WEBVTT - Star Wars: Maul – Shadow Lord S1E3 + E4

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<v Speaker 1>Warning. Today's episode candad spoilerst for episodes three and four

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<v Speaker 1>of Mall shadow Lord on Disney Plus. Hello, my name

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<v Speaker 1>is Jasonconcept.

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<v Speaker 2>That was kind of more yeah.

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<v Speaker 1>Yeah, he's more like.

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<v Speaker 2>Like it's like a oh yes, it's me Rosie. N Yeah,

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<v Speaker 2>I was going and low.

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<v Speaker 1>He's got like this weird like Quaver.

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<v Speaker 3>He's definitely sounding old. He's got the Grandpa place.

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<v Speaker 1>It's like a Vincent price, like a lower Vincent price. Anyway,

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<v Speaker 1>my name is Jasonconcept and I'm Rosie Night again and

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<v Speaker 1>welcome back to x Ravage of the podcast where we

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<v Speaker 1>dive deep with your faverit Joe's movies. We're coming to

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<v Speaker 1>reminding our podcast Where Will You three episodes.

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<v Speaker 3>Plast News on Saturday is In today's episode, we are

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<v Speaker 3>recapping episodes one O three and one four of Darth

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<v Speaker 3>Maul shadow Lord, and we'll be bringing in super producer

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<v Speaker 3>Joel to talk a little bit about who's in the crew,

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<v Speaker 3>who are the characters, and where we're at four episodes

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<v Speaker 3>into Dave Filoni's newest Star Wars animated series.

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<v Speaker 1>Let's talk about this. The first episode that we're discussing today,

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<v Speaker 1>Mall shadow Lord one O three whispers in the unknown.

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<v Speaker 3>Yes, so we are joining directly where we left off

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<v Speaker 3>under the two moons of janex we see that Devon

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<v Speaker 3>has escaped her rocky prison and rook Cast is searching

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<v Speaker 3>for her, but she finds More in the tunnels.

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<v Speaker 2>Instead, More finds her and says, so you're beginning to

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<v Speaker 2>see things through a new perspective.

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<v Speaker 3>And as the pair share some Cassio tea, a nice

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<v Speaker 3>nod to the rad young reader's book The Clone Wars Death,

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<v Speaker 3>More Shadow Conspiracy. And you've seen that tea come up

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<v Speaker 3>many times since then if you read the extra texts.

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<v Speaker 3>Mare tries to convince Devin that he has been misrepresented

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<v Speaker 3>and that really he's.

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<v Speaker 2>Just as confused as she is about her fate.

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<v Speaker 3>Despite him reminding her and us of his tragic backstory,

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<v Speaker 3>the betrayal of his master, the murder of his mother

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<v Speaker 3>and brother.

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<v Speaker 2>Devin is unmoved bro.

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<v Speaker 3>She is like, absolutely not working on me, and she

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<v Speaker 3>uses the force to take his double sided lightsaber into

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<v Speaker 3>her own hands. But that feistiness is something more can

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<v Speaker 3>work with. Back in the Exposition headquarters, I mean the

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<v Speaker 3>police headquarters, two boots he's licking both of them, and

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<v Speaker 3>Lawson are explaining Maul's connections to the galactic crime syndicates

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<v Speaker 3>for those who haven't watched the Star Wars animated property before.

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<v Speaker 3>While Lawson continues to be inexplicably bad at policing, Devon

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<v Speaker 3>is wielding Maul's saber as he tries to tempt her

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<v Speaker 3>towards the dark side. Rook Casts, jealousy over Maul's new

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<v Speaker 3>would be apprentice, leads her to head out after the

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<v Speaker 3>next Pike shipment alone. Two boots in his cop robots

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<v Speaker 3>beat them there, but Casting her crew managed to escape,

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<v Speaker 3>but they don't take the credits this time around, which

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<v Speaker 3>hails many questions.

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<v Speaker 2>Just in case you.

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<v Speaker 3>Were worried that Lawson might miss his son's space sports game,

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<v Speaker 3>a very important thing.

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<v Speaker 2>I know he's worry about it.

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<v Speaker 3>You were like, oh my godw could he not miss

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<v Speaker 3>sports lacrosse?

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<v Speaker 2>Like how could this happen in space?

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<v Speaker 3>But no, he makes it his son Riley, which, by

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<v Speaker 3>the way, guys, it's spelt Star Wars, so just so

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<v Speaker 3>you think that.

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<v Speaker 2>He's not too normal, it's r y L E E,

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<v Speaker 2>which I think is so funny.

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<v Speaker 3>But anyway, you know, Dad shows up and he's like,

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<v Speaker 3>I'm here, don't worry, but then Devon's master Daky shows

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<v Speaker 3>up and the pair talk about Devin's capture and Lawson

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<v Speaker 3>inquires more after more, and ultimately he has to leave

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<v Speaker 3>his son's sports game Ollie to deal with the failed heist.

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<v Speaker 2>Why is this a plot point?

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<v Speaker 3>Nobody knows, but Riley's very upset when he scores get

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<v Speaker 3>it. It feels very heat to me.

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<v Speaker 2>So you you know, you know the deal when you

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<v Speaker 2>marry me, baby, you gotta share me with all the

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<v Speaker 2>bad people in the world.

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<v Speaker 1>It really is like al Pacino, I've gotta leave dinner

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<v Speaker 1>thing and.

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<v Speaker 2>Also heat, let's be real.

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<v Speaker 3>He also as well he missed the heist right, which

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<v Speaker 3>leans into the heat of it all because they didn't

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<v Speaker 3>really see each other.

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<v Speaker 2>So Maul speaks to.

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<v Speaker 3>Devin deep under the the tunnels and he waxes lyrical

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<v Speaker 3>on the danger of the inquisitors.

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<v Speaker 2>The life that Devon will have to lead is.

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<v Speaker 3>A sol like solo Jedi on the Rum post Order

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<v Speaker 3>sixty six, though honestly we know there are a lot

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<v Speaker 3>of them out there. She is unconvinced and makes another

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<v Speaker 3>break for it. Lawson and two boots head to the

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<v Speaker 3>scene of the crime. We also learned that the reason

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<v Speaker 3>Lawson hates the Empire is because his wife was part

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<v Speaker 3>of the Empire.

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<v Speaker 2>So it's not that he's like moral he objected to them.

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<v Speaker 3>He's just a divorced hater and he hates He's just like,

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<v Speaker 3>oh not my wife, the fucking bitch like I Coromba. Also,

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<v Speaker 3>you married someone who turned into a Nazi, so that's

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<v Speaker 3>on usir, very confusing options there under the watchful eye

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<v Speaker 3>of rook Cast and her crew. We then see that

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<v Speaker 3>the little alien Varrio speaks to the leader of the

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<v Speaker 3>Pikes on a hologram.

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<v Speaker 1>Why is every criminal from New York?

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<v Speaker 3>I feel like they're trying their best to be like

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<v Speaker 3>less racist, but it's still coming across to me with

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<v Speaker 3>the same problems as previous representations of scheming Star Wars characters.

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<v Speaker 2>But yes he is.

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<v Speaker 3>He's like, hey, hey, it's me. I'm gonna betray Duff Mare.

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<v Speaker 3>You know, I'm gonna eat a hot dog or and

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<v Speaker 3>Vario speaks to the leader of the Pikes and he's like, gonna, Clay,

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<v Speaker 3>I'm gonna sell out more.

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<v Speaker 2>I'm gonna make it up to you.

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<v Speaker 3>And obviously we pull back and we see that they're

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<v Speaker 3>all watching and this is sort of a skit set up,

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<v Speaker 3>and then very interestingly, one of the conversations that we've

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<v Speaker 3>all had many times as fans they never imagine coming

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<v Speaker 3>to light in this way.

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<v Speaker 2>I think we.

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<v Speaker 3>Get some interesting stuff in this episode about the notion

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<v Speaker 3>of robots and their coding and and kind of agency,

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<v Speaker 3>but it is through the lens of two Boots wanting

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<v Speaker 3>to snitch to the Empire Tears is desperate to snitch

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<v Speaker 3>is a I know, well, the two Boots is like

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<v Speaker 3>a cowboy out here.

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<v Speaker 1>With this and this is actually now, I guess we've

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<v Speaker 1>seen stuff like this before in this in you know,

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<v Speaker 1>C three po was always complaining about this and that

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<v Speaker 1>and wanted to go his own way, and R two

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<v Speaker 1>was also had was very very headstrong. But I don't

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<v Speaker 1>think you've ever seen a droid go directly against what

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<v Speaker 1>it's human collaborator intended and even said like do that.

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<v Speaker 2>He's told him no man before.

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<v Speaker 3>No. I mean, I would say, like obviously, there's a

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<v Speaker 3>lot of conversation in the in the scene in the

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<v Speaker 3>fandom of the fifty year old Fantom of Star Wars

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<v Speaker 3>about how D two loved to keep a secret because he.

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<v Speaker 2>Knew everything that happened. But other than that, you know,

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<v Speaker 2>he was trying to do his best.

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<v Speaker 3>Maybe his brain was wipe depending on the law, but

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<v Speaker 3>like two boots basically just being like, bro, I need

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<v Speaker 3>to report this to the Empire, like come on, and

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<v Speaker 3>he's like, I just got a snitch to the Empire

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<v Speaker 3>about Darth Maul.

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<v Speaker 2>I'm like, this is when.

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<v Speaker 1>He keeps saying too like, I think he'll I think

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<v Speaker 1>he'll appreciate it, like after I do it.

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<v Speaker 2>Yeah, yeah, he'll come.

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<v Speaker 1>He'll come around to it after I snitch on him.

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<v Speaker 2>Crazy, crazy choice.

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<v Speaker 3>Devin continues her like unofficial male training as they battle

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<v Speaker 3>it out with this double edged now you know, split

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<v Speaker 3>into two. It's a great action sequence. He is really

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<v Speaker 3>sassin her up. He's like, you're one of the lost Jedis.

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<v Speaker 3>To survive, you need to explore it, like you need

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<v Speaker 3>to not be like the rest of the Jedis who

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<v Speaker 3>died after all, to sixty six and honestly, it's already

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<v Speaker 3>given abusive master student. I don't think he's gonna like

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<v Speaker 3>break that pattern here.

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<v Speaker 1>I think my note to mal First of all, you know,

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<v Speaker 1>it's like the the the mentor mentee, whether it's a

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<v Speaker 1>Jedi or the Sith and the way it relates to

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<v Speaker 1>like grooming is a little alarming. That said, Mall, I

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<v Speaker 1>think you're going I think it's too fast.

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<v Speaker 2>Yes, you're talking himbout.

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<v Speaker 1>The ideals you're telling like okay, that's you know, like

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<v Speaker 1>that's fine. But now you've immediately you're immediately dueling like

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<v Speaker 1>this is six hours in to meeting this person.

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<v Speaker 3>Literally like coming in, I slow the role. You got

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<v Speaker 3>to seduce a bit more, my guy, Like we have

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<v Speaker 3>learned that. As Devin leaves that night at the end

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<v Speaker 3>of the episode, it's clear that Maul expects her to

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<v Speaker 3>return and continue their weird ass training.

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<v Speaker 2>I'm not gonna lie.

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<v Speaker 3>I would not if I was her, Like, I understand

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<v Speaker 3>that being a Jedi is annoying, but this guy is

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<v Speaker 3>not really giving me much more than you know, Daki

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<v Speaker 3>is giving me, unless you just have a thing for

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<v Speaker 3>like sexy Daddy Moore, which I also I know there's

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<v Speaker 3>a lot of you out there do and I respect that,

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<v Speaker 3>so you know, sure, but.

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<v Speaker 2>Otherwise I would not be returning for the training. But

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<v Speaker 2>let's come back after.

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<v Speaker 3>An ad break and you can listen to the rest

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<v Speaker 3>of our recap of more Shadow Lord.

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<v Speaker 1>And we're back Marl's Shadow Lord, Pride and Vengeance.

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<v Speaker 3>Oh who Yes, this is chapter four, in my opinion,

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<v Speaker 3>easily the best episode of the show.

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<v Speaker 1>I think it goes.

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<v Speaker 3>It elevates itself here and we start getting some really

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<v Speaker 3>meaty mall stuff.

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<v Speaker 2>But it begins with Varrio on New York AA. It's me.

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<v Speaker 3>They couldn't afford Billy Crystal, but they wish they could have.

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<v Speaker 3>Barrio continues his vision to be the most hated alien

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<v Speaker 3>in all of the Middle Rim, taking credits to the

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<v Speaker 3>Pike as Maule's scheme for revenge, while More comes out blazing.

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<v Speaker 3>It seems like he's taken out by Varrio and his

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<v Speaker 3>little stun gun and you're like, whoa, he betrayed him.

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<v Speaker 3>I can't believe this with his tiny stun gun. Soon

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<v Speaker 3>the Pikes have taken More captive, clearly thinking they have

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<v Speaker 3>the upper hand. Unfortunately it's a trap within a trap.

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<v Speaker 3>They got inceptioned as it was another Zabrac under the hood,

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<v Speaker 3>one of the twin brothers that we'll talk about.

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<v Speaker 1>One of the anonymous Zabracs who we have yet to

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<v Speaker 1>learn about us.

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<v Speaker 3>Yes, and Joelle is very excited about those twins, so

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<v Speaker 3>she's gonna tell us about them later.

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<v Speaker 2>It was Zabrak under the hood, and Moore was awaiting.

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<v Speaker 3>Elsewhere in the shadows to kill his old ally, who

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<v Speaker 3>we learn abandoned him after mandalor so now once more

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<v Speaker 3>just kills this man, which he just does. He like,

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<v Speaker 3>you're dead, sorry, and everyone else in the pike syndicates like, okay, cool,

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<v Speaker 3>we're in your shadow collective now more so the Shadow

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<v Speaker 3>Collective is beginning to shape up nicely for our red

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<v Speaker 3>headed monster man.

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<v Speaker 2>Devon and Daki reunite.

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<v Speaker 3>I mean, god damn, there's like it's so funny, how

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<v Speaker 3>bad the empire and just people, the cops in general

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<v Speaker 3>that now exist are at just catching Jedi just like

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<v Speaker 3>walking around. Devon and Daki reunite, and Devon is like,

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<v Speaker 3>I want to stop more.

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<v Speaker 2>And bring him to justice.

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<v Speaker 3>Daki's like, I think, I just want to get revenge.

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<v Speaker 3>So I guess such he's such a skull.

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<v Speaker 2>He's not winning. He's not gonna get her to win.

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<v Speaker 1>Liked looking like the most Jedi.

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<v Speaker 2>He looks like a dinosaur Jedi.

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<v Speaker 3>Like it's so inconspicuous, like my guy, I mean so conspicuous.

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<v Speaker 2>But yeah, he he's like you are on.

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<v Speaker 3>A quest for revenge. So that makes me think that

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<v Speaker 3>the reason Devin knows more is because she knows somebody

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<v Speaker 3>he killed, and we're gonna kind of get that somewhere

0:12:28.679 --> 0:12:31.200
<v Speaker 3>further dealing line, because I feel like that's where it

0:12:31.200 --> 0:12:34.640
<v Speaker 3>has to be going. Unfortunately, the only thing that too

0:12:34.679 --> 0:12:38.440
<v Speaker 3>powerful Jedi can conceive of doing in this situation is

0:12:38.520 --> 0:12:41.440
<v Speaker 3>go to the cops, which, again, guys, I just this

0:12:41.600 --> 0:12:45.360
<v Speaker 3>is a lack of imagination for me on a storytelling level.

0:12:45.520 --> 0:12:47.880
<v Speaker 3>That just doesn't make sense. Think about the things that

0:12:48.000 --> 0:12:52.480
<v Speaker 3>Jedis have done before. You are just trying to investigate that. Yeah,

0:12:52.559 --> 0:12:56.559
<v Speaker 3>like to Space, they're starting entire fake like missions where

0:12:56.600 --> 0:13:00.240
<v Speaker 3>they're pretending to be Jedi, you know, people talk talking

0:13:00.320 --> 0:13:02.680
<v Speaker 3>to delegates, but they're not really meant to be there,

0:13:02.679 --> 0:13:04.880
<v Speaker 3>Like we saw that during the Clone Wars, like we've

0:13:04.920 --> 0:13:06.720
<v Speaker 3>seen it so many.

0:13:06.640 --> 0:13:11.320
<v Speaker 1>Missions, they would send two Jedis into an entire ship

0:13:11.400 --> 0:13:17.280
<v Speaker 1>of enemies to both negotiated deal and fight their way out.

0:13:17.480 --> 0:13:20.120
<v Speaker 1>And now you're like, well, we gotta call the cops, right.

0:13:20.240 --> 0:13:22.720
<v Speaker 3>That's the problem when you add something that is so

0:13:22.960 --> 0:13:25.440
<v Speaker 3>out of the world and the universe, you have to

0:13:25.480 --> 0:13:28.520
<v Speaker 3>start changing the parameters and I think you can really

0:13:28.920 --> 0:13:29.920
<v Speaker 3>feel that here.

0:13:30.360 --> 0:13:32.840
<v Speaker 2>But yes, so the Jedi are like, we better go

0:13:32.960 --> 0:13:33.800
<v Speaker 2>to the cops.

0:13:33.800 --> 0:13:36.920
<v Speaker 3>So laws And heads over to the location that Daki

0:13:36.960 --> 0:13:38.120
<v Speaker 3>and Devin sent him.

0:13:38.240 --> 0:13:40.680
<v Speaker 2>And he turns off two Boots on the way.

0:13:40.960 --> 0:13:44.360
<v Speaker 3>Very crazy thing to do, and it is like, because

0:13:44.400 --> 0:13:47.040
<v Speaker 3>two Boots is very desperate to call the Empire, which

0:13:47.080 --> 0:13:50.000
<v Speaker 3>we get, don't do that, but I feel like turning

0:13:50.080 --> 0:13:53.680
<v Speaker 3>him off is not going to lead to the outcome

0:13:53.720 --> 0:13:56.680
<v Speaker 3>that you want because you're taking away the agency he

0:13:56.720 --> 0:14:00.280
<v Speaker 3>does have. And also it makes us in Joel's the

0:14:00.679 --> 0:14:02.959
<v Speaker 3>pitch that she did when we watched the first episode,

0:14:03.080 --> 0:14:05.960
<v Speaker 3>this kind of notion of like Lawson maybe being a

0:14:06.000 --> 0:14:08.760
<v Speaker 3>dirty cop and he's hiding something, which I like and

0:14:08.800 --> 0:14:10.160
<v Speaker 3>that this choice leans into it.

0:14:10.200 --> 0:14:11.880
<v Speaker 2>But I don't think that's what they're doing.

0:14:12.760 --> 0:14:16.320
<v Speaker 1>I was honestly really hoping it would be that. Yeah,

0:14:16.559 --> 0:14:21.000
<v Speaker 1>I watch it after the divorce revealed, it seems increasingly

0:14:21.480 --> 0:14:24.880
<v Speaker 1>unlike the fact that it's not that, and that Lawson's

0:14:24.960 --> 0:14:32.320
<v Speaker 1>only reason, apparently for not wanting the Empire involved, is

0:14:32.360 --> 0:14:35.080
<v Speaker 1>that I guess like his ex wife might chill up.

0:14:35.800 --> 0:14:40.560
<v Speaker 3>I like, bro, they're nat He's like, come on, okay.

0:14:40.720 --> 0:14:44.720
<v Speaker 3>So luckily you know, Lawson and his crew of cop

0:14:44.760 --> 0:14:47.480
<v Speaker 3>bots and cop cops because some real people die here too,

0:14:47.800 --> 0:14:52.160
<v Speaker 3>and no. Two boots arrive at Darth Maul's very dark lair,

0:14:52.280 --> 0:14:55.720
<v Speaker 3>and they instead find Barrio and a hologram of Maul,

0:14:55.920 --> 0:15:00.080
<v Speaker 3>who tries to charm him with compliments and photorealism, revealing

0:15:00.120 --> 0:15:04.080
<v Speaker 3>that the whole crew is actually waiting for the Renegade cop.

0:15:04.160 --> 0:15:06.640
<v Speaker 3>Of course, the O G Space Cops, the Jedi, Devon,

0:15:06.720 --> 0:15:08.360
<v Speaker 3>and Deckie are waiting in the Shadows.

0:15:08.520 --> 0:15:09.960
<v Speaker 2>Lawson doesn't take Moore's.

0:15:09.680 --> 0:15:12.440
<v Speaker 3>Off of protection in exchange for not calling the Empire,

0:15:12.480 --> 0:15:16.040
<v Speaker 3>in which honestly sounds like a very good deal. Like

0:15:16.160 --> 0:15:20.400
<v Speaker 3>I don't really get good deal? Why you wouldn't take it? Because, remember, guys,

0:15:20.920 --> 0:15:23.600
<v Speaker 3>Lawson doesn't know who Mare is, has no idea about

0:15:23.600 --> 0:15:26.840
<v Speaker 3>the Shadow Collective, doesn't really understand any of his history,

0:15:27.040 --> 0:15:29.960
<v Speaker 3>so doesn't have a reason not to trust him or

0:15:30.040 --> 0:15:33.480
<v Speaker 3>think he's evil. His biggest thing is he doesn't want

0:15:33.520 --> 0:15:36.240
<v Speaker 3>the Jedi. I mean, he doesn't want the Empire to come.

0:15:36.320 --> 0:15:37.720
<v Speaker 3>So this seems like a good deal for me.

0:15:37.840 --> 0:15:41.560
<v Speaker 2>But fine. Moore finally meets Master Decie.

0:15:41.120 --> 0:15:43.760
<v Speaker 3>Who thinks that more will take an offer to surrender pelacefully.

0:15:43.920 --> 0:15:46.240
<v Speaker 2>Again the most old headed Jedi like.

0:15:46.360 --> 0:15:54.200
<v Speaker 3>Come, Decie, go toward a sixty six to pastures, give

0:15:54.280 --> 0:15:57.960
<v Speaker 3>up the lightsaber, give us this is time, retire, go

0:15:58.200 --> 0:16:01.280
<v Speaker 3>to bed. Of course, More tries to play the Jedi's

0:16:01.360 --> 0:16:04.520
<v Speaker 3>arrogance as the trio talk ideologies, and ultimately it leads

0:16:04.560 --> 0:16:06.800
<v Speaker 3>to a pretty epic light saber battle between Moore and

0:16:06.840 --> 0:16:10.760
<v Speaker 3>Devon and Deckie. As the saber battle continues, More becomes

0:16:10.800 --> 0:16:14.520
<v Speaker 3>more frustrated, ultimately leading to Devon being able to save

0:16:14.560 --> 0:16:17.520
<v Speaker 3>her master and More allowing them to live after both

0:16:17.520 --> 0:16:20.520
<v Speaker 3>the Jedi and the Space Cops fail to pre apprehend him.

0:16:20.880 --> 0:16:25.520
<v Speaker 3>Lawson finally somehow realizes Devon and Deckie are Jedi, which again,

0:16:25.720 --> 0:16:29.040
<v Speaker 3>this man's job is a detective bro The first time

0:16:29.080 --> 0:16:31.280
<v Speaker 3>he met Dekie, Deckie was holding up a bridge with.

0:16:31.240 --> 0:16:34.760
<v Speaker 2>The holding a bridge turned around to him and was like,

0:16:34.840 --> 0:16:36.640
<v Speaker 2>are you okay? But I guess he's.

0:16:36.640 --> 0:16:42.080
<v Speaker 1>Wearing the classic hood of a wearing a Jedi robe.

0:16:41.880 --> 0:16:45.760
<v Speaker 2>And he's been following you the whole the bridge.

0:16:46.160 --> 0:16:49.360
<v Speaker 1>This man, I swear to God, somebody dated what is

0:16:49.400 --> 0:16:51.200
<v Speaker 1>the clearance rate of crimes?

0:16:51.240 --> 0:16:51.360
<v Speaker 3>On?

0:16:51.360 --> 0:16:55.960
<v Speaker 1>This jenis like? Are we are we solving any crimes.

0:16:56.080 --> 0:16:58.160
<v Speaker 3>No, this man does nothing apart them make sure the

0:16:58.200 --> 0:16:59.640
<v Speaker 3>Empire does a come so he doesn't have to pay

0:16:59.640 --> 0:17:08.640
<v Speaker 3>his child support like the slow like Lawson is just like, hey,

0:17:08.720 --> 0:17:11.800
<v Speaker 3>you know what, you can leave. It's okay, I'm a cost,

0:17:11.800 --> 0:17:14.880
<v Speaker 3>but you can just leave and don't worry about more.

0:17:14.960 --> 0:17:18.919
<v Speaker 3>We didn't catch him, but you know, I guess the

0:17:18.960 --> 0:17:25.280
<v Speaker 3>Empire is coming anyway because my boot lickor cop Bot

0:17:25.359 --> 0:17:28.280
<v Speaker 3>two bots has been reactivated and has become what he

0:17:28.320 --> 0:17:30.720
<v Speaker 3>always wanted to be a snitch for the Empire, who

0:17:30.800 --> 0:17:34.840
<v Speaker 3>arrive in a Superstar Destroyer ominously as always, as the

0:17:34.880 --> 0:17:38.400
<v Speaker 3>episode comes to an end, and we will be back

0:17:38.480 --> 0:17:40.960
<v Speaker 3>after a break to bring in super producer Joel to

0:17:41.000 --> 0:17:45.440
<v Speaker 3>talk about this episode, to talk about droids and agency versus.

0:17:45.119 --> 0:17:50.640
<v Speaker 2>Programming, and to find out more about Darth Maure's mysterious product.

0:18:05.760 --> 0:18:06.400
<v Speaker 2>I'm We're back.

0:18:06.560 --> 0:18:10.719
<v Speaker 3>Welcome he Super Solos producer Joel.

0:18:11.119 --> 0:18:12.800
<v Speaker 2>How's it going, Joe? How'd you fail off to these

0:18:12.800 --> 0:18:14.480
<v Speaker 2>two episodes? Vindicated?

0:18:14.640 --> 0:18:15.280
<v Speaker 1>We are back.

0:18:15.480 --> 0:18:17.640
<v Speaker 4>We listen, Okay, I feel.

0:18:17.480 --> 0:18:18.960
<v Speaker 2>Managing so far, so good?

0:18:19.280 --> 0:18:21.040
<v Speaker 4>But before it is so good. I text you immediately

0:18:21.040 --> 0:18:22.920
<v Speaker 4>after and I was like, this is what I've been

0:18:22.920 --> 0:18:26.840
<v Speaker 4>waiting for I was wrong, I can admit it. I

0:18:27.040 --> 0:18:29.760
<v Speaker 4>was really down on the first two episodes, maybe too harshly.

0:18:29.800 --> 0:18:31.760
<v Speaker 4>I was having a bad week last week. But I

0:18:31.840 --> 0:18:35.680
<v Speaker 4>feel much stronger about the direction of where we're going.

0:18:36.080 --> 0:18:38.960
<v Speaker 4>Daddy Mal strapped back in. He's he's gonna make this

0:18:39.080 --> 0:18:41.800
<v Speaker 4>lady a weapon, whether she wants to or not. He

0:18:41.960 --> 0:18:46.080
<v Speaker 4>is absolutely out here kicking ass. I thought the a

0:18:46.080 --> 0:18:48.480
<v Speaker 4>lot of the tensions were working a lot better for me.

0:18:48.680 --> 0:18:50.800
<v Speaker 1>I think we get a little bit more of Rooke,

0:18:50.840 --> 0:18:52.040
<v Speaker 1>which is great.

0:18:52.880 --> 0:18:55.800
<v Speaker 4>Rooke, you know, it's kind of the only character we

0:18:55.880 --> 0:19:00.240
<v Speaker 4>know from Maul series. She like has been here sort

0:19:00.240 --> 0:19:03.280
<v Speaker 4>of in the background, making a lot of interesting choices

0:19:03.320 --> 0:19:06.080
<v Speaker 4>over the time we've seen her with Mal, and so

0:19:06.119 --> 0:19:08.440
<v Speaker 4>I'm hoping we get more of her down the line.

0:19:08.680 --> 0:19:10.879
<v Speaker 4>I just think the show is in general moving in

0:19:10.920 --> 0:19:13.000
<v Speaker 4>a really strong direction, and that gives me a lot

0:19:13.000 --> 0:19:14.280
<v Speaker 4>of hope for the rest of the series.

0:19:15.119 --> 0:19:18.800
<v Speaker 3>Okay, you spoke a little bit about rook cast, so

0:19:18.880 --> 0:19:22.480
<v Speaker 3>can you let's talk about the Mall team, because we

0:19:22.560 --> 0:19:25.480
<v Speaker 3>did have a kind of critique of that. They as

0:19:25.520 --> 0:19:27.560
<v Speaker 3>much as this show has quite a lot of second

0:19:27.600 --> 0:19:30.240
<v Speaker 3>screen style exposition for people who haven't watched the show

0:19:31.080 --> 0:19:34.000
<v Speaker 3>and previous animated series. I do not feel like they

0:19:34.040 --> 0:19:36.520
<v Speaker 3>necessarily did a good job of having that moment where

0:19:36.760 --> 0:19:37.520
<v Speaker 3>Rook says.

0:19:37.560 --> 0:19:39.720
<v Speaker 2>Chorus and Scorn go over there or something.

0:19:39.800 --> 0:19:41.760
<v Speaker 3>You know. So, so could you talk a little bit

0:19:41.800 --> 0:19:42.879
<v Speaker 3>about the team Joe up.

0:19:42.960 --> 0:19:45.600
<v Speaker 4>So there's okay, So truly, there's not that many people

0:19:45.640 --> 0:19:48.120
<v Speaker 4>we need to go over. I'll start with Rook cast

0:19:48.200 --> 0:19:51.160
<v Speaker 4>This is his like lieutenant. She's the one that's been

0:19:51.760 --> 0:19:54.159
<v Speaker 4>down to ride for a while. She first appears in

0:19:54.240 --> 0:19:56.840
<v Speaker 4>Jeremy Barlow's Son of Dathamir, which is a four part

0:19:56.840 --> 0:19:59.919
<v Speaker 4>comic book series. She's the former leader of the super Command.

0:20:00.400 --> 0:20:03.400
<v Speaker 4>She joined mal after he beat pre Visla in combat,

0:20:03.560 --> 0:20:06.119
<v Speaker 4>which is significant because a lot of Mandalorians were like,

0:20:06.200 --> 0:20:08.720
<v Speaker 4>this guy is not Mandalorian. He can't lead us, and

0:20:08.840 --> 0:20:12.160
<v Speaker 4>she was like, we're Mandalorians. We follow strength. So she's

0:20:12.240 --> 0:20:14.880
<v Speaker 4>really like dedicated to those core tenants if you care.

0:20:14.960 --> 0:20:18.240
<v Speaker 4>She wilds the leastar thirty five blaster pistols, two of them.

0:20:18.320 --> 0:20:19.280
<v Speaker 1>She's a dual welthcap.

0:20:20.560 --> 0:20:23.760
<v Speaker 4>She has been with Maul through a lot. So she

0:20:23.840 --> 0:20:26.719
<v Speaker 4>freed Mall from sith imprisonment in the Spire when he

0:20:26.760 --> 0:20:30.399
<v Speaker 4>almost got got she stayed fighting with him when he

0:20:30.480 --> 0:20:34.240
<v Speaker 4>was against Grievous Sidius and Douku Holy Cow. Then later

0:20:34.320 --> 0:20:36.960
<v Speaker 4>during the season of Mandalora, she helped capture Ahsoka, a

0:20:37.240 --> 0:20:39.679
<v Speaker 4>Soka being Ahsoka escapes, but she was there and she

0:20:39.720 --> 0:20:44.520
<v Speaker 4>did help capture her. And then later on she's captured

0:20:44.560 --> 0:20:49.680
<v Speaker 4>by Bogatan, which is a really great kind of moment

0:20:49.720 --> 0:20:52.760
<v Speaker 4>in the Clone War series, and then she fall during

0:20:52.800 --> 0:20:55.080
<v Speaker 4>the fall of Dosimiir, she is there, which is I

0:20:55.119 --> 0:20:57.960
<v Speaker 4>think one of Maul's most important moments. This is when

0:20:57.960 --> 0:21:02.560
<v Speaker 4>he goes back to Dothanimir, Dooku is there. They're like, hey,

0:21:02.560 --> 0:21:06.040
<v Speaker 4>we're gonna finally end this planet. We meet ghost mother Tolesan,

0:21:06.359 --> 0:21:09.960
<v Speaker 4>who saves her son in a last ditch effort like

0:21:10.160 --> 0:21:14.080
<v Speaker 4>force pushes him back onto his ship, which we're gonna

0:21:14.080 --> 0:21:16.919
<v Speaker 4>get to that ship in a second. It's it's the

0:21:17.040 --> 0:21:21.960
<v Speaker 4>end of every last connection mal has to his blood family,

0:21:22.119 --> 0:21:25.320
<v Speaker 4>something I think he craves quite a bit. As we

0:21:25.359 --> 0:21:28.399
<v Speaker 4>see throughout these last four episodes. What he wants is

0:21:28.440 --> 0:21:31.720
<v Speaker 4>like allies, people who are faithful to him. He's looking

0:21:31.800 --> 0:21:34.800
<v Speaker 4>to sort of fill the rule of two that he's

0:21:34.840 --> 0:21:37.040
<v Speaker 4>been brainwashed and conditioned to think of.

0:21:37.160 --> 0:21:39.240
<v Speaker 1>As like how you get through life.

0:21:40.200 --> 0:21:42.720
<v Speaker 4>And I find it really really interesting that he has

0:21:42.760 --> 0:21:46.280
<v Speaker 4>this very very deep connection to Rook. And I'm wondering

0:21:46.880 --> 0:21:49.959
<v Speaker 4>if she's at all I don't think she's for sensitive,

0:21:49.960 --> 0:21:51.960
<v Speaker 4>that would be wild, but like, does she feel like

0:21:52.040 --> 0:21:53.680
<v Speaker 4>she can fill that rule too?

0:21:53.760 --> 0:21:54.159
<v Speaker 3>Is she his?

0:21:54.640 --> 0:21:56.280
<v Speaker 2>I feel like she feels like it.

0:21:56.520 --> 0:22:00.919
<v Speaker 3>I feel like that's the most interesting flicked in this

0:22:01.000 --> 0:22:06.399
<v Speaker 3>show so far is the notion of Rook's jealousy of

0:22:06.560 --> 0:22:09.160
<v Speaker 3>Maul turning to Devn when she's like, well, what can

0:22:09.240 --> 0:22:09.560
<v Speaker 3>she do?

0:22:09.600 --> 0:22:11.960
<v Speaker 2>The I can't do? And the truth is, so far

0:22:12.240 --> 0:22:18.640
<v Speaker 2>we haven't seen edything, you know, like to the thing.

0:22:18.720 --> 0:22:20.560
<v Speaker 2>I know that's what Darth Maul wants.

0:22:20.640 --> 0:22:24.560
<v Speaker 3>But like Rook is loyal, has weapons, like I understand

0:22:24.640 --> 0:22:26.600
<v Speaker 3>from her perspective.

0:22:26.080 --> 0:22:28.480
<v Speaker 4>Well, yeah no, because Rook has already proven her loyalty

0:22:28.600 --> 0:22:31.320
<v Speaker 4>like four times over, like there's no doubting it.

0:22:32.000 --> 0:22:33.320
<v Speaker 1>She's going to get all of her people.

0:22:33.359 --> 0:22:35.000
<v Speaker 4>She was like, no, I don't care. I'm writing with

0:22:35.080 --> 0:22:37.080
<v Speaker 4>this guy, so it is kind of well for him

0:22:37.080 --> 0:22:38.359
<v Speaker 4>to be like, I can make this one. She's like,

0:22:38.359 --> 0:22:41.000
<v Speaker 4>you don't have to make someone. I'm already here. Uh

0:22:41.320 --> 0:22:43.880
<v Speaker 4>exact Rook is really interesting. I like Rook, and Rook

0:22:44.000 --> 0:22:47.960
<v Speaker 4>is still kind of like leading the Mandalorians that have

0:22:48.119 --> 0:22:51.520
<v Speaker 4>followed over with her, So she's in this really interesting

0:22:51.560 --> 0:22:53.840
<v Speaker 4>position of sort of being stuck between two places like

0:22:53.960 --> 0:22:57.840
<v Speaker 4>Mal's emotional like wherever his emotions are taking him, that's

0:22:57.840 --> 0:23:02.240
<v Speaker 4>just where he's going, and the Andalorian code and guidebook

0:23:02.240 --> 0:23:04.800
<v Speaker 4>and the way they've been led their whole lives. The

0:23:04.880 --> 0:23:08.080
<v Speaker 4>other two characters I'm really really really interested in my

0:23:08.240 --> 0:23:10.280
<v Speaker 4>god a Christ and Scorn. These are the dot the

0:23:10.320 --> 0:23:13.400
<v Speaker 4>Murray brothers. They're making their first appearance in the Star

0:23:13.440 --> 0:23:18.919
<v Speaker 4>Wars cannon right here. If we don't get more information

0:23:19.080 --> 0:23:22.960
<v Speaker 4>on them in this show, I will die. I'll waste

0:23:23.040 --> 0:23:23.560
<v Speaker 4>a way.

0:23:23.440 --> 0:23:25.359
<v Speaker 2>Giving we need a book.

0:23:25.400 --> 0:23:30.000
<v Speaker 1>I want to say one thing about this Yes, because

0:23:30.000 --> 0:23:33.440
<v Speaker 1>I I love this episode. I thought it was great.

0:23:33.480 --> 0:23:38.600
<v Speaker 1>The action is fantastic, the like all of that stuff, Like,

0:23:38.840 --> 0:23:41.800
<v Speaker 1>there's some really interesting plot points. I think Two Boots

0:23:41.920 --> 0:23:50.960
<v Speaker 1>is ongoing independence is really interesting with like implications for

0:23:51.160 --> 0:23:53.880
<v Speaker 1>the you know, like the way we think about droids

0:23:53.880 --> 0:23:58.959
<v Speaker 1>in general. But I do think that Dave Filoni has

0:23:59.040 --> 0:24:05.280
<v Speaker 1>a tick that I'm not sure works in these shorter series,

0:24:05.400 --> 0:24:09.440
<v Speaker 1>and that is he if we meet if we talk

0:24:09.440 --> 0:24:12.320
<v Speaker 1>about Chris. If we get any character development from Charis

0:24:12.400 --> 0:24:15.320
<v Speaker 1>and Scorn, I guarantee you to all be in one episode.

0:24:15.520 --> 0:24:19.280
<v Speaker 1>Like he puts all the character beats for a character

0:24:19.520 --> 0:24:24.680
<v Speaker 1>in a single episode and doesn't pace them out throughout

0:24:24.720 --> 0:24:27.760
<v Speaker 1>a series, so that like you know, for instance, the

0:24:27.880 --> 0:24:33.920
<v Speaker 1>rook cast Devin jealousy plot, that's really interesting, Like let's

0:24:33.960 --> 0:24:35.760
<v Speaker 1>build on it. He'll give us a moment and then

0:24:35.800 --> 0:24:38.479
<v Speaker 1>it's gone charism score and here's like here, you know,

0:24:38.520 --> 0:24:42.040
<v Speaker 1>here in these episodes is a great opportunity to know

0:24:42.920 --> 0:24:45.080
<v Speaker 1>who these guys are. First of all, we can't tell

0:24:45.119 --> 0:24:47.080
<v Speaker 1>him apart, but like one of them plays a key

0:24:47.200 --> 0:24:50.919
<v Speaker 1>role in this like bait and switch that Maul is doing,

0:24:51.720 --> 0:24:54.280
<v Speaker 1>and we don't know like what kind of risk he's taking.

0:24:54.440 --> 0:24:55.280
<v Speaker 1>We don't you know, we.

0:24:55.240 --> 0:25:01.400
<v Speaker 5>Don't know what is that. And so you'd love if

0:25:01.800 --> 0:25:04.800
<v Speaker 5>if and I love the action, but you'd love if

0:25:04.800 --> 0:25:05.720
<v Speaker 5>there was these.

0:25:06.119 --> 0:25:09.040
<v Speaker 1>Small character moments. Yeah, a line here and there where

0:25:09.040 --> 0:25:13.320
<v Speaker 1>you get to hear guys speak and it feels like

0:25:13.880 --> 0:25:16.000
<v Speaker 1>and this has been the case with the Clone Wars,

0:25:16.040 --> 0:25:17.960
<v Speaker 1>but that made more sense because you're getting like twenty

0:25:17.960 --> 0:25:22.399
<v Speaker 1>three episodes and it was you're bouncing around each episode. Yeah,

0:25:22.440 --> 0:25:25.480
<v Speaker 1>and each episode like to the extent that there were arcs,

0:25:25.520 --> 0:25:28.600
<v Speaker 1>there was of course, like an overarching, very long range,

0:25:28.720 --> 0:25:31.840
<v Speaker 1>very loose arc, and then there'd be like these tighter

0:25:31.920 --> 0:25:35.600
<v Speaker 1>two and three episode things from time to time, but

0:25:35.720 --> 0:25:39.479
<v Speaker 1>mostly it was like these kind of standalone episodes that

0:25:39.680 --> 0:25:43.360
<v Speaker 1>move generally in a direction. And I feel like that

0:25:43.440 --> 0:25:48.880
<v Speaker 1>doesn't serve an eight episode series. It's a mix because

0:25:48.880 --> 0:25:51.440
<v Speaker 1>it just feels like it feels like we're never gonna

0:25:51.440 --> 0:25:52.680
<v Speaker 1>get to these characters.

0:25:52.720 --> 0:25:55.160
<v Speaker 4>Yeah, it's a mini series that was meant to center

0:25:55.200 --> 0:25:57.040
<v Speaker 4>them all. I do still feel as much as I

0:25:57.160 --> 0:25:59.960
<v Speaker 4>like these episodes, them all still doesn't feel like the center.

0:26:00.080 --> 0:26:00.760
<v Speaker 1>He feels like he's.

0:26:00.600 --> 0:26:03.840
<v Speaker 4>Sharing this story with other people. And I think in

0:26:03.880 --> 0:26:06.960
<v Speaker 4>an eight part series for a character so deeply beloved,

0:26:07.280 --> 0:26:10.879
<v Speaker 4>with a performer who's so deeply invested in getting this

0:26:10.960 --> 0:26:14.080
<v Speaker 4>character right and pushing his story forward, it seems strange

0:26:14.080 --> 0:26:16.240
<v Speaker 4>to me that you would not open with them all

0:26:16.640 --> 0:26:19.120
<v Speaker 4>and b give us more of a and we get

0:26:19.119 --> 0:26:21.040
<v Speaker 4>a little bit more here, but like more of a

0:26:21.119 --> 0:26:23.119
<v Speaker 4>mental map of like where.

0:26:22.920 --> 0:26:23.480
<v Speaker 1>Is he at?

0:26:23.600 --> 0:26:24.840
<v Speaker 2>How is it day to day?

0:26:24.960 --> 0:26:27.840
<v Speaker 4>This betrayal affecting him beyond him as being like I've

0:26:27.840 --> 0:26:30.399
<v Speaker 4>been betrayed. We get it, bro, But like, what's what

0:26:30.480 --> 0:26:32.000
<v Speaker 4>is deteriorating inside of you?

0:26:32.080 --> 0:26:32.639
<v Speaker 2>What's happening?

0:26:33.440 --> 0:26:35.800
<v Speaker 1>I a gret That's exactly. That's a great way to

0:26:35.840 --> 0:26:40.720
<v Speaker 1>put it, because there is you mentioned his desire to

0:26:40.760 --> 0:26:44.840
<v Speaker 1>assemble his family around him. We're guessing that because he's

0:26:44.960 --> 0:26:49.200
<v Speaker 1>giving us very little giving, he's giving me very little

0:26:49.240 --> 0:26:50.919
<v Speaker 1>of that. And I agree that I think that that

0:26:51.119 --> 0:26:54.119
<v Speaker 1>is his motivation. But you just want it to be

0:26:54.320 --> 0:26:56.679
<v Speaker 1>there more. I know, what do these people mean to you?

0:26:56.760 --> 0:26:59.520
<v Speaker 1>What does guest meet you? What is achresm scored me

0:26:59.640 --> 0:27:00.000
<v Speaker 1>to you?

0:27:00.160 --> 0:27:03.400
<v Speaker 4>What does it mean to have these people are loyalty

0:27:03.520 --> 0:27:04.520
<v Speaker 4>or do you comp.

0:27:04.560 --> 0:27:06.080
<v Speaker 2>And how is that them?

0:27:06.119 --> 0:27:08.679
<v Speaker 4>There's so much Okay, So I want to ask you guys.

0:27:09.280 --> 0:27:12.639
<v Speaker 4>As a Star Wars fan, we have been all we

0:27:12.680 --> 0:27:16.800
<v Speaker 4>have Star Wars fans essentially for life. Uh, We've been

0:27:16.840 --> 0:27:20.920
<v Speaker 4>all over the place with fan theory, with most people

0:27:20.960 --> 0:27:23.040
<v Speaker 4>loving Star Wars, to most people thinking Star Wars is

0:27:23.119 --> 0:27:25.119
<v Speaker 4>just silly. To now we're sort of in this middle

0:27:25.119 --> 0:27:26.800
<v Speaker 4>ground people like I like Star Wars. I'll check it

0:27:26.800 --> 0:27:29.520
<v Speaker 4>out when it's around. Maybe you know, we're all over

0:27:29.560 --> 0:27:32.479
<v Speaker 4>the place, But I do think we've had to infer

0:27:32.760 --> 0:27:35.879
<v Speaker 4>a lot in the history, and like, is this just

0:27:35.920 --> 0:27:37.680
<v Speaker 4>part of the fandom? Is this something that we should

0:27:37.760 --> 0:27:40.439
<v Speaker 4>just accept as like part of the fandom is you

0:27:40.640 --> 0:27:44.200
<v Speaker 4>have to infer and build and maybe one of its

0:27:44.560 --> 0:27:50.480
<v Speaker 4>essential elements or support is like that. We do have

0:27:50.520 --> 0:27:53.400
<v Speaker 4>so many we could tell further stories and video games.

0:27:53.440 --> 0:27:54.919
<v Speaker 4>We could do it, in comics, we could do it

0:27:54.960 --> 0:27:57.919
<v Speaker 4>in the novels. There's so many places to die if

0:27:57.920 --> 0:27:58.480
<v Speaker 4>we decide to.

0:27:59.560 --> 0:27:59.800
<v Speaker 2>I do.

0:28:00.280 --> 0:28:03.760
<v Speaker 3>That's part of what has made the fandom so you

0:28:03.800 --> 0:28:07.840
<v Speaker 3>know long, and has thrived for so long, and also

0:28:07.920 --> 0:28:09.480
<v Speaker 3>what kept it alive during.

0:28:09.280 --> 0:28:11.920
<v Speaker 2>The down period, right, I think that's the big thing.

0:28:12.480 --> 0:28:16.280
<v Speaker 3>I think the problem is Disney should not be relying

0:28:16.520 --> 0:28:19.720
<v Speaker 3>on that to keep us going. When we're at a

0:28:19.720 --> 0:28:21.800
<v Speaker 3>point where you can spend as much money as you

0:28:21.840 --> 0:28:24.440
<v Speaker 3>want on it, and you're making flagship shows and you're

0:28:24.480 --> 0:28:27.480
<v Speaker 3>planning movies. That side of the fandom should not be

0:28:27.640 --> 0:28:30.720
<v Speaker 3>having to be tapped into. It's kind of the not

0:28:30.960 --> 0:28:33.760
<v Speaker 3>having the scroll at the beginning of this episode, at

0:28:33.760 --> 0:28:36.240
<v Speaker 3>the beginning of this series, right, you're like, well, the

0:28:36.280 --> 0:28:39.560
<v Speaker 3>fans can infer. It's like no, but but you've got to.

0:28:39.480 --> 0:28:42.320
<v Speaker 2>Tell us where we're at. And then we can expand out.

0:28:42.560 --> 0:28:45.720
<v Speaker 3>I think I love the notion of that, but I

0:28:45.760 --> 0:28:48.600
<v Speaker 3>think also it's almost like a new version of the

0:28:48.640 --> 0:28:51.440
<v Speaker 3>homework issue where you're giving people pre homework, like you

0:28:51.520 --> 0:28:52.960
<v Speaker 3>got to watch the show, and then you've got to

0:28:53.000 --> 0:28:56.040
<v Speaker 3>do homework to make the show good because you need

0:28:56.080 --> 0:28:56.280
<v Speaker 3>to know.

0:28:56.560 --> 0:28:57.720
<v Speaker 2>I don't think that's a good way.

0:28:57.760 --> 0:29:01.440
<v Speaker 1>I mean, whoach it? To your point, Rosie, it feels

0:29:01.760 --> 0:29:04.200
<v Speaker 1>under this reading, which I don't know that I one

0:29:04.280 --> 0:29:08.160
<v Speaker 1>hundred percent agree with as like a conscious strategy. But

0:29:08.320 --> 0:29:11.480
<v Speaker 1>under this reading, isn't what we're saying, like kind of

0:29:11.560 --> 0:29:16.520
<v Speaker 1>like the worst version of storytelling, like when LL says

0:29:16.600 --> 0:29:20.040
<v Speaker 1>I have been betrayed but doesn't it but doesn't expound

0:29:20.120 --> 0:29:24.160
<v Speaker 1>or does or doesn't like show don't tell, isn't what

0:29:24.240 --> 0:29:28.040
<v Speaker 1>they're doing hoping that you'll go back and be like, well,

0:29:28.160 --> 0:29:31.520
<v Speaker 1>where was mom betrayed and watched another show? Like, rather

0:29:31.640 --> 0:29:36.880
<v Speaker 1>than make him a flesh and blood pained character experiencing

0:29:36.960 --> 0:29:39.280
<v Speaker 1>pain in that moment in that scene, so that you

0:29:40.160 --> 0:29:44.800
<v Speaker 1>so that you get some context for what happened beyond

0:29:44.960 --> 0:29:47.560
<v Speaker 1>just like that it happens. Yeah, I agree, and I

0:29:47.920 --> 0:29:49.840
<v Speaker 1>don't agree that it's I don't agree that it's a

0:29:49.840 --> 0:29:52.040
<v Speaker 1>conscious strategy that they're doing it that way. Oh, here's

0:29:52.040 --> 0:29:54.280
<v Speaker 1>where we build character and story, and there's where we

0:29:54.320 --> 0:29:58.320
<v Speaker 1>just show action. Here's I just think it's maybe I

0:29:58.360 --> 0:30:00.000
<v Speaker 1>just think it's a little bit of a lazy tick.

0:30:00.120 --> 0:30:02.880
<v Speaker 1>That's all like these could That's where I'm at.

0:30:03.120 --> 0:30:06.920
<v Speaker 3>No, I agree, I'm I'm actually honestly a little bit shocked.

0:30:07.480 --> 0:30:10.120
<v Speaker 3>Not because the show isn't good, Like I do think

0:30:10.200 --> 0:30:13.560
<v Speaker 3>that quality wise it's good. It's like I think that

0:30:13.640 --> 0:30:16.400
<v Speaker 3>it's beautiful to look at. But I am a little

0:30:16.440 --> 0:30:20.760
<v Speaker 3>bit shocked by the choices they're making because I think

0:30:20.840 --> 0:30:23.760
<v Speaker 3>that with an eight you know, eight to ten episodes

0:30:23.800 --> 0:30:25.840
<v Speaker 3>series like this is going to be ten episodes, right,

0:30:26.320 --> 0:30:29.880
<v Speaker 3>we we have the potential even if you only want

0:30:29.880 --> 0:30:31.600
<v Speaker 3>to have more for a couple of minutes in every

0:30:31.600 --> 0:30:34.400
<v Speaker 3>episode because you're worried about overdoing him, right, I think

0:30:34.480 --> 0:30:36.800
<v Speaker 3>you still have the potential for those moments to be

0:30:36.960 --> 0:30:40.400
<v Speaker 3>huge reveals or huge emotional moments. I think just having

0:30:40.480 --> 0:30:42.720
<v Speaker 3>him be like I have been betrayed, it's like, okay,

0:30:42.760 --> 0:30:44.640
<v Speaker 3>we know that. Now the next time we get two

0:30:44.720 --> 0:30:47.680
<v Speaker 3>minutes with more, we got to know how does that feel?

0:30:47.720 --> 0:30:49.920
<v Speaker 3>We got to know why do you care, Like what

0:30:50.040 --> 0:30:52.200
<v Speaker 3>we know, you were betrayed by the empire. That is

0:30:52.200 --> 0:30:55.600
<v Speaker 3>the Sith story. That is kind of what we have

0:30:55.680 --> 0:30:57.040
<v Speaker 3>come to expect, But like.

0:30:57.200 --> 0:31:00.120
<v Speaker 2>How does it make you feel relationship city?

0:31:00.360 --> 0:31:02.400
<v Speaker 4>Yeah, I would say in a series of betrayals, like

0:31:02.440 --> 0:31:05.480
<v Speaker 4>if we look at Mall's history as he starts out

0:31:05.480 --> 0:31:08.680
<v Speaker 4>to try to be a leader or free his people

0:31:09.120 --> 0:31:12.680
<v Speaker 4>or whatever, like it is a constant, it's never and

0:31:12.960 --> 0:31:17.000
<v Speaker 4>even his mother giving him uh to uh the Emperor

0:31:17.200 --> 0:31:19.120
<v Speaker 4>is like the first betrayal.

0:31:19.200 --> 0:31:23.000
<v Speaker 1>Yeah, you know, and so yeah, I think not to.

0:31:22.920 --> 0:31:25.680
<v Speaker 4>Play armchair producer too much, but if we had just

0:31:25.720 --> 0:31:30.640
<v Speaker 4>started this series with the moment of this last betrayal

0:31:31.160 --> 0:31:34.240
<v Speaker 4>and a again, like I mentioned last week, a turn

0:31:34.320 --> 0:31:36.840
<v Speaker 4>to see this is a new version of Mall, which

0:31:36.880 --> 0:31:39.480
<v Speaker 4>is how we always start every Mall story, I think

0:31:39.520 --> 0:31:42.480
<v Speaker 4>we could have forgiven a lot more if we had

0:31:42.560 --> 0:31:45.800
<v Speaker 4>just seen what that moment was and what it meant

0:31:45.800 --> 0:31:46.400
<v Speaker 4>to him.

0:31:46.600 --> 0:31:48.480
<v Speaker 3>Yeah, and I'm also going to say, like this is

0:31:48.520 --> 0:31:50.680
<v Speaker 3>the number one thing that we always tell people like

0:31:50.760 --> 0:31:53.360
<v Speaker 3>not to do in screenwriting or in common creation.

0:31:53.480 --> 0:31:54.560
<v Speaker 2>But sometimes you do.

0:31:54.800 --> 0:31:57.200
<v Speaker 3>You can just do an annoying like in media res

0:31:57.320 --> 0:32:01.120
<v Speaker 3>And honestly, I think if they'd have thought it the episode.

0:32:01.120 --> 0:32:03.720
<v Speaker 2>I think if they'd started the season with like.

0:32:03.880 --> 0:32:06.480
<v Speaker 3>A lot of what's in episode four, they would have

0:32:06.560 --> 0:32:10.360
<v Speaker 3>come out swinging a lot higher and a lot harder,

0:32:10.400 --> 0:32:13.160
<v Speaker 3>because like getting to know more, getting to see the

0:32:13.200 --> 0:32:16.240
<v Speaker 3>way that he seduces somebody in a different way, getting

0:32:16.280 --> 0:32:18.880
<v Speaker 3>to see how he draws the lines between the Jedi

0:32:18.920 --> 0:32:21.080
<v Speaker 3>and the Sith, something that fans have been doing for

0:32:21.120 --> 0:32:24.240
<v Speaker 3>a long time. Being in that conversation that feels to

0:32:24.280 --> 0:32:26.120
<v Speaker 3>me like the show this is supposed to be.

0:32:26.440 --> 0:32:27.280
<v Speaker 2>But also we are.

0:32:27.200 --> 0:32:31.720
<v Speaker 3>Almost half the season in YEP, and I just worry

0:32:32.360 --> 0:32:35.720
<v Speaker 3>that the ironically they keep being like, it's not a

0:32:35.720 --> 0:32:38.440
<v Speaker 3>homework show. You're gonna just know everything you need to

0:32:38.480 --> 0:32:41.320
<v Speaker 3>know from watching the show, And ironically, I think that

0:32:42.160 --> 0:32:45.440
<v Speaker 3>by going too hard in that direction, they've actually made

0:32:45.440 --> 0:32:48.080
<v Speaker 3>the show quite hard to pass if you're not already

0:32:48.120 --> 0:32:50.840
<v Speaker 3>a fan, and if you are a fan, you're left

0:32:50.920 --> 0:32:53.240
<v Speaker 3>kind of asking a lot of things, like it's very

0:32:53.280 --> 0:32:56.080
<v Speaker 3>clear that one of the main reasons, aside from probably

0:32:56.120 --> 0:32:58.400
<v Speaker 3>pitching this is Heat Star Wars Heat, which I do

0:32:58.440 --> 0:33:00.720
<v Speaker 3>truly believe now Jason, which I think is a.

0:33:00.640 --> 0:33:04.240
<v Speaker 2>Great comp like we wouldn't want to pitch that, but like, I.

0:33:04.880 --> 0:33:07.080
<v Speaker 3>Also believe that one of the main reasons that they

0:33:07.160 --> 0:33:10.200
<v Speaker 3>introduced the police plotline is because they were like, well,

0:33:10.200 --> 0:33:12.080
<v Speaker 3>people who don't really watch Star Wars, they know who

0:33:12.080 --> 0:33:13.960
<v Speaker 3>the police are, they know there's a detective, they know

0:33:14.000 --> 0:33:16.080
<v Speaker 3>they're following. So it's kind of like how you pitch

0:33:16.080 --> 0:33:18.080
<v Speaker 3>a show like True Blood or Riverdale and you've started

0:33:18.120 --> 0:33:19.920
<v Speaker 3>with a murder mystery, and.

0:33:19.840 --> 0:33:22.080
<v Speaker 1>It's every time they're in.

0:33:22.040 --> 0:33:25.160
<v Speaker 3>The police station, they're just explaining stuff that's happened.

0:33:24.880 --> 0:33:28.120
<v Speaker 2>In previous scenes Star Wars shows.

0:33:27.880 --> 0:33:30.160
<v Speaker 3>So then that's also just starts to feel like, well,

0:33:30.160 --> 0:33:32.400
<v Speaker 3>they're not here for any other reason the next position,

0:33:32.480 --> 0:33:35.600
<v Speaker 3>so they're just I think ironically they they tried to

0:33:35.600 --> 0:33:37.240
<v Speaker 3>play it a bit too safe, is how.

0:33:37.120 --> 0:33:39.400
<v Speaker 2>I'm feeling right now. But maybe that's going to expand

0:33:39.440 --> 0:33:41.000
<v Speaker 2>out as the episode goes on.

0:33:40.960 --> 0:33:43.200
<v Speaker 1>A couple of things about the police I do. I

0:33:43.240 --> 0:33:46.920
<v Speaker 1>do think that part of the conversation around Larson and

0:33:47.120 --> 0:33:49.600
<v Speaker 1>two Boots and having that whole side of the story

0:33:49.640 --> 0:33:53.480
<v Speaker 1>in this was like on some executive level, like, hey,

0:33:53.520 --> 0:33:59.440
<v Speaker 1>can we do something pro cop in like that? It

0:33:59.480 --> 0:34:02.480
<v Speaker 1>does feel like that doesn't And then I just want

0:34:02.520 --> 0:34:09.520
<v Speaker 1>to say that I love love you know, the motivation

0:34:09.640 --> 0:34:14.160
<v Speaker 1>for characters is so important. I love the fact that

0:34:14.360 --> 0:34:18.000
<v Speaker 1>Lawson's entire motivation as a character is one he wants

0:34:18.000 --> 0:34:20.440
<v Speaker 1>to be a good cop, which he's terrible. He's so

0:34:21.080 --> 0:34:24.600
<v Speaker 1>he knows nothing about like the most active he knows

0:34:24.680 --> 0:34:28.480
<v Speaker 1>nothing about the most famous crime syndicates in the galaxy.

0:34:29.000 --> 0:34:31.520
<v Speaker 3>And it's name of the weapon that the Jedi were

0:34:31.600 --> 0:34:32.799
<v Speaker 3>using till a year ago.

0:34:32.960 --> 0:34:34.080
<v Speaker 2>It would like come on.

0:34:34.880 --> 0:34:37.920
<v Speaker 1>And then he's like a clear Jedi, you know, fighting

0:34:37.920 --> 0:34:40.479
<v Speaker 1>with a lightsabers, Like is that a d And then

0:34:40.960 --> 0:34:44.520
<v Speaker 1>so I love that, and then I love also the

0:34:44.560 --> 0:34:48.400
<v Speaker 1>fact that his prime motivation, like is emotional motivation, like

0:34:48.440 --> 0:34:52.400
<v Speaker 1>as a character right now anyway, is that he just

0:34:52.440 --> 0:34:59.840
<v Speaker 1>doesn't want to see his ex wife is all the

0:35:00.560 --> 0:35:05.440
<v Speaker 1>He's just he's like, you do not want to be

0:35:05.560 --> 0:35:09.520
<v Speaker 1>reminded of her, And that's like everything that's going on.

0:35:09.920 --> 0:35:11.879
<v Speaker 1>Why is he breaking protocol? He doesn't want to see

0:35:11.920 --> 0:35:17.680
<v Speaker 1>his his wife. Honestly, in that framing doesn't hilarious. It

0:35:17.719 --> 0:35:20.480
<v Speaker 1>doesn't it make two boots. I think it makes two

0:35:20.520 --> 0:35:21.680
<v Speaker 1>boots more reasonable.

0:35:24.040 --> 0:35:27.240
<v Speaker 2>Craziest thing is like they and again this is part.

0:35:27.080 --> 0:35:31.239
<v Speaker 3>Of the the conversation around that is like you're so right,

0:35:31.400 --> 0:35:34.719
<v Speaker 3>two Boots, he's just trying to follow his program big

0:35:34.760 --> 0:35:36.640
<v Speaker 3>and he's like, bitch, I know, the only reason you

0:35:36.640 --> 0:35:38.160
<v Speaker 3>don't want to call the empire is because.

0:35:38.000 --> 0:35:42.160
<v Speaker 2>Of your wife. You don't want to see your wife.

0:35:42.760 --> 0:35:46.840
<v Speaker 3>There is a mass murderer criminal syndicate here, and you

0:35:46.920 --> 0:35:47.960
<v Speaker 3>just don't want to see your wife.

0:35:48.160 --> 0:35:50.000
<v Speaker 2>She could any time.

0:35:51.719 --> 0:35:54.640
<v Speaker 1>So from that perspective, like, I'm kind of on like,

0:35:54.680 --> 0:35:57.160
<v Speaker 1>obviously I don't want to, you know, the impersion be

0:35:57.200 --> 0:36:01.799
<v Speaker 1>called and that's terrible, but I get it because like

0:36:01.960 --> 0:36:05.080
<v Speaker 1>if I'm you know, if I'm two Boots something and listen,

0:36:05.120 --> 0:36:09.000
<v Speaker 1>I'm not getting written up. I'm not getting decommissioned for

0:36:09.560 --> 0:36:13.160
<v Speaker 1>not following protocol because want.

0:36:13.080 --> 0:36:16.920
<v Speaker 3>To see his ex wife, dude, seriously, and also as well,

0:36:16.920 --> 0:36:19.959
<v Speaker 3>I was like this man, this man just.

0:36:19.920 --> 0:36:21.759
<v Speaker 2>Conned me off, like he just.

0:36:23.600 --> 0:36:24.720
<v Speaker 1>Want to see his ex wife.

0:36:25.200 --> 0:36:27.640
<v Speaker 2>Everything he's doing right now is because he doesn't want to.

0:36:28.040 --> 0:36:31.120
<v Speaker 4>Let's talk about both the disrespect and the boot licking,

0:36:31.200 --> 0:36:35.920
<v Speaker 4>because I was having some struggles here like two Boots,

0:36:35.960 --> 0:36:41.400
<v Speaker 4>your inability to realize the danger outside of your initial

0:36:41.440 --> 0:36:45.120
<v Speaker 4>programming a feels very strange for the droids we've met.

0:36:45.360 --> 0:36:45.480
<v Speaker 3>Now.

0:36:45.480 --> 0:36:46.640
<v Speaker 1>I know, typically the droids we.

0:36:46.640 --> 0:36:47.200
<v Speaker 4>Meet are.

0:36:48.960 --> 0:36:50.320
<v Speaker 2>Slightly reprogrammed.

0:36:51.200 --> 0:36:55.719
<v Speaker 4>They're liberated in a way, and it makes sense to

0:36:55.840 --> 0:36:58.440
<v Speaker 4>me in a way to explore this side of droid.

0:36:58.440 --> 0:36:59.800
<v Speaker 4>It's like what is the learning? Like, what is the

0:36:59.800 --> 0:37:03.960
<v Speaker 4>way up? If somebody hasn't tinkered you to make you

0:37:04.239 --> 0:37:07.360
<v Speaker 4>have a wider range of you know, vocabulary or thoughts,

0:37:07.520 --> 0:37:09.279
<v Speaker 4>you know, where do you lie in that? And I

0:37:09.280 --> 0:37:12.319
<v Speaker 4>found that really interesting. But then I was also incensed

0:37:12.320 --> 0:37:13.239
<v Speaker 4>when he got shut down.

0:37:13.280 --> 0:37:15.719
<v Speaker 1>I was like, what are you doing? You can't do that.

0:37:17.120 --> 0:37:20.080
<v Speaker 3>I think that is like a big thing here again

0:37:20.160 --> 0:37:24.000
<v Speaker 3>about maybe that balance between like not being too Star

0:37:24.040 --> 0:37:26.399
<v Speaker 3>Wars even trying to get a new audience, but also

0:37:26.440 --> 0:37:29.480
<v Speaker 3>there's certain things that good characters just don't do, and

0:37:29.600 --> 0:37:35.040
<v Speaker 3>turning off a robot to evade like uh them basically

0:37:35.080 --> 0:37:37.200
<v Speaker 3>like keeping an eye on you. That's not a good

0:37:37.239 --> 0:37:40.200
<v Speaker 3>person behavior, Like he deactivates that shit because he doesn't

0:37:40.200 --> 0:37:40.840
<v Speaker 3>want to deal.

0:37:40.640 --> 0:37:43.799
<v Speaker 2>With his ex wife. That's the only reason he turns off.

0:37:43.800 --> 0:37:47.040
<v Speaker 3>Somebody said to you programming because he doesn't want to

0:37:47.080 --> 0:37:47.680
<v Speaker 3>see his wife.

0:37:47.760 --> 0:37:50.759
<v Speaker 2>Sah sorts it out like come on, man, And I

0:37:50.800 --> 0:37:53.279
<v Speaker 2>think as well, I do really.

0:37:53.040 --> 0:37:56.000
<v Speaker 3>Like you read Jason, because I do think that something's

0:37:56.040 --> 0:37:59.480
<v Speaker 3>interesting here is like two Boots is really only doing

0:37:59.760 --> 0:38:02.920
<v Speaker 3>what his programming says anyway, So like he's having to

0:38:03.000 --> 0:38:06.480
<v Speaker 3>battle between the human who is telling him is what

0:38:06.600 --> 0:38:09.280
<v Speaker 3>he has to do, which is going against his coding,

0:38:09.600 --> 0:38:12.040
<v Speaker 3>but not for any good reason. Like he's not going

0:38:12.080 --> 0:38:15.120
<v Speaker 3>against it because he's selling. He should be telling him like, hey,

0:38:15.120 --> 0:38:16.840
<v Speaker 3>there's Jedi here, they're trying to kill the Jedi.

0:38:16.880 --> 0:38:18.600
<v Speaker 2>There's good people. We could be saving everything.

0:38:18.600 --> 0:38:21.400
<v Speaker 3>Instead he's just like, oh my fucking bitch wife. I W.

0:38:25.080 --> 0:38:27.160
<v Speaker 1>I also think that, you know, we have to remember

0:38:27.239 --> 0:38:31.240
<v Speaker 1>that we have so much more information than these characters.

0:38:31.400 --> 0:38:34.320
<v Speaker 1>Two Boots doesn't like they don't know the Empire is bad.

0:38:34.480 --> 0:38:36.360
<v Speaker 1>Maybe they have an inkling that it's not like the

0:38:36.400 --> 0:38:41.040
<v Speaker 1>greatest government in the world definitely sticking their nose in. Yeah,

0:38:41.080 --> 0:38:43.520
<v Speaker 1>but like the Imperial footprint has been very very light

0:38:43.560 --> 0:38:47.160
<v Speaker 1>on genics. This is clearly like a new thing where

0:38:47.160 --> 0:38:48.880
<v Speaker 1>if theF call in, Like I don't know if that

0:38:48.960 --> 0:38:50.759
<v Speaker 1>was the case with the Republic, where if you had

0:38:51.320 --> 0:38:53.360
<v Speaker 1>major criminals on the planet.

0:38:53.120 --> 0:38:55.160
<v Speaker 2>You had the Republic was very different.

0:38:55.200 --> 0:38:57.160
<v Speaker 3>I think like a few rangers would have showed up

0:38:57.200 --> 0:38:58.120
<v Speaker 3>and picked up the guy.

0:38:58.520 --> 0:39:00.560
<v Speaker 2>He has this fear. I'm gessing we're.

0:39:00.400 --> 0:39:04.359
<v Speaker 3>Gonna lear him why of the empire, essentially like colonizing

0:39:04.400 --> 0:39:06.920
<v Speaker 3>the town and taking it over, which is a good

0:39:07.160 --> 0:39:10.600
<v Speaker 3>normal like rational fear, but also like you really just

0:39:10.640 --> 0:39:11.760
<v Speaker 3>don't want to see your wife.

0:39:12.800 --> 0:39:15.399
<v Speaker 1>And the kind I'm kind of standing up for two

0:39:15.400 --> 0:39:18.719
<v Speaker 1>Boots in a sense. I think he's wrong, but his

0:39:19.280 --> 0:39:23.399
<v Speaker 1>reasoning makes sense. It's like you, you don't you don't

0:39:23.400 --> 0:39:26.440
<v Speaker 1>want to call the empire for it's not like ethical

0:39:26.960 --> 0:39:32.839
<v Speaker 1>moral reasons. It's legitimately just purely personal and it's an

0:39:32.840 --> 0:39:36.440
<v Speaker 1>issue you have with the mother of your child, your ex.

0:39:36.280 --> 0:39:38.960
<v Speaker 3>Wife, by the way, you're abandoning your child. That like

0:39:39.040 --> 0:39:40.040
<v Speaker 3>every fucking.

0:39:42.080 --> 0:39:43.080
<v Speaker 1>All the time, he's.

0:39:45.280 --> 0:39:49.440
<v Speaker 3>He's a latch kid in space playing space lacrosse, So

0:39:49.520 --> 0:39:51.759
<v Speaker 3>I know he's fancy. You're telling me he doesn't have

0:39:51.800 --> 0:39:53.799
<v Speaker 3>it after school club. He could go through space after

0:39:53.840 --> 0:39:54.400
<v Speaker 3>school club.

0:39:54.560 --> 0:39:57.759
<v Speaker 1>I get it. I'm all. I'm all I'm saying is

0:39:57.800 --> 0:40:00.279
<v Speaker 1>like I'm supportive of two Boots. I think to Boots

0:40:00.360 --> 0:40:01.640
<v Speaker 1>is in a very, very tough spot.

0:40:01.719 --> 0:40:04.600
<v Speaker 3>I don't think to Boots has the moral understanding to

0:40:04.640 --> 0:40:06.640
<v Speaker 3>make a good choice there because he has not been

0:40:06.880 --> 0:40:10.920
<v Speaker 3>taught by his alleged partner who would just turn him off.

0:40:10.960 --> 0:40:14.200
<v Speaker 3>That's like the equivalent of like fucking you know, pistol,

0:40:14.200 --> 0:40:16.359
<v Speaker 3>whipping your partner in the head and just leaving him

0:40:16.480 --> 0:40:18.800
<v Speaker 3>because your partner is gonna help you, not help you.

0:40:18.840 --> 0:40:20.520
<v Speaker 2>Also see in your ex wife.

0:40:20.320 --> 0:40:24.120
<v Speaker 1>You know, watching lawson, you know, walk away from his

0:40:24.320 --> 0:40:28.920
<v Speaker 1>kids sports game to go legitimately be the worst pop

0:40:29.239 --> 0:40:31.040
<v Speaker 1>like on Jane X and one of the worst in

0:40:31.080 --> 0:40:34.960
<v Speaker 1>the galaxy. It's like, no wonder you got divorced. They're

0:40:35.120 --> 0:40:38.719
<v Speaker 1>just like, focus on being a good dad. You're not

0:40:39.000 --> 0:40:44.600
<v Speaker 1>solving crimes. You've got this weird girlfriend, a girlfriend who

0:40:44.680 --> 0:40:47.400
<v Speaker 1>who is the one who tells you all the cop

0:40:47.440 --> 0:40:49.319
<v Speaker 1>information that you should already know.

0:40:49.520 --> 0:40:51.960
<v Speaker 2>Yet most of why are you fucking your informant?

0:40:52.000 --> 0:40:54.920
<v Speaker 3>Bro? That's like very uncool. We can see the attention.

0:40:55.400 --> 0:40:58.640
<v Speaker 3>We know you last this is this is my exactly, guys.

0:40:58.719 --> 0:41:01.000
<v Speaker 3>I know, I know, I'm sorry to the discord because

0:41:01.040 --> 0:41:03.600
<v Speaker 3>I know you guys know that this must be annoying

0:41:03.600 --> 0:41:06.400
<v Speaker 3>me so much. But like, this is not even about

0:41:06.400 --> 0:41:09.280
<v Speaker 3>my own personal feeling about real cops in real life.

0:41:09.440 --> 0:41:13.600
<v Speaker 3>This is about the issue of adding something that completely

0:41:13.760 --> 0:41:18.400
<v Speaker 3>unravels the understanding that we have of legality.

0:41:18.600 --> 0:41:20.200
<v Speaker 2>And law and the world.

0:41:20.239 --> 0:41:22.640
<v Speaker 3>And once you put something from our real world in there,

0:41:22.800 --> 0:41:26.960
<v Speaker 3>so texturally, with no analogue, you do start asking these questions.

0:41:27.120 --> 0:41:31.440
<v Speaker 3>Whereas before when Cassie and Andor who is not a cop,

0:41:31.719 --> 0:41:33.920
<v Speaker 3>who is at the beginning of his journey in the

0:41:33.920 --> 0:41:36.080
<v Speaker 3>TV series and Or and he's flirting with a woman

0:41:36.120 --> 0:41:38.840
<v Speaker 3>in a bar, you think, oh, well, that's just somebody

0:41:38.840 --> 0:41:40.920
<v Speaker 3>he knows from the underground scene. He's flirting with her.

0:41:40.960 --> 0:41:44.200
<v Speaker 3>Maybe she knows where his sister is. Like those connections,

0:41:44.360 --> 0:41:46.480
<v Speaker 3>you don't have to add this layer onto them. But

0:41:46.520 --> 0:41:48.719
<v Speaker 3>by making them a cop, we have to add these

0:41:48.840 --> 0:41:51.480
<v Speaker 3>realistic layers because they're taking something from our world.

0:41:51.520 --> 0:41:52.279
<v Speaker 2>So I think like.

0:41:52.719 --> 0:41:55.759
<v Speaker 3>By simply them adding him, it makes us have more

0:41:55.760 --> 0:41:58.359
<v Speaker 3>conversations about him, which is very annoying to me because

0:41:58.400 --> 0:42:01.120
<v Speaker 3>this should be about Darth Maul. But the same thing,

0:42:01.160 --> 0:42:03.880
<v Speaker 3>as I said, guys Generation five, my Little Pony, same

0:42:03.880 --> 0:42:06.480
<v Speaker 3>thing happened, Like you add a cop to a fantasy

0:42:06.480 --> 0:42:08.560
<v Speaker 3>world without caught, well let me and you have to

0:42:08.640 --> 0:42:12.640
<v Speaker 3>reframe the entire show to fit into this new legal framework.

0:42:12.640 --> 0:42:13.640
<v Speaker 3>It's very strange.

0:42:14.160 --> 0:42:16.920
<v Speaker 1>Well, this is just the legal framework on janis to

0:42:18.640 --> 0:42:21.240
<v Speaker 1>you know, give them some support with the plot line.

0:42:21.440 --> 0:42:24.239
<v Speaker 1>I will say one here here is now this is

0:42:24.360 --> 0:42:32.800
<v Speaker 1>just my pure headcanon reading. Lawson is very very depressed

0:42:32.800 --> 0:42:37.200
<v Speaker 1>after his divorce from his wife. Definitely who has you know,

0:42:37.280 --> 0:42:40.600
<v Speaker 1>I guess they had political disagreements as many as many

0:42:40.640 --> 0:42:43.400
<v Speaker 1>couples may do. You know, like he didn't agree with

0:42:43.440 --> 0:42:44.600
<v Speaker 1>the imperial side of things.

0:42:44.600 --> 0:42:48.879
<v Speaker 3>She's obviously Oscar partner first if you'll pro empire, that's

0:42:48.920 --> 0:42:50.600
<v Speaker 3>a first eight question, but sure.

0:42:50.400 --> 0:42:55.840
<v Speaker 1>That And so I think he's very very depressed. I

0:42:55.880 --> 0:43:01.960
<v Speaker 1>think he's trying to do cops side by cop ik

0:43:02.040 --> 0:43:05.239
<v Speaker 1>he's trying to. I think he's trying to. I think

0:43:05.320 --> 0:43:08.200
<v Speaker 1>he's trying to get killed in the line of Dude,

0:43:08.920 --> 0:43:10.400
<v Speaker 1>he is so bad.

0:43:10.160 --> 0:43:14.080
<v Speaker 3>That I would believe that he's like those He's like

0:43:14.120 --> 0:43:15.839
<v Speaker 3>that lays it so it looks like it would kill

0:43:15.880 --> 0:43:18.840
<v Speaker 3>you quickly chop the head. That he doesn't have to

0:43:18.880 --> 0:43:22.799
<v Speaker 3>worry about paying the credits and the space Lacrosse and

0:43:22.840 --> 0:43:25.200
<v Speaker 3>the private school that Riley clearly goes to.

0:43:25.800 --> 0:43:28.680
<v Speaker 1>I think that's where the recklessness comes from. I think

0:43:28.680 --> 0:43:31.359
<v Speaker 1>that's where like the out of control personal life comes from.

0:43:31.440 --> 0:43:34.160
<v Speaker 1>I think he's just like I think he wants out

0:43:34.320 --> 0:43:37.960
<v Speaker 1>and the only way he could think of, and he's

0:43:38.040 --> 0:43:40.799
<v Speaker 1>turning off his partner, like I think the only thing

0:43:40.840 --> 0:43:42.759
<v Speaker 1>that he could think of is maybe if I get

0:43:42.880 --> 0:43:46.399
<v Speaker 1>like killed by these gangsters, Okay, do you they all end,

0:43:46.520 --> 0:43:48.760
<v Speaker 1>my pain will end. I think that I could believe

0:43:48.920 --> 0:43:49.920
<v Speaker 1>think about her anymore.

0:43:50.120 --> 0:43:51.960
<v Speaker 3>I know He's like, I would think about my empire

0:43:52.040 --> 0:43:55.960
<v Speaker 3>wife anymore, my whole empire wife. And also like, do

0:43:56.040 --> 0:43:59.120
<v Speaker 3>you think if he dies that his that Riley would

0:43:59.160 --> 0:44:01.520
<v Speaker 3>get money and the line of because he died in

0:44:01.560 --> 0:44:04.319
<v Speaker 3>the line of so you know, maybe he's planning as

0:44:04.320 --> 0:44:06.960
<v Speaker 3>well for Riley's future. He's like, he'll have some credits

0:44:07.000 --> 0:44:08.799
<v Speaker 3>to put away as long as my bitch ex wife

0:44:08.840 --> 0:44:15.960
<v Speaker 3>doesn't get them.

0:44:17.719 --> 0:44:18.120
<v Speaker 1>A lot.

0:44:18.600 --> 0:44:19.800
<v Speaker 2>I'm telling you.

0:44:20.200 --> 0:44:22.520
<v Speaker 3>This is what I'm telling you from a storytelling point

0:44:22.520 --> 0:44:25.160
<v Speaker 3>of view. Every other time that we have come across

0:44:25.200 --> 0:44:27.880
<v Speaker 3>like a cop analog the jedis of space cops. Everyone

0:44:27.880 --> 0:44:31.520
<v Speaker 3>always says that, you know, oh, the Republic Rangers, like

0:44:31.600 --> 0:44:33.480
<v Speaker 3>we love them, but ACAB like, you know, we have

0:44:33.560 --> 0:44:36.000
<v Speaker 3>these jokes, but you never actually have to have the

0:44:36.040 --> 0:44:39.000
<v Speaker 3>conversations because they are not cops. They literally call this

0:44:39.040 --> 0:44:42.319
<v Speaker 3>place the police headquarters, like they did this to themselves.

0:44:42.400 --> 0:44:45.400
<v Speaker 3>Like if you make that but yeah, it went bleak,

0:44:45.480 --> 0:44:49.600
<v Speaker 3>it went dark. Maybe Loss is gonna die the biggest.

0:44:49.200 --> 0:44:52.319
<v Speaker 1>Cross I mean, this is he's the Is he the

0:44:52.360 --> 0:44:55.360
<v Speaker 1>first canonical wife guy in Star Wars history?

0:44:56.560 --> 0:44:57.360
<v Speaker 2>Akrov?

0:44:58.400 --> 0:44:59.839
<v Speaker 1>No, but yeah, you're right.

0:45:00.200 --> 0:45:03.000
<v Speaker 4>Even Knobe did not marry Seteen. I'm gonna account him

0:45:03.000 --> 0:45:03.640
<v Speaker 4>as a wife.

0:45:03.440 --> 0:45:08.040
<v Speaker 3>Guy that was Actually you know what, he is actually

0:45:08.160 --> 0:45:11.799
<v Speaker 3>the closest canonically to like a modern wife guy where

0:45:11.800 --> 0:45:15.600
<v Speaker 3>it's about loving your wife being But there have been some.

0:45:15.719 --> 0:45:19.160
<v Speaker 3>Star Wars is a series of stories about men who

0:45:19.200 --> 0:45:21.239
<v Speaker 3>can't emotionally regulate around women.

0:45:21.520 --> 0:45:28.399
<v Speaker 1>For sure, Lonson is only the latest. Let what cohind.

0:45:29.719 --> 0:45:33.239
<v Speaker 4>Okay okay one. I don't know if you guys know,

0:45:33.440 --> 0:45:36.520
<v Speaker 4>but Mal has a gauntlet fighter. It's called the Knight Brother.

0:45:36.960 --> 0:45:40.959
<v Speaker 4>Will we get these Ickerson scorn actually out here being

0:45:41.120 --> 0:45:42.720
<v Speaker 4>Night Brothers and God?

0:45:42.840 --> 0:45:43.400
<v Speaker 1>I hope so.

0:45:43.480 --> 0:45:49.600
<v Speaker 4>I love them so much just in designs, Jason, do

0:45:49.640 --> 0:45:53.760
<v Speaker 4>you not listen? My hopes remain high. I love these brothers.

0:45:53.800 --> 0:45:55.640
<v Speaker 4>I don't know anything about them. I just know that

0:45:55.680 --> 0:45:57.560
<v Speaker 4>Mal was like, I have to have these two. That

0:45:57.600 --> 0:45:59.399
<v Speaker 4>makes me so excited. I hope he gives them some

0:46:00.040 --> 0:46:03.440
<v Speaker 4>I don't know, brotherly advise, even if we just b brothers.

0:46:03.520 --> 0:46:08.080
<v Speaker 1>That would be to me, it would be great and

0:46:08.120 --> 0:46:11.920
<v Speaker 1>I want it, but I'm not confident. It feels like

0:46:12.000 --> 0:46:17.000
<v Speaker 1>a production note that they got was it's confusing. They

0:46:17.040 --> 0:46:20.359
<v Speaker 1>look like Mall, but they're not Mall because the way

0:46:20.560 --> 0:46:24.359
<v Speaker 1>they shoot them so in the background, like whenever you

0:46:24.440 --> 0:46:26.839
<v Speaker 1>see them, even when it's the scene of them, they

0:46:26.920 --> 0:46:30.560
<v Speaker 1>it's like a it's a it's a full shot, like

0:46:30.600 --> 0:46:33.120
<v Speaker 1>it's a far away shot. They put them way back

0:46:33.880 --> 0:46:36.719
<v Speaker 1>and it's clear that what they are I think what

0:46:36.760 --> 0:46:39.000
<v Speaker 1>they're trying to do is not confuse people on oh

0:46:39.120 --> 0:46:43.040
<v Speaker 1>is that Mall? It's not Mall, like the scene where

0:46:43.320 --> 0:46:47.279
<v Speaker 1>the confin is the story yeah, notwithstanding, and so it

0:46:47.440 --> 0:46:52.799
<v Speaker 1>just feels like adjacent to that note is, well, if

0:46:52.800 --> 0:46:55.359
<v Speaker 1>we give them any lines, people are going to be

0:46:55.920 --> 0:47:00.440
<v Speaker 1>they're gonna be like Mall's voice is different now, and

0:47:00.520 --> 0:47:02.800
<v Speaker 1>so I just feel like they're not gonna do it.

0:47:02.800 --> 0:47:04.240
<v Speaker 1>It just feels like they're not gonna.

0:47:04.360 --> 0:47:07.560
<v Speaker 4>You're saying, make sense, but I don't like.

0:47:07.680 --> 0:47:11.280
<v Speaker 2>I love this. I love the brothers.

0:47:11.760 --> 0:47:13.719
<v Speaker 3>That the crazy thing to me, and I think this

0:47:13.800 --> 0:47:16.480
<v Speaker 3>is a Dave Feloney issue, sadly, is like I do

0:47:16.520 --> 0:47:18.680
<v Speaker 3>feel like we're going to get a really great.

0:47:18.640 --> 0:47:21.080
<v Speaker 2>Comic spin off about the brothers or a book spin.

0:47:21.840 --> 0:47:26.320
<v Speaker 3>Saying but like, but like my su like, we need

0:47:26.800 --> 0:47:31.040
<v Speaker 3>to be making characters that we can also enjoy in

0:47:31.160 --> 0:47:33.920
<v Speaker 3>the text of the thing, like do you do not

0:47:34.040 --> 0:47:36.960
<v Speaker 3>need to constantly be making new Bob effects, like new

0:47:37.239 --> 0:47:39.680
<v Speaker 3>cool characters that we're going to be talking about years after.

0:47:39.960 --> 0:47:41.920
<v Speaker 3>We need characters who are good in the show. I

0:47:41.960 --> 0:47:45.040
<v Speaker 3>love the brotherly aspect. I hope they're gonna do it

0:47:45.480 --> 0:47:48.920
<v Speaker 3>to reflect more and oppress. I don't mean that I

0:47:49.000 --> 0:47:50.960
<v Speaker 3>hope one of them dies, but like, I hope that

0:47:51.040 --> 0:47:54.000
<v Speaker 3>there is a brotherly reflection there. This feels like a

0:47:54.040 --> 0:47:56.839
<v Speaker 3>show that we should be getting bottle episodes about each

0:47:56.880 --> 0:47:58.600
<v Speaker 3>of these characters and how they came to.

0:47:58.560 --> 0:48:02.239
<v Speaker 2>Be part of Maule's story. Unfortunately, I don't know that

0:48:02.280 --> 0:48:04.759
<v Speaker 2>we're gonna get that. I don't know.

0:48:04.840 --> 0:48:07.680
<v Speaker 3>I'm just still confused by what the show is. I'm

0:48:07.719 --> 0:48:10.040
<v Speaker 3>happy to have it, but it is not hitting even

0:48:10.040 --> 0:48:11.960
<v Speaker 3>in the way that like the bad batchhit for me,

0:48:12.040 --> 0:48:15.080
<v Speaker 3>which I felt like was like a game changing masterpiece

0:48:15.120 --> 0:48:15.839
<v Speaker 3>when it came out.

0:48:16.400 --> 0:48:17.560
<v Speaker 2>This still feels like.

0:48:17.520 --> 0:48:20.200
<v Speaker 3>It's in the works to me, and hopefully if there's

0:48:20.239 --> 0:48:23.600
<v Speaker 3>more seasons. If we get more, it is gonna be additive.

0:48:23.719 --> 0:48:25.400
<v Speaker 3>But at the moment, I'm kind of confused.

0:48:25.400 --> 0:48:27.160
<v Speaker 4>We get this quote, because we get this quote that

0:48:27.200 --> 0:48:29.680
<v Speaker 4>I think clarified a lot for me about the series.

0:48:30.440 --> 0:48:32.719
<v Speaker 4>It's from Mall. He says, you survive, but you do

0:48:32.800 --> 0:48:35.560
<v Speaker 4>not live. You should lead and be respected by all.

0:48:35.560 --> 0:48:37.759
<v Speaker 4>I'm not crawling on your hands and knees begging to live.

0:48:37.800 --> 0:48:41.000
<v Speaker 4>It is your unwillingness to use your powers that makes

0:48:41.080 --> 0:48:46.400
<v Speaker 4>you weak. That is your delusion. He's talking to Daku Debi. Yeah, yeah,

0:48:46.440 --> 0:48:47.759
<v Speaker 4>like Devin and Dacu are there.

0:48:47.800 --> 0:48:48.720
<v Speaker 2>But I think.

0:48:48.560 --> 0:48:52.640
<v Speaker 4>He's like this this moment of like this unwillingness to

0:48:52.800 --> 0:48:56.439
<v Speaker 4>use your powers, and it really gravitates and centers Mall

0:48:56.560 --> 0:48:59.359
<v Speaker 4>and like an all or nothing sots it again, you

0:48:59.400 --> 0:49:01.600
<v Speaker 4>have to read in to the desperation of it, because

0:49:01.640 --> 0:49:05.040
<v Speaker 4>you don't he doesn't feel desperate, but like that the

0:49:05.120 --> 0:49:08.279
<v Speaker 4>intonation of that line, like it gives me a lot

0:49:08.320 --> 0:49:10.640
<v Speaker 4>to work with and it gives me a lot of hope.

0:49:10.640 --> 0:49:13.520
<v Speaker 3>But it does kind of sound like he's talking about himself. Yeah,

0:49:14.239 --> 0:49:16.000
<v Speaker 3>which is interesting.

0:49:16.080 --> 0:49:19.360
<v Speaker 4>It is interesting, and I think too, Uh if I

0:49:19.360 --> 0:49:21.960
<v Speaker 4>could end on one final like really high note, for me,

0:49:22.200 --> 0:49:25.960
<v Speaker 4>we pretty much get a third duel of the fates.

0:49:26.760 --> 0:49:30.120
<v Speaker 2>Yes, yes, let's talk about that. Let's because that is

0:49:30.160 --> 0:49:30.600
<v Speaker 2>really cool.

0:49:30.800 --> 0:49:35.080
<v Speaker 4>Master and Apprentice versus Mall. And within that fight, he says,

0:49:35.120 --> 0:49:37.560
<v Speaker 4>your master is indeed lucky to have you by his side.

0:49:38.280 --> 0:49:41.839
<v Speaker 4>Like the yearning for Mall to just be seen by

0:49:41.880 --> 0:49:43.360
<v Speaker 4>another force user.

0:49:43.480 --> 0:49:44.000
<v Speaker 1>I really did.

0:49:44.040 --> 0:49:47.879
<v Speaker 2>He just wants some he wants a apprentice. So two

0:49:47.920 --> 0:49:48.440
<v Speaker 2>of these.

0:49:48.280 --> 0:49:52.440
<v Speaker 4>People going through life side by side, defending and supporting

0:49:52.440 --> 0:49:55.480
<v Speaker 4>each other. No one defender supports me. Although again, while

0:49:55.520 --> 0:49:57.520
<v Speaker 4>I think you're not seeing people right next to you,

0:49:57.600 --> 0:50:01.560
<v Speaker 4>which can happen when you're longing, I just really I

0:50:02.160 --> 0:50:06.320
<v Speaker 4>thought the fight seeing coordination was really strong. I think again,

0:50:06.560 --> 0:50:07.640
<v Speaker 4>the artwork for this.

0:50:09.600 --> 0:50:12.280
<v Speaker 1>So good. It's truly beautiful.

0:50:12.600 --> 0:50:15.080
<v Speaker 4>And I think too, if we think about, like what

0:50:15.120 --> 0:50:17.479
<v Speaker 4>does it mean for Mall to step up and face

0:50:17.520 --> 0:50:20.239
<v Speaker 4>a master and apprentic Like we've seen him face Ahsoka

0:50:20.280 --> 0:50:24.000
<v Speaker 4>and Anakin, we've seen him face Qui Gon and Obi Wan,

0:50:25.400 --> 0:50:30.040
<v Speaker 4>I think it says a lot about his like both

0:50:30.040 --> 0:50:33.400
<v Speaker 4>his desire for and his need to destroy any Like

0:50:33.640 --> 0:50:36.520
<v Speaker 4>he's like, you should not get to have this, essentially

0:50:36.760 --> 0:50:42.520
<v Speaker 4>like you to teach her you're not learning everything because

0:50:42.600 --> 0:50:46.319
<v Speaker 4>Jedi inherently are like I learned the Jedi way, and

0:50:46.360 --> 0:50:50.120
<v Speaker 4>that's it. We move forward, and I think there's an

0:50:50.280 --> 0:50:52.759
<v Speaker 4>unworthiness he sees in docu, and I hope we kind

0:50:52.800 --> 0:50:55.319
<v Speaker 4>of get more into that as the series goes on.

0:50:55.640 --> 0:50:58.240
<v Speaker 4>It was my favorite thing was interacting with Ezra and Canaan.

0:50:59.320 --> 0:51:05.280
<v Speaker 3>M first final question, guys, does Devin become Maul's apprentice

0:51:05.320 --> 0:51:06.520
<v Speaker 3>before the end of this season?

0:51:08.800 --> 0:51:14.200
<v Speaker 4>Well, we know that George has thought about having like

0:51:14.239 --> 0:51:18.960
<v Speaker 4>a Twilight a twilet apprentice with Mal, like that's that's

0:51:19.200 --> 0:51:21.000
<v Speaker 4>something that's been talked about for a long time. We've

0:51:21.000 --> 0:51:25.360
<v Speaker 4>seen different drawing iterations of her. I think several characters

0:51:25.360 --> 0:51:31.200
<v Speaker 4>were inspired by this potential character. I would like to

0:51:31.280 --> 0:51:34.440
<v Speaker 4>see Mall walk away with an apprentice that then you

0:51:34.520 --> 0:51:38.040
<v Speaker 4>have lots of storyline and time to like kill off

0:51:38.160 --> 0:51:41.160
<v Speaker 4>or leave him before we pop back into Mall storyline again.

0:51:42.320 --> 0:51:45.840
<v Speaker 4>But I think because of where Mal ends up, and

0:51:46.120 --> 0:51:49.719
<v Speaker 4>given the goody two shoes cop bootleger nature of the

0:51:49.719 --> 0:51:54.840
<v Speaker 4>show so far, it's unlikely.

0:51:53.600 --> 0:52:00.640
<v Speaker 1>I also think that the the the overall debate darker

0:52:00.760 --> 0:52:04.799
<v Speaker 1>light It was interesting. I thought over the first couple

0:52:04.880 --> 0:52:07.400
<v Speaker 1>of episodes because it really seemed like we were framing

0:52:09.239 --> 0:52:13.880
<v Speaker 1>the Jedi side of things as almost like irredeemably weak.

0:52:13.640 --> 0:52:14.360
<v Speaker 2>And out of touch.

0:52:14.440 --> 0:52:18.080
<v Speaker 1>Yes, but but it's we've it seems like that's flipped

0:52:18.120 --> 0:52:20.680
<v Speaker 1>completely the other way now, and that Devin is like,

0:52:21.200 --> 0:52:24.040
<v Speaker 1>I've gotten a taste of mall. He dueled me, wanted

0:52:24.080 --> 0:52:26.400
<v Speaker 1>me to be his apprentice, and I don't like it,

0:52:26.440 --> 0:52:28.399
<v Speaker 1>and I'm going all the way back to the light,

0:52:28.480 --> 0:52:30.560
<v Speaker 1>even though it means like I'm gonna starve, and my

0:52:31.239 --> 0:52:33.200
<v Speaker 1>master occasionally turns me into the police.

0:52:34.280 --> 0:52:35.640
<v Speaker 2>Yeah, he's like, don't worry about it.

0:52:35.840 --> 0:52:37.840
<v Speaker 3>You can't even eat one apple or you're going to

0:52:37.880 --> 0:52:38.600
<v Speaker 3>the cops, babe.

0:52:38.760 --> 0:52:40.600
<v Speaker 2>No, my I think that there is a.

0:52:40.640 --> 0:52:45.200
<v Speaker 3>Version where in you know, the finale, the last two episodes,

0:52:45.640 --> 0:52:49.960
<v Speaker 3>something so terrible happens to Daky in the space of

0:52:50.120 --> 0:52:52.520
<v Speaker 3>the police or trying to do the right thing that

0:52:52.600 --> 0:52:55.680
<v Speaker 3>she may consider going with Mare, And I think that

0:52:55.719 --> 0:52:56.840
<v Speaker 3>could be very interesting.

0:52:56.880 --> 0:52:58.600
<v Speaker 2>But I need to know more about Devon.

0:52:58.680 --> 0:53:00.880
<v Speaker 3>I feel like you can't just introduce a character like

0:53:00.960 --> 0:53:05.239
<v Speaker 3>this after introducing so many iconic follow up kind of

0:53:05.320 --> 0:53:10.560
<v Speaker 3>Jedi post Order sixty six Jedi Canaan Ezra Ahsoka, like

0:53:10.760 --> 0:53:14.960
<v Speaker 3>you you are this is a league of legends, like

0:53:15.160 --> 0:53:20.080
<v Speaker 3>literally like a legacy of iconic new characters here. I

0:53:20.200 --> 0:53:22.279
<v Speaker 3>just don't know that Devon's got the juice. I need

0:53:22.320 --> 0:53:24.560
<v Speaker 3>to see her get that juice. But I'm excited to

0:53:24.600 --> 0:53:27.359
<v Speaker 3>see where it goes, and I'm hoping we do end

0:53:27.400 --> 0:53:30.240
<v Speaker 3>with them at least on the same side for whatever reason.

0:53:30.480 --> 0:53:32.400
<v Speaker 2>But we still got six episodes to go, so so

0:53:32.480 --> 0:53:33.000
<v Speaker 2>let's see.

0:53:33.680 --> 0:53:35.640
<v Speaker 1>On the next episode of Extra Vision, We're diving into

0:53:35.719 --> 0:53:38.200
<v Speaker 1>Daredevil two oh five. That's it for this episode. Thanks

0:53:38.200 --> 0:53:45.640
<v Speaker 1>for the same X Ray Vision is hosted by Jason

0:53:45.680 --> 0:53:48.920
<v Speaker 1>Cepcion and Rosie Knight and as a production of iHeart Podcast.

0:53:49.280 --> 0:53:52.880
<v Speaker 3>Our executive producers are Joel Monique and Aaron Korfman.

0:53:53.120 --> 0:53:55.200
<v Speaker 1>Our supervising producer is Abuzafar.

0:53:55.560 --> 0:53:59.480
<v Speaker 3>Our producers are Carmen Laurent, Dean Johnson, and Bay Wack.

0:53:59.600 --> 0:54:02.359
<v Speaker 1>I've Seen song is by Brian Vasquez, with alternate theme

0:54:02.480 --> 0:54:03.720
<v Speaker 1>songs by Aaron Kaufman.

0:54:03.880 --> 0:54:07.239
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and

0:54:07.360 --> 0:54:09.120
<v Speaker 3>Heidi our discord moderator.