WEBVTT - Techstuff Classic: The Max Headroom Incident

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<v Speaker 1>Get in touch with technology with tech Stuff from half

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<v Speaker 1>stuff works dot com. Hey there, everyone, this is Jonathan

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<v Speaker 1>Strickland and you're listening to a tech Stuff classic episode

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<v Speaker 1>now on Friday's and today's classic episode is all about

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<v Speaker 1>a famous incident that happened in the nineteen eighties, the

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<v Speaker 1>Max Headroom Incident, a moment where a pirate with a

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<v Speaker 1>song in his heart and a rubber mask on his

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<v Speaker 1>face interrupted some television broadcast signals and made history. And

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<v Speaker 1>speaking of history, Chuck Bryant, historic podcast giant in his

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<v Speaker 1>own right and co host of Stuff You Should Know

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<v Speaker 1>as well as the host of movie Crush, joined me

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<v Speaker 1>for this episode to talk all about this interesting moment

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<v Speaker 1>in tech history and the the move of signal pirates.

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<v Speaker 1>How was that even possible? So I hope you enjoyed

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<v Speaker 1>this classic episode of tech Stuff. Chuck. If you were

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<v Speaker 1>in Chicago on November two and you were watching h

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<v Speaker 1>w g N at nine pm because you you want

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<v Speaker 1>to check out the news and it's coming up on

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<v Speaker 1>the sports, which I know you're a fan of the sports,

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<v Speaker 1>what happened, Well, that could have happened because I would

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<v Speaker 1>have been sixteen at the time. Yeah, you and I

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<v Speaker 1>are in this age wheelhouse. Yeah, we we actually were alive,

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<v Speaker 1>yeah at this time, and we were, we would have

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<v Speaker 1>been aware of at least the entity that appeared instead

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<v Speaker 1>of the sports scores um. But yeah, something weird happened

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<v Speaker 1>at that moment. There was an interruption in normal service. Yeah,

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<v Speaker 1>what they call it broadcast intrusion, and uh, like all

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<v Speaker 1>classic broadcast intrusions, it started with a little grainy, you know,

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<v Speaker 1>static going on, and they're always a little unsettling when

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<v Speaker 1>you watch them, even if they're goofy. Yeah, this is

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<v Speaker 1>something kind of creepy about it. You know, what's out

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<v Speaker 1>of place, and there's something that, especially when it's something

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<v Speaker 1>as ritualistic as the news, you know that follows a

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<v Speaker 1>very specific pattern, and when something goes outside that pattern,

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<v Speaker 1>you know, that upsets our little world balance for a moment.

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<v Speaker 1>So in this case, the there was, like you said,

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<v Speaker 1>there was this this disturbance in the horse and a

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<v Speaker 1>new picture popped up and replaced the sportscaster, and it

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<v Speaker 1>was a guy in a disturbing rubber mask and that

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<v Speaker 1>mask was of a specific eighties icon, which I think

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<v Speaker 1>a lot of people don't even know who this is anymore.

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<v Speaker 1>But Max headroom. Yeah, if if you're a child of

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<v Speaker 1>the eighties, Max Max Bedroom loomed large for a while.

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<v Speaker 1>And I know when this intrusion came out, this broadcast intrusion,

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<v Speaker 1>it seemed like about half the people even knew who

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<v Speaker 1>he was trying to imitate, and then the other half

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<v Speaker 1>just had no idea. They thought it was just some

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<v Speaker 1>weirdo with the mask. Yeah. Well, and part of that

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<v Speaker 1>was because, uh, the quality of the video was not

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<v Speaker 1>exactly super high quality. But on top of that, yeah,

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<v Speaker 1>it's kind of a niche thing, and he was Max

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<v Speaker 1>Hedroom was used as sort of a spokes thing, I guess,

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<v Speaker 1>a spokesman for a new coke. Sure that that great

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<v Speaker 1>move by the Coca Cola company. Yeah, oh man, I

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<v Speaker 1>remember that well, I remember it with Paine. Yeah, so

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<v Speaker 1>living living in Atlanta, the whole Coca Cola New Coke

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<v Speaker 1>thing was it definitely strikes close to home. So yeah,

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<v Speaker 1>he um, he was a spokesman for that as well

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<v Speaker 1>as a kind of a fantasy character who appeared on

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<v Speaker 1>lots of other stuff. But generally speaking, if you don't

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<v Speaker 1>know who Max Hedroom is first, just go ahead and

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<v Speaker 1>do an image search, because it'll pop right up. Yeah,

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<v Speaker 1>but it's a character that was supposed to look like

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<v Speaker 1>a digital character, right, It was supposed to like a

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<v Speaker 1>computer generated image, and it was kind of a guy

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<v Speaker 1>with a long face and weird, kind of ridged hair.

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<v Speaker 1>He had always had a dynamic c g I background

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<v Speaker 1>behind him that look like kind of just like Neon

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<v Speaker 1>stripes that were constantly twisting and turning in different ways.

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<v Speaker 1>And he would stutter, you have a digital stutter occasionally,

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<v Speaker 1>and Uh would be very kind of snarky and sarcastic,

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<v Speaker 1>and ultimately got a television series as well, as you know,

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<v Speaker 1>two couple different television series, one of them which was

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<v Speaker 1>like a talk show and one of which was more

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<v Speaker 1>of a like an actual fictional story, like an with

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<v Speaker 1>an arc. Yeah, that one was pretty good. Actually, the

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<v Speaker 1>original British show, even though it was a lot of

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<v Speaker 1>American actors, was was pretty cool and definitely ahead of

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<v Speaker 1>its time as far as you know. The whole idea

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<v Speaker 1>was that this uh roving reporter was I think Matt

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<v Speaker 1>Frewer played him as a real dude and as Max Headroom,

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<v Speaker 1>but he was digitally replaced with this character Max Headroom,

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<v Speaker 1>and at the time it just seemed really odd, But

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<v Speaker 1>now when you look back at it and watch it,

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<v Speaker 1>it's like, man, the show was kind of ahead of this. Yeah,

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<v Speaker 1>it was really prescient. Yeah it was. It also revealed

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<v Speaker 1>where the name came from. Where Matt Frewer's character, as

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<v Speaker 1>I recall, is waylaid and the last thing he sees

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<v Speaker 1>before he loses consciousness is a sign on a on

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<v Speaker 1>a a wall that's tells what the Max Headroom for.

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<v Speaker 1>That wall is pretty clad became the character's name. Uh yeah.

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<v Speaker 1>So the person who appeared on this video was wearing

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<v Speaker 1>a Max Headroom mask and had this corrugated metal background

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<v Speaker 1>sort of emulated the digital look, wore the suit that

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<v Speaker 1>Max Headroom more like just a dark suit and tie,

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<v Speaker 1>and um yeah, this thing was the metal background. It

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<v Speaker 1>looked like like a garage door. It was just sort

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<v Speaker 1>of spinning in the background. Yeah, it was. It was

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<v Speaker 1>on some sort of gimbal or something. That's what I figured. Yeah,

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<v Speaker 1>because you can tell it's swinging back and forth, so

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<v Speaker 1>predictably it can't be held by somebody. You had to

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<v Speaker 1>be on some sort of pivot or something, and but

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<v Speaker 1>it's moving backward and forward, so it kind of mimics

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<v Speaker 1>that that digital line twisting in the background, and except

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<v Speaker 1>for one part, there's a part where there's a clear

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<v Speaker 1>cut in the video. The video itself was about or

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<v Speaker 1>at least what we've seen is about a minute and

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<v Speaker 1>twenty two seconds. Yeah, well, actually, I don't think we differentiated.

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<v Speaker 1>There were two videos, two intrusions. The first one was

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<v Speaker 1>short and had no audio and was on w g N,

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<v Speaker 1>and then about two hours later they hijacked the PBS

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<v Speaker 1>affiliate and that's where the classic minute and a half,

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<v Speaker 1>nearly minute and a half with audio, really strange audio

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<v Speaker 1>comes through. That's right, because that first one, like you said,

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<v Speaker 1>I'm glad you pointed that out, it was silent. It

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<v Speaker 1>was the images from the and the image and the

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<v Speaker 1>audio from w g N was cut, but there was

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<v Speaker 1>no audio coming out of the I think there's like

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<v Speaker 1>a buzzing noise that came in through the first intrusion,

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<v Speaker 1>and you saw this this figure just sitting there and

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<v Speaker 1>kind of rocking back and forth like left and right,

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<v Speaker 1>which is concerning. Yeah, it was definitely like you felt

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<v Speaker 1>like something is really wrong at that moment. And when

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<v Speaker 1>it came back, the sportscaster said, you might be wondering

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<v Speaker 1>what just happened. I know, I am uh something along

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<v Speaker 1>those lines. But yes, the second one you had the

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<v Speaker 1>audio and it played for the what we what appeared

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<v Speaker 1>to be the length of the video. The first section

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<v Speaker 1>had uh, the guy just saying odd things and they

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<v Speaker 1>were all very Chicago specific. Well, and and sort of

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<v Speaker 1>slamming w g N because he slammed the Chuck swart

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<v Speaker 1>Sky Yeah as a freaking liberal. Yeah that one think

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<v Speaker 1>he is a sportscaster for w g N. Yeah. And

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<v Speaker 1>uh he also talked about the Greatest World Newspaper Nerds

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<v Speaker 1>something like that. But w g N stands for World

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<v Speaker 1>Old's Greatest Newspaper. That. Yeah, So it turned out that

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<v Speaker 1>that little know, the great the great World Newspaper Nerds

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<v Speaker 1>or whatever however worded it, that was a reference back

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<v Speaker 1>to w g N. So it's very clearly intended for

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<v Speaker 1>w g N. And the first attack wasn't as effective

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<v Speaker 1>as as they had hoped because, uh, like I said,

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<v Speaker 1>there was no audio. And also the folks at w

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<v Speaker 1>g N, once they figured out something was going on,

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<v Speaker 1>very quickly changed the frequency transmitters. So they said, we'll

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<v Speaker 1>just hit PBS, I guess, yeah, yeah, which is interesting.

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<v Speaker 1>We'll talk more about how that kind of helps us

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<v Speaker 1>know a little more about the attackers. Because here's the

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<v Speaker 1>other thing. To this day, there there's no the public

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<v Speaker 1>has no idea who did this. Yeah. I think that's

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<v Speaker 1>why this story has lingered, and it's so cool is

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<v Speaker 1>because anytime you have an unsolved mystery, even if it's uh,

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<v Speaker 1>just sort of an odd broadcast intrusion like this, people

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<v Speaker 1>are going to be obsessed with it. Um. We've a

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<v Speaker 1>lot of the information from that I did research on

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<v Speaker 1>came from a motherboard kind of the mother of all articles,

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<v Speaker 1>some great research yea Chris middle who wrote this. Yeah,

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<v Speaker 1>the article, if you want to look for it, is

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<v Speaker 1>the Mystery of the Creepiest Television Hack. And I agree

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<v Speaker 1>this article is fantastic. It really lays out not just

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<v Speaker 1>the incident, but also other things that had happened beforehand

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<v Speaker 1>that kind of laid the groundwork for this, as well

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<v Speaker 1>as just a discussion, although a brief one, about the

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<v Speaker 1>hacker culture that existed at that time and how that

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<v Speaker 1>kind of lends itself to people who maybe are cleverer

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<v Speaker 1>than is good for them or could be very way

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<v Speaker 1>to say. Yeah, because as it turns out, the f

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<v Speaker 1>c C here in the United States does not take

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<v Speaker 1>kindly to folks intruding upon established airways. No, it's it's

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<v Speaker 1>a big no no, especially with bare butt, which I

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<v Speaker 1>think you said. Once the camera cuts, we didn't continue there.

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<v Speaker 1>That's when it got really weird because there's a camera

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<v Speaker 1>cut and then you see the mask is off, but

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<v Speaker 1>the guy has his head out of frame and is

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<v Speaker 1>just sort of holding the mask. He has pants down,

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<v Speaker 1>showing his his bear Fannie, and then yeah from profile

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<v Speaker 1>and then a lady on the right, uh, and it

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<v Speaker 1>looks like some sort of Old West like Antiochley type.

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<v Speaker 1>Garb spanked him with a fly swatter on his butt,

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<v Speaker 1>although spanks is really being generous. She's very slowly and

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<v Speaker 1>lightly tapping him on the bottom with the flyswater, so

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<v Speaker 1>to the point where you're you're thinking, like, I guess

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<v Speaker 1>that's supposed to represent spanking. Uh, doesn't look like any

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<v Speaker 1>spanking I ever received as a kid. And I got

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<v Speaker 1>you anyway, That's pretty much where the video cut off,

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<v Speaker 1>and then it went right back into Doctor Who and

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<v Speaker 1>which is really funny to see the transition. Yeah, yeah,

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<v Speaker 1>he died of an electric shock. Yeah, you've got to

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<v Speaker 1>watch the whole incident on YouTube if you haven't already,

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<v Speaker 1>and in case you're cure areous, that episode is we're

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<v Speaker 1>talking classic Doctor Who obviously back in seven. This is

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<v Speaker 1>not the reboot. Uh, it was the Horror of fang Rock.

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<v Speaker 1>So if that's your favorite episode, I'm sorry that was

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<v Speaker 1>interrupted back. So yeah, and like we said, the the

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<v Speaker 1>audio really showed that that the public television station wasn't

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<v Speaker 1>the intended target. It was the It was a target

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<v Speaker 1>of opportunity after the first attempt failed. And uh, and

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<v Speaker 1>we'll talk more about the technology behind that and why

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<v Speaker 1>they had to switch from one to the other. Um,

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<v Speaker 1>it turns out it was largely a practical issue, at

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<v Speaker 1>least as far as I can determine. And it was.

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<v Speaker 1>There were also references within the little Weird diet tribe

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<v Speaker 1>the guy made to Coca Cola because he said catch

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<v Speaker 1>the waves and he had a new coat can that

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<v Speaker 1>he threw down the ground. Yeah, and also a reference

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<v Speaker 1>to the cult cartoon Clutch Cargo. Yeah, he hummed the

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<v Speaker 1>theme Clutch Cargo. If you've ever seen the movie Pulp Fiction, Um,

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<v Speaker 1>the scene with young Bruce Willis back in the nineteen seventies,

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<v Speaker 1>I guess with Christopher Walkin as his guardian. He's watching

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<v Speaker 1>Clutch Cargo on TV. There that with the mouth's cut out.

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<v Speaker 1>O'Brien has also used that same comedic effect using the

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<v Speaker 1>live action in order. Because what what the whole point

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<v Speaker 1>was was it was an idea of of reducing the

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<v Speaker 1>cost of animation big time. Because there was no animation.

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<v Speaker 1>You had to picture, yeah, still picture, and then you

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<v Speaker 1>would superimpose live actors mouths on top of it. And

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<v Speaker 1>if that sounds creepy and disturbing to you, you you're

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<v Speaker 1>on the right track. It was not the only cartoon

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<v Speaker 1>to do this. There were a few others. Um, thank

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<v Speaker 1>you Cambria Productions for who and uh yeah, so he

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<v Speaker 1>hummed like the whole Clutch Cargo theme and made references

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<v Speaker 1>to actual episodes of Clutch Cargo. Uh so it was

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<v Speaker 1>certainly someone with an odd sense of humor who did this. Now,

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<v Speaker 1>there was no other message, right, there was no. It

0:13:06.280 --> 0:13:09.720
<v Speaker 1>wasn't like a political thing, this very stream of consciousness

0:13:09.760 --> 0:13:13.000
<v Speaker 1>kind of weird. He holds up, I guess what we

0:13:13.040 --> 0:13:16.439
<v Speaker 1>can cleanly describe as a marital aid. Yes, at one

0:13:16.480 --> 0:13:19.240
<v Speaker 1>point and throws that on the ground and um, it's

0:13:19.320 --> 0:13:22.840
<v Speaker 1>just once the fly swatting comes in, it's just obvious

0:13:22.920 --> 0:13:25.720
<v Speaker 1>that they're kind of free forming. Although it was not live,

0:13:25.760 --> 0:13:27.959
<v Speaker 1>which is important to know. This is at a video

0:13:28.000 --> 0:13:30.040
<v Speaker 1>tape that they made. Yeah, yeah, and it was because

0:13:30.040 --> 0:13:33.680
<v Speaker 1>I mean, in order to do a live intrusion would

0:13:33.720 --> 0:13:36.840
<v Speaker 1>require essentially a studio and you'd have to have some

0:13:36.880 --> 0:13:40.000
<v Speaker 1>sort of linked to a transmitter that also had line

0:13:40.000 --> 0:13:43.120
<v Speaker 1>of sight to the same antenna as whatever target you

0:13:43.160 --> 0:13:46.360
<v Speaker 1>were you're aiming at, So that would have been an

0:13:46.360 --> 0:13:51.120
<v Speaker 1>astoundingly complicated. This is definitely a little easier to pull off.

0:13:51.160 --> 0:13:55.600
<v Speaker 1>So you know, now that we know that this, they've

0:13:55.720 --> 0:13:58.800
<v Speaker 1>they've never been found. They're likely never to be found.

0:13:59.400 --> 0:14:02.200
<v Speaker 1>I mean, it's always possible that someone could come forward

0:14:02.600 --> 0:14:04.840
<v Speaker 1>and say, all right, well here's how it actually happened.

0:14:04.880 --> 0:14:07.120
<v Speaker 1>I'm the guy who did this. Would I'm surprised that

0:14:07.160 --> 0:14:10.040
<v Speaker 1>hasn't happened by now because the statute of limitations is

0:14:10.120 --> 0:14:12.199
<v Speaker 1>up from yeah, it's way up, so you can't get

0:14:12.240 --> 0:14:16.200
<v Speaker 1>in trouble and it's um I think they would, unless

0:14:16.200 --> 0:14:17.840
<v Speaker 1>they just think it's better left as a mystery. They

0:14:17.840 --> 0:14:21.000
<v Speaker 1>would live in like especially nowadays with the Internet like

0:14:21.040 --> 0:14:23.200
<v Speaker 1>it is, it would blow up, you know, it would

0:14:23.200 --> 0:14:27.200
<v Speaker 1>be right. It could possibly be the fact that I mean,

0:14:27.760 --> 0:14:29.720
<v Speaker 1>you know, of course we're just projecting here, but it

0:14:29.760 --> 0:14:33.280
<v Speaker 1>could possibly be that they are no longer terribly proud

0:14:33.320 --> 0:14:35.520
<v Speaker 1>of what they did, and or that they've moved on

0:14:35.600 --> 0:14:38.640
<v Speaker 1>in their lives. Yeah, there's there's a significant amount of

0:14:38.680 --> 0:14:40.560
<v Speaker 1>time since then, and they might have thought, you know,

0:14:40.720 --> 0:14:42.560
<v Speaker 1>I'm not going to brag about something I did when

0:14:42.600 --> 0:14:45.640
<v Speaker 1>I was younger and dumber, especially now that I'm the

0:14:45.640 --> 0:14:50.120
<v Speaker 1>CEO of ABC. Right, that might end up, By the way,

0:14:50.160 --> 0:14:52.480
<v Speaker 1>we do not actually mean that the CEO of ABC

0:14:52.600 --> 0:14:55.440
<v Speaker 1>or Didny Disney affiliates are involved, of course, of course.

0:14:56.280 --> 0:14:59.520
<v Speaker 1>But the other interesting thing is that this was not

0:14:59.560 --> 0:15:05.080
<v Speaker 1>the first time that um A A an intrusion had

0:15:05.120 --> 0:15:09.440
<v Speaker 1>happened in in broadcast history. The first one, if you

0:15:09.440 --> 0:15:12.520
<v Speaker 1>want to go back, actually didn't happen in the United States.

0:15:12.520 --> 0:15:16.800
<v Speaker 1>It happened back in UH the UK in nineteen seventies seven,

0:15:17.520 --> 0:15:22.280
<v Speaker 1>and that was when a hoaxer interrupted a Southern television

0:15:22.320 --> 0:15:26.680
<v Speaker 1>broadcast by UH inserting audio. It didn't change the video.

0:15:26.840 --> 0:15:28.720
<v Speaker 1>So this was kind of the opposite of what had

0:15:28.720 --> 0:15:32.520
<v Speaker 1>happened the first time with the Max Hedroum incident. But

0:15:32.760 --> 0:15:36.280
<v Speaker 1>it was an audio stream that came in and carried

0:15:36.320 --> 0:15:40.160
<v Speaker 1>a message from the alien villain. Uh, and this is

0:15:40.160 --> 0:15:43.400
<v Speaker 1>in the like I said, in the UK, So obviously

0:15:43.880 --> 0:15:47.480
<v Speaker 1>the alien had an English accent. I guess that's only

0:15:47.680 --> 0:15:50.920
<v Speaker 1>you know, fair like, if you're going to interrupt someone's program,

0:15:51.000 --> 0:15:53.080
<v Speaker 1>you want to make sure you're speaking in the dialect,

0:15:53.600 --> 0:15:57.640
<v Speaker 1>you know, right, Yeah, suddenly they spoke like like with

0:15:57.720 --> 0:16:00.480
<v Speaker 1>a French accent. I mean that would just be adding

0:16:00.520 --> 0:16:04.920
<v Speaker 1>insult in But anyway, so it was a message that

0:16:05.000 --> 0:16:07.680
<v Speaker 1>essentially said that humans should prepare themselves for the worst

0:16:07.680 --> 0:16:10.600
<v Speaker 1>because you know, destruction is a common Yeah, that's great.

0:16:10.800 --> 0:16:13.640
<v Speaker 1>That's what a broadcast intrusion should be, some creepy warning,

0:16:13.760 --> 0:16:16.640
<v Speaker 1>not just a random series of images that disturb you

0:16:16.720 --> 0:16:18.560
<v Speaker 1>for things that you can't quite put your finger on,

0:16:18.920 --> 0:16:23.360
<v Speaker 1>although that is more disturbing. Almost. Yeah. Then six we

0:16:23.400 --> 0:16:25.960
<v Speaker 1>get the first one in the United States. Uh. And

0:16:26.080 --> 0:16:29.080
<v Speaker 1>this was an inside job deal. This was happened on

0:16:29.120 --> 0:16:33.200
<v Speaker 1>April at twelve thirty two am and it involved the

0:16:33.240 --> 0:16:37.800
<v Speaker 1>East Coast feed of HBO. And Uh, what happened was

0:16:38.320 --> 0:16:40.640
<v Speaker 1>the HBO was showing a movie called The Falcon and

0:16:40.680 --> 0:16:45.560
<v Speaker 1>the Snowman Classic. You know it certainly could not be

0:16:45.680 --> 0:16:50.240
<v Speaker 1>helped by approximately four minutes of footage missing because they've

0:16:50.280 --> 0:16:52.960
<v Speaker 1>been replaced by a series of colored bars that say

0:16:52.960 --> 0:16:57.920
<v Speaker 1>good evening, HBO from Captain Midnight twelve a month, no

0:16:58.080 --> 0:17:01.720
<v Speaker 1>Way Showtime movie Channel Beware. Yeah, that had a clear

0:17:01.800 --> 0:17:06.200
<v Speaker 1>motive and and and actually ironically the um the guy

0:17:06.320 --> 0:17:09.240
<v Speaker 1>was caught. His name was John R. McDougall, and he

0:17:09.280 --> 0:17:13.000
<v Speaker 1>was an employee of Central Florida Teleport And he used

0:17:13.520 --> 0:17:15.800
<v Speaker 1>what do he use? He the was it the text

0:17:15.840 --> 0:17:19.560
<v Speaker 1>that he used? He? Yeah, so the text generators that

0:17:19.920 --> 0:17:22.320
<v Speaker 1>the companies used in order to put an overlay on

0:17:22.359 --> 0:17:24.960
<v Speaker 1>top of a screen. So like like the actual words

0:17:25.000 --> 0:17:28.280
<v Speaker 1>that were being used there, Well, they're very particular. And

0:17:28.760 --> 0:17:31.879
<v Speaker 1>by measuring things like the height of the the font,

0:17:32.040 --> 0:17:35.680
<v Speaker 1>the how far uh the middle bar of an e

0:17:36.160 --> 0:17:39.560
<v Speaker 1>is according to the other sides, how close together those

0:17:39.560 --> 0:17:43.080
<v Speaker 1>words are, investigators were able to narrow it down to

0:17:43.119 --> 0:17:48.600
<v Speaker 1>a specific machine. Yeah, it's pretty fingerprint up there. Yeah. Yeah,

0:17:48.600 --> 0:17:51.000
<v Speaker 1>this is like incredible forensics, right. It's sort of like

0:17:51.240 --> 0:17:53.760
<v Speaker 1>if someone gets hold of a typewritten sheet of paper

0:17:53.760 --> 0:17:57.000
<v Speaker 1>and is able to determine the model of typewriter that

0:17:57.040 --> 0:17:59.600
<v Speaker 1>was used to actually make this but in this case

0:17:59.600 --> 0:18:03.080
<v Speaker 1>it got even more specific, because these machines aren't everywhere,

0:18:03.359 --> 0:18:07.720
<v Speaker 1>and that's what led them to track down McDougall, who, uh,

0:18:07.880 --> 0:18:12.240
<v Speaker 1>who had just decided that the recent hike in prices

0:18:12.400 --> 0:18:16.439
<v Speaker 1>for a monthly subscription to HBO were unconscionable and he

0:18:16.480 --> 0:18:18.639
<v Speaker 1>had to make it known. So, yeah, he had a

0:18:18.680 --> 0:18:22.400
<v Speaker 1>side job selling satellite dish service. Yeah, so he thought

0:18:22.480 --> 0:18:26.840
<v Speaker 1>that would nick his business some. And so he eventually

0:18:26.840 --> 0:18:29.720
<v Speaker 1>was caught and pled guilty, paid a five thousand dollar fine,

0:18:30.200 --> 0:18:33.080
<v Speaker 1>and served just one year probation. And it was that

0:18:33.280 --> 0:18:36.919
<v Speaker 1>incident that led I believe Congress to make it a

0:18:36.960 --> 0:18:41.760
<v Speaker 1>federal violation to a broad Yeah, it was a felony

0:18:41.800 --> 0:18:44.160
<v Speaker 1>all of a sudden. Yeah, because they suddenly said, wait,

0:18:44.200 --> 0:18:47.040
<v Speaker 1>now that people can actually do this, now great, this

0:18:47.119 --> 0:18:49.120
<v Speaker 1>was someone, like we said, an inside job. They had

0:18:49.200 --> 0:18:52.600
<v Speaker 1>access to a satellite. What what he actually did was

0:18:52.640 --> 0:18:57.600
<v Speaker 1>he pointed the satellite of Central Florida Teleport at the

0:18:57.800 --> 0:19:02.560
<v Speaker 1>HBO satellite. So easy, chuck, you and I we wouldn't

0:19:02.560 --> 0:19:06.000
<v Speaker 1>even know where the heck that satellite is. So even

0:19:06.000 --> 0:19:09.240
<v Speaker 1>if we had the equipment and everything else, we'd just

0:19:09.280 --> 0:19:11.400
<v Speaker 1>beat it. Well, the sky is a lot bigger than

0:19:11.440 --> 0:19:14.679
<v Speaker 1>I had taken into account. And uh, you know, of

0:19:14.720 --> 0:19:16.600
<v Speaker 1>course we'd have to be someplace where we could actually

0:19:16.600 --> 0:19:18.399
<v Speaker 1>get a good clear view of the sky because if

0:19:18.400 --> 0:19:21.840
<v Speaker 1>they're building in the way or something. But uh, yeah,

0:19:21.880 --> 0:19:24.520
<v Speaker 1>so he he was a good example of that. And

0:19:24.560 --> 0:19:29.800
<v Speaker 1>then September, so this is just before the the incident

0:19:29.880 --> 0:19:34.880
<v Speaker 1>with the Max Hedgerm incident, Thomas Hainey hijacked a signal

0:19:35.080 --> 0:19:37.480
<v Speaker 1>at on the Playboy channel. I think I remember hearing

0:19:37.520 --> 0:19:39.960
<v Speaker 1>about this one. Yeah, it was one where it was

0:19:40.240 --> 0:19:43.639
<v Speaker 1>sending in religious messages essentially saying repent and and you

0:19:43.680 --> 0:19:47.200
<v Speaker 1>know you are, uh, discard your wicked ways, that kind

0:19:47.200 --> 0:19:50.240
<v Speaker 1>of thing, right, And it's no surprise because he actually

0:19:50.280 --> 0:19:52.960
<v Speaker 1>worked for the Christian Broadcast Network. Yeah, so again he

0:19:53.040 --> 0:19:55.680
<v Speaker 1>had a job. Yeah, he had access to the equipment

0:19:55.720 --> 0:19:58.919
<v Speaker 1>necessary and the knowledge necessary to be able to do this.

0:19:59.040 --> 0:20:01.840
<v Speaker 1>It's not something that the uh, the average person would

0:20:01.840 --> 0:20:05.040
<v Speaker 1>be able to do. And again it was the character generator,

0:20:05.119 --> 0:20:08.639
<v Speaker 1>the the font generator that kind of led the way.

0:20:08.680 --> 0:20:11.399
<v Speaker 1>It was the main piece of evidence that was leveled

0:20:11.440 --> 0:20:14.239
<v Speaker 1>against him. Um. I remember that Pat Robertson was very

0:20:14.320 --> 0:20:17.640
<v Speaker 1>upset when the verdict was handled handed down. He said

0:20:17.640 --> 0:20:20.879
<v Speaker 1>that there wasn't enough evidence to um to say that

0:20:20.960 --> 0:20:23.800
<v Speaker 1>Haney was in fact the person who who did this. Well,

0:20:23.880 --> 0:20:27.040
<v Speaker 1>he was convicted, but um, I think just got probation.

0:20:27.320 --> 0:20:30.080
<v Speaker 1>And the first guy, McDougall, is interesting. What he got

0:20:30.119 --> 0:20:33.960
<v Speaker 1>convicted for was operating without a license even though he

0:20:34.000 --> 0:20:35.840
<v Speaker 1>had a license. So that was a bit of a

0:20:35.880 --> 0:20:38.479
<v Speaker 1>hinky ruling. I think they just had to convict him

0:20:38.480 --> 0:20:39.760
<v Speaker 1>of something because I don't know if the law was

0:20:39.800 --> 0:20:41.960
<v Speaker 1>in place at that point. Yeah. Yeah, I mean it's

0:20:42.000 --> 0:20:44.800
<v Speaker 1>it's kind of like that deal where you realize this

0:20:44.840 --> 0:20:47.280
<v Speaker 1>is someone that we need to punish, but we don't

0:20:47.280 --> 0:20:50.520
<v Speaker 1>have a law that covers the crime, and we haven't

0:20:50.560 --> 0:20:52.439
<v Speaker 1>defined it as a crime, but we know that this

0:20:52.520 --> 0:20:55.280
<v Speaker 1>is something people really shouldn't be able to do, so

0:20:55.320 --> 0:20:58.639
<v Speaker 1>we have to somehow justify it. Um. Yeah. And as

0:20:58.680 --> 0:21:03.120
<v Speaker 1>it turns out, the it every nation, uh, in some

0:21:03.160 --> 0:21:07.720
<v Speaker 1>way or another, ends up regulating the electromagnetic spectrum, but

0:21:07.800 --> 0:21:10.360
<v Speaker 1>it changes from one place to the other. Sure there's

0:21:10.359 --> 0:21:14.200
<v Speaker 1>only so much room, right, yeah, exactly. So electromatic spectrum

0:21:14.280 --> 0:21:17.040
<v Speaker 1>goes all the way from radio waves, which can a

0:21:17.160 --> 0:21:20.560
<v Speaker 1>radio wave can be kilometers long, right, and then you

0:21:20.600 --> 0:21:22.119
<v Speaker 1>go all the way to the other side to like

0:21:22.240 --> 0:21:26.280
<v Speaker 1>gamma rays we're talking about on the nanoscale and everything

0:21:26.280 --> 0:21:29.720
<v Speaker 1>in between. That's the electromagnetic spectrum. Visible light is part

0:21:29.720 --> 0:21:32.840
<v Speaker 1>of that. You know, visible light is on the short side,

0:21:33.040 --> 0:21:35.720
<v Speaker 1>but radio waves and microwaves are on the longer side.

0:21:36.320 --> 0:21:39.800
<v Speaker 1>And uh not all those radio waves. You know, we

0:21:39.840 --> 0:21:42.159
<v Speaker 1>can't just all use the same ones, because then we

0:21:42.200 --> 0:21:46.720
<v Speaker 1>would have interference. Right if if the television and your

0:21:46.800 --> 0:21:50.120
<v Speaker 1>phone used the same frequencies, then you would have interference

0:21:50.119 --> 0:21:52.240
<v Speaker 1>between the two, and that would be terrible. Nothing would

0:21:52.280 --> 0:21:55.600
<v Speaker 1>be usable, a crunch if there's too much activity on

0:21:55.600 --> 0:21:58.679
<v Speaker 1>one frequency. Yeah, that's that's if you've got everyone just

0:21:58.800 --> 0:22:01.440
<v Speaker 1>using you know what they're supposed to. Let's say everyone

0:22:01.560 --> 0:22:05.919
<v Speaker 1>in the cellular network has they're all on their phones

0:22:06.000 --> 0:22:08.280
<v Speaker 1>that we've seen this happen in the life events they're

0:22:08.480 --> 0:22:12.879
<v Speaker 1>post nine eleven New York couldn't. Yeah, or even just

0:22:12.960 --> 0:22:15.399
<v Speaker 1>going to a big event like any like c e

0:22:15.720 --> 0:22:18.000
<v Speaker 1>S or any large event like that, you suddenly can't

0:22:18.000 --> 0:22:21.160
<v Speaker 1>get access to anything. That's where you've got more demand

0:22:21.520 --> 0:22:24.440
<v Speaker 1>for data transmission than there is capacity. Yeah, I've tried

0:22:24.480 --> 0:22:27.800
<v Speaker 1>to get a signal at Comic Con before and ye, no, no,

0:22:27.920 --> 0:22:29.640
<v Speaker 1>the same thing is true a dragon con and that's

0:22:29.680 --> 0:22:33.760
<v Speaker 1>a like a third the size of Comic Con. But yeah,

0:22:33.840 --> 0:22:37.600
<v Speaker 1>it's It's also true that there are wavelengths within the

0:22:37.600 --> 0:22:41.399
<v Speaker 1>electromagnetic spectrum that are really good for carrying data and

0:22:41.480 --> 0:22:46.000
<v Speaker 1>some that aren't. So the government has divided up the

0:22:46.440 --> 0:22:49.440
<v Speaker 1>electromannetic spectrum and saying these are the sections that can

0:22:49.480 --> 0:22:52.600
<v Speaker 1>be used for specific purposes. So a large part of

0:22:52.640 --> 0:22:55.800
<v Speaker 1>it is set aside for government and military use, a

0:22:55.880 --> 0:22:59.560
<v Speaker 1>large part of his side for radio so AM and

0:22:59.640 --> 0:23:03.399
<v Speaker 1>FM UH. And then you also have television broadcasts that

0:23:03.480 --> 0:23:08.320
<v Speaker 1>are that are partial partitioned off as well cellular data WiFi.

0:23:08.440 --> 0:23:11.040
<v Speaker 1>All of these things have their specific place that is

0:23:11.240 --> 0:23:14.560
<v Speaker 1>mandated by the government. Yeah. Well, guys, Chuck and I

0:23:14.640 --> 0:23:16.800
<v Speaker 1>have a lot more to talk about with the Max

0:23:16.880 --> 0:23:20.320
<v Speaker 1>Headroom incident, but before we continue, let's take a quick

0:23:20.359 --> 0:23:30.679
<v Speaker 1>break to thank our sponsor. So if you go in

0:23:30.760 --> 0:23:34.760
<v Speaker 1>and start messing around with that, the government gets pretty upset. Yeah,

0:23:34.800 --> 0:23:37.440
<v Speaker 1>because I think, you know, it's sort of in Nipot

0:23:37.480 --> 0:23:40.399
<v Speaker 1>in the bud situation, like one broadcast intrusion really no

0:23:40.480 --> 0:23:44.240
<v Speaker 1>big deal, And that apparently is why the lead investigator

0:23:44.920 --> 0:23:48.399
<v Speaker 1>said that, um I think his name was Marcus. He

0:23:48.440 --> 0:23:51.119
<v Speaker 1>had a hard time getting resources because there was a

0:23:51.160 --> 0:23:53.399
<v Speaker 1>little egg on the face and they probably just wanted

0:23:53.400 --> 0:23:56.400
<v Speaker 1>it to go away more than anything. And no one's

0:23:56.440 --> 0:23:58.600
<v Speaker 1>really hurt. There was no damage done, so they're not

0:23:58.640 --> 0:24:00.760
<v Speaker 1>gonna throw a lot of money in time. I'm trying

0:24:00.800 --> 0:24:03.920
<v Speaker 1>to find this person. And and he also had some

0:24:04.240 --> 0:24:09.200
<v Speaker 1>fairly harsh words for an fcc UH investigator. He was

0:24:09.240 --> 0:24:12.760
<v Speaker 1>actually in Chicago. He didn't name the person's still salt

0:24:12.840 --> 0:24:14.639
<v Speaker 1>about it though, Yeah, I said that said that this

0:24:14.680 --> 0:24:16.960
<v Speaker 1>guy wasn't willing to go and knock on doors to

0:24:17.200 --> 0:24:20.320
<v Speaker 1>actually do some investigation. And part of that is probably

0:24:20.359 --> 0:24:24.479
<v Speaker 1>because there was this embarrassment factor. They're also but without

0:24:24.520 --> 0:24:27.760
<v Speaker 1>the teeth, you know, with the authority, it makes it

0:24:27.800 --> 0:24:30.879
<v Speaker 1>hard for someone to go out and say there's a

0:24:30.920 --> 0:24:34.960
<v Speaker 1>justification for spending the time, resources and money necessarily investigating

0:24:35.040 --> 0:24:37.240
<v Speaker 1>for a small fine and probation even if they do

0:24:37.359 --> 0:24:41.480
<v Speaker 1>catch the person. Now the maximum fine, although I doubt

0:24:41.520 --> 0:24:44.280
<v Speaker 1>that we would see a maximum fine for something as

0:24:44.280 --> 0:24:47.000
<v Speaker 1>small as a min and a half interruption in Doctor who,

0:24:47.359 --> 0:24:51.040
<v Speaker 1>Doctor who fans, please don't take me to task for that.

0:24:51.440 --> 0:24:53.960
<v Speaker 1>But the maximum fine is a hundred thousand dollars or

0:24:53.960 --> 0:24:56.000
<v Speaker 1>a year in jail or both, yeah, which they were

0:24:56.119 --> 0:24:59.240
<v Speaker 1>very big on announcing at the time, as well as

0:24:59.760 --> 0:25:02.639
<v Speaker 1>a think they had a lot of misinformation they or

0:25:02.720 --> 0:25:04.600
<v Speaker 1>I don't know if it's misinformation or they were trying

0:25:04.640 --> 0:25:08.159
<v Speaker 1>to get out a little misinformation saying how sophisticated of

0:25:08.200 --> 0:25:10.720
<v Speaker 1>an operation it was and how expensive all the equipment

0:25:10.800 --> 0:25:12.880
<v Speaker 1>must have been, which is really not in the case now.

0:25:12.920 --> 0:25:15.960
<v Speaker 1>I think I think it was a lot of people

0:25:16.080 --> 0:25:21.520
<v Speaker 1>trying to discourage future pranksters from following in there. So

0:25:21.600 --> 0:25:25.840
<v Speaker 1>that means, well, let's make sure we we set the

0:25:25.840 --> 0:25:28.520
<v Speaker 1>the bar very high, saying it's really hard to do

0:25:28.600 --> 0:25:31.720
<v Speaker 1>and it's really expensive. Try. Yeah, and if you do try,

0:25:31.800 --> 0:25:33.719
<v Speaker 1>it's gonna get even more expensive for you because we're

0:25:33.720 --> 0:25:36.919
<v Speaker 1>gonna find you a hundred thousand dollars. So now, the

0:25:36.960 --> 0:25:40.800
<v Speaker 1>truth was that the transmission equipment that was that could

0:25:40.880 --> 0:25:43.600
<v Speaker 1>be used to do such a thing, while brand new,

0:25:43.640 --> 0:25:46.560
<v Speaker 1>would cost maybe you know, a few thousand dollars, which

0:25:46.560 --> 0:25:50.120
<v Speaker 1>is a significant amount of money once it hits the aftermarket.

0:25:50.200 --> 0:25:53.560
<v Speaker 1>Like you know, let's say that you've got a a station,

0:25:53.720 --> 0:25:56.760
<v Speaker 1>a small station that is upgrading its equipment and it

0:25:56.800 --> 0:25:58.840
<v Speaker 1>gets rid of the old stuff that was on the

0:25:58.880 --> 0:26:01.479
<v Speaker 1>amateur market. You could go out and buy that stuff

0:26:01.720 --> 0:26:03.639
<v Speaker 1>and it would be much less expensive than if you

0:26:03.680 --> 0:26:08.240
<v Speaker 1>were to buy it brand new. So I mentioned earlier

0:26:08.240 --> 0:26:12.600
<v Speaker 1>in this episode about the the hacker culture. Well, have

0:26:12.720 --> 0:26:17.199
<v Speaker 1>you heard about freakers? Okay, so a freaker spelled p

0:26:18.240 --> 0:26:22.040
<v Speaker 1>r e A k I n G freaking. It's all

0:26:22.080 --> 0:26:26.120
<v Speaker 1>about manipulating the phone system. So Steve Jobs and Steve

0:26:26.119 --> 0:26:30.120
<v Speaker 1>Wozniac were freakers founders of Apple. Actually Wasniac was really

0:26:30.160 --> 0:26:32.400
<v Speaker 1>the guy who knew how to do it. But there

0:26:32.400 --> 0:26:34.479
<v Speaker 1>were a ton of them. One of the most famous

0:26:34.480 --> 0:26:37.840
<v Speaker 1>ones his name was Captain Crunch, and Captain Crunch was

0:26:37.880 --> 0:26:41.000
<v Speaker 1>called that because he discovered that by using a Captain

0:26:41.119 --> 0:26:44.080
<v Speaker 1>Crunch plastic whistle that came in a box of cereal,

0:26:44.680 --> 0:26:48.119
<v Speaker 1>he could mimic the tone that the telephone company was

0:26:48.240 --> 0:26:52.359
<v Speaker 1>using and allow him to make free long distance phone calls.

0:26:53.320 --> 0:26:55.920
<v Speaker 1>So you had this culture of people who were what's

0:26:55.920 --> 0:26:59.400
<v Speaker 1>a long distance phone call? Yeah? Okay, kids, Once upon

0:26:59.400 --> 0:27:02.359
<v Speaker 1>a time, if you wanted to call anyone outside of

0:27:02.400 --> 0:27:06.480
<v Speaker 1>your area code, it cost extra. Lady actually tell me that.

0:27:06.560 --> 0:27:08.360
<v Speaker 1>The other day that was cutting my hair, she got

0:27:08.359 --> 0:27:10.000
<v Speaker 1>a phone call. She said I'm sorry, it's my daughter

0:27:10.080 --> 0:27:12.159
<v Speaker 1>long distance. I need to step away. And I was

0:27:12.160 --> 0:27:16.880
<v Speaker 1>sitting there going what's long distance? Yeah? Maybe international? Yeah

0:27:16.960 --> 0:27:18.679
<v Speaker 1>that might be it. That's about it. Or you can

0:27:18.720 --> 0:27:20.840
<v Speaker 1>just keep cutting my hair right, Yeah, yeah, you know

0:27:20.880 --> 0:27:23.680
<v Speaker 1>it's fine. I mean, I'm not gonna know her half

0:27:23.720 --> 0:27:28.160
<v Speaker 1>the conversation. But yeah, the the uh. These were people

0:27:28.160 --> 0:27:31.440
<v Speaker 1>who thought that these huge systems were fascinating, that the

0:27:31.680 --> 0:27:34.520
<v Speaker 1>telephone system was really interesting, and learning how it worked

0:27:34.600 --> 0:27:36.919
<v Speaker 1>was fascinating, and then once you know how it works,

0:27:37.200 --> 0:27:40.240
<v Speaker 1>you know how to kind of game the system. Yeah,

0:27:40.280 --> 0:27:43.879
<v Speaker 1>And it's not necessarily the case that they were looking

0:27:43.960 --> 0:27:47.240
<v Speaker 1>to cause trouble or to be pranksters. Although there was

0:27:47.280 --> 0:27:49.760
<v Speaker 1>some mischief involved there too, a lot of it was

0:27:49.800 --> 0:27:52.720
<v Speaker 1>more about oh, now I know how this works, and

0:27:52.800 --> 0:27:54.879
<v Speaker 1>that means this works this other way. It was really

0:27:54.920 --> 0:27:58.520
<v Speaker 1>more about learning the system and and then negotiating it

0:27:58.680 --> 0:28:01.080
<v Speaker 1>kind of like war games. Yes, very much like a

0:28:01.080 --> 0:28:04.080
<v Speaker 1>little mischief, a little civil disobedience. But I don't think

0:28:04.600 --> 0:28:07.080
<v Speaker 1>most of these people early on, we're trying to cause harm. No,

0:28:07.320 --> 0:28:11.440
<v Speaker 1>it was really more of insatiable curiosity, like really, I can,

0:28:11.600 --> 0:28:13.240
<v Speaker 1>so let me just try it out right and see

0:28:13.280 --> 0:28:15.480
<v Speaker 1>if it works. I think that's exactly what happened with this,

0:28:15.600 --> 0:28:18.520
<v Speaker 1>Max he I totally agree. You had people who said,

0:28:19.200 --> 0:28:21.840
<v Speaker 1>let's you know, we know how radio works. The television

0:28:21.840 --> 0:28:25.199
<v Speaker 1>broadcast is essentially a radio broadcast. So once you know

0:28:25.240 --> 0:28:27.200
<v Speaker 1>how that works, and once you know that the basics

0:28:27.240 --> 0:28:29.280
<v Speaker 1>behind it, are there ways where we could end up

0:28:29.840 --> 0:28:33.120
<v Speaker 1>injecting our own signal into this and have a little

0:28:33.119 --> 0:28:35.800
<v Speaker 1>fun and have a little fun exactly. And so it

0:28:36.160 --> 0:28:37.560
<v Speaker 1>was one of those things where you had the people

0:28:37.600 --> 0:28:39.280
<v Speaker 1>who had to know how, and you have the people

0:28:39.280 --> 0:28:41.600
<v Speaker 1>who had the willingness to do it, and they were

0:28:41.600 --> 0:28:46.440
<v Speaker 1>working together to create this prank and uh again aiming

0:28:46.480 --> 0:28:48.480
<v Speaker 1>at a very specific target, and when that didn't work,

0:28:48.600 --> 0:28:51.360
<v Speaker 1>switching to doctor who, Yeah, I appreciate the attitude of

0:28:51.400 --> 0:28:53.720
<v Speaker 1>most of this stuff too. To be honest, Um, I

0:28:53.720 --> 0:28:56.400
<v Speaker 1>don't think there's anything wrong with a little hi jinks

0:28:56.440 --> 0:28:58.080
<v Speaker 1>to thumb your nose at the man if you're not

0:28:58.160 --> 0:29:00.680
<v Speaker 1>hurting anybody. Um. I mean, you don't want to see

0:29:00.680 --> 0:29:01.959
<v Speaker 1>it all the time because then it takes out all

0:29:01.960 --> 0:29:04.160
<v Speaker 1>the teeth out of it. But every now and then,

0:29:04.160 --> 0:29:06.120
<v Speaker 1>I kind of like, you know, when they interviewed people

0:29:06.120 --> 0:29:08.520
<v Speaker 1>in Chicago, some people on the street were really upset

0:29:08.760 --> 0:29:10.280
<v Speaker 1>and some people just kind of laughing. It's like I

0:29:10.320 --> 0:29:13.360
<v Speaker 1>think it's pretty great. Yeah yeah, because again, like like

0:29:13.400 --> 0:29:16.400
<v Speaker 1>we were saying, there wasn't any lasting harm here, right

0:29:16.680 --> 0:29:20.320
<v Speaker 1>of course not the actual intrusion didn't cause any damage.

0:29:20.520 --> 0:29:23.320
<v Speaker 1>It wasn't it wasn't something that was going to wreck

0:29:23.640 --> 0:29:27.080
<v Speaker 1>physical equipment. No, you lost eighty seconds of Doctor Who. Yeah,

0:29:27.240 --> 0:29:31.400
<v Speaker 1>which some might say is and some people say it's priceless. Uh,

0:29:31.480 --> 0:29:33.719
<v Speaker 1>you know this is Tom Baker doctor Who we're talking about. Well,

0:29:33.760 --> 0:29:35.800
<v Speaker 1>especially back then when you just couldn't go look up

0:29:35.920 --> 0:29:37.520
<v Speaker 1>you know the scene that I missed the night before,

0:29:38.000 --> 0:29:40.240
<v Speaker 1>like that was a true intrusion. Yeah, yeah, I mean

0:29:40.320 --> 0:29:43.280
<v Speaker 1>this is this is obviously pre well. I mean the

0:29:43.280 --> 0:29:46.120
<v Speaker 1>Internet was around, but nobody was on it except for

0:29:46.240 --> 0:29:48.240
<v Speaker 1>it was like bullets and boards and stuff. Yeah, that

0:29:48.320 --> 0:29:51.480
<v Speaker 1>was That was pretty much what most hackers had access

0:29:51.520 --> 0:29:53.480
<v Speaker 1>to unless they were in a university and they had

0:29:53.520 --> 0:29:56.920
<v Speaker 1>some access to the preliminary version of the Internet. Um,

0:29:56.960 --> 0:29:59.200
<v Speaker 1>but there was no worldwide Web. There was no web.

0:29:59.200 --> 0:30:01.160
<v Speaker 1>There wouldn't be another. There wouldn't be a Worldwide Web

0:30:01.200 --> 0:30:05.440
<v Speaker 1>for another five years, so there was no way of

0:30:05.480 --> 0:30:08.280
<v Speaker 1>being able to go on and and check something you missed.

0:30:08.720 --> 0:30:10.720
<v Speaker 1>Nor was there a way for you to really easily

0:30:10.760 --> 0:30:14.400
<v Speaker 1>communicate with folks all over the world. Now they could

0:30:14.400 --> 0:30:16.800
<v Speaker 1>do it with local Bolton board systems, And in fact,

0:30:16.840 --> 0:30:20.080
<v Speaker 1>that's what we suspect, or at least there there's a

0:30:20.120 --> 0:30:22.400
<v Speaker 1>lot of suspicion that, in fact, one of the local

0:30:22.720 --> 0:30:26.600
<v Speaker 1>Chicago bbs is had people in a forum who were

0:30:26.720 --> 0:30:30.320
<v Speaker 1>at least tangentially involved in this, if not directly responsible,

0:30:31.960 --> 0:30:35.160
<v Speaker 1>but to really understand what was going on, it helps

0:30:35.160 --> 0:30:41.520
<v Speaker 1>to understand how a broadcast television broadcast actually works. So

0:30:41.960 --> 0:30:44.320
<v Speaker 1>here we go. We're gonna going back to the analog

0:30:44.480 --> 0:30:50.240
<v Speaker 1>days of TV broadcast technology. So now, Chuck, you've you've

0:30:50.280 --> 0:30:53.880
<v Speaker 1>been in a television studio too, right, Yeah, you and

0:30:53.960 --> 0:30:55.360
<v Speaker 1>you and Josh I'm sure have done some of this.

0:30:55.400 --> 0:30:58.120
<v Speaker 1>I've done some of this. When you see how a

0:30:58.200 --> 0:31:01.760
<v Speaker 1>TV studio works, it's actually very eye opening. I mean

0:31:02.040 --> 0:31:05.959
<v Speaker 1>to me, it's completely pulled away a lot of misconceptions

0:31:05.960 --> 0:31:09.520
<v Speaker 1>that I had had. For example, you think of like cameramen,

0:31:10.080 --> 0:31:14.600
<v Speaker 1>but in large part camera operation is done remotely, not

0:31:15.000 --> 0:31:18.760
<v Speaker 1>behind a camera. Right. Uh. These cameras that you see

0:31:18.760 --> 0:31:23.080
<v Speaker 1>in the studio are enormous and they're heavy. And this

0:31:23.160 --> 0:31:25.640
<v Speaker 1>is also the reason why I'm explaining this is also

0:31:25.720 --> 0:31:31.800
<v Speaker 1>to to illustrate why doing this live would have been impractical.

0:31:32.720 --> 0:31:36.480
<v Speaker 1>These television cameras are. The reason why they're so big

0:31:36.520 --> 0:31:40.080
<v Speaker 1>and heavy is in part so that they're incredibly smooth

0:31:40.120 --> 0:31:43.680
<v Speaker 1>and steady and they aren't going to jitter. If you know,

0:31:44.040 --> 0:31:45.760
<v Speaker 1>you could drop something right next to one, it's not

0:31:45.800 --> 0:31:47.480
<v Speaker 1>going to move at all. Yeah, it's the same reason

0:31:47.720 --> 0:31:51.040
<v Speaker 1>a camera Dolly ways, you know, a thousand pounds. Yeah, yeah,

0:31:51.080 --> 0:31:54.160
<v Speaker 1>it's in order to get that that stability that you want,

0:31:54.280 --> 0:31:57.400
<v Speaker 1>so that you have thousand pounds. By the way, they're

0:31:57.440 --> 0:31:59.560
<v Speaker 1>less than that, but they're super heavy for that reason, right,

0:32:00.080 --> 0:32:04.280
<v Speaker 1>want that stability and that smoothness. Uh. And also, television

0:32:04.320 --> 0:32:07.760
<v Speaker 1>camera doesn't pick up sound, doesn't have a microphone on it.

0:32:07.760 --> 0:32:10.239
<v Speaker 1>It's all about just capturing the image. Yeah, the mic

0:32:10.560 --> 0:32:17.480
<v Speaker 1>the sound is captured separately. And yeah, so the photons,

0:32:17.520 --> 0:32:20.320
<v Speaker 1>that's the particles of light that are coming from a

0:32:20.360 --> 0:32:24.600
<v Speaker 1>scene are being captured by a camera. The light passes

0:32:24.640 --> 0:32:27.600
<v Speaker 1>through a lens, which goes through a prism. The prism

0:32:27.880 --> 0:32:29.800
<v Speaker 1>is the purpose of a prism is to break up

0:32:30.560 --> 0:32:33.760
<v Speaker 1>light into its component parts and this case, we're talking

0:32:33.800 --> 0:32:36.760
<v Speaker 1>about a prism that breaks light into red, green, and blue.

0:32:37.040 --> 0:32:41.840
<v Speaker 1>That's all you needed. And each of those streams goes

0:32:42.000 --> 0:32:44.720
<v Speaker 1>and is hit by or it hits a c c

0:32:44.880 --> 0:32:48.040
<v Speaker 1>D a charge couple device. Now a charge couple device.

0:32:48.080 --> 0:32:50.800
<v Speaker 1>What does is when photons hit it, it it generates a

0:32:50.880 --> 0:32:54.800
<v Speaker 1>stream of electricity that essentially reflects the nature of the

0:32:54.840 --> 0:32:58.680
<v Speaker 1>photons that hit it. So you've got these three streams

0:32:58.680 --> 0:33:01.480
<v Speaker 1>coming out the red, green, and blue. Uh. They then

0:33:01.600 --> 0:33:06.440
<v Speaker 1>go into an encoder. Meanwhile, the sound that you're creating

0:33:06.520 --> 0:33:08.600
<v Speaker 1>is also going to head back over towards the master

0:33:08.720 --> 0:33:12.080
<v Speaker 1>control room. The information from the encoder goes to the

0:33:12.080 --> 0:33:15.520
<v Speaker 1>master control room, it gets mixed together. So you then

0:33:15.600 --> 0:33:19.360
<v Speaker 1>have a signal that has both video and sound. Now there,

0:33:19.880 --> 0:33:23.120
<v Speaker 1>if you were to be able to visualize this, uh,

0:33:23.160 --> 0:33:26.880
<v Speaker 1>it would actually be like the the visual data would

0:33:26.880 --> 0:33:31.000
<v Speaker 1>make up most of the a range of frequencies like

0:33:31.520 --> 0:33:36.320
<v Speaker 1>like four within four mega hurts, and then the very

0:33:36.440 --> 0:33:38.920
<v Speaker 1>edge of it, like on the far right side, that

0:33:38.960 --> 0:33:41.640
<v Speaker 1>would represent the sound. So it's just a little sliver

0:33:41.800 --> 0:33:44.680
<v Speaker 1>that's the sound. Yeah, And you're either preparing to broadcast

0:33:44.680 --> 0:33:46.840
<v Speaker 1>this out to the masses live or you're just putting

0:33:46.840 --> 0:33:49.160
<v Speaker 1>it to tape do so later. Yeah, these days we

0:33:49.240 --> 0:33:51.720
<v Speaker 1>put on a server, I guess or both. Yeah, exactly

0:33:51.760 --> 0:33:54.280
<v Speaker 1>if you wanted to to to keep it forever. Now,

0:33:54.360 --> 0:33:57.600
<v Speaker 1>you may have heard that there were times where people

0:33:57.640 --> 0:34:01.240
<v Speaker 1>were broadcasting stuff and never according it. So there there

0:34:01.240 --> 0:34:03.960
<v Speaker 1>are things that have been created for television that we

0:34:04.040 --> 0:34:07.200
<v Speaker 1>will never see again. It's kind of like in some

0:34:07.240 --> 0:34:10.040
<v Speaker 1>ways going to see a live stage show. If you

0:34:10.080 --> 0:34:12.880
<v Speaker 1>were there, you saw it and you weren't that's it's

0:34:13.560 --> 0:34:18.680
<v Speaker 1>but uh, in this case, we're talking about a live newscast.

0:34:18.719 --> 0:34:21.719
<v Speaker 1>So that's being broadcast out from that point. When it's

0:34:21.719 --> 0:34:25.000
<v Speaker 1>all been encoded and you've got this video signal that

0:34:25.000 --> 0:34:26.919
<v Speaker 1>has all the information. It's got the red, the green,

0:34:27.000 --> 0:34:31.160
<v Speaker 1>the blue, and the audio, all four things that you need. Yeah,

0:34:31.200 --> 0:34:35.000
<v Speaker 1>it's time to transmit that out and it goes from

0:34:35.560 --> 0:34:40.439
<v Speaker 1>the studio to a transmitter. It's called a studio transmitter link. Now,

0:34:40.480 --> 0:34:44.600
<v Speaker 1>most studios don't have an enormous antenna that's at a

0:34:44.600 --> 0:34:48.760
<v Speaker 1>really high elevation in broadcast to the general area. Cities

0:34:48.840 --> 0:34:52.400
<v Speaker 1>share them. Yeah, and we're talking about an era of

0:34:52.560 --> 0:34:55.360
<v Speaker 1>over the air television, right you're using your antenna to

0:34:55.440 --> 0:34:58.480
<v Speaker 1>pick up wavelengths. So what what they would do is

0:34:58.520 --> 0:35:02.520
<v Speaker 1>they would use the studio trend emitter link to beam

0:35:02.560 --> 0:35:07.480
<v Speaker 1>this information to a nearby antenna on a very tall building. Yeah.

0:35:07.560 --> 0:35:10.479
<v Speaker 1>Usually the tallest buildings in your city will have these,

0:35:10.640 --> 0:35:13.040
<v Speaker 1>and Chicago has a lot of tall building, yes, and

0:35:13.080 --> 0:35:17.880
<v Speaker 1>they use them for that purpose exactly. So if you

0:35:17.960 --> 0:35:20.399
<v Speaker 1>stream that out to the antenna, the antenna then ends

0:35:20.480 --> 0:35:25.040
<v Speaker 1>up broadcasting an electro magnetic signal and that ends up

0:35:25.040 --> 0:35:28.520
<v Speaker 1>being picked up by the antenna of your television, which

0:35:28.800 --> 0:35:32.040
<v Speaker 1>the electromagnetic signal when it hits the antenna generates an

0:35:32.040 --> 0:35:35.560
<v Speaker 1>electrical current. A tuner in your television is able to

0:35:35.600 --> 0:35:38.719
<v Speaker 1>focus in on a specific channel and thus kind of

0:35:38.760 --> 0:35:42.520
<v Speaker 1>filter the signal from the noise, and then it ends

0:35:42.600 --> 0:35:46.640
<v Speaker 1>up pulling out that video stream, creating the red, green, blue,

0:35:46.680 --> 0:35:48.799
<v Speaker 1>and the audio, and you get your TV that you

0:35:48.840 --> 0:35:53.759
<v Speaker 1>get to watch. It's beautiful. It's I joked with you

0:35:53.880 --> 0:35:56.680
<v Speaker 1>earlier that we should just give them the explanation from

0:35:56.680 --> 0:36:01.880
<v Speaker 1>Willy Wonka, which is slightly more simplistic but but easier

0:36:01.920 --> 0:36:06.200
<v Speaker 1>to explain. But unfortunately it's not quite that easy. So

0:36:07.200 --> 0:36:09.879
<v Speaker 1>knowing how this works, where you've got the signal coming

0:36:09.880 --> 0:36:13.480
<v Speaker 1>from the studio being transmitted out to a giant antenna

0:36:13.560 --> 0:36:17.640
<v Speaker 1>and then broadcast to an area. There are several areas

0:36:17.719 --> 0:36:22.439
<v Speaker 1>that could be potentially vulnerable to intrusion. If you are

0:36:22.520 --> 0:36:26.279
<v Speaker 1>working on the inside, then if you're able to intercept

0:36:26.400 --> 0:36:28.360
<v Speaker 1>and put in a new signal to go to the

0:36:29.120 --> 0:36:32.680
<v Speaker 1>studio transmitter link to go out, then you're done. That's

0:36:32.680 --> 0:36:34.600
<v Speaker 1>all you need to do. You need just very easy

0:36:34.640 --> 0:36:37.319
<v Speaker 1>to do and very easy to trace back exactly. Yeah,

0:36:37.400 --> 0:36:39.680
<v Speaker 1>inside job, you're like, well, let's look at the people

0:36:39.680 --> 0:36:42.640
<v Speaker 1>who have access. Now, that's all that could have done this.

0:36:43.120 --> 0:36:46.880
<v Speaker 1>But as it turns out, with a over the air

0:36:46.920 --> 0:36:50.160
<v Speaker 1>analog transmission, there was an easier way of doing this

0:36:50.200 --> 0:36:52.920
<v Speaker 1>where you didn't have to break into the studio to

0:36:53.000 --> 0:36:55.759
<v Speaker 1>do it. It was pretty great. Actually, yeah, So all

0:36:55.800 --> 0:36:57.960
<v Speaker 1>you have to do, and I say all you have

0:36:58.000 --> 0:37:00.520
<v Speaker 1>to do this still is pretty significant, is you have

0:37:00.560 --> 0:37:03.160
<v Speaker 1>to have a transmitter of your own. You have to

0:37:03.160 --> 0:37:05.600
<v Speaker 1>be able to have a direct line of sight to

0:37:05.719 --> 0:37:09.640
<v Speaker 1>the antenna that's going to pick up the transmission from

0:37:09.680 --> 0:37:13.440
<v Speaker 1>the studio, and you have to transmit on the frequency

0:37:13.560 --> 0:37:17.239
<v Speaker 1>that the studio uses at a higher intensity than what

0:37:17.320 --> 0:37:20.280
<v Speaker 1>the studio is doing. And then the antenna which is stupid. Yeah,

0:37:20.480 --> 0:37:23.520
<v Speaker 1>it can't differentiate all of noses. That's a bad signal.

0:37:23.600 --> 0:37:25.400
<v Speaker 1>I don't want to proast, but they don't know if

0:37:25.400 --> 0:37:28.960
<v Speaker 1>it's the right frequency, it's gonna broadcast it. So when

0:37:29.040 --> 0:37:32.400
<v Speaker 1>you hit the antenna, it's gonna go for the strongest signal.

0:37:32.440 --> 0:37:34.799
<v Speaker 1>I mean, this makes sense because if you had two

0:37:34.840 --> 0:37:37.840
<v Speaker 1>signals that were the same frequency and one is stronger

0:37:37.880 --> 0:37:41.160
<v Speaker 1>than the other, chances are the other frequency is coming

0:37:41.200 --> 0:37:44.000
<v Speaker 1>from a different source further away, and that's not the

0:37:44.000 --> 0:37:47.280
<v Speaker 1>one you want to transmit. Yes, so literally all they needed,

0:37:47.360 --> 0:37:49.200
<v Speaker 1>I mean, they didn't need to to blow it out

0:37:49.239 --> 0:37:52.359
<v Speaker 1>of the water. They just needed to be stronger and

0:37:52.440 --> 0:37:54.040
<v Speaker 1>to do so, do you just need to be a

0:37:54.080 --> 0:37:56.760
<v Speaker 1>little closer. Yeah, maybe a lot closer in this case,

0:37:56.880 --> 0:37:59.280
<v Speaker 1>but but yeah, exactly, they just had to be somewhere

0:37:59.280 --> 0:38:02.800
<v Speaker 1>along the path way from the studio to the antenna

0:38:02.840 --> 0:38:05.200
<v Speaker 1>that was being used. Uh, they and they just had

0:38:05.239 --> 0:38:08.279
<v Speaker 1>to transmit on the right frequency, which was that was

0:38:08.320 --> 0:38:10.719
<v Speaker 1>information they could get. They could get the information on

0:38:10.760 --> 0:38:14.440
<v Speaker 1>what frequency to use. So you've got your transmitter, you've

0:38:14.480 --> 0:38:16.800
<v Speaker 1>got your media, which in this case was a tape

0:38:16.960 --> 0:38:19.400
<v Speaker 1>that they had shot earlier. Because that wasn't lying. You're

0:38:19.440 --> 0:38:21.600
<v Speaker 1>probably on a building, and they've got to be somewhere

0:38:21.600 --> 0:38:23.400
<v Speaker 1>pretty high up. So yeah, likely on top of a

0:38:23.440 --> 0:38:25.960
<v Speaker 1>building or at least on like a balcony or fire

0:38:26.080 --> 0:38:29.080
<v Speaker 1>escape or something. They can have a line of sight. Uh,

0:38:29.120 --> 0:38:32.480
<v Speaker 1>they are, They've got their transmitter and geared up to

0:38:32.480 --> 0:38:34.719
<v Speaker 1>the right amount of power, they shoot it off and

0:38:34.800 --> 0:38:37.799
<v Speaker 1>everything else is taken care of for them. They try

0:38:37.840 --> 0:38:39.880
<v Speaker 1>to do anything else. In this case, the John Hancock

0:38:39.920 --> 0:38:41.840
<v Speaker 1>building in the Sears Tower with the two towers that

0:38:41.880 --> 0:38:45.320
<v Speaker 1>had these two receivers, And there's been a lot of

0:38:45.360 --> 0:38:48.560
<v Speaker 1>theories over the years. Um, most people believe they were

0:38:48.600 --> 0:38:50.920
<v Speaker 1>probably high up, but I have seen one theory that

0:38:51.000 --> 0:38:55.440
<v Speaker 1>they were mobile in a van, necessarily high up, but

0:38:55.560 --> 0:38:58.880
<v Speaker 1>just super super close they Yeah, that would also require

0:38:58.920 --> 0:39:02.839
<v Speaker 1>them to have some way of maintaining that line of

0:39:02.920 --> 0:39:06.879
<v Speaker 1>sight and that that steady transmission, because you know, if

0:39:06.880 --> 0:39:10.080
<v Speaker 1>you if you don't, if you don't have your electromagnetic

0:39:10.160 --> 0:39:15.000
<v Speaker 1>waves directed right at the receiver, then it's going it's

0:39:15.040 --> 0:39:16.640
<v Speaker 1>not going to be a strong enough signal. Yeah, I

0:39:16.640 --> 0:39:18.400
<v Speaker 1>don't I don't buy the van theory. It would be

0:39:18.480 --> 0:39:21.520
<v Speaker 1>really really challenging, e empowering everything. It's wuld be a

0:39:21.560 --> 0:39:24.640
<v Speaker 1>pretty more sophisticated. It does make me suddenly think that

0:39:24.680 --> 0:39:28.120
<v Speaker 1>the Scooby Gang was responsible for it, because you've got

0:39:28.120 --> 0:39:32.160
<v Speaker 1>the big rubber mask like old Nan Withers. We've got

0:39:32.239 --> 0:39:34.200
<v Speaker 1>a bit more to talk about when it comes to

0:39:34.280 --> 0:39:39.080
<v Speaker 1>this crazy incident in tech history. But before we conclude,

0:39:39.160 --> 0:39:49.319
<v Speaker 1>let's take another quick break to thank our sponsor. So

0:39:49.440 --> 0:39:53.359
<v Speaker 1>channel nine, which was w g N in Chicago. Uh,

0:39:53.719 --> 0:39:55.720
<v Speaker 1>if you look at the channels in the United States,

0:39:55.719 --> 0:39:59.040
<v Speaker 1>they actually have the designated frequencies they have to, you know,

0:39:59.239 --> 0:40:02.319
<v Speaker 1>use our least the range that's around a D eighties

0:40:02.320 --> 0:40:05.640
<v Speaker 1>seven mega hurts. So you tune your transmitter to that

0:40:05.920 --> 0:40:08.160
<v Speaker 1>signal and you aim it at the you know where

0:40:08.160 --> 0:40:10.719
<v Speaker 1>the antenna is. You've identified that, you've got it all

0:40:10.800 --> 0:40:14.520
<v Speaker 1>lined up, and you're good to go. Well, once w

0:40:14.680 --> 0:40:18.279
<v Speaker 1>g N changed their frequency, that meant that it didn't

0:40:18.280 --> 0:40:21.000
<v Speaker 1>matter how much power they poured into the transact. It's

0:40:21.040 --> 0:40:24.799
<v Speaker 1>like you're speaking the wrong language. So that meant that

0:40:24.880 --> 0:40:27.719
<v Speaker 1>suddenly there their prank didn't really go anywhere. They had

0:40:27.920 --> 0:40:31.360
<v Speaker 1>a brief appearance with no audio. Yeah, so they probably

0:40:31.400 --> 0:40:34.200
<v Speaker 1>did something a little wrong on their end. On there

0:40:34.920 --> 0:40:36.880
<v Speaker 1>probably wasn't a test run. They probably wanted it to

0:40:36.880 --> 0:40:41.759
<v Speaker 1>work right, right, right, but then unfortunately for them, unfortunately

0:40:41.800 --> 0:40:44.320
<v Speaker 1>for them, it didn't work with you know, without a hitch.

0:40:44.360 --> 0:40:46.799
<v Speaker 1>So they then say, well, what can we do, how

0:40:46.840 --> 0:40:51.160
<v Speaker 1>can we um save this and maybe get the actual

0:40:51.400 --> 0:40:56.919
<v Speaker 1>video that we shot scene and yeah, if you guys

0:40:56.920 --> 0:41:00.160
<v Speaker 1>haven't watched this video, you really kind of need too.

0:41:00.600 --> 0:41:04.120
<v Speaker 1>But at any rate, so they then decided to do

0:41:04.200 --> 0:41:07.440
<v Speaker 1>their backup plan. They knew the frequency that the local

0:41:07.920 --> 0:41:11.359
<v Speaker 1>public broadcast channel was using, and they knew that that

0:41:11.400 --> 0:41:13.640
<v Speaker 1>antenna was on top of the Sears tower and that

0:41:13.760 --> 0:41:17.560
<v Speaker 1>they could aim at that one. And uh so, whether

0:41:17.719 --> 0:41:20.520
<v Speaker 1>or not they had to relocate, they they probably did

0:41:20.560 --> 0:41:23.160
<v Speaker 1>just to get a good line of sight on the

0:41:23.360 --> 0:41:27.200
<v Speaker 1>on the antenna, but uh it was only a two

0:41:27.239 --> 0:41:30.480
<v Speaker 1>hour time difference between the first attack and the second attack,

0:41:30.960 --> 0:41:35.040
<v Speaker 1>So to retune the transmitter, to prep it to get

0:41:35.080 --> 0:41:38.120
<v Speaker 1>ready to hit the target, and to make sure you

0:41:38.160 --> 0:41:40.640
<v Speaker 1>have a line of sight on it, they probably stayed

0:41:40.640 --> 0:41:46.120
<v Speaker 1>in the same general area, which is northwest part of Chicago. Northwest. Yeah,

0:41:46.160 --> 0:41:49.839
<v Speaker 1>there's actually that that article we were talking about, the

0:41:49.880 --> 0:41:53.719
<v Speaker 1>Motherboard article. They have a great picture that shows the

0:41:53.800 --> 0:41:56.919
<v Speaker 1>location of both studios on both antenna and it kind

0:41:56.920 --> 0:41:59.439
<v Speaker 1>of shows you like an area where where the two

0:41:59.480 --> 0:42:04.200
<v Speaker 1>lines almost cross, and you figure, I bet, I bet

0:42:04.239 --> 0:42:06.640
<v Speaker 1>they were somewhere in this general area so that they

0:42:06.640 --> 0:42:10.080
<v Speaker 1>could if they didn't have to relocate. Uh, then they

0:42:10.200 --> 0:42:13.759
<v Speaker 1>just you know, shifted position, or maybe they relocated by

0:42:13.760 --> 0:42:17.440
<v Speaker 1>a couple of blocks. Um, which raises the question, how

0:42:17.480 --> 0:42:19.719
<v Speaker 1>did they get access to a high enough area and

0:42:19.760 --> 0:42:21.759
<v Speaker 1>still have power and all that kind of stuff right

0:42:21.840 --> 0:42:23.920
<v Speaker 1>now they were just on their buddies the roof of

0:42:23.960 --> 0:42:29.080
<v Speaker 1>his apartment with an extension court. That's probably what happened. Uh.

0:42:29.160 --> 0:42:33.240
<v Speaker 1>So they then did the second attack at eleven o'clock

0:42:33.480 --> 0:42:37.920
<v Speaker 1>or eleven fourteen, and that one worked much better. Um.

0:42:37.960 --> 0:42:41.760
<v Speaker 1>And like we said, the material they had, the equipment

0:42:41.800 --> 0:42:46.080
<v Speaker 1>they had was readily available, wasn't It wasn't as rare

0:42:46.080 --> 0:42:48.200
<v Speaker 1>as you would think it would be. No. Dr Marcus,

0:42:48.200 --> 0:42:51.399
<v Speaker 1>the lead investigator, said that, uh, like a direct TV

0:42:51.480 --> 0:42:53.560
<v Speaker 1>size Antenta these days, it is about all you would

0:42:53.560 --> 0:42:56.160
<v Speaker 1>have needed. It's not like one of those like school

0:42:56.160 --> 0:43:00.560
<v Speaker 1>bus size satis in backyards back in to day. It's

0:43:00.560 --> 0:43:04.600
<v Speaker 1>pretty incredible, Uh, the how little you would need in

0:43:04.680 --> 0:43:10.359
<v Speaker 1>order to do it. So fascinating attack fascinating fact that

0:43:10.400 --> 0:43:13.760
<v Speaker 1>it they were able to do it without being caught. Um.

0:43:13.840 --> 0:43:16.560
<v Speaker 1>And the fact that you know, there weren't a whole

0:43:16.640 --> 0:43:19.880
<v Speaker 1>lot of broadcast intrusions after this point. You've heard about

0:43:19.920 --> 0:43:24.440
<v Speaker 1>maybe one or two. The Disney Channel has infamously been

0:43:24.480 --> 0:43:28.640
<v Speaker 1>the attack, the side of an attack on multiple occasions. Yeah.

0:43:28.680 --> 0:43:30.960
<v Speaker 1>I think the super Bowl was hijacked briefly a few

0:43:31.040 --> 0:43:34.879
<v Speaker 1>years ago in one city only though. Yeah. Yeah, Uh,

0:43:34.920 --> 0:43:37.319
<v Speaker 1>it's it's harder and harder to do now because you've

0:43:37.360 --> 0:43:40.799
<v Speaker 1>got things like digital encoding. Yeah, that make it much

0:43:41.960 --> 0:43:44.960
<v Speaker 1>much more difficult for the average hacker to do. I'm

0:43:45.000 --> 0:43:47.760
<v Speaker 1>surprised it didn't happen more often back in those days.

0:43:48.200 --> 0:43:50.759
<v Speaker 1>With those early I think there's sort of the wild West.

0:43:50.840 --> 0:43:53.280
<v Speaker 1>It may very well have been that the scare tactics

0:43:53.520 --> 0:43:56.759
<v Speaker 1>the FCC used. We have totally worried, Like people said like, well,

0:43:56.800 --> 0:43:58.799
<v Speaker 1>I know I can do this, but I'm totally not

0:43:58.880 --> 0:44:02.279
<v Speaker 1>gonna do this. Um. And you know, we we talked

0:44:02.320 --> 0:44:05.680
<v Speaker 1>a little bit. Uh. There are some theories out there

0:44:05.680 --> 0:44:08.319
<v Speaker 1>about who it could have been responsible for this. My

0:44:08.440 --> 0:44:11.680
<v Speaker 1>favorite was the the one that is probably the easiest

0:44:11.719 --> 0:44:16.280
<v Speaker 1>to dismiss, which was Eric Fournier who was a punk

0:44:16.400 --> 0:44:20.440
<v Speaker 1>rock musician as well as an avant garde artist who

0:44:20.480 --> 0:44:24.719
<v Speaker 1>created a series of videos. Um. It's funny because the

0:44:24.719 --> 0:44:28.080
<v Speaker 1>Motherboard article refers to it as a YouTube channel, but

0:44:28.160 --> 0:44:30.680
<v Speaker 1>in fact the videos pre date YouTube. Oh yeah, I

0:44:30.680 --> 0:44:33.160
<v Speaker 1>guess it is now on a YouTube channel. But they

0:44:33.160 --> 0:44:35.839
<v Speaker 1>were called shay uh s h A y e St

0:44:35.920 --> 0:44:38.600
<v Speaker 1>John Sha st John. And if you look at these,

0:44:38.760 --> 0:44:41.880
<v Speaker 1>you you've forced me to earlier. Uh they do have

0:44:42.080 --> 0:44:48.480
<v Speaker 1>similar quality, um, very similar feel almost absurd, surreal, disturbing.

0:44:48.600 --> 0:44:51.400
<v Speaker 1>Doesn't necessarily make much sense, you know. I think of

0:44:51.440 --> 0:44:53.920
<v Speaker 1>it like you you've seen the horror movies where they

0:44:54.400 --> 0:44:59.759
<v Speaker 1>all um center around like a creepy looking doll. Right,

0:45:00.000 --> 0:45:02.640
<v Speaker 1>it's a genre unto itself. There's a brand new one

0:45:02.719 --> 0:45:06.560
<v Speaker 1>right about it all and about yeah yeah, so that's

0:45:06.560 --> 0:45:08.640
<v Speaker 1>the fact that I responded so quickly with that is

0:45:09.320 --> 0:45:12.759
<v Speaker 1>not good for me. But yeah, it's this idea of

0:45:12.880 --> 0:45:17.719
<v Speaker 1>things that look not quite right, and the Saint John

0:45:17.800 --> 0:45:21.440
<v Speaker 1>videos are all about that, and they involve the looping

0:45:21.719 --> 0:45:26.880
<v Speaker 1>of certain phrases over and over again, experiments and lighting

0:45:27.000 --> 0:45:32.120
<v Speaker 1>experiments in uh camera angles, as well as digital effects

0:45:32.320 --> 0:45:35.080
<v Speaker 1>or maybe not even digital effects, but special effects. The

0:45:35.120 --> 0:45:39.680
<v Speaker 1>earlier ones are actually more trippy the ones that are

0:45:39.920 --> 0:45:43.560
<v Speaker 1>on the YouTube channel itself. Um, so you can see

0:45:43.600 --> 0:45:48.799
<v Speaker 1>that the there's some shared uh aesthetics. Yeah, and he

0:45:48.840 --> 0:45:52.920
<v Speaker 1>lived in Indiana, apparently just a few hours from Chicago. Um,

0:45:52.960 --> 0:45:55.160
<v Speaker 1>he passed away in two thousand tens, so we'll never know.

0:45:55.360 --> 0:45:58.640
<v Speaker 1>I read one article that said that he admitted to

0:45:58.719 --> 0:46:01.120
<v Speaker 1>his friends that it was him, but I couldn't find

0:46:01.160 --> 0:46:05.239
<v Speaker 1>anything else to substantiate that. And the Motherboard article goes

0:46:05.280 --> 0:46:07.879
<v Speaker 1>so far as to suggest that that it's not him.

0:46:07.880 --> 0:46:10.600
<v Speaker 1>It's not him because his friends all said he at

0:46:10.640 --> 0:46:14.000
<v Speaker 1>that time in n he had no knowledge of video editing.

0:46:14.920 --> 0:46:17.319
<v Speaker 1>All the video stuff he did was later on. It

0:46:17.440 --> 0:46:20.920
<v Speaker 1>was in the late nineties, early two thousand's, so it

0:46:21.000 --> 0:46:24.759
<v Speaker 1>would make sense that, um, while it's the same sort

0:46:24.800 --> 0:46:27.959
<v Speaker 1>of kind of humor, it's not the same person. Yeah.

0:46:27.960 --> 0:46:31.400
<v Speaker 1>His old bandmate even said, you know, Eric didn't do this,

0:46:31.440 --> 0:46:33.600
<v Speaker 1>but he would have loved it. He would have thought

0:46:33.600 --> 0:46:38.000
<v Speaker 1>it was really funny. Yeah. Yeah, and there's another theory

0:46:38.040 --> 0:46:40.640
<v Speaker 1>that Ice first saw and read it. That's how I

0:46:40.680 --> 0:46:44.480
<v Speaker 1>saw the link to Motherboard, and you sent me the

0:46:44.520 --> 0:46:46.439
<v Speaker 1>link and I saw it and read it as well. Yeah,

0:46:46.520 --> 0:46:49.280
<v Speaker 1>this one holds some water to me. Unless this guy

0:46:49.840 --> 0:46:55.560
<v Speaker 1>Bowie j a po Poagg, one of the two poag,

0:46:56.840 --> 0:47:00.239
<v Speaker 1>Unless he is just making all this stuff up right

0:47:00.400 --> 0:47:03.000
<v Speaker 1>this otherwise, this sounds like a pretty decent lead. Yeah,

0:47:03.040 --> 0:47:05.680
<v Speaker 1>I've heard. I've heard some people suggest that that perhaps

0:47:05.719 --> 0:47:07.880
<v Speaker 1>the guy himself is the one who did it, and

0:47:07.880 --> 0:47:11.960
<v Speaker 1>he's invented these personas to be the way of him

0:47:12.000 --> 0:47:14.360
<v Speaker 1>explaining how it was done without actually admitting that he

0:47:14.400 --> 0:47:17.680
<v Speaker 1>did it. But he he maintains his innocence, He says, no,

0:47:17.760 --> 0:47:21.480
<v Speaker 1>I really, all of the evidence I have is purely circumstantial.

0:47:21.520 --> 0:47:24.160
<v Speaker 1>I was thirteen when this happened, which to me suggests

0:47:24.160 --> 0:47:26.160
<v Speaker 1>that it's not him. It does not seem like a

0:47:26.160 --> 0:47:30.839
<v Speaker 1>thirteen year old. The voice in the video is distorted,

0:47:30.960 --> 0:47:33.120
<v Speaker 1>but it does it definitely seems like it's someone who's

0:47:33.120 --> 0:47:37.520
<v Speaker 1>older than that. Um. But he talks about uh, two

0:47:37.560 --> 0:47:42.160
<v Speaker 1>brothers and one brother he said. He described him as

0:47:42.280 --> 0:47:45.440
<v Speaker 1>seeming to be on the autism spectrum, and that he

0:47:45.480 --> 0:47:51.120
<v Speaker 1>had a very keen interest in broadcast spectrum and broadcast technology,

0:47:51.880 --> 0:47:55.799
<v Speaker 1>but didn't have very many social skills. Yeah, he was

0:47:55.920 --> 0:48:00.560
<v Speaker 1>the Yeah, he was very big as a thirteen year

0:48:00.600 --> 0:48:03.120
<v Speaker 1>old on that In that hacker scene, but trying it

0:48:03.160 --> 0:48:05.279
<v Speaker 1>sounded like really like one of the young ones trying

0:48:05.280 --> 0:48:08.399
<v Speaker 1>to ingratiate himself into the group. Into the group. These

0:48:08.400 --> 0:48:11.480
<v Speaker 1>were a little older guys who were more experienced. Um.

0:48:11.520 --> 0:48:13.800
<v Speaker 1>He calls them J and K, which are not their names,

0:48:14.360 --> 0:48:17.319
<v Speaker 1>to provide their you know, to guard their anonymity. And

0:48:17.400 --> 0:48:20.359
<v Speaker 1>he said that Jay, who was supposedly the autistic one,

0:48:20.480 --> 0:48:23.000
<v Speaker 1>was He's the one who says that was the guy

0:48:23.040 --> 0:48:26.520
<v Speaker 1>in the mask. They had the same build. He references

0:48:26.520 --> 0:48:28.919
<v Speaker 1>his brother in the video. Yeah, he says that because

0:48:28.920 --> 0:48:31.239
<v Speaker 1>he he shows a glove and he says, uh, this

0:48:31.280 --> 0:48:34.480
<v Speaker 1>one is dirty. My brother is wearing the other one. Yeah,

0:48:34.520 --> 0:48:39.200
<v Speaker 1>he apparently. He says this is from his reddit. He said, Uh,

0:48:39.200 --> 0:48:42.320
<v Speaker 1>he liked to tell dirty jokes. The dirty jokes were funny,

0:48:42.320 --> 0:48:44.440
<v Speaker 1>at least to me. Is a thirteen year old and

0:48:44.520 --> 0:48:47.480
<v Speaker 1>a woman dressed up as Antioakley swatting someone's bare butt

0:48:47.520 --> 0:48:50.600
<v Speaker 1>with a fly swatter is a perfect reflection of his

0:48:50.640 --> 0:48:54.879
<v Speaker 1>sense of humor. Uh. It was usually childish and sexually deviant. Yeah.

0:48:55.200 --> 0:48:58.080
<v Speaker 1>And he talked about how he had kind of a

0:48:58.200 --> 0:49:01.600
<v Speaker 1>verbal tick that instead of saying uh, when he was

0:49:01.600 --> 0:49:04.719
<v Speaker 1>trying to think of something he'd say, oh, and that

0:49:04.920 --> 0:49:08.640
<v Speaker 1>if you listen to the video, there's some there's a yeah,

0:49:08.640 --> 0:49:11.800
<v Speaker 1>there's a lot of him kind of making oh noises

0:49:12.040 --> 0:49:15.400
<v Speaker 1>between when he's saying things. So it does kind of

0:49:15.440 --> 0:49:17.440
<v Speaker 1>come across as someone who's trying to think of the

0:49:17.480 --> 0:49:20.200
<v Speaker 1>next thing to say. Like, it didn't feel like it

0:49:20.280 --> 0:49:22.400
<v Speaker 1>certainly does not feel that the Max Headroom incident was

0:49:22.480 --> 0:49:25.440
<v Speaker 1>terribly scripted, Like I think it was a lot off

0:49:25.480 --> 0:49:31.560
<v Speaker 1>the cup unless. Yeah. So the the other brother, Kay,

0:49:31.880 --> 0:49:38.160
<v Speaker 1>was Jay's caretaker h and also was possibly the theory

0:49:38.239 --> 0:49:40.440
<v Speaker 1>seems to be that k was the one working the camera,

0:49:41.080 --> 0:49:44.320
<v Speaker 1>that Ja was the one on camera, and that Kay's

0:49:44.560 --> 0:49:48.840
<v Speaker 1>girlfriend was the one with the fly swatter, and again

0:49:48.920 --> 0:49:51.880
<v Speaker 1>all of this ends up being circumstantial evidence. He said that,

0:49:52.040 --> 0:49:55.560
<v Speaker 1>as Poche said, as a thirteen year old, he went

0:49:55.640 --> 0:49:59.439
<v Speaker 1>to this apartment that was just filled with equipment. Yeah,

0:49:59.560 --> 0:50:02.440
<v Speaker 1>he says, the there was nothing, you know, no normal

0:50:02.480 --> 0:50:05.160
<v Speaker 1>decorations except like a rainbow kite or something in there.

0:50:05.160 --> 0:50:09.840
<v Speaker 1>Everything else was electronic equipment, and that they were the

0:50:09.880 --> 0:50:14.000
<v Speaker 1>people they were talking about something but not explicitly talking about,

0:50:14.080 --> 0:50:16.360
<v Speaker 1>just saying that something big was gonna happen and that

0:50:16.480 --> 0:50:19.840
<v Speaker 1>he should definitely make sure to be watching channel nine

0:50:20.400 --> 0:50:24.080
<v Speaker 1>at nine pm, uh like w g N at nine pm,

0:50:24.200 --> 0:50:25.759
<v Speaker 1>so he could see the big thing that was going

0:50:25.840 --> 0:50:28.879
<v Speaker 1>to happen, and that he claims he didn't even put

0:50:28.960 --> 0:50:31.319
<v Speaker 1>two and two together, like he saw the incident go

0:50:31.440 --> 0:50:33.880
<v Speaker 1>down and knew that something big was going to happen,

0:50:34.400 --> 0:50:36.480
<v Speaker 1>which does seem a little hinky to me, but he

0:50:36.560 --> 0:50:39.080
<v Speaker 1>says years later as when it all kind of connected

0:50:39.120 --> 0:50:42.200
<v Speaker 1>for me, it seems a little weird. That does seem

0:50:42.200 --> 0:50:44.080
<v Speaker 1>a little weird to me too, but he said. He

0:50:44.160 --> 0:50:46.080
<v Speaker 1>does go on to defend himself a bit and say,

0:50:46.160 --> 0:50:50.360
<v Speaker 1>you know that there were I heard a dozen things

0:50:50.400 --> 0:50:52.400
<v Speaker 1>from them a day that we're just sort of weird

0:50:52.440 --> 0:50:55.399
<v Speaker 1>and out there, and it wouldn't register as anything big

0:50:55.440 --> 0:50:57.239
<v Speaker 1>to me with they said, you know, we're gonna do

0:50:57.239 --> 0:50:59.160
<v Speaker 1>something big watch the TV tonight. So in other words,

0:50:59.160 --> 0:51:01.960
<v Speaker 1>they were a bunch of big talkers. But it's happened

0:51:02.760 --> 0:51:05.040
<v Speaker 1>as a kid, he's trying to fit in. He you know,

0:51:05.040 --> 0:51:06.600
<v Speaker 1>it sounds like he was kind of nervous hanging around

0:51:06.600 --> 0:51:09.959
<v Speaker 1>this crowd, eager to please exactly. Yeah, well, at any rate,

0:51:10.760 --> 0:51:13.120
<v Speaker 1>he's the one who on Reddit just laid out the

0:51:13.280 --> 0:51:17.439
<v Speaker 1>situation and explained what he thought had happened based upon

0:51:17.480 --> 0:51:21.040
<v Speaker 1>circumstantial evidence. Again, he never witnessed any of this himself,

0:51:21.120 --> 0:51:23.200
<v Speaker 1>according to his account, and it kind of blew up

0:51:23.200 --> 0:51:24.920
<v Speaker 1>on Reddit, didn't it? I did? It did? And he

0:51:25.400 --> 0:51:28.520
<v Speaker 1>gave specific updates, and in fact, he was interviewed heavily

0:51:28.560 --> 0:51:32.560
<v Speaker 1>for the Motherboard article and he explained that he tried

0:51:32.600 --> 0:51:35.640
<v Speaker 1>to get in touch with j and k Um through

0:51:35.760 --> 0:51:39.160
<v Speaker 1>multiple media, like he knows where they are still. Yep.

0:51:39.360 --> 0:51:42.520
<v Speaker 1>He sent them Facebook messages, he sent an email, and

0:51:42.560 --> 0:51:46.760
<v Speaker 1>he sent them actual snail mail and didn't get any response.

0:51:46.800 --> 0:51:49.920
<v Speaker 1>And he says, I'm taking that as a indication that

0:51:49.960 --> 0:51:52.759
<v Speaker 1>they don't want to talk about this, and so out

0:51:52.800 --> 0:51:55.479
<v Speaker 1>of respect for their privacy, I'm dropping it. And so

0:51:55.840 --> 0:51:59.239
<v Speaker 1>he never revealed the identities of the people. No, he

0:51:59.280 --> 0:52:01.799
<v Speaker 1>did have other well on the Reddit the said they

0:52:01.840 --> 0:52:04.799
<v Speaker 1>were around that same scene back then, and it sort

0:52:04.840 --> 0:52:06.919
<v Speaker 1>of checks out. The guy had a similar ability short

0:52:06.920 --> 0:52:09.839
<v Speaker 1>of shortened squatty and um, so he had a little

0:52:09.840 --> 0:52:13.759
<v Speaker 1>bit of support. But it's all circumstantial and conjecture. You know,

0:52:13.800 --> 0:52:16.799
<v Speaker 1>there's obviously no proof, no smoking gun, right, so we

0:52:16.880 --> 0:52:19.759
<v Speaker 1>may never know for sure who did this. We'll have

0:52:19.880 --> 0:52:22.000
<v Speaker 1>someone will have to come forward. This the only way. Yeah,

0:52:22.000 --> 0:52:25.120
<v Speaker 1>but it's one of those mysteries that is really interesting

0:52:25.160 --> 0:52:28.040
<v Speaker 1>to read about. To to and the fact that it

0:52:28.400 --> 0:52:30.920
<v Speaker 1>it's still you know, you can you can watch the video.

0:52:31.000 --> 0:52:34.520
<v Speaker 1>You can actually see what happened. It's kind of cool

0:52:34.560 --> 0:52:36.760
<v Speaker 1>because there are a lot of these these weird moments

0:52:36.880 --> 0:52:39.160
<v Speaker 1>you just have second or third hand accounts and you

0:52:39.200 --> 0:52:41.960
<v Speaker 1>can't you can't really experience it for yourself. You have

0:52:42.000 --> 0:52:43.719
<v Speaker 1>to think, oh, what would it have been like? But

0:52:43.760 --> 0:52:45.799
<v Speaker 1>now you can actually see. Yeah, it's a pretty neat,

0:52:45.800 --> 0:52:48.799
<v Speaker 1>little time capsule experience, especially if you grew up in

0:52:48.800 --> 0:52:50.759
<v Speaker 1>the eighties, right, And if you don't know who Max

0:52:50.800 --> 0:52:52.600
<v Speaker 1>Headroom is, then maybe you should do some research on

0:52:52.640 --> 0:52:55.520
<v Speaker 1>that first and then watch the video to understand how

0:52:55.560 --> 0:52:57.440
<v Speaker 1>weird this was. That b B show, I'm telling you,

0:52:57.520 --> 0:53:00.760
<v Speaker 1>is pretty good. People should watch that. Yeah, totally, guys.

0:53:00.800 --> 0:53:03.200
<v Speaker 1>I hope you enjoyed this classic episode of Tech Stuff.

0:53:03.239 --> 0:53:05.960
<v Speaker 1>Big thanks once again to Chuck Bryant for agreeing to

0:53:05.960 --> 0:53:07.600
<v Speaker 1>be on it. It was a lot of fun to

0:53:07.880 --> 0:53:11.840
<v Speaker 1>explore this story, one that I had heard about, I

0:53:11.880 --> 0:53:16.560
<v Speaker 1>had seen the videos. I found them a little unsettling, honestly.

0:53:17.320 --> 0:53:19.880
<v Speaker 1>Uh and other people just find them funny. It all

0:53:19.920 --> 0:53:22.600
<v Speaker 1>depends on your your sense of humor, I guess. But

0:53:22.600 --> 0:53:24.640
<v Speaker 1>it was really interesting to take a deeper dive and

0:53:24.640 --> 0:53:28.120
<v Speaker 1>really learned the the story behind it as much as

0:53:28.160 --> 0:53:33.160
<v Speaker 1>we do know, and how it was even possible. And uh, guys,

0:53:33.640 --> 0:53:37.680
<v Speaker 1>if you're thinking about trying to pirate various signals out there,

0:53:37.840 --> 0:53:40.520
<v Speaker 1>first of all, you're gonna need a pretty powerful transmitter.

0:53:40.719 --> 0:53:45.320
<v Speaker 1>Second of all, don't don't you know, don't don't be dumb,

0:53:45.960 --> 0:53:48.360
<v Speaker 1>as Josh Clark, the other co host of Stuff You

0:53:48.400 --> 0:53:51.120
<v Speaker 1>Should Know, would say. And I hope you guys enjoyed it.

0:53:51.160 --> 0:53:53.600
<v Speaker 1>If you guys have any suggestions for future episodes of

0:53:53.600 --> 0:53:56.200
<v Speaker 1>tech Stuff, send me an email. The addresses tech stuff

0:53:56.280 --> 0:53:59.600
<v Speaker 1>at how stuff works dot com, or you can draw

0:53:59.640 --> 0:54:01.680
<v Speaker 1>me a lot on Facebook or Twitter. The handle of

0:54:01.760 --> 0:54:04.960
<v Speaker 1>both of those is text Stuff h s W. Follow

0:54:05.040 --> 0:54:08.160
<v Speaker 1>us on Instagram and I will talk to you again

0:54:09.000 --> 0:54:17.600
<v Speaker 1>really soon for more on this and thousands of other topics,

0:54:17.640 --> 0:54:29.120
<v Speaker 1>because it how stuff works dot com