WEBVTT - If Books Could Kill

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<v Speaker 1>Before we get started, I want to let you know

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<v Speaker 1>that Hitman contains graphic scenes of violence. Listener, discretion is advised.

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<v Speaker 1>I'm going to tell you about this book I found.

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<v Speaker 1>If you saw it on a shelf, you might think

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<v Speaker 1>it was a comic book or a silly polp novel.

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<v Speaker 1>The cover's purple, with a James Bond Dick Tracy looking

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<v Speaker 1>guy on the front, wearing a bright yellow suit and

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<v Speaker 1>a fedora. He's holding up a gun with a silencer attached,

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<v Speaker 1>and behind him there's this red outline of a body.

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<v Speaker 1>And on the back cover is a crew drawing of handcuffs,

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<v Speaker 1>a bottle of poison, a knife, some red gloves, and

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<v Speaker 1>that same gun. The book's title even sounds kind of ridiculous.

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<v Speaker 1>It's called hit Man, a Technical Manual for Independent Contractors.

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<v Speaker 1>It was published in nineteen three by a Colorado publisher

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<v Speaker 1>called Paladin Press. Here's how the author, Rex Ferrell begins.

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<v Speaker 1>A woman recently asked how I could, in good conscience

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<v Speaker 1>write an instruction book on murder. Oh, and we got

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<v Speaker 1>an actor to read his lines. How can you live

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<v Speaker 1>with yourself if someone uses what you right to go

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<v Speaker 1>out and take a human life? Wind Rex Ferrell has

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<v Speaker 1>very specific tips for the aspiring contract killer. He writes,

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<v Speaker 1>step by step, you will learn where to find employment,

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<v Speaker 1>how much to charge, and what you can and cannot

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<v Speaker 1>do with the money you earn. And beyond all his

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<v Speaker 1>logistical secrets, because of this book is full of those,

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<v Speaker 1>he takes it a step further. He walks you as

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<v Speaker 1>if you're his apprentice through the mental preparation it takes

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<v Speaker 1>for a person to commit murder, like how to handle

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<v Speaker 1>the emotions. He says, you won't feel after your first job.

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<v Speaker 1>You had wondered if you would feel compassion for the victim,

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<v Speaker 1>im mediate guilt, or even experienced direct intervention by the

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<v Speaker 1>hand of God, but you weren't even feeling sick and

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<v Speaker 1>by the side of the body. It's hard to get

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<v Speaker 1>your hands on an actual copy of hit Man, and

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<v Speaker 1>it's been out of print since I first discovered it.

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<v Speaker 1>When I was researching a story for another radio show.

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<v Speaker 1>They wanted pitches about amateurs, stories of ineptitude and failure,

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<v Speaker 1>but also people who had stumbled into success despite dubious qualifications.

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<v Speaker 1>That was five years ago. I thought it would be

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<v Speaker 1>this little eight minute peace, but it turned into this

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<v Speaker 1>eight episode podcast on the back of the book, it

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<v Speaker 1>says Ferrell is a hit man. He is the last

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<v Speaker 1>recourse in these times when laws are so twisted that

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<v Speaker 1>justice goes unserved. He is a man who controls his

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<v Speaker 1>destiny through his private code of ethics, who feels no

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<v Speaker 1>twinch of guilt at doing his job. He is a

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<v Speaker 1>professional killer. Rex Ferrell talks a out about how to

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<v Speaker 1>stay anonymous, and he recommends using a fake name, especially

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<v Speaker 1>when running a car or checking into a hotel. It's

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<v Speaker 1>obvious he did this when he wrote his book. The

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<v Speaker 1>name Rex Ferrell is too perfect. Farrell literally means wild.

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<v Speaker 1>He wants you to think he's dangerous. So of all

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<v Speaker 1>the mysteries around this book, the biggest one is Ferrell's

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<v Speaker 1>true identity. The publisher has always protected the author. Their

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<v Speaker 1>real name can't be found in court documents, and it's

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<v Speaker 1>never come out in public, which is fitting because in

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<v Speaker 1>his book he promises that he'll always remain elusive, that

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<v Speaker 1>he'll never be caught. If my advice and the proven

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<v Speaker 1>methods in this book are followed, certainly no one will

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<v Speaker 1>ever know. But I wanted to know who would write

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<v Speaker 1>an instruction manual for murder? And why so? I initially

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<v Speaker 1>set out to find this Rex Ferrell, but the truth

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<v Speaker 1>behind this book was so much bigger. He followed it

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<v Speaker 1>a step by step to come in and murder my family.

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<v Speaker 1>Some of this you can figure it out without a book,

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<v Speaker 1>so you couldn't. Some of it is bordering on any

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<v Speaker 1>Do we really want to tell people this because it's

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<v Speaker 1>kind of evil? You know? How do you go after

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<v Speaker 1>a book? I don't care what it says. This ship

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<v Speaker 1>cannot be protected by the First Amendment. Motile legacy is

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<v Speaker 1>motile a legacy, and everyone who was there, whatever they did, good, bad,

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<v Speaker 1>what they say and ugly, you know, it's all part

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<v Speaker 1>of the legacy. I got woke up in the wee

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<v Speaker 1>hours of the morning. There had been an explosion and

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<v Speaker 1>they had located a dead body. He was obviously good

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<v Speaker 1>at concealing his identity. He literally just kind of fell

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<v Speaker 1>off the face of the earth. I'm Jasmine Morris from

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<v Speaker 1>My Heart Radio and Hit Home Media. This is hit Man.

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<v Speaker 1>I learned very quickly that no one wants to talk

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<v Speaker 1>about this book, certainly not the publisher. Back in two

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<v Speaker 1>thousand fifteen, I made a phone call to Paladin Press

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<v Speaker 1>and I asked if I could speak with someone about

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<v Speaker 1>hit Man. There was a long pause from the person

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<v Speaker 1>on the other end, and the call lasted about ten seconds.

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<v Speaker 1>I still haven't been able to get anyone from Paladin

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<v Speaker 1>on the phone or to answer my emails. In later episodes,

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<v Speaker 1>we're going to explore the whole bizarre story of Paladin,

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<v Speaker 1>but for now, here's what you need to know. The

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<v Speaker 1>publisher began in Colorado in nineteen seventy, founded by two

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<v Speaker 1>Vietnam veterans named Paidar Lund and Robert Cape Brown. In

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<v Speaker 1>earlier photos, they're often posing with guns, wearing military fatigues

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<v Speaker 1>bandanas across their foreheads. Lande looks just like Martin Sheen

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<v Speaker 1>from Apocalypse Now. At one point, the company website said

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<v Speaker 1>they named their press Paladin after the knights who served

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<v Speaker 1>in Charlemagne's court in eighth century France, knights who were

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<v Speaker 1>quote dispatched by the king to redress wrongs in the land.

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<v Speaker 1>Brown would eventually start the Mercenary magazine Soldier of Fortune,

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<v Speaker 1>while Lund soldiered on at Paladin, publishing books with titles

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<v Speaker 1>like be Your Own Undertaker, how to Dispose of a

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<v Speaker 1>dead Body, and Sneak It through Smuggling made easier in

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<v Speaker 1>the eighties, they got into the video business, putting out

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<v Speaker 1>instructional tapes like the lock Picking Guide b An E

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<v Speaker 1>A t Z. How to get in anywhere anytime, getting

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<v Speaker 1>into everything from padlocks to bank a vaults. You're going

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<v Speaker 1>to see a steal of Mercedes, Corvette Ferrari, we are

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<v Speaker 1>going to blow up a safe and was burning bars.

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<v Speaker 1>We're gonna use everything can be done to get in someplace.

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<v Speaker 1>As the company website said, quote Paladin, readers seek knowledge

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<v Speaker 1>and information that some people think should remain secret or unpublished.

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<v Speaker 1>Remember when they started, it was long before the internet.

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<v Speaker 1>Lund was a First Amendment fundamentalist. He wanted to set

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<v Speaker 1>this information free. There was just nothing that these guys

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<v Speaker 1>one cell. That's Attorney Howard Siegel. I can hear Howard

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<v Speaker 1>if he could be a little louder, Jasmine, you were

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<v Speaker 1>absolutely the first person in the history of Western civilization

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<v Speaker 1>who has ever asked me to be louder. My wife

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<v Speaker 1>would be astounded that somebody asked me to be a louder. Yeah,

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<v Speaker 1>Goad Howard has been an attorney for forty five years,

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<v Speaker 1>often taking on cases no one else will. He's bombastic

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<v Speaker 1>and unfiltered and not afraid to make his opinions known,

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<v Speaker 1>which made him a worthy opponent of paid our loans,

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<v Speaker 1>But we'll get into that later. I remember one description

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<v Speaker 1>of how to build a baby bottle bomb in one

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<v Speaker 1>of his books. That was a bomb that was literally

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<v Speaker 1>in a baby bottle, and you would wield the baby

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<v Speaker 1>into a crowded marketplace. That's how you would kill innocent people.

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<v Speaker 1>And didn't bother Lund in the slightest. I mean, here's

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<v Speaker 1>Lund himself back in the nineties being interviewed by Mike

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<v Speaker 1>Wallace on sixty minutes. Terrorists would certainly be interested in

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<v Speaker 1>what you publish. They might be absolutely and this doesn't

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<v Speaker 1>worry the fact that, no, it does not. And later,

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<v Speaker 1>when asked about a book tied to the Oklahoma City bombing,

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<v Speaker 1>the domestic terrorist attack that killed one d sixty eight people,

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<v Speaker 1>Lunda says this, I feel no responsibility. I have no

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<v Speaker 1>ethical responsibility for the misuse of information. That's what this

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<v Speaker 1>whole issue is about, the misuse, the illegal use of information.

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<v Speaker 1>Lund died in two thousand seventeen and Paladin shut down

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<v Speaker 1>shortly afterward. But I did speak with Tom Kelly, the

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<v Speaker 1>press lawyer who defended Paladin in a landmark first Amendment

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<v Speaker 1>case that we're going to talk a whole lot about.

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<v Speaker 1>Not surprisingly, his take on Paladin's catalog was a little

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<v Speaker 1>different than Howard's. Paladin has a niche market, a very

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<v Speaker 1>eclectic mixture of non fiction. They focus on libertarian values,

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<v Speaker 1>self help strategies, survivalism, knowledge of weapons and explosives, but

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<v Speaker 1>they also include esoteric topics like quite a range of

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<v Speaker 1>odd hobbies, or the spiritual life of the Lakota Sue

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<v Speaker 1>Indians and that sort of thing. One of the best

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<v Speaker 1>selling series of Paladin was the Revenge series, including Screw

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<v Speaker 1>onto Others, revenge tactics for all occasions. I've also seen

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<v Speaker 1>Paladin be described as the most dangerous publisher in America

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<v Speaker 1>or something like that. Well, I you know, I think

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<v Speaker 1>that's preposterous. The books published are very unlikely to be

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<v Speaker 1>the cause of criminal conduct, murder, mayhem, what have you.

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<v Speaker 1>This conversation is so relevant right now. What do we

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<v Speaker 1>do with this kind of speech and information? Every few days,

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<v Speaker 1>it seems there's another mass shooting tied to some kind

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<v Speaker 1>of radicalized viral online hate. So we have to ask,

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<v Speaker 1>can horrendous ideas cause horrendous acts of violence? And are

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<v Speaker 1>the platforms that perpetuate those ideas responsible. Paladin's publisher paid

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<v Speaker 1>our Land once said, I've never seen a man killed

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<v Speaker 1>by a book which brings us to murders of Millie

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<v Speaker 1>and Trevor Horn and Janice Saunders. We're like, what a

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<v Speaker 1>book that's published? It tells you how to kill? And

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<v Speaker 1>really we could not believe this, something like this was published.

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<v Speaker 1>We had three people who were dead, had been murdered,

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<v Speaker 1>and this book was used. It made me angry. I

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<v Speaker 1>was already angry when I understood the book, and I

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<v Speaker 1>became even more angry. That's Maryland Farmer. She's telling me

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<v Speaker 1>about her sister, Millie Horne, a forty three year old

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<v Speaker 1>single mom with three kids, an older daughter, Tiffany, and

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<v Speaker 1>twins Tammielle and Trevor. We all remember her, her beautiful smile,

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<v Speaker 1>her red lips she loved red lipstick, and her infectious

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<v Speaker 1>laughter and just happy, loving life. We used to teaser

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<v Speaker 1>because Millie had blonde hair, and she had green eyes,

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<v Speaker 1>and she was fair skinned, and she had a presence

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<v Speaker 1>about her. That presence it comes through in stories and

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<v Speaker 1>photographs of Millie. I've heard people use words like magnetic

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<v Speaker 1>when describing her. I've also heard determined, prideful, fearless, and regal.

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<v Speaker 1>She's also been described as a really good mom. Here's

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<v Speaker 1>her daughter, Tiffany. I can honestly say she invested her

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<v Speaker 1>heart and soul in raising me. She also was that

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<v Speaker 1>cool mom, you know, and she definitely was more carefree.

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<v Speaker 1>Like she took me to see Flash Name. It's like

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<v Speaker 1>I will never forget that, Like what mother takes their

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<v Speaker 1>daughter to see a movie about strippers? It was like

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<v Speaker 1>eight years old. She didn't know was that kind of

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<v Speaker 1>dancy mill. He was fiercely protective of her children, which

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<v Speaker 1>became especially clear to everyone when she gave birth to

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<v Speaker 1>her twins. They were born three months premature. Tammiel had

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<v Speaker 1>no major health complications, but Trevor's lungs were underdeveloped and

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<v Speaker 1>he was in critical condition when he finally came home

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<v Speaker 1>from the hospital. He had a tracheostomy tube in his

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<v Speaker 1>throat and he was hooked up to an abneum monitor,

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<v Speaker 1>which would sound an alarm if he stopped breathing. He

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<v Speaker 1>required twenty four hour nursing care. Trevor was profoundly disabled.

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<v Speaker 1>That's Howard Siegel again. He was what many people would

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<v Speaker 1>consider to be the ultimate burden, and these people treated

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<v Speaker 1>him like he was the ultimate gift. He was our

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<v Speaker 1>miracle child. I would have a bad day at work

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<v Speaker 1>and I would come in and walk in the room

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<v Speaker 1>and who's they're chuckling away at me. Tiffany was nine

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<v Speaker 1>when the twins were born, and she remembers that close bond.

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<v Speaker 1>Million Trevor shared, My mom was his everything, like a

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<v Speaker 1>mother's son love you could not imagine. And it was

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<v Speaker 1>almost like she was the love of his life. And

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<v Speaker 1>I think my mom had been looking for that connection

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<v Speaker 1>for a long time. Say, Fifine, I have Tammy you.

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<v Speaker 1>What do you do in Trevor? Wait, this is footage

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<v Speaker 1>from a home video Maryland shared with me. That's her

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<v Speaker 1>voice you're hearing. Trevor, now four years old, is laying

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<v Speaker 1>on a Smurf's blanket on the floor in his bedroom,

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<v Speaker 1>which was the heart of Milly's house. They actually called

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<v Speaker 1>it the family room. His cousins and siblings are playing

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<v Speaker 1>with him, tickling him. His mouth is wide open with

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<v Speaker 1>the biggest smile. He just radiates joy. You can see

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<v Speaker 1>it on everyone's faces. And then his mother, Millie, gets

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<v Speaker 1>down on the floor with him. What are you talking about, Trevor? STU.

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<v Speaker 1>Look at recommend Mama, where are you going? Oh it's

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<v Speaker 1>Trevor turned over? Look at your laving? Just like every

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<v Speaker 1>other night. Around seven seven pm on March second, Trevor

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<v Speaker 1>gets a bath and is rocked to sleep in a

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<v Speaker 1>rocking chair in his room. If it wasn't Milly doing this,

0:14:26.160 --> 0:14:28.040
<v Speaker 1>it would be one of the nurses she recruited to

0:14:28.080 --> 0:14:32.120
<v Speaker 1>help care for Trevor. Janis Saunders, arrives around eight pm

0:14:32.160 --> 0:14:34.880
<v Speaker 1>to work the night shift. Janie isn't supposed to be

0:14:34.880 --> 0:14:37.040
<v Speaker 1>there that night, but she agreed to fill in for

0:14:37.080 --> 0:14:41.120
<v Speaker 1>another nurse who couldn't make it. As was routine, she

0:14:41.200 --> 0:14:43.840
<v Speaker 1>flashes her headlights, letting the day nurse know she's in

0:14:43.880 --> 0:14:47.440
<v Speaker 1>the driveway. The garage door opens for her. She pulls

0:14:47.480 --> 0:14:50.880
<v Speaker 1>in and closes the garage door behind her. The nurse,

0:14:50.920 --> 0:14:54.280
<v Speaker 1>being relieved, debriefs Janice, telling her Trevor was doing very

0:14:54.320 --> 0:14:58.119
<v Speaker 1>well clinically. She says he was enjoyable and very happy

0:14:58.160 --> 0:15:02.280
<v Speaker 1>that they'd had a very pleasant a. Milliehorn, a flight

0:15:02.320 --> 0:15:05.280
<v Speaker 1>attendant with American Airlines, is scheduled to fly out around

0:15:05.320 --> 0:15:09.640
<v Speaker 1>eight am. Tammiell's sleeping over at her aunt's. Janice settles

0:15:09.640 --> 0:15:15.560
<v Speaker 1>in for the night. Just before midnight, a man parks

0:15:15.600 --> 0:15:19.120
<v Speaker 1>his rental car and silver Spring, Maryland. He carries a

0:15:19.120 --> 0:15:21.400
<v Speaker 1>hand drawn map as he walks to Millie's big brick

0:15:21.440 --> 0:15:25.840
<v Speaker 1>house nearby. This is the ax on his map. Millie

0:15:25.880 --> 0:15:30.480
<v Speaker 1>is asleep upstairs. Trevor is asleep in his room. Jannis

0:15:30.520 --> 0:15:34.200
<v Speaker 1>sits by his side, cross stitching and watching over the boy.

0:15:34.960 --> 0:15:38.400
<v Speaker 1>At around two am, she logs his vitals continued to

0:15:38.400 --> 0:15:45.680
<v Speaker 1>sleep quietly, respiratory status, stable, lungs clear, diaper dry. Her

0:15:45.720 --> 0:15:48.720
<v Speaker 1>notes show that she started to write more and then.

0:15:49.640 --> 0:15:52.880
<v Speaker 1>No one knows exactly what happened next, but here's what

0:15:53.000 --> 0:15:57.040
<v Speaker 1>investigators piece together. The man approaches the back of the

0:15:57.080 --> 0:16:00.240
<v Speaker 1>house carrying an a R seven rifle, low it with

0:16:00.280 --> 0:16:04.280
<v Speaker 1>twenty two caliber ammunition and a homemade silencer affixed the barrel.

0:16:05.120 --> 0:16:07.760
<v Speaker 1>He prizes open a basement window or possibly the sliding

0:16:07.800 --> 0:16:10.880
<v Speaker 1>back door. He walks through the first floor of the

0:16:10.920 --> 0:16:15.840
<v Speaker 1>house towards Trevor's bedroom, finds Janice Saunders and shoots her

0:16:16.280 --> 0:16:21.720
<v Speaker 1>through the eye. He then approaches Trevor's crib and smothers

0:16:21.760 --> 0:16:26.120
<v Speaker 1>the boy. Trevor stops breathing, which sets off the piercing

0:16:26.120 --> 0:16:30.080
<v Speaker 1>alarm of zapnea monitor, just as she had done many

0:16:30.120 --> 0:16:33.080
<v Speaker 1>times in the past. Millie hears the alarm and heads

0:16:33.080 --> 0:16:36.720
<v Speaker 1>downstairs to check on Trevor. That's when she comes face

0:16:36.760 --> 0:16:38.480
<v Speaker 1>to face with a man at the foot of the stairs.

0:16:39.120 --> 0:16:42.960
<v Speaker 1>He shoots her in the head three times, again through

0:16:42.960 --> 0:16:47.280
<v Speaker 1>the eye. Before the man leaves, he tosses furniture and

0:16:47.320 --> 0:16:51.160
<v Speaker 1>takes Millie's credit cards. He takes his gun, disassembles it,

0:16:51.240 --> 0:16:53.720
<v Speaker 1>and runs a rattail file down the inside of his

0:16:53.760 --> 0:16:56.640
<v Speaker 1>A R seven. He grabs Millie's keys, and he takes

0:16:56.640 --> 0:16:59.000
<v Speaker 1>off in her van, tossing her credit cards and the

0:16:59.040 --> 0:17:03.560
<v Speaker 1>gun parts into the brush along the highway. He abandons

0:17:03.560 --> 0:17:05.560
<v Speaker 1>her van and he gets back into his rental car,

0:17:05.840 --> 0:17:08.440
<v Speaker 1>making one last stop to a pay phone at a

0:17:08.480 --> 0:17:17.840
<v Speaker 1>Denny's nearby. All Right, it's cryptic, but investigators believe this

0:17:17.920 --> 0:17:20.919
<v Speaker 1>was a hitman calling his employer to report he had

0:17:20.960 --> 0:17:30.800
<v Speaker 1>completed his job. We'll be right back after a quick break.

0:17:49.640 --> 0:17:52.199
<v Speaker 1>When I first reached out to Tiffany Horn, it's been

0:17:52.240 --> 0:17:55.520
<v Speaker 1>twenty five years since her family was completely torn apart.

0:17:56.040 --> 0:18:00.720
<v Speaker 1>After several years or decades, the family leaves that deal

0:18:00.800 --> 0:18:05.080
<v Speaker 1>with this type of horrendous trauma are constantly dealing with

0:18:05.440 --> 0:18:10.359
<v Speaker 1>the fallout. It never goes away, and it's a lonely

0:18:10.400 --> 0:18:14.200
<v Speaker 1>existence sometimes to be part of that, because you become

0:18:14.240 --> 0:18:17.640
<v Speaker 1>almost like a pariah, and it's too painful for people

0:18:17.680 --> 0:18:19.760
<v Speaker 1>to want to deal with. I keep coming back to

0:18:19.800 --> 0:18:22.119
<v Speaker 1>this moment in the home video that Marilynn shared with me,

0:18:22.400 --> 0:18:26.840
<v Speaker 1>when Tiffany turns the camera on her mom, Mom, I

0:18:26.920 --> 0:18:30.399
<v Speaker 1>go to church today. What did you do that? I

0:18:30.520 --> 0:18:36.440
<v Speaker 1>tried to listen to? What else did you do? Tiffany

0:18:36.520 --> 0:18:39.160
<v Speaker 1>was just a teenager when she lost her mom. She's

0:18:39.200 --> 0:18:42.720
<v Speaker 1>now outlived Milly by a year. She's a forty four

0:18:42.760 --> 0:18:45.880
<v Speaker 1>year old single mother of two. She travels as much

0:18:45.880 --> 0:18:49.240
<v Speaker 1>as she can. She loves music and God, and she's tough.

0:18:49.640 --> 0:18:51.720
<v Speaker 1>By that, I mean she doesn't let anyone walk all

0:18:51.720 --> 0:18:55.320
<v Speaker 1>over her. She'll put you in your place. She first

0:18:55.359 --> 0:18:58.600
<v Speaker 1>answered my call in March of two thousand eighteen. We

0:18:58.640 --> 0:19:01.120
<v Speaker 1>had many more phone calls before she agreed to meet

0:19:01.160 --> 0:19:04.840
<v Speaker 1>with me, and even then she was reluctant. She still is.

0:19:05.320 --> 0:19:09.080
<v Speaker 1>She doesn't trust easily for good reason. Why are you

0:19:09.119 --> 0:19:12.240
<v Speaker 1>sitting here with me today? I feel it's important to

0:19:13.200 --> 0:19:17.239
<v Speaker 1>tell some details and some parts of my story that

0:19:17.320 --> 0:19:19.920
<v Speaker 1>I don't think I've ever really talked about before, even

0:19:20.000 --> 0:19:23.440
<v Speaker 1>just talking to you today. I can't have these conversations

0:19:23.520 --> 0:19:27.199
<v Speaker 1>really with anyone now. My kids have grown up and

0:19:27.280 --> 0:19:30.520
<v Speaker 1>they're moving on to live their adult lives, and I

0:19:30.520 --> 0:19:33.040
<v Speaker 1>guess I'm left now with, oh, wow, there's all these

0:19:33.080 --> 0:19:36.960
<v Speaker 1>things I'm still having to kind of sort through about

0:19:36.960 --> 0:19:47.080
<v Speaker 1>my dad, about my mom, about my family. The morning

0:19:47.080 --> 0:19:50.520
<v Speaker 1>of March three, Tiffany got a phone call to her

0:19:50.560 --> 0:19:54.160
<v Speaker 1>dorm room at Howard University in Washington, d C. I'll

0:19:54.160 --> 0:19:57.280
<v Speaker 1>never forget. They called me from the lobby and they

0:19:57.320 --> 0:20:00.159
<v Speaker 1>said that the police were there for me, and my

0:20:00.240 --> 0:20:04.000
<v Speaker 1>heart stopped. They just said, can you come with us?

0:20:04.960 --> 0:20:09.000
<v Speaker 1>So that was like a minute tribe, and I just

0:20:09.080 --> 0:20:12.959
<v Speaker 1>remember being back at the cruiser just crying and crying

0:20:13.000 --> 0:20:18.600
<v Speaker 1>and crying because I didn't know what had happened, but

0:20:18.640 --> 0:20:21.679
<v Speaker 1>I knew it must be something awful. So I had

0:20:21.720 --> 0:20:24.960
<v Speaker 1>almost a whole hour to go through all these different scenarios,

0:20:26.280 --> 0:20:30.600
<v Speaker 1>and I just remember thinking immediately maybe my mom's plane

0:20:30.600 --> 0:20:33.600
<v Speaker 1>had crashed or something like. I used to have those

0:20:33.680 --> 0:20:36.040
<v Speaker 1>fears as a child, so that was the first thing

0:20:36.280 --> 0:20:40.080
<v Speaker 1>that came to my mind. I'm at that point inconsolable,

0:20:40.600 --> 0:20:43.520
<v Speaker 1>so I run into the house and I just collapsed

0:20:43.560 --> 0:20:47.320
<v Speaker 1>into my Auntie Lane's arms, screaming and crying. And that's

0:20:47.359 --> 0:20:51.480
<v Speaker 1>when my grandmother was in the background, wailing that he

0:20:51.640 --> 0:20:56.640
<v Speaker 1>killed my daughter, this primal whale of pain. And then

0:20:57.240 --> 0:21:01.040
<v Speaker 1>that's when my my aunt told me that my mother,

0:21:01.240 --> 0:21:11.119
<v Speaker 1>my brother, and his nurse Janis had been murdered. Tiffany's aunt,

0:21:11.280 --> 0:21:15.000
<v Speaker 1>Millie sister, Vivian Elaine Rice lived next door to Millie.

0:21:15.600 --> 0:21:17.800
<v Speaker 1>She was the first one to discover the scene around

0:21:17.840 --> 0:21:22.200
<v Speaker 1>seven fifteen am. At first, everyone pointed their fingers and

0:21:22.280 --> 0:21:25.680
<v Speaker 1>Millie's ex husband and father her three children, Lawrence Horn,

0:21:26.359 --> 0:21:28.520
<v Speaker 1>but he was three thousand miles away at the time,

0:21:29.040 --> 0:21:33.040
<v Speaker 1>and as we'll learn, he had an airtight alibi. I

0:21:33.080 --> 0:21:37.800
<v Speaker 1>was responsible for the investigation and prosecution of what we

0:21:37.920 --> 0:21:42.720
<v Speaker 1>call the triple murder for hire of Trevor and Mildred

0:21:43.320 --> 0:21:46.960
<v Speaker 1>and Janice Saunders. Robert Dean is a career prosecutor based

0:21:47.000 --> 0:21:51.119
<v Speaker 1>in Montgomery County, Maryland. After I reached out, he responded immediately.

0:21:51.480 --> 0:21:53.200
<v Speaker 1>He was working in me and mar at the time

0:21:53.440 --> 0:21:55.520
<v Speaker 1>when we met up just days after he returned to

0:21:55.560 --> 0:21:58.560
<v Speaker 1>the States. Police didn't always ask me to come out

0:21:58.600 --> 0:22:00.439
<v Speaker 1>to the crime scene, but they thought this was the

0:22:00.480 --> 0:22:03.720
<v Speaker 1>type of case where it was appropriate, so I did.

0:22:04.359 --> 0:22:10.280
<v Speaker 1>It was a very somber and and and solemn site.

0:22:10.359 --> 0:22:13.800
<v Speaker 1>There was the body of Mildred Horn at the bottom

0:22:13.800 --> 0:22:17.080
<v Speaker 1>of the stairs. There was the body of a child

0:22:17.560 --> 0:22:22.960
<v Speaker 1>with clearly life support type of apparatus oxygen tanks and

0:22:22.960 --> 0:22:26.440
<v Speaker 1>and and wires and so forth. By his side was

0:22:26.520 --> 0:22:33.920
<v Speaker 1>Jonnas Saunders, one of his care nurses. Bob Dean still

0:22:33.960 --> 0:22:37.199
<v Speaker 1>calls this the biggest case he's ever had. It was

0:22:37.280 --> 0:22:40.840
<v Speaker 1>one of the most exhaustive investigations in Montgomery County history.

0:22:41.800 --> 0:22:44.480
<v Speaker 1>Whoever had committed this crime had managed to leave no

0:22:44.600 --> 0:22:48.119
<v Speaker 1>fingerprints behind. They didn't have much to go on, so

0:22:48.200 --> 0:22:51.440
<v Speaker 1>the police set off on foot, canvassing the area for clues,

0:22:51.760 --> 0:22:54.480
<v Speaker 1>and they told us they had found someone from Detroit

0:22:54.560 --> 0:22:57.479
<v Speaker 1>who was signed into a hotel, stayed like six hours,

0:22:57.480 --> 0:23:00.760
<v Speaker 1>and then left. This man from Detroit had checked into

0:23:00.760 --> 0:23:03.360
<v Speaker 1>a nearby days in around midnight and had checked out

0:23:03.400 --> 0:23:06.680
<v Speaker 1>by six am the morning of the murders. There could

0:23:06.680 --> 0:23:09.880
<v Speaker 1>have been plenty of innocent explanations, but it still seemed weird.

0:23:10.119 --> 0:23:13.800
<v Speaker 1>This was clearly an interstate matter, and by this time

0:23:13.840 --> 0:23:17.320
<v Speaker 1>we had asked the FBI for assistance, and investigators from

0:23:17.320 --> 0:23:21.520
<v Speaker 1>the Detroit FBI office decided to pay the man a visitance. Units.

0:23:21.520 --> 0:23:23.119
<v Speaker 1>We should be on that house in a few minutes.

0:23:23.359 --> 0:23:25.720
<v Speaker 1>We're gonna have the handheld with us. This is the

0:23:25.760 --> 0:23:28.680
<v Speaker 1>actual tape from that day. They're outside the man's small

0:23:28.720 --> 0:23:33.480
<v Speaker 1>brick house in East Detroit. Hey, so, Bob case FBI, Well,

0:23:34.080 --> 0:23:36.080
<v Speaker 1>see how we covered as quickly here I got from

0:23:36.080 --> 0:23:39.880
<v Speaker 1>a Baltimore office. Okay, what they're looking at is, um

0:23:40.359 --> 0:23:45.880
<v Speaker 1>they checked some hotels I guess on days in Gethersburg area, Rockville, Maryland,

0:23:46.640 --> 0:23:49.119
<v Speaker 1>and they had information that you stayed there. I know

0:23:49.160 --> 0:23:53.399
<v Speaker 1>it's going back a long time, but March second third

0:23:53.480 --> 0:23:58.040
<v Speaker 1>of this year. Okay, Well, first of all March. Okay.

0:23:58.240 --> 0:24:00.359
<v Speaker 1>First of all, they want to confirm there was in

0:24:00.440 --> 0:24:02.560
<v Speaker 1>fact you or somebody still your I D did you

0:24:02.600 --> 0:24:05.800
<v Speaker 1>lose your ID or something like that. Uh No, I

0:24:05.920 --> 0:24:09.959
<v Speaker 1>was there in that area, okay, And so I can

0:24:10.000 --> 0:24:13.680
<v Speaker 1>can you tell us why you were there? Well? Well,

0:24:13.920 --> 0:24:17.080
<v Speaker 1>can I ask you why you're asking this question? And

0:24:17.119 --> 0:24:21.280
<v Speaker 1>eventually he answers the FBI agents your own business business,

0:24:21.760 --> 0:24:26.280
<v Speaker 1>church related business. The man being questioned is James Edward Perry.

0:24:26.480 --> 0:24:28.400
<v Speaker 1>He was around forty five years old. At the time.

0:24:28.520 --> 0:24:30.879
<v Speaker 1>He had a criminal record. He'd been in prison for

0:24:30.960 --> 0:24:34.760
<v Speaker 1>armed robbery, but he'd served his time and now worked

0:24:34.800 --> 0:24:38.560
<v Speaker 1>for himself as a radio minister and spiritual advisor. I

0:24:38.680 --> 0:24:41.159
<v Speaker 1>traveled across this country. I've got probably maybe four or

0:24:41.200 --> 0:24:44.880
<v Speaker 1>five thousand people that I counsel and in minister too.

0:24:45.560 --> 0:24:49.000
<v Speaker 1>We are into basically now trying to help people, uh,

0:24:49.080 --> 0:24:52.600
<v Speaker 1>what the problems that they possibly have. I found the

0:24:52.640 --> 0:24:55.560
<v Speaker 1>surveillance photo of him. He's wearing a trench coat in

0:24:55.600 --> 0:24:59.040
<v Speaker 1>a prayer cap. He's got aviator sunglasses hanging around his neck.

0:24:59.560 --> 0:25:03.800
<v Speaker 1>He's very stylish. Perry called himself a case buster. He

0:25:03.800 --> 0:25:07.320
<v Speaker 1>helped with things like choosing lottery numbers and counseling people

0:25:07.400 --> 0:25:11.960
<v Speaker 1>on their marriages. There are people that because those certain

0:25:12.040 --> 0:25:16.600
<v Speaker 1>things happening in their lives there they have witchcraft. They

0:25:16.640 --> 0:25:21.879
<v Speaker 1>held painting that body. Uh. We pray for him and

0:25:21.920 --> 0:25:26.399
<v Speaker 1>we are tempted to give them a positive attitude with

0:25:26.560 --> 0:25:29.400
<v Speaker 1>My belief is that whatever it is, if you think

0:25:29.440 --> 0:25:31.399
<v Speaker 1>that you're healthy, when you'll be healthy, it doesn't make

0:25:31.400 --> 0:25:33.359
<v Speaker 1>no difference what you have, you have cancer or what

0:25:33.520 --> 0:25:37.400
<v Speaker 1>have you that can be absolved. I'm going to take

0:25:37.440 --> 0:25:39.760
<v Speaker 1>you through all the twists and turns of this investigation,

0:25:40.440 --> 0:25:43.919
<v Speaker 1>But just know that eventually investigators executed a search warrant

0:25:43.960 --> 0:25:47.320
<v Speaker 1>on Perry's house, and he had kind of a storefront.

0:25:48.680 --> 0:25:50.040
<v Speaker 1>I don't want to call it a church, but I

0:25:50.040 --> 0:25:51.639
<v Speaker 1>guess that's what we will call it, and we'll call

0:25:51.680 --> 0:25:55.760
<v Speaker 1>it a church. Handle a little calling card, and there

0:25:55.800 --> 0:25:58.879
<v Speaker 1>was a soldier of Fortune magazine, and then there was

0:25:58.920 --> 0:26:03.600
<v Speaker 1>a catalog for Paler and Press. Sure enough we learned

0:26:03.840 --> 0:26:06.479
<v Speaker 1>that James Perry had in fact ordered these two books,

0:26:07.000 --> 0:26:11.040
<v Speaker 1>how to Be a Hitman by Rex Ferrell, and this

0:26:11.040 --> 0:26:14.240
<v Speaker 1>book on how to make disposable silencers. We ordered, of

0:26:14.280 --> 0:26:16.480
<v Speaker 1>course these books as well. Do you remember the first

0:26:16.520 --> 0:26:18.480
<v Speaker 1>time you saw that book? Yeah, I know I. I

0:26:18.920 --> 0:26:20.920
<v Speaker 1>looked at it and I couldn't believe it. I don't

0:26:20.920 --> 0:26:23.959
<v Speaker 1>want to say I was appalled. For a minute. I

0:26:23.960 --> 0:26:26.159
<v Speaker 1>thought it was a joke. It's kind of just a

0:26:26.160 --> 0:26:29.680
<v Speaker 1>gag gift. But you've not got the thinking that maybe,

0:26:30.040 --> 0:26:33.040
<v Speaker 1>you know, some people take it seriously, and Perry was

0:26:33.080 --> 0:26:38.080
<v Speaker 1>interested in it. Investigators found striking similarities between the tips

0:26:38.080 --> 0:26:41.040
<v Speaker 1>found in hit Man and the murders of Millie, Trevor

0:26:41.080 --> 0:26:45.600
<v Speaker 1>and Janice. The first item on Farrell's basic equipment checklist

0:26:46.119 --> 0:26:49.359
<v Speaker 1>an a R seven rifle, which investigators believe was used

0:26:49.359 --> 0:26:53.879
<v Speaker 1>in these murders. Shoot at close range. Quote aim for

0:26:53.960 --> 0:26:57.199
<v Speaker 1>the head, preferably the eye sockets. If you are a

0:26:57.240 --> 0:27:01.399
<v Speaker 1>sharp shooter. Establish a ace at a motel in close

0:27:01.440 --> 0:27:06.000
<v Speaker 1>proximity to the job site before committing the murders. Farrell says,

0:27:06.080 --> 0:27:09.239
<v Speaker 1>pay cash, which James Perry did, and to check in

0:27:09.359 --> 0:27:12.680
<v Speaker 1>using a fictitious name. But this day's in had a

0:27:12.840 --> 0:27:16.360
<v Speaker 1>rule if paying with cash, he had to show your

0:27:16.400 --> 0:27:19.440
<v Speaker 1>I D. I guess the flaw is that he used

0:27:19.520 --> 0:27:22.639
<v Speaker 1>his correct identification. If he hadn't done that, do you

0:27:22.680 --> 0:27:24.480
<v Speaker 1>think you would have found him? I don't know. If

0:27:24.480 --> 0:27:26.600
<v Speaker 1>he used a phony name and had phony idea, I

0:27:27.040 --> 0:27:35.480
<v Speaker 1>don't know that we would have. One of the attorneys

0:27:35.480 --> 0:27:37.720
<v Speaker 1>I spoke with early on in this story said he

0:27:37.720 --> 0:27:40.359
<v Speaker 1>didn't want hit Man in his house. He compared it

0:27:40.400 --> 0:27:43.760
<v Speaker 1>to a loaded pistol or a vial of poison. I

0:27:43.800 --> 0:27:46.679
<v Speaker 1>know what he means. Hit Man sitting next to me

0:27:46.840 --> 0:27:49.639
<v Speaker 1>right now, and it does have a certain cloud around it.

0:27:50.520 --> 0:27:53.280
<v Speaker 1>I generally keep it in one place, and I don't

0:27:53.320 --> 0:27:56.360
<v Speaker 1>like it to touch other things in my office, almost

0:27:56.359 --> 0:28:00.199
<v Speaker 1>like it's some kind of contaminant. This book her lot

0:28:00.200 --> 0:28:03.399
<v Speaker 1>of people, we don't even really know how many. And

0:28:03.440 --> 0:28:06.000
<v Speaker 1>if this is a story about accountability, about who is

0:28:06.040 --> 0:28:09.679
<v Speaker 1>truly responsible when bad things happen, about who carries the

0:28:09.720 --> 0:28:13.439
<v Speaker 1>burden of remorse, there's still someone who's never spoken about

0:28:13.480 --> 0:28:23.080
<v Speaker 1>their role in all of it. One day, buried in

0:28:23.160 --> 0:28:25.919
<v Speaker 1>something like five pages of court documents that a lawyer

0:28:25.960 --> 0:28:30.200
<v Speaker 1>emailed me, I finally came across some correspondence between Paladin

0:28:30.240 --> 0:28:35.120
<v Speaker 1>and Professional Killer. Rex Ferrell, the editorial director of Paladin,

0:28:35.400 --> 0:28:38.880
<v Speaker 1>was writing, with good news enclosed, you will find two

0:28:38.880 --> 0:28:42.000
<v Speaker 1>copies of the contract for hit Man, a technical manual

0:28:42.080 --> 0:28:45.760
<v Speaker 1>for independent contractors. Signed two copies with a witness, and

0:28:45.840 --> 0:28:49.720
<v Speaker 1>returned both to us. I was about to get my

0:28:49.760 --> 0:28:54.040
<v Speaker 1>first glimpse of the person behind the book. Here's what

0:28:54.080 --> 0:28:57.560
<v Speaker 1>he wrote back to Paladin. My main concern in offering

0:28:57.600 --> 0:29:01.160
<v Speaker 1>this type of material for publication is the possibility of

0:29:01.200 --> 0:29:05.360
<v Speaker 1>litigation from people who might misuse the materials in my books.

0:29:06.840 --> 0:29:09.600
<v Speaker 1>So the real Rex Ferrell might have had a conscience.

0:29:09.680 --> 0:29:14.200
<v Speaker 1>After all, it's easy to speculate what Ferrell's intentions were

0:29:14.240 --> 0:29:17.480
<v Speaker 1>in writing hit Man. To some, it's not a question.

0:29:17.720 --> 0:29:20.880
<v Speaker 1>I mean he wrote a murder manual to others. It

0:29:20.920 --> 0:29:23.840
<v Speaker 1>reads his entertainment or a joke, a joke that James

0:29:23.880 --> 0:29:26.800
<v Speaker 1>Perry might have used to murder three people. But after

0:29:26.920 --> 0:29:30.240
<v Speaker 1>reading through this exchange, at least one thing becomes clear

0:29:30.280 --> 0:29:35.160
<v Speaker 1>about Ferrell Again, he writes, by the way, an answer

0:29:35.200 --> 0:29:38.080
<v Speaker 1>to your question and that of Mr Land. I get

0:29:38.120 --> 0:29:42.960
<v Speaker 1>my materials from books, television, movies, newspapers, police officers, my

0:29:43.040 --> 0:29:46.920
<v Speaker 1>karate instructor, and a good friend who is an attorney. No,

0:29:47.520 --> 0:29:50.000
<v Speaker 1>I am not a hit man. I don't even own

0:29:50.000 --> 0:30:02.680
<v Speaker 1>a gun, but don't tell anybody. Yeah, next on hit Man,

0:30:03.080 --> 0:30:06.120
<v Speaker 1>my dad stole everything. I knew in my heart of

0:30:06.160 --> 0:30:10.080
<v Speaker 1>hearts that he was involved. He destroyed my life like

0:30:10.200 --> 0:30:12.800
<v Speaker 1>my family was gone. It's never been the same for me.

0:30:13.360 --> 0:30:15.560
<v Speaker 1>We all knew, did it? So we knew it was

0:30:15.640 --> 0:30:19.240
<v Speaker 1>Lawrence Horn. I mean, I knew who else who would

0:30:19.280 --> 0:30:22.479
<v Speaker 1>have benefited from Trevor Due Who would walk in the

0:30:22.520 --> 0:30:26.920
<v Speaker 1>house and kill an innocent child. At the time that

0:30:27.000 --> 0:30:35.640
<v Speaker 1>you married Billie Murray, did you love her? H No.

0:30:49.480 --> 0:30:51.440
<v Speaker 1>Hit Man is a production of My Heart Radio and

0:30:51.520 --> 0:30:54.760
<v Speaker 1>Hit Home Media. It's produced and reported by me Jasmine Morris,

0:30:55.080 --> 0:30:58.239
<v Speaker 1>our supervising producer is Michelle Lance. Mark Luto is our

0:30:58.280 --> 0:31:02.960
<v Speaker 1>story consultant. Executive producers are Mangesh Hattikador and Me. Mixing

0:31:02.960 --> 0:31:06.480
<v Speaker 1>by Josh Roguson and Jacopo Penzo. Our fact checker is

0:31:06.480 --> 0:31:10.160
<v Speaker 1>Austin Thompson. Our theme song is written and produced by DIME,

0:31:11.240 --> 0:31:15.120
<v Speaker 1>powered by the Detroit Institute of Music Education. In special

0:31:15.120 --> 0:31:19.080
<v Speaker 1>thanks to Andrew Goldberg, Tor Piquette, Michael Garoclo, Nikki Etre,

0:31:19.280 --> 0:31:21.440
<v Speaker 1>Tristan McNeil, and Taylor Chocoin