1
00:00:04,720 --> 00:00:11,959
Speaker 1: So I'm at the show to support Tony H. Braxton,

2
00:00:13,080 --> 00:00:15,720
Speaker 1: and she finishes the big song and she she just

3
00:00:15,760 --> 00:00:19,320
Speaker 1: says zero. She stops it down, and she says, we're

4
00:00:19,320 --> 00:00:25,360
Speaker 1: gonna try something a little different, and we look under

5
00:00:25,400 --> 00:00:28,320
Speaker 1: our seats that she you know, we just assumed that

6
00:00:28,360 --> 00:00:31,640
Speaker 1: we're supposed to look under our seats, and we all

7
00:00:31,640 --> 00:00:36,559
Speaker 1: have these paintball guns. Okay, this is interesting.

8
00:00:36,159 --> 00:00:43,680
Speaker 2: And she says she just says one, two, three, blast away.

9
00:00:43,680 --> 00:00:47,559
Speaker 1: Yes, blast away, wow, and every we all just kind

10
00:00:47,600 --> 00:00:50,640
Speaker 1: of sat there. There was just like a couple of

11
00:00:50,680 --> 00:00:54,840
Speaker 1: minutes of like, no one really wanted to do this, No, no,

12
00:00:54,920 --> 00:00:57,440
Speaker 1: it was we we Oh see, I forgot. They were

13
00:00:57,480 --> 00:01:02,920
Speaker 1: color coded and so alternating seats, Like I was in

14
00:01:02,960 --> 00:01:05,760
Speaker 1: a red seat, the next to me is a blue seat.

15
00:01:06,480 --> 00:01:07,800
Speaker 2: And so we're supposed to.

16
00:01:07,800 --> 00:01:11,000
Speaker 1: Be like at war with each other, but we're all

17
00:01:11,040 --> 00:01:12,520
Speaker 1: sitting so close.

18
00:01:12,920 --> 00:01:14,920
Speaker 3: Red and blue, and those are the only two colors,

19
00:01:14,959 --> 00:01:19,200
Speaker 3: only two colors, and they were alternating. So is that political?

20
00:01:20,200 --> 00:01:23,200
Speaker 1: Oh yeah, that I mean that was another She had

21
00:01:23,240 --> 00:01:27,120
Speaker 1: been doing a lot of that stuff earlier in the show,

22
00:01:27,560 --> 00:01:30,200
Speaker 1: and so this was actually a logical continuation of a

23
00:01:30,200 --> 00:01:30,520
Speaker 1: lot of them.

24
00:01:30,680 --> 00:01:34,600
Speaker 3: Don't mean to interrupt, But I hate this two party system.

25
00:01:34,640 --> 00:01:37,640
Speaker 2: It's a joke. That's what the problem is. Once worse

26
00:01:37,680 --> 00:01:39,440
Speaker 2: than the other, that's what the problem is.

27
00:01:40,160 --> 00:01:42,680
Speaker 1: Actually, Well, here's the thing. When you say that, that's

28
00:01:42,720 --> 00:01:47,320
Speaker 1: actually that they are the same. Yeah, exactly the same.

29
00:01:47,720 --> 00:01:53,240
Speaker 3: Exactly that's true because they are both slaves to their

30
00:01:53,680 --> 00:01:57,840
Speaker 3: special interests and I want someone who's a true independent thinker.

31
00:01:57,680 --> 00:01:58,360
Speaker 2: And you can't.

32
00:01:58,480 --> 00:02:00,280
Speaker 1: They like they talk about red and blue, but it's

33
00:02:00,320 --> 00:02:05,560
Speaker 1: actually the same color, just through a different prism glasses.

34
00:02:05,760 --> 00:02:09,160
Speaker 3: It's all purple in a way. Did you hear what

35
00:02:09,200 --> 00:02:10,799
Speaker 3: I said about Tony Beanisi zero?

36
00:02:11,520 --> 00:02:14,959
Speaker 2: Yes, I'm sorry. I'm sorry. I didn't mean to. I knew,

37
00:02:15,000 --> 00:02:16,600
Speaker 2: I knew I was supposed to account for that, and

38
00:02:16,600 --> 00:02:18,840
Speaker 2: that babe could hula hoop with the cheerio.

39
00:02:19,080 --> 00:02:21,880
Speaker 1: My man, Hey, welcome to Hollywood, habook, and it's this

40
00:02:21,919 --> 00:02:23,480
Speaker 1: guy to kicking button. Drop your names of the red

41
00:02:23,480 --> 00:02:26,160
Speaker 1: carb lineback always of this industry we call show bit.

42
00:02:26,440 --> 00:02:26,840
Speaker 4: What up?

43
00:02:26,880 --> 00:02:29,840
Speaker 2: What up? What do we want to talk about today? Oh?

44
00:02:29,880 --> 00:02:30,760
Speaker 2: Do the famous game?

45
00:02:31,000 --> 00:02:31,480
Speaker 5: Mm hmm.

46
00:02:32,000 --> 00:02:34,079
Speaker 3: And it's been a little while and it's been getting

47
00:02:34,080 --> 00:02:36,080
Speaker 3: really toasty here in la summer months.

48
00:02:36,120 --> 00:02:38,120
Speaker 1: Hear everyone saying, I can hear everyone at home when

49
00:02:38,120 --> 00:02:40,680
Speaker 1: Sean says that, when he says it's been a little

50
00:02:40,680 --> 00:02:43,639
Speaker 1: while thinking to themselves like, Oh, I wonder if he's

51
00:02:43,639 --> 00:02:46,359
Speaker 1: gonna say the funny song.

52
00:02:46,760 --> 00:02:50,000
Speaker 2: Oh, yes, yes it was. He gonna do the nineties song?

53
00:02:50,080 --> 00:02:52,240
Speaker 2: Maybe is that a joke?

54
00:02:52,480 --> 00:02:57,640
Speaker 3: And the answer is no and no. Now it's hot

55
00:02:57,720 --> 00:03:00,560
Speaker 3: toasty summer months and it's August and and that means

56
00:03:00,600 --> 00:03:03,880
Speaker 3: the sun's beating down and we all have to find

57
00:03:03,919 --> 00:03:05,200
Speaker 3: our own ways to keep cool.

58
00:03:05,320 --> 00:03:07,720
Speaker 2: Where to find popsicle?

59
00:03:08,200 --> 00:03:10,080
Speaker 3: Yeah, some go to the swimming pool for it, but

60
00:03:10,120 --> 00:03:12,480
Speaker 3: Hayes and I prefer to cool down from the inside

61
00:03:12,520 --> 00:03:15,120
Speaker 3: out by sticking to popsicle all the way in our mouth.

62
00:03:15,840 --> 00:03:18,440
Speaker 3: Now where would I get a cold popsicle?

63
00:03:19,160 --> 00:03:19,680
Speaker 2: You don't know.

64
00:03:20,840 --> 00:03:24,840
Speaker 3: Let me tell you the freezer. Be more specific, Hayes,

65
00:03:26,160 --> 00:03:31,640
Speaker 3: what is a teaser? M A teaser is?

66
00:03:32,440 --> 00:03:35,200
Speaker 1: Well, now it's all kinds of confused because it used

67
00:03:35,200 --> 00:03:40,680
Speaker 1: to be a small movie. But now with movie clips

68
00:03:41,000 --> 00:03:45,640
Speaker 1: yea online, Yeah, it's become like just like any other show.

69
00:03:45,880 --> 00:03:52,119
Speaker 3: Yeah, it has. But here's what I will say. It

70
00:03:52,200 --> 00:03:55,280
Speaker 3: is a small movie that is commercial for movie and

71
00:03:55,360 --> 00:03:59,760
Speaker 3: so it's all different pieces and that is what really

72
00:03:59,800 --> 00:04:03,839
Speaker 3: say that's apart and graphics as well, so they don't

73
00:04:03,840 --> 00:04:05,920
Speaker 3: have the pieces don't have to be in order. So

74
00:04:06,120 --> 00:04:09,440
Speaker 3: without further ado, you almost get it. And we're gonna

75
00:04:09,480 --> 00:04:12,440
Speaker 3: open up the teaser freezer and here we go and.

76
00:04:16,320 --> 00:04:21,680
Speaker 2: Lots the bomberable snowman. You pull on my ski cap.

77
00:04:22,760 --> 00:04:28,359
Speaker 3: Punch there he goes, Bumble snowman. Explode, Herry kars, I'm.

78
00:04:28,240 --> 00:04:33,640
Speaker 2: Frosty, not anymore. Punch there he goes too.

79
00:04:34,000 --> 00:04:37,039
Speaker 3: And turn the scarf, tie it up, and let's gonna

80
00:04:37,080 --> 00:04:39,279
Speaker 3: teaser and let's get back out of her haze.

81
00:04:39,839 --> 00:04:43,920
Speaker 1: And remember to put on your ski cap before you

82
00:04:44,920 --> 00:04:47,160
Speaker 1: punch the abominable snowman.

83
00:04:47,920 --> 00:04:49,800
Speaker 2: That was actually a good lesson that you did.

84
00:04:50,160 --> 00:04:52,320
Speaker 3: Yes, if you ever have to punch a bumble snowman

85
00:04:52,400 --> 00:04:54,080
Speaker 3: and you don't have your ski cap on, it could

86
00:04:54,120 --> 00:04:55,039
Speaker 3: get in your hair.

87
00:04:55,800 --> 00:04:58,640
Speaker 1: So what's the teaser today? The teaser is we are

88
00:04:58,760 --> 00:05:04,560
Speaker 1: your friends. I'm excited about this movie. It's about music,

89
00:05:05,040 --> 00:05:06,880
Speaker 1: which you know is very important to me, and it's

90
00:05:06,920 --> 00:05:13,400
Speaker 1: actually my language, and it's about culture yu, and it's

91
00:05:13,440 --> 00:05:16,040
Speaker 1: about being young.

92
00:05:16,960 --> 00:05:21,520
Speaker 3: Yes, I have had some experience with all these things. Music,

93
00:05:21,560 --> 00:05:24,640
Speaker 3: of course, Circle of Fifths is.

94
00:05:23,839 --> 00:05:27,760
Speaker 2: In my blood and without it I would be dead.

95
00:05:28,200 --> 00:05:33,320
Speaker 3: Yes, and I know that writer director Max Joseph, if

96
00:05:33,360 --> 00:05:37,920
Speaker 3: you recall, did do Catfish, was finally ready to step

97
00:05:37,920 --> 00:05:41,320
Speaker 3: into the mainstream and blow all our fucking heads off

98
00:05:41,360 --> 00:05:45,560
Speaker 3: with some hot beats and shit. Kids these days have

99
00:05:45,640 --> 00:05:49,240
Speaker 3: different goals. And let's just dig into the trailer right

100
00:05:49,279 --> 00:05:51,600
Speaker 3: now and hear a little bit of what the youth

101
00:05:51,880 --> 00:05:52,800
Speaker 3: is talking about.

102
00:05:56,040 --> 00:06:00,640
Speaker 2: And now try not to dance. Just kidding. You can't study.

103
00:06:00,320 --> 00:06:05,120
Speaker 6: Halls, SATs, liberal arts, student loans, layoffs, bailouts, broken dreams.

104
00:06:05,480 --> 00:06:06,720
Speaker 2: This is not our future.

105
00:06:07,120 --> 00:06:10,599
Speaker 3: Okay, So just right there, I want to stop and

106
00:06:10,680 --> 00:06:18,520
Speaker 3: talk for a second. SATs, student loans, bailouts, broken dreams. Now,

107
00:06:18,560 --> 00:06:21,839
Speaker 3: I specifically recall when my generation, and I'm a little

108
00:06:21,839 --> 00:06:25,200
Speaker 3: older than mister e Fron unfortunately, but my generation decided

109
00:06:25,240 --> 00:06:28,120
Speaker 3: we're going to be mainly about bailouts, broken dreams, and

110
00:06:28,120 --> 00:06:30,279
Speaker 3: we're gonna make ourselves take the SATs.

111
00:06:31,000 --> 00:06:34,560
Speaker 1: Can I say it's about time somebody said enough of

112
00:06:34,600 --> 00:06:35,760
Speaker 1: all these study halls.

113
00:06:36,080 --> 00:06:38,880
Speaker 2: Oh god, no more, we're adults.

114
00:06:39,040 --> 00:06:41,520
Speaker 3: Well, it's one of those things that's so obvious once

115
00:06:41,560 --> 00:06:42,440
Speaker 3: you say it is.

116
00:06:42,760 --> 00:06:44,520
Speaker 2: I've been this drone zombie.

117
00:06:44,640 --> 00:06:48,400
Speaker 1: Why are we guarding through study hall, all these study halls,

118
00:06:48,520 --> 00:06:51,960
Speaker 1: and we're we should be doing our jobs, we should

119
00:06:51,960 --> 00:06:53,839
Speaker 1: be trying to get government on track.

120
00:06:53,960 --> 00:06:58,440
Speaker 3: We're in study hall. Please, what are we doing in there?

121
00:06:58,680 --> 00:06:59,960
Speaker 3: Passing no because.

122
00:06:59,720 --> 00:07:02,279
Speaker 2: We're scaredy cue scared of the teacher?

123
00:07:02,640 --> 00:07:05,600
Speaker 3: Yes, and I'm so sick of us choosing to have

124
00:07:05,720 --> 00:07:10,880
Speaker 3: broken dreams. I mean that's really the only regular dreams.

125
00:07:11,160 --> 00:07:11,560
Speaker 2: Okay.

126
00:07:12,080 --> 00:07:15,000
Speaker 3: Also, this listing thing I don't think has been done

127
00:07:15,040 --> 00:07:16,600
Speaker 3: in a movie, and I think it's cool.

128
00:07:18,560 --> 00:07:19,680
Speaker 2: Things are different for us.

129
00:07:19,800 --> 00:07:22,200
Speaker 6: You can invent an app, start a blog, sell things

130
00:07:22,240 --> 00:07:24,440
Speaker 6: online with my friends and I we promote part.

131
00:07:24,280 --> 00:07:28,520
Speaker 3: Of whoa I heard about this selling things online?

132
00:07:28,560 --> 00:07:30,360
Speaker 2: Selling things online? You can do it now.

133
00:07:30,720 --> 00:07:34,920
Speaker 3: They Yes, they've just opened up an online store. Yeah,

134
00:07:34,960 --> 00:07:39,520
Speaker 3: and you can sell the stuff through it. And hayes,

135
00:07:39,560 --> 00:07:41,480
Speaker 3: do you want to talk about what you've been able

136
00:07:41,520 --> 00:07:42,320
Speaker 3: to find on there?

137
00:07:42,800 --> 00:07:49,720
Speaker 2: You can get replacement computer keys. You know how you.

138
00:07:49,720 --> 00:07:53,440
Speaker 1: Rip your keys out and you try and feed them

139
00:07:53,480 --> 00:07:55,560
Speaker 1: to the screen because you think the screen wants to

140
00:07:55,600 --> 00:07:56,560
Speaker 1: eat the keys.

141
00:07:56,840 --> 00:08:01,640
Speaker 3: When it's not doing the jay it into the you

142
00:08:01,680 --> 00:08:02,800
Speaker 3: stick it into the screen.

143
00:08:02,960 --> 00:08:07,960
Speaker 2: Yes, well, now you need a new j M comes

144
00:08:08,000 --> 00:08:09,880
Speaker 2: from online. Now.

145
00:08:10,240 --> 00:08:14,640
Speaker 1: Now the trouble is to get to this door, you

146
00:08:14,720 --> 00:08:17,480
Speaker 1: have to have memorized which one is.

147
00:08:17,440 --> 00:08:20,400
Speaker 3: Which, where the key is, because obviously, if you're having

148
00:08:20,400 --> 00:08:22,160
Speaker 3: a problem with the J, you're probably also having a

149
00:08:22,200 --> 00:08:24,240
Speaker 3: problem with the K, the B, the.

150
00:08:24,240 --> 00:08:24,800
Speaker 2: L, t V.

151
00:08:25,360 --> 00:08:27,960
Speaker 1: It turns out the those are there to tell you

152
00:08:28,040 --> 00:08:30,440
Speaker 1: which one is which because it does the same it

153
00:08:30,440 --> 00:08:31,760
Speaker 1: does the same letter every time.

154
00:08:31,840 --> 00:08:33,760
Speaker 3: It can be a guessing game to try to get

155
00:08:33,800 --> 00:08:37,080
Speaker 3: into the store at that point. But when you do,

156
00:08:37,400 --> 00:08:42,600
Speaker 3: good news, new keys for the computer. And I just

157
00:08:42,640 --> 00:08:45,720
Speaker 3: think that's so great and it's new for this generation

158
00:08:45,840 --> 00:08:48,080
Speaker 3: that they can do it that way, and what great

159
00:08:48,240 --> 00:08:49,079
Speaker 3: way to make money.

160
00:08:49,120 --> 00:08:50,920
Speaker 2: But that's not what Zach does. What do they do?

161
00:08:51,360 --> 00:08:55,040
Speaker 2: They promote parties? Oh yes, okay, all right, bring your friends,

162
00:08:55,040 --> 00:08:56,600
Speaker 2: bring all your friends. If they look like you, bring

163
00:08:56,640 --> 00:08:58,560
Speaker 2: them off. But if you're a DJ, all you need

164
00:08:58,640 --> 00:09:03,200
Speaker 2: is a laptop. Sometimes it's one track, that's true. That

165
00:09:03,360 --> 00:09:05,920
Speaker 2: track is your ticket to everything. That guy, right, there's

166
00:09:05,920 --> 00:09:08,600
Speaker 2: a handsome man right there, he's DJ. I'm the jan

167
00:09:08,800 --> 00:09:09,640
Speaker 2: just a side room though.

168
00:09:11,400 --> 00:09:12,600
Speaker 7: Can you play Drunken Love?

169
00:09:12,960 --> 00:09:14,840
Speaker 2: Absolutely not? Yes?

170
00:09:15,040 --> 00:09:19,160
Speaker 3: I hate Beyonce. Yeah, she's an easy target, right, got her?

171
00:09:19,880 --> 00:09:20,360
Speaker 7: Got her?

172
00:09:20,440 --> 00:09:22,559
Speaker 3: Can you play drunken love. What a piece of shit?

173
00:09:22,880 --> 00:09:24,080
Speaker 3: He shut her dad.

174
00:09:24,240 --> 00:09:26,559
Speaker 2: Everyone hates her and she's a good thing to go after.

175
00:09:26,679 --> 00:09:28,959
Speaker 3: It's not a good song, and so it's like people

176
00:09:28,960 --> 00:09:30,680
Speaker 3: want to hear that. It's like, no way you want

177
00:09:30,679 --> 00:09:33,760
Speaker 3: to hear the one track that the hot new DJ

178
00:09:33,960 --> 00:09:36,720
Speaker 3: has done, And every DJ out there had a laptop

179
00:09:36,840 --> 00:09:37,800
Speaker 3: and one track.

180
00:09:38,000 --> 00:09:41,680
Speaker 1: Can I say I like this movie even though this

181
00:09:41,800 --> 00:09:44,960
Speaker 1: is not normally my music. Well, you know what, I

182
00:09:44,960 --> 00:09:48,000
Speaker 1: don't think computer is an instrument?

183
00:09:48,840 --> 00:09:50,080
Speaker 2: Uh. I didn't understand.

184
00:09:50,080 --> 00:09:53,600
Speaker 3: I didn't understand how now I didn't understand how it was.

185
00:09:53,600 --> 00:09:54,360
Speaker 3: I'll agree with that.

186
00:09:54,800 --> 00:09:56,680
Speaker 2: It's just typing fast. Okay.

187
00:09:57,360 --> 00:09:59,040
Speaker 3: That was one way that I used to look at

188
00:09:59,040 --> 00:10:02,120
Speaker 3: it too, And I think that just me. He one

189
00:10:02,160 --> 00:10:04,520
Speaker 3: thing this teaser has done for me is really educated

190
00:10:04,559 --> 00:10:07,600
Speaker 3: me about collecting sounds in the way the world sounds

191
00:10:07,600 --> 00:10:10,679
Speaker 3: and finding your own sound. And I think, case, if

192
00:10:10,679 --> 00:10:12,480
Speaker 3: you bear with me, you're gonna come around to a

193
00:10:12,480 --> 00:10:12,720
Speaker 3: new way.

194
00:10:12,800 --> 00:10:14,400
Speaker 1: Okay, Well I'll just tell you where I'm coming from

195
00:10:14,440 --> 00:10:20,600
Speaker 1: right now. Instrument is drum? No argument here. What's the

196
00:10:20,600 --> 00:10:25,080
Speaker 1: one with the devil sticks? Yes, where you bang the

197
00:10:25,080 --> 00:10:28,199
Speaker 1: devil sticks on the railroad and the thing it was

198
00:10:28,240 --> 00:10:29,319
Speaker 1: like a tiny railroad.

199
00:10:30,679 --> 00:10:37,319
Speaker 3: Ohkay, yep, yep, what okay? I see, Yes, that's ile

200
00:10:37,400 --> 00:10:42,439
Speaker 3: phone man. So I just read about the sky right

201
00:10:42,440 --> 00:10:43,560
Speaker 3: who we mentioned Instagram?

202
00:10:43,720 --> 00:10:45,760
Speaker 2: He sold it for four hundred million dollars. Now he

203
00:10:45,880 --> 00:10:47,760
Speaker 2: was twenty six years old. You guys want to make

204
00:10:47,800 --> 00:10:49,640
Speaker 2: real money. You want to live and die in the valley.

205
00:10:50,320 --> 00:10:51,320
Speaker 2: We got to get out of here.

206
00:10:51,440 --> 00:10:53,319
Speaker 3: For people who don't live in La, the valley is

207
00:10:53,360 --> 00:10:54,520
Speaker 3: where you can't have money.

208
00:10:54,640 --> 00:10:55,439
Speaker 2: I didn't hear.

209
00:10:55,360 --> 00:10:59,199
Speaker 1: What My headphone board popped out. Can you keep this plague,

210
00:10:59,200 --> 00:11:01,959
Speaker 1: but tell me about what happened in the part that

211
00:11:02,000 --> 00:11:02,439
Speaker 1: I missed.

212
00:11:03,040 --> 00:11:03,880
Speaker 2: So what are you saying?

213
00:11:04,240 --> 00:11:07,240
Speaker 3: They found out that Instagram got sold for a figure

214
00:11:07,360 --> 00:11:08,760
Speaker 3: much lower than what you thought I got.

215
00:11:08,880 --> 00:11:11,160
Speaker 2: Oh that's great. I heard about To get the crowd

216
00:11:11,160 --> 00:11:13,360
Speaker 2: out of their heads and into their bodies. This I love.

217
00:11:13,400 --> 00:11:15,440
Speaker 2: I'm off about one hundred and twenty five beats permitted.

218
00:11:15,880 --> 00:11:17,920
Speaker 6: Once you've locked onto their heart rate, start bringing them

219
00:11:17,960 --> 00:11:24,240
Speaker 6: up song by song, one hundred and twenty eight beats permitted.

220
00:11:24,440 --> 00:11:25,520
Speaker 2: That's the magic number.

221
00:11:26,080 --> 00:11:29,800
Speaker 3: Three beats per minute higher than where he started. And

222
00:11:30,200 --> 00:11:32,959
Speaker 3: this is why I love this Hazan. Maybe you'll understand

223
00:11:33,040 --> 00:11:36,840
Speaker 3: how this is an instrument. Now it's just using science

224
00:11:36,920 --> 00:11:39,920
Speaker 3: to make music better. And finally they explain the science

225
00:11:39,960 --> 00:11:43,200
Speaker 3: that amateur DJs like me have been trying to explain

226
00:11:43,240 --> 00:11:46,200
Speaker 3: to people forever, which is you get inside the people's

227
00:11:46,320 --> 00:11:49,520
Speaker 3: ribs and you make their heart do you walk in

228
00:11:49,600 --> 00:11:52,480
Speaker 3: on their heart rate? You lock in, and then you

229
00:11:52,520 --> 00:11:54,520
Speaker 3: pull it up. Don't go too fast because you can

230
00:11:54,559 --> 00:11:58,960
Speaker 3: actually explode someone from the inside out, which I don't

231
00:11:58,960 --> 00:12:00,680
Speaker 3: know if i'd be I don't know if there's a

232
00:12:00,679 --> 00:12:02,200
Speaker 3: court in the world that would convict me if they

233
00:12:02,240 --> 00:12:04,120
Speaker 3: know I was just trying to actually have them fucking

234
00:12:04,160 --> 00:12:05,440
Speaker 3: party dance their ass off.

235
00:12:05,480 --> 00:12:08,840
Speaker 1: Well, it seems like you could manipulate the jury's heart

236
00:12:08,920 --> 00:12:10,559
Speaker 1: rate in that case.

237
00:12:10,640 --> 00:12:12,559
Speaker 3: If they let me bring my laptop, yeah, in my

238
00:12:12,679 --> 00:12:15,440
Speaker 3: one track, then I would actually be able to juice

239
00:12:15,440 --> 00:12:18,240
Speaker 3: the jury all the way up to be like Boppin'

240
00:12:18,320 --> 00:12:20,959
Speaker 3: Agreen with me, and then if one of them didn't caree.

241
00:12:20,800 --> 00:12:22,920
Speaker 1: You can Well that's what you could do, is you

242
00:12:22,920 --> 00:12:25,559
Speaker 1: can make them all nod that one.

243
00:12:25,520 --> 00:12:28,000
Speaker 3: Or if there's damning testimony, I bring the heart rate

244
00:12:28,080 --> 00:12:30,080
Speaker 3: down to like four and I just make them all

245
00:12:30,120 --> 00:12:33,319
Speaker 3: fall asleep, because that's basically lower than a coma.

246
00:12:33,760 --> 00:12:35,280
Speaker 2: What else is happening in this movie?

247
00:12:35,400 --> 00:12:37,440
Speaker 5: You even know how to work a crowd blaying me something?

248
00:12:41,880 --> 00:12:43,120
Speaker 2: I'm just kidna skip ahead.

249
00:12:43,760 --> 00:12:49,280
Speaker 3: He started with the shitty part of his song. That's funny.

250
00:12:50,240 --> 00:12:52,000
Speaker 6: But whenever you guys are ready to start making some

251
00:12:52,000 --> 00:12:53,360
Speaker 6: real loot, you need a holler at.

252
00:12:53,559 --> 00:12:56,480
Speaker 3: Okay, this guy is a guy who was in uh

253
00:12:56,920 --> 00:12:57,520
Speaker 3: some movies.

254
00:12:58,240 --> 00:13:00,120
Speaker 2: Uh, he was in Grudge.

255
00:12:59,760 --> 00:13:02,719
Speaker 3: Mat and he has a suit on. He's going to

256
00:13:02,760 --> 00:13:06,839
Speaker 3: make a work at a real job. Oh wait, I

257
00:13:06,920 --> 00:13:08,120
Speaker 3: want to hear her say that again.

258
00:13:08,240 --> 00:13:11,160
Speaker 2: Sorry, cool? Are we ever going to be better than us?

259
00:13:11,720 --> 00:13:13,040
Speaker 5: James thinks he really talented.

260
00:13:13,320 --> 00:13:19,040
Speaker 2: James thinks he's really talented. That's important to know. So successful. Okay,

261
00:13:19,679 --> 00:13:21,840
Speaker 2: e Rata is now making him.

262
00:13:22,400 --> 00:13:27,439
Speaker 3: Findture sit on a couch and she's dancing scratch find

263
00:13:27,559 --> 00:13:28,120
Speaker 3: new ones.

264
00:13:29,160 --> 00:13:29,439
Speaker 2: Okay.

265
00:13:30,600 --> 00:13:33,160
Speaker 3: He's starting to hear the sounds in the world. Now, Hey,

266
00:13:33,320 --> 00:13:35,880
Speaker 3: this is what I was talking about. So he hears

267
00:13:35,920 --> 00:13:39,240
Speaker 3: a zipper and he's recording it with his phone, and

268
00:13:39,320 --> 00:13:43,480
Speaker 3: he hears the nail gun. And that's the kind of

269
00:13:43,520 --> 00:13:45,319
Speaker 3: beat that you can use to bring somebody up to

270
00:13:45,360 --> 00:13:47,480
Speaker 3: one hundred and twenty eight beats permanent heart rate.

271
00:13:47,880 --> 00:13:49,520
Speaker 2: So now is that an instrument?

272
00:13:49,600 --> 00:13:53,440
Speaker 3: The world is his instrument because of technology and science. Hey,

273
00:13:53,760 --> 00:13:58,840
Speaker 3: that can be music, That's what I'm telling you. Wait,

274
00:13:59,000 --> 00:14:00,920
Speaker 3: so you're gonna have to use something a drug?

275
00:14:00,960 --> 00:14:01,160
Speaker 2: Wait?

276
00:14:01,240 --> 00:14:08,560
Speaker 3: Wait so anything can be music? Hey, think about this. Okay,

277
00:14:08,600 --> 00:14:11,200
Speaker 3: So you know a drum sound right, Yeah, it only

278
00:14:11,240 --> 00:14:14,760
Speaker 3: sound one way, just for good. But what if it

279
00:14:14,800 --> 00:14:17,560
Speaker 3: could do one of these? And I'm just inventing this now,

280
00:14:20,680 --> 00:14:25,400
Speaker 3: and that's is that fucking awesome? That's you smashing your

281
00:14:25,440 --> 00:14:28,880
Speaker 3: foot into your hand. That's music. Yeah, that's just me

282
00:14:29,800 --> 00:14:32,560
Speaker 3: dropping my foot on my hand as hard as I can.

283
00:14:34,720 --> 00:14:38,440
Speaker 1: And so smashing a microphone into the table, that's music. Yes,

284
00:14:38,560 --> 00:14:40,360
Speaker 1: And we're allowed to do that in the studio.

285
00:14:40,640 --> 00:14:42,880
Speaker 3: If you yes, as long as you're recording the sound

286
00:14:42,880 --> 00:14:45,360
Speaker 3: of it, then you're basically halfway to your one track.

287
00:14:50,120 --> 00:14:52,080
Speaker 2: That's the best song I ever heard.

288
00:14:52,840 --> 00:14:57,840
Speaker 3: That's right, find your sound the screen set.

289
00:14:59,360 --> 00:15:02,760
Speaker 2: It doesn't work that. We're not gonna be millionaires. It

290
00:15:02,840 --> 00:15:06,720
Speaker 2: is not gonna happen. I disagree with that character. What

291
00:15:06,800 --> 00:15:09,960
Speaker 2: happened to loyalty? I'm not loyal now he is loyal.

292
00:15:10,000 --> 00:15:12,560
Speaker 2: You can tell everybody is responsible for themselves. You got

293
00:15:12,640 --> 00:15:14,320
Speaker 2: that one of their friends died.

294
00:15:14,360 --> 00:15:17,360
Speaker 3: I think they're throwing foods, grave dirt on the top

295
00:15:17,440 --> 00:15:18,120
Speaker 3: of a hole.

296
00:15:18,440 --> 00:15:20,720
Speaker 6: If you have a dream and it's made of everything

297
00:15:20,760 --> 00:15:22,800
Speaker 6: that's made you.

298
00:15:22,120 --> 00:15:28,840
Speaker 3: Hardship, friendship, so much love, so important, so important. Yes,

299
00:15:28,920 --> 00:15:31,280
Speaker 3: we all have dreams. Sure, And if you'll remember, at

300
00:15:31,320 --> 00:15:34,080
Speaker 3: the beginning of the movie they talked about having broken dreams.

301
00:15:34,200 --> 00:15:37,680
Speaker 3: That's not this generation. This generation is gonna have dreams.

302
00:15:37,720 --> 00:15:39,080
Speaker 3: And the way you do that is make sure they're

303
00:15:39,120 --> 00:15:41,080
Speaker 3: made up of everything that's made you.

304
00:15:41,240 --> 00:15:43,520
Speaker 1: I hate when people's dreams are made up of other

305
00:15:43,640 --> 00:15:45,160
Speaker 1: stuff that's not even theirs.

306
00:15:45,160 --> 00:15:48,160
Speaker 2: Oh please, it's what's it made up of? Something?

307
00:15:48,200 --> 00:15:53,680
Speaker 3: You reddens of tabloid? Other people smashed up dreams. Uh,

308
00:15:53,720 --> 00:15:57,120
Speaker 3: and just like cans they found. And you can tell

309
00:15:57,160 --> 00:15:59,760
Speaker 3: when somebody tells you their dreams and it's not really

310
00:16:00,240 --> 00:16:04,040
Speaker 3: theirs and it's from some tabloid or can you can tell,

311
00:16:04,080 --> 00:16:07,800
Speaker 3: can't you? Hey, Yes, it's fake, it's so fake. So

312
00:16:08,080 --> 00:16:10,080
Speaker 3: but this so it's made up of what made up

313
00:16:10,120 --> 00:16:13,720
Speaker 3: for him. If for that character, it's hardship, I've seen

314
00:16:13,800 --> 00:16:16,000
Speaker 3: that because he's there's a whole bunch where his pool

315
00:16:16,040 --> 00:16:18,520
Speaker 3: has no water in it. In the trailer, and he's

316
00:16:18,560 --> 00:16:21,920
Speaker 3: trying to get it in there friendship. I know that

317
00:16:22,040 --> 00:16:24,720
Speaker 3: because he's definitely loyal even if his friend thinks he's not.

318
00:16:25,040 --> 00:16:27,320
Speaker 3: And he is gonna be a millionaire. Fuck you that guy.

319
00:16:27,920 --> 00:16:32,760
Speaker 3: And then so much love not just you could say

320
00:16:32,800 --> 00:16:39,080
Speaker 3: love there, Sure try that friendship, hardship love Okay, am

321
00:16:39,120 --> 00:16:39,960
Speaker 3: I gonna see this movie?

322
00:16:40,000 --> 00:16:40,400
Speaker 2: Not real?

323
00:16:40,480 --> 00:16:44,040
Speaker 3: It sounds regular? Now get it ready for the teaser? Friendship, hardship,

324
00:16:44,960 --> 00:16:48,640
Speaker 3: so much love? Okay?

325
00:16:48,760 --> 00:16:50,520
Speaker 2: Yes, that made me think about kissing.

326
00:16:51,680 --> 00:16:53,800
Speaker 3: Yes, and I think that's important. I think he kissed

327
00:16:53,840 --> 00:16:56,120
Speaker 3: Emirata in this and she's really dancing.

328
00:16:56,480 --> 00:16:59,960
Speaker 2: That's your ticket to everything. He's jumping in the pool

329
00:17:00,040 --> 00:17:00,600
Speaker 2: scott Water.

330
00:17:00,720 --> 00:17:04,399
Speaker 3: Now future is gonna be the best step night of

331
00:17:04,680 --> 00:17:07,879
Speaker 3: your life.

332
00:17:09,760 --> 00:17:17,120
Speaker 2: What's up? I'm Cold Carter. You find out his name? Yes,

333
00:17:17,280 --> 00:17:19,119
Speaker 2: there's a bit of a spoiler alert.

334
00:17:19,160 --> 00:17:21,000
Speaker 3: We should say that you do find out his name

335
00:17:21,080 --> 00:17:23,359
Speaker 3: is Cold Carter, which I think you're trying to find out.

336
00:17:23,240 --> 00:17:23,879
Speaker 2: The whole movie.

337
00:17:24,040 --> 00:17:26,720
Speaker 1: Wow. Very excited for the movie. I learned a lot

338
00:17:26,760 --> 00:17:29,400
Speaker 1: about music, which wasn't turns out even what I thought

339
00:17:29,400 --> 00:17:33,240
Speaker 1: it was. And the movie seems to me like the

340
00:17:33,320 --> 00:17:39,360
Speaker 1: logical next step for the guy who was filming some

341
00:17:39,440 --> 00:17:43,679
Speaker 1: of Catfish, except for the parts where he was on

342
00:17:43,800 --> 00:17:45,000
Speaker 1: screen as well.

343
00:17:44,760 --> 00:17:47,960
Speaker 2: Talking about how like can we believe what this is? Crazy?

344
00:17:48,680 --> 00:17:52,240
Speaker 1: Yes, which means that there must have been another person

345
00:17:52,320 --> 00:17:53,960
Speaker 1: there mm hmmm.

346
00:17:54,440 --> 00:17:57,280
Speaker 2: So yes for that guy to write and have directed this.

347
00:17:57,440 --> 00:18:00,399
Speaker 3: And who better than the Catfish man to underst stand

348
00:18:00,480 --> 00:18:01,960
Speaker 3: that no more bailouts.

349
00:18:02,000 --> 00:18:07,840
Speaker 2: That's the friend. So many generation after generation has chosen.

350
00:18:07,760 --> 00:18:13,960
Speaker 3: Bailouts to be there, defining characteristic, taking the S A

351
00:18:14,080 --> 00:18:17,440
Speaker 3: T S over and over. Not anymore, and no more

352
00:18:17,440 --> 00:18:22,920
Speaker 3: bailouts because we are going to sell things online. Well,

353
00:18:23,040 --> 00:18:26,240
Speaker 3: I have so much love for this trailer and this

354
00:18:26,400 --> 00:18:31,359
Speaker 3: upcoming movie and ZF you've done it again, and let's

355
00:18:31,800 --> 00:18:34,600
Speaker 3: get ready, and Julie Klauser's in the studio and and

356
00:18:35,000 --> 00:18:36,080
Speaker 3: don't you forget it?

357
00:18:36,560 --> 00:18:39,600
Speaker 1: Yes, coming right up is on this show. It's the

358
00:18:39,640 --> 00:18:43,800
Speaker 1: same show with a guest, Julie Klausner, the difficult person

359
00:18:44,000 --> 00:18:45,480
Speaker 1: on Hollywood Handbooks.

360
00:18:45,520 --> 00:18:59,240
Speaker 2: She's difficult. So I'm doing the shoot with David Washia

361
00:18:59,320 --> 00:19:00,719
Speaker 2: Pale and he is.

362
00:19:01,359 --> 00:19:06,320
Speaker 1: He's got me in a Jessica Rabbit costume from Spencer's.

363
00:19:06,400 --> 00:19:08,199
Speaker 1: It was in the bag, but he gave it to me.

364
00:19:08,920 --> 00:19:13,080
Speaker 1: It's like the body suit with the you know.

365
00:19:13,080 --> 00:19:15,000
Speaker 2: The boom boom and the boom in.

366
00:19:14,960 --> 00:19:20,760
Speaker 1: The back, and he's having to me laid back in

367
00:19:20,840 --> 00:19:23,280
Speaker 1: this pose and I'm like, why what is it?

368
00:19:23,320 --> 00:19:24,000
Speaker 2: What is this for?

369
00:19:24,240 --> 00:19:27,159
Speaker 1: Because he hasn't really told me what it's for. And

370
00:19:27,200 --> 00:19:29,000
Speaker 1: he says it's for mud flaps.

371
00:19:29,480 --> 00:19:30,320
Speaker 2: Oh that's David.

372
00:19:31,160 --> 00:19:34,320
Speaker 1: And I don't realize until I'm like driving later and

373
00:19:34,440 --> 00:19:41,760
Speaker 1: I see on this guy on this like big truck wheel. Yes, there,

374
00:19:41,840 --> 00:19:46,760
Speaker 1: I am Peterbilt. Yes, it was a Peter belt. That's

375
00:19:46,880 --> 00:19:51,920
Speaker 1: me on the flap. I recognize myself. It's my nose.

376
00:19:53,640 --> 00:19:55,960
Speaker 2: Well, I'll say this.

377
00:19:55,880 --> 00:19:58,280
Speaker 1: Why did they need my questions art? Why did they

378
00:19:58,280 --> 00:20:00,920
Speaker 1: need a picture? Why didn't one just draw it? Seems

379
00:20:00,920 --> 00:20:02,320
Speaker 1: like something that just could have been drawn.

380
00:20:02,480 --> 00:20:04,480
Speaker 2: You wanted to just guess at your proportions?

381
00:20:04,560 --> 00:20:08,919
Speaker 1: And why didn't they use a woman's body instead of

382
00:20:08,960 --> 00:20:10,160
Speaker 1: like doing me up?

383
00:20:12,000 --> 00:20:15,199
Speaker 3: Okay, well, okay, here's why they didn't just draw it,

384
00:20:15,760 --> 00:20:20,440
Speaker 3: because they don't want to just guess at your proportions. Okay,

385
00:20:20,640 --> 00:20:24,160
Speaker 3: here's why they didn't use a woman. The dress had

386
00:20:24,200 --> 00:20:26,679
Speaker 3: woman parts built into it that if you put that

387
00:20:26,720 --> 00:20:30,200
Speaker 3: on a women, nuts double makes a woman too much.

388
00:20:31,119 --> 00:20:36,480
Speaker 3: So so that's the genius of David. And he always

389
00:20:36,520 --> 00:20:38,560
Speaker 3: does leave you scratching your head, and you are asking

390
00:20:38,640 --> 00:20:41,760
Speaker 3: questions when you leave those shoots. And then later when

391
00:20:41,760 --> 00:20:46,000
Speaker 3: you see a mud flap which has your image on it,

392
00:20:46,119 --> 00:20:50,520
Speaker 3: or a sil jar of turtle wax which looks like

393
00:20:51,119 --> 00:20:57,679
Speaker 3: yours truly in a turtle costume, you understand. Oh, David's

394
00:20:57,720 --> 00:21:02,920
Speaker 3: working on a completely different level than us visually. Please,

395
00:21:03,080 --> 00:21:04,320
Speaker 3: let's welcome a guess.

396
00:21:04,359 --> 00:21:08,040
Speaker 1: Hey, welcome back to Hollywood Handbook, An Insider's Guide to

397
00:21:08,160 --> 00:21:10,919
Speaker 1: kicking button dropping names in the red carpet lineback. Always

398
00:21:10,960 --> 00:21:16,320
Speaker 1: of this industry, we call Sam. Oh he was and

399
00:21:16,640 --> 00:21:20,280
Speaker 1: I was throwing to you Sam too for the word

400
00:21:20,359 --> 00:21:23,600
Speaker 1: for the button, and that was generous.

401
00:21:24,440 --> 00:21:28,280
Speaker 2: I'm sorry, man, and know you were going to do it.

402
00:21:28,280 --> 00:21:31,239
Speaker 2: It's showbiz. Yeah, you're supposed to say, do you want

403
00:21:31,280 --> 00:21:33,720
Speaker 2: to do it again? What up? What up? No, we

404
00:21:33,800 --> 00:21:36,159
Speaker 2: went can' don't have time to do it again. Julie

405
00:21:36,200 --> 00:21:37,320
Speaker 2: Klausner is here.

406
00:21:37,600 --> 00:21:44,000
Speaker 3: Hi, Hi Julie, so welcome. So you're a difficult person.

407
00:21:43,880 --> 00:21:46,800
Speaker 7: Okay, tell me it's crazy.

408
00:21:47,320 --> 00:21:50,879
Speaker 3: Yes, okay, yeah, that's not difficult. That's nice.

409
00:21:51,160 --> 00:21:52,840
Speaker 7: I yeah, what are you?

410
00:21:54,600 --> 00:21:56,919
Speaker 3: I'm just getting situations Hazy needs to keep his feets

411
00:21:56,920 --> 00:21:59,600
Speaker 3: elevated because he's had some drainage issues.

412
00:22:00,119 --> 00:22:06,359
Speaker 1: My blood, Julie, my blood I'm listening is supposed to say,

413
00:22:06,400 --> 00:22:08,760
Speaker 1: close to my brain, up near the top.

414
00:22:09,520 --> 00:22:11,480
Speaker 2: It actually has to almost.

415
00:22:11,200 --> 00:22:14,520
Speaker 7: All be it there otherwise what you fate.

416
00:22:15,280 --> 00:22:17,080
Speaker 2: Otherwise ain't at best?

417
00:22:17,320 --> 00:22:19,119
Speaker 4: Are you getting foot blood to your head when you

418
00:22:19,119 --> 00:22:20,200
Speaker 4: put your legs up like that?

419
00:22:20,520 --> 00:22:25,160
Speaker 2: Yes? That? And yes? Okay are you yeah do medicine?

420
00:22:26,040 --> 00:22:26,280
Speaker 4: Yeah?

421
00:22:26,359 --> 00:22:27,480
Speaker 7: Well I have the same problem.

422
00:22:27,840 --> 00:22:30,720
Speaker 2: Oh you do? Yeah?

423
00:22:30,760 --> 00:22:34,320
Speaker 4: I get like very cold, like literally cold feet, and

424
00:22:34,480 --> 00:22:37,000
Speaker 4: then when I scratch biscuit of bites near my ankles.

425
00:22:37,080 --> 00:22:39,320
Speaker 7: Yes, it take a really long time to heal.

426
00:22:39,800 --> 00:22:42,920
Speaker 2: Oh baby, do I ever know what you're talking about?

427
00:22:43,080 --> 00:22:48,360
Speaker 4: Because doctor and say that you don't get as much

428
00:22:48,400 --> 00:22:51,560
Speaker 4: blood down there to heal it. But that doesn't actually

429
00:22:51,560 --> 00:22:52,960
Speaker 4: make sense because of gravity.

430
00:22:53,160 --> 00:22:56,160
Speaker 3: Yeah, well I believe it. I think the doctor, though,

431
00:22:56,400 --> 00:23:00,400
Speaker 3: usually is right. And in the case of Hayes, there's

432
00:23:00,400 --> 00:23:04,680
Speaker 3: too much blood on the feet. Yes, so he's actually

433
00:23:05,200 --> 00:23:07,560
Speaker 3: in some ways an upside down man.

434
00:23:08,000 --> 00:23:12,040
Speaker 2: Yes, but isn't it fun? Sleep like Batman? Yes? And

435
00:23:12,080 --> 00:23:16,119
Speaker 2: that is fun and it's don't you have to do

436
00:23:16,160 --> 00:23:17,879
Speaker 2: that too? I would you would have to do that

437
00:23:17,960 --> 00:23:19,200
Speaker 2: as well. Like Batman, I do.

438
00:23:19,200 --> 00:23:24,119
Speaker 4: Have an inversion table, but it's mostly for entertaining guests.

439
00:23:24,880 --> 00:23:33,119
Speaker 3: Wow, m specific tradition, Yes, tradition. There's four questions. The

440
00:23:33,240 --> 00:23:37,960
Speaker 3: youngest ask the question to be that young again, that

441
00:23:38,080 --> 00:23:38,639
Speaker 3: it was me?

442
00:23:39,720 --> 00:23:46,359
Speaker 1: Now you're yes, memories don't if you said Satyr with

443
00:23:46,440 --> 00:23:47,600
Speaker 1: this guy.

444
00:23:47,320 --> 00:23:51,359
Speaker 7: Even like if I said, like Sam Satyr rest in peace.

445
00:23:52,200 --> 00:23:54,960
Speaker 2: He he gets very jealous of.

446
00:23:55,320 --> 00:23:55,520
Speaker 1: Yeah.

447
00:23:55,560 --> 00:23:58,320
Speaker 7: He seemed to be sarcastic is asking.

448
00:23:58,040 --> 00:24:00,399
Speaker 2: The young question. I just can't any where. I have

449
00:24:00,480 --> 00:24:01,520
Speaker 2: to leave the room.

450
00:24:02,520 --> 00:24:04,639
Speaker 7: Okay, it was your upsode. You didn't get to be

451
00:24:04,680 --> 00:24:05,359
Speaker 7: a young jew.

452
00:24:07,200 --> 00:24:09,000
Speaker 3: I don't know what I'm mad about, but I know

453
00:24:09,080 --> 00:24:12,560
Speaker 3: I don't feel good. Get out and just say I

454
00:24:12,600 --> 00:24:13,600
Speaker 3: need to take a lap.

455
00:24:13,680 --> 00:24:16,280
Speaker 1: He sort of needs to be the youngest, So no

456
00:24:16,400 --> 00:24:28,880
Speaker 1: baby's allowed. And your last one was Henry Kissinger Kissinger Carl, Yes.

457
00:24:29,080 --> 00:24:32,919
Speaker 7: He's a c mm hmm Carl's.

458
00:24:31,920 --> 00:24:36,399
Speaker 3: With the yes Kissinger with a k uh in your face,

459
00:24:38,040 --> 00:24:41,840
Speaker 3: So hank k Carl, Ryn.

460
00:24:43,560 --> 00:24:47,480
Speaker 2: The Ryanstone Carl boy, I call him. And then uh.

461
00:24:48,800 --> 00:24:55,320
Speaker 3: Uh Cloris, Yeah, Cloris Leachman. So and that was a good.

462
00:24:55,200 --> 00:24:57,080
Speaker 2: Sator sounds like it.

463
00:24:58,160 --> 00:24:59,480
Speaker 7: And you were the youngest.

464
00:25:00,520 --> 00:25:01,520
Speaker 2: By a good margin.

465
00:25:01,600 --> 00:25:02,760
Speaker 7: But you still seem sad.

466
00:25:03,720 --> 00:25:07,320
Speaker 2: Yeah, okay, well it was what happened after.

467
00:25:07,440 --> 00:25:08,400
Speaker 7: It happened after.

468
00:25:10,320 --> 00:25:15,880
Speaker 2: I got beat up by like a roller skate guy.

469
00:25:16,280 --> 00:25:18,960
Speaker 7: It's someone whould know who wasn't there. You just walk

470
00:25:19,000 --> 00:25:19,600
Speaker 7: into your car.

471
00:25:19,880 --> 00:25:22,600
Speaker 2: He was sort of passing by. I went to get

472
00:25:22,600 --> 00:25:27,040
Speaker 2: them nail downhill and the muppets.

473
00:25:29,119 --> 00:25:32,240
Speaker 3: Uh, I'm not gonna make us.

474
00:25:32,480 --> 00:25:34,600
Speaker 2: I don't want to say yes because.

475
00:25:34,400 --> 00:25:38,000
Speaker 4: Okay, I I know why, I know why, yes, just

476
00:25:38,119 --> 00:25:40,320
Speaker 4: I don't want to seem like get again.

477
00:25:40,600 --> 00:25:44,720
Speaker 3: It's one of those guys. I actually liked those guys

478
00:25:44,720 --> 00:25:47,520
Speaker 3: in a lot of instances. But so it's not a

479
00:25:48,080 --> 00:25:50,960
Speaker 3: it's not about that aspect of him.

480
00:25:51,080 --> 00:25:53,159
Speaker 2: His similarities to Gregory Heins.

481
00:25:53,800 --> 00:25:56,080
Speaker 3: It was more it was a roll escape man who

482
00:25:56,160 --> 00:26:00,680
Speaker 3: happened to be like Gregory Heines, who was in a

483
00:26:00,720 --> 00:26:04,840
Speaker 3: sick Manhattan, who was in most couison on those roller

484
00:26:04,840 --> 00:26:08,080
Speaker 3: skates and really had a lot of momentum.

485
00:26:08,200 --> 00:26:09,879
Speaker 7: He fall on you or did he beat you up?

486
00:26:09,920 --> 00:26:10,639
Speaker 7: I'm confused.

487
00:26:10,960 --> 00:26:12,200
Speaker 2: He beat me up? Yes?

488
00:26:12,320 --> 00:26:15,320
Speaker 1: No, he didn't imagine that. He did fall in going

489
00:26:15,560 --> 00:26:16,760
Speaker 1: fastest going punch.

490
00:26:17,600 --> 00:26:21,000
Speaker 7: Oh. He came down the hill with his punch army.

491
00:26:21,080 --> 00:26:24,399
Speaker 3: Are you familiar with the peregrine falcon. Well, it's the

492
00:26:24,440 --> 00:26:26,160
Speaker 3: fastest bird on the planet they've designed.

493
00:26:26,320 --> 00:26:26,960
Speaker 2: Oh the bird.

494
00:26:27,040 --> 00:26:29,800
Speaker 7: Oh yeah, so I thought you were talking about like

495
00:26:29,840 --> 00:26:33,439
Speaker 7: a Netflix series. Okay, so the peagrim Yes, I know

496
00:26:33,480 --> 00:26:34,480
Speaker 7: what a peagrine found.

497
00:26:34,400 --> 00:26:37,359
Speaker 3: Does not snatch its prey. Rather, it goes so fast

498
00:26:37,400 --> 00:26:40,000
Speaker 3: with its little tiny talons balled up in the fists

499
00:26:40,040 --> 00:26:42,760
Speaker 3: that it knocks the prey unconscious that comes back and

500
00:26:42,800 --> 00:26:46,320
Speaker 3: eats its bones. This is essentially I believe what the

501
00:26:46,400 --> 00:26:49,480
Speaker 3: roller skate man was planning on doing to me. One

502
00:26:50,000 --> 00:26:52,800
Speaker 3: flying punch to knock me out, and were it not

503
00:26:52,920 --> 00:26:57,520
Speaker 3: for Henry Kissinger, I believe he would have feasted on

504
00:26:57,560 --> 00:27:01,800
Speaker 3: my bones later that day. So no, it was the

505
00:27:01,800 --> 00:27:04,240
Speaker 3: post Sader experience I've had Henry, because if.

506
00:27:04,160 --> 00:27:09,120
Speaker 1: You're creating a human speed bump to subdue him.

507
00:27:08,800 --> 00:27:12,040
Speaker 7: Yes, that was his form of pacifism at the time.

508
00:27:12,080 --> 00:27:15,800
Speaker 4: He was like he would lie down horizontally passovism.

509
00:27:16,080 --> 00:27:21,439
Speaker 3: Mm hmm, well yes, he's trying that on for size passoverism.

510
00:27:21,600 --> 00:27:24,520
Speaker 2: There's something in there. Now, Julie, you said Netflix before.

511
00:27:24,560 --> 00:27:28,320
Speaker 2: Should you even be saying yes? I feel like I'm blessing.

512
00:27:28,960 --> 00:27:32,480
Speaker 4: I feel like I'm blushing as red as their envelopes.

513
00:27:32,680 --> 00:27:35,160
Speaker 3: They're gonna take back a little of that. Hulu Mulu

514
00:27:35,440 --> 00:27:39,280
Speaker 3: you know what I mean? Oh, I saw it on Facebook.

515
00:27:39,400 --> 00:27:41,840
Speaker 7: Funny enough, it started playing automatically.

516
00:27:42,080 --> 00:27:44,840
Speaker 4: Check they do have checks that say Hulu Mulu on

517
00:27:44,880 --> 00:27:45,919
Speaker 4: the letterhead.

518
00:27:47,040 --> 00:27:48,040
Speaker 7: What about Facebook?

519
00:27:48,320 --> 00:27:49,400
Speaker 2: That's what I saw it on?

520
00:27:49,680 --> 00:27:51,560
Speaker 7: So what my show?

521
00:27:51,840 --> 00:27:56,240
Speaker 1: Yes, okay, it started, it started playing automatically.

522
00:27:56,560 --> 00:27:57,640
Speaker 7: I'm sorry, that's annoying.

523
00:27:58,840 --> 00:28:02,359
Speaker 1: But all my friends we're sharing it. So I'm going

524
00:28:02,400 --> 00:28:05,320
Speaker 1: down the feed trying. It's scrolling as fast as I can,

525
00:28:05,359 --> 00:28:07,439
Speaker 1: and I'm seeing it in sort of like a flip book.

526
00:28:09,320 --> 00:28:12,119
Speaker 7: Is how you saw the first episode? Is your friends?

527
00:28:12,480 --> 00:28:14,600
Speaker 2: Is that what you had in mind? Hold on, all

528
00:28:14,760 --> 00:28:15,320
Speaker 2: my friends.

529
00:28:15,440 --> 00:28:18,600
Speaker 7: I just need to understand that they posted screenshots.

530
00:28:18,040 --> 00:28:18,800
Speaker 2: No question.

531
00:28:19,000 --> 00:28:22,600
Speaker 4: The whole episode is a book video because it started

532
00:28:22,840 --> 00:28:25,520
Speaker 4: every time you saw it, it would start at later points,

533
00:28:25,520 --> 00:28:26,360
Speaker 4: so you saw the whole thing.

534
00:28:26,480 --> 00:28:29,240
Speaker 1: No, I just saw the first second like nine hundred times,

535
00:28:29,480 --> 00:28:30,200
Speaker 1: like a flip book.

536
00:28:30,240 --> 00:28:31,840
Speaker 7: If you like, the point of that story is that

537
00:28:31,880 --> 00:28:33,240
Speaker 7: you have nine hundred friends.

538
00:28:33,720 --> 00:28:37,439
Speaker 1: Yes, it's a secret point. All stories have a secret point, though,

539
00:28:37,520 --> 00:28:38,040
Speaker 1: don't they.

540
00:28:38,120 --> 00:28:40,680
Speaker 2: Yes, that's an important thing to remember. I heard that

541
00:28:40,720 --> 00:28:42,400
Speaker 2: expression a secret point.

542
00:28:43,360 --> 00:28:46,280
Speaker 3: Yes, yes, every story has a secret point, and a

543
00:28:46,280 --> 00:28:48,200
Speaker 3: lot of movies are not about what you thought.

544
00:28:49,800 --> 00:28:52,480
Speaker 1: Speaking of having a secret point, yes, the one I

545
00:28:52,520 --> 00:28:56,080
Speaker 1: want to expose is we want to say goodbye to uh,

546
00:28:56,320 --> 00:28:57,040
Speaker 1: to John.

547
00:28:56,960 --> 00:28:59,080
Speaker 2: Well, we don't want to say goodbye, at least I don't.

548
00:28:59,120 --> 00:29:01,440
Speaker 2: I want to say a aredy Jean voyage.

549
00:29:02,840 --> 00:29:05,719
Speaker 4: And this we had to say goodbye to John Stewart

550
00:29:05,760 --> 00:29:10,600
Speaker 4: this week. Last week, it was it was recently by.

551
00:29:10,440 --> 00:29:14,120
Speaker 3: The time this comes out, just just say last August.

552
00:29:14,200 --> 00:29:17,880
Speaker 3: It still hurts, and we've spoken in the August before.

553
00:29:18,120 --> 00:29:19,960
Speaker 3: I don't know exactly when this is coming out, No,

554
00:29:20,040 --> 00:29:23,520
Speaker 3: we don't. This one's for the shelf, I think, at

555
00:29:23,600 --> 00:29:29,160
Speaker 3: least temporarily. But the it was so it was not

556
00:29:29,360 --> 00:29:32,080
Speaker 3: that long ago that we spoke a bit about John

557
00:29:32,200 --> 00:29:34,920
Speaker 3: and and how much he did for comedy and where

558
00:29:34,960 --> 00:29:38,880
Speaker 3: he would get goofy and then get mad, and that

559
00:29:39,480 --> 00:29:42,760
Speaker 3: I think really changed the way that we talk about

560
00:29:43,080 --> 00:29:43,800
Speaker 3: some of the issues.

561
00:29:43,800 --> 00:29:45,560
Speaker 2: Having a mad Cara sucked.

562
00:29:45,400 --> 00:29:48,560
Speaker 7: Up is like a lot of us got our.

563
00:29:48,520 --> 00:29:52,200
Speaker 4: News from him.

564
00:29:52,920 --> 00:29:59,480
Speaker 3: Well, so, but what if news we think is real,

565
00:30:00,520 --> 00:30:04,000
Speaker 3: is that joke news? Some of the guys saying I'm

566
00:30:04,200 --> 00:30:11,880
Speaker 3: real news tonight the news biggest joke even more, is

567
00:30:11,920 --> 00:30:12,400
Speaker 3: it though?

568
00:30:12,760 --> 00:30:16,120
Speaker 2: And Huger because truly.

569
00:30:16,440 --> 00:30:24,280
Speaker 4: Well, that's what changed when John was doing changed daily shows.

570
00:30:24,920 --> 00:30:32,040
Speaker 3: I'm reminded of the Trojan Horse, whose antics will all recall.

571
00:30:33,320 --> 00:30:35,800
Speaker 2: He danced into the city of Troy.

572
00:30:37,000 --> 00:30:40,600
Speaker 3: Pretending to be an entertainment horse and said, oh, I'm

573
00:30:40,640 --> 00:30:45,840
Speaker 3: a funny horse, but inside was the real parts. And

574
00:30:45,840 --> 00:30:48,240
Speaker 3: that's sort of what the Daily Show did. Oh, I'm

575
00:30:48,400 --> 00:30:52,640
Speaker 3: joking about the news, but here's some truth, whereas the

576
00:30:52,680 --> 00:30:57,240
Speaker 3: real news is all jokes. So it's kind of that

577
00:30:57,360 --> 00:31:01,560
Speaker 3: same approach, and that's how John won the war on

578
00:31:01,640 --> 00:31:02,960
Speaker 3: comedy and information.

579
00:31:03,720 --> 00:31:05,360
Speaker 2: You had a relationship with him.

580
00:31:05,640 --> 00:31:08,600
Speaker 4: I got my start on the Daily Show. Oh wow, Yeah,

581
00:31:08,640 --> 00:31:12,840
Speaker 4: I was hired as a correspondent. When was this September twelfth,

582
00:31:12,920 --> 00:31:13,720
Speaker 4: two thousand and one.

583
00:31:13,800 --> 00:31:16,280
Speaker 7: I started, Wow, and.

584
00:31:18,080 --> 00:31:20,640
Speaker 2: Such temperate weather, and if.

585
00:31:20,520 --> 00:31:25,840
Speaker 4: You remember, I'm sure we all remember on September eleventh.

586
00:31:26,160 --> 00:31:27,680
Speaker 4: The thing I remember most.

587
00:31:27,440 --> 00:31:29,280
Speaker 7: About September eleventh.

588
00:31:32,520 --> 00:31:37,080
Speaker 4: Was John Stewart talking about how he used to be

589
00:31:37,120 --> 00:31:39,600
Speaker 4: able to see the Twin Towers from his apartment and

590
00:31:39,640 --> 00:31:41,280
Speaker 4: then now they're gone.

591
00:31:41,360 --> 00:31:48,440
Speaker 3: So yeah, he said, relish he's viewing, he said.

592
00:31:49,120 --> 00:31:51,240
Speaker 7: He said, but now I can see the statue of

593
00:31:51,280 --> 00:31:52,560
Speaker 7: Liberty and.

594
00:31:52,480 --> 00:31:53,400
Speaker 5: That's even better.

595
00:31:53,600 --> 00:31:54,800
Speaker 2: It's making me said.

596
00:31:55,040 --> 00:32:01,480
Speaker 8: And then he cried, like really cried, like sobbed for

597
00:32:01,560 --> 00:32:04,160
Speaker 8: the rest of the At the time that the Daily

598
00:32:04,200 --> 00:32:05,240
Speaker 8: Show was an hour and.

599
00:32:05,920 --> 00:32:12,640
Speaker 2: Had to come out, he said, mm, because he didn't

600
00:32:12,680 --> 00:32:14,760
Speaker 2: because he didn't know at the time what happened.

601
00:32:14,760 --> 00:32:16,280
Speaker 7: Anyway, I was blodding.

602
00:32:17,000 --> 00:32:19,480
Speaker 2: Spell he was going to do on the show, Yes, and.

603
00:32:21,240 --> 00:32:27,040
Speaker 8: Job tread blonding John's tears with his boat tie, but

604
00:32:27,200 --> 00:32:28,200
Speaker 8: they wouldn't.

605
00:32:27,760 --> 00:32:29,920
Speaker 7: Absorb because there were more and more of them.

606
00:32:30,320 --> 00:32:32,520
Speaker 4: Anyway, cut to the next day, I start my new

607
00:32:32,600 --> 00:32:37,560
Speaker 4: job as a correspondent, and John Stewart is still crying.

608
00:32:41,400 --> 00:32:43,280
Speaker 4: He said the I don't remember what we had in

609
00:32:43,280 --> 00:32:44,920
Speaker 4: two thousand and one besides K cups.

610
00:32:44,920 --> 00:32:49,040
Speaker 7: But he was at like the K cups station, sobbing.

611
00:32:50,760 --> 00:32:54,719
Speaker 4: And I said, it's nice to meet you, mister Stewart,

612
00:32:54,720 --> 00:32:55,080
Speaker 4: thank you.

613
00:32:55,040 --> 00:32:55,600
Speaker 7: For hiring me.

614
00:32:56,280 --> 00:33:00,440
Speaker 4: And he looked up and he blinked a little, and

615
00:33:00,480 --> 00:33:05,680
Speaker 4: then the smallest smile came out and it was like

616
00:33:06,040 --> 00:33:09,600
Speaker 4: I saw the statue of Liberty on his face. Yeah.

617
00:33:09,640 --> 00:33:11,760
Speaker 7: So in other words, I got him to stop.

618
00:33:11,520 --> 00:33:14,320
Speaker 2: Crying and it was better than the Twin Towers of Tears.

619
00:33:14,720 --> 00:33:20,000
Speaker 7: Yim exactly exactly, And that's how I got my start

620
00:33:20,480 --> 00:33:21,080
Speaker 7: in comedy.

621
00:33:22,360 --> 00:33:26,200
Speaker 3: Yes, that's so you decided to start doing comedy after

622
00:33:26,280 --> 00:33:27,600
Speaker 3: being hired on the Daily Show.

623
00:33:27,920 --> 00:33:28,200
Speaker 5: Yeah.

624
00:33:28,680 --> 00:33:30,840
Speaker 4: Once I was there, I was there for six months

625
00:33:30,920 --> 00:33:32,480
Speaker 4: or so. You know, it was a different It was

626
00:33:32,520 --> 00:33:34,920
Speaker 4: a political climate. You know, it was like the Twin

627
00:33:35,000 --> 00:33:38,600
Speaker 4: Towers are gone, let's talk about it. So we did

628
00:33:38,600 --> 00:33:39,680
Speaker 4: a lot of talking about it.

629
00:33:39,760 --> 00:33:41,600
Speaker 2: What did we have in two thousand and one? Besides

630
00:33:41,680 --> 00:33:42,200
Speaker 2: K cups?

631
00:33:42,240 --> 00:33:42,440
Speaker 5: Yeah?

632
00:33:42,480 --> 00:33:44,960
Speaker 2: What were we doing? What did we have?

633
00:33:45,240 --> 00:33:49,880
Speaker 4: I think we had like those vending machines that would

634
00:33:49,880 --> 00:33:52,400
Speaker 4: you just press a button like how you wanted your coffee,

635
00:33:52,400 --> 00:33:54,640
Speaker 4: and then they would kind of just give you the

636
00:33:54,680 --> 00:33:56,480
Speaker 4: cup would fall out of the machine and then fill

637
00:33:56,520 --> 00:33:56,800
Speaker 4: it up.

638
00:33:56,960 --> 00:34:01,120
Speaker 2: Yeah, we definitely had a lot of coffees. Yeah.

639
00:34:01,480 --> 00:34:04,120
Speaker 3: I knew I was drinking coffee, but I can't picture

640
00:34:04,160 --> 00:34:06,080
Speaker 3: out of water how it got made.

641
00:34:07,360 --> 00:34:09,440
Speaker 2: In a pre K cup world?

642
00:34:10,200 --> 00:34:13,399
Speaker 3: What was I doing now, Julie, I see you've taken

643
00:34:13,400 --> 00:34:14,040
Speaker 3: off your earrings.

644
00:34:14,080 --> 00:34:15,160
Speaker 2: Are you preparing to fight?

645
00:34:21,040 --> 00:34:30,400
Speaker 4: I'm always the table. It has a lot of people's

646
00:34:30,520 --> 00:34:34,240
Speaker 4: names on it. How many of these people are enemies.

647
00:34:34,239 --> 00:34:38,479
Speaker 2: Do you think with one another? That's with you? Yeah?

648
00:34:41,880 --> 00:34:46,000
Speaker 4: Wow, So when I come to ear Wolf, I'm always

649
00:34:46,000 --> 00:34:46,759
Speaker 4: ready for a fight.

650
00:34:46,960 --> 00:34:49,600
Speaker 2: Do you know what the table is? It's our Have

651
00:34:49,640 --> 00:34:51,040
Speaker 2: you seen the movie of the to do List?

652
00:34:54,040 --> 00:34:55,560
Speaker 7: Is this the table from the to do list?

653
00:34:55,760 --> 00:34:57,000
Speaker 2: It's our to do list?

654
00:34:59,760 --> 00:35:02,319
Speaker 4: That interesting because the only name I see crossed out

655
00:35:02,360 --> 00:35:03,080
Speaker 4: is Brian Husky.

656
00:35:03,920 --> 00:35:04,319
Speaker 2: Mm hmm.

657
00:35:06,560 --> 00:35:10,359
Speaker 1: And that, honestly, that honestly is a stretch to even

658
00:35:10,400 --> 00:35:11,160
Speaker 1: cross that out.

659
00:35:11,480 --> 00:35:12,520
Speaker 2: It looks pretty gave him.

660
00:35:12,800 --> 00:35:13,879
Speaker 7: You can still see it's his name.

661
00:35:14,080 --> 00:35:15,960
Speaker 2: I give him huggery. He was facing away from me.

662
00:35:17,960 --> 00:35:20,840
Speaker 3: Yeah, it was a sneaky hug and I consider that

663
00:35:21,400 --> 00:35:21,960
Speaker 3: good as.

664
00:35:21,840 --> 00:35:22,600
Speaker 2: Gold for me.

665
00:35:24,120 --> 00:35:30,799
Speaker 3: But the list brought back nineties period comedies set at

666
00:35:30,840 --> 00:35:36,360
Speaker 3: Pools and Staten Island is being a generous tip of that.

667
00:35:36,680 --> 00:35:40,920
Speaker 4: You are You've been talking about Staten Island summer a lot,

668
00:35:41,040 --> 00:35:44,760
Speaker 4: and I think, well, I know you're a Jost fan.

669
00:35:46,160 --> 00:35:48,080
Speaker 4: You went to Montreal Jost for laughs.

670
00:35:49,200 --> 00:35:50,920
Speaker 2: Well, he's the Jos with the most.

671
00:35:50,840 --> 00:35:54,120
Speaker 7: Yeah yeah, So do you think that that's why you like.

672
00:35:54,120 --> 00:35:57,040
Speaker 3: It just because of Jos?

673
00:35:57,440 --> 00:35:58,320
Speaker 7: Just because of Jost?

674
00:35:59,280 --> 00:36:03,600
Speaker 3: I think I would like it even if he was

675
00:36:03,680 --> 00:36:06,239
Speaker 3: replaced with and I'll just pick someone off the to

676
00:36:06,360 --> 00:36:12,040
Speaker 3: do list.

677
00:36:10,320 --> 00:36:20,279
Speaker 2: Nick Gligor? Is that right? Well, that can't be who

678
00:36:20,320 --> 00:36:23,880
Speaker 2: I pick, Julie.

679
00:36:23,880 --> 00:36:25,640
Speaker 1: I just noticed that your name is on here. I

680
00:36:25,640 --> 00:36:27,799
Speaker 1: hope that's that uncomfortable.

681
00:36:28,520 --> 00:36:29,560
Speaker 7: It is a little awkward.

682
00:36:29,640 --> 00:36:31,080
Speaker 2: It's like uncomfortable for you.

683
00:36:31,719 --> 00:36:34,000
Speaker 1: It's honestly because I think, and I am with someone now,

684
00:36:34,040 --> 00:36:37,920
Speaker 1: but I think that we would just be sexual, sexually compatible,

685
00:36:38,320 --> 00:36:42,520
Speaker 1: compatible because of the blood arrangement.

686
00:36:42,239 --> 00:36:43,960
Speaker 2: With our feet that you both need to do it

687
00:36:44,040 --> 00:36:44,720
Speaker 2: upside down.

688
00:36:44,920 --> 00:36:46,839
Speaker 7: Well, we would be back night, you know, it would

689
00:36:46,840 --> 00:36:47,320
Speaker 7: be nice.

690
00:36:47,800 --> 00:36:48,279
Speaker 2: Is that like?

691
00:36:48,920 --> 00:36:51,480
Speaker 4: There wouldn't be like this is my side of the bed,

692
00:36:51,520 --> 00:36:53,120
Speaker 4: this is your side of the bed, because we'd both

693
00:36:53,160 --> 00:36:53,920
Speaker 4: be sleeping.

694
00:36:53,640 --> 00:36:56,360
Speaker 2: Upside both being from a door frame. Yeah.

695
00:36:56,760 --> 00:36:59,040
Speaker 4: Well, not a door frame, because that would imply that

696
00:36:59,320 --> 00:37:00,680
Speaker 4: it was like suicide.

697
00:37:00,760 --> 00:37:00,960
Speaker 3: Right.

698
00:37:01,640 --> 00:37:03,640
Speaker 2: Oh, well, you're hanging upside down by your feet.

699
00:37:04,120 --> 00:37:06,400
Speaker 4: Yeah, but that's like you have like a thing built

700
00:37:06,400 --> 00:37:08,880
Speaker 4: into the ceiling and you're hanging from a doorframe.

701
00:37:08,920 --> 00:37:09,520
Speaker 7: That's suicide.

702
00:37:09,560 --> 00:37:12,279
Speaker 1: And I think you know this because you you can't

703
00:37:12,320 --> 00:37:15,239
Speaker 1: have door frames per se, because you need to be

704
00:37:15,320 --> 00:37:17,840
Speaker 1: able to slide. You're hanging along the rails and you

705
00:37:17,880 --> 00:37:20,880
Speaker 1: need to be able to slide along rails into the

706
00:37:20,920 --> 00:37:21,560
Speaker 1: next room.

707
00:37:21,760 --> 00:37:24,600
Speaker 7: That's where doing rails comes from.

708
00:37:24,800 --> 00:37:28,720
Speaker 3: M hm oh, okay, all right, I've been using that wrong.

709
00:37:29,920 --> 00:37:30,920
Speaker 2: How have you been using it?

710
00:37:31,960 --> 00:37:32,280
Speaker 5: Well?

711
00:37:33,000 --> 00:37:34,359
Speaker 2: Now, I don't want to say I'm a bear.

712
00:37:34,600 --> 00:37:37,760
Speaker 7: It's okay, it's okay.

713
00:37:37,960 --> 00:37:40,760
Speaker 2: Humping a train. I use it for. If you're humping

714
00:37:40,760 --> 00:37:44,240
Speaker 2: a train, you're doing rails. That's what I thought.

715
00:37:45,840 --> 00:37:48,319
Speaker 3: But yeah, it makes sense the way you're saying it

716
00:37:48,400 --> 00:37:50,560
Speaker 3: that it makes more sense if you just are upside

717
00:37:50,560 --> 00:37:52,520
Speaker 3: down by your feet and you have to slide.

718
00:37:52,280 --> 00:37:54,799
Speaker 2: Looking like a track. It's like a track and you're

719
00:37:54,840 --> 00:37:56,319
Speaker 2: holding the remote control on your hand.

720
00:37:56,360 --> 00:38:00,600
Speaker 3: Looking back on it, a lot of stuff you have said,

721
00:38:00,640 --> 00:38:03,560
Speaker 3: it makes more about like what what did you do?

722
00:38:03,719 --> 00:38:06,280
Speaker 3: You said, like, I did so many rails over the weekend,

723
00:38:07,000 --> 00:38:09,920
Speaker 3: and I know, yeah, I busted a bunch of fat rails.

724
00:38:11,440 --> 00:38:14,879
Speaker 3: Is frequently what you'll hear me say about, like, yeah,

725
00:38:14,960 --> 00:38:18,920
Speaker 3: my weekend or my vacation. And Hayes knows that I

726
00:38:18,960 --> 00:38:20,920
Speaker 3: don't have that apparatus in my house, so he must

727
00:38:20,960 --> 00:38:25,000
Speaker 3: think to that, and thank you for politely ignoring that comment.

728
00:38:25,719 --> 00:38:27,080
Speaker 2: Should we talk about music?

729
00:38:28,960 --> 00:38:29,240
Speaker 1: Music?

730
00:38:31,400 --> 00:38:34,680
Speaker 7: I love I love all kinds of music.

731
00:38:34,840 --> 00:38:40,720
Speaker 3: Great, that's so great for us, Julie musicals, the theater.

732
00:38:41,000 --> 00:38:43,560
Speaker 2: Now, I know you know your way around.

733
00:38:43,280 --> 00:38:46,680
Speaker 3: That stuff because I have seen you be a difficult

734
00:38:46,680 --> 00:38:49,239
Speaker 3: person and that's my New York.

735
00:38:50,960 --> 00:38:54,280
Speaker 2: New York Broadway.

736
00:38:53,560 --> 00:38:59,640
Speaker 3: The Great White Way, and and being difficult is that

737
00:39:00,800 --> 00:39:03,440
Speaker 3: something that we all relate to? And Hayes and I

738
00:39:03,520 --> 00:39:06,160
Speaker 3: haven't seen a musical, but we've got the rights to one.

739
00:39:07,400 --> 00:39:08,239
Speaker 2: We don't never love it.

740
00:39:08,320 --> 00:39:09,480
Speaker 7: Wait, you've never seen a musical.

741
00:39:10,239 --> 00:39:11,680
Speaker 2: It can't watch really.

742
00:39:12,320 --> 00:39:13,360
Speaker 7: That's so interesting.

743
00:39:13,480 --> 00:39:17,360
Speaker 3: Well, it's so unrealistic people bursting into song suddenly to

744
00:39:17,360 --> 00:39:19,600
Speaker 3: tell their story. It's like, well on, they just say it,

745
00:39:19,680 --> 00:39:20,359
Speaker 3: that doesn't happen.

746
00:39:20,360 --> 00:39:22,200
Speaker 2: That's not how me and my friends interact.

747
00:39:22,400 --> 00:39:25,480
Speaker 4: But like, sorry, but superhero movies are unrealistic.

748
00:39:26,320 --> 00:39:28,960
Speaker 3: Uh no, because if I had superpowers, I would really

749
00:39:29,000 --> 00:39:31,280
Speaker 3: do that. But if I could sing, which I actually

750
00:39:31,320 --> 00:39:33,919
Speaker 3: have a nice voice, I wouldn't do it in order

751
00:39:33,960 --> 00:39:36,759
Speaker 3: to tell people things. Oh, we've heard me do it

752
00:39:36,800 --> 00:39:38,879
Speaker 3: on the show before, and I've really nailed it. I

753
00:39:38,920 --> 00:39:41,239
Speaker 3: was like busting out some phantom planned it a few

754
00:39:41,280 --> 00:39:42,400
Speaker 3: weeks ago, and I think.

755
00:39:42,280 --> 00:39:44,799
Speaker 7: Okay, so you like more like punk, like punk.

756
00:39:44,640 --> 00:39:48,600
Speaker 2: Music, punk writing, a hard punk.

757
00:39:49,960 --> 00:39:54,320
Speaker 7: Like uh, Living Color, I'll.

758
00:39:54,120 --> 00:39:55,960
Speaker 3: Make sense of it for you. The only musical I

759
00:39:55,960 --> 00:40:01,200
Speaker 3: would even consider is American Idiot. You consider seeing Yes,

760
00:40:01,239 --> 00:40:04,280
Speaker 3: I would consider seeing that because of Green Day, because

761
00:40:04,280 --> 00:40:05,239
Speaker 3: of the roots.

762
00:40:04,880 --> 00:40:10,239
Speaker 2: That green Day share with me. Now we have the.

763
00:40:10,280 --> 00:40:13,879
Speaker 3: Rights to one of these jukebox musicals everyone's doing. Can

764
00:40:13,920 --> 00:40:16,480
Speaker 3: you explain that audience for us, for the audience of

765
00:40:16,520 --> 00:40:17,720
Speaker 3: a jukesbox musical?

766
00:40:19,040 --> 00:40:20,080
Speaker 2: What a juke what a.

767
00:40:20,120 --> 00:40:21,399
Speaker 7: Jukesbox musical is?

768
00:40:21,600 --> 00:40:23,080
Speaker 2: How the jukesbox musical is?

769
00:40:23,640 --> 00:40:27,880
Speaker 4: Box musical is a catalog of songs by one artist

770
00:40:28,120 --> 00:40:35,640
Speaker 4: exactly that that two people usually uh put just attached

771
00:40:35,680 --> 00:40:38,120
Speaker 4: the songs together with a flimsy story.

772
00:40:38,320 --> 00:40:40,600
Speaker 3: Give us an example of an artist that maybe did

773
00:40:40,640 --> 00:40:42,040
Speaker 3: that good vibrations.

774
00:40:42,400 --> 00:40:43,920
Speaker 7: There was a Beach Boys musical.

775
00:40:44,280 --> 00:40:48,000
Speaker 4: There was a musical that Twila Tharp made where she

776
00:40:48,120 --> 00:40:51,640
Speaker 4: used Billy Joel songs and it was called moving Out.

777
00:40:52,320 --> 00:40:53,399
Speaker 2: Way better than that.

778
00:40:53,880 --> 00:40:57,040
Speaker 3: We have a lot of the b sides of the

779
00:40:57,120 --> 00:40:58,680
Speaker 3: Dave Matthews band.

780
00:41:00,560 --> 00:41:02,400
Speaker 2: Not some of the played out shit.

781
00:41:02,840 --> 00:41:05,719
Speaker 3: No, none of that crap you've heard a billion times,

782
00:41:07,719 --> 00:41:14,640
Speaker 3: like what would you say? And Marching Crash all that stuff.

783
00:41:14,680 --> 00:41:17,600
Speaker 3: We said, you've heard that too much. But something like

784
00:41:17,960 --> 00:41:21,880
Speaker 3: typical situation. Now we've got our myths on that, and

785
00:41:21,880 --> 00:41:23,839
Speaker 3: that's the kind of song that we think could really

786
00:41:23,880 --> 00:41:26,440
Speaker 3: get stuck in your bean if it just has the

787
00:41:26,560 --> 00:41:28,359
Speaker 3: right story attached to it.

788
00:41:28,920 --> 00:41:32,160
Speaker 1: And we have to do a jukes box musical love it.

789
00:41:32,160 --> 00:41:34,200
Speaker 1: It's actually it's not an option.

790
00:41:34,360 --> 00:41:36,520
Speaker 2: We only have the rights just at large.

791
00:41:36,680 --> 00:41:40,040
Speaker 3: We have to we have paid for a certain amount

792
00:41:40,080 --> 00:41:42,120
Speaker 3: of time that we can do a jukebox musical with this,

793
00:41:42,280 --> 00:41:44,799
Speaker 3: and we've paid a tidy something and we can't not

794
00:41:45,040 --> 00:41:45,399
Speaker 3: do it.

795
00:41:45,719 --> 00:41:48,200
Speaker 4: Oh, it wasn't like the material was like call it

796
00:41:48,239 --> 00:41:50,200
Speaker 4: because you know when they say artists you can only

797
00:41:50,280 --> 00:41:53,480
Speaker 4: you should only do an artist when you can't do

798
00:41:53,520 --> 00:41:56,720
Speaker 4: anything else. It's not like that. It's like you literally

799
00:41:56,760 --> 00:41:57,520
Speaker 4: paid who.

800
00:41:57,400 --> 00:42:01,280
Speaker 7: Did you pay the publisher who was uh Britt?

801
00:42:02,239 --> 00:42:02,640
Speaker 5: Huh?

802
00:42:02,680 --> 00:42:03,680
Speaker 2: You gave money to Britt?

803
00:42:04,200 --> 00:42:08,160
Speaker 1: You know, the ATV guy, the guy who went upside

804
00:42:08,160 --> 00:42:11,080
Speaker 1: down of a Oh yeah.

805
00:42:10,400 --> 00:42:12,040
Speaker 7: The one who kept thinking Jesus.

806
00:42:12,239 --> 00:42:13,680
Speaker 2: So he was very.

807
00:42:15,080 --> 00:42:17,279
Speaker 1: Willing to collaborate with us, that he was a good

808
00:42:17,320 --> 00:42:22,839
Speaker 1: business partner. But now we're dealing with his got it chill,

809
00:42:23,000 --> 00:42:28,080
Speaker 1: his estate and there, and they've been much more significantly

810
00:42:28,160 --> 00:42:31,480
Speaker 1: less chill. Yes, yes, yes, because that's what happened. I

811
00:42:31,480 --> 00:42:33,080
Speaker 1: don't know if you when he went upside down on

812
00:42:33,120 --> 00:42:35,000
Speaker 1: that ATV he passed away.

813
00:42:35,400 --> 00:42:36,080
Speaker 7: Oh he's dead.

814
00:42:36,280 --> 00:42:39,560
Speaker 4: Yes, Well usually people don't talk about people's estates unless

815
00:42:39,560 --> 00:42:40,040
Speaker 4: they're dead.

816
00:42:40,239 --> 00:42:41,960
Speaker 2: He's with Yeah, he's he's out there.

817
00:42:41,960 --> 00:42:45,840
Speaker 3: He's up there with Boyd Tinsley now the electric fiddle

818
00:42:45,840 --> 00:42:49,800
Speaker 3: player than you. Now, we've got some of the stuff

819
00:42:49,800 --> 00:42:52,120
Speaker 3: that Dave sang on for Bail of Fleck and the

820
00:42:52,120 --> 00:42:54,120
Speaker 3: Fleck Tones for that album Left of Cool.

821
00:42:54,800 --> 00:42:56,680
Speaker 2: We've got typical situation.

822
00:42:56,840 --> 00:42:59,919
Speaker 4: Base You know, if you if you're a real base

823
00:43:00,080 --> 00:43:04,440
Speaker 4: head like me, you're gonna love Bell Fleck.

824
00:43:04,200 --> 00:43:07,040
Speaker 7: And the Fleck Tones, and you're gonna love Prime Primose.

825
00:43:07,320 --> 00:43:11,240
Speaker 3: Yes, if you love famous banjo player Bailiflex, you're gonna love.

826
00:43:11,520 --> 00:43:13,640
Speaker 1: A car rattle. I like when the change in my

827
00:43:13,800 --> 00:43:19,560
Speaker 1: car goes. That's my sad baby.

828
00:43:19,800 --> 00:43:23,560
Speaker 3: So we've got so we've got some of his outsider stuff,

829
00:43:23,600 --> 00:43:26,160
Speaker 3: and we wonder if you can help us weave together

830
00:43:26,320 --> 00:43:29,479
Speaker 3: a story. Yeah, we've been kind of banging our heads

831
00:43:29,520 --> 00:43:31,799
Speaker 3: against the all story wise of how do we make

832
00:43:31,840 --> 00:43:33,320
Speaker 3: this make sense?

833
00:43:33,560 --> 00:43:38,719
Speaker 4: Okay, so you're maybe breaking story, but you need to

834
00:43:38,840 --> 00:43:41,440
Speaker 4: unbreak story.

835
00:43:41,800 --> 00:43:44,600
Speaker 2: Jules. However, you need to wrap your head around this.

836
00:43:45,400 --> 00:43:46,880
Speaker 2: Do people ever call you jukes?

837
00:43:48,600 --> 00:43:50,719
Speaker 1: No jew like the jew from Julie and the k

838
00:43:50,920 --> 00:43:54,120
Speaker 1: from the beginning of your name, jukebox.

839
00:43:53,400 --> 00:43:56,000
Speaker 4: Julie's very hard for me to hear you say jew

840
00:43:56,400 --> 00:44:03,440
Speaker 4: in that way because you've you've got rugged arian features.

841
00:44:04,400 --> 00:44:07,840
Speaker 7: And when you say jew and I know you're talking about.

842
00:44:07,640 --> 00:44:11,680
Speaker 2: Jew Lee, right, but there's just jukebox Jewel.

843
00:44:11,880 --> 00:44:16,920
Speaker 4: There's like a you're like you're you're chomping on the word,

844
00:44:17,800 --> 00:44:20,560
Speaker 4: like you're like, you're like when you eat chocolate, you know,

845
00:44:20,600 --> 00:44:22,879
Speaker 4: I get some mushy And that's where it's the best

846
00:44:22,920 --> 00:44:24,840
Speaker 4: is when you open your mouth and it looks disgusting.

847
00:44:24,880 --> 00:44:28,880
Speaker 2: That's when you don't have to tell us about chocolate. Chocolate.

848
00:44:29,080 --> 00:44:32,960
Speaker 7: So it's like when you say jew you're into.

849
00:44:32,760 --> 00:44:38,200
Speaker 2: It, Julie, I can't keep it in the house. You're

850
00:44:38,239 --> 00:44:40,000
Speaker 2: telling me about chocolate. I can't keep it in.

851
00:44:41,520 --> 00:44:43,600
Speaker 4: Have you ever taken a bite out of a chocolate

852
00:44:43,640 --> 00:44:45,480
Speaker 4: bar and then poured windex on the rest of.

853
00:44:45,440 --> 00:44:49,120
Speaker 3: It so that I knew because I know I could

854
00:44:49,120 --> 00:44:54,920
Speaker 3: trust myself not to poison and then desperately washing it.

855
00:44:55,000 --> 00:44:57,960
Speaker 4: But you use like warm water so by the time

856
00:44:58,200 --> 00:45:00,239
Speaker 4: you only have like a sliver left, like and you

857
00:45:00,239 --> 00:45:01,280
Speaker 4: have a sliver of soap.

858
00:45:02,280 --> 00:45:05,440
Speaker 2: Yeah, yeah, so good. That's the best part of the

859
00:45:05,520 --> 00:45:12,319
Speaker 2: chi any burn bubbles. So these big bubbles. So are

860
00:45:12,320 --> 00:45:14,560
Speaker 2: you familiar with some of these songs and the lyrics?

861
00:45:14,680 --> 00:45:15,120
Speaker 5: Do you know?

862
00:45:15,280 --> 00:45:17,160
Speaker 4: I'm not I'm not the I the only I think

863
00:45:17,160 --> 00:45:18,640
Speaker 4: I only know Drive?

864
00:45:18,719 --> 00:45:23,200
Speaker 2: What does typical situation make you? Drive? What's that crash? Crash? Okay?

865
00:45:23,200 --> 00:45:26,040
Speaker 2: You know that one. We don't have hat one, but

866
00:45:26,120 --> 00:45:29,959
Speaker 2: it's pretty good. Now they should have called that song drive.

867
00:45:30,400 --> 00:45:34,320
Speaker 3: Uh, we got Jimmy thang, we got best to what's around?

868
00:45:34,800 --> 00:45:36,839
Speaker 7: Okay, Well, let's just start with what is.

869
00:45:36,760 --> 00:45:38,640
Speaker 2: It Jimmy fang, Jimmy thang.

870
00:45:38,719 --> 00:45:40,440
Speaker 7: Let's talk jim like thing but thang.

871
00:45:40,560 --> 00:45:42,520
Speaker 2: Well, what we don't have an option for what the

872
00:45:42,640 --> 00:45:46,200
Speaker 2: order is? Typical situational situation.

873
00:45:45,960 --> 00:45:48,120
Speaker 3: Has to come first, and it starts with a countdown,

874
00:45:48,239 --> 00:45:50,080
Speaker 3: which I think could be cool because like we're counting

875
00:45:50,080 --> 00:45:50,719
Speaker 3: down to the show.

876
00:45:51,200 --> 00:45:53,840
Speaker 2: Okay, and Hayes, are you about to play it? Sam?

877
00:45:53,880 --> 00:45:56,160
Speaker 2: Can I have the sound please? I think it goes.

878
00:45:56,239 --> 00:45:57,080
Speaker 7: Situation is not a.

879
00:45:57,040 --> 00:45:59,480
Speaker 4: Bad opening number because I can describe the status quo

880
00:45:59,600 --> 00:46:00,480
Speaker 4: of like a town.

881
00:46:01,560 --> 00:46:04,239
Speaker 2: Two finger, Girls Counting. I think it starts like that, right,

882
00:46:04,320 --> 00:46:12,800
Speaker 2: two girls counting, nine Planets April or something.

883
00:46:14,239 --> 00:46:18,040
Speaker 1: That was fifteen seconds keep going, I'm not supposed to.

884
00:46:18,800 --> 00:46:20,160
Speaker 7: Why are you going to get charged?

885
00:46:20,400 --> 00:46:22,839
Speaker 1: Yeah, even though we have the rights of this, it's

886
00:46:22,920 --> 00:46:25,720
Speaker 1: not yes, we have to do it at fifteen second

887
00:46:25,800 --> 00:46:39,640
Speaker 1: increments in the show. Okay, single spotlight. I'm listening a

888
00:46:39,680 --> 00:46:48,560
Speaker 1: little kid in like his school pants, seven Oceans on stage.

889
00:46:49,000 --> 00:46:51,920
Speaker 2: An Indian comes out in second spotlight.

890
00:46:51,480 --> 00:46:55,240
Speaker 7: For like Indian, Yeah, like a native American.

891
00:46:55,400 --> 00:46:58,640
Speaker 2: Yes, yes, I can do that.

892
00:47:00,080 --> 00:47:04,520
Speaker 7: He can't, huh nothing, So let's.

893
00:47:04,239 --> 00:47:06,960
Speaker 2: Stop it because that's definitely over fifteenth. But he was

894
00:47:07,000 --> 00:47:07,399
Speaker 2: about to.

895
00:47:07,320 --> 00:47:12,799
Speaker 3: Go, everybody is happy, everybody is free, So you are

896
00:47:12,960 --> 00:47:18,640
Speaker 3: pretty I know I'm crushing it so that so what's

897
00:47:18,640 --> 00:47:22,680
Speaker 3: yourn down is pretty cool. We have the Indian, we know,

898
00:47:22,760 --> 00:47:23,479
Speaker 3: we like that.

899
00:47:24,040 --> 00:47:28,200
Speaker 1: But the boy in his school this story, he's dating

900
00:47:28,239 --> 00:47:29,160
Speaker 1: the boys Davy.

901
00:47:29,480 --> 00:47:31,399
Speaker 4: Okay, Well, it seems to me like the first song

902
00:47:31,440 --> 00:47:33,759
Speaker 4: in a musical establishes the status quo. This is how

903
00:47:33,800 --> 00:47:37,520
Speaker 4: things are, and like the opening number, and like Beauty

904
00:47:37,520 --> 00:47:39,960
Speaker 4: and the Beast where she's running around town and oh,

905
00:47:40,040 --> 00:47:42,560
Speaker 4: look at my life and this is how things are.

906
00:47:42,440 --> 00:47:44,800
Speaker 7: And it's okay, it's good. Things are fine.

907
00:47:44,880 --> 00:47:49,359
Speaker 2: Oh, books, and look at my life, old man, look

908
00:47:49,360 --> 00:47:51,880
Speaker 2: at man life. She's singing to the books. Yes, I

909
00:47:51,880 --> 00:47:52,400
Speaker 2: don't think.

910
00:47:52,280 --> 00:47:53,120
Speaker 7: She sings to the books.

911
00:47:53,560 --> 00:47:59,880
Speaker 2: Books. Look at man life, Harry Books, take the chapel.

912
00:48:00,400 --> 00:48:02,240
Speaker 7: Have you guys seen Beauty and the Beast?

913
00:48:02,680 --> 00:48:05,480
Speaker 3: Okay, well, now you're kind of catching us in a

914
00:48:05,520 --> 00:48:07,759
Speaker 3: little bit of a fib. We said we'd never seen

915
00:48:07,760 --> 00:48:10,839
Speaker 3: a musical, but we have without the sound to watch

916
00:48:10,880 --> 00:48:11,760
Speaker 3: Beauta and the Beast.

917
00:48:12,680 --> 00:48:16,400
Speaker 2: He's talking about the silent John renwar You never.

918
00:48:16,400 --> 00:48:21,080
Speaker 4: Got to enjoy the vocal performance of Jerry Warback as Lumiere,

919
00:48:21,640 --> 00:48:27,960
Speaker 4: the candlestick man for Jessica Lansbury as the Angela pot.

920
00:48:28,400 --> 00:48:30,960
Speaker 2: Oh yeah, oh yes, a pot of tea.

921
00:48:30,760 --> 00:48:36,080
Speaker 1: Yes, Angela's mom. Jessica, Yeah, yeah, that's right. Yeah, she

922
00:48:37,760 --> 00:48:41,520
Speaker 1: I think is past the age. Ye when she should

923
00:48:41,520 --> 00:48:43,520
Speaker 1: have been playing that role.

924
00:48:43,640 --> 00:48:45,400
Speaker 7: Which the teapot or the detective.

925
00:48:46,200 --> 00:48:49,960
Speaker 1: Well when she well, the tea pot, right, because I

926
00:48:50,000 --> 00:48:54,600
Speaker 1: thought that would actually be a better role for Angela who's.

927
00:48:54,280 --> 00:48:56,359
Speaker 2: Like whatever, like seventy years old.

928
00:48:56,520 --> 00:48:57,200
Speaker 7: You know what I.

929
00:48:57,520 --> 00:49:00,120
Speaker 4: Could be I could be mistaken that actually probably he

930
00:49:00,239 --> 00:49:00,760
Speaker 4: was Angela.

931
00:49:00,880 --> 00:49:01,760
Speaker 2: That was Angela.

932
00:49:01,880 --> 00:49:07,440
Speaker 3: Yeah, oh now I like it. What because one thing

933
00:49:07,560 --> 00:49:10,440
Speaker 3: he's saying in typical situations? He says, you know, it's

934
00:49:10,480 --> 00:49:13,000
Speaker 3: a typical situation for these typical times, and then he

935
00:49:13,040 --> 00:49:19,160
Speaker 3: goes choice. Yeah, so like this boy has too many choices.

936
00:49:19,760 --> 00:49:22,560
Speaker 3: I can become this native American man typical or I

937
00:49:22,600 --> 00:49:27,680
Speaker 3: could become I could become like a motorcycle man of

938
00:49:27,719 --> 00:49:32,520
Speaker 3: some kind like our friend Sam here in a typical time.

939
00:49:33,960 --> 00:49:36,879
Speaker 4: Yes, okay, so what book, guys, I'm going to keep

940
00:49:36,880 --> 00:49:39,720
Speaker 4: I'm going to keep challenging you to ask what the question?

941
00:49:39,960 --> 00:49:40,960
Speaker 7: What your question is?

942
00:49:41,160 --> 00:49:43,759
Speaker 3: Well, can you make the story for some of these heyes?

943
00:49:43,800 --> 00:49:46,160
Speaker 3: Can you pull up another song by him? Maybe before

944
00:49:46,200 --> 00:49:48,760
Speaker 3: we pull up another song, let's talk about the second one.

945
00:49:48,800 --> 00:49:49,839
Speaker 7: Who this boy is.

946
00:49:50,640 --> 00:49:53,160
Speaker 3: There's one called like number forty two or something. Okay,

947
00:49:53,360 --> 00:49:55,799
Speaker 3: are not Jimmy than Jimmy Fang?

948
00:49:55,920 --> 00:49:57,200
Speaker 2: We can definitely try.

949
00:49:57,440 --> 00:49:58,600
Speaker 7: Is the boy's name Jimmy.

950
00:49:59,120 --> 00:50:03,600
Speaker 2: No, the boy's name that's Dave. He grows up to

951
00:50:03,640 --> 00:50:04,080
Speaker 2: be Dave.

952
00:50:05,280 --> 00:50:10,239
Speaker 1: Yes, but you don't see that, Okay, you see at

953
00:50:10,280 --> 00:50:12,920
Speaker 1: the end of the show a guitar.

954
00:50:13,400 --> 00:50:16,320
Speaker 2: We're trying to figure out the effects of this.

955
00:50:17,160 --> 00:50:23,720
Speaker 1: Okay, a guitar builds itself in his hands, uh huh,

956
00:50:23,760 --> 00:50:26,960
Speaker 1: and it all comes out of different parts of his body.

957
00:50:27,040 --> 00:50:29,120
Speaker 2: Like he like as if the first guitar came from

958
00:50:29,120 --> 00:50:29,600
Speaker 2: his body.

959
00:50:30,040 --> 00:50:34,080
Speaker 1: So he's like, yeah, pulling guitar parts out of his

960
00:50:34,600 --> 00:50:38,120
Speaker 1: mouth and his heinee and like all these different like.

961
00:50:38,080 --> 00:50:39,960
Speaker 7: Yeah, is he a steampunk man?

962
00:50:40,880 --> 00:50:45,719
Speaker 4: Or the question is the guitar organic or is the

963
00:50:45,800 --> 00:50:47,040
Speaker 4: guitar electric?

964
00:50:47,200 --> 00:50:50,920
Speaker 3: Steampunk we couldn't do because metal is very hard to move.

965
00:50:51,600 --> 00:50:54,200
Speaker 3: So we have this device we like where he's got

966
00:50:54,200 --> 00:50:58,000
Speaker 3: a cold the whole show, and he keeps attaching empty

967
00:50:58,040 --> 00:51:01,439
Speaker 3: tissue boxes to himself when he's up the last tissue.

968
00:51:01,200 --> 00:51:02,800
Speaker 7: Just like you do when you have a cold.

969
00:51:02,840 --> 00:51:06,960
Speaker 3: So he's sort of steampunk but made out of Kleenex box.

970
00:51:07,000 --> 00:51:09,080
Speaker 1: And you think the tissue boxes are eupty, but they

971
00:51:09,120 --> 00:51:10,880
Speaker 1: actually have guitar filled.

972
00:51:10,600 --> 00:51:12,520
Speaker 2: With guitar pieces.

973
00:51:11,800 --> 00:51:16,279
Speaker 4: You considered painting the tissue boxes silver, so they look

974
00:51:16,360 --> 00:51:16,920
Speaker 4: kind of cool.

975
00:51:17,040 --> 00:51:21,160
Speaker 3: Robot we have considered, And silver or metallic paint is

976
00:51:21,320 --> 00:51:24,480
Speaker 3: very toxic and the fumes are very bad, and we

977
00:51:24,520 --> 00:51:25,560
Speaker 3: can't if you try.

978
00:51:25,400 --> 00:51:30,399
Speaker 1: To blow your nose with the dishes. Now suddenly that

979
00:51:30,440 --> 00:51:31,920
Speaker 1: paint is on your nose.

980
00:51:31,840 --> 00:51:34,680
Speaker 2: Yes, and so you're painted like he doesn't.

981
00:51:34,480 --> 00:51:36,759
Speaker 4: Need to actually put it. I mean he could act

982
00:51:36,800 --> 00:51:38,040
Speaker 4: like he's sneezing, right, that's.

983
00:51:37,880 --> 00:51:41,680
Speaker 2: What actors do, not the one we've got.

984
00:51:41,760 --> 00:51:44,399
Speaker 4: Okay, so you seem pretty committed to the tissue box idea,

985
00:51:44,480 --> 00:51:46,520
Speaker 4: and it doesn't seem like you're even asking me a question.

986
00:51:46,880 --> 00:51:49,640
Speaker 4: We're just sort of telling you what you came when

987
00:51:49,640 --> 00:51:51,800
Speaker 4: you came up with, and it almost like you're looking

988
00:51:51,880 --> 00:51:53,640
Speaker 4: for approval, not even notes.

989
00:51:54,040 --> 00:51:56,160
Speaker 3: Maybe if I told you some names of some Dave

990
00:51:56,239 --> 00:52:05,400
Speaker 3: Matthews albums, you'd like that Busted stuff, the Lily White Sessions.

991
00:52:03,880 --> 00:52:06,719
Speaker 2: Something about Gugroux.

992
00:52:08,080 --> 00:52:13,359
Speaker 4: Something something Planx, gibberish.

993
00:52:13,920 --> 00:52:17,040
Speaker 2: No, it's like his friend or something.

994
00:52:17,200 --> 00:52:18,680
Speaker 7: His friend is grew Grux.

995
00:52:19,600 --> 00:52:24,040
Speaker 1: Yeah, okay, is that an interesting character?

996
00:52:24,480 --> 00:52:27,240
Speaker 2: Is that an offensive thing to name the Native American?

997
00:52:27,560 --> 00:52:29,520
Speaker 7: I didn't know what was the Native American guy?

998
00:52:29,680 --> 00:52:31,839
Speaker 2: Well now it could it be? But is that an

999
00:52:32,000 --> 00:52:33,359
Speaker 2: arguing voodoo? As well?

1000
00:52:33,520 --> 00:52:38,840
Speaker 4: You got excited, and it's important to notice when you're excited.

1001
00:52:38,440 --> 00:52:42,480
Speaker 1: By this nameless character who should have a named, it's

1002
00:52:42,560 --> 00:52:45,799
Speaker 1: kind of fucked up in some way. And we have

1003
00:52:45,880 --> 00:52:47,239
Speaker 1: this stupid name.

1004
00:52:47,760 --> 00:52:50,359
Speaker 7: Well, yeah, I mean one in one make two mm hmm.

1005
00:52:51,160 --> 00:52:52,560
Speaker 7: What's this? What are you making me listen to?

1006
00:52:52,680 --> 00:52:53,600
Speaker 5: Now? What is this?

1007
00:52:53,680 --> 00:52:55,960
Speaker 2: I'm making you do it? You can get the opportunity

1008
00:52:56,040 --> 00:52:58,040
Speaker 2: you want to go? Oh wait, sorry, you want to go? Go?

1009
00:52:58,360 --> 00:52:59,360
Speaker 2: There's the door?

1010
00:53:00,760 --> 00:53:01,680
Speaker 7: Do you want me to go?

1011
00:53:02,960 --> 00:53:05,759
Speaker 3: Do we want help with our musical? It doesn't seem like,

1012
00:53:05,840 --> 00:53:08,080
Speaker 3: you know, this thing is called Jimmy thing. Now maybe

1013
00:53:08,080 --> 00:53:10,680
Speaker 3: it could be called Julie thing. And you're you know,

1014
00:53:10,719 --> 00:53:13,000
Speaker 3: if it works out, wow, not really down.

1015
00:53:12,840 --> 00:53:23,920
Speaker 5: Listening to.

1016
00:53:30,120 --> 00:53:31,160
Speaker 7: Do something that.

1017
00:53:34,360 --> 00:53:37,640
Speaker 3: I think he's about to say and I don't know,

1018
00:53:38,239 --> 00:53:41,239
Speaker 3: And I think he's about to say what I want

1019
00:53:41,440 --> 00:53:50,239
Speaker 3: is what I've not got, And.

1020
00:53:50,239 --> 00:53:52,400
Speaker 2: So we're trying to I mean, have you ever felt

1021
00:53:52,400 --> 00:53:56,240
Speaker 2: that way? Oh yeah, we're trying to put a story together.

1022
00:53:56,320 --> 00:53:58,480
Speaker 2: I think he said he takes a taste of white pepper.

1023
00:53:58,800 --> 00:53:59,680
Speaker 7: I don't know that.

1024
00:54:00,040 --> 00:54:01,279
Speaker 4: It was hard to hear, but I did hear that

1025
00:54:01,280 --> 00:54:02,840
Speaker 4: he was on his knees at one point and it

1026
00:54:02,880 --> 00:54:03,800
Speaker 4: seemed kind of sexy.

1027
00:54:05,120 --> 00:54:09,720
Speaker 3: So maybe you're finding a way into this story. What

1028
00:54:10,080 --> 00:54:14,160
Speaker 3: you so you because we're calling it Julie thing now.

1029
00:54:15,160 --> 00:54:18,319
Speaker 3: Definitely you definitely felt like what you've won is what

1030
00:54:18,400 --> 00:54:19,680
Speaker 3: you've not got.

1031
00:54:19,560 --> 00:54:22,680
Speaker 4: I think everybody has, which is why it seems universal.

1032
00:54:22,719 --> 00:54:24,040
Speaker 7: But you're being specific.

1033
00:54:23,880 --> 00:54:28,720
Speaker 2: And what you need is around you. So now you've

1034
00:54:28,760 --> 00:54:30,799
Speaker 2: got that way in the thing. And then how do

1035
00:54:30,840 --> 00:54:31,480
Speaker 2: you know Davy?

1036
00:54:33,040 --> 00:54:34,799
Speaker 7: Well, how old is Davy at this point?

1037
00:54:34,960 --> 00:54:35,680
Speaker 2: He's a little kid.

1038
00:54:35,719 --> 00:54:38,880
Speaker 1: And so that's why that's why the sexual thing that

1039
00:54:38,960 --> 00:54:40,480
Speaker 1: I like him being on his knees.

1040
00:54:40,200 --> 00:54:43,960
Speaker 3: It seems like he's I don't want to him being

1041
00:54:44,000 --> 00:54:53,400
Speaker 3: on his knees. That he's Yes, you said, I did

1042
00:54:53,520 --> 00:54:56,160
Speaker 3: not say you wanted, which we said he was a

1043
00:54:56,160 --> 00:54:56,640
Speaker 3: little kid.

1044
00:54:56,680 --> 00:54:58,960
Speaker 2: You said you wanted him to be on his knees. No,

1045
00:54:59,080 --> 00:55:01,440
Speaker 2: I said that you think that might be extreme.

1046
00:55:01,640 --> 00:55:03,920
Speaker 7: Further that I was uncomfortable with.

1047
00:55:04,440 --> 00:55:08,920
Speaker 3: Hey, hey, I love punk rock, busting down the walls

1048
00:55:09,000 --> 00:55:12,080
Speaker 3: and the moral uh you know, preconceptions.

1049
00:55:12,120 --> 00:55:13,960
Speaker 7: You don't think I love punk, But this.

1050
00:55:13,920 --> 00:55:17,160
Speaker 3: Has got to be commercial too, only because we invested

1051
00:55:17,200 --> 00:55:20,960
Speaker 3: so much money. Okay, so we'll do the little kid chounge.

1052
00:55:21,080 --> 00:55:23,440
Speaker 3: We're doing that on the next one for sure.

1053
00:55:25,280 --> 00:55:25,600
Speaker 7: Okay.

1054
00:55:26,719 --> 00:55:28,880
Speaker 3: I mean me and my boys, A lot of my

1055
00:55:28,960 --> 00:55:33,160
Speaker 3: boys we call sixty nine the happy Meal. And so

1056
00:55:33,440 --> 00:55:36,120
Speaker 3: you know that I totally get what you're getting at,

1057
00:55:36,200 --> 00:55:38,280
Speaker 3: and I totally can speak that language.

1058
00:55:38,960 --> 00:55:39,680
Speaker 2: Even a lot of my.

1059
00:55:39,600 --> 00:55:41,799
Speaker 1: Boys want to call sixty nine the happy We're all

1060
00:55:41,880 --> 00:55:43,640
Speaker 1: adults here, we're adults.

1061
00:55:44,040 --> 00:55:48,600
Speaker 3: Yeah, okay, there's a hand in poker ace king that

1062
00:55:48,640 --> 00:55:51,680
Speaker 3: they call big slick. But then me and my boys

1063
00:55:51,800 --> 00:55:56,120
Speaker 3: sometimes call six' nine big. Limp so you know that

1064
00:55:56,239 --> 00:55:58,560
Speaker 3: my boys can totally understan where you're getting.

1065
00:55:58,560 --> 00:56:00,719
Speaker 2: At but this needs to be more, Marshall.

1066
00:56:00,440 --> 00:56:03,880
Speaker 4: Julie, Okay i'm sorry IF i pushed the.

1067
00:56:04,080 --> 00:56:04,920
Speaker 7: Limits.

1068
00:56:05,239 --> 00:56:08,960
Speaker 3: Yeah, now if you want a little The Native american Guy,

1069
00:56:09,120 --> 00:56:09,960
Speaker 3: grux he's.

1070
00:56:10,000 --> 00:56:14,680
Speaker 7: Older you want to Watch greg rus chow down On?

1071
00:56:16,360 --> 00:56:23,040
Speaker 1: Gregrux is his Sister. Grewgrux HE'S i, mean he's, Old

1072
00:56:23,760 --> 00:56:24,879
Speaker 1: like he's very.

1073
00:56:24,920 --> 00:56:30,040
Speaker 7: Old is that one of those flavor savers.

1074
00:56:29,960 --> 00:56:32,600
Speaker 3: In the story of the of the musical as it,

1075
00:56:32,719 --> 00:56:35,719
Speaker 3: Stands greugrux is two hundred and seventy five years.

1076
00:56:35,760 --> 00:56:42,040
Speaker 2: Old he wants to, die that's kind of his.

1077
00:56:42,239 --> 00:56:44,840
Speaker 4: Arc and does he sing a song about wanting to

1078
00:56:44,880 --> 00:56:48,760
Speaker 4: die while he's like chowing down like into a woman's?

1079
00:56:49,560 --> 00:56:52,960
Speaker 1: Lap, see and How gradua to me would have actually

1080
00:56:52,960 --> 00:56:53,600
Speaker 1: worked really?

1081
00:56:53,640 --> 00:56:55,920
Speaker 2: Well be? Good can you.

1082
00:56:55,880 --> 00:56:58,120
Speaker 7: Make a call to your guy and maybe you negotiate.

1083
00:56:58,160 --> 00:56:58,960
Speaker 2: It if we get that in the.

1084
00:56:59,000 --> 00:57:02,000
Speaker 3: Package did we get don't drink the water? One because

1085
00:57:02,000 --> 00:57:04,560
Speaker 3: that end we have a we have a tiny bit

1086
00:57:04,600 --> 00:57:06,640
Speaker 3: of that xact. One let me see what part of

1087
00:57:06,640 --> 00:57:06,960
Speaker 3: it we.

1088
00:57:07,040 --> 00:57:12,160
Speaker 1: Have we have a piece from the, middle, Right, yeah

1089
00:57:12,200 --> 00:57:13,680
Speaker 1: it's it's the exact.

1090
00:57:13,760 --> 00:57:17,280
Speaker 2: MIDDLE i hope they talk about don't drink the water

1091
00:57:17,360 --> 00:57:24,720
Speaker 2: in this. Part oh, GOD i hope so. Bad it's

1092
00:57:24,720 --> 00:57:25,520
Speaker 2: the guitar.

1093
00:57:25,360 --> 00:57:31,560
Speaker 7: So and there might be some, mandolin a lot of

1094
00:57:31,600 --> 00:57:32,160
Speaker 7: plucking of.

1095
00:57:32,240 --> 00:57:35,400
Speaker 2: Strings this is actually not the. WORST i don't think

1096
00:57:35,440 --> 00:57:36,160
Speaker 2: there are enough.

1097
00:57:36,000 --> 00:57:37,600
Speaker 7: Strong female characters in this.

1098
00:57:37,760 --> 00:57:40,200
Speaker 2: Piece this is? That this right? Here is that the

1099
00:57:40,240 --> 00:57:43,200
Speaker 2: worst soundtrack for getting munched?

1100
00:57:43,240 --> 00:57:48,520
Speaker 3: ON i don't think there's enough strong female, characters but

1101
00:57:48,560 --> 00:57:49,480
Speaker 3: fe male characters are the.

1102
00:57:49,440 --> 00:57:50,400
Speaker 2: Only ones getting.

1103
00:57:50,480 --> 00:57:55,360
Speaker 3: Up, okay, okay we got just a hint of vocal in,

1104
00:57:55,440 --> 00:57:57,680
Speaker 3: there AND i think that's, enough, Right.

1105
00:57:58,200 --> 00:58:00,800
Speaker 7: Okay maybe that's at he finished or she.

1106
00:58:00,880 --> 00:58:03,160
Speaker 2: FINISHED i guess she's. Finished and then you just get

1107
00:58:03,200 --> 00:58:05,520
Speaker 2: a little hint of vocal and.

1108
00:58:05,600 --> 00:58:07,040
Speaker 7: Because now he's free to sing.

1109
00:58:08,160 --> 00:58:10,520
Speaker 3: And grew groux and then he can launch right into

1110
00:58:10,920 --> 00:58:12,440
Speaker 3: you know, whatever the next tune.

1111
00:58:12,600 --> 00:58:16,040
Speaker 1: Is, Huh, well now he can assent the curse is.

1112
00:58:16,040 --> 00:58:19,080
Speaker 1: Broken the curse he had unfinished business On.

1113
00:58:19,160 --> 00:58:25,400
Speaker 2: Earth uh? Huh and this the circle is?

1114
00:58:25,480 --> 00:58:28,760
Speaker 3: Complete, Okay, so and do you have a pitch for

1115
00:58:28,800 --> 00:58:30,000
Speaker 3: the ship he gets back.

1116
00:58:30,040 --> 00:58:35,400
Speaker 4: In it would be funny if it were like something

1117
00:58:35,440 --> 00:58:35,960
Speaker 4: from pop.

1118
00:58:36,000 --> 00:58:40,760
Speaker 3: Culture let me tell you what we have, first.

1119
00:58:41,160 --> 00:58:44,800
Speaker 2: Okay and go. Ahead it kind of has to. Be

1120
00:58:44,840 --> 00:58:48,000
Speaker 2: this a bunch of Dunkin donuts? Cups?

1121
00:58:49,920 --> 00:58:54,600
Speaker 7: Okay are they connected in some like? Wreaths or how are?

1122
00:58:54,640 --> 00:58:56,760
Speaker 7: They how are they formed a? Vessel right?

1123
00:58:56,760 --> 00:58:59,440
Speaker 2: Now they're? Loose, okay that doesn't all.

1124
00:58:59,560 --> 00:59:02,640
Speaker 3: Right there's tape over the, label so we could potentially

1125
00:59:02,760 --> 00:59:04,000
Speaker 3: use that tape to fuse.

1126
00:59:04,120 --> 00:59:06,160
Speaker 4: THEM i don't think he should go back to his

1127
00:59:06,240 --> 00:59:07,440
Speaker 4: home planet on a bunch of.

1128
00:59:07,480 --> 00:59:08,680
Speaker 7: Cups he's a.

1129
00:59:08,720 --> 00:59:10,880
Speaker 2: Ghost it'll be, fun be.

1130
00:59:11,080 --> 00:59:12,880
Speaker 7: Fun what if he went.

1131
00:59:12,840 --> 00:59:16,200
Speaker 4: On ah like An Oscar Meyer wiener.

1132
00:59:16,840 --> 00:59:21,640
Speaker 1: Mobile, okay now that is. FUNNY i wonder IF i

1133
00:59:23,840 --> 00:59:25,680
Speaker 1: have one on my, keychain AND i.

1134
00:59:25,680 --> 00:59:27,400
Speaker 2: Wonder, god how would this?

1135
00:59:27,440 --> 00:59:29,840
Speaker 1: Work WOULD i hold it up really close to everyone

1136
00:59:29,880 --> 00:59:31,439
Speaker 1: of the audience's eyes to make it look.

1137
00:59:31,480 --> 00:59:32,720
Speaker 2: Big put it close to the.

1138
00:59:32,840 --> 00:59:37,400
Speaker 1: Lens, oh, ship it's a musical and we've run into this.

1139
00:59:37,480 --> 00:59:41,160
Speaker 7: Problem, Okay, yeah it's a.

1140
00:59:41,200 --> 00:59:46,080
Speaker 1: Funny put it in front of a fire and then

1141
00:59:46,120 --> 00:59:47,880
Speaker 1: it looks big on the, wall the.

1142
00:59:47,920 --> 00:59:50,360
Speaker 7: Shadow, oh like The Native americans used to.

1143
00:59:50,440 --> 00:59:55,600
Speaker 1: Do, yes story the greatest. Fire that's, funny the big.

1144
00:59:55,640 --> 01:00:00,760
Speaker 2: WEENIE i like.

1145
01:00:00,840 --> 01:00:03,960
Speaker 4: It it seems to me like you guys have a

1146
01:00:03,960 --> 01:00:07,160
Speaker 4: lot of, backstory BUT i don't know what the actual story. Is.

1147
01:00:07,480 --> 01:00:10,120
Speaker 1: OH i thought that's exactly what we were asking you

1148
01:00:10,160 --> 01:00:10,720
Speaker 1: for at the very.

1149
01:00:10,760 --> 01:00:13,600
Speaker 7: Beginning, yes every TIME i pitch, something you shot it.

1150
01:00:13,680 --> 01:00:16,800
Speaker 2: Down we have, element we have, elements we have we

1151
01:00:16,880 --> 01:00:17,280
Speaker 2: have some.

1152
01:00:17,320 --> 01:00:20,560
Speaker 4: Restrictions, yes, Okay well can you just tell me how

1153
01:00:20,640 --> 01:00:22,320
Speaker 4: does how does the first act?

1154
01:00:22,480 --> 01:00:24,560
Speaker 7: End and how does the musical?

1155
01:00:24,640 --> 01:00:27,160
Speaker 2: End this thing needs more acts than, ONE.

1156
01:00:28,600 --> 01:00:35,120
Speaker 7: I think traditionally you have a two action. Structure where

1157
01:00:35,120 --> 01:00:35,400
Speaker 7: does it?

1158
01:00:35,600 --> 01:00:37,400
Speaker 4: End, like does the little boy grow up to Be

1159
01:00:37,480 --> 01:00:38,680
Speaker 4: Dave matthews and start a?

1160
01:00:38,760 --> 01:00:45,560
Speaker 2: Band, yes he brings all of the different guitar that's

1161
01:00:45,600 --> 01:00:48,800
Speaker 2: the first, guitar and then, yes and uses.

1162
01:00:48,600 --> 01:00:50,360
Speaker 7: It to start a.

1163
01:00:50,360 --> 01:00:54,720
Speaker 1: Band, well we can't show the he why because we

1164
01:00:54,920 --> 01:00:57,440
Speaker 1: don't have the rights to the idea of a.

1165
01:00:57,480 --> 01:01:02,640
Speaker 7: Band you painted yourself into a. Corner what?

1166
01:01:03,920 --> 01:01:04,280
Speaker 2: Happened?

1167
01:01:04,840 --> 01:01:07,640
Speaker 7: God can you sing like? That is that? Legal if you?

1168
01:01:07,880 --> 01:01:08,000
Speaker 3: Do?

1169
01:01:08,240 --> 01:01:09,080
Speaker 2: Like you?

1170
01:01:09,120 --> 01:01:11,240
Speaker 7: Know AND i won't say an, impression but an.

1171
01:01:11,280 --> 01:01:13,840
Speaker 3: Interpretation as long As i'm singing from the stuff we

1172
01:01:13,920 --> 01:01:15,880
Speaker 3: have licensed. To IF i were to do the part

1173
01:01:15,920 --> 01:01:19,040
Speaker 3: From Ant's marching where he goes cop cop cop, cot

1174
01:01:19,640 --> 01:01:22,760
Speaker 3: that's illegal and we have to edit that, out and

1175
01:01:22,840 --> 01:01:24,720
Speaker 3: so now it's gonna sound Like i'm doing.

1176
01:01:24,760 --> 01:01:27,200
Speaker 2: Again But, sam that part we do need to cop.

1177
01:01:27,360 --> 01:01:32,440
Speaker 3: Cot so that is just, that you, know way do you?

1178
01:01:32,480 --> 01:01:33,160
Speaker 2: Know that's how you?

1179
01:01:33,200 --> 01:01:35,400
Speaker 7: Say do you guys like the squirrel and Nut? Zippers?

1180
01:01:36,520 --> 01:01:38,080
Speaker 2: Oh do you?

1181
01:01:38,160 --> 01:01:42,760
Speaker 4: Remember is really they had like a cool girl who

1182
01:01:42,840 --> 01:01:46,600
Speaker 4: dressed in like clothes that she found it a dump.

1183
01:01:46,440 --> 01:01:48,040
Speaker 7: And she would she be, like.

1184
01:01:52,960 --> 01:02:01,600
Speaker 2: He's finding? It AND i think he's, like, oh now

1185
01:02:01,680 --> 01:02:06,640
Speaker 2: is it legal for you to sing like? That he was, like, thought,

1186
01:02:09,760 --> 01:02:13,520
Speaker 2: birds this is the song you want to gotta do the. Munching,

1187
01:02:14,480 --> 01:02:18,920
Speaker 2: NO i didn't say that. Day you didn't say.

1188
01:02:18,960 --> 01:02:20,160
Speaker 7: That, no that just happened in.

1189
01:02:20,200 --> 01:02:25,640
Speaker 4: College oh my, God southern culture on the skids and

1190
01:02:25,760 --> 01:02:26,280
Speaker 4: squirrel Nut.

1191
01:02:26,360 --> 01:02:32,120
Speaker 2: Zippers this band is so money. Baby it was.

1192
01:02:32,040 --> 01:02:36,120
Speaker 4: So great before nine to eleven when we Loved, Swing,

1193
01:02:36,720 --> 01:02:41,720
Speaker 4: yes because what we didn't really talk about is that

1194
01:02:41,800 --> 01:02:43,920
Speaker 4: when the towers, fell so Did.

1195
01:02:44,000 --> 01:02:47,760
Speaker 3: Swing remember When Brian setzer tried to bring it back

1196
01:02:47,800 --> 01:02:49,920
Speaker 3: and then it didn't, work and then he just cooled

1197
01:02:49,960 --> 01:02:54,280
Speaker 3: his fucking heels for like a decade and a half

1198
01:02:54,680 --> 01:02:58,400
Speaker 3: and then just a big cheshia cat grin stuffed across

1199
01:02:58,440 --> 01:03:03,360
Speaker 3: his face as big bad woody yeah, yeah and squirrelled the,

1200
01:03:03,520 --> 01:03:04,919
Speaker 3: zippers yeah.

1201
01:03:05,840 --> 01:03:08,360
Speaker 2: Dad and he let them pave the road for. Him

1202
01:03:08,440 --> 01:03:10,880
Speaker 2: and then he just went told.

1203
01:03:10,960 --> 01:03:14,360
Speaker 3: Ya AND i remember distinctly he turned to me and

1204
01:03:14,400 --> 01:03:15,959
Speaker 3: he just, said told, ja.

1205
01:03:16,160 --> 01:03:18,400
Speaker 7: Like the like the moon in that movie where the

1206
01:03:18,400 --> 01:03:22,000
Speaker 7: moon gets his eye, Whacked, yeah by a telescope or

1207
01:03:22,360 --> 01:03:22,760
Speaker 7: a space.

1208
01:03:22,760 --> 01:03:23,000
Speaker 2: Ship.

1209
01:03:24,000 --> 01:03:27,080
Speaker 4: Yeah Brian setzer seemed like a real like string, puller

1210
01:03:27,600 --> 01:03:31,440
Speaker 4: like A Robert evans of the swing. Generation AND i

1211
01:03:32,120 --> 01:03:35,680
Speaker 4: remember also when The Mighty mighty Boss tones were the.

1212
01:03:35,680 --> 01:03:36,920
Speaker 7: House band For Jimmy.

1213
01:03:37,000 --> 01:03:43,000
Speaker 4: Kimmel's it was called the The Kimmel, project and they

1214
01:03:43,080 --> 01:03:49,240
Speaker 4: had it was like a raspy voice was really, comforting.

1215
01:03:52,200 --> 01:03:53,720
Speaker 2: Welcome, Yeah gimma.

1216
01:03:53,800 --> 01:04:01,840
Speaker 4: Project yeah, yeah listen to me for an. Hour it

1217
01:04:01,920 --> 01:04:08,000
Speaker 4: was so, edgy and it was like that was When

1218
01:04:08,040 --> 01:04:09,480
Speaker 4: skott was punk and everything was.

1219
01:04:09,520 --> 01:04:09,800
Speaker 7: Punk.

1220
01:04:10,640 --> 01:04:16,200
Speaker 3: YEAH i like the Scot puns AND i like fuh.

1221
01:04:16,200 --> 01:04:20,400
Speaker 2: As, well you guys what a great.

1222
01:04:20,480 --> 01:04:22,920
Speaker 3: MUSICAL i feel like we've made together and we really

1223
01:04:22,960 --> 01:04:25,200
Speaker 3: just need one more thing from, it AM.

1224
01:04:25,000 --> 01:04:29,640
Speaker 2: I, Right, hayes the pro, version just the pro. Version so.

1225
01:04:31,400 --> 01:04:34,120
Speaker 3: For the pro, version we're gonna name a character in

1226
01:04:34,160 --> 01:04:38,280
Speaker 3: the musical after you And julie is going to tell

1227
01:04:38,280 --> 01:04:40,960
Speaker 3: you Which Dave matthews song plays when your character gets.

1228
01:04:40,960 --> 01:04:45,680
Speaker 1: Introduced, wait, well do you want to like you want

1229
01:04:45,680 --> 01:04:47,320
Speaker 1: to talk about the? Show how do We how do

1230
01:04:47,360 --> 01:04:47,760
Speaker 1: we watch the?

1231
01:04:47,840 --> 01:04:52,520
Speaker 2: Show? Show where your? Show we want you to get.

1232
01:04:52,520 --> 01:04:58,400
Speaker 2: That which which? Computer any computer has the show on?

1233
01:04:58,440 --> 01:05:01,240
Speaker 2: It i'm going to talk to. Se do you have a?

1234
01:05:01,240 --> 01:05:01,640
Speaker 7: Computer?

1235
01:05:02,560 --> 01:05:05,760
Speaker 2: Oh, well it's my, computer, Baby he's got one That

1236
01:05:05,880 --> 01:05:07,600
Speaker 2: i'm sharing. With, HAYES i do have.

1237
01:05:07,720 --> 01:05:11,600
Speaker 3: One is my little Cousin sam also will let me

1238
01:05:11,720 --> 01:05:12,640
Speaker 3: sometimes share his.

1239
01:05:12,760 --> 01:05:15,680
Speaker 7: Tablet, okay, well, surface, okay.

1240
01:05:16,160 --> 01:05:18,360
Speaker 4: Okay, well if you go To hulu dot, Com i'm

1241
01:05:18,360 --> 01:05:20,280
Speaker 4: sure do you know how to you can do?

1242
01:05:20,360 --> 01:05:24,960
Speaker 2: That the screen doesn't want to eat those keys, anymore.

1243
01:05:27,680 --> 01:05:30,680
Speaker 7: It, Says i'm sure you guys will?

1244
01:05:31,080 --> 01:05:36,440
Speaker 2: Now is this? So is just So i'm clear on

1245
01:05:36,480 --> 01:05:36,720
Speaker 2: what it?

1246
01:05:36,800 --> 01:05:40,360
Speaker 3: Is is this a streaming service THAT i can pay

1247
01:05:40,440 --> 01:05:42,120
Speaker 3: for BUT i still get to watch the?

1248
01:05:42,160 --> 01:05:45,840
Speaker 2: Ads is that possible.

1249
01:05:47,920 --> 01:05:50,640
Speaker 3: BECAUSE i KNOW i pay For, netflix WHICH i, love

1250
01:05:50,840 --> 01:05:55,400
Speaker 3: but then there's no. Ads well there's, right, right And

1251
01:05:56,040 --> 01:05:58,200
Speaker 3: amazon is the same, way and it's.

1252
01:05:58,200 --> 01:05:59,160
Speaker 2: Frustrating it is.

1253
01:05:59,160 --> 01:06:01,440
Speaker 4: Frustrating, well the great thing About netflix is that it

1254
01:06:01,480 --> 01:06:08,360
Speaker 4: has every season Of Peaky blinders and nothing. Else but

1255
01:06:08,720 --> 01:06:11,360
Speaker 4: the great thing is there's so many seasons Of Peaky

1256
01:06:11,400 --> 01:06:15,400
Speaker 4: blinders and all These british shows that shows you didn't

1257
01:06:15,400 --> 01:06:17,440
Speaker 4: even know were based on M.

1258
01:06:18,000 --> 01:06:20,439
Speaker 2: Right, Yes SO i mean.

1259
01:06:20,360 --> 01:06:21,280
Speaker 7: It's a it's a trade.

1260
01:06:21,320 --> 01:06:25,440
Speaker 3: Off well that's, nice AND i do like, that AND i,

1261
01:06:25,520 --> 01:06:28,120
Speaker 3: do BUT i get so mad THAT i don't get

1262
01:06:28,120 --> 01:06:28,360
Speaker 3: to see.

1263
01:06:28,360 --> 01:06:32,440
Speaker 2: Commercials so If i'm going to pay for not only the,

1264
01:06:32,480 --> 01:06:34,600
Speaker 2: option but have to insist That.

1265
01:06:34,640 --> 01:06:37,200
Speaker 4: I'm going to address, This i'm going to address. This,

1266
01:06:37,240 --> 01:06:41,240
Speaker 4: okay as of, now you can watch my show. Free

1267
01:06:41,920 --> 01:06:46,120
Speaker 4: you will have to sit through. Ads, Okay but CAN i, Pay.

1268
01:06:46,160 --> 01:06:51,280
Speaker 3: Julie and IF i, pay does that MEAN i lose the?

1269
01:06:51,360 --> 01:06:54,560
Speaker 2: Ad give the people what they? Want, julie you.

1270
01:06:54,720 --> 01:06:59,120
Speaker 4: Can, Pay AND i would also, say, yes you'll have

1271
01:06:59,200 --> 01:07:00,640
Speaker 4: your your precious.

1272
01:07:00,760 --> 01:07:02,520
Speaker 7: Ads but the.

1273
01:07:02,600 --> 01:07:05,320
Speaker 1: Beginning CAN i have both the long add at the

1274
01:07:05,320 --> 01:07:08,000
Speaker 1: beginning and the ads in the middle?

1275
01:07:08,040 --> 01:07:09,120
Speaker 2: Part why DO i HAVE.

1276
01:07:11,360 --> 01:07:16,440
Speaker 4: I wanted to say on behalf of my. Patrons my meta,

1277
01:07:16,520 --> 01:07:22,160
Speaker 4: cheese uh is when you buy the, thing then you

1278
01:07:22,200 --> 01:07:24,520
Speaker 4: can have access to all the, episodes and if you

1279
01:07:24,560 --> 01:07:27,480
Speaker 4: don't buy the, thing then it's just the current, EPISODE i.

1280
01:07:27,520 --> 01:07:30,760
Speaker 4: Think and then one day there'll be a paid option

1281
01:07:30,880 --> 01:07:32,360
Speaker 4: where there's no, ads but that's not.

1282
01:07:32,480 --> 01:07:39,640
Speaker 2: Today, Okay, well and that's another.

1283
01:07:39,720 --> 01:07:44,280
Speaker 1: Musical so b wait we forgot to, no, no we

1284
01:07:44,320 --> 01:07:46,880
Speaker 1: forgot to give the. Proversion no, no wait stop say

1285
01:07:47,080 --> 01:07:54,920
Speaker 1: don't do. It Mike bennetti gets a proversion uh uh

1286
01:07:55,200 --> 01:07:59,600
Speaker 1: and his, CHARACTER i guess wants to Bone eddie is

1287
01:07:59,800 --> 01:08:04,479
Speaker 1: ar mm. Hmmm and so and what Was julie gonna?

1288
01:08:04,520 --> 01:08:08,440
Speaker 2: Do tell Which Dave matthews? Song is he introducing that

1289
01:08:08,600 --> 01:08:09,240
Speaker 2: character to.

1290
01:08:10,400 --> 01:08:11,440
Speaker 4: The cat in the?

1291
01:08:11,480 --> 01:08:14,360
Speaker 2: Fiddle that doesn't seem right?

1292
01:08:14,560 --> 01:08:23,360
Speaker 3: By this has been An Earwolf media Production executive Producers

1293
01:08:23,400 --> 01:08:24,280
Speaker 3: Jeff ulrick And Scott.

1294
01:08:24,280 --> 01:08:32,160
Speaker 2: Ackerman for more, information Visit earwolf dot, com EAR Warf

1295
01:08:32,320 --> 01:08:42,160
Speaker 2: Radio boom dot. Com THE Worlf dead