1 00:00:00,200 --> 00:00:05,560 Speaker 1: Now here's a highlight from Coast to coast AM on iHeartRadio. 2 00:00:04,960 --> 00:00:08,920 Speaker 2: We were talking about Christmas in the darker side of 3 00:00:09,000 --> 00:00:13,200 Speaker 2: Christmas traditions and I am kind of wondering, let's start here. 4 00:00:13,320 --> 00:00:16,320 Speaker 2: Let's start with why we are so fascinating. I guess 5 00:00:16,360 --> 00:00:19,080 Speaker 2: we have been since a Christmas Carol. What is it 6 00:00:19,200 --> 00:00:23,360 Speaker 2: that connects to us about the ghosts of Christmas past 7 00:00:23,440 --> 00:00:26,159 Speaker 2: and future and maybe the maybe it's the end of 8 00:00:26,160 --> 00:00:29,040 Speaker 2: the year, some of what you've done and where it 9 00:00:29,080 --> 00:00:31,800 Speaker 2: can go. What do you think fascinates us with that, 10 00:00:31,800 --> 00:00:33,960 Speaker 2: that that keeps on sticking to our guts? 11 00:00:34,720 --> 00:00:37,640 Speaker 3: Yeah, it really does. I think a lot of it 12 00:00:37,680 --> 00:00:41,200 Speaker 3: comes from I mean, it's literally in our genetics, it's 13 00:00:41,200 --> 00:00:48,599 Speaker 3: in our DNA. For centuries, there has been traditions of 14 00:00:49,880 --> 00:00:52,040 Speaker 3: pretty much we're going into the darkest time of the year. 15 00:00:52,120 --> 00:00:55,080 Speaker 3: You know. Again, the timing of this show is very 16 00:00:55,120 --> 00:01:00,960 Speaker 3: serendipitous because winter Solstice started on the at least on 17 00:01:01,000 --> 00:01:03,160 Speaker 3: the West coast. Y'all are still in the first day 18 00:01:03,200 --> 00:01:06,160 Speaker 3: of the winter solstice over here. It's a little bit 19 00:01:06,200 --> 00:01:11,080 Speaker 3: after now, but we're entering into you know, really long nights, 20 00:01:11,240 --> 00:01:15,280 Speaker 3: very short days, and I and during you know, this time, 21 00:01:15,400 --> 00:01:19,839 Speaker 3: our ancestors, uh, they were staying inside, you know, because 22 00:01:19,840 --> 00:01:21,840 Speaker 3: it was cold. It was cold, you know, you had 23 00:01:21,840 --> 00:01:25,080 Speaker 3: a fire roaring with candles. It was the perfect time 24 00:01:25,240 --> 00:01:29,839 Speaker 3: to dive into ghost stories and you know, spooky stories. 25 00:01:29,880 --> 00:01:33,080 Speaker 3: And you know, some of these stories were did have 26 00:01:33,120 --> 00:01:34,959 Speaker 3: a bit of a grim's fairy tale vibe to it, 27 00:01:34,959 --> 00:01:37,960 Speaker 3: because you know, they were lessons to be learned and 28 00:01:37,959 --> 00:01:41,080 Speaker 3: and whatnot. But but in a lot of in a 29 00:01:41,080 --> 00:01:47,240 Speaker 3: lot of different traditions, especially like pagan traditions, especially in 30 00:01:47,319 --> 00:01:51,280 Speaker 3: Norse paganisms, like this was the time when uh, the 31 00:01:51,520 --> 00:01:54,760 Speaker 3: you know, you know, those who have who who were 32 00:01:54,960 --> 00:01:57,600 Speaker 3: who were dead, their spirits would be released from their 33 00:01:57,640 --> 00:02:00,320 Speaker 3: bodies and then Odin of the Wild Hunt which come 34 00:02:00,320 --> 00:02:04,200 Speaker 3: and collect their souls. So you didn't want to be 35 00:02:04,200 --> 00:02:07,160 Speaker 3: outside during this time because then you could be swept 36 00:02:07,200 --> 00:02:11,000 Speaker 3: away by Odin and the wild Hunt. And so this 37 00:02:11,200 --> 00:02:14,160 Speaker 3: idea and this belief that you know, the veil is thinner, 38 00:02:15,200 --> 00:02:18,680 Speaker 3: you know, spirits are wandering about. This is this is 39 00:02:18,720 --> 00:02:22,600 Speaker 3: a very old concept and I think that really inspired 40 00:02:23,560 --> 00:02:27,320 Speaker 3: a lot of the ghost stories, and that fascination has 41 00:02:27,480 --> 00:02:31,239 Speaker 3: continued since and I think in our modern day too, 42 00:02:31,760 --> 00:02:36,720 Speaker 3: you know, Christmas is very much this, you know, festive, joyful, 43 00:02:37,840 --> 00:02:41,760 Speaker 3: lots of colors and light, this event. But then you 44 00:02:41,880 --> 00:02:45,880 Speaker 3: have the almost like a juxtaposition of it with the 45 00:02:45,880 --> 00:02:48,880 Speaker 3: ghost stories that's a little bit darker. And then of 46 00:02:48,919 --> 00:02:52,720 Speaker 3: course Charles Dickens managed to who's who is responsible for 47 00:02:53,400 --> 00:02:57,280 Speaker 3: our current state of Christmas? And I, yeah, I think so. 48 00:02:57,800 --> 00:03:00,560 Speaker 3: And you have Charles Dickens who comes in and integrates 49 00:03:01,080 --> 00:03:04,920 Speaker 3: this darker side of winter with the joyfulness of the 50 00:03:04,960 --> 00:03:09,000 Speaker 3: holidays and puts it all together and does it quite successfully. 51 00:03:09,800 --> 00:03:12,079 Speaker 2: I don't know, I don't know at what age group 52 00:03:12,120 --> 00:03:13,880 Speaker 2: you are, but when I'm thinking about a Christmas Carol, 53 00:03:13,960 --> 00:03:17,320 Speaker 2: I'm thinking about all these seventies and eighties sitcoms that 54 00:03:17,480 --> 00:03:20,720 Speaker 2: had a version of a Christmas Carol that you know, 55 00:03:20,800 --> 00:03:22,639 Speaker 2: growing up, you would see that and then you would 56 00:03:22,639 --> 00:03:24,960 Speaker 2: see him on repeats over and over and over against 57 00:03:24,960 --> 00:03:30,280 Speaker 2: So that basic story seems like it permeated our worlds, 58 00:03:30,320 --> 00:03:33,360 Speaker 2: like sort of the be careful what you do in 59 00:03:33,400 --> 00:03:36,160 Speaker 2: this round, because all the ghosts are going to come 60 00:03:36,200 --> 00:03:38,800 Speaker 2: haunt you and sort of show you your bleak future 61 00:03:39,160 --> 00:03:40,920 Speaker 2: if you don't get it together. Now, it's sort of 62 00:03:40,920 --> 00:03:45,120 Speaker 2: a well, it is a cautionary tale right, but when 63 00:03:45,120 --> 00:03:47,080 Speaker 2: you were talking about ghost stories, I'm gonna put you 64 00:03:47,080 --> 00:03:48,840 Speaker 2: on the spot here, I know. But you should have 65 00:03:48,840 --> 00:03:51,000 Speaker 2: been ready for this because we haven't done anything on 66 00:03:51,040 --> 00:03:53,560 Speaker 2: our list of questions yet. Will you tell us a 67 00:03:53,600 --> 00:03:56,640 Speaker 2: scary ghost story that maybe somebody might have told around 68 00:03:56,680 --> 00:03:59,400 Speaker 2: that fire back in the day. Can you give us one, 69 00:03:59,800 --> 00:04:02,040 Speaker 2: and then we'll talk about the monsters. But let's do 70 00:04:02,160 --> 00:04:03,160 Speaker 2: storytime first. 71 00:04:03,960 --> 00:04:06,880 Speaker 3: Yeah. So, actually, one of the one of the most 72 00:04:07,360 --> 00:04:09,360 Speaker 3: believe it or not, one of the most famous ghost 73 00:04:09,400 --> 00:04:12,040 Speaker 3: stories that were told that was told around Christmas time 74 00:04:12,680 --> 00:04:16,400 Speaker 3: is the Turn of the Screw. And if you if 75 00:04:16,440 --> 00:04:19,360 Speaker 3: you've watched The Haunting of Blind Manner, debt is what 76 00:04:20,040 --> 00:04:22,919 Speaker 3: that is based on the Turn of the Screw it is. 77 00:04:23,040 --> 00:04:27,240 Speaker 2: So that's actually one of my favorite Netflix shows. Yeah, 78 00:04:26,960 --> 00:04:28,359 Speaker 2: I'm so good. 79 00:04:29,600 --> 00:04:32,560 Speaker 3: Yeah, so it's it was written by Henry James in 80 00:04:32,640 --> 00:04:34,600 Speaker 3: eighteen ninety eight, so it was told a little bit 81 00:04:34,680 --> 00:04:37,680 Speaker 3: after Christmas Carol came out, so the whole telling of 82 00:04:37,680 --> 00:04:40,560 Speaker 3: ghost stories at Christmas was very much well established by 83 00:04:40,560 --> 00:04:43,960 Speaker 3: this time. But yeah, so you have this in the 84 00:04:43,960 --> 00:04:47,560 Speaker 3: Turn of the Screw. You have a governess who was 85 00:04:47,640 --> 00:04:51,640 Speaker 3: hired to take care of his niece and nephew. And 86 00:04:52,160 --> 00:04:55,120 Speaker 3: while she is, you know, taking care of the kids 87 00:04:55,120 --> 00:04:58,159 Speaker 3: and in the house, she starts noticing some really weird things, 88 00:04:58,240 --> 00:05:01,799 Speaker 3: like the children's behaviors very odd. She starts to see 89 00:05:02,120 --> 00:05:07,080 Speaker 3: ghosts around the house and they look strange, they have 90 00:05:07,520 --> 00:05:10,440 Speaker 3: like they just don't look right, and she's finally able 91 00:05:10,440 --> 00:05:13,359 Speaker 3: to identify them as ghosts. But while she's trying to 92 00:05:13,360 --> 00:05:17,880 Speaker 3: take care of these children, she's realizing that these children 93 00:05:17,880 --> 00:05:20,360 Speaker 3: are also seeing the ghosts as well, and they're being 94 00:05:20,440 --> 00:05:24,480 Speaker 3: influenced by these uh by these ghosts. And then finally, 95 00:05:24,760 --> 00:05:30,200 Speaker 3: in like the pinnacle of it, the governess Uh ends 96 00:05:30,279 --> 00:05:33,200 Speaker 3: up having to save the little girl, the niece uh 97 00:05:34,600 --> 00:05:36,440 Speaker 3: because the niece has been talking to a ghost by 98 00:05:36,440 --> 00:05:41,200 Speaker 3: the name of Miss Jessel, almost surrounded and then finally 99 00:05:41,560 --> 00:05:46,159 Speaker 3: is able to save her. But yeah, but then it 100 00:05:46,200 --> 00:05:49,520 Speaker 3: comes to fruition that these children were possessed by these 101 00:05:49,560 --> 00:05:54,000 Speaker 3: ghosts because they are because the other the other son, 102 00:05:54,080 --> 00:05:57,640 Speaker 3: Miles Uh, he's saying that he remembers he he knows 103 00:05:57,640 --> 00:05:59,960 Speaker 3: he was expelled from from school, but he doesn't know why. 104 00:06:00,320 --> 00:06:06,200 Speaker 3: So there's like that story of possession. So there's this 105 00:06:06,279 --> 00:06:10,040 Speaker 3: whole thing of Unfortunately, turn the screw does have a 106 00:06:10,080 --> 00:06:12,760 Speaker 3: little bit of sadder ending. I don't want to spoil 107 00:06:12,800 --> 00:06:14,360 Speaker 3: it for anyone. It is a little different from the 108 00:06:14,400 --> 00:06:18,760 Speaker 3: Haunting of Blind manner. But yeah, so there's there's so 109 00:06:18,839 --> 00:06:21,000 Speaker 3: that whole idea of like, you know, you have a 110 00:06:21,080 --> 00:06:23,200 Speaker 3: governess coming in and take care of children and there's 111 00:06:23,200 --> 00:06:25,680 Speaker 3: something weird in the house to children aren't acting right, 112 00:06:26,000 --> 00:06:28,200 Speaker 3: and then it just comes to this comes to fruition 113 00:06:28,279 --> 00:06:30,800 Speaker 3: with this finale of like there's ghosts and they're possessing 114 00:06:30,839 --> 00:06:34,440 Speaker 3: the children. But this is a very popular story, uh, 115 00:06:34,560 --> 00:06:36,360 Speaker 3: during during the holidays. 116 00:06:37,000 --> 00:06:39,960 Speaker 2: There's something too, I think about when when you're telling that, 117 00:06:40,000 --> 00:06:42,359 Speaker 2: I'm kind of visualizing things in my head and you 118 00:06:42,400 --> 00:06:46,440 Speaker 2: get like sort of a snow covered landscape where it's 119 00:06:46,480 --> 00:06:49,039 Speaker 2: sort of cold. It almost feels like, well, there's no 120 00:06:49,320 --> 00:06:53,080 Speaker 2: escape from the ghost either. You're sort of snow bound 121 00:06:53,080 --> 00:06:55,640 Speaker 2: and you're trapped in this this sort of icy kind 122 00:06:55,680 --> 00:06:59,279 Speaker 2: of purgatory. That feels like it's a little extra MacB 123 00:06:59,440 --> 00:06:59,920 Speaker 2: to me too. 124 00:07:00,800 --> 00:07:04,360 Speaker 3: Yes, yeah, yeah, that's the thing, you know, being trapped 125 00:07:04,400 --> 00:07:08,000 Speaker 3: in being unable to go out, especially as a Victorian 126 00:07:08,080 --> 00:07:10,520 Speaker 3: age like you did not girally go outside in the 127 00:07:10,520 --> 00:07:13,080 Speaker 3: winter unless you absolutely had to, and if you were 128 00:07:13,120 --> 00:07:15,640 Speaker 3: out in the country, you're not You're not going to 129 00:07:15,720 --> 00:07:18,800 Speaker 3: see anybody until spring, So like you were stuck. 130 00:07:19,400 --> 00:07:22,600 Speaker 2: What inspired you to kind of explore the darker side 131 00:07:22,800 --> 00:07:24,160 Speaker 2: of Christmas traditions? 132 00:07:25,040 --> 00:07:28,400 Speaker 3: You know? So for me, you know, growing up and 133 00:07:28,480 --> 00:07:32,200 Speaker 3: having Christmas, you know, with my family and everything, you know, 134 00:07:32,320 --> 00:07:37,360 Speaker 3: always very positive, very you know, mule tie joy filled events. 135 00:07:37,880 --> 00:07:41,160 Speaker 3: And then you know, my grandmother died in two thousand 136 00:07:41,400 --> 00:07:45,880 Speaker 3: and then my mother passed in twenty fifteen, so kind 137 00:07:45,880 --> 00:07:48,679 Speaker 3: of like the glue that both elements of the glue 138 00:07:48,680 --> 00:07:52,400 Speaker 3: that kind of held my family together was gone. And 139 00:07:53,120 --> 00:07:55,400 Speaker 3: you know, then the holidays ended up not being like 140 00:07:55,440 --> 00:07:57,920 Speaker 3: the happiest times for me because you know, between grieving 141 00:07:58,080 --> 00:08:00,480 Speaker 3: and I'm also an only child and the rest of 142 00:08:00,480 --> 00:08:03,320 Speaker 3: my families on the other side of the country, it 143 00:08:03,400 --> 00:08:06,280 Speaker 3: was very much like, you know, the holidays were nice, 144 00:08:06,440 --> 00:08:08,800 Speaker 3: but you know, they weren't what they used to be, 145 00:08:08,920 --> 00:08:10,840 Speaker 3: and it actually sent me into a little bit of 146 00:08:10,840 --> 00:08:14,040 Speaker 3: a depression of it. And as I have more so 147 00:08:14,800 --> 00:08:17,160 Speaker 3: accepted and embraced them. And plus you know, the trauma 148 00:08:17,240 --> 00:08:19,600 Speaker 3: of surviving a horrific accident, you know, that's that's the 149 00:08:19,680 --> 00:08:23,720 Speaker 3: sticks with you for the rest of your life looking 150 00:08:23,720 --> 00:08:27,000 Speaker 3: into Christmas monsters and ghost stories. It gave me a 151 00:08:27,080 --> 00:08:31,520 Speaker 3: way to lean into the holidays still and you know, 152 00:08:31,640 --> 00:08:33,800 Speaker 3: have some and have some fun with it. And I'm 153 00:08:33,800 --> 00:08:38,040 Speaker 3: a big history person too, so being able to research 154 00:08:38,160 --> 00:08:43,479 Speaker 3: these different figures and Christmas war and realizing like Christmas 155 00:08:43,559 --> 00:08:47,960 Speaker 3: wasn't always or Mule or you know, the holidays weren't 156 00:08:48,000 --> 00:08:52,360 Speaker 3: necessarily always this like really positive festive time of years, 157 00:08:52,520 --> 00:08:55,880 Speaker 3: and in some periods of time and in some countries, 158 00:08:56,240 --> 00:08:58,400 Speaker 3: it was probably one of the most horrific times a year, 159 00:08:58,480 --> 00:08:59,319 Speaker 3: especially if you were. 160 00:08:59,280 --> 00:09:03,040 Speaker 2: A child in your Okay, because. 161 00:09:04,440 --> 00:09:07,680 Speaker 3: Let's just say, one of the most notable, I think 162 00:09:07,679 --> 00:09:12,240 Speaker 3: one of the most famous holiday figures that has crossed 163 00:09:12,280 --> 00:09:16,480 Speaker 3: the across the pond into our popular and dark culture 164 00:09:16,480 --> 00:09:17,400 Speaker 3: today is Crompus. 165 00:09:18,760 --> 00:09:20,200 Speaker 2: Yeah, oh yeah, I was going to bring that up 166 00:09:20,240 --> 00:09:22,280 Speaker 2: before you get going. It was interesting because I was 167 00:09:22,320 --> 00:09:25,120 Speaker 2: talking to the Coast crew here and I was talking 168 00:09:25,160 --> 00:09:29,680 Speaker 2: about Christmas monsters. They're like Christmas monsters, there's Christmas monsters. 169 00:09:29,720 --> 00:09:32,280 Speaker 2: I'm like, oh yeah, like Crampis And they haven't even 170 00:09:32,320 --> 00:09:35,480 Speaker 2: heard of Crampis. So I know about Crampis because of 171 00:09:35,480 --> 00:09:39,800 Speaker 2: the movie and beyond that nothing, So can you give 172 00:09:39,880 --> 00:09:40,840 Speaker 2: us a little history of that. 173 00:09:41,880 --> 00:09:46,480 Speaker 3: Yeah, so Crampis or Crompus, however you know, anyone wants 174 00:09:46,480 --> 00:09:50,480 Speaker 3: to pronounce it if you're German, probably Crompus is pretty 175 00:09:50,559 --> 00:09:54,679 Speaker 3: much the companion to Saint Nick. Some people will say 176 00:09:54,760 --> 00:09:59,199 Speaker 3: Santa Claus, but uh, it's it's very specific to Saint Nick's. 177 00:09:59,280 --> 00:10:02,920 Speaker 3: So Saint the theets of Saint Nicholas is on December 178 00:10:03,040 --> 00:10:07,080 Speaker 3: sixth and the night before Saint Nicholas. And this is 179 00:10:07,320 --> 00:10:11,560 Speaker 3: very much in central and Eastern Alpine tradition. You know, 180 00:10:11,960 --> 00:10:16,080 Speaker 3: Saint Nicholas would go around to the different homes well 181 00:10:16,120 --> 00:10:20,120 Speaker 3: behaved children got small gifts. However, he had a he 182 00:10:20,160 --> 00:10:22,000 Speaker 3: had a buddy with them. He has a buddy named 183 00:10:22,040 --> 00:10:29,600 Speaker 3: Crampis with him. And Crampis is this anthromorphic horned humanoid figure. 184 00:10:31,760 --> 00:10:35,280 Speaker 3: He has horns, he's got a very long tongue. Sometimes 185 00:10:35,280 --> 00:10:40,719 Speaker 3: he has hooks. He's had, you know, covered in skins, 186 00:10:41,400 --> 00:10:45,840 Speaker 3: and so as Saint Nicholas is giving uh, you know, 187 00:10:46,000 --> 00:10:50,120 Speaker 3: rewards and gifts with to the good children, Crampis is 188 00:10:50,240 --> 00:10:54,800 Speaker 3: punishing the naughty kids by either hitting them with birch rods. 189 00:10:55,400 --> 00:10:58,120 Speaker 3: He has a basket a lot of the vintage art 190 00:10:58,160 --> 00:11:01,320 Speaker 3: with Crampis has him putting the in the baskets and 191 00:11:01,360 --> 00:11:02,400 Speaker 3: taking them down to hell. 192 00:11:02,720 --> 00:11:09,480 Speaker 2: Well, yeah, I'm glad. I'm glad that only morphed into 193 00:11:09,520 --> 00:11:13,240 Speaker 2: a lump of coal, right, right? Is that where we 194 00:11:13,280 --> 00:11:15,960 Speaker 2: got that from them? Of cole is from Crampis? 195 00:11:16,280 --> 00:11:18,920 Speaker 3: Uh? You know, there's It's interesting you mentioned that because 196 00:11:18,920 --> 00:11:21,560 Speaker 3: the lump of coal does come up in a couple 197 00:11:21,600 --> 00:11:26,920 Speaker 3: of different especially Scandinavian folklore with the holidays. Crampis is 198 00:11:26,920 --> 00:11:29,200 Speaker 3: not even the most terrifying figure. 199 00:11:29,280 --> 00:11:32,120 Speaker 2: By the way, what a much more terrifying than taking 200 00:11:32,160 --> 00:11:37,240 Speaker 2: little children the hell oh people trying to go to sleep? Sorry, 201 00:11:37,280 --> 00:11:38,600 Speaker 2: go ahead, Oh yeah. 202 00:11:38,640 --> 00:11:43,000 Speaker 3: So there is a female figure. Her name is brow Parstaff. 203 00:11:43,880 --> 00:11:49,120 Speaker 3: So she is the upholder of tradition. So during the 204 00:11:49,440 --> 00:11:51,600 Speaker 3: what we would know as the twelve days of Christmas 205 00:11:51,720 --> 00:11:54,640 Speaker 3: or the twelve days of Yule, so between December twenty 206 00:11:54,679 --> 00:12:00,520 Speaker 3: fifth and January second Epiphany, she wanders the she wanders 207 00:12:00,640 --> 00:12:03,439 Speaker 3: the countryside, the very snowy country side, and she goes 208 00:12:03,520 --> 00:12:05,559 Speaker 3: into your home. So a lot of people will describe 209 00:12:05,559 --> 00:12:08,320 Speaker 3: her as like a witch. She goes into your home, 210 00:12:08,440 --> 00:12:10,880 Speaker 3: she waits to see, she looks to see if one 211 00:12:10,920 --> 00:12:14,480 Speaker 3: your house is clean. Two you've had her traditional feast 212 00:12:14,640 --> 00:12:18,520 Speaker 3: of fish and gruel, so delicious. And also if you 213 00:12:18,679 --> 00:12:22,800 Speaker 3: had spun your flax, so spinning flas that you know 214 00:12:22,880 --> 00:12:26,080 Speaker 3: in the older days was very important. If you didn't 215 00:12:26,120 --> 00:12:29,960 Speaker 3: have those elements done, she would slit open your belly 216 00:12:30,360 --> 00:12:34,120 Speaker 3: and di value and stuffy was straw and garbage instead. 217 00:12:35,120 --> 00:12:36,760 Speaker 2: Whoa oh yeah. 218 00:12:36,800 --> 00:12:40,360 Speaker 3: And she also has a little group of demons one 219 00:12:40,440 --> 00:12:44,360 Speaker 3: we could say demons with her. They're known as the straggle. 220 00:12:44,920 --> 00:12:48,839 Speaker 3: And while she's doing her business, if you don't leave 221 00:12:48,840 --> 00:12:51,640 Speaker 3: your leftovers out for the straggle, they look very similar 222 00:12:51,640 --> 00:12:56,240 Speaker 3: to cramfis. They will either rob the children or they 223 00:12:56,280 --> 00:12:59,160 Speaker 3: will tear your children to pieces if you all leave 224 00:12:59,160 --> 00:13:00,280 Speaker 3: out your leftover. 225 00:13:00,480 --> 00:13:02,920 Speaker 2: Why why are we so mean to kids? Like with 226 00:13:03,480 --> 00:13:07,040 Speaker 2: all of our our fairy tales and all the even 227 00:13:07,080 --> 00:13:09,959 Speaker 2: Disney movies where they always kill off the understanding parents. 228 00:13:10,240 --> 00:13:13,320 Speaker 2: This is like it's almost like the traditions continued where 229 00:13:13,360 --> 00:13:16,880 Speaker 2: it's like it's the happiest day of the year, but 230 00:13:18,760 --> 00:13:20,000 Speaker 2: there's a dark side. 231 00:13:20,600 --> 00:13:22,840 Speaker 3: It's amazing motivation to behave. 232 00:13:23,000 --> 00:13:25,400 Speaker 2: What's her name again? Did you say frau? 233 00:13:25,480 --> 00:13:27,680 Speaker 3: What fraw pershta? 234 00:13:28,840 --> 00:13:32,800 Speaker 2: And is there a, is there a more Anglo version 235 00:13:32,840 --> 00:13:34,679 Speaker 2: of that that I've never heard of. I've never heard 236 00:13:34,720 --> 00:13:38,000 Speaker 2: of Frau Psta before, but I am terrified, and I 237 00:13:38,000 --> 00:13:40,720 Speaker 2: will always clean my house and flax and spin my flax. 238 00:13:41,160 --> 00:13:43,280 Speaker 3: I know, right, I've never spun flax before, but I'm 239 00:13:43,320 --> 00:13:43,599 Speaker 3: gonna go. 240 00:13:43,640 --> 00:13:44,320 Speaker 1: I'm gonna spend it. 241 00:13:46,880 --> 00:13:50,400 Speaker 3: In terms of Anglo versions, a lot of the I 242 00:13:50,440 --> 00:13:55,079 Speaker 3: haven't found any, mostly because you know, Catholicism and Protestantism, 243 00:13:55,160 --> 00:13:59,280 Speaker 3: you know, did come in fairly uh fairly early, so 244 00:13:59,400 --> 00:14:03,199 Speaker 3: a lot of the its traditions were pre Christian But then, 245 00:14:03,280 --> 00:14:05,839 Speaker 3: you know, as Christianity was starting to make its way 246 00:14:06,400 --> 00:14:10,160 Speaker 3: uh into more into the deeper parts of Europe, you know, 247 00:14:10,200 --> 00:14:14,400 Speaker 3: there seems to be that a lot of the especially 248 00:14:14,400 --> 00:14:16,480 Speaker 3: the Catholic figures at the time, really trying to integrate 249 00:14:16,520 --> 00:14:20,880 Speaker 3: pagan practices into uh with Christianity, and some of it, 250 00:14:21,040 --> 00:14:24,080 Speaker 3: you know, some of it worked and some of it didn't. 251 00:14:25,640 --> 00:14:27,760 Speaker 3: But there's there's some stories that they were able to 252 00:14:27,800 --> 00:14:29,720 Speaker 3: like mix up and integrate that I was like, oh wow, 253 00:14:29,760 --> 00:14:31,760 Speaker 3: they actually did it and it seemed to go well. 254 00:14:33,360 --> 00:14:36,400 Speaker 3: But in terms of an Anglo version version, I've actually 255 00:14:36,400 --> 00:14:38,760 Speaker 3: been trying to dig deeper into that because I'm like, 256 00:14:38,800 --> 00:14:42,000 Speaker 3: I'm sure British children were acting up just as bad 257 00:14:42,040 --> 00:14:45,000 Speaker 3: as the European and they were, well, Britain's part of Europe, 258 00:14:45,040 --> 00:14:48,040 Speaker 3: but as like the Germanic children and the Italian children, 259 00:14:48,080 --> 00:14:50,120 Speaker 3: I'm sure like they were cutting up just as bad. 260 00:14:50,640 --> 00:14:54,440 Speaker 2: I mean, that would keep me in line, that's for sure, right, right, yeah, 261 00:14:54,480 --> 00:14:58,400 Speaker 2: for sure. And Crampas is not that's been around, right, 262 00:14:58,480 --> 00:15:02,160 Speaker 2: that's not. That's not just an invention of the movies 263 00:15:02,160 --> 00:15:04,800 Speaker 2: like in two thousand and five, right, That's been around 264 00:15:04,840 --> 00:15:05,520 Speaker 2: for centuries. 265 00:15:06,560 --> 00:15:09,920 Speaker 3: Yeah, yeah, yeah, So Crampis has been around probably since 266 00:15:09,960 --> 00:15:15,000 Speaker 3: I want to say, fourth, third or fourth century. There's 267 00:15:15,080 --> 00:15:18,640 Speaker 3: there's indications that Crampis may have made some rounds as 268 00:15:18,640 --> 00:15:21,360 Speaker 3: early as that, so around the time like the Romans 269 00:15:21,360 --> 00:15:29,000 Speaker 3: were celebrating Saturnalia, you know, Yule, And it's fairly accepted 270 00:15:29,240 --> 00:15:32,640 Speaker 3: why it's widely accepted that he predates Christianity. 271 00:15:34,800 --> 00:15:38,040 Speaker 1: Listen to more Coast to Coast AM every weeknight at 272 00:15:38,080 --> 00:15:41,040 Speaker 1: one a m. Eastern and go to Coast to coastam 273 00:15:41,080 --> 00:15:42,120 Speaker 1: dot com for more