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Speaker 1: No worry, you got Tevin Campbell cued up.

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Speaker 2: I just wanted to play so jerickt here des can

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Speaker 2: we talk as much? Hold on? Are you shitting on?

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Speaker 2: Tevin Cambell. I wasn't gonna play can we talk?

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Speaker 1: And listen? First of all, never shitting on the legend

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Speaker 1: Tevin Campbell.

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Speaker 2: But the young legend. He's still young to me.

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Speaker 3: I just was like, I mean, we're gonna talk, so

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Speaker 3: we don't have to ask can we talk? We're gonna talk.

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Speaker 3: That's what we do for a living. But it was

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Speaker 3: a little like Tevin. I don't want to start with Tevin,

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Speaker 3: I was it.

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Speaker 1: It was just sound.

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Speaker 3: I'm not mad at it, though, but I just I

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Speaker 3: don't know. Actually, you know what start with Tevin Campbell?

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Speaker 1: Now that they're gonna cut it off anymore, no worry

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Speaker 1: about it.

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Speaker 3: We have to give context first, yes, and then say

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Speaker 3: why we're using the song, and then play it and

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Speaker 3: then talk over it like the DJ's do at all

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Speaker 3: the parties.

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Speaker 2: Matter of fact, I thought that was just gonna become

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Speaker 2: a segment on our show now that we got the

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Speaker 2: copyright rules. Just talk everything for the listeners listening on

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Speaker 2: audio now YouTube already know we can't do shit audio.

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Speaker 2: We need to what were the exact guidelines?

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Speaker 4: So you have to talk about it. If you're gonna

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Speaker 4: play the song, you have to talk about it in context.

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Speaker 4: You can't just play it like your stop right.

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Speaker 2: What does that mean?

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Speaker 1: Talk about it in context? I don't know. I guess

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Speaker 1: we have to break down the lyrics.

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Speaker 2: This number, it's number from nineteen eighty eight.

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Speaker 1: We got it, I mean kind of kind.

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Speaker 4: Of yeah, but you can do that in a fun way.

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Speaker 4: You guys are creative enough.

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Speaker 3: Well, I mean, I guess Multiple Music was just like

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Speaker 3: for us, after we bought it, we could just do

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Speaker 3: whatever the.

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Speaker 1: Fuck we want to play it anywhere? Like is the fuck?

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Speaker 3: I never had to ask anybody could I play like

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Speaker 3: doggy style?

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Speaker 2: That is kind of fucking wild. If I buy a

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Speaker 2: record like literally pay the twelve dollars straight through MP

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Speaker 2: three download, Why am I not allowed to play that

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Speaker 2: on my YouTube platform?

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Speaker 1: And it's from the culture, it's from hip hop culture

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Speaker 1: where you were from.

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Speaker 2: I bought it, it's mine.

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Speaker 4: Okay, that's fine, but your listeners did not buy it.

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Speaker 4: All one hundred thousand of them that are going to

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Speaker 4: listen this week. They didn't buy it, so now they're

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Speaker 4: listening to it for free.

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Speaker 1: Yeah, but this is our platform.

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Speaker 3: Like if I got painting and I put it in

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Speaker 3: my living room, Like you shouldn't be able to come

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Speaker 3: to my living room if you made the painting and like, yo, movie.

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Speaker 4: Thousand dollars in your living room? Huh? Are you gonna

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Speaker 4: have a hundred thousand dollars, I mean one hundred thousand people.

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Speaker 3: In your living room if I if we decide to

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Speaker 3: do a show for my living room, Yeah yeah.

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Speaker 4: Are you going to make money out of every single

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Speaker 4: one hundred thousand of the one hundred thousand people that

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Speaker 4: look at that painting? Are you going to make money

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Speaker 4: off of every single one of them?

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Speaker 1: Oh? Yeah?

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Speaker 3: But what's the difference if I if you put out

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Speaker 3: an album and I throw a fucking cookout in the

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Speaker 3: park and I charge people five dollars to get into

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Speaker 3: the cookout and I'm playing my DJ's playing music there,

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Speaker 3: like I have to pay the artists for I.

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Speaker 2: Pay the djj's playing music.

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Speaker 3: Like it's like it's it's stupid, Like this shit is dumb,

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Speaker 3: Like they're just trying to cut this shit up as

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Speaker 3: many ways as they can to keep making money off

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Speaker 3: these artists.

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Speaker 2: But to me, to me, it's literally stepping over a

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Speaker 2: dollar to get a penny because if you.

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Speaker 3: Because if you go to a party and you hear

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Speaker 3: a record like I like that, I want to go

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Speaker 3: into my go download that album, like it's just crazy.

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Speaker 3: And if I'm sitting the show they hit a record,

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Speaker 3: they like, I never heard that downloaded.

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Speaker 2: No one is listening to the show in a way

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Speaker 2: of a way to sneak listen to Kevin Campbell.

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Speaker 1: Yeah, I promise you.

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Speaker 3: That's so, that's what they're trying to make like seem

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Speaker 3: like they it's like they're listening to their streaming the

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Speaker 3: song without paying their boot legging it. Basically, that's what

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Speaker 3: they're saying, I listened to are doing bootlegging the song,

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Speaker 3: boot legging the artists, bootlegging the record, And that's not

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Speaker 3: the case.

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Speaker 1: So it's bullshit.

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Speaker 2: But whatever, I still don't understand that ship like at all.

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Speaker 1: Let's talk about it.

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Speaker 2: Can we talk in context? In context? We are asking

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Speaker 2: if we if we can, if we can indeed talking

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Speaker 2: this podcast, can we.

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Speaker 1: We gotta ask you if we can talk?

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Speaker 2: Fucking crazy appears there's a voice missing.

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Speaker 3: Yeah, man, read the read the group text, and uh,

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Speaker 3: did you just kill Edmon? She kills everybody anybody knows,

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Speaker 3: but has killed some of the greatest leaders of our culture.

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Speaker 3: And yes, that park is a pivotal part of our

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Speaker 3: culture to do that. And yeah, the marriage said that

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Speaker 3: Eddon wouldn't be in today because he was.

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Speaker 1: He wasn't He was fucked up his back he.

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Speaker 2: Broke threw his back out twenty one years old.

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Speaker 1: He needs a backy out of me. I don't know.

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Speaker 3: I don't know how Editing threw his back out, but

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Speaker 3: we hope that he's all right, and he feels we

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Speaker 3: should call him at some point, and we definitely that's

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Speaker 3: what friends do, laugh at each other through pain.

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Speaker 2: Well, once I found out he was actually like not

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Speaker 2: because you know, you get that, Oh he had to

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Speaker 2: go to the hospital. Text You're like I will for what? Yeah,

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Speaker 2: And then once you find out it's not like death,

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Speaker 2: it's like.

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Speaker 3: Life at him, let's make fun of him, like, yeah,

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Speaker 3: what hospital was he at? Like, let's go over there

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Speaker 3: and just let's record. I want to record from Eden's

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Speaker 3: hospital room.

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Speaker 2: And I wish he would have texted me instead of

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Speaker 2: you and said, hey, I threw my backout, can't come

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Speaker 2: to the pod. I would have faced time.

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Speaker 3: I made so many tears in my eyes. I had

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Speaker 3: so many jokes. I'm like, Okay, he was at the stumbling.

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Speaker 2: He probably was stumbled.

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Speaker 3: Yeah, he stumbled. He was doing to drop down challenge.

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Speaker 3: I could definitely see Edin doing the.

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Speaker 1: Drop down challenge on his back out.

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Speaker 3: I could definitely see him trying to fucking do get

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Speaker 3: it into a sandwich with two young harlots and throwing

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Speaker 3: it like. I could see a bunch of opportunities and

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Speaker 3: reasons why Editing would throw his back out or get

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Speaker 3: his back blown out or get his back blown out,

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Speaker 3: and then probably was being that we know, the nasty

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Speaker 3: sh ed.

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Speaker 1: He probably tried to pick his girl up.

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Speaker 3: You know, Edit thought he probably did some push up,

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Speaker 3: some squash and thought he was Superman, picked his girl

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Speaker 3: up and threw his fucking back out.

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Speaker 1: MM. That didn't great there. He don't want to tell

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Speaker 1: us that's what happened. I know that's what happened.

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Speaker 2: Have you ever tried to pick girl up and then

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Speaker 2: immediately regretted it, like, oh, I didn't think it's definitely

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Speaker 2: definitely where's the nearest couch your bed?

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Speaker 3: That's why you got to pick it up like near

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Speaker 3: the couch or so you could just throw her down.

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Speaker 2: I've tried to do the living room to the bedroom move,

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Speaker 2: and I started moving a little faster. It wasn't such

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Speaker 2: a sexy walk anymore.

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Speaker 3: It was like, hey, when you try picking the girl

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Speaker 3: up walking around the house and you realize like you're not.

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Speaker 1: As strong as you thought.

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Speaker 3: Put that's when you got to just put it down

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Speaker 3: and just watch a walk smack on the ash and

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Speaker 3: watch her walk to the bed like, no, baby, just

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Speaker 3: stops right here.

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Speaker 1: My knees is about to give out.

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Speaker 2: But that kind of ruins the mood. Like that, you

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Speaker 2: take a risk. That's that's kind of like a fucking

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Speaker 2: lottery ticket as far as it. If I do, I

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Speaker 2: might crap out. It could ruin the entire experience.

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Speaker 3: It definitely could, and she definitely might start looking at

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Speaker 3: you like, I'm not calling this nigga no more.

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Speaker 1: This nigga can't even pick me up.

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Speaker 2: Yeah I would. I would understand.

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Speaker 1: You can't defend my honor in the streets.

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Speaker 3: If you can't her up with the animal thugs. I'm

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Speaker 3: not saying that he called them animal thugs. That word

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Speaker 3: is you need to neutralize the animal thugs put them down,

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Speaker 3: the same thing who voted for Hillary Ship. I remember

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Speaker 3: what they did to Gadaffia. I ain't I ain't young.

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Speaker 3: I know I know where the Clintons.

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Speaker 2: Did the Gadaffi from Wait like tupac Ka.

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Speaker 3: Not like not cut Daffy from the Outlaws.

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Speaker 1: H They probably had something to do with him too.

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Speaker 1: I could see it.

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Speaker 3: You know what I'm saying. Yeah, nasty ass Clintons. But anyway,

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Speaker 3: shout out to the Outlaws.

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Speaker 1: Yeah, it doesn't make a musing. It was interesting.

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Speaker 3: Yeah, it took I left the link up once again,

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Speaker 3: and we didn't I know I linked.

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Speaker 2: Id you link the Lincoln.

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Speaker 3: I know you linked, but we were, we were, we

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Speaker 3: had plans on linking up, but we did.

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Speaker 2: I had some friends in town. Mm hmm, some cool

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Speaker 2: some cool friends from outside the country. I love when

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Speaker 2: the foreign, foreigners thirty minutes away. Yeah, little things surprised,

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Speaker 2: little things make them happy. When the foreign it was Toronto,

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Speaker 2: the thirty minutes flight.

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Speaker 1: How wasn't Uh, it was quite a good time. It

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Speaker 1: was cool.

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Speaker 2: I told you to come link at the hookah spot.

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Speaker 2: It was over I'm not going to say the place,

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Speaker 2: but I was over there. With my man's low and

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Speaker 2: they they came, they went to the you know, did

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Speaker 2: the birthday dinner thing, which I don't want to participate in.

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Speaker 2: And I think you're inviting me because you just want

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Speaker 2: me to pay.

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Speaker 1: Oh yeah, now that's the move. Now you know that.

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Speaker 2: That's like a real move for sure. Yeah, but no,

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Speaker 2: they're not like that.

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Speaker 1: I'm joking.

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Speaker 2: So who ship is great? Watching the Knicks music playing?

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Speaker 1: Watching the Knicks, that's always a bad night.

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Speaker 2: I mean it was in the background, was on the TV,

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Speaker 2: but that's.

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Speaker 1: A bad night.

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Speaker 2: It was just around. Yeah, well you look better when

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Speaker 2: you watch everyone around you looks better when the Knicks

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Speaker 2: are playing. Yeah, because they look it's hard to look

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Speaker 2: as bad as the Nicks. They can just hate and

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Speaker 2: shot on the Knicks. Yeah, if you see them at Harbor,

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Speaker 2: not so cool anymore, is it doesn't?

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Speaker 1: It doesn't come across.

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Speaker 2: Sorry, those bottles ain't the same.

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Speaker 1: What else?

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Speaker 2: And when the night goes too good, there's always one

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Speaker 2: drunk girl that goes, oh my god, we should go

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Speaker 2: to that strip club. Yeah, she didn't sound like that,

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Speaker 2: but for the story purposes, she sounded just like that.

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Speaker 2: And when you're a couple of shots in and you

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Speaker 2: don't really drink hard liquor like that anymore.

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Speaker 1: You go, yeah, that sounds like a great idea.

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Speaker 2: Oh my god, let's go there.

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Speaker 1: And then you get there and realize it was the

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Speaker 1: worst misteak of your life.

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Speaker 2: So we go up to Sapphires. I can say that

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Speaker 2: place is a public, publicly traded company.

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Speaker 1: Is it traded?

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Speaker 2: Oh, it's traded. Things are traded. I promise you. Things

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Speaker 2: are traded on that I know. I know the culture

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Speaker 2: legally of course, legal tender, yeah, rules tender. We get there.

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Speaker 2: In mind you, I didn't want to go all the

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Speaker 2: way to Starlett's. It was pretty late at that point already,

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Speaker 2: and Starlett's we was deep, it was and Starlett's at

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Speaker 2: this point those Hicks wanted to like see strippers and like,

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Speaker 2: you know, get a strip cub experience, whereas Starlet's now

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Speaker 2: is the bartender experience. So I was like, all right,

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Speaker 2: it's just right off the block. Let's just go to

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Speaker 2: Sapphires instead. Then things just went drastically drastically left.

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Speaker 1: Oh oh, what happened? What happened?

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Speaker 2: We walked in the concierg person, do you want bottle service? Before?

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Speaker 2: I before you could even finish the sentence, of course,

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Speaker 2: take us there, take us to the bottles. If you

248
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Speaker 2: asked me that, How dare you ask me such a thing?

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Speaker 2: Now this ties into the conversation we just had. Why

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Speaker 2: are strip cub still trying to charge women again? In

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Speaker 2: I remember back in the day that was always a

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Speaker 2: thing because it was like, all right, women aren't going

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Speaker 2: to spend money. It's you know, the dudes are the

254
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Speaker 2: ones that are going to actually bring income in here.

255
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Speaker 2: I don't know if anyone's been there a strip club lately,

256
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Speaker 2: the women throw the most money. Mind you may not

257
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Speaker 2: be their money, but they're the ones that are actively

258
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Speaker 2: making men get more money so that they can throw it.

259
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Speaker 2: They're like the biggest asset ever to a strip club. Absolutely,

260
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Speaker 2: Yet they're sitting here with these fucking streamer rules of

261
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Speaker 2: trying to charge twenty dollars ahead for all the girls.

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Speaker 2: I'm like, wait, we guys get a section and I

263
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Speaker 2: just asked you for fifteen hundred dollars. You're really gonna

264
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Speaker 2: charge these girls twenty dollars each. I think it's stupid

265
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Speaker 2: that women have to pay to get in anywhere. I

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Speaker 2: agree club, strip club, but they know at the club.

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Speaker 2: I've never seen a woman paid again to a club.

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Speaker 1: I've seen women pay to get in the club. Were

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Speaker 1: they trash?

270
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Speaker 3: No, it's just one of those clubs where they were like, yo, tickets,

271
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Speaker 3: you gotta buy a ticket tonight.

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Speaker 2: Oh poluza, Yeah.

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Speaker 3: Yes, exactly, Like I just honest, like, wouldn't you just

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Speaker 3: want women to just come in?

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Speaker 2: Like they get worried about that.

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Speaker 4: The strippers to get worried about that too. LUs wouldn't

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Speaker 4: let me in one will. They tried not to let

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Speaker 4: me in one night. They said I was dressed too

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Speaker 4: much like a stripper and they wouldn't let me in.

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Speaker 1: Damn d what you had on at.

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Speaker 4: I had on a bodysuit with like a dress over it,

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Speaker 4: but it was you.

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Speaker 1: Was outside you.

284
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Speaker 2: They do that sometimes and and like when women start

285
00:11:09,240 --> 00:11:11,839
Speaker 2: to twerk a little bit in your section, here comes

286
00:11:11,840 --> 00:11:14,320
Speaker 2: security and mind you, we throw money. It's not like

287
00:11:14,440 --> 00:11:16,720
Speaker 2: we're throwing money that the strippers are not going to get,

288
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Speaker 2: Like the women that I came with are not going

289
00:11:18,480 --> 00:11:20,199
Speaker 2: to pick the money up off the ground and put

290
00:11:20,240 --> 00:11:23,960
Speaker 2: it in their pockets because they're shaking their ass a

291
00:11:24,040 --> 00:11:28,280
Speaker 2: record at the moment. But we cleared that up and

292
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Speaker 2: more bottles didn't in fact come okay, so you had

293
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Speaker 2: a good night. Then the back room ensued, which I

294
00:11:35,240 --> 00:11:36,960
Speaker 2: was funding. I was just here as a friend.

295
00:11:37,040 --> 00:11:39,160
Speaker 1: You were just just a birthday from private investor.

296
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Speaker 2: It's all I was. Strippers seemed to be like actually

297
00:11:42,520 --> 00:11:45,520
Speaker 2: into them, like, oh, these are the cool girls that

298
00:11:45,559 --> 00:11:47,520
Speaker 2: are actually at the spot, and instead all these other

299
00:11:47,520 --> 00:11:52,080
Speaker 2: creepy men around, let's focus on them. Backroom thing. They

300
00:11:52,120 --> 00:11:56,400
Speaker 2: send more shots on the house, on the house.

301
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Speaker 1: It was on your card. It wasn't on the house.

302
00:12:00,400 --> 00:12:00,600
Speaker 3: I was.

303
00:12:01,400 --> 00:12:04,760
Speaker 2: You was definitely not playing money. That's your account exactly exactly.

304
00:12:05,600 --> 00:12:08,280
Speaker 2: I had to call Lloyon in the strip clow because

305
00:12:08,280 --> 00:12:09,960
Speaker 2: we just know it was really you. We just switched

306
00:12:10,000 --> 00:12:13,520
Speaker 2: over to Chase and you. I'm going through fucking every

307
00:12:13,559 --> 00:12:17,560
Speaker 2: card in my wallet, like not swear I have money.

308
00:12:18,360 --> 00:12:20,800
Speaker 3: See now I can't wait for accounting me got hey, listen,

309
00:12:20,880 --> 00:12:23,480
Speaker 3: I wasn't with him. That's Rory's money he spent that night.

310
00:12:23,480 --> 00:12:25,280
Speaker 3: Don't take that out of mind. That ain't my money.

311
00:12:25,440 --> 00:12:27,120
Speaker 2: It was all of my personal cars.

312
00:12:27,320 --> 00:12:29,520
Speaker 1: It was not It was not all.

313
00:12:30,000 --> 00:12:34,679
Speaker 2: I think it's really fuzzy in there to see how

314
00:12:34,720 --> 00:12:38,040
Speaker 2: small the letters work. But what usually happens when you're

315
00:12:38,880 --> 00:12:42,320
Speaker 2: with birthday girl and her friends and you've been drinking

316
00:12:42,320 --> 00:12:44,160
Speaker 2: shots all night and there's strippers. Now you're in the

317
00:12:44,160 --> 00:12:46,880
Speaker 2: back room with more shots. What tends to happen?

318
00:12:48,000 --> 00:12:49,480
Speaker 1: Mm hmmm, somebody got sick.

319
00:12:49,840 --> 00:12:53,800
Speaker 2: Someone got sick. Oh God, I will say though, strippers

320
00:12:53,800 --> 00:12:55,319
Speaker 2: are some of the best caretakers I've ever seen in

321
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Speaker 2: my life.

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Speaker 3: Well, they're women at first, the strippers second or third.

323
00:13:00,200 --> 00:13:03,000
Speaker 2: I've never seen teamwork like that in minetire. They were

324
00:13:03,480 --> 00:13:07,440
Speaker 2: the emotional support, the physical support, the cleanup crew, the

325
00:13:07,600 --> 00:13:09,600
Speaker 2: let's make sure the manager doesn't find out about this

326
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Speaker 2: so he charges y'all. It was such an amazing experience

327
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Speaker 2: of having to deal with.

328
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Speaker 3: A drunken That sounds like that sounds like a good

329
00:13:16,000 --> 00:13:19,760
Speaker 3: drunk story. Though it could have been worse, it was

330
00:13:19,840 --> 00:13:21,280
Speaker 3: more it might get worse.

331
00:13:22,240 --> 00:13:26,600
Speaker 2: Trying to take the at the moment deceased body into

332
00:13:26,760 --> 00:13:29,760
Speaker 2: a car was one of the harder things I've ever

333
00:13:29,760 --> 00:13:31,959
Speaker 2: had to do. It was like we was taking Shorty

334
00:13:31,960 --> 00:13:35,360
Speaker 2: out of nom. I had one arm, the stripper had.

335
00:13:35,400 --> 00:13:37,720
Speaker 2: We was dragging her like her legs weren't even moving. Yeah,

336
00:13:37,760 --> 00:13:40,040
Speaker 2: that was like fucking Forest Gump. Yeah, literally taking the

337
00:13:40,160 --> 00:13:42,200
Speaker 2: entire platoon out out of the fucking background.

338
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Speaker 1: I'm so glad I didn't see this. Everything happens for

339
00:13:46,640 --> 00:13:46,960
Speaker 1: a reason.

340
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Speaker 3: I was like, you know what, Blast, it was a

341
00:13:49,520 --> 00:13:51,400
Speaker 3: great time, but it wouldn't have been It wouldn't have

342
00:13:51,440 --> 00:13:54,040
Speaker 3: been no easier because I would have been there just laughing, like, yo,

343
00:13:54,040 --> 00:13:55,840
Speaker 3: look she looks crazy for like, we gotta drag this

344
00:13:55,920 --> 00:13:56,520
Speaker 3: girl out of here?

345
00:13:56,520 --> 00:13:57,000
Speaker 1: You serious?

346
00:13:57,240 --> 00:13:59,880
Speaker 2: I mean luckily the strip club was about to shut

347
00:13:59,880 --> 00:14:02,480
Speaker 2: down and I wasn't going to get them an uber

348
00:14:02,600 --> 00:14:05,640
Speaker 2: to go back to their hotel. The three of them

349
00:14:06,200 --> 00:14:09,640
Speaker 2: and I fell for it. I got gamed real fucking quick,

350
00:14:09,840 --> 00:14:11,640
Speaker 2: as if they didn't take enough money for me at

351
00:14:11,640 --> 00:14:14,120
Speaker 2: that fucking strip club. The manager was like, don't worry,

352
00:14:14,160 --> 00:14:15,480
Speaker 2: I got you. I'm gonna get a car right in

353
00:14:15,520 --> 00:14:18,080
Speaker 2: front for you, right now, regular price, same shit, I

354
00:14:18,080 --> 00:14:19,800
Speaker 2: got you. Let's just get this girl back to her

355
00:14:19,800 --> 00:14:22,880
Speaker 2: hotel where her friends safely. Was like, yeah, I appreciate that, man,

356
00:14:23,760 --> 00:14:26,400
Speaker 2: fam because I was going to do two stops. I

357
00:14:26,440 --> 00:14:28,360
Speaker 2: was going to drop them at their hotel, go home,

358
00:14:28,440 --> 00:14:29,160
Speaker 2: and then go home.

359
00:14:29,280 --> 00:14:29,680
Speaker 1: Yeah.

360
00:14:29,840 --> 00:14:33,640
Speaker 2: So once I dropped them, I was like, oh, going

361
00:14:33,640 --> 00:14:35,280
Speaker 2: to Jersey was like, what would that add on to

362
00:14:35,320 --> 00:14:38,400
Speaker 2: the price just to go to the hotel, which was

363
00:14:39,200 --> 00:14:40,840
Speaker 2: he probably could have walked it on a nice day

364
00:14:41,400 --> 00:14:44,040
Speaker 2: was one hundred and fifty dollars to Jersey was five hundred.

365
00:14:44,640 --> 00:14:46,680
Speaker 2: I got out of that car so fucking fast. What

366
00:14:47,680 --> 00:14:49,440
Speaker 2: I say, No, no, no, no, no, no.

367
00:14:49,360 --> 00:14:50,400
Speaker 1: No no no no, no, no no no.

368
00:14:50,920 --> 00:14:52,960
Speaker 2: He worked with it. He wasn't a driver. He's worked

369
00:14:52,960 --> 00:14:54,160
Speaker 2: for the strip club and had to TV.

370
00:14:54,320 --> 00:14:56,120
Speaker 3: Of course he was trying to trying to he was

371
00:14:56,160 --> 00:14:57,040
Speaker 3: he thought you was drunk.

372
00:14:57,080 --> 00:14:57,800
Speaker 2: He was security.

373
00:14:57,960 --> 00:14:59,320
Speaker 1: He thought you was drunk either. I'm about to give

374
00:14:59,320 --> 00:15:00,240
Speaker 1: about six hundred.

375
00:15:00,080 --> 00:15:02,480
Speaker 2: Right here, listen, man, But yeah, it was an interesting weeking.

376
00:15:02,240 --> 00:15:03,960
Speaker 1: Well, it sounds like you had a good night minus.

377
00:15:04,000 --> 00:15:06,240
Speaker 3: You know, sometimes things happen during the night that are

378
00:15:06,280 --> 00:15:07,760
Speaker 3: just like part of the story, and that was just

379
00:15:07,800 --> 00:15:09,800
Speaker 3: part of the story. But as long as everybody got

380
00:15:09,800 --> 00:15:12,200
Speaker 3: to it, they were going to save Yeah. Young the

381
00:15:12,240 --> 00:15:14,200
Speaker 3: young lady got got rehydrated.

382
00:15:14,480 --> 00:15:17,000
Speaker 2: Then shout out to Daisy. I don't know if that's

383
00:15:17,000 --> 00:15:19,320
Speaker 2: her real name or her stripper name, but it could

384
00:15:19,360 --> 00:15:22,560
Speaker 2: be it could be both. Yeah, uh sends a text

385
00:15:22,560 --> 00:15:24,520
Speaker 2: in the morning. Mind, you didn't know she had my number.

386
00:15:25,680 --> 00:15:29,920
Speaker 2: Not sure when that happened. Hey did the young lady

387
00:15:29,920 --> 00:15:32,800
Speaker 2: make it home safe? I said she did, She's fine. Yeah,

388
00:15:32,920 --> 00:15:34,240
Speaker 2: look at the strippers like.

389
00:15:34,320 --> 00:15:37,040
Speaker 3: You gotta love you gotta love responsible strippers because a

390
00:15:37,040 --> 00:15:39,160
Speaker 3: lot of strippers are moms, definitely most of their mothers,

391
00:15:39,200 --> 00:15:41,240
Speaker 3: you know what I mean. So they have the scars

392
00:15:41,280 --> 00:15:45,560
Speaker 3: with the strip. They have that nurturing spirit. I don't

393
00:15:45,560 --> 00:15:46,440
Speaker 3: mind the see section scar.

394
00:15:47,400 --> 00:15:48,480
Speaker 4: We keep trying to get them off this.

395
00:15:48,560 --> 00:15:51,520
Speaker 1: I don't I don't. I don't mind either. But they're nurtured.

396
00:15:51,720 --> 00:15:52,560
Speaker 2: It's love.

397
00:15:52,640 --> 00:15:57,640
Speaker 3: They're nurturing their attentive and very caring and all doing

398
00:15:57,760 --> 00:16:00,560
Speaker 3: all while doing it with clear hairs, clear here, yeah

399
00:16:00,800 --> 00:16:03,640
Speaker 3: and a G string. I gotta love the strip club,

400
00:16:03,880 --> 00:16:05,640
Speaker 3: strip club culture call. We might be taking you to

401
00:16:05,640 --> 00:16:07,880
Speaker 3: a strip club for your your birthday while we.

402
00:16:08,640 --> 00:16:09,720
Speaker 4: Has a birthday coming up.

403
00:16:09,800 --> 00:16:13,440
Speaker 3: Ron, Yeah, you got a little crazy birthday next weekend, right,

404
00:16:13,760 --> 00:16:16,200
Speaker 3: I hold you turning thirty one? Oh this is this

405
00:16:16,280 --> 00:16:19,240
Speaker 3: is a good age right here. It's prime time call. Yeah,

406
00:16:19,240 --> 00:16:21,160
Speaker 3: we wanna take car to the strip club. Call, but

407
00:16:21,200 --> 00:16:25,840
Speaker 3: you can't start dancing like I just gotta let me

408
00:16:25,880 --> 00:16:26,480
Speaker 3: put that out there.

409
00:16:26,680 --> 00:16:30,320
Speaker 2: Se from now you got a battle on.

410
00:16:31,120 --> 00:16:34,280
Speaker 3: Some of them are gonna we know what attracks the

411
00:16:34,280 --> 00:16:37,320
Speaker 3: strippers called, we gotta cover. Just don't start shaking your ass,

412
00:16:37,320 --> 00:16:38,800
Speaker 3: please don't, man, Jesus Christ.

413
00:16:39,080 --> 00:16:40,120
Speaker 1: So yeah, we might take Call.

414
00:16:40,240 --> 00:16:42,920
Speaker 2: The strip club. I want to see carll teach at

415
00:16:43,000 --> 00:16:46,600
Speaker 2: least two strippers, like some quick choreography and film like

416
00:16:46,720 --> 00:16:48,400
Speaker 2: Call should get on stage with the strippers.

417
00:16:48,920 --> 00:16:50,040
Speaker 1: See why are you encouraging this?

418
00:16:50,960 --> 00:16:53,560
Speaker 2: Imagine if you see two poles, two strippers doing what

419
00:16:53,600 --> 00:16:55,520
Speaker 2: they do, then all of a sudden they got break

420
00:16:55,560 --> 00:16:59,520
Speaker 2: and then Call comes on and then move instant fucking choreography.

421
00:17:00,040 --> 00:17:00,760
Speaker 2: I'm throwing money.

422
00:17:01,040 --> 00:17:03,160
Speaker 1: What is this? This sounds like a festival? Was this

423
00:17:03,240 --> 00:17:03,600
Speaker 1: a show?

424
00:17:03,840 --> 00:17:04,200
Speaker 4: Yeah?

425
00:17:05,040 --> 00:17:05,359
Speaker 1: It was that.

426
00:17:07,800 --> 00:17:10,359
Speaker 3: I am not was definitely then Sb's dance and I

427
00:17:10,440 --> 00:17:14,159
Speaker 3: was like, your familys I shit edited call us up

428
00:17:14,160 --> 00:17:16,240
Speaker 3: here and move walking and I don't even know a

429
00:17:16,240 --> 00:17:17,960
Speaker 3: lot of time. Yeah, like I don't even know if

430
00:17:17,960 --> 00:17:19,960
Speaker 3: the episode is ready yet. But carl Us move walking

431
00:17:20,000 --> 00:17:22,000
Speaker 3: down on fucking Spring Street right there.

432
00:17:22,160 --> 00:17:23,720
Speaker 2: God, when was the last time he went to Crazy

433
00:17:23,720 --> 00:17:24,239
Speaker 2: Girls in La?

434
00:17:25,080 --> 00:17:26,960
Speaker 3: Oh, it's been a while. I haven't been to a

435
00:17:27,000 --> 00:17:29,280
Speaker 3: strip club in La and probably.

436
00:17:31,320 --> 00:17:34,280
Speaker 1: Three years, two years. Yeah, it's been a while for me.

437
00:17:34,320 --> 00:17:35,440
Speaker 1: Definitely before the pandemic.

438
00:17:35,800 --> 00:17:37,679
Speaker 2: I think probably last time and Crazy Girls was with you.

439
00:17:38,080 --> 00:17:39,280
Speaker 2: I think we had an l A show a long

440
00:17:39,280 --> 00:17:42,359
Speaker 2: time ago. The last time probably was Yeah, and then

441
00:17:42,400 --> 00:17:45,120
Speaker 2: it's Sam still open. People still go to Sam Sea,

442
00:17:45,160 --> 00:17:45,480
Speaker 2: I think so.

443
00:17:45,520 --> 00:17:48,199
Speaker 3: I think Sam was still open. I like Sam's I

444
00:17:48,240 --> 00:17:52,800
Speaker 3: know it's a Cheetahs. I think Crazy Girls. There might

445
00:17:52,840 --> 00:17:57,119
Speaker 3: be one more that's like the known or more popular strip.

446
00:17:56,880 --> 00:17:58,840
Speaker 4: Club LA were whack.

447
00:18:00,600 --> 00:18:04,040
Speaker 3: Yeah, I mean in comparison to strip clubs that you

448
00:18:04,080 --> 00:18:06,320
Speaker 3: may go to in the South. Any strip club outside

449
00:18:06,320 --> 00:18:08,560
Speaker 3: of the South, to me is like we're doing it wrong.

450
00:18:09,000 --> 00:18:11,040
Speaker 3: Just close the shit now, we got it wrong. The

451
00:18:11,080 --> 00:18:13,080
Speaker 3: South is where you want to go.

452
00:18:13,320 --> 00:18:15,720
Speaker 2: Yeah, LA similar to New York, and.

453
00:18:16,720 --> 00:18:19,439
Speaker 3: You go with you might see some really pretty girls

454
00:18:19,520 --> 00:18:21,560
Speaker 3: the strip clubs in LA, and then some of them

455
00:18:21,560 --> 00:18:23,040
Speaker 3: are cool, so you know, I might have a good time,

456
00:18:23,119 --> 00:18:24,919
Speaker 3: like how he had a good time with the strips, like,

457
00:18:25,160 --> 00:18:29,320
Speaker 3: but it's not in comparison to Atlanta Houston. It's it's

458
00:18:29,359 --> 00:18:32,080
Speaker 3: not the same Atlanta and Houston is I remember the

459
00:18:32,080 --> 00:18:35,000
Speaker 3: first time went the strip club in Atlanta, I sounded

460
00:18:35,080 --> 00:18:35,840
Speaker 3: like the ops.

461
00:18:36,320 --> 00:18:37,120
Speaker 1: Like I walked in, I.

462
00:18:37,040 --> 00:18:41,880
Speaker 3: Said, she's naked because I'm from New York's. See, I'm like, yo,

463
00:18:41,920 --> 00:18:44,280
Speaker 3: she spread her asshole and winked at me. Just now,

464
00:18:44,359 --> 00:18:46,160
Speaker 3: like that's how they give it them in the South

465
00:18:46,160 --> 00:18:46,600
Speaker 3: of New York.

466
00:18:46,640 --> 00:18:47,560
Speaker 1: You could barely get.

467
00:18:47,480 --> 00:18:49,720
Speaker 2: To picked up the chicken wing with her ass and

468
00:18:49,720 --> 00:18:50,480
Speaker 2: put it in my mouth.

469
00:18:50,520 --> 00:18:52,399
Speaker 1: Yeah, like I just I didn't know what to expect.

470
00:18:52,400 --> 00:18:53,720
Speaker 3: The first time I went to the strip club in

471
00:18:53,760 --> 00:18:57,200
Speaker 3: the South, it was a whole new sperise, well seasoned. Well,

472
00:18:59,080 --> 00:19:01,440
Speaker 3: I don't even want to know what nothing man, nothing,

473
00:19:01,640 --> 00:19:02,320
Speaker 3: nothing but l a.

474
00:19:02,359 --> 00:19:04,679
Speaker 2: Strip clubs can be fucking dangerous, though I was. When

475
00:19:04,720 --> 00:19:07,520
Speaker 2: I was at Sam's. This was like four or five

476
00:19:07,600 --> 00:19:09,960
Speaker 2: years ago. It was shooting right yeah, he was with me,

477
00:19:10,080 --> 00:19:13,760
Speaker 2: right yo. Somebody cracked a fucking so rock bottle over

478
00:19:13,800 --> 00:19:16,200
Speaker 2: somebody's head in the section next to us. I'm saying

479
00:19:16,280 --> 00:19:19,600
Speaker 2: it was so loud it shut the music off, like

480
00:19:19,680 --> 00:19:21,800
Speaker 2: you know when like you're walkman used to skip like

481
00:19:21,840 --> 00:19:25,399
Speaker 2: if you step too hard off the bush. That Sirock bottle,

482
00:19:25,400 --> 00:19:28,879
Speaker 2: which also didn't crack, went right over his head and

483
00:19:28,960 --> 00:19:35,360
Speaker 2: the music stopped. He skipped the CDJs with his head trauma.

484
00:19:36,560 --> 00:19:37,520
Speaker 2: It was dead quiet.

485
00:19:37,560 --> 00:19:40,399
Speaker 1: It was like bottle was heavy too, The bottle like

486
00:19:40,440 --> 00:19:45,680
Speaker 1: marble bottles don't break marble. Oh god, you heard that.

487
00:19:45,640 --> 00:19:47,880
Speaker 3: I don't want to know what the mastership. I don't

488
00:19:47,880 --> 00:19:48,239
Speaker 3: want to know.

489
00:19:48,320 --> 00:19:50,400
Speaker 2: And we exited through the fire exit at that point

490
00:19:50,400 --> 00:19:53,680
Speaker 2: because we knew after this rock bottle was happening shots

491
00:19:53,880 --> 00:19:54,400
Speaker 2: and we were.

492
00:19:54,359 --> 00:19:55,240
Speaker 1: Right and not tequila.

493
00:19:55,440 --> 00:19:55,800
Speaker 2: No.

494
00:19:56,600 --> 00:19:59,639
Speaker 3: Yeah, I like Sam Sam's is a uh it's one

495
00:19:59,680 --> 00:20:02,360
Speaker 3: of those through club too, Like you shouldn't know a dancer.

496
00:20:02,040 --> 00:20:03,920
Speaker 2: That's there or when the bartenders.

497
00:20:03,960 --> 00:20:05,600
Speaker 3: Yeah, you shouldn't just go there trying to wing it,

498
00:20:05,720 --> 00:20:07,080
Speaker 3: like know some girls that's there.

499
00:20:06,920 --> 00:20:07,480
Speaker 1: Before you go.

500
00:20:07,600 --> 00:20:09,640
Speaker 2: We knew a bartender. That's why we were there. But

501
00:20:09,720 --> 00:20:12,320
Speaker 2: it was it was interesting Mom, and I think Fat

502
00:20:12,359 --> 00:20:13,680
Speaker 2: Joe and Remy Male were hosting.

503
00:20:14,040 --> 00:20:15,119
Speaker 1: Oh that's a night it was.

504
00:20:15,320 --> 00:20:17,400
Speaker 3: It was oh no, then that so you gotta lead

505
00:20:17,440 --> 00:20:19,480
Speaker 3: with that, Rory. If Fat Joe and Remy Males in

506
00:20:19,520 --> 00:20:21,199
Speaker 3: the strip club, you know it's gonna be violence.

507
00:20:21,400 --> 00:20:23,680
Speaker 1: Yeah, these are two of the Bronx's finest.

508
00:20:24,280 --> 00:20:26,119
Speaker 2: I think all the way up it just dropped. I

509
00:20:26,119 --> 00:20:28,840
Speaker 2: think this rock bottle was broken to all the.

510
00:20:28,760 --> 00:20:30,640
Speaker 1: Way so that was part of the aesthetic people would hype,

511
00:20:30,720 --> 00:20:32,199
Speaker 1: great song. The energy was up.

512
00:20:32,760 --> 00:20:34,480
Speaker 3: Somebody has to get cracked over the head with a bottle.

513
00:20:34,480 --> 00:20:35,320
Speaker 3: That's how you know it's a great Now.

514
00:20:35,400 --> 00:20:36,760
Speaker 2: His skull was all the way up. I will tell

515
00:20:36,760 --> 00:20:37,160
Speaker 2: you that much.

516
00:20:37,240 --> 00:20:41,160
Speaker 1: Yeah you do. I didn't do much.

517
00:20:41,440 --> 00:20:43,760
Speaker 3: I got some some more stuff together in the crib.

518
00:20:44,680 --> 00:20:47,679
Speaker 3: I went to a birthday dinner and I was for it.

519
00:20:48,040 --> 00:20:50,120
Speaker 1: No, I didn't pay for it. Although that's the topic

520
00:20:50,200 --> 00:20:51,160
Speaker 1: we just fell into. I don't.

521
00:20:51,160 --> 00:20:52,840
Speaker 3: I don't like when people invite you out to a

522
00:20:52,840 --> 00:20:54,880
Speaker 3: birthday dinner and expect you to pay for your meal.

523
00:20:55,359 --> 00:20:57,040
Speaker 2: Why that's why I don't do.

524
00:20:57,280 --> 00:21:00,840
Speaker 3: I didn't really care to come here, Like you're gonna

525
00:21:00,880 --> 00:21:02,679
Speaker 3: make me leave my house, get dressed, come to your

526
00:21:02,680 --> 00:21:04,320
Speaker 3: birthday dinner, and I have to pay for my meal.

527
00:21:04,359 --> 00:21:07,399
Speaker 1: I have food in the house. I didn't have to

528
00:21:07,400 --> 00:21:09,280
Speaker 1: come here, Like if I do a birthday dinner, it's

529
00:21:09,320 --> 00:21:10,880
Speaker 1: gonna be like laid out to it. I just want

530
00:21:10,920 --> 00:21:11,600
Speaker 1: my peoples to come.

531
00:21:11,640 --> 00:21:13,320
Speaker 2: Well, then who paid me? Well, I agree with you.

532
00:21:14,119 --> 00:21:16,159
Speaker 3: It's like it's my birthday dinner, Like everything is. I

533
00:21:16,240 --> 00:21:17,160
Speaker 3: just come and have a good time.

534
00:21:17,200 --> 00:21:18,479
Speaker 2: Like where you doing? Women are at?

535
00:21:18,520 --> 00:21:18,760
Speaker 4: Women?

536
00:21:19,560 --> 00:21:19,840
Speaker 1: It was?

537
00:21:20,080 --> 00:21:21,800
Speaker 3: It was it was a woman's birthday. It was a

538
00:21:21,800 --> 00:21:26,840
Speaker 3: friend of mine's birthday and her her boyfriend was with her,

539
00:21:27,720 --> 00:21:32,440
Speaker 3: and I'm weird, But if it's my girl's birthday, I'm

540
00:21:32,440 --> 00:21:35,760
Speaker 3: paying for everything. I'm paying for everything, Like I'm not expecting

541
00:21:35,840 --> 00:21:38,359
Speaker 3: like her homegirls to be trying to see what they

542
00:21:38,960 --> 00:21:41,359
Speaker 3: ate and divvy. That's that's crazy to me. I know,

543
00:21:41,400 --> 00:21:44,320
Speaker 3: people say I'm weird and whatever, that's crazy to me.

544
00:21:44,400 --> 00:21:47,960
Speaker 3: Like I'm not having my girls friends divvy up money

545
00:21:47,960 --> 00:21:49,480
Speaker 3: for her birthday dinner to pay for their meal.

546
00:21:49,480 --> 00:21:50,480
Speaker 1: I'm not doing that, I agree.

547
00:21:50,520 --> 00:21:53,239
Speaker 2: And I'm not letting another man, even if it is

548
00:21:53,320 --> 00:21:55,879
Speaker 2: just her man friend, pay for any part of this

549
00:21:55,960 --> 00:21:58,160
Speaker 2: motherfucking dinner. And that's another thing, which is why you're

550
00:21:58,160 --> 00:21:59,280
Speaker 2: a hypocrite though, but no.

551
00:21:59,160 --> 00:22:00,680
Speaker 1: No, no, I was about to say it, that's another thing.

552
00:22:00,840 --> 00:22:04,280
Speaker 3: I I started to pay for it, but I was like,

553
00:22:04,359 --> 00:22:06,320
Speaker 3: I know he might feel some type of way.

554
00:22:06,359 --> 00:22:06,880
Speaker 2: I would feel.

555
00:22:06,880 --> 00:22:09,720
Speaker 1: What if it's like fifteen of her friends, though you

556
00:22:09,840 --> 00:22:12,159
Speaker 1: paint for all of them. I mean, if it's my

557
00:22:12,200 --> 00:22:14,600
Speaker 1: homegirl's birthday dinner, like it is.

558
00:22:14,560 --> 00:22:18,840
Speaker 4: What it is is the thing you have money, but.

559
00:22:18,840 --> 00:22:20,919
Speaker 3: Even if it's not even about that, it's just certain things.

560
00:22:20,960 --> 00:22:23,800
Speaker 3: It's just about having, like you just got to have

561
00:22:23,880 --> 00:22:28,040
Speaker 3: certain like etiquette, like it's your girl's birthday, pay for

562
00:22:28,320 --> 00:22:32,680
Speaker 3: your girl's birthday, Like, don't have your girls homegirls all

563
00:22:32,720 --> 00:22:35,800
Speaker 3: pulling out eight different credit cards to slap on the table.

564
00:22:36,080 --> 00:22:36,639
Speaker 2: Don't blame.

565
00:22:36,720 --> 00:22:39,080
Speaker 4: I don't blame And this I completely agree with you,

566
00:22:39,119 --> 00:22:40,920
Speaker 4: because I don't even go to people's birthday dinners because

567
00:22:40,920 --> 00:22:41,440
Speaker 4: I hate that shit.

568
00:22:41,560 --> 00:22:42,040
Speaker 2: Exactly.

569
00:22:42,200 --> 00:22:43,560
Speaker 1: I only have Friday.

570
00:22:43,160 --> 00:22:45,440
Speaker 4: Dinners when I know that there will be somebody there

571
00:22:45,480 --> 00:22:47,720
Speaker 4: paying for the entire thing. So I get completely what

572
00:22:47,760 --> 00:22:49,960
Speaker 4: you're saying. What I'm saying is I don't blame him.

573
00:22:50,280 --> 00:22:52,920
Speaker 4: I blame her because she brought the wrong niggas to

574
00:22:52,960 --> 00:22:55,000
Speaker 4: her birthday dinner. And that is something you be playing

575
00:22:55,480 --> 00:22:56,280
Speaker 4: the wrong nigga.

576
00:22:56,359 --> 00:22:58,400
Speaker 1: She didn't just bring them to the birthday. Yeah, she's

577
00:22:58,440 --> 00:22:58,719
Speaker 1: with them.

578
00:22:58,880 --> 00:23:00,800
Speaker 4: What if you know your boyfriend don't got it like that,

579
00:23:00,840 --> 00:23:01,600
Speaker 4: you then you.

580
00:23:01,600 --> 00:23:04,240
Speaker 1: Don't don't have a birthday then exactly, yeah, exactly.

581
00:23:04,440 --> 00:23:07,600
Speaker 2: So I was this is all tied, and maybe I

582
00:23:07,600 --> 00:23:08,679
Speaker 2: did have an interesting weekend.

583
00:23:10,800 --> 00:23:12,159
Speaker 1: Maybe I went to.

584
00:23:13,160 --> 00:23:15,920
Speaker 2: Another spot and I saw a homegirl of mine on

585
00:23:15,960 --> 00:23:18,880
Speaker 2: a double date with her friend. So I just said

586
00:23:19,040 --> 00:23:20,800
Speaker 2: I said hello, like hey, shit, what you doing.

587
00:23:20,840 --> 00:23:21,000
Speaker 1: Good?

588
00:23:20,960 --> 00:23:24,080
Speaker 2: Good to city you. But in a minute whatever. She

589
00:23:24,280 --> 00:23:27,480
Speaker 2: then textes me like thirty minutes later, like hey, let's

590
00:23:27,600 --> 00:23:29,680
Speaker 2: have a shot or whatever. I'm like, all right, cool.

591
00:23:30,600 --> 00:23:33,199
Speaker 2: So she comes over and a friend comes over, and

592
00:23:33,240 --> 00:23:38,320
Speaker 2: they sit with me and leave their double date. I

593
00:23:38,400 --> 00:23:41,200
Speaker 2: was I thought she was saying I would go over

594
00:23:41,240 --> 00:23:44,440
Speaker 2: there and have a shot. You are now putting me

595
00:23:44,480 --> 00:23:49,719
Speaker 2: in the line of being a shot, right, I'm like, wait,

596
00:23:49,760 --> 00:23:51,760
Speaker 2: what do you like? They sat down and got comfortable.

597
00:23:51,760 --> 00:23:55,720
Speaker 2: I'm like, what are you doing? You're that's a date, right, Like, yeah,

598
00:23:55,720 --> 00:23:57,639
Speaker 2: no one on a double date. I'm like, did you

599
00:23:57,720 --> 00:24:00,320
Speaker 2: tell them what you were doing? Like, cause they're they

600
00:24:00,320 --> 00:24:00,840
Speaker 2: can see it.

601
00:24:00,920 --> 00:24:01,920
Speaker 1: Yeah, and they just.

602
00:24:01,880 --> 00:24:06,440
Speaker 2: Stay gentlemen, probably leave, I don't know, Like thirty forty

603
00:24:06,440 --> 00:24:09,000
Speaker 2: minutes later, he left, just left, Both of them just left.

604
00:24:09,359 --> 00:24:10,760
Speaker 2: And I was like, Yo, y'all are fucked up. That

605
00:24:10,840 --> 00:24:13,560
Speaker 2: was weird And now I have to look both ways

606
00:24:13,600 --> 00:24:14,560
Speaker 2: when I walk out of this place.

607
00:24:14,640 --> 00:24:15,600
Speaker 1: Yeah, yeah, it might be on.

608
00:24:16,320 --> 00:24:18,480
Speaker 2: So I was on the guy side. He just didn't

609
00:24:18,520 --> 00:24:21,280
Speaker 2: know that. She then texted me the next morning with

610
00:24:21,320 --> 00:24:24,679
Speaker 2: a screenshot. She textes, this guy laughed my ass off.

611
00:24:24,680 --> 00:24:26,320
Speaker 2: Why did you n follow me? Are you mad at me?

612
00:24:26,960 --> 00:24:28,200
Speaker 1: Said? Wait? He have followed her.

613
00:24:28,920 --> 00:24:31,960
Speaker 2: Yes, damn, he was hurt.

614
00:24:32,280 --> 00:24:34,160
Speaker 1: That's hurt. That's pain.

615
00:24:34,200 --> 00:24:34,800
Speaker 4: He didn't even give it.

616
00:24:34,800 --> 00:24:36,360
Speaker 1: Twenty spits the pain, expensive pain.

617
00:24:37,040 --> 00:24:39,000
Speaker 2: She sent this at FU she's sick. She sent this

618
00:24:39,080 --> 00:24:41,240
Speaker 2: at seven thirteen am, So that means he unfollowed on

619
00:24:41,280 --> 00:24:42,080
Speaker 2: the car ride home.

620
00:24:42,560 --> 00:24:44,840
Speaker 1: No, hen followed before he got in the car from

621
00:24:44,880 --> 00:24:45,240
Speaker 1: the table.

622
00:24:45,320 --> 00:24:47,840
Speaker 2: Yeah, yeah, why did you want follow me? Are you

623
00:24:47,840 --> 00:24:50,679
Speaker 2: mad at me? He then says, is that even a question?

624
00:24:51,440 --> 00:24:54,600
Speaker 2: I've never been that disrespected in my life before she said,

625
00:24:54,880 --> 00:24:57,640
Speaker 2: I didn't mean to be disrespectful, He said, how if

626
00:24:57,680 --> 00:24:59,720
Speaker 2: I came somewhere with you, saw a female friend and

627
00:24:59,760 --> 00:25:01,439
Speaker 2: sat down with her the whole time I'm.

628
00:25:01,280 --> 00:25:03,040
Speaker 1: With you, how would you feel? It's cool?

629
00:25:03,040 --> 00:25:04,880
Speaker 2: Though, if you didn't say anything, I wouldn't have said

630
00:25:04,920 --> 00:25:07,200
Speaker 2: anything either. I've gotten up to say what's up to people,

631
00:25:07,200 --> 00:25:09,640
Speaker 2: but never actually sat down at someone's table the whole

632
00:25:09,680 --> 00:25:11,200
Speaker 2: time when I'm with someone else.

633
00:25:12,359 --> 00:25:15,199
Speaker 1: He got a point, He had a point. Yeah, she

634
00:25:15,280 --> 00:25:16,199
Speaker 1: was disrespectful for that.

635
00:25:16,320 --> 00:25:17,840
Speaker 4: Even if he was a loser like you were on

636
00:25:17,880 --> 00:25:19,479
Speaker 4: a date, you realized you didn't like him like you

637
00:25:19,520 --> 00:25:19,800
Speaker 4: could have.

638
00:25:20,160 --> 00:25:22,280
Speaker 3: Yeah, so you still used to exactly, You still got

639
00:25:22,320 --> 00:25:23,959
Speaker 3: to go through the date. And you know you can

640
00:25:24,000 --> 00:25:26,560
Speaker 3: get up and say hi. But it's again, it's that simple.

641
00:25:26,600 --> 00:25:28,359
Speaker 3: All you got to do is put yourself in his shoes.

642
00:25:28,720 --> 00:25:31,120
Speaker 3: Like if you were that the girl and a guy

643
00:25:31,160 --> 00:25:33,600
Speaker 3: got up and started went and sat with a girl

644
00:25:33,600 --> 00:25:35,440
Speaker 3: that he knows and stayed over there.

645
00:25:35,320 --> 00:25:37,040
Speaker 2: It would go viral on the timeline about how it

646
00:25:37,080 --> 00:25:40,000
Speaker 2: ain't shit metal exactly, like we've seen this before, Like,

647
00:25:40,200 --> 00:25:42,159
Speaker 2: but this is the self awareness of women. She sends me,

648
00:25:42,200 --> 00:25:44,240
Speaker 2: that sends me that emoji with your face is all

649
00:25:44,240 --> 00:25:47,040
Speaker 2: screwed up. He said, I feel bad now, I was

650
00:25:47,040 --> 00:25:49,400
Speaker 2: I rude. I said, I was only telling you at

651
00:25:49,440 --> 00:25:50,679
Speaker 2: the table the entire time out.

652
00:25:51,480 --> 00:25:53,840
Speaker 3: Yeah, she knew she was being She just didn't like him.

653
00:25:53,840 --> 00:25:55,480
Speaker 2: But her and her friend were saying, well they were.

654
00:25:55,760 --> 00:25:58,800
Speaker 2: They were both not very talkative and boring, and they

655
00:25:58,800 --> 00:26:01,960
Speaker 2: were like on fandue and just trying to do bets

656
00:26:02,000 --> 00:26:05,119
Speaker 2: and ship. Oh nah, I don't blame them, So I

657
00:26:05,119 --> 00:26:06,440
Speaker 2: guess there's context in it.

658
00:26:06,840 --> 00:26:09,119
Speaker 1: Nope, it's context in it.

659
00:26:09,160 --> 00:26:11,000
Speaker 3: But still like you still gotta have the thug out

660
00:26:11,000 --> 00:26:13,919
Speaker 3: that date speak on that, Like, yo, why y'all just

661
00:26:13,960 --> 00:26:16,560
Speaker 3: on FanDuel, like y'all not paying speak? Don't just get

662
00:26:16,640 --> 00:26:18,520
Speaker 3: up and go to another guy's table and just like

663
00:26:18,560 --> 00:26:19,359
Speaker 3: that's I.

664
00:26:19,320 --> 00:26:21,119
Speaker 4: Doom, Like y'all busy, I'm gonna go hang out with

665
00:26:21,160 --> 00:26:23,360
Speaker 4: my friend and then I definitely don't send the message

666
00:26:23,359 --> 00:26:25,320
Speaker 4: in the morning. Are you mad at me? Like I'm

667
00:26:25,320 --> 00:26:25,959
Speaker 4: not sending that?

668
00:26:26,080 --> 00:26:28,720
Speaker 1: Like yeah, like because I think, why did you follow me?

669
00:26:29,119 --> 00:26:31,040
Speaker 2: How do people know you and follow them because they

670
00:26:31,080 --> 00:26:33,240
Speaker 2: go check and they feel it that at seven o'clock

671
00:26:33,280 --> 00:26:33,840
Speaker 2: in the morning, you.

672
00:26:33,840 --> 00:26:35,439
Speaker 1: Can feel when somebody and follows you, like.

673
00:26:35,440 --> 00:26:36,320
Speaker 2: When you do some shit.

674
00:26:36,480 --> 00:26:38,960
Speaker 1: I can't let me explain. Can I explain? Because you'll

675
00:26:39,000 --> 00:26:39,680
Speaker 1: be thinking I'm crazy.

676
00:26:39,720 --> 00:26:41,119
Speaker 3: I'm telling you if y'all just listen to me, I

677
00:26:41,160 --> 00:26:43,080
Speaker 3: told y'all Trump was right. Y'all didn't want to listen

678
00:26:43,080 --> 00:26:43,240
Speaker 3: to me.

679
00:26:43,240 --> 00:26:44,919
Speaker 2: To yours, I told y'all stick too.

680
00:26:45,680 --> 00:26:49,560
Speaker 3: So look, when you do something crazy, right, and we've

681
00:26:49,560 --> 00:26:51,280
Speaker 3: all been here, when you're with a girl or you

682
00:26:51,280 --> 00:26:53,160
Speaker 3: know whatever, you're hanging out and you do something crazy

683
00:26:53,240 --> 00:26:55,160
Speaker 3: and obviously like say she leaves, you know she wasn't

684
00:26:55,200 --> 00:26:57,679
Speaker 3: feeling what happened, She had an attitude. You know all

685
00:26:57,680 --> 00:27:01,000
Speaker 3: of these things you can feel that you can feel

686
00:27:01,040 --> 00:27:03,560
Speaker 3: like I know this, girls, I'm about to un follow me.

687
00:27:03,960 --> 00:27:07,120
Speaker 3: You can feel that she's she's pissed, she's not fucking

688
00:27:07,160 --> 00:27:08,040
Speaker 3: with me no more, like it's over.

689
00:27:08,119 --> 00:27:09,199
Speaker 2: But why is that the reaction?

690
00:27:09,800 --> 00:27:11,880
Speaker 3: But tell me, tell me even that that means that's

691
00:27:11,920 --> 00:27:14,640
Speaker 3: almost like I don't want to see you. I don't

692
00:27:14,640 --> 00:27:15,720
Speaker 3: even want to like you know what I mean, I

693
00:27:15,760 --> 00:27:16,680
Speaker 3: don't want you popping up.

694
00:27:16,600 --> 00:27:18,640
Speaker 1: On my phone, Like I don't care. I just don't care.

695
00:27:18,720 --> 00:27:20,560
Speaker 1: That's just the world we're in now. It's a real thing.

696
00:27:20,640 --> 00:27:22,120
Speaker 3: But you can feel it, like you can know, like, yo,

697
00:27:22,119 --> 00:27:25,320
Speaker 3: this person's definitely unfollowing me after tonight, like this night

698
00:27:25,440 --> 00:27:29,960
Speaker 3: was crazy, Like she's she feels disrespected, she's upset, she

699
00:27:30,160 --> 00:27:33,800
Speaker 3: left the spot we were in, Like you could just tell, like.

700
00:27:34,160 --> 00:27:35,960
Speaker 2: Is there an app for something that tells you? Because

701
00:27:36,000 --> 00:27:38,520
Speaker 2: I've unfollowed people and they have hit me some people

702
00:27:38,640 --> 00:27:39,840
Speaker 2: like within like some minutes.

703
00:27:40,160 --> 00:27:42,000
Speaker 1: How do you know that some people have an app

704
00:27:42,040 --> 00:27:43,720
Speaker 1: where they get alerted.

705
00:27:43,760 --> 00:27:46,600
Speaker 3: I guess when somebody unfollows and follows them, that's a sickness.

706
00:27:47,000 --> 00:27:49,879
Speaker 3: That is a sickness. You need you wait to invested

707
00:27:49,920 --> 00:27:51,760
Speaker 3: in social media at that point. But it is a

708
00:27:51,800 --> 00:27:53,480
Speaker 3: thing though, and we we we've been there.

709
00:27:54,560 --> 00:27:55,840
Speaker 2: But I just think that's weird.

710
00:27:56,080 --> 00:27:58,439
Speaker 1: You've known when a girl is unfollowed. She's definitely un

711
00:27:58,440 --> 00:27:58,919
Speaker 1: following me.

712
00:27:59,160 --> 00:28:02,080
Speaker 2: But I don't have an app that tells me behavior.

713
00:28:01,960 --> 00:28:04,160
Speaker 3: And you could just know you look, you feel it, like, yo,

714
00:28:04,200 --> 00:28:06,520
Speaker 3: that's gonna be her like last reaction, Like.

715
00:28:07,080 --> 00:28:09,200
Speaker 2: All right, but here's where I was telling her where

716
00:28:09,200 --> 00:28:11,879
Speaker 2: she fucked up. He may have been boring on the

717
00:28:11,880 --> 00:28:13,320
Speaker 2: first date. He could have been nervous, or maybe he

718
00:28:13,320 --> 00:28:16,240
Speaker 2: really didn't get his picks in and he thought he

719
00:28:16,359 --> 00:28:18,160
Speaker 2: was watching the TVs and was like, shit, I gotta

720
00:28:18,160 --> 00:28:22,159
Speaker 2: get this betting. He seemed very articulate, good at communication,

721
00:28:22,400 --> 00:28:24,840
Speaker 2: knew exactly what he wanted, what was wrong? She might

722
00:28:24,840 --> 00:28:26,840
Speaker 2: have fumbled it. This could be a really really good guy.

723
00:28:27,040 --> 00:28:29,840
Speaker 2: He seems relationship worthy. He was direct, was he did

724
00:28:29,960 --> 00:28:31,640
Speaker 2: not offend her, He didn't call her out her name.

725
00:28:31,720 --> 00:28:33,120
Speaker 1: He didn't be he wasn't disrespectful.

726
00:28:33,240 --> 00:28:35,600
Speaker 3: Yeah, it seemed like a really nice guy. We should

727
00:28:35,640 --> 00:28:37,720
Speaker 3: hang out with him, Like I feel sorry for him now.

728
00:28:37,720 --> 00:28:39,920
Speaker 3: It's like he can bring him into the circle making

729
00:28:40,000 --> 00:28:40,600
Speaker 3: part of the crew.

730
00:28:40,680 --> 00:28:40,880
Speaker 1: Now.

731
00:28:41,240 --> 00:28:42,720
Speaker 2: Yeah, maybe if I would have went over there, it

732
00:28:42,720 --> 00:28:44,400
Speaker 2: would have been I could have been the fifth wheel

733
00:28:44,440 --> 00:28:46,000
Speaker 2: and we could have fun. Yeah, But then put some

734
00:28:46,040 --> 00:28:47,040
Speaker 2: money on some of his picks.

735
00:28:48,800 --> 00:28:50,160
Speaker 1: No, I don't do that.

736
00:28:50,240 --> 00:28:52,680
Speaker 3: Don't gamble the money, don't don't get it to the

737
00:28:52,680 --> 00:28:53,880
Speaker 3: fan duel shit, please don't.

738
00:28:54,520 --> 00:28:56,360
Speaker 2: It was through him though, I'll pay for the shots,

739
00:28:56,360 --> 00:28:57,160
Speaker 2: you pay for the fandel.

740
00:28:57,480 --> 00:28:57,680
Speaker 4: Yeah.

741
00:28:57,720 --> 00:29:00,360
Speaker 1: So the weekend was pretty chill. Uh. I didn't really

742
00:29:00,360 --> 00:29:02,000
Speaker 1: get into too much. It was nice though. The weather

743
00:29:02,040 --> 00:29:03,920
Speaker 1: was nice yesterday and today today.

744
00:29:03,920 --> 00:29:05,880
Speaker 2: I parked. I parked far on purpose.

745
00:29:05,920 --> 00:29:08,280
Speaker 1: Today. You want to just a little walk, Yeah, a

746
00:29:08,360 --> 00:29:08,840
Speaker 1: little walking.

747
00:29:08,920 --> 00:29:11,240
Speaker 3: I I And here's the thing about being in New York,

748
00:29:11,320 --> 00:29:14,040
Speaker 3: like you forget that people were like really in all

749
00:29:14,120 --> 00:29:15,120
Speaker 3: mandates of thing are lifted.

750
00:29:15,120 --> 00:29:18,960
Speaker 1: As of today, the vaccine mandate is lifted New York City, just.

751
00:29:19,320 --> 00:29:21,920
Speaker 4: Like whatever Jared is right there.

752
00:29:22,440 --> 00:29:25,760
Speaker 3: Uh, we had a uh we had it.

753
00:29:25,800 --> 00:29:26,800
Speaker 2: I guess along two years.

754
00:29:26,800 --> 00:29:28,360
Speaker 1: I guess you could call it like a little little

755
00:29:28,400 --> 00:29:29,280
Speaker 1: glimpse into spring.

756
00:29:29,640 --> 00:29:31,640
Speaker 2: Yeah, over the weekend.

757
00:29:31,880 --> 00:29:34,520
Speaker 3: Yeah, it's gonna be cold after today the rest of

758
00:29:34,560 --> 00:29:34,800
Speaker 3: the week.

759
00:29:34,840 --> 00:29:37,080
Speaker 1: But people were outside. Man. I tried to.

760
00:29:37,280 --> 00:29:39,920
Speaker 3: I tried to sneak and go see a movie by myself,

761
00:29:40,120 --> 00:29:41,320
Speaker 3: like on my weirdo ship.

762
00:29:41,320 --> 00:29:42,840
Speaker 1: Because everybody says, yeah, you can go to the movies.

763
00:29:43,040 --> 00:29:45,640
Speaker 3: Wanted to go see Batman. I'm like, you know what, Sunday,

764
00:29:45,640 --> 00:29:50,400
Speaker 3: I'm gonna go see Batman. Completely sold the funk out everywhere, duh,

765
00:29:51,800 --> 00:29:54,320
Speaker 3: And the only sites available were like right in the front.

766
00:29:54,800 --> 00:29:56,800
Speaker 3: I was like, there's no way I'm sitting in the

767
00:29:56,840 --> 00:29:59,160
Speaker 3: front of the fucking theater to watch bat Just sitting

768
00:29:59,160 --> 00:30:01,479
Speaker 3: there like that is the like I think that there

769
00:30:01,480 --> 00:30:05,120
Speaker 3: should be something. Aren't we like advanced enough to where

770
00:30:05,200 --> 00:30:06,360
Speaker 3: those seats don't even exist?

771
00:30:06,360 --> 00:30:08,080
Speaker 1: No more like I gotta sell tickets.

772
00:30:08,320 --> 00:30:12,320
Speaker 3: Yeah, but nobody's buying those Listen, nobody those roads you

773
00:30:12,360 --> 00:30:14,040
Speaker 3: know how you could select your seat on the phone,

774
00:30:14,640 --> 00:30:17,080
Speaker 3: those roads were clear. There was nobody sitting in those rows.

775
00:30:17,080 --> 00:30:19,840
Speaker 3: So you need to start, like start the theater further

776
00:30:19,880 --> 00:30:21,240
Speaker 3: back then, because it's.

777
00:30:21,080 --> 00:30:24,240
Speaker 2: Like, no, there's plane seats that don't go back, that

778
00:30:24,280 --> 00:30:26,720
Speaker 2: are next to the bathroom where people take shits, and

779
00:30:26,760 --> 00:30:27,560
Speaker 2: they're still for sale.

780
00:30:28,000 --> 00:30:29,320
Speaker 3: I don't mind being all the way in the back,

781
00:30:29,640 --> 00:30:32,480
Speaker 3: but in the front of the theater, especially at the Imax,

782
00:30:32,520 --> 00:30:33,200
Speaker 3: how big they're.

783
00:30:33,040 --> 00:30:34,800
Speaker 2: Saying, how shitty that that seat is on the plane,

784
00:30:34,800 --> 00:30:37,520
Speaker 2: they're still gonna sell it. They could just leave that

785
00:30:37,600 --> 00:30:39,040
Speaker 2: last row, yeah.

786
00:30:38,920 --> 00:30:41,040
Speaker 1: Like make that like a little lounge or something on

787
00:30:41,080 --> 00:30:42,360
Speaker 1: the plane. You can go back there.

788
00:30:42,240 --> 00:30:44,760
Speaker 2: And fuck, that'd be the nastiest bathroom lounge or that ever.

789
00:30:44,920 --> 00:30:46,760
Speaker 2: I mean something like you could put the attendant there

790
00:30:46,760 --> 00:30:49,680
Speaker 2: with the gum and the condoms and the cologne. Exactly.

791
00:30:49,720 --> 00:30:51,440
Speaker 1: Nobody wants to actually sit there though, like.

792
00:30:51,440 --> 00:30:53,760
Speaker 2: Come on, man said it on a plane will be hysterical.

793
00:30:54,280 --> 00:30:55,480
Speaker 1: We needed that, though, you don't think so.

794
00:30:55,520 --> 00:30:56,880
Speaker 3: We need a little area on the plane where we

795
00:30:56,920 --> 00:30:58,360
Speaker 3: can just go and like, could you see people get

796
00:30:58,440 --> 00:31:01,240
Speaker 3: up some times and they stay where the flight attendant

797
00:31:01,280 --> 00:31:01,560
Speaker 3: is and.

798
00:31:01,760 --> 00:31:03,720
Speaker 2: That before they called the galley, that is the galley.

799
00:31:03,760 --> 00:31:05,840
Speaker 3: Yes, he's staying in the galley by the bathroom. You

800
00:31:05,880 --> 00:31:08,080
Speaker 3: talk to the flight attendant, it's always the one guy

801
00:31:08,120 --> 00:31:11,080
Speaker 3: that's like super excited about where he's going. He's like, yeah,

802
00:31:11,080 --> 00:31:12,400
Speaker 3: as soon as that land, we have a lunch and

803
00:31:12,400 --> 00:31:14,440
Speaker 3: then we're gonna go. And it's like nobody wants to

804
00:31:14,440 --> 00:31:17,440
Speaker 3: go sit down, man, nobody want to go there and

805
00:31:17,440 --> 00:31:19,000
Speaker 3: make some coffee and ship like go to down.

806
00:31:19,040 --> 00:31:22,200
Speaker 2: And it's always the guy that stinks. He's being a

807
00:31:22,280 --> 00:31:24,240
Speaker 2: nice guy, like telling the flight attendant about his wife

808
00:31:24,240 --> 00:31:26,880
Speaker 2: and kids. He's like, nah, you're just you're creep. Yeah,

809
00:31:27,240 --> 00:31:28,880
Speaker 2: where we see past the strategy, right.

810
00:31:28,840 --> 00:31:30,360
Speaker 1: I don't know what you're trying to do. Buddy pass

811
00:31:30,480 --> 00:31:31,120
Speaker 1: you're nasty.

812
00:31:31,160 --> 00:31:32,800
Speaker 3: Yeah, I know it's somebody looking for a buddy pass.

813
00:31:32,840 --> 00:31:33,280
Speaker 1: I get it.

814
00:31:34,200 --> 00:31:36,440
Speaker 2: What was I gonna say? Oh no, people were outside? Yeah,

815
00:31:36,480 --> 00:31:38,400
Speaker 2: people was outside, specifically people in this room.

816
00:31:38,640 --> 00:31:39,200
Speaker 4: Here we go.

817
00:31:40,440 --> 00:31:44,040
Speaker 1: Who are we snitching? Snitch? Snitch on the staff? We

818
00:31:44,080 --> 00:31:44,479
Speaker 1: need to know.

819
00:31:44,600 --> 00:31:47,880
Speaker 2: It was on the gram. The Graham told me another

820
00:31:47,880 --> 00:31:52,160
Speaker 2: publicly traded company, Wow, were looking at me for colet

821
00:31:52,800 --> 00:31:53,840
Speaker 2: The data was given.

822
00:31:54,120 --> 00:31:55,240
Speaker 4: Coles lives outside.

823
00:31:55,320 --> 00:31:56,760
Speaker 3: That's why I'm not looking at car because that's no

824
00:31:56,800 --> 00:32:01,000
Speaker 3: surprise you. On the other hand, Missy, where was you at?

825
00:32:01,160 --> 00:32:03,040
Speaker 3: What you how what your weekend was looking like?

826
00:32:03,080 --> 00:32:05,520
Speaker 4: They had me indictment. I haven't been to Dykeman since

827
00:32:05,560 --> 00:32:06,200
Speaker 4: I was like eight.

828
00:32:06,960 --> 00:32:09,280
Speaker 1: Yeah, who had you? Wait? No, no, no, no, no, no

829
00:32:09,280 --> 00:32:10,000
Speaker 1: no no.

830
00:32:10,120 --> 00:32:12,560
Speaker 2: This is where young woman that looked a little attractive

831
00:32:12,640 --> 00:32:14,320
Speaker 2: and like she knows some spots indictment.

832
00:32:14,400 --> 00:32:14,920
Speaker 1: This is where we.

833
00:32:14,840 --> 00:32:17,080
Speaker 3: Gotta put our boss hat on. Who are you in

834
00:32:17,120 --> 00:32:19,440
Speaker 3: dytment with? I need to protect my staff.

835
00:32:19,720 --> 00:32:20,040
Speaker 1: I was.

836
00:32:20,120 --> 00:32:22,040
Speaker 4: I was with a friend of mine and we went

837
00:32:22,080 --> 00:32:25,000
Speaker 4: to brunch. It was a really nice brunch, we had hookah,

838
00:32:25,040 --> 00:32:27,720
Speaker 4: we got drunk. We went into European wax Center across

839
00:32:27,720 --> 00:32:29,600
Speaker 4: the street. When got a wax while we were drunk.

840
00:32:29,960 --> 00:32:31,840
Speaker 3: And then I wait, wait, all right, is this stop

841
00:32:31,880 --> 00:32:34,000
Speaker 3: right there? Look at what women do when they get drunk.

842
00:32:34,000 --> 00:32:36,040
Speaker 3: And I'm just on a whim. Let's just go get

843
00:32:36,080 --> 00:32:37,160
Speaker 3: our Gina's waxed.

844
00:32:37,520 --> 00:32:39,400
Speaker 4: Well, I have to go to LA, and like, I

845
00:32:39,480 --> 00:32:41,360
Speaker 4: work all week, so I had to do it before.

846
00:32:41,360 --> 00:32:42,920
Speaker 1: Excuse me, what does that mean? You have to go

847
00:32:43,000 --> 00:32:44,600
Speaker 1: to La. We gotta get wax before.

848
00:32:44,480 --> 00:32:45,760
Speaker 4: You go to No, I'm gonna be laying by the

849
00:32:45,800 --> 00:32:47,160
Speaker 4: pool and sixty to five degree weather.

850
00:32:47,280 --> 00:32:48,720
Speaker 1: You already know that's.

851
00:32:48,560 --> 00:32:51,160
Speaker 3: How your ass got six. I told I told them

852
00:32:51,720 --> 00:32:54,040
Speaker 3: that hair. I say, once it's winter time, it's gonna

853
00:32:54,080 --> 00:32:56,040
Speaker 3: be seventy degrees for like two hours, and it was

854
00:32:56,080 --> 00:32:58,360
Speaker 3: dropping back down to fifty. You cannot beat the bottle pool.

855
00:32:58,480 --> 00:32:59,800
Speaker 3: The marriage told me to shut up. I didn't know

856
00:32:59,840 --> 00:33:01,520
Speaker 3: what I was talking about, and I was a Trump supporter.

857
00:33:01,720 --> 00:33:04,200
Speaker 3: Then I see Damaras by the pool. The next week,

858
00:33:04,240 --> 00:33:06,640
Speaker 3: I'm like, I come in the hotel, Damaras got the pool,

859
00:33:06,920 --> 00:33:07,920
Speaker 3: the towel wrapped around.

860
00:33:07,920 --> 00:33:08,760
Speaker 1: He walking around.

861
00:33:08,760 --> 00:33:10,360
Speaker 2: I said, I you in a hoodie.

862
00:33:10,600 --> 00:33:12,440
Speaker 3: I'm in a hoodie flight jacket. I'm like, all right,

863
00:33:12,880 --> 00:33:13,760
Speaker 3: we get back to New York.

864
00:33:13,760 --> 00:33:14,720
Speaker 1: She's like, yeah, I don't feel that.

865
00:33:15,760 --> 00:33:18,480
Speaker 3: Yeah, I wonder why it's twenty degrees here. You would

866
00:33:18,480 --> 00:33:19,920
Speaker 3: just buy a pool in La three days ago.

867
00:33:21,120 --> 00:33:23,120
Speaker 2: I will say what I just want you to think

868
00:33:23,280 --> 00:33:28,280
Speaker 2: if you were indikeman watching watch two women get drunk,

869
00:33:28,720 --> 00:33:31,080
Speaker 2: get some hookah, get some eggs, some runny eggs, and

870
00:33:31,080 --> 00:33:31,880
Speaker 2: then go get a wax.

871
00:33:32,600 --> 00:33:32,760
Speaker 4: Oh.

872
00:33:32,800 --> 00:33:35,240
Speaker 3: Like, listen, those are some responsible women right there. Like

873
00:33:35,320 --> 00:33:38,040
Speaker 3: they are covering all the bases. They're drunk, they're waxed,

874
00:33:38,040 --> 00:33:39,440
Speaker 3: they're vaxed, all kind of shit.

875
00:33:39,720 --> 00:33:41,560
Speaker 2: Or look at how they pregame to get ready for them.

876
00:33:41,600 --> 00:33:43,760
Speaker 2: If this is their day, imagine what they're knight is,

877
00:33:43,880 --> 00:33:45,240
Speaker 2: don't do that, don't do that.

878
00:33:45,400 --> 00:33:47,080
Speaker 4: I didn't want to go inside either. I was because

879
00:33:47,120 --> 00:33:49,440
Speaker 4: when I'm outside, I'm never outside. So if i'm outside,

880
00:33:49,560 --> 00:33:52,320
Speaker 4: I want to get all my outside activities done at

881
00:33:52,360 --> 00:33:56,160
Speaker 4: one time. Like, so I call, I'm calling everybody. Nobody's outside.

882
00:33:56,160 --> 00:33:58,400
Speaker 4: So my final call call Rory. Damn.

883
00:33:58,400 --> 00:33:59,240
Speaker 2: What was the final call?

884
00:33:59,360 --> 00:34:02,040
Speaker 4: Yeah, I mean like it was only like four people.

885
00:34:03,000 --> 00:34:05,720
Speaker 4: So I call you and I'm like, I'm like, yeah, Rory,

886
00:34:05,720 --> 00:34:08,680
Speaker 4: we all say, he really like set me up for

887
00:34:08,719 --> 00:34:10,440
Speaker 4: the okie dope. So I'm like, all right, I want

888
00:34:10,480 --> 00:34:12,040
Speaker 4: me to trust your house. We're gonna go out Manhattan.

889
00:34:12,040 --> 00:34:12,799
Speaker 4: Blah blah blah blah.

890
00:34:12,840 --> 00:34:14,200
Speaker 2: Wait, not getting none of this.

891
00:34:14,320 --> 00:34:17,440
Speaker 4: Hippers are on bases, wrapped up in a blanket, Like.

892
00:34:19,440 --> 00:34:22,400
Speaker 3: That's what goes on a house, well, wrapped in a blanket,

893
00:34:22,560 --> 00:34:27,239
Speaker 3: swaddled because Jesus against him.

894
00:34:27,239 --> 00:34:28,680
Speaker 4: But I'm like, I can convince him to go out

895
00:34:28,680 --> 00:34:30,439
Speaker 4: with Okay, if I get there, I can convince him.

896
00:34:30,640 --> 00:34:32,839
Speaker 4: He made nachos. There were nachos on the counter when

897
00:34:32,840 --> 00:34:33,040
Speaker 4: I came.

898
00:34:33,080 --> 00:34:36,640
Speaker 2: Okay, hosting wine nachos and we were watching works roommate.

899
00:34:36,800 --> 00:34:37,120
Speaker 1: Yeah.

900
00:34:37,200 --> 00:34:39,640
Speaker 2: Yeah, it was a perfect temperature in there.

901
00:34:39,960 --> 00:34:41,520
Speaker 1: Oh he was. He was a great host.

902
00:34:41,719 --> 00:34:43,480
Speaker 2: Mind you. This is like because she was she went

903
00:34:43,520 --> 00:34:45,359
Speaker 2: out at like noon, so she came to my house

904
00:34:45,360 --> 00:34:48,120
Speaker 2: at like eight o'clock. I'm always gonna be in shorts

905
00:34:48,200 --> 00:34:50,080
Speaker 2: at eight o'clock. I'm not ready at eight o'clock. Was

906
00:34:50,120 --> 00:34:53,440
Speaker 2: this Saturday, Sunday Saturday.

907
00:34:53,200 --> 00:34:55,600
Speaker 3: So that's the amount of time where you start figuring

908
00:34:55,600 --> 00:34:56,400
Speaker 3: out if you're gonna go.

909
00:34:56,400 --> 00:34:59,000
Speaker 2: Out exactly and I said to her on FaceTime, I

910
00:34:59,000 --> 00:35:01,040
Speaker 2: don't know, I'm tired. Haven't really been in bed because

911
00:35:01,080 --> 00:35:03,720
Speaker 2: I was, you know, dealing with the casualties of war.

912
00:35:03,920 --> 00:35:05,840
Speaker 1: The night before the drunken Master.

913
00:35:06,520 --> 00:35:08,319
Speaker 2: So but I was starting to feel like, all right,

914
00:35:08,360 --> 00:35:09,880
Speaker 2: I could maybe get some energy. I said, all right,

915
00:35:10,440 --> 00:35:12,960
Speaker 2: come through m Then when she got there, I was like,

916
00:35:13,000 --> 00:35:15,560
Speaker 2: all right, still early and we could figure something out.

917
00:35:16,520 --> 00:35:18,720
Speaker 2: Demerius passes out of my couch within an hour.

918
00:35:19,560 --> 00:35:20,480
Speaker 1: So she wasn't trying to go.

919
00:35:20,560 --> 00:35:21,280
Speaker 2: That's what I'm saying.

920
00:35:21,400 --> 00:35:26,479
Speaker 4: I fell asleep around at eleven o'clock. Rory was not moving,

921
00:35:26,840 --> 00:35:29,160
Speaker 4: was not leaving the house. I'm telling you.

922
00:35:29,960 --> 00:35:30,880
Speaker 1: She was in the streets.

923
00:35:30,920 --> 00:35:32,799
Speaker 2: She had the word of mouth of what was going on.

924
00:35:32,880 --> 00:35:34,920
Speaker 2: I hadn't been in the streets yet. When you go

925
00:35:34,960 --> 00:35:37,120
Speaker 2: out in the streets early, sometimes you run into other

926
00:35:37,120 --> 00:35:39,080
Speaker 2: people that are street members and they go, hey, later,

927
00:35:39,080 --> 00:35:42,080
Speaker 2: we're doing this because they're already an active member of

928
00:35:42,120 --> 00:35:44,160
Speaker 2: the streets at the time. I was not yet. I

929
00:35:44,239 --> 00:35:45,839
Speaker 2: was willing to become one. I was ready to get

930
00:35:45,920 --> 00:35:48,480
Speaker 2: jumped in, but I needed to read.

931
00:35:49,800 --> 00:35:52,760
Speaker 4: Rory was tired. It's okay, you're you're at that age

932
00:35:52,880 --> 00:35:54,920
Speaker 4: now at you know, you get to a tender age

933
00:35:54,960 --> 00:35:57,080
Speaker 4: where you can't go out to nights in a row.

934
00:35:58,120 --> 00:36:00,400
Speaker 3: And not only that, when you when you when your

935
00:36:00,440 --> 00:36:04,880
Speaker 3: home is like comfortable, clean, you don't really want to

936
00:36:04,920 --> 00:36:06,920
Speaker 3: go nowhere, man, Like you just be like, yeah, I'm

937
00:36:06,920 --> 00:36:08,960
Speaker 3: not leaving to go were to go somewhere and stay

938
00:36:09,520 --> 00:36:12,680
Speaker 3: next to a bunch of people that's on their phones, like, yeah,

939
00:36:12,840 --> 00:36:15,120
Speaker 3: my house sounds like a better, better spot than that.

940
00:36:15,200 --> 00:36:18,360
Speaker 2: And anytime I've gone out, it's always been hey, should

941
00:36:18,360 --> 00:36:20,160
Speaker 2: we go back to Ross? Like, Oh, I could have

942
00:36:20,200 --> 00:36:22,239
Speaker 2: just y'all could have just came here.

943
00:36:22,320 --> 00:36:23,759
Speaker 3: Yeah, I could have just came to the house like

944
00:36:23,800 --> 00:36:25,600
Speaker 3: it is what it is. But yeah, the weekend was cool,

945
00:36:25,600 --> 00:36:28,480
Speaker 3: the weather was nice, and we are out of town

946
00:36:28,520 --> 00:36:30,960
Speaker 3: this week, so we'll probably get some good weather out west.

947
00:36:31,440 --> 00:36:36,279
Speaker 1: Yeah while we're in La. I'm excited. Yeah.

948
00:36:36,320 --> 00:36:40,239
Speaker 3: Man, so new music came out too, sent me so

949
00:36:40,400 --> 00:36:42,279
Speaker 3: some shout out to Sorary. I don't even like call

950
00:36:42,400 --> 00:36:43,960
Speaker 3: him Sorary the kid no more. I gotta tell him out.

951
00:36:43,960 --> 00:36:46,520
Speaker 3: They got to drop the kid like he has kids.

952
00:36:46,800 --> 00:36:48,200
Speaker 3: I feel like when you have kids, you can't get

953
00:36:48,239 --> 00:36:50,600
Speaker 3: called the kid. But anyway, shout out to my guy.

954
00:36:50,680 --> 00:36:53,600
Speaker 3: Sorry the Kid. He sent me some some music that

955
00:36:53,640 --> 00:36:56,279
Speaker 3: he put out over the weekend last week. I told him,

956
00:36:56,280 --> 00:36:58,920
Speaker 3: I said, bro, you're working like sorry, I don't know.

957
00:36:59,040 --> 00:37:01,920
Speaker 3: For people that don't know him, he's been consistently putting

958
00:37:01,920 --> 00:37:05,120
Speaker 3: out projects for at least the last four years, I

959
00:37:05,160 --> 00:37:09,799
Speaker 3: want to say, like consistently putting out multiple projects. And

960
00:37:09,880 --> 00:37:12,799
Speaker 3: he has a new project coming soon. He put out

961
00:37:12,800 --> 00:37:15,560
Speaker 3: the joint with Benny Shout out to Benny the Butcher.

962
00:37:15,880 --> 00:37:20,520
Speaker 1: Hello, this is called Press zero. Sorry the Kid.

963
00:37:21,160 --> 00:37:24,520
Speaker 2: In context, he is an artist that makes music, yes,

964
00:37:24,560 --> 00:37:25,040
Speaker 2: and we are.

965
00:37:24,920 --> 00:37:26,960
Speaker 3: Playing it and playing it so that people can know

966
00:37:27,040 --> 00:37:29,200
Speaker 3: that Sorry the Kid has a project.

967
00:37:28,880 --> 00:37:31,640
Speaker 2: Coming and go to DSPs with their money exact so

968
00:37:31,719 --> 00:37:34,279
Speaker 2: you can then give support artists.

969
00:37:34,520 --> 00:37:36,600
Speaker 3: And buy his music and his content, and so he

970
00:37:36,640 --> 00:37:40,320
Speaker 3: can help them raise a village of kings and queens

971
00:37:40,400 --> 00:37:43,160
Speaker 3: and support this community, keep the money in the ecosystem

972
00:37:43,239 --> 00:37:43,880
Speaker 3: of the culture.

973
00:37:44,960 --> 00:37:47,560
Speaker 2: We literally can't hear a word anything said. Do it now?

974
00:37:48,520 --> 00:37:48,799
Speaker 4: Do it?

975
00:37:48,840 --> 00:37:48,920
Speaker 1: Like?

976
00:37:48,960 --> 00:37:49,399
Speaker 2: What the fuck?

977
00:37:49,480 --> 00:37:51,399
Speaker 3: We can't. You can't play no music like they don't

978
00:37:51,440 --> 00:37:54,120
Speaker 3: want to. They fucking ban your ship.

979
00:37:54,600 --> 00:37:57,359
Speaker 2: This sounds great, though, you know, produce it Press zero.

980
00:37:58,239 --> 00:38:00,000
Speaker 1: I'm not suretering Benny the Butcher.

981
00:38:01,560 --> 00:38:02,760
Speaker 2: That does sound great though.

982
00:38:02,920 --> 00:38:09,719
Speaker 3: So sorry the kid March eighteenth album coming Uh he

983
00:38:09,760 --> 00:38:12,120
Speaker 3: has a joint? Which one was that pres zero that's

984
00:38:12,160 --> 00:38:17,000
Speaker 3: produced by Sapota. I hope I said his name right.

985
00:38:17,040 --> 00:38:19,719
Speaker 3: If not, I butchered that ship, like Benny, that's what

986
00:38:19,800 --> 00:38:21,440
Speaker 3: you did, exactly crazy.

987
00:38:21,600 --> 00:38:22,640
Speaker 1: He got a lot of people on the album.

988
00:38:22,640 --> 00:38:25,080
Speaker 3: You got a joint with Jada kiss Uh, Trouble, Lloyd

989
00:38:25,160 --> 00:38:28,600
Speaker 3: Banks and Ransom, Mickey Fax, t I, Saha, the Prince,

990
00:38:29,120 --> 00:38:32,160
Speaker 3: Sean Ellery, j al Right at Big Credit, Ray Kwan, Wow,

991
00:38:32,520 --> 00:38:37,560
Speaker 3: Bumpy Knuckless Man, Yeah, man, sorry got he got some

992
00:38:37,680 --> 00:38:40,120
Speaker 3: joys coming man, I funck with Sorry Man, he's uh

993
00:38:40,520 --> 00:38:43,279
Speaker 3: his projects even putting out R and B put out

994
00:38:43,640 --> 00:38:44,600
Speaker 3: R and B projects.

995
00:38:44,920 --> 00:38:46,120
Speaker 1: You know what I mean. It seems like this is

996
00:38:46,120 --> 00:38:49,320
Speaker 1: gonna be you know, obviously the for the rap.

997
00:38:49,320 --> 00:38:50,720
Speaker 2: He's like, he's like hood Russ.

998
00:38:51,600 --> 00:38:55,880
Speaker 3: He's like hood Russ. I like that independent, you know

999
00:38:55,880 --> 00:38:56,319
Speaker 3: what I'm saying.

1000
00:38:56,360 --> 00:38:59,520
Speaker 2: Doing both sides great, great at producing and rapping and

1001
00:38:59,560 --> 00:39:01,759
Speaker 2: singing on Yeah, No, it sounds great. Did he even

1002
00:39:01,840 --> 00:39:02,560
Speaker 2: date when it's coming out?

1003
00:39:02,600 --> 00:39:03,440
Speaker 1: March eighteenth?

1004
00:39:03,719 --> 00:39:07,760
Speaker 3: Okay, March eighteenth, We'll be the stores.

1005
00:39:08,200 --> 00:39:11,560
Speaker 1: Well in your phone, in your DSPs.

1006
00:39:11,520 --> 00:39:15,400
Speaker 2: Push your t second thing, drop the joint. Hear me clearly,

1007
00:39:16,200 --> 00:39:18,799
Speaker 2: what you think about it? I think I might like

1008
00:39:18,840 --> 00:39:21,759
Speaker 2: it better than Die cot Well. I don't know. I

1009
00:39:21,760 --> 00:39:23,120
Speaker 2: don't know if I like it better than Die Cope,

1010
00:39:23,280 --> 00:39:25,960
Speaker 2: but I like them. I like them both as two

1011
00:39:26,040 --> 00:39:29,680
Speaker 2: first singles. I'm glad. I know he has Kanye and

1012
00:39:29,719 --> 00:39:34,160
Speaker 2: Pharrell producing the entire thing, So I'm glad. And this

1013
00:39:34,280 --> 00:39:37,439
Speaker 2: wasn't a Pharrell produced record, right because it certainly doesn't

1014
00:39:37,440 --> 00:39:40,000
Speaker 2: sound like it. I like that he's not leading with

1015
00:39:40,320 --> 00:39:45,080
Speaker 2: some of the more Pharrell Pharrell friendlier beats. Yeah, to

1016
00:39:45,120 --> 00:39:46,040
Speaker 2: start the traction on.

1017
00:39:46,000 --> 00:39:48,239
Speaker 1: It, let me go to credits.

1018
00:39:50,040 --> 00:39:56,000
Speaker 2: Hear me clearly, Lucas Stars the Mind, I believe that's

1019
00:39:56,320 --> 00:40:00,799
Speaker 2: how it's pronounced. Kanye and then Boogs the Beast, that's

1020
00:40:00,840 --> 00:40:04,840
Speaker 2: what produced this joint. Those were the four. But no,

1021
00:40:05,000 --> 00:40:06,040
Speaker 2: I'm excited for the project.

1022
00:40:06,760 --> 00:40:07,000
Speaker 1: Yeah.

1023
00:40:07,239 --> 00:40:09,600
Speaker 3: It's always good to get a project from Pusher because

1024
00:40:09,760 --> 00:40:12,640
Speaker 3: you know what you're gonna get. At at minimum, you

1025
00:40:12,640 --> 00:40:14,719
Speaker 3: know you're gonna get a really dope project.

1026
00:40:15,440 --> 00:40:19,239
Speaker 2: Yeah. I feel when the one before Daytona, Farrell was

1027
00:40:19,360 --> 00:40:21,759
Speaker 2: heving involved in, so it hasn't been that long since

1028
00:40:21,760 --> 00:40:24,680
Speaker 2: he's done some forel fucking shit. Yeah, but I'm curious

1029
00:40:24,719 --> 00:40:28,600
Speaker 2: to see what Farrell cooks up aside to Kanye and

1030
00:40:28,880 --> 00:40:29,719
Speaker 2: how that's gonna sound.

1031
00:40:29,760 --> 00:40:31,279
Speaker 1: But trying to think.

1032
00:40:31,360 --> 00:40:33,720
Speaker 2: Joey Badass put out a record that I liked, produced

1033
00:40:33,719 --> 00:40:37,279
Speaker 2: by Static Selector shout out to Static head High. But

1034
00:40:37,400 --> 00:40:39,719
Speaker 2: hearing great things about this, uh this Joey Badass album

1035
00:40:39,760 --> 00:40:40,880
Speaker 2: from from a lot of people.

1036
00:40:41,280 --> 00:40:42,600
Speaker 1: I like Joey Badass man.

1037
00:40:43,280 --> 00:40:46,440
Speaker 2: Yeah, I think I think that's gonna be a good one.

1038
00:40:46,520 --> 00:40:46,799
Speaker 1: I liked.

1039
00:40:46,880 --> 00:40:49,960
Speaker 3: I like the artists that liked, like, do their own thing,

1040
00:40:50,000 --> 00:40:52,200
Speaker 3: don't really try to look like nobody else, sound like

1041
00:40:52,200 --> 00:40:56,200
Speaker 3: nobody else. Not really with the mixy bullshit, don't stay

1042
00:40:56,200 --> 00:40:59,960
Speaker 3: in the headlines for no you know the gossipy ship.

1043
00:41:00,200 --> 00:41:04,440
Speaker 2: Yeah, which we were We were talking about child stars

1044
00:41:04,480 --> 00:41:08,840
Speaker 2: and like how fucked up they can get. Joey Baddas

1045
00:41:08,920 --> 00:41:10,800
Speaker 2: might have been the most mature sixteen year old of

1046
00:41:10,880 --> 00:41:14,960
Speaker 2: all time. Like he came out like an adult rapper.

1047
00:41:15,000 --> 00:41:17,399
Speaker 2: He moved like an adult when he first came out

1048
00:41:17,400 --> 00:41:18,799
Speaker 2: and put out nineteen niney nine, which I think he

1049
00:41:18,840 --> 00:41:23,000
Speaker 2: was maybe seventeen. He never moved like a kid, like

1050
00:41:23,080 --> 00:41:24,880
Speaker 2: he's always moved this way, because how old is he

1051
00:41:24,920 --> 00:41:27,520
Speaker 2: now can't even be that old and he still moves

1052
00:41:27,520 --> 00:41:29,080
Speaker 2: like a thirty five year old rapper, And I mean

1053
00:41:29,120 --> 00:41:32,080
Speaker 2: that a good definitely in his thirties, for sure, I believe. No,

1054
00:41:32,280 --> 00:41:34,080
Speaker 2: Joey Badds is definitely not his thirties. You don't think

1055
00:41:34,080 --> 00:41:35,200
Speaker 2: so we could clean something that up too.

1056
00:41:35,200 --> 00:41:40,360
Speaker 4: But twenty seven, oh, were got a decade in and

1057
00:41:40,680 --> 00:41:41,800
Speaker 4: just twenty seven.

1058
00:41:42,080 --> 00:41:43,640
Speaker 1: Yeah, he came out he was thirty. I thought he

1059
00:41:43,640 --> 00:41:44,480
Speaker 1: was at least thirty one.

1060
00:41:44,840 --> 00:41:47,040
Speaker 2: I think that World Star clip that went viral from

1061
00:41:47,080 --> 00:41:49,200
Speaker 2: how he got found was he was like fifteen or

1062
00:41:49,200 --> 00:41:51,200
Speaker 2: sixteen and then nineteen ninety nine came out. I think

1063
00:41:51,200 --> 00:41:55,360
Speaker 2: he was seventeen or eighteen. But no, I like the

1064
00:41:55,360 --> 00:41:58,800
Speaker 2: way the way he moves. He definitely moves correctly.

1065
00:42:00,239 --> 00:42:01,080
Speaker 1: And a great actor.

1066
00:42:01,680 --> 00:42:04,000
Speaker 2: Yeah, yeah, I kind of wish you would have stayed

1067
00:42:04,000 --> 00:42:07,600
Speaker 2: inspected deck too, but yeah, you know, what can you do?

1068
00:42:07,960 --> 00:42:09,160
Speaker 2: He had to He had to raise Canaan.

1069
00:42:10,800 --> 00:42:11,120
Speaker 1: So the.

1070
00:42:12,760 --> 00:42:15,160
Speaker 4: Speaking of raising Kane and the Power Boys and the

1071
00:42:15,160 --> 00:42:19,520
Speaker 4: Snowfall Boys, Michael Rainey Junior and Damnson Indriests are fighting

1072
00:42:19,520 --> 00:42:22,600
Speaker 4: over which one of them has the best show on television,

1073
00:42:22,800 --> 00:42:24,760
Speaker 4: when really and DA has the best show on television.

1074
00:42:24,760 --> 00:42:26,520
Speaker 4: But whatever power versus.

1075
00:42:26,280 --> 00:42:29,879
Speaker 1: Power and snow snowfall, yes, power right now, cut it off,

1076
00:42:29,920 --> 00:42:31,279
Speaker 1: cut it out, man, that's not.

1077
00:42:31,239 --> 00:42:33,520
Speaker 2: Even from what I've seen. I'm I'm not fully caught

1078
00:42:33,560 --> 00:42:35,320
Speaker 2: up on snowfall or power.

1079
00:42:35,360 --> 00:42:39,919
Speaker 1: But snowfalls better than snowfalls, better the power the power

1080
00:42:40,000 --> 00:42:41,080
Speaker 1: book ship not not.

1081
00:42:41,760 --> 00:42:44,080
Speaker 4: No, yeah no, that's why I said. Michael Rainey Jr.

1082
00:42:44,080 --> 00:42:44,760
Speaker 4: Who is Tarik?

1083
00:42:45,080 --> 00:42:48,480
Speaker 1: He is might be better than power too, though I

1084
00:42:48,520 --> 00:42:49,200
Speaker 1: think I think.

1085
00:42:49,120 --> 00:42:50,320
Speaker 2: People can said that before.

1086
00:42:50,360 --> 00:42:51,560
Speaker 4: But we know he.

1087
00:42:51,600 --> 00:42:53,320
Speaker 2: Said the wire. That's where it was. That's where he

1088
00:42:53,440 --> 00:42:54,360
Speaker 2: was being.

1089
00:42:54,480 --> 00:42:58,359
Speaker 1: You know, snow snowfalls better than the wire. Still, I'm

1090
00:42:58,360 --> 00:42:58,640
Speaker 1: not going to.

1091
00:42:58,680 --> 00:43:01,920
Speaker 4: Go the most snowfall verse is power and word. We're

1092
00:43:01,960 --> 00:43:03,040
Speaker 4: talking about power book.

1093
00:43:03,120 --> 00:43:04,520
Speaker 2: Tarnk be saying dumb shit all the time.

1094
00:43:04,520 --> 00:43:08,280
Speaker 1: Though. What's his name, man, Michael Rainey?

1095
00:43:08,360 --> 00:43:12,200
Speaker 2: You okay, Michael Rainey, I'm not saying that, gentleman.

1096
00:43:15,400 --> 00:43:16,040
Speaker 1: But he didn't.

1097
00:43:16,320 --> 00:43:19,640
Speaker 2: But Tarik didn't say that. Michael Rainey said he was

1098
00:43:19,800 --> 00:43:20,319
Speaker 2: character actor.

1099
00:43:20,400 --> 00:43:21,360
Speaker 1: Oh yeah, got you.

1100
00:43:21,440 --> 00:43:24,920
Speaker 2: It's called method actic. Got you got you're still watching

1101
00:43:24,960 --> 00:43:25,920
Speaker 2: snowfall Asik?

1102
00:43:26,040 --> 00:43:26,480
Speaker 1: I got you.

1103
00:43:26,600 --> 00:43:29,919
Speaker 4: It might be our personal preference that snowfall is better

1104
00:43:29,960 --> 00:43:32,520
Speaker 4: than power but power is a very, very various.

1105
00:43:32,520 --> 00:43:35,719
Speaker 3: It's always our personal preference. Like so when people saying that,

1106
00:43:35,800 --> 00:43:38,160
Speaker 3: it's like, yes, just my personal personal preference. I think

1107
00:43:38,200 --> 00:43:40,880
Speaker 3: that the first four seasons of Snowfall were better than

1108
00:43:40,880 --> 00:43:41,920
Speaker 3: the first four of The Wire.

1109
00:43:42,120 --> 00:43:44,880
Speaker 2: Look he's starting to cop more, please chain.

1110
00:43:45,400 --> 00:43:48,320
Speaker 1: Yeah it was, no, it was. That's how I always

1111
00:43:48,360 --> 00:43:48,680
Speaker 1: said that.

1112
00:43:49,320 --> 00:43:51,879
Speaker 3: Because people were saying, oh, but Snowfall is only three

1113
00:43:51,920 --> 00:43:53,719
Speaker 3: or four seasons, I'm like, yeah, so based off this

1114
00:43:53,760 --> 00:43:56,759
Speaker 3: first four versus the first four of The Wire, I

1115
00:43:56,840 --> 00:43:58,200
Speaker 3: think the first four snow falls better.

1116
00:43:58,320 --> 00:43:59,239
Speaker 2: This is going into five.

1117
00:44:00,680 --> 00:44:05,200
Speaker 1: This is yeah, this is five. No, okay, you.

1118
00:44:05,239 --> 00:44:08,440
Speaker 2: Only had and you only have season two. You win

1119
00:44:08,520 --> 00:44:09,080
Speaker 2: in season two.

1120
00:44:10,200 --> 00:44:12,799
Speaker 3: I think I think every other season was just as good,

1121
00:44:13,200 --> 00:44:14,239
Speaker 3: if not better than The Wire.

1122
00:44:14,640 --> 00:44:16,880
Speaker 2: But I'm not I'm not caught up.

1123
00:44:16,920 --> 00:44:19,720
Speaker 3: But season two is is definitely Season two of Snowfall

1124
00:44:19,760 --> 00:44:21,080
Speaker 3: is definitely better than season two of The Wire.

1125
00:44:21,640 --> 00:44:23,719
Speaker 2: I agree that I'm not caught up to I'm not

1126
00:44:23,760 --> 00:44:26,960
Speaker 2: fully done with four, but season four of the Wire

1127
00:44:27,200 --> 00:44:28,879
Speaker 2: is light gears better.

1128
00:44:28,920 --> 00:44:31,200
Speaker 3: No, listen, they're both classic shows. Like, so, I don't

1129
00:44:31,200 --> 00:44:33,040
Speaker 3: want to seem like I'm sitting in the white classic shows.

1130
00:44:33,280 --> 00:44:34,960
Speaker 1: But Snowfall.

1131
00:44:36,239 --> 00:44:40,239
Speaker 3: I watched the first three episodes, and it kind of

1132
00:44:40,239 --> 00:44:42,279
Speaker 3: threw me off when it started the first episode started

1133
00:44:42,280 --> 00:44:44,440
Speaker 3: because I didn't watch it when it first aired. I

1134
00:44:44,440 --> 00:44:46,680
Speaker 3: loved a couple of episodes, you know, pile up, and

1135
00:44:46,719 --> 00:44:50,919
Speaker 3: then I watched them and it started with Franklin flying

1136
00:44:50,960 --> 00:44:54,040
Speaker 3: and playing, and I was like, all right, this is where,

1137
00:44:54,719 --> 00:44:57,200
Speaker 3: this is where they're about to lose. You could tell

1138
00:44:57,239 --> 00:44:58,719
Speaker 3: when this show is about to go to a whole

1139
00:44:58,760 --> 00:45:01,000
Speaker 3: nother thing. And you're like, all right, I'm that was

1140
00:45:01,040 --> 00:45:02,600
Speaker 3: your Kevin Hart headshot.

1141
00:45:02,719 --> 00:45:04,040
Speaker 1: Absolutely, I was like.

1142
00:45:04,600 --> 00:45:07,280
Speaker 3: And then it's like he flew over apart and Malleble

1143
00:45:07,880 --> 00:45:09,880
Speaker 3: saw some land from out of the plane, and then

1144
00:45:09,960 --> 00:45:11,480
Speaker 3: once he landed, he called his boy and was like, Yo,

1145
00:45:11,560 --> 00:45:13,160
Speaker 3: it's a land over. There's a piece of landover that

1146
00:45:13,280 --> 00:45:16,040
Speaker 3: want that. I'm like, all right, fam like, you're not

1147
00:45:16,040 --> 00:45:16,680
Speaker 3: gonna do this to me.

1148
00:45:16,800 --> 00:45:17,840
Speaker 2: But they didn't fire Festiv.

1149
00:45:18,080 --> 00:45:19,799
Speaker 1: But that's true.

1150
00:45:19,840 --> 00:45:20,759
Speaker 2: Billy did the same thing.

1151
00:45:20,840 --> 00:45:21,719
Speaker 1: You're absolutely right.

1152
00:45:22,040 --> 00:45:24,680
Speaker 3: But then I think one of the producers or something

1153
00:45:24,680 --> 00:45:27,279
Speaker 3: from from Snowfall came out and said because everybody was like,

1154
00:45:27,280 --> 00:45:28,440
Speaker 3: who's this girl, who's this girlfriend?

1155
00:45:28,440 --> 00:45:29,640
Speaker 1: Where did she come from? Whatever?

1156
00:45:30,080 --> 00:45:32,000
Speaker 3: And she's pregnant, and so everybody was like, what is

1157
00:45:32,040 --> 00:45:33,640
Speaker 3: this And when of the producers said that there was

1158
00:45:33,680 --> 00:45:36,480
Speaker 3: a time jump in the writing, so that's why it

1159
00:45:36,520 --> 00:45:38,560
Speaker 3: was like because I was like, I'm not mad because

1160
00:45:38,600 --> 00:45:41,000
Speaker 3: people were like, oh, black man can't fly a plane,

1161
00:45:41,000 --> 00:45:42,120
Speaker 3: and I'm just like, see, this.

1162
00:45:42,280 --> 00:45:43,080
Speaker 2: Is not where my head was.

1163
00:45:43,200 --> 00:45:45,000
Speaker 3: That's not I wasn't even thinking like that. I'm just like,

1164
00:45:45,080 --> 00:45:47,120
Speaker 3: that's not where this thing left off at. So how

1165
00:45:47,160 --> 00:45:50,000
Speaker 3: are we starting with this now? So when the producer

1166
00:45:50,040 --> 00:45:53,000
Speaker 3: said it was a time jump with everything in context

1167
00:45:53,000 --> 00:45:55,760
Speaker 3: and perspective, I was like, Okay, cool and I'm totally

1168
00:45:55,760 --> 00:45:56,319
Speaker 3: on board now.

1169
00:45:56,320 --> 00:45:58,279
Speaker 2: But when it comes to transportation, I think Tarik may

1170
00:45:58,360 --> 00:46:02,319
Speaker 2: may have them beat. Could be in Connecticut and then

1171
00:46:02,360 --> 00:46:04,600
Speaker 2: the Lower East Side in one hour with no car,

1172
00:46:04,680 --> 00:46:05,439
Speaker 2: no train, no nothing.

1173
00:46:05,719 --> 00:46:09,120
Speaker 3: He'll walk there fine parking Like it's like you don't

1174
00:46:09,160 --> 00:46:10,239
Speaker 3: You're not from New York City.

1175
00:46:10,280 --> 00:46:11,479
Speaker 1: I think power parking that quick.

1176
00:46:11,640 --> 00:46:15,640
Speaker 2: Power beats snowfall in transportation without question, A.

1177
00:46:15,600 --> 00:46:16,920
Speaker 1: Different time absolutely.

1178
00:46:17,719 --> 00:46:21,399
Speaker 2: Uh what else happened over the weekend? And was did

1179
00:46:21,480 --> 00:46:22,400
Speaker 2: dress or did you?

1180
00:46:22,520 --> 00:46:23,919
Speaker 4: Were you able to watch the entire game?

1181
00:46:25,320 --> 00:46:27,080
Speaker 2: I think I have forty five minutes left. Ye, I

1182
00:46:27,400 --> 00:46:27,719
Speaker 2: like it up.

1183
00:46:27,719 --> 00:46:29,759
Speaker 3: I got like an hour left, but it was really

1184
00:46:29,760 --> 00:46:32,360
Speaker 3: really good though. I think this is probably one of

1185
00:46:32,400 --> 00:46:35,239
Speaker 3: the best Drink Champ episodes that I've seen.

1186
00:46:35,280 --> 00:46:37,080
Speaker 4: Did you have a light coner? Like the little thing

1187
00:46:37,080 --> 00:46:39,520
Speaker 4: that every time game to the Lives ding?

1188
00:46:39,760 --> 00:46:41,600
Speaker 1: I didn't have a counter, but I laughed at a

1189
00:46:41,640 --> 00:46:42,200
Speaker 1: lot of this ship.

1190
00:46:42,760 --> 00:46:47,600
Speaker 2: I was disappointed in not the episode. I thoroughly enjoyed

1191
00:46:47,880 --> 00:46:51,520
Speaker 2: the episode. I was let down on some of the lies.

1192
00:46:51,920 --> 00:46:53,319
Speaker 2: I wanted to want them to be like, I wanted

1193
00:46:53,360 --> 00:46:57,400
Speaker 2: them to go a little crazier. I mean, granted, saying

1194
00:46:57,480 --> 00:47:02,200
Speaker 2: that the gentleman that killed Osama was listening to Red

1195
00:47:02,280 --> 00:47:05,680
Speaker 2: Nation while he was shooting Osama is a pretty amazing lie.

1196
00:47:05,719 --> 00:47:07,839
Speaker 3: That's that's That's one of the top blaves I've ever heard.

1197
00:47:08,000 --> 00:47:10,200
Speaker 2: Now. I think what they were trying to say is

1198
00:47:10,239 --> 00:47:13,040
Speaker 2: that like, while he was maybe getting ready at base,

1199
00:47:13,280 --> 00:47:16,719
Speaker 2: he was listening to it to get excited. But to

1200
00:47:16,840 --> 00:47:19,080
Speaker 2: say that when you're going on a covert op mission

1201
00:47:19,160 --> 00:47:24,480
Speaker 2: as a Navy seal to kill the highest person on

1202
00:47:24,520 --> 00:47:27,839
Speaker 2: the most most planet that you just got your iPod, no,

1203
00:47:28,400 --> 00:47:30,520
Speaker 2: I believe the radio y'all would be communicating like yo,

1204
00:47:31,000 --> 00:47:31,800
Speaker 2: he's in here.

1205
00:47:33,120 --> 00:47:39,239
Speaker 3: Go left nobody is clear. Yeah, like I mean, but

1206
00:47:39,280 --> 00:47:40,640
Speaker 3: I understand it. It's entertainment.

1207
00:47:41,080 --> 00:47:43,560
Speaker 2: I'm sure there is some truth to that guy listening to.

1208
00:47:43,480 --> 00:47:46,080
Speaker 1: The he's a game, but somewhere saying that he listens

1209
00:47:46,080 --> 00:47:46,600
Speaker 1: to game.

1210
00:47:46,760 --> 00:47:49,520
Speaker 2: To say that you just had you saw Obama with

1211
00:47:49,719 --> 00:47:50,719
Speaker 2: just ready to paint it.

1212
00:47:50,880 --> 00:47:52,560
Speaker 3: You gotta paint it away so that when you're giving

1213
00:47:52,560 --> 00:47:54,160
Speaker 3: it to the viewers, you're like, oh, we like, damn,

1214
00:47:54,400 --> 00:47:54,840
Speaker 3: you gotta give it.

1215
00:47:54,920 --> 00:47:55,759
Speaker 1: Make it sound good.

1216
00:47:55,880 --> 00:47:57,719
Speaker 3: Like you don't want to say a guy that is

1217
00:47:57,760 --> 00:47:59,759
Speaker 3: in the military is a game fan. No, you want

1218
00:47:59,760 --> 00:48:02,239
Speaker 3: to say while he was on the mission, do you

1219
00:48:02,280 --> 00:48:04,960
Speaker 3: think he knew that Osama was like behind that.

1220
00:48:05,040 --> 00:48:07,440
Speaker 1: Door he had like he was like, hold on, wait once,

1221
00:48:08,040 --> 00:48:09,160
Speaker 1: let me turn the game down on.

1222
00:48:09,120 --> 00:48:11,640
Speaker 3: My ear, Like it just sounds better. It makes for

1223
00:48:11,640 --> 00:48:12,880
Speaker 3: a better story, So I understand.

1224
00:48:13,040 --> 00:48:15,960
Speaker 2: And you know, sometimes music bleeds out of your your

1225
00:48:15,960 --> 00:48:17,560
Speaker 2: air pods, like people next to you can hear it.

1226
00:48:17,760 --> 00:48:20,120
Speaker 2: Do you think maybe Osama was on the other side

1227
00:48:20,120 --> 00:48:24,279
Speaker 2: of the door shazaming the record, Like hmm.

1228
00:48:24,160 --> 00:48:27,680
Speaker 1: No, I don't. I'm willing to bet that Osama was.

1229
00:48:27,760 --> 00:48:29,920
Speaker 3: Osama had an extensive point collection, or you think that

1230
00:48:29,960 --> 00:48:31,880
Speaker 3: he was mad about that that they put his business

1231
00:48:31,880 --> 00:48:32,440
Speaker 3: out there like that.

1232
00:48:33,080 --> 00:48:34,640
Speaker 2: I mean, they dumped his body in the ocean. Probably

1233
00:48:34,800 --> 00:48:36,080
Speaker 2: was a little bit more concerned about that.

1234
00:48:36,040 --> 00:48:38,600
Speaker 3: But but you know, it's like when you die and

1235
00:48:38,640 --> 00:48:41,680
Speaker 3: like like, wudn't you be like most concerned about your phone?

1236
00:48:41,719 --> 00:48:44,640
Speaker 1: Like who has my phone? Oh? Absolutely right.

1237
00:48:44,840 --> 00:48:48,120
Speaker 2: But I also didn't play hand in having the twin

1238
00:48:48,160 --> 00:48:50,719
Speaker 2: towers come down, So I think, like my concerns and

1239
00:48:50,800 --> 00:48:53,800
Speaker 2: Osama's concerns about my legacy are gonna be a bit different.

1240
00:48:54,080 --> 00:48:56,440
Speaker 1: Osama didn't have a hand in that either. I was

1241
00:48:56,440 --> 00:48:57,200
Speaker 1: always going to go there.

1242
00:48:57,400 --> 00:48:58,360
Speaker 2: I wanted to acknowledge that.

1243
00:48:58,760 --> 00:49:02,359
Speaker 1: I'm just saying likes but okay, story.

1244
00:49:02,080 --> 00:49:04,160
Speaker 2: He was ganggang, he was they was all.

1245
00:49:04,360 --> 00:49:05,759
Speaker 3: He was all in there, you know how you know

1246
00:49:05,800 --> 00:49:07,759
Speaker 3: because Osimon was like, hey, look I've done a lot

1247
00:49:07,760 --> 00:49:08,120
Speaker 3: of ship.

1248
00:49:08,200 --> 00:49:11,960
Speaker 2: I have all those incent people that slaughter.

1249
00:49:12,080 --> 00:49:14,840
Speaker 1: Yeah, never you. I had nothing to do with that.

1250
00:49:14,960 --> 00:49:15,719
Speaker 1: Like that's how you know?

1251
00:49:15,840 --> 00:49:18,000
Speaker 3: Like he ain't lying, man, because he's taking he like

1252
00:49:18,080 --> 00:49:19,440
Speaker 3: that that ship over there, that was me?

1253
00:49:19,760 --> 00:49:21,600
Speaker 1: I take that. Has your that was not me?

1254
00:49:21,800 --> 00:49:24,520
Speaker 2: Has your girl ever caught you doing some shit let's

1255
00:49:24,560 --> 00:49:27,080
Speaker 2: call it hitting, get caught cheating? And then y'all kind

1256
00:49:27,080 --> 00:49:28,600
Speaker 2: of get past it. And then she accused you of

1257
00:49:28,640 --> 00:49:31,360
Speaker 2: some ship that you've never done, so you cop even

1258
00:49:31,560 --> 00:49:33,480
Speaker 2: more to the cheating of Like, nah, listen, I did

1259
00:49:33,520 --> 00:49:35,399
Speaker 2: fuck that bitch in April, but I did not.

1260
00:49:35,880 --> 00:49:36,319
Speaker 1: Got to do that.

1261
00:49:36,360 --> 00:49:37,759
Speaker 3: You be like, y'all, I don't even know this girl

1262
00:49:37,840 --> 00:49:39,919
Speaker 3: right here, Like what do I heard? But Yo, that's

1263
00:49:39,960 --> 00:49:41,040
Speaker 3: just what's like, you know what I'm saying.

1264
00:49:41,080 --> 00:49:42,279
Speaker 2: That's what Simon did with the Towers.

1265
00:49:42,320 --> 00:49:43,080
Speaker 1: I don't know too bitches.

1266
00:49:43,120 --> 00:49:44,799
Speaker 3: I don't know them two bitches, man, I had nothing,

1267
00:49:44,880 --> 00:49:45,839
Speaker 3: never met them in my life.

1268
00:49:46,160 --> 00:49:46,719
Speaker 1: They looked like.

1269
00:49:46,680 --> 00:49:50,600
Speaker 4: Great hurrying to the Twin Towers as them two bitches.

1270
00:49:50,520 --> 00:49:52,640
Speaker 3: And they're just trying to keep it I mean, not

1271
00:49:53,480 --> 00:49:55,840
Speaker 3: prayers and you know, condolences to everybody to blame.

1272
00:49:56,160 --> 00:49:58,279
Speaker 2: But I blame it eleven on gentrification in one of

1273
00:49:58,280 --> 00:50:01,000
Speaker 2: our sketches. So yeah, me calling the Twin Towers and

1274
00:50:01,080 --> 00:50:05,239
Speaker 2: two bitches is not really like song was sitting there like,

1275
00:50:05,239 --> 00:50:06,600
Speaker 2: all right, explain to me how you get a plane

1276
00:50:06,640 --> 00:50:11,800
Speaker 2: into the Pentagon. It don't make no sense. My plans

1277
00:50:11,800 --> 00:50:12,120
Speaker 2: ain't that.

1278
00:50:14,560 --> 00:50:16,759
Speaker 1: Listen, man, I'm here for this type of talk.

1279
00:50:16,840 --> 00:50:19,440
Speaker 2: But we know what we're we're talking.

1280
00:50:19,239 --> 00:50:23,719
Speaker 1: About music, fucking music. You know what I'm saying. We'll

1281
00:50:23,760 --> 00:50:24,399
Speaker 1: talk about music.

1282
00:50:24,560 --> 00:50:27,000
Speaker 4: Fans are under the impression that this is a music podcast.

1283
00:50:27,600 --> 00:50:29,080
Speaker 2: What type of porm was into though?

1284
00:50:30,280 --> 00:50:32,560
Speaker 1: I think OsO like like big black asses, kind of

1285
00:50:32,600 --> 00:50:33,080
Speaker 1: like your dad.

1286
00:50:33,680 --> 00:50:36,320
Speaker 2: Okay, my dad have something in common.

1287
00:50:36,120 --> 00:50:36,760
Speaker 1: Helpthing in common.

1288
00:50:37,320 --> 00:50:39,040
Speaker 3: But I know he probably was like, oh, come on, man, like,

1289
00:50:39,120 --> 00:50:41,000
Speaker 3: don't don't show them my porn collection.

1290
00:50:40,840 --> 00:50:43,080
Speaker 2: Like was it magazines or is it like car drive?

1291
00:50:43,360 --> 00:50:44,080
Speaker 1: Osama was sick.

1292
00:50:44,120 --> 00:50:47,399
Speaker 3: He still had VHS. I respected the old school, old

1293
00:50:47,440 --> 00:50:50,000
Speaker 3: school vintage. He's a connoisseur, and you know he like

1294
00:50:50,040 --> 00:50:53,680
Speaker 3: Terry Pussy of course. Yeah he has seventies VHS ship.

1295
00:50:53,520 --> 00:50:55,480
Speaker 1: All thea like the hairy ass you know that.

1296
00:50:57,480 --> 00:50:59,279
Speaker 3: But yeah, any more music. I don't know how we

1297
00:50:59,280 --> 00:51:00,480
Speaker 3: got to do a Simon liking.

1298
00:51:00,320 --> 00:51:05,000
Speaker 2: He drink Champs, drink Champs. The live meters, yeah, I was,

1299
00:51:05,160 --> 00:51:05,919
Speaker 2: I wanted more lives.

1300
00:51:06,560 --> 00:51:07,200
Speaker 1: It was good though.

1301
00:51:07,440 --> 00:51:11,239
Speaker 3: I really enjoyed hearing from the game. Even whack Man

1302
00:51:11,239 --> 00:51:15,759
Speaker 3: Whack is entertaining and yeah, no, he's doing a great

1303
00:51:15,840 --> 00:51:18,080
Speaker 3: job man, as far as like getting the guests to

1304
00:51:18,120 --> 00:51:20,480
Speaker 3: sit down and get comfortable and just beat themselves and

1305
00:51:20,520 --> 00:51:23,000
Speaker 3: just talk about whatever the fuck they want to talk about.

1306
00:51:23,560 --> 00:51:24,600
Speaker 1: So I got to finished episode.

1307
00:51:24,600 --> 00:51:26,600
Speaker 3: I got like an hour left, and that's how I

1308
00:51:26,680 --> 00:51:28,240
Speaker 3: know I liked that episode because I was really sitting

1309
00:51:28,280 --> 00:51:29,840
Speaker 3: there like and I don't do that often.

1310
00:51:30,000 --> 00:51:32,520
Speaker 2: I listened basically went on more walks than she could handle.

1311
00:51:32,840 --> 00:51:34,560
Speaker 2: I was cleaning shit in the house more like I'm

1312
00:51:34,560 --> 00:51:36,919
Speaker 2: scrubbing floors that are clean, like just so I can

1313
00:51:37,160 --> 00:51:37,480
Speaker 2: hear it.

1314
00:51:37,680 --> 00:51:39,800
Speaker 3: Yeah, yeah, yeah, it was a good, really really good episode.

1315
00:51:39,840 --> 00:51:42,680
Speaker 3: Shout out to Shout out to EFN, shout out to

1316
00:51:42,719 --> 00:51:43,680
Speaker 3: the game, shout out to Whack.

1317
00:51:45,400 --> 00:51:48,120
Speaker 2: I'm trying to think that there was other takeaways from it, though.

1318
00:51:49,239 --> 00:51:51,239
Speaker 3: Well, I a still got an hour left, so I don't,

1319
00:51:51,280 --> 00:51:52,719
Speaker 3: I don't. It may be some ship left in that

1320
00:51:52,760 --> 00:51:54,600
Speaker 3: hour that I mean.

1321
00:51:54,640 --> 00:51:58,000
Speaker 2: I actually wasn't aware of him in Fat Joe's relationship

1322
00:51:58,040 --> 00:51:59,239
Speaker 2: like that. I remember when he took the stance of

1323
00:51:59,280 --> 00:52:01,239
Speaker 2: saying I'm not just in kissing Fat Joe, But I

1324
00:52:01,239 --> 00:52:04,920
Speaker 2: didn't know they were like friends for real. And I

1325
00:52:06,400 --> 00:52:08,200
Speaker 2: see what they were trying to say with the get

1326
00:52:08,280 --> 00:52:10,759
Speaker 2: rich and I try and ship. The clip was kind

1327
00:52:10,760 --> 00:52:12,560
Speaker 2: of taken out of context in some regard.

1328
00:52:12,960 --> 00:52:15,520
Speaker 3: Well, I said that, like I said, these clips are

1329
00:52:15,640 --> 00:52:20,399
Speaker 3: just for you know, soundbites to get people to want

1330
00:52:20,400 --> 00:52:22,279
Speaker 3: to rush to see the episode. But I'm pretty sure

1331
00:52:22,280 --> 00:52:25,600
Speaker 3: there's more context after what he said. But no, it

1332
00:52:25,680 --> 00:52:27,839
Speaker 3: was good, really good episode to May.

1333
00:52:27,960 --> 00:52:28,560
Speaker 2: She listened to it.

1334
00:52:29,000 --> 00:52:32,839
Speaker 4: I have not listened to a game yet. I didn't

1335
00:52:32,840 --> 00:52:33,560
Speaker 4: get a chance to.

1336
00:52:34,000 --> 00:52:36,000
Speaker 1: Know you at the European Wack Center. I get it

1337
00:52:36,080 --> 00:52:38,400
Speaker 1: so good. Can we talk about him drinking the whole bottle.

1338
00:52:38,120 --> 00:52:41,359
Speaker 2: Of so I listened to the audio, I didn't see

1339
00:52:41,360 --> 00:52:42,640
Speaker 2: the video. Did he actually do that?

1340
00:52:43,080 --> 00:52:47,640
Speaker 1: He did it and in that time finished and he

1341
00:52:47,719 --> 00:52:50,520
Speaker 1: was drinking for real. Yeah, it was straight. He opened

1342
00:52:50,560 --> 00:52:52,719
Speaker 1: it and then just didn't stop. I don't know how

1343
00:52:52,719 --> 00:52:53,880
Speaker 1: he survived it after.

1344
00:52:53,760 --> 00:52:57,120
Speaker 4: But yaoria set up. He didn't get you talking and

1345
00:52:57,200 --> 00:52:59,160
Speaker 4: drinking and used to be talking and and when you're talking,

1346
00:52:59,200 --> 00:53:01,759
Speaker 4: you don't notice how much you're drinking, like because you're

1347
00:53:01,800 --> 00:53:03,600
Speaker 4: not counting it. You know, somebody's not coming over here

1348
00:53:03,600 --> 00:53:05,160
Speaker 4: saying shots, and you're calling the shots like you.

1349
00:53:06,200 --> 00:53:07,960
Speaker 3: But they was like, yo, game, you don't have to

1350
00:53:08,000 --> 00:53:09,600
Speaker 3: do this, and games like if I want drink champs,

1351
00:53:09,600 --> 00:53:10,640
Speaker 3: I'm gonna be a drink champ.

1352
00:53:10,680 --> 00:53:13,279
Speaker 1: And then he just brought his own bottle the drink Champ.

1353
00:53:13,640 --> 00:53:15,120
Speaker 1: You's gonna be the Ambulance Champ too.

1354
00:53:15,760 --> 00:53:20,279
Speaker 2: The funniest ship that does makes so much sense and

1355
00:53:20,320 --> 00:53:21,839
Speaker 2: no sense at all about some of the ship Game

1356
00:53:21,880 --> 00:53:23,279
Speaker 2: has said in his career. He just kept saying, I

1357
00:53:23,360 --> 00:53:26,440
Speaker 2: really thought Rap was real this whole time, Like this

1358
00:53:26,520 --> 00:53:28,520
Speaker 2: whole time, You're like when me and fifty Iam, I

1359
00:53:28,520 --> 00:53:29,480
Speaker 2: was like, oh, now we have to we have to

1360
00:53:29,560 --> 00:53:31,600
Speaker 2: kill each other. Yeah, this is what rap is.

1361
00:53:31,880 --> 00:53:33,239
Speaker 1: That's definitely not what Rap is.

1362
00:53:33,360 --> 00:53:34,359
Speaker 2: That's some sick ass ship.

1363
00:53:34,640 --> 00:53:37,640
Speaker 3: But that that that that speaks to the younger generation

1364
00:53:37,760 --> 00:53:39,319
Speaker 3: now and the things that they're doing is like they're

1365
00:53:39,320 --> 00:53:41,920
Speaker 3: really trying to live these rhyms out. Yeah, and it's like, bro,

1366
00:53:42,040 --> 00:53:44,640
Speaker 3: I promise you don't have to do this. You can

1367
00:53:44,680 --> 00:53:46,560
Speaker 3: say you killed fifty people in hip hop and never

1368
00:53:46,600 --> 00:53:47,279
Speaker 3: even held a gun.

1369
00:53:47,440 --> 00:53:48,239
Speaker 1: It's fine, it's fine.

1370
00:53:48,360 --> 00:53:51,919
Speaker 2: Does it sound good? Yeah, mix it in the pocket. Yeah.

1371
00:53:52,600 --> 00:53:53,080
Speaker 2: But it was not.

1372
00:53:53,280 --> 00:53:53,719
Speaker 1: It was. It was.

1373
00:53:53,960 --> 00:53:56,239
Speaker 2: It was just a lot to process at one time.

1374
00:53:56,360 --> 00:54:01,359
Speaker 2: But shout out to UFM, Norri, Whack Game, everyone else

1375
00:54:01,400 --> 00:54:02,080
Speaker 2: that they kept naming.

1376
00:54:03,840 --> 00:54:04,080
Speaker 4: It was.

1377
00:54:04,120 --> 00:54:06,920
Speaker 1: It was. It was a lot of names bunched that episode.

1378
00:54:07,320 --> 00:54:10,680
Speaker 3: I am excited for this Game album. Though Game always

1379
00:54:10,719 --> 00:54:12,320
Speaker 3: makes good albums, I think.

1380
00:54:12,160 --> 00:54:14,360
Speaker 2: But I think he's in a different zone. Admittedly that

1381
00:54:14,440 --> 00:54:17,960
Speaker 2: he said off that easy verse. Who he's around to

1382
00:54:18,080 --> 00:54:20,920
Speaker 2: focus I thinkmusic. Yeah, I don't think we're gonna get

1383
00:54:20,960 --> 00:54:23,920
Speaker 2: the game album where he gets as many features as

1384
00:54:23,920 --> 00:54:26,160
Speaker 2: he possibly can and raps like the feature to try

1385
00:54:26,160 --> 00:54:28,040
Speaker 2: to beat them like he's done for a few albums.

1386
00:54:28,120 --> 00:54:28,360
Speaker 1: M h.

1387
00:54:29,480 --> 00:54:32,320
Speaker 2: I think this is gonna be like a real concise

1388
00:54:32,680 --> 00:54:35,440
Speaker 2: game album. Like I think he'll focus more on producers

1389
00:54:35,440 --> 00:54:38,040
Speaker 2: than he where like with features from the last one.

1390
00:54:38,160 --> 00:54:39,560
Speaker 2: Even though I loved the last one, I just didn't

1391
00:54:39,560 --> 00:54:42,080
Speaker 2: really need to hear hear Ed Sheeran on the hook.

1392
00:54:42,120 --> 00:54:44,080
Speaker 2: I like, I love that Game and Ed sharing work.

1393
00:54:44,120 --> 00:54:46,840
Speaker 2: I just don't need to hear them together about the

1394
00:54:46,920 --> 00:54:47,800
Speaker 2: city of Los Angeles.

1395
00:54:48,000 --> 00:54:52,200
Speaker 3: Certain from Australia to exactly. Certain collabs to me just

1396
00:54:52,239 --> 00:54:55,320
Speaker 3: don't make sense. And I hate when you see artists

1397
00:54:55,480 --> 00:54:58,560
Speaker 3: collab with other artists just because you know that it's

1398
00:54:58,560 --> 00:55:01,200
Speaker 3: gonna people gonna click it. M because that's what people

1399
00:55:01,200 --> 00:55:03,160
Speaker 3: do now, They own collaborate artists based on you know,

1400
00:55:03,440 --> 00:55:07,480
Speaker 3: are they clickable? I was seeing Game was was reaching

1401
00:55:07,480 --> 00:55:09,120
Speaker 3: into his real hip hop back because I believe that

1402
00:55:09,160 --> 00:55:12,640
Speaker 3: he was with Kanye, and Kanye had facetimed Primo, okay,

1403
00:55:12,800 --> 00:55:14,200
Speaker 3: and I think he was telling Premo.

1404
00:55:14,000 --> 00:55:15,120
Speaker 1: He wanted to do the scratches. I think it was

1405
00:55:15,120 --> 00:55:17,279
Speaker 1: for the Easy record though I could see that. I

1406
00:55:17,280 --> 00:55:18,080
Speaker 1: could definitely see that.

1407
00:55:18,320 --> 00:55:20,319
Speaker 3: I think that might be Prem scratching on the easy work.

1408
00:55:20,360 --> 00:55:22,920
Speaker 3: But I would like to see him on more like

1409
00:55:23,120 --> 00:55:25,360
Speaker 3: hip hop tracks, like a Primo or.

1410
00:55:25,480 --> 00:55:28,040
Speaker 1: Has Game ever worked with prem the easy record?

1411
00:55:28,320 --> 00:55:30,560
Speaker 3: I mean, but that's when the Prem scratched one, right,

1412
00:55:30,600 --> 00:55:33,520
Speaker 3: but like for real work with Prem. I want to

1413
00:55:33,600 --> 00:55:35,719
Speaker 3: say no, but I wouldn't be surprised if he did,

1414
00:55:36,560 --> 00:55:38,760
Speaker 3: because at this point, I think Prema has worked with everybody.

1415
00:55:39,719 --> 00:55:41,520
Speaker 2: Yeah, but I feel like Game Game, even though he

1416
00:55:41,560 --> 00:55:45,440
Speaker 2: left Gun it was part of that alienate myself from

1417
00:55:45,560 --> 00:55:48,080
Speaker 2: everyone in the industry and not be friends with anyone

1418
00:55:48,200 --> 00:55:51,480
Speaker 2: type of time. And I can see him not ever

1419
00:55:51,520 --> 00:55:52,840
Speaker 2: working with which.

1420
00:55:52,680 --> 00:55:54,920
Speaker 3: Makes sense though, like for him to like Game is

1421
00:55:54,920 --> 00:55:57,320
Speaker 3: a rapper, yeah, and he's a student of hip hop

1422
00:55:57,360 --> 00:56:01,400
Speaker 3: and so I know he is a preman, so I

1423
00:56:01,400 --> 00:56:02,960
Speaker 3: would want to hear him on joints like that.

1424
00:56:03,880 --> 00:56:06,239
Speaker 1: I would want to hear him like Harry Fraud for sure.

1425
00:56:06,640 --> 00:56:08,439
Speaker 3: Like there's certain producers I would like to hit game

1426
00:56:08,440 --> 00:56:09,399
Speaker 3: work with, so hopefully this.

1427
00:56:09,360 --> 00:56:15,000
Speaker 2: Album is he hasn't worked with al either, is Yeah,

1428
00:56:15,360 --> 00:56:16,279
Speaker 2: I that I can think of.

1429
00:56:16,440 --> 00:56:18,719
Speaker 1: I feel like he has definitely worked with I could

1430
00:56:18,760 --> 00:56:19,480
Speaker 1: be wrong, but.

1431
00:56:20,400 --> 00:56:23,879
Speaker 2: I mean Damaris went on the the game Bar Crawl

1432
00:56:24,960 --> 00:56:26,440
Speaker 2: Game said, if you drop him off at the W

1433
00:56:26,520 --> 00:56:28,240
Speaker 2: Hotel in Times Square, he could walk to Dykeman.

1434
00:56:28,719 --> 00:56:29,399
Speaker 1: He knows his way.

1435
00:56:29,880 --> 00:56:31,759
Speaker 2: Oh he said, no, no train, no car out.

1436
00:56:31,880 --> 00:56:33,239
Speaker 1: I could walk to Dykeman. I know where to go.

1437
00:56:34,680 --> 00:56:37,439
Speaker 3: You're not gonna walk the Dykeman from Tom Square. That's

1438
00:56:37,440 --> 00:56:40,800
Speaker 3: a long fucking walk. Like that's like a four.

1439
00:56:40,600 --> 00:56:44,160
Speaker 2: Hour walk, eighty streets more Way More.

1440
00:56:44,640 --> 00:56:47,000
Speaker 1: Yeah, that's that's entirely too low. Nobody's doing that.

1441
00:56:47,320 --> 00:56:48,680
Speaker 3: But I get what he says, Like he's been in

1442
00:56:48,680 --> 00:56:51,080
Speaker 3: New York enough times he can definitely he knows his way,

1443
00:56:51,600 --> 00:56:52,879
Speaker 3: but he's nobody wants to do that.

1444
00:56:56,000 --> 00:56:58,600
Speaker 1: All right. We got a more music Lucky.

1445
00:56:58,440 --> 00:57:01,240
Speaker 4: Day coming out, Yeah, March.

1446
00:57:01,040 --> 00:57:04,319
Speaker 3: Tenth, Watch tenth Lucky Day, Candy Drip.

1447
00:57:05,239 --> 00:57:07,319
Speaker 1: Do you have any album Candy Drip?

1448
00:57:07,440 --> 00:57:09,120
Speaker 2: Did he put a trackless out of You?

1449
00:57:09,200 --> 00:57:09,239
Speaker 1: No?

1450
00:57:09,320 --> 00:57:12,279
Speaker 4: No, I saw a single, the Candy Single, which came

1451
00:57:12,280 --> 00:57:15,640
Speaker 4: out around If I'm not mistaking Christmas and.

1452
00:57:15,600 --> 00:57:16,880
Speaker 2: Then he put out a he put out in a

1453
00:57:16,880 --> 00:57:20,440
Speaker 2: second single when we was in Detroit getting beat up.

1454
00:57:20,680 --> 00:57:22,960
Speaker 1: Yes we got we got.

1455
00:57:22,840 --> 00:57:24,960
Speaker 2: Beat up, not to games music, we got beat up

1456
00:57:25,000 --> 00:57:29,480
Speaker 2: to Lucky Days, the irony. But I'm super excited. I

1457
00:57:30,200 --> 00:57:32,240
Speaker 2: don't have much stay outside of I fuck with Lucky

1458
00:57:32,320 --> 00:57:32,800
Speaker 2: Day and.

1459
00:57:33,120 --> 00:57:35,280
Speaker 3: Lucky Day is he's one of the few R and

1460
00:57:35,320 --> 00:57:37,800
Speaker 3: B artists that's like real R and B.

1461
00:57:38,240 --> 00:57:40,160
Speaker 2: I think this is a very I mean, this sounds

1462
00:57:40,280 --> 00:57:42,760
Speaker 2: corny and cliche, but this is a very important album.

1463
00:57:43,560 --> 00:57:47,320
Speaker 2: I agree because he's on, because he's on that verge

1464
00:57:47,400 --> 00:57:52,040
Speaker 2: between just being a popular R and B artist to

1465
00:57:52,080 --> 00:57:54,479
Speaker 2: that next step. I want to say superstar right away,

1466
00:57:54,600 --> 00:57:58,840
Speaker 2: but to be in that category because there's not really

1467
00:57:58,880 --> 00:58:00,680
Speaker 2: We talked about this not many minutes at all.

1468
00:58:01,480 --> 00:58:02,400
Speaker 1: That's what I was about to say.

1469
00:58:02,560 --> 00:58:05,040
Speaker 2: But I think this album could put him in the

1470
00:58:05,720 --> 00:58:11,680
Speaker 2: Scissor Summer type category if it is executed correctly and

1471
00:58:11,720 --> 00:58:13,240
Speaker 2: does what it's supposed to do and sounds the way

1472
00:58:13,240 --> 00:58:15,240
Speaker 2: it's supposed to sound. That we do know Lucky Day

1473
00:58:15,240 --> 00:58:17,440
Speaker 2: Its talent to be. I think this can be the

1474
00:58:17,800 --> 00:58:20,360
Speaker 2: album for that. It's that timing because I don't think

1475
00:58:20,360 --> 00:58:22,040
Speaker 2: the last one was even though it's a good album,

1476
00:58:22,120 --> 00:58:24,439
Speaker 2: it just he wasn't in the position yet to take

1477
00:58:24,480 --> 00:58:25,680
Speaker 2: that next step.

1478
00:58:26,240 --> 00:58:30,040
Speaker 3: He's definitely h I think people already look at him

1479
00:58:30,120 --> 00:58:32,600
Speaker 3: like he's as far as male R and B artists,

1480
00:58:32,600 --> 00:58:36,680
Speaker 3: he's probably the best one out right now. Yeah, as

1481
00:58:36,720 --> 00:58:39,760
Speaker 3: far as you know, projects and singles and stuff like that,

1482
00:58:39,920 --> 00:58:40,560
Speaker 3: real R and B.

1483
00:58:41,240 --> 00:58:42,440
Speaker 1: I think that you are right though.

1484
00:58:42,440 --> 00:58:45,400
Speaker 3: This is his moment to make that like official and

1485
00:58:45,440 --> 00:58:48,480
Speaker 3: steak his claim like I am the top male R

1486
00:58:48,520 --> 00:58:49,439
Speaker 3: and B artists right now.

1487
00:58:49,800 --> 00:58:52,680
Speaker 2: And why I say it's this is the time now

1488
00:58:52,880 --> 00:58:56,120
Speaker 2: because if this album, which I'm sure will be great,

1489
00:58:56,200 --> 00:58:57,840
Speaker 2: but if it doesn't put him in that next step,

1490
00:58:58,400 --> 00:59:01,120
Speaker 2: he could be perceived when I'm saying like festival bookings,

1491
00:59:01,200 --> 00:59:05,520
Speaker 2: label wise, streaming, all that that Okay, this is just

1492
00:59:05,560 --> 00:59:07,880
Speaker 2: his plateau. This is where he is now. He isn't

1493
00:59:08,000 --> 00:59:10,600
Speaker 2: going to go to the next step. It's that sophomore

1494
00:59:10,640 --> 00:59:11,960
Speaker 2: type ship right now for him, I think.

1495
00:59:12,000 --> 00:59:14,480
Speaker 3: But I mean, he has the talent you know for

1496
00:59:14,480 --> 00:59:17,920
Speaker 3: sure that we can't can't question that at all. I

1497
00:59:17,960 --> 00:59:21,439
Speaker 3: think that, uh, does this does this have to be

1498
00:59:21,440 --> 00:59:22,479
Speaker 3: better than the last album?

1499
00:59:22,880 --> 00:59:23,120
Speaker 4: Can be?

1500
00:59:23,280 --> 00:59:26,520
Speaker 2: Just as good, has to be better, better, has to

1501
00:59:26,560 --> 00:59:29,040
Speaker 2: be has to not only be better like taste maker wise,

1502
00:59:29,120 --> 00:59:33,320
Speaker 2: I mean single wise, what what's coming out after the

1503
00:59:33,360 --> 00:59:37,560
Speaker 2: album as far as third singles, four singles, visuals, like, Yeah,

1504
00:59:37,640 --> 00:59:39,800
Speaker 2: this is extremely important, which I'm sure he knows.

1505
00:59:39,800 --> 00:59:41,360
Speaker 1: He's a very smart, smart guy, but.

1506
00:59:42,760 --> 00:59:44,920
Speaker 2: This it's not a make or break album, but it

1507
00:59:44,960 --> 00:59:48,479
Speaker 2: could put you somewhere in your career that you haven't

1508
00:59:48,480 --> 00:59:49,840
Speaker 2: been yet, or it could keep you in the same

1509
00:59:49,880 --> 00:59:51,440
Speaker 2: place that you're in right now.

1510
00:59:51,480 --> 00:59:55,480
Speaker 3: Because you put out the Table for Two projects that

1511
00:59:55,600 --> 01:00:00,320
Speaker 3: was in February of last year, and then obviously the

1512
01:00:00,400 --> 01:00:04,360
Speaker 3: album Painted was the one in twenty nineteen that I

1513
01:00:04,480 --> 01:00:05,480
Speaker 3: was like, Okay, this do this.

1514
01:00:06,120 --> 01:00:08,120
Speaker 2: Yeah, I mean not to say Table for Two wasn't

1515
01:00:08,360 --> 01:00:11,320
Speaker 2: a good album, but coming out with Painted and then

1516
01:00:12,840 --> 01:00:14,760
Speaker 2: it felt like, oh, maybe he will take a next step,

1517
01:00:15,000 --> 01:00:17,200
Speaker 2: and he kind of stayed where he was.

1518
01:00:17,480 --> 01:00:18,760
Speaker 1: As far as perception wise.

1519
01:00:18,960 --> 01:00:21,320
Speaker 2: Yeah, so this is I just think this one is

1520
01:00:21,360 --> 01:00:24,880
Speaker 2: extremely important for him because I don't even think he

1521
01:00:25,000 --> 01:00:28,160
Speaker 2: was happy with the reception Table for Two guys, not

1522
01:00:28,240 --> 01:00:30,760
Speaker 2: the music. I'm strictly talking about with probably attention and

1523
01:00:30,760 --> 01:00:32,840
Speaker 2: all that shit to take you to the next.

1524
01:00:32,960 --> 01:00:35,120
Speaker 3: The single over is still one of my favorite songs

1525
01:00:35,160 --> 01:00:38,240
Speaker 3: over that dropped in the last few years from R

1526
01:00:38,240 --> 01:00:43,680
Speaker 3: and B artists like Over and obviously hers Damage. We

1527
01:00:43,840 --> 01:00:46,600
Speaker 3: probably the two as far as R and B that

1528
01:00:46,720 --> 01:00:49,440
Speaker 3: was like the best singles. But You're a Lucky Day

1529
01:00:49,720 --> 01:00:50,880
Speaker 3: Candy Drip March tenth.

1530
01:00:51,800 --> 01:00:57,120
Speaker 4: So Sizza, Lizzo, Chloe, and Giving On are all supposed

1531
01:00:57,120 --> 01:00:57,919
Speaker 4: to be coming out this year.

1532
01:00:59,560 --> 01:01:04,040
Speaker 1: Sis, Lizzo, Chloe, Chloe and giving.

1533
01:01:05,080 --> 01:01:08,400
Speaker 2: Why did you add Lizo in that category, because.

1534
01:01:09,560 --> 01:01:11,960
Speaker 4: Well, lit No, don't do that because little will have

1535
01:01:12,000 --> 01:01:14,120
Speaker 4: pop singles, but her album will be R and B

1536
01:01:14,840 --> 01:01:16,400
Speaker 4: like her.

1537
01:01:17,480 --> 01:01:18,200
Speaker 1: Not to the culture.

1538
01:01:19,080 --> 01:01:21,640
Speaker 4: That's not. Have y'all listened to Lizzo's actual album.

1539
01:01:21,480 --> 01:01:24,720
Speaker 1: Of course R and B it has just been It

1540
01:01:24,760 --> 01:01:25,160
Speaker 1: can be a.

1541
01:01:25,080 --> 01:01:26,480
Speaker 4: Mix of pop at R and B. Chloe is a

1542
01:01:26,480 --> 01:01:29,640
Speaker 4: mix of pop at R and B. Sure, Lizzos a

1543
01:01:29,640 --> 01:01:32,240
Speaker 4: little more, though most R and B singers these days

1544
01:01:32,240 --> 01:01:32,800
Speaker 4: are a mixture.

1545
01:01:32,800 --> 01:01:34,560
Speaker 3: I don't think nobody looks at Lizzle like an R

1546
01:01:34,600 --> 01:01:37,920
Speaker 3: and B artist, though she can sing, she has a voice,

1547
01:01:37,960 --> 01:01:40,080
Speaker 3: she can do an R and B record, but I

1548
01:01:40,120 --> 01:01:41,640
Speaker 3: think she would be considered pop.

1549
01:01:42,280 --> 01:01:44,040
Speaker 1: She doesn't even move like an R and B artist.

1550
01:01:44,640 --> 01:01:47,160
Speaker 4: How R and B artists move a little.

1551
01:01:46,960 --> 01:01:48,520
Speaker 1: Seemed to be a little more reserved.

1552
01:01:49,120 --> 01:01:53,320
Speaker 2: Could you compare No, I love the genre? Could you

1553
01:01:53,360 --> 01:01:56,080
Speaker 2: compare Control to Lizzo's album as far as sounds go.

1554
01:01:56,360 --> 01:01:59,040
Speaker 2: Not to say that Control is the definition of what

1555
01:01:59,240 --> 01:02:01,320
Speaker 2: R and B has to be, but that is a

1556
01:02:01,760 --> 01:02:03,160
Speaker 2: no argument R and B album.

1557
01:02:03,480 --> 01:02:06,280
Speaker 4: I think actually it could be argued that control, but

1558
01:02:06,320 --> 01:02:07,200
Speaker 4: that's a whole different thing.

1559
01:02:07,840 --> 01:02:08,920
Speaker 2: What is pop about control?

1560
01:02:09,240 --> 01:02:11,320
Speaker 4: I didn't say pop, okay, just because of something that

1561
01:02:11,360 --> 01:02:12,840
Speaker 4: is isn't R and B doesn't.

1562
01:02:12,640 --> 01:02:16,160
Speaker 2: Mean control scissors first will her actual album?

1563
01:02:16,200 --> 01:02:17,920
Speaker 4: If you don't, A lot of people would call that

1564
01:02:18,880 --> 01:02:19,600
Speaker 4: Caribbean pop.

1565
01:02:20,560 --> 01:02:22,480
Speaker 1: That was the funniest she ever said. By the way,

1566
01:02:22,560 --> 01:02:24,000
Speaker 1: Caribbean pop is hilarious.

1567
01:02:25,440 --> 01:02:28,560
Speaker 4: But Sissa has a different Uh, it's not traditional R

1568
01:02:28,600 --> 01:02:31,240
Speaker 4: and B. No, don't label her R and B. But

1569
01:02:31,280 --> 01:02:32,680
Speaker 4: it's not traditional R and B at all.

1570
01:02:32,760 --> 01:02:35,720
Speaker 2: They do not label Lizzo as R and B. Not listen,

1571
01:02:35,720 --> 01:02:40,680
Speaker 2: I'm talking about I'm talking about siss Is. She's modern,

1572
01:02:40,800 --> 01:02:42,280
Speaker 2: she's modern, she's modern RB.

1573
01:02:42,760 --> 01:02:45,000
Speaker 4: No, she's a completely just like Chloe. If you're talking

1574
01:02:45,000 --> 01:02:47,400
Speaker 4: about Choe and Hallie, they're a completely different type of

1575
01:02:47,440 --> 01:02:47,640
Speaker 4: R and B.

1576
01:02:47,760 --> 01:02:50,760
Speaker 2: They put out a pop album that their album is

1577
01:02:50,760 --> 01:02:53,320
Speaker 2: a pop album. It's a polished pop album.

1578
01:02:53,520 --> 01:02:55,240
Speaker 4: I think we need to study genres a little bit

1579
01:02:55,240 --> 01:02:57,800
Speaker 4: more so that we don't it's all black, because I

1580
01:02:57,800 --> 01:02:59,400
Speaker 4: think we like to say if things aren't R and B,

1581
01:02:59,520 --> 01:03:01,800
Speaker 4: then their pop, and that's not true.

1582
01:03:01,920 --> 01:03:06,960
Speaker 1: Well, R and B can be pop because pop just needs.

1583
01:03:06,760 --> 01:03:10,560
Speaker 4: Popular, yes, but which but it has it has a sound.

1584
01:03:10,880 --> 01:03:14,560
Speaker 1: R and B is a certain tempo chord. Melody.

1585
01:03:15,720 --> 01:03:19,400
Speaker 3: Pop is a little more up tempo. You know, the

1586
01:03:19,520 --> 01:03:23,640
Speaker 3: content the lyrics are a little different with pop. But

1587
01:03:23,680 --> 01:03:27,120
Speaker 3: if an R and B record is really good, it

1588
01:03:27,160 --> 01:03:27,920
Speaker 3: becomes popular.

1589
01:03:28,320 --> 01:03:29,720
Speaker 1: So it's like pop.

1590
01:03:29,960 --> 01:03:32,600
Speaker 2: Yeah, because you would say, I Hate You by Sissa

1591
01:03:33,160 --> 01:03:35,600
Speaker 2: is R and B song, But it was the most

1592
01:03:35,600 --> 01:03:38,240
Speaker 2: popular song of the year exactly. But it's still all

1593
01:03:38,280 --> 01:03:40,040
Speaker 2: those chords and the content is R and B. To me,

1594
01:03:40,600 --> 01:03:41,480
Speaker 2: it just happens to be a.

1595
01:03:41,480 --> 01:03:44,680
Speaker 1: Popular song either way. Lucky Day, the clock is.

1596
01:03:44,640 --> 01:03:47,680
Speaker 2: Ticking, clock is ticking even though it's not ticking. But

1597
01:03:48,200 --> 01:03:49,520
Speaker 2: I need a fucking his album.

1598
01:03:50,440 --> 01:03:53,240
Speaker 1: Scissa. Yeah, but she's coming. You know, she even knows

1599
01:03:53,280 --> 01:03:54,320
Speaker 1: she's scissors dropping.

1600
01:03:54,720 --> 01:03:56,400
Speaker 4: Lm A did she come yet? Or is she come?

1601
01:03:56,520 --> 01:03:58,280
Speaker 4: Lama is still coming. She dropped a single and not

1602
01:03:58,320 --> 01:04:00,720
Speaker 4: an album.

1603
01:03:59,800 --> 01:04:03,280
Speaker 2: She got quiet hm, I wonder why she got what's

1604
01:04:03,280 --> 01:04:03,720
Speaker 2: the last year?

1605
01:04:03,880 --> 01:04:07,120
Speaker 4: L put out to put one out more recently, but

1606
01:04:07,200 --> 01:04:07,480
Speaker 4: she was.

1607
01:04:07,480 --> 01:04:09,960
Speaker 1: Doing the hook for on which big record was that

1608
01:04:10,080 --> 01:04:10,880
Speaker 1: Lim did the hook on?

1609
01:04:11,960 --> 01:04:13,439
Speaker 4: I don't know was it this year?

1610
01:04:15,000 --> 01:04:15,800
Speaker 1: No? Last year?

1611
01:04:15,840 --> 01:04:18,120
Speaker 4: Because she just put out that d f m U, Like,

1612
01:04:18,360 --> 01:04:20,160
Speaker 4: don't what is I don't know what it stands for.

1613
01:04:20,200 --> 01:04:21,760
Speaker 4: But she put up a song called d f m U.

1614
01:04:21,920 --> 01:04:22,520
Speaker 4: That's pretty good.

1615
01:04:22,560 --> 01:04:27,200
Speaker 1: It's been on all them. It's a good song. Lm A, yeah,

1616
01:04:28,000 --> 01:04:31,920
Speaker 1: like probably three weeks ago, four weeks yeah, yeah, d

1617
01:04:32,040 --> 01:04:32,520
Speaker 1: f m U.

1618
01:04:32,840 --> 01:04:34,880
Speaker 4: Does that means dance for like don't funk me up?

1619
01:04:34,960 --> 01:04:35,800
Speaker 4: Or something like that?

1620
01:04:36,200 --> 01:04:39,520
Speaker 2: Oh god, is it everyone's caption yet?

1621
01:04:40,440 --> 01:04:41,919
Speaker 3: So I know I'm getting old, man. I see them

1622
01:04:41,960 --> 01:04:44,040
Speaker 3: them like the the acronyms.

1623
01:04:44,080 --> 01:04:45,480
Speaker 1: Oh, I can't keep up, and I'll be like, all right,

1624
01:04:45,480 --> 01:04:48,080
Speaker 1: what does this mean? It's morse code now, like I

1625
01:04:48,080 --> 01:04:48,920
Speaker 1: don't know what's going on.

1626
01:04:49,200 --> 01:04:52,040
Speaker 2: I could barely get with the might be for Dark

1627
01:04:52,040 --> 01:04:54,120
Speaker 2: Twisted Fantasy one that took me a year, Like talking

1628
01:04:54,160 --> 01:04:59,480
Speaker 2: about the Kanye album that was Hell was like Watch

1629
01:04:59,520 --> 01:05:01,200
Speaker 2: the Throne. I con was like, oh, all right, I

1630
01:05:01,200 --> 01:05:02,120
Speaker 2: see what you're saying I.

1631
01:05:02,080 --> 01:05:04,280
Speaker 3: Think we got that. That was one one of the

1632
01:05:04,320 --> 01:05:05,320
Speaker 3: more easy ones to get.

1633
01:05:05,920 --> 01:05:09,320
Speaker 2: The acronym shits, especially in Twitter debates and ship and

1634
01:05:09,320 --> 01:05:11,880
Speaker 2: people start dropping that. I'm on Google, like, what is

1635
01:05:11,880 --> 01:05:12,800
Speaker 2: he talking about?

1636
01:05:13,040 --> 01:05:14,880
Speaker 4: Up once, I see as long as I have the

1637
01:05:15,120 --> 01:05:18,080
Speaker 4: m b D, I don't worry about the rest.

1638
01:05:18,120 --> 01:05:20,520
Speaker 2: Listen, they have good Kid Mad City as one, and

1639
01:05:20,640 --> 01:05:22,600
Speaker 2: Good Kid Mad City also has an acronym in it.

1640
01:05:22,840 --> 01:05:24,440
Speaker 4: Yep, the m A.

1641
01:05:26,400 --> 01:05:28,800
Speaker 1: There's too much shit going on, man, Just what's the

1642
01:05:28,880 --> 01:05:30,280
Speaker 1: name of your album? But don't give me no fucking

1643
01:05:30,280 --> 01:05:31,840
Speaker 1: acronyms's confessions.

1644
01:05:31,840 --> 01:05:34,200
Speaker 4: Confessions Too has been rumored to be coming this year

1645
01:05:34,240 --> 01:05:34,560
Speaker 4: as well.

1646
01:05:34,800 --> 01:05:35,480
Speaker 1: Been rumored.

1647
01:05:35,960 --> 01:05:36,160
Speaker 4: Yeah.

1648
01:05:36,240 --> 01:05:37,680
Speaker 2: JD's been on live playing.

1649
01:05:37,440 --> 01:05:40,760
Speaker 1: It Confessions Too. Yeah, I have a Confessions part too.

1650
01:05:41,120 --> 01:05:46,720
Speaker 4: No, no, not the song, the album special title.

1651
01:05:46,760 --> 01:05:49,320
Speaker 3: But you know, oh okay, that's my Confessions too. He

1652
01:05:49,320 --> 01:05:50,640
Speaker 3: didn't have an album called Confessions.

1653
01:05:51,120 --> 01:05:55,160
Speaker 4: Yes, are you okay? Yes he did.

1654
01:05:55,560 --> 01:05:56,640
Speaker 1: These are my Confessions.

1655
01:05:57,400 --> 01:05:59,880
Speaker 4: The name of the album is Usher Confessions.

1656
01:06:00,520 --> 01:06:02,960
Speaker 1: Oh yeah, brain brain Freeze.

1657
01:06:03,560 --> 01:06:05,520
Speaker 2: I'm just sitting there. I was gonna let him working

1658
01:06:05,520 --> 01:06:06,040
Speaker 2: out himself.

1659
01:06:07,240 --> 01:06:08,680
Speaker 1: Brain Freeze. My bad. I'm sorry.

1660
01:06:09,000 --> 01:06:11,240
Speaker 2: I mean I can pull it up. I can pull

1661
01:06:11,280 --> 01:06:13,000
Speaker 2: it up for you if you it's a good.

1662
01:06:12,800 --> 01:06:15,360
Speaker 4: Album, prob I forgot is that a classic?

1663
01:06:15,920 --> 01:06:16,600
Speaker 1: That's album?

1664
01:06:16,760 --> 01:06:17,760
Speaker 4: I have to ask you something?

1665
01:06:17,760 --> 01:06:19,880
Speaker 1: Absolutely, Come on, you don't have to ask.

1666
01:06:19,760 --> 01:06:22,400
Speaker 4: One of the most classic records in our history of

1667
01:06:22,520 --> 01:06:23,440
Speaker 4: romy the album.

1668
01:06:23,560 --> 01:06:27,600
Speaker 3: Yes, yes, the song, Yes, I love this that album,

1669
01:06:27,800 --> 01:06:29,480
Speaker 3: but you know what, you know what gets lost in that?

1670
01:06:29,520 --> 01:06:31,640
Speaker 1: Though eighty seven oh one was.

1671
01:06:31,640 --> 01:06:34,480
Speaker 2: A really great album, I prefer he seven one my preference.

1672
01:06:34,560 --> 01:06:36,880
Speaker 1: Like that gets lost like in how good Well.

1673
01:06:36,760 --> 01:06:38,160
Speaker 2: You didn't even hear Confessions. You don't even know it

1674
01:06:38,200 --> 01:06:38,560
Speaker 2: was an album.

1675
01:06:38,560 --> 01:06:41,280
Speaker 1: I forgot. I'm sorry. I was thinking the song title.

1676
01:06:41,400 --> 01:06:44,200
Speaker 4: I'm the only person I like Raven versus ray Man.

1677
01:06:44,280 --> 01:06:45,120
Speaker 1: Yeah, that shit was good.

1678
01:06:45,320 --> 01:06:47,640
Speaker 2: I doesn't really have a bad That was a good album.

1679
01:06:47,800 --> 01:06:48,400
Speaker 1: That was a good album.

1680
01:06:48,520 --> 01:06:50,440
Speaker 3: When he tries to sound like it's just that when

1681
01:06:50,480 --> 01:06:53,120
Speaker 3: the album is as good as Confessions.

1682
01:06:52,760 --> 01:06:54,600
Speaker 4: Yeah, everybody everything else after that.

1683
01:06:54,600 --> 01:06:56,400
Speaker 3: Is kind of like yo, with this ain't confessions, bro,

1684
01:06:56,520 --> 01:06:58,600
Speaker 3: Like you know what I mean? And that's the that's

1685
01:06:58,640 --> 01:07:01,000
Speaker 3: the fun. That that's why when people be like oldest

1686
01:07:01,040 --> 01:07:04,200
Speaker 3: artist has a classic, No, bro, we know what the

1687
01:07:04,240 --> 01:07:08,120
Speaker 3: classic like Confessions is a classic, undeniable.

1688
01:07:07,480 --> 01:07:08,720
Speaker 4: A something one is a classic.

1689
01:07:09,840 --> 01:07:10,560
Speaker 1: But that was.

1690
01:07:10,520 --> 01:07:12,840
Speaker 3: Before Confessions, you see what I'm saying. So it's like

1691
01:07:13,640 --> 01:07:16,760
Speaker 3: anything after Confessions, if it's not as good as Confessions,

1692
01:07:17,080 --> 01:07:20,280
Speaker 3: it's looked at as a failure. That's artist, not a failure.

1693
01:07:20,400 --> 01:07:23,360
Speaker 3: But I mean, and why can't they be Maybe if

1694
01:07:23,400 --> 01:07:24,360
Speaker 3: they're artists, there.

1695
01:07:24,200 --> 01:07:27,080
Speaker 2: Could be more classics, just not as classic, like, yeah,

1696
01:07:27,080 --> 01:07:29,400
Speaker 2: but Confessions is more of a classic than eighty seven

1697
01:07:29,440 --> 01:07:29,720
Speaker 2: to one.

1698
01:07:30,320 --> 01:07:32,680
Speaker 3: Absolutely, But we're talking about when people say, oh, this

1699
01:07:32,920 --> 01:07:34,960
Speaker 3: this artist has a classic album, you know what the

1700
01:07:34,960 --> 01:07:37,400
Speaker 3: classics are because based on what they put out after that,

1701
01:07:37,480 --> 01:07:39,240
Speaker 3: you know exactly how to judge those projects.

1702
01:07:39,400 --> 01:07:44,120
Speaker 2: With Bingo cards Hove, he has multiple classics that are

1703
01:07:44,120 --> 01:07:47,240
Speaker 2: not like each other at all, Like just because he

1704
01:07:47,280 --> 01:07:49,400
Speaker 2: didn't make Reasonable Doubt again and you could deem that

1705
01:07:49,440 --> 01:07:51,400
Speaker 2: the best classic. He can still have Blueprint in the

1706
01:07:51,440 --> 01:07:51,960
Speaker 2: Black Album.

1707
01:07:52,080 --> 01:07:53,920
Speaker 3: Yeah, but a lot of a lot of Jay's albums

1708
01:07:54,440 --> 01:07:58,240
Speaker 3: people are still comparing to obviously the ones that they

1709
01:07:58,320 --> 01:08:01,440
Speaker 3: deemed volume too, but those.

1710
01:08:01,280 --> 01:08:03,840
Speaker 2: Aren't the ones that they put in the classic category

1711
01:08:03,880 --> 01:08:06,320
Speaker 2: that I would say Black Album, Blueprint and Reasonable Doubt

1712
01:08:06,320 --> 01:08:09,120
Speaker 2: are the three most popular that people would say are

1713
01:08:09,120 --> 01:08:12,360
Speaker 2: classic albums, and those two came after Reasonable doubt and

1714
01:08:12,360 --> 01:08:14,920
Speaker 2: didn't sound like reasonable doubt. Content was completely different. Content

1715
01:08:14,960 --> 01:08:15,840
Speaker 2: was clearly different on all.

1716
01:08:15,720 --> 01:08:16,200
Speaker 1: Three of them.

1717
01:08:16,400 --> 01:08:20,719
Speaker 2: So I think just because you have the quintessential reasonable

1718
01:08:20,760 --> 01:08:24,639
Speaker 2: doubt doesn't mean that he can't say reasonab Blueprint, Black

1719
01:08:24,680 --> 01:08:29,880
Speaker 2: album Okay would are the ones that the masses would probably.

1720
01:08:29,600 --> 01:08:32,760
Speaker 3: Say the three and not kill American Gangster. I thought

1721
01:08:32,760 --> 01:08:34,040
Speaker 3: that was a really great album, but I don't think

1722
01:08:34,040 --> 01:08:35,719
Speaker 3: people could. People hate that album.

1723
01:08:35,880 --> 01:08:37,360
Speaker 4: People hated it at the time.

1724
01:08:37,479 --> 01:08:38,160
Speaker 1: They still do.

1725
01:08:38,320 --> 01:08:41,760
Speaker 2: No, It's probably the most popular thing to say now

1726
01:08:41,880 --> 01:08:42,960
Speaker 2: is how good it's aged.

1727
01:08:43,320 --> 01:08:44,320
Speaker 4: Yeah, a lot of.

1728
01:08:44,320 --> 01:08:45,400
Speaker 1: People hate that album.

1729
01:08:45,600 --> 01:08:48,280
Speaker 3: When it came out, you know, people thought that it

1730
01:08:48,320 --> 01:08:52,439
Speaker 3: was going to be based on the movie, and so

1731
01:08:52,640 --> 01:08:55,120
Speaker 3: people got caught up in that when they heard it, like, Okay.

1732
01:08:54,880 --> 01:08:56,400
Speaker 2: That's why I liked it. I thought that was going

1733
01:08:56,479 --> 01:08:57,559
Speaker 2: to be it, And I was like, dog, I do

1734
01:08:57,640 --> 01:09:01,200
Speaker 2: not want to hear jay Z score this Denzel Washington movie,

1735
01:09:01,880 --> 01:09:03,400
Speaker 2: Like I don't need I could watch the movie. I

1736
01:09:03,439 --> 01:09:05,280
Speaker 2: don't need to hear j rap. So when it wasn't that,

1737
01:09:05,360 --> 01:09:06,519
Speaker 2: I was like, all right, thank fucking god.

1738
01:09:06,880 --> 01:09:09,600
Speaker 4: And also, you have to remember that American gigs that

1739
01:09:09,680 --> 01:09:12,639
Speaker 4: came up came after the retirement, so everybody were harder

1740
01:09:12,640 --> 01:09:13,520
Speaker 4: on him.

1741
01:09:13,240 --> 01:09:15,679
Speaker 2: A Kingdom Coming had already been out by that time.

1742
01:09:15,960 --> 01:09:17,519
Speaker 1: Yeah, people really got caught up in the.

1743
01:09:17,439 --> 01:09:19,479
Speaker 2: Fact that Kingdom Come heead than already.

1744
01:09:19,600 --> 01:09:21,240
Speaker 3: People got caught up in the fact that the movie

1745
01:09:21,320 --> 01:09:24,000
Speaker 3: was coming out, and people really did think that this

1746
01:09:24,120 --> 01:09:25,920
Speaker 3: was going to be basically the soundtrack to the movie,

1747
01:09:27,000 --> 01:09:29,040
Speaker 3: because that's just what it was at that time. People like, oh,

1748
01:09:29,080 --> 01:09:31,320
Speaker 3: he's doing the soundtrack, and people were saying, he's doing

1749
01:09:31,320 --> 01:09:31,879
Speaker 3: the soundtrack.

1750
01:09:32,479 --> 01:09:35,040
Speaker 1: I was like, no, this movie. It was inspired by.

1751
01:09:35,400 --> 01:09:37,519
Speaker 3: The movie, but this is not the official soundtrack in

1752
01:09:37,520 --> 01:09:39,800
Speaker 3: the movie. But either way, that's probably three letters in

1753
01:09:39,880 --> 01:09:40,880
Speaker 3: bingo more to.

1754
01:09:43,000 --> 01:09:44,600
Speaker 2: Scar faced. The movie didn't want that scar faced the

1755
01:09:44,600 --> 01:09:49,559
Speaker 2: report to me, I hated that line.

1756
01:09:49,560 --> 01:09:49,840
Speaker 1: Someone.

1757
01:09:51,880 --> 01:09:56,400
Speaker 2: I hated that line so much. You are fucking crazy

1758
01:09:56,560 --> 01:10:01,080
Speaker 2: who had more in common than ludicrous the chop or somebody.

1759
01:10:01,560 --> 01:10:04,320
Speaker 2: You're not trying to just louting my Luda was not.

1760
01:10:04,520 --> 01:10:06,640
Speaker 1: Thinking falling into that rabbit hole with you. I'm not

1761
01:10:06,680 --> 01:10:07,080
Speaker 1: doing that.

1762
01:10:07,200 --> 01:10:08,799
Speaker 2: I wasn't trying to even get on a Jake conversation.

1763
01:10:08,880 --> 01:10:10,240
Speaker 2: I was trying to say that you could have multiple

1764
01:10:10,280 --> 01:10:12,679
Speaker 2: classics to sound different, even if they after the main

1765
01:10:12,760 --> 01:10:14,280
Speaker 2: classic got you.

1766
01:10:14,320 --> 01:10:15,160
Speaker 1: Oh.

1767
01:10:15,439 --> 01:10:18,200
Speaker 3: Dennis profession says this Confessions Too coming soon?

1768
01:10:18,240 --> 01:10:20,240
Speaker 1: When is it coming? We don't know who cares care,

1769
01:10:20,360 --> 01:10:23,320
Speaker 1: Carl will know, and you said before his Vegas show

1770
01:10:23,360 --> 01:10:26,120
Speaker 1: in July it should be ready to go.

1771
01:10:26,400 --> 01:10:29,320
Speaker 2: All right, So what can he confess them?

1772
01:10:29,320 --> 01:10:30,240
Speaker 1: And I gotta go see us?

1773
01:10:30,439 --> 01:10:32,200
Speaker 4: And what can JD confess?

1774
01:10:32,800 --> 01:10:34,160
Speaker 2: And Brian Michael Cox beIN in there too?

1775
01:10:34,240 --> 01:10:36,479
Speaker 1: Yeah? And when is the Vision's album coming? God damn it.

1776
01:10:37,320 --> 01:10:39,000
Speaker 4: Yeah, we're asking you.

1777
01:10:39,040 --> 01:10:42,080
Speaker 2: Look at the white board and JA Confessions with Vision

1778
01:10:42,840 --> 01:10:44,719
Speaker 2: Justices audio project.

1779
01:10:44,720 --> 01:10:47,880
Speaker 3: Confessions Too was coming before the Division project. I don't

1780
01:10:47,880 --> 01:10:51,519
Speaker 3: know Daniels playing records. He's having like full an R

1781
01:10:51,640 --> 01:10:54,720
Speaker 3: fucking seminars. Yeah, that album better be coming soon.

1782
01:10:54,760 --> 01:10:59,200
Speaker 2: Man, Listen, man, I don't ask I just asked how

1783
01:10:59,200 --> 01:10:59,839
Speaker 2: they're doing.

1784
01:10:59,800 --> 01:11:01,800
Speaker 1: And a person they had the questions.

1785
01:11:01,840 --> 01:11:02,200
Speaker 4: We don't care.

1786
01:11:02,280 --> 01:11:04,760
Speaker 2: And I will say if it's anything like their personalize

1787
01:11:05,600 --> 01:11:06,120
Speaker 2: ship on that.

1788
01:11:06,040 --> 01:11:07,839
Speaker 1: Out, it's gonna be great. It's gonna be amazing.

1789
01:11:07,920 --> 01:11:09,400
Speaker 2: Some turmoil going on over there.

1790
01:11:09,880 --> 01:11:13,960
Speaker 3: Dennis Robbins says he was smashing La Lakers owner Genie.

1791
01:11:13,560 --> 01:11:15,000
Speaker 1: Buss for six months.

1792
01:11:17,280 --> 01:11:18,479
Speaker 3: I don't know if you want to hit the audio

1793
01:11:18,560 --> 01:11:20,599
Speaker 3: behind it, but he's I mean he met Genie Bus

1794
01:11:20,640 --> 01:11:22,000
Speaker 3: and went back to the.

1795
01:11:21,960 --> 01:11:26,800
Speaker 1: Penthouse and make turn the asylum said they were I mean,

1796
01:11:26,880 --> 01:11:27,680
Speaker 1: do you know this?

1797
01:11:27,800 --> 01:11:29,360
Speaker 2: And that's when I feel like you can run your

1798
01:11:29,400 --> 01:11:31,280
Speaker 2: mouth on though, because I'm with you, I don't. I

1799
01:11:31,280 --> 01:11:33,719
Speaker 2: don't really like the I fuck this person type ship.

1800
01:11:33,960 --> 01:11:36,320
Speaker 2: If he was sucking the Lakers owner and you're Dennis Robin,

1801
01:11:36,439 --> 01:11:37,400
Speaker 2: I think that's okay.

1802
01:11:37,439 --> 01:11:39,640
Speaker 3: You're a Laker at one point to say that you

1803
01:11:39,720 --> 01:11:42,760
Speaker 3: were smashing the well, she wasn't the owner at the time.

1804
01:11:42,880 --> 01:11:46,040
Speaker 1: Her dad was still actively owning the team.

1805
01:11:46,240 --> 01:11:48,800
Speaker 3: I believe in Dennis was Yeah, I think I think

1806
01:11:49,439 --> 01:11:52,679
Speaker 3: doctor Buss was still active in the organization.

1807
01:11:52,720 --> 01:11:55,479
Speaker 1: Then she was active as well outside of the and

1808
01:11:55,560 --> 01:11:57,920
Speaker 1: uh what she was doing when she had to do the.

1809
01:11:58,000 --> 01:12:02,360
Speaker 2: Kind of yeah, play theirs personal lives players.

1810
01:12:01,960 --> 01:12:04,040
Speaker 3: And make sure that they know New LA would welcome

1811
01:12:04,080 --> 01:12:06,400
Speaker 3: them with open arms and fives.

1812
01:12:06,400 --> 01:12:07,120
Speaker 1: Maybe who knows.

1813
01:12:07,360 --> 01:12:09,920
Speaker 4: If my dad owned the Lakers, I'm not fucking the help.

1814
01:12:10,200 --> 01:12:10,920
Speaker 4: I'm not doing it.

1815
01:12:10,960 --> 01:12:12,960
Speaker 1: The help. Dennis Robin is not the help.

1816
01:12:13,760 --> 01:12:18,200
Speaker 4: If my dad owned the Lakers, yeah.

1817
01:12:18,840 --> 01:12:22,320
Speaker 3: The help would be your dad's dropper, not the nigga

1818
01:12:22,800 --> 01:12:24,840
Speaker 3: grabbing twelve fifteen.

1819
01:12:24,600 --> 01:12:26,040
Speaker 2: He's just the biggest He's just the biggest helper.

1820
01:12:27,240 --> 01:12:30,160
Speaker 1: Damn, Dennis Robin is the help. I'm not you know,

1821
01:12:30,280 --> 01:12:31,800
Speaker 1: I know what you mean. It compares it to your

1822
01:12:31,880 --> 01:12:33,000
Speaker 1: dad being the owner of the two.

1823
01:12:33,320 --> 01:12:35,000
Speaker 4: I'm the daughter of the owner of the Lakers. So

1824
01:12:35,640 --> 01:12:37,400
Speaker 4: you look at Dennis like like, I'm gonna go try

1825
01:12:37,400 --> 01:12:39,240
Speaker 4: to like fuck maybe like the owner of the bulls

1826
01:12:39,240 --> 01:12:40,120
Speaker 4: like I'm not gonna like.

1827
01:12:40,439 --> 01:12:43,080
Speaker 1: But then you would be fucking your dad's.

1828
01:12:42,880 --> 01:12:45,800
Speaker 2: Right, coworker. I'd rather the rival than the not a rival.

1829
01:12:45,800 --> 01:12:48,360
Speaker 2: They all work togethers are the only thing too.

1830
01:12:48,640 --> 01:12:50,200
Speaker 1: They're in the group chat together, I promise you.

1831
01:12:50,520 --> 01:12:52,760
Speaker 2: And anyways, the woman that invented that line, I can't

1832
01:12:52,760 --> 01:12:54,160
Speaker 2: fuck the help ended up fucking the help.

1833
01:12:54,800 --> 01:12:56,400
Speaker 4: She definitely ended up sucking help.

1834
01:12:56,479 --> 01:12:59,280
Speaker 2: She fucked the help that murdered her husband. What movie

1835
01:12:59,320 --> 01:13:03,040
Speaker 2: was the scarface? Call back? Scarface for the movie did

1836
01:13:03,040 --> 01:13:03,599
Speaker 2: way more for.

1837
01:13:03,600 --> 01:13:07,479
Speaker 3: Me, way more than, way more than the rapper could

1838
01:13:07,479 --> 01:13:08,880
Speaker 3: ever do for you.

1839
01:13:09,040 --> 01:13:11,080
Speaker 2: She called Tony the help and then fucked him. He

1840
01:13:11,120 --> 01:13:13,840
Speaker 2: came back in and was like, yo, Frank's dead, and

1841
01:13:13,880 --> 01:13:16,439
Speaker 2: she was like, all right, bet, I'm with you now.

1842
01:13:16,640 --> 01:13:18,640
Speaker 4: That's why I feel bad for her. Stupid asst. Then

1843
01:13:18,720 --> 01:13:20,960
Speaker 4: I'm like, are you for real? I don't know who

1844
01:13:21,040 --> 01:13:25,000
Speaker 4: I disliked more her or Shorty from Blow. Definitely Shorty

1845
01:13:25,040 --> 01:13:25,400
Speaker 4: from Blow.

1846
01:13:25,520 --> 01:13:27,880
Speaker 3: The mother, the mother, No, the mother from Blow, the

1847
01:13:27,920 --> 01:13:30,920
Speaker 3: white No. The mother from Blow was just a mom.

1848
01:13:31,000 --> 01:13:31,680
Speaker 3: She's being a mom.

1849
01:13:32,360 --> 01:13:34,840
Speaker 2: No, she was being the opposite of a mother. She

1850
01:13:34,920 --> 01:13:36,400
Speaker 2: was like the shittiest mother ever was.

1851
01:13:36,680 --> 01:13:39,719
Speaker 4: I definitely know all of them, but I was talking

1852
01:13:39,760 --> 01:13:40,439
Speaker 4: about the wife.

1853
01:13:40,640 --> 01:13:42,080
Speaker 1: The wife was the worst.

1854
01:13:42,360 --> 01:13:42,840
Speaker 2: And Blow.

1855
01:13:43,160 --> 01:13:45,679
Speaker 1: Hell, she got them pulled over and said he has drugs?

1856
01:13:46,439 --> 01:13:47,200
Speaker 1: Are you kidding me?

1857
01:13:48,280 --> 01:13:49,760
Speaker 4: What was her damn name in that movie?

1858
01:13:49,960 --> 01:13:52,719
Speaker 3: But see that's that that goes back to you're trying

1859
01:13:52,760 --> 01:13:55,000
Speaker 3: a wife a chick that Look, look how he met her.

1860
01:13:55,479 --> 01:13:59,040
Speaker 3: She was with one of his former colleagues. Just say

1861
01:13:59,040 --> 01:14:01,120
Speaker 3: he was a colleague. Yes, met at a wedding.

1862
01:14:02,040 --> 01:14:04,800
Speaker 1: I went into the fouryer what they call it.

1863
01:14:05,040 --> 01:14:07,120
Speaker 2: That's a I would say bigger. I have a foyer

1864
01:14:07,200 --> 01:14:10,360
Speaker 2: that was more like a palace, the palace, the grand steps.

1865
01:14:12,680 --> 01:14:13,479
Speaker 1: They went into the.

1866
01:14:13,439 --> 01:14:18,599
Speaker 3: Fucking museum and made out and had sex, and then

1867
01:14:18,640 --> 01:14:21,519
Speaker 3: he made it his wife and his kid's mother.

1868
01:14:22,040 --> 01:14:24,840
Speaker 2: Wow, now that I think about it, Blow is the

1869
01:14:24,880 --> 01:14:30,120
Speaker 2: story of mommy issues. Mm hmm okay, it just connected

1870
01:14:30,160 --> 01:14:32,880
Speaker 2: my head. That story is that that should be taught

1871
01:14:32,880 --> 01:14:36,120
Speaker 2: in therapy sessions with mommy issues. His mother was a

1872
01:14:36,160 --> 01:14:40,360
Speaker 2: complete bitch, betrayed him, watched his father take her back

1873
01:14:40,400 --> 01:14:44,240
Speaker 2: every time, that whole thing, and then kept trying to

1874
01:14:44,240 --> 01:14:47,479
Speaker 2: love this crazy Colombian chick that is getting him arrested,

1875
01:14:47,560 --> 01:14:51,160
Speaker 2: keeping the kid away. Wants to bring her back in

1876
01:14:51,200 --> 01:14:55,519
Speaker 2: the house. Yeah, it's just a system, a constant cycle

1877
01:14:55,520 --> 01:14:57,960
Speaker 2: of women treating him like pure shit because his mother

1878
01:14:58,000 --> 01:15:00,599
Speaker 2: did wow, and the mother was and then just adding

1879
01:15:00,640 --> 01:15:01,800
Speaker 2: some cocaine.

1880
01:15:01,960 --> 01:15:03,120
Speaker 1: Mm hm.

1881
01:15:03,120 --> 01:15:06,760
Speaker 4: Meant to do that too, No they don't, Yes they do.

1882
01:15:06,920 --> 01:15:09,240
Speaker 4: That's a mommy mommy issues things. Yes it is.

1883
01:15:09,720 --> 01:15:13,360
Speaker 1: Yeah, you're searching for like your mom, mom and another.

1884
01:15:13,120 --> 01:15:14,320
Speaker 2: Woman by their hair color.

1885
01:15:15,040 --> 01:15:17,320
Speaker 4: Oh, it's a real it's a real thing that really happens.

1886
01:15:17,320 --> 01:15:21,080
Speaker 1: The same thing with women and daddy issues. Same thing. Yeah.

1887
01:15:21,360 --> 01:15:23,679
Speaker 2: All the women I deal with their their fathers don't

1888
01:15:23,760 --> 01:15:24,360
Speaker 2: look like me.

1889
01:15:25,520 --> 01:15:25,880
Speaker 1: Well not.

1890
01:15:27,760 --> 01:15:30,960
Speaker 2: By science, like like not look like you.

1891
01:15:31,080 --> 01:15:32,200
Speaker 1: But they're searching.

1892
01:15:32,560 --> 01:15:34,160
Speaker 2: Yes, I am a piece of ship, and I do

1893
01:15:34,240 --> 01:15:35,519
Speaker 2: eventually leave them exactly.

1894
01:15:35,560 --> 01:15:37,240
Speaker 1: See it all ties.

1895
01:15:37,240 --> 01:15:38,320
Speaker 2: It was a joke, It.

1896
01:15:39,800 --> 01:15:40,200
Speaker 1: Allies.

1897
01:15:40,360 --> 01:15:45,280
Speaker 2: It's related and shortly from Scarface the wife she didn't

1898
01:15:45,280 --> 01:15:48,120
Speaker 2: never do anything wrong, would be coked out in a

1899
01:15:48,160 --> 01:15:50,599
Speaker 2: hoe like she kind of did stay out of the way.

1900
01:15:51,080 --> 01:15:57,759
Speaker 2: Why who the sister, I'm calling you a hoe if

1901
01:15:58,840 --> 01:16:01,040
Speaker 2: you're my wife, and then some guy that's trying to

1902
01:16:01,040 --> 01:16:01,719
Speaker 2: fuck you for.

1903
01:16:01,800 --> 01:16:03,880
Speaker 1: That doesn't make up for the life.

1904
01:16:03,880 --> 01:16:07,000
Speaker 2: And then then I murdered and then you go be

1905
01:16:07,160 --> 01:16:08,599
Speaker 2: with him? Yeah, fuck you, Well.

1906
01:16:09,160 --> 01:16:11,960
Speaker 4: Doesn't forever or maybe she was afraid she might have

1907
01:16:11,960 --> 01:16:14,000
Speaker 4: been the next one to be murdered. You murdered my

1908
01:16:14,080 --> 01:16:15,240
Speaker 4: husband because you wanted to be with me.

1909
01:16:15,920 --> 01:16:18,040
Speaker 3: And Tony was a sucker for killing Manolo, Like we

1910
01:16:18,080 --> 01:16:20,960
Speaker 3: don't talk about that enough. That was some sucker ship

1911
01:16:21,880 --> 01:16:24,120
Speaker 3: like that. That's like the biggest sucker shit in like

1912
01:16:25,040 --> 01:16:26,320
Speaker 3: classic movie history.

1913
01:16:27,080 --> 01:16:29,960
Speaker 2: Are we doing a whole bar bingo card too? Because

1914
01:16:29,960 --> 01:16:33,040
Speaker 2: I had to look away when Scarface killed No, but

1915
01:16:33,160 --> 01:16:33,800
Speaker 2: just think about that.

1916
01:16:33,880 --> 01:16:36,120
Speaker 4: It's worry know on every single jay Z bar related

1917
01:16:36,120 --> 01:16:37,040
Speaker 4: to movies.

1918
01:16:36,960 --> 01:16:41,040
Speaker 5: That ever, he didn't, he didn't, he didn't, he wasn't

1919
01:16:41,120 --> 01:16:44,920
Speaker 5: just like fucking and granted Tony didn't know that they

1920
01:16:44,960 --> 01:16:47,000
Speaker 5: got married, like he just saw his sister come out

1921
01:16:47,000 --> 01:16:48,240
Speaker 5: of the room and had a robe on.

1922
01:16:48,320 --> 01:16:48,960
Speaker 2: They got married.

1923
01:16:49,479 --> 01:16:51,000
Speaker 4: Yeah, they they got married that day.

1924
01:16:51,080 --> 01:16:51,960
Speaker 2: Oh yes, right, that's right.

1925
01:16:52,000 --> 01:16:53,640
Speaker 1: I haven't seen Scarface and why.

1926
01:16:55,080 --> 01:16:58,559
Speaker 2: Well, nah, you don't think it's some sucker ship too?

1927
01:16:59,400 --> 01:17:01,960
Speaker 2: After your friend says, but he'd agree with it or not,

1928
01:17:02,040 --> 01:17:04,519
Speaker 2: Please do not fuck my sister, didn't say in a

1929
01:17:04,520 --> 01:17:07,840
Speaker 2: polite way because he was a you know, psychopath.

1930
01:17:07,960 --> 01:17:09,040
Speaker 1: Maybe he knew that.

1931
01:17:09,080 --> 01:17:10,840
Speaker 2: He said, don't fuck my sister. And you know how

1932
01:17:10,880 --> 01:17:11,280
Speaker 2: crazy is.

1933
01:17:11,280 --> 01:17:13,360
Speaker 3: Because he knew Manolo was the ladies man. He knew

1934
01:17:13,439 --> 01:17:17,040
Speaker 3: Manolo was, you know, just fucking women, and so he

1935
01:17:17,120 --> 01:17:19,280
Speaker 3: was saying it like yo, like nah, not my sister.

1936
01:17:19,360 --> 01:17:21,160
Speaker 2: Like well, he may have had he had some mommy

1937
01:17:21,200 --> 01:17:22,960
Speaker 2: issues too, because at one point it did appear like

1938
01:17:22,960 --> 01:17:26,120
Speaker 2: Scarface wanting the fuck is his sister? And she did

1939
01:17:26,120 --> 01:17:27,920
Speaker 2: it that the end when she got murdered. She she

1940
01:17:28,040 --> 01:17:30,679
Speaker 2: must have went to therapy because her mommy issue trauma

1941
01:17:30,720 --> 01:17:32,000
Speaker 2: came in. Was like Tony, you trying to fuck me?

1942
01:17:32,360 --> 01:17:35,120
Speaker 3: Like what that that comes from? Because he didn't want

1943
01:17:35,160 --> 01:17:37,720
Speaker 3: her with no other man, which is is weird.

1944
01:17:37,760 --> 01:17:39,120
Speaker 1: It's his sister. It was just like, yo, I don't

1945
01:17:39,400 --> 01:17:40,960
Speaker 1: he still looked at her like his kid's sister.

1946
01:17:41,040 --> 01:17:45,880
Speaker 2: Tony is Tony is wrong, but I'm saying also his man,

1947
01:17:45,960 --> 01:17:47,880
Speaker 2: I told you not to fuck my sister. Then I

1948
01:17:47,920 --> 01:17:50,320
Speaker 2: come to your house and you my best friend and

1949
01:17:50,400 --> 01:17:51,960
Speaker 2: my sister is asked naked in your house.

1950
01:17:52,439 --> 01:17:54,280
Speaker 1: But we're married, so I'm not just fucking it.

1951
01:17:54,400 --> 01:17:56,479
Speaker 2: But all right, y'all didn't fuck for the first time

1952
01:17:56,520 --> 01:17:57,120
Speaker 2: when you got married.

1953
01:17:57,120 --> 01:17:59,600
Speaker 3: No, but we love each other like, actually this is

1954
01:17:59,600 --> 01:18:00,760
Speaker 3: my wife, Like we're actually together.

1955
01:18:00,760 --> 01:18:02,639
Speaker 2: But I asked you prior to you falling in love

1956
01:18:02,680 --> 01:18:04,280
Speaker 2: with this woman not to do that.

1957
01:18:04,360 --> 01:18:06,040
Speaker 4: But you shouldn't even had a chance to fall in

1958
01:18:06,120 --> 01:18:07,720
Speaker 4: love with her because you shouldn't even been looking at

1959
01:18:07,720 --> 01:18:09,080
Speaker 4: her too hard because I told you not to.

1960
01:18:10,280 --> 01:18:13,639
Speaker 2: What did Jay say on anything, I'm never liking your girl.

1961
01:18:14,200 --> 01:18:16,280
Speaker 1: We never dip. Pretty year is never liking your girl.

1962
01:18:17,439 --> 01:18:18,639
Speaker 2: That falls into sisters too.

1963
01:18:20,840 --> 01:18:22,600
Speaker 3: Yeah, I think I think most of it was the

1964
01:18:22,600 --> 01:18:25,280
Speaker 3: fact that Tony just felt like Manola would have like

1965
01:18:25,400 --> 01:18:27,840
Speaker 3: treated his sister like another floozy around time.

1966
01:18:27,920 --> 01:18:29,960
Speaker 2: No, I just think Tony did they ever call him

1967
01:18:30,439 --> 01:18:35,559
Speaker 2: in the show manny? And there wasno, but it was

1968
01:18:36,240 --> 01:18:38,799
Speaker 2: they never really called him that. I think maybe once.

1969
01:18:39,880 --> 01:18:43,479
Speaker 3: He said, Manolo, shoot that piece of ship. Remember when

1970
01:18:43,479 --> 01:18:45,760
Speaker 3: he killed he killed the cop you ain't no god

1971
01:18:47,760 --> 01:18:49,600
Speaker 3: Manolo shoot that piece.

1972
01:18:49,320 --> 01:18:49,840
Speaker 1: Of jit.

1973
01:18:53,080 --> 01:18:54,160
Speaker 2: To you. You want a job?

1974
01:18:55,400 --> 01:18:59,320
Speaker 1: Yeah? Thanks, Tony. Yeah, thought he was. He thought he

1975
01:18:59,360 --> 01:19:00,120
Speaker 1: was about to get kill.

1976
01:19:00,200 --> 01:19:02,080
Speaker 4: Except that he did in that movie.

1977
01:19:02,479 --> 01:19:05,479
Speaker 2: What was what was his man's name that got killed

1978
01:19:05,479 --> 01:19:07,760
Speaker 2: in the first drug deal Going Bad that he was

1979
01:19:07,760 --> 01:19:08,599
Speaker 2: doing for Frank First?

1980
01:19:09,160 --> 01:19:11,240
Speaker 1: That was his brother that they chopped up.

1981
01:19:11,479 --> 01:19:13,639
Speaker 2: Yeah, cost whatever his name is. Like, he came in there,

1982
01:19:13,880 --> 01:19:17,759
Speaker 2: fine with it. He's like, here's here's like ten grand

1983
01:19:18,320 --> 01:19:19,599
Speaker 2: cost my brother's life.

1984
01:19:19,600 --> 01:19:21,599
Speaker 3: And we got the drugs and we got the money. Yeah,

1985
01:19:21,720 --> 01:19:23,360
Speaker 3: but it was it was all set up. They wanted

1986
01:19:23,360 --> 01:19:25,759
Speaker 3: Tony to die in that whole deal too, but he didn't.

1987
01:19:25,760 --> 01:19:27,320
Speaker 3: So that's when they knew. Okay, this dude is tough.

1988
01:19:27,520 --> 01:19:30,360
Speaker 2: He made it out of that scarface.

1989
01:19:31,800 --> 01:19:34,280
Speaker 1: Overrated movie. But I get why people say it's classic.

1990
01:19:34,320 --> 01:19:37,439
Speaker 2: It's overrated, though, and Miami still looks exactly the same.

1991
01:19:38,280 --> 01:19:40,040
Speaker 4: Blower or scarface.

1992
01:19:39,800 --> 01:19:41,280
Speaker 2: Blow not even close for me.

1993
01:19:41,600 --> 01:19:43,720
Speaker 4: I was asking you have common sense. I'm not asking all.

1994
01:19:43,920 --> 01:19:44,920
Speaker 1: I don't have common sense.

1995
01:19:45,120 --> 01:19:47,320
Speaker 4: No blower, scarface blow.

1996
01:19:48,080 --> 01:19:50,760
Speaker 2: Okay, I think we're all a minority in that though.

1997
01:19:51,080 --> 01:19:53,879
Speaker 1: Good fellows will blow, good fellas good fellas.

1998
01:19:54,240 --> 01:20:00,040
Speaker 4: Yeah, I think good Fellas and one Fellas The god Father, Goodfellas.

1999
01:20:00,040 --> 01:20:06,679
Speaker 1: Goodfellas The Godfather Part one good for us. I don't know, man,

2000
01:20:06,840 --> 01:20:07,400
Speaker 1: that's tough.

2001
01:20:08,080 --> 01:20:09,559
Speaker 2: It has more replay value to me.

2002
01:20:10,280 --> 01:20:14,680
Speaker 3: Good Fellas has amazing The Godfather there's so many there's

2003
01:20:14,760 --> 01:20:16,280
Speaker 3: so many jewels in it though.

2004
01:20:17,240 --> 01:20:20,240
Speaker 2: Yeah, but that's why, like it's not I don't want

2005
01:20:20,240 --> 01:20:23,479
Speaker 2: to say like cheesy in that type of way, but

2006
01:20:23,560 --> 01:20:25,960
Speaker 2: like all of course, they're all classic lines, and it's

2007
01:20:25,960 --> 01:20:29,280
Speaker 2: so many jewels and all that. Goodfellas has so many

2008
01:20:29,360 --> 01:20:32,880
Speaker 2: jewels from the start to end of just What Not

2009
01:20:33,000 --> 01:20:35,920
Speaker 2: to Do. There's no like great one liner that was like,

2010
01:20:35,920 --> 01:20:37,240
Speaker 2: oh I never thought of it that way. You just

2011
01:20:37,280 --> 01:20:39,200
Speaker 2: watched the entire thing and was like, I think I

2012
01:20:39,280 --> 01:20:41,240
Speaker 2: might stay away from drugs.

2013
01:20:42,800 --> 01:20:45,720
Speaker 1: I like to Scene No more than Goodfellas though all right,

2014
01:20:45,840 --> 01:20:47,719
Speaker 1: see I.

2015
01:20:47,640 --> 01:20:51,200
Speaker 2: Mean no no, too much flaws and too much Saint Rostin.

2016
01:20:51,600 --> 01:20:52,960
Speaker 1: Yeah, I like it. I think I like to Scene

2017
01:20:53,000 --> 01:20:55,600
Speaker 1: No more than Goodfellas. I think, I think so.

2018
01:20:56,479 --> 01:20:58,000
Speaker 3: I think I would watch it, like if both were

2019
01:20:58,000 --> 01:20:59,720
Speaker 3: on right now, I think I would watch SnO before

2020
01:20:59,720 --> 01:21:00,760
Speaker 3: I watching good Fellas.

2021
01:21:01,960 --> 01:21:05,439
Speaker 2: Does good Fellas have a Does Karen ruined Everything? At

2022
01:21:05,439 --> 01:21:07,280
Speaker 2: some point. Yeah, Karen flushed the coke down the toilet.

2023
01:21:07,360 --> 01:21:09,040
Speaker 4: Oh my god, I hate her every every time. I

2024
01:21:09,040 --> 01:21:10,400
Speaker 4: can't even watch it.

2025
01:21:10,400 --> 01:21:12,599
Speaker 2: It's Ginger, not a hole. I just want to know Ginger.

2026
01:21:14,400 --> 01:21:16,479
Speaker 2: I just had to to make sure, pimp.

2027
01:21:16,600 --> 01:21:17,439
Speaker 1: Of course she's a hole.

2028
01:21:19,080 --> 01:21:21,960
Speaker 2: She was legally yeah, I said, yes, okay. Once she

2029
01:21:22,040 --> 01:21:27,120
Speaker 2: was retired from UH, her tax returned hold him and

2030
01:21:27,160 --> 01:21:28,400
Speaker 2: she was a married woman.

2031
01:21:28,520 --> 01:21:31,400
Speaker 3: Was she a tax Yeah, because she was still taking

2032
01:21:31,400 --> 01:21:32,599
Speaker 3: money and giving it to a pimp.

2033
01:21:34,240 --> 01:21:36,160
Speaker 2: She was just fucking her pimp. That was her man.

2034
01:21:36,920 --> 01:21:38,200
Speaker 1: Yeah, but I mean he was.

2035
01:21:38,240 --> 01:21:39,920
Speaker 2: Sam Rostin was kind of the side on the level.

2036
01:21:40,280 --> 01:21:43,120
Speaker 1: He was, absolutely he was, Yeah, he was absolutely the side.

2037
01:21:43,160 --> 01:21:45,320
Speaker 3: He knew that. That's why he went in there. He

2038
01:21:45,439 --> 01:21:47,840
Speaker 3: was like, get up, get up, now, get up.

2039
01:21:48,439 --> 01:21:51,160
Speaker 1: Fucking kill you. How you gonna kill her for being

2040
01:21:51,160 --> 01:21:54,960
Speaker 1: with her other biggie? You know she let her. You

2041
01:21:55,000 --> 01:21:56,439
Speaker 1: caught her on the phone with the nigga when you

2042
01:21:56,560 --> 01:21:57,880
Speaker 1: got married. She was in the whole way on the

2043
01:21:57,880 --> 01:21:58,960
Speaker 1: phone with him. That was crazy.

2044
01:21:59,520 --> 01:22:01,200
Speaker 3: You should have don't right there? Like then, why am

2045
01:22:01,200 --> 01:22:04,120
Speaker 3: I even marrying this? Bro's casinos?

2046
01:22:04,120 --> 01:22:06,200
Speaker 1: I think I think I like casinos better than Good Fellas.

2047
01:22:06,600 --> 01:22:09,760
Speaker 2: Joe Joe Pesti's deaf scene. I think it's one of

2048
01:22:09,760 --> 01:22:11,599
Speaker 2: the worst Jeff scene.

2049
01:22:11,680 --> 01:22:12,559
Speaker 1: He thought he was getting made.

2050
01:22:13,040 --> 01:22:14,640
Speaker 2: No, no, no, not in Good Fellas. That's they just

2051
01:22:14,640 --> 01:22:17,920
Speaker 2: shouted that casino and Cassin him and his brother. Those

2052
01:22:18,720 --> 01:22:21,920
Speaker 2: crazy superhero movies and gore movies he had. There's terrible

2053
01:22:21,960 --> 01:22:25,000
Speaker 2: deaths that one though, like felt real watching them beat

2054
01:22:25,000 --> 01:22:29,400
Speaker 2: your brother to death. Yeah, they were really mixed. That

2055
01:22:29,640 --> 01:22:33,080
Speaker 2: sounds and then buried him alive. Like that scene was rough.

2056
01:22:34,080 --> 01:22:36,519
Speaker 2: Why Why is Joe pet She's always dying.

2057
01:22:36,920 --> 01:22:40,160
Speaker 1: Every movie he must do it well, Joe Pesci.

2058
01:22:41,000 --> 01:22:45,760
Speaker 3: Joe Pesti's best movie than Me ever Home Alone, My cousin,

2059
01:22:46,920 --> 01:22:51,320
Speaker 3: My cousin Vinnie by far Joe too.

2060
01:22:54,240 --> 01:22:55,440
Speaker 2: I think Jamaican Anatalian.

2061
01:22:56,840 --> 01:22:59,320
Speaker 3: But he came to cool with that fucking tuxedo, like

2062
01:22:59,360 --> 01:23:02,680
Speaker 3: he hopped out the yo. The judge thought the the

2063
01:23:02,880 --> 01:23:05,920
Speaker 3: just thought he was trying to like be funny.

2064
01:23:06,720 --> 01:23:07,760
Speaker 1: He said, what do you wear it?

2065
01:23:10,880 --> 01:23:13,639
Speaker 2: No, those are some of the best he please watch.

2066
01:23:13,640 --> 01:23:16,400
Speaker 3: That movie is a fucking class.

2067
01:23:16,439 --> 01:23:17,880
Speaker 1: My cousin video is hilarious.

2068
01:23:17,960 --> 01:23:20,920
Speaker 2: Have you seen Gotti? The HBO one, not the one

2069
01:23:20,920 --> 01:23:24,400
Speaker 2: that travolted it. That one's awful. It's Gott he was

2070
01:23:24,400 --> 01:23:28,240
Speaker 2: on HBO. It was it was really long time ago.

2071
01:23:28,280 --> 01:23:28,920
Speaker 1: Who played Gotti.

2072
01:23:29,479 --> 01:23:33,680
Speaker 2: Uh, he's fucking amazing. He played Uh the Italian my

2073
01:23:33,800 --> 01:23:40,040
Speaker 2: boss and American youngster. He's I minde, I'm I'm not Irish.

2074
01:23:40,120 --> 01:23:40,920
Speaker 2: We have regular names.

2075
01:23:40,920 --> 01:23:43,200
Speaker 1: Del Toro, Denicio del Toro. Is that his name?

2076
01:23:43,479 --> 01:23:47,320
Speaker 2: No, it's Armana Sante or that Yes, yes, yes, yes,

2077
01:23:49,280 --> 01:23:51,160
Speaker 2: that's high up there, like you could rate that with

2078
01:23:52,280 --> 01:23:55,120
Speaker 2: every my movie just talked about. That movie is fucking

2079
01:23:55,160 --> 01:23:58,160
Speaker 2: incredible and just was a straight to HBO TV movie.

2080
01:23:58,160 --> 01:24:01,160
Speaker 2: That ship should have been in theaters. Yeah, that movie

2081
01:24:01,160 --> 01:24:01,679
Speaker 2: was really good.

2082
01:24:01,840 --> 01:24:05,719
Speaker 3: The last movie that Pest and the Narrow did together,

2083
01:24:07,680 --> 01:24:08,920
Speaker 3: The Irishman, The Irishman.

2084
01:24:09,240 --> 01:24:10,240
Speaker 4: The Irishman was good.

2085
01:24:10,240 --> 01:24:12,840
Speaker 1: It was very long, but it was really good. Though.

2086
01:24:13,080 --> 01:24:14,840
Speaker 1: It is a long movie, but it is it kept

2087
01:24:14,920 --> 01:24:15,719
Speaker 1: it keeps your attention.

2088
01:24:15,800 --> 01:24:18,559
Speaker 2: You have to just like dialogue. Yeah, if you're fine

2089
01:24:18,560 --> 01:24:20,680
Speaker 2: watching movies that you literally just have to listen and

2090
01:24:20,720 --> 01:24:23,120
Speaker 2: there's not gonna be much. That's why Goodfellas is so

2091
01:24:23,120 --> 01:24:25,200
Speaker 2: good because it's so much dialogue and so much ups

2092
01:24:25,240 --> 01:24:27,720
Speaker 2: and downs and all that other shit. But yeah, I

2093
01:24:27,840 --> 01:24:31,280
Speaker 2: really enjoyed The Irishman. Great movie, and well, I don't

2094
01:24:31,280 --> 01:24:33,920
Speaker 2: want to say I'm going to kind of reveal where

2095
01:24:33,960 --> 01:24:37,519
Speaker 2: I live. But it's fine, No, don't please, that's just

2096
01:24:37,600 --> 01:24:40,680
Speaker 2: that's just all right. Oh, there's just been a lot

2097
01:24:40,680 --> 01:24:45,280
Speaker 2: of FBI action by my crib in regards to that movie.

2098
01:24:45,479 --> 01:24:46,240
Speaker 1: Pay your Taxes.

2099
01:24:47,400 --> 01:24:55,799
Speaker 2: No, it's been fucking Jimmy Offers buried right there, harf yo.

2100
01:24:56,560 --> 01:25:00,640
Speaker 2: I cannot but if they find his body and that

2101
01:25:00,680 --> 01:25:02,280
Speaker 2: ship was just next door to me, that's gonna.

2102
01:25:02,040 --> 01:25:05,040
Speaker 1: Be fucking hysterical, never happening.

2103
01:25:06,600 --> 01:25:06,800
Speaker 4: Yeap.

2104
01:25:06,960 --> 01:25:10,360
Speaker 2: I mean, your brother's carrying the name on he is.

2105
01:25:10,680 --> 01:25:11,479
Speaker 1: Are you ma Haafa?

2106
01:25:11,800 --> 01:25:15,559
Speaker 4: No, you look like your name I Aim was ma Haffa.

2107
01:25:15,960 --> 01:25:19,640
Speaker 1: My name on aim was some bullshit MafA nah. I

2108
01:25:19,720 --> 01:25:24,639
Speaker 1: think it was like young young CEO something like that.

2109
01:25:24,840 --> 01:25:28,000
Speaker 2: Didn't we talk about this? Yeah, yeah because young ceo. Yeah,

2110
01:25:28,040 --> 01:25:30,640
Speaker 2: that reminds me that young CEO some shit like some

2111
01:25:31,040 --> 01:25:31,920
Speaker 2: change gen name of that.

2112
01:25:32,560 --> 01:25:34,400
Speaker 1: No, those days, those days old?

2113
01:25:34,439 --> 01:25:37,840
Speaker 2: Are you saying dame bit your uh your aim name?

2114
01:25:38,200 --> 01:25:38,960
Speaker 1: First closing company?

2115
01:25:39,240 --> 01:25:42,080
Speaker 3: No, CEO was just an acronym that was existed before.

2116
01:25:42,520 --> 01:25:44,880
Speaker 3: And I was like twenty five twenty fourth time it

2117
01:25:44,920 --> 01:25:47,160
Speaker 3: was just young CEO. It was stupid man, I don't.

2118
01:25:47,160 --> 01:25:48,720
Speaker 3: I don't know what the funk I was doing back then,

2119
01:25:49,479 --> 01:25:51,800
Speaker 3: I missed just BlackBerry, the just BB and Messenger days.

2120
01:25:52,680 --> 01:25:53,280
Speaker 1: It was the time.

2121
01:25:54,920 --> 01:25:55,840
Speaker 2: What else do we have to cover?

2122
01:25:56,040 --> 01:25:58,559
Speaker 4: Have you guys? Just tender has been hitting yo.

2123
01:25:58,640 --> 01:26:03,040
Speaker 3: I forgot we even created attenders. I'm probably lit right now.

2124
01:26:04,080 --> 01:26:06,160
Speaker 2: I did look at one one, Messorious lit.

2125
01:26:06,080 --> 01:26:11,880
Speaker 1: Because I have his account and he has mine.

2126
01:26:12,160 --> 01:26:14,679
Speaker 2: Do we inform people because this is happening on Patreon

2127
01:26:14,960 --> 01:26:15,879
Speaker 2: for people that don't.

2128
01:26:15,720 --> 01:26:18,479
Speaker 3: Know, let's verify your human That's what it says. As

2129
01:26:18,479 --> 01:26:20,559
Speaker 3: soon as you open tender, there's.

2130
01:26:20,360 --> 01:26:22,639
Speaker 4: Some wildshit going on on their Listen, we're.

2131
01:26:22,479 --> 01:26:25,639
Speaker 2: Gonna put on our Patreon mall is controlling a tender

2132
01:26:25,760 --> 01:26:29,160
Speaker 2: with my profile. I am controlling a tender with his

2133
01:26:29,240 --> 01:26:32,040
Speaker 2: profile and talking with these people. I put men and

2134
01:26:32,080 --> 01:26:34,639
Speaker 2: women from all so, just to give you a little

2135
01:26:35,240 --> 01:26:38,320
Speaker 2: little preview, said, hey, my name is Maul. I'm new

2136
01:26:38,320 --> 01:26:41,240
Speaker 2: to men. He said, Hi, Mal, how are you? Are

2137
01:26:41,240 --> 01:26:43,280
Speaker 2: you new into men? How are they treating you? I

2138
01:26:43,280 --> 01:26:44,679
Speaker 2: am gay and into sucking dick.

2139
01:26:45,680 --> 01:26:47,240
Speaker 1: Yeah, look at what you got. See.

2140
01:26:47,280 --> 01:26:49,080
Speaker 2: I didn't reply yet. I left him. I left it

2141
01:26:49,160 --> 01:26:50,719
Speaker 2: on ice. Let them know I'm not a thirst bucket,

2142
01:26:51,080 --> 01:26:51,720
Speaker 2: bring it back, like.

2143
01:26:51,760 --> 01:26:54,360
Speaker 4: Sorry, I was busy running my multi million dollar company.

2144
01:26:54,479 --> 01:26:57,560
Speaker 4: You feel me like my dick sucked in the meantime

2145
01:26:57,800 --> 01:26:58,519
Speaker 4: between time.

2146
01:27:00,120 --> 01:27:00,720
Speaker 2: Maybe maybe the.

2147
01:27:00,720 --> 01:27:04,679
Speaker 3: Master run it no please, no Jesus Christ. But yeah,

2148
01:27:04,680 --> 01:27:07,679
Speaker 3: that somebody definitely hit me like, yo, you know what's

2149
01:27:07,680 --> 01:27:12,200
Speaker 3: a somebody on tended pretending to be you. I didn't

2150
01:27:12,200 --> 01:27:13,559
Speaker 3: even respond, like I'm sitting next to him.

2151
01:27:13,640 --> 01:27:14,519
Speaker 2: I was like, yo, don't.

2152
01:27:14,600 --> 01:27:16,200
Speaker 1: I don't even want to know what Rory is over there.

2153
01:27:16,200 --> 01:27:18,680
Speaker 2: But that'll be some funny Patreon content. We do have

2154
01:27:18,720 --> 01:27:19,840
Speaker 2: to do a part two to that so.

2155
01:27:19,800 --> 01:27:20,960
Speaker 1: We can get some updates.

2156
01:27:21,520 --> 01:27:23,240
Speaker 2: But I was, I was going to Badfield. I mean, yeah,

2157
01:27:23,240 --> 01:27:26,439
Speaker 2: there was some some flagrant stuff going on, but there

2158
01:27:26,479 --> 01:27:28,920
Speaker 2: was some chicks I was, you know, saying like, hey,

2159
01:27:28,960 --> 01:27:31,440
Speaker 2: I know Drake, what.

2160
01:27:33,400 --> 01:27:35,519
Speaker 4: Do you guys have anything else for this episode?

2161
01:27:36,760 --> 01:27:38,639
Speaker 2: They was like Dan, you know Driz.

2162
01:27:40,120 --> 01:27:42,439
Speaker 1: I'm trying to log into my tended and in order

2163
01:27:42,439 --> 01:27:43,600
Speaker 1: for me to see who likes me, I have to

2164
01:27:43,600 --> 01:27:44,120
Speaker 1: get gold.

2165
01:27:44,360 --> 01:27:45,040
Speaker 2: I paid for it.

2166
01:27:45,200 --> 01:27:47,680
Speaker 1: You paid for tend of Gold. Yeah, I gotta pay

2167
01:27:47,680 --> 01:27:48,640
Speaker 1: for tend to gold because you.

2168
01:27:48,680 --> 01:27:50,439
Speaker 2: Wasn't hitting like that. I had to get to get

2169
01:27:50,439 --> 01:27:51,000
Speaker 2: the algorithms.

2170
01:27:51,240 --> 01:27:52,599
Speaker 1: It says, it says, see who likes you.

2171
01:27:52,840 --> 01:27:54,719
Speaker 3: It's a few, but I can't see their profiles until

2172
01:27:54,760 --> 01:27:57,160
Speaker 3: I get gold, so I can't see who likes well

2173
01:27:57,160 --> 01:27:58,120
Speaker 3: who likes you right now?

2174
01:27:58,720 --> 01:28:02,600
Speaker 1: I'm sure there's plenty like me.

2175
01:28:02,960 --> 01:28:05,960
Speaker 2: Dada on your phone to tangle that talk your ship.

2176
01:28:06,439 --> 01:28:06,760
Speaker 1: It's me.

2177
01:28:07,360 --> 01:28:09,360
Speaker 3: I'm an upgrade. I'm an upgrade that I'm an upgrade

2178
01:28:09,400 --> 01:28:11,400
Speaker 3: to tend to go so I can see who likes you. Rory,

2179
01:28:12,000 --> 01:28:15,439
Speaker 3: get you some action out here, friend friendly action, of course,

2180
01:28:15,920 --> 01:28:17,000
Speaker 3: nothing sexual.

2181
01:28:17,040 --> 01:28:18,479
Speaker 2: If they want to go to strip club and throw up,

2182
01:28:18,520 --> 01:28:19,200
Speaker 2: I'm their guy.

2183
01:28:19,840 --> 01:28:22,040
Speaker 1: So yeah, we'll be back later on this week.

2184
01:28:22,240 --> 01:28:25,400
Speaker 3: Uh, we'll be out of town doing some things, getting

2185
01:28:25,439 --> 01:28:28,120
Speaker 3: some things done, and we'll talk to y'all soon.

2186
01:28:28,160 --> 01:28:31,200
Speaker 1: I'm that nigga. He's just ginger. Y'all be safe, peace

2187
01:28:34,200 --> 01:28:34,400
Speaker 3: Enw