1 00:00:01,880 --> 00:00:06,360 Speaker 1: In the morning Breakfast. What's up? It's the Breakfast Club, 2 00:00:06,400 --> 00:00:08,200 Speaker 1: and y'all know this is exciting for me because normally 3 00:00:08,240 --> 00:00:10,880 Speaker 1: I'm surrounded by guys all day, but today I have 4 00:00:10,960 --> 00:00:15,960 Speaker 1: an Alpha in here for Freaky Fridays. My girl, Shancia, Sancia, 5 00:00:16,160 --> 00:00:18,880 Speaker 1: what's up, Shancia? You have an album out today. It 6 00:00:19,000 --> 00:00:21,759 Speaker 1: is called Alpha. This is your first time on the 7 00:00:21,760 --> 00:00:25,320 Speaker 1: Breakfast Club. The guys were a little intimidated. Really yeah, why, 8 00:00:25,480 --> 00:00:28,280 Speaker 1: I mean, they're always get intimidated by alpha females, you 9 00:00:28,280 --> 00:00:30,600 Speaker 1: know what. I think part of it is also, like, 10 00:00:31,440 --> 00:00:33,839 Speaker 1: you know, some of your lyrics like okay, like you 11 00:00:33,880 --> 00:00:36,279 Speaker 1: say you love Big D and these guys are very 12 00:00:36,320 --> 00:00:38,320 Speaker 1: insecure about so they're like, I don't even know if 13 00:00:38,320 --> 00:00:41,440 Speaker 1: it could be in the room. Oh my god. Well 14 00:00:41,479 --> 00:00:43,600 Speaker 1: they made the right choice not being here. That's not 15 00:00:43,680 --> 00:00:45,640 Speaker 1: because we're taking over. It is Freaky Friday. So I 16 00:00:45,720 --> 00:00:48,320 Speaker 1: want to talk about a lot of things. You know, obviously, 17 00:00:48,360 --> 00:00:50,560 Speaker 1: your album Alpha is out. We're so excited. This is 18 00:00:50,600 --> 00:00:55,120 Speaker 1: your debut album. How does it feel if he is like, 19 00:00:55,160 --> 00:00:57,240 Speaker 1: I've been waiting for this for a very long time. 20 00:00:57,280 --> 00:00:58,800 Speaker 1: As you know, I've been working on this album for 21 00:00:59,200 --> 00:01:02,560 Speaker 1: quite some years. So for it to be finally here 22 00:01:02,560 --> 00:01:07,440 Speaker 1: and I it's like nerve wracking. I'm anxious, excited, everything 23 00:01:07,440 --> 00:01:09,640 Speaker 1: in one How did you know the timing was right? 24 00:01:10,920 --> 00:01:14,280 Speaker 1: Because it's about to be released, like it's released, so 25 00:01:14,319 --> 00:01:17,400 Speaker 1: it's like what other time than now? And then now 26 00:01:17,440 --> 00:01:19,280 Speaker 1: it's my first time coming on Breakfast Club and a 27 00:01:19,280 --> 00:01:22,480 Speaker 1: lot has been happening for me since the past year, 28 00:01:23,080 --> 00:01:25,520 Speaker 1: so I feel like if it was before that, then 29 00:01:25,560 --> 00:01:28,039 Speaker 1: I wouldn't get a full impact like what I'm getting now. 30 00:01:28,959 --> 00:01:31,640 Speaker 1: I love for my debut album. I know a lot 31 00:01:31,680 --> 00:01:33,680 Speaker 1: about you, but let's introduce you to some people who 32 00:01:33,720 --> 00:01:36,160 Speaker 1: may not know as much you know about how you 33 00:01:36,200 --> 00:01:39,360 Speaker 1: even got into don't get nervous because you gave me 34 00:01:39,400 --> 00:01:43,880 Speaker 1: a vibrating Oh my god, it just had to. But 35 00:01:44,040 --> 00:01:46,440 Speaker 1: let's talk about how you even got started in the 36 00:01:46,560 --> 00:01:50,200 Speaker 1: music business, because I think that's an interesting story. Yeah. Well, 37 00:01:50,240 --> 00:01:54,240 Speaker 1: I was once a promo girl before I come tons 38 00:01:54,360 --> 00:01:58,160 Speaker 1: and assist manager first, and then I went on to 39 00:01:58,880 --> 00:02:01,760 Speaker 1: you know, a promo girl after the birth of my son, 40 00:02:02,200 --> 00:02:04,680 Speaker 1: and then I was working with Ramish who is now 41 00:02:04,760 --> 00:02:07,840 Speaker 1: my manager, who was my boss at the time. I 42 00:02:07,880 --> 00:02:11,760 Speaker 1: was doing like covers and just doing ciphers, broadcasting them 43 00:02:11,800 --> 00:02:13,720 Speaker 1: throughout my social media and being the fact that he 44 00:02:13,840 --> 00:02:15,120 Speaker 1: was my boss at the time, he was in my 45 00:02:15,160 --> 00:02:18,560 Speaker 1: contact list and so he got my videos too. And 46 00:02:18,560 --> 00:02:20,680 Speaker 1: then he pulled me aside one day and be like, Yo, 47 00:02:20,760 --> 00:02:22,880 Speaker 1: you got talented. I see something in you. We should 48 00:02:22,880 --> 00:02:25,680 Speaker 1: definitely work together more than from boss to promo girl 49 00:02:25,680 --> 00:02:28,040 Speaker 1: and more like a manager to artists. And I was like, 50 00:02:28,480 --> 00:02:30,960 Speaker 1: you know, actually, I've been working with him for quite 51 00:02:31,040 --> 00:02:33,639 Speaker 1: some time, and I was like, I love his energy. 52 00:02:33,720 --> 00:02:37,320 Speaker 1: He treats people around him like family. You know, he's respectful, 53 00:02:37,800 --> 00:02:40,680 Speaker 1: he gets the work done. So I was like, I 54 00:02:40,760 --> 00:02:43,919 Speaker 1: have no doubts. And to be honest, he I didn't 55 00:02:43,919 --> 00:02:46,880 Speaker 1: even know him as somebody who can manage anybody at 56 00:02:46,919 --> 00:02:49,560 Speaker 1: all because he wasn't doing that. So it was literally 57 00:02:49,560 --> 00:02:51,760 Speaker 1: just like a chance of me believing in him while 58 00:02:51,760 --> 00:02:54,760 Speaker 1: he believes in me. That's good because I also feel 59 00:02:54,760 --> 00:02:57,520 Speaker 1: like trust is important when it comes to management. Sometimes 60 00:02:57,520 --> 00:02:59,640 Speaker 1: you think you need like a huge manager. No, they 61 00:02:59,680 --> 00:03:02,000 Speaker 1: don't to the next level, but an other times it's 62 00:03:02,000 --> 00:03:05,359 Speaker 1: good to have somebody that's focused just on you. Yeah. Yeah, 63 00:03:05,400 --> 00:03:08,440 Speaker 1: a boutique management company too. It's like, it's like really 64 00:03:08,520 --> 00:03:10,839 Speaker 1: cool to know that yo, when you get attention, that's 65 00:03:10,840 --> 00:03:13,519 Speaker 1: where your career literally flourishes because you can be with 66 00:03:13,560 --> 00:03:15,480 Speaker 1: the biggest people in the game and it's like you 67 00:03:15,520 --> 00:03:19,320 Speaker 1: get no attention, so it's like nobody's focusing on you 68 00:03:19,400 --> 00:03:21,760 Speaker 1: to take your career to the next level. So I'd 69 00:03:21,840 --> 00:03:23,960 Speaker 1: rather to go for the underdogs, to be honest, that's me. 70 00:03:24,360 --> 00:03:26,359 Speaker 1: So what was the plan for you guys? Initially when 71 00:03:26,360 --> 00:03:28,440 Speaker 1: you're like, okay, he said he sees the potential in you. 72 00:03:28,800 --> 00:03:30,919 Speaker 1: He knows that you could be a huge artist. So 73 00:03:30,960 --> 00:03:32,840 Speaker 1: what did you guys sit down and say, Okay, did 74 00:03:32,840 --> 00:03:34,560 Speaker 1: you come up with the marketing plan? Like what was 75 00:03:34,560 --> 00:03:38,720 Speaker 1: the strategy marketing? Where we don't know nothing. We just 76 00:03:38,760 --> 00:03:41,720 Speaker 1: go with the flow and just going with God. Because 77 00:03:41,880 --> 00:03:44,960 Speaker 1: when I met him, when we started the journey, I 78 00:03:45,000 --> 00:03:48,520 Speaker 1: recorded my first ever single in life with him, like 79 00:03:48,680 --> 00:03:52,640 Speaker 1: that's the first song I've ever recorded, jiggle Jiggle, And 80 00:03:52,720 --> 00:03:55,640 Speaker 1: before that I only wrote like through your four songs, 81 00:03:56,240 --> 00:03:59,720 Speaker 1: so to show you, like, my career has moved so fast, 82 00:03:59,720 --> 00:04:02,120 Speaker 1: but I kept up with it because I had to 83 00:04:02,120 --> 00:04:04,160 Speaker 1: be writing day and night also to keep up with 84 00:04:04,200 --> 00:04:06,640 Speaker 1: the pace of how fast it was going. So it 85 00:04:06,680 --> 00:04:08,480 Speaker 1: was like it was like a lot of pressure, but 86 00:04:09,080 --> 00:04:11,040 Speaker 1: I pulled through and I'm happy that I'm here today. 87 00:04:11,080 --> 00:04:14,080 Speaker 1: I endured it, and even up until now, it has 88 00:04:14,160 --> 00:04:17,280 Speaker 1: molded me to just get used to working hard and 89 00:04:17,320 --> 00:04:19,680 Speaker 1: I always like, always still on the go. You had 90 00:04:19,720 --> 00:04:22,159 Speaker 1: a big song with Vibes Cartel early too. That was 91 00:04:22,200 --> 00:04:25,000 Speaker 1: my third song. How did that even happen? Because imagine 92 00:04:25,040 --> 00:04:27,880 Speaker 1: a third song is with Vibes Cartel, Like he's still 93 00:04:27,880 --> 00:04:30,880 Speaker 1: in jail, right. Everything that I told God that I wanted, 94 00:04:31,680 --> 00:04:34,760 Speaker 1: I have received and I'm about to receive. Trust me, 95 00:04:34,880 --> 00:04:38,520 Speaker 1: because I always said I wanted a song with Vibes Cartel, 96 00:04:38,920 --> 00:04:41,480 Speaker 1: and you know, I looked up to him as a 97 00:04:41,600 --> 00:04:45,279 Speaker 1: lyricist growing up. So I said that, Yo, he had 98 00:04:45,360 --> 00:04:47,719 Speaker 1: his own clique like Empire and stuff, and I said 99 00:04:47,760 --> 00:04:49,760 Speaker 1: that I really don't want to be a part of 100 00:04:49,800 --> 00:04:53,320 Speaker 1: a whole clique, but I would really love to have 101 00:04:53,400 --> 00:04:55,839 Speaker 1: a song from ViBe's Cartel. And it's so came to 102 00:04:55,880 --> 00:04:58,640 Speaker 1: be that I got it and it was a single 103 00:04:58,720 --> 00:05:02,120 Speaker 1: that bringing in history. It was crazy. Did you guys 104 00:05:02,120 --> 00:05:04,640 Speaker 1: have a conversation? How did that go? Like? Have you 105 00:05:04,640 --> 00:05:07,080 Speaker 1: ever gotten to Sea? We have, No, I haven't seen 106 00:05:07,160 --> 00:05:09,080 Speaker 1: him in person, but we have spoken a couple of 107 00:05:09,120 --> 00:05:12,680 Speaker 1: times for sure. And what did he say to you? Like, yeah, 108 00:05:12,680 --> 00:05:15,000 Speaker 1: he backs me up, Okay, yeah, he backs me up, 109 00:05:15,040 --> 00:05:17,760 Speaker 1: straight up. He gives me advice, you know, he just 110 00:05:18,120 --> 00:05:20,359 Speaker 1: just normal stuff. But yeah, it's good to know that 111 00:05:20,400 --> 00:05:22,760 Speaker 1: it's no bad blood or anything. You know. Now, being 112 00:05:22,800 --> 00:05:25,280 Speaker 1: a really pretty girl in the business, how is it 113 00:05:25,320 --> 00:05:27,000 Speaker 1: for you when you want to work with people. Does 114 00:05:27,000 --> 00:05:29,359 Speaker 1: it make it sometimes like guys trying to hiller at you? 115 00:05:29,720 --> 00:05:32,120 Speaker 1: Does it sometimes make people not take you as seriously 116 00:05:32,160 --> 00:05:37,240 Speaker 1: as they should? Actually it's a bit of both. For me. 117 00:05:37,279 --> 00:05:39,720 Speaker 1: When I stop into a room, I make it known, 118 00:05:39,800 --> 00:05:41,800 Speaker 1: like with my presence and my whole ara, that yo, 119 00:05:41,839 --> 00:05:44,680 Speaker 1: I'm here to work. If you mean so, I don't 120 00:05:44,680 --> 00:05:47,240 Speaker 1: really get that thing a type of vibe when we're 121 00:05:47,240 --> 00:05:50,200 Speaker 1: actually in the room. Maybe off any year, but even 122 00:05:50,560 --> 00:05:52,880 Speaker 1: then I still don't pay any mind because it's not 123 00:05:52,920 --> 00:05:55,200 Speaker 1: my focus. If you mean, I just want to work, 124 00:05:55,600 --> 00:05:58,240 Speaker 1: Just want to work with other artists and maximize my 125 00:05:58,240 --> 00:06:01,360 Speaker 1: full potential. And I don't want anybody trying to use 126 00:06:01,440 --> 00:06:04,760 Speaker 1: pretty privilege to try to put me in that type 127 00:06:04,800 --> 00:06:06,920 Speaker 1: of category that, oh, because I'm pretty, that people work 128 00:06:06,920 --> 00:06:09,120 Speaker 1: with me, because no, my looks can't saying my looks 129 00:06:09,160 --> 00:06:11,560 Speaker 1: can't write my songs. I feed me so I meet 130 00:06:11,640 --> 00:06:14,240 Speaker 1: that known when I'm linking up with other artists, So 131 00:06:14,279 --> 00:06:16,320 Speaker 1: I don't. I don't receive. I receive a lot of 132 00:06:16,360 --> 00:06:19,120 Speaker 1: respect from me as an industry. To be honest, there's 133 00:06:19,160 --> 00:06:21,520 Speaker 1: nobody that really passed their place with me where I 134 00:06:21,640 --> 00:06:23,640 Speaker 1: have to say, yo, I don't. I don't miss with 135 00:06:23,640 --> 00:06:26,640 Speaker 1: this person because he's disrespectful. No. Now, part of what 136 00:06:26,680 --> 00:06:29,400 Speaker 1: comes with more attention is more people even trying to 137 00:06:29,400 --> 00:06:32,040 Speaker 1: come at you, Yeah and talk crazy online. How do 138 00:06:32,120 --> 00:06:36,839 Speaker 1: you handle that? Like, is it ever stressful for you? Nah? Stressful? No, 139 00:06:37,200 --> 00:06:41,920 Speaker 1: definitely not because I've never received that in person ever. Right, 140 00:06:42,000 --> 00:06:45,200 Speaker 1: people would talk all crazy online, yeah, always crazy online, 141 00:06:45,240 --> 00:06:48,560 Speaker 1: but never I've never received that in person. All right, 142 00:06:48,640 --> 00:06:53,280 Speaker 1: So let's go through some of these rumors. Ah, she 143 00:06:53,720 --> 00:06:55,720 Speaker 1: couldn't wait to get to that. I'm just saying, all right, 144 00:06:56,440 --> 00:06:58,440 Speaker 1: d there was a rumor that you were dating Drake. 145 00:06:58,680 --> 00:07:01,160 Speaker 1: That's a lie. Light Listen, me and Drake we never 146 00:07:01,240 --> 00:07:04,200 Speaker 1: even kiss, much less for him to get even get 147 00:07:04,200 --> 00:07:06,520 Speaker 1: me pregnant. Right there. I saw that. I was like, 148 00:07:06,880 --> 00:07:08,880 Speaker 1: because that was after we met you on lip service, 149 00:07:08,880 --> 00:07:13,160 Speaker 1: and I was like, is pregnant? By Drake Girl. You know. 150 00:07:13,200 --> 00:07:15,800 Speaker 1: The wordest thing is I saw the article online and 151 00:07:15,840 --> 00:07:18,360 Speaker 1: I sent it to one of my managers and I 152 00:07:18,400 --> 00:07:20,920 Speaker 1: was like, can people really just lie on me like this? 153 00:07:21,480 --> 00:07:24,760 Speaker 1: Like everything in the article and came to my attention 154 00:07:24,840 --> 00:07:27,280 Speaker 1: that everything that that person wrote about me is a lie, 155 00:07:27,760 --> 00:07:30,640 Speaker 1: like telling people that I don't work for promoters. I 156 00:07:30,640 --> 00:07:32,600 Speaker 1: don't lose shows the promoters now, I only do my 157 00:07:32,640 --> 00:07:35,600 Speaker 1: own shows. Like it's it's just ridiculous stuff. Man. I 158 00:07:35,680 --> 00:07:38,400 Speaker 1: was like, Yo, you're going to hell do you know 159 00:07:38,480 --> 00:07:40,880 Speaker 1: that person? Like I don't know the person? So I 160 00:07:40,920 --> 00:07:43,000 Speaker 1: hate my legal team and be like yo, oh okay 161 00:07:43,000 --> 00:07:45,040 Speaker 1: when you get this down. That was before it even 162 00:07:45,040 --> 00:07:47,440 Speaker 1: blew up. I saw it because someone sent it to 163 00:07:47,520 --> 00:07:49,760 Speaker 1: me and I was like, Yo, this is crazy and 164 00:07:49,760 --> 00:07:52,560 Speaker 1: they were like no, um, people really can just do that. 165 00:07:52,640 --> 00:07:54,640 Speaker 1: And I was like that's unfair. Yeah, they could just 166 00:07:54,720 --> 00:07:57,080 Speaker 1: lie and say no, that's very unfair because it's like 167 00:07:57,240 --> 00:07:59,360 Speaker 1: none of this is true and people put this out. 168 00:07:59,400 --> 00:08:01,840 Speaker 1: And then on top of it, I was grieving because 169 00:08:01,880 --> 00:08:04,320 Speaker 1: my mom died and it was my mom's death month, 170 00:08:05,080 --> 00:08:07,480 Speaker 1: so it's like I came off social media for the 171 00:08:07,560 --> 00:08:10,560 Speaker 1: whole month and to know that I came off social media, 172 00:08:10,600 --> 00:08:12,120 Speaker 1: and this is what people were saying about me. It's 173 00:08:12,120 --> 00:08:14,280 Speaker 1: just like, I'm not coming on social media just to 174 00:08:14,320 --> 00:08:16,800 Speaker 1: clear the shop. I'm not doing it. I saw you 175 00:08:16,840 --> 00:08:19,640 Speaker 1: also posting on Twitter about your mother passing and having 176 00:08:19,720 --> 00:08:21,920 Speaker 1: missed her all the time. How does it like, do 177 00:08:21,960 --> 00:08:24,560 Speaker 1: you still talk to her? You know how sometimes when 178 00:08:24,560 --> 00:08:26,560 Speaker 1: someone's not with you anymore. But she was such a 179 00:08:26,600 --> 00:08:29,160 Speaker 1: huge part of your life. I don't I talk to 180 00:08:29,240 --> 00:08:34,120 Speaker 1: God and telling him talk to her. I don't really, 181 00:08:34,200 --> 00:08:37,319 Speaker 1: I don't. I feel like when somebody passes, just like 182 00:08:37,960 --> 00:08:40,800 Speaker 1: it's a mind thing when you tell yourself that, oh, 183 00:08:40,840 --> 00:08:43,679 Speaker 1: they're here, and you know they're not here. To me, 184 00:08:44,000 --> 00:08:46,200 Speaker 1: it's like they're gone. And the more I present no, 185 00:08:46,320 --> 00:08:48,000 Speaker 1: and the more I think about it is, the more 186 00:08:48,000 --> 00:08:50,040 Speaker 1: I just get sad. Right, you know, So I don't 187 00:08:50,080 --> 00:08:53,240 Speaker 1: tell myself that, oh, she's with me everywhere like she might. 188 00:08:53,360 --> 00:08:55,880 Speaker 1: But I'm not dwelling on that. You know, God is 189 00:08:55,880 --> 00:08:59,280 Speaker 1: with me. That's That's what I feel for sure. Last, Yeah, 190 00:08:59,440 --> 00:09:01,640 Speaker 1: how about your father? Has he tried to reach out 191 00:09:01,640 --> 00:09:04,199 Speaker 1: to you, like, does he know? I don't know if 192 00:09:04,200 --> 00:09:09,160 Speaker 1: he's even alive. I heard he's a gang member and 193 00:09:09,360 --> 00:09:12,720 Speaker 1: he's in a part of a Korean gang, so I've 194 00:09:12,760 --> 00:09:15,000 Speaker 1: never met him. He had to leave my mom. She 195 00:09:15,120 --> 00:09:17,719 Speaker 1: was six months pregnant, she said, when he had to 196 00:09:17,800 --> 00:09:21,520 Speaker 1: leave to Mexico. Right, so, no family. You think he 197 00:09:21,559 --> 00:09:24,280 Speaker 1: even knows that you're like his daughter? No, because if 198 00:09:24,280 --> 00:09:27,200 Speaker 1: he never saw me, how would he know? And then 199 00:09:27,559 --> 00:09:30,720 Speaker 1: at the location where we were in Saint Elizabeth, Jamaica, 200 00:09:30,880 --> 00:09:34,040 Speaker 1: we migrated, so it's like, how do you even know 201 00:09:34,080 --> 00:09:36,280 Speaker 1: what I look like to even find me? You know? 202 00:09:37,720 --> 00:09:41,000 Speaker 1: All right? And so now for your son. We talked 203 00:09:41,000 --> 00:09:42,880 Speaker 1: about this the other day, but I know everybody might 204 00:09:42,880 --> 00:09:45,280 Speaker 1: not have heard it, but we talked about how excited 205 00:09:45,320 --> 00:09:47,040 Speaker 1: that your son is. But he also was not trying 206 00:09:47,080 --> 00:09:49,480 Speaker 1: to be all in the spotlight like that. Yeah, he's not. 207 00:09:50,400 --> 00:09:52,000 Speaker 1: He told me that he don't want to be too 208 00:09:52,040 --> 00:09:55,560 Speaker 1: famous because when we go out, people are asking for 209 00:09:55,640 --> 00:09:58,600 Speaker 1: pictures on me and him time, and I kind of 210 00:09:58,600 --> 00:10:00,680 Speaker 1: stopped that too, because it's like time I was in 211 00:10:00,720 --> 00:10:04,680 Speaker 1: the supermarket with him and I my funds came down 212 00:10:04,760 --> 00:10:07,199 Speaker 1: and asking for a picture and I was like, no, 213 00:10:07,280 --> 00:10:09,880 Speaker 1: I gotta watch my son. And then they were still pushing, 214 00:10:09,920 --> 00:10:11,560 Speaker 1: like no, we just want one picture, and then my 215 00:10:11,600 --> 00:10:14,000 Speaker 1: son ran off and I was so mad because I 216 00:10:14,040 --> 00:10:16,840 Speaker 1: was like, it was me alone with him. I was like, 217 00:10:17,280 --> 00:10:20,240 Speaker 1: y'all name, you're not letting me get to supervise my 218 00:10:20,320 --> 00:10:23,560 Speaker 1: kid because y'all still bombarding me for a picture. So 219 00:10:23,600 --> 00:10:25,640 Speaker 1: I kind of stopped when I'm with my son and 220 00:10:26,120 --> 00:10:28,680 Speaker 1: knowing that he doesn't like that, I stopped. It's like, 221 00:10:28,720 --> 00:10:30,360 Speaker 1: when you see me out with my son, don't ask 222 00:10:30,360 --> 00:10:33,040 Speaker 1: for a picture, Like I'm focused on my boy. Okay, 223 00:10:33,040 --> 00:10:36,360 Speaker 1: that's respectful. Yeah, I think people should respect that. Now 224 00:10:36,360 --> 00:10:39,000 Speaker 1: when we talk about things online that you've had to address. 225 00:10:39,120 --> 00:10:41,960 Speaker 1: I saw you on live talking about people were trying 226 00:10:41,960 --> 00:10:44,720 Speaker 1: to say that Spice was coming at you. I don't 227 00:10:44,720 --> 00:10:46,960 Speaker 1: know what ladies saw. I had to say our minister 228 00:10:47,000 --> 00:10:49,719 Speaker 1: and marrying her. That lick song really really lick a 229 00:10:49,760 --> 00:10:54,080 Speaker 1: lot of people, right, But did you anticipate that, because 230 00:10:54,120 --> 00:10:56,280 Speaker 1: I would think I did not. I did not, not 231 00:10:56,640 --> 00:11:01,240 Speaker 1: gotta because even after the song dropped and like weeks past, 232 00:11:01,760 --> 00:11:04,600 Speaker 1: that was still going on. I was like, what is 233 00:11:04,600 --> 00:11:08,040 Speaker 1: the matter with y'all? Like over one song? If you mean, 234 00:11:08,280 --> 00:11:10,800 Speaker 1: but it's not I don't think that they were. Well 235 00:11:11,080 --> 00:11:14,920 Speaker 1: maybe a lady saw, but mm I don't think Spice 236 00:11:15,000 --> 00:11:17,160 Speaker 1: was really trying to come at me. It was more 237 00:11:17,160 --> 00:11:21,000 Speaker 1: like everything else that was happening around the song, if 238 00:11:21,000 --> 00:11:24,400 Speaker 1: you mean what tarted, you know, whatever else it branched 239 00:11:24,440 --> 00:11:27,839 Speaker 1: off into. But no, I didn't feel no heat from 240 00:11:27,880 --> 00:11:29,880 Speaker 1: her towards me. I think it would be dope if 241 00:11:29,880 --> 00:11:33,040 Speaker 1: you and Spice work together and did something together personally. 242 00:11:33,080 --> 00:11:35,000 Speaker 1: I think that would be a huge statement because y'all 243 00:11:35,000 --> 00:11:37,920 Speaker 1: are so huge right now for the culture. Yeah, I 244 00:11:37,960 --> 00:11:40,920 Speaker 1: mean I reached out a couple of times if he mean, 245 00:11:40,960 --> 00:11:44,240 Speaker 1: but I mean I don't know, no, seriously, that would 246 00:11:44,280 --> 00:11:47,040 Speaker 1: go because you see the guys working together all the time. 247 00:11:47,800 --> 00:11:49,400 Speaker 1: I feel I mean I could be wrong, but I 248 00:11:49,440 --> 00:11:52,440 Speaker 1: feel like you don't see that as much, um you 249 00:11:52,440 --> 00:11:54,920 Speaker 1: know with what sorry, I see like the guys like 250 00:11:54,960 --> 00:11:58,760 Speaker 1: I see, you know, like Shaggy Sean Paul, like you know, 251 00:11:58,840 --> 00:12:01,000 Speaker 1: we see them working to yea though all the time. 252 00:12:01,240 --> 00:12:03,320 Speaker 1: But I've been trying to work with femian artists though, 253 00:12:03,440 --> 00:12:05,480 Speaker 1: right yeah, like I said it on my life too, 254 00:12:06,240 --> 00:12:08,319 Speaker 1: I've been trying to work with female artists. The only 255 00:12:08,360 --> 00:12:11,240 Speaker 1: female artists that work with is nyla blackman from a 256 00:12:11,320 --> 00:12:15,559 Speaker 1: Caribbean Trinidad and Mayan from Jamaica. If he mean, it's 257 00:12:15,600 --> 00:12:17,880 Speaker 1: not like I haven't tried an even male artists that 258 00:12:17,920 --> 00:12:20,920 Speaker 1: I have not collabed with yet either you know, I've 259 00:12:20,960 --> 00:12:23,640 Speaker 1: sent songs or I've hit up like yo, let's make 260 00:12:23,640 --> 00:12:26,360 Speaker 1: a song, and I feel like everything is time too, 261 00:12:26,440 --> 00:12:28,960 Speaker 1: you know, right, So it's not it's not anything that 262 00:12:29,000 --> 00:12:31,960 Speaker 1: I'm chasing. It's just that I would I always try 263 00:12:32,000 --> 00:12:34,400 Speaker 1: to do things for my culture that would lift my 264 00:12:34,440 --> 00:12:37,280 Speaker 1: culture up, if I mean, that's that's what I am about. 265 00:12:37,360 --> 00:12:38,920 Speaker 1: But you did a lot for the women with let 266 00:12:38,960 --> 00:12:41,080 Speaker 1: because now all these guys know what they gotta do 267 00:12:41,360 --> 00:12:44,600 Speaker 1: because listen, it used to be a big topic that 268 00:12:44,679 --> 00:12:46,320 Speaker 1: they don't do that. Now let me ask you this, 269 00:12:46,360 --> 00:12:49,680 Speaker 1: since it is freaky Freaky Friday and we're taken over. Yeah, okay, 270 00:12:49,760 --> 00:12:52,240 Speaker 1: so let's just say a guy's like, look, I've never 271 00:12:52,280 --> 00:12:54,240 Speaker 1: done that before and I don't know how to do 272 00:12:54,280 --> 00:12:57,720 Speaker 1: it right. What advice would you give him? Well, first 273 00:12:57,760 --> 00:12:59,600 Speaker 1: of all, you gotta eat it like you really want 274 00:12:59,600 --> 00:13:02,880 Speaker 1: to eat it. Don't be enthusiastic. Yeah, don't go down 275 00:13:02,880 --> 00:13:05,360 Speaker 1: on me and you know you're just trying to please me. No, 276 00:13:05,640 --> 00:13:09,320 Speaker 1: try to please yourself and then please me, because if 277 00:13:09,679 --> 00:13:11,200 Speaker 1: you're not, if you don't want to do it, and 278 00:13:11,240 --> 00:13:13,320 Speaker 1: you're just forcing it. I'm gonna feel it, but Janet's 279 00:13:13,360 --> 00:13:17,240 Speaker 1: gonna tell me, and you're just not gonna do it. Right. 280 00:13:17,320 --> 00:13:19,760 Speaker 1: But when I hear you moaning, that's a turn off 281 00:13:19,800 --> 00:13:24,679 Speaker 1: of females, right, you like it sloppy like? Yes, like 282 00:13:24,720 --> 00:13:28,439 Speaker 1: my whole everything is like a swamp. Yes, don't don't. 283 00:13:28,480 --> 00:13:31,480 Speaker 1: If if you hear me say I'm on the verge, 284 00:13:31,640 --> 00:13:38,840 Speaker 1: do not, I repeat, do not switch up your tongue movement. 285 00:13:39,160 --> 00:13:43,400 Speaker 1: You gotta keep it exactly like how it was before. 286 00:13:46,320 --> 00:13:48,080 Speaker 1: When you change up the rhythm and it's about to happen, 287 00:13:48,120 --> 00:13:50,360 Speaker 1: it's like you gotta start all over again. Yes, that's 288 00:13:50,400 --> 00:13:52,560 Speaker 1: the one, trust me. That's the one that gives me 289 00:13:52,640 --> 00:13:55,280 Speaker 1: most ignorant. Like I feel like men really need to 290 00:13:55,320 --> 00:13:57,920 Speaker 1: know that you need to keep that in the same position. 291 00:13:57,920 --> 00:14:00,640 Speaker 1: Don't go too fast, don't go too slow, keep the 292 00:14:00,679 --> 00:14:02,720 Speaker 1: same ything. Do you think we need to do that 293 00:14:02,760 --> 00:14:05,000 Speaker 1: too when we go down on guys like we need 294 00:14:05,040 --> 00:14:08,720 Speaker 1: because I feel like sometimes I like switch told you 295 00:14:08,760 --> 00:14:17,839 Speaker 1: I'll go down on guys. You definitely do equal opportunity person, Yeah, definitely, 296 00:14:18,080 --> 00:14:21,360 Speaker 1: I love to do it. To be honest, I'm being 297 00:14:21,440 --> 00:14:25,120 Speaker 1: quite honest, but um, yeah, I feel like it's pretty 298 00:14:25,200 --> 00:14:27,880 Speaker 1: much the same. I think guys like sloppy Head too, right, 299 00:14:28,040 --> 00:14:31,040 Speaker 1: they do, because dry Head is probably terrible. Yeah, I 300 00:14:31,520 --> 00:14:33,280 Speaker 1: think I got a lot to work on when it 301 00:14:33,280 --> 00:14:34,640 Speaker 1: comes on to that too. I think I'm a bit 302 00:14:34,680 --> 00:14:39,000 Speaker 1: made in between. Really. Yeah, your hands on? No hands, 303 00:14:39,720 --> 00:14:42,160 Speaker 1: hands un no hands? Okay. It depends on how I'm 304 00:14:42,160 --> 00:14:45,720 Speaker 1: feeding and how he's reacting and are you spit, swallow 305 00:14:45,840 --> 00:14:51,360 Speaker 1: or move? What she asking me? Oh, he's either swallow 306 00:14:51,480 --> 00:14:56,320 Speaker 1: or or um. I don't move. But yeah, some people like, 307 00:14:56,360 --> 00:15:00,040 Speaker 1: all right, you get me somewhere now. You Also, I 308 00:15:00,040 --> 00:15:03,200 Speaker 1: had a song called four Play, which I love that song. 309 00:15:03,360 --> 00:15:06,480 Speaker 1: I know it it's older, but I like that song 310 00:15:06,480 --> 00:15:10,080 Speaker 1: because I've always said that I feel like, um, fingering 311 00:15:10,240 --> 00:15:13,040 Speaker 1: is underrated. It is like I don't do it as 312 00:15:13,120 --> 00:15:16,840 Speaker 1: much anymore for me. That's the starting yes that four 313 00:15:16,960 --> 00:15:18,760 Speaker 1: Play with because you went right into it in the 314 00:15:18,760 --> 00:15:21,360 Speaker 1: beginning of the song, like, yeah, you got to because 315 00:15:21,720 --> 00:15:23,440 Speaker 1: the word singing is I told my team that I'm 316 00:15:23,480 --> 00:15:25,800 Speaker 1: going to write a fingering song, right, they were like 317 00:15:26,400 --> 00:15:29,040 Speaker 1: they all made their faces up at me. They're like, yo, all, 318 00:15:29,080 --> 00:15:31,360 Speaker 1: are you gonna do that? And I'll say, just watch. 319 00:15:31,880 --> 00:15:34,400 Speaker 1: I've never heard anybody done it before. And I started 320 00:15:34,480 --> 00:15:38,280 Speaker 1: in New York's lobby in a hotel and started writing 321 00:15:38,320 --> 00:15:40,960 Speaker 1: that song with all the beat. Wow, but that is 322 00:15:41,000 --> 00:15:42,760 Speaker 1: my joint right there. I love that song, and I 323 00:15:42,800 --> 00:15:45,120 Speaker 1: agree with you because I do feel like I remember 324 00:15:45,160 --> 00:15:46,920 Speaker 1: I was talking about it on lip service and people 325 00:15:47,000 --> 00:15:50,360 Speaker 1: told me that I was childish. Why they're like, because 326 00:15:50,360 --> 00:15:53,440 Speaker 1: no one does that. Like, yeah, that's that's to show 327 00:15:53,480 --> 00:15:55,120 Speaker 1: you that you all got a lot more to learn. 328 00:15:55,760 --> 00:15:59,440 Speaker 1: What me? You gotta do that with me now? Yeah, 329 00:16:00,000 --> 00:16:02,240 Speaker 1: so you have to. You gotta get it ready. Yeah, 330 00:16:02,280 --> 00:16:05,920 Speaker 1: you're getting it ready. It's either lick or a finger, 331 00:16:06,800 --> 00:16:11,160 Speaker 1: actually both, but either one can really start me about it. Quickie. 332 00:16:11,200 --> 00:16:15,040 Speaker 1: I love quickie. She's like, whatever, I love quickies. If 333 00:16:15,040 --> 00:16:17,160 Speaker 1: we're doing a quickie, you don't need to just get 334 00:16:17,160 --> 00:16:19,320 Speaker 1: it right on in there. We don't have time for 335 00:16:19,760 --> 00:16:21,880 Speaker 1: already be horny. It's a quickie, to be honest, because 336 00:16:21,880 --> 00:16:23,920 Speaker 1: that's going to turn me on crazy. Now in the 337 00:16:23,920 --> 00:16:25,840 Speaker 1: new song, because I did get a little preview before 338 00:16:25,840 --> 00:16:31,000 Speaker 1: I came out. You have body count on there? Oh yes, indeed. Yeah, 339 00:16:31,160 --> 00:16:33,160 Speaker 1: So let me ask you this, because body count has 340 00:16:33,160 --> 00:16:35,120 Speaker 1: been a topic lately. I saw a little Dirk talking 341 00:16:35,120 --> 00:16:37,880 Speaker 1: about it a million dollars worth of game. And so 342 00:16:37,920 --> 00:16:39,640 Speaker 1: how much do you think a guy does need to 343 00:16:39,680 --> 00:16:41,760 Speaker 1: know about your past? Because he doesn't need to know 344 00:16:41,840 --> 00:16:43,720 Speaker 1: shit about your past? But what about like what if 345 00:16:43,720 --> 00:16:46,320 Speaker 1: he's like, have you ever been with another woman? Then 346 00:16:46,360 --> 00:16:47,640 Speaker 1: I mean, it's up to you if you want to 347 00:16:47,680 --> 00:16:49,800 Speaker 1: tell them. I don't feel like any female need to 348 00:16:49,840 --> 00:16:53,400 Speaker 1: tell any nigger about what they've done sexually unless they 349 00:16:53,400 --> 00:16:56,160 Speaker 1: want to, Like if you saw must for you for 350 00:16:56,160 --> 00:16:59,160 Speaker 1: them to tell you, and shit, we ain't gotta be together. 351 00:16:59,400 --> 00:17:01,000 Speaker 1: I feel like I ask you that because they want 352 00:17:01,000 --> 00:17:02,880 Speaker 1: to figure out if think I have a threesome. And 353 00:17:02,920 --> 00:17:04,520 Speaker 1: that's the real reason when they're like, have you ever 354 00:17:04,520 --> 00:17:06,479 Speaker 1: been when another woman? And then they want to hear 355 00:17:06,520 --> 00:17:08,680 Speaker 1: what you're gonna say so they could figure out. Well. 356 00:17:08,720 --> 00:17:10,600 Speaker 1: As I said, it's still up to the female, right 357 00:17:10,680 --> 00:17:12,239 Speaker 1: if you want to make that known, or even if 358 00:17:12,240 --> 00:17:14,760 Speaker 1: you're not comfortable with that, then don't do it. What 359 00:17:14,880 --> 00:17:17,119 Speaker 1: about have you ever? What do you think you need 360 00:17:17,160 --> 00:17:18,720 Speaker 1: to know about a guy? Nothing? You don't need to 361 00:17:18,760 --> 00:17:21,720 Speaker 1: ask him anything about his past. I'll be asking niggas 362 00:17:21,760 --> 00:17:24,719 Speaker 1: about their past to be honest, you're an alpha, So 363 00:17:24,800 --> 00:17:27,440 Speaker 1: like what kind of what kind of questions are important? 364 00:17:27,440 --> 00:17:31,040 Speaker 1: Freshen sea to know about the guy? There's nothing too important, 365 00:17:31,119 --> 00:17:32,760 Speaker 1: but it's like I would have to see how the 366 00:17:32,800 --> 00:17:34,640 Speaker 1: guy is with these traits and I'll be like, yo, 367 00:17:35,040 --> 00:17:37,720 Speaker 1: is this how you were before? Like is this how 368 00:17:37,760 --> 00:17:40,359 Speaker 1: you've always been? And then I'll try to change, but 369 00:17:40,440 --> 00:17:43,480 Speaker 1: it's nothing like unless I know the girl who is 370 00:17:43,520 --> 00:17:46,119 Speaker 1: with then I'll be like, yo, so what happened or 371 00:17:46,480 --> 00:17:48,600 Speaker 1: that's just just my main question. What happened in your 372 00:17:48,640 --> 00:17:51,320 Speaker 1: last relationship or what's the worst relationship or what's the 373 00:17:51,400 --> 00:17:54,560 Speaker 1: best relationship. That's that's it for me. I always think 374 00:17:54,600 --> 00:17:56,760 Speaker 1: it's important and if guys have a good relationship but 375 00:17:56,960 --> 00:17:58,920 Speaker 1: well not a good relationship, but they don't hate their 376 00:17:58,960 --> 00:18:01,359 Speaker 1: exescause I feel like it's a red flag when a 377 00:18:01,400 --> 00:18:04,160 Speaker 1: guy's like I hate that bitch. Yeah no, I don't 378 00:18:04,160 --> 00:18:06,479 Speaker 1: play like that. First of all, don't call no female 379 00:18:06,520 --> 00:18:09,080 Speaker 1: no bitch around me your whope? If you mean as 380 00:18:09,080 --> 00:18:12,000 Speaker 1: I said to you yesterday, I really stunt with females. 381 00:18:12,680 --> 00:18:16,280 Speaker 1: It's like if because if you disrespect her like that, 382 00:18:16,320 --> 00:18:18,440 Speaker 1: then you're gonna do that to me, right If he 383 00:18:18,600 --> 00:18:21,840 Speaker 1: me that's how I look at men fee me. So 384 00:18:22,000 --> 00:18:24,679 Speaker 1: it doesn't matter like whether or not y'all how to 385 00:18:24,680 --> 00:18:26,840 Speaker 1: fall out. It's still I still got to see how 386 00:18:26,880 --> 00:18:29,680 Speaker 1: you deal with a female. Now you have a song 387 00:18:29,720 --> 00:18:33,639 Speaker 1: about your exes on there. Yes, Oh that's one of 388 00:18:33,680 --> 00:18:37,000 Speaker 1: my favorites. Okay, good, so that song. So let me 389 00:18:37,040 --> 00:18:39,800 Speaker 1: ask you this about that. So is this about any 390 00:18:39,840 --> 00:18:43,280 Speaker 1: particular person or just all of your exes like a 391 00:18:43,400 --> 00:18:48,399 Speaker 1: particular person and in some parts in general? Is this 392 00:18:48,440 --> 00:18:52,360 Speaker 1: a guy who cheated on you? Yeah? Yeah? Do you still? 393 00:18:52,400 --> 00:18:55,120 Speaker 1: Are you still okay with him? Like do you ever speak? Yeah? 394 00:18:55,200 --> 00:18:58,080 Speaker 1: We cool. I don't like to have bad blood with people, 395 00:18:58,800 --> 00:19:01,120 Speaker 1: so that's why I would say that, Yo, you gotta 396 00:19:01,119 --> 00:19:02,960 Speaker 1: be you don't have to be cool with your export. 397 00:19:03,000 --> 00:19:04,919 Speaker 1: You don't have to hate him. It's also nice when 398 00:19:05,000 --> 00:19:07,359 Speaker 1: things are going well. Yeah, I talk to my ex's, 399 00:19:07,400 --> 00:19:10,760 Speaker 1: but it's not like a flurting nothing because I've never 400 00:19:10,920 --> 00:19:13,960 Speaker 1: taken back ax in my life. But I do like 401 00:19:14,080 --> 00:19:16,240 Speaker 1: to be cool with people because I love peace. I'm 402 00:19:16,280 --> 00:19:18,280 Speaker 1: a liberal, you know. If I can choose peace, I'm 403 00:19:18,320 --> 00:19:20,640 Speaker 1: always choose peace. And it's the best thing where your 404 00:19:20,680 --> 00:19:23,000 Speaker 1: life is going really well. And yeah, you see it, 405 00:19:23,080 --> 00:19:26,640 Speaker 1: and you're like, yeah, going off. I've been showing off 406 00:19:26,680 --> 00:19:29,400 Speaker 1: because I'd be letting up because I will. I leave 407 00:19:29,480 --> 00:19:33,760 Speaker 1: niggas for sure, and I am a saint when I'm 408 00:19:33,760 --> 00:19:36,240 Speaker 1: in a relationship because I like to have the upper hand. 409 00:19:36,720 --> 00:19:40,399 Speaker 1: What's the longest relationship you've ever been in? Three years? Okay, 410 00:19:40,440 --> 00:19:43,040 Speaker 1: well you're still young, so shit, that was a lot 411 00:19:43,080 --> 00:19:46,199 Speaker 1: of my time because we're in together now. But at 412 00:19:46,240 --> 00:19:48,520 Speaker 1: least y'all still cool. What's the craziest thing that a 413 00:19:48,560 --> 00:19:50,280 Speaker 1: guy has done to try to get you back after 414 00:19:50,359 --> 00:19:53,280 Speaker 1: y'all broke up? Because we've been seeing like your friend 415 00:19:53,359 --> 00:19:56,080 Speaker 1: Kanye trying to pursue his ex wife and doing all 416 00:19:56,160 --> 00:19:58,639 Speaker 1: kinds of stuff. Has anybody ever done anything that was 417 00:19:58,680 --> 00:20:00,680 Speaker 1: over the top to try to get to your attention again, 418 00:20:01,040 --> 00:20:03,760 Speaker 1: I'm not just harassing me, just texting me, calling me 419 00:20:03,840 --> 00:20:07,760 Speaker 1: like nothing's crazy, like you pop up where I'm at. No, 420 00:20:08,320 --> 00:20:10,520 Speaker 1: I don't message stuff like that. I take that seriously. 421 00:20:11,280 --> 00:20:13,080 Speaker 1: Matter of fact, I left somebody just for that, to 422 00:20:13,080 --> 00:20:16,080 Speaker 1: be honest. For popping up on you, yeah, like it 423 00:20:16,440 --> 00:20:18,520 Speaker 1: was how he did it. You can pop up on me, 424 00:20:18,600 --> 00:20:20,640 Speaker 1: it's cool. But when you pop up and you're trying 425 00:20:20,640 --> 00:20:22,520 Speaker 1: to hide and then I catch you and then you lie. 426 00:20:23,080 --> 00:20:25,800 Speaker 1: It's that starcker that's just been a starcker. No, you 427 00:20:25,840 --> 00:20:28,399 Speaker 1: gotta explain this story. How could he hide after he 428 00:20:28,400 --> 00:20:31,159 Speaker 1: popped up on exactly? So it's instant a way that 429 00:20:31,280 --> 00:20:33,200 Speaker 1: he was asking me, like where you are? Told him 430 00:20:33,200 --> 00:20:35,239 Speaker 1: I was at like a wingsplace. I don't remember. It 431 00:20:35,280 --> 00:20:37,520 Speaker 1: was Buffalo Wings or something here in New York too, 432 00:20:38,040 --> 00:20:40,640 Speaker 1: and listen, New York got too much memories for me, man, 433 00:20:41,440 --> 00:20:44,280 Speaker 1: And he I told him where I was, and then 434 00:20:44,359 --> 00:20:49,160 Speaker 1: I walked out of the restaurant and I saw him 435 00:20:49,240 --> 00:20:53,840 Speaker 1: in a vehicle right. He was like just looking through 436 00:20:53,840 --> 00:20:56,600 Speaker 1: the through the windshield looking at me. And then I 437 00:20:56,800 --> 00:20:58,760 Speaker 1: just literally turned my head quick not to look at 438 00:20:58,880 --> 00:21:01,080 Speaker 1: him or anything because I don't know. I know that 439 00:21:01,200 --> 00:21:04,360 Speaker 1: he's there. And then I glimpsed him for a while 440 00:21:04,400 --> 00:21:07,040 Speaker 1: and now we're like, yo, what's hard? So I texted 441 00:21:07,080 --> 00:21:09,800 Speaker 1: him and be like, yo, are you here? He's like here, weird, 442 00:21:09,840 --> 00:21:11,439 Speaker 1: I said, at the place where I told you I was. 443 00:21:11,840 --> 00:21:13,840 Speaker 1: So he's like no, I said, where are you? Then 444 00:21:14,000 --> 00:21:15,960 Speaker 1: he's at home. I was like no, no, I know. 445 00:21:16,000 --> 00:21:18,560 Speaker 1: He didn't try to lie, and then he drove off 446 00:21:19,320 --> 00:21:21,280 Speaker 1: and I said, you know what video called me, then 447 00:21:21,400 --> 00:21:22,960 Speaker 1: he could even video called me. So I just left 448 00:21:23,000 --> 00:21:25,840 Speaker 1: him literally for that. That's weird to me. Don't do 449 00:21:25,880 --> 00:21:28,080 Speaker 1: that shit to me. But you know what you did, 450 00:21:28,200 --> 00:21:30,840 Speaker 1: tell him where you were, and yes, yes, but if 451 00:21:30,880 --> 00:21:34,840 Speaker 1: you're gonna up right, no, if you're gonna pop up, 452 00:21:34,960 --> 00:21:37,080 Speaker 1: pop up, But to pop up and lie and say 453 00:21:37,119 --> 00:21:39,960 Speaker 1: that's not you who I saw, that's weird. That is weird. 454 00:21:40,080 --> 00:21:43,960 Speaker 1: That's silly reason to lie. It is creepy. So I 455 00:21:43,960 --> 00:21:47,240 Speaker 1: don't mess say that. But just harassment normally just texted 456 00:21:47,320 --> 00:21:49,919 Speaker 1: and sending back all memories, all that stuff. Nothing too crazy. 457 00:21:50,040 --> 00:21:52,639 Speaker 1: Now let's talk about some of your tweets too. Yeah, 458 00:21:52,840 --> 00:21:54,879 Speaker 1: all right, you said it's hard to find real love 459 00:21:54,920 --> 00:21:56,880 Speaker 1: on your famous You just don't know who has your 460 00:21:56,920 --> 00:21:59,400 Speaker 1: best interest at heart. So now what do you do? 461 00:22:00,680 --> 00:22:03,480 Speaker 1: Pray and hope for the best, take a chance. Is 462 00:22:03,520 --> 00:22:06,280 Speaker 1: I feel like even with females just watching from the outskirts, 463 00:22:06,280 --> 00:22:10,280 Speaker 1: because you know, I've never I think it's only one 464 00:22:10,359 --> 00:22:13,280 Speaker 1: person one or two two actually persons that I've only 465 00:22:13,320 --> 00:22:17,280 Speaker 1: been within this industry. But I've looked, I've been looking 466 00:22:17,320 --> 00:22:21,440 Speaker 1: out and I've been seeing how they may classify females 467 00:22:21,520 --> 00:22:24,359 Speaker 1: as whos because they break up with this one, they 468 00:22:24,359 --> 00:22:26,080 Speaker 1: break up with this one, and they get with another one. 469 00:22:26,520 --> 00:22:29,119 Speaker 1: The truth is you can as a female when you 470 00:22:29,200 --> 00:22:30,679 Speaker 1: got so much going on for you, when you have 471 00:22:30,720 --> 00:22:33,920 Speaker 1: your money and you have fame. You don't know how 472 00:22:33,960 --> 00:22:37,960 Speaker 1: to just people out a regular guy and say he's 473 00:22:38,000 --> 00:22:39,560 Speaker 1: good for me, because you don't know if they want 474 00:22:39,560 --> 00:22:40,920 Speaker 1: the money. You don't know if they want the fame. 475 00:22:41,160 --> 00:22:43,439 Speaker 1: You don't trying to stet you up because they really 476 00:22:43,440 --> 00:22:45,399 Speaker 1: ain't got nothing to lose. You need to be with 477 00:22:45,440 --> 00:22:48,040 Speaker 1: somebody who also got something to lose. And then even 478 00:22:48,080 --> 00:22:51,480 Speaker 1: if that happens, if you're with somebody who got a 479 00:22:51,520 --> 00:22:53,640 Speaker 1: lot to lose, if it doesn't work out or they're 480 00:22:53,640 --> 00:22:56,120 Speaker 1: abusing you, what should you do? Should you stay about 481 00:22:57,000 --> 00:23:01,280 Speaker 1: to please the public? Nah? So I always say that 482 00:23:01,640 --> 00:23:04,440 Speaker 1: people will say that because you are not in the limelight, 483 00:23:04,600 --> 00:23:07,560 Speaker 1: and I'm talking because it's not like I've even been 484 00:23:07,600 --> 00:23:10,040 Speaker 1: classified as such, if you mean, and that's why they're 485 00:23:10,040 --> 00:23:12,439 Speaker 1: coming up with humors. I've seen it happen to a 486 00:23:12,440 --> 00:23:14,919 Speaker 1: lot of women looking in and I don't like it 487 00:23:14,960 --> 00:23:17,800 Speaker 1: because I'm also in the spotlight. And I'm telling you 488 00:23:17,800 --> 00:23:23,080 Speaker 1: that I've been single without having sexual intercourse for a year, right, 489 00:23:23,600 --> 00:23:26,320 Speaker 1: And I'm telling you that it's not easy. But because 490 00:23:26,400 --> 00:23:29,160 Speaker 1: I don't feel like to take a chance or whatever, 491 00:23:29,200 --> 00:23:32,040 Speaker 1: I try to get trying to be getting caught with somebody. 492 00:23:32,320 --> 00:23:34,639 Speaker 1: And I really try to stay to myself because I 493 00:23:34,720 --> 00:23:36,800 Speaker 1: pride my reputation. But at what falls I don't get 494 00:23:36,800 --> 00:23:39,959 Speaker 1: no dick. Well, thank God for toys. Yeah, I use 495 00:23:40,040 --> 00:23:43,560 Speaker 1: my toys like crazy. But it's like they always classify 496 00:23:43,640 --> 00:23:46,199 Speaker 1: women and such when it's really not that easy. You 497 00:23:46,240 --> 00:23:48,879 Speaker 1: actually have to just not care. Yeah, you have to, 498 00:23:49,000 --> 00:23:51,080 Speaker 1: that's what I think. And you have to single and 499 00:23:51,080 --> 00:23:53,920 Speaker 1: you're not fucking nobody's man, and you're not cheating a 500 00:23:54,040 --> 00:23:57,520 Speaker 1: you're a man and you know, and you just I 501 00:23:57,560 --> 00:24:01,000 Speaker 1: feel like we're famous woman kind of dope. It's just 502 00:24:01,040 --> 00:24:03,440 Speaker 1: that you gotta be mindful of how you move with 503 00:24:03,480 --> 00:24:06,320 Speaker 1: that person, whoever you're dating. You can't be seen with everybody, 504 00:24:06,480 --> 00:24:09,000 Speaker 1: right if you mean, and if the person don't understand that, 505 00:24:09,040 --> 00:24:11,200 Speaker 1: then you just you just already know that that's person 506 00:24:11,320 --> 00:24:13,320 Speaker 1: is not for you because you gotta see if it 507 00:24:13,359 --> 00:24:16,320 Speaker 1: will work out behind closed doors first before you even 508 00:24:16,320 --> 00:24:18,439 Speaker 1: try to go on a public date. Right, And if 509 00:24:18,480 --> 00:24:20,360 Speaker 1: you're going out, you need to be going somewhere real 510 00:24:20,440 --> 00:24:24,160 Speaker 1: exclusive where there's not going to be paparazzi. Yeah, let's 511 00:24:24,160 --> 00:24:25,760 Speaker 1: talk about that, because you were a picture but learning 512 00:24:25,800 --> 00:24:28,240 Speaker 1: on the track and people trying to say, oh, look 513 00:24:28,320 --> 00:24:30,119 Speaker 1: she's dating Lending on the track, and it looked like 514 00:24:30,119 --> 00:24:32,760 Speaker 1: you're always holding hand. Yeah, I mean we were holding huns. 515 00:24:32,800 --> 00:24:35,520 Speaker 1: You know, hold huns with everybody on my tea. You know, 516 00:24:35,640 --> 00:24:38,920 Speaker 1: London is on my team right, like my monagers everybody, 517 00:24:38,920 --> 00:24:40,680 Speaker 1: but London is a cool dude to me, Like we've 518 00:24:40,680 --> 00:24:44,359 Speaker 1: been working together. We'll be making music and nobody. And 519 00:24:44,400 --> 00:24:46,359 Speaker 1: when I say nobody, I mean nobody knows. So what 520 00:24:46,440 --> 00:24:51,480 Speaker 1: I'm dating body public, I'm gonna find out. I don't 521 00:24:51,520 --> 00:24:54,479 Speaker 1: care why y'all be seeing a line. You don't know 522 00:24:54,520 --> 00:24:56,960 Speaker 1: who I'm dating. That's a fact, so you won't. In 523 00:24:57,040 --> 00:24:58,800 Speaker 1: other words, you ain't gonna see a picture if that's 524 00:24:58,800 --> 00:25:01,480 Speaker 1: the person who I'm dating. I ain't say never, say never. 525 00:25:01,600 --> 00:25:04,480 Speaker 1: I'm just saying you just never know you're happy, like 526 00:25:04,560 --> 00:25:07,000 Speaker 1: you really into somebody right now? Yeah, I'm into somebody 527 00:25:07,000 --> 00:25:12,639 Speaker 1: for sure. Yeah, it's been going good. Are you cool dude? Yeah? Shoot, 528 00:25:12,720 --> 00:25:15,760 Speaker 1: now it's a time. Have y'all been on vacation yet together. No, 529 00:25:16,160 --> 00:25:18,359 Speaker 1: I've been working so hard. I've been so focused on 530 00:25:18,400 --> 00:25:20,680 Speaker 1: my career because you deserve that. And if he's smart, 531 00:25:20,800 --> 00:25:24,400 Speaker 1: right now, he'll be playing in something. I mean type 532 00:25:24,400 --> 00:25:28,440 Speaker 1: of something, because I mean actually actually coming out to celebrate. Actually, 533 00:25:28,640 --> 00:25:32,760 Speaker 1: we were supposed to go away last weekend, but it 534 00:25:32,840 --> 00:25:34,760 Speaker 1: didn't get to hop in. I had studio that I 535 00:25:34,760 --> 00:25:37,280 Speaker 1: had to just put it off and just deal with priority. 536 00:25:37,280 --> 00:25:40,959 Speaker 1: You know, my music comes first, so I would definitely 537 00:25:41,000 --> 00:25:44,600 Speaker 1: take a vacation soon, but no, he's album time. How 538 00:25:44,600 --> 00:25:46,480 Speaker 1: does he feel when he sees like okay? Like, so 539 00:25:46,560 --> 00:25:49,040 Speaker 1: there was that picture of you with the four guys 540 00:25:49,040 --> 00:25:52,800 Speaker 1: surrounding you. One guy was for real sucking your toes. Yeah, 541 00:25:52,840 --> 00:25:55,400 Speaker 1: and it wasn't even like he was had his face 542 00:25:55,480 --> 00:25:57,800 Speaker 1: bout it, like his your toe was in his mouth. 543 00:25:58,280 --> 00:26:00,760 Speaker 1: Does that bother him? No, it doesn't, And I love that. 544 00:26:00,760 --> 00:26:04,440 Speaker 1: That's amazing. I love that this is work. Yes, he 545 00:26:04,600 --> 00:26:07,080 Speaker 1: understands that it doesn't bother him at all, And I 546 00:26:07,119 --> 00:26:09,720 Speaker 1: love that because I cannot be with somebody who stops 547 00:26:09,760 --> 00:26:14,200 Speaker 1: me from entertaining my fans. I'm an entertainer if for me, 548 00:26:14,359 --> 00:26:17,320 Speaker 1: so I have to be with a confident man and 549 00:26:17,440 --> 00:26:20,760 Speaker 1: just know that, Yo, I'd be doing this online, but 550 00:26:20,920 --> 00:26:22,680 Speaker 1: you know at the end of the day that it's 551 00:26:22,800 --> 00:26:27,239 Speaker 1: you and only you because I'm not a cheater, right, 552 00:26:27,560 --> 00:26:30,280 Speaker 1: So if you understand that, you just got to support 553 00:26:30,320 --> 00:26:31,600 Speaker 1: me and let me do what I do to make 554 00:26:31,640 --> 00:26:33,919 Speaker 1: my money, to make my fans happy, and do what 555 00:26:34,040 --> 00:26:38,680 Speaker 1: I love and be happy doing what I love. Yeah, 556 00:26:38,720 --> 00:26:44,520 Speaker 1: my toes sucked. Now you also co directed Lecky the video. 557 00:26:44,960 --> 00:26:46,600 Speaker 1: So what I love is that you are an alpha 558 00:26:46,720 --> 00:26:49,480 Speaker 1: as in taking charge of every aspect of your career. 559 00:26:49,560 --> 00:26:51,399 Speaker 1: So what are some other things? Because I already know 560 00:26:51,440 --> 00:26:53,760 Speaker 1: you thinking of more than just music. Yes, I want 561 00:26:53,760 --> 00:26:55,879 Speaker 1: to go into acting. I want to go into merge, 562 00:26:55,880 --> 00:27:00,280 Speaker 1: you know. Closing, I want to have my own vibrator line, right, 563 00:27:00,320 --> 00:27:02,440 Speaker 1: And I was telling you should get a vagina too, 564 00:27:02,520 --> 00:27:04,960 Speaker 1: like a mold of your virginia. Not this again, but 565 00:27:05,240 --> 00:27:08,480 Speaker 1: so people could buy it. I don't think. I don't 566 00:27:08,480 --> 00:27:10,840 Speaker 1: think my future housebuddy's gonna like that. To know that 567 00:27:11,000 --> 00:27:16,600 Speaker 1: Yo is wife and my son too is like I 568 00:27:16,720 --> 00:27:19,439 Speaker 1: was sickle to vibratories. I mean, not for me, not 569 00:27:19,480 --> 00:27:21,359 Speaker 1: for me all right, but I could definitely see you 570 00:27:21,359 --> 00:27:23,159 Speaker 1: and I appreciate you for giving me this. I was 571 00:27:23,200 --> 00:27:25,440 Speaker 1: waiting for you to come up here before I um, 572 00:27:25,480 --> 00:27:28,880 Speaker 1: you know, before I use it. I think you're gonna 573 00:27:28,960 --> 00:27:30,840 Speaker 1: enjoy it. And I got this lollipop that I could 574 00:27:31,160 --> 00:27:32,520 Speaker 1: lick on as well. But I know you have a 575 00:27:32,560 --> 00:27:37,040 Speaker 1: lot going on because you know today is the album release. Yes, 576 00:27:37,359 --> 00:27:38,720 Speaker 1: so I just want to thank you so much for 577 00:27:38,760 --> 00:27:40,840 Speaker 1: coming through. I'm a big supporter of your life. I know. 578 00:27:40,880 --> 00:27:42,800 Speaker 1: I thank you so much. And I love seeing like 579 00:27:42,840 --> 00:27:45,520 Speaker 1: where you started from, watching where you're going, and to 580 00:27:45,600 --> 00:27:47,760 Speaker 1: tell you to keep pushing. I see like everybody paying 581 00:27:47,760 --> 00:27:50,120 Speaker 1: attention to you. We all know you were on Kanye's 582 00:27:50,160 --> 00:27:53,880 Speaker 1: album two Songs. Yes, you know, we see the guest 583 00:27:53,880 --> 00:27:56,639 Speaker 1: apparent you got on your album. You got twenty one Savage. 584 00:27:56,920 --> 00:28:01,720 Speaker 1: You know you got Megan Offset, Tiger Sean Paul it's 585 00:28:01,760 --> 00:28:04,399 Speaker 1: her royalty. Yeah. I can't wait for you guys to 586 00:28:04,440 --> 00:28:06,239 Speaker 1: hear this album on your album as well. And I 587 00:28:06,280 --> 00:28:08,639 Speaker 1: love your versatility. Thank you so much. You're not just 588 00:28:08,840 --> 00:28:10,639 Speaker 1: in a box and so I can see you just 589 00:28:10,720 --> 00:28:13,199 Speaker 1: doing absolutely anything you put your mind to me, and 590 00:28:13,240 --> 00:28:18,760 Speaker 1: I love your work ethic and grind. So Shancia woman, 591 00:28:18,920 --> 00:28:21,080 Speaker 1: now listen, I love it like I love to see 592 00:28:21,119 --> 00:28:23,760 Speaker 1: it because I just remember first talking to you. Mad cool. 593 00:28:23,840 --> 00:28:27,159 Speaker 1: You're still super cool. Yeah, girl, you can expect that 594 00:28:27,240 --> 00:28:29,000 Speaker 1: from me. I do not change the same people who 595 00:28:29,040 --> 00:28:30,680 Speaker 1: I've been working with five years ago, at the same 596 00:28:30,680 --> 00:28:32,880 Speaker 1: people on my team. No, we just add other people 597 00:28:32,920 --> 00:28:35,800 Speaker 1: to the team who also can reciprocate my energy. Like 598 00:28:35,840 --> 00:28:38,040 Speaker 1: I'm really done to earth a girl, and I only 599 00:28:38,040 --> 00:28:40,640 Speaker 1: surround myself with such all right, hold this for two years. 600 00:28:40,680 --> 00:28:44,360 Speaker 1: Let's see what happens when she comes back. Promise, look 601 00:28:44,360 --> 00:28:48,160 Speaker 1: at it. You're gonna promise. All right, Shancia is out today. 602 00:28:48,240 --> 00:28:50,200 Speaker 1: Make sure y'all get that. Yeah,