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Speaker 1: Are you leaving? I you wanna way back home?

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Speaker 2: Either way, we want to be there.

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Speaker 3: Doesn't matter how much baggage you claim, and give us

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Speaker 3: time and a terminol and gage.

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Speaker 2: We want to send you off in style.

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Speaker 3: We wanna welcome you back home. Tell us all about it.

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Speaker 1: We scared her?

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Speaker 3: Was it fine? Mal porn?

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Speaker 1: Do you need to ride?

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Speaker 3: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride?

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Speaker 3: Do you need to ride? Do your need you ride?

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Speaker 1: Ride with Karen and Chris? Welcome to Do you need

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Speaker 1: a ride? This is Chris.

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Speaker 3: Fairbanks and this is Karen till Gareth.

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Speaker 4: We are just it's like a standoff with the entrance

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Speaker 4: to the Hollywood Burbank Airport.

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Speaker 1: Yes, it's so easy to get in out in and

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Speaker 1: I kind of want you to just drop me off.

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Speaker 3: Do you want me? Do you want to just take

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Speaker 3: a Southwest flight.

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Speaker 1: Somewhere for old time sake? You know why?

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Speaker 3: Because nothing beats a jet to holiday.

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Speaker 4: I'm going on two jets tomorrow to go where, not

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Speaker 4: on holiday, but this I'm made nervous by this.

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Speaker 1: How faster you dumb? You know? Actually it's the fault

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Speaker 1: doing good.

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Speaker 4: Oh and then they honked because we pointed, Yeah, everyone

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Speaker 4: wants coming.

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Speaker 3: I want it.

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Speaker 1: I would love it. At Day and Age.

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Speaker 4: I'm flying to Portland practicing six songs I can sing,

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Speaker 4: and six songs I have to use the Justin Bieber

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Speaker 4: filter on on my new voicebox machine.

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Speaker 1: And then we have shows. Yes, skate camp.

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Speaker 4: All these skate camps are converging now going to be

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Speaker 4: like three hundred people, and so I'm getting nervous.

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Speaker 3: And excited, both very similar feelings. Yes, I'm getting interchangeable feelings.

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Speaker 4: But I learned for some of the songs where it's

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Speaker 4: more mumbly and not a great recording, I am going

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Speaker 4: to sing those into my more sensitive podcast microphone. And

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Speaker 4: then the ones where I'm screaming I have so I'm

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Speaker 4: going to switch out the mics like a Van Halen

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Speaker 4: Roadie Wow, and have two mics.

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Speaker 1: It solved so many of my worries. Can I make

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Speaker 1: a pitch? Please? Please pitch? Okay?

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Speaker 3: This is a Jeff Martyr based pitch. Remember him as

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Speaker 3: a stand up comic. He used to do both sides

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Speaker 3: of your brain and he would go over here to

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Speaker 3: the left mic, and he would say this idea that

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Speaker 3: was left brain, and then he would go over here

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Speaker 3: and say a right brained idea, and he just walked

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Speaker 3: back and forth between those two mics. I would recommend,

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Speaker 3: as a person who has seen a little bit of

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Speaker 3: the world, that you do not switch out the chord

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Speaker 3: and two mics. That you get two chords and you

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Speaker 3: have two standing micros.

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Speaker 4: I am bringing five chords. Oh, I am going back.

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Speaker 3: And scared that you were doing this. You went like that,

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Speaker 3: and I thought you were going.

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Speaker 4: To be I without looking at a YouTube video, everyone

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Speaker 4: in here on aalis you'd be proud. I'm using the

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Speaker 4: Zoom six recorder as a soundboard.

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Speaker 1: Incredible.

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Speaker 4: All the all the my little singing filter goes into that.

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Speaker 4: It all comes out of the Zoom six. And I

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Speaker 4: got chords for that. So I'm using that, okay, because

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Speaker 4: of the knobs.

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Speaker 1: Are very useful. Yes, so I have so much control. Great,

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Speaker 1: I have all the little subtle filters.

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Speaker 3: I just think you're not only bringing one chord and

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Speaker 3: switching to the actual mic. You're gonna plug two mics

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Speaker 3: in right.

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Speaker 4: Actually, yes, that will take some That will take some

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Speaker 4: finessing because there is only one mic cord that goes

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Speaker 4: into the.

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Speaker 1: Machine, but there's four.

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Speaker 4: A win I use this filter machine. So maybe I

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Speaker 4: will have a regular mic cooked up traditionally I'll yell

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Speaker 4: sing into that the other one. Yeah, I'm using my

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Speaker 4: gimmicky filters, my reverb and my share like auto tunes

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Speaker 4: will go through the voice box, and that that will be.

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Speaker 4: They'll already be set up. Two mics.

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Speaker 3: Great, thank god, that's all I need to hear, and.

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Speaker 1: I'll be a lot like this murder you speak.

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Speaker 3: Of Jeff Marterr, one of the great comics of our time.

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Speaker 4: Jeffrey Martin lit himself of fire like Joan of Arc

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Speaker 4: the Martyr. We all, yes, yes, I really have to

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Speaker 4: ruin that one. To get there, I will have one

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Speaker 4: side left brain songs, one side right, bring songs.

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Speaker 3: I want to say another joke that I think is

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Speaker 3: jeff Martyr, but I could be wrong.

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Speaker 1: Can I do that? Yes?

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Speaker 3: He said, I like to go shopping, and when I

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Speaker 3: bring all my groceries and put them on the conveyor belt,

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Speaker 3: I have my groceries first, and then I like to

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Speaker 3: put a package of toilet paper, and after she after

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Speaker 3: the woman wrings up my groceries. I like to go

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Speaker 3: is three points to the toilet paper? Is this enough

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Speaker 3: for this isn't that the best fucking joke about I

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Speaker 3: saw it when I was like ten, and I got

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Speaker 3: this weird feeling where I'm like, that's it's simplicity, it's relatability,

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Speaker 3: but it's also I can't believe you just said that.

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Speaker 1: So you don't know, Jeff Marder. You just saw them

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Speaker 1: on the A List or something, yes.

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Speaker 3: Exactly, okay, or evening at the Improv nineteen eighty one version.

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Speaker 1: I didn't know these jokes are from then there. It's old.

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Speaker 1: That's amazing.

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Speaker 3: I'm pretty sure I saw. But here's the thing, I

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Speaker 3: could absolutely be attributing an amazing joke that to Jeff

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Speaker 3: Marder when it wasn't his joke, but he had that

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Speaker 3: same you know, that kind of slick blonde dude from

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Speaker 3: the early eighties that did stand up and everyone it's

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Speaker 3: like a who would be the best? Well it's kind

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Speaker 3: of like cousin Joey when but not that goofy. You know,

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Speaker 3: a good looking blonde guy would get up with like

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Speaker 3: a blazer and jeans and he'd be like, here's what

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Speaker 3: you think is funny? Now?

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Speaker 1: Right? Right?

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Speaker 3: Right?

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Speaker 1: Yeah?

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Speaker 4: And I want to look for it because I was

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Speaker 4: a kid and yeah, it was a nice blazer.

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Speaker 3: Great, great, kind of a lot of wool, a lot

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Speaker 3: of elbow patches.

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Speaker 1: Yeah, there's a lot of bad art.

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Speaker 4: I'm like, let's hear this guy out just because of

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Speaker 4: some shoulder pads.

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Speaker 3: Yeah, it was very effective, a nice part right down

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Speaker 3: the center and feathered on the side.

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Speaker 1: Yeah, there is, you can see.

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Speaker 4: I did the Comedy and Magic Club and a lot

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Speaker 4: of those comics are still around, Yes, and you do

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Speaker 4: shows with them and it's like, who's this sweet older

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Speaker 4: fellow and then they're on stage and I recognized their

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Speaker 4: joke yet in television from my childhood.

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Speaker 3: Yep, that's like a Jake Joe Hansson vibe of like

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Speaker 3: Jake Johnson should be. If it was a meritocracy and

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Speaker 3: it was talent based, Jake Johnson would be the most

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Speaker 3: famous person on the planet.

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Speaker 4: Right when I first started doing stand up, and I

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Speaker 4: had Montana Pell's drive all the way down to Texas

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Speaker 4: when I lived there, and they Jake Johnson was performing

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Speaker 4: at the Mad Dog Theater. None of my friends, as

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Speaker 4: far as I knew, I had any interest in stand up,

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Speaker 4: but we all watched MTV and the half hour Comedy

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Speaker 4: Hour with Mario Joyner. They all knew his material. Yeah,

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Speaker 4: they all of my friends were like, oh, this guy's

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Speaker 4: the best I have.

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Speaker 1: Where's he been? And that was twenty five years ago. Yeah,

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Speaker 1: you know, like he Yeah, we should have him back on.

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Speaker 3: We should absolutely analist please. Jake Johnson a few.

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Speaker 4: He when Memory got in the car we picked him up,

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Speaker 4: that these were the airport days.

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Speaker 1: Oh shit, we forgot to drop me off at the airport.

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Speaker 3: That's okay, And he had that whole well, I don't

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Speaker 3: get to go to the airport.

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Speaker 1: I'm just saying, it's so easy. You're in, you're out.

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Speaker 1: It's fine. I'll do it tomorrow.

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Speaker 3: For different, it's different now.

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Speaker 1: Yeah, it actually it is. It's gotten a crowded.

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Speaker 4: I think word is out that it's easy to get to,

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Speaker 4: so now it isn't easy.

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Speaker 3: Everyone's like, I gotta go.

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Speaker 4: Jake had some bit about I I'll go home so

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Speaker 4: my wife can chase me around the house with that

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Speaker 4: rolling pin.

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Speaker 1: He just went for some weird andy cap.

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Speaker 4: Like I knew what he was talking about, and it

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Speaker 4: made me laugh so hard because it was the most

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Speaker 4: random thing ever.

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Speaker 1: Yes, everything he was talking about, Remember how much we laughed.

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Speaker 3: We laughed and giggled. And also it was like it

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Speaker 3: felt like our best friend from high school that we

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Speaker 3: hadn't seen in thirty years. So I was like, why

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Speaker 3: are you always not on this show?

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Speaker 1: Like why are you?

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Speaker 3: Why aren't you in my life? Why aren't you my neighbor? Yeah,

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Speaker 3: Also it makes me think of a joke. The first

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Speaker 3: time I saw him was on Letterman and he did

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Speaker 3: that bit about guns don't kill people, it's those damn

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Speaker 3: bullets and then he goes, can you imagine if you

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Speaker 3: just took bullets to a convenience store and tried to

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Speaker 3: hold it up and you're like, I will push this

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Speaker 3: into your head. Right, But he had that whole bit

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Speaker 3: about people trying to parse words about gun control, which.

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Speaker 4: Was just revamped and made famous by Chris Rock special

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Speaker 4: about the what if we made bullets expensive? He just

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Speaker 4: said provided and yeah, that's the famous one. No one

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Speaker 4: Jake Johnson should get credit. He will right now for

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Speaker 4: Chris Rock's whole career.

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Speaker 1: What what?

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Speaker 4: So sometimes I confidently say things that don't make sense.

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Speaker 1: And that can get you sued. I will get sued.

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Speaker 1: I didn't know we had that mad listeners. This is

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Speaker 1: great news.

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Speaker 3: We don't have that many listeners, but Chris Rock is

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Speaker 3: the main listener, right right, got.

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Speaker 1: Shit, you're a lot of pressure. Yeah.

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Speaker 3: I told you about the time he was on the

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Speaker 3: Ellen Degeneral Show when I was the writer and we

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Speaker 3: wanted him to do a cold open, and so we

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Speaker 3: just wrote this kind of dumb little sketch for him

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Speaker 3: and Ellen to do, and then they were supposed to

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Speaker 3: be doing it and I was in the control room

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Speaker 3: and people are like, Ellen need you, and so I

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Speaker 3: grab my shit up and run down to her dressing

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Speaker 3: room and she had opened the door and been like, Karen,

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Speaker 3: is Karen here?

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Speaker 1: And so then I told you this, right, No, I

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Speaker 1: don't know. This is all new to me.

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Speaker 3: She so she was like, we need't careen or whatever.

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Speaker 3: And then he I walk in and he's Chris Rock

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Speaker 3: is going Karen, Karen, Karen. We can't do anything without Karen,

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Speaker 3: Karen this and Karen that. But it was he was

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Speaker 3: like he was doing a bit with about me right,

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Speaker 3: And it was one of the most like I couldn't

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Speaker 3: get the smile off my face.

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Speaker 1: But also it was so overwhelming.

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Speaker 3: Mars like usually I come in here and like whisper three,

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Speaker 3: He's going to hear and run away and this. It

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Speaker 3: was like he was like, oh, come and take your

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Speaker 3: place care.

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Speaker 4: Yeah, but he's also giving you credit. He's defending you

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Speaker 4: with that sarcasm.

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Speaker 3: He was basically like putting a little It was nuts

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Speaker 3: and so charming. I was like the most charming experience.

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Speaker 3: So I'm just like, well, I permanently love this man.

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Speaker 3: I already thought he was the funniest.

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Speaker 4: But yeah, I oh man, I'm that is that's great

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Speaker 4: to hear he used his powers for good, just like

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Speaker 4: justin Timberlake, when we tried to pitch him dancing in

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Speaker 4: a in a big gingerbread man costume, and Ellen was

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Speaker 4: really afraid to ask.

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Speaker 3: It's such a big ask, like being this thing, it's

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Speaker 3: feeling like you're all sweaty and you probably won't enjoy yourself.

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Speaker 3: And so she kind of didn't want to ask because

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Speaker 3: she was like his number one fan. And so we

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Speaker 3: brought in this sketch to be like, well, here's how

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Speaker 3: we're going to do it, and we'll do this reveal

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Speaker 3: and you come out and do this thing, and basically

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Speaker 3: we're revealing that all along the gingerbread Man, who had

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Speaker 3: in real life been a pay week that we did

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Speaker 3: these gift giveaways we're going to really reveal at the end. Oh,

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Speaker 3: the gingerbread man is actually justin Timberlake the whole time.

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Speaker 3: And he but as she was trying to pitch to him,

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Speaker 3: she kind of like lost she lost faith that she

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Speaker 3: should be doing it. Yeah, and then so she's like,

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Speaker 3: but we don't have to do that, we could do

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Speaker 3: something else. And then and I was sitting there like, no,

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Speaker 3: we can't, we don't have anything else, like this is

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Speaker 3: the whole plan. And then he goes no, no, no,

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Speaker 3: hold on and got all into it and like fought

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Speaker 3: for it.

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Speaker 1: It was crazy.

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Speaker 3: I was like, this is the most generous thing you

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Speaker 3: could fucking be doing right.

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Speaker 1: Now, right, It's won a nice surprise.

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Speaker 4: And these people all, you know, there's other stories that

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Speaker 4: you're not supposed to like them.

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Speaker 1: It's so hard to.

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Speaker 4: Keep track, but you know, we're all supposed to collectively

263
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Speaker 4: not enjoy Fred Durst from Limp Biscuit. So I was

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Speaker 4: doing a red carpet thing and Fred Durst from Limp Biscuit, Yes, was.

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Speaker 1: One of the carp at people.

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Speaker 4: And I was like, ah, and his hat was crooked

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Speaker 4: and he was you know, it was like early two

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Speaker 4: thousands or mid to mid odds, okay, and he I

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Speaker 4: had this.

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Speaker 1: Thing that my boss made me do.

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Speaker 4: We're like, oh, I want to get in there for

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Speaker 4: the Tony Hawk's stand up for skate Parks thing. I

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Speaker 4: have jokes about skateboarding. Will you tell some Like I

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Speaker 4: didn't even write these jokes. I just said sure, And

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Speaker 4: it was proving to be kind of humiliating.

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Speaker 1: Vince Vaughn was really mean to me. Everyone was mean

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Speaker 1: to me.

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Speaker 4: Jamie Lee Curtis was the sweetest human in the worlds

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Speaker 4: and ran in bought a hat because I was getting sunburnt,

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Speaker 4: and she put it on my head. I'll never forget it.

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Speaker 4: And then the next year she signed it. It's like,

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Speaker 4: you might not remember, but this hat. She's like, of

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Speaker 4: course I remember, and she signed it SPF thirty five

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Speaker 4: or greater always and wrote it on the hat.

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Speaker 1: And of course I lost the hat. But I had these.

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Speaker 4: Jokes and I was like, hey, these will you do

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00:14:04,160 --> 00:14:05,920
Speaker 4: this thing where you tell these jokes?

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Speaker 1: He's like, like pretending to be a comedian.

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00:14:08,400 --> 00:14:11,360
Speaker 4: Yeah, yeah, do you mind if I take the jokes

290
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Speaker 4: for a minute and go memorize them so I'm not

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00:14:13,960 --> 00:14:16,600
Speaker 4: looking at a piece of paper and then he stepped

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Speaker 4: off the carpet all these ignoring all the press, yes,

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00:14:20,520 --> 00:14:24,080
Speaker 4: reading these jokes, and I saw him like practicing them,

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Speaker 4: and like like everyone thought he was going crazy because

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Speaker 4: he's gone. Then he came and he at them all

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00:14:30,840 --> 00:14:34,240
Speaker 4: memorized and he's hey, folks, and he did these like

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00:14:34,400 --> 00:14:38,640
Speaker 4: cheesy play on word jokes about skateboarding and nailed it.

298
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Speaker 4: And I will forever love yes Fred Durst from Biscuit,

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Speaker 4: you know, because it.

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Speaker 3: Means that he is a caring, empathetic human who understands

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Speaker 3: what it feels like to be in the business really

302
00:14:53,560 --> 00:14:56,920
Speaker 3: doing your best on camera and like not. I'm sure

303
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Speaker 3: he's had terrible experiences in that exact same pace.

304
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Speaker 4: He's had days where he wakes up and he's like,

305
00:15:03,760 --> 00:15:05,320
Speaker 4: all I want to do is break stuff.

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Speaker 3: All I want to do is chocolate starfish and the

307
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Speaker 3: hot dog.

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00:15:09,320 --> 00:15:14,840
Speaker 4: The hot dog flavored water, the chocolate starfish and the

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Speaker 4: hot dog flavored water.

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Speaker 1: Oh innuendo cho the chocolate starfish.

311
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Speaker 3: When that happened and that album came out, and that's

312
00:15:23,000 --> 00:15:25,160
Speaker 3: what people were talking about. First of all, I was

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00:15:25,240 --> 00:15:28,280
Speaker 3: on a great deal of speed slash diet pills, so

314
00:15:28,360 --> 00:15:30,680
Speaker 3: everything was a little more extra than it needed to

315
00:15:30,920 --> 00:15:34,240
Speaker 3: right right, But I was like, we're done, Like this

316
00:15:34,400 --> 00:15:36,800
Speaker 3: is the dumbest ship and the people that do it

317
00:15:36,800 --> 00:15:38,680
Speaker 3: are dumb. That was also the advent of kid rock.

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Speaker 3: All of a sudden, you just had all these weird

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Speaker 3: pseudo rock White Wrap Nightmare, fucking Yeah, Nu Metal.

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Speaker 1: And you Metal and metal ad time.

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Speaker 3: Yeah? Was there was there an umlat over the ut Metal.

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Speaker 4: I think that the reason that bothered me so much

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00:16:01,840 --> 00:16:05,200
Speaker 4: is because I know what spawned it, and that specifically

324
00:16:05,560 --> 00:16:10,760
Speaker 4: is the Judgment Night soundtrack where they had Slayer with

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Speaker 4: iced Tea, sound Garden and.

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Speaker 1: I forget who else, but they're Aerosmith and run.

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00:16:19,920 --> 00:16:23,920
Speaker 4: Yes, and also like del the funky Homo Sapien with

328
00:16:24,120 --> 00:16:29,400
Speaker 4: Sonic Youth, Like it was my confused kid brain where

329
00:16:29,440 --> 00:16:31,360
Speaker 4: it's like I like this hip hop, but I also

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Speaker 4: like this alternative rock.

331
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Speaker 1: Where will they ever converge?

332
00:16:37,720 --> 00:16:40,840
Speaker 4: Cut to a weird movie with Dennis Leary and Jeremy

333
00:16:40,920 --> 00:16:44,880
Speaker 4: Piven about something I don't remember what was it called.

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Speaker 1: It was called Judgment and the soundtrack was.

335
00:16:49,880 --> 00:16:52,840
Speaker 4: Made for me because I was like, I love this

336
00:16:52,920 --> 00:16:54,840
Speaker 4: hip hop and I love all these bands.

337
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Speaker 1: I wonder if that was a music director.

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Speaker 3: I don't know what that job would be, sound engineer

339
00:17:01,920 --> 00:17:04,520
Speaker 3: or a music director for that movie that was so good,

340
00:17:04,880 --> 00:17:07,480
Speaker 3: that's like it was an early I've done this with

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00:17:07,600 --> 00:17:10,720
Speaker 3: where I'm like, I love David Fincher movies. I also

342
00:17:10,800 --> 00:17:15,440
Speaker 3: love the George Michael video Freedom or whatever, and then

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00:17:15,480 --> 00:17:17,479
Speaker 3: it's like and then you find out that was directed

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Speaker 3: by Daviditch.

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Speaker 4: I would put money on the fact that this was

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Speaker 4: a music director that made that on At.

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00:17:23,040 --> 00:17:25,040
Speaker 3: Least do you want to first of all, let me

348
00:17:25,080 --> 00:17:28,639
Speaker 3: get a financial number. Sure, you will put money on

349
00:17:28,680 --> 00:17:31,480
Speaker 3: it. It's going to be thirty dollars. Oh, I'm sorry, which

350
00:17:31,600 --> 00:17:32,000
Speaker 3: video again?

351
00:17:32,200 --> 00:17:34,359
Speaker 1: Twenty I'll do twenty, okay, twenty dollars.

352
00:17:34,480 --> 00:17:37,679
Speaker 4: Yeah, but yeah, wait, do you want it to be

353
00:17:38,200 --> 00:17:38,560
Speaker 4: a muse?

354
00:17:38,720 --> 00:17:41,440
Speaker 1: We both want the same thing. Yes, we will each

355
00:17:41,480 --> 00:17:43,360
Speaker 1: give each other twenty dollars swim or right.

356
00:17:44,720 --> 00:17:47,000
Speaker 3: This is a bet where we agree with each other. Yeah,

357
00:17:47,119 --> 00:17:49,520
Speaker 3: but the energy is very hostile.

358
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Speaker 1: Right, Okay, I person, I'm so sorry.

359
00:17:52,320 --> 00:17:54,200
Speaker 5: I got caught up in the spelling of new Metal

360
00:17:54,240 --> 00:17:56,359
Speaker 5: when I was googling it and I missed what you

361
00:17:56,400 --> 00:17:56,840
Speaker 5: were saying.

362
00:17:56,880 --> 00:17:58,800
Speaker 1: Oh no, no, it is sorry.

363
00:17:58,880 --> 00:17:58,960
Speaker 3: No.

364
00:17:59,480 --> 00:18:03,760
Speaker 1: The director of Judgment Night their background.

365
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Speaker 3: Music director the because we want to know who put

366
00:18:06,680 --> 00:18:12,240
Speaker 3: the soundtrack together? Oh, soundtrack? No, no, no, or what's

367
00:18:12,280 --> 00:18:17,240
Speaker 3: the difference between a soundtrack and a musical score? Soundtrack

368
00:18:17,280 --> 00:18:19,400
Speaker 3: is what we're looking for about other people's songs.

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00:18:19,760 --> 00:18:22,439
Speaker 1: But I thought we were deciding on top of that

370
00:18:22,800 --> 00:18:26,400
Speaker 1: the actual film was directed by a music video director.

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00:18:26,600 --> 00:18:29,359
Speaker 3: No, I was saying that. Sorry, I was comparing it

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00:18:29,359 --> 00:18:30,880
Speaker 3: to that. But what I was saying is I bet

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00:18:30,920 --> 00:18:35,400
Speaker 3: you this. If it's a music is it the job

374
00:18:35,480 --> 00:18:39,440
Speaker 3: that you would have being the music director or whatever

375
00:18:39,520 --> 00:18:42,479
Speaker 3: on a movie. You're picking this soundtrack songs?

376
00:18:42,680 --> 00:18:46,760
Speaker 4: Oh sure, supervisor, Yes, yes, there it is supervisor.

377
00:18:46,800 --> 00:18:48,720
Speaker 3: We're learning that's what a music supervisor.

378
00:18:48,960 --> 00:18:54,640
Speaker 4: I was music HR on Judgment Night. Supervisor just sounds.

379
00:18:54,520 --> 00:18:56,520
Speaker 3: Very I was music Craft Services.

380
00:18:56,600 --> 00:19:00,440
Speaker 4: Yes, I was music foreman and a lot of people

381
00:19:00,480 --> 00:19:03,159
Speaker 4: gotten a big forkliph as Judgment.

382
00:19:02,880 --> 00:19:05,760
Speaker 5: Nights soundtrack once Acond I have to get this, fucking

383
00:19:06,440 --> 00:19:12,480
Speaker 5: let it be Mark Ronson It was okay. The executive producer,

384
00:19:12,520 --> 00:19:14,840
Speaker 5: Happy Walter is the twenty two year old manager of

385
00:19:14,920 --> 00:19:16,480
Speaker 5: Cypress Hill in a House of pain.

386
00:19:16,920 --> 00:19:20,040
Speaker 1: We knew it. Fuck yeah, we owe each other twenty dollars.

387
00:19:20,080 --> 00:19:24,120
Speaker 3: Can you I want mine? Now in cash, do you

388
00:19:24,200 --> 00:19:27,440
Speaker 3: can you tell us what Happy Johnson did after that job?

389
00:19:27,720 --> 00:19:29,520
Speaker 3: Did he go on to do other things that we

390
00:19:29,600 --> 00:19:30,399
Speaker 3: also are fantasy?

391
00:19:30,480 --> 00:19:33,680
Speaker 4: He went on to be a non traditional professional golfer

392
00:19:35,000 --> 00:19:38,480
Speaker 4: that happy Gilmark, thank you.

393
00:19:37,720 --> 00:19:39,960
Speaker 1: It's the only other happy. So I had to make it.

394
00:19:39,960 --> 00:19:40,320
Speaker 1: It was good.

395
00:19:41,040 --> 00:19:41,800
Speaker 3: I'm fast.

396
00:19:42,240 --> 00:19:45,560
Speaker 1: Yeah, it doesn't have to be good if it's fast,

397
00:19:45,600 --> 00:19:46,840
Speaker 1: and that's right by the.

398
00:19:46,920 --> 00:19:52,520
Speaker 4: Director of the film. I'm guessing who knows. The point

399
00:19:52,640 --> 00:19:55,480
Speaker 4: is what a terrible time for music.

400
00:19:56,040 --> 00:20:01,919
Speaker 3: And but then like somebody inventing in new approach to

401
00:20:02,200 --> 00:20:05,080
Speaker 3: that kind of music that really was good and it

402
00:20:05,160 --> 00:20:08,880
Speaker 3: was like mainstreaming rap and mainbow. In the beginning, rap

403
00:20:08,960 --> 00:20:11,159
Speaker 3: was like, oh who does this? And everybody it's all

404
00:20:11,240 --> 00:20:13,919
Speaker 3: so dangerous and it was that weird kind of like

405
00:20:14,080 --> 00:20:16,840
Speaker 3: racist thing about rap. Or it was like this guy's

406
00:20:16,920 --> 00:20:19,800
Speaker 3: like no, no, no, your favorite white band Aerosmith is

407
00:20:19,840 --> 00:20:23,880
Speaker 3: super into run DMC too, right right, it all fits everywhere.

408
00:20:24,000 --> 00:20:26,440
Speaker 4: That was really cool. That was maybe a ground zero

409
00:20:26,560 --> 00:20:26,960
Speaker 4: for all this.

410
00:20:27,240 --> 00:20:29,920
Speaker 5: Okay, this may need to be an MFM crossover because

411
00:20:29,920 --> 00:20:33,080
Speaker 5: I found an LA Times article dated August thirtieth, nineteen

412
00:20:33,160 --> 00:20:36,520
Speaker 5: ninety five that says police investigate forty eight hour disappearance

413
00:20:36,560 --> 00:20:40,240
Speaker 5: of rap figure and it's Happy Happy Walters, who was

414
00:20:40,240 --> 00:20:42,840
Speaker 5: reported missing last week and found in Long Beach after

415
00:20:42,880 --> 00:20:45,440
Speaker 5: a forty eight hour search. Walters, who manages the rap

416
00:20:45,440 --> 00:20:48,800
Speaker 5: band Cypress Hill and owns Immortal Records, was found Saturday

417
00:20:48,840 --> 00:20:51,679
Speaker 5: at the Long Beach Courtyard Marriotte Hotel after police officer

418
00:20:51,720 --> 00:20:54,560
Speaker 5: recognized his photograph on a television news.

419
00:20:54,359 --> 00:20:56,520
Speaker 1: Broad Wait a second, he's found dead.

420
00:20:56,680 --> 00:20:58,879
Speaker 3: He was just trying to have an affair. He was

421
00:20:58,920 --> 00:21:00,320
Speaker 3: found alive, right, he.

422
00:21:00,320 --> 00:21:03,040
Speaker 1: Was found alive at a motel for a hotel.

423
00:21:03,320 --> 00:21:06,960
Speaker 3: Okay, happy, Look, this is a successful person who started

424
00:21:07,000 --> 00:21:09,240
Speaker 3: a new genre of music. He's going to want to

425
00:21:09,280 --> 00:21:12,280
Speaker 3: have an affair. Yeah, yeah, don't be crazy.

426
00:21:12,440 --> 00:21:15,959
Speaker 4: No, you gotta look. Just a name change isn't going

427
00:21:16,000 --> 00:21:18,680
Speaker 4: to actually make you happy. You have to have an affair.

428
00:21:18,920 --> 00:21:22,159
Speaker 3: Yes, that's where it's scaling someone's wife or husband.

429
00:21:22,240 --> 00:21:24,560
Speaker 1: Yes, what's going to do? That's what you get out

430
00:21:24,560 --> 00:21:24,800
Speaker 1: of it.

431
00:21:24,840 --> 00:21:27,760
Speaker 3: Do we know what he just he went crazy in

432
00:21:27,840 --> 00:21:28,880
Speaker 3: Long Beach for two days.

433
00:21:29,359 --> 00:21:31,400
Speaker 1: I unfortunately it's beyond a paywalls.

434
00:21:32,119 --> 00:21:35,480
Speaker 3: Yes, yes, but take my twenty dollars I one off.

435
00:21:35,440 --> 00:21:40,280
Speaker 5: Chris Music Department, Music Department for of all things, Dear

436
00:21:40,359 --> 00:21:41,680
Speaker 5: John in twenty.

437
00:21:41,400 --> 00:21:48,560
Speaker 1: Ten, Oh, jud Hurt a Fighter, The Fighter in twenty ten. Okay.

438
00:21:48,680 --> 00:21:52,880
Speaker 5: He went into film was The Dragon two thousand and one.

439
00:21:53,080 --> 00:21:55,320
Speaker 1: This is the Dragon. That's a karate movie.

440
00:21:55,320 --> 00:21:58,520
Speaker 5: I'm The last thing he did was The Disappointments Room

441
00:21:58,560 --> 00:21:59,600
Speaker 5: in twenty sixteen.

442
00:22:00,440 --> 00:22:02,600
Speaker 1: It was called Room thirty eight at the Marriott.

443
00:22:05,240 --> 00:22:07,239
Speaker 5: The best of Me, I mean a lot of these

444
00:22:07,280 --> 00:22:09,520
Speaker 5: are kind of like Nicholas Sparks.

445
00:22:09,760 --> 00:22:14,040
Speaker 4: Yes movies Dear John makes me think this guy got

446
00:22:14,119 --> 00:22:17,639
Speaker 4: ended new metal in his sixties. It's just like a

447
00:22:17,640 --> 00:22:21,000
Speaker 4: guy in a turtleneck with you, with a golden tooth who.

448
00:22:20,920 --> 00:22:22,680
Speaker 3: Likes to get lost in Long Beach sometimes.

449
00:22:22,720 --> 00:22:22,960
Speaker 1: Yeah.

450
00:22:23,040 --> 00:22:27,119
Speaker 4: Yeah, he had a comb over and a golden tipped cane.

451
00:22:27,320 --> 00:22:28,919
Speaker 3: Happy Thomas Are you kidding me?

452
00:22:29,240 --> 00:22:31,480
Speaker 1: Hey called me Happy, Happy Thomas.

453
00:22:31,720 --> 00:22:37,119
Speaker 4: I like your youth, and I like your urban lifestyle.

454
00:22:37,240 --> 00:22:39,480
Speaker 1: I want you to to do something together.

455
00:22:40,359 --> 00:22:42,920
Speaker 3: This is can you can we pull up a picture

456
00:22:42,960 --> 00:22:45,399
Speaker 3: of Happy Walter? What's his last name? Walters?

457
00:22:46,640 --> 00:22:49,480
Speaker 1: You wanted to get the Happy It's of approval?

458
00:22:49,840 --> 00:22:54,840
Speaker 3: Is this the guy that like remember in the NWA

459
00:22:56,040 --> 00:22:58,280
Speaker 3: like made for TV movie there was like I think

460
00:22:58,320 --> 00:23:02,360
Speaker 3: it was like Paul Giamadi in a sweatsuit, getting all that,

461
00:23:02,480 --> 00:23:06,080
Speaker 3: like the Compton rap scene, getting it all on, getting

462
00:23:06,080 --> 00:23:08,000
Speaker 3: it all together, but then kind of ripping them off.

463
00:23:08,040 --> 00:23:11,479
Speaker 4: At the same time, I did a poster for a

464
00:23:11,480 --> 00:23:16,800
Speaker 4: film that my friend Garrett Laura Kitling or his husband Garrett. Yeah,

465
00:23:16,840 --> 00:23:20,159
Speaker 4: he was working on this documentary about Bob Dylan and

466
00:23:20,200 --> 00:23:23,040
Speaker 4: the fact that he was a fan of rap and

467
00:23:23,080 --> 00:23:27,320
Speaker 4: he would use his let rappers use his recording studio.

468
00:23:27,400 --> 00:23:27,920
Speaker 1: And there's a.

469
00:23:27,960 --> 00:23:32,400
Speaker 4: List of hip hop artists that recorded in Bob Dylan's

470
00:23:32,440 --> 00:23:35,800
Speaker 4: studio in la I'm not sure what city.

471
00:23:35,960 --> 00:23:38,240
Speaker 1: I didn't see it. I just drew the poster, and the.

472
00:23:38,200 --> 00:23:42,520
Speaker 4: Poster was like all these classic hip hop icons and

473
00:23:42,640 --> 00:23:46,200
Speaker 4: just Bob Dylan in there, or as my aunt would say,

474
00:23:46,400 --> 00:23:48,919
Speaker 4: Bob Dylan, there's happy right there.

475
00:23:49,600 --> 00:23:51,639
Speaker 1: What. Yeah, he's got a bite.

476
00:23:51,440 --> 00:23:55,240
Speaker 4: Mark from some working girl right under his eye.

477
00:23:55,840 --> 00:23:59,200
Speaker 3: That is it, Listener, we're looking at a white man.

478
00:24:00,040 --> 00:24:04,480
Speaker 1: It looks like a CEO of a shoe company. Yeah, yeah,

479
00:24:04,640 --> 00:24:09,920
Speaker 1: for real, Yeah it's a But here's the hr guy

480
00:24:10,000 --> 00:24:10,879
Speaker 1: from pain Lass.

481
00:24:12,280 --> 00:24:14,199
Speaker 3: But he had a great idea and a dream and

482
00:24:14,240 --> 00:24:16,359
Speaker 3: he was he had the Far Side's phone number.

483
00:24:16,520 --> 00:24:19,840
Speaker 4: I really wanted him to look like Jerry seng Felt's

484
00:24:19,880 --> 00:24:21,200
Speaker 4: uncle in the show or something.

485
00:24:21,240 --> 00:24:24,200
Speaker 1: I wanted him to look like that. Yeah, gold rings,

486
00:24:24,359 --> 00:24:26,200
Speaker 1: I'm going to make you a star. Kid.

487
00:24:26,359 --> 00:24:29,600
Speaker 3: You're a star the way you rhyme and you think

488
00:24:29,640 --> 00:24:33,119
Speaker 3: of these topics. Yes, relevant to the use of today.

489
00:24:33,320 --> 00:24:37,200
Speaker 4: Brutal and in the streets, the thing I drive and

490
00:24:37,359 --> 00:24:38,639
Speaker 4: my Rolls roy Son.

491
00:24:39,080 --> 00:24:40,120
Speaker 1: People need to hear it.

492
00:24:40,240 --> 00:24:42,840
Speaker 3: They deserve to hear it, and they need to hear it.

493
00:24:43,000 --> 00:24:45,920
Speaker 4: Go ahead, hold this cane. Feel the weight of it.

494
00:24:46,240 --> 00:24:48,119
Speaker 4: That could be you one day when you're limping.

495
00:24:48,320 --> 00:24:50,320
Speaker 3: And if you're if you don't make me enough money,

496
00:24:50,359 --> 00:24:51,480
Speaker 3: I'll beat you over the head.

497
00:24:51,640 --> 00:24:53,800
Speaker 1: Yeah, yeah, don't forget. I have an edge to me.

498
00:24:54,160 --> 00:24:57,720
Speaker 1: My name is Happy because the contrasts.

499
00:24:57,000 --> 00:24:59,000
Speaker 3: Happy is literally younger than us.

500
00:24:59,280 --> 00:25:03,639
Speaker 4: Yes, an old picture from the Ild Judgment night right days.

501
00:25:03,760 --> 00:25:06,840
Speaker 1: I can't remember even what that movie was about. I

502
00:25:06,920 --> 00:25:09,200
Speaker 1: just know I saw it.

503
00:25:08,560 --> 00:25:14,359
Speaker 4: In a movie theater and it was before Jeremy Piven

504
00:25:14,440 --> 00:25:19,320
Speaker 4: was bald, like young Jeremy Piven. Oh yeah yeah, and

505
00:25:19,680 --> 00:25:22,600
Speaker 4: Stephendorf and all these people, and Dennis Leary was the

506
00:25:22,600 --> 00:25:26,320
Speaker 4: bad guy and it was like a warehouse area. Let's

507
00:25:26,359 --> 00:25:28,960
Speaker 4: shoot this because there's no Cars at Night, no budget,

508
00:25:29,280 --> 00:25:33,320
Speaker 4: but the soundtrack. I listened to it NonStop for two years.

509
00:25:33,840 --> 00:25:37,600
Speaker 4: And then this new metal shit kid, I'm like, wait

510
00:25:37,640 --> 00:25:39,760
Speaker 4: a minute, I know where this came from, and I

511
00:25:39,840 --> 00:25:44,800
Speaker 4: feel responsible, but it's so bad and to you know,

512
00:25:44,920 --> 00:25:48,080
Speaker 4: my parents or someone, it sounds like the same stuff, but.

513
00:25:48,080 --> 00:25:53,240
Speaker 1: It was wildly not the same. Yeahs as Buyah Tribe with.

514
00:25:54,720 --> 00:25:58,880
Speaker 4: You know, Fulda, Funkyomos or you know. I can't remember

515
00:25:58,920 --> 00:25:59,240
Speaker 4: a lot.

516
00:25:59,160 --> 00:26:00,000
Speaker 1: Of the bands.

517
00:26:00,080 --> 00:26:03,399
Speaker 4: It's a Slayer with iced Tea, Biohazard.

518
00:26:03,560 --> 00:26:08,440
Speaker 3: And then the story was kind of that they're also friends. Yeah, sure,

519
00:26:08,560 --> 00:26:10,200
Speaker 3: Aerosmith hung out with froun DMC.

520
00:26:10,960 --> 00:26:14,600
Speaker 1: Sure at least for that day. Yeah, they seem to

521
00:26:14,640 --> 00:26:15,400
Speaker 1: respect each other.

522
00:26:16,280 --> 00:26:18,199
Speaker 4: I wonder if that song they're like, what have you

523
00:26:18,320 --> 00:26:20,520
Speaker 4: crashed through the wall like that one day when I

524
00:26:20,600 --> 00:26:22,800
Speaker 4: kicked a hole? We were both recording and I got

525
00:26:22,840 --> 00:26:25,159
Speaker 4: really mad Coke remember that.

526
00:26:25,400 --> 00:26:28,240
Speaker 1: Let's have that be the music video. It's my apology.

527
00:26:28,400 --> 00:26:31,399
Speaker 1: Can I just say this for spitting on your adiitas.

528
00:26:33,080 --> 00:26:39,520
Speaker 3: Myditas aditas. That wasn't singing, Jim, that was lightly rapping.

529
00:26:39,720 --> 00:26:45,360
Speaker 1: Yes, all day, I dream about six all day, all day.

530
00:26:45,359 --> 00:26:47,440
Speaker 1: I dreams.

531
00:26:50,040 --> 00:26:53,000
Speaker 3: I really love your bursts of anger, because I also

532
00:26:53,040 --> 00:26:56,119
Speaker 3: have bursts of anger, but I never walk away or

533
00:26:56,200 --> 00:26:59,120
Speaker 3: do something else or do some chin ups on a bar.

534
00:26:59,880 --> 00:27:02,520
Speaker 3: I'm just like, blah blah that you have yours and

535
00:27:02,560 --> 00:27:05,160
Speaker 3: then you I always watch you kind of sideline yourself

536
00:27:05,600 --> 00:27:09,200
Speaker 3: to go have your punch a wall moment. Right, Yeah,

537
00:27:09,480 --> 00:27:12,560
Speaker 3: you don't get mad mad. It's just interesting to me

538
00:27:12,640 --> 00:27:13,880
Speaker 3: because I think, did.

539
00:27:13,720 --> 00:27:16,159
Speaker 1: I do it? What is this in reference to?

540
00:27:16,520 --> 00:27:18,480
Speaker 3: You're talking about punching through the wall?

541
00:27:19,080 --> 00:27:20,720
Speaker 2: Oh no, that.

542
00:27:20,760 --> 00:27:25,560
Speaker 1: I was in. Yes, I've punched through walls. Shind you.

543
00:27:25,800 --> 00:27:27,159
Speaker 1: I had dents in my locker.

544
00:27:27,840 --> 00:27:32,760
Speaker 4: I it was the hands off parenting, the helicopter parenting.

545
00:27:34,560 --> 00:27:38,320
Speaker 3: Different kinds of parent the walls of schools of parenting.

546
00:27:38,520 --> 00:27:39,359
Speaker 1: I was tugging.

547
00:27:39,600 --> 00:27:43,120
Speaker 4: Yes, I went to no parenting school. But the most

548
00:27:43,400 --> 00:27:45,159
Speaker 4: the point is neither did my parents.

549
00:27:45,160 --> 00:27:45,760
Speaker 1: Oh god, it got it.

550
00:27:46,320 --> 00:27:48,639
Speaker 4: There's just a doctor Spock book and you had to

551
00:27:48,680 --> 00:27:55,760
Speaker 4: borrow it from a neighbor. I was referencing in the Aerosmith.

552
00:27:55,440 --> 00:27:58,760
Speaker 1: Yeah video they punched through the wall.

553
00:27:58,840 --> 00:28:01,560
Speaker 3: I thought you were saying that you also once punched

554
00:28:01,560 --> 00:28:03,480
Speaker 3: through a wall because on a record.

555
00:28:03,600 --> 00:28:08,080
Speaker 4: Oh no, no, I was just because I didn't alter

556
00:28:08,200 --> 00:28:10,119
Speaker 4: my voice because you know I'm not that great a

557
00:28:10,280 --> 00:28:10,880
Speaker 4: character work.

558
00:28:11,080 --> 00:28:14,040
Speaker 3: Yes, I just on the heels of happy Walters. You're

559
00:28:14,080 --> 00:28:15,000
Speaker 3: out of your mind.

560
00:28:14,840 --> 00:28:16,679
Speaker 1: Yet, well you're right happy.

561
00:28:17,080 --> 00:28:19,520
Speaker 3: I guess you can't perform like that and then tell

562
00:28:19,520 --> 00:28:20,480
Speaker 3: people yeah.

563
00:28:20,240 --> 00:28:22,600
Speaker 4: Exactly, and then all of a sudden, I'm like, excuse

564
00:28:22,640 --> 00:28:24,960
Speaker 4: me for say goodbye to me for a minute. From

565
00:28:24,960 --> 00:28:29,680
Speaker 4: now on, I'm Stephen Tyler in nineteen eighty nine. Do it, Hi,

566
00:28:29,840 --> 00:28:32,040
Speaker 4: I'm sorry, I punched a hole in the wall.

567
00:28:32,080 --> 00:28:33,840
Speaker 1: Rue it now.

568
00:28:33,680 --> 00:28:34,480
Speaker 3: It's all connected.

569
00:28:34,720 --> 00:28:37,480
Speaker 4: My big mouth is the reason I've spit upon your

570
00:28:37,480 --> 00:28:38,080
Speaker 4: a details.

571
00:28:40,040 --> 00:28:42,400
Speaker 3: Okay, I get it all now. I didn't get that

572
00:28:42,480 --> 00:28:44,800
Speaker 3: at all, but I was. I did think you were

573
00:28:44,800 --> 00:28:47,040
Speaker 3: just kind of referencing being a hot head, and then

574
00:28:47,080 --> 00:28:48,840
Speaker 3: it was just making me laugh because we both are,

575
00:28:48,960 --> 00:28:50,120
Speaker 3: but in different ways.

576
00:28:50,800 --> 00:28:54,160
Speaker 4: It's so funny to me those crossovers, and even his

577
00:28:55,360 --> 00:28:55,880
Speaker 4: daughter that.

578
00:28:55,880 --> 00:28:58,720
Speaker 6: He used to sexually eyes sexual eyes in his.

579
00:28:58,800 --> 00:29:02,440
Speaker 3: Videos, the girl from Lord of the Rings.

580
00:29:02,520 --> 00:29:04,440
Speaker 1: Yes, Live Tyler, Live Tyler.

581
00:29:05,080 --> 00:29:07,280
Speaker 4: My girlfriend went to high school Weather and she used

582
00:29:07,320 --> 00:29:09,440
Speaker 4: to wear timberlands and hang out with all the hip

583
00:29:09,480 --> 00:29:12,600
Speaker 4: hop kids. And she almost got in a fight with

584
00:29:12,640 --> 00:29:15,760
Speaker 4: her because she accidentally stepped on live Tyler's Timberland's and

585
00:29:15,840 --> 00:29:19,080
Speaker 4: she said, you stuffed up my Timberlands.

586
00:29:18,480 --> 00:29:19,400
Speaker 1: And got in her face.

587
00:29:19,560 --> 00:29:22,000
Speaker 4: Holy, just like I'm am, I going to get in

588
00:29:22,040 --> 00:29:24,160
Speaker 4: a fight with Stavid Tyler's daughter.

589
00:29:24,520 --> 00:29:28,120
Speaker 3: That's just Also, don't you have money for more Timberlands?

590
00:29:28,280 --> 00:29:30,000
Speaker 1: I know? Or did she not?

591
00:29:30,200 --> 00:29:33,360
Speaker 4: It's just stories like that youth, Like if you hang

592
00:29:33,400 --> 00:29:35,720
Speaker 4: out with people that grew up in New York City

593
00:29:36,000 --> 00:29:40,080
Speaker 4: in the seventies and eighties and remember that, like we

594
00:29:40,200 --> 00:29:43,360
Speaker 4: grew up near horses, even though I'm from Montana or

595
00:29:43,360 --> 00:29:47,040
Speaker 4: from Petaloma, where I had that hole hanging out on

596
00:29:47,080 --> 00:29:51,760
Speaker 4: a stoop and watching h you know, scenes from like

597
00:29:51,960 --> 00:29:54,880
Speaker 4: movies like do the Right Thing or something happening in

598
00:29:55,200 --> 00:29:59,480
Speaker 4: that's your childhood. I feel like I wish I had

599
00:30:00,600 --> 00:30:03,360
Speaker 4: some city life.

600
00:30:03,320 --> 00:30:06,200
Speaker 3: Hot lunch gems in the cafeteria right right.

601
00:30:06,400 --> 00:30:08,840
Speaker 4: I also appreciate that I just hung out in the

602
00:30:08,840 --> 00:30:12,760
Speaker 4: field and played with a piece of wood and made

603
00:30:12,840 --> 00:30:14,880
Speaker 4: jumps for my bike or whatever.

604
00:30:15,240 --> 00:30:18,320
Speaker 1: But man, I do love.

605
00:30:18,160 --> 00:30:20,360
Speaker 4: Those city stories and I could have been friends with

606
00:30:20,400 --> 00:30:21,760
Speaker 4: Steven Tyler's daughters.

607
00:30:22,760 --> 00:30:23,560
Speaker 1: Don't look back.

608
00:30:23,840 --> 00:30:26,320
Speaker 4: But she was into hip hop as her dad's rocker.

609
00:30:26,400 --> 00:30:28,719
Speaker 4: So she's like, you know what, I'm going the other direction.

610
00:30:29,200 --> 00:30:31,440
Speaker 3: What I love is that when you said that I

611
00:30:31,520 --> 00:30:34,520
Speaker 3: misunderstood you. It was like I was having an implanted

612
00:30:34,600 --> 00:30:37,120
Speaker 3: memory from what you were saying of like, oh, yeah,

613
00:30:37,160 --> 00:30:40,120
Speaker 3: that that was a funny day when you did that.

614
00:30:40,680 --> 00:30:42,480
Speaker 3: But it was just you were just doing chin ups.

615
00:30:42,520 --> 00:30:43,720
Speaker 3: I was switching the ending.

616
00:30:44,040 --> 00:30:47,360
Speaker 1: It happened again. I gotta change my voice.

617
00:30:47,920 --> 00:30:53,200
Speaker 4: I gott I'll alter my voice otherwise they're gonna seem.

618
00:30:51,840 --> 00:30:53,240
Speaker 1: Like I'm talking about myself.

619
00:30:54,120 --> 00:30:57,280
Speaker 3: But your girlfriend who went to high school with many

620
00:30:57,400 --> 00:31:00,360
Speaker 3: famous people we are learning now, was that the Performing

621
00:31:00,560 --> 00:31:02,080
Speaker 3: Arts High School in New York City.

622
00:31:02,280 --> 00:31:05,040
Speaker 1: Yeah, that's fucking major. Yeah, it is a major.

623
00:31:05,720 --> 00:31:09,520
Speaker 4: It's and some of her friends were dancers, some were actors.

624
00:31:09,560 --> 00:31:12,720
Speaker 4: There was me I wish And it was a hard

625
00:31:12,720 --> 00:31:14,960
Speaker 4: to get into, but a public school.

626
00:31:14,960 --> 00:31:17,719
Speaker 1: It wasn't a private. Hey, you have to pay tuition.

627
00:31:17,840 --> 00:31:22,120
Speaker 4: You just had to audition to get into this school

628
00:31:22,160 --> 00:31:24,440
Speaker 4: that I should know the name of right now, you should.

629
00:31:24,640 --> 00:31:28,080
Speaker 3: You also had to want fame, but fame costs, and

630
00:31:28,160 --> 00:31:30,120
Speaker 3: right there was where you were going to start paying.

631
00:31:30,160 --> 00:31:33,480
Speaker 1: In sweat, I believe it is the school from fame.

632
00:31:33,680 --> 00:31:37,240
Speaker 3: Yes, it's the School of Performing Arts. The fucking whatever whatever,

633
00:31:37,400 --> 00:31:38,520
Speaker 3: school of performing art.

634
00:31:38,560 --> 00:31:42,040
Speaker 4: Yeah, I know it doesn't matter words are they that important?

635
00:31:42,200 --> 00:31:45,800
Speaker 3: But also that was like, so Fame was the first

636
00:31:45,960 --> 00:31:48,880
Speaker 3: rated art movie I saw in a movie theater. No, sorry,

637
00:31:49,120 --> 00:31:51,240
Speaker 3: Little Darlings. Was my cousin.

638
00:31:51,040 --> 00:31:54,520
Speaker 1: Charles knuck Us in Their Memories. That's a great movie

639
00:31:54,560 --> 00:31:57,920
Speaker 1: that I confused for my own. Matt Dillon on a

640
00:31:57,960 --> 00:31:58,760
Speaker 1: BMX bike.

641
00:31:58,960 --> 00:32:01,240
Speaker 3: Remember when he romance to you at camp that's summer.

642
00:32:02,720 --> 00:32:05,080
Speaker 1: Yes, and there was a hole in the wall. Wait

643
00:32:05,120 --> 00:32:05,880
Speaker 1: that was porky.

644
00:32:05,960 --> 00:32:08,240
Speaker 3: No, that's a yeah, that's a different one from nineteen

645
00:32:08,240 --> 00:32:13,880
Speaker 3: seventy nine. Uh, But Fame in the movie theater. My

646
00:32:13,960 --> 00:32:18,160
Speaker 3: friend Amy Levin and her dad and her dad's girlfriend

647
00:32:18,240 --> 00:32:21,480
Speaker 3: took us to see Fame at the Plaza Theater in Pedaluma,

648
00:32:21,960 --> 00:32:25,160
Speaker 3: which was an art house theater that would do the

649
00:32:25,200 --> 00:32:29,320
Speaker 3: double features of like, you know this already movie from

650
00:32:29,360 --> 00:32:32,080
Speaker 3: the seventies and that. So we went to see Fame

651
00:32:32,600 --> 00:32:37,440
Speaker 3: and literally the entire place was fucking packed, and people

652
00:32:37,480 --> 00:32:40,000
Speaker 3: were like, the first card comes up and it just

653
00:32:40,040 --> 00:32:41,960
Speaker 3: says Fame and then it goes to like the five

654
00:32:42,080 --> 00:32:46,320
Speaker 3: six seven night and people whatever, and like the Fame

655
00:32:46,400 --> 00:32:49,440
Speaker 3: card came up. The entire crowd was like, yeah, like

656
00:32:49,600 --> 00:32:52,480
Speaker 3: went crazy like it was a concert film, and then

657
00:32:52,680 --> 00:32:54,800
Speaker 3: all this smoke went up in the air because people

658
00:32:54,840 --> 00:32:57,680
Speaker 3: were fully just lighting joints and getting insane.

659
00:32:57,760 --> 00:32:59,760
Speaker 1: Really to watch this movie? Yes, wow?

660
00:33:00,280 --> 00:33:04,640
Speaker 3: Then yes, it was a wild like hippie experience.

661
00:33:04,680 --> 00:33:06,360
Speaker 1: It was so cool. That's so funny.

662
00:33:06,520 --> 00:33:10,680
Speaker 4: See that's something that maybe you had growing up that

663
00:33:10,760 --> 00:33:15,160
Speaker 4: I think marijuana back then was considered the most illicit.

664
00:33:16,360 --> 00:33:19,520
Speaker 4: Maybe I'm being naive and there was older kids smoking it.

665
00:33:19,560 --> 00:33:22,840
Speaker 4: But if anyone was smoking weed when I was a kid,

666
00:33:23,000 --> 00:33:23,760
Speaker 4: I thought.

667
00:33:24,160 --> 00:33:25,680
Speaker 1: They were going to get shot in the head.

668
00:33:25,680 --> 00:33:28,280
Speaker 4: By right, they're going to prison. I'm going to get

669
00:33:28,320 --> 00:33:30,960
Speaker 4: locked up just for being near them. Yes, I was

670
00:33:31,040 --> 00:33:32,360
Speaker 4: so paranoid about weed.

671
00:33:32,520 --> 00:33:35,840
Speaker 3: That was Nancy Reagan's America. She wanted you to suffer

672
00:33:35,920 --> 00:33:36,240
Speaker 3: like that.

673
00:33:36,440 --> 00:33:41,000
Speaker 4: Yeah, and then take the swear words out of music

674
00:33:41,760 --> 00:33:43,640
Speaker 4: that was Yeah.

675
00:33:43,800 --> 00:33:44,800
Speaker 1: Turns out she was right.

676
00:33:45,680 --> 00:33:49,320
Speaker 4: Turns out she was the drummer in a garage like

677
00:33:49,360 --> 00:33:53,520
Speaker 4: a Go Go's sounding band. Someone had a tape, Now

678
00:33:53,880 --> 00:33:56,200
Speaker 4: played it for me, and they were good. She was

679
00:33:56,240 --> 00:33:58,440
Speaker 4: a drummer in a band and they were good. Well,

680
00:33:58,680 --> 00:34:01,160
Speaker 4: the name Tipper Gore is so rock and roll. The

681
00:34:01,240 --> 00:34:03,760
Speaker 4: idea that she wasted it the way she did. It's

682
00:34:03,800 --> 00:34:06,160
Speaker 4: like that would that would be the coolest drummer's name

683
00:34:06,160 --> 00:34:06,640
Speaker 4: of all time.

684
00:34:06,760 --> 00:34:09,359
Speaker 1: Right, they were a good band and that's why. So

685
00:34:09,880 --> 00:34:11,680
Speaker 1: which is Gazzi?

686
00:34:11,880 --> 00:34:14,440
Speaker 4: I like, No, it's like called the Runaways or the

687
00:34:14,840 --> 00:34:19,520
Speaker 4: Oh no, not the Wildcat Okay, thank you. See it

688
00:34:19,640 --> 00:34:22,919
Speaker 4: seems like I'm talking out of my ass, but that's

689
00:34:23,000 --> 00:34:23,920
Speaker 4: just a character I do.

690
00:34:24,000 --> 00:34:29,040
Speaker 1: That sounds like my voice. Yeah, the Wildcats.

691
00:34:29,480 --> 00:34:31,560
Speaker 4: She was a drummer in a band called the So

692
00:34:31,600 --> 00:34:35,680
Speaker 4: Then her husband's like, Oh, aren't worried, I'll clean up America.

693
00:34:35,960 --> 00:34:37,040
Speaker 1: There I did. I tried.

694
00:34:37,400 --> 00:34:39,520
Speaker 3: I think she did a thing. There's a chance I'm

695
00:34:39,560 --> 00:34:43,120
Speaker 3: making this up. This is for entertainment purposes only, but

696
00:34:43,239 --> 00:34:46,040
Speaker 3: I think Tipper Gore went way the fuck out. This

697
00:34:46,200 --> 00:34:49,080
Speaker 3: happened to many girls that I grew up with. Right,

698
00:34:49,440 --> 00:34:52,239
Speaker 3: they go through a difficult period, maybe do a little

699
00:34:52,440 --> 00:34:56,440
Speaker 3: drug experimentation, maybe they're doing rock and roll band stuff,

700
00:34:56,880 --> 00:34:59,080
Speaker 3: and they go way the far out here, and then

701
00:34:59,160 --> 00:35:02,439
Speaker 3: they come all the way back and overcorrect into being

702
00:35:02,960 --> 00:35:04,320
Speaker 3: a borderliner Republican.

703
00:35:04,440 --> 00:35:06,120
Speaker 1: I've seen it so many times, right.

704
00:35:06,280 --> 00:35:08,160
Speaker 3: When they go like suddenly the punk rock groll is

705
00:35:08,200 --> 00:35:10,800
Speaker 3: now born against seen it so many times, and you're like,

706
00:35:10,960 --> 00:35:13,479
Speaker 3: I can't you still have five holes in your face

707
00:35:13,520 --> 00:35:14,560
Speaker 3: where you used have rings.

708
00:35:14,640 --> 00:35:17,960
Speaker 4: Yeah, you need you put soap in your mouth and

709
00:35:18,040 --> 00:35:20,320
Speaker 4: blow bubbles through those holes in your bottom.

710
00:35:20,400 --> 00:35:23,399
Speaker 1: Let I only my friend Zach used to have piercings here.

711
00:35:25,040 --> 00:35:30,160
Speaker 4: On each side under his lap, and later he was

712
00:35:30,200 --> 00:35:32,640
Speaker 4: a cowboy, actually worked on a ranch, so he went

713
00:35:32,719 --> 00:35:34,800
Speaker 4: from being punk rock guy at a cowboy guy. But

714
00:35:34,880 --> 00:35:37,640
Speaker 4: he still had these holes and so he'd be chewing

715
00:35:38,160 --> 00:35:40,839
Speaker 4: and the chew spit would be coming out of these holes,

716
00:35:40,880 --> 00:35:44,120
Speaker 4: and I'm like, you're the only cowboy with that specific problem.

717
00:35:44,680 --> 00:35:49,120
Speaker 1: It's the popped polo collar of ex punk rock. Yeah,

718
00:35:49,360 --> 00:35:51,080
Speaker 1: that's very funny. Yeah, it's so funny.

719
00:35:51,680 --> 00:35:56,120
Speaker 4: And then meanwhile, I don't change in a way that

720
00:35:56,960 --> 00:35:59,919
Speaker 4: I am almost like, what have I learned nothing?

721
00:36:00,200 --> 00:36:00,960
Speaker 1: I have t.

722
00:36:01,080 --> 00:36:05,360
Speaker 4: Shirts that I still wear from college, Like I've changed

723
00:36:06,640 --> 00:36:07,120
Speaker 4: very little.

724
00:36:07,239 --> 00:36:08,799
Speaker 3: You've been skateboarding this whole time.

725
00:36:09,000 --> 00:36:12,080
Speaker 1: Yes, yeah, I'm doing the same tricks for God's sake. Well,

726
00:36:12,200 --> 00:36:15,200
Speaker 1: but you're getting emotionally more stable.

727
00:36:15,440 --> 00:36:18,160
Speaker 3: Thank you, that for sure. Because it's not true. You

728
00:36:18,280 --> 00:36:19,239
Speaker 3: did not punch a hole.

729
00:36:20,320 --> 00:36:23,480
Speaker 1: No, No, I didn't. I wasn't that punchy. You didn't.

730
00:36:23,680 --> 00:36:26,799
Speaker 3: No, no, you just HD some chin ups in a rage, right,

731
00:36:27,000 --> 00:36:28,680
Speaker 3: equally funny, I think.

732
00:36:28,719 --> 00:36:32,640
Speaker 4: And I respect it. I love anyone, even self deprecating.

733
00:36:32,800 --> 00:36:36,480
Speaker 4: I like people that rage on themselves. I know that

734
00:36:36,640 --> 00:36:39,320
Speaker 4: it's not healthy. I don't endorse it. It's something you

735
00:36:39,440 --> 00:36:41,600
Speaker 4: need to fix in yourself if you're selfish.

736
00:36:41,640 --> 00:36:43,040
Speaker 3: But you're saying as opposed to turning it.

737
00:36:43,080 --> 00:36:43,880
Speaker 1: Outward, right.

738
00:36:44,440 --> 00:36:47,560
Speaker 4: I'm a big fan of creating your own own obstacles,

739
00:36:48,320 --> 00:36:52,440
Speaker 4: ruining things for yourself though. That's just the type of

740
00:36:52,520 --> 00:36:54,840
Speaker 4: person I relate to. I hear you, I don't. I

741
00:36:54,960 --> 00:36:58,280
Speaker 4: don't endorse that. Yeah, believe in yourself, follow your dreams.

742
00:36:59,320 --> 00:37:05,160
Speaker 4: But also, but also don't be cocky and ensure yourself.

743
00:37:05,520 --> 00:37:05,680
Speaker 1: Right.

744
00:37:05,880 --> 00:37:10,080
Speaker 4: There's a fine line between between cockiness and confidence.

745
00:37:09,600 --> 00:37:11,080
Speaker 3: And you better fucking walk it.

746
00:37:11,320 --> 00:37:14,120
Speaker 1: Yeah, and it's so fine. I don't like either. If

747
00:37:14,160 --> 00:37:19,200
Speaker 1: you're confident, girl, don't come and peekcock in front of me.

748
00:37:19,440 --> 00:37:20,279
Speaker 1: Who do you think you are?

749
00:37:20,640 --> 00:37:25,760
Speaker 3: Yeah, you're probably wrong. Yeah, But also if you're insecure, hey, buddy,

750
00:37:26,480 --> 00:37:27,640
Speaker 3: don't believe in yourself.

751
00:37:28,120 --> 00:37:31,400
Speaker 4: Right, That's what I want out of people. Yeah, I

752
00:37:31,560 --> 00:37:34,160
Speaker 4: want to hear you talk shit about yourself. Other people

753
00:37:34,360 --> 00:37:37,040
Speaker 4: get turned off. They're like, boy, that person's negative. I'm like,

754
00:37:37,280 --> 00:37:40,080
Speaker 4: I'm are you kidding? That was the funnest time I've had. Right,

755
00:37:40,520 --> 00:37:43,520
Speaker 4: is that we both made fun of ourselves.

756
00:37:43,600 --> 00:37:46,520
Speaker 3: What happened in negativity. I think there's a real there's

757
00:37:46,560 --> 00:37:48,920
Speaker 3: a there's an argument to be made to bring it

758
00:37:49,080 --> 00:37:51,719
Speaker 3: back in a real way. Because I was thinking about

759
00:37:51,719 --> 00:37:53,840
Speaker 3: this this morning in my TikTok addiction.

760
00:37:54,200 --> 00:37:55,040
Speaker 1: Lots of people like to.

761
00:37:55,040 --> 00:37:56,719
Speaker 3: Get on and make a video where they go, hey,

762
00:37:56,840 --> 00:37:59,120
Speaker 3: if no one's told you this today, I believe in

763
00:37:59,200 --> 00:38:01,799
Speaker 3: you and I love you, you're beautiful, whatever, And I'm

764
00:38:01,880 --> 00:38:03,600
Speaker 3: just like, I mean, it's a nice idea if that

765
00:38:03,880 --> 00:38:07,160
Speaker 3: dopamine wise does something for people, but it's not true.

766
00:38:07,719 --> 00:38:10,080
Speaker 3: They don't. If you were like, hey, can you please

767
00:38:10,200 --> 00:38:13,160
Speaker 3: lend me fifty dollars, they'd be like block. I mean,

768
00:38:13,239 --> 00:38:15,960
Speaker 3: it's just like a it's weird lip service. I'm like,

769
00:38:16,040 --> 00:38:18,960
Speaker 3: why do we need that? And when it does, it

770
00:38:19,080 --> 00:38:19,759
Speaker 3: is not real?

771
00:38:20,040 --> 00:38:23,640
Speaker 4: Right, You're right when even if it's useful, even if

772
00:38:23,680 --> 00:38:28,160
Speaker 4: it's a useful mantra, let's let's wake up and say

773
00:38:28,320 --> 00:38:30,480
Speaker 4: this day is going to be the easiest version of

774
00:38:30,520 --> 00:38:32,120
Speaker 4: a day or whatever, and I'm like, oh.

775
00:38:32,080 --> 00:38:34,680
Speaker 1: Yeah, I will use that. Yeah, but I still think, yeah,

776
00:38:34,800 --> 00:38:37,800
Speaker 1: but what baggage are you hiding? How are you?

777
00:38:38,040 --> 00:38:40,239
Speaker 3: Who are you to tell me to be positive? Oh?

778
00:38:40,360 --> 00:38:43,120
Speaker 1: Really? You're all healthy? Are you in the head? I

779
00:38:43,239 --> 00:38:45,480
Speaker 1: bet you got some demons? You're the worst.

780
00:38:45,600 --> 00:38:49,759
Speaker 3: You're the I think people who are I'm gonna go

781
00:38:49,800 --> 00:38:50,919
Speaker 3: way out on a limb here.

782
00:38:51,520 --> 00:38:51,759
Speaker 4: Do it.

783
00:38:51,960 --> 00:38:57,759
Speaker 1: I won't jiggle no tree. That was like the seven

784
00:38:57,760 --> 00:39:02,200
Speaker 1: to eleven guy you wore off on me. I'm gonna

785
00:39:02,239 --> 00:39:03,120
Speaker 1: do a yoga trade.

786
00:39:03,320 --> 00:39:06,279
Speaker 3: If we wait into seven eleven in Merseill, California.

787
00:39:06,719 --> 00:39:09,839
Speaker 1: Where are you at? What was I gonna say?

788
00:39:10,360 --> 00:39:12,200
Speaker 4: If you're going to go out on a limb about

789
00:39:12,239 --> 00:39:15,880
Speaker 4: the self help gurus and their past, their checkered past.

790
00:39:16,160 --> 00:39:21,560
Speaker 3: I think that people who choose lifestyle traits now, people

791
00:39:21,560 --> 00:39:23,520
Speaker 3: are gonna feel very attact by this. But I'll give

792
00:39:23,560 --> 00:39:26,880
Speaker 3: an example, sure of like a yoga tea or somebody

793
00:39:26,920 --> 00:39:31,279
Speaker 3: that studied yoga, or somebody that's, like I am a

794
00:39:31,480 --> 00:39:35,959
Speaker 3: hardcore vegan. I think there is something to at least

795
00:39:36,120 --> 00:39:44,440
Speaker 3: be noted when people are demonstrably quote unquote moral, because

796
00:39:44,680 --> 00:39:48,000
Speaker 3: I think it's covering something up right, right, Because why

797
00:39:48,040 --> 00:39:50,920
Speaker 3: do you why are you It's like if you're eating

798
00:39:51,000 --> 00:39:53,840
Speaker 3: something or not eating something, who gives a shit? But

799
00:39:53,960 --> 00:39:56,040
Speaker 3: you hear about it a lot or you have to

800
00:39:56,080 --> 00:39:57,840
Speaker 3: be in it, and it's like, well, then you're getting

801
00:39:57,920 --> 00:40:00,800
Speaker 3: the benefit of a doubt right that you might not

802
00:40:01,040 --> 00:40:04,279
Speaker 3: actually deserve morally, but you just are like, but I

803
00:40:04,440 --> 00:40:07,320
Speaker 3: care about deer or whatever the fuck the argument is.

804
00:40:07,800 --> 00:40:11,440
Speaker 3: And it's like, okay, but are you actually a decent

805
00:40:11,600 --> 00:40:12,080
Speaker 3: human being?

806
00:40:12,320 --> 00:40:15,560
Speaker 1: Or did you used to stab deers? Yeah?

807
00:40:16,000 --> 00:40:17,839
Speaker 3: Are you actually secretly killing deer?

808
00:40:18,120 --> 00:40:20,560
Speaker 4: And it's a cover up when someone starts talking to

809
00:40:20,640 --> 00:40:24,080
Speaker 4: you about our Lord and the word of the Lord,

810
00:40:24,840 --> 00:40:28,160
Speaker 4: and it's like, yeah, I learned I found him in prison.

811
00:40:28,800 --> 00:40:31,440
Speaker 1: And it's like, well, I so then you had a

812
00:40:31,520 --> 00:40:34,680
Speaker 1: void that needed to be filled. I don't. I don't

813
00:40:34,719 --> 00:40:37,479
Speaker 1: have that void. I don't have that Yeah, I didn't.

814
00:40:37,560 --> 00:40:39,000
Speaker 1: What about never going to prison?

815
00:40:39,440 --> 00:40:39,640
Speaker 3: Yeah?

816
00:40:39,719 --> 00:40:42,239
Speaker 4: And also that's why I never found the lord. He's

817
00:40:42,280 --> 00:40:43,760
Speaker 4: always getting lost in prison.

818
00:40:43,880 --> 00:40:45,400
Speaker 1: Where am I? I'm gazes?

819
00:40:46,320 --> 00:40:47,399
Speaker 2: Is that the cell block?

820
00:40:47,560 --> 00:40:48,759
Speaker 1: This is the right cell block?

821
00:40:49,640 --> 00:40:50,799
Speaker 3: This is cell block five?

822
00:40:51,239 --> 00:40:54,640
Speaker 1: Oh so many offended people? Why did I give him

823
00:40:54,680 --> 00:40:55,160
Speaker 1: a goofy?

824
00:40:56,360 --> 00:40:59,640
Speaker 3: I mean we we just we actually just offended, literally,

825
00:40:59,719 --> 00:41:02,280
Speaker 3: like ten different groups of people at one time, trying

826
00:41:02,320 --> 00:41:03,760
Speaker 3: to just be conversational.

827
00:41:04,360 --> 00:41:07,000
Speaker 1: I started it. Yeah, all you yogi's, we know why

828
00:41:07,040 --> 00:41:08,160
Speaker 1: you really got into it.

829
00:41:08,320 --> 00:41:09,000
Speaker 3: Fucking phony.

830
00:41:09,120 --> 00:41:12,640
Speaker 1: Yeah you get suck your own dick. How you learned

831
00:41:12,680 --> 00:41:13,200
Speaker 1: to yoga?

832
00:41:13,440 --> 00:41:15,160
Speaker 3: Have those ribs removed you perf?

833
00:41:15,440 --> 00:41:15,640
Speaker 2: Yeah?

834
00:41:15,800 --> 00:41:18,600
Speaker 4: Yeah, oh, I go take my shoes off in your house.

835
00:41:19,360 --> 00:41:22,680
Speaker 4: I know why you started stretching. That's the same reason

836
00:41:22,719 --> 00:41:24,359
Speaker 4: you have a hammock in your living room.

837
00:41:24,520 --> 00:41:26,359
Speaker 3: I love the people that you have to take your

838
00:41:26,360 --> 00:41:28,520
Speaker 3: shoes off in their house where it's like, that's disgusting

839
00:41:28,680 --> 00:41:31,600
Speaker 3: wearing outside shoes. It's like, and yet everyone does it

840
00:41:31,680 --> 00:41:35,799
Speaker 3: all day every day and they're fine. So is I mean, sure,

841
00:41:35,920 --> 00:41:37,319
Speaker 3: preferences are preferences, but.

842
00:41:37,680 --> 00:41:40,880
Speaker 4: You better have white shag carpet because in my house

843
00:41:41,360 --> 00:41:44,080
Speaker 4: you I don't want to see your gross feet.

844
00:41:44,239 --> 00:41:46,680
Speaker 1: No, thank you. I have boots that you're supposed to

845
00:41:46,719 --> 00:41:48,880
Speaker 1: put on. I provide them me boots.

846
00:41:48,920 --> 00:41:50,920
Speaker 4: Hey, before you come in, will you cover up your

847
00:41:51,440 --> 00:41:54,000
Speaker 4: take those flip flops off and put on these combat

848
00:41:54,440 --> 00:41:57,560
Speaker 4: land because I don't need to see your gross hass

849
00:41:57,719 --> 00:41:58,600
Speaker 4: yellow nails.

850
00:41:58,760 --> 00:42:02,319
Speaker 3: No one needs to look at those feet. Put some.

851
00:42:03,840 --> 00:42:06,359
Speaker 1: Corn rim over on those onions.

852
00:42:07,080 --> 00:42:08,400
Speaker 3: We love you, we believe in you.

853
00:42:08,760 --> 00:42:12,200
Speaker 1: Yeah, but you I love your lifestyle to it. Yeah,

854
00:42:12,239 --> 00:42:13,680
Speaker 1: and you give great advice.

855
00:42:13,840 --> 00:42:16,560
Speaker 3: We support anything that you want and nothing that you

856
00:42:16,760 --> 00:42:17,359
Speaker 3: don't want.

857
00:42:17,520 --> 00:42:25,759
Speaker 1: However, onions smell and look like onions. No, it's from

858
00:42:25,880 --> 00:42:26,920
Speaker 1: Digital Underground.

859
00:42:27,239 --> 00:42:29,360
Speaker 3: Oh yeah, you're just doing another quote.

860
00:42:29,480 --> 00:42:32,399
Speaker 4: I think it's I think it's Yeah, it's the guy

861
00:42:32,480 --> 00:42:34,880
Speaker 4: from Digital Underground. I might be a part of the

862
00:42:34,960 --> 00:42:35,920
Speaker 4: funky dance.

863
00:42:38,600 --> 00:42:41,400
Speaker 1: Smell it London smell look like onions.

864
00:42:42,080 --> 00:42:44,799
Speaker 4: Tupacs in the background dancing like boy one day, I'm

865
00:42:44,800 --> 00:42:46,000
Speaker 4: gonna have better lyrics than that.

866
00:42:46,360 --> 00:42:49,720
Speaker 1: And then Chris Cornell's over there noodling a guitar.

867
00:42:50,400 --> 00:42:52,120
Speaker 4: It's like when did he kick a hole in the

868
00:42:52,200 --> 00:42:56,120
Speaker 4: wall and come in here? Wait a second, so many mashups.

869
00:42:56,200 --> 00:42:57,840
Speaker 3: Wait should we drive down there and see what that

870
00:42:58,000 --> 00:43:01,839
Speaker 3: fire truck and copp are doing? Oh yeah, hey, oh,

871
00:43:02,080 --> 00:43:04,320
Speaker 3: I think they're just backing into the fire department unless

872
00:43:04,320 --> 00:43:06,280
Speaker 3: there was a car accident in front of the fire department.

873
00:43:06,520 --> 00:43:08,839
Speaker 1: Yeah, why would there be a cop? Also, we better

874
00:43:08,960 --> 00:43:12,120
Speaker 1: see if they need back up? Also, is that our street? Hey,

875
00:43:12,200 --> 00:43:14,360
Speaker 1: do you guys need help? Her dad was a fireman.

876
00:43:14,560 --> 00:43:15,800
Speaker 1: My brother in law nephew.

877
00:43:16,040 --> 00:43:18,040
Speaker 3: Yeah, we know a lot of stuff they talk about

878
00:43:18,120 --> 00:43:18,800
Speaker 3: in the firehouse.

879
00:43:19,000 --> 00:43:22,200
Speaker 1: Yeah, would that help at all? I could just shine

880
00:43:22,280 --> 00:43:24,080
Speaker 1: the bumper. I know you guys like to do that.

881
00:43:24,640 --> 00:43:26,840
Speaker 3: My dad really enjoyed The Jaws of Life.

882
00:43:27,360 --> 00:43:29,440
Speaker 1: Are you guys all going? You probably cooked a big

883
00:43:29,520 --> 00:43:30,839
Speaker 1: thing of pasta today, right?

884
00:43:31,640 --> 00:43:33,480
Speaker 3: Are you What movie are you watching tonight?

885
00:43:33,719 --> 00:43:35,719
Speaker 4: Yeah, it's the only way to really feed a group

886
00:43:35,800 --> 00:43:37,520
Speaker 4: of people. I know some of the stuff going in

887
00:43:37,719 --> 00:43:40,919
Speaker 4: some of my family. Oh oh oh, oh see, we're

888
00:43:40,960 --> 00:43:43,680
Speaker 4: making light. There really was a car There was a

889
00:43:43,719 --> 00:43:47,200
Speaker 4: car accident. She looks, okay, that carls on the phone,

890
00:43:47,920 --> 00:43:51,120
Speaker 4: but she is sad. Maybe I guess we're gonna do it.

891
00:43:51,400 --> 00:43:52,560
Speaker 4: Let's do it, let's try it.

892
00:43:52,800 --> 00:43:54,960
Speaker 1: Sorry, we got it. We gotta go down there.

893
00:43:55,239 --> 00:43:56,080
Speaker 3: We worked down here.

894
00:43:56,680 --> 00:43:57,760
Speaker 1: That was just it's.

895
00:43:59,600 --> 00:44:01,160
Speaker 3: Yeah, I can't do anything about it.

896
00:44:01,320 --> 00:44:02,719
Speaker 1: That fender was more than bent.

897
00:44:03,080 --> 00:44:05,520
Speaker 3: You know, when there's a car parked in the opposite

898
00:44:05,560 --> 00:44:08,040
Speaker 3: direction on the other side of the road that there

899
00:44:08,120 --> 00:44:09,160
Speaker 3: has been a car accident.

900
00:44:09,360 --> 00:44:10,640
Speaker 1: They just had to get it out of there.

901
00:44:10,719 --> 00:44:10,879
Speaker 3: Yeah.

902
00:44:11,160 --> 00:44:13,799
Speaker 4: Yeah, And the time to go back to England where

903
00:44:13,800 --> 00:44:15,680
Speaker 4: it's normal for you to drive on that side.

904
00:44:15,880 --> 00:44:18,440
Speaker 3: Yeah, time I should have rolled my window down and

905
00:44:18,520 --> 00:44:19,880
Speaker 3: said time to go back to England.

906
00:44:20,800 --> 00:44:22,919
Speaker 1: I'll get him next to no one never hears that one.

907
00:44:23,120 --> 00:44:25,760
Speaker 4: Yeah, I think it's okay to say go back to England,

908
00:44:25,880 --> 00:44:27,239
Speaker 4: but just say it to any white guy.

909
00:44:27,440 --> 00:44:29,320
Speaker 3: The only reason they got a full fire department is

910
00:44:29,400 --> 00:44:33,319
Speaker 3: because they crashed in front of the fire department. Oh right,

911
00:44:34,160 --> 00:44:36,080
Speaker 3: the fire department never comes to a car accident.

912
00:44:37,400 --> 00:44:40,000
Speaker 1: I think they do They not, though I guess not.

913
00:44:40,800 --> 00:44:43,920
Speaker 3: They're more every I had a guy rearund me so

914
00:44:44,120 --> 00:44:47,080
Speaker 3: hard that it was insane, and oh.

915
00:44:47,440 --> 00:44:50,800
Speaker 1: Did you see that? Yes? I did not like that.

916
00:44:51,640 --> 00:44:54,560
Speaker 1: Oh what what are we looking at?

917
00:44:54,680 --> 00:44:57,839
Speaker 3: Oh? That guy was walking and he did a flinch thing.

918
00:44:58,280 --> 00:45:02,960
Speaker 3: Oh that looked like a glitch. Oh, but it was

919
00:45:03,200 --> 00:45:05,120
Speaker 3: kind of a full body twitch.

920
00:45:05,480 --> 00:45:07,040
Speaker 1: Did you see it on a leaf? Oh?

921
00:45:08,040 --> 00:45:08,160
Speaker 3: Am?

922
00:45:08,200 --> 00:45:11,799
Speaker 1: I going, is he like the cat in the matrix?

923
00:45:12,640 --> 00:45:17,080
Speaker 3: It was a little surreally Well maybe it.

924
00:45:17,200 --> 00:45:20,360
Speaker 4: Was one of those optical illusions like a pop and

925
00:45:20,600 --> 00:45:23,320
Speaker 4: lock dance background stin.

926
00:45:23,239 --> 00:45:26,000
Speaker 1: He was just trying to have some fun. Yeah, yeah, yeah,

927
00:45:26,160 --> 00:45:29,000
Speaker 1: that's what we'll think. So, yeah, I didn't see it,

928
00:45:29,200 --> 00:45:30,440
Speaker 1: but I did see your reaction.

929
00:45:30,880 --> 00:45:32,359
Speaker 3: It was a little bit like you know when you're

930
00:45:32,360 --> 00:45:34,399
Speaker 3: about to fall asleep and then you for some reason

931
00:45:34,480 --> 00:45:36,880
Speaker 3: real quick dream that you tripped in your falling and

932
00:45:37,000 --> 00:45:40,560
Speaker 3: that you do a fast, hard twitch. Right. It was that,

933
00:45:40,719 --> 00:45:43,120
Speaker 3: but walking across the street, I didn't like it.

934
00:45:43,640 --> 00:45:46,040
Speaker 4: I still do the one where I don't even know

935
00:45:46,239 --> 00:45:48,760
Speaker 4: that I as I fall asleep, I think of falling

936
00:45:48,960 --> 00:45:49,320
Speaker 4: or something.

937
00:45:49,440 --> 00:45:53,320
Speaker 1: Sometimes it happens without me even using my brain, and

938
00:45:53,480 --> 00:45:58,399
Speaker 1: I jolt and I my entire body. I kick, yeah,

939
00:45:58,640 --> 00:45:59,799
Speaker 1: and it wakes me up.

940
00:46:00,120 --> 00:46:05,239
Speaker 4: Yes, that happens more often now I hear that that

941
00:46:05,840 --> 00:46:08,960
Speaker 4: is from don't say Parkinson's is a you.

942
00:46:09,080 --> 00:46:12,799
Speaker 3: Have full on parkinson Oh nuts? Yeah, full blown? Sorry,

943
00:46:12,960 --> 00:46:21,200
Speaker 3: full blown a full blown. Oh it's horrible. Uh, it's

944
00:46:21,280 --> 00:46:26,360
Speaker 3: something about your brain is switching from conscious aware, you know,

945
00:46:26,960 --> 00:46:30,520
Speaker 3: right in the FADA state, into beta or whatever.

946
00:46:30,760 --> 00:46:37,520
Speaker 1: Yeah. Yeah, from active screen time to screensaver.

947
00:46:37,200 --> 00:46:41,600
Speaker 3: Yep, to toasters flying with little wings. Remember that one.

948
00:46:43,000 --> 00:46:47,319
Speaker 1: I do reminds me of the old.

949
00:46:48,160 --> 00:46:50,640
Speaker 4: One of the top sellers in my T shirt days,

950
00:46:50,760 --> 00:46:52,920
Speaker 4: my flock of bagels design.

951
00:46:53,160 --> 00:46:57,680
Speaker 1: Oh just a v formation of bagels with wings. Nothing

952
00:46:57,760 --> 00:47:01,320
Speaker 1: to see here, twelve dollars please?

953
00:47:02,320 --> 00:47:03,839
Speaker 3: Did people buy that up? Oh?

954
00:47:04,040 --> 00:47:04,920
Speaker 1: Sure they liked it.

955
00:47:05,440 --> 00:47:10,439
Speaker 4: Guitar God had Jesus shredding on the guitar. Oh yeah,

956
00:47:10,520 --> 00:47:11,640
Speaker 4: I was gonna get famous.

957
00:47:12,040 --> 00:47:15,120
Speaker 3: Wait so these were some nice drawings that you had

958
00:47:15,280 --> 00:47:16,280
Speaker 3: kind of at the ready.

959
00:47:17,400 --> 00:47:20,600
Speaker 4: No, there's my venture into trying to make T shirt

960
00:47:20,680 --> 00:47:22,640
Speaker 4: companies when I was younger.

961
00:47:22,920 --> 00:47:26,759
Speaker 1: Yeah, I can do this on my own with comedy shirts. Yep.

962
00:47:27,520 --> 00:47:29,399
Speaker 4: And then I stopped one day and I'm like, wait,

963
00:47:29,440 --> 00:47:33,120
Speaker 4: would I wear any of these? I wouldn't even wear.

964
00:47:33,080 --> 00:47:37,800
Speaker 3: These, speaking which, this is a really nice collection of

965
00:47:38,480 --> 00:47:40,680
Speaker 3: rear window stickers on this van. But then I'm like,

966
00:47:40,880 --> 00:47:43,960
Speaker 3: is that true or is that is there anything problematic?

967
00:47:44,360 --> 00:47:44,520
Speaker 5: Oh?

968
00:47:44,920 --> 00:47:46,839
Speaker 3: Oh right, don't they seem kind of cool?

969
00:47:47,200 --> 00:47:47,399
Speaker 1: Yeah?

970
00:47:47,560 --> 00:47:49,800
Speaker 4: Yeah, but then you see you start to see some

971
00:47:49,920 --> 00:47:52,920
Speaker 4: of the symbols. There's an arrow, there's an ass, there's.

972
00:47:52,760 --> 00:47:56,520
Speaker 1: A lightning bowlt what's up with those two lightning bolt esses?

973
00:47:56,800 --> 00:47:59,920
Speaker 3: We need to be careful of s's used with like

974
00:48:00,000 --> 00:48:01,080
Speaker 3: e being bolt spelling.

975
00:48:01,320 --> 00:48:03,560
Speaker 4: People use them all the time because they look cool,

976
00:48:03,600 --> 00:48:07,319
Speaker 4: because a kid like Snow Summit used to have two blatantly.

977
00:48:07,840 --> 00:48:12,000
Speaker 1: Yeah, but they didn't know they're just graphic design.

978
00:48:12,200 --> 00:48:13,800
Speaker 3: They didn't know Nazi symbolism.

979
00:48:14,000 --> 00:48:17,680
Speaker 1: Fuck that they do now because they're more popular again.

980
00:48:17,520 --> 00:48:19,720
Speaker 3: Because they got a subscription to the History Channel.

981
00:48:19,800 --> 00:48:22,080
Speaker 4: Yeah, and they left their basements and they're look they're

982
00:48:22,120 --> 00:48:23,120
Speaker 4: out on the street right now.

983
00:48:23,320 --> 00:48:25,480
Speaker 3: Look look they're masked up and they're.

984
00:48:25,440 --> 00:48:29,439
Speaker 1: Ready to roll. We're ready to say something poorly. Yeah,

985
00:48:29,719 --> 00:48:32,560
Speaker 1: it's yeah. I think it was just that was a

986
00:48:32,680 --> 00:48:34,000
Speaker 1: series of stickers.

987
00:48:33,680 --> 00:48:37,920
Speaker 4: That was an outdoorsy I'm gonna guess Pacific Northwest.

988
00:48:37,200 --> 00:48:40,240
Speaker 1: Van Okay, a lot of it. They had a sticker

989
00:48:40,320 --> 00:48:43,360
Speaker 1: that said y'all. One of the stickers was the shape

990
00:48:43,400 --> 00:48:43,920
Speaker 1: of Oregon.

991
00:48:44,040 --> 00:48:46,680
Speaker 6: That's why I fuck yeah, I'm a bit of a

992
00:48:46,840 --> 00:48:48,240
Speaker 6: geography hound.

993
00:48:50,440 --> 00:48:51,240
Speaker 1: Give me a shape.

994
00:48:51,320 --> 00:49:06,919
Speaker 6: I'll guess the state around towns of visuals, RUMs mill,

995
00:49:09,400 --> 00:49:14,160
Speaker 6: keep them coming, a triangle a town.

996
00:49:15,360 --> 00:49:19,600
Speaker 1: It's a percussion city. Oh, I had no idea there's

997
00:49:19,600 --> 00:49:22,520
Speaker 1: a driveway here. I thought you were just saying fuck

998
00:49:22,560 --> 00:49:23,879
Speaker 1: it and slamming into the curb.

999
00:49:24,000 --> 00:49:26,200
Speaker 3: I was like, you know what, fuck all these people.

1000
00:49:27,040 --> 00:49:27,840
Speaker 1: My heart dropped.

1001
00:49:28,000 --> 00:49:30,719
Speaker 3: Isn't this great? It's my bill so I could park

1002
00:49:30,760 --> 00:49:34,440
Speaker 3: here because even though it's not like technically a parking spot,

1003
00:49:34,800 --> 00:49:37,800
Speaker 3: it's it's only up to us to have people to

1004
00:49:39,000 --> 00:49:39,840
Speaker 3: I think that's.

1005
00:49:39,800 --> 00:49:42,279
Speaker 1: The thing with a with a curb cut like this,

1006
00:49:43,680 --> 00:49:45,080
Speaker 1: that's what they call and skateboarding.

1007
00:49:45,840 --> 00:49:49,200
Speaker 4: It looks like a driveway, but there's no door that

1008
00:49:49,400 --> 00:49:52,080
Speaker 4: what used to be a garage door back when this

1009
00:49:52,440 --> 00:49:54,800
Speaker 4: was a transmission shop or whatever.

1010
00:49:54,960 --> 00:49:56,959
Speaker 3: And we'll get back there someday, I hope.

1011
00:49:57,200 --> 00:49:59,879
Speaker 1: I've been wanting to gut my hardy on that front

1012
00:50:00,080 --> 00:50:01,720
Speaker 1: carpet all month.

1013
00:50:04,920 --> 00:50:05,160
Speaker 6: Yeah.

1014
00:50:05,280 --> 00:50:10,120
Speaker 4: I think it is up to the resident, So don't

1015
00:50:10,160 --> 00:50:13,399
Speaker 4: worry unless you call the tow truck on yourself during

1016
00:50:13,520 --> 00:50:16,400
Speaker 4: one of your big polar episodes.

1017
00:50:17,480 --> 00:50:19,520
Speaker 1: Oh, another group of offended people.

1018
00:50:20,239 --> 00:50:22,880
Speaker 3: Listen, Let's do a real quick before we wrap up.

1019
00:50:23,000 --> 00:50:25,600
Speaker 3: We'll do just a real quick list of apologies. I

1020
00:50:25,760 --> 00:50:30,880
Speaker 3: directly apologize to a vegan, to any vegans, vegetarians, or

1021
00:50:31,000 --> 00:50:36,000
Speaker 3: people with just kind of gastric restrictions, I'm sorry to

1022
00:50:36,280 --> 00:50:37,680
Speaker 3: have judged you. I was wrong.

1023
00:50:37,880 --> 00:50:41,200
Speaker 4: I'd liked an issue issue of official apology to any

1024
00:50:41,280 --> 00:50:44,439
Speaker 4: martyrs out there, as well as Yogi's.

1025
00:50:44,120 --> 00:50:48,040
Speaker 1: And self induced blow people.

1026
00:50:49,200 --> 00:50:52,040
Speaker 3: I'd like to apologize to Jake Johnson. We should keep

1027
00:50:52,080 --> 00:50:55,040
Speaker 3: your name out our mouth, because who are we to

1028
00:50:55,200 --> 00:50:56,480
Speaker 3: talk about you in any way.

1029
00:50:56,560 --> 00:50:56,799
Speaker 1: Shape.

1030
00:50:57,280 --> 00:50:59,719
Speaker 4: Let's apologize to all the people we said nice things,

1031
00:51:00,200 --> 00:51:02,000
Speaker 4: because that's all I can remember right now.

1032
00:51:02,360 --> 00:51:02,520
Speaker 3: Oh.

1033
00:51:02,719 --> 00:51:06,719
Speaker 4: Also, you need to find Jesus. I'm not even gonna apologize.

1034
00:51:06,760 --> 00:51:08,040
Speaker 4: I'm just gonna do a one eighty.

1035
00:51:09,040 --> 00:51:11,000
Speaker 1: Hey, you have an empty void in your head, and

1036
00:51:11,160 --> 00:51:12,200
Speaker 1: you know what could fill it?

1037
00:51:13,120 --> 00:51:15,839
Speaker 3: A guy with a beard and long hair and sample.

1038
00:51:16,400 --> 00:51:21,120
Speaker 1: Loya no singing voll that one. We cannot clear it. Well,

1039
00:51:21,239 --> 00:51:22,640
Speaker 1: that's not the Jeff Buckley one.

1040
00:51:22,680 --> 00:51:25,680
Speaker 3: It's a church song to Paul McCarty owns that one.

1041
00:51:25,880 --> 00:51:28,080
Speaker 1: Hymns are up for grabs.

1042
00:51:28,920 --> 00:51:29,920
Speaker 3: Hymns will sue us.

1043
00:51:30,760 --> 00:51:37,400
Speaker 1: Hyms is a ed medication company, and we're done. And

1044
00:51:38,840 --> 00:51:40,440
Speaker 1: you've been listening to Do you Need a Ride?

1045
00:51:40,520 --> 00:51:42,440
Speaker 6: D y n A R.

1046
00:51:49,880 --> 00:51:52,280
Speaker 2: This has been an exactly right production.

1047
00:51:52,800 --> 00:51:55,040
Speaker 3: Our senior producer is Annalise Nelson.

1048
00:51:55,440 --> 00:51:56,879
Speaker 2: Mixed by Edson Choy.

1049
00:51:57,280 --> 00:51:59,160
Speaker 3: Our talent booker is Patrick Cotner.

1050
00:51:59,440 --> 00:52:01,400
Speaker 2: Theme song by Karen Kilgareff.

1051
00:52:01,840 --> 00:52:05,320
Speaker 3: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

1052
00:52:05,400 --> 00:52:09,719
Speaker 3: and Facebook at dinar podcast That's d y nar Podcast.

1053
00:52:10,200 --> 00:52:14,000
Speaker 2: For more information, go to exactly Rightmedia dot com. Thank

1054
00:52:14,080 --> 00:52:16,000
Speaker 2: you both, You're welcome