Speaker 1: see all these young fans. I have fans so weird

1137
01:04:41,480 --> 01:04:43,640
Speaker 1: that are like we love you, and like we we

1138
01:04:43,800 --> 01:04:45,640
Speaker 1: love what you what you say and what you do,

1139
01:04:45,840 --> 01:04:48,840
Speaker 1: and like that stuff is like oh, I can't stop now,

1140
01:04:49,160 --> 01:04:51,040
Speaker 1: you know. It's like it's that kind of stuff too,

1141
01:04:51,120 --> 01:04:54,960
Speaker 1: And like also, I wouldn't be doing this if I

1142
01:04:55,120 --> 01:04:57,320
Speaker 1: wasn't if I didn't want to put myself in a

1143
01:04:57,360 --> 01:05:00,760
Speaker 1: position to be vulnerable. That's what the whole thing is.

1144
01:05:01,040 --> 01:05:05,120
Speaker 1: It's just like allowing people to see me. And that's

1145
01:05:05,240 --> 01:05:07,240
Speaker 1: like I wouldn't I wouldn't do this if I wasn't

1146
01:05:07,280 --> 01:05:09,320
Speaker 1: ready for that, you know. And then that's how you

1147
01:05:09,400 --> 01:05:12,000
Speaker 1: know that the people who are supporting you are actually

1148
01:05:12,040 --> 01:05:16,160
Speaker 1: supporting you because you were so vulnerable completely. Think that

1149
01:05:16,240 --> 01:05:18,160
Speaker 1: that's a lesson that everybody can learn, is if you're

1150
01:05:18,200 --> 01:05:20,640
Speaker 1: brave enough to show who you actually are, the people

1151
01:05:20,680 --> 01:05:22,080
Speaker 1: who rise up to meet you are the people you

1152
01:05:22,120 --> 01:05:26,240
Speaker 1: can trust because completely they see you completely. And I luckily,

1153
01:05:26,400 --> 01:05:31,240
Speaker 1: I luckily surround myself with the most genuine, beautiful people

1154
01:05:31,560 --> 01:05:34,280
Speaker 1: that I possibly can. I mean, my manager Bacca, and

1155
01:05:34,400 --> 01:05:36,520
Speaker 1: my guitarists out there, Dan, I mean, there's some of

1156
01:05:36,520 --> 01:05:38,320
Speaker 1: the best people I've ever met, and I just I

1157
01:05:38,400 --> 01:05:41,320
Speaker 1: try to keep the ones that are just authentic and

1158
01:05:41,440 --> 01:05:44,800
Speaker 1: genuine around. What is it in this journey you're expecting

1159
01:05:45,080 --> 01:05:49,480
Speaker 1: to happen? I don't really have an end goal or

1160
01:05:49,880 --> 01:05:54,240
Speaker 1: anything like that. I just want to feel connected two

1161
01:05:54,320 --> 01:05:57,240
Speaker 1: people and them feel connected to me. When I was thirteen,

1162
01:05:57,280 --> 01:06:01,040
Speaker 1: there was an artist her music was just so that

1163
01:06:01,160 --> 01:06:04,880
Speaker 1: I was like, oh, she knows exactly how I feel.

1164
01:06:05,080 --> 01:06:06,600
Speaker 1: I don't know this person at all, but this is

1165
01:06:06,680 --> 01:06:08,840
Speaker 1: exactly what I'm going through and I want to be

1166
01:06:08,960 --> 01:06:12,040
Speaker 1: that person for that thirteen year old girl. Excellent. All right,

1167
01:06:12,080 --> 01:06:17,320
Speaker 1: are you getting nervous you're about to sing? Yes? Whatever

1168
01:06:17,360 --> 01:06:19,360
Speaker 1: is being a bad note? Oh god? What happens if

1169
01:06:19,560 --> 01:06:21,600
Speaker 1: the floor falls over down? And what if you do

1170
01:06:21,720 --> 01:06:23,840
Speaker 1: fall through to the second floor? Literally? Yeah, I'm like,

1171
01:06:23,920 --> 01:06:28,440
Speaker 1: what if Dan strength break mid performance? The worst? Stop it?

1172
01:06:29,560 --> 01:06:44,480
Speaker 1: All right, let's do it. Issues Julia Michaels Elvis Hello, Hello,

1173
01:06:45,600 --> 01:06:50,440
Speaker 1: real name Elvis, Beyonce Marshall. Mothers Durand is Elvis Durand

1174
01:06:50,640 --> 01:06:54,440
Speaker 1: in the Morning show? Are you single? That's okay? Are

1175
01:06:54,520 --> 01:06:57,320
Speaker 1: you dating on Match? If you're single and not dating

1176
01:06:57,360 --> 01:06:59,920
Speaker 1: on Match, then you're really missing out. Search and connect

1177
01:07:00,040 --> 01:07:03,840
Speaker 1: for free today only at match dot com, slash Elvis.

1178
01:07:04,040 --> 01:07:06,680
Speaker 1: That's m A. T. C h dot com slash Elvis.

1179
01:07:08,440 --> 01:07:28,360
Speaker 1: I just got your show. Yeah, it's awesome. Phones like

1180
01:07:31,880 --> 01:07:38,920
Speaker 1: fun to listen to throw me Elvis show. That reminds me.

1181
01:07:39,040 --> 01:07:43,600
Speaker 1: I received a very very condescending, awful negative email from Mr.

1182
01:07:43,720 --> 01:07:47,080
Speaker 1: Program Director. What's his issue? Saying we're not playing enough music.

1183
01:07:47,600 --> 01:07:49,080
Speaker 1: Oh you know you do want to do us talk?

1184
01:07:49,760 --> 01:07:51,200
Speaker 1: Well no, but okay, Well I'm gonna get to you

1185
01:07:51,200 --> 01:07:53,040
Speaker 1: in a second. Can you hold on, Mr Program Director,

1186
01:07:53,120 --> 01:07:55,800
Speaker 1: Just hold that thought. We need to go talk to Melissa,

1187
01:07:56,040 --> 01:07:58,800
Speaker 1: who we totally screwed up with. Melissa. My apologies for

1188
01:07:58,960 --> 01:08:05,000
Speaker 1: not giving you your prize that you rightfully one, yeah

1189
01:08:05,280 --> 01:08:07,840
Speaker 1: and deserve, like ten minutes ago when you're supposed to

1190
01:08:07,880 --> 01:08:10,240
Speaker 1: get it. Do not worry. I'm so glad. I'm even

1191
01:08:10,320 --> 01:08:13,680
Speaker 1: coste to you guys right now, Okay, with the never mind,

1192
01:08:13,720 --> 01:08:20,400
Speaker 1: we'll take its. Melissa calling from Portsmouth, New Hampshire. Yes,

1193
01:08:21,280 --> 01:08:23,479
Speaker 1: you heard the free money phone tap and you did

1194
01:08:23,600 --> 01:08:29,920
Speaker 1: win your You have one a thousand dollar cash gift

1195
01:08:30,000 --> 01:08:33,360
Speaker 1: card courtesy of Brooklyn Betting dot com. If you use

1196
01:08:33,400 --> 01:08:35,880
Speaker 1: the code radio at Brooklyn Betting dot com, you get

1197
01:08:35,920 --> 01:08:38,200
Speaker 1: five percent off your mattress, two free pillows, a set

1198
01:08:38,240 --> 01:08:40,720
Speaker 1: of sheets. We all on the show love them so much.

1199
01:08:40,800 --> 01:08:42,560
Speaker 1: I sleep on it every night. Froggy, I know you

1200
01:08:43,240 --> 01:08:45,920
Speaker 1: and Caden have like a thing about it, right I do.

1201
01:08:46,120 --> 01:08:49,360
Speaker 1: My my son is allergic to everything, and so his

1202
01:08:49,560 --> 01:08:52,120
Speaker 1: doctor prescribed him a new mattress and it was a

1203
01:08:52,200 --> 01:08:55,639
Speaker 1: Brooklyn betting mattress because they're type of allergenic and there's

1204
01:08:55,680 --> 01:08:57,720
Speaker 1: so much better for you. So, Melissa, because we made

1205
01:08:57,760 --> 01:09:00,439
Speaker 1: you wait so long after we won, going to give

1206
01:09:00,439 --> 01:09:02,280
Speaker 1: you the thousand dollar cash gift card, but we also

1207
01:09:02,320 --> 01:09:06,800
Speaker 1: want to give you a mattress from Brooklyn bag. Oh

1208
01:09:06,920 --> 01:09:14,840
Speaker 1: my god, whoa, I've giving it all away. What station

1209
01:09:14,880 --> 01:09:17,120
Speaker 1: do you listen to? I listened to the prize station.

1210
01:09:20,200 --> 01:09:22,960
Speaker 1: Who are you listening to in Portsmouth? I listened to

1211
01:09:23,520 --> 01:09:31,760
Speaker 1: one seven? Yeah ye, shoving up firms. You know some

1212
01:09:32,479 --> 01:09:34,720
Speaker 1: thousand dollars. Spend it anyway you want, and and a

1213
01:09:34,920 --> 01:09:36,759
Speaker 1: mattress is on the way to you. We love you, Melissa,

1214
01:09:36,840 --> 01:09:41,160
Speaker 1: Thank you, I love you. Guys who hold one, have

1215
01:09:41,240 --> 01:09:44,479
Speaker 1: fun with your mattress. Fun with that mattress. All right,

1216
01:09:44,600 --> 01:09:48,760
Speaker 1: Mr Program director, I'll get to you in a second. Betty,

1217
01:09:48,760 --> 01:09:50,600
Speaker 1: good music. I'm sorry, what did you say? What is

1218
01:09:50,800 --> 01:09:56,639
Speaker 1: from Brooklyn? Meta music? Little so? Yeah? Mr Program director

1219
01:09:56,720 --> 01:09:58,559
Speaker 1: sends me. I'll get to it now. Sends me an

1220
01:09:58,600 --> 01:10:02,759
Speaker 1: email to come attention that you're not playing enough music. However,

1221
01:10:02,840 --> 01:10:05,439
Speaker 1: you say enough music on our show. He wants to

1222
01:10:05,560 --> 01:10:09,080
Speaker 1: stop talking and play more music. Yeah, well, you know

1223
01:10:09,240 --> 01:10:12,000
Speaker 1: for example, you just had Julia Bichael thought she was great,

1224
01:10:12,400 --> 01:10:14,479
Speaker 1: but you should have had her playball music and Nott

1225
01:10:14,479 --> 01:10:18,640
Speaker 1: have cut her off. Okay, all right, well, is there

1226
01:10:18,640 --> 01:10:20,720
Speaker 1: anything else that you would like us to cut out? Like?

1227
01:10:20,800 --> 01:10:23,400
Speaker 1: Are there certain topics we've had you think weren't worth it?

1228
01:10:25,240 --> 01:10:28,840
Speaker 1: That topic trade is not exactly exactly a cloud. Please,

1229
01:10:28,840 --> 01:10:34,000
Speaker 1: I'd much rather hear like a brutal boss. We all

1230
01:10:34,080 --> 01:10:37,439
Speaker 1: love brutal bars, but we also love topic training. I mean,

1231
01:10:37,479 --> 01:10:41,920
Speaker 1: we can't we have a balance of both. More brutal boss,

1232
01:10:41,960 --> 01:10:47,080
Speaker 1: please bore brutal. Okay, what about a couple hours ago

1233
01:10:47,120 --> 01:10:49,400
Speaker 1: we were talking about Humpty Dumpty. Did you like that

1234
01:10:49,520 --> 01:10:55,080
Speaker 1: conversation we played the Humpty dance to? That? Was? That

1235
01:10:55,200 --> 01:10:58,840
Speaker 1: was music? It was music, But it's not exactly the

1236
01:10:58,880 --> 01:11:01,080
Speaker 1: good music that we should be playing, you know. So

1237
01:11:01,160 --> 01:11:04,200
Speaker 1: what should we be playing other than bruto bars? Well, exactly,

1238
01:11:04,200 --> 01:11:09,920
Speaker 1: I'm a big big fan of the chain Smokers, Okay,

1239
01:11:10,080 --> 01:11:13,880
Speaker 1: the Shade Smokers. Have you ever thought about blowing your nose?

1240
01:11:14,439 --> 01:11:17,160
Speaker 1: And maybe you know that? I tell you, sometimes I

1241
01:11:17,280 --> 01:11:20,519
Speaker 1: do enjoy the the enterator report that bed Yell does.

1242
01:11:20,600 --> 01:11:26,760
Speaker 1: I think that's very good. Sometimes sometimes that's a good Republican. Well,

1243
01:11:26,880 --> 01:11:30,200
Speaker 1: thank you, duly noted Mr Program director, you very much.

1244
01:11:30,240 --> 01:11:32,000
Speaker 1: You just continue to follow the full bad it would

1245
01:11:32,000 --> 01:11:33,360
Speaker 1: be great, all right you and your d V hit

1246
01:11:33,400 --> 01:11:36,080
Speaker 1: accept him. Have a nice day. Thank you. Hey, I

1247
01:11:36,160 --> 01:11:38,479
Speaker 1: have to say a big thank you to our new

1248
01:11:38,560 --> 01:11:41,360
Speaker 1: best friends who brought us some pizza today. Look, people

1249
01:11:41,400 --> 01:11:44,200
Speaker 1: always ask us from near and far, where do you

1250
01:11:44,200 --> 01:11:46,320
Speaker 1: get great pizza in New York City? Well, it's in

1251
01:11:46,320 --> 01:11:52,719
Speaker 1: an impossible question to answer. Speedy Roma. They are started

1252
01:11:52,760 --> 01:11:55,880
Speaker 1: in Brooklyn. Now they're on Manhattan's Lower east Side. They

1253
01:11:55,960 --> 01:11:58,600
Speaker 1: delivered to my house fabulous. They now moved it up

1254
01:11:58,600 --> 01:12:01,360
Speaker 1: to a hundred seats in their Lower or east Side location.

1255
01:12:01,920 --> 01:12:05,320
Speaker 1: But their pizzas are very unique. For instance, the St. Louis.

1256
01:12:05,320 --> 01:12:07,280
Speaker 1: If you're listening to St. Louis, you understand if you

1257
01:12:07,320 --> 01:12:10,200
Speaker 1: go to Emos in St. Louis, you know that they

1258
01:12:10,400 --> 01:12:13,679
Speaker 1: use that provel cheese. So they have a St. Louis

1259
01:12:13,720 --> 01:12:17,000
Speaker 1: that has proveled cheese on it and spicy sausage in Jalapenos.

1260
01:12:17,360 --> 01:12:19,519
Speaker 1: Didn't they call you that in high school? Sausage? No

1261
01:12:19,840 --> 01:12:25,720
Speaker 1: provel cheese, spicy sausage. The lower the ode to the

1262
01:12:25,800 --> 01:12:28,320
Speaker 1: Lower east Side, not the load the ode. It's called

1263
01:12:28,560 --> 01:12:32,479
Speaker 1: Paul's Boutique. It has CATS's Deli pastrami with Housemaid Thousand

1264
01:12:32,520 --> 01:12:35,640
Speaker 1: Island on an everything bagel crust. We just had that.

1265
01:12:36,640 --> 01:12:38,360
Speaker 1: That's the name of the Beastie Boys album and that's

1266
01:12:38,360 --> 01:12:40,720
Speaker 1: where they record. Oh my scary, Oh my god, we're

1267
01:12:40,800 --> 01:12:43,800
Speaker 1: making connections. I like the white pizza. What was the

1268
01:12:43,840 --> 01:12:47,439
Speaker 1: white one? It's called the white pizza actually asked for

1269
01:12:47,600 --> 01:12:51,360
Speaker 1: my name's very spicy. It's so good. That means they're

1270
01:12:51,360 --> 01:12:54,720
Speaker 1: pizzas are fantasic. Thank you to thank you to them

1271
01:12:54,720 --> 01:12:57,040
Speaker 1: for coming in. Justin used to be with Jean Jrour

1272
01:12:57,640 --> 01:12:59,479
Speaker 1: for many years. Now has his own restaurant, you know.

1273
01:12:59,600 --> 01:13:02,880
Speaker 1: And this is my favorite part, not only the incredible pizza.

1274
01:13:02,920 --> 01:13:05,559
Speaker 1: We ate the story. This guy was on the road

1275
01:13:05,600 --> 01:13:08,320
Speaker 1: opening up restaurants for Geen George for a thousand years

1276
01:13:08,560 --> 01:13:10,200
Speaker 1: and one day he decided, I can do this, and

1277
01:13:10,240 --> 01:13:13,080
Speaker 1: he's doing it and he's succeeding, and uh so, support

1278
01:13:13,160 --> 01:13:15,559
Speaker 1: your local pizza, your pizza places. And they do more

1279
01:13:15,600 --> 01:13:18,680
Speaker 1: than pizza. They have all sorts of dishes. But we

1280
01:13:18,840 --> 01:13:22,000
Speaker 1: love you, we love you speedy Romeo and they were speedy.

1281
01:13:22,040 --> 01:13:25,200
Speaker 1: They got here so fast. What else we want to

1282
01:13:25,240 --> 01:13:26,680
Speaker 1: get to. We have to do sound with the one

1283
01:13:26,720 --> 01:13:29,200
Speaker 1: and only Garrett. Yes, great to the front. Boy still

1284
01:13:29,240 --> 01:13:32,519
Speaker 1: hasn't eaten a cigarette? Is that for real? I mean, guys,

1285
01:13:32,640 --> 01:13:36,200
Speaker 1: that was you're not supposed to see. You smoked a

1286
01:13:36,200 --> 01:13:38,280
Speaker 1: cigarette last night and you're not You're not supposed to

1287
01:13:38,280 --> 01:13:41,080
Speaker 1: smoke because you are a smoker. I am not a smoker.

1288
01:13:41,880 --> 01:13:43,760
Speaker 1: We're not giving you hell for smoking. We're giving you

1289
01:13:43,840 --> 01:13:46,400
Speaker 1: hell for making us try to believe you're not a smoker.

1290
01:13:46,520 --> 01:13:48,360
Speaker 1: Let's go around the room. We'll start with you, Froggy.

1291
01:13:48,400 --> 01:13:50,800
Speaker 1: What's on your mind today, Elvis? Yesterday was the worst

1292
01:13:50,880 --> 01:13:53,160
Speaker 1: day ever, and I want to tell you why. What's that?

1293
01:13:53,960 --> 01:13:55,600
Speaker 1: We went to go to dinner last night and my

1294
01:13:55,800 --> 01:13:58,519
Speaker 1: favorite chain restaurant across the street from my house had

1295
01:13:58,600 --> 01:14:03,400
Speaker 1: closed its doors. Oh god, I don't have any idea.

1296
01:14:04,439 --> 01:14:07,479
Speaker 1: I drove by Applebee's on Saturday, booming business. We went

1297
01:14:07,520 --> 01:14:11,040
Speaker 1: to have dinner there last night. Says out of business

1298
01:14:11,240 --> 01:14:16,040
Speaker 1: closed for real estate inquiries call this number, you know.

1299
01:14:16,120 --> 01:14:17,960
Speaker 1: Sometimes it ISN'TO restaurants fault. I don't hear. In New

1300
01:14:18,000 --> 01:14:20,000
Speaker 1: York City, we're having a problem. Great restaurants are closing

1301
01:14:20,040 --> 01:14:24,080
Speaker 1: because the landlords are charging crazy rent and it doesn't

1302
01:14:24,080 --> 01:14:25,800
Speaker 1: make sense business. Where are we gonna eat? What's my

1303
01:14:25,880 --> 01:14:28,160
Speaker 1: family gonna do? I hear, I hear you. We have

1304
01:14:28,240 --> 01:14:30,519
Speaker 1: a food report tomorrow and then we do it in

1305
01:14:30,520 --> 01:14:33,000
Speaker 1: the food report. All right? What is going on other

1306
01:14:33,080 --> 01:14:36,680
Speaker 1: than sadness from the closing Applebe's no, that's it. The

1307
01:14:36,760 --> 01:14:39,600
Speaker 1: family last night was just it was a bad night. Devastated.

1308
01:14:40,439 --> 01:14:43,439
Speaker 1: I'm so sorry. What about you, Bethany, any devastation you

1309
01:14:43,479 --> 01:14:46,960
Speaker 1: want to report today? Happy news? Happy news? Uh? You

1310
01:14:47,160 --> 01:14:49,439
Speaker 1: just have those amazing friends in your life who love

1311
01:14:49,479 --> 01:14:51,519
Speaker 1: you through everything. I have to give a shout out

1312
01:14:51,560 --> 01:14:54,240
Speaker 1: to producer Sam because she came over to my house

1313
01:14:54,320 --> 01:14:55,920
Speaker 1: last night. We were getting ready to go to this

1314
01:14:56,120 --> 01:14:59,439
Speaker 1: gala for musicians on call and I had a last

1315
01:14:59,560 --> 01:15:02,280
Speaker 1: minute I hate everything I'm wearing moment and I just

1316
01:15:02,400 --> 01:15:05,400
Speaker 1: like ripped my clothes off and I found this other dress.

1317
01:15:05,400 --> 01:15:07,040
Speaker 1: I hadn't worn it in years, and I wasn't sure

1318
01:15:07,080 --> 01:15:10,280
Speaker 1: if it fit or not. And so Sam, bless her heart,

1319
01:15:10,400 --> 01:15:13,320
Speaker 1: stood behind me and made that zipper go up, not

1320
01:15:13,560 --> 01:15:16,840
Speaker 1: every ounce of strength in her yoga arms, and I

1321
01:15:17,000 --> 01:15:19,000
Speaker 1: was like, this is a friendship. Is that why you're

1322
01:15:19,040 --> 01:15:21,920
Speaker 1: still wearing it today. Yeah, she's just like, there was

1323
01:15:21,960 --> 01:15:23,680
Speaker 1: no judgment. She was just like, I love you, I'm

1324
01:15:23,680 --> 01:15:25,320
Speaker 1: gonna make this work, and she did it. So I

1325
01:15:25,400 --> 01:15:31,760
Speaker 1: love you, Sam, You're amazing. What's up? I don't know

1326
01:15:31,800 --> 01:15:34,040
Speaker 1: if other people have this problem at work, But that

1327
01:15:34,360 --> 01:15:37,240
Speaker 1: stall in the bathroom that you don't go into because

1328
01:15:37,320 --> 01:15:41,040
Speaker 1: it's that's the bathroom where everybody does their stuff. I

1329
01:15:41,160 --> 01:15:44,719
Speaker 1: do not understand how you don't look and make sure

1330
01:15:45,360 --> 01:15:48,519
Speaker 1: things go down the bowl. But every day that first

1331
01:15:48,560 --> 01:15:52,120
Speaker 1: stall in the woman's bathroom, it's either the same person

1332
01:15:52,280 --> 01:15:55,439
Speaker 1: coming in or that's just the soul that attracts that.

1333
01:15:55,600 --> 01:15:57,920
Speaker 1: I don't know, but I'm sure other people have this

1334
01:15:58,040 --> 01:16:00,360
Speaker 1: where they work, where there's that thing you don't go

1335
01:16:00,520 --> 01:16:04,519
Speaker 1: near because people leave things. I hate that. Not like

1336
01:16:05,320 --> 01:16:07,680
Speaker 1: it's not like they tried to flush. It's not like

1337
01:16:07,760 --> 01:16:10,200
Speaker 1: a weak flush. It's like they made zero attempts. Just

1338
01:16:10,360 --> 01:16:15,639
Speaker 1: flush the toilet. Get your duty out of there, flush duties.

1339
01:16:16,160 --> 01:16:20,679
Speaker 1: Oh gosh, all right, thank you. That was very inspired. Hey, look,

1340
01:16:20,760 --> 01:16:25,719
Speaker 1: you know, some say they find it an old romantic tradition.

1341
01:16:25,880 --> 01:16:29,080
Speaker 1: Some say it's animal cruelty, plain and simple. But bullfighting.

1342
01:16:29,840 --> 01:16:34,920
Speaker 1: There's a picture in today's Daily News. Bullfighter Antonio Romero,

1343
01:16:35,200 --> 01:16:39,720
Speaker 1: Mexico City. He's injured when a bull goard him, and

1344
01:16:39,800 --> 01:16:46,519
Speaker 1: here he is. The bulls horn went right up his ass.

1345
01:16:46,800 --> 01:16:52,080
Speaker 1: Look at this picture. Oh my god. I mean, oh,

1346
01:16:53,760 --> 01:16:56,599
Speaker 1: it's like a direct hit. Somebody's gonna have to fix that. Yeah,

1347
01:16:56,960 --> 01:17:00,960
Speaker 1: he sunk his battleship. Oh yeah. The addicts or i'm

1348
01:17:01,040 --> 01:17:03,800
Speaker 1: they rushed him to the hospital to dangerous sport. But

1349
01:17:03,840 --> 01:17:06,120
Speaker 1: when you're out there messing around with a five billion

1350
01:17:06,200 --> 01:17:08,840
Speaker 1: pound bull with huge horns, you know you're asking for trumple.

1351
01:17:09,439 --> 01:17:11,040
Speaker 1: That's why I've always wondered why people would go to

1352
01:17:11,080 --> 01:17:14,000
Speaker 1: these running of the bulls. I'd rather go to Disney,

1353
01:17:14,640 --> 01:17:16,800
Speaker 1: you know what I'm saying. I'd rather go to this

1354
01:17:16,920 --> 01:17:21,639
Speaker 1: website says anywhere over there. He'll need extensive, full rectal

1355
01:17:21,760 --> 01:17:27,280
Speaker 1: reconstruction for all the wrong reasons. That's painful. Was the

1356
01:17:27,439 --> 01:17:29,479
Speaker 1: horn still up there when they took him to the hut?

1357
01:17:29,520 --> 01:17:33,320
Speaker 1: I don't know. No, they took that out, but I mean,

1358
01:17:33,360 --> 01:17:36,200
Speaker 1: I hope they don't set up the wrong hole. Eleven

1359
01:17:36,280 --> 01:17:42,160
Speaker 1: point eight inches. All right, we gotta move on. I'm

1360
01:17:42,240 --> 01:17:45,280
Speaker 1: going to say something so inappropriate, just like Danielle just did.

1361
01:17:47,439 --> 01:17:55,800
Speaker 1: Eleven inches ye, don't look at me. No no, no

1362
01:17:56,000 --> 01:18:01,080
Speaker 1: no no no, severe severe tire damage will occur. Alright,

1363
01:18:01,160 --> 01:18:05,479
Speaker 1: moving on, you'll be interested to hear this story, Froggy,

1364
01:18:05,520 --> 01:18:08,680
Speaker 1: since you're our big mac head. A group of hackers

1365
01:18:09,479 --> 01:18:13,080
Speaker 1: allegedly has at least three hundred million people's eye cloud passwords.

1366
01:18:14,600 --> 01:18:17,960
Speaker 1: Did did they get your attention? They're threatening to wipe

1367
01:18:18,080 --> 01:18:21,160
Speaker 1: out all of these people's iPhones on April seventh unless

1368
01:18:21,160 --> 01:18:24,000
Speaker 1: Apple pays them one hundred tho dollars in iTunes gift cards.

1369
01:18:24,080 --> 01:18:28,000
Speaker 1: They love the music, so i'd say, back up your phone,

1370
01:18:28,080 --> 01:18:31,519
Speaker 1: change your password. Sap. Oh my god. Can we talk

1371
01:18:31,520 --> 01:18:35,120
Speaker 1: about animals for a second, Just ahead of Garrett's sound.

1372
01:18:36,360 --> 01:18:39,760
Speaker 1: The number one most popular dog in America for the

1373
01:18:39,800 --> 01:18:42,000
Speaker 1: twenty six year in a row is the Labrador Retriever,

1374
01:18:42,880 --> 01:18:46,240
Speaker 1: German Shepherd number two, number three, Golden Retriever number four,

1375
01:18:46,360 --> 01:18:49,160
Speaker 1: Bulldog number five, the beagle, then the French bulldog, the poodle,

1376
01:18:49,200 --> 01:18:51,679
Speaker 1: the rock Wide or the Yorkshire Terrier, and then the boxer.

1377
01:18:51,760 --> 01:18:57,479
Speaker 1: And they're all amazing, amazing pets. Laboratory retriever. Growing up,

1378
01:18:57,479 --> 01:18:59,400
Speaker 1: her name was Chelsea, and my sisters and I would

1379
01:18:59,439 --> 01:19:01,720
Speaker 1: put on plays of different fairy tales, and we were

1380
01:19:01,760 --> 01:19:04,280
Speaker 1: doing Jack and the Beanstalk, and we painted Chelsea to

1381
01:19:04,320 --> 01:19:08,479
Speaker 1: look like a cow like face makeup and put horns

1382
01:19:08,520 --> 01:19:10,439
Speaker 1: on her head and spots all over her body. And

1383
01:19:10,600 --> 01:19:14,320
Speaker 1: she looked so like just dejected, but she totally put

1384
01:19:14,400 --> 01:19:17,160
Speaker 1: up with it. She was the sweetest dog. I just

1385
01:19:17,880 --> 01:19:19,120
Speaker 1: every night when I go home and I see my

1386
01:19:19,200 --> 01:19:21,800
Speaker 1: little Max, I just hug him and I want to

1387
01:19:21,840 --> 01:19:24,280
Speaker 1: eat him. I love him so much. Care Well, why

1388
01:19:24,360 --> 01:19:29,080
Speaker 1: I leave those calicos, I don't know, all right. Another

1389
01:19:29,160 --> 01:19:32,320
Speaker 1: great dog story. There's a couple in Michigan who recently

1390
01:19:32,320 --> 01:19:35,360
Speaker 1: adopted a dog who was who had been abused as

1391
01:19:35,400 --> 01:19:39,679
Speaker 1: a puppy two broken legs. When they adopted this little puppy,

1392
01:19:39,800 --> 01:19:43,360
Speaker 1: I just want to kick some people. Luckily, this puppy recovered.

1393
01:19:43,760 --> 01:19:46,840
Speaker 1: The owners got arrested for animal cruelty. Then this couple

1394
01:19:47,160 --> 01:19:50,519
Speaker 1: adopted this little dog. Three year old girl was lying

1395
01:19:50,560 --> 01:19:52,760
Speaker 1: in a ditch and the dog broke out of the

1396
01:19:52,840 --> 01:19:56,240
Speaker 1: house and found the kid who would have frozen to death.

1397
01:19:57,960 --> 01:20:02,519
Speaker 1: And now this dog adopted it is a hero. His

1398
01:20:02,640 --> 01:20:07,519
Speaker 1: name is Peanut. Last Friday, barking like crazy, running around

1399
01:20:07,520 --> 01:20:09,519
Speaker 1: the house, which isn't normal, they let it up the

1400
01:20:09,600 --> 01:20:12,120
Speaker 1: dog outside. It bolted straight into a field next to

1401
01:20:12,200 --> 01:20:15,439
Speaker 1: their house, which is so weird. They followed, Peanut, is

1402
01:20:15,479 --> 01:20:18,080
Speaker 1: Timmy at a well. Peanut ended up leading them straight

1403
01:20:18,120 --> 01:20:19,680
Speaker 1: to a three year old girl lying in the ditch

1404
01:20:19,760 --> 01:20:22,840
Speaker 1: in the freezing cold without any clothes on. He says

1405
01:20:22,880 --> 01:20:25,320
Speaker 1: he wrapped her in his sweatshirt, got her inside, called

1406
01:20:25,400 --> 01:20:28,680
Speaker 1: nine one one. Luckily she's fine. Uh. They couldn't tell

1407
01:20:28,720 --> 01:20:30,639
Speaker 1: cops where she She couldn't tell cops where she lived.

1408
01:20:30,640 --> 01:20:31,840
Speaker 1: For a while. She was a little out of it,

1409
01:20:31,960 --> 01:20:35,920
Speaker 1: but the one word she could say was doggie. They

1410
01:20:35,960 --> 01:20:38,240
Speaker 1: started knocking on doors. It turned out her parents lived

1411
01:20:38,240 --> 01:20:41,280
Speaker 1: in the same neighborhood. Apparently they weren't paying attention, didn't

1412
01:20:41,280 --> 01:20:43,559
Speaker 1: even know she was gone. Their place was filthy. Child

1413
01:20:43,600 --> 01:20:47,840
Speaker 1: protective services were called. The good news is they're all good. Up.

1414
01:20:48,400 --> 01:20:51,400
Speaker 1: She's staying in a foster home for now. But Peanut,

1415
01:20:51,479 --> 01:20:56,160
Speaker 1: here's a picture of Peanut. Peanut. You guys, if you

1416
01:20:56,280 --> 01:20:58,400
Speaker 1: need an animal, go to a psalter. They're the most

1417
01:20:58,479 --> 01:21:03,560
Speaker 1: incredible creatures. They're so so amazing creatures. I hate that

1418
01:21:03,640 --> 01:21:06,120
Speaker 1: word creature. That'unds like something that was gonna eat me.

1419
01:21:06,880 --> 01:21:10,080
Speaker 1: Like you're a beautiful creatures. Little creature. Hey, let's get

1420
01:21:10,080 --> 01:21:12,560
Speaker 1: into sound es. Hey Garrett, good morning. What do you have?

1421
01:21:12,640 --> 01:21:15,280
Speaker 1: All right, let's start with this creature creature. It does

1422
01:21:15,360 --> 01:21:17,960
Speaker 1: sound a little creepy. I like it, all right. Whiz

1423
01:21:18,040 --> 01:21:20,559
Speaker 1: Khalifa just put out a remix to change smokers closer.

1424
01:21:20,720 --> 01:21:23,400
Speaker 1: And of course it's about smoking weed belief A man,

1425
01:21:23,520 --> 01:21:26,479
Speaker 1: I'm fresh shopping. The plane didn't smoke as so long ago.

1426
01:21:28,000 --> 01:21:29,840
Speaker 1: Roll up a joint. It's like it's in the brain.

1427
01:21:30,080 --> 01:21:31,920
Speaker 1: Say you get in, have one. Now you're speak in

1428
01:21:32,000 --> 01:21:39,000
Speaker 1: my language. There you go. Which all right, So last night, Elvis,

1429
01:21:39,080 --> 01:21:42,360
Speaker 1: you were honored by a great organization Muses. Musicians on

1430
01:21:42,520 --> 01:21:44,599
Speaker 1: Call and some guests we've had on the show talk

1431
01:21:44,720 --> 01:21:47,280
Speaker 1: very highly of you. But Ed Sheeran told an interesting

1432
01:21:47,400 --> 01:21:50,840
Speaker 1: story about someone he was dating. I want day, an

1433
01:21:50,840 --> 01:21:55,559
Speaker 1: American girl and her favorite morning DJ was Elvis rand

1434
01:21:55,560 --> 01:21:58,639
Speaker 1: and I had done Elvis before, and you know, being English,

1435
01:21:58,680 --> 01:22:01,400
Speaker 1: you don't really understand the import looking American Dan Jason,

1436
01:22:01,520 --> 01:22:05,600
Speaker 1: the family of this girl and her so loving and

1437
01:22:05,640 --> 01:22:08,400
Speaker 1: obsessed and in awe of Elvistur and I kind of

1438
01:22:08,479 --> 01:22:10,840
Speaker 1: like we just got into listening to him every single morning,

1439
01:22:10,880 --> 01:22:14,720
Speaker 1: and I yeah, I'm sold Elvis. Here the man. Here

1440
01:22:14,760 --> 01:22:16,920
Speaker 1: you go, I'm the man. So if you're that girl

1441
01:22:17,040 --> 01:22:19,599
Speaker 1: listening and dating Edge here and at the time, we'd

1442
01:22:19,640 --> 01:22:22,280
Speaker 1: love to hear from you. Yeah, yes, we'd love to

1443
01:22:22,320 --> 01:22:25,440
Speaker 1: hear details. Um. All right. So this is a weird collaboration.

1444
01:22:25,520 --> 01:22:29,719
Speaker 1: So a Russian orchestra collaborated with a professional gun shooter

1445
01:22:30,240 --> 01:22:33,320
Speaker 1: to create music. So the orchestra played their stuff. A

1446
01:22:33,360 --> 01:22:36,080
Speaker 1: gun shooter shot his gun into a metal sheet and

1447
01:22:36,200 --> 01:22:52,880
Speaker 1: got this. Okay, oh my god, those are bullets hitting

1448
01:22:53,920 --> 01:22:55,880
Speaker 1: is so crazy. I need to be in the orchestra though,

1449
01:22:55,880 --> 01:22:57,960
Speaker 1: because you know those bullets are flying off that ship. Yeah,

1450
01:22:58,000 --> 01:23:00,280
Speaker 1: you put them in the pit, all right, all right.

1451
01:23:00,680 --> 01:23:03,479
Speaker 1: New York Presbyterian Hospital just put out their own countdown list.

1452
01:23:03,520 --> 01:23:06,120
Speaker 1: We love a good countdown around here. The best songs

1453
01:23:06,160 --> 01:23:09,240
Speaker 1: to do CPR too. So these songs have around a

1454
01:23:09,320 --> 01:23:12,200
Speaker 1: hundred beats per minute, which is ideal, uh the ideal

1455
01:23:12,320 --> 01:23:14,800
Speaker 1: rate for doing chess compressions during CPR. So we know

1456
01:23:14,920 --> 01:23:17,240
Speaker 1: one in two uh b G Stain Alive. That's the

1457
01:23:17,280 --> 01:23:19,840
Speaker 1: one they teach you in CPR class, And Dancing Queen

1458
01:23:19,880 --> 01:23:21,800
Speaker 1: by Aba is number two. I love to save a

1459
01:23:21,880 --> 01:23:24,160
Speaker 1: life while playing dancing Quick well, you sing it to

1460
01:23:24,200 --> 01:23:26,040
Speaker 1: yourself in your head. But number three and four kind

1461
01:23:26,080 --> 01:23:28,839
Speaker 1: of interesting. Number three on this countdown, the CPR Countdown,

1462
01:23:28,880 --> 01:23:34,320
Speaker 1: Bear Naked Ladies one week. Sorry, you're doing compressions? Do

1463
01:23:34,320 --> 01:23:38,960
Speaker 1: you think you're looking at acquleman a summit fish? Because

1464
01:23:39,200 --> 01:23:41,000
Speaker 1: I can't remember words, so I can't know that at all.

1465
01:23:41,960 --> 01:23:47,360
Speaker 1: And then and then breathe mother. Number four on this countdown,

1466
01:23:47,439 --> 01:23:50,720
Speaker 1: list to curra hips. Don't lie. Okay baby, when you

1467
01:23:50,840 --> 01:24:00,000
Speaker 1: talk compression, compression, I have to sound like you cure

1468
01:24:00,000 --> 01:24:07,360
Speaker 1: gonna come on, come on, free breathe for okay, okay,

1469
01:24:08,040 --> 01:24:10,880
Speaker 1: all right, hold on he turn off, turn it off.

1470
01:24:11,080 --> 01:24:13,479
Speaker 1: Oh my god, Okay, go ahead. We lost control and

1471
01:24:13,560 --> 01:24:19,280
Speaker 1: that's it killing them because it gets so excited. I'm

1472
01:24:19,280 --> 01:24:22,839
Speaker 1: actually getting a workout trying to revive you. I'm getting cardio.

1473
01:24:24,240 --> 01:24:33,680
Speaker 1: You have no cardio. Compressed, compressed, compress your all right?

1474
01:24:34,360 --> 01:24:39,719
Speaker 1: And dancing queen dancing? How can I sit down and dancing?

1475
01:24:39,800 --> 01:24:46,720
Speaker 1: Queens of time? To save a life. I'll meet you

1476
01:24:46,800 --> 01:24:52,040
Speaker 1: on the dance flow after I saved your life. So

1477
01:24:52,080 --> 01:24:54,280
Speaker 1: I'm gonna look down at the dying person and I'm

1478
01:24:54,280 --> 01:25:02,000
Speaker 1: going to sing you can't, oh you can that all

1479
01:25:02,080 --> 01:25:07,000
Speaker 1: right when I was learning to become a lifeguard and

1480
01:25:07,200 --> 01:25:10,000
Speaker 1: we had to learn CPR and they had the dummies.

1481
01:25:10,160 --> 01:25:12,639
Speaker 1: The CPR dummy was actually the first person I ever kissed.

1482
01:25:13,680 --> 01:25:16,960
Speaker 1: The first person you ever kissed was a CPR dumps.

1483
01:25:17,080 --> 01:25:19,920
Speaker 1: Annie was your first kiss? Did you use tongue? No?

1484
01:25:21,160 --> 01:25:22,960
Speaker 1: You know what, Nate, you were an E. M. T

1485
01:25:23,160 --> 01:25:25,720
Speaker 1: Right was a CPR instructor. Did you ever use a

1486
01:25:25,880 --> 01:25:29,559
Speaker 1: dancing queen? Enough? I didn't bring my boom box on call?

1487
01:25:29,840 --> 01:25:37,400
Speaker 1: Boom box? Do people still have boom box? I did not. Oh,

1488
01:25:37,880 --> 01:25:42,200
Speaker 1: we've got to talk about that next. You know, we

1489
01:25:42,880 --> 01:25:45,160
Speaker 1: have a famous conversation on the show about the silly

1490
01:25:45,280 --> 01:25:47,360
Speaker 1: reason you broke up with someone, or still reason you

1491
01:25:47,360 --> 01:25:49,759
Speaker 1: don't want to date someone, like our friend David Cat's

1492
01:25:49,880 --> 01:25:53,439
Speaker 1: years ago. This woman he was dating. He loved her

1493
01:25:53,439 --> 01:25:55,080
Speaker 1: and thought she was great until she said I'll have

1494
01:25:55,240 --> 01:25:57,760
Speaker 1: the shrimps at dinner, and it totally turned him off.

1495
01:25:58,040 --> 01:26:01,280
Speaker 1: He's like, you can't shrimp shrimp. He later found out

1496
01:26:01,320 --> 01:26:06,320
Speaker 1: that you can't put a nest there anyway. So, uh,

1497
01:26:06,600 --> 01:26:11,360
Speaker 1: we found out that there was a girl that Nate

1498
01:26:11,479 --> 01:26:14,120
Speaker 1: was seeing for a second, but she refused to see

1499
01:26:14,160 --> 01:26:16,200
Speaker 1: him again because she found out he used to be

1500
01:26:16,280 --> 01:26:20,560
Speaker 1: a stripper. Really, that was what did it? That was

1501
01:26:20,600 --> 01:26:27,120
Speaker 1: what did it. Okay, I'll give you that. There there

1502
01:26:27,160 --> 01:26:29,479
Speaker 1: are a couple of things that are negative about but

1503
01:26:29,600 --> 01:26:33,519
Speaker 1: that Why do you think your murderer? There is that that?

1504
01:26:33,880 --> 01:26:36,320
Speaker 1: But this tripper being a stripper was this traw that

1505
01:26:36,360 --> 01:26:38,760
Speaker 1: broke the camera? I mean, there's negative stuff about me.

1506
01:26:38,760 --> 01:26:42,200
Speaker 1: I didn't think that was negative. And being a stripper

1507
01:26:42,280 --> 01:26:44,840
Speaker 1: is not a bad thing. Okay, we'll get into this thing.

1508
01:26:45,000 --> 01:26:46,959
Speaker 1: We'll get into this later. We'll come back and we'll

1509
01:26:47,000 --> 01:26:49,000
Speaker 1: address if you were a dancer who just happened to

1510
01:26:49,080 --> 01:26:52,519
Speaker 1: like pick your pants off for money. You did what

1511
01:26:52,840 --> 01:26:56,439
Speaker 1: they wanted you to do. You're a private dancer. So

1512
01:26:56,600 --> 01:26:59,800
Speaker 1: last night at the musicians on call, uh gallow this,

1513
01:27:00,200 --> 01:27:03,200
Speaker 1: Leon Else got up and he's sang for us unbelievable,

1514
01:27:03,360 --> 01:27:09,920
Speaker 1: shouted loud, but I can hear what you say. When

1515
01:27:09,960 --> 01:27:14,360
Speaker 1: he puts us online this cover of Siaus Titanium see

1516
01:27:14,360 --> 01:27:16,080
Speaker 1: a reach out and said this is the best cover

1517
01:27:16,200 --> 01:27:18,479
Speaker 1: of my song ever. And he was blown away by that.

1518
01:27:19,840 --> 01:27:21,720
Speaker 1: So now Leon has music coming out. He says some

1519
01:27:21,760 --> 01:27:24,639
Speaker 1: of his songs for us last night, his story behind

1520
01:27:24,680 --> 01:27:26,960
Speaker 1: the music, which is where We Love to Go is

1521
01:27:27,520 --> 01:27:29,920
Speaker 1: one you need to hear. Leon Else is going to

1522
01:27:29,960 --> 01:27:32,720
Speaker 1: be here tomorrow telling his story and performing for us.

1523
01:27:32,800 --> 01:27:36,920
Speaker 1: Listen to his voice, hum bullet pruise, nothing to lose,

1524
01:27:37,960 --> 01:27:44,400
Speaker 1: Far Away, far Away, were cashame? You'll take your way

1525
01:27:45,600 --> 01:27:51,439
Speaker 1: far away, far away. Just show me down. But I

1526
01:27:56,880 --> 01:28:05,560
Speaker 1: just show me down. So there you go. He'll be

1527
01:28:05,640 --> 01:28:08,639
Speaker 1: here at this time tomorrow morning live for us, Leon Else.

1528
01:28:08,880 --> 01:28:10,760
Speaker 1: Do a search for Leon Else? Why are you crying?

1529
01:28:11,600 --> 01:28:13,439
Speaker 1: Were you crying to this song last night too? So

1530
01:28:13,680 --> 01:28:16,080
Speaker 1: I just can't help it. By the way, when are

1531
01:28:16,080 --> 01:28:19,080
Speaker 1: you and daniel leaving for Hawaii? Oh my gosh, we'll

1532
01:28:19,080 --> 01:28:20,960
Speaker 1: get into that next too. We're running really late, and

1533
01:28:21,080 --> 01:28:24,880
Speaker 1: Nate's over here like trying to resuscitate our ratings with

1534
01:28:25,040 --> 01:28:29,880
Speaker 1: his naked body. Your slowing away, that's a guy too

1535
01:28:29,960 --> 01:28:36,240
Speaker 1: far anyway, what a show? Elvis, Duran. I'd done Elvis

1536
01:28:36,360 --> 01:28:43,680
Speaker 1: before in the morning show, so we have a lot

1537
01:28:43,720 --> 01:28:45,559
Speaker 1: to get you here. Daniel's report is on the way.

1538
01:28:45,760 --> 01:28:47,479
Speaker 1: What do you have, Danielle? We're going to talk about

1539
01:28:47,640 --> 01:28:51,120
Speaker 1: edge here in shape of You? Sounding like another song? Okay,

1540
01:28:51,200 --> 01:28:53,720
Speaker 1: we'll do that great teas here. But he says he's

1541
01:28:53,760 --> 01:28:55,040
Speaker 1: just a fly on the wall. It doesn't want to

1542
01:28:55,080 --> 01:28:57,120
Speaker 1: be he doesn't want to be bothered. I'm just watching

1543
01:28:57,200 --> 01:28:59,640
Speaker 1: you guys taking it all. Don't want to make a

1544
01:28:59,680 --> 01:29:02,080
Speaker 1: listener in the car right now. Mr Program directors here

1545
01:29:02,160 --> 01:29:04,360
Speaker 1: keeping an eye on us, wanting us to play bore music.

1546
01:29:05,320 --> 01:29:07,760
Speaker 1: Very busy day here, all right, Mr Program director, I

1547
01:29:07,760 --> 01:29:09,880
Speaker 1: don't know if we're gonna get to that, but uh

1548
01:29:10,360 --> 01:29:13,840
Speaker 1: what else? Oh? Oh okay, So last night of the

1549
01:29:13,960 --> 01:29:18,160
Speaker 1: Musicians on Call benefit our friend Latitia Fry, who is

1550
01:29:18,200 --> 01:29:22,200
Speaker 1: an incredible auctioneer, amazing and you know, and all the

1551
01:29:22,360 --> 01:29:26,920
Speaker 1: ladies loved her because when she does her auctioneering, that

1552
01:29:27,080 --> 01:29:34,639
Speaker 1: tongue goes really fast. Please Anyway, one of the items

1553
01:29:34,760 --> 01:29:38,080
Speaker 1: up forbid was a trip to I think Waikiki Beach,

1554
01:29:39,200 --> 01:29:44,599
Speaker 1: Okay to Maui to Maui, Hawaii. Love it been there, gorgeous.

1555
01:29:45,000 --> 01:29:46,639
Speaker 1: Not only do you get to be on the beach there,

1556
01:29:46,680 --> 01:29:48,519
Speaker 1: but and this is more of an old school thing

1557
01:29:48,640 --> 01:29:53,479
Speaker 1: or if you're into great music, uh Lee fleet mc

1558
01:29:53,600 --> 01:29:56,439
Speaker 1: fleetwood from Fleetwood macfame, you get to meet him and

1559
01:29:56,520 --> 01:29:58,080
Speaker 1: hang out with him and have a drink with him whatever.

1560
01:29:58,560 --> 01:30:01,600
Speaker 1: So when when she mentioned the Hawaii part, I was

1561
01:30:01,640 --> 01:30:03,559
Speaker 1: looking at Danielle and Bethany, and they were like, oh wow,

1562
01:30:03,600 --> 01:30:05,360
Speaker 1: that'd be great to be able to go to Hawaii.

1563
01:30:05,680 --> 01:30:10,800
Speaker 1: But when she mentioned Mick Fleetwood, Bethany started crying. It

1564
01:30:10,960 --> 01:30:13,839
Speaker 1: was crying all nights. Why are you crying about Mick Fleetwood?

1565
01:30:13,960 --> 01:30:17,400
Speaker 1: It's what is your connection with the incredibly she's crying now,

1566
01:30:19,280 --> 01:30:21,160
Speaker 1: can just just help me out here? Okay, I'm good.

1567
01:30:22,360 --> 01:30:25,320
Speaker 1: I love Mick Fleetwood. I love Fleetwood Mac, and it's

1568
01:30:25,360 --> 01:30:27,639
Speaker 1: a it's a connection with my dad. I would think

1569
01:30:27,680 --> 01:30:29,960
Speaker 1: so yes, because growing up, my dad had all of

1570
01:30:30,040 --> 01:30:34,160
Speaker 1: these like vinyl beauty like original records from the seventies,

1571
01:30:34,560 --> 01:30:36,760
Speaker 1: and a bunch of them were Fleetwood Mac records. And

1572
01:30:36,800 --> 01:30:38,280
Speaker 1: so I would sit and I would stare at the

1573
01:30:38,360 --> 01:30:41,799
Speaker 1: record covers and they had the most beautiful album covers

1574
01:30:42,000 --> 01:30:44,599
Speaker 1: um and I loved all the drama. My dad would

1575
01:30:44,600 --> 01:30:46,680
Speaker 1: tell me the stories of the drama in Fleetwood Mac

1576
01:30:46,720 --> 01:30:49,120
Speaker 1: and everyone was fighting and having sex with each other,

1577
01:30:49,240 --> 01:30:50,920
Speaker 1: and then they would go on stage and they would

1578
01:30:50,960 --> 01:30:52,560
Speaker 1: sing at each other and they were mad, but it

1579
01:30:52,720 --> 01:30:57,240
Speaker 1: was amazing music. But my favorite Fleetwood Mac song UM

1580
01:30:57,360 --> 01:30:59,800
Speaker 1: from the dance album is Tusk And if you go

1581
01:31:00,000 --> 01:31:03,479
Speaker 1: on YouTube, look up Fleetwood Mac the dance Tusk. They

1582
01:31:03,560 --> 01:31:07,320
Speaker 1: do a live version and in it, Mick Fleetwood is

1583
01:31:07,520 --> 01:31:12,559
Speaker 1: drumming his heart out. He looks absolutely crazy. He looks

1584
01:31:12,600 --> 01:31:18,000
Speaker 1: like he's having so much fun. And this man, he's

1585
01:31:18,320 --> 01:31:22,560
Speaker 1: six ft five, He's this giant of a man. He's brilliant.

1586
01:31:22,880 --> 01:31:24,960
Speaker 1: He reminds me of my father as well. And it's

1587
01:31:25,040 --> 01:31:29,479
Speaker 1: just like this something about him. I just I'm obsessed with.

1588
01:31:29,760 --> 01:31:31,920
Speaker 1: So to be able to fly to Hawaii, to be

1589
01:31:32,040 --> 01:31:34,680
Speaker 1: on that beautiful beach under the palm trees and hang

1590
01:31:34,760 --> 01:31:37,240
Speaker 1: out with this guy who just takes you to your childhood,

1591
01:31:37,240 --> 01:31:40,280
Speaker 1: it makes you feel great. It would be an honor, right, Yeah,

1592
01:31:40,320 --> 01:31:42,160
Speaker 1: And as soon as they mentioned his name, I literally

1593
01:31:42,200 --> 01:31:45,599
Speaker 1: clutched string. So and this is Tusk in the background. Way,

1594
01:31:46,000 --> 01:31:48,880
Speaker 1: So what I decided to do was I decided a

1595
01:31:48,920 --> 01:31:52,000
Speaker 1: bid on this item and win it for you. And

1596
01:31:52,120 --> 01:31:55,599
Speaker 1: guess what I got it? I know, And I'm thinking,

1597
01:31:55,640 --> 01:31:58,519
Speaker 1: why can't just give a trip to Hawaii to Bethany?

1598
01:31:58,520 --> 01:32:00,360
Speaker 1: I have to give it to Bethany and Dan, we

1599
01:32:00,560 --> 01:32:02,360
Speaker 1: don't have to give it to me and I will.

1600
01:32:02,400 --> 01:32:05,519
Speaker 1: You're my girl, thank you? So you you congratulations? You

1601
01:32:05,560 --> 01:32:11,240
Speaker 1: want a trip to Hawaii to meet Fleetwood. I don't know.

1602
01:32:12,120 --> 01:32:14,760
Speaker 1: I don't think we can accept this trip. No, you

1603
01:32:14,840 --> 01:32:17,080
Speaker 1: have to. I'm not. I'm not going. Maybe you should

1604
01:32:17,120 --> 01:32:20,040
Speaker 1: take your dad. Maybe you should go to Hawaii and

1605
01:32:20,160 --> 01:32:23,160
Speaker 1: take the trip. I mean I would absolutely love too.

1606
01:32:23,240 --> 01:32:25,759
Speaker 1: I just feel like that is more of a gift

1607
01:32:25,920 --> 01:32:28,040
Speaker 1: than I have ever been given in my life. Defy

1608
01:32:28,160 --> 01:32:34,560
Speaker 1: three words. Four don't be a fuck. Well you know

1609
01:32:34,680 --> 01:32:38,720
Speaker 1: it's what I can say on the radio. Go go

1610
01:32:38,800 --> 01:32:41,040
Speaker 1: to Hawaii. You don't go today? No, I mean I

1611
01:32:42,479 --> 01:32:45,920
Speaker 1: would like would be thank you, Alvis say thank you,

1612
01:32:46,080 --> 01:32:49,680
Speaker 1: You're welcome. And Danielle, you wanted fair and square, so

1613
01:32:49,720 --> 01:32:51,479
Speaker 1: if you, if you choose to go, she had to

1614
01:32:51,560 --> 01:32:55,120
Speaker 1: take you. I think she should take her dad because

1615
01:32:55,200 --> 01:32:58,479
Speaker 1: they have this connection with Fleetwood. I know she may

1616
01:32:58,520 --> 01:32:59,800
Speaker 1: not want to go to Hawaii with her dad, but

1617
01:33:00,240 --> 01:33:02,439
Speaker 1: figure it out. Don't matter whatever you, whatever you choose

1618
01:33:02,439 --> 01:33:04,400
Speaker 1: to do with this trip, it's yours. I love you,

1619
01:33:04,960 --> 01:33:07,599
Speaker 1: and I saw that emotional connection. I'm like, how can

1620
01:33:07,600 --> 01:33:10,759
Speaker 1: I not get this for Bethany? How come thank you? Danielle.

1621
01:33:10,840 --> 01:33:13,960
Speaker 1: Had you started crying like a big blubbering baby about something,

1622
01:33:13,960 --> 01:33:16,080
Speaker 1: I would have bought that for you. You actually almost did.

1623
01:33:16,160 --> 01:33:18,280
Speaker 1: I was it was one of the I don't know

1624
01:33:18,280 --> 01:33:20,040
Speaker 1: if it was New York. Remember we were at the

1625
01:33:20,160 --> 01:33:23,720
Speaker 1: thing for um St. Jude and there was one of

1626
01:33:23,760 --> 01:33:25,720
Speaker 1: the old Yankee players that I was in love with,

1627
01:33:25,840 --> 01:33:27,840
Speaker 1: and and they were giving away like something, and you go,

1628
01:33:28,080 --> 01:33:31,360
Speaker 1: you want that, I'll get it for you with him,

1629
01:33:31,520 --> 01:33:33,360
Speaker 1: you got it. I'm like, no, I'm good, but thank you.

1630
01:33:34,160 --> 01:33:38,400
Speaker 1: So all we gotta do is crying about something where

1631
01:33:38,479 --> 01:33:41,960
Speaker 1: Danielle and I feel bad. I owe you a roll

1632
01:33:42,040 --> 01:33:46,200
Speaker 1: in the hay with an old Yankee anything. I'm glad

1633
01:33:46,240 --> 01:33:47,720
Speaker 1: that you got that far. I was very kind. I

1634
01:33:47,840 --> 01:33:50,800
Speaker 1: love you. Stop crying for working on it. But you

1635
01:33:50,920 --> 01:33:53,719
Speaker 1: draw attention to I crime. She's crying. I don't understand

1636
01:33:53,760 --> 01:33:59,120
Speaker 1: why she's crying. Why are you crying something else? I'm

1637
01:33:59,160 --> 01:34:02,320
Speaker 1: gonna start crying. She needs a wardrobe for Hawaii. No, no, no, no,

1638
01:34:02,439 --> 01:34:08,880
Speaker 1: we're done. Hey, we got to talk about okay, we

1639
01:34:08,960 --> 01:34:12,280
Speaker 1: have talked about straight and Nate. So he was going

1640
01:34:12,320 --> 01:34:13,640
Speaker 1: out with this girl and he has this thing he

1641
01:34:13,680 --> 01:34:15,599
Speaker 1: only likes to go out with girls that don't like him,

1642
01:34:16,360 --> 01:34:20,560
Speaker 1: which are which is great because there's so many. The

1643
01:34:20,640 --> 01:34:24,240
Speaker 1: pool is teeming with possibilities. But anyway, there's one that

1644
01:34:24,400 --> 01:34:27,720
Speaker 1: you know it's not gonna work out obviously. Um, she

1645
01:34:27,800 --> 01:34:30,400
Speaker 1: said she doesn't want to date him because he used

1646
01:34:30,400 --> 01:34:32,800
Speaker 1: to be a male stripper. I don't see any problem

1647
01:34:32,880 --> 01:34:35,639
Speaker 1: with that. I feel like that's a bonus. Why didn't

1648
01:34:35,640 --> 01:34:37,160
Speaker 1: you tell her you used to be a male stripper

1649
01:34:37,200 --> 01:34:40,240
Speaker 1: and it's kind of impressive. So I think that's why

1650
01:34:40,320 --> 01:34:46,280
Speaker 1: she doesn't want good because it's impressive. Okay, Okay, look, okay, okay,

1651
01:34:46,680 --> 01:34:48,360
Speaker 1: Let's think of the type of person who would be

1652
01:34:48,400 --> 01:34:50,599
Speaker 1: impressed by that versus the type of person who want

1653
01:34:50,640 --> 01:34:55,559
Speaker 1: and would not be impressed by that. Okay, I look,

1654
01:34:55,600 --> 01:34:57,439
Speaker 1: I'm not saying there's anything wrong with with tripping. I

1655
01:34:57,479 --> 01:34:59,719
Speaker 1: think it's it's I love I love it when people's

1656
01:34:59,720 --> 01:35:05,560
Speaker 1: trip scary strip go. So I'm just saying, you know,

1657
01:35:05,720 --> 01:35:08,280
Speaker 1: she she has a preference for guys who have never

1658
01:35:08,520 --> 01:35:11,639
Speaker 1: stripped professionally. I didn't do it full time. I didn't

1659
01:35:11,680 --> 01:35:13,840
Speaker 1: like a Baker's dozen amount of times. It wasn't like

1660
01:35:14,160 --> 01:35:18,040
Speaker 1: I did it for now. You should make a living

1661
01:35:18,120 --> 01:35:23,280
Speaker 1: at doing Marge Simpson impersonation. Ice. Hey, I wasn't a

1662
01:35:23,360 --> 01:35:28,479
Speaker 1: prostitute full time. I did it twice. I didn't I

1663
01:35:28,520 --> 01:35:31,240
Speaker 1: didn't have to speak as a stripper. So, well, you

1664
01:35:31,280 --> 01:35:34,920
Speaker 1: spoke with your hips. I did see a problem, which

1665
01:35:34,960 --> 01:35:39,160
Speaker 1: that scary. This sucks. But there are some negative connotations

1666
01:35:39,200 --> 01:35:40,960
Speaker 1: that go along with being a male stripper, and that

1667
01:35:41,160 --> 01:35:43,280
Speaker 1: is women are going to have their hands all over

1668
01:35:43,360 --> 01:35:46,000
Speaker 1: you all night. They want to take you home. Didn't matter,

1669
01:35:46,320 --> 01:35:47,920
Speaker 1: It doesn't matter as long as he doesn't go home

1670
01:35:47,960 --> 01:35:50,120
Speaker 1: with them. Yeah, it's a job. You make a great

1671
01:35:50,160 --> 01:35:52,160
Speaker 1: living at it, you know, but this woman is gonna

1672
01:35:52,160 --> 01:35:55,600
Speaker 1: be worried. Worried, Well, she shouldn't be telling that. I

1673
01:35:55,680 --> 01:35:58,439
Speaker 1: haven't done it like five years. So I mean, it's

1674
01:35:58,479 --> 01:36:03,240
Speaker 1: not that terrible, okay, But I'm not saying there's anything

1675
01:36:03,280 --> 01:36:04,880
Speaker 1: wrong with being a male stripper. I'm just saying she

1676
01:36:05,040 --> 01:36:07,000
Speaker 1: thinks there is something wrong with it, and so you

1677
01:36:07,120 --> 01:36:09,040
Speaker 1: got to move on well. And also the issue is

1678
01:36:09,120 --> 01:36:11,120
Speaker 1: that every time she sees you, you're a different person,

1679
01:36:11,280 --> 01:36:18,280
Speaker 1: like you're a construction worker. And then can be fun firefighter, cowboy,

1680
01:36:18,560 --> 01:36:22,120
Speaker 1: oh cowboys nice. He doesn't know what she's going I

1681
01:36:22,200 --> 01:36:25,839
Speaker 1: thought that would be a bonus role playing constantly. Bonus,

1682
01:36:25,880 --> 01:36:32,240
Speaker 1: I don't even know us. Shut on, Froggy, I'm high

1683
01:36:32,280 --> 01:36:34,799
Speaker 1: fiving you through the microphone. That's actually right, but actually

1684
01:36:34,880 --> 01:36:38,679
Speaker 1: very funny. Bonus, I didn't even know it. I see

1685
01:36:38,720 --> 01:36:40,240
Speaker 1: the point and that you have. I mean, it's been

1686
01:36:40,320 --> 01:36:45,400
Speaker 1: what ten years live, but no, it's been I did

1687
01:36:45,479 --> 01:36:48,600
Speaker 1: it back in Vegas. Okay, so five years would you

1688
01:36:48,760 --> 01:36:51,920
Speaker 1: would you be willing to do a special performance for us?

1689
01:36:52,200 --> 01:36:54,719
Speaker 1: I would? But you have to get the tear away

1690
01:36:54,760 --> 01:37:00,280
Speaker 1: pants snl. Yes, you have to have you have to

1691
01:37:00,360 --> 01:37:04,840
Speaker 1: have those those those wrist things. Where do they leave?

1692
01:37:07,080 --> 01:37:09,680
Speaker 1: That is, if I get in really good shape, I

1693
01:37:09,720 --> 01:37:12,040
Speaker 1: would do it. Good, you're good enough, just trip. I

1694
01:37:12,080 --> 01:37:13,880
Speaker 1: need to be in better shape. All right, all right, well,

1695
01:37:13,880 --> 01:37:16,240
Speaker 1: didn't hate. No one's gonna argue. Go go work out

1696
01:37:16,280 --> 01:37:19,360
Speaker 1: and get ready. Alrighty, So coming up now, he just

1697
01:37:19,439 --> 01:37:22,559
Speaker 1: said it. He just said he's gonna do it. Are

1698
01:37:22,560 --> 01:37:25,759
Speaker 1: you crying now? My Petsy crying it on him tripping

1699
01:37:26,040 --> 01:37:30,240
Speaker 1: my clothes. It's for charity. Cry from awkwardness. You're crying

1700
01:37:30,280 --> 01:37:32,200
Speaker 1: because it's for charity and you think all charities are

1701
01:37:32,560 --> 01:37:34,840
Speaker 1: scary and I both do it for charity. Please welcome

1702
01:37:34,880 --> 01:37:40,360
Speaker 1: to the stage, Killer and Nate. Just music. I want

1703
01:37:40,360 --> 01:37:46,800
Speaker 1: to see what you would hear? Take your shirt, take

1704
01:37:46,840 --> 01:37:50,439
Speaker 1: it off, show me your moves. I'm just I'm not

1705
01:37:52,880 --> 01:37:57,920
Speaker 1: just show us your move. I'm not. You don't leave

1706
01:37:57,920 --> 01:38:04,760
Speaker 1: the house with scharaway pants. No, not anymore away. You

1707
01:38:04,800 --> 01:38:07,400
Speaker 1: have a tearaway ego, we just rip it right out.

1708
01:38:07,439 --> 01:38:11,000
Speaker 1: I come on, show us like a dance move. If

1709
01:38:11,040 --> 01:38:13,360
Speaker 1: I'm doing this thing, I'm gonna do it right, and

1710
01:38:13,400 --> 01:38:16,240
Speaker 1: I'm gonna have a stage and music that I'm choreographed.

1711
01:38:16,240 --> 01:38:18,360
Speaker 1: I always like the top Gun the Air Force guy

1712
01:38:18,479 --> 01:38:23,280
Speaker 1: that came out. Okay, but keep in mind, it's more

1713
01:38:23,760 --> 01:38:27,040
Speaker 1: today lighting. I'm gonna get a full on choreogy. Listen

1714
01:38:27,080 --> 01:38:30,320
Speaker 1: you guys, did you ever dance in a glass shower? No?

1715
01:38:30,520 --> 01:38:32,800
Speaker 1: I never did. You guys think it's so easy. It's

1716
01:38:32,840 --> 01:38:39,160
Speaker 1: not that easy. Let's start about it's not a strip, okay,

1717
01:38:39,280 --> 01:38:42,799
Speaker 1: a little less whining, a little more like strip before.

1718
01:38:42,880 --> 01:38:45,080
Speaker 1: I'm telling you you got to have a routine. It's

1719
01:38:45,120 --> 01:38:49,200
Speaker 1: not like to just starting guys. Guys, listen, okay, talk

1720
01:38:49,200 --> 01:38:51,680
Speaker 1: about the routine. Okay, you have to be choreographed to

1721
01:38:51,720 --> 01:38:53,639
Speaker 1: a song. It's not like you can just start dancing.

1722
01:38:54,560 --> 01:39:05,320
Speaker 1: H What song did you use? It? It on? How

1723
01:39:05,400 --> 01:39:29,439
Speaker 1: you're doing? Daniel, dude, I'll just tell you there we

1724
01:39:29,520 --> 01:39:36,040
Speaker 1: go so straightonate is now straddling, straddling Danielle, lifting her up,

1725
01:39:36,240 --> 01:39:39,519
Speaker 1: lifting her up off the ground, and setting her on

1726
01:39:39,640 --> 01:39:46,280
Speaker 1: his lap, his back, Sorry, grandma's Grandma's lower back can't

1727
01:39:46,360 --> 01:39:51,200
Speaker 1: handle picking up the customers. All right, that was stupid. Wait,

1728
01:39:51,240 --> 01:39:53,519
Speaker 1: hold on where will Keathley just got video of all that?

1729
01:39:53,560 --> 01:39:56,679
Speaker 1: Now she's running out of the room. Scary? What if

1730
01:39:57,360 --> 01:40:00,519
Speaker 1: we paid you money for charity for you to get

1731
01:40:00,520 --> 01:40:03,400
Speaker 1: in shape and do it? What donated the money? You

1732
01:40:03,400 --> 01:40:06,439
Speaker 1: would do it? He won't? You getting into shape first?

1733
01:40:09,280 --> 01:40:15,080
Speaker 1: There is no better song to trip to. Yeah, should

1734
01:40:15,160 --> 01:40:20,840
Speaker 1: check up my clothes? Yeah, yeah, yeah, that's what I'm saying.

1735
01:40:21,800 --> 01:40:25,240
Speaker 1: Come on, I'm just a bird teller talking to my

1736
01:40:25,360 --> 01:40:47,639
Speaker 1: magic mike. All right, Yeah, without good money? We tell

1737
01:40:47,640 --> 01:40:51,800
Speaker 1: your grandma here has the moves? Yeah, I just impregnanted

1738
01:40:51,800 --> 01:40:56,160
Speaker 1: every woman in this room. Hey, Nate, did you ever

1739
01:40:56,240 --> 01:40:58,240
Speaker 1: do the move where you put both hands behind your

1740
01:40:58,280 --> 01:41:00,559
Speaker 1: head like you're resting, and then you thrust your palas

1741
01:41:02,960 --> 01:41:06,479
Speaker 1: rapid fire? All right? The strippers telling us we have

1742
01:41:06,520 --> 01:41:09,599
Speaker 1: to take a break. Can't we go to a mail review?

1743
01:41:09,760 --> 01:41:11,880
Speaker 1: I was so awesome. I think we should just don't

1744
01:41:11,920 --> 01:41:15,200
Speaker 1: cover the mail reviews. I think you used terms from

1745
01:41:15,240 --> 01:41:19,160
Speaker 1: another era. What are they called now that strip? Did

1746
01:41:19,200 --> 01:41:21,840
Speaker 1: you visit the har dashery before heading to mail review?

1747
01:41:21,960 --> 01:41:25,639
Speaker 1: We'll come to a pizza parlor after the show. Bring

1748
01:41:25,720 --> 01:41:28,960
Speaker 1: your pocket to the fountain for a nice malten. I

1749
01:41:29,080 --> 01:41:31,400
Speaker 1: think all have a good time. I have to do

1750
01:41:31,439 --> 01:41:33,960
Speaker 1: a commercial for blue Apron to a barilla. Can I

1751
01:41:34,040 --> 01:41:38,880
Speaker 1: do a blue apron over stripper music? Yeah, bit shock

1752
01:41:40,720 --> 01:41:53,559
Speaker 1: blue apron? All right, great song. This song would make

1753
01:41:53,560 --> 01:42:01,320
Speaker 1: a nun strip. Father O'Callahan would strip to this. We're

1754
01:42:01,360 --> 01:42:05,719
Speaker 1: good barning, good barn a little Elvis. Let me please,

1755
01:42:07,040 --> 01:42:14,120
Speaker 1: let me play some genuine How was easy to see

1756
01:42:14,160 --> 01:42:17,679
Speaker 1: the fact? What scaris in shape? Round as a shape?

1757
01:42:21,560 --> 01:42:35,559
Speaker 1: Not nice? He's over a hole you love read? Yeah?

1758
01:43:15,400 --> 01:43:18,760
Speaker 1: All right? Straight Nat is straight, Nat is not tripping you.

1759
01:43:18,840 --> 01:43:25,320
Speaker 1: Let me give you another song. Yeah, you look at animal.

1760
01:43:26,360 --> 01:43:29,680
Speaker 1: This is I'm gonna feel you from the inside. It's

1761
01:43:29,680 --> 01:43:35,000
Speaker 1: a great song. Love me in violation, go on, straight

1762
01:43:35,120 --> 01:43:41,240
Speaker 1: Name singing you love me. That's a crazy show. You

1763
01:43:41,520 --> 01:43:48,439
Speaker 1: love me, penetrate straight name. You let me complicate you.

1764
01:43:51,560 --> 01:43:56,240
Speaker 1: He broke by inside. I want to show me your

1765
01:43:56,280 --> 01:44:00,720
Speaker 1: dask help me God, no soul to sound. Yeah you

1766
01:44:00,840 --> 01:44:17,720
Speaker 1: like that? God, don't talk, Just don't talk you from

1767
01:44:17,840 --> 01:44:29,600
Speaker 1: the side. Hey, straight made, I want you like you

1768
01:44:29,680 --> 01:44:37,000
Speaker 1: have to use distortion. You look good? All right, I'm

1769
01:44:37,120 --> 01:44:39,960
Speaker 1: enough of this. We gotta we gotta stop playing stripper

1770
01:44:40,040 --> 01:44:43,560
Speaker 1: for a few moments and pay the bill. No, no,

1771
01:44:44,360 --> 01:44:45,840
Speaker 1: I have to get serious because I'm talking about I

1772
01:44:45,880 --> 01:44:48,680
Speaker 1: have to talk about blue apron. Take your blue apron off.

1773
01:44:52,479 --> 01:44:55,599
Speaker 1: There you go, what's hot right now? And Elvis Durrain

1774
01:44:55,680 --> 01:44:58,760
Speaker 1: dot Com. Here's web girl Kathleen. In case you missed it,

1775
01:44:58,840 --> 01:45:01,519
Speaker 1: we just had the increas outibly sweet Julia Michaels in

1776
01:45:01,640 --> 01:45:04,519
Speaker 1: studio to perform her new single Issues live on air.

1777
01:45:04,960 --> 01:45:06,600
Speaker 1: The video and the picks will be up later on

1778
01:45:06,640 --> 01:45:08,360
Speaker 1: the homepage, so make sure you check back for that.

1779
01:45:08,760 --> 01:45:11,200
Speaker 1: And maybe you were watching Jeopardy Live last night, but

1780
01:45:11,280 --> 01:45:14,200
Speaker 1: in case you weren't, we had the most embarrassingly epic

1781
01:45:14,360 --> 01:45:17,439
Speaker 1: and slightly perv mistake made by a contestant. It's also

1782
01:45:17,520 --> 01:45:19,000
Speaker 1: right there for you on the homepage. Get all this

1783
01:45:19,080 --> 01:45:22,280
Speaker 1: some more, Elvis drand dot com, LVI stran dot com

1784
01:45:24,120 --> 01:45:35,439
Speaker 1: call us. I'm like about because I'm so in the

1785
01:45:35,479 --> 01:45:37,759
Speaker 1: morning show. You know I refused to get rid of Facebook.

1786
01:45:37,800 --> 01:45:41,040
Speaker 1: I still keep it from It's like my personal friends,

1787
01:45:41,520 --> 01:45:45,960
Speaker 1: close knit family thing. But also you know, I learned

1788
01:45:45,960 --> 01:45:49,000
Speaker 1: about happy times like when when someone is expecting a

1789
01:45:49,160 --> 01:45:53,160
Speaker 1: child and now, or when they adopted a dog or whatever.

1790
01:45:53,200 --> 01:45:54,880
Speaker 1: But I'm also reminded, you know, five years ago, I

1791
01:45:54,920 --> 01:45:57,040
Speaker 1: think it was five years ago today, our friend Captain David,

1792
01:45:57,080 --> 01:46:01,639
Speaker 1: David Schlegel passed away. Five years ago. Remember Captain David.

1793
01:46:03,479 --> 01:46:05,640
Speaker 1: What a great guy. To see the pictures. Last night,

1794
01:46:05,680 --> 01:46:07,560
Speaker 1: I was on Facebook and I saw his sister was

1795
01:46:07,600 --> 01:46:10,160
Speaker 1: posting some photos and it just I stopped and I

1796
01:46:10,400 --> 01:46:13,360
Speaker 1: opened the picture on my phone and I zoomed in

1797
01:46:13,439 --> 01:46:14,840
Speaker 1: on it and I just looked at David's face, and

1798
01:46:14,880 --> 01:46:17,040
Speaker 1: I can remember all the fun that we have with

1799
01:46:17,120 --> 01:46:18,679
Speaker 1: in that that trip that we made on the boat,

1800
01:46:18,720 --> 01:46:21,160
Speaker 1: and it was just he really was such a super nice,

1801
01:46:21,320 --> 01:46:23,560
Speaker 1: wonderful person, so fun to be around. And you know,

1802
01:46:23,680 --> 01:46:26,760
Speaker 1: you guys were he loved you, guys, David, you weren't here.

1803
01:46:26,800 --> 01:46:30,960
Speaker 1: Then Captain David Schlego sold me my first and last boat.

1804
01:46:32,800 --> 01:46:35,000
Speaker 1: He made me so happy when he sold it to

1805
01:46:35,040 --> 01:46:36,679
Speaker 1: me that he made me even happier when he sold

1806
01:46:36,720 --> 01:46:39,479
Speaker 1: it for me. And David Schlego he would call me

1807
01:46:39,640 --> 01:46:42,360
Speaker 1: once somewhere because the was captain for Lauderdale. I'm up

1808
01:46:42,360 --> 01:46:43,920
Speaker 1: here in New York. He was like, hey, you know, Elvis,

1809
01:46:43,920 --> 01:46:45,840
Speaker 1: I gotta take the boat out. He's just sitting. I'm like, David,

1810
01:46:45,920 --> 01:46:49,320
Speaker 1: take it out, and I'd always get back. Lad look

1811
01:46:49,360 --> 01:46:51,000
Speaker 1: at the boat and there was hair everywhere because he

1812
01:46:51,080 --> 01:46:53,799
Speaker 1: was like he was a really hairy guy like always.

1813
01:46:53,880 --> 01:46:56,360
Speaker 1: I was new when when Captain David was on the

1814
01:46:56,400 --> 01:46:59,360
Speaker 1: boat because there's hair everywhere. But he loved the fact

1815
01:46:59,400 --> 01:47:01,720
Speaker 1: that we took him with us with the to the Bahamas,

1816
01:47:02,320 --> 01:47:04,680
Speaker 1: and uh, the whole show took him and everyone sort

1817
01:47:04,720 --> 01:47:07,560
Speaker 1: of adopted him as our official captain. You know. He

1818
01:47:07,640 --> 01:47:11,479
Speaker 1: sounded like such a great, fantastic guy. I was wishing

1819
01:47:11,520 --> 01:47:13,200
Speaker 1: he was with us on that trip back. Yeah, I

1820
01:47:13,240 --> 01:47:15,680
Speaker 1: know we need any So I'm looking at Facebook, and

1821
01:47:15,720 --> 01:47:18,040
Speaker 1: you know what, it's all the sad things you see.

1822
01:47:18,080 --> 01:47:22,120
Speaker 1: And then the next one down is our friend Susie

1823
01:47:22,760 --> 01:47:26,559
Speaker 1: her dog Billy humping this pillow. You know, Faith, There's

1824
01:47:26,720 --> 01:47:29,120
Speaker 1: there's all sorts of dogs humping goods. Wow, it's a

1825
01:47:29,160 --> 01:47:32,160
Speaker 1: double hump Wednesday. Look at all the dogs humping in

1826
01:47:32,200 --> 01:47:37,439
Speaker 1: this picture. It's a video. Look at him go. So

1827
01:47:37,520 --> 01:47:40,680
Speaker 1: I'm sure if David were alive. He would look at that.

1828
01:47:40,800 --> 01:47:43,639
Speaker 1: It just he would think that was so funny, look

1829
01:47:43,680 --> 01:47:47,120
Speaker 1: at you know what. You gotta keep in mind, I

1830
01:47:47,200 --> 01:47:51,080
Speaker 1: get grossed out when dogs hump. Luckily I don't have

1831
01:47:51,160 --> 01:47:54,840
Speaker 1: a humper. Little Maxie does not hump. But humping really

1832
01:47:54,880 --> 01:47:57,240
Speaker 1: it's not really as sexual. It's not really a sexual

1833
01:47:57,280 --> 01:48:00,920
Speaker 1: thing as much as it's uh, come no, no, it's

1834
01:48:00,960 --> 01:48:05,360
Speaker 1: a domination. Domination. He's dominating that pillow. Yeah, So if

1835
01:48:05,360 --> 01:48:07,920
Speaker 1: a dog starts dominating something, it doesn't mean he wants

1836
01:48:07,960 --> 01:48:11,400
Speaker 1: to have sex with it necessarily. It's more of a domination.

1837
01:48:12,600 --> 01:48:14,880
Speaker 1: It looks like a sexual dance. So I mean there's

1838
01:48:14,880 --> 01:48:17,479
Speaker 1: a little sex mixed in it right now. So when

1839
01:48:17,520 --> 01:48:20,040
Speaker 1: we took Rocky for the first time to my parents house,

1840
01:48:20,120 --> 01:48:22,679
Speaker 1: my mom and dad have a very small dog, Rocky

1841
01:48:22,760 --> 01:48:26,760
Speaker 1: sniffing or sniffing. He starts humping her face and my

1842
01:48:26,880 --> 01:48:28,800
Speaker 1: Mom's like, can you stop that. I'm like, no, no,

1843
01:48:28,920 --> 01:48:30,920
Speaker 1: he doesn't mean it that way. He was dumping your

1844
01:48:31,000 --> 01:48:35,360
Speaker 1: mom's face. No, my mom's dogs. No, Rocky rule has

1845
01:48:35,439 --> 01:48:45,519
Speaker 1: more respect to his grandmother's got my mom's dog hates him. Still,

1846
01:48:47,080 --> 01:48:49,080
Speaker 1: what's that scary body of mind? When he goes to

1847
01:48:49,160 --> 01:48:51,880
Speaker 1: bed at night. His cat sleeps on his face. He

1848
01:48:52,000 --> 01:48:58,320
Speaker 1: just the cat just gets on his face. And I

1849
01:48:58,439 --> 01:49:00,599
Speaker 1: never liked that expression. Look at her, she never smiles.

1850
01:49:00,640 --> 01:49:02,240
Speaker 1: She's always got a puss on her face. I'm like,

1851
01:49:02,680 --> 01:49:06,960
Speaker 1: it sounds like it's hard to breathe up. What's wrong?

1852
01:49:14,240 --> 01:49:20,200
Speaker 1: This conversation means nothing? And look, everyone smile. It's good

1853
01:49:20,200 --> 01:49:23,479
Speaker 1: to check your Facebook of feed because I'm rarely check it. Look,

1854
01:49:23,600 --> 01:49:28,200
Speaker 1: Volvo Cars of Manhattan is having a sale. Here's a

1855
01:49:28,240 --> 01:49:33,080
Speaker 1: picture of Scotty b and Amy eleven years being married together. Fantastic,

1856
01:49:33,680 --> 01:49:37,080
Speaker 1: I am. I still have not I've worked here for

1857
01:49:37,320 --> 01:49:39,000
Speaker 1: four and a half years. I still have not accepted

1858
01:49:39,000 --> 01:49:44,960
Speaker 1: Scary's friend request on Facebook. Happen like why don't you

1859
01:49:44,960 --> 01:49:46,560
Speaker 1: want to be friends with me? On Facebook? Friends? In

1860
01:49:46,640 --> 01:49:48,760
Speaker 1: real life? It's not don't want to be friends with you.

1861
01:49:49,479 --> 01:49:51,960
Speaker 1: It's that you have the weirdest people that follow you,

1862
01:49:52,080 --> 01:49:54,280
Speaker 1: and then they then then they find me exactly follow me?

1863
01:49:54,520 --> 01:49:57,080
Speaker 1: You do you do? You do have a museum of followers,

1864
01:49:57,640 --> 01:50:00,599
Speaker 1: and then the Froggy's mom Froggy's Mom post to this today.

1865
01:50:00,880 --> 01:50:03,360
Speaker 1: People who have done you wrong will always think your

1866
01:50:03,439 --> 01:50:11,160
Speaker 1: posts are about them. I'm gonna start going back to

1867
01:50:11,200 --> 01:50:13,280
Speaker 1: Facebook a little more and more. I'm really enjoying my

1868
01:50:13,640 --> 01:50:18,080
Speaker 1: dripped down Facebook lane. It's sad, touching and happy, Luda

1869
01:50:18,160 --> 01:50:21,479
Speaker 1: Chris and you have humping dog. Hello, it sounds like

1870
01:50:21,520 --> 01:50:26,960
Speaker 1: a weekend. What's trending today, Bethany, This is very near

1871
01:50:27,040 --> 01:50:28,800
Speaker 1: and dear to my heart. A really dear friend of

1872
01:50:28,840 --> 01:50:31,280
Speaker 1: mine was just diagnosed with breast cancer, actually just found

1873
01:50:31,280 --> 01:50:34,280
Speaker 1: out yesterday, and so that's why I am featuring Anna

1874
01:50:34,360 --> 01:50:37,280
Speaker 1: oh No Intimates. They were featured during New York Fashion Week.

1875
01:50:37,320 --> 01:50:39,680
Speaker 1: Their runway show was all women who were going through

1876
01:50:39,840 --> 01:50:44,480
Speaker 1: or had survived breast cancer. They make bras and loungewear

1877
01:50:44,720 --> 01:50:47,800
Speaker 1: specifically for people who are going through breast cancer, chema,

1878
01:50:48,000 --> 01:50:51,160
Speaker 1: great idea, or people who have chronic pain. It's incredibly

1879
01:50:51,240 --> 01:50:53,639
Speaker 1: soft materials and they have a whole line of people

1880
01:50:53,640 --> 01:50:56,120
Speaker 1: who for people who are going through radiation too. What's

1881
01:50:56,120 --> 01:50:58,600
Speaker 1: the name of it again, Anna oh No Intimates. Just

1882
01:50:58,680 --> 01:51:01,160
Speaker 1: go to Elvis, duran dot com, keyword trending all link

1883
01:51:01,200 --> 01:51:03,760
Speaker 1: you right over. And then our producer Sam is the

1884
01:51:03,880 --> 01:51:06,080
Speaker 1: one who is all things physical body. So when she

1885
01:51:06,280 --> 01:51:08,640
Speaker 1: tells me that she loves a seat cushion, I'm going

1886
01:51:08,680 --> 01:51:10,800
Speaker 1: to pay more attention to the seat cushion. Even though

1887
01:51:10,840 --> 01:51:13,680
Speaker 1: it's a seat cushion, it's amazing. It's supposed to help

1888
01:51:13,760 --> 01:51:17,040
Speaker 1: realign your spine and for long flights or long drives,

1889
01:51:17,240 --> 01:51:19,240
Speaker 1: your back won't go numb or hurt the way a

1890
01:51:19,280 --> 01:51:21,800
Speaker 1: lot of people's backs do. Go to Elvis Durand dot com.

1891
01:51:22,040 --> 01:51:23,960
Speaker 1: Keyword trending, I link you over to the p G

1892
01:51:24,080 --> 01:51:26,880
Speaker 1: O seat. Thank you. What's trending? Checking out now at

1893
01:51:26,960 --> 01:51:29,320
Speaker 1: Elvis duran dot com. Alright, your phone tap coming up next?

1894
01:51:30,280 --> 01:51:34,560
Speaker 1: Got clang? Radio personality Elvis Durand Elvis Durand in the

1895
01:51:34,640 --> 01:51:37,759
Speaker 1: morning show Upside. The smart new way to buy travel

1896
01:51:37,920 --> 01:51:40,920
Speaker 1: is upside dot com. You save money, get a free

1897
01:51:40,960 --> 01:51:43,800
Speaker 1: Amazon gift card with every trip you buy. Use my

1898
01:51:43,960 --> 01:51:46,439
Speaker 1: name Elvis, and you're guaranteed at least a two dollar

1899
01:51:46,520 --> 01:51:49,080
Speaker 1: gift card with your first time using upside dot com.

1900
01:51:49,439 --> 01:51:52,799
Speaker 1: Save huge on travel. Minimum purchase supplies seaside for details

1901
01:51:52,960 --> 01:51:58,960
Speaker 1: Upside dot com, el Elvis Durand, the Elvis Durand phone tap. Alright,

1902
01:51:59,600 --> 01:52:02,040
Speaker 1: Nicole Old, it's away at school and she wanted to

1903
01:52:02,080 --> 01:52:04,800
Speaker 1: phone tap her dad. Turns out she left her old

1904
01:52:04,920 --> 01:52:08,600
Speaker 1: phone number to her dad and still gets friends calling it,

1905
01:52:09,120 --> 01:52:12,200
Speaker 1: So this phone tap takes place after I called and

1906
01:52:12,280 --> 01:52:15,040
Speaker 1: left him a voicemail that was intended for her. We

1907
01:52:15,120 --> 01:52:17,559
Speaker 1: waited a little bit and then called him for his reaction.

1908
01:52:18,080 --> 01:52:20,840
Speaker 1: So the dad already had listened to a message or

1909
01:52:20,920 --> 01:52:26,479
Speaker 1: left earlier. Here we go, Hello, hey daddy, how you doing?

1910
01:52:27,000 --> 01:52:30,640
Speaker 1: How are you? I'm good, I'm good. I'm just do

1911
01:52:31,439 --> 01:52:34,720
Speaker 1: And then I got a message from somebody saying they

1912
01:52:34,840 --> 01:52:42,120
Speaker 1: want you back. Who's Whizzy? That's is that his name?

1913
01:52:42,560 --> 01:52:44,160
Speaker 1: Why are you asking me this? How do you even

1914
01:52:44,200 --> 01:52:45,720
Speaker 1: know this? How long have you been going out with

1915
01:52:45,840 --> 01:52:50,960
Speaker 1: this person? For about a month? How come I don't

1916
01:52:51,000 --> 01:52:56,040
Speaker 1: know about him? Ever? Deadly from the message that he

1917
01:52:56,240 --> 01:52:59,640
Speaker 1: left you, he's very serious. Did you seek to him?

1918
01:53:00,120 --> 01:53:02,920
Speaker 1: I don't know. He must to damn message on the phone.

1919
01:53:03,320 --> 01:53:05,880
Speaker 1: He sounds like he's an idiot. Do you have paid

1920
01:53:05,960 --> 01:53:10,920
Speaker 1: for me? Hold on? Come? Did just wheezy? I just

1921
01:53:11,040 --> 01:53:13,559
Speaker 1: wanted to day. I'm sorry to everything. I didn't mean

1922
01:53:13,640 --> 01:53:16,000
Speaker 1: to let you down. So I wrote you a little tone.

1923
01:53:16,320 --> 01:53:19,559
Speaker 1: I hope you could give me you hand out a kid?

1924
01:53:19,760 --> 01:53:25,040
Speaker 1: Can you you're high? Never really had lucky? Never year? Hello?

1925
01:53:25,880 --> 01:53:31,439
Speaker 1: Are you hearing it now? You're trying to put it together.

1926
01:53:33,560 --> 01:53:36,960
Speaker 1: Oh you're a second you. Oh god, you over there.

1927
01:53:37,760 --> 01:53:41,639
Speaker 1: It's not just the way you moving. I love you, baby,

1928
01:53:41,760 --> 01:53:46,120
Speaker 1: Please take me back? Yeah yeah you hear that? Yeah? Yeah?

1929
01:53:46,320 --> 01:53:50,280
Speaker 1: Oh my god, who's busy? Keep going with the Emerson

1930
01:53:50,360 --> 01:53:54,080
Speaker 1: with me? We don't know you're with me. And if

1931
01:53:54,120 --> 01:53:56,760
Speaker 1: they led a boy like that in the Emerson, you're

1932
01:53:56,800 --> 01:53:59,320
Speaker 1: out of your head. He talks like he's got to

1933
01:53:59,400 --> 01:54:02,559
Speaker 1: like a fourth great education level. I mean, for God's sake,

1934
01:54:03,040 --> 01:54:10,560
Speaker 1: he's cheating on you, hanging and take me back? What

1935
01:54:10,760 --> 01:54:14,200
Speaker 1: kind of is that? I'm free right now to do

1936
01:54:14,280 --> 01:54:17,200
Speaker 1: what I want, honey, if that's what you want to do,

1937
01:54:17,360 --> 01:54:20,160
Speaker 1: but don't expect anything more than cigarette butts and ashes

1938
01:54:20,439 --> 01:54:23,479
Speaker 1: for Christmas. Hey, you're calling you in there? What is

1939
01:54:23,560 --> 01:54:30,759
Speaker 1: that going on? It's just my roommate, that's not your roommate.

1940
01:54:31,160 --> 01:54:37,040
Speaker 1: Just yeah a voice, yeah yeah, yeah. You're streaking out

1941
01:54:37,120 --> 01:54:39,360
Speaker 1: right now? Can you back? Can you just the one

1942
01:54:39,400 --> 01:54:41,800
Speaker 1: second to get the hell out of your room. I'm

1943
01:54:41,800 --> 01:54:47,400
Speaker 1: gonna drive over there. Dad, Will you stop slag it down?

1944
01:54:48,400 --> 01:54:54,000
Speaker 1: Get out now? Just hold on pratice in my rhymes, please,

1945
01:54:54,080 --> 01:54:56,200
Speaker 1: just like I will meet you in fifteen minutes. Get

1946
01:54:56,280 --> 01:54:59,320
Speaker 1: that son of a bitch out of there. That drink

1947
01:54:59,400 --> 01:55:01,880
Speaker 1: couldn't be but that could be paid. Put that son

1948
01:55:01,960 --> 01:55:05,280
Speaker 1: of a bit on the phone. He wants to get

1949
01:55:05,320 --> 01:55:08,320
Speaker 1: the hell out of my room. Laugh, young money, you're

1950
01:55:08,320 --> 01:55:11,240
Speaker 1: a piece of Yes, she want a fellow. You already

1951
01:55:11,320 --> 01:55:20,720
Speaker 1: know though you was destinating Popo via did God. I wish,

1952
01:55:20,920 --> 01:55:22,920
Speaker 1: I wish I could just kick your ass right now.

1953
01:55:23,160 --> 01:55:27,000
Speaker 1: I love your ding. I'm about you don't love The

1954
01:55:27,080 --> 01:55:29,480
Speaker 1: only thing you love is acting like an idiot. That

1955
01:55:29,640 --> 01:55:31,280
Speaker 1: was it? None the best? But we don't really play.

1956
01:55:31,680 --> 01:55:34,680
Speaker 1: You disgust me. Can I have you doing his hand

1957
01:55:34,760 --> 01:55:38,280
Speaker 1: in marriage? No, you can't. You You're not coming anywhere

1958
01:55:38,400 --> 01:55:40,560
Speaker 1: near this piece of property, and I'm gonna get her

1959
01:55:40,600 --> 01:55:43,160
Speaker 1: out of that school as soon as I can't you well,

1960
01:55:43,200 --> 01:55:45,680
Speaker 1: are you telling me that I'm about to go and

1961
01:55:46,000 --> 01:55:48,560
Speaker 1: jay the jaz because I don't like you? Are you

1962
01:55:48,720 --> 01:55:52,480
Speaker 1: just that stupid? Is it not clear you never met me?

1963
01:55:52,880 --> 01:55:55,320
Speaker 1: I don't have to meet you. I can tell by

1964
01:55:55,400 --> 01:55:59,400
Speaker 1: your voice this convert tation right now. I don't want

1965
01:55:59,760 --> 01:56:03,240
Speaker 1: you itches mazle tab wasn't a call back on the line.

1966
01:56:03,320 --> 01:56:05,360
Speaker 1: I don't want to talk to you anymore. I don't

1967
01:56:05,360 --> 01:56:07,920
Speaker 1: think we're gonna work at Why are you saying that

1968
01:56:08,280 --> 01:56:11,120
Speaker 1: because your dad hates me? It doesn't matter what my

1969
01:56:11,240 --> 01:56:15,120
Speaker 1: dad thinks. I love you, you know him. You don't

1970
01:56:15,160 --> 01:56:18,560
Speaker 1: know anything about Bob. What's up about? What are you

1971
01:56:18,720 --> 01:56:23,400
Speaker 1: doing on my bed? Because that's what's through. That's it.

1972
01:56:23,600 --> 01:56:26,200
Speaker 1: I don't want anything else to do with it. Goodbye.

1973
01:56:26,440 --> 01:56:29,000
Speaker 1: I got to tell you how No, I don't want

1974
01:56:29,040 --> 01:56:31,280
Speaker 1: to talk to you now that you've been phone tat

1975
01:56:33,040 --> 01:56:39,040
Speaker 1: what what this is? Scary joke on the Morning show?

1976
01:56:39,960 --> 01:56:45,920
Speaker 1: So yeah, what is this? It's the radio joke. I

1977
01:56:46,040 --> 01:56:48,040
Speaker 1: listened to the radio all the time, and this isn't

1978
01:56:48,480 --> 01:56:54,600
Speaker 1: funny you call entertainment. Why the would anybody listen to it?

1979
01:56:59,760 --> 01:57:04,160
Speaker 1: You're go cross between Wheezy and Cartman. Yeah, pretty much scary.

1980
01:57:05,080 --> 01:57:08,560
Speaker 1: This tap was prerecorded with permission granted by All Party Space.

1981
01:57:09,400 --> 01:57:13,360
Speaker 1: Elvis Duran filon Tapward on Elvis Durand in the Morning

1982
01:57:13,400 --> 01:57:18,840
Speaker 1: Show Elvis Durand show ning Mo, which translates as Morning

1983
01:57:18,920 --> 01:57:23,360
Speaker 1: show this Elvis Durand in the Morning Show. I love

1984
01:57:23,480 --> 01:57:26,240
Speaker 1: Chris Martin, he is excellent. All Right, we gotta talk

1985
01:57:26,240 --> 01:57:27,880
Speaker 1: about blue Apron. You know I kept warning you I

1986
01:57:27,920 --> 01:57:30,560
Speaker 1: was gonna do a blue Apron commercial. Now people are

1987
01:57:30,640 --> 01:57:33,280
Speaker 1: requesting it. Oh can you play the New Edge hear

1988
01:57:33,320 --> 01:57:35,920
Speaker 1: and song and then talk about Blue Apron. Blue Apron,

1989
01:57:36,520 --> 01:57:39,640
Speaker 1: So Blue Apron, You'll love how good it feels and taste.

1990
01:57:39,640 --> 01:57:43,160
Speaker 1: Do you actually create these incredible home cooked meals? Thanks

1991
01:57:43,200 --> 01:57:46,200
Speaker 1: to Blue Apron, they do all the shopping for you.

1992
01:57:46,400 --> 01:57:48,520
Speaker 1: And when I say shopping, the produce all the fresh

1993
01:57:48,680 --> 01:57:51,320
Speaker 1: vegetables and things that are coming from your region of

1994
01:57:51,400 --> 01:57:54,480
Speaker 1: the country. Therefore they're the freshest and they give you

1995
01:57:54,520 --> 01:57:56,560
Speaker 1: the right amount for these recipes. They also give you

1996
01:57:56,840 --> 01:57:58,520
Speaker 1: so you don't have any food waste, which is such

1997
01:57:58,560 --> 01:58:00,400
Speaker 1: a very very important thing to be concern and about

1998
01:58:00,400 --> 01:58:03,080
Speaker 1: wasting food in this day and age where people are hungry.

1999
01:58:03,760 --> 01:58:06,440
Speaker 1: So how it works, it's so flexible you you you

2000
01:58:07,120 --> 01:58:09,800
Speaker 1: customize your recipes each week with Blue Apron based on

2001
01:58:09,880 --> 01:58:13,560
Speaker 1: your preferences. They have several delivery options that fits your needs,

2002
01:58:14,280 --> 01:58:16,480
Speaker 1: no weekly commitment. You get the deliveries when you want

2003
01:58:16,520 --> 01:58:19,360
Speaker 1: them and under ten dollars a meal for you and

2004
01:58:19,400 --> 01:58:23,000
Speaker 1: a partner. Are you in your family? Incredible freshly cooked

2005
01:58:23,080 --> 01:58:25,440
Speaker 1: meals Meals you cook, so it's not like you're letting

2006
01:58:25,480 --> 01:58:27,160
Speaker 1: someone else do all the work. You actually get the

2007
01:58:27,240 --> 01:58:31,160
Speaker 1: satisfaction of cooking your meals. I want you to try

2008
01:58:31,200 --> 01:58:33,200
Speaker 1: it out for free. First of all, the website itself

2009
01:58:33,360 --> 01:58:36,320
Speaker 1: is just enticing enough you'll salivate. Go to Blue Apron

2010
01:58:36,400 --> 01:58:40,200
Speaker 1: dot com slash elvis. Your first three meals will be

2011
01:58:40,360 --> 01:58:43,760
Speaker 1: free with free shipping, which is a fantastic value. Blue

2012
01:58:43,800 --> 01:58:46,600
Speaker 1: Apron dot com slash Elvis. That's Blue Apron dot com

2013
01:58:46,720 --> 01:58:47,480
Speaker 1: slash Elvis.