Speaker 1: You're listening to Comedy Central. Hi, I'm Jordan Klepper. You're
Speaker 1: not gonna say my name? Was leaving it. That was
Speaker 1: a space for you to say your name. I'm Roy
Speaker 1: Wood Jr. We're gonna break down some of our classic
Speaker 1: field pieces that Jordan and I have done together in
Speaker 1: a segment we call We're gonna look at some of
Speaker 1: our old field pieces in a segment we call constructive
Speaker 1: instructive ish criticism. Are we settled on that name? It
Speaker 1: feels like it. So this is your first piece? Right? Yeah?
Speaker 1: This piece was about anti biased training that was happening
Speaker 1: in Madison, Wisconsin and the way give them shooting an
Speaker 1: unarmed black person. So we decided to sit down with
Speaker 1: some cops to see why they're attack. We added a
Speaker 1: bit of choreography at the top. Can we rewind to
Speaker 1: the top. The choreography of the intro something not often
Speaker 1: done in daily show pieces. But I think the confidence
Speaker 1: of somebody who's been on the show before, doesn't have
Speaker 1: any other opportunity and is still on the show, someone
Speaker 1: like myself look emerging and help you. You were just
Speaker 1: doing okay, and then I came in and just took
Speaker 1: it next level. Right there. Do that. That's Ernest, that's
Speaker 1: ernest confusion you have on your face right now. That's
Speaker 1: true because that was the first take and I did
Speaker 1: not know what you were gonna do. So we sat
Speaker 1: down with former NYPD detective and Fox News contributor bow
Speaker 1: Dieedle to get the definitive answer. There's a tough question
Speaker 1: to ask, bo our police racist. It's good enough for me.
Speaker 1: I'm satisfied. We're good here. This guy was the work
Speaker 1: of art. But it was like, we need to talk
Speaker 1: to somebody who would support the police and show no empathy.
Speaker 1: It's like, well, what do we call up an old
Speaker 1: school New York police officer. Let's go get a black
Speaker 1: guy inbade him to debt. That's not what's going on there.
Speaker 1: I think I did pretty good, man. I sat down
Speaker 1: with a white dude to say some semi racist stuff
Speaker 1: and I held my own. Yeah, I mean, bow dieedle
Speaker 1: x cop feels relevant. Still, I wasn't talking about Bo Dietle. Okay.
Speaker 1: Oh here's the guy that really made the piece. Perhaps
Speaker 1: the best voiceover joke written in the Daily Show. Not surprisingly,
Speaker 1: there's a program that Nerdy Suge Knight developed which trains
Speaker 1: police officers to de link bias from their decision making.
Speaker 1: Nerdy Suge Knight fucking nailed it. I remember earnestly this
Speaker 1: was your first piece, and you chose to have a
Speaker 1: tie that wasn't all the way up, and I wondered
Speaker 1: if that was a stylistic choice. I didn't quite know
Speaker 1: if you were crafting a character. I think I've realized
Speaker 1: you don't put that much effort into your work, so
Speaker 1: it must have just been something you stomped upon that
Speaker 1: felt like a criticism and that it wasn't very constructive,
Speaker 1: contructive ish, this was not is now this is the video.
Speaker 1: These are the sample of videos that you watch when
Speaker 1: you're trying to make a decision, of real life situations
Speaker 1: that test your ability to not act on assumptions of
Speaker 1: race that even a real bulletproof vest it does look
Speaker 1: like a pantilner for your chest. Empire joke coming up
Speaker 1: three two one, What are you doing? Bias? Ass that's empire?
Speaker 1: There was look a twenty minute conversation of okay, which
Speaker 1: black show could he point a gun at and not
Speaker 1: get canceled? I do believe Oprah was one of the options.
Speaker 1: I think I shot down shooting down Oprah. Correct. I
Speaker 1: still stand by that was a smart call. So those
Speaker 1: are all actual officers UM of Madison p D. And
Speaker 1: the drill was for us to show up and decide
Speaker 1: what was happening with the information we had in hand.
Speaker 1: No matter what, you just would say the wrong thing
Speaker 1: is everything? Okay? In here? Excuse me? Get away from
Speaker 1: the woman, Get away from the woman. Dick down the ground,
Speaker 1: Diet doun on the ground, Diet doun on the ground.
Speaker 1: Oh give you credit. This is your first piece, but
Speaker 1: you you knew how to cut it down with a look.
Speaker 1: You had a good TV look. I don't even think
Speaker 1: the faces him giving this piece or even acting at
Speaker 1: this point. I'm sorry about him. Office so product. If
Speaker 1: you look at that hairline, oh my god, how amazing.
Speaker 1: I'm like forty years younger, boy, handsome. Those are the
Speaker 1: eyes of someone who's never been to a Trump rally.
Speaker 1: The double chin is barely there, doesn't have to be
Speaker 1: hidden by a beard. How do these pieces compare? You've
Speaker 1: had probably the most interesting evolution from correspondent to special contributor. Yeah,
Speaker 1: I mean it's interesting to look at it like that.
Speaker 1: Here's me doing a piece with another person fast forward
Speaker 1: to me doing a piece without another person and an
Speaker 1: Emmy nomination, and you try to connect those and I don't.
Speaker 1: I don't know. I don't know what it was. Why
Speaker 1: do you have to see Emmy nomination? But I'm just saying,
Speaker 1: you know, they've tried this where two people do a piece,
Speaker 1: And what's fun about it is I have so much
Speaker 1: success when I just do a piece. Mad boys, Mad boys,
Speaker 1: What you're gonna do, What you're gonna do this shot.
Speaker 1: I was very nervous about you in the back of
Speaker 1: a police car, this whole pieces of black people getting
Speaker 1: sucked with the image of a black man boss. I
Speaker 1: was like, please, father, God, don't let me let down
Speaker 1: all the black people and Gayle King? Do you think
Speaker 1: I let down white people doing this piece? Now you've
Speaker 1: probably gained something. That's probably why you're so safe. You
Speaker 1: think Trump rallies this ship. Find your audience, man, play
Speaker 1: to it. Well, you know what, man, it's been fun
Speaker 1: constructively criticizing you, and I got your gift. It's been
Speaker 1: a great seven years of working with you, and I
Speaker 1: just wanted you to have that. Look at this token
Speaker 1: of remembrance. This is our first shoot. Highly pixelated low
Speaker 1: rez photo of our first time together. That's for you,
Speaker 1: I think, thank you. That's for you. I gotta gift
Speaker 1: for you. Okay, this is a picture from our first
Speaker 1: ever field shoot. God. Yeah, this is the picture of you.
Speaker 1: The Next Dame was the best ever doing Thanks man,
Speaker 1: you could have a least taken a stag off the back.
Speaker 1: Yeah you're wrong. What's the Daily Show? Weeknights at eleven
Speaker 1: tenth Central on Comedy Central and stream full episodes anytime
Speaker 1: on Paramount Plus. This has been a Comedy Central podcast