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Speaker 1: Look mad oh, I see you? Why why and look

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Speaker 1: over there? How is that culture? Yes? Goodness ding dong

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Speaker 1: lost cultures calling Hey, sister, who just woke up? Sister,

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Speaker 1: I just woke up. It's five pm Sunday. Good morning,

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Speaker 1: Sunday morning. You look fresh as a daisy, you feel

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Speaker 1: in the words of Katy Perry, oh right, And this

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Speaker 1: is how we do. And this is how we do.

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Speaker 1: She says, fresh as a daisy? What she what she invented? Yes,

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Speaker 1: and the sun daisy. She said the word daisies many times,

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Speaker 1: it being the title of the song. And all um,

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Speaker 1: thank you for saying that. I feel good. I feel

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Speaker 1: pretty good today, definitely good. One of the better days.

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Speaker 1: You were outside the absolute morning hour. We don't we

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Speaker 1: don't have to talk about it. We don't. I don't

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Speaker 1: know why we bring my private life into this space.

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Speaker 1: People's examine and take a scalpel and look at the

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Speaker 1: layers underneath. No, no, no, listen to your voice. It

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Speaker 1: was a rough night, wasn't it. As it was so

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Speaker 1: like a base. I was the base. I'm a base.

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Speaker 1: I'm not my my. This is too much. You're confronting

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Speaker 1: me and you have a low voice. You have the

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Speaker 1: low voice of a partier. You have a low party

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Speaker 1: boy voice. How do we feel? Should I feel bad

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Speaker 1: for partying? I feel like Lindsay Lohan being being asked

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Speaker 1: to feel bad about partying. No. I think that you

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Speaker 1: and Lindsay Lohan should both not even think about any

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Speaker 1: of the like sort of people that get in your ear,

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Speaker 1: because I feel like the second you sort of like

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Speaker 1: just get this out of your system, you can just

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Speaker 1: focus on acting and then we can get back to

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Speaker 1: what is really good, okay, which is the talent, because

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Speaker 1: people forget about the talent of Bowen and Lindsay Lohan

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Speaker 1: and it's really about to let them party and dance

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Speaker 1: on a table. But you know, rumors is like such

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Speaker 1: a bob. I know I was gonna say a prophecy

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Speaker 1: like I'm I'm tired of rumors starting. Should we do

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Speaker 1: a close right on it? Yeah, Saturday, stepping into the club,

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Speaker 1: people taking pictures. Don't you think they get enough? Don't

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Speaker 1: you think it's funny that you're pilling up the lyrics

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Speaker 1: and I know these by heart? Can I say something?

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Speaker 1: I never really like this song never connected with me

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Speaker 1: because at this point, at this point, Lindsay like I

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Speaker 1: was being very put off by Lindsay lohanon and and

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Speaker 1: this time in her career, I was obsessed. I was obsessed.

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Speaker 1: Went to go see Freaky Friday in the theater, went

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Speaker 1: to go see Confessions of a Team and Teendays Drop

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Speaker 1: Queen in the theater, Like was so so so team Lindsay.

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Speaker 1: And then and then somehow I got pulled into the

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Speaker 1: Hillary Duff were a bit and I was just like,

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Speaker 1: you were teaming Hillary Duff. Of course, the Great Aaron

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Speaker 1: Carter War of let's call it two thousand four four

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Speaker 1: two three, So there was a great war in two

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Speaker 1: thousand four. A lot of people remember, a lot of

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Speaker 1: people think that the Iraq War was the sort of

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Speaker 1: the big war of the time, but the really big

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Speaker 1: war was the Great Aaron Carter War of two thousand four,

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Speaker 1: And that was sort of you were either team Hillary

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Speaker 1: Duff and you are a Hillary Duff sort of navy

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Speaker 1: or you were a sort of Lindsay Lohan air force

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Speaker 1: air force. Yeah. And that actually connected to the video

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Speaker 1: for Rumors where she was on sort of like a

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Speaker 1: helicopter on the roof. Yeah, and she did that amazing

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Speaker 1: Coreo Saturday, stepping into the cloud people taking pictures don't

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Speaker 1: get enough. Well, that's the that's the that's the second verse.

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Speaker 1: You're you're combining the first verse in the second or see,

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Speaker 1: this is why I pulled. I didn't want to miss

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Speaker 1: quote what's the quote unquote first verse? Saturday stepping into

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Speaker 1: the club. Somebody, somebody want to tell the DJ to

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Speaker 1: turn it up. Somebody want to tell you to turn

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Speaker 1: it up. I feel the energy all around and my

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Speaker 1: let it can't stop moving to the sound because I

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Speaker 1: can sound that you're watching me, and you're probably gonna

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Speaker 1: write what you didn't see. Go ahead, and then, well

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Speaker 1: I just need a little space degree can you please

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Speaker 1: step my praty? Why why you just let me do

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Speaker 1: the thing I want to do? I just me? Why

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Speaker 1: would you want to bring down if I'm only having

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Speaker 1: I'm gonna live my life. But and here's the big chorus,

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Speaker 1: and this is where she sort of declares, and oftentimes

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Speaker 1: in a chorus of a pop song, and our guest

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Speaker 1: knows a lot about this, and this sort of sounds

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Speaker 1: like a song that this sounds like and we we've

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Speaker 1: known all about our our our guests pop star story past,

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Speaker 1: and in terms of her concerts, even sort of you know,

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Speaker 1: storied conflict she's gotten into on in her concerts before,

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Speaker 1: which we have to follow up about that, and we have.

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Speaker 1: But this is the chorus, right, so this is this

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Speaker 1: is where she says, well, she's meaning, I'm tired of

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Speaker 1: rumors starting. I'm sick of being followed. I'm tired of

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Speaker 1: people lying, saying what they want about me. Why can't

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Speaker 1: they back up off me? Why can't they let me live?

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Speaker 1: I'm gonna do it my way. Take this for just

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Speaker 1: what it is. Robert Frost could never. Robert Frost could never.

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Speaker 1: Emily Dickinson found Hayley Steinfeld sound Dead please, Queen of Pop,

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Speaker 1: Queen of Flop, Queen Flop. And oh and this this

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Speaker 1: Rumors has a lyric that Rumors shares a lyric with

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Speaker 1: um just in my Pants, the Lonely Island classic, which

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Speaker 1: is um, which is here we are back up in

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Speaker 1: the club, in the club and then and just in

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Speaker 1: my Pants. It's that was weird, but now we're back. Yeah,

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Speaker 1: just my Pants was. You couldn't have told me that

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Speaker 1: there was any other song other than just my Pants

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Speaker 1: came out. It was just my funniest thing in the world.

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Speaker 1: And it's like, right, okay, and I love take this

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Speaker 1: for just what it is. That that is like meta layer,

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Speaker 1: like talking about how the meaning is implicit, what the

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Speaker 1: declaration is implicit, like this is what it is. Take

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Speaker 1: it for what it is, and you already know what

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Speaker 1: it is. And so I guess what you're saying is

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Speaker 1: that you feel the same way as Lindsay does in

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Speaker 1: the song when I ask you about why your voice

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Speaker 1: is so fucking low garbage, why you come to the

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Speaker 1: to the record record of the podcast with this like

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Speaker 1: Peebo Bryce in tone. Oh my god, yeah, it's not

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Speaker 1: not Piebo Peebo. Um, I just relate. I think we

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Speaker 1: all relate to I'm saying we all relate to Lindsay

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Speaker 1: in some way, don't we. All Right, So I guess

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Speaker 1: what we're saying is like you're saying, take it for

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Speaker 1: just what it is. My voice, my vocal quality on

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Speaker 1: the episode today, and I want you won't elaborate on

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Speaker 1: your partying ways. Okay, it was poppy, it was poppy, juice,

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Speaker 1: it was amazing. It was really fun, that's see. And

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Speaker 1: now that's all we wanted. That's all we wanted, which

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Speaker 1: we know now we know we're good we can move

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Speaker 1: on with our life. Let's move on with our life. Okay,

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Speaker 1: how are you, queen? Before we bring the guests? Fine,

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Speaker 1: I had three coffees today, too many to probably too

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Speaker 1: too many. I probably suld have just had one. Probably

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Speaker 1: all I needed was one ice coffee. Sometimes you just

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Speaker 1: get a taste of the stuff and can't stop. I

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Speaker 1: know that's right, I know that's right. I know that's right.

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Speaker 1: Not me having three coffees today. Me a f having

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Speaker 1: three coffees today. Not this, not this jan Oh my god.

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Speaker 1: Let's bring in our guests, one of the one of

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Speaker 1: the best guests, one of the best guests. People really

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Speaker 1: cream for the guest. They're like, when is she coming back,

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Speaker 1: especially after a narrative has been sort of concluded, reached

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Speaker 1: full circle with this feud that she's really kept going

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Speaker 1: for five years now. I couldn't believe we watched it

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Speaker 1: come to a head on television and just to say

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Speaker 1: that it's true that the guests, it's been a really

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Speaker 1: long time since the guest was on, and it's just

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Speaker 1: it's time. Certainly flies, doesn't it, Certainly it flies. But

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Speaker 1: I sort of find myself on a show with the guests,

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Speaker 1: dream so exciting to me dream. I can't wait tonight

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Speaker 1: at midnight. As And here's the deal. We actually sort

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Speaker 1: of play very close friends on the show and colleagues, okay,

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Speaker 1: and that's true in real life. You're close friends often

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Speaker 1: often colleagues. Sometimes we are, right, I guess today we're

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Speaker 1: sort of working together, you know what I mean. Today,

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Speaker 1: we're sort of collaborating to build, hopefully, what is a

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Speaker 1: comedic piece that people enjoy? You know? Absolutely? And I,

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Speaker 1: oh my god, not to center myself in this, but

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Speaker 1: recently I was a colleague of hers. Yes, and you're

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Speaker 1: swimming a pull together in your off hours, were swimming

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Speaker 1: a pool together. It was really fun. I heard all

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Speaker 1: about the swimming, and I would love to hear more

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Speaker 1: about it. We'll talk more about it, I hope. So anyway,

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Speaker 1: we just love her so much, so let's we don't

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Speaker 1: even have to do We're not doing credits. This is

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Speaker 1: take it, Take it for what it is, Take it

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Speaker 1: for just but it is. I wonder what the guest

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Speaker 1: vocal quality will be me too, So let's find not

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Speaker 1: so excited, let's find everyone. Welcome Patty Harrison. Girl this okay, son,

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Speaker 1: peel back the layers let them so not everyone might

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Speaker 1: know what it's like to be on a zoom when

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Speaker 1: it starts being recorded. So what what was that? What

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Speaker 1: was so that this is my this is in bowing.

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Speaker 1: I know you hate this, but this is my andl

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Speaker 1: audition and uh and and you hate well, I know

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Speaker 1: that you hate how often I am I try and

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Speaker 1: get on this s and l through you three times

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Speaker 1: a week in like personal interactions or you think that

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Speaker 1: do you think that I'm asking out to lunch because

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Speaker 1: I want to catch up? And really it's because I

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Speaker 1: have a character, and and sometimes that character is that

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Speaker 1: teacher you remember who just like had that big stack

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Speaker 1: of papers on the desk. But what is this like? Like,

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Speaker 1: please don't put that out there? Yeah, please don't set

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Speaker 1: don't turn it in any of yours because there's too

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Speaker 1: much stuff it is. Wait and suddenly I'm back in school. Yeah, Lauren,

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Speaker 1: this zoom. Wait, they don't say what did she say?

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Speaker 1: This dooom is being recorded better than me not being recorded?

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Speaker 1: Now that was kind of just Matt Rogers trying product,

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Speaker 1: That was it? So yeah, when you record zoom if

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Speaker 1: anybody doesn't use Zoom, the video chat app which we

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Speaker 1: are using right now. Um, if someone who is hosting records,

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Speaker 1: it gives the audio message to everyone on the um

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Speaker 1: in the zoom room, so they up they're being recorded. Yeah,

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Speaker 1: can I do what? Can I do an impression? It's

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Speaker 1: not it's not of that, but it's it's of a

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Speaker 1: zoom thing. Yes, okay, bo oh my god. You know what?

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Speaker 1: You know what that sort of character you know what

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Speaker 1: that character reminded me of to the character of when

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Speaker 1: the subway opens. Yeah, I know that that character. That character.

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Speaker 1: It's like that's my thing. It's like it's a lot

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Speaker 1: of like wacky physical stuff and then like you know,

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Speaker 1: like chimes, that's that's my style. Wait, okay, can I

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Speaker 1: do an impression? And is okay? So this is an impression?

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Speaker 1: It is um, it's the train voice. It's um, it's

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Speaker 1: the train voice. But he went to my high school.

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Speaker 1: How about that? Please stand clear of the closing doors.

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Speaker 1: Fragg It did not just say fraggett. You know what

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Speaker 1: happened this character that was the high school character of

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Speaker 1: the high school person. It's like he started to say

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Speaker 1: friend and then remind remembered that he would have felt

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Speaker 1: pressured in high school to be a bully. So he said, faggot.

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Speaker 1: They couldn't see, but I did look over to I

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Speaker 1: like looked that way at my friends that I remembered.

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Speaker 1: And then I said, yeah, yeah, yeah, So tell us

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Speaker 1: about well in high school, you're really popular. Well, yeah,

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Speaker 1: I had a lot of friends in high school. Um,

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Speaker 1: and I think people know that. I don't think people

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Speaker 1: know because of the way that I dress and the

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Speaker 1: way that I dress, how like how tall I am,

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Speaker 1: my way, my cup size, my curves in all the

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Speaker 1: right places, people know that I was very was popular

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Speaker 1: in high school. Probably never had any problem. No I had.

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Speaker 1: I did have. Um, I didn't like really start having

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Speaker 1: friends until my I always had friends, like a lot

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Speaker 1: of popular right, this is definitely the way people talk

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Speaker 1: when they had a lot of friends. Well, I just

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Speaker 1: think you need to stop right there. I think you

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Speaker 1: need to stop right there. I'm trying to tell you

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Speaker 1: something and I'm giving you a real answer, give a

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Speaker 1: real Please drops Patty. I'm sorry, but this is Patty

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Speaker 1: dropping into her a net betting and the kids are

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Speaker 1: all right, good register No, I feel bow and I

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Speaker 1: say you stop, you stop stop right there. Stop you

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Speaker 1: can just stop right there. Wait, do you want to

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Speaker 1: know something that happens in that movie that people don't

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Speaker 1: talk about enough. It's completely non verbal, but it's it's

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Speaker 1: in a netbending moment. It's like the moment after like

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Speaker 1: she and Julian Moore have this huge fight and then

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Speaker 1: like a netbending like Julian Moore's in the kitchen the

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Speaker 1: next morning and then a net bedding goes downstairs and

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Speaker 1: she's in her scrubs and then she just takes a

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Speaker 1: banana and says nothing and walks. It's such a powerful moment,

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Speaker 1: like they're mad at each other and a net betting takes.

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Speaker 1: All she does is she takes a banana and leaves,

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Speaker 1: like she goes to work. Wait, why did you say

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Speaker 1: that's your takeaway? Yeah? That wait, but why did you

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Speaker 1: say this is your net betting register? Is this something

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Speaker 1: that Patty was doing sort of in the pool when

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Speaker 1: you guys were together. No, not, it's not an inside joke.

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Speaker 1: Not everything's an inside joke. How do he just has

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Speaker 1: one of her huge impressions that almost got her on

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Speaker 1: SNL was and that bending in the all right do

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Speaker 1: it well? I? Yeah? Yeah? And that's true? Is that

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Speaker 1: um is is I? I can do an impression? That

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Speaker 1: is just and and know that I'm like, I don't

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Speaker 1: need to do celebrity impressions, you know that. But I

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Speaker 1: do know that I think that stuff is shit. Shit,

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Speaker 1: it's so fucking hack and I don't put energy into

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Speaker 1: it and I don't try. It's the thing is when

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Speaker 1: this stuff comes out of me and it like sounds

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Speaker 1: like I've rehearsed it a lot over years, it's because

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Speaker 1: it means nothing to me and I haven't even touched

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Speaker 1: this stuff. It's my first time doing the impression. Every time. Well,

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Speaker 1: then you're trying to take cover behind the fact that

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Speaker 1: it's good. You're you're, you're, you're, You're trying to take

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Speaker 1: cover behind like detachment and not caring even because it's

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Speaker 1: at that's it's actually a good impression. And that's what's

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Speaker 1: sucked up because it's a really good impression. And now

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Speaker 1: you're like just like blue balling us with the can

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Speaker 1: you just do it? Do it? Well, yeah, I can

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Speaker 1: do it, but I just want to say that also

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Speaker 1: I have gravel voice right now too, and why well

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Speaker 1: we don't have to talk about it. I went to

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Speaker 1: I went to I went to a comedy show. I

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Speaker 1: went to Sarah Squirms show last night, and then I

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Speaker 1: talked it was just loud and there was like a

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Speaker 1: band that played after and so and the so I

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Speaker 1: just was talking really loud for the night. I didn't

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Speaker 1: even say out that late. But I'm just with you

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Speaker 1: Bowen and so I just want to say that that,

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Speaker 1: like I don't know, it's my voice isn't doesn't have

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Speaker 1: the elastic city do it? Do it? Now? Stop? Okay,

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Speaker 1: there's the only line that I remember from the movie

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Speaker 1: and from what I looked. I looked at up recently

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Speaker 1: and I don't even think I'm saying the line right,

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Speaker 1: even though this is a way it's because there's also

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Speaker 1: it's one of the things I can't find the clip online,

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Speaker 1: like it's not a big enough scene to people, I

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Speaker 1: guess for like no one has put it on you. No,

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Speaker 1: randomly everyone knows the line. But the thing is is

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Speaker 1: that I looked it up. I looked at movie quotes,

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Speaker 1: and they quote it differently than how I say it.

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Speaker 1: They still use different words, which I'm like, oh, I

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Speaker 1: don't remember it being that. But any how so, if

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Speaker 1: if you don't know the conceit of the movie, which

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Speaker 1: I don't even really remember, there's a scene where it's

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Speaker 1: like a net Benning and Juliet Moore are a gay couple,

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Speaker 1: and then Juliet Juliet, Yes, but I don't fucking give

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Speaker 1: a ship. Ugly cunt popular in high school. Yeah, she's

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Speaker 1: ugly cunt. Um and I I think I think she's beautiful.

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Speaker 1: Um uh, they're they're a gay couple, and right, Julian

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Speaker 1: Moore starts hooking up with Mark Ruffalo. She's like queer

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Speaker 1: curious and she starts hooking up with Mark Ruffalo and

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Speaker 1: then and then and that Benning finds out and then

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Speaker 1: it but is it an open thing? Are they like cheating? Yeah?

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Speaker 1: What's the line? So I'm going to get to that.

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Speaker 1: But the first I want to talk about my first assault.

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Speaker 1: Um so, my first assault was the worst, but definitely

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Speaker 1: it's always the word first. But is the deepest baby

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Speaker 1: behind no? Right? Yeah, I love Lord, I love I

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Speaker 1: love Lord. Oh my gosh. That okay, I don't think

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Speaker 1: so Hony solar power. Um anyways, well, I guess so

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Speaker 1: I'm wrapping it up. Um, I I have I have

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Speaker 1: cox to suck. Um. No, I don't. I don't take that.

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Speaker 1: I don't. I'm I'm not like trying to do that today.

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Speaker 1: But okay, so the impression is it's the scene where

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Speaker 1: she's fighting with Mark Gruffalo and he says something about

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Speaker 1: their kids, about them being all right, probably this meeting

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Speaker 1: is okay, son, can you tell me the line and

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Speaker 1: I'll do the Markufo line and it'll kill you, and

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Speaker 1: then you'll do the line. I don't know because I

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Speaker 1: don't know that Matt, you know, but you know the

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Speaker 1: line it's and that's famous line. Yeah, okay, I'll do

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Speaker 1: the line. Yeah. Is it? Is it? Um? Is it

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Speaker 1: something about him being like a cool guy or something? No? No, no, no,

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Speaker 1: but okay, I'm just gonna do it. I'm not. I

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Speaker 1: don't actually hate like long cells for like people getting

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Speaker 1: around because I think it's going to make it less

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Speaker 1: because what if it doesn't, if it's not as yeah,

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Speaker 1: well it's it's just don't just be just prepared to

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Speaker 1: be like, oh that's fine, okay, okay, ready m hm

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Speaker 1: Well now I'm kind of giggly. Um, I need parenting

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Speaker 1: advice from you, like I need a dick in my ass. Yeah,

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Speaker 1: I did parenting advice from you, like, and she does

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Speaker 1: have that sort of you're so right. And first of all,

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Speaker 1: that can I say that was so much better than

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Speaker 1: I ever could have dreamed it was? Do you really

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Speaker 1: think so that was so good? I need parenting advice

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Speaker 1: from you, like I need to dick in my ass.

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Speaker 1: It's the it's the it's the squeak on the coming

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Speaker 1: with parenting advice in my needing advice from you, like

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Speaker 1: I needed dick in my ass. And isn't their scene

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Speaker 1: earlier where they're sort of talking about um Joni Mitchell

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Speaker 1: and she's like, Okay, I like the guy. I think,

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Speaker 1: I like the Yeah, an amazing actor. And I wait, wait,

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Speaker 1: so I did what you did. I don't want to

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Speaker 1: let it leave. I don't want to leave let it

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Speaker 1: leave the energy space that we're creating together right now

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Speaker 1: while it's in my brain. But did you see what

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Speaker 1: was the I almost said the Jared Fogel movie. That's

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Speaker 1: not it. He's the guy that this this is us? Oh,

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Speaker 1: Dan Foegelman, Dan Fogelman, Jared Foegelman, Uh wait, let up

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Speaker 1: white Pedophile, Dan Voegelman. That movie that he did, he

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Speaker 1: did ask or Isaac's and and that Betting plays the

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Speaker 1: therapist life. Yeah, it was life itself life itself. It

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Speaker 1: looks like a movie that you would enjoy talking about.

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Speaker 1: It is the funny, it's crazy. It is a crazy, crazy,

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Speaker 1: crazy fucking movie. And I saw it in Getters and

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Speaker 1: it really really okay. There are so many you have

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Speaker 1: to see the movie because it is so I don't

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Speaker 1: watch this as us. I have a lot of friends

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Speaker 1: who are really into it and like think it's an

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Speaker 1: incredible show and that they talk about like the yo

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Speaker 1: yo ing of like the emotional arcs and stuff. Is

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Speaker 1: that it really does a good job of being funny

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Speaker 1: in places but being really heavy in other places. And

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Speaker 1: I appreciate that the movie is a is kind of

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Speaker 1: like that in a in a carnival mirror house. They

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Speaker 1: have to squeeze all that emotional yo yoing into a movie,

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Speaker 1: which can be really difficult. It's this tiny yo yo

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Speaker 1: it's tiny. Well, it's too bow into what you're saying.

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Speaker 1: Earlier in Nette Benning having this huge moment with like

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Speaker 1: grabbing a banana and not saying anything, there is a

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Speaker 1: scene that this is going to spoil it if you

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Speaker 1: haven't seen it. I don't think anyone cares. Well. It

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Speaker 1: came out in theaters like three years ago, right people have. Yeah. Um,

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Speaker 1: so there's the scene. The whole thing is that like

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Speaker 1: Oscar Isaac's is like a struggling screenwriter who's like really depressed.

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Speaker 1: I think he's like Olivia Wilde X and her. The

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Speaker 1: whole story arc is it's pretty funny stuff. It's really dark,

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Speaker 1: but it's just like they really make it so zonkey

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Speaker 1: wonky tell a Tubby sort of style tone that um

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Speaker 1: it kind of is. It's like I feel like it's

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Speaker 1: on par with like Trainspotting. Um. But there's this scene.

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Speaker 1: There's a scene. It's like the tone of it is

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Speaker 1: Oscar Isaac being like, yeah, I'm kind of no whiskey

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Speaker 1: and I'm kinda fuck up. Yeah, not so awesome sauce

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Speaker 1: kind of now that I'm thinking about kind of like

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Speaker 1: Damn Locotta. Um and he's like it's sort of like

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Speaker 1: Dan Locatta vibe of like I think Dan Locatto would

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Speaker 1: probably really like this movie. Um, but he's Anne Benning

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Speaker 1: Aette Benning is his Annett Benning therapist an um ann

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Speaker 1: At Benning and Nette Benning is oh my god, she's

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Speaker 1: she's a therapist. And um there's a scene in therapy

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Speaker 1: sect session where he's like screenplay or whatever. It's like

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Speaker 1: the thing is like he's trying to write the screenplay,

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Speaker 1: and um, they're coming for me because I said it.

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Speaker 1: I didn't considered it's because you said that. And then

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Speaker 1: I called her Anne at Benning and you know that

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Speaker 1: Annette Benning literally runs Hollywood, so you know that she

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Speaker 1: knows the police. So she and Warren are sending the

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Speaker 1: police to your fucking house and you're going to be

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Speaker 1: arrested tonight. We don't. First you need to get to

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Speaker 1: the end of the therapy thing. Okay, Well, I'm literally

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Speaker 1: explaining a scene in a movie which is like this

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Speaker 1: is already its own help, but taking up time and

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Speaker 1: poorly explaining the scene in this movie. But um, there's

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Speaker 1: a therapy scene. It's like maybe it's maybe, like and

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Speaker 1: it's pretty it's like a quarter shut up parenting advice

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Speaker 1: for you. That's the same eye from the beginning of

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Speaker 1: the course of Shai a Lady Gaga that I need

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Speaker 1: parenting advice for you, like I need to tack avice.

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Speaker 1: Um that was anyways, cut it together? Sorry into the

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Speaker 1: line from all right, sorry, keep going. There's a scene

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Speaker 1: where Oscar Isaac shoots himself in his therapy session, he

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Speaker 1: pulled out a gun. He pulls out a gun in

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Speaker 1: front of net Benning and he shoots himself in the head.

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Speaker 1: His brains go all over the wall. This is and

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Speaker 1: they make and I know that this isn't recorded right,

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Speaker 1: you are lying about there is it's so funny, and

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Speaker 1: it's not funny. It's not funny that he shoots himself,

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Speaker 1: but they make a Net Benning have a reaction to it,

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Speaker 1: and he's just literally talking and he's like, well, I'll

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Speaker 1: ever be a screenwriter. Pulls out a gun and she

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Speaker 1: blows his brains out in her office. And I know

422
00:25:42,960 --> 00:25:44,560
Speaker 1: that your audience won't be able to see it, but

423
00:25:44,600 --> 00:25:49,639
Speaker 1: I'll do it for you. This is her reaction I'm taking.

424
00:25:49,760 --> 00:25:52,040
Speaker 1: I'm taking my head to head turns out for a moment.

425
00:25:52,119 --> 00:25:55,359
Speaker 1: I know that's like anti recording quality. There's just going

426
00:25:55,400 --> 00:25:57,320
Speaker 1: to be a moment in the podcast where the sound

427
00:25:57,400 --> 00:26:00,920
Speaker 1: quality is bad. I'm sorry, it's but for us to

428
00:26:01,040 --> 00:26:07,000
Speaker 1: see you. Actually, I should be seated. This is no.

429
00:26:08,200 --> 00:26:10,879
Speaker 1: So she's watching them and he gets up and he

430
00:26:10,880 --> 00:26:23,280
Speaker 1: shoots himself and then net Bend goes, no, no, how

431
00:26:23,320 --> 00:26:27,879
Speaker 1: do you is that real? I'm making just for the movie. Now, No,

432
00:26:28,119 --> 00:26:36,120
Speaker 1: I'm not making it up. She literally does, oh my god,

433
00:26:36,240 --> 00:26:41,639
Speaker 1: wait and he really does it? What this sounds like

434
00:26:41,680 --> 00:26:46,040
Speaker 1: a pretty Harrison line. Distracted. Abby is struck by a bus. Okay,

435
00:26:46,080 --> 00:26:51,720
Speaker 1: so Abby, I guess is a woman in the She

436
00:26:51,800 --> 00:26:54,959
Speaker 1: gets hit by a bus. I guess she dies. Um,

437
00:26:55,359 --> 00:26:58,760
Speaker 1: she dies, the baby survives. I guess she has a baby. Will,

438
00:26:58,920 --> 00:27:02,320
Speaker 1: blaming himself for a wife's death, shoots himself in front

439
00:27:02,359 --> 00:27:07,800
Speaker 1: of Kate. Kate is played by oh my god, you

440
00:27:07,920 --> 00:27:12,399
Speaker 1: were not lying in her response is She's just like,

441
00:27:16,200 --> 00:27:21,840
Speaker 1: I mean, it's honestly, it's honestly. What see. The thing is,

442
00:27:22,000 --> 00:27:26,320
Speaker 1: it's her reaction is so real. It feels so it's

443
00:27:26,359 --> 00:27:29,560
Speaker 1: so like downplayed that it feels like maybe that's actually

444
00:27:29,640 --> 00:27:33,480
Speaker 1: how someone would react if that. And it kind of

445
00:27:33,760 --> 00:27:36,000
Speaker 1: felt like, you know how like in the Alien movie,

446
00:27:36,080 --> 00:27:38,080
Speaker 1: they didn't tell them the chess, but they didn't tell

447
00:27:38,119 --> 00:27:41,600
Speaker 1: the actors like that the chess to get a real

448
00:27:41,680 --> 00:27:44,240
Speaker 1: reaction in the one actor actually she fell and like

449
00:27:44,400 --> 00:27:47,200
Speaker 1: hit her head or something like she actually got hurt

450
00:27:47,600 --> 00:27:50,920
Speaker 1: in that scene because she was so surprised. I feel

451
00:27:51,000 --> 00:27:55,320
Speaker 1: like maybe they didn't tell they like redacted or whatever.

452
00:27:55,560 --> 00:27:57,760
Speaker 1: That part of the scene to like be like something's

453
00:27:57,760 --> 00:28:00,280
Speaker 1: gonna happen that you need to react to. And then

454
00:28:00,320 --> 00:28:02,680
Speaker 1: they just had Oscar Isaacs shoot himself in the head

455
00:28:02,800 --> 00:28:07,480
Speaker 1: on set and that's do you like see it? They yeah,

456
00:28:07,520 --> 00:28:10,760
Speaker 1: they show his like brain like blood shut up. Yeah,

457
00:28:10,840 --> 00:28:12,520
Speaker 1: he like it's one of those it's one of those

458
00:28:12,560 --> 00:28:15,400
Speaker 1: like squib effects where the actor like puts the gun

459
00:28:15,480 --> 00:28:17,720
Speaker 1: in their mouth and the cameras like facing their face

460
00:28:17,800 --> 00:28:20,400
Speaker 1: so the blood splatters like on the wall behind them.

461
00:28:20,840 --> 00:28:25,600
Speaker 1: This is or whatever. I'm trying to find a video.

462
00:28:26,160 --> 00:28:28,639
Speaker 1: So when I when I lightly suggests when I'm like,

463
00:28:28,720 --> 00:28:31,960
Speaker 1: ha ha, it is a very traumatic movie to watch,

464
00:28:32,200 --> 00:28:36,000
Speaker 1: but it's like trying so hard to like tug on

465
00:28:36,160 --> 00:28:39,400
Speaker 1: your heartstrings. They literally they pull out cancer, they pull

466
00:28:39,480 --> 00:28:42,800
Speaker 1: out suicide, they pull out pregnant woman getting killed. They

467
00:28:42,880 --> 00:28:46,760
Speaker 1: get Yeah, it's like it's so it try. It tries

468
00:28:46,840 --> 00:28:49,320
Speaker 1: to hurt you so badly. It's really funny, but it

469
00:28:49,440 --> 00:28:53,320
Speaker 1: doesn't pay off. They literally have flashbacks where Olivia Wild

470
00:28:53,480 --> 00:28:56,880
Speaker 1: God bless her, they have her and I don't even

471
00:28:56,920 --> 00:28:59,360
Speaker 1: think it's a lace front wig. I think it's like

472
00:29:00,080 --> 00:29:03,360
Speaker 1: us to like party city right on top of her

473
00:29:03,400 --> 00:29:05,840
Speaker 1: head and she's like supposed to be in college. It's

474
00:29:05,840 --> 00:29:08,960
Speaker 1: a flashback to her in college and she runs she

475
00:29:09,240 --> 00:29:13,560
Speaker 1: runs into the room and she's like, they're like doing

476
00:29:13,720 --> 00:29:16,720
Speaker 1: beer there. I think they're like doing keg stands. It's

477
00:29:16,720 --> 00:29:20,040
Speaker 1: like her in college and the guys are doing kig stands.

478
00:29:20,080 --> 00:29:23,920
Speaker 1: And she runs into the room, uh her party city like,

479
00:29:24,120 --> 00:29:28,120
Speaker 1: and she's like, my thesis, I come up with my

480
00:29:28,240 --> 00:29:32,080
Speaker 1: thesis statement for me. Thesis life itself is. And I

481
00:29:32,120 --> 00:29:34,360
Speaker 1: don't even remember what she says, but she's the movie

482
00:29:34,400 --> 00:29:37,720
Speaker 1: title and the thesis of her so she essentially says

483
00:29:37,760 --> 00:29:39,520
Speaker 1: that thesis of the whole movie I want to say.

484
00:29:39,560 --> 00:29:42,720
Speaker 1: And I'm shocked that this is real, because I of

485
00:29:42,800 --> 00:29:44,360
Speaker 1: course saw the trailer for this movie and thought it

486
00:29:44,440 --> 00:29:48,160
Speaker 1: was hilarious but didn't pursue the movie. But Scott Chief

487
00:29:48,240 --> 00:29:51,840
Speaker 1: film critic for The New York Times calls it inadvertently

488
00:29:51,960 --> 00:29:56,560
Speaker 1: hilarious film filled with parental slaughter where mothers and fathers

489
00:29:56,600 --> 00:29:59,840
Speaker 1: are hit by buses, parish and car accidents, commits to

490
00:30:00,080 --> 00:30:03,560
Speaker 1: side and succumb to cancer. Though he praised the actors

491
00:30:03,720 --> 00:30:06,480
Speaker 1: for their acting, That's the thing, That's what I was

492
00:30:06,600 --> 00:30:09,800
Speaker 1: just about to say, is that the actors don't sell

493
00:30:09,840 --> 00:30:13,360
Speaker 1: it out. The actors, Like every actor in that movie

494
00:30:13,520 --> 00:30:18,280
Speaker 1: is a great actor and they have to for how

495
00:30:18,360 --> 00:30:22,960
Speaker 1: wacky the story is, they stay committed. It's kind of

496
00:30:23,000 --> 00:30:25,680
Speaker 1: why I appreciate like Pretty Little Liars now is that,

497
00:30:25,840 --> 00:30:29,040
Speaker 1: like the show is so absurd, but like the thing

498
00:30:29,200 --> 00:30:31,320
Speaker 1: the lines that they have to say, but the commitment

499
00:30:31,400 --> 00:30:33,760
Speaker 1: that the actors have, it's like, you know, what choice

500
00:30:33,800 --> 00:30:35,440
Speaker 1: do they have and they do a good job, but

501
00:30:35,640 --> 00:30:40,720
Speaker 1: like I really think that, Um, it's just like it's

502
00:30:41,040 --> 00:30:43,040
Speaker 1: really it's a good It would be a good movie,

503
00:30:43,400 --> 00:30:45,880
Speaker 1: like if you're hanging out with someone who doesn't have

504
00:30:46,080 --> 00:30:48,800
Speaker 1: what doesn't get triggered by like you know, you want

505
00:30:48,840 --> 00:30:51,880
Speaker 1: to maybe like do it because there's like suicide and

506
00:30:51,920 --> 00:30:54,280
Speaker 1: ship in it. But like it would be a good

507
00:30:54,320 --> 00:30:56,760
Speaker 1: party watch for with friends if you're sure with friends,

508
00:30:56,840 --> 00:30:59,960
Speaker 1: just to watch a movie that's like so wild. Literally.

509
00:31:00,160 --> 00:31:04,520
Speaker 1: The cast is oscar Isaac, Olivia Wild, Mandy Patinkin Jeans Smart,

510
00:31:04,600 --> 00:31:09,480
Speaker 1: Olivia Cook, Bow from a Net, Benning, Antonio Bin Derris,

511
00:31:09,600 --> 00:31:13,240
Speaker 1: and Samuel L. Jackson as himself, the woman who gets cancer,

512
00:31:14,160 --> 00:31:16,520
Speaker 1: the young woman who play ends up playing like it's

513
00:31:16,520 --> 00:31:19,240
Speaker 1: like it goes through their lifetimes, so it's like the

514
00:31:19,320 --> 00:31:22,840
Speaker 1: guy looks like a young woman. No, she's a I

515
00:31:22,920 --> 00:31:25,400
Speaker 1: think she's a Spanish actor. She's like, she's like a

516
00:31:25,760 --> 00:31:30,960
Speaker 1: she's like a forward model. Like she's just like like yes,

517
00:31:31,280 --> 00:31:37,480
Speaker 1: and Antonia ben banderis um, she's just like the hottest

518
00:31:38,000 --> 00:31:42,000
Speaker 1: conventionally hottest girl woman on earth. And then she gets

519
00:31:42,080 --> 00:31:45,920
Speaker 1: cancer and also becomes old, and they put age makeup

520
00:31:45,960 --> 00:31:48,959
Speaker 1: on her and they literally just wrap like a towel

521
00:31:49,080 --> 00:31:52,040
Speaker 1: around her head to make her look sick and like

522
00:31:52,600 --> 00:31:57,920
Speaker 1: truly just like put like they darken. It's like middle

523
00:31:58,000 --> 00:32:00,800
Speaker 1: school stage theater makeup to make her like she has cancer.

524
00:32:00,840 --> 00:32:03,680
Speaker 1: And she's like she's speaking in Spanish, but she's like,

525
00:32:05,200 --> 00:32:09,480
Speaker 1: my life was beautiful and yet there's more I wanted

526
00:32:09,560 --> 00:32:11,840
Speaker 1: out of it. And then she's like still you can

527
00:32:11,920 --> 00:32:14,120
Speaker 1: tell it's like fully a twenty six year old like

528
00:32:14,480 --> 00:32:21,080
Speaker 1: Ford model, what my son live on? Mandy Moored her right, Yeah,

529
00:32:22,120 --> 00:32:24,080
Speaker 1: but I feel like Mandy Moore, they at least like

530
00:32:24,520 --> 00:32:27,280
Speaker 1: the effects from what I've seen, looked a lot better

531
00:32:28,120 --> 00:32:30,280
Speaker 1: than what they did. I think they tried to do

532
00:32:30,360 --> 00:32:32,680
Speaker 1: it with this girl and she she was so hot

533
00:32:32,760 --> 00:32:35,880
Speaker 1: it didn't work. Drag Mandy Moore for not being hot

534
00:32:36,040 --> 00:32:39,840
Speaker 1: enough to defeat her old age makeup and have no

535
00:32:40,000 --> 00:32:42,920
Speaker 1: regrets about what I said. Yeah, I didn't think I

536
00:32:42,960 --> 00:32:45,120
Speaker 1: know exactly what I was implying, and I'm sorry that

537
00:32:45,280 --> 00:32:54,800
Speaker 1: I took this whole thing into that. I think, like

538
00:32:55,800 --> 00:32:59,680
Speaker 1: people don't talk about Dan Fogelman enough, Like there's something

539
00:32:59,800 --> 00:33:02,040
Speaker 1: very like I don't know this much about This Is Us,

540
00:33:02,120 --> 00:33:04,280
Speaker 1: but like the fact that like people die because like

541
00:33:04,320 --> 00:33:07,960
Speaker 1: an instant pod explodes or croc pod explodes, like that

542
00:33:09,160 --> 00:33:13,240
Speaker 1: happens pretty much everything that happens in his shows or

543
00:33:13,360 --> 00:33:17,560
Speaker 1: films are I can't believe happening. Like everything that you

544
00:33:17,640 --> 00:33:20,600
Speaker 1: guys have even crazy. It's even crazier than Gray's Anatomy

545
00:33:20,680 --> 00:33:23,440
Speaker 1: or Desperate House, Like it harkens back to that era

546
00:33:23,520 --> 00:33:26,320
Speaker 1: of television where it's like primetime soap, and I guess

547
00:33:26,400 --> 00:33:28,360
Speaker 1: This Is Us is like the closest thing we have

548
00:33:28,480 --> 00:33:33,000
Speaker 1: to that, Like it's even crazier than that. To me. Yeah,

549
00:33:33,240 --> 00:33:38,320
Speaker 1: I see, I love that thought. We need soap operas

550
00:33:38,360 --> 00:33:40,080
Speaker 1: to be soap operas. You have to remember, like it

551
00:33:40,200 --> 00:33:42,560
Speaker 1: used to be like every episode someone fell down the stairs.

552
00:33:42,640 --> 00:33:44,800
Speaker 1: So if there's a lion loose on with Steria Lane,

553
00:33:45,080 --> 00:33:47,480
Speaker 1: we're doing the right thing. I feel like, you know,

554
00:33:47,600 --> 00:33:50,360
Speaker 1: when you like you think there's graz anatomy, do they

555
00:33:50,440 --> 00:33:53,200
Speaker 1: still do every year? There's a huge tragedy. I have

556
00:33:53,320 --> 00:33:55,520
Speaker 1: no idea. Well, and now they're doing the COVID stuff,

557
00:33:55,560 --> 00:34:04,680
Speaker 1: where like God, they do COVID ony anomy. No, yeah, yeah, yeah, yeah,

558
00:34:05,560 --> 00:34:09,160
Speaker 1: it's it's it's it's it's rough. That is such a

559
00:34:09,320 --> 00:34:11,879
Speaker 1: choice because now for the rest of time it has

560
00:34:11,960 --> 00:34:13,799
Speaker 1: to be about For as long as it's on now

561
00:34:13,840 --> 00:34:17,239
Speaker 1: it has to be about COVID. They they got to

562
00:34:17,280 --> 00:34:21,840
Speaker 1: hang it up. I mean, make your bed, like literally,

563
00:34:22,200 --> 00:34:25,239
Speaker 1: get they I hope they have to keep writing about

564
00:34:25,320 --> 00:34:28,719
Speaker 1: COVID that they like, they have to deal with the

565
00:34:28,800 --> 00:34:32,440
Speaker 1: choice that they mean. Sandra Oh has done like five

566
00:34:32,560 --> 00:34:37,279
Speaker 1: series since that ended. It's it's yeah, it's crazy, it's crazy. Yeah,

567
00:34:37,400 --> 00:34:39,919
Speaker 1: she just with the Chair. Have you watched the Chair?

568
00:34:40,719 --> 00:34:45,720
Speaker 1: I watched some of it. Yeah I did too, Yeah, yeah,

569
00:34:47,680 --> 00:34:50,399
Speaker 1: I thought Sandra was great. I just you don't even

570
00:34:50,480 --> 00:34:53,480
Speaker 1: have to go into it. No, but look, if here's

571
00:34:53,480 --> 00:34:55,200
Speaker 1: what I'm gonna say, the readers of the pod they

572
00:34:55,239 --> 00:34:56,839
Speaker 1: want to hear what we think about stuff, and we've

573
00:34:56,880 --> 00:34:58,960
Speaker 1: gone so far into life itself and this is us.

574
00:34:59,000 --> 00:35:01,120
Speaker 1: So they really know what we've deal about it, and

575
00:35:01,239 --> 00:35:03,440
Speaker 1: they also know that we fucking stand. The kids are

576
00:35:03,520 --> 00:35:04,920
Speaker 1: all right. So I'm not going to bring up the

577
00:35:05,000 --> 00:35:06,600
Speaker 1: Chair and say I watched some of it but not

578
00:35:06,719 --> 00:35:10,080
Speaker 1: all of that without qualifying it. Here's my review. Sandra's

579
00:35:10,120 --> 00:35:12,279
Speaker 1: fucking great. I just don't know if I care that

580
00:35:12,400 --> 00:35:14,680
Speaker 1: much about the faculty at a liberal arts school. I

581
00:35:14,800 --> 00:35:17,320
Speaker 1: just don't know if I care that much. It's a

582
00:35:17,440 --> 00:35:22,520
Speaker 1: very dry show, and I think it like knows that

583
00:35:22,640 --> 00:35:26,520
Speaker 1: about itself, and it's like it's an entertaining watch. It's not.

584
00:35:26,920 --> 00:35:29,080
Speaker 1: It's not asking too much of the audience. It's it's

585
00:35:29,120 --> 00:35:32,520
Speaker 1: six episodes their thirty minutes, which it's like it goes

586
00:35:32,600 --> 00:35:35,320
Speaker 1: down easy. And I always I never complain about a

587
00:35:35,360 --> 00:35:37,200
Speaker 1: show that is like that. I think, And I think

588
00:35:37,239 --> 00:35:39,040
Speaker 1: there's great performances and then her and j D pots

589
00:35:39,040 --> 00:35:42,200
Speaker 1: of really good chemistry. They're great. I think there could

590
00:35:42,280 --> 00:35:44,160
Speaker 1: be a lion in that show that like, I would

591
00:35:44,200 --> 00:35:45,680
Speaker 1: like it if they threw a lion. There are like

592
00:35:45,760 --> 00:35:49,239
Speaker 1: a disease. So see the Chair is like so on

593
00:35:49,280 --> 00:35:52,239
Speaker 1: the opposite end of that of a Dan Filgiman type

594
00:35:52,280 --> 00:35:53,800
Speaker 1: of show. Now that we're just like, oh see, we

595
00:35:53,960 --> 00:35:58,880
Speaker 1: want we want someone to shoot themselves. I can't believe

596
00:35:58,920 --> 00:36:02,120
Speaker 1: that happened way because it's sound real, It's sound you

597
00:36:02,160 --> 00:36:04,360
Speaker 1: were describing in the way that you've been describing the

598
00:36:04,440 --> 00:36:06,520
Speaker 1: Ellen feud, and I'm like, this is oh, this is

599
00:36:06,600 --> 00:36:09,399
Speaker 1: just potty like and I'm not I'm not in a riff.

600
00:36:09,560 --> 00:36:12,520
Speaker 1: I'm not How much do you do you wanna? Okay?

601
00:36:12,520 --> 00:36:13,840
Speaker 1: I think this is an important time for you to

602
00:36:13,880 --> 00:36:16,920
Speaker 1: like close the chapter on Ellen. If you think it's closed,

603
00:36:17,320 --> 00:36:18,680
Speaker 1: what was it? Like You've told me a little bit

604
00:36:18,680 --> 00:36:21,000
Speaker 1: about how whatever we want to share about going on

605
00:36:21,120 --> 00:36:23,439
Speaker 1: Ellen in her last season when you came to face

606
00:36:23,520 --> 00:36:28,600
Speaker 1: to face with your arrival, um well, and what I

607
00:36:28,680 --> 00:36:30,920
Speaker 1: have to say about the experiences that I was pretty

608
00:36:31,040 --> 00:36:36,920
Speaker 1: nervous going into it. I when I was asked to

609
00:36:37,120 --> 00:36:40,520
Speaker 1: do it, I was like, I think they're probably going

610
00:36:40,560 --> 00:36:44,439
Speaker 1: to find out all the stuff that I've said about

611
00:36:44,520 --> 00:36:49,080
Speaker 1: Ellen in the past, and and to be honest, like

612
00:36:49,239 --> 00:36:51,480
Speaker 1: a lot of the stuff that I've said on record

613
00:36:51,560 --> 00:36:56,600
Speaker 1: about Ellen is off from like like that, like it's

614
00:36:56,640 --> 00:36:59,759
Speaker 1: been a while, like since I guess the last time

615
00:36:59,800 --> 00:37:04,040
Speaker 1: I had lost caltrisas was yes, since you described the

616
00:37:04,800 --> 00:37:08,239
Speaker 1: bloody battle you had at your concert with her right,

617
00:37:08,360 --> 00:37:11,799
Speaker 1: which was like it was like yeah, but that was all.

618
00:37:13,160 --> 00:37:15,279
Speaker 1: It was very it was absurd and I was making

619
00:37:15,320 --> 00:37:16,759
Speaker 1: it up and it was a joke and like I

620
00:37:16,840 --> 00:37:20,839
Speaker 1: said stuff about her and like other interviews to um

621
00:37:21,000 --> 00:37:24,680
Speaker 1: about like the George Bush stuff, and I just didn't

622
00:37:24,800 --> 00:37:29,160
Speaker 1: like for you again. Know they're they're coming again. They're

623
00:37:29,239 --> 00:37:34,720
Speaker 1: just now coming for Juliet more. They just they passed

624
00:37:34,719 --> 00:37:39,480
Speaker 1: the house once before. Yeah, and they went and they

625
00:37:40,040 --> 00:37:43,520
Speaker 1: they arrested Um Taboo from Black Eyed Peace. They're like,

626
00:37:43,960 --> 00:37:49,880
Speaker 1: there he is, that's Patty Harrison Um and they arrested.

627
00:37:50,960 --> 00:37:54,040
Speaker 1: He keeps getting mistaken for me. And the thing that

628
00:37:54,120 --> 00:37:57,000
Speaker 1: sex is that he loves the attention to Asian icons.

629
00:37:57,800 --> 00:38:02,239
Speaker 1: Two long haired Asian icons. Taboo wouldn't Patty sitting in

630
00:38:02,320 --> 00:38:05,920
Speaker 1: a tree f I n g E r I n

631
00:38:06,040 --> 00:38:09,360
Speaker 1: g e A c h O t h E r

632
00:38:10,200 --> 00:38:16,720
Speaker 1: I n t h E t r E yes fingering

633
00:38:16,760 --> 00:38:20,520
Speaker 1: asshole in the tree, fingering each other, fingering each other.

634
00:38:22,000 --> 00:38:25,200
Speaker 1: I can't even spell, and I spelled it so slow. Wait,

635
00:38:25,480 --> 00:38:27,120
Speaker 1: I'm sorry, I need to take it back. Taboo was

636
00:38:27,200 --> 00:38:31,120
Speaker 1: not Asian. Taboo was Mexican. We're going to keep that

637
00:38:31,239 --> 00:38:35,600
Speaker 1: in but okay, so you did some silent research though

638
00:38:35,600 --> 00:38:38,120
Speaker 1: I didn't even hear the typing, and I just loved.

639
00:38:38,200 --> 00:38:40,719
Speaker 1: I love that The Google search was is taboo from

640
00:38:40,760 --> 00:38:48,560
Speaker 1: Black Eyed Peas Asian boo, Asian woman, taboo woman, taboo taboo.

641
00:38:51,040 --> 00:38:53,480
Speaker 1: We need to know. I was on Wikipedia. I was

642
00:38:53,480 --> 00:38:55,840
Speaker 1: already on with the pen and I looked up taboo

643
00:38:55,840 --> 00:38:59,120
Speaker 1: black Eyed Peas. I did not add any like identifiers

644
00:38:59,200 --> 00:39:01,880
Speaker 1: or anything, and nothing came up. So I just went

645
00:39:01,920 --> 00:39:03,920
Speaker 1: to the black Eyed Peace page and then clicked taboo

646
00:39:04,040 --> 00:39:07,840
Speaker 1: and then looked up h Early Life. So is the

647
00:39:07,880 --> 00:39:10,200
Speaker 1: Black Eyed Pea website just all the members and next

648
00:39:10,280 --> 00:39:12,919
Speaker 1: to them it says their race. I mean it could

649
00:39:12,920 --> 00:39:16,400
Speaker 1: be yeah, I think that looks like Fergie White. No,

650
00:39:16,640 --> 00:39:19,880
Speaker 1: Fregy's race would be listed and this is there and

651
00:39:19,960 --> 00:39:22,000
Speaker 1: this is their wording, not mine. It would be the

652
00:39:22,160 --> 00:39:28,640
Speaker 1: R word because they used it. They every time that

653
00:39:28,760 --> 00:39:32,440
Speaker 1: song gets played, that's them using the R word. Listening

654
00:39:32,600 --> 00:39:36,319
Speaker 1: to that song. Now, listen the clarity in which they

655
00:39:36,400 --> 00:39:39,719
Speaker 1: say it in the studio record. How much they enunciate

656
00:39:39,800 --> 00:39:44,840
Speaker 1: the word every like every what? What? What? What are

657
00:39:44,840 --> 00:39:48,520
Speaker 1: the linguistics behind it? Like t like like is it fricative?

658
00:39:48,600 --> 00:39:53,800
Speaker 1: Closive fricative to to I think is closive right because

659
00:39:53,840 --> 00:40:01,120
Speaker 1: it's yeah, you're pushing the air right, tend to are

660
00:40:01,160 --> 00:40:04,719
Speaker 1: really aggressive on that. But Fergie can, she can. They

661
00:40:04,719 --> 00:40:08,000
Speaker 1: can still sing that because Fergie that's her race. She

662
00:40:08,120 --> 00:40:11,400
Speaker 1: identifies that the race. Yeah, and that's why people people

663
00:40:11,480 --> 00:40:14,080
Speaker 1: need to like get off their fucking little PCs j

664
00:40:14,360 --> 00:40:19,879
Speaker 1: W culpits and say that and they need to learn

665
00:40:20,040 --> 00:40:22,800
Speaker 1: that like that. She actually has agency to say it

666
00:40:22,960 --> 00:40:27,399
Speaker 1: because she identifies as that. Um and she even said

667
00:40:27,400 --> 00:40:29,480
Speaker 1: she they say it in the song. They all identify

668
00:40:29,560 --> 00:40:38,320
Speaker 1: as that, but um pc W culture bring back the

669
00:40:38,560 --> 00:40:42,160
Speaker 1: uncensored version of that song of when You Get It started.

670
00:40:42,680 --> 00:40:47,520
Speaker 1: Igzela said it too. And my flow the word she

671
00:40:47,800 --> 00:40:53,839
Speaker 1: describes her flow as she is like she I think

672
00:40:54,320 --> 00:41:00,239
Speaker 1: is needs she needs some like aloe on her soul. Um.

673
00:41:00,920 --> 00:41:05,600
Speaker 1: But I love that. But I do want to say,

674
00:41:06,480 --> 00:41:11,520
Speaker 1: because you uh, someone I saw the other day and

675
00:41:11,719 --> 00:41:14,879
Speaker 1: I just like looked at on a random Instagram post,

676
00:41:14,960 --> 00:41:18,279
Speaker 1: I got a notification and I like I really skimmed them.

677
00:41:18,400 --> 00:41:20,120
Speaker 1: That's something that I trained myself to do. It's like

678
00:41:20,200 --> 00:41:23,960
Speaker 1: I'm like, don't go through my notifications like with intent

679
00:41:24,200 --> 00:41:27,080
Speaker 1: or attention, Just like skim if you see something catch

680
00:41:27,080 --> 00:41:29,080
Speaker 1: your eye. Great. It's the same with my message request

681
00:41:29,120 --> 00:41:31,160
Speaker 1: because I get like insane messages and it's just not

682
00:41:31,239 --> 00:41:36,040
Speaker 1: worth it. But I saw this person just commented Tronny

683
00:41:36,520 --> 00:41:39,360
Speaker 1: really big on one of my sixtures. But and I

684
00:41:39,480 --> 00:41:42,320
Speaker 1: was like like yeah, like when we were talking like

685
00:41:42,480 --> 00:41:45,960
Speaker 1: rahnny um, and I was like, oh, us nice. And

686
00:41:45,960 --> 00:41:47,360
Speaker 1: then I looked at their profoule and it's just like

687
00:41:47,440 --> 00:41:51,480
Speaker 1: a white Sisters woman. And that was the thing where

688
00:41:51,480 --> 00:41:54,880
Speaker 1: I was like, you know, I think she listens to

689
00:41:55,080 --> 00:42:00,640
Speaker 1: Lost culturest does I think she is meaning well? And

690
00:42:01,760 --> 00:42:03,640
Speaker 1: and so I was like, is this a moment where

691
00:42:03,680 --> 00:42:05,600
Speaker 1: I a teachable moment where I can send her like

692
00:42:05,680 --> 00:42:08,000
Speaker 1: anx DM. And I was like I just don't. I'm

693
00:42:08,040 --> 00:42:09,799
Speaker 1: just gonna let her live in that and she can

694
00:42:09,880 --> 00:42:14,480
Speaker 1: just like have her joy around getting to comment TRONI something.

695
00:42:14,840 --> 00:42:17,920
Speaker 1: But I think she's like doing it like in fellowship

696
00:42:18,040 --> 00:42:20,800
Speaker 1: with me, like feeling like ha ha Trani, We're we

697
00:42:20,880 --> 00:42:22,800
Speaker 1: can all see. And I was just like, you know what,

698
00:42:23,000 --> 00:42:27,120
Speaker 1: I actually don't want to. I don't I don't care

699
00:42:27,200 --> 00:42:29,560
Speaker 1: if like at this point, I'm not even gonna like

700
00:42:29,719 --> 00:42:35,719
Speaker 1: put energy into into I guess trying to dissect like

701
00:42:35,840 --> 00:42:40,160
Speaker 1: agency around gate keeping language it to that degree. So

702
00:42:40,320 --> 00:42:42,719
Speaker 1: I'm just like, you know what, I just don't give

703
00:42:42,719 --> 00:42:44,840
Speaker 1: a ship because this is just like a person I

704
00:42:45,200 --> 00:42:49,279
Speaker 1: don't know and it won't meet whatever. But um um,

705
00:42:49,640 --> 00:42:54,040
Speaker 1: I mean, I mean there's a world where maybe she's

706
00:42:54,680 --> 00:42:58,400
Speaker 1: she's they she or something like a fab they she,

707
00:42:59,520 --> 00:43:03,799
Speaker 1: But even then it's like that is like an interesting thing.

708
00:43:04,160 --> 00:43:06,640
Speaker 1: That is why I have opted out of the conversation

709
00:43:06,840 --> 00:43:09,320
Speaker 1: is with like the they she of it all is

710
00:43:09,480 --> 00:43:12,879
Speaker 1: like in people who are like gender fluid, and which

711
00:43:12,920 --> 00:43:14,839
Speaker 1: I do like I think is valid. I think non

712
00:43:14,920 --> 00:43:18,880
Speaker 1: binary identities are completely valid, but I think it's it

713
00:43:19,160 --> 00:43:22,960
Speaker 1: is still gives me a jolt when like like cis

714
00:43:23,160 --> 00:43:28,080
Speaker 1: presenting a fab they she's that are hyper fem they

715
00:43:28,200 --> 00:43:31,320
Speaker 1: she's will like start throwing the word training around in

716
00:43:31,400 --> 00:43:33,399
Speaker 1: front of me, and I'm like, oh, I don't think

717
00:43:33,440 --> 00:43:36,879
Speaker 1: you've lived with that word or had it used at

718
00:43:36,920 --> 00:43:38,960
Speaker 1: you in a way that it's like, I know that

719
00:43:39,160 --> 00:43:43,719
Speaker 1: you feel you're integrated into this like culture. Now. I

720
00:43:43,760 --> 00:43:47,359
Speaker 1: think the Internet expedites that that feeling of like, oh

721
00:43:47,520 --> 00:43:51,000
Speaker 1: this is my I have access to this now, but

722
00:43:51,280 --> 00:43:53,360
Speaker 1: it is still jarring for me in a way that

723
00:43:53,440 --> 00:43:55,360
Speaker 1: I'm like, you know what, I'm just gonna anytime I

724
00:43:55,400 --> 00:43:58,640
Speaker 1: see this happening, I'm just not investigating it. I'm gonna

725
00:43:58,640 --> 00:44:02,480
Speaker 1: be trying my inner gen tip ordering food from California

726
00:44:02,560 --> 00:44:06,879
Speaker 1: Chicken Cafe. Go for Chicken Cafe. In my ass, well,

727
00:44:07,160 --> 00:44:09,919
Speaker 1: this is like I don't have that much insightful things

728
00:44:10,920 --> 00:44:13,319
Speaker 1: I do. You always say stuff like that, but then

729
00:44:13,360 --> 00:44:16,239
Speaker 1: you always say something like no no no no no

730
00:44:16,320 --> 00:44:18,320
Speaker 1: no no no. But he's getting your defenses down, so

731
00:44:18,440 --> 00:44:20,239
Speaker 1: you assume you're going to hear some dumb ship and

732
00:44:20,320 --> 00:44:22,600
Speaker 1: then when he hits you with something wise, that's part

733
00:44:22,640 --> 00:44:24,560
Speaker 1: of it. I'm about to say the dumbest thing I've

734
00:44:24,560 --> 00:44:26,800
Speaker 1: ever said in my life. But I feel like this

735
00:44:27,040 --> 00:44:28,920
Speaker 1: is a thing that I think is part of this

736
00:44:30,120 --> 00:44:34,080
Speaker 1: cultural conflict in the trans community between like it's not

737
00:44:34,320 --> 00:44:37,440
Speaker 1: quite I feel like the conflict is not quite like

738
00:44:38,160 --> 00:44:41,640
Speaker 1: trucecum versus transgender thing like where it's like there are

739
00:44:41,760 --> 00:44:44,719
Speaker 1: like there there is like a gate keeping segment of

740
00:44:44,760 --> 00:44:47,759
Speaker 1: the trans population that are like you have not had

741
00:44:47,840 --> 00:44:52,000
Speaker 1: a lived in trans experience, and therefore you are not

742
00:44:53,120 --> 00:44:56,280
Speaker 1: you you you don't you should not like throw around

743
00:44:57,040 --> 00:44:59,440
Speaker 1: certain words or concepts and the and the way that

744
00:44:59,480 --> 00:45:03,480
Speaker 1: you capitally we are and then but it's like who

745
00:45:03,640 --> 00:45:08,160
Speaker 1: but them, like how much how much gatekeeping like is

746
00:45:08,239 --> 00:45:13,480
Speaker 1: actually like beneficial or helpful, Like it's it's it is

747
00:45:13,640 --> 00:45:15,640
Speaker 1: things where it's like, well if if we're trying to

748
00:45:15,840 --> 00:45:20,040
Speaker 1: destroy like gender like ideas that are like very like

749
00:45:20,520 --> 00:45:24,799
Speaker 1: deeply programmed into things, and like where do you I think,

750
00:45:24,840 --> 00:45:27,040
Speaker 1: like like where do you like rebuild from It's it's

751
00:45:27,120 --> 00:45:31,200
Speaker 1: it's tough. Yeah, I mean I get I understand like

752
00:45:31,600 --> 00:45:36,520
Speaker 1: the the frustration and the anger around like you know

753
00:45:36,840 --> 00:45:39,879
Speaker 1: when when people do use that language that other people

754
00:45:39,880 --> 00:45:42,480
Speaker 1: are like, you know, you don't have you haven't done

755
00:45:42,520 --> 00:45:45,279
Speaker 1: the ground the footwork or the ground where to like

756
00:45:45,640 --> 00:45:49,680
Speaker 1: have that word and your your vocabulary. But I'm like,

757
00:45:50,040 --> 00:45:53,880
Speaker 1: I think in terms of like caring for like trans people,

758
00:45:54,560 --> 00:45:59,600
Speaker 1: it's like I'm like divesting in my energy into that

759
00:45:59,680 --> 00:46:02,399
Speaker 1: because it just seems like people put us so much

760
00:46:02,680 --> 00:46:08,160
Speaker 1: energy into this discourse around I don't even call it

761
00:46:08,239 --> 00:46:12,560
Speaker 1: discourse I have. I'm like, I think just like being

762
00:46:12,600 --> 00:46:16,400
Speaker 1: obsessively online for like most of my twenties, I'm like

763
00:46:17,120 --> 00:46:23,560
Speaker 1: I learned a lot, but I also am I'm like

764
00:46:23,640 --> 00:46:26,960
Speaker 1: I feel like as long as I'm online, I'm not.

765
00:46:27,600 --> 00:46:30,719
Speaker 1: I don't know. I just feel like, what what do

766
00:46:30,800 --> 00:46:33,520
Speaker 1: I do in my lived life? In person? I'm not

767
00:46:33,600 --> 00:46:38,160
Speaker 1: going to scream this person's head off because I'm like there,

768
00:46:38,200 --> 00:46:41,600
Speaker 1: it's just like really hard. It would be really hard

769
00:46:41,719 --> 00:46:46,080
Speaker 1: to objectively clock some the level of someone's experience and

770
00:46:46,160 --> 00:46:49,600
Speaker 1: agency and their trans experience before they can like start

771
00:46:49,719 --> 00:46:52,160
Speaker 1: saying a word whatever. I'm just like, you know what,

772
00:46:52,480 --> 00:46:57,719
Speaker 1: Like I would rather just order food from California And

773
00:46:58,080 --> 00:46:59,560
Speaker 1: this is how you learn that I have like a

774
00:46:59,640 --> 00:47:02,480
Speaker 1: four hundred thousand dollar deal with California ship in cafe

775
00:47:04,360 --> 00:47:07,520
Speaker 1: trends if there was less in fighting in the trans community.

776
00:47:07,880 --> 00:47:09,880
Speaker 1: Now I get it too. It's like I have frustrations

777
00:47:09,920 --> 00:47:12,440
Speaker 1: around that stuff too, but I just like have opted

778
00:47:12,560 --> 00:47:16,719
Speaker 1: to to divest and not because I'm like at the

779
00:47:16,960 --> 00:47:20,040
Speaker 1: end of the day, at the end of the day,

780
00:47:20,120 --> 00:47:23,040
Speaker 1: the only person who knows the authenticity of like a

781
00:47:23,160 --> 00:47:27,400
Speaker 1: person and their experience is that person. Like it's just

782
00:47:27,600 --> 00:47:30,600
Speaker 1: like there's no I think it just goes across the

783
00:47:30,680 --> 00:47:33,520
Speaker 1: board in every situation, in every relationship that you have.

784
00:47:33,840 --> 00:47:36,680
Speaker 1: But like I don't have the tools and I will

785
00:47:36,760 --> 00:47:40,160
Speaker 1: just simply never know. I can't be a detective to like,

786
00:47:41,040 --> 00:47:43,840
Speaker 1: you know, if I am doing detective work, to just

787
00:47:43,960 --> 00:47:47,840
Speaker 1: like figure out if this person is like as trans

788
00:47:47,960 --> 00:47:50,880
Speaker 1: as they say they are. Something. It's like why do

789
00:47:51,000 --> 00:47:55,160
Speaker 1: I care? Like why I'm there are other people who

790
00:47:55,280 --> 00:47:59,879
Speaker 1: are much more toxic to me than like this well

791
00:48:00,160 --> 00:48:08,239
Speaker 1: meaning commenting in all caps, forty exclamation boards points try, well,

792
00:48:08,320 --> 00:48:09,960
Speaker 1: this is this is the thing. This is how It's

793
00:48:10,000 --> 00:48:12,200
Speaker 1: not the same. It's not like the same like analog.

794
00:48:12,400 --> 00:48:14,800
Speaker 1: But like I heard someone I heard, I heard this

795
00:48:15,000 --> 00:48:18,920
Speaker 1: professor say this about like racism as it pertains to

796
00:48:19,040 --> 00:48:20,840
Speaker 1: Like this was like right around like March, when like

797
00:48:21,400 --> 00:48:23,080
Speaker 1: I was like just I don't know, like taking a

798
00:48:23,120 --> 00:48:24,440
Speaker 1: lot of stuff in and you know, there was a

799
00:48:24,520 --> 00:48:26,279
Speaker 1: professor who was just like you know, my husband and

800
00:48:26,320 --> 00:48:28,520
Speaker 1: I were like waiting at some like bus stop in

801
00:48:28,920 --> 00:48:31,759
Speaker 1: Germany and this like old woman was like glaring at

802
00:48:31,840 --> 00:48:34,200
Speaker 1: us and like being awful and like like muttering all

803
00:48:34,200 --> 00:48:36,400
Speaker 1: these like racist German things under her breath. And then

804
00:48:36,560 --> 00:48:39,480
Speaker 1: my husband was like, should we say something? And then

805
00:48:39,520 --> 00:48:41,360
Speaker 1: she was like no, Like what am I gonna do?

806
00:48:41,560 --> 00:48:44,160
Speaker 1: Like yell at this old woman to stop. Like it's

807
00:48:44,200 --> 00:48:46,480
Speaker 1: like they're like the thing to think about is there

808
00:48:46,480 --> 00:48:48,760
Speaker 1: are racists who can hurt you and there are racists

809
00:48:48,800 --> 00:48:51,440
Speaker 1: who can't. It's like it's like it's the frame of

810
00:48:51,520 --> 00:48:53,600
Speaker 1: it should be around like power, and so it's like

811
00:48:53,760 --> 00:48:57,160
Speaker 1: does this white person like who like presents super fem

812
00:48:57,360 --> 00:49:00,160
Speaker 1: but it's like using the she pronouns like ken they

813
00:49:00,320 --> 00:49:03,360
Speaker 1: hurt you, probably not. And so as it relates to

814
00:49:03,480 --> 00:49:07,279
Speaker 1: like our white feministenership of this show, like I think

815
00:49:07,360 --> 00:49:09,279
Speaker 1: Matt and I remember Matt remember We're not going to

816
00:49:09,400 --> 00:49:11,040
Speaker 1: name names, but there was one time where we were

817
00:49:11,040 --> 00:49:13,000
Speaker 1: at a show where there was this like I'm not

818
00:49:13,040 --> 00:49:15,760
Speaker 1: gonna say which city, but there was a performer, a white,

819
00:49:15,840 --> 00:49:19,799
Speaker 1: a fab person who performed in her I don't think so, honey,

820
00:49:19,920 --> 00:49:22,800
Speaker 1: was I don't think so, honey. Minions you look like

821
00:49:22,960 --> 00:49:25,880
Speaker 1: the kids who make you in factories or whatever, like

822
00:49:26,000 --> 00:49:27,960
Speaker 1: you look like Asian people. And I always like literally

823
00:49:28,239 --> 00:49:29,920
Speaker 1: five feet away from her, and I was like, and

824
00:49:30,000 --> 00:49:31,720
Speaker 1: I think people were like there was there was tension

825
00:49:31,719 --> 00:49:33,239
Speaker 1: in the room because they're like, oh, like this is

826
00:49:33,360 --> 00:49:36,239
Speaker 1: like blatantly racist Asian people. And in the moment, I

827
00:49:36,320 --> 00:49:38,719
Speaker 1: was just like I don't fucking care, like she's this

828
00:49:38,920 --> 00:49:41,160
Speaker 1: like she's this person I'm never I'm probably never going

829
00:49:41,200 --> 00:49:44,040
Speaker 1: to see again, and like I don't have to waste

830
00:49:44,080 --> 00:49:48,840
Speaker 1: any energy on like her like misguided attempt at humor,

831
00:49:49,840 --> 00:49:55,399
Speaker 1: like because so humiliating for her that I'm not embarrassed. Yeah,

832
00:49:55,480 --> 00:49:58,080
Speaker 1: it's more cringe than it is like offensive, because you're

833
00:49:58,080 --> 00:50:03,640
Speaker 1: just like, yeah, God, like this so not right and

834
00:50:03,760 --> 00:50:06,560
Speaker 1: so like and and that's not like that that is

835
00:50:06,600 --> 00:50:08,759
Speaker 1: also not like the proper and allot to like this

836
00:50:08,960 --> 00:50:11,880
Speaker 1: person Patty that's in your comments, but like who thinks that,

837
00:50:12,000 --> 00:50:15,320
Speaker 1: like they have this familiarity with you and to like

838
00:50:16,360 --> 00:50:19,560
Speaker 1: type in all caps this word that you made up,

839
00:50:20,200 --> 00:50:22,360
Speaker 1: um the flur that you made up, you know, I

840
00:50:22,400 --> 00:50:26,800
Speaker 1: don't know. Yeah, well, I just I know I appreciate

841
00:50:26,880 --> 00:50:29,640
Speaker 1: what you said about that too. I think, like I

842
00:50:29,719 --> 00:50:32,000
Speaker 1: think it's just a moment of discernment if you have

843
00:50:32,280 --> 00:50:36,719
Speaker 1: the stamina and like engaging kind of the the little

844
00:50:36,760 --> 00:50:41,480
Speaker 1: details of each each occurrence case by case basis of

845
00:50:41,680 --> 00:50:45,920
Speaker 1: when of when it's like okay, like you know, is

846
00:50:46,080 --> 00:50:48,880
Speaker 1: this is this worth my time and energy? Is this

847
00:50:49,080 --> 00:50:52,040
Speaker 1: going to be good for me personally? Like? My is

848
00:50:52,080 --> 00:50:54,120
Speaker 1: that how you felt with Ellen when you were face

849
00:50:54,200 --> 00:50:56,480
Speaker 1: to face with her? You were like, oh right, Well

850
00:50:56,640 --> 00:50:58,560
Speaker 1: to get back to that I will say that I

851
00:50:58,800 --> 00:51:02,600
Speaker 1: was really you know, going into that interview, I was like,

852
00:51:02,960 --> 00:51:06,440
Speaker 1: I'm going to be a good sport. I am excited

853
00:51:06,480 --> 00:51:09,320
Speaker 1: to get to do it. It is crazy like my

854
00:51:09,880 --> 00:51:13,960
Speaker 1: I literally my fourth grade teacher, Eileen, who was like

855
00:51:14,080 --> 00:51:17,320
Speaker 1: my best friends in high school's parents mom. She was

856
00:51:17,400 --> 00:51:20,160
Speaker 1: the mom, and she I would like get off the

857
00:51:20,200 --> 00:51:23,279
Speaker 1: bus and go watch Ellen with them, or like a

858
00:51:23,440 --> 00:51:28,880
Speaker 1: get or like after school when when my friends started driving,

859
00:51:29,120 --> 00:51:31,279
Speaker 1: like that's like the first thing we would do when

860
00:51:31,320 --> 00:51:35,719
Speaker 1: we'd get back and like, um, so there is this

861
00:51:36,160 --> 00:51:40,640
Speaker 1: like internalized magic about that that I'm like, I'm not

862
00:51:40,719 --> 00:51:44,080
Speaker 1: above that. I'm not above like wanting the school experience.

863
00:51:44,320 --> 00:51:47,280
Speaker 1: And the things that I said were like either jokes

864
00:51:47,400 --> 00:51:51,920
Speaker 1: or from years ago. And then our teams talked to

865
00:51:52,080 --> 00:51:55,240
Speaker 1: kind of clarify that I wasn't gonna like do anything

866
00:51:55,360 --> 00:51:58,840
Speaker 1: to ambush her, like that she wasn't gonna do anything

867
00:51:58,880 --> 00:52:02,960
Speaker 1: to like ambush me. It was like very like felt

868
00:52:03,000 --> 00:52:06,080
Speaker 1: out in advance. And then but I really went in

869
00:52:06,880 --> 00:52:10,239
Speaker 1: with like blank slate, I'm just gonna like I'm here

870
00:52:10,280 --> 00:52:13,920
Speaker 1: to kind of promote the movie and that's all it

871
00:52:13,960 --> 00:52:15,399
Speaker 1: has to be. I think she's kind of been through

872
00:52:15,480 --> 00:52:18,960
Speaker 1: the ringer. I don't again that energy preserved thing. It's

873
00:52:19,000 --> 00:52:23,120
Speaker 1: like I don't want to when you're like with somebody

874
00:52:23,320 --> 00:52:26,279
Speaker 1: in person, it's like, oh yeah, I remember that this

875
00:52:26,400 --> 00:52:30,440
Speaker 1: person as a person. Whatever. So when the day we

876
00:52:30,560 --> 00:52:33,720
Speaker 1: were it was really quick. I just went into the studio.

877
00:52:34,040 --> 00:52:37,400
Speaker 1: I got there. My makeup artist Kirston came with me.

878
00:52:37,520 --> 00:52:43,160
Speaker 1: Kirston Coleman, she's fucking amazing. She's like, she's so sick.

879
00:52:43,600 --> 00:52:46,320
Speaker 1: She went with me, and then Ellen came to my

880
00:52:46,440 --> 00:52:49,399
Speaker 1: dressing room beforehand and said high and it was very

881
00:52:50,200 --> 00:52:55,640
Speaker 1: like very nice, very brief um. And then that we

882
00:52:55,760 --> 00:52:57,440
Speaker 1: did like a pre interview, so we knew what we

883
00:52:57,520 --> 00:52:59,960
Speaker 1: were going to talk about. In the pre interview, they asked,

884
00:53:00,000 --> 00:53:01,400
Speaker 1: do you like a couple of questions, so it's like

885
00:53:01,480 --> 00:53:03,680
Speaker 1: the phone call the day before and they just kind

886
00:53:03,719 --> 00:53:06,080
Speaker 1: of they're like, okay, so here are some things we

887
00:53:06,239 --> 00:53:08,439
Speaker 1: talked about, and then you feel it out to see

888
00:53:08,480 --> 00:53:11,600
Speaker 1: if there are any interesting stories so that you optimize

889
00:53:11,640 --> 00:53:14,200
Speaker 1: the interview time, like I think every interview talk show

890
00:53:14,320 --> 00:53:17,200
Speaker 1: is like that, so that you're not like wildcarding saying

891
00:53:17,280 --> 00:53:22,680
Speaker 1: something random um and you know, or giving a boring

892
00:53:22,719 --> 00:53:25,600
Speaker 1: interview on TV UM. So we had the pre interview.

893
00:53:25,640 --> 00:53:29,759
Speaker 1: It was nice, and then I went on and it's

894
00:53:29,800 --> 00:53:34,640
Speaker 1: in COVID, so there's no screens. Yeah, it was literally

895
00:53:34,680 --> 00:53:39,399
Speaker 1: like people watching on zoom but there's no audience. Yeah,

896
00:53:39,520 --> 00:53:45,000
Speaker 1: it was. It was exactly that. It was very like

897
00:53:45,960 --> 00:53:48,520
Speaker 1: like sci fi or whatever. But there was like some

898
00:53:48,640 --> 00:53:52,160
Speaker 1: producers standing in the wings and Ellen, you know, she's

899
00:53:52,160 --> 00:53:55,040
Speaker 1: sitting there and she's greeting you. The stage is like bigger.

900
00:53:56,280 --> 00:53:59,000
Speaker 1: You don't you don't hug her. I can't remember if

901
00:53:59,040 --> 00:54:01,440
Speaker 1: we hugged or not. I think I we like elbow

902
00:54:01,480 --> 00:54:04,319
Speaker 1: bumped or something, or we sat down or maybe we Yeah,

903
00:54:04,360 --> 00:54:07,960
Speaker 1: I don't remember if we hugged, but um, yeah it was.

904
00:54:08,480 --> 00:54:11,279
Speaker 1: I literally was. So I was nervous that I was like,

905
00:54:11,440 --> 00:54:14,320
Speaker 1: is any of this past stuff gonna come up? And

906
00:54:15,360 --> 00:54:17,800
Speaker 1: it was. It was nice, Like you can watch the

907
00:54:17,880 --> 00:54:21,560
Speaker 1: interview online. So she leaned in like I don't know

908
00:54:21,600 --> 00:54:25,759
Speaker 1: if you saw it, it was okay, yeah, like they

909
00:54:25,840 --> 00:54:27,879
Speaker 1: cuts the commercial and like there's a little moment where

910
00:54:27,960 --> 00:54:30,480
Speaker 1: she leans in and like we like giggle and then

911
00:54:30,520 --> 00:54:32,520
Speaker 1: I like walk off stage or whatever, and that's like

912
00:54:33,000 --> 00:54:35,880
Speaker 1: you don't hear what was being said. But like right

913
00:54:35,960 --> 00:54:38,000
Speaker 1: after the interview, I was because I was like saying

914
00:54:38,040 --> 00:54:40,239
Speaker 1: that I was nervous, and she was like, can you

915
00:54:40,400 --> 00:54:43,680
Speaker 1: tell that your tits are so fucking deformed? Your stupid

916
00:54:43,800 --> 00:54:48,400
Speaker 1: ugly Your breast implants are like literally hanging lower than

917
00:54:48,440 --> 00:54:52,520
Speaker 1: they need to be. And I was like, han, She's like, hey, hey,

918
00:54:52,960 --> 00:54:56,439
Speaker 1: you he she tranny, I'm talking to you. And I said,

919
00:54:56,960 --> 00:55:01,560
Speaker 1: excuse me, excuse me? Do you hear yourself? Are you serious?

920
00:55:01,560 --> 00:55:04,000
Speaker 1: Do you know you're being recorded? She said no, no, no,

921
00:55:04,360 --> 00:55:09,719
Speaker 1: no she It was so funked up. She says, no, no,

922
00:55:10,280 --> 00:55:13,440
Speaker 1: she the mics are off. Now the eneviews over look

923
00:55:13,480 --> 00:55:15,919
Speaker 1: at the little ticker and I looked over. I looked

924
00:55:16,040 --> 00:55:20,279
Speaker 1: and there was a little ticker and that had the

925
00:55:20,320 --> 00:55:24,000
Speaker 1: time on it. And I said, oh my god, it froze.

926
00:55:24,120 --> 00:55:25,880
Speaker 1: Does that mean? And she's like, yeah, the recording stop.

927
00:55:25,920 --> 00:55:27,400
Speaker 1: No one knows what the hell I'm saying to you.

928
00:55:27,520 --> 00:55:30,640
Speaker 1: And I said, this is fucked up. When I guess what,

929
00:55:30,719 --> 00:55:33,880
Speaker 1: I don't have breast implants. I don't have breast implants.

930
00:55:33,920 --> 00:55:36,520
Speaker 1: I just started hormone therapy and the tissues not growing

931
00:55:36,560 --> 00:55:40,480
Speaker 1: in evenly. She didn't even know. You know what she did?

932
00:55:41,320 --> 00:55:45,279
Speaker 1: She stood up, She stood up, and she turned and

933
00:55:45,400 --> 00:55:50,080
Speaker 1: she slid down. She slid down her slacks just a

934
00:55:50,200 --> 00:55:55,919
Speaker 1: little bit, and she revealed, right right above her butt crack,

935
00:55:57,040 --> 00:56:00,759
Speaker 1: there's a little tattoo. I guess that it said, what

936
00:56:00,880 --> 00:56:06,120
Speaker 1: did it say? No, No, don't do it. Oh my

937
00:56:06,280 --> 00:56:08,600
Speaker 1: don't don't say it. No, I had to can't even

938
00:56:08,680 --> 00:56:11,640
Speaker 1: say I can't. I shouldn't, you know, I really shouldn't

939
00:56:11,640 --> 00:56:16,319
Speaker 1: say what the tattoos are? So wait, my gosh, it said.

940
00:56:16,600 --> 00:56:19,200
Speaker 1: It said, said Jared fogel Free. He said he didn't

941
00:56:19,200 --> 00:56:22,720
Speaker 1: do anything. And the people and it said, the people

942
00:56:22,880 --> 00:56:26,400
Speaker 1: who said he did something wrong are wrong because I

943
00:56:26,480 --> 00:56:29,480
Speaker 1: know them and I know that their liars. She is

944
00:56:29,600 --> 00:56:32,719
Speaker 1: so fucking evil. And then she pulled her pants on

945
00:56:32,800 --> 00:56:38,440
Speaker 1: a little further and she farted fucking and it fucking reeked.

946
00:56:38,560 --> 00:56:41,759
Speaker 1: And you know why why, you know why because she's

947
00:56:41,920 --> 00:56:46,000
Speaker 1: Keto And it was just like yeah, and it was

948
00:56:46,280 --> 00:56:48,560
Speaker 1: enough and the heart was enough that it gave her

949
00:56:48,640 --> 00:56:51,239
Speaker 1: a little boost forward and she kind of like and

950
00:56:51,360 --> 00:56:53,360
Speaker 1: her pants were low around her knee, so she was like,

951
00:56:53,960 --> 00:56:56,600
Speaker 1: well and she like had to catch herself on her chair.

952
00:56:58,280 --> 00:57:04,040
Speaker 1: Did she successfully? Did she wants successfully catch herself? Yeah?

953
00:57:04,120 --> 00:57:07,120
Speaker 1: She made it in the chair. She didn't fall. But

954
00:57:07,239 --> 00:57:09,839
Speaker 1: I stood up. I told you, I stood up. Well

955
00:57:09,880 --> 00:57:11,759
Speaker 1: what did you do? Did you defend yourself or what

956
00:57:11,920 --> 00:57:15,759
Speaker 1: or not? This was your last chance to Yeah, I

957
00:57:15,960 --> 00:57:21,080
Speaker 1: stood up and I said and I was like, this

958
00:57:21,360 --> 00:57:23,560
Speaker 1: is so in approach. And before I could even get

959
00:57:23,640 --> 00:57:25,720
Speaker 1: it out, she's points out. She's like, both of your

960
00:57:26,840 --> 00:57:29,120
Speaker 1: both of your deformed breasts have fallen out of your shirt.

961
00:57:29,920 --> 00:57:33,120
Speaker 1: And I looked down. She was right and they were out.

962
00:57:33,160 --> 00:57:37,439
Speaker 1: And I looked and for the first they're not even

963
00:57:37,720 --> 00:57:40,560
Speaker 1: they are they are And it's because I sleep on

964
00:57:40,680 --> 00:57:43,400
Speaker 1: my stomach and so what they've been growing in my

965
00:57:43,480 --> 00:57:45,440
Speaker 1: sleep when I had the hormones and they're growing on

966
00:57:45,600 --> 00:57:49,760
Speaker 1: their growing kind of oh my god, you don't even

967
00:57:49,880 --> 00:57:52,440
Speaker 1: let me say it. You didn't even let me say it.

968
00:57:52,960 --> 00:57:57,560
Speaker 1: Let let me go, let me own my journey. Fucking

969
00:57:57,760 --> 00:57:59,680
Speaker 1: oh my god. I want to call you a fagot,

970
00:57:59,720 --> 00:58:01,440
Speaker 1: and I'm call me a frogge. You can call me

971
00:58:01,480 --> 00:58:05,280
Speaker 1: a fragg I'm talking to my therapist now and she's

972
00:58:05,280 --> 00:58:09,080
Speaker 1: saying that I use faggot in an attempt to claim

973
00:58:09,360 --> 00:58:13,280
Speaker 1: an adjacent c to being siss, because that's where I

974
00:58:13,400 --> 00:58:16,760
Speaker 1: feel power is. And I agreed, and we had sex

975
00:58:16,960 --> 00:58:20,640
Speaker 1: and it was really bad. You should not have had

976
00:58:20,640 --> 00:58:23,000
Speaker 1: sex with your therapist. That's one of the top rules.

977
00:58:23,520 --> 00:58:31,280
Speaker 1: Oh my god, my therapist. He fucking fucking highest, biggest tits.

978
00:58:31,480 --> 00:58:38,400
Speaker 1: Oh my god. Chin to her chin like literally literally

979
00:58:38,480 --> 00:58:44,080
Speaker 1: when when we're pile driving, she's like she's upside down. Yeah,

980
00:58:44,160 --> 00:58:48,200
Speaker 1: and it's into when cheese spreads or her boobs. Both

981
00:58:48,240 --> 00:58:53,560
Speaker 1: her eyes are bruised. Oh my god, smacking, smacking like big.

982
00:58:54,360 --> 00:58:57,080
Speaker 1: It's like this. Did you did your elementary school have

983
00:58:57,200 --> 00:58:59,800
Speaker 1: that phase where you had milk in a bag like chocolate,

984
00:59:00,640 --> 00:59:04,680
Speaker 1: you have to stab the bag with the straw. Yeah, exactly,

985
00:59:04,880 --> 00:59:11,760
Speaker 1: it's like that slapping. What color is her hair? It

986
00:59:12,040 --> 00:59:16,640
Speaker 1: is fire red. Got so hot, hot hot red head

987
00:59:16,720 --> 00:59:20,200
Speaker 1: with huge fucking tits and bruised face from the tips

988
00:59:20,280 --> 00:59:22,680
Speaker 1: hitting her from getting Yeah, imagine she kind of looks

989
00:59:22,680 --> 00:59:28,240
Speaker 1: like Detavantissa glasses. Oh my god. Wait, harder than sucking

990
00:59:28,360 --> 00:59:31,640
Speaker 1: a chess game on the queen's gambit. Yeah, I saw

991
00:59:31,840 --> 00:59:34,160
Speaker 1: the camera shake. I saw your camera shake on your

992
00:59:34,240 --> 00:59:37,080
Speaker 1: laptop because you hit the bottom little bit. Yeah. I

993
00:59:37,120 --> 00:59:39,200
Speaker 1: have a really big penis that gets very hard when

994
00:59:39,240 --> 00:59:43,720
Speaker 1: I talk when I think about sex. Yeah, does your

995
00:59:43,760 --> 00:59:47,680
Speaker 1: therapist your therapist Glasses shot her when the tips head.

996
00:59:48,840 --> 00:59:52,680
Speaker 1: Uh No, it's it's like a really thick reinforced plastic

997
00:59:52,800 --> 00:59:57,040
Speaker 1: that they've used on the popmobile. Smart lady vibes, Yeah

998
00:59:57,120 --> 01:00:00,520
Speaker 1: she's smart, but yeah, anyways, um as I set up

999
01:00:00,560 --> 01:00:03,400
Speaker 1: Ellen turning on, she shot me on fucking head and

1000
01:00:03,480 --> 01:00:10,480
Speaker 1: then but you survived, yea, Ellen, she was an audience

1001
01:00:10,520 --> 01:00:12,760
Speaker 1: and then she went if there was another Ellen in

1002
01:00:12,800 --> 01:00:17,680
Speaker 1: the audience up and was like, she is so messed up.

1003
01:00:18,440 --> 01:00:22,560
Speaker 1: It is so messed up that she did that. I know.

1004
01:00:22,800 --> 01:00:28,360
Speaker 1: But the thing in her house is that in lockdown,

1005
01:00:28,920 --> 01:00:33,080
Speaker 1: everyone in Lockdown is going through an immense amount of

1006
01:00:33,240 --> 01:00:37,800
Speaker 1: psychological trauma that we don't even We have so easily

1007
01:00:37,840 --> 01:00:40,920
Speaker 1: and quickly normalized the fact that like we all just

1008
01:00:41,040 --> 01:00:42,880
Speaker 1: carry on with our day to day lives because we

1009
01:00:43,040 --> 01:00:45,080
Speaker 1: have to, and we don't think about how lockdown is

1010
01:00:45,120 --> 01:00:47,880
Speaker 1: affecting us. I don't think if I don't think there's

1011
01:00:47,920 --> 01:00:51,120
Speaker 1: any world where, like hypothetical world where like if the

1012
01:00:51,160 --> 01:00:54,600
Speaker 1: pandemic didn't exist, that she would have gotten that Jared

1013
01:00:54,840 --> 01:00:59,760
Speaker 1: Vogel was innocent tattoo like setting free. The first time

1014
01:00:59,800 --> 01:01:02,400
Speaker 1: she had to do was pre pandemic. This is who

1015
01:01:02,520 --> 01:01:05,800
Speaker 1: she is, and don't don't let her convince you that

1016
01:01:05,920 --> 01:01:09,120
Speaker 1: she's changed at all. She's the same person. She's the

1017
01:01:09,160 --> 01:01:13,040
Speaker 1: same ugly person on the inside and out. She is

1018
01:01:13,120 --> 01:01:18,200
Speaker 1: picking me up today today. Remember when we thought the

1019
01:01:18,320 --> 01:01:21,480
Speaker 1: podcast was at when I was got worried because the

1020
01:01:21,560 --> 01:01:23,240
Speaker 1: emails had the time wrong and it said it was

1021
01:01:23,360 --> 01:01:31,240
Speaker 1: recording it almost completely. Okay, it's really okay because sometimes

1022
01:01:31,680 --> 01:01:37,200
Speaker 1: people wreak a little havoc, and that havoc is paid

1023
01:01:37,320 --> 01:01:47,320
Speaker 1: for in hell chaos theory. What are you guys doing today?

1024
01:01:47,320 --> 01:01:50,280
Speaker 1: That's taking you up for? Where are you going? We're

1025
01:01:50,320 --> 01:01:54,280
Speaker 1: gonna go to Greta v am Fleet concert. No, you

1026
01:01:54,360 --> 01:01:58,479
Speaker 1: know what's going to happen? Hi me run again? Isn't

1027
01:01:58,520 --> 01:02:02,440
Speaker 1: a Living of eight? That's rush? Okay? But Patty, I

1028
01:02:02,600 --> 01:02:06,880
Speaker 1: feel like this is actually a beautiful sort of like

1029
01:02:07,560 --> 01:02:09,600
Speaker 1: I think this is like very like um, you know,

1030
01:02:09,800 --> 01:02:12,800
Speaker 1: like first like the Harry Potter books, like the Seven

1031
01:02:12,840 --> 01:02:14,600
Speaker 1: Books are over. But now there's a new sort of

1032
01:02:14,760 --> 01:02:17,280
Speaker 1: like territory in the I P that we get to explore,

1033
01:02:17,320 --> 01:02:20,200
Speaker 1: which is the post Ellen talk show era. And now

1034
01:02:20,360 --> 01:02:25,360
Speaker 1: like the fight is like kind of like really like

1035
01:02:25,840 --> 01:02:28,440
Speaker 1: entering this new territory. And I think This is really exciting.

1036
01:02:28,480 --> 01:02:30,720
Speaker 1: This is like to big continued, Well, it's like, what

1037
01:02:30,960 --> 01:02:35,680
Speaker 1: is the other movie with Eddie redmain Um, fantastic The

1038
01:02:35,720 --> 01:02:39,960
Speaker 1: Danish Girl? Oh yeah, fantastic beasts. Fantastic. Hey, you want

1039
01:02:40,000 --> 01:02:44,040
Speaker 1: to talk about a fantastic beast, try seeing the Danish girl.

1040
01:02:45,400 --> 01:02:51,280
Speaker 1: She was ugly dog. She's a dog. That Danish dog

1041
01:02:51,440 --> 01:02:56,920
Speaker 1: should be called fantastic beast. Ugly bit. Damn wow. This

1042
01:02:57,480 --> 01:03:01,400
Speaker 1: character that you're playing telling no lies, girl, She's telling

1043
01:03:01,600 --> 01:03:06,000
Speaker 1: no lies, damn Danish girl. More like, get yourself some

1044
01:03:06,120 --> 01:03:09,520
Speaker 1: fucking highlighter, your damn dog. I learn where your t

1045
01:03:09,760 --> 01:03:13,600
Speaker 1: zone is, your fucking damn dog. God, there should be there.

1046
01:03:13,760 --> 01:03:18,720
Speaker 1: There's anything like a Jeff Foxworthy type of stand up

1047
01:03:18,800 --> 01:03:20,280
Speaker 1: and not that that was like a Duff box Worthy

1048
01:03:20,360 --> 01:03:23,760
Speaker 1: type of just like just Heartland stand up but like

1049
01:03:24,160 --> 01:03:26,640
Speaker 1: comedy touring, blue cog comedy. Yeah, that's what I was

1050
01:03:26,680 --> 01:03:28,840
Speaker 1: going for it. But like but like talks specifically and

1051
01:03:28,960 --> 01:03:32,560
Speaker 1: like specific niche clear references, not that Danish girls specific

1052
01:03:32,600 --> 01:03:37,200
Speaker 1: in niche, but like it's just like that nearest contrapoint

1053
01:03:37,320 --> 01:03:39,320
Speaker 1: was real? Was a real was a real head scratcher,

1054
01:03:39,480 --> 01:03:43,720
Speaker 1: wasn't it? That was the worst color they'd never heard

1055
01:03:43,760 --> 01:03:48,040
Speaker 1: of yellow or Ran. I hated that lesbian film pussies

1056
01:03:48,080 --> 01:03:52,160
Speaker 1: are fake as meal. They were not even real pussies.

1057
01:03:52,240 --> 01:03:55,840
Speaker 1: Not even one came on a damn screen prosthetic pussy.

1058
01:03:56,640 --> 01:04:00,920
Speaker 1: More like more like and see you later, wait me up.

1059
01:04:00,920 --> 01:04:05,680
Speaker 1: When Rachel McAdams spit and Rachel Vox's mouth again, that's

1060
01:04:05,760 --> 01:04:10,439
Speaker 1: female sociality. I'm gonna be real honest with y'all. I've

1061
01:04:10,480 --> 01:04:14,720
Speaker 1: never even saw Moonline. Okay, I'm just gonna be the

1062
01:04:14,800 --> 01:04:20,000
Speaker 1: woman comic on the door. I'm gonna get some ship

1063
01:04:20,200 --> 01:04:25,200
Speaker 1: for that, but I men't see it, okay, And I

1064
01:04:25,320 --> 01:04:27,280
Speaker 1: just want to stay. I just want to say before

1065
01:04:27,320 --> 01:04:30,800
Speaker 1: this gets sound bit, did that? I'm from Orient, Ohio

1066
01:04:31,200 --> 01:04:35,320
Speaker 1: and everybody fucking talks like that, So yeah, I have

1067
01:04:35,480 --> 01:04:39,400
Speaker 1: the fucking agency to do a voice like this. Have

1068
01:04:39,640 --> 01:04:43,240
Speaker 1: you have you gone home to Have you gone home

1069
01:04:43,320 --> 01:04:46,440
Speaker 1: to currn? Hey? Have you gone home to see your

1070
01:04:46,520 --> 01:04:50,920
Speaker 1: fucking hick family recently? Yeah? I did? Yeah? Well, how

1071
01:04:51,080 --> 01:04:55,440
Speaker 1: was that? It was really emotional on lame. My mom's

1072
01:04:55,480 --> 01:05:00,320
Speaker 1: moving out of my childhood home. What's gonna go? Yeah,

1073
01:05:01,800 --> 01:05:05,840
Speaker 1: she's gonna go to another house that is like far

1074
01:05:06,200 --> 01:05:09,600
Speaker 1: a little bit smaller downside. It is actually a little

1075
01:05:09,600 --> 01:05:11,760
Speaker 1: bit smaller, but I think it's a little nicer. It's

1076
01:05:11,800 --> 01:05:15,640
Speaker 1: not falling apart as much. And it's it's not like

1077
01:05:15,760 --> 01:05:18,680
Speaker 1: in an area that I would really like her living in,

1078
01:05:18,880 --> 01:05:23,040
Speaker 1: just because it's like very trumpy. Um. And well she

1079
01:05:23,160 --> 01:05:27,000
Speaker 1: can start a movement there. Well, she's also very trumpy.

1080
01:05:29,040 --> 01:05:34,440
Speaker 1: I mean she could start she should started uprising of

1081
01:05:34,640 --> 01:05:40,080
Speaker 1: trumpers there. Yeah, that's true that you know what, that's true.

1082
01:05:40,160 --> 01:05:41,960
Speaker 1: She and she just needs a little plush and I'll

1083
01:05:41,960 --> 01:05:45,200
Speaker 1: be the person that gives her the little zoon she needs. Um.

1084
01:05:45,920 --> 01:05:48,080
Speaker 1: But then does this mean that will the animals have

1085
01:05:48,320 --> 01:05:51,440
Speaker 1: a place to roam because she has a lot of animals,

1086
01:05:51,480 --> 01:05:54,840
Speaker 1: doesn't she Well she no, not a lot, but she

1087
01:05:55,040 --> 01:05:58,360
Speaker 1: had some cats and a dog. But my sister is

1088
01:05:58,560 --> 01:06:02,080
Speaker 1: taking them, so they're still in the family. They're just

1089
01:06:03,040 --> 01:06:05,760
Speaker 1: they're going to be with her with my sister and

1090
01:06:05,800 --> 01:06:08,360
Speaker 1: said and my mom. So I got to see my sisters,

1091
01:06:08,520 --> 01:06:11,600
Speaker 1: which is really nice. Um, because normally I'm only home

1092
01:06:11,680 --> 01:06:14,280
Speaker 1: for Christmas. Do you guys go home a lot? I

1093
01:06:14,360 --> 01:06:16,760
Speaker 1: haven't gone. I used to go home, I would say

1094
01:06:17,000 --> 01:06:21,080
Speaker 1: too much. And I think this is a moment that

1095
01:06:21,320 --> 01:06:26,600
Speaker 1: we are readjusting because I see my family a good amount.

1096
01:06:26,920 --> 01:06:28,800
Speaker 1: I don't live I don't live in New York anymore,

1097
01:06:28,840 --> 01:06:30,520
Speaker 1: and so I don't see them all the time like

1098
01:06:30,600 --> 01:06:32,200
Speaker 1: I used to do. But I see them a good amount.

1099
01:06:32,400 --> 01:06:35,000
Speaker 1: But the pandemic it's different. But you know, I see

1100
01:06:35,040 --> 01:06:37,160
Speaker 1: them and correspond with them a good amount. I wanted

1101
01:06:37,200 --> 01:06:42,240
Speaker 1: to ask you guys a question though, Yeah, it has

1102
01:06:42,280 --> 01:06:45,919
Speaker 1: to do with what I said earlier. Um, about how

1103
01:06:46,600 --> 01:06:51,680
Speaker 1: you guys swam together. What happened in the pool that day? Well,

1104
01:06:52,200 --> 01:06:58,160
Speaker 1: there were multiple days. Well the first day, what happened? Well, well,

1105
01:06:58,360 --> 01:07:02,640
Speaker 1: first off bone when so we we worked on a

1106
01:07:02,800 --> 01:07:11,320
Speaker 1: movie together, a lot of Hollywood A listers. Juliette, Julianne Julianne,

1107
01:07:12,000 --> 01:07:20,400
Speaker 1: Juliette more Ptato, julian Posatoes, Um, Julianne Potatoes. What if

1108
01:07:20,440 --> 01:07:23,040
Speaker 1: someone just what if we had you know, we have

1109
01:07:23,200 --> 01:07:26,160
Speaker 1: these moments where it's like, oh, like someone bursts onto

1110
01:07:26,200 --> 01:07:34,520
Speaker 1: the scene like likes or whatever. Yeah, like like yeah,

1111
01:07:34,680 --> 01:07:37,280
Speaker 1: if there was just like someone who bursts onto the

1112
01:07:37,360 --> 01:07:41,240
Speaker 1: scene in her fifties and her name was Julianne Potatoes,

1113
01:07:41,480 --> 01:07:43,680
Speaker 1: why do you laugh like that? She just happened and

1114
01:07:43,800 --> 01:07:49,040
Speaker 1: she just showed up in everything. She happened like Clairefoy. Yeah,

1115
01:07:51,000 --> 01:07:54,520
Speaker 1: she had Clairefoy girl. Mom. No, I felt like Clarifoy

1116
01:07:54,840 --> 01:07:57,400
Speaker 1: just like kind of was everywhere for a moment. Maybe

1117
01:07:57,440 --> 01:07:59,360
Speaker 1: that she was. She was in the Crown and then

1118
01:07:59,440 --> 01:08:02,919
Speaker 1: she know she was in the First Man movie, Neil

1119
01:08:03,000 --> 01:08:05,640
Speaker 1: Armstrong movie. She said, You're a bunch of boys. And

1120
01:08:05,960 --> 01:08:08,040
Speaker 1: she was the girl in the Dragon girl girl in

1121
01:08:08,040 --> 01:08:13,080
Speaker 1: the Yeah, she was. She played list Salderned, one of

1122
01:08:13,120 --> 01:08:17,160
Speaker 1: the great names. I hope I hope that a Julian

1123
01:08:17,200 --> 01:08:23,679
Speaker 1: and a Julian they're coming back. Um No, but Bowen

1124
01:08:23,760 --> 01:08:27,599
Speaker 1: and I, yeah, we were working has this big part

1125
01:08:27,640 --> 01:08:30,920
Speaker 1: in the movie. And it's not a big part. It's not.

1126
01:08:31,160 --> 01:08:33,320
Speaker 1: I'm like, it's a fun part, but it's pretty small,

1127
01:08:33,560 --> 01:08:35,360
Speaker 1: I think. But I was there for a while. You

1128
01:08:35,439 --> 01:08:38,400
Speaker 1: were there for the whole thing. No, I wasn't. Oh

1129
01:08:39,040 --> 01:08:41,559
Speaker 1: they shot for they shot. They just got downe shoot,

1130
01:08:41,640 --> 01:08:43,559
Speaker 1: I know they did. They did, just get You're right,

1131
01:08:43,600 --> 01:08:44,880
Speaker 1: So you and I wrapped around the same tip. But

1132
01:08:44,880 --> 01:08:46,120
Speaker 1: I was just there. But I was there for a

1133
01:08:46,200 --> 01:08:48,160
Speaker 1: month and a half. Yeah, you were there for a week,

1134
01:08:48,880 --> 01:08:51,760
Speaker 1: and um I love that week. That was really fun.

1135
01:08:52,360 --> 01:08:55,560
Speaker 1: It was so fun. It really made me want to, Like,

1136
01:08:55,760 --> 01:08:58,240
Speaker 1: I think I've been fantasizing about going on like some

1137
01:08:58,400 --> 01:09:00,960
Speaker 1: sort of weird tropical vacation with friends literally for like

1138
01:09:01,120 --> 01:09:03,120
Speaker 1: years and years and years and years, and I've never

1139
01:09:03,320 --> 01:09:05,320
Speaker 1: done that. And that still doesn't I don't think that's

1140
01:09:05,320 --> 01:09:07,120
Speaker 1: still I don't think that still counts. Like I think

1141
01:09:07,160 --> 01:09:11,040
Speaker 1: that is just a preview, because it was we were

1142
01:09:11,080 --> 01:09:13,000
Speaker 1: still there for work, so we still had to like

1143
01:09:13,560 --> 01:09:16,599
Speaker 1: go do stuff, and but it was so cool because

1144
01:09:16,680 --> 01:09:19,040
Speaker 1: the first place we stayed they moved us around, it

1145
01:09:19,120 --> 01:09:22,000
Speaker 1: was in the Dominican Republic and Bowen got there and

1146
01:09:22,080 --> 01:09:25,920
Speaker 1: we got a place that had golf carts like ours.

1147
01:09:26,280 --> 01:09:30,559
Speaker 1: They go real fast. No, they went top what's faster

1148
01:09:30,680 --> 01:09:34,360
Speaker 1: than five ten? So I'll be lucky and gradeful what else?

1149
01:09:34,680 --> 01:09:38,719
Speaker 1: Thank you? It was it was fun. And then Patty

1150
01:09:38,760 --> 01:09:41,160
Speaker 1: and I, yeah, Patty moved around a bunch of resorts

1151
01:09:41,200 --> 01:09:43,920
Speaker 1: and I was there for two of them, and you.

1152
01:09:44,160 --> 01:09:46,600
Speaker 1: The second one was Punticana, which was kind of like

1153
01:09:46,680 --> 01:09:51,200
Speaker 1: a weird, nasty resort. But our rooms, the rooms they

1154
01:09:51,280 --> 01:09:53,960
Speaker 1: put us in were cool because they were they had

1155
01:09:54,000 --> 01:09:56,160
Speaker 1: a swim up They had a swim up pool to

1156
01:09:56,360 --> 01:10:00,479
Speaker 1: the patio, so like the back pool was there was

1157
01:10:00,560 --> 01:10:04,800
Speaker 1: a big, like a really long, thin, rectangular pool that

1158
01:10:04,960 --> 01:10:08,799
Speaker 1: ran along the back of the building. And our rooms

1159
01:10:09,680 --> 01:10:12,680
Speaker 1: are like patios, had steps down into the pool, so

1160
01:10:12,760 --> 01:10:14,680
Speaker 1: I could go swim over to Bones room. He was

1161
01:10:14,760 --> 01:10:18,080
Speaker 1: two rooms down, and one of the other actors was

1162
01:10:18,160 --> 01:10:20,000
Speaker 1: like right beside us, so we could like all like

1163
01:10:20,160 --> 01:10:23,280
Speaker 1: hang out. And it was really it was really starting

1164
01:10:23,360 --> 01:10:26,599
Speaker 1: to like be like like text bone and be like, hey,

1165
01:10:26,800 --> 01:10:30,000
Speaker 1: I am swimming over and literally at like because we

1166
01:10:30,040 --> 01:10:32,400
Speaker 1: would wrap at like midnight or so it was like

1167
01:10:32,560 --> 01:10:35,680
Speaker 1: night swimming. That's so fun. So who did you guys

1168
01:10:35,680 --> 01:10:38,840
Speaker 1: ever have a race in the water? No? Oh, but

1169
01:10:38,920 --> 01:10:42,439
Speaker 1: you don't want to know something there was. There was

1170
01:10:42,520 --> 01:10:47,400
Speaker 1: a There was a duck. There are multiple ducks that

1171
01:10:47,479 --> 01:10:49,760
Speaker 1: came into the pool and they were so beautiful. Did

1172
01:10:49,840 --> 01:10:55,040
Speaker 1: you name her Chlorine? Because what she was all around? No, Chlarine.

1173
01:10:55,120 --> 01:10:56,960
Speaker 1: We didn't name her, but we did. We did sing

1174
01:10:57,120 --> 01:10:59,080
Speaker 1: Born this Way, like we felt the need to sing

1175
01:10:59,160 --> 01:11:03,280
Speaker 1: Born this Way too, like a very specific it was

1176
01:11:03,320 --> 01:11:06,760
Speaker 1: a queer duck. Yeah, well we were. We just saw

1177
01:11:06,840 --> 01:11:08,160
Speaker 1: the duck and I was like, I need to sing

1178
01:11:08,400 --> 01:11:12,560
Speaker 1: the song Born this Way by Lady Gaga. It was

1179
01:11:12,720 --> 01:11:23,839
Speaker 1: it was this, Are you ready? It was your orient

1180
01:11:24,160 --> 01:11:31,880
Speaker 1: That was you Lebanese, your Lebanese, your orientban don't be,

1181
01:11:32,120 --> 01:11:35,680
Speaker 1: don't be, don't be. Do a remix of it where

1182
01:11:35,720 --> 01:11:37,840
Speaker 1: I cut it together and just I cut together that

1183
01:11:38,000 --> 01:11:40,680
Speaker 1: don't be from don't be a bat drag queen or

1184
01:11:40,720 --> 01:11:44,760
Speaker 1: she goes, don't be so, don't be your Lebanese, don't

1185
01:11:44,800 --> 01:11:56,000
Speaker 1: be don't be gay, straight up, don't be don't be transgender? Yeah, Ori,

1186
01:11:56,320 --> 01:12:02,880
Speaker 1: and don't be baby baby? I was Orients. They yeah,

1187
01:12:03,200 --> 01:12:10,799
Speaker 1: what's your baby? I was orient Baby? I was Orient Orient.

1188
01:12:12,560 --> 01:12:19,920
Speaker 1: I'm beautiful in my way because I'm as anyway. That's

1189
01:12:19,960 --> 01:12:22,760
Speaker 1: the pool. It was really fun and but what I

1190
01:12:22,840 --> 01:12:24,280
Speaker 1: was going to say, it made me want to like

1191
01:12:24,360 --> 01:12:28,320
Speaker 1: actually plan a vacation like somewhere, because I've traveled for

1192
01:12:28,439 --> 01:12:31,240
Speaker 1: work a little bit and I'm always like take it

1193
01:12:31,320 --> 01:12:33,639
Speaker 1: as a vacation, but it's not an actual vacation because

1194
01:12:33,640 --> 01:12:35,760
Speaker 1: I'm stressing about working all the time. So it would

1195
01:12:35,760 --> 01:12:39,360
Speaker 1: be nice to do replicate that again. But I think

1196
01:12:39,400 --> 01:12:40,800
Speaker 1: that's kind of when do you want to do it,

1197
01:12:41,600 --> 01:12:43,960
Speaker 1: Let's plan it. No, But the fire Island trips, like

1198
01:12:44,000 --> 01:12:47,280
Speaker 1: there's still like this like social pressure to like do

1199
01:12:47,439 --> 01:12:52,040
Speaker 1: certain things um and I would love a vacation that

1200
01:12:52,160 --> 01:12:56,280
Speaker 1: was just like fully like like people like brought food

1201
01:12:56,360 --> 01:12:59,840
Speaker 1: to you, you know, like I need That's what I need. Yeah,

1202
01:13:00,120 --> 01:13:04,840
Speaker 1: just like completely glazing over and not having any I

1203
01:13:04,840 --> 01:13:06,760
Speaker 1: don't want to be like, hey, guys, were actually going

1204
01:13:06,800 --> 01:13:09,720
Speaker 1: to go to this museum and one pm and then

1205
01:13:09,760 --> 01:13:11,600
Speaker 1: we're going to get in we have reservations at this

1206
01:13:11,640 --> 01:13:13,960
Speaker 1: place that blah blah blah. It's like those plans every

1207
01:13:14,080 --> 01:13:16,120
Speaker 1: like maybe like one day on the trip, but like

1208
01:13:16,600 --> 01:13:19,800
Speaker 1: I like the spontaneity of just being like, oh, I

1209
01:13:19,880 --> 01:13:24,160
Speaker 1: have this free time to just kind of like mosy around. Yeah,

1210
01:13:24,520 --> 01:13:29,880
Speaker 1: you want to do like a proper relaxing beach vacation. Yeah,

1211
01:13:29,960 --> 01:13:33,080
Speaker 1: I've never done that. I don't have a trip plans.

1212
01:13:33,439 --> 01:13:35,639
Speaker 1: I realized I don't have it. I don't have travel

1213
01:13:35,760 --> 01:13:39,599
Speaker 1: plans at all, Like I have nothing planned. The funny

1214
01:13:39,640 --> 01:13:42,040
Speaker 1: thing is I keep saying let's plan it. I've said

1215
01:13:42,080 --> 01:13:46,160
Speaker 1: it two times in the past. Literally, it's two times

1216
01:13:46,200 --> 01:13:50,000
Speaker 1: in the last five let's planet. No one heard it. Well,

1217
01:13:50,080 --> 01:13:52,280
Speaker 1: I've been saying it, and I have a very my

1218
01:13:52,400 --> 01:13:58,040
Speaker 1: voice is very resonant. Okay, I would let's planet. The

1219
01:13:58,120 --> 01:14:04,000
Speaker 1: week of Halloween a spooky really yeah, oh my god,

1220
01:14:04,720 --> 01:14:06,920
Speaker 1: that's your birthday, and that's your birthday, my birthday. But

1221
01:14:07,040 --> 01:14:08,960
Speaker 1: the thing is is I won't make it about my birthday.

1222
01:14:09,800 --> 01:14:13,160
Speaker 1: We can, we will know, but my birthday is the

1223
01:14:13,200 --> 01:14:15,320
Speaker 1: next week, and so we can make it about if

1224
01:14:15,360 --> 01:14:16,880
Speaker 1: you want to take the pressure off, we can make

1225
01:14:16,920 --> 01:14:20,040
Speaker 1: you make it about multiple birthdays. I would literally do that.

1226
01:14:20,479 --> 01:14:22,200
Speaker 1: I have, I have, I don't have anything going on

1227
01:14:22,240 --> 01:14:25,479
Speaker 1: at that time. Well, Bowen, let's you and me keep

1228
01:14:25,560 --> 01:14:31,160
Speaker 1: let's keep talking, just you and me, Bowen, and then Matt, Matt,

1229
01:14:31,560 --> 01:14:34,719
Speaker 1: if you want it, I will go on a trip

1230
01:14:34,920 --> 01:14:40,160
Speaker 1: with you to get butter beer at whatever. Harry sutter

1231
01:14:41,760 --> 01:14:44,040
Speaker 1: that now I know that you can't get enough of

1232
01:14:44,080 --> 01:14:48,280
Speaker 1: that dumb gay shit butter beer. Look at your life.

1233
01:14:48,640 --> 01:14:56,040
Speaker 1: Harry Potter fan Daniel Radcliffe says it's okay to go

1234
01:14:56,120 --> 01:14:58,720
Speaker 1: to Harry Potter world still, because if you look at

1235
01:14:58,840 --> 01:15:03,320
Speaker 1: something from Harry Potter, her, that's you, good life. Tools

1236
01:15:03,439 --> 01:15:06,560
Speaker 1: You should not let that turf ruin it for you.

1237
01:15:06,920 --> 01:15:09,240
Speaker 1: I think that's the thing is is that is that

1238
01:15:09,439 --> 01:15:11,880
Speaker 1: that's hard is that I was a big, very hairy

1239
01:15:11,920 --> 01:15:15,519
Speaker 1: Potter fan. So talk about your love for Harry Potter,

1240
01:15:15,640 --> 01:15:17,560
Speaker 1: now so that we can sort of get you on

1241
01:15:17,720 --> 01:15:22,639
Speaker 1: record doing that. I at a young age, I really

1242
01:15:22,680 --> 01:15:26,720
Speaker 1: started loving Harry Potter. I think Harry Potter. I really did.

1243
01:15:27,960 --> 01:15:31,280
Speaker 1: I really did. I only read the first four books,

1244
01:15:31,360 --> 01:15:32,680
Speaker 1: and it was like when I was a kid, and

1245
01:15:32,720 --> 01:15:34,960
Speaker 1: then the movie started to come out, and I really

1246
01:15:35,080 --> 01:15:38,120
Speaker 1: loved the first four movies, and then I liked the

1247
01:15:38,240 --> 01:15:41,880
Speaker 1: other movies after I liked that it. I think it's

1248
01:15:41,920 --> 01:15:45,240
Speaker 1: because I like, like around the holiday time, Like I

1249
01:15:45,360 --> 01:15:48,720
Speaker 1: like around Christmas and Thanksgiving, Like I really like that

1250
01:15:48,840 --> 01:15:52,400
Speaker 1: time of year, and that's when like ABC Family would

1251
01:15:52,439 --> 01:15:56,280
Speaker 1: start playing the marathons of Harry Potter, like it kind

1252
01:15:56,280 --> 01:15:59,640
Speaker 1: of all signified the same. I think there's just like

1253
01:15:59,680 --> 01:16:02,080
Speaker 1: a lot a mental tie in with like that season

1254
01:16:02,439 --> 01:16:05,640
Speaker 1: and feeling like fall and I do you know, I

1255
01:16:05,720 --> 01:16:09,200
Speaker 1: think there's a lot of really funny, nice moments in

1256
01:16:09,280 --> 01:16:12,639
Speaker 1: those movies that are you know, ingrained in my brain,

1257
01:16:12,800 --> 01:16:15,760
Speaker 1: but also, you know, there's all the stuff surrounding it

1258
01:16:15,920 --> 01:16:19,639
Speaker 1: that's just like a big bummer. And I really hope

1259
01:16:19,680 --> 01:16:24,360
Speaker 1: that j. K. Rowling finds healing um in her life

1260
01:16:24,520 --> 01:16:27,479
Speaker 1: and that she can come around and that we can

1261
01:16:28,200 --> 01:16:33,960
Speaker 1: have the first Harry Potter book Room movie Fry Potter

1262
01:16:34,200 --> 01:16:40,479
Speaker 1: becomes a maybe Harry Potter decides one day that she's tired,

1263
01:16:40,840 --> 01:16:45,880
Speaker 1: she is tired of living, of living a secret, magical life,

1264
01:16:46,040 --> 01:16:49,679
Speaker 1: and so she's as a polyjuice potion to turn herself

1265
01:16:49,760 --> 01:16:53,080
Speaker 1: for one day into a woman, just to see what

1266
01:16:53,160 --> 01:16:56,639
Speaker 1: it feels like. And she goes to hide in the bathroom.

1267
01:16:57,080 --> 01:16:59,840
Speaker 1: And she goes into the bathroom. Yeah, she takes us

1268
01:16:59,880 --> 01:17:02,720
Speaker 1: a to the woman's bathroom, and as a woman, she

1269
01:17:02,960 --> 01:17:06,760
Speaker 1: just assaults a bunch of kids in the bathroom. But

1270
01:17:06,960 --> 01:17:08,880
Speaker 1: she it's like, it's kind of like, I think j

1271
01:17:09,000 --> 01:17:10,640
Speaker 1: K would really like to write a book like that,

1272
01:17:10,720 --> 01:17:13,519
Speaker 1: because that's kind of what she she loves to write about.

1273
01:17:13,640 --> 01:17:16,320
Speaker 1: So it's like, Harry Potter, you could take a pologuice potion,

1274
01:17:16,680 --> 01:17:18,720
Speaker 1: get all the ingredients. Make sure you get all the

1275
01:17:18,880 --> 01:17:20,599
Speaker 1: ingredients you need the hair of the person you want

1276
01:17:20,600 --> 01:17:23,880
Speaker 1: to transform into, don't forget and don't forget, and then

1277
01:17:23,920 --> 01:17:26,559
Speaker 1: you wear you a little invisibility click into the bathrooms

1278
01:17:26,560 --> 01:17:32,000
Speaker 1: because oh, the transformation is a little painful, but it's well, oh,

1279
01:17:33,040 --> 01:17:35,479
Speaker 1: I'm very I'm turning into a beautiful girl in the

1280
01:17:35,520 --> 01:17:40,360
Speaker 1: bathroom who loves kid. Did she ever write in the

1281
01:17:40,439 --> 01:17:43,120
Speaker 1: books like they took the apologies potion and then they

1282
01:17:43,360 --> 01:17:45,960
Speaker 1: looked at their own dicks or their new genitals and

1283
01:17:46,000 --> 01:17:48,599
Speaker 1: they're like, WHOA nice? Like that is like, I don't

1284
01:17:48,640 --> 01:17:50,960
Speaker 1: the first thing you would do. I actually don't think

1285
01:17:51,080 --> 01:17:54,600
Speaker 1: that there was, but I think it might be a

1286
01:17:54,680 --> 01:17:57,880
Speaker 1: thing where I don't think a male character turns into

1287
01:17:57,920 --> 01:18:00,920
Speaker 1: a female character. I don't think. I don't things. I'm

1288
01:18:00,960 --> 01:18:05,080
Speaker 1: from into the cat. I think if I think if

1289
01:18:05,560 --> 01:18:08,599
Speaker 1: I think if if like the male characters turned into

1290
01:18:08,600 --> 01:18:12,720
Speaker 1: another male character, the first thing you would do, you know,

1291
01:18:12,920 --> 01:18:15,759
Speaker 1: like you know, like be like, oh, whoa, I would

1292
01:18:16,040 --> 01:18:18,800
Speaker 1: And I'm saying male male characters specifically in the Harry

1293
01:18:18,800 --> 01:18:21,720
Speaker 1: Potter world, because trans people don't exist, and so the

1294
01:18:21,760 --> 01:18:25,880
Speaker 1: male the men have penises. Well, the magic Matt they

1295
01:18:26,080 --> 01:18:29,920
Speaker 1: there's a magic spell. There's a magic spell that makes

1296
01:18:30,160 --> 01:18:35,920
Speaker 1: everyone not dysphoric. No one feels any dysphoria in the

1297
01:18:36,000 --> 01:18:38,200
Speaker 1: Harry Potter world. It's like when you pass through the

1298
01:18:38,280 --> 01:18:42,680
Speaker 1: platform nine and three quarters into the Magical Realm, you're like, oh, like,

1299
01:18:42,880 --> 01:18:45,720
Speaker 1: sucks all your agenda just for you out of you?

1300
01:18:48,360 --> 01:18:53,200
Speaker 1: Read is trans The way she acts, the way she

1301
01:18:53,360 --> 01:18:56,720
Speaker 1: fucking acts, snooping around a little bit. She's nothing going

1302
01:18:56,760 --> 01:18:59,479
Speaker 1: on in her life. She's trans. She's at home on

1303
01:18:59,560 --> 01:19:01,680
Speaker 1: the internet all the time, so afraid to leave her

1304
01:19:01,760 --> 01:19:03,680
Speaker 1: fucking how she can't even take the trash can out

1305
01:19:03,680 --> 01:19:07,400
Speaker 1: because she's has anxiety. She's afraid of getting bashed, and

1306
01:19:07,560 --> 01:19:09,640
Speaker 1: she's like, what can I do? What else can I do?

1307
01:19:09,720 --> 01:19:12,280
Speaker 1: I can put on this little gay gass coat ugly

1308
01:19:12,439 --> 01:19:16,519
Speaker 1: like like ugly old Vinciae, Ralph Laura, not even good stuff,

1309
01:19:16,600 --> 01:19:18,640
Speaker 1: kind of like stuff Anna Wintour would like, and she

1310
01:19:18,720 --> 01:19:20,920
Speaker 1: just kind of goes out and just like trying to

1311
01:19:21,000 --> 01:19:24,800
Speaker 1: pay homage to like ugly starlets of whoever gives a

1312
01:19:24,920 --> 01:19:28,040
Speaker 1: fun time period. She's going around interviewing people. Are a

1313
01:19:28,080 --> 01:19:31,479
Speaker 1: little dumbass notepad that writes for itself. Yeah, you're a

1314
01:19:31,560 --> 01:19:34,040
Speaker 1: training queen. We all see it, and it's time for

1315
01:19:34,280 --> 01:19:40,040
Speaker 1: you to go home. You call your end of chronologist,

1316
01:19:44,680 --> 01:19:48,479
Speaker 1: to the end of Chronologists, and also like fine support,

1317
01:19:48,920 --> 01:19:52,960
Speaker 1: finally get out of the magical realm. It's not safe

1318
01:19:53,000 --> 01:19:56,719
Speaker 1: for you there. She doesn't write are the real world,

1319
01:19:57,840 --> 01:20:01,800
Speaker 1: It would be the villains, like if there were if

1320
01:20:01,880 --> 01:20:04,959
Speaker 1: they were in Harry Potter, if there were trans characters,

1321
01:20:05,080 --> 01:20:09,320
Speaker 1: they would be the villains. Um I wanted to before

1322
01:20:09,360 --> 01:20:12,400
Speaker 1: we go into UM, I don't think so, honey. I

1323
01:20:12,600 --> 01:20:16,320
Speaker 1: feel I would be remiss if we didn't say that

1324
01:20:16,479 --> 01:20:19,400
Speaker 1: you really were fabulous and together together and I was

1325
01:20:19,520 --> 01:20:21,599
Speaker 1: very proud of you in a real way, to drop

1326
01:20:21,640 --> 01:20:25,960
Speaker 1: all pretense orifice, all these things. You were so good

1327
01:20:26,760 --> 01:20:28,720
Speaker 1: and like, I was very proud of you. And I

1328
01:20:28,840 --> 01:20:32,200
Speaker 1: went to see you at the Universal CityWalk and and

1329
01:20:32,840 --> 01:20:35,320
Speaker 1: and it was my second movie back. I saw King Kong,

1330
01:20:35,479 --> 01:20:39,200
Speaker 1: Godzilla and then you, and you were the biggest monster

1331
01:20:39,320 --> 01:20:42,160
Speaker 1: on screen. J K. You fucking sucked and you're a monster.

1332
01:20:43,400 --> 01:20:47,920
Speaker 1: Oh my god. Well, mad, thank you for seeing the movie.

1333
01:20:48,200 --> 01:20:50,120
Speaker 1: I loved it, I really did. You were great. You

1334
01:20:50,160 --> 01:20:53,120
Speaker 1: were so good, so good, and well that means a

1335
01:20:53,200 --> 01:20:57,280
Speaker 1: lot to me. I really feel like there is this

1336
01:20:57,520 --> 01:21:05,800
Speaker 1: thing that, um there is. We watched What If We

1337
01:21:05,920 --> 01:21:09,720
Speaker 1: Flushed Evan. We pulled up the clipping and Patty was like, hey, yeah,

1338
01:21:10,280 --> 01:21:14,200
Speaker 1: it definitely was a really fun set improvised wise, um,

1339
01:21:14,240 --> 01:21:16,720
Speaker 1: we definitely. I was working with Ed Helms, who was

1340
01:21:16,760 --> 01:21:20,360
Speaker 1: amazing clap yeah, you know, I'm from the office, and

1341
01:21:20,760 --> 01:21:23,479
Speaker 1: he was really fun in our trailer, especially nice to

1342
01:21:23,680 --> 01:21:26,400
Speaker 1: each other. So we would have lunch together and it

1343
01:21:26,520 --> 01:21:29,360
Speaker 1: was crazy. He would do practical jokes. Here. He put

1344
01:21:29,400 --> 01:21:32,320
Speaker 1: a spider, a fake spider in my soup, and it

1345
01:21:32,479 --> 01:21:35,120
Speaker 1: was really fun out And anyway, thanks for having me.

1346
01:21:35,600 --> 01:21:39,800
Speaker 1: That's what you should that's what you were. That is

1347
01:21:41,640 --> 01:21:45,800
Speaker 1: but a spider of my hair and my soup from

1348
01:21:46,120 --> 01:21:48,400
Speaker 1: California Chicken Cafine. What were you going to say about

1349
01:21:48,400 --> 01:21:53,920
Speaker 1: the film? I was just gonna say that it's it's

1350
01:21:54,040 --> 01:21:55,760
Speaker 1: nice of you. It's really nice of you to say that,

1351
01:21:55,800 --> 01:21:57,360
Speaker 1: And it means a lot to me that you saw it.

1352
01:21:58,200 --> 01:22:02,200
Speaker 1: An interesting phenomenon after or having the movie come out

1353
01:22:02,600 --> 01:22:04,640
Speaker 1: is that I think I had I just like promoted

1354
01:22:04,720 --> 01:22:07,479
Speaker 1: it a lot and so so I think people were

1355
01:22:07,520 --> 01:22:09,240
Speaker 1: aware that it was happening. But a lot of my

1356
01:22:09,320 --> 01:22:12,120
Speaker 1: friends not seeing it. And every time I see them,

1357
01:22:12,200 --> 01:22:14,800
Speaker 1: they they will tell me they haven't seen it yet,

1358
01:22:15,600 --> 01:22:18,320
Speaker 1: and I'm just like, you don't have to. You don't

1359
01:22:18,320 --> 01:22:20,880
Speaker 1: actually ever have to see it. It is not in

1360
01:22:21,080 --> 01:22:25,360
Speaker 1: my I told you that because and the reason I

1361
01:22:25,560 --> 01:22:28,880
Speaker 1: said it was because I genuinely did want to go

1362
01:22:28,920 --> 01:22:30,360
Speaker 1: see it. The way, do you see I have the

1363
01:22:30,400 --> 01:22:34,000
Speaker 1: sock on my hand. I don't really have twos. I

1364
01:22:34,080 --> 01:22:35,519
Speaker 1: have two stocks on my hand and I don't know

1365
01:22:35,600 --> 01:22:39,160
Speaker 1: how it happened, but it sort of looks like your

1366
01:22:39,160 --> 01:22:41,759
Speaker 1: color scheme. You look like a doctor SEUs. But I remember,

1367
01:22:42,240 --> 01:22:44,680
Speaker 1: you know what it's when we did the reading. We

1368
01:22:44,800 --> 01:22:46,960
Speaker 1: did a reading for a movie Patty, and I saw

1369
01:22:47,080 --> 01:22:49,559
Speaker 1: you and I knew. I was like, oh, I haven't

1370
01:22:49,600 --> 01:22:51,559
Speaker 1: seen it yet, and I saw you make a little

1371
01:22:51,600 --> 01:22:54,200
Speaker 1: bit of a face like I didn't know what it was.

1372
01:22:54,720 --> 01:22:57,519
Speaker 1: I thought maybe you were irritated that I hadn't seen

1373
01:22:57,560 --> 01:23:00,080
Speaker 1: it or and now and now I know, now I

1374
01:23:00,200 --> 01:23:03,599
Speaker 1: know that you felt like I don't know, Yeah, it's

1375
01:23:03,720 --> 01:23:06,800
Speaker 1: it's my That look is like me about to be like,

1376
01:23:07,200 --> 01:23:08,920
Speaker 1: you know, you don't have to like, you don't have

1377
01:23:09,040 --> 01:23:11,280
Speaker 1: to see it doesn't hurt my feelings if like my

1378
01:23:11,479 --> 01:23:14,920
Speaker 1: friend I don't like, I don't see a lot of

1379
01:23:15,000 --> 01:23:18,120
Speaker 1: stuff that like my friends do not like. It's like

1380
01:23:18,200 --> 01:23:20,679
Speaker 1: if I know something is like really important to somebody

1381
01:23:20,920 --> 01:23:23,880
Speaker 1: and they've expressed that to me and it's like one

1382
01:23:23,920 --> 01:23:26,320
Speaker 1: of my best friends, then like, yeah, I want to

1383
01:23:26,360 --> 01:23:28,320
Speaker 1: see my friends work, but I don't get to catch everything.

1384
01:23:28,400 --> 01:23:31,479
Speaker 1: I feel like that's the thing too, is just like

1385
01:23:31,720 --> 01:23:35,679
Speaker 1: having a lot of friends that are like being doing

1386
01:23:36,439 --> 01:23:38,760
Speaker 1: like making stuff. It's like, you don't see everything, so

1387
01:23:38,880 --> 01:23:42,599
Speaker 1: I don't ever expect anybody to see it. But people

1388
01:23:42,720 --> 01:23:45,720
Speaker 1: see me. If people run into me, and especially like

1389
01:23:45,840 --> 01:23:48,639
Speaker 1: in like at a lockdown, like they see me somewhere,

1390
01:23:48,880 --> 01:23:51,679
Speaker 1: the first thing they'll be like, oh, I haven't watched

1391
01:23:51,720 --> 01:23:53,559
Speaker 1: a movie yet, but I want to see it really badly.

1392
01:23:53,680 --> 01:23:56,439
Speaker 1: And I'm like, you actually don't have to watch it.

1393
01:23:56,840 --> 01:24:00,040
Speaker 1: I don't feelings if you don't want to. But so

1394
01:24:00,200 --> 01:24:03,560
Speaker 1: all of that is to say, no, it's not stupid.

1395
01:24:04,280 --> 01:24:06,960
Speaker 1: I get it, though. I get because I think people

1396
01:24:07,120 --> 01:24:10,640
Speaker 1: like I think people get that it's like this. I

1397
01:24:10,720 --> 01:24:16,479
Speaker 1: think social media. I think social media, um really fun.

1398
01:24:17,360 --> 01:24:21,400
Speaker 1: It's really fun, an amazing time with it. Hell n

1399
01:24:21,560 --> 01:24:26,479
Speaker 1: set showed me the rock son up. Oh my gosh,

1400
01:24:26,800 --> 01:24:29,840
Speaker 1: there was one time on set the jock even the

1401
01:24:30,080 --> 01:24:35,680
Speaker 1: spider in myself, you should have done the out inter

1402
01:24:35,800 --> 01:24:38,960
Speaker 1: you like that for real? She'd been like when I

1403
01:24:39,120 --> 01:24:41,680
Speaker 1: was when I asked four years off my brother was

1404
01:24:41,800 --> 01:24:43,880
Speaker 1: killed in a car accident half a mile down the

1405
01:24:43,920 --> 01:24:48,840
Speaker 1: street from their house. It's informed my entire scope of

1406
01:24:48,920 --> 01:24:52,160
Speaker 1: the world. I interrupt and see empathy and others and

1407
01:24:52,240 --> 01:24:58,559
Speaker 1: in myself. But anyways, yeah, sorry, I don't know. Thank

1408
01:24:58,600 --> 01:25:01,800
Speaker 1: you for seeing it. I um, and first of all,

1409
01:25:01,920 --> 01:25:04,960
Speaker 1: I'm not I. The only reason I bring it up

1410
01:25:05,040 --> 01:25:07,080
Speaker 1: now because I know how much it fucking bothers you,

1411
01:25:08,000 --> 01:25:10,200
Speaker 1: is because I want people out there that are listeners

1412
01:25:10,240 --> 01:25:11,559
Speaker 1: of the Pot and readers of the Pots to see

1413
01:25:11,600 --> 01:25:14,040
Speaker 1: it too, because I think it would enrich their life. Okay,

1414
01:25:14,160 --> 01:25:16,240
Speaker 1: So that's the only reason I tell you, whether or

1415
01:25:16,280 --> 01:25:18,360
Speaker 1: not I saw what you've done, is because I actually

1416
01:25:18,479 --> 01:25:20,360
Speaker 1: liked it a lot and I think it would enrich

1417
01:25:20,439 --> 01:25:23,840
Speaker 1: their life. Okay, Well, thank you. That's really kind of

1418
01:25:23,960 --> 01:25:28,360
Speaker 1: you to promote the movie on the podcast. I do

1419
01:25:28,479 --> 01:25:32,240
Speaker 1: appreciate it. I was about to burn the readers. Don't

1420
01:25:32,240 --> 01:25:34,000
Speaker 1: have you. You don't have to lif you see Patty.

1421
01:25:34,200 --> 01:25:37,120
Speaker 1: Don't tell her old. Don't tell her that I don't

1422
01:25:37,120 --> 01:25:39,200
Speaker 1: have to be the first thing you tell her. Don't

1423
01:25:39,240 --> 01:25:41,640
Speaker 1: tell me you haven't seen the movie. If you have that,

1424
01:25:41,920 --> 01:25:44,519
Speaker 1: it makes sense. It's like an indie movie. No one

1425
01:25:44,600 --> 01:25:48,040
Speaker 1: sees that ship. It's it's not god Zilla versus King Kong. Yeah, which,

1426
01:25:48,080 --> 01:25:49,760
Speaker 1: by the way, I definitely saw first. That was top

1427
01:25:49,800 --> 01:25:51,160
Speaker 1: of my list. I was like, oh, I can see

1428
01:25:51,160 --> 01:25:53,120
Speaker 1: a movie. Well, I'm definitely not seeing no indie. I'm

1429
01:25:53,200 --> 01:25:58,559
Speaker 1: going I watched the until I think literally maybe twenty

1430
01:25:58,640 --> 01:26:01,120
Speaker 1: minutes into the movie when they're fighting on the boats.

1431
01:26:02,080 --> 01:26:06,360
Speaker 1: They're standing on the big like carrier ship fighting, and

1432
01:26:06,600 --> 01:26:11,000
Speaker 1: I was like, I've suspended my disbelief for this whole time,

1433
01:26:11,200 --> 01:26:14,720
Speaker 1: and I just can't suspend it this much, you know.

1434
01:26:15,560 --> 01:26:18,720
Speaker 1: I was like, this, just those boats, this is just

1435
01:26:18,880 --> 01:26:22,320
Speaker 1: not how the physics would work. Yeah, I was like,

1436
01:26:22,640 --> 01:26:25,519
Speaker 1: Ed Helms and Patty haven't fucked yet. I was like,

1437
01:26:25,640 --> 01:26:28,960
Speaker 1: I've suspended my disbelief for this long. I'm like, this

1438
01:26:29,160 --> 01:26:31,880
Speaker 1: is platonic. Like I was like that they have railed

1439
01:26:31,960 --> 01:26:36,519
Speaker 1: each other yet. No, we are characters do what everyone

1440
01:26:36,560 --> 01:26:39,120
Speaker 1: says that it's a movie about platonic friendships. But there

1441
01:26:39,280 --> 01:26:44,439
Speaker 1: is a scene. There's a scene, there's literally a scene, well,

1442
01:26:44,520 --> 01:26:48,400
Speaker 1: we go for, we go for, Like it's in the

1443
01:26:48,479 --> 01:26:53,080
Speaker 1: beginning of the movie. Sorry, remember when I said let

1444
01:26:53,160 --> 01:26:59,320
Speaker 1: me be the one who Earlier earlier in the podcast,

1445
01:26:59,360 --> 01:27:01,519
Speaker 1: I said, hey, can you let me steer my own journey?

1446
01:27:01,640 --> 01:27:10,320
Speaker 1: You often interrupt me. Well, I am saying it now, Okay, okay, Sorry,

1447
01:27:10,400 --> 01:27:12,960
Speaker 1: there's a scene earlier in the movie. There's a scene

1448
01:27:13,000 --> 01:27:18,840
Speaker 1: early in the movie where he felt just me and

1449
01:27:18,920 --> 01:27:20,719
Speaker 1: then but wait and then are you and a Julio's

1450
01:27:20,760 --> 01:27:23,120
Speaker 1: character platonic in the movie too? Or do you guys

1451
01:27:23,360 --> 01:27:27,280
Speaker 1: do is there something sexual there? Uh? We are platonic,

1452
01:27:27,439 --> 01:27:37,439
Speaker 1: but Julio does um, he fus Gavin McGinnis, Gavin McGinnis

1453
01:27:38,280 --> 01:27:41,240
Speaker 1: the guy, the former vice guy who became the leader.

1454
01:27:42,320 --> 01:27:45,880
Speaker 1: Oh yeah, okay, but he's dressed as a woman and

1455
01:27:46,000 --> 01:27:49,000
Speaker 1: that's the thing. And then um, and then Gavin McGinnis

1456
01:27:49,160 --> 01:27:51,559
Speaker 1: like panic beats him up and then it has it's

1457
01:27:51,800 --> 01:27:54,599
Speaker 1: been off in the works where that's the court case

1458
01:27:54,880 --> 01:27:59,200
Speaker 1: about like gay panics. Is Nicole doing that one too? Um?

1459
01:27:59,479 --> 01:28:02,559
Speaker 1: Nicole back with is signed on to do that movie.

1460
01:28:03,080 --> 01:28:06,040
Speaker 1: It is being made by Anna Parna and Radio Shack

1461
01:28:06,320 --> 01:28:08,720
Speaker 1: and Radio Shacks having a big comeback and they put

1462
01:28:08,760 --> 01:28:10,400
Speaker 1: a lot of money into this and it's just really

1463
01:28:10,479 --> 01:28:13,280
Speaker 1: cool and great that they're invested in arts. And I

1464
01:28:13,680 --> 01:28:17,639
Speaker 1: think that's really that's really commendable, amazing, that's amazing. I'm

1465
01:28:17,680 --> 01:28:21,920
Speaker 1: so excited for you. I'm so excited. I'm so excited,

1466
01:28:22,080 --> 01:28:25,080
Speaker 1: so excited. You're like a movie star. That's so amazing. Movies,

1467
01:28:25,600 --> 01:28:27,720
Speaker 1: it feels and I feel it too, is the thing.

1468
01:28:29,240 --> 01:28:31,680
Speaker 1: The thing is I walk when I go out and

1469
01:28:31,800 --> 01:28:33,680
Speaker 1: I walked to get my groceries and I'm wearing my

1470
01:28:33,760 --> 01:28:37,880
Speaker 1: sun dressed and my sneakers that are white, but they

1471
01:28:37,960 --> 01:28:51,479
Speaker 1: got a little dirt relable what I Um, Yeah, I guess,

1472
01:28:51,880 --> 01:28:53,360
Speaker 1: I don't know. I don't try not to look at

1473
01:28:53,400 --> 01:28:56,559
Speaker 1: it that way. They're just shoes, after all. Um people

1474
01:28:56,680 --> 01:29:00,599
Speaker 1: do stop and they look at me, and I'm knowing

1475
01:29:00,680 --> 01:29:03,120
Speaker 1: in that moment that they're not just looking at me

1476
01:29:03,240 --> 01:29:06,080
Speaker 1: because if my height or my curve in all the

1477
01:29:06,200 --> 01:29:09,760
Speaker 1: right places are my rests that are just the right height,

1478
01:29:10,160 --> 01:29:14,960
Speaker 1: not too big, but a good handful. They're recognizing me

1479
01:29:15,400 --> 01:29:18,519
Speaker 1: from something that they watched and something that they falled

1480
01:29:18,560 --> 01:29:20,640
Speaker 1: over in a character that they fell in love with.

1481
01:29:20,920 --> 01:29:25,240
Speaker 1: And there's something incredible about that. And I don't know.

1482
01:29:25,760 --> 01:29:28,600
Speaker 1: In the COVID nineteen of it all, I feel that

1483
01:29:28,720 --> 01:29:32,880
Speaker 1: there's so little magic left in ourselves. We're optimistic, We're

1484
01:29:32,920 --> 01:29:37,840
Speaker 1: not optimistic. We're pessimistic if anything. And I would just

1485
01:29:38,000 --> 01:29:40,200
Speaker 1: like more people to be able to feel what it

1486
01:29:40,280 --> 01:29:42,120
Speaker 1: feels like to be a movie star. And I think

1487
01:29:42,160 --> 01:29:44,400
Speaker 1: everyone should give it a try. I hope, I hope

1488
01:29:44,479 --> 01:29:54,760
Speaker 1: that I hope that thank you it is time for

1489
01:29:54,880 --> 01:29:58,479
Speaker 1: I don't think so honey, it's a segment podcast that

1490
01:29:58,600 --> 01:30:04,080
Speaker 1: we do, and it's I'm not telling you, it's sixties

1491
01:30:04,120 --> 01:30:08,320
Speaker 1: seconds of ranting of about something in pop culture or

1492
01:30:08,439 --> 01:30:12,560
Speaker 1: life that we feel it's it's time for it to

1493
01:30:12,720 --> 01:30:17,360
Speaker 1: hear it, you know. M hmm. I want to go first. Okay,

1494
01:30:18,200 --> 01:30:20,080
Speaker 1: this is Matt Rodgers. I don't think so honey, time

1495
01:30:20,160 --> 01:30:22,640
Speaker 1: starts new. I don't think so honey, that I ever

1496
01:30:22,720 --> 01:30:25,320
Speaker 1: said a bad word about Christin Stewart. And I'm gonna

1497
01:30:25,600 --> 01:30:29,200
Speaker 1: come on here and say that I apologize because I

1498
01:30:29,360 --> 01:30:32,559
Speaker 1: have said many sort of as many people would call

1499
01:30:32,720 --> 01:30:35,519
Speaker 1: shady comments about Christmas Stewart. I have come on this

1500
01:30:35,640 --> 01:30:37,600
Speaker 1: podcast and said I don't think she does much of

1501
01:30:37,640 --> 01:30:39,559
Speaker 1: anything at all, and she just sort of shows up

1502
01:30:39,600 --> 01:30:42,120
Speaker 1: on camera and looks gorgeous and she gets a pass

1503
01:30:42,160 --> 01:30:44,759
Speaker 1: for it. And I thought her lip biting in Twilight

1504
01:30:44,880 --> 01:30:47,639
Speaker 1: sort of like was really all she did. And then

1505
01:30:47,840 --> 01:30:49,760
Speaker 1: sort of, you know, she moves on in Time, she

1506
01:30:49,840 --> 01:30:51,960
Speaker 1: does Clouds of Seals Maria, and she sort of like

1507
01:30:52,080 --> 01:30:53,880
Speaker 1: impresses me there and then all of a sudden, the

1508
01:30:53,880 --> 01:30:55,840
Speaker 1: Spencer trailer happens, and I have to say, I don't

1509
01:30:55,840 --> 01:30:58,799
Speaker 1: think so honey myself because looks like she embodies Diana

1510
01:30:58,800 --> 01:31:02,600
Speaker 1: Spencer aprint this Diana Diana Partuss of Wales aka the

1511
01:31:03,000 --> 01:31:05,240
Speaker 1: basis for one of the most famous beanie babies of

1512
01:31:05,280 --> 01:31:08,440
Speaker 1: all time. And it looks like she is doing it beautifully.

1513
01:31:08,840 --> 01:31:10,560
Speaker 1: And I loved her. Two words that we heard in

1514
01:31:10,600 --> 01:31:13,640
Speaker 1: the trailer they don't. I thought that was really beautiful.

1515
01:31:13,960 --> 01:31:16,240
Speaker 1: And I think anyone that can hold their own opposite

1516
01:31:16,320 --> 01:31:19,639
Speaker 1: Sally Hawkins, one of the best British actresses, there's my respect.

1517
01:31:19,680 --> 01:31:21,000
Speaker 1: So I don't think so, honey meat for the things

1518
01:31:21,040 --> 01:31:23,960
Speaker 1: I've said, I eat crow, I eat crow path and

1519
01:31:24,040 --> 01:31:28,960
Speaker 1: that's one minute. You're in crowth. I mean crow actually

1520
01:31:29,040 --> 01:31:33,599
Speaker 1: said crow pie, but you say it with a Southern

1521
01:31:33,640 --> 01:31:35,559
Speaker 1: accent like Sutton Strack. I don't think you know who

1522
01:31:35,560 --> 01:31:38,120
Speaker 1: that is. But it's okay, Um, she's a real housewife

1523
01:31:38,160 --> 01:31:42,839
Speaker 1: of Beverly Hills. Okay, okay, Well, thank you for explaining

1524
01:31:42,880 --> 01:31:45,320
Speaker 1: it to me. Yeah, why did you feel the need

1525
01:31:45,400 --> 01:31:50,240
Speaker 1: to apologize about comments you made on about Curse's stewarts,

1526
01:31:50,400 --> 01:31:52,760
Speaker 1: Because I think I've been I think, honestly something and

1527
01:31:52,800 --> 01:31:55,880
Speaker 1: this is a this is a real thing, I think,

1528
01:31:56,160 --> 01:31:58,600
Speaker 1: and I'll just I'll just say this sometimes like I

1529
01:31:58,760 --> 01:32:01,240
Speaker 1: get very sensitive and for straighted when someone has something

1530
01:32:01,280 --> 01:32:03,240
Speaker 1: to say about me on the social media and I

1531
01:32:03,560 --> 01:32:06,560
Speaker 1: heard what you said before about like you know, like

1532
01:32:07,880 --> 01:32:09,880
Speaker 1: people like you couldn't feel like they can say whatever

1533
01:32:09,920 --> 01:32:11,680
Speaker 1: they want about you on social and then like you

1534
01:32:11,760 --> 01:32:14,599
Speaker 1: actually are a person and you're rather sensitive. And I've

1535
01:32:14,920 --> 01:32:17,439
Speaker 1: discovered about myself that I am sensitive. And it's actually

1536
01:32:17,479 --> 01:32:20,000
Speaker 1: been kind of interesting to have projects come out and

1537
01:32:20,080 --> 01:32:23,400
Speaker 1: then have them be up for consumption and have them

1538
01:32:23,439 --> 01:32:26,720
Speaker 1: be you know, discussed, and it's almost like people talk

1539
01:32:26,760 --> 01:32:28,599
Speaker 1: about you like as if you are not a person.

1540
01:32:29,080 --> 01:32:30,840
Speaker 1: And it's been interesting to know that we've had this

1541
01:32:30,920 --> 01:32:33,400
Speaker 1: podcast for now going on like six years where we've

1542
01:32:33,439 --> 01:32:37,879
Speaker 1: sort of like discussed celebrities and like both like serious

1543
01:32:37,960 --> 01:32:40,360
Speaker 1: and non serious ways, like sometimes we have a lot

1544
01:32:40,400 --> 01:32:42,040
Speaker 1: of fun with them and other times we're like actually

1545
01:32:42,120 --> 01:32:44,360
Speaker 1: dissecting the work and stuff. And I think it can

1546
01:32:44,439 --> 01:32:47,120
Speaker 1: kind of get gray area E. But I think, UM,

1547
01:32:47,520 --> 01:32:50,439
Speaker 1: I've just been sort of examining the ways in which, um,

1548
01:32:51,760 --> 01:32:55,080
Speaker 1: I've like dragged certain people. And Kristen Stewart is someone

1549
01:32:55,160 --> 01:32:58,000
Speaker 1: that I dragged quite a bit, and I don't think

1550
01:32:58,080 --> 01:33:00,519
Speaker 1: she doesn't necessarily had did anything to deserve and and

1551
01:33:00,600 --> 01:33:03,559
Speaker 1: probably her experience with fame was very painful, and especially

1552
01:33:03,640 --> 01:33:06,479
Speaker 1: knowing that she's a member of the queer community and

1553
01:33:06,640 --> 01:33:08,840
Speaker 1: that she probably had a lot of things going on

1554
01:33:09,080 --> 01:33:12,680
Speaker 1: and was forced to sort of appear oh way that

1555
01:33:12,760 --> 01:33:16,080
Speaker 1: she was uncomfortable with. And I just think that I

1556
01:33:16,200 --> 01:33:19,519
Speaker 1: did not need to say things I've said about her,

1557
01:33:19,640 --> 01:33:22,000
Speaker 1: such as you know that she does nothing on screen.

1558
01:33:22,080 --> 01:33:23,880
Speaker 1: It's not her fault that she doesn't need to do

1559
01:33:24,080 --> 01:33:26,479
Speaker 1: much on screen to be effective. And I looked at

1560
01:33:26,520 --> 01:33:28,560
Speaker 1: this trailer and I thought, Wow, here she is like

1561
01:33:28,680 --> 01:33:30,599
Speaker 1: taking a really big swing, and it looks like it's

1562
01:33:30,640 --> 01:33:33,200
Speaker 1: really paying off. And I think that I really respect

1563
01:33:33,280 --> 01:33:35,840
Speaker 1: her because I think that she knows that she's someone

1564
01:33:36,000 --> 01:33:39,680
Speaker 1: that the media and you know, young people, especially as

1565
01:33:39,760 --> 01:33:42,479
Speaker 1: social media kind of grew to prominence as she became famous,

1566
01:33:42,560 --> 01:33:44,840
Speaker 1: had a lot of fun with um in ways that

1567
01:33:44,920 --> 01:33:47,800
Speaker 1: probably were not fun for her. And I examined my

1568
01:33:47,960 --> 01:33:50,519
Speaker 1: behavior and the way I've contributed to that conversation in

1569
01:33:50,560 --> 01:33:53,040
Speaker 1: the past, and I would like to say that I'm

1570
01:33:53,080 --> 01:33:57,439
Speaker 1: excited to see the movie, and I am apologetic about

1571
01:33:57,479 --> 01:33:59,200
Speaker 1: the ways in which I have dragged her in the past.

1572
01:33:59,240 --> 01:34:01,280
Speaker 1: I feel that it was not fair, and I feel

1573
01:34:01,320 --> 01:34:03,280
Speaker 1: I was being childish and immature, and now that I

1574
01:34:03,360 --> 01:34:05,040
Speaker 1: have a little bit more of an experience with it,

1575
01:34:05,200 --> 01:34:09,800
Speaker 1: I've retracted. Well, this is a very developed, very well

1576
01:34:09,880 --> 01:34:13,600
Speaker 1: thought out response to this big trailer that was a

1577
01:34:13,640 --> 01:34:18,960
Speaker 1: lot of fun to watch, very interesting, and that was that. Yeah,

1578
01:34:19,160 --> 01:34:22,080
Speaker 1: that thank you for articulating that. I think that's it's

1579
01:34:22,160 --> 01:34:24,960
Speaker 1: really wonderful that you show a lot of growth in

1580
01:34:25,080 --> 01:34:28,479
Speaker 1: your in your perspective shift and kind of the empathy

1581
01:34:28,600 --> 01:34:31,200
Speaker 1: that you found only through kind of your own success,

1582
01:34:31,400 --> 01:34:34,400
Speaker 1: which is really it's you know, at least applaud yourself

1583
01:34:34,439 --> 01:34:36,080
Speaker 1: for that, where now you're in a place where like,

1584
01:34:36,200 --> 01:34:38,680
Speaker 1: oh yeah, now I see that, you know it is.

1585
01:34:38,840 --> 01:34:44,280
Speaker 1: It is interesting how dehumanizing it is when people just

1586
01:34:44,400 --> 01:34:49,160
Speaker 1: don't think that, you know. It's like it's like the

1587
01:34:49,280 --> 01:34:51,880
Speaker 1: way you talk if you're venting and you're talking shit

1588
01:34:51,960 --> 01:34:54,200
Speaker 1: about someone that you know in your life, but they're

1589
01:34:54,240 --> 01:34:57,880
Speaker 1: not in the room. You take you take big swings.

1590
01:34:57,920 --> 01:35:00,519
Speaker 1: You're also trying to make your friends laugh. You're like,

1591
01:35:01,000 --> 01:35:04,600
Speaker 1: you know, you're maybe saying things that are more like

1592
01:35:05,320 --> 01:35:09,440
Speaker 1: venomous to get a reaction to be hyper You're being hyperbolic,

1593
01:35:09,560 --> 01:35:13,479
Speaker 1: and you're saying things you don't necessarily fully believe to like,

1594
01:35:13,760 --> 01:35:15,719
Speaker 1: you know, get a reaction and get a point across,

1595
01:35:15,800 --> 01:35:17,879
Speaker 1: make your friends left. But if that person was an earshot,

1596
01:35:17,920 --> 01:35:19,640
Speaker 1: you wouldn't be talking about them that way. And I

1597
01:35:19,680 --> 01:35:21,280
Speaker 1: feel like that's kind of what the Internet is is

1598
01:35:21,840 --> 01:35:23,920
Speaker 1: people just think that you're out of the room, but

1599
01:35:24,080 --> 01:35:27,720
Speaker 1: really you can go that people can go and then

1600
01:35:27,800 --> 01:35:30,760
Speaker 1: like read the things that you say. But people are

1601
01:35:30,840 --> 01:35:33,519
Speaker 1: so bold as to like comment on your stuff. That's

1602
01:35:33,600 --> 01:35:35,720
Speaker 1: interesting when people respond to you and like d M

1603
01:35:35,800 --> 01:35:38,400
Speaker 1: s and say ship or like comment on your stuff,

1604
01:35:38,479 --> 01:35:41,920
Speaker 1: and then when you're like, hey, that's like a really weird,

1605
01:35:42,040 --> 01:35:43,920
Speaker 1: mean thing to say, and the backpedal and they're like,

1606
01:35:43,920 --> 01:35:45,479
Speaker 1: oh my gosh, I just never thought you'd read it.

1607
01:35:45,520 --> 01:35:49,839
Speaker 1: It's like commented on. So it's like negative attention seeking behavior.

1608
01:35:49,960 --> 01:35:53,280
Speaker 1: And that's like I think it's own like illness of

1609
01:35:53,400 --> 01:35:55,960
Speaker 1: social media that people need to be like doing some

1610
01:35:56,080 --> 01:35:58,519
Speaker 1: work on themselves to make sure they're not doing because

1611
01:35:58,520 --> 01:36:00,600
Speaker 1: a lot of people do it and I used to

1612
01:36:00,720 --> 01:36:02,920
Speaker 1: do it. I used to and that's the growth of

1613
01:36:02,960 --> 01:36:05,400
Speaker 1: it all. Is like the growth of it all is

1614
01:36:05,479 --> 01:36:08,360
Speaker 1: that when I first got Twitter in like two thousand

1615
01:36:08,520 --> 01:36:14,000
Speaker 1: nine or two thousand ten maybe when, but it was

1616
01:36:14,360 --> 01:36:17,920
Speaker 1: it would have been when I discovered Grimes. I used

1617
01:36:17,920 --> 01:36:20,360
Speaker 1: to tweet at her that I was doing this running

1618
01:36:20,400 --> 01:36:23,360
Speaker 1: joke where I would tweet at her every day and

1619
01:36:23,479 --> 01:36:27,040
Speaker 1: be like, reply to me, I need your reply, Please

1620
01:36:27,080 --> 01:36:29,599
Speaker 1: reply to me, and like say be really random, say

1621
01:36:29,680 --> 01:36:34,240
Speaker 1: really random, like fucked up stuff to her, like sexual stuff.

1622
01:36:35,160 --> 01:36:37,200
Speaker 1: And the implicit thing is that you're like, she would

1623
01:36:37,240 --> 01:36:39,360
Speaker 1: never see this, but the fact, but that's not necessarily

1624
01:36:39,680 --> 01:36:42,240
Speaker 1: and you're doing it as a big And now people

1625
01:36:42,360 --> 01:36:44,240
Speaker 1: do ship like that to me, where they'll reply to

1626
01:36:44,439 --> 01:36:46,600
Speaker 1: everything that I'm doing and I'm like, I see it,

1627
01:36:46,760 --> 01:36:50,800
Speaker 1: and it's just like, oh, this feels like you know

1628
01:36:50,920 --> 01:36:53,320
Speaker 1: this person, I don't they want me to see it,

1629
01:36:53,600 --> 01:36:55,479
Speaker 1: but it's like, what reaction do they think they're going

1630
01:36:55,560 --> 01:36:57,720
Speaker 1: to have. I mean, now I think Grimes is like

1631
01:36:57,880 --> 01:37:02,280
Speaker 1: pure trash. Um. I say all that, and then I'm like,

1632
01:37:02,400 --> 01:37:06,760
Speaker 1: she's liquid trash. Um. No, I don't like her. I

1633
01:37:06,840 --> 01:37:10,519
Speaker 1: don't like what she's choosing, the life that she's choosing now.

1634
01:37:10,640 --> 01:37:14,080
Speaker 1: And I hope, you know, I hope everything. I hope

1635
01:37:14,120 --> 01:37:17,080
Speaker 1: she comes out of whatever this this phase of her

1636
01:37:17,160 --> 01:37:23,880
Speaker 1: life and thinks about what she's done. Um. But um. Also,

1637
01:37:24,040 --> 01:37:26,160
Speaker 1: I'm just not going to put energy into that. You know,

1638
01:37:26,680 --> 01:37:29,600
Speaker 1: I'm going to keep my amazing tomato soup from California

1639
01:37:29,680 --> 01:37:34,120
Speaker 1: Chicken Cafe, which does look good. I would feel stupid

1640
01:37:34,160 --> 01:37:36,960
Speaker 1: if I was one of those people that was like like,

1641
01:37:37,280 --> 01:37:40,280
Speaker 1: now as I become more successful, it's like, how fucking

1642
01:37:40,439 --> 01:37:42,680
Speaker 1: dare they drag me? When it's like, you know, like

1643
01:37:42,960 --> 01:37:46,040
Speaker 1: you've done it, Like the real the thing that will

1644
01:37:46,080 --> 01:37:50,960
Speaker 1: make you straight, the thing that will make you fucking straight,

1645
01:37:51,760 --> 01:37:55,400
Speaker 1: is when you have to start applying that level of

1646
01:37:55,479 --> 01:37:58,120
Speaker 1: empathy to every person in the world and in your life.

1647
01:37:58,840 --> 01:38:01,240
Speaker 1: And only then I'll be when you think about who

1648
01:38:01,320 --> 01:38:04,400
Speaker 1: when you decide, when you decide to have, when you

1649
01:38:04,479 --> 01:38:06,840
Speaker 1: decide to turn that little valve on, and who you

1650
01:38:06,880 --> 01:38:10,120
Speaker 1: don't give that empathy to just because you're being like no,

1651
01:38:11,040 --> 01:38:12,760
Speaker 1: It's like, you know, I bet there's other people who

1652
01:38:12,840 --> 01:38:16,000
Speaker 1: deserve that same empathy that you need to take that

1653
01:38:16,200 --> 01:38:18,439
Speaker 1: skeleton of your logic and then like kind of put

1654
01:38:18,479 --> 01:38:21,200
Speaker 1: it on their situation too. And you know, I don't

1655
01:38:21,240 --> 01:38:22,880
Speaker 1: think a lot of people want to do that, And

1656
01:38:23,000 --> 01:38:26,720
Speaker 1: I think that's okay. You know, I think people are

1657
01:38:26,840 --> 01:38:29,000
Speaker 1: in a in a tough mental spot right now I'm

1658
01:38:29,040 --> 01:38:31,880
Speaker 1: that way too. I think the place that I'm in

1659
01:38:32,040 --> 01:38:36,600
Speaker 1: right now really hard mentally, is that I loved a

1660
01:38:36,680 --> 01:38:40,400
Speaker 1: big part of joy that I got a big place

1661
01:38:40,439 --> 01:38:44,280
Speaker 1: of joy in my life was making fun of bad stuff,

1662
01:38:45,680 --> 01:38:47,720
Speaker 1: making fun of movies and TV shows that I thought

1663
01:38:47,760 --> 01:38:51,639
Speaker 1: were bad. Um, because that stuff gets crammed down your throat,

1664
01:38:51,840 --> 01:38:54,720
Speaker 1: especially like really high budget stuff that's bad. It's like,

1665
01:38:55,000 --> 01:38:57,880
Speaker 1: now we're in this like culture vacuum where it's like

1666
01:38:58,080 --> 01:39:01,600
Speaker 1: you can't. It's like everything has to be positive, like

1667
01:39:01,800 --> 01:39:04,479
Speaker 1: you can't. It's like let people enjoy the things they

1668
01:39:04,520 --> 01:39:07,360
Speaker 1: want to enjoy or whatever. And I'm like, well, this

1669
01:39:07,600 --> 01:39:13,800
Speaker 1: is like a corporate like advertising machine and I'm not

1670
01:39:13,960 --> 01:39:17,080
Speaker 1: allowed to have like a criticism of it. It's just

1671
01:39:17,160 --> 01:39:19,280
Speaker 1: like and again, you are allowed to have a criticism

1672
01:39:19,360 --> 01:39:21,040
Speaker 1: of it. It's just like if you're willing to deal

1673
01:39:21,080 --> 01:39:23,880
Speaker 1: with the pushback or not. But I will say that

1674
01:39:24,000 --> 01:39:30,280
Speaker 1: I felt, you know, unable to talk shit about stuff

1675
01:39:30,320 --> 01:39:32,840
Speaker 1: in the way that I, like I thought was fun

1676
01:39:32,920 --> 01:39:37,960
Speaker 1: too before because yeah, because of like my career and

1677
01:39:38,120 --> 01:39:40,200
Speaker 1: like now I've met some of the people that are

1678
01:39:40,280 --> 01:39:42,240
Speaker 1: in movies that I used to make fun of and

1679
01:39:42,680 --> 01:39:46,360
Speaker 1: and worked on that you never know who produced you're

1680
01:39:46,400 --> 01:39:49,000
Speaker 1: working with, like a producer who has been working in

1681
01:39:49,080 --> 01:39:52,040
Speaker 1: TV for years and like also produced this thing that

1682
01:39:52,200 --> 01:39:56,000
Speaker 1: you think sucks, and so you have to be it's like, oh,

1683
01:39:56,120 --> 01:39:59,840
Speaker 1: now that I know that person, I don't want to

1684
01:40:00,040 --> 01:40:02,679
Speaker 1: hurt their feeling. Like I now that it's like it's

1685
01:40:02,720 --> 01:40:04,320
Speaker 1: not just being about like, oh I want to save

1686
01:40:04,400 --> 01:40:07,200
Speaker 1: my ass. It's like, oh, this person like put a

1687
01:40:07,280 --> 01:40:09,200
Speaker 1: lot of work into this thing that people really hate.

1688
01:40:09,240 --> 01:40:12,080
Speaker 1: I think they've kind of like you know, endured the

1689
01:40:12,120 --> 01:40:16,160
Speaker 1: brunt of it. Yeah, but I don't know. I just like, also,

1690
01:40:16,400 --> 01:40:21,120
Speaker 1: I'm not gonna put energy into dictating how other people

1691
01:40:21,200 --> 01:40:23,160
Speaker 1: react to that ship because other people have a lot

1692
01:40:23,240 --> 01:40:28,000
Speaker 1: more anger detachment that they can gleefully, you know, slice

1693
01:40:28,040 --> 01:40:32,960
Speaker 1: someone up about um. But it does change. I think

1694
01:40:33,040 --> 01:40:36,360
Speaker 1: that your level of empathy changes, and I'm like, oh man,

1695
01:40:37,040 --> 01:40:40,120
Speaker 1: I think I kind of have to be nice about everything.

1696
01:40:40,320 --> 01:40:42,680
Speaker 1: Because the other night I was like drunk with my

1697
01:40:42,840 --> 01:40:46,840
Speaker 1: friend Hillary and we were watching He's All That, and

1698
01:40:47,040 --> 01:40:49,120
Speaker 1: I was making fun of it on Instagram stories, and

1699
01:40:49,200 --> 01:40:51,519
Speaker 1: I got a couple replies of people being like, why

1700
01:40:51,560 --> 01:40:53,840
Speaker 1: are you being so mean to Addison Ray? Like people

1701
01:40:53,880 --> 01:40:56,559
Speaker 1: who didn't follow me too which was like, oh God,

1702
01:40:57,120 --> 01:40:58,960
Speaker 1: and I'm like, I'm not being mean to her. This

1703
01:40:59,120 --> 01:41:02,439
Speaker 1: movie just really sucks. Like this movie is really funny,

1704
01:41:03,720 --> 01:41:06,280
Speaker 1: and like that's what I'm think. I'm being very clear

1705
01:41:06,479 --> 01:41:10,479
Speaker 1: that I'm like, this is just a stupid array of

1706
01:41:11,320 --> 01:41:14,280
Speaker 1: decisions people have made that all culminate in this piece

1707
01:41:14,360 --> 01:41:18,559
Speaker 1: of like work that it's like so fucking funny, how

1708
01:41:18,880 --> 01:41:21,240
Speaker 1: stupid and awful it is. And that's like, it doesn't

1709
01:41:21,280 --> 01:41:23,320
Speaker 1: mean that the actors in it are bad or that

1710
01:41:23,400 --> 01:41:26,000
Speaker 1: they're bad people, but I think it does point out

1711
01:41:26,080 --> 01:41:28,080
Speaker 1: that there are a lot of people in the film

1712
01:41:28,120 --> 01:41:32,200
Speaker 1: industry who are pure corporate like business people who get

1713
01:41:32,240 --> 01:41:34,880
Speaker 1: to call creative shots on stuff, and unfortunately they have

1714
01:41:35,040 --> 01:41:37,760
Speaker 1: notes on stuff. And I wish those people's names were

1715
01:41:37,840 --> 01:41:40,240
Speaker 1: like on the front of the movie and there's kind

1716
01:41:40,240 --> 01:41:42,840
Speaker 1: of tact information so you could fucking let them feel

1717
01:41:43,479 --> 01:41:46,920
Speaker 1: like the ire of people when you don't like serve

1718
01:41:47,520 --> 01:41:51,240
Speaker 1: the community right or something like it's like, yeah, talk

1719
01:41:51,360 --> 01:41:55,200
Speaker 1: to the fucking like finance department or whatever, the business

1720
01:41:55,240 --> 01:41:59,400
Speaker 1: affairs department, who's like being like this character actually is

1721
01:41:59,640 --> 01:42:04,200
Speaker 1: like their sense of humor is not landing with us. Um,

1722
01:42:04,400 --> 01:42:07,240
Speaker 1: so we're actually going to make this character, Caitlyn Jenner,

1723
01:42:07,280 --> 01:42:10,720
Speaker 1: if that's okay, it's like yeah, and then the and

1724
01:42:10,800 --> 01:42:13,600
Speaker 1: then the people people online see that and they're like,

1725
01:42:13,880 --> 01:42:17,639
Speaker 1: oh my god, Caitlyn Jenner. This is like but it's

1726
01:42:17,680 --> 01:42:21,320
Speaker 1: like the people who are like protecting or concerned about

1727
01:42:21,760 --> 01:42:25,439
Speaker 1: and at someone like Addison Ray, Let's say, like there's

1728
01:42:25,479 --> 01:42:27,680
Speaker 1: a weird like poisoning of the mind to be like

1729
01:42:27,840 --> 01:42:30,880
Speaker 1: what she doesn't need like your protector, Like she doesn't

1730
01:42:30,880 --> 01:42:34,200
Speaker 1: need you to protect her necessarily either, you know. It's like,

1731
01:42:34,920 --> 01:42:39,960
Speaker 1: I don't know, it's it's weird. Well I think meanwhile,

1732
01:42:40,000 --> 01:42:42,880
Speaker 1: like people like people like people like us, like we

1733
01:42:43,080 --> 01:42:46,040
Speaker 1: like did not have We were not like now things

1734
01:42:46,080 --> 01:42:48,560
Speaker 1: are different, but we were not always supported by some

1735
01:42:48,880 --> 01:42:54,200
Speaker 1: like infrastructure in terms of like knowing like like we

1736
01:42:54,400 --> 01:42:55,720
Speaker 1: like I don't know, like we like I mean like

1737
01:42:56,120 --> 01:42:58,559
Speaker 1: between the three of us at least, like we really

1738
01:42:58,640 --> 01:43:01,560
Speaker 1: like had to like kind of like you know, like

1739
01:43:01,760 --> 01:43:04,479
Speaker 1: earn our way, earn our keep into like these places

1740
01:43:04,520 --> 01:43:08,520
Speaker 1: where at And that is that's a different emotional background

1741
01:43:09,200 --> 01:43:11,920
Speaker 1: versus like and this is not to like discount like

1742
01:43:12,040 --> 01:43:14,400
Speaker 1: what these people go, but like someone like I'm gonna

1743
01:43:14,439 --> 01:43:17,400
Speaker 1: say someone like Addison, right, and I don't know what

1744
01:43:17,520 --> 01:43:20,559
Speaker 1: her struggle is necessarily, and she has some of course,

1745
01:43:20,640 --> 01:43:24,759
Speaker 1: but it's like this is a completely different like echelon

1746
01:43:24,880 --> 01:43:27,759
Speaker 1: of like fame or of like being like put forward

1747
01:43:27,920 --> 01:43:32,679
Speaker 1: as someone who like people will like that, Like there's

1748
01:43:32,680 --> 01:43:34,439
Speaker 1: a there's a I don't know, I think there's a

1749
01:43:34,680 --> 01:43:37,120
Speaker 1: there's a subtle there's there's a more nuanced way to

1750
01:43:37,160 --> 01:43:41,679
Speaker 1: be like not everything has to be like not everything

1751
01:43:41,720 --> 01:43:44,960
Speaker 1: gets to be important. Some things get to be stupid. Yeah,

1752
01:43:45,200 --> 01:43:47,600
Speaker 1: And I think that there is room for humor, you

1753
01:43:47,640 --> 01:43:50,040
Speaker 1: know what I mean. The reason the reason I take,

1754
01:43:50,240 --> 01:43:52,240
Speaker 1: the reason I stop and want to do the thing

1755
01:43:52,280 --> 01:43:55,280
Speaker 1: about Christin Stewart is because I'm thinking about the things

1756
01:43:55,360 --> 01:43:57,360
Speaker 1: I've said her about her, and I think they might

1757
01:43:57,400 --> 01:44:02,360
Speaker 1: have been just like lazy and like whatever. Like if

1758
01:44:02,400 --> 01:44:05,719
Speaker 1: I went back throughout this entire podcast or my entire

1759
01:44:05,880 --> 01:44:08,840
Speaker 1: life online or whatever and like combed through everything I've

1760
01:44:08,880 --> 01:44:12,519
Speaker 1: said about celebrities, there's no use in doing that because

1761
01:44:12,600 --> 01:44:16,240
Speaker 1: like it's just silly, like because there should be you

1762
01:44:16,600 --> 01:44:19,599
Speaker 1: like that is like there is something to like combing

1763
01:44:19,720 --> 01:44:22,400
Speaker 1: through what we get fed in the entertainment industry and

1764
01:44:22,520 --> 01:44:25,040
Speaker 1: like like calling it out and like making jokes about it.

1765
01:44:25,120 --> 01:44:28,560
Speaker 1: Like make jokes. I just think I was watching the

1766
01:44:28,600 --> 01:44:31,280
Speaker 1: trailer for Spencer and I was like, oh, I've been

1767
01:44:31,360 --> 01:44:33,840
Speaker 1: like nasty about her, and I think it was like

1768
01:44:33,920 --> 01:44:36,120
Speaker 1: a lazy thing. And it's sort of a thing of

1769
01:44:36,240 --> 01:44:38,120
Speaker 1: like I think we all do it like, you know,

1770
01:44:38,640 --> 01:44:40,800
Speaker 1: like years ago, when we get on this podcast and

1771
01:44:40,880 --> 01:44:44,000
Speaker 1: like make comments about Ellen, it's probably because we thought, well,

1772
01:44:44,080 --> 01:44:46,599
Speaker 1: none of us will ever be actually on her show.

1773
01:44:47,400 --> 01:44:49,840
Speaker 1: We're never gonna actually have to meet her, so what

1774
01:44:49,960 --> 01:44:53,400
Speaker 1: then who cares if we drag Ellen? Then all of

1775
01:44:53,439 --> 01:44:55,600
Speaker 1: a sudden, it's like you're in the green room and

1776
01:44:55,640 --> 01:44:57,320
Speaker 1: Ellen and she comes and knocks on the door and says, hey,

1777
01:44:57,400 --> 01:44:59,680
Speaker 1: just wanted to say hey before our big interview with

1778
01:44:59,800 --> 01:45:03,200
Speaker 1: no audience, and our teams have talked beforehand to make

1779
01:45:03,240 --> 01:45:06,200
Speaker 1: sure that there's a tease fire because of still like

1780
01:45:06,320 --> 01:45:09,360
Speaker 1: this is some silliness I've said on the podcast Lost

1781
01:45:09,520 --> 01:45:11,680
Speaker 1: Culture Resta, does you know what I mean. It's just

1782
01:45:11,800 --> 01:45:15,360
Speaker 1: like it's also surreal and funny that we're all even

1783
01:45:15,439 --> 01:45:18,360
Speaker 1: successful at all, because I I think about that all

1784
01:45:18,360 --> 01:45:21,080
Speaker 1: the time. I'm just like wow, like it's really like

1785
01:45:21,200 --> 01:45:23,640
Speaker 1: I'm not I'm not looking at like you know, how

1786
01:45:23,760 --> 01:45:25,720
Speaker 1: my life has changed in the past five six years

1787
01:45:25,760 --> 01:45:27,439
Speaker 1: in the way you're the way both of your lives

1788
01:45:27,479 --> 01:45:29,400
Speaker 1: have changed in the past five six years, and like

1789
01:45:29,960 --> 01:45:32,439
Speaker 1: not not a little bit in awe of it, because

1790
01:45:32,439 --> 01:45:35,400
Speaker 1: I'm like, wow, like I never thought anything. I just

1791
01:45:35,479 --> 01:45:38,360
Speaker 1: thought I would be like on the Brooklyn podcast forever,

1792
01:45:38,640 --> 01:45:40,840
Speaker 1: you know. And maybe that's why I felt the safety

1793
01:45:40,920 --> 01:45:45,280
Speaker 1: to be like, yeah, Ellen's dicky, I mean, but also

1794
01:45:45,360 --> 01:45:48,160
Speaker 1: ultimately it was funny, So I don't know, it's like

1795
01:45:48,240 --> 01:45:50,840
Speaker 1: an interesting thing to all of a sudden have to

1796
01:45:50,920 --> 01:45:53,960
Speaker 1: deal with that kind of thing, you know what I mean. Well,

1797
01:45:54,040 --> 01:45:56,240
Speaker 1: with all that said, it's gonna be time for boonen Yanks.

1798
01:45:56,240 --> 01:45:58,000
Speaker 1: I don't think so, honey, Bona you're ready figure out

1799
01:45:58,040 --> 01:46:01,240
Speaker 1: and think so honey, I'm ready, Okay, this is bones.

1800
01:46:01,240 --> 01:46:03,760
Speaker 1: I don't think so honest, time starts now. I don't

1801
01:46:03,760 --> 01:46:09,920
Speaker 1: think so honey, sucking dick. Let's normalize licking balls. Licking

1802
01:46:10,000 --> 01:46:14,160
Speaker 1: balls to be the top of the list. It's easier

1803
01:46:14,200 --> 01:46:16,639
Speaker 1: on the mouth. It's you don't have to do all

1804
01:46:16,680 --> 01:46:19,320
Speaker 1: this crazy stuff. You don't have to like think of it.

1805
01:46:19,360 --> 01:46:23,800
Speaker 1: It's just easier mentally logistically to just like go for

1806
01:46:23,880 --> 01:46:27,160
Speaker 1: the balls first and then not even touch the damn shaft. Okay,

1807
01:46:27,760 --> 01:46:29,800
Speaker 1: I just want to I just want to work on

1808
01:46:29,920 --> 01:46:34,280
Speaker 1: the balls. I don't want to cartilage. I don't want

1809
01:46:34,280 --> 01:46:37,560
Speaker 1: to touch any cartilage in the penis at all. I

1810
01:46:37,680 --> 01:46:41,479
Speaker 1: just want to work with the scrotum. That's it, and

1811
01:46:41,600 --> 01:46:48,680
Speaker 1: that's all I have to say no, because you know what,

1812
01:46:49,520 --> 01:46:52,679
Speaker 1: balls actually feel more sanitary to me. There's not literal

1813
01:46:52,880 --> 01:46:55,400
Speaker 1: piss coming out of it. Why the hell would you

1814
01:46:55,520 --> 01:46:58,080
Speaker 1: put something with pete coming out of it in your mouth?

1815
01:46:58,880 --> 01:47:03,360
Speaker 1: You're gonna love it. No, I don't care. I think

1816
01:47:03,640 --> 01:47:07,120
Speaker 1: it's less funky. If it's the balls that p is sterile,

1817
01:47:07,200 --> 01:47:10,960
Speaker 1: you're gonna love it. Clean freaksn't love it. That is

1818
01:47:11,120 --> 01:47:13,760
Speaker 1: fun vile. What you said balls are the worst. I

1819
01:47:13,800 --> 01:47:15,960
Speaker 1: don't want to talk about. I don't want them in

1820
01:47:17,000 --> 01:47:22,240
Speaker 1: They smell. The only reason you go down on somebody

1821
01:47:22,400 --> 01:47:24,439
Speaker 1: like that is to make them come. And if you're

1822
01:47:24,479 --> 01:47:26,360
Speaker 1: not gonna be able to make them come with the balls,

1823
01:47:26,360 --> 01:47:28,360
Speaker 1: why are you gonna put them in your You don't

1824
01:47:28,400 --> 01:47:29,479
Speaker 1: know that. You don't know that you're not gonna be

1825
01:47:29,520 --> 01:47:31,800
Speaker 1: able to make them come with the balls? Ah? Yeah

1826
01:47:31,920 --> 01:47:40,080
Speaker 1: I do, Yeah, I do. I go up and down

1827
01:47:40,120 --> 01:47:42,360
Speaker 1: on the side like I'm eating corn and then that

1828
01:47:42,439 --> 01:47:45,920
Speaker 1: makes them but then that's a dick still in your mouth,

1829
01:47:46,080 --> 01:47:49,760
Speaker 1: stupid ass. I'm saying I would be open to that,

1830
01:47:49,920 --> 01:47:52,400
Speaker 1: but I just there's something about like I feel like,

1831
01:47:52,479 --> 01:47:57,280
Speaker 1: Damn Kirby, I don't like either. I like, I just

1832
01:47:57,439 --> 01:47:59,439
Speaker 1: feel like I'm sorry that makes me. I feel like

1833
01:47:59,439 --> 01:48:01,080
Speaker 1: I have nothing to offer if I don't like sucking

1834
01:48:01,160 --> 01:48:03,880
Speaker 1: dick that I'm like, wow, no, because I absolutely love

1835
01:48:04,080 --> 01:48:11,439
Speaker 1: eating ass. Period me too. I love eating ass. But

1836
01:48:11,479 --> 01:48:13,200
Speaker 1: then it sends a mixed signal because they're like, oh,

1837
01:48:13,240 --> 01:48:15,880
Speaker 1: I thought, Oh, I guess is he like, is he

1838
01:48:16,000 --> 01:48:18,360
Speaker 1: like getting me ready? Like I'm like, oh no, no, no,

1839
01:48:18,479 --> 01:48:21,880
Speaker 1: I just like doing this, you know, as I feel

1840
01:48:21,920 --> 01:48:26,000
Speaker 1: like it's sucking I and I like, I like sucking dick.

1841
01:48:27,439 --> 01:48:31,120
Speaker 1: Pick me. I'm a pick me girl. I like dick um,

1842
01:48:31,439 --> 01:48:35,280
Speaker 1: but I think it's more work. And it depends like

1843
01:48:35,400 --> 01:48:39,400
Speaker 1: I don't like sucking a big dick. I don't like that,

1844
01:48:40,160 --> 01:48:42,640
Speaker 1: Like I don't I have a his, I have like

1845
01:48:42,920 --> 01:48:47,200
Speaker 1: a really small amount. And literally I remember when I was,

1846
01:48:47,360 --> 01:48:51,960
Speaker 1: when I was like thirteen, a dentist, which I wasn't

1847
01:48:51,960 --> 01:48:57,720
Speaker 1: sucking dick then, but this dentist problem was like, oh

1848
01:48:57,800 --> 01:49:00,640
Speaker 1: my gosh, your mouth is so small, and put her

1849
01:49:00,720 --> 01:49:04,880
Speaker 1: fingers in line now and tried to spread my mouth

1850
01:49:04,960 --> 01:49:07,120
Speaker 1: open wider so she could get like this like four

1851
01:49:07,200 --> 01:49:10,800
Speaker 1: step thing in and she split both my lips like

1852
01:49:11,080 --> 01:49:13,080
Speaker 1: because they were also really chapped, because I was always

1853
01:49:13,120 --> 01:49:15,800
Speaker 1: licking my lips trying to get people let me suck

1854
01:49:15,840 --> 01:49:20,240
Speaker 1: their dicks um, and they never did, and and that's good.

1855
01:49:20,360 --> 01:49:22,479
Speaker 1: They shouldn't. I wasn't in a mentally good place and

1856
01:49:22,560 --> 01:49:26,080
Speaker 1: I wasn't old enough. It sounds like it sounds like

1857
01:49:26,160 --> 01:49:29,040
Speaker 1: she was like a Jennifer Coolidge character, like oh my god,

1858
01:49:29,200 --> 01:49:35,400
Speaker 1: your mouth is so small. She was like, oh my god,

1859
01:49:37,400 --> 01:49:44,800
Speaker 1: it makes me a hot dog round classic. I wait, hirthday,

1860
01:49:44,880 --> 01:49:50,080
Speaker 1: Happy birthday, Happy birthday. Um No, I just think it's

1861
01:49:50,080 --> 01:49:52,439
Speaker 1: a lot of it's like my jaw hurts if it's

1862
01:49:52,479 --> 01:49:55,160
Speaker 1: like big, and then it's just like it's like if

1863
01:49:55,240 --> 01:49:57,240
Speaker 1: it's if you're trying to It's like there are guys

1864
01:49:57,320 --> 01:50:01,240
Speaker 1: that like like deeps, like going in deep, and I'm like,

1865
01:50:01,479 --> 01:50:04,080
Speaker 1: I don't think that feels good. I don't think it's

1866
01:50:04,120 --> 01:50:07,080
Speaker 1: like not like it's not like nice and soft back there.

1867
01:50:07,120 --> 01:50:10,640
Speaker 1: It's all like weird and like it's like I think

1868
01:50:10,680 --> 01:50:16,000
Speaker 1: it's just for those the action of like you choking, right,

1869
01:50:16,120 --> 01:50:18,800
Speaker 1: they want to see you tear up a bit, which

1870
01:50:18,840 --> 01:50:21,600
Speaker 1: I'm like, well, honey, I can't really break down the

1871
01:50:21,640 --> 01:50:26,559
Speaker 1: psychology of like two gay men, like the man who's

1872
01:50:26,600 --> 01:50:29,120
Speaker 1: getting head, the gay man who is getting head from

1873
01:50:29,160 --> 01:50:33,880
Speaker 1: another man, what psychologically is happening there versus a like

1874
01:50:34,000 --> 01:50:39,120
Speaker 1: a straight or like queer guy who is getting head

1875
01:50:39,200 --> 01:50:41,880
Speaker 1: from a trans woman. Like I think there might be

1876
01:50:41,960 --> 01:50:45,760
Speaker 1: a different psychology of like, but I don't know it's

1877
01:50:45,800 --> 01:50:48,519
Speaker 1: all porn. I think it's probably all Any mistreatment you

1878
01:50:48,600 --> 01:50:52,040
Speaker 1: get sexually is probably stemmed in something they saw in

1879
01:50:52,040 --> 01:50:56,240
Speaker 1: a video. Had a guy. I had a guy um

1880
01:50:56,439 --> 01:50:58,880
Speaker 1: a couple of years ago who had a giant dick

1881
01:50:59,640 --> 01:51:04,280
Speaker 1: who I like literally pulled it. I was like going

1882
01:51:04,400 --> 01:51:08,479
Speaker 1: down on him, and I pulled out for a second

1883
01:51:08,560 --> 01:51:10,600
Speaker 1: to like get hair out of my mouth because my

1884
01:51:10,680 --> 01:51:12,960
Speaker 1: I was like sucking my own hair into my throat,

1885
01:51:13,560 --> 01:51:16,000
Speaker 1: and so I like stopped for a second and turned

1886
01:51:16,160 --> 01:51:18,160
Speaker 1: to like get my hair out of my face. And

1887
01:51:18,320 --> 01:51:22,080
Speaker 1: when I turned back, he had like bent his dick

1888
01:51:22,880 --> 01:51:28,360
Speaker 1: like back, and he like like slingshot and like he

1889
01:51:29,040 --> 01:51:31,400
Speaker 1: like held it back and then he like smacked me

1890
01:51:31,520 --> 01:51:35,720
Speaker 1: in the face with it. Oh yeah, like he like

1891
01:51:35,840 --> 01:51:38,760
Speaker 1: bent it back like like and smacked me in the

1892
01:51:38,840 --> 01:51:41,040
Speaker 1: fit like on my face with his dick. And I

1893
01:51:41,200 --> 01:51:43,040
Speaker 1: was like, why did you do that? And he was

1894
01:51:43,120 --> 01:51:46,800
Speaker 1: like I wanted to be rough and I thought that

1895
01:51:47,120 --> 01:51:50,360
Speaker 1: you would. I don't know if he thought I don't

1896
01:51:50,520 --> 01:51:54,240
Speaker 1: like that. But it wasn't like, it wasn't sexual trauma.

1897
01:51:54,280 --> 01:51:56,800
Speaker 1: I wasn't afraid he was. It was just any But

1898
01:51:56,920 --> 01:51:59,519
Speaker 1: I was like, you just like doi oiling. Yeah, Looney

1899
01:51:59,600 --> 01:52:05,240
Speaker 1: tuned me fucking to Marvin the Martian like that was

1900
01:52:05,280 --> 01:52:10,360
Speaker 1: actually like Yoda, but how is truck? But if I

1901
01:52:10,439 --> 01:52:20,800
Speaker 1: did another man Maran, I wrote to the Caitlyn Jenners

1902
01:52:24,080 --> 01:52:27,000
Speaker 1: for Governor of California, and I think that we need

1903
01:52:27,080 --> 01:52:30,320
Speaker 1: a big Traine in this big state. My Caitlyn general

1904
01:52:30,360 --> 01:52:33,280
Speaker 1: is Lauren Michaels. And that's just why I am going

1905
01:52:33,320 --> 01:52:36,000
Speaker 1: to have to accept and I leave it. Lauren general

1906
01:52:36,000 --> 01:52:40,519
Speaker 1: impression is a Lord Michaels impression. Come back here with

1907
01:52:40,640 --> 01:52:44,080
Speaker 1: my show. What is the let's Lauren from TV fund

1908
01:52:44,120 --> 01:52:48,000
Speaker 1: from the TV fun House. Yeah, We're back my show.

1909
01:52:48,800 --> 01:52:51,000
Speaker 1: It's time, It's wine, money or nine. You didn't know

1910
01:52:52,520 --> 01:52:55,040
Speaker 1: the West corn Rance rates online. Go to the general

1911
01:52:55,120 --> 01:52:59,280
Speaker 1: Stafjong time it's time for the best car insurance rates

1912
01:52:59,320 --> 01:53:03,280
Speaker 1: in town. To the general. Wait, what is it for

1913
01:53:03,320 --> 01:53:06,599
Speaker 1: the West corridorans rates in town? Patty call one night

1914
01:53:06,720 --> 01:53:11,000
Speaker 1: hundred general. No, it's time for I don't think so honey,

1915
01:53:11,080 --> 01:53:14,840
Speaker 1: now Patty Harrison's I don't think so honey. Hard times

1916
01:53:14,880 --> 01:53:24,280
Speaker 1: starts now. Are you get okay? Stop? Are you ready? Okay? Yeah,

1917
01:53:24,800 --> 01:53:26,439
Speaker 1: this is Patty Harrisons. I don't think so on ether

1918
01:53:26,560 --> 01:53:32,000
Speaker 1: time starts now. I don't think so honey. M hmm.

1919
01:53:34,479 --> 01:53:38,960
Speaker 1: And when people are when people are mad that you

1920
01:53:39,200 --> 01:53:43,639
Speaker 1: didn't get back to them in time, um, and yeah,

1921
01:53:44,200 --> 01:53:47,360
Speaker 1: it's fucking that ship piss me off, you know why, bitch.

1922
01:53:47,760 --> 01:53:49,800
Speaker 1: I'm sorry I cussed so much. I lean on it

1923
01:53:49,880 --> 01:53:51,880
Speaker 1: too much. I lean on custing so much. I won't

1924
01:53:51,920 --> 01:53:55,759
Speaker 1: cust time starting over now, I don't think so, honey.

1925
01:53:55,960 --> 01:53:57,639
Speaker 1: People who get mad at you when you don't get

1926
01:53:57,800 --> 01:54:02,120
Speaker 1: back to them in time? Now, I'm that want one second? No, No,

1927
01:54:03,560 --> 01:54:06,920
Speaker 1: I don't think so, honey. How much time I have left? Um? Yeah,

1928
01:54:07,000 --> 01:54:09,880
Speaker 1: we're back at one starting out. I don't think so, honey.

1929
01:54:10,160 --> 01:54:11,920
Speaker 1: People who get mad at you when you don't get

1930
01:54:11,960 --> 01:54:17,760
Speaker 1: back to them sometimes I know. No, No, I don't

1931
01:54:17,760 --> 01:54:19,720
Speaker 1: think so, honey. People who get mad at you when

1932
01:54:19,840 --> 01:54:21,840
Speaker 1: you don't get back to them in time. It's like

1933
01:54:22,360 --> 01:54:25,080
Speaker 1: sometimes I want to get back. No, I don't think.

1934
01:54:26,320 --> 01:54:33,480
Speaker 1: I don't think, honey. And that's that was really good

1935
01:54:33,600 --> 01:54:36,440
Speaker 1: giving a chance. I wasn't even giving a chance. Sometimes

1936
01:54:36,480 --> 01:54:38,920
Speaker 1: people don't even know. You're just getting busy during the day,

1937
01:54:38,960 --> 01:54:40,720
Speaker 1: you know, and you have time to get back to them.

1938
01:54:40,880 --> 01:54:45,280
Speaker 1: Yet well, you didn't even know we're adding to here.

1939
01:54:45,280 --> 01:54:54,160
Speaker 1: I don't think it's nod, she's she's frowning, she's she's

1940
01:54:55,880 --> 01:54:57,600
Speaker 1: what if that's how you find out I have botox?

1941
01:54:57,680 --> 01:55:01,240
Speaker 1: Is that you accept me? I have boats? I gets

1942
01:55:01,280 --> 01:55:07,760
Speaker 1: the secret? So wow, this has been incredible in it

1943
01:55:07,920 --> 01:55:11,840
Speaker 1: was Yeah, I feel like I rambled a lot. No, No,

1944
01:55:12,320 --> 01:55:17,880
Speaker 1: that's what people were hanging and hang on every word. Okay,

1945
01:55:18,720 --> 01:55:20,480
Speaker 1: I had fun talking to you, but I hope I

1946
01:55:20,520 --> 01:55:26,040
Speaker 1: didn't over I feel like, no, don't do since you've

1947
01:55:26,040 --> 01:55:28,280
Speaker 1: been don't do this. I think I did the Innett

1948
01:55:28,360 --> 01:55:31,240
Speaker 1: bending thing. I drew out the impression to know that

1949
01:55:31,360 --> 01:55:33,120
Speaker 1: was the bit was that we were waiting for it.

1950
01:55:33,320 --> 01:55:37,320
Speaker 1: It was incredible. It was perfect, And then I talked

1951
01:55:37,320 --> 01:55:39,600
Speaker 1: about Alan. I didn't even get into what she really

1952
01:55:39,680 --> 01:55:42,760
Speaker 1: did to me. Well, we'll say that for another episode.

1953
01:55:42,920 --> 01:55:44,840
Speaker 1: I didn't even get to do what I don't think so, honey,

1954
01:55:45,920 --> 01:55:49,760
Speaker 1: no that Patty, I didn't even get to do. I

1955
01:55:49,800 --> 01:55:52,320
Speaker 1: think this was I think this was a really one

1956
01:55:52,360 --> 01:55:55,800
Speaker 1: of the best episodes. Did imagine? I tell you that

1957
01:55:55,880 --> 01:55:59,040
Speaker 1: one Bowen when we were in Dominican Republic and we

1958
01:55:59,120 --> 01:56:02,080
Speaker 1: went swimming really late one night. It was like one

1959
01:56:02,120 --> 01:56:06,000
Speaker 1: am after we wrapped and Bowen like we're literally sitting there,

1960
01:56:06,080 --> 01:56:08,520
Speaker 1: We're talking about, like what shows we were watching. I

1961
01:56:08,560 --> 01:56:10,800
Speaker 1: don't know where. Bowen just turns me and he goes,

1962
01:56:11,720 --> 01:56:14,080
Speaker 1: you know, even if I were straight, I would never

1963
01:56:14,120 --> 01:56:17,160
Speaker 1: hook up with you because you're you're you lost too

1964
01:56:17,240 --> 01:56:19,160
Speaker 1: much weight too fast, and it made your skin on

1965
01:56:19,240 --> 01:56:22,040
Speaker 1: your body. You're kind of that skinny fat situation. He

1966
01:56:22,120 --> 01:56:26,280
Speaker 1: said that he has a thing, he has a thing

1967
01:56:26,400 --> 01:56:29,640
Speaker 1: with people that are skinney fat. He's he thinks that

1968
01:56:29,760 --> 01:56:31,280
Speaker 1: he thinks it's a compliment. He says it like a

1969
01:56:31,360 --> 01:56:34,240
Speaker 1: backhand and compliment. Meanwhile, it sounds like he was just

1970
01:56:34,320 --> 01:56:36,640
Speaker 1: aggressive to you. He said, I don't want to suck

1971
01:56:36,680 --> 01:56:39,879
Speaker 1: you because you're skinny fat. It was. It wasn't. Unprompted,

1972
01:56:39,960 --> 01:56:42,520
Speaker 1: she posed a question to me. She said, Bowen, if

1973
01:56:42,600 --> 01:56:45,080
Speaker 1: you were straight, what would be the first thing you did?

1974
01:56:45,280 --> 01:56:46,760
Speaker 1: And I was like, I don't know what the first

1975
01:56:46,800 --> 01:56:48,200
Speaker 1: thing I would do would be, but I know what

1976
01:56:48,280 --> 01:56:50,920
Speaker 1: I wouldn't do, which is with you, because I have

1977
01:56:51,000 --> 01:56:55,520
Speaker 1: a thing with skinny fat. What is the in seed?

1978
01:56:55,840 --> 01:56:58,560
Speaker 1: I really hate that because people will be able to

1979
01:56:58,800 --> 01:57:01,560
Speaker 1: like corroborate or whatever the stories because I do ask

1980
01:57:01,640 --> 01:57:03,680
Speaker 1: that question to a lot of guys. I'm trying to turn,

1981
01:57:03,960 --> 01:57:09,080
Speaker 1: asked me, asked me. I'm one of the I'm one

1982
01:57:09,120 --> 01:57:11,120
Speaker 1: of the gayest guys. Try to turn me right now

1983
01:57:11,200 --> 01:57:15,600
Speaker 1: before we go, Matt, if if you had if you

1984
01:57:15,720 --> 01:57:21,440
Speaker 1: had me for two hours alone, and I couldn't say no,

1985
01:57:23,320 --> 01:57:25,960
Speaker 1: she can't say no, that's getting weird. The first thing

1986
01:57:26,000 --> 01:57:28,560
Speaker 1: I would do is I would order chicken palm to

1987
01:57:28,720 --> 01:57:32,360
Speaker 1: the house. I would watch you eat it, and you

1988
01:57:32,400 --> 01:57:38,280
Speaker 1: would get so I'm not eating, I ate before all

1989
01:57:38,360 --> 01:57:42,200
Speaker 1: of it. I want you to eat every bite and

1990
01:57:42,280 --> 01:57:47,200
Speaker 1: the penney that comes on the side. When you're really full. Listen,

1991
01:57:47,960 --> 01:57:52,280
Speaker 1: when you're really full, I'm gonna have you run around

1992
01:57:52,320 --> 01:57:57,240
Speaker 1: the house out of high speed, and I'm we're gonna

1993
01:57:57,280 --> 01:58:00,440
Speaker 1: wait forty five minutes to the point where probably have

1994
01:58:00,520 --> 01:58:05,840
Speaker 1: to use the bathroom. At that point, yes, I'm gonna

1995
01:58:05,880 --> 01:58:10,400
Speaker 1: take you in the bedroom. I make you put on chains,

1996
01:58:11,080 --> 01:58:16,000
Speaker 1: chain you to the four post bed, and then I

1997
01:58:16,920 --> 01:58:23,840
Speaker 1: have sex with every one of your full holes. I

1998
01:58:23,960 --> 01:58:30,520
Speaker 1: only have four your mouth first, I'm going to be

1999
01:58:30,680 --> 01:58:35,040
Speaker 1: so full, really tired. You know I can't run for

2000
01:58:35,160 --> 01:58:37,080
Speaker 1: more than about a half hour. Yeah, well you're going

2001
01:58:37,120 --> 01:58:38,920
Speaker 1: to be so tired and full and I'm not gonna

2002
01:58:39,000 --> 01:58:41,240
Speaker 1: let your ship either. I want you to be chock

2003
01:58:41,360 --> 01:58:46,800
Speaker 1: full of palm when I fuck you. We always end

2004
01:58:46,880 --> 01:58:59,040
Speaker 1: every episode with the song happy Harmonize. We had to

2005
01:58:59,080 --> 01:59:03,760
Speaker 1: harmonize Wait, yeah, I just assume that would take the

2006
01:59:04,040 --> 01:59:29,520
Speaker 1: ha be to Hi me but you Hi. Here we go,

2007
01:59:29,640 --> 01:59:31,480
Speaker 1: horse not in and the whole you can ever sing

2008
01:59:36,080 --> 02:00:08,480
Speaker 1: de jen a books Hi you all right? Bye bye guys.

2009
02:00:12,800 --> 02:00:12,840
Speaker 1: M